Podcast appearances and mentions of jean luc godard

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

There have been a number of big summer movies like "F1: The Movie," "Superman" and "Jurrassic World: Rebirth." But these popcorn movies are not likely destined for big awards. Studios like to hold back the Oscar contenders for the fall, so in this week's episode we dive into which movies to watch for this fall and into the winter. You can also review a full list of notable films below. August releases “Honey Don’t!” – Ethan Coen continues his Margaret Qualley-a-thon with this comedy about a private investigator who looks into a series of deaths tied to a church. Aubrey Plaza, Chris Evans co-star. “Splitsville” – Divorce makes strange bedfellows, particularly when the ex discovers his best friends have an open marriage. Dakota Johnson, Kyle Marvin star. “Eden” – Looking for a better life, a group of people head to the Galapagos and realize what they’re up against. Jude Law and Ana de Armas star in this based-in-fact drama directed by Ron Howard. “Relay” – Payoffs between corporations brings a broker into the line of fire. Riz Ahmed, Lily James and Sam Worthington star. “Hollywood Grit” – A private investigator has to find out what happened to his daughter. Tyrese, Max Martini star. “Lurker” – How strange is the world of stardom? A worker finds out as he gets closer to a music star. Alex Russell wrote and directed this drama starring Theodore Pellerin and Archie Madekwe. “The Thursday Murder Club” – Friends in a retirement home solve mysteries. Pierce Brosnan, Helen Mirren, Ben Kingsley are in the home. “The Roses” – An updated look at “War of the Roses” lets Benedict Cumberbatch and Olivia Colman square off. Jay Roach directs. “Caught Stealing” – Austin Butler gets the Darren Aronofsky treatment as a baseball player caught in the underbelly of New York City. Bad Bunny is along for the ride. “The Toxic Avenger”—When a janitor is the victim of a toxic accident, a new crimefighter emerges. Peter Dinklage, Jacob Tremblay and Taylour Paige star. “Jaws” – The first summer blockbuster returns to the big screen after months on television. Now, you can see what audiences were scared of in 1975. “Love, Brooklyn” – Friends navigate the pitfalls of life in Brooklyn. September releases “Megadoc” – Mike Figgis looks at the making of Francis Ford Coppola’s “Megalopolis.” “The Conjuring: Last Rites” – Those creepy paranormal investigators say they’re taking on one last case (sure) to settle their own lives. Patric Wilson and Vera Farmiga return. “The Threesome” – A threesome leads to problems, particularly since life’s not always fantasies. Zoey Deutch and Jonah Hauer-King star. “Twinless” – Two men bond in a support group. Dylan O’Brien, Lauren Graham and Arkira Chantaratananond star. “Hamilton” – Celebrating its “ten-cennial,” the Broadway hit brings its performance capture version (which ran on Disney+) to the big screen. Updates about the performers make this more than a night out. “The Baltimorons” – Sobriety leads to a dental emergency which leads to a romance with the dentist. Jay Duplass directs; Michael Strassner co-writes and stars. “The Long Walk” —You thought the Hunger Games were bad, how about this: Teenage boys compete in a walking contest. If they don’t keep up, they’re shot. Based on a Stephen King story, it’s one of the year’s most harrowing. “Spinal Tap II: The End Continues” – Those Smell the Glove guys reunite after a 15-year hiatus for one last concert. Rob Reiner directs; the original actors return. “Downton Abbey: The Grand Finale” – The Crawleys face scandal, financial ruin and social disgrace. To get out of it, they look to a younger generation. Expect all but Maggie Smith to be back. “The History of Sound” – Paul Mescal and Josh O’Connor embark on a World War I project that brings them close to their country and each other. “Code 3” – One last shift for a paramedic who has to train his replacement. What could go wrong? Rainn Wilson, Lil Rel Howery star. “Him” – What a guy won’t do to be a football star. Here, one goes to a compound where anything can happen. Tyriq Withers, Marlon Wayans and Julia Fox star. “American Sweatshop – Yup, it’s the world of social media. An insider discovers just how dark the world is (like we didn’t know). “A Big Bold Beautiful Journey” – Colin Farrell and Margot Robbie bond in a unique journey (which, of course, says nothing but suggests there’s more to this than two big stars). “The Summer Book” – A girl and her grandmother become closer in Finland. Emily Matthews and Glenn Close star. (Could this be the one that finally wins Close an Oscar?) “Xeno” – Ready for another E.T.? This one finds a teenager relating to the alien. Josh Cooke, Lulu Wilson star. “Waltzing with Brando” – When Marlon Brando wants an ecologically perfect retreat in Tahiti, he calls on a Los Angeles architect. Tia Carrere, Richard Dreyfuss and Jon Heder star. “Eleanor the Great” – Scarlett Johansson directs June Squibb in this drama about a 94-year-old who has plenty of stories to tell. “One