Podcast appearances and mentions of jean luc godard

pWotD Episode 3162: Brigitte Bardot Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 1,185,770 views on Sunday, 28 December 2025 our article of the day is Brigitte Bardot.Brigitte Anne-Marie Bardot ( BRIJ-it bar-DOH; French: [bʁiʒit baʁdo] ; 28 September 1934 – 28 December 2025), often referred to by her initials B. B., was a French actress, singer, model and animal rights activist. Famous for portraying characters with hedonistic lives, she was one of the best-known symbols of the sexual revolution. Although she withdrew from the entertainment industry in 1973, she remained a major pop culture icon. She acted in 47 films, performed in several musicals, and recorded more than 60 songs. She was awarded the Legion of Honour in 1985.Born and raised in Paris, Bardot was an aspiring ballerina during her childhood. She started her acting career in 1952 and achieved international recognition in 1957 for her role in And God Created Woman (1956), catching the attention of many French intellectuals and earning her the nickname "sex kitten". She was the subject of philosopher Simone de Beauvoir's 1959 essay The Lolita Syndrome, which described her as a "locomotive of women's history" and built upon existentialist themes to declare her the most liberated woman of France. She won a 1961 David di Donatello Best Foreign Actress Award for her work in The Truth (1960). Bardot later starred in Jean-Luc Godard's film Le Mépris (1963). For her role in Louis Malle's film Viva Maria! (1965), she was nominated for the BAFTA Award for Best Foreign Actress. French President Charles de Gaulle called Bardot "the French export as important as Renault cars".After retiring from acting in 1973, Bardot became an animal rights activist and created the Brigitte Bardot Foundation. She was known for her strong personality, outspokenness, and speeches on animal defense; she was fined twice for public insults. She was also fined six times for inciting racial hatred for her comments on Muslims in France and calling residents of Réunion "savages". She responded: "I never knowingly wanted to hurt anybody. It is not in my character [...] Among Muslims, I think there are some who are very good and some hoodlums, like everywhere."Bardot was a member of the Global 500 Roll of Honour of the United Nations Environment Programme and received several awards and accolades from UNESCO and PETA.This recording reflects the Wikipedia text as of 02:55 UTC on Monday, 29 December 2025.For the full current version of the article, see Brigitte Bardot on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kimberly.

durée : 00:09:55 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - A l'occasion du Festival de Cannes 1980, Michel Piccoli décrit le personnage qu'il joue dans le film de Marco Bellocchio "Le Saut dans le vide". Il réfléchit également sur son métier d'acteur et évoque sa collaboration avec Jean-Luc Godard. - réalisation : Virginie Mourthé - invités : Michel Piccoli Acteur et réalisateur (1925-2020)

Josh is joined by Richard Linklater Correspondent Josh Brown for a double feature of the writer/director's 2025 releases. First, they talk about "Nouvelle Vague" (Beginning-36:11) and how it captured early 1960s Paris, its depiction of various stalwarts of the French New Wave including Jean-Luc Godard, if it was insightful enough as to the behind-the-scenes making of "Breathless" to make the entire enterprise worth it and much more! Then, they discuss "Blue Moon" and how it did in capturing the complicated feelings lyricist Lorenz Hart was feeling on the night his old partner Richard Rogers's musical "Oklahoma!" premiered, whether the film was successful in convincing the audience that Ethan Hawke was actually diminutive and bald in having him portray Hart, the supporting performances from the likes of Andrew Scott, Bobby Cannavale and Margaret Qualley and much more!

