Podcasts about Chris Marker

La tempête cannoise est à peu près passée, les beaux jours sont à peu près là. Nous profitons donc de cette accalmie pour vous proposer un heure en compagnie de la reine Bonnie Banane ! Chanteuse cinéphile apparue plusieurs fois devant la caméra (chez Bonello et Mandico pour des films, chez Mati Diop ou William Laboury pour des clips), musicienne nourrie par le cinéma, elle nous parle de sa passion pour Prince devant la caméra (Purple Rain) ou dans la BO d'un Spike Lee oublié (Girl 6) mais également de sa voix de cinéma préférée, celle de Jean Negroni dans La Jetée (Chris Marker). Femme de scène, elle nous parle de son costume de cinéma préféré mais également de son besoin de rester spectatrice, puis revient sur ce qu'elle fait du regard des metteurs en scène masculins aujourd'hui. En point d'orgue, elle convoque Anouk Grinberg. Puis elle nous remmène dans la salle de cinéma, refuge ultime en toutes circonstances. Évidemment, au détour de la conversation, Bonnie nous a cité une poignée d'autres pépites. Mais pour les découvrir, il faut écouter ! Nous remercions notre invitée Bonnie Banane ainsi qu'Elodie Imbeau et Pierre Senechal sans qui cet entretien n'aurait pu se faire.Nous remercions enfin Hugo Cohen qui par son mix, nous a permis de rendre les pistes à nouveau audibles ! Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 3'24 Un costume de cinéma : La bête dans La belle et la bête (J. Cocteau, 1946) Des prostituées au cinéma : le personnage d'Anouk Grinberg dans Mon Homme (B. Blier, 1996) et Girl 6 (S. Lee, 1996) Une voix au cinéma : la voix de Jean Négroni dans La Jetée (Chris Marker, 1962) LE CINEMA DANS TOUS SES ETATS - 21'59 Des films pour se détourner de la tristesse et de l'angoisse mondiales : Woman on top (Fina Torres, 2000) et Matilda (Danny DeVito, 1997) Un film dans lequel Bonnie aimerait évoluer avec autant de fluidité que dans un jeu : La petite sirène (R. Clements, J. Musker, 1990) CARTE BLANCHE - 33'23Sombre (P. Grandrieux, 1998) CINEMA & TRANSMISSION - 40'18 Un film sexy à transmettre aux jeunes générations : Purple Rain (A. Magnoli, 1985) pour ce que dégage Prince à l'écran - 40'18 Un film à envoyer sur une autre planète : Koyaanisqatsi (G. Reggio, 1983) - 45'41 REFUGE - 49'17 Birth (J. Glazer, 2004) La salle de cinéma EXRTAITS La Jetée, Chris Marker, 1962, Argos Films Just the Two of Us – Interprétée par Bill Withers et Grover Washington Jr.Écrite par Bill Withers, Ralph MacDonald et William Salter℗ 1981 Elektra Records / Warner Music Group Purple Rain – Interprétée par Prince and the RevolutionÉcrite et composée par Prince℗ 1984 Warner Bros. RecordsTous droits réservés aux ayants droit Prologue (Birth) · Alexandre DesplatBirth (Original Score)℗ 2004 Warner Bros. Entertainment Inc. CRÉDITSPatreons : un grand merci à Mahaut, Paul et Clara pour leur soutien !Musique : Gabriel RénierCollaboration au mixage : Hugo CohenGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

durée : 00:59:31 - Toute une vie - par : Virginie Bloch-Lainé - Lorsque Chris Marker est mort en juillet 2012, à l'âge de 91 ans, c'est à son film "La Jetée" que l'on a pensé. - réalisation : Christine Diger - invités : Arnaud Lambert Cinéaste, auteur de "Also Known as Chris Marker"; Edouard Waintrop Critique de cinéma, directeur de la Quinzaine des réalisateurs; Régis Debray Philosophe et écrivain.; Claude Lanzmann Journaliste, écrivain et cinéaste français; Bruno Muel Réalisateur; Raymond Bellour Directeur de recherches au CNRS, historien du cinéma, romancier; Eric Marty Écrivain et universitaire

Jackie and Greg travel through time for Chris Marker's LA JETÉE from 1963. Topics of discussion include its undefinable mood, its stature as one of the most famous short films ever made, and why Marker was one of the most resourceful filmmakers of his generation.#50 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#67 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

durée : 00:53:28 - Les Nuits de France Culture - par : Albane Penaranda - En 1953, Chris Marker et Alain Resnais signent "Les statues meurent aussi", un film documentaire sur l'art africain et un pamphlet contre le colonialisme, vite censuré. Une émission de 2006 revient sur cette œuvre fondatrice, à la croisée du cinéma, de l'histoire et de l'anthropologie. - réalisation : Virginie Mourthé - invités : Roland Colin Anthropologue, ancien élève et compagnon de route de Senghor; Marc-Henri Piault; René Vautier Documentariste

