Podcasts about Chicago Symphony Orchestra

All four finalists of the Chicago Symphony Orchestra's annual young artists concerto competition, including winner Jeremy Liu, 13 of Naperville, playing the Grieg Piano Concerto. The post 2025 Crain-Maling Foundation CSO Young Artists Competition appeared first on WFMT.

Lainey Schooltree is a musician, comedian, streamer, and former half of the musical comedy duo The Steamy Bohemians. She then formed the solo art rock project Schooltree. When the pandemic hit, she began performing on Twitch and found that live-streaming offered the interdisciplinary playground she'd been after. What began as a temporary pivot became a long-term transformation and these days she captains a spaceship on Lainey Schooltree TV - a live show where she’s an “astro-streamer” assigned to deliver packages while improvising music with analog synthesizers, electronic drums, and layered vocals in a show that blends surreal comedy, retro-futurist visuals, and themes of corporate absurdity and creative resistance. SONG 1: Kashmir by Led Zeppelin from their 1975 album Physical Graffiti.https://www.youtube.com/watch?v=tzVJPgCn-Z8 SONG 2: Bartók: Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto performed by the Chicago Symphony Orchestra in 1993.https://www.youtube.com/watch?v=kUZ83BzCQNM SONG 3: Hammer Horror by Kate Bush off her album Lionheart released in 1978.https://www.youtube.com/watch?v=XR4KnfcgLm0 PARTING TUNE: Cat Centipede by Schooltree from the album Heterotopia released in 2017.https://www.youtube.com/watch?v=PF14v_qeVu8See omnystudio.com/listener for privacy information.

On this edition of The Arts Section, host Gary Zidek checks in with the Chicago Symphony Orchestra's incoming music director, Klaus Makela. The 29-year-old is set to become the 11th music director of 133-year-old institution. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gary to review a world premiere titled BERLIN. Later in the show, Gary talks to the creatives behind a new documentary that looks back at the creation of one of the most popular comic book series of all-time. Gary also catches up with artist Tim Lowly to talk about his new exhibit in Aurora. And we'll take a closer look at the history of Pappy Van Winkle bourbon.

The Cello Sherpa Podcast Host, Joel Dallow, interviews Bassist Andrew Sommer. Andrew is in his second season as a bassist in the Chicago Symphony, after spending 4 years as Principal of the Richmond Symphony. He shares his story about growing up among musician parents, with his mom as his earliest music teacher, his dad paving the way as a bassist in the Atlanta Symphony and much more. For more information on Andrew Sommer: https://cso.org/about/performers/cso-musicians/strings/bass/andrew-sommer/You can also find Andrew on Facebook & Instagram: @ajsommerIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, TikTok, YouTube and Bluesky @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

As part of Radio 3's Boulez at 100 day celebrating the centenary of composer and conductor Pierre Boulez, Michael Berkeley's guest is someone who knew Boulez well - composer and musicologist Gerard McBurney. McBurney is most closely associated with the music of Russian composers – particularly Shostakovich – as a result of having lived and studied in Russia in the 1980s. Notable Shostakovich scores he has rescued from oblivion with completions and orchestrations include the music-hall show Hypothetically Murdered and the opera Orango. He talks to Michael about life in Russia in the years immediately before the collapse of the Soviet Union. His many other musical projects have included working on the Chicago Symphony Orchestra's long-running dramatized discovery series Beyond the Score, on many of which he collaborated with Boulez - about whom McBurney has first-hand insightful stories to relate.Producer: Graham RogersTo listen to this programme on most smart speakers, say "Ask BBC Sounds to play Private Passions".

fWotD Episode 2882: Pierre Boulez Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 26 March 2025 is Pierre Boulez.Pierre Louis Joseph Boulez (French: [pjɛʁ lwi ʒozεf bulɛz]; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war contemporary classical music.Born in Montbrison, in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism in the 1950s, controlled chance music in the 1960s and the electronic transformation of instrumental music in real time from the 1970s onwards. His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces considered landmarks of twentieth-century music, such as Le Marteau sans maître, Pli selon pli and Répons. His uncompromising commitment to modernism and the trenchant, polemical tone in which he expressed his views on music led some to criticise him as a dogmatist.Boulez was also one of the most prominent conductors of his generation. In a career lasting more than sixty years, he was music director of the New York Philharmonic, chief conductor of the BBC Symphony Orchestra and principal guest conductor of the Chicago Symphony Orchestra and the Cleveland Orchestra. He made frequent appearances with many other orchestras, including the Vienna Philharmonic and the Berlin Philharmonic. He was known for his performances of the music of the first half of the twentieth century—including Debussy and Ravel, Stravinsky and Bartók, and the Second Viennese School—as well as that of his contemporaries, such as Ligeti, Berio and Carter. His work in the opera house included the production of Wagner's Ring cycle for the centenary of the Bayreuth Festival, and the world premiere of the three-act version of Berg's opera Lulu. His recorded legacy is extensive. He also founded several musical institutions. In Paris he set up the Domaine musical in the 1950s to promote new music; in the 1970s he established the Institut de Recherche et Coordination Acoustique / Musique (IRCAM), to foster research and innovation in music, and the Ensemble intercontemporain, a chamber orchestra specialising in contemporary music. Later he co-founded the Cité de la musique, a concert hall, museum and library dedicated to music in the Parc de la Villette in Paris and, in Switzerland, the Lucerne Festival Academy, an international orchestra of young musicians, with which he gave first performances of many new works.This recording reflects the Wikipedia text as of 00:21 UTC on Wednesday, 26 March 2025.For the full current version of the article, see Pierre Boulez on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Olivia.

This morning on The Greg & Dan Show, Maestro Goerge Stelluto and Anthony Marroto came in to tell us about their upcoming St. Patrick's Day show this weekend. The performance will feature the Chicago Symphony Orchestra's principal percussionist Cynthia Yeh.See omnystudio.com/listener for privacy information.

“People may live in a place that's very different from us, but they have the same hopes, dreams, fears, and struggles with everyday life that we all do at some level. All the parents want education for their kids. Everyone wants a home, wants good food to eat, loves a good laugh and a good joke, loves to play and be silly together. If you find that out as a young person, you are less likely to quickly judge in a negative way someone who is different from you.”Nationally recognized as a leader in the field of youth choral conductors, Emily Ellsworth enjoys an active schedule as guest conductor and clinician both nationally and abroad. She has conducted all-state choirs and festivals in over 30 states, honor choirs for the Northwest, North Central, Southwest and Western regions of the American Choral Directors Association, and the 2019 national children's honor choir for ACDA's 60th anniversary conference. International appearances include festival choirs in Ireland, England, Hong Kong, Grand Cayman Island, Greece, and presentations for the national association of choral directors in Brazil.Collegiate work most recently includes teaching Conducting III at Elmhurst University, conducting the Elmhurst University Concert Choir, joining the Luther College choral faculty as Visiting Assistant Professor of Music, and conducting the University Singers at Northwestern University. She served as Artistic Director of Anima (Ah-nee-mah)–Glen Ellyn Children's Chorus from 1996–2018. She conducted Anima on several national conferences for both ACDA and Chorus America, led concert tours to six continents, and produced nine CD recordings. Ms. Ellsworth has served as music panelist for the National Endowment for the Arts, and spent 20 years as a professional singer and voice teacher in various college and university settings.Her home base of Chicago has featured Ms. Ellsworth's preparation of dozens of youth and women's ensembles for major musical organizations, including the Chicago Symphony Orchestra, Lyric Opera of Chicago, Berlin Philharmonic, and Ravinia Festival, and many more.Ms. Ellsworth holds vocal performance degrees from Macalester College under Dr. Dale Warland and the University of Southern California, as well as the Artist Teacher Certificate from the Choral Music Experience Choral Teacher Training Institute. Her primary choral mentors are Drs. Dale Warland and Doreen Rao. More information can be found at emilyellsworth.net.To get in touch with Emily, you can find her on Facebook (@emily.ellsworth.50) or visit her website.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Aleksandr Nikolaevič Skrjabin (1872-1915) – Sinfonia n. 1 in Mi Maggiore, Op.26I. LentoII. Allegro drammaticoIII. LentoIV. VivaceV. AllegroVI. AndanteAlisa Kolosova, mezzosopranoSergey Skorokhodov, tenoreChicago Symphony ChorusChicago Symphony OrchestraRiccardo Muti, direttore

