Podcast appearances and mentions of jean luc godard

Du lundi au vendredi, retrouvez en podcast la chronique de Laurent Gerra sur l'antenne de RTL, il y a 10 ans. Le 26 janvier 2016, Laurent Gerra imitait Bertrand Tavernier, Eddy Mitchell, Jean-Luc Godard, Bourvil, de Funès, Jean Poiret, Michel Serrault, et Jacques Demy. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Forrest. Conan Neutron, Kristina Oakes and Scott Interrante talk about Richard Linklater's Blue MoonPaired with Nouvelle Vague, Linklater's biopic about Jean Luc Godard and the making of Breathless in 1960. This is another non-standard biopic, this time about Lorenz Hart, the former partner of Richard Rogers, on the opening night of Oklahoma. Starring Ethan Hawke, in a totally transformed role, that's gotten him Oscar buzz and critical praise as Lorenz Hart Also starring Margaret Qualley, Bobby Cannavale, Andrew Scott, and Simon Delaney. Scott Interrante can be found both on the podcasts "This is the Greatest Song I've Ever Heard In My Entire Life" https://www.iheart.com/podcast/269-this-is-the-greatest-song-92782914As well as Big White Elephants https://bigwhiteelephants.podbean.com/It's our Oscars Month, we got a bunch of 2025's biggest movies (that we haven't covered already) up on deck, culminating with our Oscars LIVE Coverage in March #richardlinklater #bluemoon #nouvellevague #linklater #academyawards #academyawards2025 #academyawards2026 #andrewscott #bestactor #bestoriginalscreenplay #filmpodcast #podcast #margaretqualley #godard #breathless #podcast #margaretqualley #godard #breathless We are also streaming on @thisspacetv throw them a follow!!Join our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtra

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 159 Sam is joined by filmmaker Richard Linklater, director of Before Sunrise, Before Sunset, School of Rock, and Blue Moon. His new movie, Nouvelle Vague, follows the shooting of Godard's Breathless [À Bout De Souffle].  Richard has chosen Breathless [À Bout De Souffle] (90 mins). Directed by Jean-Luc Godard and released in 1960, the classic French New Wave drama stars Jean-Paul Belmondo and Jean Seberg.  Sam and Richard discuss shooting his new film Nouvelle Vague on the same locations as Breathless, why the runtime of Breathless was revolutionary, and how Richard rarely makes films over two hours long.  Thank you for downloading. We'll be back in a couple of weeks! If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  Rate and review on Apple Podcasts and Spotify.  Show your support for the podcast and help us stay truly independent by leaving us a tip at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Blue Sky:  @90minfilmfest.bsky.social Instagram: @90MinFilmFest Hosted and produced by Sam Clements. Edited and produced by Louise Owen. Guest star Richard Linklater. Additional editing and sound mixing by @lukemakestweets. Music by Martin Austwick. Artwork by Sam Gilbey.  We are a proud member of the Stripped Media Network.

Aufregung auf der Berlinale: Der Journalist Tilo Jung fragte bei den Festival-Pressekonferenzen die Filmschaffenden zu politischen Themen – von Gaza bis Trump. In der Festspiel-Jury kam sichtbar blanke Panik auf. Wim Wenders ließ sich zu der irrsinnigen Aussage hinreißen: „Wir müssen uns aus der Politik heraushalten.“ Dabei lobte er selbst die Berlinale in der Vergangenheit dafür, dass sie sich politisch einmischt. Überhaupt ist Wenders das, was man einen staatstragenden Künstler nennen könnte. Interessanterweise denken sogar Filmkritiker jetzt laut darüber nach, Tilo Jung von der nächsten Berlinale auszuschließen. Willkommen im deutschen Kulturbetrieb! Wie aber ist es mit Schauspielern wie Ethan Hawke oder Neil Patrick Harris? Was offenbaren ihre Antworten über die politische Kraft von Filmen? Es ist ein heikles Thema, weil eindeutige Antworten so schwerfallen. Es lohnt sich, über Jean-Luc Godard nachzudenken und bei Bertolt Brecht, Marcel Mauss, Anton Jäger und Alain Badiou nachzulesen, um die Dimensionen des politischen Films und der Statement-Hyperpolitik zu entfalten. Im neuen DeepDive der Filmanalyse Plus spricht Wolfgang M. Schmitt 95 Minuten – ausgehend vom Berlinale-Skandal – über das Verhältnis von Filmen und Künstlern zum Politischen. Links:Tilo Jung fragt Wenders: https://www.youtube.com/watch?v=QqjOw7QXrxsTilo Jung fragt Harris: https://www.youtube.com/watch?v=lBhx0K1deWgTilo Jung fragt Hawke: https://www.youtube.com/watch?v=Z8SmAdI1TwIDie gesamte DeepDive-Folge über das Politische und den Film ist hörbar über ein Abo von Die Filmanalyse Plus. Das Abo gibt es bei Steady als Monats- und vergünstigtes Jahresabo. Der RSS-Feed ist automatisch mit Spotify verknüpft, kann aber auch in alle Podcatcher eingefügt werden:https://steady.page/de/die-filmanalyse-abo/aboutApple-Podcast:https://podcasts.apple.com/de/podcast/die-filmanalyse/id1586115282Patreon (jedoch ist hier der RSS-Feed nicht mit Spotify verknüpft):https://www.patreon.com/c/wolfgangmschmitt/homeDie Filmanalyse +ABO kann man auch für ein Jahr verschenken: https://steady.page/de/die-filmanalyse-abo/gift_plansWas es mit einem Plus-Abo gibt: 1. DIE FILMANALYSE DEEP DIVE: In diesen monatlichen Podcast-Folgen gehen wir tief rein in ein Filmthema. Es geht dabei nicht nur um einen Film, sondern um mehr: mehr Theorie, mehr Kontexte, mehr Filmgeschichte! Und immer mit Lektüre-Tipps. Durch die intensive Auseinandersetzung mit dem jeweiligen Thema werden die Folgen deutlich länger sein als die üblichen Analysen. 2. DIE FILMANALYSE Q&A: Ich beantworte in den monatlichen Podcast-Folgen Fragen aus dem Publikum. Alle, die den Paywall-Inhalt abonniert haben, erhalten dafür eine spezielle E-Mail-Adresse und können Fragen stellen. Darüber hinaus möchte ich darin die Gelegenheit nutzen, Filme zu empfehlen.Darüber hinaus gibt es im Abo alle neuen, auch frei verfügbaren Filmanalysen ohne Werbeunterbrechung hören. Vielen Dank für Eure Unterstützung!