Battle After Another” – Leonardo DiCaprio stars in this dark comedy about a group of revolutionaries reuniting to save one of their group’s daughter. Paul Thomas Anderson directs; Benicio Del Toro (who starred in a Wes Anderson film earlier this year) and Sean Penn co-star. October releases “The Smashing Machine” – Dwayne Johnson tries his hand at mixed-martial arts as UFC champion Mark Kerr. The makeup may be a stretch, but Benny Safdie directs, Emily Blunt disappears in an unlikely role. “Tron: Ares” – Jared Leto gets to run the race. Jeff Bridges is here, too, but this is about a new program (Ares) that’s about to embark on a dangerous mission. “Roofman” – A robber evades authorities by hanging out in a toy store. Channing Tatum plays the thief, Peter Dinklage and Kirsten Dunst swirl around him. “Anemone” – Daniel Day-Lewis comes out of retirement for this film directed by his son, Ronan. The plot? Good question, but it will have that DD-L prestige. “Kiss of the Spider Woman” – Jennifer Lopez stars in the Tony winner fans have been asking for. The big question: Were they looking for Lopez to star in it? Bill Conden directs. “If I Had Legs, I’d Kick You” – Rose Byrne gets the Oscar buzz as a woman trying to juggle multiple traumas, including a sick child and an absent husband. “Soul on Fire” – This is the story of a St. Louis native who survived burns which covered his body. Joel Courtney plays John O’Leary. William H. Macy and John Corbett co-star. “Good Fortune” – An angel meddles in the lives of a venture capitalist and a gig worker. Seth Rogen, Azizi Ansari and Keke Palmer star in this comedy written and directed by Ansari. Black Phone 2 – More trouble ensues when the phone rings. Sequel to a better-than-average horror film. “After the Hunt” – Julia Roberts plays a college professor who wonders what could happen when a student levels an accusation against a colleague. Ayo Edebiri co-stars. The Mastermind – A family man leads a double life in the 1970s. Josh O’Connor and Alana Haim star. “Pets on a Train” – Animated animals get caught up in a train heist. Hedda” – “Hedda Gabler” gets the big-screen treatment with Tessa Thompson in the title role. Blue Moon – The life of Lorenz Hart is told by Richard Linklater with Ethan Hawke as Hart. Andrew Scott plays Richard Rodgers. “Springsteen: Deliver Me From Nowhere” -- Bruce Springsteen gets the Bob Dylan treatment with Jeremy Allen White in the title role. This, however, only covers the creation of the “Nebraska” album. “Regretting You” – Family issues emerge after the death of a husband and father. Based on Colleen Hoover’s best-seller, it stars Allison Williams and Mckenna Grace. “The Watchers” – M. Night Shayamalan’s daughter Ishana makes her directorial debut with this thriller about an artist who gets trapped in an Irish forest. “Anniversary” – A good cast (Diane Lane, Kyle Chandler, Zoey Deutch) in a thriller directed by Polish filmmaker Jan Komasa. “Bugonia” – Emma Stone continues her run with Yorgos Lanthimos. The film is a remake of a South Korean effort about two men kidnapping an executive, convinced she’s an alien bent on destroying Earth. “Nouvelle Vague” – Richard Linklater has another entry this year. This one’s a look at Jean-Luc Godard and actress Jean Seberg. Guillaume Marbeck and Zoey Deutch start. November releases When We Pray – Jamie Foxx directs the story of brothers who become pastors at divergent churches. Predator: Badlands – While “Alien: Earth” takes over TV screens, the “other” scary creature takes on a remote planet. The Running Man” – Glen Powell steps into Arnold Schwarzenegger’s shoes as a contestant in a game show which features killers all around the world. Nuremberg – Set during the Nuremberg trials, a psychiatrist interviews Nazi prisoners to determine if they are fit to stand trial. Rami Malek and Russell Crowe square off. Peter Hujar’s Day – What was New York’s art world like in 1974? Rebecca Hall and Ben Whishaw play two who know. Ira Sachs directs. “Now You See Me: Now You Don’t” – The Four Horsemen get help from newbies hoping to use illusions to get away with big cash. Jay Kelly – It’s an ensemble film but it stars George Clooney as a George Clooney-level star who reflects on life with his manager (played by Adam Sandler). Noah Baumbach directs. Indecipherable – A boy, home alone, gets shaken by the things that go bump in the night. Wicked: For Good – At long last, we find out what happened to Glinda and Elphaba. Expect at least one new song and bigger roles for the men in their lives. No place like home? That’s included, too. Cynthia Orivo and Ariana Grande could double up on the Oscar nominations. Rental Family – Oscar winner Brendan Fraser plays an American actor who plays roles in other people’s lives. STZ – Zombies result when a trio of scientists launch a bio-attack on a bus filled with women. (No kidding.) Zootopia 2 – Residents of Zootopia return for more adventure and product placement. Judy and Nick are on the trail of a new resident, a snake. About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