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Greg Roosa, 2nd horn of the Los Angeles Philharmonic. About Greg: Gregory Roosa was appointed Second Horn of the Los Angeles Philharmonic by Gustavo Dudamel in September 2012. Prior to that he held the Fourth Horn position in the St. Louis Symphony Orchestra beginning in 2003. His previous positions include Fourth Horn with the Kennedy Center Opera and Ballet Orchestra, and Fourth Horn with the Colorado Symphony in Denver. A native of Troy, Michigan, Roosa attended the University of Illinois and studied with Ralph Froelich at the University of South Florida. In 1992, he moved to Chicago to study with Dale Clevenger, Principal Horn of the Chicago Symphony. He was a member of the Civic Orchestra of Chicago for three seasons. Active as a freelance musician in the Chicago area for eight years, Roosa played in the Broadway shows Ragtime, Phantom of the Opera, and Miss Saigon. He also played with the Chicago Symphony Orchestra, including a European tour and two recordings. Roosa has appeared as soloist and clinician at numerous universities and horn workshops around the world. Roosa has performed with the Melbourne Symphony Orchestra and Queensland Orchestra in Australia, as well as with the Florida Orchestra and Detroit Symphony in the U.S. He was a member of the Colorado Music Festival Orchestra from 1999 to 2012, where he met his wife, Amy Jo Rhine, the Third Horn of LA Phil. Together they have two young boys, Norton and Sutton.

Corky Siegel joins me on episode 129.Corky played was central in the emergence of the popularity of the blues to a white audience. His Siegel-Schwall band gained a residency at Chicago's Pepper Lounge, sharing the stage with blues giants such as Howling Wolf, Muddy Waters and Little Walter. The band were also part of San Francisco's 1967 Summer of Love, rubbing shoulders with the likes of Joni Mitchell and Janis Joplin.Corky has a unique place in harmonica history with his blues / classical collaborations. After performing with the Chicago Symphony Orchestra in 1966, he has gone on to enjoy a platinum selling classical record, composed numerous blues / classical orchestral pieces, recorded with a Chamber music ensemble and performed with orchestras around the world.Links:Website: https://www.corkymusic.com/Siegel-Schwall band: https://www.corkymusic.com/siegel-schwallChamber Blues: https://www.corkymusic.com/chamber-bluesSymphonic Blues: https://www.corkymusic.com/symphonyEcho Audiobook: https://www.audible.co.uk/pd/Echo-Audiobook/B00VS6N4ZICorky's lesson on dynamics: https://www.corkymusic.com/harmonica-lessonVideos:Chamber Blues: https://www.corkymusic.com/video-chamber-bluesLullaby, composition by Dr L Subramaniam: https://www.youtube.com/watch?v=Ty1ri62uBuUCorky playing with Howard Levy: https://www.youtube.com/watch?v=EjnYE-jIprcPodcast website:https://www.harmonicahappyhour.comDonations:If you want to make a voluntary donation to help support the running costs of the podcast then please use this link (or visit the podcast website link above):https://paypal.me/harmonicahappyhour?locale.x=en_GBSpotify Playlist: Also check out the Spotify Playlist, which contains most of the songs discussed in the podcast:https://open.spotify.com/playlist/5QC6RF2VTfs4iPuasJBqwT?si=M-j3IkiISeefhR7ybm9qIQPodcast sponsors:This podcast is sponsored by SEYDEL harmonicas - visit the oldest harmonica factory in the world at www.seydel1847.com  or on Facebook or Instagram at SEYDEL HARMONICAS--------------------------------Blue Moon Harmonicas: https://bluemoonharmonicas.comSupport the show

Send us a textChecking in from Chicago.  Bluebeard with the Chicago Symphony Orchestra, Grammy truth and my pimp coat...

Justin Kolb is an accomplished pianist who began playing at the age of four. Now 82, Justin continues to practice almost daily and performs intimate house concerts called "From the Bench," showcasing music "by living American composers as well as music that lives in undeserved obscurity." Justin shares vivid memories from his early competitions to his debut with the Chicago Symphony Orchestra, and recounts his time in the military where he balanced service with a budding concert career. After a successful stint in the business world, Justin returned to his passion for music, performing globally and conducting house concerts that are always a sellout. Tune in to hear about Justin's extraordinary journey and his deep connection to the piano, culminating in a life dedicated to evoking emotion through music. 00:00 Introduction to Justin Kolb 01:04 Early Life and First Piano Lessons 02:19 Competitions and Early Success 05:04 Military Service and European Debut 08:54 Post-Military Career and Business Ventures 10:44 Return to Music and Retirement 13:10 From the Bench Concert Series 17:54 Reflections on Music and Practice 22:16 Conclusion and Contact Information

Edwin Barker is recognized as one of the most gifted bassists on the American concert scene. In this wide-ranging interview, you'll hear about how when he was still a student, he won a job with the Chicago Symphony Orchestra, and then at age 22, he was appointed to the position of Principal Bass of the Boston Symphony Orchestra, a position he has now held for nearly 50 years. He shared memories of his mentors, and his valuable perspectives on learning and teaching the bass, playing in orchestra, conductors, auditions, acoustics and more. We're featuring his wonderful recent album of solo bass music, Basso Profundo, both J.S. Bach's Suite no. 5 and Weinberg's Sonata Op. 108. You can also watch this on my YouTube, and I've also linked the transcript, everything linked here to my website. It's a joy to bring these inspiring episodes to you every week, and I do all the many jobs of research, production and publicity. Please consider either buying me a coffee on my Ko-fi page, or ordering some of my merchandise. This weekly podcast is in Season 5 and I send out an email newsletter where you can get access to exclusive information about upcoming guests! Navona records link to album: https://edwinbarker.com Weinberg biography I think you may also enjoy these episodes: Mark Deutsch Thomas Cabaniss Jeeyoon Kim Rachel Mercer Hillary Simms Gail Archer Jessica Cottis and so many more ! photo of Edwin Barker: Sam Brewer Timestamps: (00:00) Intro (02:23) Ed's start on the bass in school music program, Angelo LaMariana (05:33) Henry Portnoi, Peter Mercurio (09:25) New York Philharmonic, Chicago Symphony, Boston Symphony (12:37) David Perlman, different schools of bass playing (17:28) Basso Profundo album, Bach suite adaptation for the bass (21:58) Courante from Bach Suite no. 5, from Basso Profundo (link in description) (24:14)bass history, Dragonetti (27:53) Ed's first week in Boston, Mahler 1 (30:28) Seiji Ozawa, orchestra conductors (34:26) composer Mieczyslaw Weinberg, solo bass repertoire (37:34) 3rd movement of the Weinberg Sonata op. 108 (link in description) (40:13) connection between the Bach Suite and the Weinberg sonata (42:01) excerpt of the 5th movement, Lento, of Weinberg sonata (42:56) Weinberg's life (46:43) excerpt of the 6th movement Weinberg sonata (47:22) other episodes you will find interesting, ways to support this series (48:14) the joys and challenges of orchestral playing (56:59) the influence of the acoustics of the hall on an orchestras sound (01:03:13) orchestra auditions (01:10:32) teaching the bass, playing Principal