An accessible introduction to the concept of the auteur (author) in film theory. In The Film Auteur: Angles of Vision (Routledge, 2026) Robert Kolker and David Wyatt provide readers with a history of auteur theory, from its initial origins in France in the late 1940s as an outgrowth of the cinematic theories of the French film critics and theorists André Bazin and Alexandre Astruc, to the canonizing work of American film critic Andrew Sarris in the 1960s. After a streamlined account of the various postwar renaissances in film - the shock of “Neorealism”, the “New Wave,” and “New American Cinema” - the book features detailed examinations of the work of forty-eight auteurs, including F.W. Murnau, Jean-Luc Godard, Ida Lupino, Alfred Hitchcock, Yasujirō Ozu, Stanley Kubrick, Spike Lee, Pedro Almodóvar, and Jane Campion. In its focus on a limited number of auteurs, this book aims to offer a map of representative figures rather than an exhaustive or comprehensive list, providing an informative entry point to the study of the auteur. Essential reading for any students of film theory and film studies, particularly those taking classes on the auteur. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An accessible introduction to the concept of the auteur (author) in film theory. In The Film Auteur: Angles of Vision (Routledge, 2026) Robert Kolker and David Wyatt provide readers with a history of auteur theory, from its initial origins in France in the late 1940s as an outgrowth of the cinematic theories of the French film critics and theorists André Bazin and Alexandre Astruc, to the canonizing work of American film critic Andrew Sarris in the 1960s. After a streamlined account of the various postwar renaissances in film - the shock of “Neorealism”, the “New Wave,” and “New American Cinema” - the book features detailed examinations of the work of forty-eight auteurs, including F.W. Murnau, Jean-Luc Godard, Ida Lupino, Alfred Hitchcock, Yasujirō Ozu, Stanley Kubrick, Spike Lee, Pedro Almodóvar, and Jane Campion. In its focus on a limited number of auteurs, this book aims to offer a map of representative figures rather than an exhaustive or comprehensive list, providing an informative entry point to the study of the auteur. Essential reading for any students of film theory and film studies, particularly those taking classes on the auteur. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

An accessible introduction to the concept of the auteur (author) in film theory. In The Film Auteur: Angles of Vision (Routledge, 2026) Robert Kolker and David Wyatt provide readers with a history of auteur theory, from its initial origins in France in the late 1940s as an outgrowth of the cinematic theories of the French film critics and theorists André Bazin and Alexandre Astruc, to the canonizing work of American film critic Andrew Sarris in the 1960s. After a streamlined account of the various postwar renaissances in film - the shock of “Neorealism”, the “New Wave,” and “New American Cinema” - the book features detailed examinations of the work of forty-eight auteurs, including F.W. Murnau, Jean-Luc Godard, Ida Lupino, Alfred Hitchcock, Yasujirō Ozu, Stanley Kubrick, Spike Lee, Pedro Almodóvar, and Jane Campion. In its focus on a limited number of auteurs, this book aims to offer a map of representative figures rather than an exhaustive or comprehensive list, providing an informative entry point to the study of the auteur. Essential reading for any students of film theory and film studies, particularly those taking classes on the auteur. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