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

par Benoit Basirico Cinezik Radio sur Cinezik.fr L'année 2025 qui s'achève marque le centenaire de la naissance de Georges Delerue. Voici à cette occasion notre sélection de musiques de films nées de la collaboration entre Georges Delerue et de grands cinéastes français et internationaux, autour d'œuvres variées : Le Mépris, Le Corniaud, La Femme d'à côté… Des partitions conçues autour de la primauté des cordes et de la voix éthérée de la flûte, de thèmes romantiques et torturés, de rythmes d'aventure flamboyants, mais aussi d'une écriture atonale ou folk, exprimant l'élégance tragique du compositeur. Se croisent des drames passionnels (François Truffaut) et des films d'aventure (Philippe de Broca), des comédies populaires (Gérard Oury) et des thrillers hollywoodiens (Mike Nichols, Fred Zinnemann), en passant par des œuvres plus sombres (Andrzej Zulawski) et un Oscar (A Little Romance). Programme des B.O : La Femme d'à côté (François Truffaut, 1982) - Georges Delerue Les Deux Anglaises et le continent (François Truffaut, 1971) - Georges Delerue La peau douce (François Truffaut, 1964) - Georges Delerue Vivement dimanche! (François Truffaut, 1983) - Georges Delerue Cartouche (Philippe de Broca, 1962) - Georges Delerue L'Homme de Rio (Philippe de Broca, 1964) - Georges Delerue Les Tribulations d'un Chinois en Chine (Philippe de Broca, 1965) - Georges Delerue Le Diable par la queue (Philippe de Broca, 1969) - Georges Delerue Le Mépris (Jean-Luc Godard, 1963) - Georges Delerue Cent Mille Dollars Au Soleil (Henri Verneuil, 1963) - Georges Delerue Le Corniaud (Gérard Oury, 1965) - Georges Delerue Le Cerveau (Gérard Oury, 1969) - Georges Delerue Hibernatus (Edouard Molinaro, 1969) - Georges Delerue Conseil de famille (Costa-Gavras, 1986) - Georges Delerue The Pumpkin Eater (Jack Clayton, 1964) - Georges Delerue Women in Love (Ken Russell, 1969) - Georges Delerue Anne of the Thousand Days (Charles Jarrott, 1969) - Georges Delerue Julia (Fred Zinnemann, 1977) - Georges Delerue A Little Romance (George Roy Hill, 1979) - Georges Delerue Agnes of God (Norman Jewison, 1985) - Georges Delerue The Day of the Dolphin (Mike Nichols, 1973) - Georges Delerue Silkwood (Mike Nichols, 1983) - Georges Delerue Quelque part quelqu'un (Yannick Bellon, 1972) - Georges Delerue Jamais plus toujours (Yannick Bellon, 1976) - Georges Delerue L'Important c'est d'aimer (Andrzej Zulawski, 1975) - Georges Delerue Police Python 357 (Alain Corneau, 1977) - Georges Delerue Marche ou Crève (Georges Lautner, 1960) - Georges Delerue Garde à vue (Claude Miller, 1981) - Georges Delerue Préparez vos mouchoirs (Bertrand Blier, 1978) - Georges Delerue Calmos (Bertrand Blier, 1976) - Georges Delerue Le Dernier Métro (François Truffaut, 1980) - Georges Delerue L'Amour en fuite (François Truffaut, 1979) - Georges Delerue Descente aux enfers (Francis Girod, 1986) - Georges Delerue The House on Carroll Street (Peter Yates, 1988) - Georges Delerue Salvador (Oliver Stone, 1986) - Georges Delerue Steel Magnolias (Herbert Ross, 1989) - Georges Delerue Black Robe (Bruce Beresford, 1991) - Georges Delerue

Nouvelle Vague - Den Nya Vågen av Richard Linklater handlar om inspelningen av klassikern Till sista andetaget 1959. P1 Kulturs Roger Wilson ringde upp Guillaume Marbeck som spelar den banbrytande regissören Jean-Luc Godard. Lyssna på alla avsnitt i Sveriges Radios app.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