Molly Durand is a classically trained singer and songwriter whose lifelong career in music started in Chicago. At a young age, she had the opportunity to work with some of the greatest classical conductors of the 20th century, Sir Gorge Solti and Christoph Eschenbach, alongside the Chicago Symphony Orchestra and Chorus at Orchestra Hall and Medina Temple.   As an adult, Molly Durand was awarded scholarship to study voice at The De Paul Music School. During her tenure, she performed the American premiere of The Marriages Between Zones 3, 4 & 5 by renowned minimalist composer Phillip Glass, who mentored the production and rehearsals.  While at DePaul she was in the Theater School production of the Vagina Monologues and then also played Mrs. Lovett in Steven Sondheim's Sweeney Todd: The Demon Barber of Fleet Street, at the Music School there. She furthered her training and study at The American Musical and Dramatic Academy in both New York City and Los Angeles and served as a stage manager to further her study of the theater and live performance.

Molly Durand is a classically trained singer and songwriter whose lifelong career in music started in Chicago. At a young age, she had the opportunity to work with some of the greatest classical conductors of the 20th century, Sir Gorge Solti and Christoph Eschenbach, alongside the Chicago Symphony Orchestra and Chorus at Orchestra Hall and Medina Temple.   As an adult, Molly Durand was awarded scholarship to study voice at The De Paul Music School. During her tenure, she performed the American premiere of The Marriages Between Zones 3, 4 & 5 by renowned minimalist composer Phillip Glass, who mentored the production and rehearsals.  While at DePaul she was in the Theater School production of the Vagina Monologues and then also played Mrs. Lovett in Steven Sondheim's Sweeney Todd: The Demon Barber of Fleet Street, at the Music School there. She furthered her training and study at The American Musical and Dramatic Academy in both New York City and Los Angeles and served as a stage manager to further her study of the theater and live performance.    Synth - Chris Newlin Bass David Barsky Guitar  Harry Owen Piano  Mark Brown Violin Nino Chikviladze  Georgian Drum Kit  Francesca Pratt  Rome, Italy Toms (drums) - Glenn Welman - South Africa Percussion Gabrielle from Caracas Venezuela Mix Engineer  Bill Mims Master Chris Sorem Moon Photograph & Music Video - Adam Petrishin

Show Open 12.21.24  -Lisa's once-a-year lasagne-Who does the Spotify holiday playlist-Resting gift-face To subscribe to The Pete McMurray Show Podcast just click here

In this exclusive interview, Nick Zanetti sits down with Johannes Moser, one of the most brilliant cellists of our time. Hailed by Gramophone magazine as "one of the finest among the astonishing gallery of young virtuoso cellists," Johannes Moser has performed with the world's leading orchestras such as the Berliner Philharmoniker, New York Philharmonic, Los Angeles Philharmonic, and many more. He has worked with legendary conductors including Riccardo Muti, Zubin Mehta, Pierre Boulez, Gustavo Dudamel, and others. Johannes shares his experiences on tour, his passion for music, and the importance of innovation in his field. He also talks about his commitment to expanding the classical repertoire by commissioning new works from contemporary composers, and his dedication to teaching. He has collaborated with artists like Emanuel Ax, Joshua Bell, and Leonidas Kavakos, and participated in international festivals such as the Verbier and Gstaad Festivals. In the 2024/25 season, Johannes will have the privilege of performing the world premiere of Anna Thorvaldsdottir's Cello Concerto with the San Francisco Symphony, and will collaborate with major orchestras like the Chicago Symphony Orchestra and the Sydney Symphony Orchestra. Don't miss this unique opportunity to discover the secrets of one of the greatest cellists of his generation, as he discusses music, nutrition, and how he keeps his body and mind at their best for his performances. In questa intervista esclusiva, Nick Zanetti parla con Johannes Moser, uno dei più brillanti violoncellisti del nostro tempo. Acclamato dalla rivista Gramophone come "uno dei più straordinari tra i giovani violoncellisti", Johannes Moser ha collaborato con le orchestre più prestigiose al mondo, come la Berliner Philharmoniker, la New York Philharmonic, la Los Angeles Philharmonic e molte altre. È stato diretto da leggendari direttori d'orchestra come Riccardo Muti, Zubin Mehta, Pierre Boulez, Gustavo Dudamel e molti altri. Johannes condivide la sua esperienza in tournée, la passione per la musica e l'importanza dell'innovazione nel suo campo. Parla anche del suo impegno per ampliare il repertorio classico, commissionando nuove opere a compositori contemporanei e la sua dedizione nell'insegnamento. Ha lavorato con artisti di fama come Emanuel Ax, Joshua Bell e Leonidas Kavakos, e ha partecipato a festival internazionali come il Verbier Festival e il Gstaad Festival. Nella stagione 2024/25, Johannes avrà il privilegio di eseguire la prima mondiale del Concerto per Violoncello di Anna Thorvaldsdottir con la San Francisco Symphony e di collaborare con importanti orchestre come la Chicago Symphony Orchestra e la Sydney Symphony Orchestra. Non perdere questa opportunità unica di scoprire i segreti di uno dei più grandi violoncellisti della sua generazione, mentre discute di musica, nutrizione, e come mantiene il suo corpo e la sua mente al meglio per le sue esibizioni.

If you've ever shown up to a bar on a Sunday afternoon or listened to a concert at the Chicago Symphony Orchestra, you've experienced firsthand the lasting impact of German culture in the city. Last episode, we went to Christkindlmarket, one of the most prominent examples of German culture in Chicago. There are key organizations like the Goethe Institute and DANK Haus. But there are also more subtle, everyday activities we participate in that would be different had German immigrants never settled in this area, centuries ago. Curious City host Erin Allen talks to two experts on German language and culture. They discuss how it has shaped Chicago's history and present, from the products we consume to the rights and freedoms we enjoy.