The guys do the most logical thing they can and follow up their naked gun episode with an examination of Jean-Luc Godard's Breathless. Does French New Wave cinema hold up to two dummies who have willingly watched the movie Lil' Pimp? FIND OUT.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

In the early days of the Hollywood studio system, producers exerted far greater creative control than any individual director. Then, in the mid-twentieth century, a group of young French critics issued a cri du coeur that gave rise to the figure of the auteur: visionary filmmakers ranging from Jean-Luc Godard to Martin Scorsese and Wes Anderson. In the final installment of this year's Critics at Large interview series, Vinson Cunningham talks with fellow staff writer Richard Brody about the origins of auteur theory, and about the lengths to which directors have gone for artistic freedom in the decades since. They take Spike Lee's body of work as a case study, considering his new movie “Highest 2 Lowest” and how his filmmaking sensibility reflects his singular view of the world. “Style is a funny thing in movies,” Brody says. “If it's any good, it's not inseparable from substance. It is substance.”Read, watch, and listen with the critics:“The 400 Blows” (1959)“Breathless” (1960)“Notes on the Auteur Theory in 1962,” by Andrew Sarris (Film Culture)“Circles and Squares,” by Pauline Kael (Film Quarterly)“Martin Scorsese on Making ‘Killers of the Flower Moon,' ” by Richard Brody (The New Yorker)“The Wolf of Wall Street” (2013)“Spike Lee Comes Home,” by Richard Brody (The New Yorker)“Da Sweet Blood of Jesus” (2014)“Red Hook Summer” (2012)“A Great Film Reveals Itself in Five Minutes,” by Richard Brody (The New Yorker)“Highest 2 Lowest” (2025)“ ‘Highest 2 Lowest' Marks a Conservative Pivot for Spike Lee,” by Richard Brody (The New Yorker)“Do the Right Thing” (1989)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

Ep. 339: Jordan Cronk on Locarno 2025: Dry Leaf, Mare's Nest, Le Lac, Sorella di Clausura, Two Seasons Two Strangers Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm reporting from the Locarno film festival, where the second week has not disappointed. I sat down again to chat with Jordan Cronk, critic and founder of Acropolis Cinema in Los Angeles. Films discussed include: Dry Leaf (Alexandre Koberidze), the follow-up from the director of When Do We See When We Look at the Sky?; Mare's Nest (Ben Rivers); Le Lac (Fabrice Aragno, aka longtime DP/collaborator with Jean-Luc Godard); Sorella di Clausura (Ivana Mladenović); and Two Seasons, Two Strangers (Sho Miyake). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Prepare-se para uma viagem fascinante pela história do cinema! No Cinem(ação) #612, exploramos a Nouvelle Vague, o movimento que, no final dos anos 50, sacudiu as bases da sétima arte e mandou o chamado “cinema de papai” tirar férias (aquelas bem longas). Caro, previsível e preso a adaptações literárias, esse modelo viu sua estrutura tremer quando um bando de jovens cinéfilos decidiu que dava pra fazer diferente.Foi aí que críticos da Cahiers du Cinéma, como François Truffaut e Jean-Luc Godard, resolveram transformar a câmera em caneta (caméra-stylo) e escrever filmes com sua própria letra. Improviso nos diálogos, filmagens nas ruas com luz natural, cortes abruptos e uma boa dose de ousadia deram um frescor que, até hoje, inspira e irrita o mercado contemporâneo. Afinal, se a Nouvelle Vague pregava liberdade artística, o que fazer num cenário onde a lógica do streaming e dos blockbusters manda na pauta?Rafael Arinelli, Bel Petit e Pedro Amaro conversam sobre os temas e personagens que marcaram a época: juventude, amor livre e contestação social. Sem falar no novo papel dado às mulheres nas narrativas: protagonistas de suas próprias histórias. Entre risadas e reflexões, eles também discutem se a Nouvelle Vague realmente inventou o culto ao diretor ou apenas deu um upgrade no que Hollywood e o neorrealismo italiano já tinham iniciado.Então já sabe: aperte o play e descubra por que, no cinema, algumas ondas nunca deixam de quebrar.• 03m08: Pauta Principal• 1h17m19: Plano Detalhe• 1h27m20: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• BlueSky: https://bit.ly/bskycinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Bel): Filme: A Hora do Mal• (Pedro): Documentário: Os catadores e eu• (Pedro): Documentário: Godard, Truffaut e a Nouvelle Vague• (Pedro): Documentário: Hitchcock/Truffaut• (Pedro): Artigo: A Nouvelle Vague NÃO criou o Culto ao Diretor• (Rafa): Filme: MaluEdição: ISSOaí

