Podcasts about creek nations

Episode 21 of 30 End of Life Doulas in 30 Days   Emily Vass   Meet Emily Vass! She shares her How & Why of becoming a death doula. Plus her challenges and hopes for the field. Listen now on YouTube or Spotify. The Dead Funny Dead Serious Podcast. Links in Bio.   Particularly poignant moments in this episode: supporting First Nations community members and the military community, children as part of the death experience, and partnering with medical professionals.    Please note: This Episode was recorded from Florida on the unseated lands of the Muskogee and the Creek Nations and from Seattle on the stolen land of the Duamish people.      Business: Reinforcing Wishes Website: www.nativedeathdiva.com  Location: Pensacola, Florida .. However I work within a 2 hour radius of Pensacola, Tallahassee and Jacksonville, Fl which covers some areas of Alabama, Mississippi and Georgia  Instagram, Facebook, Clubhouse: @NativeDeathDiva    Other resources mentioned in this episode: theconversationproject.org #deathdoula #endoflifedoula #hospicevolunteer #griefandloss #howtobecomeanendoflifedoula #deathdoulatraining #endoflifecare #death #dying #deathanddying #howtobecomeadeathdoula #deadfunnydeadserious #30endoflifedoulasin30days⁠ #homefuneralguide #vigil #lifereview #deathpodcast #virtualdeathdoulas #militarysupport #floridadeathdoula #deathworker #nativedeathdiva #firstnationsendoflife #militaryendoflife  Song Info: Song Copyright 2021 Mitzi Weiland. Written &  Preformed By Ethan Bovey (Splitting Silence) Find more info about them here: splittingsilence.com   If you or anyone you know is considering suicide, please go to the emergency room, call 911, or call the number below (USA) for support or the emergency number in your country. (USA) National Suicide Prevention Lifeline #800-273-8255Hours: Available 24 hours. Languages: English, Spanish.    

Our guest is Jasha Lyons Echo-Hawk. She is a life-long justice seeker, community builder, and part-time marathoner. She is Two-spirit and a proud tribal citizen of the Seminole Nation, as well as a member of the Pawnee, Iowa, Omaha, and Creek Nations. She carries the name Ti-tatatsiks-stariiku. Jasha’s advocacy has largely been focused in rural Oklahoma and she has organized around such issues as healthcare access, violence against women, breast/chestfeeding advocacy, body sovereignty and birth justice, food sovereignty, gun violence prevention, criminal justice reform, Census & Natives Vote 2020, and as a former political candidate. Jasha’s recent concentration is in the reclamation of birthkeeping and she has been honored to hold space for families and community as a trained Birthworker and a student midwife. She has recently joined the team at the Tulsa Birth Equity Initiative as a Community-Based Doula & Native Service Coordinator. Additionally, Jasha has also helped to found Native Breastfeeding Week and is in pursuit of a Master of Legal Studies in Indigenous People’s Law at the University of Oklahoma’s College of Law. She maintains an active lifestyle with her spouse, Bunky, and their four children.

Wassup to all my Andromedans in exile and fly fugitive idealists! It's the Bay of Pigs episode y'all, Part 4 of the BNP Original Series, Revisiting Fidel and the Cuban Revolution. In this installment series we dive in to the CIA and State Department's oddly imagined and chaotically executed Bay of Pigs invasion in April of 1961. The mission was to invade Cuba, assassinate Castro, and spark a national revolt against his government. The plan failed abysmally, and in fact it achieved the opposite effect, serving as a major morale boost for Cuba, Castro, and the nascent Marxist-Leninist state. In this episode we unpack the nitty gritty details of why the BoP (new favorite acronym) failed so spectacularly, and examine the contextual bureaucratic ambiance that gave rise to the debacle. I begin the show by playing a clip from Rebecca Nagle's latest This Land episode, where she highlights movingly the intense emotional catharsis felt by the five tribes who were finally vindicated by Supreme Court Justice Neil Gorsuch's majority opinion in their favor. A deep and heartfelt Congratulations again to the Cherokee, Choctaw, Seminole, Chickasaw and Creek Nations on their landmark victory. Thank you for listening and supporting the show! Please don't forget that RSS tip - rate, review, subscribe. Five star reviews guarantee a freshly baked boysenberry pie cooling on your window stoop when you get home. (If you're already home, simply step outside and come back in, and you will find your fresh baked boysenberry pie. As they may *possibly* say sometimes in Italy... Addio Amate! Until next time, One Love, ConanTRACK LIST FOR THIS EPISODE:Perez Prado - El Monecito Cherokee Morning Song - Robbie Robertson and The Red Road Ensemble feat. Rita Coolidge Marlon Asher - Ganja FarmerDead Can Dance Invocation Act IIDead Can Dance - Dance of the BacchantesJubilant Day Mix (Upbeat Lo-fi Hip Hop)Ghostland Observatory - Give Me the BeatPerez Prado - Mambo #5 (The Original One)Ghostland Observatory - SometimesCITATION OF SOURCES:- https://www.thoughtco.com/cuba-the-bay-of-pigs-invasion-2136361- https://www.counterpunch.org/2011/12/16/the-cia-cuba-and-operation-peter-pan/Also, here are two adorable lil' pigletitos: Support the show (http://www.patreon.com/noetics)