This week, we are honored to welcome renowned classical music announcer, Rich Capparela to The Hamilton Review! If you listen to classical music radio stations (he joined KUSC-FM in 1980!), or attend classical music concerts, then you definitely know Rich's famous voice. Friends, you are in for a real treat as Rich and Dr. Bob sit down in person together as Rich shares the story of how he earned one of the best jobs in the world. Funny, dynamic and inspiring, this is a conversation you'll want to put at the top of your queue. Enjoy and share with your friends!   In 1972 an employment counselor asked Rich Capparela, "If you could be anything in the world, what would you be?" Without hesitation he replied, "A classical music radio announcer!" Today Rich is one of the best-known classical music radio personalities in the United States. He joined Los Angeles classical radio station KUSC-FM in 1980 as the morning host. He's also known for his airwork at Southern California classical radio stations KMZT-FM and KFAC-FM. Nowadays he can be heard once again on KUSC-FM. His recording company, Cardiff Studios, produces commercials and programming for U.S. arts organizations, including the Chicago Symphony Orchestra and the Detroit Symphony. He's appeared as narrator at Carnegie Hall in music by Benjamin Britten and has performed in Southern California with the Boston Pops and conductor Keith Lockhart, narrating The Night Before Christmas. In 2009 he began an association with the Metropolitan Opera when he started hosting the Met's prestigious Western Region Finals competition. Since 1995 Capparela has hosted live radio broadcast concerts by the Pacific Symphony. In December of 2001 as part of Los Angeles Music Week, Capparela was honored in chamber by the Los Angeles City Council for his contributions to the city's music community. In 2002 Capparela provided program notes for the Los Angeles Guitar Quartet's Grammy nominated album LAGQ: Latin. Rich continued his association with the Grammys in February of 2004 when he presented the year's classical Grammys in Los Angeles. In January 2010 Capparela hosted the Grammy Salute to Classical Music honoring Placido Domingo. He is active as a lead singer and guitarist with a three-piece cover rock band, Otherwise Normal. Rich and his wife Marcia, a retired private school administrator, live in Santa Monica, California. How to contact Rich Capparela: Cardiff Studios   How to contact Dr. Bob: Dr. Bob on YouTube: https://www.youtube.com/channel/UChztMVtPCLJkiXvv7H5tpDQ Dr. Bob on Instagram: https://www.instagram.com/drroberthamilton/ Dr. Bob on Facebook: https://www.facebook.com/bob.hamilton.1656 Dr. Bob's Seven Secrets Of The Newborn website: https://7secretsofthenewborn.com/ Dr. Bob's website: https://roberthamiltonmd.com/ Pacific Ocean Pediatrics: http://www.pacificoceanpediatrics.com/  

Lila Downs is one of the most influential artists in Latin America. She has one of the most unique voices in the world and is known for her charismatic performances. His own compositions combine genres and rhythms as diverse as Mexican rancheras and corridos, boleros, jazz standards, hip-hop, cumbia and popular American music. Frequently her lyrics focus on justice, immigration and women's problems.She grew up in both Minnesota and Oaxaca, Mexico, her mother is from the Mixtec indigenous group and her father was Scottish-American. Lila sings in Spanish, English and several native American languages ​​such as Zapotec, Mixtec, Nahuatl, Mayan and Purepecha.She has recorded duets with artists as diverse as Mercedes Sosa, Caetano Veloso, Juanes, Nora Jones, Juan Gabriel, Carla Morison, Natalia LaFourcade, Santana , The boss, Nina Pastori, Soledad, Diego La Cigala, Aida Cuevas, Toto La Momposina, and Bunbury. Chavela Vargas “named” Lila as her “successor.”She has been invited to sing with symphonies such as the Chicago Symphony Orchestra, the San Francisco Symphony and the UNAM Symphony in Mexico, as well as with Wynton Marsalis and the Lincoln Center Jazz Orchestra. He has given concerts at Carnegie Hall, the Lincoln Center, the Teatro Colón in Buenos Aires, the Hollywood Bowl and the National Auditorium in Mexico City. She was invited by Barack Obama to sing in the White House, and acted in the Oscars for her participation in the film Frida. Lila has recorded nine studio albums.She has been nominated for nine Grammy awards and has won six.Maggie & Lila discuss her first appearance at the infamous Monterey Jazz Festival and her amazing performance + members of her current band. Source: https://www.liladowns.com/language/en/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

In this episode of One Symphony, host Devin Patrick Hughes interviews Dr. Samantha Ege, pianist and musicologist, about the life and works of Florence Price. Dr. Ege discusses Price's musical style, her significance in American classical music, and the recent rediscovery of her compositions. The conversation covers Price's role in the Chicago music scene, her blending of classical and African American musical traditions, and the challenges she faced as a Black female composer in the early 20th century. Dr. Ege also shares insights from her own recordings of Price's piano works and her upcoming scholarly publications on the composer.   Dr. Samantha Ege is a leading scholar and interpreter of the African American composer Florence Price.  Her work illuminates Price in the context of the Black Chicago Renaissance and Black women's dynamic networks of advocacy, empowerment, and uplift. Her first book, South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene, and first edited collection, The Cambridge Companion to Florence B. Price, are important culminations of the research she has shared around the world.   Dr Ege is a also concert pianist who specializes in the music of 20th and 21st century composers. Her performances bring her research to life, sounding new narratives that are so often unheard in the modern-day concert hall. Dr Ege seeks to communicate the diversity of classical music's past, present, and future through her performances, and foster a sense of belonging for everyone.   In her London debut at the 2021 London Festival of American Music she gave the world premiere of Florence Price's complete Fantasie Nègre set. In 2018, she made her international lecture-recitalist debut at the Chicago Symphony Center with her event A Celebration of Women in Music: Composing the Black Chicago Renaissance. She has performed across the UK, Europe, North America, and Southeast Asia. She has also played with the Oxford Philharmonic Orchestra, Oakland Symphony Orchestra, Arkansas Symphony Orchestra, and Yale Philharmonia.   Thank you for joining us on One Symphony. Thanks to Dr. Samantha Ege for sharing her incredible research, insights, and music-making. You can find her book, South Side Impresarios and more at https://www.samanthaege.com.   Music Selections “Weeping Willow, A Rag Time Two Step.” Composed by Scott Joplin. Performed by Benjamin Loeb on the album Scott Jopin: Piano Rags 2 from Naxos. Violin Concerto No. 2. Composed by Florence Price. Featuring Kelly Hall-Tompkins on violin with the Urban Playground Chamber Orchestra. Conducted by Thomas Cunningham. Sonata in E minor “Andante.” Composed by Florence Price. Performed by Samantha Ege. “Sketches in Sepia.” Composed by Florence Price. Performed by Samantha Ege. Symphony No. 1 in E minor: I. Allegro ma non troppo. Composed by Florence Price. Performed by The Philadelphia Orchestra. Yannick Nézet-Séguin, conductor. Available from Deutsche Grammophon. Symphony No. 3 in C minor: I. Andante – Allegro. Composed by Florence Price. Performed by The Philadelphia Orchestra. Yannick Nézet-Séguin, conductor. Available from Deutsche Grammophon. Sonata in E minor “Scherzo.” Composed by Florence Price. Performed by Samantha Ege. Fantasie Nègre No.4 in B minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. “Snapshots Moon Behind a Cloud.” Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. Fantasie Nègre No.1 in E minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. Juba Dance from Symphony No. 3. Composed by Florence Price. Performed by the Chicago Symphony Orchestra. Ricardo Muti, conductor. Fantasie Nègre No.2 in G minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records.   You can always find more info at OneSymphony.org or DevinPatrickHughes.com including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music. 