Nuria Enguita ( Madrid, 1967) é historiadora, editora e curadora. Licenciada em História e Teoria da Arte pela Universidad Autónoma de Madrid (1990), leccionou teoria e gestão da arte em numerosos centros e universidades e publicou numerosos textos em catálogos e revistas de arte contemporânea como Parkett, Afterall e Concreta.. Entre 1991 e 1998 foi curadora do IVAM, em Valência. Como Directora Artística da Fundació Antoni Tàpies, em Barcelona, entre 1998 e 2008, organizou exposições e publicações de Ligya Clark, Chris Marker, Sanja Ivekovic, Ibon Aranberri, Pedro G. Romero e Steve McQueen, entre outros. Trabalhou ainda em projectos como Tour-ismos. A Derrota da Dissidência e Representações Árabes Contemporâneas, dirigido por Catherine David. Entre 2008 e 2015, como curadora independente, organizou exposições em instituições espanholas e portuguesas. Entre 2012 e 2020 foi editora da Revista Concreta. Entre 2000 e 2014 membro do programa arteypensamiento da UNIA-Universidad Internacional de Andalucía, onde em 2009 liderou o projeto "Narrativas de Fuga", com artistas como Alice Creischer ou Pedro Costa. Foi editora do Afterall Journal, Centro de Investigação da University of the Arts London, entre 2007 e 2014. Foi co-curadora da 31ª Bienal de São Paulo, 2014, do Encuentro Internacional de Medellín em 2011, e da Manifesta 4 em Frankfurt em 2002. Entre 2015 e 2020 foi directora do Centro de Arte Bombas Gens, Valência, onde organizou exposições dedicadas à coleção do centro e exposições temporárias de Sheela Gowda, Anna-Eva Bergman e Irma Blank. É directora do IVAM-Institut Valencià d'Art Modern, entre 2020 e 2024, onde estabeleceu um programa de exposições de grande relevância, tanto ao nível da coleção com exposições como popular, Arte en una tierra baldía (1939-1959) assim como no caso de exposições temporárias: Anni e Josef Albers, Asger Jorn, Grupo Zero, Zanele Muholi, Teresa Lanceta, Anna Boghiguian, Otobong Nkanga, entre outras, e de jovens artistas do contexto local. Durante a sua direção, foi desenvolvido o Programa de Estudos Articulacions em colaboração com as duas universidades públicas de Valência, e os programas públicos adquiriram uma dimensão central no museu. É Directora artística do MAC/ CCB desde Maio de 2024. Links: https://expresso.pt/cultura/2024-03-14-Quem-e-Nuria-Enguita-a-curadora-espanhola-escolhida-para-a-direcao-artistica-do-MAC-CCB-0db704c6 https://contemporanea.pt/edicoes/2025/entrevista-nuria-enguita https://www.youtube.com/watch?v=S8u8Yz3NrYA https://www.youtube.com/watch?v=i8uJyFySyPk https://www.youtube.com/watch?v=18SVOyRM3e8 https://galeriamayoral.com/news/68-interviews-with-the-fundacio-antoni-tapies-former-and-interviews-with-the-fundacio-antoni-tapies-former-and/ https://www.artealdia.com/News/NURIA-ENGUITA-NAMED-DIRECTOR-AT-THE-INSTITUT-VALENCIA-D-ART-MODERN https://editorialconcreta.org/en/author/nuria-enguita-mayo/ https://ivam.es/en/articulations-ivam-uv-upv-study-programme/ https://www.p55.art/en/blogs/p55-magazine/nuria-enguita-e-nova-diretora-artistica-do-mac-ccb?srsltid=AfmBOopjPZGTCC-bdXjtTXmtLTkcM9AgqJTD8VrCksH3ybC08eBNZPEs https://elpais.com/espana/comunidad-valenciana/2024-03-14/nuria-enguita-nueva-directora-del-museo-de-arte-de-lisboa-tres-semanas-despues-de-dimitir-en-el-ivam.html Episódio gravado a 27.03.2025 Créditos introdução: David Maranha - Flauta e percussão Créditos música final: Feeling Good, Nina Simone, Letra Anthony Newly e Leslie Bricusse, Produção Hal Mooney, Universal Music Group http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels Apoio:Câmara Municipal de Lisboa Financiamento:República Portuguesa – Cultura / DGArtes – Direcção Geral das Artes © Appleton, todos os direitos reservados

SAISON 4 – EPISODE 6 : Le cinéma, acteur du Travail ?  Avec pour invité·es : Karin Ramette et Federico Lancialonga Un épisode présenté par Quentin Prigent et Paul Fortabat Merci à vous, les patréotes sur PATREON, de nous aider à financer cette saison de Parlons peu, Parlons Ergo !

"2073" had its world premiere at the 2024 Venice International Film Festival, where it ignited conversation regarding the state of the world today politically, economically, and socially. Blending documentary and narrative feature filmmaking, Academy Award-winning documentary filmmaker Asif Kapadia tells the story of a time traveler who risks his life to change the course of history and save the future of humanity in a dystopian future that is inspired by Chris Marker's 1962 film "La Jetée." Kapadia was kind enough to spend some time speaking with us about his work on the film, which you can listen to below. Please be sure to check out the film, which is now playing in limited release from NEON. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Once a year we gather around as friends, even including you fair listener and we feast on the wonderful world of short films, its Shortsgiving everyone! Only around for one day a year. This year our selection spans 70 years of film history. Our selections are Spook Sport(1939) by Mary Ellen Bute[as found on Youtube], A Loaf of Bread(1960) by Jan Nemec[as found on the Internet Archive], Junkopia(1981) by Chris Marker, John Chapman and Frank Simeone[As found on Criterion Channel or Youtube], and finally F for Fibonacci(2015) by Beatrice Gibson[as found on Vimeo]. Our twitter is @CannesIKickIt Our bluesky is @CannesIKickIt Our instagram is @CIKIPod Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @imlaughalone @jcathtraverse

