Podcast appearances and mentions of jean luc godard

90 years ago in Paris, a little 50-seat screening room opened its doors... and soon become probably the most important cinema ever. This month, the Cinémathèque française celebrates its birthday with a retrospective, so we are too: with this encore upload of our episode all about the revolutions the theater launched, both on movie screens and in the Paris streets. Host Rico Gagliano tells the wild tale, with help from directors Barbet Schroeder (BARFLY, REVERSAL OF FORTUNE) and Luc Moullet (BRIGITTE ET BRIGITTE), plus L.A. Times film critic Amy Nicholson and many more. Vive le cinema.The Faust Bible: The Making of F.W. Murnau's Masterpiece will be published globally through MUBI Editions on October 17 in partnership with the Cinémathèque française. It brings to light an extraordinary, recently rediscovered artifact: a visual diary of around 400 photographs and original illustrations documenting the making of Murnau's Faust almost step by step, now published in full for the first time.17 October - Official Launch at la Cinémathèque française, ParisTo mark the launch of The Faust Bible, MUBI Editions and la Cinémathèque française host a special centenary screening of Faust, featuring an introduction by Laurent Mannoni and live musical accompaniment by Christine Ott and Mathieu Gabry.25 October - Filmmuseum MünchenTo continue the celebrations, MUBI Editions and the Filmmuseum München host a special screening of Faust, featuring an introduction by Stefan Drössler and live musical accompaniment by Sabrina Zimmermann and Mark Pogolski.1 November - Academy Museum of Motion Pictures, Los AngelesTo celebrate the publication of The Faust Bible, MUBI Editions and the Academy Museum of Motion Pictures host a special centenary screening of Faust, featuring an introduction by K.J. Relth-Miller and live musical accompaniment by Julianna Barwick.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Tom Luddy was a quiet titan of cinema. He presided over the Pacific Film Archive in Berkeley for some 10 years, co-founded and directed the Telluride Film Festival for nearly 50 years, produced some 14 movies, match-made dozens of international love affairs, and foraged for the most beautiful, political, important, risky films and made sure there was a place for them to be seen in the world. And he made sure that the people making this powerful work were known and knew each other. Tom Luddy with his photographic memory, his infinite rolodex, his encyclopedic knowledge of global cinema and his catalytic ability to connect people, caused the most unusual of collaborations to come to be. Tom championed the French New Wave, the Czech New Wave, Brazilian cinema novo, dissident Soviet cinema, directors Francis Coppola, Jean-Luc Godard, Werner Herzog, Agnes Varda, Les Blank, Paul Schrader, Agnieszka Holland, Barry Jenkins, Laurie Anderson and countless others.Tom passed away on February 13, 2023. There's a giant hole in the screen without him here. But his DNA is in the hundreds of filmmakers, musicians, writers and activists he nurtured and inspired. As film enthusiasts gather this weekend at the Telluride Film Festival, The Kitchen Sisters Present... The Tom Luddy Connection: The Man, The Movies, The Rolodex. Produced by Evan Jacoby and The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKee.

REDIFF - Voilà déjà plusieurs semaines que Brigitte Bardot nous a quittés, et il est désormais temps pour elle de rejoindre les cieux... et ceux qui y sont déjà. Serge Gainsbourg et Jean-Luc Godard, avec qui elle a travaillé à plusieurs reprises, sont là pour l'accueillir. Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

We love it when our interests align with a pop culture moment! We're taking this opportunity to dig deep into The Odyssey - maybe you've heard of it? We touch on Emily Wilson's text and the lingering cultural impact of this millennia-old myth, as well as Nolan's specific take and some other adaptations. Homework for the episode: The Odyssey (Homer, translated by Emily Wilson); The Odyssey (2026, dir. Christopher Nolan); Contempt (1963, dir. Jean-Luc Godard), O Brother, Where Art Thou? (2000, dir. the Coen Brothers)