War Antonio Salieri der hinterlistige Intrigant, der Mozart das Leben schwer gemacht hat? Viele haben ihn wohl erst durch Miloš Formans «Amadeus»-Film kennengelernt. – Der finnische Dirigent Klaus Mäkelä, Chef in Oslo und in Paris, ist eine aussergewöhnliche Persönlichkeit. Die Macht der Bilder zeigt sich auch darin, wie die Öffentlichkeit den Hofkomponisten Antonio Salieri (1750-1825) wahrnimmt. Im Film «Amadeus» erscheint der Italiener als neidzerfressener Ränkeschmied, der dem aufstrebenden Mozart schadet, wo er nur kann. Was ist wahr an dieser angeblichen Rivalität? Und wir sprechen mit Klaus Mäkelä, der schon mit 28 eine eindrückliche Laufbahn als Dirigent vorweisen kann: Chefdirigent in Oslo und beim Orchestre de Paris, ab 2027/28 beim Concertgebouworkest in Amsterdam und beim Chicago Symphony Orchestra ... Weitere Themen: - «Amadeus» – eine Sinfonie aus Eifersucht und Genialität - Gelassenheit ist Pflicht: Dirigent Klaus Mäkelä

Forbidden love is in the air as Andrés Orozco-Estrada takes listeners from the streets of Bernstein's New York to Tchaikovsky's fantasy on Shakespearean Verona. The Argentine Pampas region is the setting of Ginastera's vibrant ballet about a city boy who wins the heart of a rancher's daughter. Barber's lush and virtuosic Violin Concerto features Benjamin Beilman, whose “rich sound conveys both dreamy lyricism and heated intensity” (The New York Times). Please note: Hilary Hahn must regrettably withdraw from her planned September 19 and 20 performances with the Chicago Symphony Orchestra. Earlier this summer, Hahn suffered from a double pinched nerve; as part of her treatment, her medical team advised her to abstain from performing. While Hahn is expected to recover in time for the majority of her fall engagements and is improving steadily, she is not yet cleared to perform. Original ticket orders for this concert remain valid; no additional action is needed. For order adjustments, please contact Patron Services. Learn more: cso.org/performances/24-25/cso-classical/orozco-estrada-conducts-romeo-juliet

On this episode we make our BIG ANNOUNCEMENT! For our interview we welcome Keith Buncke, Principal Bassoon of the Chicago Symphony Orchestra! This podcast is brought to you by Chemical City Double Reeds (www.chemicalcityreeds.com), ACDC Reeds(www.acdcreeds.com/), Barton Cane (www.bartoncane.com/), and RDG Woodwinds Inc. (rdgwoodwinds.com)! Thank you to our wonderful sponsors!

The Cello Sherpa Podcast Host, Joel Dallow, interviews Brant Taylor, who has been a member of the Chicago Symphony Orchestra cello section since 1998. Brant shares a behind the scenes look at the most recent cello audition where the committee listened to 197 preliminary auditions. If you are interested in taking auditions, Brant provides a treasure trove of helpful information in these episodes!You can connect with Brant on Facebook and Instagram @batmanvcl For more information on Brant click here: https://cso.org/about/performers/cso-musicians/strings/cello/brant-taylor/To read his articles on CelloBello click here: http://www.cellobello.com/cello-blog/author/brant-taylor/Here is an article with Brant's audition tips for the Strad magazine: https://www.thestrad.com/10-tips-for-a-successful-orchestral-audition/14.articleAnother Interview with Brant: http://coregami.com/blogs/news/meditation-new-zealand-and-how-to-late-bloom-your-way-to-the-topInstructional videos with Brant: http://musaic.nws.edu/search?utf8=✓&query=brant+taylorIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Instagram, TikTok and YouTube @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

Revisiting Alexis Weissenberg's Rachmaninov Piano Concerto No. 3 recording with the Chicago Symphony Orchestra under Georges Prêtre. Here's link to purchase a download: https://www.prestomusic.com/classical/products/8193029--rachmaninoff-piano-concerto-no-3-in-d-minor-op-30

The Cello Sherpa Podcast Host, Joel Dallow, interviews Brant Taylor, who has been a member of the Chicago Symphony Orchestra cello section since 1998. Brant shares a behind the scenes look at the most recent cello audition where the committee listened to 197 preliminary auditions. If you are interested in taking auditions, Brant provides a treasure trove of helpful information in these episodes!You can connect with Brant on Facebook and Instagram @batmanvcl For more information on Brant click here: https://cso.org/about/performers/cso-musicians/strings/cello/brant-taylor/To read his articles on CelloBello click here: http://www.cellobello.com/cello-blog/author/brant-taylor/Here is an article with Brant's audition tips for the Strad magazine: https://www.thestrad.com/10-tips-for-a-successful-orchestral-audition/14.articleAnother Interview with Brant: http://coregami.com/blogs/news/meditation-new-zealand-and-how-to-late-bloom-your-way-to-the-topInstructional videos with Brant: http://musaic.nws.edu/search?utf8=✓&query=brant+taylorIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Instagram, TikTok and YouTube @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

Welcome to the show. Today we're tackling a topic that sends chills down the spines of many: mastering auditions. Whether you're aiming for a spot in an orchestra, prepping for a college jury, or even gearing up for that pivotal job interview, the anxiety and fear of auditions is a universal experience.Auditions can feel like stepping into the unknown, a daunting challenge that tests not only your skills but also your nerves. But here's the good news: just like any other challenge, the more you familiarize yourself with the process, the less intimidating it becomes. Remember the first time you rode a bike or spoke in public? The fear melted away with practice and preparation, and auditions are no different.Our guest on this episode is Micah Wilkinson, principal trumpet with the Pittsburgh Symphony Orchestra. Micah has been on both sides of the audition table and understands the nuances that can make or break a performance. Our hope is that by the end of this episode, you'll feel more confident and equipped to tackle your next big opportunity with ease. Let's turn those audition fears into triumphs!Episode Highlights:-Micah shares his musical background in the Atlanta area...02:25-"You have what it takes to be a principal player"; a mentor spurs on a promising career...06:06-Micah's personal experience with auditions (what worked, what didn't)...12:05-Success in certain roles requires a certain amount of "healthy arrogance"...17:25-Focus on the music vs. YOU and no one hardly notices the mistakes...23:19-How do you play "consistently"; and what does "consistency" even mean?...28:35-How a giant whiteboard and recording device can help you track progress on audition prep...32:00-"There's no doubt in my mind the person who won [the recent PSO audition] was more prepared than anyone else"...35:00-View articulation more as properly expressing the language of the music vs. tonguing or fingering with a certain technique...43:00-Plus whatever your discerning ears deem worthy of your time and interest...Episode Sponsor:MF Lip GripAbout the Guest:Micah Wilkinson has enjoyed a varied career as an orchestral musician, soloist, chamber artist, and teacher. He was appointed Principal Trumpet of the Pittsburgh Symphony Orchestra by Music Director Manfred Honeck in September 2017. Wilkinson came to the Pittsburgh Symphony from the San Diego Symphony, where he served as Principal Trumpet for three years. He previously held positions with the Houston Symphony, the San Francisco Symphony, the Oregon Symphony, and the Tucson Symphony. He recently performed in subscription programs as Guest Principal Trumpet with the New York Philharmonic, Chicago Symphony Orchestra, St. Louis Symphony, and the Seoul Philharmonic. In the summers, he performs as Principal Trumpet of the Chautauqua Symphony Orchestra.As an educator, he strives to help the next generation of brass players to find their own unique voices as musical artists. He is quickly becoming one of the most sought-after instructors for trumpet in the United States and enjoys working privately with students at his home studio in Pittsburgh and online through virtual platforms. He is currently on the faculty at Duquesne University in Pittsburgh and at the Chautauqua Institution School of Music. He has also taught at the Aspen Music Festival, Eastman Summer Music Institute, Round Top Festival Hill Institute, and the Brevard Music Center. He previously served on the faculties of the University of Houston and Portland State University, and has presented master classes and clinics for colleges and universities all over the United States, as well as Europe and Asia. Wilkinson grew up in Norcross, Georgia. A...