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema. Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema. Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema. Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema. Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema. Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema. Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Welcome to Cyberpunk Cinema – the Definitive Dive into the Dark Future of Science Fiction. I am your host, Anthony La Pira, and I will be taking you on a cinematic journey through the sprawling cityscapes, the crippling datastorms, and the cybernetic implants that encompass all things Cyberpunk.In this week's episode, I will be breaking-down the 1995 cyberpunk psychological end-of-world thriller, 12 Monkeys – directed by Terry Gilliam; written by David Webb Peoples & Janet Peoples; inspired by the film “La Jetee” by Chris Marker; starring Bruce Willis, Madeleine Stowe, Brad Pitt, Jon Seda, David Morse, and Christopher Plummer. In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.12 Monkeys was a film I saw for the first time as a VHS rental in 1996. I did not see it in the movie theater. At that point, I had not seen the French New Wave film that inspired it, La Jetee (that wouldn't happen until 1999). For the 17-year old me who was wired into science-fiction, cyberpunk, and all things end of the world, this hit every freaking box. It is one of the best mindfuck films out there and I love it.So, do me a favor – it's time to access your cranial jacks, boot up your Ono-Sendai Cyberspace 7, and slap on your damn mirror-shades. You know what time it is! Cyberpunk Cinema starts…now!Anthony's IG - https://www.instagram.com/stormgiantproductionsCyberpunk Cinema IG - https://www.instagram.com/cyberpunk.cinemaSignal Fragment SoundCloud - https://soundcloud.com/signalfragmentSend us a text

The Filmbabble Boys get thrown a curveball on this one: a short film?! Namely, 1962's LA JETÉE, a short film by iconoclastic French filmmaker Chris Marker. The cinematic medium itself is toyed with like a cat playing with a ball of yarn. Travel through time with us, one still image at a time...Intro/outro music: "BURNOUT" by jauwnLA JETÉE (1962), France, written and directed by Chris Marker, cinematography by Jean Chiabout and Chris Marker, featuring Jean Negroni, Hélène Châtelain, Davos Hanich, and Jacques Ledoux 

On this episode of What a Picture, Bryan and Hannah take a break from prancing in a meadow with Icelandic children to discuss Sans Soleil, the 1983 movie directed by Chris Marker that ranks #59 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Social Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

For Chris Marker, writing came before filmmaking. A decade after Marker's death, critics continue to rediscover his remarkable oeuvre, which comprised writing, photography, film, video, radio, and digital media. Associated with the Left Bank subset of the French New Wave, Marker is perhaps best recognized for directing La Jetée (1962). To celebrate the publication of the first English translation of Marker's early writings (published between 1948 and 1955), Steven Ungar, the editor of Chris Marker: Early Film Writings, with translator Sally Shafto, have joined Jean-Michel Frodo and Sam Di Iorio in conversation.“The French Cinema has its dramatists and its poets, its technicians, and its autobiographers, but only has one true essayist: Chris Marker.”—film theorist Roy ArmesChris Marker (born Christian Hippolyte François Georges Bouche-Villeneuve, 1921–2012) was a French writer, artist, and director. His time-travel film La Jetée (1962) is one of the most celebrated shorts ever made. A true polymath, his later creations ranged from videos and the interactive CD-ROM Immemory to the multimedia digital platform Second Life.Steven Ungar is professor emeritus of cinematic arts, French, and comparative literature at the University of Iowa. He is author of several books including Critical Mass: Social Documentary in France from the Silent Era to the New Wave.Sally Shafto is a French film scholar and translator and assistant professor of English at Framingham State University. She is author of The Zanzibar Films and the Dandies of May 1968, and her translations include Jean-Marie Staub and Danièle Huillet's Writings. She teaches at Framingham State University.Jean-Michel Frodon is a journalist and one of the most influential film critics and film historians in the world. He is author or contributor of several books including The World of Jia Zhangke and Le Cinéma Français de la Nouvelle Vague a Nos Jours, and wrote the foreword to “Night and Fog”: A Film in History by Sylvie Lindeperg. Frodon blogs at Projection Publique.Sam Di Iorio is Associate Professor of French at Hunter College and Deputy Executive Officer of the Ph.D. Program in French at the CUNY Graduate Center. He has written about postwar films and filmmakers, political theory, and cultural history for Screen, Trafic, Film Comment and the Criterion Collection. His essay “Comolli's Detours: Free Jazz, Film Theory, Cinéma Direct” is forthcoming with Amsterdam University Press. EPISODE REFERENCES AND RECOMMENDED READING:-André Bazin-Robert Cannon's Gerald McBoing-Boing-Alain Resnais-Agnès Varda-Jean Rouch-René Leibowitz-Joseph Rovan (born Joseph Adolph Rosenthal)-Nicole Védrès-Eternal Current Events (translated by Jackson B. Smith)-Le Dépays / Chris Marker-Camera Obscura piece by Ivan Cerecina translating Nicole Védrès's “Les feuilles bougent” (“The Leaves Are Stirring”) and an accompanying essay-Republic of Images / Alan Williams-Le Cinéma Français de la Nouvelle Vague a Nos Jours / Jean-Michel Frodon-The Fragile Present: Statues Also Die with Night and Fog by Sam Di Iorio; article in South Central Review.-Trafic N°105 (Printemps 2018), with article by Sam Di IorioMORE CHRIS MARKER:chrismarker.chGorgomancy.netThe Criterion ChannelChris Marker: Early Film Writings is available from University of Minnesota Press."One of the pleasures of Chris Marker's films is the singular literary voice of his inimitable commentaries, in all its wit and quicksilver intelligence. That voice is present here, being honed through contact with others' images and before Marker moved from the page to the screen himself. This groundbreaking collection introduces aficionados old and new to work likely unknown to them and allows us all to discover another dimension of this prodigious artist: Marker the film critic."—Chris Darke, author of La Jetée (BFI Film Classics)

