Podcast appearances and mentions of jean luc godard

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

PARTIE 2 de ma rencontre avec Maurice.Il existe des personnes dont la vision du monde élargit la nôtre, à tel point qu'on ne peut plus revenir en arrière. Maurice Sauzet est de ces figures-là.Maurice crée des espaces capables de réveiller en nous l'expérience sensible du vivant. Avec lui, habiter devient une expérience existentielle — un chemin vers le sensible, l'émotion pure, l'émerveillement d'être au monde.Tout à fait normal si vous vous sentez différents apres l'écoute de cet épisode. Vous êtes invités à goûter à bien plus qu'une discussion sur l'architecture… Comme si sa pensée sur les espaces à vivre réveillait quelque chose de profondément enfoui en nous !Je ne vous le cache pas, ce moment avec Maurice Sauzet a marqué un tournant pour moi — comme si une porte que je ne soupçonnais pas s'était doucement ouverte sur un monde plus vaste, plus beau, plus vrai…plus tout. Un monde que je n'avais encore jamais exploré dans le podcast. Et dont, pour être honnête, j'ai rarement entendu évoqué dans la pensée contemporaine de l'architecture en France.Il fallait bien deux épisodes pour tenter d'embrasser la profondeur de sa parole. Maurice, 98 ans, doyen de ce podcast, incarne avec une simplicité désarmante ce qu'il appelle l'Architecture Naturelle. Et ce n'est pas juste une façon de construire. C'est une façon d'être au monde.Je repense à sa voix, à ses silences, à cette paix habitée dans sa maison.Pour moi, il se tient aux côtés de figures comme Edgar Morin, François Cheng ou Jean-Luc Godard — ces êtres qui nous redonnent foi en l'humanité, en la beauté, en l'essentiel.Ce que je vous propose ici, ce n'est pas un épisode.Je vous souhaite de l'écouter avec tout votre corps, tout votre cœur. Cet épisode est plus qu'un podcast… !Le site de Maurice Sauzet : https://www.sauzet-architectes.frDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