En su más reciente película, Richard Linklater invita al espectador a entrar al mundo de la Nueva ola francesa por la puerta de atrás. En esta recreación del rodaje de Sin aliento, la cinta ya clásica de Jean-Luc Godard, el director estadounidense permite al espectador convivir con aquellos entonces jóvenes directores franceses, escuchar sus conversaciones, verlos sortear las dificultades de una producción: en resumen, bajarlos del pedestal y mostrar el ánimo combativo de un movimiento que transformó el cine. Cine aparte sale cada dos semanas en plataformas de podcast y en el canal de Youtube de Letras Libres. Hosted on Acast. See acast.com/privacy for more information.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Dopo un'ampia introduzione su Jean-Luc Godard e il nostro diverso rapporto con il regista, analizziamo Bande à part (1964) e Il bandito delle 11 (1965).Non inseriamo il consueto minutaggio, avendo parlato dei film in modo disorganico (quindi metatestualmente godardiano).

On the two hundred and eighty-second episode of THE THIRD ACT PODCAST, the crew are getting a double dose of Dick.Christian, Jericho, and Armando jump in front of the mics for reviews of two new Richard Linklater joints; the amiable story of how Jean Luc Godard made the 1960 classic BREATHLESS titled NOUVELLE VAGUE, and Ethan Hawke-starring chamber drama about renowned lyricist Lorenz Hart, BLUE MOON.They also chat about annual Xmas movie favs, egg nog etiquette, the lore behind Christian's "sorry I'm drinks" mantra, aesthetic nostalgia, and annoyingly verbose sad guys at the bar.Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com    

As every filmmaker from D.W. Griffith to Jean-Luc Godard would tell you, no theme provides more fuel for a movie than crime does. On this week's show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two movies that focus on characters who don't so much flirt with crime but embrace it wholeheartedly.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Today we're joined by cartoonist Nathan Gelgud to tackle the most polarizing and some might say Unwatchable period of a legendary filmmaker's career. Jean-Luc Godard was one of the leading figures of the French New Wave, at least until he abandoned narrative filmmaking for experimental political films that alienated much of his audience. We'll be looking at two films from this most controversial of eras: 1967's political docu-fiction LA CHINOISE, and 1969's avant-garde documentary BRITISH SOUNDS.You can find more from Nathan at https://nathangelgud.com/Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. Unwatchables Patreon: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/unwatchables⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/unwatchablespod/⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠https://twitter.com/UnwatchablesPod⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠https://www.unwatchablespod.com⁠⁠⁠⁠⁠⁠ Email: unwatchablespodcast@gmail.com

