Podcasts about Rainer Werner Fassbinder

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this bonus episode, cohosts Jason Christian and Anthony Ballas speak with the literary critic Ryan Ruby about New German Cinema, particularly the directors Rainer Werner Fassbinder and Alexander Kluge, and the film movement's fascination with the Red Army Faction (Rote Armee Fraktion) A.K.A. the Baader–Meinhof Gang, an ultra-left militant group in West Germany that existed in various forms from 1970 to 1998.  Ryan Ruby is the author of Context Collapse: A Poem Containing a History of Poetry (Seven Stories Press, 2024) and The Zero and the One: A Novel (Twelve Books, 2017). For his essays and reviews, which have recently appeared in such venues as Harper's, Bookforum, and the New Left Review, he has received the Silvers Prize in Literary Criticism. He lives in Berlin, where he is working on a book of creative nonfiction about the city's mass transit system, tentatively titled Ringbahn: On Berlin Time, which will be published by Farrar, Straus and Giroux in late 2027. _____________________ Ryan Ruby's forthcoming book on the cultural history of Berlin, with particular interest in the music scene and cinema of the 1970s The films Germany in Autumn (1978) and The Third Generation (1979)  The Red Army Faction and 1960s/'70s militancy The political climate in Berlin today V.I. Lenin's critique of "adventurism"   _____________________ We love to give recommendations on the podcast, so here are ours for this episode:        Tony recommends the two-volume book The Magic of Robert-Houdin An Artist's Life The Watchmaker, Mechanician and Conjurer by Christian Fechner       Ryan recommends the books Baader-Meinhof: The Inside Story of the R.A.F. by Stefan Aust and Fassbinder: Thousands of Mirrors by Ian Penman       Jason recommends Bruce LaBruce's 2004 satirical RAF film The Raspberry Reich. [Warning: the film contains explicit sex scenes] _____________________ Find past guest Andrew Nette's Letterboxd list of films inspired by or about the Red Army Faction here. Check out our interview with Nette here. Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.  For more from your hosts and guest: Find Ryan Ruby's work at www.ryanruby.info Follow Jason on Bluesky @JasonAChristian.bsky.social, on X @jasonachristian, or on Letterboxed at @exilemagic. Jason also writes an occasional newsletter called Notes on Radical Cinema.  Follow Anthony on Bluesky @tonyjballas.bsky.social, on X @tonyjballas, or on Letterboxed @tonyjballas. Follow Paul on Bluesky @ptklein.com, or on Letterboxed @ptklein. Paul also writes about movies at www.howotreadmovies.com  Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

Join Me and Keith and our good buddy James Huddleson for a discussion of the 1982 queer cinema classic Querelle, directed by Rainer Werner Fassbinder. And remember (sing it): "Each man kills the thing he loves. Each man kills the thing he loves. La da da, la da da da."  Keep watching movies!  Jay

durée : 01:31:24 - Les Nuits de France Culture - par : Albane Penaranda - Simone Douek retrace la vie et l'œuvre du cinéaste allemand Rainer Werner Fassbinder (1945-1982) en compagnie de deux de ses actrices, Hanna Schygulla et Ingrid Caven, de la réalisatrice Margarethe von Trotta, et de plusieurs spécialistes du cinéma. - réalisation : Emily Vallat - invités : Ingrid Caven; Hanna Schygulla Actrice; Margarethe Von Trotta Cinéaste, scénariste et comédienne; Michel Serceau; Pierre Maillet Comédien et metteur en scène