Rick Howard, N2K CyberWire's Chief Analyst, CSO, and Senior Fellow, commemorates Memorial Day. References: Abraham Lincoln, 1863. The Gettysburg Address [Speech]. Abraham Lincoln Online. Amanda Onion, Original 2009, Updated 2023. Memorial Day 2022: Facts, Meaning & Traditions [Essay]. HISTORY. Brent Hugh, 2021. A Brief History of “John Brown's Body” [Essay]. Digital History. Bob Zeller, 2022. How Many Died in the American Civil War? [Essay]. HISTORY. General George Marshall, 2014. President Lincoln's Letter to Mrs Bixby [Movie Clip - Saving Private Ryan]. YouTube. JOHN LOGAN, 1868. Logan's Order Mandating Memorial Day [Order]. John A. Logan College. John Williams, Chicago Symphony Orchestra, 2012. The People's House: Lincoln (Original Motion Picture Soundtrack) [Song]. Apple Music. John Williams, Chicago Symphony Orchestra, 2012. The Blue and the Grey: Lincoln (Original Motion Picture Soundtrack) [Song]. Apple Music - Web Playe. Livia Albeck-Ripka, 2023. A Brief History of Memorial Day [Essay]. The New York Times. Paul Robeson, 2021. John Brown's Body [Song]. YouTube. Robert Rodat (Writer), Steven Spielberg (Director), Harve Presnell (Actor), 1998. Saving Private Ryan [Movie]. IMDb. Staff, 2020. A Brief Biography of General John A. Logan [Biography]. John A. Logan College. Staff, 2024. Civil War Timeline [WWW Document], American Battlefield Trust. Thomas Jefferson, 1776. Declaration of Independence: [Transcription]. National Archives. Winston Churchil, 1940. Never was so much owed by so many to so few - Winston Churchill Speeches [Speech]. YouTube.

Rick Howard, N2K CyberWire's Chief Analyst, CSO, and Senior Fellow, commemorates Memorial Day. References: Abraham Lincoln, 1863. The Gettysburg Address [Speech]. Abraham Lincoln Online. Amanda Onion, Original 2009, Updated 2023. Memorial Day 2022: Facts, Meaning & Traditions [Essay]. HISTORY. Brent Hugh, 2021. A Brief History of “John Brown's Body” [Essay]. Digital History. Bob Zeller, 2022. How Many Died in the American Civil War? [Essay]. HISTORY. General George Marshall, 2014. President Lincoln's Letter to Mrs Bixby [Movie Clip - Saving Private Ryan]. YouTube. JOHN LOGAN, 1868. Logan's Order Mandating Memorial Day [Order]. John A. Logan College. John Williams, Chicago Symphony Orchestra, 2012. The People's House: Lincoln (Original Motion Picture Soundtrack) [Song]. Apple Music. John Williams, Chicago Symphony Orchestra, 2012. The Blue and the Grey: Lincoln (Original Motion Picture Soundtrack) [Song]. Apple Music - Web Playe. Livia Albeck-Ripka, 2023. A Brief History of Memorial Day [Essay]. The New York Times. Paul Robeson, 2021. John Brown's Body [Song]. YouTube. Robert Rodat (Writer), Steven Spielberg (Director), Harve Presnell (Actor), 1998. Saving Private Ryan [Movie]. IMDb. Staff, 2020. A Brief Biography of General John A. Logan [Biography]. John A. Logan College. Staff, 2024. Civil War Timeline [WWW Document], American Battlefield Trust. Thomas Jefferson, 1776. Declaration of Independence: [Transcription]. National Archives. Winston Churchil, 1940. Never was so much owed by so many to so few - Winston Churchill Speeches [Speech]. YouTube. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Morris Russell Talks Shaken Not Stirred Dan and Tom interview Maestro John Morris Russell (JMR) about his Chicago Symphony Orchestra concert, “Shaken Not Stirred,” musical scores, and James Bond music.  As you might have guessed, the concert's focus is the music of James Bond.   You may know JMR from his work as the conductor of the Cincinnati Pops Orchestra for the past 13 years.  Joining JMR in the concert is the amazing vocalist Capathia Jenkins. She possesses the wide vocal range needed to cover the various styles of singers from the James Bond catalog. We will be attending the concert and we're sure James Bond fans will enjoy this one.   In this episode, JMR talks about what to expect in this concert and how they put it together.  He also talks about his career, why he decided to conduct instead of play an instrument, some influential composers, and film scoring in general.  If you've ever wanted to know what a composer has to deal with in scoring a movie, JMR gives you a good idea.  It is really amazing how they do it. One other area we discuss is how technology has made composition more efficient.  Much is the same as it's been for hundreds of years.  But, some of it is streamlined today. Raymond Benson with an assist Dan and Tom wanted some expertise for this interview, so they asked Raymond Benson for an assist.  Of course, Raymond graciously agreed. Raymond helped us delve into other composers' works and JMR's experiences with them.  Plus, Raymond tells of a very scary experience he had with composer John Barry. What do you think? So, we're excited to be going to this concert and see John Morris Russell put what he told us into action.  We think this will be a good one.  Do you have plans to go to this concert?   If so, let us know your thoughts, ideas for future episodes, and what you thought of this episode by dropping us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will be!  We'll give you a shout-out in a future episode! You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. Check out our YouTube channel as well. Webpage: https://bit.ly/3UxXUJ2 Credit: John Morris Russell pictures courtesy of the Cincinnati Symphony Orchestra.

Two mighty orchestras present a rousing, jazz-meets-classical event. Discover selections from Prokofiev's Romeo and Juliet, alternating between the original orchestral version performed by the Chicago Symphony Orchestra and imaginative new jazz arrangements presented by the Jazz at Lincoln Center Orchestra. Both ensembles join forces for a selection from Wynton Marsalis' Swing Symphony, which The Telegraph calls “a journey through jazz history and the sounds of America itself.” Learn more: cso.org/performances/23-24/cso-classical/cso-x-jazz-at-lincoln-center-orchestra

[@ 3 min] The Final Four bracket for the Best School for Singing is here. Will a top seed prevail...? [@ 26 min] In 'Listener Mailbag,' PJ and Donald give us a preview of “La Rondine” at the Met, which features the house debut of Friend of the Show Emily Pogorelc... [@ 31 min] In the ‘Two Minute Drill,' we ignore opera completely and talk about the Chicago Symphony Orchestra for once...! GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

The Johnson administration has a new chief of staff, and Chicago has its first-ever chief homelessness officer. The Chicago Symphony Orchestra named its youngest-ever conductor and music director. Plus, swimming in the Chicago River? It's happening. Reset dives into the top local news with Better Government Association president David Greising, Block Club Chicago reporter Quinn Myers and WTTW host and anchor Brandis Friedman. For a full archive of Reset interviews, head over to wbez.org/reset.

