Podcasts about cinemath

Join film critic Emma Jones and presenter Eve Jackson on this week's arts24 film show as we explore the action-comedy "Novocaine" starring Jack Quaid, Nicole Kidman's "Holland" on Amazon Prime and the critically acclaimed "The Grill" by Alonso Ruizpalacios. Plus, we dive into the legacy of German filmmaker Ernst Lubitsch with a retrospective at the Cinemathèque française.

Et ass net einfach fir als Student op de gemittlechen Hotel Mamma ze verzichten ... Déi amerikanesch ''nano-budget''-Komedie bréngt et op de Punkt, fënnt de Michel Delage. ''Green House" ass nach bis den 2. Dezember gratis op der Plattform "Henri" vun der Cinemathèque française ze gesinn.

Anescht ewéi déi aner Kinoen am Land, déi erëm de 17. Juni opmaachen, huet déi Stater Cinemathéik bis elo nach keen Datum fir hir Reouverture genannt. De Michel Delage huet den Direkter vun der Cinemathéik Claude Bertemes gefrot, wéini een dann nees ka Filmklassiker um groussen Ecran gesinn.  

For our first COVID-19-era Lightbox retrospective episode, we look at the enigmatic cinema of Angela Schanelec. We focus on her two most recent films, THE DREAMED PATH (2016) and I WAS AT HOME, BUT... (2019). Then, in our final, presciently-named Fear and Moviegoing in Toronto segment for “the duration”, it's the last Bressons of TIFF's anniversary retrospective that we were able to see (LANCELOT DU LAC, A GENTLE WOMAN, and his only (?) comedy, FOUR NIGHTS OF A DREAMER), plus we celebrate the emotional generosity of Coppola's PEGGY SUE GOT MARRIED.   Time Codes: 0h 01m 00s:          Schanelec Prolegomenon 0h 07m 21s:          The Dreamed Path [German title: Der traumhafte Weg] (2016) 0h 39m 13s:          I was at Home, But… [German title: Ich war zuhause, aber] (2019)                          1h 22m 28s:          Pre-Quarantine cinemagoing: Une femme douce (1969); Quatre nuits d’un rêveur (1971); Lancelot du lac (1974) [all Dir: Robert Bresson]; Peggy Sue Got Married (1986/dir: Francis Ford Coppola) @ The Revue +++ * Check out our Complete Upcoming Episode Schedule * Find Elise’s latest published film piece “Making America Strange Again: Gangs of New York” in issue #80 Bright Wall/Dark Room* *And Read Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com Theme Music: “What’s Yr Take on Cassavetes?” – Le Tigre

In our 2nd episode devoted to a TIFF retrospective, we cover News From Home: The Films of Chantal Akerman and share with you our excitement about a new favourite director. Topics that come up in the course of discussing Akerman's obsessional-yet-variegated filmography include Freud, mothers, the historico-geographic basis of identity, the nature of desire, passivity, projection, politics, Hitchcock, comedy, ghosts, gender. Films discussed in depth include NO HOME MOVIE, JEANNE DIELMAN, LA CAPTIVE, JE TU IL ELLE, LES RENDEZ-VOUS D'ANNA, A COUCH IN NEW YORK, and the US-Mexico border documentary FROM THE OTHER SIDE. Then, in our Recently-Viewed section, we discuss two more Scorseses, THE AGE OF INNOCENCE and THE LAST TEMPTATION OF CHRIST, and two movies viewed in one day on either side of NO HOME MOVIE (like the two crucified thieves), William Wellman's 1937 A STAR IS BORN (the best version, in our opinion), and Michael Mann's epic cops-and-robbers movie HEAT, wherein an outrageous Pacino tenderly yet relentlessly pursues a Stoic De Niro. Time Codes: 0h 01m 00s:          Episode outline    0h 02m 59s:          Chantal Akerman 1h 58m 22s:          Fall Cinemagoing Update 2h 42m 38s:          Winter 2020 TIFF Cinematheque notes                                                            +++ * Check out our Complete Upcoming Episode Schedule * Find Elise’s latest published film piece – “Elaine May’s Male Gaze” – in the Elaine May issue of Bright Wall/Dark Room* *And Read Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com Theme Music: “What’s Yr Take on Cassavetes?” – Le Tigre