An ode to a classic of French New Wave cinema – Jean-Luc Godard's Breathless (A Bout de Souffle) – Nouvelle Vague is more than a heady film nerd love fest. It's a Linklater movie, which means it's a hangout film; it's just that the gang we're hanging with happens to be reinventing modern cinema, whether they know it or not. We've got writer, actor, and teacher Tarik R. Davis (The Amber Ruffin Show) with us to talk about the petite charms of this Cannes premiere. Then we pitch our own making-of hangout movies!What's GoodAlonso - “Trans Images on Film” on TCM (w/Caden Mark Gardner and Willow Catelyn Maclay)Drea - Library Tool CheckoutTarik - a really good rehearsalKevin - Conduct Your Own Orchestra (Golden Records)ITIDICFilmmakers Meet the Pope (text of the pope's full address is here)D&D: Honor Among Thieves Team Working on new Star Trek MovieStaff PicksAlonso - Faces PlacesDrea - Rental FamilyTarik - Brother JohnKevin - For Your Consideration Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Who would be so foolish as to mention Jean-Luc Godard and Ed Wood in the same sentence? Well, we just did--and Richard Linklater drew a (perhaps unintentional) parallel between the two polar-opposite filmmakers in his latest movie, Nouvelle Vague!On today's IndieSeen, Ian and Sujewa welcome back Jeff York to review one of the year's very best films: a breezy, loving, fictionalized look at the filming of Godard's groundbreaking French crime/romance, Breathless. Guillaume Marbeck stars as a young Godard, who is the last of his clique of film critic colleagues to try his hand at actually making a movie.He recruits Algerian soldier-turned-actor Jean-Paul Belmondo (Aubry Dullin) and up-and-coming American acting sensation Jean Seberg (Zoey Deutch) to star as doomed lovers on the run. During his frantic 20-day shoot, Godard must dodge a nervous producer, a suspicious cast and crew, and a complete lack of filming permits in order to finish a work that would help redefine his beloved medium (jump-cuts, anyone?).In this spoilerific love letter to Nouvelle Vague (which translates to "French Wave"), the guys look at how Linklater (Dazed and Confused, the Before Trilogy) captures a time, place, and, most importantly, burgeoning creative spirit. They also stray far afield into a debate about the effectiveness of title portraits--and whether or not they derail this movie!Whether you're a devoted cineaste and fan of the French Wave--or if you think "Jean-Luc Godard" was that bald guy from Star Trek, Nouvelle Vague is an open invitation to explore colorful characters, a passion for filmmaking, and the calling to do something creative--no matter how much (or how little) time, talent, and experience one has. Kinda like Ed Wood!Nouvelle Vague is now streaming exclusively on Netflix!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the Nouvelle Vague (2025) trailer.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Flashback to Ian and Sujewa's review of Breathless!Support Sujewa's new film project, 53 Spaceships, the latest adventure of Cosmic Disco Detective Rene!Watch Sujewa's latest film, Cosmic Disco Detective Rene for free on YouTube! Rent The Secret Society for Slow Romance (the predecessor to Cosmic Disco Detective Rene).Follow Sujewa on X.Check out all the episodes in our “IndieSeen” Playlist!

Bringing our show back to its very first episode, we take a look at Richard Linklater's Nouvelle Vague (2025), a movie about the making of Jean-Luc Godard's Breathless (1960). Spoiler Alert: he makes Breathless by the end. We also do quite a bit of dilly-dallying to start off the show, so if you just want our thoughts about the film skip to 53 minutes. But everything before that is true art, the essence of cinema.   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader, with creative experience in brand, advertising, product, music, and film. Isaac is the student. And Juzo, he knows everything about cinema. The podcast is a passion project between three longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support. 

The Vern reviews Richard Linklater's docu drama about the making of Jean-Luc Godard's Breathless. Stay to the end to get updates on the podcast and thank you so much for watching.Go to our website cinemarecall.net to get written reviews of movies and past episodes

This week we're discussing Richard Linklater's Nouvelle Vague which follows the unconventional making of Jean-Luc Godard's first feature, Breathless.

"Nouvelle Vague" is a black and white comedy-drama film directed by Richard Linklater starring Guillaume Marbeck as Jean-Luc Godard, Zoey Deutch as Jean Seberg, and Aubry Dullin as Jean-Paul Belmondo. It follows the shooting of "Breathless," one of the first feature films of the Nouvelle Vague era of French cinema, in 1959. The film had its world premiere at the main competition of the 2025 Cannes Film Festival, where it received positive reviews for its casting, performances, writing, and direction from Linklater, who was working in the French language for the first time in his career. Linklater, Marbeck, Deutch, and Dullin were all kind enough to spend a few minutes speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in limited release and will be available to stream on Netflix on November 14th. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

The Megan-Dave dynamic duo returns with two new movies, Edgar Wright's THE RUNNING MAN (2:15) and Richard Linklater's NOUVELLE VAGUE (25:41). Dave didn't see THE RUNNING MAN but he was able to fill Megan in on the difference between Stephen King's novel and the 1987 Arnold Schwarzenegger film. But how did Megan like Wright's version? Eh...she didn't love it. (But she did love Colman Domingo, so there's that.) As for NOUVELLE VAGUE, Megan and Dave return to the age-old question: Who is this movie for? Aside from a Linklater fan or someone steeped in French New Wave cinema, does anyone really want to see a cutesy black and white take on the making of Jean-Luc Godard's BREATHLESS? Over on Patreon, we discuss the 1991 romantic drama MISSISSIPPI MASALA, which was directed by New York City mayor-elect Zohran Mamdani's mother, Mira Nair.