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Dans cet épisode du "Journal imprévisible", Marc Bourreau nous plonge dans l'univers musical de la Nouvelle Vague, ce courant cinématographique qui a révolutionné le 7e art. Il met en lumière le rôle essentiel joué par des compositeurs comme Martial Solal, Georges Delrieu ou encore Michel Legrand, dont les bandes originales sont devenues indissociables de ces films cultes. À travers des extraits et des témoignages, l'émission nous fait découvrir comment cette musique, tantôt classique, tantôt jazz, a su accompagner et magnifier les images de réalisateurs comme Jean-Luc Godard ou François Truffaut.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

In the fourteenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with fellow cinephile and raconteur Ben Thelen to discuss the pop-art rabbit hole of political indictments, cultural critique, and the demolition of a personal manifesto and relationship that defined the new cinematic movement forward for Jean-Luc Godard in the absurdist road movie Pierrot Le Fou (1965).

For the full, ad-free, 37-minute podcast, either subscribe to Discograffiti's Patreon at the Major Tier or higher, or just grab the episode as a one-off at the same link: https://www.patreon.com/discograffiti Purchase the 32-episode Jefferson Airplane series at a 33% discount (hear as they appear): https://www.patreon.com/collection/2123066   New to the show? Start at Jefferson Airplane Part 1. Apple Podcasts: https://podcasts.apple.com/us/podcast/discograffiti/id1592182331?i=1000765230378 Spotify: https://open.spotify.com/episode/5l7O6r4JMTfH7FsGT3EXj3?si=AE4HUYPKSs2Ymc1I8TdSKQ The Full Version: https://www.patreon.com/posts/full-episode-1-1-156815363   Discograffiti is the deep-dive podcast for music obsessives. Feed Your Head: The Great Jefferson Airplane Deep Dive is an audio documentary that was consciously crafted to act as the ultimate repository of fact and opinion on one of the greatest bands to ever walk the face of the earth. It includes long-form interviews, commentary on their history, wild stories, and star ratings for every release.  Part 17 of the series covers the 15-month period from August 1968 to November 1969—that is, from the release of Creation Of Creation to the release of Volunteers—in the style of an audiobook.  Here are just a few of the many things discussed in this episode of Discograffiti: How Crown Of Creation fared critically; The drug that helped Jorma Kaukonen and his wife Margareta through the 1960s; The movie Jefferson Airplane made with Jean-Luc Godard that inspired The Beatles' final rooftop gig; The release of the Airplane's classic live album, Bless Its Pointed Little Head; Paul and Grace hook up, and the band's power dynamics shift in a big way; Enter Joey Covington; Paul doses the fuzz; Hot Tuna is born; And, with Wally Heider's, music finally comes home to roost in San Francisco. CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon:  https://www.patreon.com/discograffiti Podfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠ YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): https://www.patreon.com/discograffiti/shop/197404 Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzak Order the METAL MACHINE MUZAK Double Vinyl + Digital package: https://www.patreon.com/discograffiti/shop/169954 Merch Shop: https://discograffitipod.myspreadshop.com/all Venmo Dave A Tip: @David-Gebroe Web site: http://discograffiti.com/   CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe There is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.   If you're already a member, please comment below about your experience.   https://www.patreon.com/discograffiti

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

We discuss Auteur Directors who made commercials: Martin Scorsese, Jonathan Glazer, Spike Jonze, and the super production by BMW called The Hire, which included work by John Woo, Wong Kar-wai, Ang Lee, and more! JOIN THE PATREON FOR AN EXTRA EPISODE EVERY WEEK: www.patreon.com/theimportantcinemaclub Send us stuff like zines, movie-related books, physical media or memorabilia c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada. Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: bsky.app/profile/declouxj.bsky.social Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as Will's MICHAEL AND US (@michael-and-us)

Matthew Toffolo chats with Taylor Gladue about their short film "Intertwined in Blue," which premiered at the LGBTQ+ Film Festival. Taylor, who is from Calgary, Alberta, explains that the French title was chosen as a tribute to Jean-Luc Godard and discusses the film's themes about people presenting false versions of themselves to the world while ignoring their true identities. The film was shot entirely on an iPhone Max Pro 15 with local Calgary actors and was filmed in various locations throughout the city, including a friend's Airbnb and The Attic lounge. Taylor, who is primarily a producer but made this his first film as writer, director, and producer, plans to continue making films and has several upcoming projects, including a short documentary and a web series. https://www.instagram.com/tayler_s13_take_1/ —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod —— Love for you to try the Indy Film Festival AP. • Daily new film festival of the best new films from around the world. New archived festival to watch anytime. • Library of over 500+ award-winning films to watch anytime. Go to https://www.wildsound.ca and sign up for the free 3-day trial. Check out the daily film festival (and previous ones from last month) at https://www.wildsound.ca/browse Always an amazing lineup of films. Inspiring for storytellers.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