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Vintage Cinema Rewind is back Anna Karina's Actor Month! And their coverage of the the strangest, artiest sci-fi romp to ever grace the shadows of Paris continues. That's right, it's time for a Deep Dive on Jean-Luc Godard's Alphaville! After Michael mysteriously (preposterously?) meets his end in the arms of a seductress, Blake is all alone in a city he doesn't understand. But with bizarre poolside executions and an even stranger voice in his head, can he unlock the secrets of this city? Or will he fail to protect those that weep? 

In this episode, we strap in for a cinematic journey across three radically different worlds that share an obsession with the limits of human endurance. We start with F1, a high-octane dive into the rivalries and raw speed of the racing world. From there, we swerve into the apocalyptic chaos of 28 Years Later, where society has collapsed and survival demands both brutality and hope in equal measure. Finally, we descend into the cold, neon-lit corridors of Alphaville, Jean-Luc Godard's dystopian noir that questions what happens when technology erases individuality. Along the way, we'll explore how each film turns motion—whether on the track, through a wasteland, or in the labyrinth of a controlled city—into a mirror for humanity's fears, ambitions, and desires.Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

Que nʹavons-nous pas dit de Godard ? Peut-être rien ? Peut-être tout ? Car sʹil un cinéaste qui a marqué lʹhistoire, cʹest lui. Pour ses films, ses révolutions esthétiques, pour sa tête de lard, pour ses propos, pour son œuvre. Jean-Luc Godard est à la fois palpable et immatériel. Cʹest un personnage autant quʹune personnalité. Un créateur, un inventeur, un réalisateur. On lʹaime, on le déteste, mais il ne laisse personne indifférent. Aujourdʹhui dans Travelling, ce nʹest pas un portrait à proprement parler du cinéaste que nous allons faire, mais celui dʹun de ses films, Bande à part, sorti en 1964. Un film qui sʹamuse des romans policiers, des romans dʹamour, des romans dʹaventure. Un film qui met en scène Anna Karina, Sami Frey et Claude Brasseur. Bande à part, cʹest Godard après le Mépris. Cʹest la fin de sa relation avec Anna Karina. Cʹest une période de créativité intense, frénétique. Mais nous allons raconter tout ça. Il ne nous reste plus quʹà trouver trois jeunes gens ayant trop lu de romans policiers pour livrer une parodie narquoise du genre. REFERENCES Claude Brasseur dans Spécial Cinéma en 1986 https://www.youtube.com/watch?v=bKV0JP-x-lE Pardonnez-moi Lʹinterview de Godard https://www.youtube.com/watch?v=OWGofFcM_dA Jean-Luc Godard, invité de Bernard Pivot dans "Bouillon de culture" | Archive INA https://www.youtube.com/watch?v=2JSVPT8L4K0 Raoul Coutard sur Bande à part https://www.youtube.com/watch?v=lidJYFkjWLw Antoine de Baecque, Godard, biographie, Grasset François Nemer, Godard (Le cinéma), Découverte Gallimard