"The Running Man" is a remake of Arnold Schwarzenegger's 1987 dystopian action thriller based on a Stephen King book. Oddly enough, it was set in 2025. This time out, Glen Powell plays a man desperate for money for his family, who agrees to appear in a TV reality game show where he attempts to outrun a team of murderous bounty hunters to win a billion dollars. Director Edgar Wright, who made "Baby Driver" and "Shaun of the Dead," knows his way around action and comedy and delivers on both counts. However, this time he just doesn't know when to quit. He's guilty of overkill. The biggest problem with "The Running Man" is the running time. "Now You See Me: Now You Don't" is the third installment in the comedy heist action series about an ensemble of magicians who pull off bank jobs using their considerable skills at illusion. Jesse Eisneberg, Woody Harrelson, Dave Franco and Isla Fisher team up once again, this time attempting to steal the world's largest diamond from a villainous crime organization led by Rosamund Pike. It's a reasonably entertaining installment, but the tricks are very familiar. What's missing from "Now You See Me: Now You Don't" is magic. If you haven't seen Jean-Luc Godard's classic 1960 French New Wave film "Breathless," then Richard Linklater's "Nouvelle Vague" probably won't have much meaning for you. This Netflix offering is a painstaking recreation of the making of "Breathless," which popularized a new style of filmmaking and made international stars of Jean-Paul Belmondo and Jean Seberg. Nerd alert!! It's a loving homage to avant garde movie making.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

NOUVELLE VAGUE MOVIE REVIEW In 1959, film critic Jean-Luc Godard set out to direct his first feature, “À bout de souffle” or Breathless as it is known in English. Following Godard's oft quoted dictum that ‘All you need to make a movie is a girl and a gun', Breathless tells the story of a louche […]

NOUVELLE VAGUE MOVIE REVIEW In 1959, film critic Jean-Luc Godard set out to direct his first feature, “À bout de souffle” or Breathless as it is known in English. Following Godard's oft quoted dictum that ‘All you need to make a movie is a girl and a gun', Breathless tells the story of a louche […]

For this week's third podcast review, Sara Clements, Dan Bayer, and Aaron Isenstein join me to review and discuss the latest film from Richard Linklater (and his second this year), "Nouvelle Vague," starring Guillaume Marbeck, Zoey Deutch, and Aubry Dullin. Marbeck plays Jean-Luc Godard as he shoots his feature debut film, "Breathless," one of the first feature films of the French New Wave in 1959, alongside American actress Jean Seberg (Deutch) and French star Jean-Paul Belmondo (Dullin). The film had its world premiere at the 2025 Cannes Film Festival, where it received positive reviews for its witty screenplay, Linklater's direction, and uncanny performances from its principals (and many, many recognizable supporting characters). What did we think of it? Please tune in as we discuss those elements, its place in Linklater's filmography, the craftsmanship, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Actor Guillaume Marbeck plays Jean-Luc Godard in Richard Linklater's Nouvelle Vague, so he has a unique perspective on Godard's revolutionary first feature Breathless – which, it just so happens, Nouvelle Vague is all about. Your genial host Norm Wilner cannot thank Winnie Wong enough for coming up with this concept.