Klaus Mäkelä has been named Riccardo Muti's successor at the helm of the Chicago Symphony Orchestra, a role he assumes in 2027 alongside the post of Chief Conductor of Amsterdam's Royal Concertgebouw Orchestra. Meanwhile, he remains committed to his two European orchestras, the Orchestre de Paris and the Oslo Philharmonic.  Following his Decca debut recording, of the complete Sibelius symphonies in Oslo, Mäkelä has made two much-admired recordings of music commissioned by Serge Diaghilev. The first of these, made with the Orchestre de Paris, was released early last year – Igor Stravinsky's The Rite of Spring and the complete Firebird ballet – and James Jolly spoke to the conductor by Zoom back in February 2023 as Klaus was in Cleveland conducting performances of Mahler's Fifth Symphony. Gramophone Podcasts are given in association with Wigmore Hall

Also in the news: Cook County Clerk Karen Yarbrough hospitalized; First-ever Missing Persons Day to be held later this month; Chicago Symphony Orchestra announced its new music director and more.

Also in the news: Cook County Clerk Karen Yarbrough hospitalized; First-ever Missing Persons Day to be held later this month; Chicago Symphony Orchestra announced its new music director and more.

Liebe Wunderbar-Together-Crew, heute wird es musikalisch, und auch ein bisschen emotional: Felix und Katalina haben mit Ken-David Masur gesprochen, dem ersten Dirigenten, der zu Gast ist bei Wunderbar Together. Ken-David Masur dirigiert das Milwaukee Symphony Orchestra, organisiert das Chelsea Music Festival in New York – und nimmt uns mit auf eine wunderbare Reise in seinen Konzertsaal, seine Vergangenheit, und hinein in seinen trubeligen Alltag in Wisconsin. vo

On this week's episode of Score Values Alex Kuhn chats with Brant Taylor - Cellist at the Chicago Symphony Orchestra, Sheila Gidley of Canine Therapy Corps and Mary Coy of Inspiration Corporation.

With his Ninth Symphony, Shostakovich delivered a tragicomic work with nods to Haydn and circus tunes. Uzbek pianist Behzod Abduraimov makes his debut with the Chicago Symphony Orchestra in Tchaikovsky's thrilling First Piano Concerto. Mussorgsky's radiant Khovanshchina prelude and Saariaho's ethereal Winter Sky round out the program. Learn more: cso.org/performances/23-24/cso-classical/tchaikovsky-and-shostakovich

“The number one thing that I look for when I meet a younger conductor is imagination, someone who comes with ideas but also has a story to tell with the music. Often younger conductors are really worried about technique, the way they look, the way they rehearse, but it starts with imagination. What do you want to communicate? People are so worried about technique that they hide themselves. We want to see the person. Who are you and what do you have to say?”Prof. Jean-Sébastien Vallée is a renowned Canadian-American conductor, scholar, and pedagogue known for his expertise in vocal, choral, and orchestral repertoires. With an illustrious career spanning over several decades, Dr. Vallée has conducted numerous ensembles across North America, Europe, and Asia, and has prepared choruses for some of the world's most prestigious orchestras including the Toronto Symphony, the Montreal Symphony, the National Arts Center Orchestra in Ottawa, and the Chicago Symphony Orchestra.Currently serving as Associate Professor of Music, Director of Choral Studies, and Coordinator of the Ensembles & Conducting Area at the Schulich School of Music of McGill University, and as Artistic Director of the Toronto Mendelssohn Choir, Dr. Vallée is a sought-after conductor and pedagogue. He has previously served as the Director of Choral Studies at California State University, Los Angeles, and was on the choral faculty of the University of Redlands. Dr. Vallée holds degrees from Laval University, Sherbrooke University, the University of California, Santa Cruz, and a doctorate in conducting from the University of Illinois at Urbana-Champaign.Maestro Vallée's passion for contemporary music is evident in his work, as he makes it a priority to premiere and commission works by young composers and program rarely performed repertoire. Dr. Vallée has presented his research at several national and international conferences, including the American Choral Directors Association Conventions, Festival 500 in Newfoundland, the National Collegiate Choral Organization conference, Podium—the national convention of Choral Canada, the Hawaii International Conference on Arts and Humanities, and the World Symposium on Choral Music in Spain (2017), New Zealand (2020), and Portugal (2022).Maestro Vallée's recordings have been broadcast internationally and include Lux (ATMA, 2017), Requiem (ATMA, 2018 – requiems by Fauré and Duruflé), and Distance (ATMA, 2021). His recent engagements include concerts at the Liszt Ferenc Academy of Music in Budapest, a tour with the National Choir of Canada, and concerts with l'Orchestre symphonique de Québec, the Toronto Symphony Orchestra, and the Chicago Symphony Chorus. To get in touch with Jean-Sébastien, you can visit his website jsvallee.com or find him on Facebook (@sebastien.vallee) or Instagram (@jsvallee). Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Composer and an acclaimed jazz pianist, and the founder of Open Studio, which is the world's leading jazz education platform. His newest album was just released on December 1 and features his brand-new quartet. His touring career has taken him to six continents numerous times, and he played in the White House by invitation from President Obama several times. He performed on and arranged Dianne Reeves' GRAMMY-winning release, “A Little Moonlight,” and appeared in George Clooney's 2005 film “Good Night, and Good Luck,” as well as being the featured pianist and an arranger on the GRAMMY-winning soundtrack. He has also performed, toured, and recorded with names like Wynton Marsalis and Chris Botti, as well as the Berlin Philharmonic, Chicago Symphony Orchestra and the New York Philharmonic.

You're an aspiring musician, and you want to learn from the best. But sometimes it becomes difficult, as the student in many aspects, has learned as much as the teacher in their hometown knows. But finding music instructors of the next level can be time consuming, and often quite expensive. Enter the online platform “Open Studio”. Created by entrepreneur and acclaimed jazz pianist Peter Martin, this web-based program affords you the opportunity and ability to learn from some of the best musicians in the world. At your pace, and within your level of expertise without fear of being overwhelmed.   In this episode, we discuss the Open Studio concept, how it's designed to work at one's own pace, and its benefits as a useful and versatile learning tool for creative musicians. We also chat with Peter's new jazz album project titled “Generation S”. Peter Martin is an acclaimed jazz pianist, composer, arranger, educator and entrepreneur. His touring career has taken him to six continents, and Brian has been invited to play the White House on several occasions. Peter Martin performed on and arranged Dianne Reeves' Grammy-winning release A Little Moonlight and appeared in George Clooney's 2005 film Good Night, and Good Luck, as well as being the featured pianist and an arranger on the Grammy-winning soundtrack. Peter has also performed, toured, and recorded with Wynton Marsalis, Chris Botti, Betty Carter, Christian McBride, and Joshua Redman, as well as the Berlin Philharmonic, Chicago Symphony Orchestra and the New York Philharmonic. Peter attended the Juilliard School of Music and has been on the faculties of Southern Illinois University-Edwardsville, Northwestern University, Tulane University, the University of New Orleans and New Orleans Center for Creative Arts. He has performed workshops and master classes at institutions worldwide, including Oberlin College, Duke University, the Carnegie Hall Professional Training Workshops, Steinway Piano Gallery, the Rotterdam Conservatory, and the Royal Scottish Academy of Music in Glasgow. In 2015, after launching an successful educational video podcast, 2-Minute Jazz, Martin founded a revolutionary jazz educational web platform, Open Studio, where students from over 120 countries are part of an active community and are continuing to learn from Martin, Dianne Reeves, Fred Hersch, Christian McBride, Greg Hutchinson, Romero Lubambo and other artists. www.openstudiojazz.com www.brianmartinmusic.com Creator and Executive Producer Emeritus: Tom Sabella Showrunner and Host (the guy who has a face for podcasting): Bob Bender Management Representation: Chuck Thompson for Thompson Entertainment Group, LLC Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas Recorded inside what could be an old beat up Airstream Trailer located somewhere on what's left of Music Row in Nashville TN (Man we sure do miss Noshville, and the Longhorn Steakhouse) Mixed and Mastered at Music Dog Studios in Nashville, TN Editing and Post at Midnight Express Studio located in Olian, NY Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy. Website: If you would like to be a guest on the show, please submit a request to: bob@businesssideofmusic.com If you're interested in becoming a sponsor for the show, let us know and we'll send you a media / sponsorship kit to you. Contact us at bob@businesssideofmusic.com The views, thoughts, and opinions expressed on this show provided by the guest(s), are those of the guest(s) own, and do not necessarily represent the views, thoughts, and opinions of the host or producers of this podcast. The material and information presented here is for general information purposes only. The Business Side of Music's name and all forms and abbreviations are the property of its owner (Lotta Dogs Productions LLC), and its use does not imply endorsement of or opposition to any specific organization, product, or service. Copyright © 2024 Lotta Dogs Productions, LLC, All rights reserved.