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

From his childhood in public housing to his latest venture, Kino Film Collection, Richard Lorber has always had an affinity with movie dogs. But not just any dogs -- the wild ones, the brave ones, the determined ones. In this episode, Richard tells Jordan about how he related to a number of dogs and dog movies: Rin Tin Tin, Yorgos Lanthimos' Dogtooth, Godard's Goodbye to Language, surprise Kino Film Collection hit Last of the Dogmen.Then Jordan has one quick thing about the just-announced sequel to 2020's Greenland. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Jean Seberg, actrice américaine née dans l'Iowa en 1938, est propulsée à 17 ans sous les projecteurs grâce à Otto Preminger, mais débute par deux échecs. C'est en France qu'elle devient une icône grâce à À bout de souffle de Jean-Luc Godard. Elle vit une histoire d'amour secrète et passionnée avec l'écrivain Romain Gary, avec qui elle a un fils, Diego, et qu'elle épouse discrètement en Corse en 1963. Très engagée politiquement, elle soutient les droits civiques et les Black Panthers, ce qui lui vaut d'être harcelée par le FBI. En 1970, la fausse rumeur orchestrée par le FBI sur la paternité de son bébé entraîne un drame : la mort de sa fille prématurée et une grave dépression. Sa santé mentale décline, marquée par des tentatives de suicide et une relation abusive. Le 30 août 1979, elle disparaît ; son corps est retrouvé 11 jours plus tard. Romain Gary, dévasté, la défend publiquement avant de se suicider à son tour en 1980. Leur fils Diego, orphelin, témoignera plus tard de ce destin brisé. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Álvaro Colomer y Jordi Costa recuerdan el centenario del nacimiento de Ana María Matute y comentan la leyenda del rodaje de "Al final de la Escapada" de Jean-Luc Godard, protagonizada por Jean Seberg y Jean-Paul Belmondo, que cumple 66 años este mes. Les acompaña Cristóbal Polo, un poeta y escritor gaditano, que ha publicado "Cuadernística", un ensayo sobre el arte de escribir en cuadernos.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Remakes continue to proliferate on our screens. Over the last few months, we've had live action remakes in cinemas of classic animations Snow White, Lilo And Stitch, and How To Train Your Dragon, along with legacy reboots of the horror hit I Know What You Did Last Summer and DC's Superman, and - coming soon - a new spin on the 1980s comedy The Naked Gun.So is this all just evidence of a dearth of creativity in Hollywood? Or are there some artistically valid reasons to re-make existing films? And can a remake ever be better than the original? Ellen E Jones and Mark Kermode delve into the past, present and future of the remake. Mark speaks to critic Anne Billson about the remakes she considers worthy of our attention, from Brian De Palma's Scarface to John Carpenter's The Thing. And he also talks with Jim McBride who, in 1983, directed Breathless - a remake of Jean-Luc Godard's French New Wave classic A Bout de Souffle, which Mark has long considered superior to the original.Ellen talks to TV critic Roxana Hadadi about what television can bring to the remake party - and about the TV series that managed to improve on their source material. And Ellen also speaks to Noah Hawley, showrunner of the multi-Emmy winning Fargo and upcoming Alien: Earth TV series, about the creative possibilities of TV reboots. Producer: Jane Long A Prospect Street production for BBC Radio 4

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Welcome to the fourth episode of our new and ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.On this episode of Fascism On Film, the Holmes Brothers discuss the Jean-Luc Godard film Le Petit Soldat. After helping start the French New Wave with his influential film Breathless (À bout de souffle), Godard was set to make this his second film in 1960. But due to censorship and its provocative look at the French-Algerian War plus scenes of torture, it was not released in cinemas until 1963. The film is set in Geneva, Switzerland and it has the Algerian War happening in the background. Actress Anna Karina worked with Jean-Luc Godard for the first time on this project. They had a bit of tumultuous relationship and were together for four years. The two of them made a bunch of films together. Pierrot Le Fou being their most memorable project amongst film fans and critics. We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Chris Geier, who was on our last episode of our other series The Movies And Me, is an author and his book Silt is available here.Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Check out our blog and read Anders's recent reviews on James Gunn's Superman.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

In this fantastic episode of The Artists podcast, we are joined by the legendary Sir David Sterritt—renowned film critic and scholar, celebrated for his extensive writings on Alfred Hitchcock, Jean-Luc Godard, and more recently, Martin Scorsese. Sterritt, who previously appeared in Episode 89 where we explored Hitchcock, Godard, and Kiarostami (a must-listen if you haven’t already!), returns to unpack the essence of Pure Cinema—a term often used but rarely understood in its full cinematic depth. He’s written for esteemed publications like MovieMaker, Sight and Sound, and Cinéaste, and his insights offer a compelling journey through both classic and modern film thinking.