¿Qué hizo que un grupo de jóvenes cineastas cambiara para siempre la historia del cine? ¿Fue realmente una revolución artística o también el inicio de una nueva forma de entender al director como autor? En este episodio nos adentramos en la **Nouvelle Vague**, el movimiento que transformó el lenguaje cinematográfico a finales de los años cincuenta. Analizamos su contexto histórico, la influencia de *Cahiers du Cinéma*, la teoría del autor y las innovaciones formales que introdujeron cineastas como Jean-Luc Godard, François Truffaut, Agnès Varda, Éric Rohmer y Claude Chabrol. Pero también nos preguntamos por los límites y contradicciones de este movimiento: su relación con el cine clásico, el riesgo de convertir la ruptura en una nueva ortodoxia y el enorme legado que dejó en generaciones posteriores de cineastas de todo el mundo. Un recorrido por la historia, la estética y las ideas de la Nouvelle Vague para comprender por qué sigue siendo uno de los movimientos cinematográficos más influyentes y debatidos del siglo XX.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

durée : 00:53:40 - On plonge dans les B.O de l'actrice qui a alterné films d'auteur et films populaires avec François Truffaut, Jean-Luc Godard, Bertrand Tavernier, Claude Chabrol, Diane Kurys, Nicole Garcia, Tonie Marshall, Xavier Dolan ou Steven Spielberg. - réalisation : Susana Poveda, Denis Soula Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

durée : 01:56:04 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Du lundi au vendredi, retrouvez en podcast la chronique de Laurent Gerra sur l'antenne de RTL, il y a 10 ans. Le 19 mai 2016, Laurent Gerra imitait Jean-Pierre Marielle, Henry Chapier, Fanny Ardant, Dominique Besnehard, et Jean-Luc Godard. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

En El Ojo Crítico celebramos el Día Internacional de los Museos con una entrevista a Sandra Guimarães, directora del Museo Helga de Alvear de Cáceres, uno de los grandes referentes del arte contemporáneo en España.Además, celebramos el reconocimiento a nuestra compañera Susana Santaolalla, distinguida con el Premio Bibliodiversidad 2026 por su programa Libros de Arena. Conversaremos también con Teresa Valero, primera mujer en ganar el premio a mejor obra española en Cómic Barcelona por Contrapaso 2. Repasamos el mejor cine del Festival de Cannes con Conxita Casanovas y cerramos con Vicente Monroy, que nos acerca a “La fraternidad de las metáforas”, la gran exposición dedicada a Jean-Luc Godard en La Virreina Centre de la Imatge de Barcelona.Escuchar audio

Alors que le festival de Cannes bat son plein, Eddy Mitchell passe en revue quelques uns des films les plus attendus sur la croisette, en compagnie de réalisateurs comme Jean-Luc Godard ou Bertrand Tavernier. Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

We're headed to Paris this week to ride a new wave! Ryan Verrill of The Disconnected and Antenna Releasing joins Matt and Anthony for a lively discussion on Jean-Luc Godard's Breathless.CMP on Instagram and BlueskyThe Disconnected on YouTube, Instagram, Bluesky, Facebook, and LetterboxdAntenna Releasing on Instagram, Bluesky, and FacebookMatt on Instagram, Bluesky, and LetterboxdAnthony on Instagram, Bluesky, and Letterboxd

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Let’s get crazy about ‘90s-era B-movies, exploitation films, and French New Wave director Jean-Luc Godard’s theory that to make a great movie, “all you need is a girl and a gun.” Zeth is looking back at Tamra Davis’ 1992 neo noir ‘Guncrazy’ starring Drew Barrymore and James Le Gros. Plus we make a mixtape inspired by the movie including songs by PJ Harvey, Steely Dan, Sloan, and more. Become an All Access member and get ad-free listening by visiting disgracelandpod.com.See omnystudio.com/listener for privacy information.