As usual there are spoilers ahead!  You can follow the podcast on social media on Threads, Instagram and Bluesky.  If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm This episode we track the birth of one of the longest running franchises. Dr Who was first broadcast in 1963 and with the help of some exterminating aliens a film was produced just a couple of years later. I speak to my wonderful Whovian guests about the origins, the hallmarks and the 1960s context of the infamous Doctor including the colourful and shiny 1960s feature films.  Paul Booth is a professor of Media and Pop Culture with a special interest in fandoms on which he has written extensively. He is co-editor of the book Adventures Across Space and Time: A Doctor Who Reader.  Lee Arnott is the co-host if the Problematic Gaze podcast. He is a social historian who is currently researching the the social history of Britain since the 1960s through the lens of Doctor Who. Although Australian composer Ron Gainer wrote the music for Dr Who it was Delia Derbyshire at the BBC Radiophonic Workshop who produced the theme.  You can see the Delia Derbyshire clip I mention on YouTube here: https://www.youtube.com/watch?v=qsRuhCflRyg Chapters: 00:00 Introduction 01:41The BBC origins of the series 04:45 The first episode, changes and differences on the big screen 09:40 The Daleks and Dalekmania 13:20 WW2, Nazis and nuclear fears 19:37 More Daleks 23:33 The Doctor 27:33 What is canon 29:21 The Companions 35:13 The Tardis 38:05 Design 42:02 (The best ever) theme tune 45:46 Legacy 49:22 Success and favourite doctors 53:04 Recommendations Recommendations:  Lee recommended The War Game (1965) and Paul recommended the book Dr. Who & The Daleks: The Official Story of the Films by John Walsh.     NEXT EPISODE! Next episode we will be discussing the 1965 French New Wave science fiction film Alphaville by Jean-Luc Godard. It is easy to rent on main streaming platforms as well as other places in the US including Mubi and Kanopy. To find the film in your region you can visit the Just Watch website.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

The Pink Smoke is back on track, picking up with the sixth entry of Donald E. Westlake's Parker series. A true outlier, The Jugger doesn't feature an epic heist or a ragtag mix of reliable and backstabbing criminals. In this one Parker's all alone, dropped into a situation he's not sure about, forced to make decisions that will have giant ramifications on his life and the series moving forward. We also discuss Made in U.S.A., Jean-Luc Godard's 1966 adaptation of The Jugger which is technically the first Parker movie even though you really have to squint to find any tract of Westlake. For one thing...Parker is a woman. And it just gets more estranged from the source material from there.

durée : 00:07:52 - Les Nuits de France Culture - par : Albane Penaranda - Jean-Luc Godard répond à la question "Où en est le cinéma ?" dans l'émission "Comme il vous plaira" sur France Culture, en 1966, à l'occasion de la sortie de son dixième long-métrage "Pierrot le Fou" avec Jean-Paul Belmondo et Anna Karina. - réalisation : Antoine Larcher - invités : Jean-Luc Godard Cinéaste

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Nouvelle Vague is a 2025 comedy drama film directed by Richard Linklater. Starring Guillaume Marbeck as Jean-Luc Godard, Zoey Deutch as Jean Seberg, and Aubry Dullin as Jean-Paul Belmondo, it follows the shooting of Breathless (1960), one of the first feature films of the French New Wave of cinema.Nouvelle Vague had its premiere at the 2025 Cannes Film Festival on 17 May 2025. It was theatrically released in France by ARP Sélection on 8 October and received a limited theatrical release in the United States on 31 October, before streaming on Netflix on 14 November.Among its accolades, the film received ten nominations at the 51st César Awards, including Best Film and Best Director, alongside a nomination for Best Motion Picture – Musical or Comedy at the 83rd Golden Globe Awards, while Deutch was nominated for Best Supporting Performance at the 41st Independent Spirit Awards. Hosted on Acast. See acast.com/privacy for more information.

This week, we step behind the mic to review Bradley Cooper's IS THIS THING ON?, inspired by the life of comedian John Bishop (06:48); NOUVELLE VAGUE, Richard Linklater's behind-the-scenes look at the making of Jean-Luc Godard's Breathless (27:39); and SHELTER, the latest Jason Statham-fronted action thriller (43:08). Plus, in our HOT TAKE (56:51), all eight episodes of Marvel's WONDER MAN hit Disney+ this week, so we chat spoilers.If you would like to donate directly towards humanitarian aid in Gaza, please visit: ⁠MAP⁠Buy Clarisse's Wes Anderson book⁠ ⁠here⁠⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/Don't forget to subscribe, rate and review the podcast - it makes a difference! The Fade To Black Podcast is part of the Stripped Media Network.AMON:⁠ ⁠@Amonwarmann ⁠⁠CLARISSE: ⁠ ⁠@clarisseloughrey⁠⁠HANNA:⁠ ⁠@hannainesflint⁠⁠Music by ⁠The Last Skeptik⁠. We are a Stripped Media podcast. 

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

The Secret Agent In 1977, Marcelo, a technology teacher, moves from São Paulo to Recife during Carnival to escape his violent past and start over. He finds the city full of chaos, and his neighbours begin to spy on him. Nouvelle Vague The story of New Wave icon Jean-Luc Godard making Breathless, told with the same rule-breaking, freewheeling style he used to make it. LISTEN ABOVE See omnystudio.com/listener for privacy information.

This week on Screentime John Fardy looks at the life and films of French auteur Jean-Luc Godard with Dave O'Mahoney of the IFI. John also talks to YouTube producer Molly McDonald about how the BBC and others will be putting some content on YouTube first. Plus, Niamh O'Reilly reviews the new cinema releases including 'Primate' and 'Is This Thing On'.