Episódio com mais músicas ‘lado B' de Bowie QUE VOCÊ SÓ OUVE AQUI e curiosidades dos álbuns e suas motivações. Contém gatilho (tem aviso no episódio com minutos a pular). Filme citado no episódio: “La Jetée”, de Chris Marker (1962) , completo e legendado no YouTube : https://www.youtube.com/watch?v=U_hX_iFQu8Y Comentários sobre o video oficial de “Jump … Continue reading Episódio #22: D de David

How should we relate to past generations? To what extent should we embrace novelty? Is there a way to redeem ourselves without completely self-destructing? By focusing on films depicting the dynamic transformation of postwar Japan, this week's episode examines the nature of rapidly ascending societies. Email us at contact@jimmybernasconi.com

durée : 00:53:28 - Les Nuits de France Culture - par : Albane Penaranda - En 2006, Séverine Liatard et Christine Robert s'intéressaient au film d'Alain Resnais et Chris Marker, "Les Statues meurent aussi", dans le cadre d'une série sur les rapports entre l'anthropologie et l'Histoire proposée dans "La Nouvelle fabrique de l'histoire". - réalisation : Virginie Mourthé - invités : Roland Colin Anthropologue, ancien élève et compagnon de route de Senghor; Marc-Henri Piault; René Vautier Documentariste

durée : 00:54:59 - Les Nuits de France Culture - par : Albane Penaranda - En 2006, Séverine Liatard et Christine Robert s'intéressaient au film d'Alain Resnais et Chris Marker, "Les Statues meurent aussi", dans le cadre d'une série sur les rapports entre l'anthropologie et l'Histoire proposée dans "La Nouvelle fabrique de l'histoire". - invités : Roland Colin Anthropologue, ancien élève et compagnon de route de Senghor; Marc-Henri Piault; René Vautier Documentariste

On this episode of What a Picture, Bryan and Hannah travel back to 1962 to discuss La Jetée, the movie directed by Chris Marker that ranks #67 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠https://whatapicturepod.com⁠⁠ Bryan's Social Media: ⁠Bluesky⁠ | ⁠Letterboxd⁠ | ⁠Twitter⁠ | ⁠Instagram⁠ Music is "Phaser" by Static in Verona.

A couple of weeks ago, I accidentally read a post-apocalyptic book and watched a post-apocalyptic movie in the same week, and I decided I needed to talk about them. This episode is about La Jetée (1962), directed by Chris Marker, and I Who Have Never Known Men (1995), written by Jacqueline Harpman. I hope you enjoy. Visit www.angourieslibrary.com for more links and resources. Watch La Jetée (1962) I Who Have Never Known Men by Jacqueline Harpman   More like this: 6.04 Station Eleven, or 2020 5.19 Sad Hot Girls 5.13 The Snake Pit, 1946 *** Black Lives Matter resources Pay the Rent Greenpeace Australia Pacific Greenpeace International   @angourierice / @the_community_library / our book! Cover artwork is by Ashley Ronning

durée : 00:40:00 - Les Nuits de France Culture - par : Philippe Garbit - En 2016, entretien croisé avec Anna Dubosc et Maroussia Vossen à propos de leurs livres, au carrefour desquels se tiennent le cinéaste Chris Marker et la poétesse Koumiko Muraoka. - invités : Maroussia Vossen Danseuse et chorégraphe; Anna Dubosc Auteure

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Unofficial Hit Factory Sci-Fi Correspondent Aaron Thorpe is back to discuss the time traveling eccentricities of Terry Gilliam's '12 Monkeys' - a sort of quasi-remake of Chris Marker's 'La Jatée' (1963) featuring Bruce Willis, Madeleine Stowe, and Brad PittWe unpack the career of Terry Gilliam, why he was seen as a studio liability in the early 90s, and how this film represents the very peak of his critical and commercial successes. Then we discuss the film's take on the messy narrative contrivance of time-travel, how it attends to its bleak vision of a futureless future, and how some modern time travel narratives help reveal a sliver of hope in the film's tragic determinism. Watch "George Carlin on The Environment".Follow Aaron Thorpe on Twitter.Listen & Subscribe to The Trillbilly Workers Party.Listen & Subscribe to Struggle Session. ....Our theme song is "Mirror" by Chris Fish.

Felicia is joined once again by José Roldan (listen to our episode on The Gleaners & I) to discuss Gordon Willis' work on Woody Allen's controversial but groundbreaking film, Zelig (1983). We chat about how Willis and team were able to succeed in making this film, and the blocking, lighting and camera techniques that were used to achieve its look. We also discuss how this story would be perceived in today's world and why the subject matter doesn't really hold up. This is our Gordon Willis closer, and I think an important one to study as it shows how important lighting really is to a film - specifically for a one needing to match with found footage. Send us your thoughts on the episode - how do you think this film reads in today's society ? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow José here: IG: @channel.jose Tik Tok: @channel.jose Sources: Gordon Willis: An Annotated Webliography • Cinephilia & Beyond (cinephiliabeyond.org) The Willis Frame • Cinephilia & Beyond (cinephiliabeyond.org) HOW THE GRAPHIC ARTS FEATS IN 'ZELIG' WERE DONE - The New York Times (nytimes.com) FILM: 'ZELIG,' WOODY ALLEN'S STORY ABOUT A 'CHAMELEON MAN' - The New York Times (nytimes.com) OUTRO SONG: Doin' The Chameleon by Dick Hyman FILMS MENTIONED: The Gleaners and I (Agnès Varda 2001) Vortex (Gaspar Noé 2021) Jackie Brown (Quentin Tarantino 1997) Napoleon (Ridley Scott 2023) Fight Club (David Fincher Forrest Gump (Robert Zemeckis 1994) Take the Money and Run (Woody Allen 1969) Barbie (Greta Gerwig 2023) The Godfather (Francis Ford Coppola 1972) The Godfather Part II (Francis Ford Coppola 1974) Manhattan (Woody Allen 1979) Annie Hall (Woody Allen 1977) Eternal Sunshine of the Spotless Mind (Michel Gondry 2004) Land Without Bread (Luis Buñuel 1933) Klute (Alan J. Pakula 1971) All the President's Men (Alan J. Pakula 1976) La jetée (Chris Marker 1962) Reds (Warren Beatty 1981) Interiors (Woody Allen 1978) Night and Fog (Alain Resnais 1956) Dead Men Don't Wear Plaid (Carl Reiner 1982) The Purple Rose of Cairo (Woody Allen 1985)

Seguimos con el ciclo sobre ciencia ficción, en este caso nos centramos en el cine y en uno de sus autores de culto menos conocidos y más admirados e influyentes de todo el siglo XX.

THE PLATFORM is an audio play adaptation by author and filmmaker Dan Lauer of Chris Marker's seminal 1967 French film "La Jetée" which serves as the basis for the film "12 Monkeys." The following rules were set for the adaptation by Dan Lauer: He must speak all the dialogue He may only use sound effects and music included in Final Cut Pro X (no downloads) He may not add anything to the plot to elaborate or clarify The final product may not be longer than 25 minutes Watch the original: https://www.amazon.com/Jetee-H%C3%A9l%C3%A8ne-Chatelain-Davos-Hanich/dp/B00E7ND9GI Purchase Dan Lauer's debut memoir POST MERIDIEM: https://www.amazon.com/Post-Meridiem-Unreliable-Madness-Angeles-ebook/dp/B0CC4HQR9R/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=&sr= Dan Lauer is on threads: https://www.threads.net/@danwlauer

Jeff Morgan's Tour of the Masterworks continues with Chris Marker's mind-exploding still-image picture experience La Jetée. It's weird to cover something that is, essentially, the exact opposite of our wheelhouse: we do motion pictures. La Jetée is a, uh…hmm. “Non-motion picture”.And one of the best we've ever seen.Patreon.com/QuillAndFilmMeasuringFlicksPodcast@gmail.comJeff Morgan: Prometheus Motion Pictures

durée : 00:11:59 - Les Nuits de France Culture - par : Philippe Garbit - Entretien avec le Président de La Cinémathèque Française, Costa-Gavras, qui était un des plus proches amis du cinéaste Chris Marker. A l'occasion de l'exposition qui lui est consacrée et de la "Nuit Chris Marker", il revient sur cette amitié et sur l'oeuvre de Marker. - invités : Costa-Gavras Cinéaste

durée : 00:07:59 - Les Nuits de France Culture - par : Philippe Garbit - En 2018, à l'occasion de l'exposition qui lui est consacrée à la Cinémathèque française, Albane Penaranda propose une "Nuit Chris Marker" avec des archives et des entretiens, Troisième et dernière partie avec Raymond Bellour Christine Van Assche (co-commissaires de l'exposition). - invités : Raymond Bellour Directeur de recherches au CNRS, historien du cinéma, romancier; Christine Van Assche Historienne de l'art, membre du comité scientifique de Chris Marker à la Cinémathèque française

durée : 00:19:59 - Les Nuits de France Culture - par : Philippe Garbit - "Jusqu'à la fin des temps" est un essai dramatique réalisé par Chris Marker en 1949. C'est un récit empreint d'inquiétude, qui sembe se dérouler dans une période d'après-guerre irréelle.

durée : 00:24:59 - Les Nuits de France Culture - par : Philippe Garbit - A l'occasion de l'exposition qui lui est consacrée à La Cinémathèque française, Albane Penaranda propose une "Nuit Chris Marker" avec des archives et des entretiens. Deuxième partie de l'entretien avec Raymond Bellour et Christine Van Assche. Entretien 2/3 avec les co-commissaires de l'exposition. - invités : Raymond Bellour Directeur de recherches au CNRS, historien du cinéma, romancier; Christine Van Assche Historienne de l'art, membre du comité scientifique de Chris Marker à la Cinémathèque française

durée : 00:49:59 - Les Nuits de France Culture - par : Philippe Garbit - "Sans soleil" de Chris Marker, véritable poème filmé, mi-documentaire mi-fiction, dont le critique et réalisateur André Martin dressait un portrait élogieux dans un numéro du "Cinéma des cinéastes" de Claude-Jean Philippe en 1983.

durée : 00:40:00 - Les Nuits de France Culture - par : Philippe Garbit - En 2016, entretien croisé avec Anna Dubosc et Maroussia Vossen à propos de leurs livres, au carrefour desquels se tiennent le cinéaste Chris Marker et la poétesse Koumiko Muraoka. - invités : Maroussia Vossen Danseuse et chorégraphe; Anna Dubosc Auteure

durée : 00:36:30 - Les Nuits de France Culture - par : Philippe Garbit - En novembre 1977, à l'occasion de la sortie du film de Chris Marker "Le Fond de l'air est rouge", Claude-Jean Philippe reçoit Inger Servolin et Pierre Camus, animateurs et producteurs au sein d'Iskra, le collectif initié par Marker, dans un numéro du "Cinéma des cinéastes". - invités : Pierre Camus; Pierre Donnadieu; Caroline Champetier Directrice de la photographie

durée : 00:54:59 - Les Nuits de France Culture - par : Philippe Garbit - En 2006, Séverine Liatard et Christine Robert s'intéressaient au film d'Alain Resnais et Chris Marker, "Les Statues meurent aussi", dans le cadre d'une série sur les rapports entre l'anthropologie et l'Histoire proposée dans "La Nouvelle fabrique de l'histoire". - invités : Roland Colin Anthropologue, ancien élève et compagnon de route de Senghor; Marc-Henri Piault; René Vautier Documentariste