On May 11, 2020, the U.S. Supreme Court heard argument in McGirt v. Oklahoma, which involves a dispute over whether the prosecution of an enrolled member of the Creek Tribe for crimes committed within the historical Creek boundaries is subject to exclusive federal jurisdiction.Petitioner Jimcy McGirt was found guilty of one count of first degree rape by instrumentation, one count of lewd molestation, and one count of forcible sodomy. McGirt was sentenced to 500 years in prison without parole. On appeal, the Oklahoma Court declined to review McGirt’s petition. He then filed an appeal with the U.S. Supreme Court, arguing that Oklahoma courts lacked jurisdiction because the crimes occurred in Indian Country where McGirt was a member of the Creek Nations of Oklahoma.To discuss the case, we have Troy Eid, Shareholder, Greenberg Traurig LLP.As always, the Federalist Society takes no particular legal or public policy positions. All opinions expressed are those of the speakers.

On May 11, 2020, the U.S. Supreme Court heard argument in McGirt v. Oklahoma, which involves a dispute over whether the prosecution of an enrolled member of the Creek Tribe for crimes committed within the historical Creek boundaries is subject to exclusive federal jurisdiction.Petitioner Jimcy McGirt was found guilty of one count of first degree rape by instrumentation, one count of lewd molestation, and one count of forcible sodomy. McGirt was sentenced to 500 years in prison without parole. On appeal, the Oklahoma Court declined to review McGirt’s petition. He then filed an appeal with the U.S. Supreme Court, arguing that Oklahoma courts lacked jurisdiction because the crimes occurred in Indian Country where McGirt was a member of the Creek Nations of Oklahoma.To discuss the case, we have Troy Eid, Shareholder, Greenberg Traurig LLP.As always, the Federalist Society takes no particular legal or public policy positions. All opinions expressed are those of the speakers.

On November 27, 2018, the Supreme Court heard argument in Carpenter v. Murphy, a case considering the 1866 territorial boundaries of the Creek Nations and Indian country jurisdiction. In 1999, Patrick Murphy, a member of the Muscogee (Creek) Nation confessed to the killing of George Jacobs. The State of Oklahoma charged him with murder and he was convicted in state court, receiving the death penalty. In 2004, Murphy sought post-conviction relief in federal district court, arguing that the Oklahoma state courts had lacked jurisdiction because the federal Major Crimes Act requires that a member of an Indian Nation alleged to have committed murder in Indian territory be tried in federal court. The Oklahoma Court of Criminal Appeals rejected this argument, concluding Murphy had not shown that the site of the murder fell within Indian territory.Murphy thereafter sought habeas relief in federal district court, again raising his jurisdictional challenge (among other claims). The district court rejected his argument, but granted a certificate of appealability on the issue. On appeal, the U.S. Court of Appeals for the Tenth Circuit ruled in Murphy’s favor. Noting the parties’ agreement that the murder occurred within the Creek Reservation if Congress had not disestablished it or diminished its borders, the Court--invoking the Supreme Court’s 1984 decision Solem v. Bartlett--concluded that Congress had not done so. As a result, the Oklahoma courts lacked jurisdiction to charge and try Murphy for murder. Chief Judge Tymkovich, concurring in the denial of Oklahoma’s motion for rehearing en banc, however, suggested the case would benefit from Supreme Court review. He noted, among other things, that “the boundaries of the Creek Reservation outlined by the panel opinion encompass a substantial non-Indian population, including much of the city of Tulsa; and Oklahoma claims the decision will have dramatic consequences for taxation, regulation, and law enforcement.” The Supreme Court subsequently granted certiorari to consider whether the 1866 territorial boundaries of the Creek Nation within the former Indian Territory of eastern Oklahoma constitute an “Indian reservation” today under 18 U.S.C. § 1151(a).To discuss the case, we have Troy Eid, Shareholder at Greenberg Traurig.