Sam Clements talks to director Richard Linkalter about his new film, Nouvelle Vague. In cinemas now.  Richard Linklater's playful, poignant love letter to cinema reimagines the making of Jean-Luc Godard's revolutionary New Wave classic Breathless, told in the style and spirit in which Godard made it.   After writing for Cahiers du cinéma, a young Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple.  Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. Our guests this week are two comedy giants: star of Arrested Development, 30 Rock and BoJack Horseman, Will Arnett—and mega-successful scouse standup John Bishop. It's Bishop's unlikely comedy origin story that inspired Is This Thing On?, the new Hollywood feelgood blockbuster directed by Bradley Cooper. In it, Arnett plays a divorced dad who puts his name down for an open mic at a bar just to save the entry fee—then accidentally catches the comedy bug. As he secretly follows his new standup dreams, can comedy save his sanity—and maybe even his marriage? Find out what Mark makes of it, plus two more of this week's big screen releases. First up its Nouvelle Vague, Richard Linklater's homage to the French new wave film movement of the 1960s. Linklater's film dramatises the making of one of its essential movies, Jean Luc Godard's Breathless. And from uber-cool Parisians murderous monkey's, we'll be reviewing Primate too: a tongue in cheek horror where a pet chimp goes bad. The boys are here in the studio IRL this week, so you'll be getting all of this, plus the box office top 10 and the banterous heights of the laughter lift, beamed right at you from the room where movie-reviewing magic happens. Keep it real, Vanguardistas and all-comers! Timecodes with YT clip codes (for Vanguardistas listening ad-free) Nouvelle Vague review - 10:32 Box Office Top 10 - 23:51 Will Arnett and John Bishop interview - 39:19 Is This Thing On? review 56:11 Laughter Lift - 01:03:04 Primate review - 01:07:20 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

George Saunders - The films of Jean-Luc Godard - Cello Concerto No. 1 – Hostile Summits

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Voilà déjà plusieurs semaines que Brigitte Bardot nous a quittés, et il est désormais temps pour elle de rejoindre les cieux... et ceux qui y sont déjà. Serge Gainsbourg et Jean-Luc Godard, avec qui elle a travaillé à plusieurs reprises, sont là pour l'accueillir. Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ce mercredi 21 janvier, Laurent Gerra a imité Michel Chevalet, Céline Dion, Serge Gainsbourg, Jean-Luc Godard, et Jean D'Ormesson. Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

https://daredaniel.com/wp-content/uploads/2026/01/CANON-FODDER_S01_E53.mp3 Pierrot le Fou (1965; Dir.: Jean-Luc Godard) Canon Fodder Episode 53 Daniel and Corky go on the lam with Jean-Paul Belmondo and Anna Karina to review Jean-Luc Godard’s apocalyptic road movie Pierrot le Fou. But were your hosts Vague-ly entranced by Godard’s Nouvelle vision, or did they act the Fou? PIERROT LE FOU FACTS & FIGURES Sight & Sound 2022 Critics Poll Ranking: #85 [tied] World premiere: Aug. 29, 1965 (Venice Film Festival) IMDB synopsis: “Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.” CLIPS & CLIPPINGS Official trailer for Pierrot le Fou A Galaxie in the ocean “A film is like a battleground.” Kissing cars NEXT EPISODE’S MOVIE Where Is the Friend’s House? (1987; Dir.: Abbas Kiarostami) IMDB synopsis: “Eight-year-old Ahmed has mistakenly taken his friend Mohammad’s notebook. He wants to return it, or else his friend will be expelled from school. The boy determinedly sets out to find Mohammad’s home in the neighbouring village.” Our review of Where Is the Friend’s House comes out Tuesday, Feb. 3! Follow Dare Daniel & Canon Fodder on Facebook and Instagram. Be sure to listen, rate, review and subscribe to the show on Pandora, Apple Podcasts, Spotify, Listen Notes, Castbox and more. New episodes every other Tuesday! Please help support the show by clicking the Donate button on the homepage or find “Support the Show” in the main menu. Read more of Daniel’s movie reviews at Dare Daniel and Rotten Tomatoes. The post Pierrot le Fou – Canon Fodder Episode 53 appeared first on Dare Daniel & Canon Fodder Podcasts.

This is our NEW RELEASE review podcast, ONE HOT TAKE.What makes Nouvelle Vague special is Linklater's confidence in the hang. He understands that revolutions don't look revolutionary while they're happening. They look like people standing around, arguing about ideas, borrowing gear, shooting on streets they don't own, and trusting that something will cohere later.Synopsis:The behind the scenes of the filming of Jean-Luc Godard's Breathless (1960), a landmark of the French New Wave film movement.Stu Coote:The co-host of the (retired) Sinner Files movie podcast is the chief instigator behind our cinematic deep-dive brand.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Listen as we explore Richard Linklater's latest film about the making of Jean-Luc Godard's radical masterpiece Breathless. 

The guys surf the new wave while criticizing Nouvelle Vague, the new Richard Linklater film that tells the story of the production of Jean-Luc Godard's 1960 classic Breathless. WATCH: https://youtu.be/KPdlovSvSd0 Follow Cinereelists: Facebook – Twitter – Instagram – TikTok Follow James: Letterboxd – BlueSky Follow Zach: Letterboxd – Twitter Follow Kyle: Letterboxd Support the show on Patreon. Subscribe: iTunes / RSS Have a film suggestion you think we've never seen and want us to discuss on the show? Send your pick to heyguys@cinereelists.com and one of us WILL watch it and discuss it on a future next show… or send...