durée : 01:00:00 - Les Nuits de France Culture - par : Philippe Garbit - En décembre 2012, pour "Une vie, une œuvre", Virginie Bloch-Lainé rassemble les morceaux du puzzle Marker. Ecrits, photographies, films, vidéos, dessins et mondes virtuels... l'univers du cinéaste Chris Marker est raconté par Claude Lanzmann, Régis Debray, Raymond Bellour, parmi d'autres. - invités : Claude Lanzmann Journaliste, écrivain, cinéaste (1925-2018); Régis Debray Philosophe et écrivain.; Raymond Bellour Directeur de recherches au CNRS, historien du cinéma, romancier; Arnaud Lambert Cinéaste, auteur de "Also Known as Chris Marker"; Bruno Muel Réalisateur; Edouard Waintrop Critique de cinéma, directeur de la Quinzaine des réalisateurs

durée : 00:29:59 - Les Nuits de France Culture - par : Albane Penaranda - En 2018, à l'occasion de l'exposition qui lui est consacrée à la Cinémathèque française, Albane Penaranda propose une "Nuit Chris Marker" avec des archives et des entretiens, pour commencer avec Raymond Bellour et Christine Van Assche. Entretien 1/3 avec les co-commissaires de l'exposition. - invités : Raymond Bellour Directeur de recherches au CNRS, historien du cinéma, romancier; Christine Van Assche Historienne de l'art, membre du comité scientifique de Chris Marker à la Cinémathèque française

Seriah is joined by Barbara Fisher, Superinfra Man, and Chris Ernst to discuss some recent news stories. Topics include a study of NDEs, OBEs, the fullness of the NDE experience and the limitations of materialism, the difficulties of measurement, the scientific method and its limits, ghosts, the Philip experiment, Bigfoot, spirits, tulpas, souls of the dead, Karen Woodhouse, fakery in reality TV ghost hunting, anecdotal evidence, an ancient pre-Homo Sapien species conducting burial rituals and carving symbols, Neanderthals, Homo Erectus, entheogens, primates using drugs, brain size vs intelligence, Graham Hancock, lost history, hoarding of art and artifacts by wealthy collectors, Black Water Inc, Iraq, Hobby Lobby, “Evil Archeology” by Heather Lynn, a strange moving anomaly in the Earth's magnetic field, weird zones in the magnetic field beneath South America and Africa, a story of AI replacing counselors in an eating disorder helpline, the dubious nature of AI, a bad experience with a weaponized AI drone, Isaac Asimov and the 3 laws of robotics, the importance of empathy, Artificial Intelligence vs mimicry, AI art and content, AI podcasts and audio books, deficiencies in internet information, lack of creativity in pop culture, the pluses and minuses of retail self-check-out, AI pioneer inventors calling for regulation and issuing warnings, Terence McKenna and novelty, the films “WALL-E” and “Elysium”, depopulation conspiracy theories vs the worker shortage, younger peoples' reluctance to have children, life-extending drugs and procedures, Elon Musk, the series “Altered Carbon”, transhumanism, the life model decoy, the “Subjective Truth” podcast, a consciousness box that traps souls, “Babylon 5”, Hollywood re-boots including “Star Wars” and “Harry Potter”, the movie “12 Monkeys” and the subsequent art film and series, Chris Marker, Whitley Strieber's “A New World”, Indian Vedic cosmology, other worlds that lack emotion, Sufism, agape love, the series “Westworld”, free will vs predestination, computers turning on humans, reality tunnels, journalism vs entertainment, pro wrestling, 9/11 anti-terrorism drills, conspiracy theories and psyops, the TV series “The Lazarus Project”, an enormous metal structure discovered at the Moon's south pole, bizarre lunar facts and theories, disappointments of the space program, Gary Nolan, Robert Heinlein's “Stranger in a Strange Land”, reasons why aliens would avoid human contact, a theory of empathy and the Black Plague, empathy and narcissism, Lobo Matias, Ronald Reagan and peace through a common alien enemy, a warning from Space Force General Chance Saltzman, xenobots, programable robots made from frog cells, consciousness vs sentience, “The Last of Us”, the film “The Day After”, and much more! This is some fascinating discussion, not to be missed!

Jackie and Greg enter the portal of time and memory for Chris Marker's SANS SOLEIL from 1983. Topics of discussion include Marker's use of the travelogue and film essay format, the references to other films, the magic of Tokyo, and Marker's many aliases. #69 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#59 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Terry Gilliam has been a very “confusing” director. His films are sometimes called inaccessible. Whether it is TIME BANDITS (1981), BRAZIL (1985), or FEAR AND LOATHING IN LAS VEGAS (1998), his work is very distinct. In 1995, his film 12 MONKEYS did have his various traits and also was a well received science fiction film with originality.In apocalyptic 2035, where people live underground, prisoner James Cole (Bruce Willis) is sent to the surface for samples so a cure for a pandemic that killed most of humanity. Scientists however have a plan. They are able to send people back to the past so to see if they can stop the disease itself. When James heads back to 1996, he discovers that a group of environmental terrorists called 12 Monkeys may be the culprit.Directed by Gilliam, the screenplay was written by duo, David and Janet Peoples, based off a French short film LA JATEE by Chris Marker. The cast includes Bruce Willis, Brad Pitt, David Morse, Christopher Plummer, and Madeleine Stowe. Your co-hosts take a look at this very interesting film and give their thoughts.