Filmmaker Richard Linklater doesn't speak French, but that didn't stop him from directing a movie that's almost entirely in French. ‘Nouvelle Vague' focuses on the beginning of the New Wave of cinema, specifically Jean-Luc Godard and his landmark 1960 movie ‘Breathless.' "I know that sounds insane," Linklater says, "but me not having the language wasn't even in my top 10 concerns about if I could pull off the movie." Linklater spoke with Terry Gross about the impact of the French New Wave, and his other new film, ‘Blue Moon.' It's about Broadway lyricist Lorenz Hart, the former creative partner of Richard Rodgers.Also, Maureen Corrigan reviews the novel Heart the Lover by Lily King. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Filmmaker Richard Linklater doesn't speak French, but that didn't stop him from directing a movie that's almost entirely in French. ‘Nouvelle Vague' focuses on the beginning of the New Wave of cinema, specifically Jean-Luc Godard and his landmark 1960 movie ‘Breathless.' "I know that sounds insane," Linklater says, "but me not having the language wasn't even in my top 10 concerns about if I could pull off the movie." Linklater spoke with Terry Gross about the impact of the French New Wave, and his other new film, ‘Blue Moon.' It's about Broadway lyricist Lorenz Hart, the former creative partner of Richard Rodgers.Also, Maureen Corrigan reviews the novel Heart the Lover by Lily King. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On the Saturday November 1, 2025 edition of The Richard Crouse Show we meet Richard Linklater. A pioneer of independent cinema, he rose to prominence with “Slacker,” a low-budget cult classic that captured the aimless spirit of Gen X. His breakthrough, “Dazed and Confused,” became a defining portrait of 1970s youth culture. Linklater’s diverse filmography includes the romantic trilogy “Before Sunrise,” “Before Sunset,” and “Before Midnight,” the groundbreaking coming-of-age epic “Boyhood,” shot over 12 years, and the experimental “Waking Life.” His new film, “Nouvelle Vague,” delves into the French New Wave era, reflecting his deep cinematic influences. It's a love letter to Jean-Luc Godard and the French New Wave, but also to storytelling and imagination. A recreation of the events surrounding the making of Godard's 1960 feature debut “Breathless,” it stylishly captures the style and playfulness of the French New Wave, but more importantly, the spirit of change that fueled the movement that changed cinema. Then, we meet Natalie MacMaster. Her masterful Celtic fiddling and electrifying performances have made her the winner of many music awards, she’s a Grammy nominee, and recipient of the Order of Canada. She has collaborated with a host of musical legends including the Boston Pops, The Chieftains, Alison Krauss, and Yo-Yo Ma. In her new book “I Have a Love Story,” Natalie shares the remarkable journey from her humble roots on Cape Breton Island to the world's most renowned stages. She opens up about her relationship with fellow fiddler and husband Donnell Leahy, and offers an intimate look at the balance of career and motherhood, navigating the triumphs and challenges of raising seven children. Then, Linden MacIntrye stops by to chat about his book "An Accidental Villain: A Soldier's Tale of War, Deceit and Exile."

All treats and no tricks for you in this packed Halloween edition of Breakfast All Day. Here's what we've got: NOUVELLE VAGUE: Richard Linklater recreates the making of the French New Wave classic "Breathless" with a movie that looks like it could have come out in 1960, as well. You don't need to know anything about Jean-Luc Godard, or Jean Seberg, or Jean-Paul Belmondo to enjoy this affectionate and humorous homage, but there are Easter eggs galore if you do. In theaters before streaming on Netflix Nov 14. SHELBY OAKS (With William Bibbiani): Our good friend Bibbs joins in on a review of this horror debut from longtime YouTube film critic Chris Stuckmann. It follows a woman investigating the disappearance of her sister, who was a paranormal investigator, in a small Ohio town. In theaters. HEDDA: Tessa Thompson is impossibly charismatic in this bold reimagining of the classic Henrik Ibsen play "Hedda Gabler." Nia DaCosta's adaptation is queer and multiracial in ways that are reminiscent of "Bridgerton." The cinematography and production design are gorgeous, but see it for the clothes alone. Streaming on Prime Video. IT WAS JUST AN ACCIDENT: This will end up being a major contender in the awards conversation. Iranian master Jafar Panahi tells the story of several disparate people who come together to abduct and confront the man they believe was their torturer in prison. It's tense and beautifully acted, with an unexpected streak of absurd humor. In theaters. MOVIE NEWS LIVE!: Our travels have kept us from doing our movie news livestream for the past couple weeks, so it was nice to be together again. Among the topics we discussed were the upcoming "Stranger Things" finale, "Sinners" and "K-Pop Demon Hunters" back in theaters, Osgood Perkins Day, and Francis Ford Coppola auctioning off his watch collection. We're gone next week but back Nov. 14. Thanks for being here! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