Min 5: SONG SUNG BLUE: CANCIÓN PARA DOS (3 estrellas) Song Sung Blue, dirigida por Craig Brewer (Hustle & Flow, Footloose) y protagonizada por Hugh Jackman y Kate Hudson, es un musical de tono íntimo y clásico que, bajo la apariencia de una feel-good movie, explora con sensibilidad la necesidad de creer en los sueños cuando el tiempo parece haberse agotado. Inspirada en una historia real y atravesada por el cancionero de Neil Diamond, la película sigue a una pareja corriente que encuentra en la música una vía de escape frente a la frustración vital y el desgaste emocional, construyendo un relato sobre segundas oportunidades, el amor maduro y la dignidad de quienes persisten sin garantías de éxito. Min 15: NOUVELLE VAGUE (3,5 estrellas) Nouvelle Vague, dirigida por Richard Linklater (Boyhood, Antes del amanecer) y protagonizada por Guillaume Marbeck, Zoey Deutch y Aubry Dullin, es una elegante y cinéfila inmersión en el nacimiento de la Nouvelle Vague francesa que reconstruye, casi en tiempo real, el rodaje y el espíritu revolucionario de À bout de souffle de Jean-Luc Godard. Lejos del biopic convencional, Linklater propone un ejercicio de estilo lúcido y juguetón que captura la efervescencia creativa, la camaradería y las tensiones entre un grupo de jóvenes cineastas dispuestos a dinamitar las reglas del cine clásico desde las calles de París. Min 21: LA CRONOLOGÍA DEL AGUA (1,5 estrellas) La cronología del agua, debut en la dirección de Kristen Stewart, adaptando las memorias de Lidia Yuknavitch, y protagonizada por Imogen Poots, es una obra radicalmente íntima y física que se adentra sin concesiones en el trauma, el deseo y la reconstrucción de la identidad femenina. A través de una narrativa fragmentada y sensorial, Stewart rehúye el relato biográfico convencional para sumergir al espectador en una experiencia emocional cruda, donde la escritura, el cuerpo y el agua funcionan como espacios de resistencia y supervivencia. Min 26: LA ASISTENTA (3 estrellas) La asistenta, dirigida por Paul Feig (La boda de mi mejor amiga, Un pequeño favor) y protagonizada por Sydney Sweeney y Amanda Seyfried, se ha convertido en uno de los thrillers psicológicos más comentados de la temporada gracias a un relato que combina suspense doméstico y perversión emocional con notable eficacia comercial. Adaptando el bestseller homónimo de Freida McFadden, la película sigue a una joven que entra a trabajar como asistenta en una lujosa casa, pronto atrapada en una relación de poder, manipulación y secretos que desdibujan la frontera entre víctima y verdugo. Min 34: RONDALLAS (3,5 estrellas) Rondallas, dirigida por Daniel Sánchez Arévalo (Azuloscurocasinegro, Primos, La gran familia española) y protagonizada por Javier Gutiérrez, María Vázquez, Judith Fernández y Tamar Novas, es una comedia dramática que estrenó en cines españoles el 1 de enero de 2026 y ha generado un notable impacto por su mezcla de emoción popular y reflexión social. El filme se sitúa en un pequeño pueblo marinero de Galicia dos años después de un trágico naufragio: ante el duelo colectivo y el desgaste anímico, los habitantes deciden reactivar su rondalla —una agrupación de música tradicional que une a varias generaciones— como vehículo de sanación, resiliencia y celebración comunitaria, transformando la pérdida en una nueva forma de unión y sentido vital. Min 35: EL MÉDICO 2 (2,5 estrellas) El médico?2, dirigida por Philipp Stölzl (El médico / Der Medicus, North Face) y protagonizada por Tom Payne, Emily Cox, Aidan Gillen y Liam Cunningham, es una secuela épica que retoma la odisea del médico medieval Rob Cole para explorar, con mayor ambición narrativa y vigor visual, los dilemas humanos, éticos y políticos de la medicina en una Europa medieval hostil a lo extranjero. Min 38: AVANCE ESTRENOS 16 ENERO 1) 28 años después: El templo de los huesos, dirigida por Nia DaCosta y protagonizada por Ralph Fiennes y Jack O'Connell, retoma la saga postapocalíptica con tensión y acción visceral; 2) El mal, de Juanma Bajo Ulloa, con Natalia Tena y Tony Dalton, ofrece un intenso drama sobre la oscuridad interior y las consecuencias de la ambición; 3) Turno de guardia (Heldin), de Petra Biondina Volpe, retrata el desgaste emocional de una enfermera enfrentada a un hospital en crisis Min 42: LA PELÍCULA DE TU VIDA, CON ÁNGEL LUQUE Y sí, nos e podía escapar, tras despedir 2025 con la confesión de Roberto Lancha, la sección La película de tu vida se abre en 2026 con la elección de nuestro experto en bandas sonoras. Ángel Luque nos desvela por qué "Bailando con Lobos" (1990) más allá de la prodigiosa e inolvidable composición de John Barry, es el título que marcó su convencido amor por el cine. Min 50: BSO AVATAR: FUEGO Y CENIZA (3,5 estrellas) La banda sonora de Avatar: Fire and Ash (Avatar 3), compuesta por Simon Franglen, se sitúa como uno de los pilares sensoriales del tercer capítulo de la saga, marcando una evolución clara respecto a los dos primeros filmes. Franglen —colaborador histórico de James Horner y responsable del score de Avatar: The?Way of Water— dedica siete años de trabajo y casi 1900 páginas de partituras orquestales para construir un universo sonoro que acompaña los 195 minutos de metraje, inventando incluso nuevos instrumentos para reflejar auténticamente la riqueza cultural y emocional de Pandora.

De Película ofrece un abanico de propuestas que van del drama musical con Song Sung Blue: Canción para dos al cine de autor más arriesgado, la ópera prima de la actriz estadounidense Kristen Stewart, su título, La cronología del agua.Dos de las películas más destacadas de la cartelera y de Película son, Nouvelle Vague, dirigida por Richard Linklater, con la que viaja en el tiempo para llevarnos a 1959 cuando Jean-Luc Godard rodó ‘Al final de la escapada’. Toda una carta de amor que Linlklater rinde a los orígenes del movimiento francés, que cambió el lenguaje del cine. La otra película es Familia de alquiler, de la directora y guionista Hikari, no es ficción, es realidad, es el retrato de un negocio muy popular en Japón: el de las "familias de alquiler yes el ganador del Óscar Brendan Fraser quien da vida al protagonista y al que podemos escuchar en el programa.Una película que no encontramos todavía en cartelera y nos adelantamos a su estreno es Belén. Dolores Fonzi se pone detrás y delante de la cámara para dar vida a Belén, su segundo largometraje que lleva el nombre de la mujer que fue encarcelada tras sufrir un aborto espontáneo. Su caso, seguido muy de cerca por organizaciones como Amnistía Internacional, se convirtió en símbolo de la lucha de miles de mujeres argentinas por el derecho a decidir, Es Dolores Fonzi quien pasa por nuestros micrófonos para contarnos este caso real.Todo esto además de las series con Pedro Calvo, Ana Vega Toscano nos lleva al mundo de la dama del crimen y la reina del suspense, la gran Agatha Christie, medio siglo se cumple de su muerte el próximo 12 de enero, y las secciones habituales.Escuchar audio

On this episode of Remainders we begin our French New Wave double feature with Richard Linklater's film Nouvelle Vague. A love letter to the new wave movement, Linklater shows us the importance of the film era while also expressing how it influenced his own art and his unique style of realism and hangout vibes. Featuring both an endless supply of cigarettes and quotes on the importance of art in life, Nouvelle lets you live the French New Wave.  Other topics include a James Bond Marathon, AI and art, visiting Chicago and the Music Box, and remembering Scissors bassist and friend Jason Lollar.Songs of the WeekBack to School by The ScissorsDenise by Fountains of WayneWebsiteFacebookInstagramYouTubeTwitter

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

https://daredaniel.com/wp-content/uploads/2026/01/CANON-FODDER_S01_DanielBestOf2025.mp3 Daniel’s Best & Worst Films of 2025 Quasi-disgraced pseudo-critic Daniel Barnes takes a solo excursion through the year in cinema to share his best and worst films of 2025. Daniel also discusses some of the awards contenders, blockbusters and bombs that did not make either of his lists. He also previews next week’s new Canon Fodder episode, in which Daniel and Corky review Jean-Luc Godard’s Pierrot le Fou. CLIPS & CLIPPINGS Daniel’s 2025 Ranked list on Letterboxd Daniel’s 2025 San Francisco Bay Area Film Critics Circle Awards ballot NEXT EPISODE’S MOVIE Pierrot le Fou (1965; Dir.: Jean-Luc Godard) IMDB synopsis: “Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.” Our review of Pierrot le Fou comes out Tuesday, Jan. 20. Follow Dare Daniel & Canon Fodder on Facebook and Instagram. Be sure to listen, rate, review and subscribe to the show on Pandora, Apple Podcasts, Spotify, Listen Notes, Castbox and more. New episodes every other Tuesday! Please help support the show by clicking the Donate button on the homepage or find “Support the Show” in the main menu. Read more of Daniel’s movie reviews at Dare Daniel and Rotten Tomatoes. The post Daniel’s Best & Worst Films of 2025 appeared first on Dare Daniel & Canon Fodder Podcasts.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

durée : 00:09:55 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - A l'occasion du Festival de Cannes 1980, Michel Piccoli décrit le personnage qu'il joue dans le film de Marco Bellocchio "Le Saut dans le vide". Il réfléchit également sur son métier d'acteur et évoque sa collaboration avec Jean-Luc Godard. - réalisation : Virginie Mourthé - invités : Michel Piccoli Acteur et réalisateur (1925-2020)

Iniciales BB, son las iniciales de Brigitte Bardot, mujer que inspiró a los más grandes compositores y realizadores franceses. Esta es su historia, con la música como hilo conductor. Dos letras  BB basta para nombrar a la mujer que fue una referencia en la sociedad y la cultura. Su busto fue elegido para representar el símbolo de la república francesa. Un busto que fue conocido y reconocido en todo el mundo. Brigitte Bardot, la joven actriz de clase acomodada y conservadora fue adulada y expuesta a la luz sin concesiones a penas salió de la adolescencia en los anos 50. Se convirtió se convirtió en un modelo de libertad para las mujeres durante 3 décadas. “Et dieu crea la femme” pone en escena a una joven francesa apasionada por el amor y a vida. Mujer superficial para algunos, mujer libre para otros. El fenómeno BB y su exposición mediática inspiraron incluso a Simone de Beauvoir, figura del feminismo francés quien escribió: Brigitte Bardot es “tanto depredadora como víctima de sus depredadores”. Extracto de la película Le Mépris de Jean-Luc Godard (1963), junto a Michel Piccoli, obra que consolidó la fama de Brigitte Bardot a nivel mundial. Sin embargo, la película fue financiada con la condición de incluir escenas de Bardot desnuda, una exigencia de los productores estadounidenses, en detrimento tanto del director como de la actriz. Jean-Luc Godard tuvo que añadir la célebre escena de Bardot desnuda, pero para atenuarla recurrió al uso de filtros de colores. Brigitte Bardot convivió veinte años con esa imagen ambivalente de mujer liberada y, al mismo tiempo, de objeto sexual. “Mi vida es como una gran celda, agradable, pero una prisión al fin y al cabo. Mi vida no me pertenece, le pertenece a todo el mundo. El público me atribuye palabras que no digo, actos que no son míos. Tengo la sensación de no ser libre. Lo único que deseo es que hablen menos de mí. Vivo con las persianas y las cortinas cerradas, porque en el techo de enfrente me esperan los fotógrafos”, dijo en una entrevista para la radiotelevisión pública. Ya en los años sesenta, Brigitte Bardot venía alertando sobre su situación y el constante acoso del público y de los medios de comunicación. Después de veinte años de carrera cinematográfica, decidió poner fin a los rodajes y a la vida pública, por culpa —o gracias— a una cabra. La película L'Histoire très bonne et très joyeuse de Colinot Trousse-Chemise, una comedia ligera, fue la última de su carrera, en 1973. Brigitte Bardot tenía entonces 38 años y su decisión fue irrevocable: nunca volvió a los escenarios.Eligió a los animales como su nuevo público, casi como un rechazo a los seres humanos… al rechazo de una sociedad que la utilizó como una mascota, un animal de zoológico, como señalaron algunos especialistas. Ella misma lo resumió así: «He dado mi cuerpo a los hombres y mi alma a los animales». En 1977, desde La Madrague —su casa en Saint-Tropez—, creó la Fundación Brigitte Bardot para luchar contra el sufrimiento animal, ya fuera doméstico o vinculado a la producción de carne y pieles. Entre los episodios más mediáticos de su militancia figura su viaje al Polo Norte, en territorio canadiense, para denunciar la matanza de crías de foca destinadas al comercio de sus pieles. De regreso a Francia, y gracias al apoyo del gobierno de Valéry Giscard d'Estaing, el Parlamento aprobó una ley que prohíbe el comercio de productos derivados de la caza de focas. Sin embargo, con el paso del tiempo, Brigitte Bardot dejó de recibir el respaldo de los presidentes posteriores, y su fundación continuó funcionando principalmente gracias a donaciones y a la apertura de refugios, mientras que el maltrato animal dejó de figurar entre las prioridades políticas. «Cuando escucho a estos políticos prometernos maravillas sin hacer nada… Ninguno, ni de derecha, ni de izquierda ni de centro, habla realmente de ese problema: la causa animal o la mejora de la condición animal en Francia. ¡Esto me escandaliza!», afirmó en una ocasión. Escándalo parece ser una palabra que la describe bastante bien. La militante comenzó escandalizando con su imagen de mujer libre, considerada por muchos como frívola y superficial, al tiempo que fascinaba a ciertos intelectuales. Sin embargo, el escándalo estalló también en reiteradas ocasiones a raíz de sus declaraciones racistas y homófobas. Sus vínculos cercanos con círculos de poder de la extrema derecha francesa tampoco fueron bien recibidos. El impacto de estas declaraciones fue tal que, en algunas alcaldías, se retiraron los bustos de Brigitte Bardot que la representaban como Marianne. Para muchos, Brigitte Bardot pasó entonces a encarnar la deshonra. Brigitte Bardot fue condenada en varias ocasiones por la justicia francesa por injuria racial y por incitación al odio. Sin embargo, al final de su vida, la diva tenía en la mira a una impresionante cantidad de personalidades, entre ellas Emmanuel Macron y su entonces ministro de Transición Ecológica, el ecologista Nicolas Hulot, a quien calificó de «cobarde». Diva, musa, símbolo sexual, figura considerada superficial, referente del feminismo y de la libertad, racista, precursora en la lucha contra el maltrato animal, pecadora, ícono cultural… Cada cual se quedará con la BB que prefiera recordar. Lo cierto es que no hubo una sola, sino varias vidas de Brigitte Bardot.

Josh is joined by Richard Linklater Correspondent Josh Brown for a double feature of the writer/director's 2025 releases. First, they talk about "Nouvelle Vague" (Beginning-36:11) and how it captured early 1960s Paris, its depiction of various stalwarts of the French New Wave including Jean-Luc Godard, if it was insightful enough as to the behind-the-scenes making of "Breathless" to make the entire enterprise worth it and much more! Then, they discuss "Blue Moon" and how it did in capturing the complicated feelings lyricist Lorenz Hart was feeling on the night his old partner Richard Rogers's musical "Oklahoma!" premiered, whether the film was successful in convincing the audience that Ethan Hawke was actually diminutive and bald in having him portray Hart, the supporting performances from the likes of Andrew Scott, Bobby Cannavale and Margaret Qualley and much more!

Merry Christmas. In the mid-80's, Godard made a fascinating high art movie about the Virgin Mary and the Christmas story. It made some people extremely angry. Should they have been angry? We discuss. Watch the movie here. Also check out these essays about the film, if you're inclined.  Corbin rec. Matt's rec is life management based. Next episode is about THE MASTERMIND. It's available on Mubi, a service Corbin does not have access to. Hope he figures that out! 