I haven’t yet had a chance to talk about New German Cinema on Eros + Massacre, though episodes on Rainer Werner Fassbinder and key figures from his group of collaborators have been high on my list. I could never pick a single favorite director, but Fassbinder is at least in the top five. And Kurt Raab—the actor, set designer, art director, screenwriter, and producer who was among Fassbinder’s most loyal, brilliant, and beleaguered collaborators—is among my favorite Germans to ever exist, so it seemed like a good idea to start with him. Film programmer and projectionist Adrianna Gober is the only person I know who loves Raab as much as I do, and we’ve been planning this episode for… years now. We decided to focus on three of Raab’s films, though we do give a lengthy intro about Fassbinder himself and how he set the creative tone for much of Raab’s career. First up is Tenderness of the Wolves (1973), a bleak serial killer thriller officially directed by Ulli Lommel, but it’s essentially a collaborative effort between Lommel and Raab, made with Fassbinder’s assistance. The center piece of the episode is Fassbinder’s Bolwieser aka The Stationmaster’s Wife (1977), a two-part made for TV series that has primarily been available in a truncated, feature-length version. A kind Discord user tracked down the complete version for us, not knowing we had already recorded, but we HAD TO go back and say more. And we end with a shorter discussion about Barbet Schroeder’s Cheaters (1984), a gambling drama with one of Raab’s wildest character actor roles. If you have trouble locating The Stationamaster’s Wife, you should be able to download it here. You can find Adrianna at the Gap Theater in Wind Gap, PA, which has some truly incredible programming, tons of 35mm screenings, and some of the best programmers working on the East Coast. If you’ve ever heard me wax poetic about Harry Guerro from Exhumed Films, this theater is one of his many labors of love and is an easy drive from the Mahoning Drive In (and is about two hours from both Philadelphia and NYC). I am a bad person and still have not yet been there, but it’s on my list of resolutions for this spring!

Today in Milan, Jil Sander Creative Director Simone Bellotti will show his second collection. Two weeks out from the show he was in New York – not to finalize the collection, which he says was largely locked a month ago, but to introduce the brand's new campaign alongside model Guinevere van Seenus. Van Seenus opened Bellotti's debut show and was the star of the Craig McDean campaigns that defined Jil Sander in the nineties. He's looking back on those days as he prepares for the new collection.“It's a brand that you really have to study,” he told Nicole Phelps.For fall, Bellotti's mood board is organized around the idea of home—not as sanctuary, but as something more ambivalent. He's been watching Rainer Werner Fassbinder films and exploring the way the director used interiors to create tension and unease, to make the familiar feel threatening. He's also shifting his approach for the new collection: where his first show was about reduction, this one is about addition. “I love this idea of contradiction,” he said. Jil Sander once described the mood of her collections like a “clear glass of water” or a “glass of red wine.” When asked to describe the mood of his fall collection: Bellotti didn't miss a beat: it's the olive in a martini. “It's this extra thing that is apparently superfluous,” he said, “But it makes the cocktail perfect.” Learn about your ad choices: dovetail.prx.org/ad-choices

In this episode, we discuss Rainer Werner Fassbinder's Beware of a Holy Whore, including the autobiographical elements, Fassbinder's painterly compositions, and how the film makes the viewer an active participant.See where Beware of a Holy Whore is available to watch.Supplemental Material:• "Eclipse Series 39: Early Fassbinder" by Michael Koresky• "Hanna Schygulla: How Rainer Werner Fassbinder's Favourite Actor “Survived” His Abuse" by Thomas Coll• End of the Commune? (1970)• Fassbinder in 5: Michael Koresky on an Aesthetic Revolution (The Criterion Channel)• Life Stories: A Conversation with R.W. Fassbinder (The Criterion Channel)Additional Audio Sources:• Santa Lucia by Elvis Presley• Let's Go Get Stoned by Ray CharlesIf you'd like to support the show, subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen to your podcasts, leave a review on Apple Podcasts, and share the podcast with someone who might enjoy it.If you have any thoughts, comments, or questions about the show, you can email us at scenebyscenepodcast@gmail.comFollow us on Letterboxd: Joe | Justin

Vier Jahre lang haben sich der 28-jährige Aaron und seine Mutter Susanne nicht gesehen. Als er sie erstmals wieder besucht, möchte er ihre Beziehung, die von vielen nie bearbeiteten Konflikten geprägt ist, aufarbeiten. Aaron wirft seiner Mutter vor, ihn als Kind nicht beschützt zu haben. Eine schonungslose Auseinandersetzung zwischen Seelenstriptease und Wahrhaftigkeitspathos auf den Spuren von Rainer Werner Fassbinder. Die beiden Hauptdarstellenden Heike Hanold-Lynch und Til Schindler wurden beim Bayrischen Filmpreis gemeinsam für ihre schauspielerischen Leistungen ausgezeichnet.

Bekannt ist er durch seine Rollen als Adolf Hitler, Rainer Werner Fassbinder oder als Ulrich Nielsen in der Serie "Dark". Oliver Masucci dreht mit den großen Hollywood-Stars und bleibt trotzdem am liebsten in der Schweiz und auf Mallorca. Als Kind eines italienischen Gastarbeiters hatte er einen schweren Start - bei Dominique Knoll spricht er über seine Lieblingsgerichte, seine aktuellen Projekte und womit er seinen strengen Vater so richtig stolz gemacht hat.

Die dritte „Q&A“-Ausgabe beginnt mit meinen Kinoerfahrungen der vergangenen Tage – von „Der Fremde“ bis „Rental Family“. Anschließend beantworte ich ausführlich hochinteressante Fragen aus dem Publikum. Es geht unter anderem um die besten Filme von Rainer Werner Fassbinder, um Kriegsfilme und ihre Wirkung, um Wasserspiele in „Eine verhängnisvolle Affäre“, Filme in der Schulbildung, gute Genreliteratur und Dialoge, in denen dem Publikum erklärt wird, was die Figuren schon wissen. Darüber hinaus präsentiere ich einen kleinen Essay von mir zu der Frage: Was macht eine gelungene Literaturverfilmung aus? Am Ende müssen wir klären: Warum wird eigentlich beim Happy End abgeblendet? Warum läuft der Film nicht weiter? Insgesamt über 80 Minuten diskutiere ich in der neuen Folge die Fragen der Filmanalyse-Plus-Community. Die gesamte „Q&A“-Folge ist hörbar über ein Abo von Die Filmanalyse Plus. Das Abo gibt es bei Steady als Monats- und vergünstigtes Jahresabo. Der RSS-Feed ist automatisch mit Spotify verknüpft, kann aber auch in alle Podcatcher eingefügt werden:https://steady.page/de/die-filmanalyse-abo/aboutApple-Podcast:https://podcasts.apple.com/de/podcast/die-filmanalyse/id1586115282Patreon (jedoch ist hier der RSS-Feed nicht mit Spotify verknüpft):https://www.patreon.com/c/wolfgangmschmitt/homeDie Filmanalyse +ABO kann man auch für ein Jahr verschenken: https://steady.page/de/die-filmanalyse-abo/gift_plansWas es mit einem Plus-Abo gibt: 1. DIE FILMANALYSE DEEP DIVE: In diesen monatlichen Podcast-Folgen gehen wir tief rein in ein Filmthema. Es geht dabei nicht nur um einen Film, sondern um mehr: mehr Theorie, mehr Kontexte, mehr Filmgeschichte! Und immer mit Lektüre-Tipps. Durch die intensive Auseinandersetzung mit dem jeweiligen Thema werden die Folgen deutlich länger sein als die üblichen Analysen. 2. DIE FILMANALYSE Q&A: Ich beantworte in den monatlichen Podcast-Folgen Fragen aus dem Publikum. Alle, die den Paywall-Inhalt abonniert haben, erhalten dafür eine spezielle E-Mail-Adresse und können Fragen stellen. Darüber hinaus möchte ich darin die Gelegenheit nutzen, Filme zu empfehlen.Darüber hinaus gibt es im Abo alle neuen, auch frei verfügbaren Filmanalysen ohne Werbeunterbrechung hören. Vielen Dank für Eure Unterstützung!

Wishing everyone a happy New Year, Josh and Andrew purify 2026 with fellow contributor/podcast editor/synopsis writer/ZekeFilm writer Ethan Tarantella's pick, Luca Guadagnino's remake of Suspiria! Prepare to have your head explode with an extended discussion ranging from the remake's unrelenting arthouse madness, sociopolitical talk about 70s Berlin, Rainer Werner Fassbinder, witchcraft and dance, fascism, queer theory, acclaimed actor Lutz Ebersdorf, the way Dakota Johnson says “Ohio”, and much, much more. Give your soul to a movie so powerful, overwhelming, and crammed with ideas no wonder it's one of this writer's favorite movies.Complimenting this episode includes Ethan giving an impromptu Guadagnino ranking (can you guess where After the Hunt is?) and the trio having One More Thing, recommending Kinji Fukasaku's Black Lizard, Hong Kong gangster film Exiled, along with recent shows The Chair Company, Women Wearing Shoulder Pads, and Haha, You Clowns.Next week, friends of the Take-Up join Josh to discuss the best of 2025! Until then, read on at thetake-up.com and follow us @thetakeupstl on Instagram, Twitter, Letterboxd, and Facebook. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.

pWotD Episode 3128: Udo Kier Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 297,979 views on Monday, 24 November 2025 our article of the day is Udo Kier.Udo Kierspe (14 October 1944 – 23 November 2025), known professionally as Udo Kier, was a German actor. Known primarily as a character actor who often portrayed eccentric and deviant figures, he appeared in more than 220 films in both leading and supporting roles throughout Europe and the Americas.Kier made his breakthrough playing the title characters in the cult films Flesh for Frankenstein (1973) and Blood for Dracula (1974), both directed by Paul Morrissey, which established him as an icon of the horror film genre. He became a staple figure in both mainstream genre film and art house circles, described by one obituary as a "cult icon". He collaborated with notable filmmakers such as Rainer Werner Fassbinder, Lars von Trier, Gus Van Sant, Werner Herzog, Walerian Borowczyk, Kleber Mendonça Filho, Dario Argento, Guy Maddin, Alexander Payne, E. Elias Merhige, and Barry Sonnenfeld.He received several international accolades, including an nomination for the Independent Spirit Award for Best Male Lead, for his elegiac performance in Swan Song (2021). Openly gay throughout his career, he received a Special Teddy Award at the 65th Berlin International Film Festival in 2015.This recording reflects the Wikipedia text as of 03:01 UTC on Tuesday, 25 November 2025.For the full current version of the article, see Udo Kier on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Geraint.

HAPPY HALLOWEEN! Though Death By DVD is taking a break to relocate and build a bigger and better Death By DVD studio we thought it would just be down right insane to not have at least SOMETHING to offer our fine dead studio audience for Halloween. Halloween is our favorite holiday, our favorite time of year and I'll boldly say it's down right the best time of year, so we wanted to celebrate with you and boy howdy, though short in run time we have a whole lot for you to hear on this episode.An all new movie from your host Harry-Scott Sullivan is available now to stream, we have an exclusive new song from SATANIC HEARSE RECORDS called NO LIFE IN THEIR EYES from their forthcoming record DEATH SEX GORE HORROR and of course an update on when Death By DVD will return full time. Celebrate the season of the witch and hit play and hear this episode today! SATANIC HEARSE on Bandcamp : tap here or copy and paste the link belowhttps://satanichearserecords.bandcamp.com/WATCH YOUR HOSTS DOCUMENTARY AND DARK TALES FROM CHANNEL X NOW ON BLOODSTREAM TV: tap here or copy and paste the link belowhttps://bloodstreamtv.com/show-details/dark-tales-from-channel-xLearn more about Bloodstream TV : Tap here or copy and paste the link belowhttps://bloodstreamtv.com/homeIf you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

"I'm a master of deceit: a capitalist tool by day, and by night an agent of the proletarian masses - the Mata Hari of the Economic Miracle." - Maria Braun (Hanna Schygulla)Welcome to the sixth episode of our ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.On this episode of Fascism On Film, the Holmes Brothers reunite to discuss The Marriage Of Maria Braun, directed by Rainer Werner Fassbinder. The film stars Hanna Schygulla as the titular character. Maria marries Hermann Braun during the final days of the Second World War. He ships off to the Eastern Front after their quick wedding. He goes missing and is presumed dead. Maria puts her beauty and tenacious ambition to good use in order to find prosperity during Germany's "economic miracle". The film shows ten years of her life following the end of the Second World War and all the way up to when Germany plays against Hungary during the 1954 World Cup Final. A leading figure of the New German Cinema movement, Fassbinder's film is a must see.We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.Be sure to check out our Monument Valley Film on our YouTube Channel.Anders's screenwriter work can also be seen at work in the horror, car chase thriller Delivery Run, co-written with & directed by Joey Palmroos. The film has been released digitally and also in select cinemas in the US. In Finland, it will be released in cinemas on November 5th. You can read a review about it here on the Fangoria website.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Check out our blog and read Anders's recent review on The Hitcher, starring Rutger Hauer.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

In this episode, I talk about Rainer Werner Fassbinder's 1972 film, "The Bitter Tears of Petra von Kant." The film tells the story of Petra, a successful fashion designer in a complicated and obsessive relationship with a younger woman named Karin. Set almost entirely in Petra's apartment, the film unravels the entanglements of power, desire, and emotional dependency.This episode is one of my most personal. I reflect on the ways the film mirrors an experience I had with unrequited love—an experience that consumed me for over two years. I talk about the madness and chaos of desire, the pain of not being chosen, and the way obsession can distort how we see ourselves and others.Note: This episode was recorded before my mother's death. That is why I talk about her in the present tense.You can follow me on Instagram, Letterboxd, and Tumblr. My email is herheadinfilms@gmail.com.My Sources:Mise en Scène as Power Struggle by Jonathan RosenbaumMelodrama and the Remake: The Cinematic Influence of Douglas Sirk on FassbinderHanna Schygulla on working with FassbinderWhat is New German Cinema?New German Cinema

Welcome to another episode of the Holmes Movies Podcast!Anders and Adam Holmes reunite after a long 2 month hiatus to pay tribute to a Hollywood legend. A fantastic actor and director, who also did a lot for social and human rights. The great Robert Redford passed away on the 16th of September 2025 at his home in Sundance, Utah. He was 89 years old. Born August 18th 1936, Robert Redford's career began in New York City where he worked on stage and on television. His numerous early acting credits were on TV shows like The Twilight Zone, The Untouchables, Perry Mason and Alfred Hitchcock Presents. His early credits in film were Tall Story and The Chase, his first collaboration with Jane Fonda. After being cast along side Paul Newman in the George Roy Hill western, Butch Cassidy & The Sundance Kid, did Redford become a bankable actor. His career took off in the 70s. Some of his most memorable roles were in films like All The President's Men, Jeremiah Johnson, The Candidate, 3 Days of The Condor, The Sting and The Way We Were. In the beginning of the 80s, Redford transitioned to directing as well as acting. He won an Oscar for Best Directing for his work on Ordinary People, starring Donald Sutherland, Timothy Hutton and Mary Tyler Moore. With the proceeds he received from his acting career, Robert Redford purchased a block of land in Utah that he named Sundance, after his character in Butch Cassidy. Redford went onto to create the Sundance Institute and out of that came the Sundance Film Festival. This festival was created in a way to foster new and exciting cinematic voices. A new generation of filmmakers. Aside from his film work, Redford fought and campaigned for LGBT rights, Native American rights and climate change. An actor, director, environmentalist and activist all rolled into one.A tremendous individual who did a lot for the film industry. There will never be another man like him. He will be missed. Rest in peace Mister Redford. Hope somewhere you and Paul Newman have finally reunited. We hope you enjoy this episode of the podcast. The Fascism On Film series will continue with the Rainer Werner Fassbinder film: The Marriage of Maria Braun. Subscribe and follow the podcast and stay tuned for that. You can listen to Anders Holmes review the Paul W.S. Anderson film Event Horizon here.Be sure to check out our Monument Valley Film on our YouTube Channel.Follow us on our Instagram page.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Welcome back to the GGtMC!!!This week we wrap up a Pride Festival with Will's pick for the final selection. Will chose Fox And His Friends (1975) directed by Rainer Werner Fassbinder!!!We want to thank Cupcake Jose from the Watch/Skip+ Podcast for being with us these past three weeks and VIVA PRIDE!!!Emails to midnitecinema@gmail.comAdios!!!

Este sábado, Macarena Berlín conversa con Aura Garrido desde el Teatro Bellas Artes. La actriz protagoniza junto a Ana Torrent Las amargas lágrimas de Petra von Kant, una de las piezas más emblemáticas de Rainer Werner Fassbinder, estrenada en 1971 y convertida poco después en película de culto. La obra retrata el desamor y las relaciones de poder en un universo puramente femenino, y plantea una pregunta que sigue siendo vigente: ¿hasta dónde puede llegar el amor cuando se convierte en obsesión y dependencia?

El programa abre con 'Leche cruda', la primera novela de Ángelo Néstore. La obra parte de la leche como símbolo del alimento inicial y del vínculo más primario, para proponer un recorrido literario que viaja desde ese origen hasta la pérdida, planteando un trayecto vital inevitable y lleno de matices. La literatura sigue en primer plano con la poeta Miriam Reyes, galardonada con el Premio Nacional de Poesía 2025 por su obra 'Con', publicada en 2024 por La Bella Varsovia. Un reconocimiento que consolida su trayectoria y su aportación a la poesía contemporánea.El programa rinde homenaje también a Rick Davies, fundador de Supertramp junto con Roger Hodgson, fallecido a los 81 años tras una larga enfermedad. Su música, con éxitos como los que marcaron a generaciones, permanece como parte fundamental de la historia del rock internacional.En la sección dedicada a las artes plásticas, se recuerda la figura de Antoni Clavé con una gran retrospectiva en el Palau Martorell de Barcelona. La muestra reúne 80 piezas del pintor, grabador y escultor español, coincidiendo con los veinte años de su muerte, y permite acercarse a aspectos menos conocidos de su obra.Las novedades del programa se amplían con la incorporación de una sección literaria a cargo de Lara Hermoso, que aportará su mirada crítica y reflexiva sobre las letras actuales.Finalmente, en el terreno cinematográfico, Vicente Monroy se detiene en la figura de Rainer Werner Fassbinder, referente del nuevo cine alemán y creador de una obra que sigue influyendo a realizadores y espectadores de todo el mundo.Escuchar audio

THE SWIMMER (1968) We dive deep in to The Swimmer and discuss and analyze, maybe just a little bit the glorious film directed by Frank Perry, based on a screenplay by Eleanor Perry, from the 12 page short story by John Cheever. "Well-off ad man Ned Merrill (Burt Lancaster) is visiting a friend when he notices the abundance of backyard pools that populate their upscale suburb. Ned suddenly decides that he'd like to travel the eight miles back to his own home by simply swimming across every pool in town."If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

76, Kamera-Legende (verstorben am 12. April 2017) Es ist August in Berlin, als Michael Ballhaus dort 1935 das Licht der Welt erblickt, ohne Einfluß auf die Blende nehmen zu können. Als der Krieg tobt, ziehen seine Eltern nach Coburg und gründen wenig später ein Theater. Ballhaus macht eine Lehre zum Fotografen, arbeitet als Kamera-Assistent, dreht 1968 seinen ersten Kinofilm und trifft Ende der 60er schicksalsträchtig auf Rainer Werner Fassbinder, mit dem er 17 Filme dreht. Hollywood ruft an, wirklich, und Ballhaus folgt dem Ruf, dreht mit den größten Regisseuren und Schauspielern Filme wie "Good Fellas", "Zeit der Unschuld" oder "Bram Stroker's Dracula". Als "Das fliegende Auge" schätzten Regisseure wie Francis Ford Coppola, Robert Redford und vor allem Martin Scorsese, sein "Lieblingsregisseur", die Experimentierfreude des gebürtigen Berliners. Sein "Ballhaus-Kreisel", eine 360-Grad Bewegung der Kamerafahrt machten Ballhaus weltweit berühmt. Immer mit dabei bei den Dreharbeiten war seine Frau Helga, selbst Schauspielerin und Filmausstatterin, sowie die beiden Söhne. Er galt als einer der bedeutendsten Kameramänner des deutschen und internationalen Films. Michael Ballhaus starb mit 81 Jahren in Berlin. Playlist: Bruce Springsteen - "My City of Ruins" U2 - "Sunday Bloody Sunday" Michelle Pfeiffer- "Making Whoopee"
 Madonna - "Papa don’t preach"
 Muse - "Uprising"
 Charles Trenet - "La Mer" Frank Sinatra - "New York, New York" Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

Alexandre e Fred voltam trazendo mais um cinéfilo e ouvinte, Diego Quaglia, para juntos conversarem sobre um dos melhores filmes de Rainer Werner Fassbinder, cineasta que foi um dos expoentes do chamado "Novo Cinema Alemão", ao lado de outros como Werner Herzog e Wim Wenders. Falamos de "O Medo Devora a Alma" (Angst essen Seele auf, 1974), produção de baixíssimo orçamento, que impressiona pela sensibilidade de Fassbinder ao abordar uma diversidade de preconceitos, que permanecem até hoje entranhados em diversos recortes sociais, não apenas o alemão. O filme virou um clássico e na época foi um dos responsáveis por trazer merecida fama para Fassbinder no cenário internacional.-------------------------------LINKS PARA ADQUIRIR O LIVRO DO PFC ("Uma Jornada pelo Cinema - Anos 1950"):UICLAP - ⁠⁠https://loja.uiclap.com/titulo/ua98290/⁠⁠AMAZON - ⁠⁠https://www.amazon.com.br/dp/6501481376⁠⁠E-BOOK AMAZON KINDLE - ⁠https://a.co/d/7byWaju⁠-------------------------------Acesse nosso site: ⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠Instagram: @podcastfcProcure "Podcast Filmes Clássicos" no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