In this engaging conversation, David Peck interviews Guillaume Marbeck, the star of Richard Linklater's film Nouvelle Vague. They discuss Guillaume's journey from being an extra to a lead actor, the importance of trust and authenticity in filmmaking, and the unique directing style of Linklater. The conversation delves into the challenges of acting without the use of eyes, the dynamics on set, and the personal growth that comes from taking risks in the creative process.“You don't make a film, the film makes you.” Jean- Luc GodardGuillaume MarbeckGuillaume Marbeck, is a professional photographer in the capital. His training at ESRA, supplemented by acting training at the Actors Factory and short film experience in the United States with Rock and a Hard Place, laid the foundations for a career in which he brilliantly combines art and technique. In Paris, Marbeck stands out for his ability to create portraits that are both refined and authentic. Whether outdoors, where he exploits natural light to reveal the true essence of his subjects, or in the studio, where he uses sophisticated equipment to create precisely sculpted images, his work is a perfect blend of naturalness and elegance for your actor book, model book or corporate CV photo. Alongside his career as a photographer, Guillaume Marbeck is preparing to make his big screen debut. He will play Jean-Luc Godard in the lead role in Richard Linklater 's upcoming film Nouvelle Vague, a film about the genesis of Breathless, an iconic film of the Nouvelle Vague with Jean Paul Belmondo and Jean Seberg.David Peck is a writer, speaker, and award-winning podcaster who works at the intersection of storytelling, social change, and meaningful dialogue. As the host of Face2Face and former host of Toronto Threads on 640 AM, he has published over 650 in-depth interviews with some of the world's most compelling thinkers, artists and storytellers, including Viggo Mortensen, Sarah Polley, Raoul Peck, Werner Herzog, Chris Hadfield, David Cronenberg, Jason Issacs, Gillian Anderson and Wade Davis. With a background in philosophy and international development, David brings a thoughtful, globally aware perspective to every conversation. He's a published author and experienced keynote speaker, known for creating spaces where complexity is welcomed and ideas come alive. Whether moderating panels, hosting live events, or speaking on issues ranging from ethics to media, David's work is grounded in a deep curiosity about people. At heart, he simply loves good conversation — and believes it's one of the best ways we grow, connect, and make sense of the world.For more information about David Peck's podcasting, writing and public speaking please visit his site here.F2F Music and Image Copyright: David Peck, ICBL and Face2Face. Used with permission. Hosted on Acast. See acast.com/privacy for more information.

How do you step into a moment in cinematic and pop culture history?We'll admit we've been dark for a minute...and it hasn't been any artistic reason just straight up burn out....which means it was going to take something special to get us back in the saddle....and that saddle is 'Nouvelle Vague'.'Nouvelle Vague' is the story of a young Jean-Luc Godard who after his days as a critic writing for Cahiers du Cinema decides that the new form of film criticism will be to actually make a film himself.  He gets a low budget feature funded and with the help of Francois Truffaut develops a treatment about a young gangster couple along with his band of misfit toys and hence, 'Breathless' is born and cinematic history is made.Only someone like Richard Linklater could make a film about one of the more landmark cinematic moments of our time in the chaotic style that Godard himself made 'Breathless' and it makes for one of the most unique and unforgettable cinematic experiences of the year.We had the chance to talk with the young man who in his very first leading role stepped into the shoes of the iconic Jean Luc Godard to give us one of the more unique and original performances of the year.  In chatting with Guillaume Marbeck we got a little insight into the process that got him on this journey and what a celebration of cinema something like 'Nouvelle Vague' truly is.'Nouvelle Vague' is in select theatres now,