Du lundi au vendredi, retrouvez en podcast la chronique de Laurent Gerra sur l'antenne de RTL, il y a 10 ans. Le 24 avril 2016, Laurent Gerra imitait François Hollande, Jean-Marie Le Pen, Jean-Luc Godard, Coluche, Brigitte Bardot, Gérard Depardieu, et Jacques Demy. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This month Tim is joined by Phil Drinkwater to discuss Jean-Luc Godard's Breathless aka À bout de souffle (1960). –––––––––––––––––––––––––––––– À bout de souffle is no =38 on the Sight & Sound critic's list. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: top100pod@gmail.com –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos

T Lo take a deep dive into director Richard Linklater's slavish love letter to the French New Wave, "Nouvelle Vague," about the making of Jean-Luc Godard's "Breathless" in 1959. After unpacking the homages and references, as well as the importance of Godard's boundary-shattering work, they settle on a single question: Is it even possible to pay homage to an act of reckless artistry by meticulously recreating it? 

Movie of the Year: 1971Sweet Sweetback's Baadasssss SongThe Sweet Sweetback's Baadasssss Song PodcastThe Sweet Sweetback's Baadasssss Song podcast brings Ryan, Mike, and Greg to one of 1971's most radical and uncompromising films. Melvin Van Peebles wrote, directed, produced, scored, edited, and starred in this landmark independent work — entirely outside the Hollywood system. The result is a film unlike any other in the bracket. Above all, it challenges every assumption about who gets to make movies, and why.This week, the Taste Buds dig into three major threads: the film as a revolutionary political act, its polarizing form and style, and its complex treatment of sex and gender. Furthermore, they induct a film into the PopFilter Hall of Fame and take on Recast the Podcast. It is a wide-ranging, debate-heavy episode from first minute to last. The Movie of the Year 1971 bracket has produced bold conversations — and this one may be the boldest yet.About the FilmSweet Sweetback's Baadasssss Song follows Sweetback (Van Peebles), a Black sex-show performer raised in a brothel. When police use him as a convenient patsy, he fights back — killing two racist cops and becoming a fugitive. He runs south toward the Mexican border. Along the way, the Black community shelters him. Bikers, revolutionaries, and sex workers cross his path. Consequently, the film becomes less a conventional chase narrative and more an odyssey of Black survival and defiance.Van Peebles privately funded the film after walking away from a studio deal at Columbia Pictures. He served as one-man auteur across every department. The film opened in just two theaters in March 1971 — Detroit and Atlanta. Nevertheless, it broke box office records on opening night and went on to gross over $15 million. The MPAA assigned it an X rating. Van Peebles turned that into the defiant tagline: "Rated X by an all-white jury." The Black Panther Party declared it required viewing for all members.Learn more at the Wikipedia entry for Sweet Sweetback's Baadasssss Song and the IMDb listing. The Criterion Collection has released a definitive edition of the film — explore it at Criterion.com. The American Film Institute has also recognized the film's landmark status — read the AFI Movie Club entry here.A Movie Revolution: Van Peebles and the Politics of IndependenceVan Peebles did not simply make a film — he staged a full act of defiance. Studio backing, the ratings system, and traditional distribution were all refused outright. Moreover, he financed part of the production by borrowing $50,000 from Bill Cosby, keeping total creative control throughout. The result was a film the industry could not co-opt, contain, or dismiss. For listeners of any Melvin Van Peebles podcast or documentary, the story of how this film got made is as remarkable as the film itself.The release strategy was equally radical. Van Peebles released the soundtrack before the film — an unusual move at the time — to build word-of-mouth in Black communities without spending money on traditional advertising. The score featured a very young Earth, Wind & Fire. By contrast, Hollywood in 1971 was still releasing social-problem films that sought respectability over truth. Sweetback rejected that approach entirely. Notably, its commercial success proved that Black-led, Black-financed films could find a massive audience without white institutional gatekeepers.Ryan, Mike, and Greg debate what Van Peebles' revolution actually accomplished. Was it the birth of a genuinely new Black cinema? Or did it also open the door for the blaxploitation genre — a category Hollywood quickly co-opted and stripped of its radical politics? Additionally, the Taste Buds ask whether the DIY model Van Peebles pioneered holds lessons for independent filmmakers working today. As a blaxploitation film podcast discussion, this episode goes deeper than genre classification — it asks what political filmmaking actually costs.Form, Style, and Watchability: A Sweet Sweetback's Baadasssss Song Podcast Deep DiveThe film's style is not