In May 1968, demonstrations at the University of Nanterre, triggered a wave of protests across Paris and elsewhere in France, that have loomed in the imaginations of the Western European left. This month, Juliet talks to Mitchell Abidor, author of May Made Me: An Oral History of the 1968 Uprising in France (https://www.plutobooks.com/9780745336947/may-made-me/) about the relationship between the protests and film: how André Malraux's decision to fire Henri Langlois from the Cinemathèque fed into the insurrection; how far the Provos, Lettrists and Situationists influenced the protests; how the likes of Jean-Luc Godard and Chris Marker changed their practice after May '68; and the feminist and queer filmmakers and groups that emerged in its wake. WORKS REFERENCED: FRANÇOIS TRUFFAUT, Stolen Kisses (1968) - https://www.youtube.com/watch?v=KCELURpFlrs HERBERT MARCUSE, One-Dimensional Man (1964) Provos (Robert Jasper Grootveld) – https://www.youtube.com/watch?v=omb23Qm_RG8 GUY DEBORD, The Society of the Spectacle (1967) RAOUL VANEIGEM, The Revolution of Everyday Life (1967) Jean-Jacques Lebel – https://frieze.com/article/jean-jacques-lebel Louis Althusser ISIDORE ISOU, ‘Lettrism and the Youth Uprising of 68’ – https://www.versobooks.com/blogs/3794-lettrism-and-the-youth-uprising-of-68 ISIDORE ISOU, A Treatise on Venom and Eternity (1951) – https://www.youtube.com/watch?v=hy7XrmOqgyc GIL J. WOLMAN, L’Anti-concept (1952) - http://www.notbored.org/anticoncept.html GUY DEBORD, Howlings in Favour of Sade (1952) – http://www.bopsecrets.org/SI/debord.films/howls.htm Lettrist International, ‘No More Flat Feet!’ (on Chaplin) – http://www.notbored.org/no-more-flat-feet.html Louis Aragon – https://radicalarchives.org/2013/09/22/aragon-vs-the-68-students/ COSTA-GAVRAS, Z (1969) – https://www.imdb.com/title/tt0065234/ DZIGA VERTOV GROUP, Pravda (1970) - http://seul-le-cinema.blogspot.co.uk/2011/03/pravda.html Eisenstein, Pudovkin & Aleksandrov manifesto – http://tmckosky.asp.radford.edu/thea180/SergieCarSound.htm Vera Chytilová – http://www.bfi.org.uk/news-opinion/news-bfi/features/vera-chytilova-beginners CHRIS MARKER, À bientôt, j’espère (1967) – https://www.imdb.com/title/tt0063854/ JEAN RENOIR, La Vie est à nous (1936) – https://en.wikipedia.org/wiki/Life_Belongs_to_Us Cinétracts (1968) – https://www.youtube.com/watch?v=m12TB0cICec Michel Andrieu and Group ARC – collective filmmaking group États Généraux du cinema La Reprise du travail aux Wonder (1968) – https://www.youtube.com/watch?v=LQdby-9ihFk WILLIAM KLEIN, Grands soirs et petit matins (1977) - http://www.tate.org.uk/whats-on/tate-modern/william-klein-films-1958-99/william-klein-maydays-grands-soirs-petits-matins ROMAIN GOUPIL, Mourir à 30 ans (1982) – https://en.wikipedia.org/wiki/Half_a_Life_(film) João Moreira Salles, In the Intense Now (2017) - https://www.nytimes.com/2018/01/30/movies/in-the-intense-now-review-documentary.html HERVÉ LA ROUX, La Reprise (1996) CAROLE ROUSSOPOULOS, SCUM Manifesto (1976) CAROLE ROUSSOPOULOS, Genet Talks about Angela Davis (1971) RAINER WERNER FASSBINDER, Eight Hours are Not a Day (1972) - https://newsocialist.org.uk/dialectical-soap-operas-rainer-werner-fassbinder-on-tv/ Vidéa and Vidéo Out – French feminist film collectives Delphine Seyrig – https://en.wikipedia.org/wiki/Delphine_Seyrig LIONEL SOUKAZ, La Race d’ep (1979) - https://www.youtube.com/watch?v=yJvcrubBS5g MARCO BELLOCCHIO, Good Morning, Night (2003) – https://en.wikipedia.org/wiki/Good_Morning,_Night CHRIS MARKER, A Grin Without a Cat (1977) – https://chrismarker.org/chris-marker-2/chris-markers-grin-without-cat-revives-revolution-making-history-paul-arthur/ CHRIS DARKE, 'Three Images of May: Cinema and the Uprising' – https://www.closeupfilmcentre.com/vertigo_magazine/volume-3-issue-9-spring-summer-2008/three-images-of-may-cinema-and-the-uprising/ Murals at Nanterre - https://www.apollo-magazine.com/the-spirit-of-68-nanterre-street-art/

André Forcier-deuxième époque, de KALAMAZOO a LA COMTESSE DE BATON ROUGE.  Pour notre dernière émission sur la rétrospective complète de Forcier à la Cinemathèque, on parle de sa mythologie, de son bestiaire, de ses amours impossibles et de la fin d une époque pour le cinéma québécois. Et un best-off des meilleures lignes!

André Forcier-deuxième époque, de KALAMAZOO a LA COMTESSE DE BATON ROUGE.  Pour notre dernière émission sur la rétrospective complète de Forcier à la Cinemathèque, on parle de sa mythologie, de son bestiaire, de ses amours impossibles et de la fin d une époque pour le cinéma québécois. Et un best-off des meilleures lignes!

André Forcier-première époque, du RETOUR DE L'IMMACULÉE CONCEPTION jusqu'à AU CLAIR DE LA LUNE.  Pour notre deuxieme émission sur la rétrospective complète de Forcier à la Cinemathèque, on parle de la négritude de ses personnages, des inoubliables triturations qu'il fait subir au joual, de pertes de repères, de "road-movie" stationnaire et de mélancolie. AUSSI, un best-off des meilleures lignes!

André Forcier-première époque, du RETOUR DE L'IMMACULÉE CONCEPTION jusqu'à AU CLAIR DE LA LUNE.  Pour notre deuxieme émission sur la rétrospective complète de Forcier à la Cinemathèque, on parle de la négritude de ses personnages, des inoubliables triturations qu'il fait subir au joual, de pertes de repères, de "road-movie" stationnaire et de mélancolie. AUSSI, un best-off des meilleures lignes!