On November 27, 2018, the Supreme Court heard argument in Carpenter v. Murphy, a case considering the 1866 territorial boundaries of the Creek Nations and Indian country jurisdiction. In 1999, Patrick Murphy, a member of the Muscogee (Creek) Nation confessed to the killing of George Jacobs. The State of Oklahoma charged him with murder and he was convicted in state court, receiving the death penalty. In 2004, Murphy sought post-conviction relief in federal district court, arguing that the Oklahoma state courts had lacked jurisdiction because the federal Major Crimes Act requires that a member of an Indian Nation alleged to have committed murder in Indian territory be tried in federal court. The Oklahoma Court of Criminal Appeals rejected this argument, concluding Murphy had not shown that the site of the murder fell within Indian territory.Murphy thereafter sought habeas relief in federal district court, again raising his jurisdictional challenge (among other claims). The district court rejected his argument, but granted a certificate of appealability on the issue. On appeal, the U.S. Court of Appeals for the Tenth Circuit ruled in Murphy’s favor. Noting the parties’ agreement that the murder occurred within the Creek Reservation if Congress had not disestablished it or diminished its borders, the Court--invoking the Supreme Court’s 1984 decision Solem v. Bartlett--concluded that Congress had not done so. As a result, the Oklahoma courts lacked jurisdiction to charge and try Murphy for murder. Chief Judge Tymkovich, concurring in the denial of Oklahoma’s motion for rehearing en banc, however, suggested the case would benefit from Supreme Court review. He noted, among other things, that “the boundaries of the Creek Reservation outlined by the panel opinion encompass a substantial non-Indian population, including much of the city of Tulsa; and Oklahoma claims the decision will have dramatic consequences for taxation, regulation, and law enforcement.” The Supreme Court subsequently granted certiorari to consider whether the 1866 territorial boundaries of the Creek Nation within the former Indian Territory of eastern Oklahoma constitute an “Indian reservation” today under 18 U.S.C. § 1151(a).To discuss the case, we have Troy Eid, Shareholder at Greenberg Traurig.

In this episode Broken Boxes gets into conversation with writer and director Sterlin Harjo. We hear about Sterlin's journey to becoming a filmmaker and he shares memories of growing up in rural Oklahoma as 'that weird artist kid'. Sterlin talks about being a founding member of renown Native comedy group the 1491s and reflects on the beginning project that catapulted the group to what it is today. Sterlin also talks about Standing Rock as an Indigenous led global movement and we get his perspective regarding the film works that have come since. Sterlin also offers his insight for existing in a world consumed by social media and offers advice on how to approach creating film work in today's accessible media platforms. Sterlin Harjo belongs to the Seminole and Creek Nations, and is a native of Holdenville, Oklahoma. Interested from an early age in visual art and film, Harjo studied painting at the University of Oklahoma before writing his first feature-length script. Since then Harjo was a participant in the Sundance Institute's Feature Film Program. In 2004, Sundance Institute selected Harjo to receive an Annenberg Fellowship, which provided extended support over a two-year period to facilitate the creation of his feature project. In 2006 Harjo was in the inaugural class of United States Artists award recipients. He was also the youngest recipient. Sterlin Harjo completed a year of development on his feature film script FOUR SHEETS TO THE WIND through the Sundance Institute's Filmmaker Labs where he worked under the guidance of industry veterans such as Robert Redford, Stanley Tucci, Joan Tewkesbury, Susan Shilliday, Frank Pierson, Walter Mosley, and Antonia Bird. Sterlin's project was one of 12 projects chosen from a pool of almost 2,500 based on the uniqueness of his voice, the originality of his story and the promise of this feature film offering something poignant to American cinema. Harjo's short film GOOD NIGHT IRENE premiered at the Sundance Film Festival 05 and has went on to play festivals around the world. The short film has garnered Harjo awards including Special Jury Recognition at the Aspen Shorts Festival and Best Oklahoma Film at the Dead Center film festival in Oklahoma City. In 2007 Harjo's first feature film, FOUR SHEETS TO THE WIND, premiered at the Sundance Film Festival. The film garnered warm responses from both audience's and critics. Tamara Podemski won a Special Jury Prize for outstanding performance for her role in the film as Miri Smallhill. Podemski was also nominated for an Independent Spirit Award for her performance. Harjo's film BARKING WATER had a successful premiere at the 2009 Sundance Film Festival, and it screened as a part of the highly acclaimed New Directors/New Film series in New York City. Barking Water was the only American film that played in the Venice Days section of the 2009 Venice Film Festival. Harjo's first documentary THIS MAY BE THE LAST TIME premiered at the 2014 Sundance Film Festival. Harjo's film Mekko premiered at The Los Angeles Film Festival in 2015. Mekko also screened at the Toronto International Film Festival and the Stockholm International Film Festival. It won best film at the ImagineNative Film Festival in Toronto. Harjo is a founding member of the all Native comedy group the 1491s.