Richard Linklater is one of the most admired directors working today, and yet moviegoers may admire him for very different things. There are early comedies such as “Slacker” and “Dazed and Confused”; there's the romance trilogy that started with “Before Sunrise,” starring Ethan Hawke and Julie Delpy; and the crowd-pleasers like “School of Rock” and “Hit Man.” Linklater's “Boyhood,” a coming-of-age story shot in the course of twelve years as its protagonist grew from child to young adult, is almost without precedent. This month, Linklater has two new movies releasing almost simultaneously, both dramatizing historical moments in the lives of creative geniuses. In “Blue Moon,” Hawke plays the Broadway lyricist Lorenz Hart at the moment his career is being eclipsed by a rival, Oscar Hammerstein II. “My tagline for this movie, that they're not going to use on any posters, but it's my tagline: ‘Forgotten, but not gone,' ” Linklater tells our film critic Justin Chang. “It's so heartbreaking . . . to do a film about the end of someone's career.” In “Nouvelle Vague,” which is almost entirely in French, Linklater depicts the unconventional filming of Jean-Luc Godard's “Breathless,” his triumphant 1959 début. “The most important film,” Linklater says, “is the one you make in your head.” Justin Chang's article about Richard Linklater was published on September 27, 2025.

Alors qu'il était censé raconter les coulisses du film de Jean-Luc Godard, l'acteur français s'est un peu éloigné de son sujet... Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On this very special episode, we share some of the most important individual paragraphs of writing in our lives - paragraphs that have planted acorns in our brains that have grown over time into mighty oaks. We revisit Thomas Mann, Christopher Hitchens, Jean-Luc Godard, and other luminaries. PLUS: Checking in on Bari Weiss at CBS. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus Our classic Leonard Cohen episode - https://www.patreon.com/posts/186-new-skin-for-44083560 Past Essential Paragraphs discussions: https://www.patreon.com/posts/bonus-essential-28574337 https://www.patreon.com/posts/bonus-essential-36315183 The tweet that Luke cites in the opening discussion - https://x.com/mattpolprof/status/1976069728541245770

Welcome to the daily 63rd New York Film Festival podcast. Today we're featuring two conversations with Richard Linklater and the teams of his two NYFF selections. First, NYFF Artistic Director Dennis Lim moderates a conversation with Linklater and Blue Moon's screenwriter Robert Kaplow, as well asd its stars Ethan Hawke, Bobby Cannavale, and Andrew Scott, followed by a conversation with Linklater and Nouvelle Vague's Zoey Deutch, Guillaume Marbeck, Aubry Dullin, and Michèle Pétin, moderated by NYFF programmer Florence Almozini. Blue Moon is a portrait of one crucial night in the melancholy life of legendary lyricist Lorenz Hart (played by Ethan Hawke, in a tour de force performance). The film is a surprising yet entirely fitting addition to the Richard Linklater canon. And the spirit of cinematic revolution is alive and well in Linklater's affectionate and wildly entertaining passion project, Nouvelle Vague, which transports the viewer back to a creative landmark: the 1959 making of Breathless by Jean-Luc Godard. Nouvelle Vague opens at Film at Lincoln Center on October 31st, with the first week of screenings presented on 35mm. Tickets are on sale now. The 63rd New York Film Festival is presented in partnership with Rolex. Get tickets at filmlinc.org.

durée : 00:03:30 - Le Regard culturel - par : Lucile Commeaux - Ce mercredi 8 octobre sort au cinéma le dernier film de l'Américain Richard Linklater, un hommage ludique, mais certainement un peu vain, au cinéma de Jean-Luc Godard et à la Nouvelle vague française.