Seriah is joined by Barbara Fisher, Superinfra Man, and Chris Ernst to discuss some recent news stories. Topics include a study of NDEs, OBEs, the fullness of the NDE experience and the limitations of materialism, the difficulties of measurement, the scientific method and its limits, ghosts, the Philip experiment, Bigfoot, spirits, tulpas, souls of the dead, Karen Woodhouse, fakery in reality TV ghost hunting, anecdotal evidence, an ancient pre-Homo Sapien species conducting burial rituals and carving symbols, Neanderthals, Homo Erectus, entheogens, primates using drugs, brain size vs intelligence, Graham Hancock, lost history, hoarding of art and artifacts by wealthy collectors, Black Water Inc, Iraq, Hobby Lobby, “Evil Archeology” by Heather Lynn, a strange moving anomaly in the Earth's magnetic field, weird zones in the magnetic field beneath South America and Africa, a story of AI replacing counselors in an eating disorder helpline, the dubious nature of AI, a bad experience with a weaponized AI drone, Isaac Asimov and the 3 laws of robotics, the importance of empathy, Artificial Intelligence vs mimicry, AI art and content, AI podcasts and audio books, deficiencies in internet information, lack of creativity in pop culture, the pluses and minuses of retail self-check-out, AI pioneer inventors calling for regulation and issuing warnings, Terence McKenna and novelty, the films “WALL-E” and “Elysium”, depopulation conspiracy theories vs the worker shortage, younger peoples' reluctance to have children, life-extending drugs and procedures, Elon Musk, the series “Altered Carbon”, transhumanism, the life model decoy, the “Subjective Truth” podcast, a consciousness box that traps souls, “Babylon 5”, Hollywood re-boots including “Star Wars” and “Harry Potter”, the movie “12 Monkeys” and the subsequent art film and series, Chris Marker, Whitley Strieber's “A New World”, Indian Vedic cosmology, other worlds that lack emotion, Sufism, agape love, the series “Westworld”, free will vs predestination, computers turning on humans, reality tunnels, journalism vs entertainment, pro wrestling, 9/11 anti-terrorism drills, conspiracy theories and psyops, the TV series “The Lazarus Project”, an enormous metal structure discovered at the Moon's south pole, bizarre lunar facts and theories, disappointments of the space program, Gary Nolan, Robert Heinlein's “Stranger in a Strange Land”, reasons why aliens would avoid human contact, a theory of empathy and the Black Plague, empathy and narcissism, Lobo Matias, Ronald Reagan and peace through a common alien enemy, a warning from Space Force General Chance Saltzman, xenobots, programable robots made from frog cells, consciousness vs sentience, “The Last of Us”, the film “The Day After”, and much more! This is some fascinating discussion, not to be missed! - Recap by Vincent Treewell of The Weird Part Podcast Outro Music is Whirring World from Psyche Corporation Download

翻开科幻的每一本著作，本本都写着“人性”本期邀请到【黑水公园】的主播之一「金花」从科幻的姥姥开讲，带你畅游科幻世界体验科幻大家们的思维乐园本期涉及的人物和作品：玛丽·沃尔斯通克拉福特《女权辩护》威廉·葛德文《政治正义论》玛丽雪莱《弗兰肯斯坦》珀西·比西·雪莱乔治·戈登·拜伦约翰·威廉·波利多利《吸血鬼》 阿达·洛芙莱斯儒勒·凡尔纳《海底两万里》赫伯特·乔治·威尔斯《时间机器》《星际战争》《隐身人》罗伯特·史蒂文森《化身博士》叶夫根尼·伊万诺维奇·扎米亚京《我们》阿道司·赫胥黎的《美丽新世界》乔治·奥威尔的《1984》 《动物农场》奥森·威尔斯《公民凯恩》特瑞·吉列姆《12只猴子》Chris Marker《堤》艾萨克·阿西莫夫《基地系列》《银河帝国三部曲》和《机器人系列》《神们自己》《日暮》亚瑟·查理斯·克拉克《2001太空漫游》《与拉玛相会》罗伯特·安森·海因莱因《星船伞兵》《异乡异客》《时间足够你爱》《你们这些回魂尸》菲利普·K·迪克《仿生人会梦见电子羊吗?》《尤比克》《高堡奇人》《少数派报告》《记忆裂痕》《命运规划局》《预见未来/今人》《暗黑扫描仪》威廉·吉布森《神经漫游者》《差分机》《约翰尼的记忆》

durée : 01:09:59 - Les Nuits de France Culture - par : Albane Penaranda - Serge Toubiana dans un "Carnet de voyage à Tokyo" rencontrait le cinéaste Kiyoshi Kurosawa et son ancien professeur, cinéphile et traducteur, Shigehiko Hasumi. Dans "Surpris par la nuit", en 2004, Serge Toubiana proposait un "Carnet de voyage à Tokyo", qui nous donnait des nouvelles du cinéma japonais à l'aube du vingt-et-unième siècle. Chemin faisant, guidé par le critique Yoichi Umemoto, il croisait le réalisateur Kiyoshi Kurosawa et son ancien professeur, l'éminent universitaire et cinéphile Shigehiko Hasumi, traducteur de Deleuze, Derrida et Barthes, et auteur notamment d'ouvrages sur Ozu, Ford et Renoir. Comme le voyageur cinéphile de passage à Tokyo ne peut manquer de le faire, ce carnet de voyage faisait une halte à "La jetée", un bar mythique pour les amoureux du cinéma, dont le nom est bien sûr un hommage à Chris Marker. Pour peu qu'ils soient à Tokyo, de ce refuge cinéphilique cher au cour de Wim Wenders, peuvent à tout moment pousser la porte Coppola, Woody Allen, Tarantino, Léos Carax, Jim Jarmush, Arnaud Desplechin et quelques autres. "Surpris par la nuit. Tokyo cinéma - carnet de voyage". c'était en 2004. Cette année-là deux films japonais étaient en compétition au Festival de Cannes : Ghost in the Shell 2 : Innocence de Mamoru Oshii et Nobody Knows de Hirokazu Kore-Eda, pour lequel Yagira Yuya remporta le prix d'interprétation masculine. Retrouvez l'ensemble de la Nuit : "1960 et après, Nouvelle Vague et multiples visages du cinéma au Japon" Production : Serge Toubiana Réalisation : Manoushak Fashahi Extrait : Surpris par la nuit - Bande à part : Tokyo cinéma, carnet de voyage 1ère partie - 1ère diffusion : 12/05/2004