In this episode Broken Boxes gets into conversation with writer and director Sterlin Harjo. We hear about Sterlin's journey to becoming a filmmaker and he shares memories of growing up in rural Oklahoma as 'that weird artist kid'. Sterlin talks about being a founding member of renown Native comedy group the 1491s and reflects on the beginning project that catapulted the group to what it is today. Sterlin also talks about Standing Rock as an Indigenous led global movement and we get his perspective regarding the film works that have come since. Sterlin also offers his insight for existing in a world consumed by social media and offers advice on how to approach creating film work in today's accessible media platforms. Sterlin Harjo belongs to the Seminole and Creek Nations, and is a native of Holdenville, Oklahoma. Interested from an early age in visual art and film, Harjo studied painting at the University of Oklahoma before writing his first feature-length script. Since then Harjo was a participant in the Sundance Institute’s Feature Film Program. In 2004, Sundance Institute selected Harjo to receive an Annenberg Fellowship, which provided extended support over a two-year period to facilitate the creation of his feature project. In 2006 Harjo was in the inaugural class of United States Artists award recipients. He was also the youngest recipient. Sterlin Harjo completed a year of development on his feature film script FOUR SHEETS TO THE WIND through the Sundance Institute’s Filmmaker Labs where he worked under the guidance of industry veterans such as Robert Redford, Stanley Tucci, Joan Tewkesbury, Susan Shilliday, Frank Pierson, Walter Mosley, and Antonia Bird. Sterlin’s project was one of 12 projects chosen from a pool of almost 2,500 based on the uniqueness of his voice, the originality of his story and the promise of this feature film offering something poignant to American cinema. Harjo’s short film GOOD NIGHT IRENE premiered at the Sundance Film Festival 05 and has went on to play festivals around the world. The short film has garnered Harjo awards including Special Jury Recognition at the Aspen Shorts Festival and Best Oklahoma Film at the Dead Center film festival in Oklahoma City. In 2007 Harjo’s first feature film, FOUR SHEETS TO THE WIND, premiered at the Sundance Film Festival. The film garnered warm responses from both audience’s and critics. Tamara Podemski won a Special Jury Prize for outstanding performance for her role in the film as Miri Smallhill. Podemski was also nominated for an Independent Spirit Award for her performance. Harjo’s film BARKING WATER had a successful premiere at the 2009 Sundance Film Festival, and it screened as a part of the highly acclaimed New Directors/New Film series in New York City. Barking Water was the only American film that played in the Venice Days section of the 2009 Venice Film Festival. Harjo’s first documentary THIS MAY BE THE LAST TIME premiered at the 2014 Sundance Film Festival. Harjo’s film Mekko premiered at The Los Angeles Film Festival in 2015. Mekko also screened at the Toronto International Film Festival and the Stockholm International Film Festival. It won best film at the ImagineNative Film Festival in Toronto. Harjo is a founding member of the all Native comedy group the 1491s.