A meme flickered across feeds this week: South Carolina stacked up against California like a balance sheet for how well you can cage chaos. Homicide rates, GDP, life expectancy — by each measure California shines as the model: safer, wealthier, longer-lived. South Carolina looks rougher, poorer, more violent, a reminder that for some Americans, freedom means a shorter, riskier life. Beneath the numbers, the line: “Don't California my South Carolina.” It's more than a bumper sticker. It's the oldest American choice: Would you rather live longer, safer, and curated in a soft enclosure — or live free enough to fail, starve, and fight at the forest's edge?A good zoo is not a trick. It extends lives. It keeps predators out, or in. It offers illusions of wilderness while carefully curating the risk. California has spent a century mastering this balance. Its early Progressive roots laid out protections for labor, housing, and the urban poor. By the mid-century boom, it perfected suburbia: highways, lawns, hidden fences. Today it pilots universal basic income and climate protections. It works — statistically. But the hidden cost is that freedom to claw your way out shrinks until the animals forget there ever was a gate.South Carolina and places like it — the Mountain West, the rural South, the high plains — carry an older instinct. The frontier mind knows the wilderness is dangerous but would rather risk the claw than hand it over. It's not about wanting chaos; it's about accepting that a life worth living is mortal, unpredictable, never fully occupied by guardians. When settlers crossed into the forests, they feared the wilderness more than the king they left behind. Puritans wrote of the moral abyss in the trees, the space where you stood alone before God with no wall between you and failure. Out of that dread came the rugged individualist, the one who keeps the bear gun or the revolver not to kill but to remember the gate is not locked.In 1965, French filmmaker Jean-Luc Godard captured this tension in Alphaville, a bleak sci-fi noir about a city run by Alpha 60, a sentient computer that abolishes contradiction and poetry. The city is orderly, safe, perfectly contained. Citizens live behind doors marked occupé — occupied — or libre — free. But freedom is an illusion; the guardians hold all the real weapons. Into this system drifts Lemmy Caution, a detective from the wild “Outer Nations.” He smuggles in a revolver and outlaw poems, proof that the wild spark always tries to slip the fence. Godard's generation feared that postwar France's technocratic planners would engineer a zoo so perfect the people would choose it themselves.When France sent America the Statue of Liberty, they gave us a flame, not a fence. The poem “Give me your tired, your poor…” is an American footnote; the torch stands as a dare: keep this wild spark alive if you can. For all our talk of British roots, America's spiritual lineage is French — the Enlightenment bet that real freedom demands risk. That legacy lives today in the states that embrace constitutional carry, stand by the “Live Free or Die” motto, and bristle at any new enclosure that feels too neat to be true.The tension is permanent. California's better zoo is a real achievement. But the meme reminds us that some people will trade longer, safer lives for the raw edge of the trees. A caged bird may live twice as long as one in the forest, but its song is the only thing that knows the truth. Godard understood this: the guardians do not always kill the wild spark — the animals do, when they forget how to find the gate marked libre. A perfect cage is still a cage. The flame stands for those who keep the claw, and the choice.Live Free or Zoo. America's Alphaville choice.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

In this episode we dive into Jean-Luc Godard's influential 1960 film, Breathless. We discuss Godard's journey from critic to filmmaker, the unique production techniques that shaped the film, and the impact of its groundbreaking style, including the use of jump cuts and overdubbing.

L'été signifie-t-il pour vous plutôt une bonne série, une pile de livres à lire ou, tout simplement, un album inédit en boucle dans vos oreilles ? Quelles que soient vos habitudes estivales, l'équipe de « L'Heure du Monde » a pensé à vous.Pour ce dernier épisode de la saison du podcast quotidien d'actualité du Monde, plusieurs journalistes de la rédaction se sont prêtés au jeu d'une recommandation : Antoine Albertini pour le polar, Raphaëlle Leyris pour le roman, Emilie Grangeray pour les podcasts, Florian Reynaud pour le jeu vidéo, Frédéric Potet pour la bande dessinée, Stéphanie Binet et Franck Colombani pour la musique.Un épisode présenté par Claire Leys et produit avec Cyrielle Bedu, Marion Bothorel, Garance Muñoz, Adèle Ponticelli, Adélaïde Tenaglia et Jean-Guillaume Santi. Réalisation et musique : Amandine Robillard. Dans cet épisode : extrait du film Pierrot le Fou de Jean-Luc Godard (1965).Les recommandations :Jeu vidéo : Clair Obscur : Expedition 33, Sandfall Interactive (avril 2025). Disponible sur PC, PlayStation 5 et Xbox SeriesBande dessinée : Sangliers, Lisa Blumen, éditions L'employé du moi, 208 p., 25 euros (mai 2025)Podcast :« Chefs-d'œuvre en vies », une série de podcasts de France Culture et du Musée du Louvre, produite par Jean de Loisy, réalisée par Céline Ters et mixée par Eric Boisset et Antoine Viossat (Fr., 2025, 10 × 29 min). A retrouver sur les sites de Radio France et sur toutes les plateformes d'écoute habituelles.« Les Malheurs de Sophie », une comédie musicale de Sabine Zovighian et Michael Liot, réalisée par Sabine Zovighian et mixée par Manuel Couturier et Titouan Oheix, d'après la comtesse de Ségur (Fr., 2025, 5 × 23 min). A retrouver sur France Culture et toutes les plateformes d'écoute habituelles.Livre :La Faille, Blandine Rinkel, éditions Stock, 238 p., 20 euros (janvier 2025)Un sang d'encre, Vincent Ejarque, Nouveau Monde éditions, 416 p., 10,50 euros (avril 2025)Musique :Lotus, de Little Simz (AWAL/PIAS)I Quit, de Haim (Polydor/Universal)Cet épisode a été publié le 4 juillet 2025. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

durée : 00:03:24 - Le Regard culturel - par : Lucile Commeaux - La plateforme Arte met à disposition un documentaire bouleversant sur le dernier projet de Jean-Luc Godard, continué jusqu'à la veille même de sa mort en 2022.