The BBS films we've been watching are culturally important for telling new types of stories within major studio-released films, but for the most part, outside of Head, the form of the stories hasn't been that different. The sex is more explicit, the drug use is forefront, but the actual structure of the film is more familiar, I think. Maybe that's just because we're 50 years on and it's less new. Head was out there structurally, of course, and second to Head comes Henry Jaglom's A Safe Place, a film I cannot believe Columbia put out. It's structure has more in common with Chris Marker's Le Jetee (1962) than Easy Rider, and it feels more daring than anything we've seen in weeks of the BBS set. Jaglom is trying to chase Cassevetes, but unfortunately lacks Cassevetes' abilities. But at least he's got Orson Welles in his picture.

Chris Marker's LA JETEE (1962) and SANS SOLEIL (1983). Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!

We're back with another double feature of short films…and while they're both original in their storytelling, their executions could not be more different. Join the guys at 1001 by 1 this week as they discuss Stan Brakhage's “Dog Star Man” and Chris Marker's “La Jetee”, do a little delving into the world of Gaspar Noe, and yes – even tackle the recent “Synder Cut”. Also, this week Ian recommends the short film “More” (available on YouTube) and Adam recommends “Synchronic” (available for free on Hoopla). 0:00 – Intros/Gaspar Noe & “Enter the Void”/CineFix Top 5 Original Films 10:52 – “Coming 2 America” and Eddie Murphy 13:22 – The Snyder Cut 19:54 – “Ghost Dog: The Way of the Samurai” 24:37 – Ian's recommend “More” 26:55 – Adam's recommend “Synchronic” 32:28 – “Dog Star Man” 50:56 – “La Jetee”

Pour l'instant toujours publique et (partiellement) gratuite, l'Université est un lieu de construction de savoirs et d'existences qui n'échappe pourtant pas aux travers de la société. Racisme, sexisme, harcèlement sexuel, invisibilisation du travail des chercheuses… Mais si l'Université est un lieu où des violences sont subies, c'est aussi là où se construisent les luttes, et ce, depuis bien longtemps. Aujourd'hui, Clémentine et Kaoutar font un état des lieux de la situation universitaire actuelle et reviennent sur les luttes qui traverse cette institution. Références entendues dans l'épisode : “SOPK le syndrome qui met le cycle KO”, Causette n°115, p.68, 30 septembreMathieu Dejean, “Eric Fassin : “Le président de la République attise l'anti-intellectualisme”, Les Inrockuptibles, juin 2020. Mathilde Munos, “Marie Sonnette : "L'avenir de l'éducation, ce n'est pas seulement la recherche, c'est l'avenir tout court", France Inter, septembre 2020. Christophe Granger, La destruction de l'université française, Éditions La Fabrique, 2015. Le site du CLASCHES, collectif de lutte contre le harcèlement sexuel dans l'enseignement supérieur.Les invités de Médiapart, “Violences sexuelles: dans l'enseignement supérieur et la recherche aussi, #SupToo !”, décembre 2018. Camille Zimmermann, “De la toute puissance des prédateurs hauts placés”, Medium, septembre 2020. Azadeh Kian, Harcèlement sexuel dans l'enseignement supérieur, quand l'impunité et la pédagogie font mauvais ménage, Cahiers du CEDREF, 2014. Colette Guillaumin est une sociologue française et une militante antiraciste et féministe matérialiste. Margaret Rossiter est une historienne des sciences américaines à l'origine de l'effet Matilda. Cyrus North, “L'effet Matilda”, Philonomist (2018)Collectif LKJ, “Vos astérisques sont trop étroits pour nos vécus. À propos du racisme dans l'enseignement supérieur et la recherche en France, et de son déni”, avril 2020. “Racisme et Antisémitisme au cœur des universités de médecine, la Conférence des Doyens s'en saisit”, Communiqué de presse, février 2019. Amélie Nothomb, Pétronille, Albin Michel, 2014. L'Étudiante, film de Claude Pinoteau, 1988. La Belle saison, film de Catherine Corsini, 2015. Le Fond de l'air est rouge, film de Chris Marker, 1977. Dear white people film de Justin Simien, 2014. Le Brio, film d'Yvan Attal, 2017. Philip Roth, La Tache, Gallimard, 2002. Nabil Wakim, L'arabe pour tous. Pourquoi ma langue est taboue en France, Seuil, 202. Quoi de Meuf est une émission de Nouvelles Écoutes. Cet épisode est conçu par Clémentine Gallot et présenté avec Kaoutar Harchi. Mixage Laurie Galligani. Générique réalisé par Aurore Meyer Mahieu. Prise de son, montage et coordination Ashley Tola. Vous pouvez consulter notre politique de confidentialité sur https://art19.com/privacy ainsi que la notice de confidentialité de la Californie sur https://art19.com/privacy#do-not-sell-my-info.