En su más reciente película, Richard Linklater invita al espectador a entrar al mundo de la Nueva ola francesa por la puerta de atrás. En esta recreación del rodaje de Sin aliento, la cinta ya clásica de Jean-Luc Godard, el director estadounidense permite al espectador convivir con aquellos entonces jóvenes directores franceses, escuchar sus conversaciones, verlos sortear las dificultades de una producción: en resumen, bajarlos del pedestal y mostrar el ánimo combativo de un movimiento que transformó el cine. Cine aparte sale cada dos semanas en plataformas de podcast y en el canal de Youtube de Letras Libres. Hosted on Acast. See acast.com/privacy for more information.

On the two hundred and eighty-second episode of THE THIRD ACT PODCAST, the crew are getting a double dose of Dick.Christian, Jericho, and Armando jump in front of the mics for reviews of two new Richard Linklater joints; the amiable story of how Jean Luc Godard made the 1960 classic BREATHLESS titled NOUVELLE VAGUE, and Ethan Hawke-starring chamber drama about renowned lyricist Lorenz Hart, BLUE MOON.They also chat about annual Xmas movie favs, egg nog etiquette, the lore behind Christian's "sorry I'm drinks" mantra, aesthetic nostalgia, and annoyingly verbose sad guys at the bar.Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com    

As every filmmaker from D.W. Griffith to Jean-Luc Godard would tell you, no theme provides more fuel for a movie than crime does. On this week's show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two movies that focus on characters who don't so much flirt with crime but embrace it wholeheartedly.

An ode to a classic of French New Wave cinema – Jean-Luc Godard's Breathless (A Bout de Souffle) – Nouvelle Vague is more than a heady film nerd love fest. It's a Linklater movie, which means it's a hangout film; it's just that the gang we're hanging with happens to be reinventing modern cinema, whether they know it or not. We've got writer, actor, and teacher Tarik R. Davis (The Amber Ruffin Show) with us to talk about the petite charms of this Cannes premiere. Then we pitch our own making-of hangout movies!What's GoodAlonso - “Trans Images on Film” on TCM (w/Caden Mark Gardner and Willow Catelyn Maclay)Drea - Library Tool CheckoutTarik - a really good rehearsalKevin - Conduct Your Own Orchestra (Golden Records)ITIDICFilmmakers Meet the Pope (text of the pope's full address is here)D&D: Honor Among Thieves Team Working on new Star Trek MovieStaff PicksAlonso - Faces PlacesDrea - Rental FamilyTarik - Brother JohnKevin - For Your Consideration Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

"Nouvelle Vague" is a black and white comedy-drama film directed by Richard Linklater starring Guillaume Marbeck as Jean-Luc Godard, Zoey Deutch as Jean Seberg, and Aubry Dullin as Jean-Paul Belmondo. It follows the shooting of "Breathless," one of the first feature films of the Nouvelle Vague era of French cinema, in 1959. The film had its world premiere at the main competition of the 2025 Cannes Film Festival, where it received positive reviews for its casting, performances, writing, and direction from Linklater, who was working in the French language for the first time in his career. Linklater, Marbeck, Deutch, and Dullin were all kind enough to spend a few minutes speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in limited release and will be available to stream on Netflix on November 14th. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmaker Richard Linklater doesn't speak French, but that didn't stop him from directing a movie that's almost entirely in French. ‘Nouvelle Vague' focuses on the beginning of the New Wave of cinema, specifically Jean-Luc Godard and his landmark 1960 movie ‘Breathless.' "I know that sounds insane," Linklater says, "but me not having the language wasn't even in my top 10 concerns about if I could pull off the movie." Linklater spoke with Terry Gross about the impact of the French New Wave, and his other new film, ‘Blue Moon.' It's about Broadway lyricist Lorenz Hart, the former creative partner of Richard Rodgers.Also, Maureen Corrigan reviews the novel Heart the Lover by Lily King. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Richard Linklater is one of the most admired directors working today, and yet moviegoers may admire him for very different things. There are early comedies such as “Slacker” and “Dazed and Confused”; there's the romance trilogy that started with “Before Sunrise,” starring Ethan Hawke and Julie Delpy; and the crowd-pleasers like “School of Rock” and “Hit Man.” Linklater's “Boyhood,” a coming-of-age story shot in the course of twelve years as its protagonist grew from child to young adult, is almost without precedent. This month, Linklater has two new movies releasing almost simultaneously, both dramatizing historical moments in the lives of creative geniuses. In “Blue Moon,” Hawke plays the Broadway lyricist Lorenz Hart at the moment his career is being eclipsed by a rival, Oscar Hammerstein II. “My tagline for this movie, that they're not going to use on any posters, but it's my tagline: ‘Forgotten, but not gone,' ” Linklater tells our film critic Justin Chang. “It's so heartbreaking . . . to do a film about the end of someone's career.” In “Nouvelle Vague,” which is almost entirely in French, Linklater depicts the unconventional filming of Jean-Luc Godard's “Breathless,” his triumphant 1959 début. “The most important film,” Linklater says, “is the one you make in your head.” Justin Chang's article about Richard Linklater was published on September 27, 2025.