In this episode, we review our 9th-ranked film for 1965, “Pierrot le Fou,” a French New Wave film written and directed by Jean-Luc Godard, starring Jean-Paul Belmondo and Anna Karina, and we touch on many of Godard's other '60s films as well. Support this project on Patreon!

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Ben Luke talks to Huma Bhabha about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Bhabha was born in 1962 in Karachi, Pakistan, and has been based in the US since 1981—she now lives in Poughkeepsie, New York state. She has achieved a profoundly individual figurative sculptural language, exploring the rich history of her medium while also looking to the future. Informed by ancient monuments, Modernist sculpture and an array of other artforms, Huma employs various sculptural traditions—from modelling with clay, to carving, to found-object assemblage—to create figures that are monumental yet vulnerable, otherworldly yet rooted in the vicissitudes of contemporary geopolitics. Alongside her sculptures, Huma has made similarly powerful work in two-dimensions, particularly in combinations of drawing and collage. She reflects on the early and ongoing impact of Rembrandt on her work, her fascination with Pablo Picasso and Robert Smithson, the influence of the writing of Amy Goodman and Roberto Bolaño and how she has responded to the films of Jean-Luc Godard and Jean Negulesco. She also gives insight into her life in the studio and answers our usual questions, including: what is art for?Huma Bhabha—Encounters: Giacometti, Barbican, London, until 10 Aug; Huma Bhabha: Distant Star, 13 June-26 July. Hosted on Acast. See acast.com/privacy for more information.

Jean-Luc Godard présente quelques extraits de son prochain film, un remake de "La Vénus à la fourrure", intitulé : "La Vénus et le Führer"... Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Du lundi au vendredi, retrouvez en podcast la chronique de Laurent Gerra sur l'antenne de RTL, il y a 10 ans. Le 20 mai 2015, Laurent Gerra imitait Jean-Luc Godard, Jean-Marie Le Pen ou encore Jany. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ian and Sujewa have never been to the Cannes Film Festival, but that won't stop them from bringing it to you (sorta)!This month, the guys look at the latest news from the South of France, featuring the buzz around Richard Linklater's Nouvelle Vague, which dramatizes the making of Jean-Luc Godard's Breathless; and speculate as to why festival darling Jim Jarmusch's new movie was totally shut out of Cannes!Then they take a bumpy trip down Stardust Memories lane, to look at one of Woody Allen's sharpest, most surreal, and eerily contemporary comedies--centering on a neurotic filmmaker who must wrestle with loves both lost and lingering while navigating a weekend retrospective of his work.Join us as we talk snubs, spoilers, and a sneak peek at our next episode--which will be a star-studded Cannes-tinuation of the discussion you're about to hear!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXBlueSkyInstagramFacebookShow LinksWatch the Stardust Memories (1980) trailer.Watch the trailer for Richard Linklater's Cannes sensation, Nouvelle Vague.Watch Ian and Sujewa talk Breathless on a previous installment of "IndieSeen"!Bonus! Read Ian's archive interview with Nouvelle Vague star Zooey Deutch!Check out Sujewa's latest podcast venture, This Arthouse Life! Watch Sujewa's latest film, Cosmic Disco Detective Rene for free on YouTube! Rent The Secret Society for Slow Romance (the predecessor to Cosmic Disco Detective Rene).Follow Sujewa on X.Check out all the episodes in our “IndieSeen” Playlist!

Artist and curator Dana Dawud joins Disintegrator to talk about Open Secret, her touring platform for internet cinema, and her evolving film series Monad. We discuss the blur as a visual device and trend, the impossibility of representing Palestine, being trained by AI and building myth in the age of the feed. The audio is laced with reflections by collaborators orbiting Open Secret: redactedcut @redactedcut, Palais Sinclaire @palais.sinclaire, Mischa Dols @mischaapje, 0nty @the.ontological.turnt, Angel Kether @user_goes_to_kether. References mentioned:Gore Layer by Alex Quicho in Spike (July 2024): https://www.spikeartmagazine.com/articles/discourse-the-gore-layer-alex-quicho,The novel Aliens & Anorexia by Chris Kraus: https://www.semiotexte.com/aliens-anorexia-new-edition,Further reading on CoreCore by 0nty (July 2023): https://becoming.press/corecore-the-return-of-speculative-irony-by-0nty,We spoke about Serge Daney's observation that “there is no image of Palestine” (or, more precisely, that there is “no complex image of Palestinian reality”) which arises from his deep engagement with the politics and ethics of representation, particularly in the context of Jean-Luc Godard's film ‘Ici et ailleurs' (Here and Elsewhere). Read more in Serge Daney's seminal ‘Before and After the Image' (1999): https://www.jstor.org/stable/41389528.,Watch ‘The Sight is a Wound' (2025), a visual essay by Parham Ghalamdar: https://www.ghalamdar.com/tsiaw,‘The Fold: Leibniz and the Baroque' (1988). In this work, Deleuze interprets monads not as isolated points but as folds of space, movement, and time, each containing the world within itself as a unique point of view.,Jaques Rivette's almost-13hr-long-film: ‘Out 1' (1971),Sven Loven at No Gallery: https://www.nononogallery.com/exhibitions/sven-loven-humiliation-ritual/#press-release,Links to explore Dana's work:Monad+ : https://hybrida.space/monad,PalCoreCore: https://donotresearch.substack.com/p/dana-dawud-palcorecore,Pleasure Helmet Podcast: https://soundcloud.com/pleasure-helmet-977951874,https://www.instagram.com/dansdansrev/,https://www.instagram.com/_opensecrett_/