After examining Robert Kramer's Ice (1970) fictionalize America in our last episode, we shift to West Germany to explore another cinematic portrayal of resistance to fascism in Rainer Werner Fassbinder's The Third Generation (1979). Set against West Germany's postwar society, Fassbinder sharply exposes how insincere revolutionary acts can become hollow gestures, exploited to justify expanded state control and surveillance. Though rooted in 1979, the film eerily anticipates our contemporary world: a society numbed by constant surveillance, manipulated by capitalist tech moguls profiting from manufactured crises, and how citizens are caught in a struggle against the technocratic elites. Additionally, Fassbinder's overwhelming audio landscape mimics the relentless noise of the modern internet, capturing the exhaustion and confusion of today's digital age. Drawing connections to our episodes that covered Uptight (1968), Children of Men (2006), and How to Blow Up a Pipeline (2022), we ask: what does resistance look like when liberal democracy itself seems to pave the road to authoritarianism? Fassbinder's vision resonates with our current dark historical moment, where our capacity to imagine alternatives is shrinking, and the internet serves as both a battlefield and a drain on the soul.  Follow us at: Patreon / Instagram / Letterboxd / Facebook 

Greetings from the graveyard! You may or may not have heard on a recent episode of Death By DVD that your favorite show will unfortunately be taking a break to move. The bad news is there will not be new episodes for a while but the good news is that Death By DVD studios is getting an upgrade so we can bring you bigger and better shows. Hear this new episode updating you on what's going on with Death By DVD as well as some shout outs to friends of the show that have sent us some wonderful supportive messages. DEATH BY DVD WILL B.R.B! BE RIGHT BACK!!!Follow Mr D's Movies on Instagram : https://www.instagram.com/mrdsmovies/Watch AND NOW FOR SOMETHING A LITTLE BIT DIFFERENT hosted by John Horgan here : https://www.youtube.com/@johnhorgan1713If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

Last year, the Pink Smoke Podcast created a series called 1974: 50 Years Later, each episode featuring a different guest who chose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. But since all our guests are cool outsiders with eccentric tastes, most of them stayed away from the most iconic movies of that fabled cinematic year, eschewing The Godfather Part II in favor of forgotten TV movies and experimental horror films. While that was just fine with us, we decided it might be a good idea to back up and cover some of the acknowledged classics of 1974, starting with Rainer Werner Fassbinder's Ali: Fear Eats the Soul. The first of four projects released by the ultra-prolific auteur (two theatrical, two for TV), Ali tells the tale of a 60-year-old window cleaner who falls in love with a Moroccan Gastarbeiter half her age, much to the disapproval of their contemporaries. One of the enfant terrible's more gentle movies, it's still populated by his lovably repellent characters in whom Fassbinder seeks to excavate some humanity in a miserable post-war West German society. We discuss the director's destructive creativity, how his worldview is more complicated than those of directors with whom he's often connected (Douglas Sirk and Ken Loach fans maybe give this one a miss) and how his most endearing and connective theme is loneliness. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / "Tea for Two" Outro music: Marcus Pinn / "Vegas"