From Jan 2024. Dive into the provocative world of artistic "theft" as Ty and Nathan explore how creative innovation truly emerges from our influences. This conversation challenges the myth of pure originality, arguing instead that the greatest artists throughout history have been masterful collectors and transformers of ideas.Beginning with Japanese fashion designer Yohji Yamamoto's transformative quote—"Start copying what you love... at the end of the copy you will find yourself"—the duo examines how creative development flourishes through strategic borrowing. From Quentin Tarantino's open acknowledgment of film references to David Bowie's musical influences, the most distinctive voices often emerge from those who've absorbed the most diverse inspirations.They unpack wisdom from creative legends including Jim Jarmusch, Paul Schrader, and Jean-Luc Godard, who all emphasize that true originality lies not in where you take ideas from, but where you take them to. Art movements throughout history—from Impressionism to Abstract Expressionism—evolved through artists stealing ideas from each other while working side by side, proving that innovation rarely emerges in isolation.What distinguishes mere imitation from transformative theft? When does copying become finding your voice? The conversation offers practical advice for artists at every stage: diversify your influences, document what moves you and why, maintain an "omnivorous" approach to inspiration, and create systems to capture ideas when they strike. Ultimately, the episode makes a compelling case that the most authentic artistic expression comes not from avoiding influence, but from embracing it wholeheartedly.Follow us on Instagram @ty_nathan_clark and @nathanturborg to continue exploring how creative influences shape artistic development.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Il existe des personnes dont la vision du monde élargit la nôtre, à tel point qu'on ne peut plus revenir en arrière. Maurice Sauzet est de ces figures-là.Maurice crée des espaces capables de réveiller en nous l'expérience sensible du vivant. Avec lui, habiter devient une expérience existentielle — un chemin vers le sensible, l'émotion pure, l'émerveillement d'être au monde.Tout à fait normal si vous vous sentez différents apres l'écoute de cet épisode. Vous êtes invités à goûter à bien plus qu'une discussion sur l'architecture… Comme si sa pensée sur les espaces à vivre réveillait quelque chose de profondément enfoui en nous !Je ne vous le cache pas, ce moment avec Maurice Sauzet a marqué un tournant pour moi — comme si une porte que je ne soupçonnais pas s'était doucement ouverte sur un monde plus vaste, plus beau, plus vrai…plus tout. Un monde que je n'avais encore jamais exploré dans le podcast. Et dont, pour être honnête, j'ai rarement entendu évoqué dans la pensée contemporaine de l'architecture en France.Il fallait bien deux épisodes pour tenter d'embrasser la profondeur de sa parole. Maurice, 98 ans, doyen de ce podcast, incarne avec une simplicité désarmante ce qu'il appelle l'Architecture Naturelle. Et ce n'est pas juste une façon de construire. C'est une façon d'être au monde.Je repense à sa voix, à ses silences, à cette paix habitée dans sa maison.Pour moi, il se tient aux côtés de figures comme Edgar Morin, François Cheng ou Jean-Luc Godard — ces êtres qui nous redonnent foi en l'humanité, en la beauté, en l'essentiel.Ce que je vous propose ici, ce n'est pas un épisode.Je vous souhaite de l'écouter avec tout votre corps, tout votre cœur. Cet épisode est plus qu'un podcast… !Le site de Maurice Sauzet : https://www.sauzet-architectes.frDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode, I spoke with film critic Jonathan Rosenbaum about his latest book "Travel In The Cities of Cinema". Jonathan Rosenbaum stands as one of the most eminent film critics in the English-speaking world. After working for Sight and Sound and Monthly Film Bulletin in London in the 1970s, he served for two decades as chief film critic for theChicago Reader. Hailed as "one of the best" by Jean-Luc Godard, who compared him to James Agee and André Bazin, Rosenbaum is known for his incisive, thought-provoking polemics, which have inspired generations of writers while reshaping how we think about cinema.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Buy Travels in the Cities of Cinema: Conversations with Ehsan Khoshbakht here. Jonathan Rosenbaum stands as one of the most eminent film critics in the English-speaking world. After working for Sight and Sound and Monthly Film Bulletin in London in the 1970s, he served for two decades as chief film critic for the Chicago Reader. Hailed as “one of the best” by Jean-Luc Godard, who compared him to James Agee and André Bazin, Rosenbaum is known for his incisive, thought-provoking polemics, which have inspired generations of writers while reshaping how we think about cinema. Distinguished by his equal investment in both contemporary cinema and film history, his work offers a rich dialogue between the past and present of moving images. In this wide-ranging conversation with film scholar Ehsan Khoshbakht, Rosenbaum reminisces about his childhood in Florence, Alabama, where his family ran a chain of cinemas, and follows that journey to New York, Paris, London and Chicago. Each city marks a chapter in his evolution as a critic, filled with encounters and experiences that together reveal the life of an indefatigable cinephile and cultural commentator. “An engaging history of the esteemed critic's career and a survey of the cinephilic landscape. Rosenbaum proves a frank, expansive interviewee, telling curator Ehsan Khoshbakht about his childhood in Alabama and his work as a critic in Paris, New York, London, Chicago and elsewhere.” — Pamela Hutchinson, Sight and Sound Learn more about your ad choices. Visit megaphone.fm/adchoices

"He said you're a real Film Nerd." "What's a Film Nerd?" On this episode, BK & Jack catch the French New Wave via its most iconic film! Join them on a journey through the history of French Cinema from the Lumieres to Cahiers, the formation of the New Wave movement on both banks of the Senne, how an unexpected classic flew by the seat of its pants throughout the production, and so much more!The Film Nerds want all or nothing, and they've got it all in this episode!

This week on The WatchTower Film Podcast, Foreign Film Month goes full Nouvelle Vague with Jean-Luc Godard's Breathless. We're talking cigarette-smoking rebels, stolen cars, fourth-wall breaks, and the film that redefined cool in cinema.Is Michel a tragic anti-hero or just an impulsive jerk? Did Godard invent modern editing, or just throw the rulebook out the window for fun? We dive into it all—style, substance, and that unforgettable final scene.Light up (metaphorically), lean back, and get a little reckless with us.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

durée : 01:30:55 - Les Nuits de France Culture - par : Antoine Dhulster - "L'Europe a des oreilles" ou quand l'Atelier de Création Radiophonique imaginait une soirée électorale originale pour les élections européennes de 2004. En direct du studio 105, ce multiplex avec sept radios européennes donnait à entendre Jean-Luc Godard, Lidia Jorge, Peter Greenaway... - réalisation : Virginie Mourthé - invités : Jean-Luc Godard Réalisateur; Peter Greenaway; Laurie Anderson; Lidia Jorge Romancière portugaise; Jovan Divjak Général; Dominique Gonzalez-Foerster