PARTIE 2 de ma rencontre avec Maurice.Il existe des personnes dont la vision du monde élargit la nôtre, à tel point qu'on ne peut plus revenir en arrière. Maurice Sauzet est de ces figures-là.Maurice crée des espaces capables de réveiller en nous l'expérience sensible du vivant. Avec lui, habiter devient une expérience existentielle — un chemin vers le sensible, l'émotion pure, l'émerveillement d'être au monde.Tout à fait normal si vous vous sentez différents apres l'écoute de cet épisode. Vous êtes invités à goûter à bien plus qu'une discussion sur l'architecture… Comme si sa pensée sur les espaces à vivre réveillait quelque chose de profondément enfoui en nous !Je ne vous le cache pas, ce moment avec Maurice Sauzet a marqué un tournant pour moi — comme si une porte que je ne soupçonnais pas s'était doucement ouverte sur un monde plus vaste, plus beau, plus vrai…plus tout. Un monde que je n'avais encore jamais exploré dans le podcast. Et dont, pour être honnête, j'ai rarement entendu évoqué dans la pensée contemporaine de l'architecture en France.Il fallait bien deux épisodes pour tenter d'embrasser la profondeur de sa parole. Maurice, 98 ans, doyen de ce podcast, incarne avec une simplicité désarmante ce qu'il appelle l'Architecture Naturelle. Et ce n'est pas juste une façon de construire. C'est une façon d'être au monde.Je repense à sa voix, à ses silences, à cette paix habitée dans sa maison.Pour moi, il se tient aux côtés de figures comme Edgar Morin, François Cheng ou Jean-Luc Godard — ces êtres qui nous redonnent foi en l'humanité, en la beauté, en l'essentiel.Ce que je vous propose ici, ce n'est pas un épisode.Je vous souhaite de l'écouter avec tout votre corps, tout votre cœur. Cet épisode est plus qu'un podcast… !Le site de Maurice Sauzet : https://www.sauzet-architectes.frDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

From Jan 2024. Dive into the provocative world of artistic "theft" as Ty and Nathan explore how creative innovation truly emerges from our influences. This conversation challenges the myth of pure originality, arguing instead that the greatest artists throughout history have been masterful collectors and transformers of ideas.Beginning with Japanese fashion designer Yohji Yamamoto's transformative quote—"Start copying what you love... at the end of the copy you will find yourself"—the duo examines how creative development flourishes through strategic borrowing. From Quentin Tarantino's open acknowledgment of film references to David Bowie's musical influences, the most distinctive voices often emerge from those who've absorbed the most diverse inspirations.They unpack wisdom from creative legends including Jim Jarmusch, Paul Schrader, and Jean-Luc Godard, who all emphasize that true originality lies not in where you take ideas from, but where you take them to. Art movements throughout history—from Impressionism to Abstract Expressionism—evolved through artists stealing ideas from each other while working side by side, proving that innovation rarely emerges in isolation.What distinguishes mere imitation from transformative theft? When does copying become finding your voice? The conversation offers practical advice for artists at every stage: diversify your influences, document what moves you and why, maintain an "omnivorous" approach to inspiration, and create systems to capture ideas when they strike. Ultimately, the episode makes a compelling case that the most authentic artistic expression comes not from avoiding influence, but from embracing it wholeheartedly.Follow us on Instagram @ty_nathan_clark and @nathanturborg to continue exploring how creative influences shape artistic development.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

So many topics and no organization means that Hang Time Protocol is in order! Brian, Matt, and Caitlin casually discuss Daredevil: Born Again, Spider-Sink, Andor, Mickey 17, Harley Quinn, Looney Toons, Severance, Jean-Luc Godard, and more.Support the showFollow us at Return of the Pod!