É hora de vasculhar o passado e trazer mais indicações de grandes filmes, com este novo dicas triplas do PFC. Neste áudio, Alexandre Cataldo convidou dois professores para a conversa: nosso frequente colaborador Fábio Rockenbach (confira mais sobre ele procurando o curso "A Experiência do Cinema") e Fabiana Martins (do Podcast "Cinefilia Fantástica"), leitora e ouvinte assídua do PFC. Como é de costume neste formato, cada um trouxe um filme para discussão, de nacionalidades diferentes e, por acaso, todos dos anos 70. Começamos com "Pena de Morte" (Pena de Muerte, 1974), giallo espanhol dirigido pelo não muito conhecido Jorge Grau, partimos então para "Cães Raivosos" (Cani Arrabiatti, 1974) thriller do italiano Mario Bava e terminamos com o clássico alemão de Rainer Werner Fassbinder, "O Casamento de Maria Braun" (Die Ehe der Maria Braun, 1979).Capítulos00:00:00 Introdução00:11:50 Pena de Morte00:37:10 Cães Raivosos01:09:50 O Casamento de Maria Braun01:29:35 Spoilers de "Pena de Morte" 01:39:05 Spoilers de "Cães Raivosos" 01:46:50 Spoilers de "O Casamento de Maria Braun" -------------------------------LINKS PARA ADQUIRIR O LIVRO DO PFC ("Uma Jornada pelo Cinema - Anos 1950"):UICLAP - https://loja.uiclap.com/titulo/ua98290/AMAZON - https://www.amazon.com.br/dp/6501481376-------------------------------Acesse nosso site: ⁠http://www.filmesclassicos.com.br⁠Instagram: @podcastfcProcure "Podcast Filmes Clássicos" no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

On this fresh from the grave episode we celebrate 16 years of DEATH BY DVD.Founded in July of 2009, Death By DVD has produced hundreds of episodes in the 16 years of its existence and to celebrate our 16th anniversary we have a special announcement to make concerning the fate and future of this very show.If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades and I truly hope you click play and hear what we have to say.Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES Whoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD ★ Support this podcast on Patreon ★

CHRISTOPHER BICKEL, underground filmmaker, punk rocker and artist joins Death By DVD to discuss their most recent film PATER NOSTER AND THE MISSION OF LIGHT, why they make movies, art and MORE on this fresh from the grave episode celebrating all things Christopher Bickel. We have been very luck to have had Mr. Bickel on Death By DVD previously, and now they are back for a ghoulish interview I think you'll enjoy! Well, at least I hope you enjoy it. We discuss the films of Christopher Bickel and what makes them tick as an artist, how they create art and of course we discuss who they are as an artist. Strap in and get ready, this is an action packed episode filled with laughter and joy. I hope you click play and hear it today. Would you like to see a behind the scenes video with footage from the recording of this interview? TAP HERE or copy and paste the link : https://www.patreon.com/posts/death-by-dvd-at-131273256Wanna hear my first interview with Christopher Bickel? TAP HERE or copy and paste the link : https://listentodeathbydvd.transistor.fm/episodes/death-by-dvd-presents-six-feet-under-the-underground-art-of-christopher-bickelWatch PATER NOSTER AND THE MISSION OF LIGHT ON NIGHT FLIGHT. TAP HERE or copy and paste the link : https://www.nightflightplus.com/videos/pater-noster-and-the-mission-of-light/670d3d1a2d57b50001a4f878Learn all about Christopher Bickel's new film PATER NOSTER AND THE MISSION OF LIGHT HERE : Https://www.paternostermovie.comChristopher Bickel on IMDb : https://www.imdb.com/name/nm3355435/PATER NOSTER AND THE MISSION OF LIGHT ON IMDb : https://m.imdb.com/title/tt33064297/WATCH BAD GIRLS BY CHRISTOPHER BICKEL ON AMAZON : https://www.amazon.com/Bad-Girls-Morgan-Shaley-Renew/dp/B09LQ42SX3WATCH THE THETA GIRL BY CHRISTOPHER BICKEL ON AMAZON : https://www.amazon.com/Theta-Girl-Victoria-Elizabeth-Donofrio/dp/B07HSMHVDLSUPPORT CHRISTOPHER BICKEL BY SHOPPING PAPA JAZZ RECORD SHOPPE : https://www.papajazz.com/Did you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  ★ Support this podcast on Patreon ★

durée : 00:42:43 - Les Nuits de France Culture - par : Albane Penaranda - Quelques jours après la chute du mur de Berlin, Serge Daney reçoit Yann Lardeau, critique de cinéma et auteur du premier livre en français sur Fassbinder. Le cinéaste n'a eu de cesse, tout au long de sa carrière, de revisiter l'histoire collective d'une partie de son pays à travers les époques. - réalisation : Emily Vallat