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Avec son centre-ville princier et ses incontournables balades, Chimay a tout pour séduire. Walid, Olivier Fraipont et Corentin Candi sont sous le charme, et ce ne sont pas les jouteurs du jour, Gaëlle et Paul, qui démentiront ! Comme chaque récré de midi on se détend, on apprend et on évoque les sujets les plus divers et variés dans la joie et la bonne humeur (le saut en parachute, le brassage de la bière avec savoir et sagesse, un concours de grimaces, Jean-Luc Godard, etc.), et on salive même, en compagnie de notre invité : Antoine Coche, responsable communication de Chimay-Wartoise, est là pour présenter LA spécialité locale : l'escavèche de Chimay ! Préparation froide à base de poisson, enrobée d'une sauce vinaigrée et gélifiée contenant des oignons, l'escavèche de Chimay est un incontournable des tables du sud de la province de Hainaut. Ce savoir-faire se transmet de génération en génération et bénéficie désormais d'une IGP. Merci pour votre écoute Salut les copions, c'est également en direct tous les jours de la semaine de 16h à 17h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Salut les copions sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/19688 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

So many topics and no organization means that Hang Time Protocol is in order! Brian, Matt, and Caitlin casually discuss Daredevil: Born Again, Spider-Sink, Andor, Mickey 17, Harley Quinn, Looney Toons, Severance, Jean-Luc Godard, and more.Support the showFollow us at Return of the Pod!

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

This week Harrison will review "Alphaville (1965)" starring Eddie Constantine and directed by Jean-Luc Godard #alphaville #eddieconstantine #jeanlucgodard #reelyoldmovies Join my Discord!: https://discord.gg/VWcP6ge2 Donate to my Streamlab here: https://streamlabs.com/sl_id_ff883caf-a8d0-3d7b-980b-9557565e1fe3/tip Social Media Links: https://linktr.ee/reelyoldmovies

C'est un document exceptionnel signé Jean-Luc Godard : un manuscrit sera bientôt mis aux enchères. On va remonter le temps ensemble : nous sommes il y a 65 ans. Godard, qui s'est lancé dans le documentaire après avoir été critique de cinéma, décide de se lancer dans le long-métrage. Il imagine une histoire de gangster, sur les pas d'un jeune voyou meurtrier d'un gendarme qui va trouver refuge chez une étudiante américaine à Paris avant de fuir en Italie. Le film s'appelle "À bout de souffle"... Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ecoutez L'oeil de Philippe Caverivière du 21 mars 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

“Never apologize, never explain - didn't we always say that? Well, I haven't, and I don't.” - the late, great Marianne FaithfullFew women in rock-and-roll history embody the idea of, “Don't be the rock star's girlfriend, BE the rock star” like this week's Doll. This week we remember singer, actress, fashion icon, and “queen of the underground,” Marianne Faithfull. Marianne refused to be just another pretty face in the ‘60s hit parade. She refused to be called a “survivor” - but let's face it, she was. Over and over again, she came back from the brink of destruction. She forged ahead each time, having been better for it. Through all her trials and troubles, she held her head high and never lost her spark - gotta love a woman who hangs a portrait of her ex over her toilet! Hear about Marianne's incredible life on the Dolls Pod, available wherever you stream your podcasts

Ecoutez L'oeil de Philippe Caverivière du 21 mars 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Jackie and Greg attempt to stomach Jean-Luc Godard's 4+ hour manifesto on cinema (and himself), HISTOIRE(S) DU CINÉMA from 1998. (T)opics (o)f (d)iscussi(o)n include the film's incoherence, Godard's pretentiousness, how there are a few nuggets of wisdom littered throughout, and why you should just watch Mark Cousins' THE STORY OF FILM: AN ODYSSEY (2011) instead.#48 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#78 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

En 1959, un cinéaste remuant de 29 ans, Jean-Luc Godard, frais émoulu du journalisme, réalise avec un budget ridicule une œuvre dans lʹair du temps dont le retentissement sera considérable. A bout de souffle, sorti en 1960, est un film révolutionnaire, dʹune audace esthétique incroyable, basé sur un schéma de cinéma classique de film policier, véritable manifeste dʹune génération, qui propulse Jean-Luc Godard sur le devant de la scène de la Nouvelle Vague.

Tom Luddy was a quiet titan of cinema. He presided over the Pacific Film Archive in Berkeley for some 10 years, co-founded and directed The Telluride Film Festival for nearly 50 years, produced some 14 movies, match-made dozens of international love affairs, and foraged for the most beautiful, political, important, risky films and made sure there was a place for them to be seen in the world. And that the people making this powerful work were known and knew each other. Tom Luddy with his photographic memory, his infinite rolodex, his encyclopedic knowledge of global cinema and his catalytic ability to connect people, caused the most unusual of collaborations to come to be. Tom championed the French New Wave, the Czech New Wave, Brazilian cinema novo, dissident Soviet cinema, directors Francis Coppola, Jean-Luc Godard, Werner Herzog, Agnes Varda, Les Blank, Paul Schrader, Agnieszka Holland, Barry Jenkins, Laurie Anderson and countless others.Tom passed away on February 13, 2023. There's a giant hole in the screen without him here. But his DNA is in the hundreds of filmmakers, musicians, writers and activists he nurtured and inspired.The Tom Luddy Connection: The Man, The Movies, The Rolodex was produced by Evan Jacoby and The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKee.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Jean-Luc Godard's goodbye to cinema, at least for a time, Weekend (1967) is not just a condemnation of bourgeois values, but a stunning attack on automobile culture. Sure the messaging is scattershot at best, but there's little in the film that isn't memorable. And it's gotta be hands down the film with the largest salvaged car budget.

Erik Childress & Peter Sobczynski bring you this week's physical media roundup which includes a great upgrade for the family involving a cat and a mouse. Horror fans get some 4K upgrades from four different decades. Film Noir gets several different takes including through the mind of Woody Allen. A legendary black filmmaker championed over the years by Sergio Mims gets his whole collection. There are early appearances by Sam Elliott, Sean Penn and John Cusack along with a reappraisal of a current Oscar contender. A more positive reappraisal has been happening for years with a Shane Black film now in 4K and Peter takes us down the rabbit hole of the time Jean-Luc Godard made a Shakespeare adaptation for Cannon Films. 0:00 – Intro 3:09 - Criterion (King Lear) 17:26 - Warner Archive (Tom and Jerry: The Complete CinemaScope Collection) 21:31 – Warner Bros. (The Nice Guys 4K) 30:18 - Kino (Oscar Micheaux: The Complete Collection, Film Noir: The Dark Side of Cinema XXIII (Rope of Sand / Kiss Tomorrow Goodbye / Never Love a Stranger), Play It Again Sam, Hot Pursuit) 57:11 - Fun City (Lifeguard, Racing with the Moon) 1:08:50 - Universal (Conclave 4K) 1:13:42 - Arrow (Alice Sweet Alice 4K) 1:22:52 - Shout Factory (Galaxy of Terror 4K, Ghosts of Mars 4K, The Last Voyage of the Demeter 4K) 1:35:21 – New Blu-ray Announcements

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

“La fotografía es verdad. El cine es verdad 24 veces por segundo” aseguraba el gran cineasta Jean-Luc Godard. Canciones para unas películas que cambiaron para siempre nuestras vidas.Escuchar audio

Buckle up for a journey through the absurd, anarchic, and audacious as The Projection Booth takes on Jean-Luc Godard's Weekend (1967). Hosts Mike White, Rob St. Mary, and Andrei Idu (who requested the episode via Patreon) dive headfirst into Godard's biting critique of consumerism, class, and chaos, dissecting the film's surreal narrative, infamous tracking shots, and unapologetically subversive tone. From the traffic jam to the revolutionaries, they explore how this incendiary masterpiece continues to provoke and puzzle audiences decades later.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Buckle up for a journey through the absurd, anarchic, and audacious as The Projection Booth takes on Jean-Luc Godard's Weekend (1967). Hosts Mike White, Rob St. Mary, and Andrei Idu (who requested the episode via Patreon) dive headfirst into Godard's biting critique of consumerism, class, and chaos, dissecting the film's surreal narrative, infamous tracking shots, and unapologetically subversive tone. From the traffic jam to the revolutionaries, they explore how this incendiary masterpiece continues to provoke and puzzle audiences decades later.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

In the mid-1930s, Fritz Lang fled Hitler and left a successful film career in Germany behind to come to America. After a 20 year career in Hollywood, Lang went back to a much-changed Germany to make two films that he had first developed in the 1920s, set in India but largely cast with non-Indian performers in brownface. Even Lang's collaborators were concerned that these films, The Tiger of Eschnapur and The Indian Tomb, were politically incorrect and out-of-date. How did the director behind some of the most influential films ever made end up here, and how can we understand his late movies – and his appearance as himself in Jean-Luc Godard's Contempt – as the culmination of all that came before? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Du lundi au vendredi, retrouvez en podcast la chronique de Laurent Gerra sur l'antenne de RTL, il y a 10 ans. Le 14 janvier 2014, Laurent Gerra imitait Franck Ribéry, Enrico Macias ou encore Jean-Luc Godard.