subtle. Van Peebles employs jagged jump cuts, kaleidoscopic superimpositions, and psychedelic sound design throughout. These choices feel closer to Jean-Luc Godard than to anything playing at an American theater in 1971. However, they also produce a film that polarizes audiences to this day. The Sweet Sweetback's Baadasssss Song podcast tackles this polarization head-on.Some viewers find the style exhilarating — a sustained howl of rage rendered in pure cinematic form. Others find the loose structure and repetitive sequences frustrating. The Taste Buds confront this tension directly. Furthermore, they ask whether "watchability" is even the right standard for a film that never set out to be comfortable or conventional.The soundtrack adds another dimension entirely. Van Peebles composed and performed the score himself, with Earth, Wind & Fire providing the instrumental backing. The music pulses through the film like a second heartbeat. Consequently, sound and image work together to create a sensory experience unlike any other 1971 film in the bracket. Ryan, Mike, and Greg weigh in on whether Van Peebles' formal choices ultimately serve the film's political goals — or occasionally work against them.Sex, Gender, and ControversySweetback's sexuality is central to the film's identity. His sexual power is his primary weapon and his means of survival. Van Peebles frames this as a form of liberation — a radical Black body asserting itself against a system designed to destroy it. However, the film's treatment of women and of queer characters draws sharp criticism from contemporary audiences.Women in the film exist largely in relation to Sweetback's desires. The film includes graphic sexual content, some of it deeply uncomfortable by any modern standard. Moreover, the film's portrayal of lesbian characters is explicitly homophobic. The Taste Buds wrestle with how to hold these contradictions honestly. A film can be genuinely revolutionary and genuinely problematic at the same time. In fact, Sweet Sweetback's Baadasssss Song may be the most complex example of that tension in the entire 1971 bracket.Additionally, the film's opening sequence — depicting a child's sexual initiation — has unsettled audiences for over fifty years. Van Peebles cast his own son Mario in the role. That decision raises serious ethical questions that Ryan, Mike, and Greg do not avoid. Ultimately, the conversation around sex and gender in this film is not a comfortable one — and that discomfort is precisely what makes it essential. This is one of the most challenging discussions in the 1971 film podcast series to date.PopFilter Hall of FameEach season of Movie of the Year, the Taste Buds set aside the bracket to recognize films that define an era. The PopFilter Hall of Fame is not about winning a head-to-head matchup. It honors the films that changed cinema itself — the ones that opened doors, broke rules, and made everything that came after possible.The Hall of Fame carries special weight in this episode. Sweet Sweetback's Baadasssss Song raises the question of what "greatness" means for films that operate outside mainstream critical frameworks. A film does not need to be comfortable, polished, or widely loved to be important. The Hall of Fame exists precisely to honor that distinction. This week, the hosts make their cases for a 1971 inductee. Tune in to hear which film earns the honor — and whether all three Taste Buds can agree on the pick.Recast the PodcastIn Recast the Podcast, Ryan, Mike, and Greg take on one of cinema's great thought experiments. They choose a film and rebuild the cast from scratch — drawing on actors from any era, any genre, any corner of film history. Each host makes their picks. Then the debate begins.Sweet Sweetback's Baadasssss Song presents a unique challenge for Recast the Podcast. The film was defined by Van Peebles' decision to cast himself. Sweetback's blank-faced, nearly wordless presence was a deliberate choice — not a performance in the conventional sense, but a statement. Who could step into that role today? Who has the gravity, the physicality, and the political weight to carry the film's central conceit? The Taste Buds bring their full range of cinematic knowledge to the question. Listen in to hear their picks, the reasoning behind each choice, and where the three hosts inevitably disagree.Why Sweet Sweetback's Baadasssss Song Still MattersSweet Sweetback's Baadasssss Song was never meant to be easy. Van Peebles built it as a provocation — a film that demanded a response. More than fifty years later, it still gets one. The film's influence runs through Spike Lee, John Singleton, Ava DuVernay, and virtually every Black filmmaker who followed. However, its importance is not only historical. The questions it raises about representation, power, and who controls the means of production are still urgent today.Furthermore, the film's DIY model anticipated the independent film movement by decades. Van Peebles proved that a filmmaker could retain complete creative control, bypass the studio system entirely, and still reach an enormous audience. That lesson has...