The bells are jingling, chestnuts roasting, and paint cans falling. That's right, tis the season for Home Alone. The gang heads to the Chicago Symphony Orchestra for a screening of Home Alone with live orchestral accompaniment and we chat about the Christmas classic afterwards. So light a fire, turn up the volume, sip some eggnog, and enjoy! Oh, and if the Holiday spirits possess you,  feel free to follow us on Twitter (X) @MovieVBPod and email us at movievolleyball@gmail.com

Drew Banzhaf won the audition for Associate Principal Bass Malmö Symphony in 2023. He spent three years as a guest musician of the Baltimore Symphony Orchestra and has regularly appeared with renowned orchestras such as the Chicago Symphony Orchestra, Atlanta Symphony Orchestra, and Minnesota Orchestra. Drew was also a New World Symphony Fellow for three seasons and is a graduate of Indiana University and Rice University. We dig into Drew's background, his decade spent taking 36 professional auditions, lessons learned along the journey, and much more. Enjoy!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   theme music by Eric Hochberg

Jessie Montgomery, CSO's Mead Composer-in-Residence, is nominated for “Best Contemporary Classical Composition.” CSO's audio engineer Charlie Post has picked up a third nomination for “Best Engineered Album, Classical” with the CSO album Contemporary American Composers. Reset checks in with Montgomery and two CSO musicians to celebrate the honor and talk classical music in the modern day. To hear more conversations with Chicago's 2024 Grammy nominees, head over to wbez.org/reset.

In this episode we will discuss if its better to lean into something you are passionate about or what you are good at with James Earl Jones II. We talk about his career and what led him going into his career...................................................James Earl Jones II (Harry) National tour: 1st Nat'l Come from Away, 1st Nat'l Gershwin's Porgy & Bess. Regional: Porchlight Music, Goodman, Marriott, Court, Chicago Shakespeare, Writers, Lookingglass, Lyric Opera Chicago, SF Opera, Chicago Symphony Orchestra, Ravinia. TV/film credits: Maybe I do, Pokerhouse, Chicago Med, Chicago Fire, Sherman's Showcase, 4400 & South Side. Thanks to friends, family, Stewart Talent, Tara Rubin Casting and the Company Team. Mom, Dad, J…always........................................Other topics in this episode is about Keke Palmer backlash, Diddy terrorizing folks-(allegedly) who is shocked, Thanksgiving tips to decrease anxiety while cooking or preparing for the big day, and don't forget to get tickets to Company coming November 28-December 10th at the Kimmel Cultural Campus......................................Follow me on the blog as well as on social media as ToitimeblogHoliday and stress helpHoliday GuideThanksgiving Podcast includes therapy session

If you're buying a home soon, look for a new document to sign — and another layer of stress. Crain's residential real estate reporter Dennis Rodkin discusses what's changing, plus more market news, with host Amy Guth. Plus: Soldier Field and TIFs are helping to boost the Chicago Park District's budget; TransUnion will cut jobs in a cost-saving effort; the Chicago Symphony Orchestra nears ticket-sales record, but loses money; and downtown renters get a break as the apartment market cools off.

Neal Berntsen joined the Pittsburgh Symphony Orchestra trumpet section in March 1997, having been appointed at the invitation of Music Director Lorin Maazel in 1996. He is a native of Tacoma, Washington. He began his musical studies at age five playing the violin under the tutelage of his mother. By age eight he advanced to the trumpet and ultimately received a B.M. from the University of Puget Sound and a M.M. from Northwestern University. A former member of the Chicago Lyric Opera Orchestra and the Grant Park Symphony Orchestra, Neal has also performed as Principal trumpet for the Ravinia Festival Orchestra, Chicago Chamber Orchestra, Cincinatti Symphony Orchestra, San Diego Symphony Orchestra and the Bamberg Sinfoniker in Germany. Other orchestral performances have included the Chicago Symphony Orchestra, Boston Symphony Orchestra and Houston Symphony Orchestra. Active as a chamber musician, Neal is a member of the Pittsburgh Symphony Brass whose recordings, “BACH: THE ART OF FUGUE” (1998), “A CHRISTMAS CONCERT” (2000), “THE SPIRIT OF CHRISTMAS” (2003) and “A SONG OF CHRISTMAS” (2008) were described as “...Awhirl with color and rhythmic vitality – quite irresistible on every count.” by the Pittsburgh Post- Gazette. The recordings contain numerous arrangements by Neal Berntsen. Mr. Berntsen is also a founding member of the award-winning Asbury Brass Quintet, about which Fanfare magazine stated, “Not only expert but musical...undeniable virtuosity.” The ABQ's recording with Adolph Herseth is widely regarded as an all time classic. Mr. Berntsen has toured Japan with members of the Chicago Symphony brass section as the Chicago Brass Soloists. In 2017 Mr. Berntsen gave the Pittsburgh premier of James MacMillan's concerto for trumpet, Seraph performing with the Resonance Works Orchestra with the composer in attendance. In the summer of 2015 Mr. Berntsen premiered and recorded THE ANCIENT CALL for micro-tonal trumpet and orchestra written by Iranian-American composer Reza Vali under the baton of Keith Lockhart. Mr. Berntsen performed the piece on a specially modified trumpet, which enabled him to execute the Persian quarter tone scale. In 2018 his recording of THE ANCIENT CALL was named album of the year in Iran by Noise Magazine. Mr. Berntsen's solo recording TRUMPET VOICES was released in Nov. 2005. Critics describe the recording as, “Electric... An indispensable recording for anyone who appreciates great trumpet playing.” As an educator, Mr. Berntsen is Chair of the Brass Division in the School of Music at Carnegie Mellon University. Mr. Berntsen also serves on the Faculty of Roosevelt University in Chicago. Mr. Berntsen has presented master classes and recitals around the world. In summer 2009, Neal Berntsen began an association with the Brevard Music Center in Brevard, North Carolina. Mr. Berntsen serves as Principal Trumpet for the Brevard Music Center Orchestra, performs chamber music, teaches trumpet and coaches chamber music at the festival.