Le Mépris de Jean-Luc Godard, un film sorti en 1963, est devenu depuis un film culte. Le Mépris cʹest dʹabord un hommage au corps de la femme le plus célèbre du moment Brigitte Bardot. Cʹest ensuite un tournage incroyable perturbé par des nuées de paparazzi dans des décors grandioses. Le Mépris, cʹest Rome et Cinecittà, Capri et une villa époustouflante sur la mer. Cʹest aussi Fritz Lang, Michel Piccoli, Jack Palance, Jean-Luc Godard. Basé sur le livre homonyme dʹAlberto Moravia, le réalisateur fait un chef-dʹœuvre, qui rencontre peu de succès à sa sortie. De plus le film est un peu chahuté par ses producteurs. Mais tout ça contribue à sa légende. Le Mépris révélera, avec le temps qui passe, son intemporalité et sa force. Vous lʹavez compris, cʹest lʹhistoire dʹun film particulier, dʹun tournage particulier, de Brigitte Bardot, de Jean-Luc Godard et de Michel Piccoli dont il va être question aujourdʹhui. Pour vous en parler, nous avons la bible dʹAntoine de Baecque quʹil consacre au réalisateur, ainsi que beaucoup, beaucoup dʹarchives, des extraits, des anecdotes. Mais il est temps de pénétrer dans la chambre, Brigitte Bardot est déjà là….son corps est là en tous cas, la voilà qui le détaille. REFERENCES NEMER, François, Godard (Le cinéma), Découvertes Gallimard, 2006 CERISUELO, Marc, Le Mépris, Les Editions de la Transparence, coll. Cinéphilie, 2006 VIMENET, Pascal, Préface de Jean Douchet, Le Mépris, Jean-Luc Godard, Image par Image, Hatier, 1992 DE BAECQUE, Antoine, Godard, biographie, éditions Grasset, 2010 Jacques Rozier, Paparazzi https://www.cinematheque.fr/henri/film/63574-paparazzi-jacques-rozier-1963/

Did you know that one time Jean-Luc Godard got absolutely railed out on cocaine and made a Spider-Man Movie? We talk about it! Check out the show on Letterboxd if you're into that thing. Matt is also on there. And we got a Bluesky going. Next episode is about "Lessons of Darkness," watch it here.

Du lundi au vendredi, retrouvez en podcast la chronique de Laurent Gerra sur l'antenne de RTL, il y a 10 ans. Le 26 janvier 2016, Laurent Gerra imitait Bertrand Tavernier, Eddy Mitchell, Jean-Luc Godard, Bourvil, de Funès, Jean Poiret, Michel Serrault, et Jacques Demy. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Filmmaker Richard Linklater doesn't speak French, but that didn't stop him from directing a movie that's almost entirely in French. ‘Nouvelle Vague' focuses on the beginning of the New Wave of cinema, specifically Jean-Luc Godard and his landmark 1960 movie ‘Breathless.' "I know that sounds insane," Linklater says, "but me not having the language wasn't even in my top 10 concerns about if I could pull off the movie." Linklater spoke with Terry Gross about the impact of the French New Wave, and his other new film, ‘Blue Moon.' It's about Broadway lyricist Lorenz Hart, the former creative partner of Richard Rodgers.Also, Maureen Corrigan reviews the novel Heart the Lover by Lily King. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy