Podcasts about Indian country

Hosts Leah Lemm (Mille Lacs Band of Ojibwe) and Dr. Antony Stately Ph.D. (Ojibwe/Oneida) lead insightful discussions about the ever-evolving landscape of healthcare in Indian Country. They discuss the valuable lessons learned during the COVID-19 pandemic and explore how Native communities are responding and adapting beyond COVID-19.Today we celebrate the success of Charmaine Branchaud, a Nurse for the Red Lake school district, whose work raised the vaccination rate of her students. She was recently honored as a 2023 Immunization Champion by the Association of Immunization Managers (AIM) and Minnesota Department of Health (MDH).We talk to her about what went into the success and reflect on her experiences as a healthcare worker during the pandemic. We also catch up on where we are in the covid pandemic as we head toward back to school and the end of summer. There's also news of an updated COVID booster on the horizon.The CDC and FDA are expected to release updated boosters in late September or early October. The new booster will target that XBB strain of COVID. Back in June the FDA vaccine advisory committee recommended that the upcoming update focus on that XBB strain. They recommend that the new booster ought to be “Mono valent” meaning that it will only be composed of medicine to combat that most recent strain. As opposed to the bivalent booster we had last year which was Omicron and the original strain. They say it should be as effective as a bivalent and a bivalent booster is not applicable right now.In the Duluth Area, the American Indian Community Housing Organization (AICHO) is hosting a COVID vaccine clinic on Wednesday August 30th from 3:30 to 6pm.Dr. Stately would also like to remind listeners that Medicaid certifications were not required to be renewed during the pandemic; this changed with the ending of the public health emergency. Folks with Medicaid coverage are now required to be recertified within the next month. Watch your mail for a notice from your Medicaid provider or visit NACC or another community health center and talk with a patient advocate or a MNSure navigator to complete recertification to keep your coverage.Community Health Conversations is made possible with the support of the Minnesota Department of Health. To find information about COVID vaccines and boosters, please visit MN.gov/COVID19.

Freedom Lodge and The Black Hills Historical Trauma Research & Recovery Center has changed the conversation about health, healing, and recovery in South Dakota and across Indian Country. As a partner organization for Well-Being and Equity (WE) in the World, a diverse team of change makers, keading programs to advance mental, physical, social, and spiritual health across generations, races, and ethnicities, presents solutions to advance transgenerational well-being by exploring Native American practices to break the cycle of trauma. Meet the Executive Director, Dr. Ruby Gibson, doing work in this space. ⁠#WhatsBrewingInTheStreets⁠⁠ - Where is Gia? What happened with the #HurriQuake in Southern California? What's in your cup? With MY MORNING COFFEE, the conversation is always hot, bold, and full of flavor talking about all things grown woman, business, and Black sorority lifestyle. Dive in and have a sip. Follow My Morning Coffee on Instagram @MyMorningCoffeeDrip Follow Tonya on Twitter and Instagram @TonyaMcKenziePR Follow Gia on Instagram @themahoganybox For comments, guest opportunities, or brand collaborations, contact info@sandandshores.com. ⁠⁠#ContentMatters⁠⁠ ⁠⁠⁠ ⁠⁠#Leadership⁠⁠ is Newsworthy! ⁠⁠#MyMorningCoffee⁠⁠ ⁠⁠#Podcast⁠⁠ ⁠⁠#TonyaMcKenzie⁠⁠ ⁠⁠#GiaSneed⁠⁠ ⁠⁠#LLEADtheWay⁠⁠ ⁠⁠#CommunityEngagement⁠⁠ ⁠⁠#BusinessOwners⁠⁠ ⁠⁠#Survivors⁠⁠ ⁠⁠#podcast⁠⁠ ⁠⁠#WomenOwned⁠⁠ ⁠⁠#BlackOwned⁠⁠ ⁠⁠#TrueStory⁠⁠ ⁠⁠#AA⁠⁠ ⁠⁠#BlackBusiness⁠⁠ ⁠⁠#Media⁠⁠ ⁠⁠#Storyteller⁠⁠ ⁠⁠#Entrepreneur⁠⁠ ⁠⁠#MMC⁠⁠ ⁠⁠#BlackGreekLife⁠⁠ ⁠⁠#ZetaPhiBeta⁠⁠ ⁠⁠#GrownWoman⁠⁠ ⁠⁠⁠⁠ ⁠⁠⁠ ⁠⁠#WomeninBusiness⁠⁠ ⁠⁠#HustleHER --- Send in a voice message: https://podcasters.spotify.com/pod/show/mymorningcoffeepodcast/message

Bobby “Dues” Wilson is a Sisseton-Wahpeton Dakota artist, dad, and comedian based in Phoenix, Arizona. Bobby was born and raised in the Twin Cities, back when you could still smoke at Ember's Family Restaurant. Bobby's family bounced around motels, apartments, Powwows and shelters through his childhood but there's an olde saying amongst the Siouxan nations: shit happens. Wilson attended the Creative Arts High School where his interests in painting and poetry were heavily encouraged. He participated in youth art programs COMPAS arts in St. Paul, then rode the 16 (94 if you're cashy) to Minneapolis where he trained mural painting like a champ under Roger and Peyton at Juxtaposition Arts. He painted several murals around the Twin Cities and enough graffiti to catch a couple cases. His visual art work can still be seen at the Minnesota Historical Society (I think) and the Chippewa Tribes building on Franklin.  After some heavy life changes that we won't get into it here (go watch Smoke Signals or something), Bobby found himself alongside the 1491s comedy troupe, traveling all accrosst Indian Country making fun of himself for money. Now Bobby works as a writer/producer on television series like Rutherford Falls, Echo (some MCU stuff?), and the Peabody award winning series, Reservation Dogs. He lives with his family, surrounded by the O'odham nations and urban Navajos who make really good tortillas! Did you know O'odham homies call frybread, “popovers?!” What even is that?!

Sitting in for Host Tiokasin Ghosthorse this week is First Voices Radio's Co-Host Anne Keala Kelly (Kanaka Maoli), an independent journalist, filmmaker and activist from Moku Nui (Big Island) in the illegally occupied Hawaiian Islands. Keala begins with commentary about this past week's deadly wildfires that completely destroyed the town of Lahaina, Maui, located on the island's west side. Lahaina is the historic seat of the Hawaiian Kingdom. Fires are still burning in other areas of Maui and also on Moku Nui. For the majority of the hour, Keala speaks with Shannon O'Loughlin (Choctaw Nation of Oklahoma), CEO and attorney for the Association on American Indian Affairs, continuing a conversation about repatriation that was begun in March 2023 on this program. Shannon has been practicing law for more than 22 years and is a lecturer at Johns Hopkins University. She has served Indian Country in the private sector as an attorney, leading a large national firm's Indian law practice that worked to strengthen, maintain and protect Indian nation sovereignty, self-determination and culture. More information at: https://www.indian-affairs.org/. This episode ends with a tribute to the late Sinéad O'Connor, “… who became a warrior woman and stood up to call out the centuries of soul-devouring abuse heaped on children by the Catholic church. It happened to the Irish and we all know it happened to the First Peoples of the Americas and other colonized countries.” — Anne Keala Kelly Production Credits: Anne Keala Kelly (Kanaka Maoli), Co-Host Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Karen Ramirez (Mayan), Studio Engineer, Radio Kingston Tiokasin Ghosthorse, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) (00:00:22) 2. Song Title: Danny Boy (single) Artist: Sinead O'Connor Description: Sung acapella on 12/24/1993 broadcast of The Late Late Show (Irish Talk Show) (00:49:35) 3. Song Title: Natural Mystic Artist: Bob Marley and the Wailers Album: Exodus (1977) Label: Island Records (00:54:05) AKANTU INTELLIGENCE Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse

Typical life. 2:25Bryan's law degree and how he got started. 10:55I'm glad people are listening. 18:30Dirty Belly. 19:55What is the legal definition of heritage? 27:59The Revolutionary War and the royal proclamation. 34:45Wabash Land Company and the Rebellion. 38:56Proclivity and the revolutionary war. 41:20Race Judicata and the legal system. 46:36Have you ever seen white people eat pork chops? 52:39Shake and bake and shake and bake. 54:56Orange Kool Aid. 56:07Sovereignty is about autonomy. 1:00:32Sovereignty vs. morality. 1:01:39Skepticism on the legal system. 1:08:05Spaces of Sovereignty. 1:13:16Fair and inclusive so everyone can hear. 1:17:19Not a system designed for us. 1:19:50Unification of the supreme court. 1:23:05Support the show

Welcome back to Community Health Conversations, a special program from Minnesota Native News! Hosts Leah Lemm (Mille Lacs Band of Ojibwe) and Dr. Antony Stately Ph.D. (Ojibwe/Oneida) lead insightful discussions about the ever-evolving landscape of healthcare in Indian Country. They discuss the valuable lessons learned during the COVID-19 pandemic and explore how Native communities are responding and adapting beyond COVID-19. On today's conversation, Dr. Charity Reynolds, Medical Director at Fond Du Lac Human Services, joins the conversation to reflect and discuss the significant changes in healthcare since the end of the federal public health emergency. Dr. Reynolds shares her insights on sustaining positive change in healthcare, addressing mental health, the importance of cultural competence and inclusivity in healthcare systems and promoting long-term community well-being.  Dr. Stately would also like to remind listeners that Medicaid certifications were not required to be renewed during the pandemic; this changed with the ending of the public health emergency. Folks with Medicaid coverage are now required to be recertified within the next month. Watch your mail for a notice from your Medicaid provider or visit NACC or another community health center and talk with a patient advocate or a MNSure navigator to complete recertification to keep your coverage!For more valuable insights and conversations on community health, visit MinnesotaNativeNews.org/CommunityConversations.   Community Health Conversations is made possible with the support of the Minnesota Department of Health. To find information about COVID vaccines and boosters, please visit MN.gov/COVID19.

Yatika Starr Fields, is a Painter and Muralist who lives and works in Tulsa, Oklahoma. Yatika Fields is part of the Cherokee, Creek and Osage Tribes. He is also a Bear clan member. While attending the Art Institute of Boston from 2000 to 2004, he became interested in Graffiti aesthetics, which has been integral to his knowledge and process along with Landscape painting- and continues to influence his large- scale projects and studio works. His artworks explore the themes of family, community, and cultural diversity to illustrate its significance in societal norms for Native Americans. In addition, he is an avid distance runner who both runs and bikes ultra-marathon distances. He is involved with collective efforts to increase visibility, participation and acknowledgement of Indigenous voices, places and people in outdoor pursuits. He is a frequent collaborator with Rising Hearts, an indigenous led grassroots organization with a vision for a socially, economically and environmentally-just world, they often use running as a medium for activism and advocacy.In this episode we talk about finding healing through running and returning home, the many shared parts of our identities, Yatika's advocacy efforts that have led to name changes of offensive race events and much more.This episode is edited by Misty Avinger. Our theme music is by Alekesam, check them out via the link in our shownotes.Links for Yatika EpisodeYatika websitehttps://www.yatikafields.com/Yatika on Instagramhttps://www.instagram.com/yatikafields/Osage Nationhttps://www.osagenation-nsn.gov/Muscogee Nation Websitehttps://www.muscogeenation.com/Wings of America Websitehttps://www.wingsofamerica.org/Rickey Gates - TransAmericanahttp://www.rickeygates.com/transamericanaUltra Trail Mont Blanc Trail Series (UTMB)https://montblanc.utmb.world/Why the Land Run 100 changed its name to the Mid South:https://cyclingmagazine.ca/gravel/why-the-land-run-100-changed-its-name-to-the-mid-south/Why the Name of a Major Gravel Event Is Being Changed: On the Dirty Kanza and the cycling world's reckoning with a racist, exclusionary pasthttps://www.outsideonline.com/outdoor-adventure/biking/kanza-name-change-indigenous-bike-race/Rising Hearts - Indigenous Led Grassroots Organizationhttps://www.risinghearts.org/Jordan Marie Whetstone on Instagram and Websitehttps://www.instagram.com/nativein_la/https://www.jordanmariedaniel.com/Know to Run Film with Yatika & Rising Heartshttps://www.youtube.com/watch?v=vAbapAmkjFo&themeRefresh=1This Land Podcast - all about Oklahoma History and “Indian Country”https://crooked.com/podcast-series/this-land/Alekesam (Our theme music!)https://open.spotify.com/artist/2JM2yzMSOgq7VeG6nKm3PY?si=YrIzzWOwSvCZ49oSutZZLwLinks related to The Debrief:The Body Doesn't Know Miles, It Knows Stress by David Rochehttps://www.trailrunnermag.com/training/trail-tips-training/the-body-doesnt-know-miles-it-knows-stressEpisode 16 of The Trail Ahead: Rest, Our Right Relationship with Nature, and Community Care with Laura Edmondsonhttps://www.trailaheadpodcast.com/episodes/rest-our-right-relationship-with-nature-and-community-care-with-laura-edmondson

Producer/Host: Donna Loring Other credits: Technical assistance for the show was provided by Joel Mann, WERU Orland Maine. Music for the show was from the CD Dream Walk by Rolfe Richter Wabanaki Windows is a monthly show featuring topics of interest from a Wabanaki perspective. This month: This show covers the Tribal response to the Governor's Legislative Veto Letter for LD 2004 “An Act to Restore Access to Federal Laws Beneficial to the Wabanaki Nations”. There is confusion as to why the Governor would refuse to support the Wabanaki Tribes in their quest for equality with the other 570 Tribes in Indian Country and why she would be against the Wabanaki Tribes having the same access to Federal funds. The Governor wrote a 6-page veto letter to the Maine Legislature with her explanation of why she was vetoing the bill. This show features a detailed Tribal response to that letter and the intended or unintended consequences of the language and flawed reasoning used in the letter. Guest/s: Chief Kirk Francis and Ambassador Maulian Bryant of the Penobscot Nation Attorney Corey Hinton of Drummond and Woodson, a member of the Passamaquoddy Nation FMI: Governor Mills Veto Letter About the host: Donna M Loring is a Penobscot Indian Nation Tribal Elder, and former Council Member. She represented the Penobscot Nation in the State Legislature for over a decade. She is a former Senior Advisor on Tribal Affairs to Governor Mills. She is the author of “In The Shadow of The Eagle A Tribal Representative In Maine”. Donna has an Annual lecture series in her name at the University of New England that addresses Social Justice and Human Rights issues. In 2017 She received an Honorary Doctoral Degree in Humane Letters from the University of Maine Orono and was given the Alumni Service Award. It is the most prestigious recognition given by the University of Maine Alumni Association. It is presented Annually to a University of Maine graduate whose life's work is marked by outstanding achievements in professional, business, civic and/or Public service areas. Donna received a second Honorary Doctorate from Thomas College in May of 2022 The post Wabanaki Windows Special 7/20/23: Part 2 – Tribal Issues Update 131st Legislative Session LD 2004 Governor's Veto Letter first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Producer/Host: Donna Loring Other credits: Technical assistance for the show was provided by Joel Mann, WERU Orland Maine. Music for the show was from the CD Dream Walk by Rolfe Richter Wabanaki Windows is a monthly show featuring topics of interest from a Wabanaki perspective. This month: This show covers the Tribal response to the Governor's Legislative Veto Letter for LD 2004 “An Act to Restore Access to Federal Laws Beneficial to the Wabanaki Nations”. There is confusion as to why the Governor would refuse to support the Wabanaki Tribes in their quest for equality with the other 570 Tribes in Indian Country and why she would be against the Wabanaki Tribes having the same access to Federal funds. The Governor wrote a 6-page veto letter to the Maine Legislature with her explanation of why she was vetoing the bill. This show features a detailed Tribal response to that letter and the intended or unintended consequences of the language and flawed reasoning used in the letter. Guest/s: Chief Kirk Francis and Ambassador Maulian Bryant of the Penobscot Nation Attorney Corey Hinton of Drummond and Woodson, a member of the Passamaquoddy Nation FMI: Governor Mills Veto Letter About the host: Donna M Loring is a Penobscot Indian Nation Tribal Elder, and former Council Member. She represented the Penobscot Nation in the State Legislature for over a decade. She is a former Senior Advisor on Tribal Affairs to Governor Mills. She is the author of “In The Shadow of The Eagle A Tribal Representative In Maine”. Donna has an Annual lecture series in her name at the University of New England that addresses Social Justice and Human Rights issues. In 2017 She received an Honorary Doctoral Degree in Humane Letters from the University of Maine Orono and was given the Alumni Service Award. It is the most prestigious recognition given by the University of Maine Alumni Association. It is presented Annually to a University of Maine graduate whose life's work is marked by outstanding achievements in professional, business, civic and/or Public service areas. Donna received a second Honorary Doctorate from Thomas College in May of 2022 The post Wabanaki Windows Special 7/19/23: Part 1 – Tribal Issues Update 131st Legislative Session LD 2004 Governor's Veto Letter first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Today we will hear from Patrick Yawakie-Peltier, co-Founder of Red Medicine LLC, an Indigenous civic engagement service based in Montana. Patrick was present throughout Montana's legislative session this year, advocating for and against policy that will impact the state's tribal members. Patrick will share with us his personal experience in the session as an Indigenous person and community advocate, and also his calls for improved engagement and approaches in our state legislative process. Patrick shares messages intended for tribal members to gain information and entry points for advocacy, and also for non-Native folks to gain valuable insight and perspective. Like many of our episodes attempt to do, I hope that no matter your demographic, you can gain some insight about others or even yourself through these conversations…as I believe, whether you agree with someone or not, it benefits us to be more informed about the challenges, and humanized perspectives of those we share our world with. This episode also shares some context and introductory information on Montana's unique tribal communities and a few specifics that contribute to the field of Indian Law. We encourage you to continue your research on these topics. Below are a few links for starting points. LINKS: Red Medicine LLC on Facebook People's Food Sovereignty Program Native American Influences on U.S. Government Montana Indigenous Tribes: Their History & Location (from Office of Public Instruction) Montana Indian Education for All - curriculum & information for all ages Info on Indian Child Welfare Act: National Indian Child Welfare Association Indian Civil Rights Act of 1968 American Indian Movement: AIM "The 1950's plan to erase Indian Country" piece from American Public Media Land Status of Indian Country in Montana: Policy Basics House Bill 163 to extend task force for MMIP - Missing & Murdered Indigenous Persons Indigenous language revitalization What the session means for Indian Country: Char-Koosta News article Article on funding for internet access for rural and tribal communities This episode is made possible with support from Headwaters Foundation, working side-by-side with Western Montanans to improve the health of our communities. Headwaters is committed to supporting the health and sovereignty of Native Americans through their grants and partnerships. Learn more at www.headwatersmt.org, or find them on Instagram and Facebook. Stories for Action holds a mission to use the power of storytelling to create human connection and advance a thriving planet for all. Learn more at StoriesforAction.org  Instagram and Facebook: @StoriesforAction #tribalsovereignty #legislation #policy #tribalpolicy #indianlaw #montana #montanalegislators #democrat #republican #indigenous #indigenousvoices #nativevoices #advocacy #community #reservation #policymaker #senator #congressperson #helenamontana #mmip #mmiw #icwa #stategovernment #aclu #flatheadreservation  

“You are meant to be here. You are worthy and you have a whole line of ancestors and family that fought and died for you to be here today.” This is a Road Dog Podcast classic from the early days. Jordan Marie Bring Three White Horses Daniel is a citizen of the Kul Wicasa Oyate (Lower Brule Sioux Tribe) as well as a passionate advocate for Indian Country and all people. She is nationally known for her advocacy and grassroots organization for anti-pipelines/climate justice efforts, change the name/not your mascot, the epidemic and crisis of missing and murdered Indigenous women (MMIW), and Native youth initiatives. Her experience in grants and project management, policy, blogging, and organizing has been leveraged by organizations working in environmental sustainability, access to quality healthcare, MMIW, the Violence Against Women Act, and a variety of other worthy causes. She is the founder of Rising Hearts, the cofounder of DC ReInvest Coalition, is on the Board of Directors with the PowerShift Network and Lab29, and is an Outreach and Project Manager with UCLA, in Los Angeles, homelands to the Tongva people. Jordan was awarded the NCAIED Native American 40 Under 40 in 2018. She's using her running platform of 21 years to help raise awareness and bring justice to missing and murdered Indigenous relatives and their families. Jordan is consulting on documentaries as an Indigenous advocate and Impact Producer, and is consulting to develop social media to protect sacred lands and support Indigenous folx. Support Road Dog Podcast by: 1. Joining the Patreon Community: https://www.patreon.com/roaddogpodcast 2. Subscribe to the podcast on whatever platform you listen on. Jordan Marie Brings Three White Horses Daniel Contact Info:  risingheartscoalition@gmail.com (email) @nativein_la & @rising_hearts (Instagram) @_NativeInLA & @_RisingHearts / @Native Perspective & @Rising Hearts (Twitter) Luis Escobar (Host) Contact: luis@roaddogpodcast.com Luis Instagram Kevin Lyons (Producer) Contact: kevin@roaddogpodcast.com yesandvideo.com Music: Slow Burn by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Photo: Photography by Kaori Peters kaoriphoto.com Road Dog Podcast Adventure With Luis Escobar www.roaddogpodcast.com

In this Episode: The Native American Graves Protection and Repatriation Act, or “NAGPRA” Provides for the ownership or control of Native American cultural items (human remains and objects) excavated or discovered on Federal or tribal lands back to Federally recognized tribes. Among several aspects of the act, it directs Federal agencies and museums with possession or control over holdings or collections of Native American human remains and funerary objects to inventory them, identify their geographic and cultural affiliation, and notify the affected Indian tribes or Native Hawaiian organization to begin the established process of returning them to tribes. Some institutions and states have been slow, even resistant to comply with this law. We look deeper into the responsibilities of institutions to comply with this law. Also… A landmark law case before the Supreme Court Of The United States (SCOTUS) handed down a major decision in favor of Native American tribes and parents by keeping in place a 40 year federal law known as the Indian Child Welfare Act. (or ICWA) We deconstruct this lawsuit and look into the reasons behind this very important case for Indian Country. And finally… American healthcare has become corporatized, and there have been some very serious consequences as a result of what has become risky business for patients and even medical providers across the country. We provide some examples of these changes and ask very important questions. Contact The show! E-mail: hosts@nativeopinion.comCall Us: 860-800-5595

In this special edition of the podcast, Rebecca interviews Native leaders from across the country and elected officials at the recent National Congress of American Indians (NCAI) Mid-Year Convention. This episode features conversations with nine different tribal leaders and staff members as well as U.S. Senator Tina Smith. Guests share about the issues facing Indian Country including environmental sustainability, the Violence Against Women Act, the Indian Child Welfare Act, and the 2023 Farm Bill. EPISODE RESOURCES National Congress of American Indians: https://www.ncai.org/ Understand Native Minnesota: https://www.understandnativemn.org/

In 1908, an anthropologist traveled to the Western states to examine an outbreak of tuberculosis and found that 20 percent–or one in every five–of the residents of Indian Country had contracted the disease. In an effort to contain it, authorities asked the anthropologist to trace the cause of the outbreak and he found it – in the Native American boarding schools. Educating native children was an enterprise that quickly turned lethal as epidemics and contagious illnesses swept through the schools. Sickness infected and killed scores of students.Hosted by: Sharon McMahonExecutive Producer: Heather JacksonAudio Producer: Jenny SnyderWritten and researched by: Heather Jackson, Amy Watkin, Mandy Reid, and KariMarisa AntonThank you to our guest K. Tsiannina Lomawaima and some of the music in this episode was composed by indigenous composer R. Carlos Nakai. Hosted on Acast. See acast.com/privacy for more information.

Paul Farber:You are listening to Monument Lab Future Memory where we discuss the future of monuments and the state of public memory in the US and across the globe. You can support the work of Monument Lab by visiting monumentlab.com, following us on social @Monument_Lab, or subscribing to this podcast anywhere you listen to podcasts. Li Sumpter:Our guest today on Future Memory is artist, scholar, and composer, Nathan Young. Young is a member of the Delaware Tribe of Indians and a direct descendant of the Pawnee Nation and Kiowa Tribe, currently living in Tahlequah, Oklahoma. His work incorporates sound, video, documentary, animation, installation, socially-engaged art, and experimental and improvised music. Young is also a founding member of the artist collective, Postcommodity. He holds an MFA in Music/Sound from Bard College's Milton Avery School of the Arts and is currently pursuing a PhD in the University of Oklahoma's innovative Native American art history doctoral program. His scholarship focuses on Indigenous Sonic Agency. Today we discuss his art and practice and a recently opened public art project at Historic site Pennsbury Manor entitled nkwiluntàmën, funded by the Pew Center for Arts & Heritage and curated by Ryan Strand Greenberg and Theo Loftis. Let's listen.Welcome to another episode of Future Memory. I'm your co-host, Li Sumpter. Today my guest is Nathan Young. Welcome, Nathan.Nathan Young:Hello. Thank you. It's nice to be here with you today. Li:Future Memory is the name of Monument Lab's podcast. In the context of your own work, when you hear the words "future memory," what does that mean to you? Do any images or sounds come to mind? Nathan:They really do. There's one. It was a website of a sound artist, a writer, an educator, Jace Clayton, DJ/Rupture, had a mixed CD called "Gold Teeth Thief". I remember it was kind of a game changer in the late '90s. I got that mixed CD from a website called History of the Future. Li:That's very close. It was very close.Nathan:It's always stuck with me. I'm fortunate enough to be able to grapple with a lot of these kind of ideas. I'm not really quite sure how I feel about some of the history of the future because in some ways I work within many different archives so I am dealing with people's future or thinking about or reimagining or just imagining their future.But future monuments are something that I grapple with and deeply consider in my artwork. I think it's one of the more challenging subjects today in art. I think we see that with the taking down of monuments that were so controversial or are so controversial. But I find it fascinating the idea of finding new forms to make monuments to remember and the idea of working with different communities of memory. It's key to my work. It's just a lot of listening and a lot of pondering. Actually, it's a very productive space for me because it's a place to think about form. Also, it opens doors for me just to think about the future. I will say this, that one problem that often arises as a Lenape Delaware Pawnee Kiowa person is we're often talking about the past, and I really like to talk about the future and to work with organizations that are thinking about the future. Li:I can relate to that. Nathan:I think it's a misunderstanding. We always really are talking about the future. I've had the great fortune to be around some people. Actually, I grew up in the capital of the Cherokee Nation, Oklahoma. A lot of people know that Oklahoma is the home to 39 federally recognized tribes. I was fortunate enough to grow up in Tahlequah, which is the capital of the Cherokee Nation, and was able to be around a well-known and respected medicine man named Crosslin Smith, also an author. I remember being a part of an interview with Crosslin. I grew up, he was a family friend.He said, "I'm often asked about the old or ancient ways and the new ways." What Crosland said was, and I'll try my best to articulate this idea, is that there is no difference between the ancient ways and today. These things still exist. It might be an illusion or we might not be able to comprehend or understand it, but there is no difference between the ancient, when we're thinking of things in the sense of the sublime, I think. There is no understanding the ancient and what is contemporary. That was really an important moment for me as an adult. To hear him articulate that was really important. So I think about that. I'm not really sure about a lot of things, but I really like to think about that when I'm working. Li:It kind of runs through your mind as you're working and creating. It's a deep thought, that's for sure, connecting those things. Even thinking back on your own personal history with sound, when did you first connect your relationship to place and homeland to sound and music? Nathan:Well, my earliest remembrances of music, honestly, are my dad driving me around in his truck, picking me up after school, and singing peyote songs, Native American Church songs, peyote songs. The members of the Native American Church call that medicine. My father was an active member of a chapter of the Native American Church at that time. I was fortunate enough to receive my Lenape Delaware name in a peyote meeting. But the first things I remember are the music he played in the car, but really the singing in the car, the singing in the truck that he would do of those peyote songs. Even after he quit going to meetings or he wasn't active in the Native American Church anymore, he still would sing these peyote songs, and I would ask him about the peyote songs, because they're different for every tribe. The forms, they still have their kind of conventions, but they're very tribally specific.Everything in what we call legally Indian Country here in the United States is super hyper local. So just down the road, that's really the beautiful thing about living in Oklahoma, is you have people whose ancestors are from northeast, southeast, southwest. There's only one tribe here from California. So it's a really rich place for sound and song. Both of my parents are Indigenous American Indian. My mother is Pawnee and Kiowa. My father is Lenape Delaware. I also grew up around the Big Drum, what we call the Big Drum at powwows. I never became a powwow singer or anything like that. Never learned anything around the Big Drum. But I did eventually learn Pawnee songs, Native American Church Pawnee songs.But really, I was just a kid in a small town in Oklahoma. When skateboarding hit and you become kind of an adolescent, you start to discover punk rock and things like that. Those to me were the way that the culture was imported to me. I didn't realize that I was already surrounded by all this beautiful culture, all of the tribes and my parents' tribes and my grandparents'. But then it was like a transmitter. Even these tapes were just transmitters to me. So those were really important also. I have a lot of thoughts about sound. Other thing I remember is my father often would get onto us or make fun of us for being so loud and saying we would be horrible scouts or hunters.Li:Making too much noise. Nathan:The Native Americans, yeah, yeah. We weren't stealth. You'd hear us coming a mile away. So he would always say, "You wouldn't be a very good one," just to try to get us quiet down.Li:No one wants to be a bad hunter, right? Can you break down the concept of Indigenous Sonic Agency? is this based on ancestral traditions, your artistic practice, academic scholarship, or a bit of all the above? Nathan:Well, Indigenous Sonic Agency is really one piece of a larger subject sonic agency, which I encountered in a book titled Sonic Agency by Brandon LaBelle. I was a former member of this collective, Postcommodity, and I'm reading this book. When we were first starting the collective, we had the opportunity to work with this Czech poet named Magor, Ivan Jirous Magor. It means blockhead, I believe. It's a nickname. He was kind of described as the Andy Warhol of the Plastic People of the Universe. He was an art historian. He spent most of his life in prison just for being an artist, an art historian. He was an actual musician. He didn't play with the Plastic People of the Universe, to my knowledge, but he did to write the lyrics, to my knowledge. We had the opportunity to record with Magor. So I'm reading this book about sonic agency, and here I find somebody that I'd actually had an experience with sonic agency with in my early days and as a young man and an artist.But ultimately Indigenous Sonic Agency is, in some sense, similar but different to tribal sovereignty. So when you think of agency or sovereignty, it's something that they sometimes get mixed up. I'm really trying to parse the differences between this, what we understand so well as political sovereignty as federally recognized tribes and what agency means, say, as an artist. But in my research, in the subject of sonic agency and Indigenous Sonic Agency, it encompasses pretty much everything. That's what I love about sound. Everything has a sound, whether we can hear it or not. Everything is in vibration. There are sounds that are inaudible to us, that are too high or too low. Then there's what we hear in the world and the importance of silence with John Cage. I think that they're just super productive.I was introduced really to sound studies through this book called Sonic Warfare by Steve Goodman. It was really about how the study of sound was, in a sense, still emerging because it had mostly been used for military purposes and for proprietary purposes such as commercials and things like that. As I stated earlier, I felt like music was my connection to a larger world that I couldn't access living in a small town. So even everything that came with it, the album covers, all that, they really made an impression on me as a young person, and it continues to this day, and I've been focusing deeply on it.My studies in sonic agency -- Indigenous Sonic Agency -- encompass everything from social song, sacred song, voice, just political speech and language, political language. There's so much work to be done in the emerging sound studies field. I felt that Indigenous Sonic Agency, there was a gap there in writing and knowledge on it. Now though, I acknowledge that there has been great study on the subject such as Dylan Robinson's book, Hungry Listening. I am fortunate enough to be around a lot of other Indigenous experimental artists who work in all the sonic fields. So it's an all-encompassing thing. I think about the sacred, I think about the political, I think about the nature of how we use it to organize things and how language works. Silence is a part of it. Also, listening is very important. It's something that I was taught at a very young age. You always have to continue to hone that practice to become a better and better listener. Li:That's the truth. Nathan:My grandmother was very quiet, but whenever she did talk, everybody loved it. Li:That's right. That's right. Let's talk about the Pennsbury Manor project. Can you share how you, Ryan Strand Greenberg, and Theo Loftis met and how nkwiluntàmën came to be? Nathan:Well, to my recollection, I try to keep busy around here, and oftentimes it means traveling to some of the other towns in the area such as Pawnee or Bartlesville or Dewey or Tahlequah. I wasn't able to do a studio visit with Ryan, but I wanted to see his artist talk that he was giving at the Tulsa Artist Fellowship, which I was a fellow at at that time. I remember seeing these large public art projects that were being imagined by Ryan. We had worked on some other projects that, for one reason or another, we weren't unable to get off the ground. Eventually, Pennsbury Manor was willing to be this space where we could all work together. I remember rushing back and being able to catch Ryan's artist talk. Then right before he left town, we had a studio visit and found out how much we had in common concerning the legacy of the Lenape in the Philadelphia area, what we used to call Lenapehoking. So it was a really a moment of good fortune, I believe. Li:Monument Lab defines monument as a statement of power and presence in public. The nkwiluntàmën project guide describes Pennsbury Manor as a space to attune public memory. It goes on to say that sites like these are not endpoints in history, but touchstones between generations. I really love that statement. Do you think Pennsbury Manor and the land it stands on, do you consider it a monument in your eyes? Why or, maybe even, why not? Nathan:Well, yeah, I would definitely consider Pennsbury Manor, in a sense, a monument. I think that we could make an argument for that. If we were talking about the nature of it being William Penn's home and it being reconstructed in the 20th century, you could make a very strong argument that it is a monument to William Penn and also as William Penn as this ideal friend to the Indian. Some people don't like that word. Here in Oklahoma, some of us use it. Technically, it was Indian Country legally. But I use all terms: Native American, Indigenous, Indian. But I'd mostly like to just be called a Lenape Delaware Pawnee Kiowa.I definitely would say that you could make an argument that is a monument to William Penn especially as part of that, as this ideal colonist who could be set as a standard as for how he worked with the Lenape and then other tribes in the area at the time. I think that's kind of the narrative that I run into mostly in my research, literally. However, I would not say that it was established or had been any type of monument to my Lenape legacy. I did not feel that... I mean, there was always mention of that. It was, like I said, as this ideal figure of how to cooperate with the tribes in the area. But I would definitely say it's not a monument to the Lenape or the Delaware or Munsee.Li:Can you share a bit more about the project itself in terms of nkwiluntàmën and what exactly you did there at Pennsbury Manor to shift and really inform that history from a different perspective? Nathan:Well, first of all, at Pennsbury Manor, I was given a lot of agency. I was given a lot of freedom to what I needed to as an artist. I was really fortunate to be able to work with Doug and Ryan and Theo in that manner where I could really think about these things and think deeply about them. I started to consider these living history sites. My understanding is that they're anachronisms. There's a lot of labor put into creating a kind of façade or an appearance of the past, and specifically this time, this four years that William Penn was on this continent. So this idea that nothing is here that is not supposed to be here became really important to me. What I mean by that is, say, if you threw in a television set, it kind of throws everything off. Everybody's walking around in clothing that reflects that era and that time. If you throw some strange electronics in the space, it kind of is disruptive. I didn't feel the need to do anything like that.I felt that one of the great things about working in sound and one of the most powerful things about sound is that sound can also be stealth. You can't see sound. We can sonify things or we can visualize it or quantify it in different ways. But to me, this challenge of letting the place be, but using sound as this kind of stealth element where I could express this very, very difficult subject and something that really nobody has any answers to or is sure about... I was trained as an art historian, and I know that we're only making guesses and approximations just like any doctors. We are just trying to do these things.But sound gave me the ability at Pennsbury Manor and nkwiluntàmën to work stealthy and quiet, to not disturb the space too much because there's important work that's done there, and I want to respect people's labor. As a member of the Delaware tribe of Indians of Lenape, I felt that it was a great opportunity to be the person who's able to talk about this very difficult subject, and that is not lost on me. That's a very, very heavy, very serious task. Li:Yeah, big responsibility. Nathan:Yes. It is not lost on me at all how serious it is, and I feel very fortunate. I think without such a great support system in place, it wouldn't have been possible. nkwiluntàmën means lonesome, such as the sound of a drum. We have a thing called the Lenape Talking Dictionary,  Li:I've seen it. I've seen it. Nathan:I'm often listening. I'm listening to Nora Dean Thompson who gave me my Delaware name, my Lenape name, Unami Lenape name in a peyote ceremony. So I often go there to access Delaware thought and ideas and to hear Delaware voices and Delaware language being spoken. I know that some people have different views on it, but let's say, I think artists and people have used the Unami Lenape before and art exhibitions as a lost or an endangered languages. I know that in the entire state that I live in, and in most of Indian country, there's a great language revitalization movement that I was fortunate to be a part of and contribute to.Really, that's where I discovered that that's really where through language, there's nothing more Lenape, there's nothing more Delaware, Unami Lenape than to be able to talk and express yourself in that manner or, say, as a Pawnee or a Kiowa to be able to talk and express. Embedded in those words are much more than just how we think of language. They're really the key to our worldviews. Our languages are the keys to our worldview and really our thought patterns and how we see the world and how we should treat each other or how we choose to live in the world or our ancestors did. So I'm fascinated by the language. I was fortunate enough to be around many, many different native languages growing up. But ours was one because of the nature of us being a northeastern tribe that was very much in danger of being lost. Some would say that at one point it was a very, very, very endangered language to the point to where nobody was being born in what we call a first language household, where everybody could speak conversationally in Unami Lenape.So these things, we all think about this, by the way, all of my community, the Delaware Tribe of Indians. I was fortunate enough to serve on the Tribal Council as an elected member for four years. We think about these things definitely all the time, and people do hard work to try to revitalize the language. I know at this time that the Delaware Tribe of Indians is actively working to revitalize our language. Li:That's a part of that preservation and remembrance because your work, really does explore this idea of ancestral remembrance and is rooted in that. Then again, you're also engaging with these historic sites, like Pennsbury Manor, that tap into public memory. So in your thoughts, how are ancestral remembrance and public memory connected? Are there any similar ways that they resonate? Nathan:Well, I think of different communities of remembrance. Within this idea of memory there are just different communities. I don't want to want to create a dichotomy, but it's easily understood by those who focus on the legacy of William Penn and those who focus on the legacy of the Lenape or the Pawnee. But ancestral memory is key to my culture, I believe, and I really don't know any way to express it other than explaining it in a contemporary sense. If you're deeply involved in your tribal nation, one of the one things that people will ask you is they'll say, "Who are your folks?" Literally, people will say, "Who are your folks?" Li:Who are your peoples? Nathan:"What family do you come from?" I didn't start to realize this until I was an adult, of course. It's not something you think you would ever think of as a child or anything. It started to become really apparent to me that we're families that make up communities that have stayed together in our case for hundreds of years across thousands of miles. It's a point to where we got down to very small numbers. We still stuck together. Then there was also a diaspora of Lenape that went to Canada, the Munsee and the Stockbridge. There was the Delaware Nation who has actually lived more near the Kiowa. My grandmother was Kiowa. But we still had the same family names. For instance, there are people and members of the Delaware Nation that are actually blood related to the Delaware Tribe. So that is really our connection to each other is our ancestors. That's purely what binds us to together is that our ancestors were together, and we just continue that bond. Li:Thank you. A part of Monument Lab's mission is to illuminate how symbols are connected to systems of power and public memory. What are the recurring or even the most vital symbols illuminated in your work? Nathan:Oh, that's a really tough question because my work is all over the place. I work across a lot of different mediums, although I've trained as an art historian, so I came into this as a visual artist. I just happened to be a musician and then discovered installation art and how sound works in art. But for me, the story I feel that I'm trying to tell cannot be held by any number of symbols or signs. I want to give myself the freedom and agency to use whatever is needed, actually, whatever is needed to get across the idea that is important to me. So going back to nkwiluntàmën, lonesome, such as the sounds, these colors, we use these white post-Colonial benches, and there's four large ones, placed across the grounds of Pennsbury Manor. You'll see that, if one were to visit, they would see a black bench, a yellow bench, a white bench, and a red bench. Nathan:If you're from my community, a Delaware Tribe of Indian member and you know that you're a Lenape, you understand that those colors have meaning to our tribe, and you'll know that those colors have sacred meaning. So in some sense, I will use whatever I think is the most appropriate way to use it also. I want to give myself the freedom to use any type of symbolism. I loved growing up with my mother and my grandmother being able to go to powwows. My mom would say, "Well, here comes the Shawnee women. Here comes the Delaware women. They dress like this. Here comes..." Li:You can recognize from their dress. Nathan:My mother and my grandmother taught me that iconography of our clothing, what we now call regalia. Li:I was curious if perhaps the drum or even the idea of homeland show up in your work? Nathan:Oh, they definitely show up in my work when appropriate. But rather than a drum, I would say sound or song or music. We do have these iconographies and symbols that are deeply meaningful to us, and I often use those in my artwork. But really the question for me is how to use them appropriately and, also at the same time, expand the use of these things appropriately. It's just being accountable to your legacy and your community in a sense and not crossing these boundaries, but still at the same time pushing form, pushing the edge.I'm a contemporary person. We're all contemporary people. We want to add something. We want to contribute. We want to be useful. So I'm searching for symbols and forms all the time, different ones. Whether it be a mound, whether it'd be a swimming pool inside an art gallery or a singing park bench or a post-Colonial bench in Pennsbury Manor, in some ways you could say I would be indigenizing and musicalizing those benches. But I consciously work to have a very broad palette. I want my work to be expansive and be able to encompass any subject or idea, because that's why I got into art is because you can talk about anything.Li:Yeah, it's boundless. It's boundless. Then also thinking about the connections and the symbols that you mentioned, the colors that you mentioned, the iconography, what systems of power might they be connected to? Nathan:Well, ultimately, I think that most of the power that is embedded in these symbols comes from the sublime, that come from the sacred. It's complicated. The sacred means to not be touched. That's my understanding, it's to not be touched. However, it's been the source of inspiration for artists of any continent of any time is, if you want to call it, a spiritual, sublime, religious connection, inspiration, whatever, but ultimately, that is my understanding. From my research, even as a young person studying Pawnee mythologies at the University of Oklahoma and special collection and learning stories, our origin stories and what color meant and how the world was seen by my ancestors from other tribes as well as Lenape stories, it's something that's hard to grasp and to hold onto, but that's how we've come to identify each other. It's as simple as we have car tags here that represent our tribes. We have a compact with the state. So everybody's looking around at all these different car tags.Li:Wow. Nathan:You see a regular Oklahoma one, and then you'll see... A very common one is a Cherokee because they're one of the biggest tribes. You'll see a blue one, it's Pawnee. Now you'll see a red one, and it's Delaware or Lenape. It says Unami Lenape on it, and it has our seal. So we play this kind of game all of us. I mean, it's not a game, but we're always looking at license plates to see... It might be your mom's car you're driving that has, say, a Kickapoo license plate or something, and it's a Cherokee driving it or a non-Indian or something, a relative, say. It's not for me to say where these came from. It's something that I actually just really explore and that fascinates me. It's very rich growing up and being a member of my tribal communities. I learn something new almost daily. Li:I can imagine like you said, the learning experience that you have as a child growing up in your community. You mentioned mythologies earlier. I study mythology. One of the purposes I've come to understand is education, educating through these stories. I recently interviewed Jesse Hagopian from the Zinn Education Project and the movement for anti-racist education. The struggles for education reform and reckoning with Eurocentric understandings of history seem to be deeply connected efforts. So on nkwiluntàmën, I understand an educational curriculum has been developed for younger audiences. What do you hope that people take away from this project that they might not find in a textbook or a classroom? Nathan:Well, I would hope that when people visit the large-scale sound installation and visual elements of it that they would understand... my greatest hope that people would learn what I learned while creating the work was that I really don't know what it felt like. I just came across, I was looking for the words in the Delaware Talking Dictionary for feelings, and I found a sentence or a way of saying feeling that said, "It did not penetrate me. I did not feel it." It made me realize that I don't know. I've never had this happen to me. The history of the Delaware Lenape is of constant removal, of constant pushing. Most people know the Cherokee Nation and the Trail of Tears. Actually, there were many movements of the Cherokee. It's very complex. All tribes are very complex. You always have to qualify. But the Trail of Tears is what most people know about. It was this very long, two-year complex journey. It was fraught. Li:That's one of the stories that we learned in school, if at all. Nathan:So our story is of nine of those and, to my understanding and research, was about once every 30 years. So it seemed to me that most Lenape, who came to be known as the Delaware Tribe, who I grew up with as, had ancestors that had experienced a removal. It's something that we still live and deal with today. We came to Oklahoma from what is now Lawrence, Kansas, when this was called Indian Territory. We had been living before that north of Kansas and had adapted our way of life as we changed across this territory and through time to survive.So as we moved into the Plains, we started to hunt buffalo, and then we get kind of crosswise with some other tribes. I think when the federal government was constituting Indian Country, they were concerned with the relationships between other tribes and how they felt. My understanding is we had upset some... By Buffalo hunting and adopting that way of survival and life, there was some trepidation about us. They wanted our reservation. The railroad wanted our reservation, and Lawrence, Kansas, to run directly through our reservation. They were forcing us to move off that reservation, and they couldn't find a place. That was kind of my understanding of the situation. So we ended up in the northernmost part of the Cherokee Nation. This made us a landless tribe for a very, very long time. Technically, we didn't have a reservation. We were living in the Cherokee's reservation because we had this very ancient but kind of tangential connection to the Cherokees. So that's a very long and complicated story as well. Li:That's actually a beautiful setup for one of my last questions actually. This idea of documentation and stewardship are key for Indigenous communities, as you just mentioned, that continue to contend with stolen land, forest displacements, cultural erasure, and lost languages. Monument Lab thinks a lot about the future archives that can hold the dynamic nature of public memory in all its forms. What would a future archive of ancestral memory look, feel, or even sound like for you? Nathan Young:I love that question because we do work with future archives of our ancestors, all of us do today. So I think it's really a question of form. I've encountered this in my studies of Sonic Agency and Indigenous Sonic Agency. The invention of the phonograph and the wax cylinder are very important. It didn't look like anything. It looked like sound or that archive. I think that unknowingly, we're all living in an archive. We're archiving moments now as things speed up constantly. Paul Virilio, the theorist, was very, very important to my thinking because he theorized about speed and the speed of, say, how a camera shutter and a gun are very similar in their repeatingness. I think about repetition a lot. But today, we live in this hyper surveillance society that any moment could be archived, any moment could be filmed, and also these things will be lost. So that is a fascinating thought to think about what may survive and become the archive and what may not, even with all of this effort to constantly surveil and document everything.But it's my hope that archives are important just because they give us a deeper understanding of a connection to something we will never be able to experience. So I think that a future archive is something that we cannot imagine. We don't know what it's going to look like, and it's up to us to find out and to explore form and explore possibilities so that we're not stuck in this mindset that has to be in steel and monumentalized as a figure or a person or something like that. So in my mind, it's just to be revealed to us. We'll know later, but I would hope that were to make...I know this is what people still do today that make monuments. They want to make something beautiful, but that means something different to Lenape or a Pawnee or Kiowa, so that seems very different to us. And so we do that. We do memorialize things in different ways. But I think that we think of them as more ethereal, whether we think of them as things that we know that aren't going to really last forever. I feel that way, at least. I don't speak for all of my culture. But I know that some of us are trying to find new forms to really memorialize our past and unite our community of memory and our tribes, our experiences.Li:Like you said, time, everything's moving so fast and everything's evolving. Everything's constantly changing. So who knows what the forms will take. This has been such a wonderful conversation. I really appreciate your time. I just wanted to see if you had any final words or even gems of ancestral wisdom you might want to leave with us before we finish. Nathan:No, I can't share any ancestral wisdom, not knowingly or very well. I just appreciate the opportunity to create the piece. I appreciate the opportunity to expand upon the piece by talking with you about this because I'm just trying to figure this out. I don't have all the answers. Li:Right, that is part of  being a life learner and walking this path. Everyone's on their journey. We are constantly learning at every turn. I'm with you, Nathan. I often admit that I do not have all the answers. That is for sure. I really enjoyed learning about your work and your practice. I definitely plan on getting down to Pennsbury Manor and look forward to the curriculum for the youth when it comes out. Nathan:Well, thank you. I hope you enjoy it. I hope that it's a meaningful experience for you. I'm a very fortunate person to be able to work on such a project and very grateful to the entire team and everybody that supported the process. Li:Thank you, and thank you again to Ryan Strand Greenberg, who is also the producer of this podcast and worked with you on the project for nkwiluntàmën. Thank you to Nathan Young, our guest today on Future Memory. This is another one for the Future Memory archives.Monument Lab Future Memory is produced by Monument Lab Studio, Paul Farber, Li Sumpter, Ryan Strand Greenberg, Aubree Penney, and Nico Rodriguez. Our producing partner for Future Memory is RADIOKISMET, with special thanks to Justin Berger and the Christopher Plant. This season was supported with generous funding by the Stuart Weitzman School of Design and the University of Pennsylvania.

06-17-23See omnystudio.com/listener for privacy information.

The Intertribal Agriculture Council works with tribes around the United States to serve as the leading voice for Native agricultural programs and policies. Director of Programs Kelsey Scott spoke with DRG Media Group News and Farm Director Jody Heemstra about the organization, getting youth involved in agriculture, working with the US Department of Agriculture to create the only Regional Food Business Center focused on Indian Country.

Harvard Kennedy School Professor Joseph Kalt and Megan Minoka Hill say the evidence is in: When Native nations make their own decisions about what development approaches to take, studies show they consistently out-perform external decision makers like the U.S. Department of Indian Affairs. Kalt and Hill say that's why Harvard is going all in, recently changing the name of the Project on American Indian Economic Development to the Project on Indigenous Governance and Development—pushing the issue of governance to the forefront—and announcing an infusion of millions in funding.  When the project launched in the mid-1980s, the popular perception of life in America's indigenous nations—based at least partly in reality—was one of poverty and dysfunction. But it was also a time when tribes were being granted increased autonomy from the federal government and starting to govern themselves. Researchers noticed that unexpected tribal economic success stories were starting to crop up, and they set about trying to determine those successes were a result of causation or coincidence. Over the decades, Kalt and Hill say the research has shown that empowered tribal nations not only succeed themselves, they also become economic engines for the regions that surround them. The recent announcement of $15 million in new support for the program, including an endowed professorship, will help make supporting tribal self-government a permanent part of the Kennedy School's mission. Joseph P. Kalt is the Ford Foundation Professor of International Political Economy at the John F. Kennedy School of Government at Harvard University and director of the Project on Indigenous Governance and Development, formerly the Harvard Project on American Indian Economic Development. He is the author of numerous studies on economic development and nation building in Indian Country and a principal author of the Harvard Project's The State of the Native Nations. Together with the University of Arizona's Native Nations Institute for Leadership, Management, and Policy, the Project has formed The Partnership for Native Nation Building. Since 2005, Kalt has been a visiting professor at The University of Arizona's Eller College of Management and is also faculty chair for nation building programs at the Native Nations Institute. Kalt has served as advisor to Canada's Royal Commission on Aboriginal Peoples, a commissioner on the President's Commission on Aviation Safety, and on the Steering Committee of the National Park Service's National Parks for the 21st Century. A native of Tucson, Arizona, he earned his Ph.D. and M.A. in Economics from the University of California at Los Angeles, and his B.A. in Economics from Stanford University.Megan Minoka Hill is senior director of the Project on Indigenous Governance and Development and director of the Honoring Nations program at the Harvard Kennedy School. Honoring Nations is a national awards program that identifies, celebrates, and shares outstanding examples of tribal governance. Founded in 1998, the awards program spotlights tribal government programs and initiatives that are especially effective in addressing critical concerns and challenges facing the more than 570 Indian nations and their citizens. Hill serves on the board of the Native Governance Center, is a member of the NAGPRA Advisory Committee for the Peabody Museum, and is a member of the Reimagining our Economy Commission at the American Academy of Arts & Sciences. Hill graduated from the University of Chicago with a Master of Arts Degree in the Social Sciences and earned a Bachelor of Arts in International Affairs and Economics from the University of Colorado Boulder.Ralph Ranalli of the HKS Office of Public Affairs and Communications is the host, producer, and editor of HKS PolicyCast. A former journalist, public television producer, and entrepreneur, he holds an AB in Political Science from UCLA and an MS in Journalism from Columbia University.The co-producer of PolicyCast is Susan Hughes. Design and graphics support is provided by Lydia Rosenberg, Delane Meadows, and the OCPA Design Team. Social media promotion and support is provided by Natalie Montaner and the OCPA Digital Team. 

News. If you like it, help me name it. Article: Cambria County Woman Charged With Conspiracy To Commit Health Care Fraud. Author: U.S. Attorney's Office, Middle District of Pennsylvania. (2023, May 11). The United States Attorney’s Office for the Middle District of Pennsylvania announced that Florentina Mayko, age 39, of Cambria County, Pennsylvania, was charged by criminal information with one count of conspiracy to commit health care fraud for defrauding Medicare and the U.S. Department of Health and Human Services between 2017 and 2019. Article: Congressman George Santos Charged with Fraud, Money Laundering, Theft of Public Funds, and False Statements. Author: U.S. Attorney's Office, Eastern District of New York. (2023, May 10). A 13-count indictment was unsealed today in the United States District Court for the Eastern District of New York charging George Anthony Devolder Santos, better known as “George Santos,” a United States Congressman representing the Third District of New York, with seven counts of wire fraud, three counts of money laundering, one count of theft of public funds, and two counts of making materially false statements to the House of Representatives. Article: New York Man Admits Credit Card Fraud. Author: U.S. Attorney's Office, District of New Jersey. (2023, May 10). During 2015, Lourenco opened 23 credit cards using the identities of three victims he had befriended, two of whom were senior citizens. Lourenco’s victims did not know he was using their identities to obtain the credit cards, nor did they authorize Lourenco to obtain the credit cards. Lourenco used the 23 credit cards to make more than $423,000 in unauthorized purchases. He also used the debit card for a joint bank account belonging to two of the victims to make an additional $57,000 in unauthorized charges. Lourenco admitted that he knew at least one of his victims was a vulnerable victim when he used the victim’s identity to commit his crime. Article: Okmulgee County Resident Sentenced For Brutal Murder. Author: U.S. Attorney's Office, Eastern District of Oklahoma. (2023, May 9). Lewis pleaded guilty to Murder in Indian Country—Second Degree on September 30, 2021. The investigation of the case revealed Lewis beat the victim to death with a television and a coat rack after an evening of drinking at the victim’s apartment. Police investigating an Emergency Medical Services call discovered the victim lying on the floor of his apartment and Lewis covered in the victim’s blood. Article: California Man Convicted of Health Care Kickback Conspiracy. Author: U.S. Attorney's Office, Eastern District of Texas. (2023, May 9). According to information presented in court, Donofrio conspired with others to pay and receive kickbacks in exchange for the referral of, and arranging for, health care business, specifically pharmacogenetic (PGx) tests. Pharmacogenetic testing, also known as pharmacogenomic testing, is a type of genetic testing that identifies genetic variations that affect how an individual patient metabolizes certain drugs. The illegal arrangement concerned the referral of PGx tests to clinical laboratories in Fountain Valley, California; Irvine, California; and San Diego, California. More than $28 million in illegal kickback payments were exchanged by those involved in the conspiracy. License: Creative Commons Attribution-ShareAlike 4.0 International This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Although medications can be lifesaving, they can also be the agents of death. Learn how programs throughout Indian Country are combatting drug problems, from toxic environmental contamination to drug abuse. For further info contact: Rxdestroyer.com (for Milton) or 801-915-0260 (for Daria)

Progressives back Mike Johnston in Denver mayor's race | Colorado Gov. Jared Polis signs slate of clean energy bills | $11B in federal funds allocated for rural clean energy projects | Missing and Murdered Indigenous Peoples crisis commission meets in Flagstaff, AZ (WARNING: contains graphic descriptions of violence) | Colorado Gov. Jared Polis signs nation's first Right-to-Repair law | Violent Femmes perform their self-titled debut in Denver, Austin and Houston this week.  Song playsIntro by hostWelcome to High Country - politics in the American West. My name is Sean Diller; regular listeners might know me from Heartland Pod's Talking Politics, every Monday.Support this show and all the work in the Heartland POD universe by going to heartlandpod.com and clicking the link for Patreon, or go to Patreon.com/HeartlandPod to sign up. Membership starts at $1/month, with even more extra shows and special access at the higher levels. No matter the level you choose, your membership helps us create these independent shows as we work together to change the conversation.Alright! Let's get into it: COLORADO NEWSLINE: Progressives back Mike Johnston in Denver mayor's raceBY: CHASE WOODRUFF - MAY 15, 2023 4:00 AMAs ballots begin to hit mailboxes for Denver's June 6th runoff election, Johnston and Kelly Brough, the other top-two finisher in April's first round of voting - have rolled out a veritable smorgasbord of endorsement announcements.Former mayoral candidates Ean Thomas Tafoya, Terrance Roberts, Jim Walsh, Al Gardner and Leslie Herod all endorsed Mike Johnston. Rep Herod (who was my preferred choice for mayor) said “Having shared countless debate and forum stages with Mike over the past months, I know that he has the passion, commitment, and vision to tackle Denver's toughest problems. Mike and I share the value of public service, hard work, and doing right by our communities, and I am excited to work with him to deliver on our progressive vision for Denver.”Meanwhile, Brough, the former Denver Metro Chamber of Commerce head who secured her spot in the runoff with just over 20% of the first-round vote, has picked up endorsements from Democratic state Sen. Chris Hansen as well as Thomas Wolf, an investment banker who campaigned on harsh anti-homelessness policies and received 1% of the vote for Mayor in April.Sen. Hansen said “Denver needs a proven executive — Kelly Brough is the leader we can trust to deliver results. It's going to take all of us to tackle Denver's biggest challenges, and I'm proud to join Kelly's team.”Brough also picked up endorsements from Democratic state Rep. Alex Valdez and former Tattered Cover CEO Kwame Spearman, both of whom entered the mayor's race but later withdrew. Brough and Johnston emerged from the crowded field of mayoral candidates after becoming by far the race's two best-funded candidates, each raising about $1MM in direct contributions and benefiting from millions more in outside super PAC expenditures from billionaires and real-estate interests.After a first round that featured a wide range of perspectives and ideologies, the runoff campaign has featured few stark disagreements on policy between the two candidates, both of whom are veteran figures in Colorado's centrist political establishment.Brough served as then-Denver Mayor John Hickenlooper's chief of staff from 2006 to 2009, then led the conservative-leaning Denver Metro Chamber of Commerce for 12 years before stepping down ahead of her mayoral run. Some of her top endorsers include former Colorado Gov. Bill Ritter and former Denver Mayor Wellington Webb, both Democrats.On Friday, she touted the endorsement of the Greater Metro Denver Ministerial Alliance, a coalition of clergy and civil rights leaders in the city's Black community. Pastor Paul Burleson, the Alliance's vice president of political affairs, said that Brough's experience is key to her appeal.Brough has also picked up endorsements from the Denver Police Protective Association and other unions representing law enforcement officers and firefighters. She was one of the only candidates in the mayor's race to endorse a return of “qualified immunity,” a legal doctrine that bars people from suing law enforcement officers in their individual capacity. Colorado lawmakers, led by Herod, passed a landmark police reform bill that abolished qualified immunity in the wake of George Floyd's murder in 2020. - Just one reason I love Leslie Herod.During his time in the state Senate, Mike Johnston became one of the state's leading champions of education reform, a movement that has galled teachers' unions and progressives who've accused him of undermining public education. From 2020 to 2022 he was the CEO of Gary Community Ventures, a Denver-based philanthropic organization founded by oil tycoon Sam Gary.Though hardly a progressive firebrand himself, Johnston spoke at Wednesday's event of the coalition he hopes to build as mayor. Along with former mayoral rivals, he received endorsements from Democratic state Sens. Julie Gonzales (another legislator I have tremendous respect for) and James Coleman (who is my state senator but someone whom I don't know much about), adding to a list of supporters that also includes former Mayor Federico Peña and former Colorado House Speaker Terrance Carroll.Rep. Leslie Herod said “Make no mistake: We are the progressives in this race, and we have chosen to back Mike. We are the candidates who have consistently spoken about putting people over structures, putting people over businesses — people always first.”So for my part I'll be following State Sen. Julie Gonzales and Rep. Leslie Herod, voting for Mike Johnston.Final thought: Johnston might not be seen as progressive, but if he wins this election assembling a progressive coalition to bear a developer/business-backed candidate in Kelly Brough, then progressives should absolutely have a strong voice in the Johnston administration if he wants to keep his job. But first he's got to win.COLORADO NEWSLINE: Gov. Jared Polis signs slate of clean energy measures, utility regulation billBY: CHASE WOODRUFF - MAY 11, 2023 5:36 PMGov. Jared Polis has signed into law a bill that commits Colorado for the first time to a net-zero greenhouse gas emissions target, along with other measures to address spiking utility rates and the state's long-term energy future.Flanked by Democratic lawmakers and state energy officials, Polis signed Senate Bill 23-16 at an event at the Denver Botanic Gardens. The bill, a wide-ranging package of reforms aimed at boosting clean energy efforts in a variety of industries, was approved on party-line votes by Democratic majorities in the General Assembly just before its adjournment on May 8.SB-16 sets a statutory goal of a 100% reduction in Colorado's greenhouse gas emissions by 2050, revising that target upwards from a 90% goal set by the Legislature in 2019. It's the first time the state has formally established the net-zero goal that scientists with the Intergovernmental Panel on Climate Change have said is necessary to avert the most catastrophic impacts of global warming.To get there, the bill contains what sponsors called a “potpourri” of measures to accelerate the transition to clean energy, including sections that streamline the process for the installation of electric transmission lines and rooftop solar panels; stricter requirements on large insurance companies to assess climate risk; tax credits for the purchase of electric-powered lawn equipment; and more authority for the Colorado Oil and Gas Conservation Commission to regulate carbon capture projects.COGCC chair Jeff Robbins applauded the bill's efforts to encourage carbon capture, which he called “critical as a tool in addressing climate change.”“The COGCC is well poised with its resources and regulatory understanding to now help carbon storage be deployed safely and responsibly in Colorado,” Robbins said in a press release.Gov. Polis also signed House Bill 23-1252, which establishes a new state grant program for geothermal energy projects and requires large natural-gas utilities to develop emissions-reducing “clean heat plans.”Senate Bill 23-291, a package of reforms to state utility regulations, and House Bill 23-1234, a bipartisan measure aimed at streamlining permitting and inspection processes for solar projects were also both signed into law. SB-291 emerged from hearings held earlier this year by the Joint Select Committee on Rising Utility Rates, a special panel of lawmakers convened by Democratic leaders following sharp increases in many Coloradans' utility bills in 2022.It directs the state's Public Utilities Commission to more closely scrutinize how privately-owned utilities manage volatility in natural-gas prices, the main culprit in rate increases that caused the average monthly payment for customers of Xcel Energy, Colorado's largest utility, to rise by more than 50% last year. Other provisions in the bill are aimed at assessing the long-term future of natural gas infrastructure as more homes and businesses transition to all-electric heating and cooking appliances.In a press release, Advanced Energy United, an industry group representing clean energy companies, said the legislation creates a “national model” for dealing with volatility in the natural gas market.“This bill will help make Colorado's energy system more affordable long-term, and should be seen as a model for states across the country on how to manage high gas prices and a transition to cost-saving alternatives to gas, like high-efficiency heat pumps, rooftop solar and battery storage,” said Emilie Olson, a senior principal at Advanced Energy United.House Bill 23-1272, creates or extends a variety of clean energy tax credits, including incentives for the purchase of electric vehicles, e-bikes, electric heat pumps, industrial decarbonization technologies and more.Gov. Polis said “These exciting money-saving changes for Coloradans mean reliable, lower energy costs and good-paying jobs, as we continue to fuel the innovation that makes Colorado a national leader in clean energy. We are cutting red tape, creating good paying jobs and improving air quality as we continue to make bold progress towards achieving 100% renewable energy by 2040.”ARIZONA MIRROR: Rural electric co-ops to get $10.7B in USDA funds for clean energy grants, loansBY: JACOB FISCHLER - MAY 16, 2023 7:11 AMThe U.S. Department of Agriculture will begin to administer two loan and grant programs worth nearly $11 billion to boost clean energy systems in rural areas, administration officials said Tuesday. The programs are the New ERA program for rural electric cooperatives, and the PACE program for other energy providers. Agriculture Secretary Tom Vilsack said the funding “continues an ongoing effort to ensure that rural America is a full participant in this clean energy economy.”White House National Climate Advisor Ali Zaidi said, “Rural areas can have more difficulty than more urban ones in attracting private sector investment. The programs are intended to allow those rural areas to take advantage of an industry-wide trend to invest in clean energy production.He said, “There's a favorable wind blowing here. This allows rural communities to put up a sail.”The programs are meant to put rural electric cooperatives on equal footing with larger privately owned companies that have already put major funding into clean energy deployment.The programs represent the largest single funding effort for rural electrification since President Franklin Roosevelt signed the Rural Electrification Act in 1936.The money is meant not only to address the climate impacts of fossil fuel energy and reduce home energy costs, but to act as an economic engine for rural areas.Rural electric cooperatives are eligible for the New ERA program, and up to 25% of the funding in that program can be in the form of direct grants. Utilities can use the money to build renewable energy systems, zero-emission systems and carbon capture facilities.The USDA will begin to accept initial applications for funding on July 31. Applicants are expected to write more detailed proposals for funding after the USDA accepts their initial applications.The PACE program provides loans to renewable energy developers and electric service providers “to help finance large-scale solar, wind, geothermal, biomass, hydropower projects and energy storage in support of renewable energy systems,” the release said. The program is targeted to “vulnerable, disadvantaged, Tribal and energy communities,” the release said. It's in line with a Biden administration goal to allocate at least 40% of the overall benefits of certain federal spending to disadvantaged communities.The USDA can forgive up to 40% of most of the loans in the program. Up to 60% of loans to applicants in some U.S. territories and tribal communities can be forgiven.Initial applications for that program will open June 30.ARIZONA MIRROR:National commission on the MMIP crisis meets in Arizona to hear testimony, recommendationsBY: SHONDIIN SILVERSMITH - MAY 15, 2023 1:50 PMFive empty chairs sat at the front of the Not Invisible Act Commission hearing, each wrapped in a shawl, blanket or quilt representing a different group of individuals impacted by human trafficking or with a loved one who is missing or murdered.“We want to allow space for representing our relatives,” commission member Grace Bulltail said, noting the traditions in many Indigenous families to always preserve a space for absent loved ones. “We're doing that to honor our loved ones,” Bulltail said, explaining that, by putting the chairs there, the commission hearing was holding space for them.The chair wrapped in a red shawl with white and yellow handprints honored the missing and murdered Indigenous women and girls. The chair wrapped in a red, orange, bridge, and white Native design shawl with a black blazer draped over it was to honor the missing and murdered Indigenous men and boys. Another chair was wrapped in a light blue, white and purple quilt. Pinned to the quilt was a picture of 11-year-old Ashlynne Mike, a Navajo girl who was abducted and killed on the Navajo Nation in 2016. This chair honored Indigenous children.The chair wrapped in a maroon shawl with floral designs honored the LGBTQI and two-spirit Indigenous community. The chair wrapped in a brown Pendleton honored Indigenous veterans.The Not Invisible Act Commission, organized by the U.S. Department of the Interior,  held a public hearing at the Twin Arrows Casino near Flagstaff to hear testimony and recommendations from victims and families impacted by human trafficking and the missing and murdered Indigenous peoples crisis. The commission also heard from local tribal leaders and advocates. The Not Invisible Act was passed into law in October 2020, establishing the commission as a cross-jurisdictional advisory committee of federal and non-federal members, including law enforcement, tribal leaders, federal partners, service providers, family members of missing and murdered individuals, and survivors.The meeting at Twin Arrows was the commission's third public hearing. This summer, it has four more planned in Minnesota, northern California, New Mexico and Montana. The hearings are being held in communities impacted most by the MMIP crisis.Commissioners heard emotional testimony from Seraphine Warren and Pamela Foster as they shared their experiences of losing a loved one and advocated for change.Ms. Warren is the niece of Ella Mae Begay, a Navajo woman who went missing from her home in Sweetwater, Arizona, on the Navajo Nation on June 15, 2021. Warren continued to advocate for not only her aunt but all Indigenous people.Speaking through tears, she told her aunt's story. “I know it wasn't her legacy to be stolen or to be murdered,” Warren said. “Just because she isn't here doesn't mean she can't be part of change.”Begay is still missing, but there have been developments in her case. In March, Preston Henry Tolth, 23, of New Mexico, was indicted by a federal grand jury in Phoenix for assault and carjacking.The indictment alleges that, on June 15, 2021, Tolth assaulted Begay, resulting in serious bodily injury, according to the U.S. Department of Justice. Tolth then took her Ford F-150 pickup truck and drove it from Arizona to New Mexico with the intent to cause death or serious bodily injury to Begay.Warren said during Tolth's arraignment hearing on April 7 in Flagstaff that she heard details about the night her aunt went missing that she was not ready for.Warren, in tears, told the commission that Tolth told federal agents that he “snapped” and struck her in the face multiple times, causing her to bleed from the nose and mouth. Tolth told authorities that he wasn't sure if she was dead, Warren said, and when he drove away, he said he regretted hitting her, since all he wanted was the truck.Tolth is being held in custody and is expected to go to trial later in May.Pamela Foster is the mother of Ashlynne Mike, the 11-year-old Navajo girl abducted and killed on the Navajo Nation in 2016. Foster has been at the forefront of advocacy efforts for Indigenous children and people since she lost her daughter. On the afternoon of May 2, 2016, Ashlynne Mike and her 9-year-old brother, Ian Mike, didn't make it home from school. When they got off the school bus in Shiprock, New Mexico, on the Navajo Nation, a predator tricked them into getting into his van by promising them a ride home.Hours later, passersby found Ian Mike wandering alone in the area. Police located Ashlynne Mike's body on May 3, 2016, and discovered she had been sexually assaulted, strangled, and bludgeoned repeatedly with a tire iron.She said, “I miss my daughter every single day. I became a voice for my daughter the moment I received word that her life was taken from her.”She talked about how the system failed when her children were missing in 2016. She said that May 1 to May 6 is a nightmare for her every year, because she relives what happened to her children.Foster talked about the hours from when her children disappeared to when they found her daughter's body; she ran into countless obstacles that left her without support.“It was very hard to sit there and know that there were no resources available for my children,” Foster said. “I absolutely had nothing.”She said local law enforcement was not adequately trained to handle child abductions. There was no clear communication between local, state, and federal law enforcement agencies. Instead of searching for her children, Foster said they were trying to figure out exactly what protocols were needed to start looking.“Time was lost,” Foster said, and they did not send out an AMBER Alert until the following day. Foster recalled the alert went out at 2 a.m., and she said that helped no one because not many people were awake then. She remembers hearing officers from the neighboring jurisdictions tell her they couldn't go out to look for her daughter until they were given the clearance to do so by the Navajo Nation Police Department. Foster said it frustrated her how long it took for that to happen. She said the anger and hurt about what happened to Ashlynne led her to be a voice for her daughter.“I promised her I would do something for all of our other Indigenous children. To give them the protection that they need so they don't go through the same thing.”Foster has led many grassroots efforts to support Indigenous children, including advocating and petitioning for the AMBER Alert system to include Indian Country.Foster said she wanted to change, and she knew the justice system in Indian Country needed to be updated, so she focused her efforts on the AMBER Alert system. Her advocacy resulted in the Ashlynne Mike AMBER Alert in Indian Country Act of 2018, which makes tribes eligible for AMBER Alert grants to integrate into state and regional AMBER Alert communication plans.“I always say that I've never received justice for what happened to my daughter because nothing can bring her back,” Foster said. “There will never be justice, but we can learn how to move forward in changing laws to make things better for our people.”The goal of the hearing was for the federal commissioners to listen and hear recommendations on the best course of action for the MMIP crisis. Commissioners will use the suggestions to develop their final report for the Department of Interior.Foster's big recommendation was not only geared at the commissioners, but other attendees of the hearing. She encouraged them to tell their tribal leaders to receive the AMBER Alert in Indian Country Act training. “It is free,” she said, adding that it is a vital program for Indigenous communities because it will train police officers and social workers from the tribe. Because tribes are sovereign nations, the Department of Justice has to receive a request in order to run the training on tribal land: “Have your tribal leaders request this training for your community because the children are our next generation,” Foster said. “There's still a lot of tribes that need to be trained.”When Seraphine Warren was finished sharing her aunt's story, she laid out her recommendations. “Transparency and swift action is key,” she said, “which means that when a person is missing, law enforcement should immediately inform all jurisdictions and issue press releases to media channels to inform the public.”“Family members need to be regularly and constantly updated with the progress of the investigation, and families should be prioritized if any remains are found in any jurisdiction.” Some of the other recommendations included allowing families to hire private investigators, providing them access to case files, supporting families in organizing their task force, providing families with constant and reliable access to grief counseling services, medical attention, financial and legal assistance, and safe housing for families of missing or murdered loved ones. ASSOCIATED PRESS: If you're not first, you're last. DENVER (AP) — Sitting in front of a hulking red tractor, Democratic Gov. Jared Polis signed a bill Tuesday making Colorado the first state to ensure farmers can fix their own tractors and combines with a “right to repair” law — which compels manufacturers to provide the necessary manuals, tools, parts and software farmers would need.Colorado, home to high desert ranches and sweeping farms on the plains, took the lead on the issue following a nationwide outcry from farmers that manufacturers blocked them from making fixes and forced them to wait precious days or even weeks for an official servicer to arrive — delays that hurt profits.While farmers wait and their increasingly high-tech tractors or combines sit idle, a hailstorm could decimate an entire crop. Or, a farmer could miss the ideal planting window for their crops to grow.Lawmakers in at least 10 other states have introduced similar legislation, including in Florida, Maryland, Missouri, New Jersey, Texas and Vermont. But Colorado has taken the lead. At the signing ceremony Tuesday afternoon, under a light drizzle of rain, Gov. Polis said: “This bill will save farmers and ranchers time and money and support the free market in repair” before exclaiming, “first in the nation!”Behind the governor and arrayed farmers and lawmakers sat a red Steiger 370 tractor owned by a farmer named Danny Wood. Wood's tractor has flown an American flag reading “Farmers First,” and it has been one of two of his machines to break down, requiring long waits before servicers arrived to enter a few lines of computer code, or make a fix that Wood could have made himself.As the signing ceremony ended, Gov. Polis and Rep. Brianna Titone, who ran the bill in the state House, climbed inside the tractor for a photo as the ceremony ended.Great job, Rep. Titone! Huge win for this up-and-coming legislator. When I first saw her speak announcing her initial candidacy in 2017, I didn't know what to expect. Honestly, I didn't expect a lot, and I didn't particularly expect her to even win. And then, winning that seat was just the first of many instances where I've seen her demonstrate a level of depth, grit, and smarts that rival any of her peers. Great job Rep. Titone, you rock. CONCERT PICK OF THE WEEK: Violent Femmes - performing their self-titled album - Levitt Pavilion in Denver on Sunday May 21. The cult favorite folk punk band from Milwaukee is celebrating 40 years since the release of their first album in 1983. More info at vfemmes.comWelp, that's it for me! From Denver I'm Sean Diller. Original reporting for the stories in today's show comes from Colorado Newsline, Arizona Mirror, Denver Post, Associated Press and Denver's Westword.Thank you for listening! See you next time.

Stacy Bohlen and Darby Galligher of the NIHB share insights into this thriving organization and its far-reaching partnerships throughout Indian Country. For further information, please visit www.NIHB.org

Colin G. Calloway, the John Kimball, Jr. 1943 Professor of History and a professor of Native American Studies at Dartmouth College has led the study of Indigenous Americans.  He has written more than a dozen books, including The American Revolution in Indian Country (1995) and The Chiefs Now in This City (2021) on Native Americans and early American urbanization.  His 2018 The Indian World of George Washington was a finalist for the National Book Award, and received Mount Vernon's  George Washington Prize.  Join us for a conversation about Native Americans and the Revolution. 

Before 1492, hundreds of Indigenous communities across North America included people who identified as neither male nor female, but both. They went by aakíí'skassi, miati, okitcitakwe, or one of the hundreds of other tribal-specific identities. After European colonizers invaded Indian Country, centuries of violence and systematic persecution followed, imperiling the existence of people who today call themselves Two-Spirits, an umbrella term denoting feminine and masculine qualities in one person. Despite centuries of colonialism, the Two-Spirit people are reclaiming their place in Native nations. Gregory D. Smithers's book, Reclaiming Two-Spirits, seeks to decolonize the history of gender and sexuality in Native North America. It honors the generations of Indigenous people who had the foresight to take essential aspects of their cultural life and spiritual beliefs underground to preserve their stories. Drawing on written sources, archaeological evidence, art, and oral storytelling, Reclaiming Two-Spirits spans the centuries from the Spanish invasion to the present, tracing massacres and inquisitions and revealing how the authors of colonialism's written archives used language to both denigrate and erase Two-Spirit people from history. But as Gregory Smithers shows, the colonizers failed — and Indigenous resistance is core to this story. Reclaiming Two-Spirits amplifies their voices, reconnecting their history to Native nations in the 21st century. Gregory D. Smithers is a professor of American history and Eminent Scholar at Virginia Commonwealth University and a British Academy Global Professor at the University of Hull in England. His research focuses on Cherokee and Southeastern Indigenous history, as well as gender, sexuality, racial, and environmental history. His books include Native Southerners: Indigenous History from Origins to Removal and The Cherokee Diaspora: An Indigenous History of Migration, Resettlement, and Identity. Follow him at gregorysmithers.com and on Twitter (@GD_Smithers). Hailey Tayathy is an enrolled member of the Quileute Tribe, a visual artist and Seattle's premier Coast Salish drag queen. They are a founding member of the Indigenize Productions artist collective and organizer of the Indigiqueer Festival. Tayathy uses their queer Native experiences to inform their unique brand of drag. They aim to bring healing to Indigenous communities and to show everyone that Indigiqueers are still here and are stronger and more beautiful than colonizer minds can imagine.  Reclaiming Two-Spirits: Sexuality, Spiritual Renewal & Sovereignty in Native America Third Place Books

05/12/23: Mac Schneider is the United States Attorney for the District of North Dakota. He joins Joel Heitkamp in the KFGO studio to talk about five new Assistant United States Attorneys in North Dakota, three of which are heading to Indian Country. See omnystudio.com/listener for privacy information.

Weeks of violence between the Sudanese army and a powerful paramilitary group in Sudan has triggered an urgent humanitarian crisis and devastated the country's economy. One listener called to ask how the conflict might impact the global economy. We'll get into it and answer more of your questions about the U.S. treasurer’s job and how Netflix might dispose of its enormous DVD inventory. Plus, why the end of the helium shortage is still up in the air. Here’s everything we talked about today: “As Sudan’s conflict continues into its second week, here’s what to know” from NPR “Sudan conflict deals new blow to stagnant economy” from Reuters “Analysis: UAE, Egypt closer to different sides in Sudan conflict” from Al Jazeera “If Sudan's Conflict Spreads to Chad, the Whole Sahel Is at Risk” from Foreign Policy “What the new U.S. Treasurer could mean for Indian Country” from Marketplace “History of the Treasury” from the U.S. Department of the Treasury “Um … what’s a DVD again?” from Marketplace “Netflix Will End Its DVD Service, 5.2 Billion Discs Later” from The New York Times “Redbox wants to save Netflix's DVD business” from The Verge “Helium’s been rising — in price — and it’s bringing businesses down” from Marketplace “Helium shortage 4.0 – Continuing uncertainty in the market” from Gasworld “With helium in short supply, scientists are worried” from Marketplace If you've got a question about business, tech or the economy, give us a shout. We're at 508-U-B-SMART, or email us at makemesmart@marketplace.org.

Weeks of violence between the Sudanese army and a powerful paramilitary group in Sudan has triggered an urgent humanitarian crisis and devastated the country's economy. One listener called to ask how the conflict might impact the global economy. We'll get into it and answer more of your questions about the U.S. treasurer’s job and how Netflix might dispose of its enormous DVD inventory. Plus, why the end of the helium shortage is still up in the air. Here’s everything we talked about today: “As Sudan’s conflict continues into its second week, here’s what to know” from NPR “Sudan conflict deals new blow to stagnant economy” from Reuters “Analysis: UAE, Egypt closer to different sides in Sudan conflict” from Al Jazeera “If Sudan's Conflict Spreads to Chad, the Whole Sahel Is at Risk” from Foreign Policy “What the new U.S. Treasurer could mean for Indian Country” from Marketplace “History of the Treasury” from the U.S. Department of the Treasury “Um … what’s a DVD again?” from Marketplace “Netflix Will End Its DVD Service, 5.2 Billion Discs Later” from The New York Times “Redbox wants to save Netflix's DVD business” from The Verge “Helium’s been rising — in price — and it’s bringing businesses down” from Marketplace “Helium shortage 4.0 – Continuing uncertainty in the market” from Gasworld “With helium in short supply, scientists are worried” from Marketplace If you've got a question about business, tech or the economy, give us a shout. We're at 508-U-B-SMART, or email us at makemesmart@marketplace.org.

How can Native American communities includes access to reliable, affordable internet in Indian Country? In today's episode, join Ouista Atkins, the Training and Development Coordinator for the Seminole Tribe of Florida's Native Learning Center, Davida Delmar, Digital Inclusion Manager for AMERIND Critical Infrastructure, as we discuss bridging the “Digital Divide” in Indian Country which includes access to reliable, affordable internet. Also, we'll discuss how essential it is for Native Americans in Indian Country to have access to appropriate devices and access to digital education in an effort to help them engage in online opportunities such as telehealth, education, job opportunities, and so much more. Learn more about what digital inclusion efforts are gaining momentum in today's Tribal communities.

***It's 2023 Call to Action Week for MMIW and we need your support in seeking justice for our stolen EBCI sister - Marie Walkingstick Pheasant***Please join us in writing a letter to the Federal Bureau of Investigations calling for further investigation into Marie Walkingstick Pheasant's death. Below you will find a prompt you can use and the address to send the letter to.Federal Bureau of Investigations 151 Patton Avenue, Suite # 211Asheville, NC 28801 To the Federal Bureau of Investigation, I am writing today to demand justice for Marie Walkingstick Pheasant. On December 31st, 2013 the remains found inside of a vehicle found burning in the Big Cove Community of the Cherokee Boundary were identified as Marie Walkingstick Pheasant.  The Cherokee Indian Police Department (CIPD) initiated the investigation into Marie's death identifying that foul play was a factor. Shortly after Marie's body was found the Federal Bureau of Investigations (FBI) became involved in the case. Despite the fact that the Supreme Court and Congress have tangled a web of confusion regarding jurisdiction in Indian Country, it does not justify the lack of concern for a native woman's murder. Marie's loved ones provided relevant background information to the FBI about her personal relationships and are adamant that someone in their own community may be responsible for her death. However, her case remains unsolved. Marie's murder was a violent act and the person responsible for committing this heinous crime deserves to face justice. Marie is more than just a headline that reads “body found in burning vehicle” and more than just the obituary that reads of her loved ones who she left behind. She was a loving mother, a sister and daughter, a cousin to many, someone with a great native sense of humor and someone who loved wholeheartedly. Marie was and is our EBCI sister and she deserves justice. When a tribal citizen living on a reservation is murdered, the FBI has a duty and responsibility to properly investigate. Now, 10 years after Marie was murdered her case lies idly in the hands of the FBI. I respectfully demand that you take her murder seriously and investigate Marie's case with the proper resources and attention it deserves.Respectfully, [INSERT SIGNATURE] 

Fay Yarbrough, author of "Choctaw Confederates: The American Civil War in Indian Country"

Fay Yarbrough, author of Choctaw Confederates: The American Civil War in Indian Country

In this season 3 kickoff episode we welcome back Aaron with an investigation into some of our past discussions.Since his absence in the past four months we have had a chance to review past episode to find opportunities to dive deeper into unresolved matters. Specifically we reintroduce the idea that criticism in Indian Country should not stray into dogmatism. This launches us into further discussions into whether tribal understanding can hold multiple truths. An interesting divergence is made into a discussion on similarities that may be found in the non-overlapping magisteria view described by Steven Jay Gould in 1997. The episode continues by touching in the apparent uniformity characteristics of tribal people.  The conversation centers on the idea of a common belief in light of religious and other assimilative forces working to erode tradition and norms.  The discussion remains unfinished as we tackle the notion that rituals ought to evolve The questions remains as to why some disappear while others change form.  Support the show

Chad Hamill/ čnaq'ymi (Music BFA 93; MFA 97 ) is the Executive Director for Indigenous Arts and Expression and Senior Advisor to the President on Indigenous Affairs at CalArts. During the 2021-22 academic year, Chad was named the inaugural CalArts Presidential IDEA Fellow. Chad led the effort to establish a partnership between CalArts and the Institute for American Indian Arts (IAIA). He has also developed and taught the first Indigenous Studies and Native arts course in CalArts history, as well as organized numerous cultural events across the CalArts community.Chad previously served as chair of the Department of Applied Indigenous Studies and Vice President of Native American Initiatives at Northern Arizona University (NAU) in Flagstaff. While at NAU, where he began teaching in 2007, Chad led innovative and impactful initiatives focused on a variety of areas, including tribal leadership, K-12 engagement with Native-serving schools, global Indigenous partnerships, wifi infrastructure on Native lands, and environmental sustainability in Indian Country. Chad received his BFA in World Music Performance and his MFA in North Indian Classical Music from CalArts and went on to earn his PhD in ethnomusicology from the University of Colorado.A descendant of the Spokane Tribe of Indians, Chad is the co-founder of the Spokane Language House, a nonprofit tribal organization focused on language revitalization. Chad's research and publications focus on music and sovereignty, music and spirituality, Indigenous ecological knowledge, performative scholarship, and the Indigenization / decolonization of academic structures. His book, Songs of Power and Prayer in the Columbia Plateau (OSU Press), explores song as a vehicle for spiritual power among tribes of the interior Northwest. Chad continues to write, record, and perform musical works centered on Spokane ways of knowing and being in the world.Learn moreTo learn more about Chad Hamill's music and scholarship, and to listen to his music and watch him perform, visit motherearthsongs.com.Learn more about qey's (Dream) Scholarship for Indigenous Artists, established by Chad, which provides full tuition support for students at CalArts.Learn more about Inclusion, Diversity, Equity and Access (IDEA) at CalArts.Learn more about CalArts' Land Acknowledgment.Beyond the Blue Wall's original theme music was composed and performed by 2020 Music alumnx, Socks Whitmore. You can learn more about Socks at sockswhitmore.com

It seemed important to share some of the behind the scenes conversations for this series. As a white woman reporting on Indian Country, Melodie always knew she would need extra guidance putting this season together. So she's been regularly sitting down to talk with Oglala Lakota member and Native American historian Jeff Means to discuss best practices.

The question of whether Indian Country and the United States should be viewed as separate entities or as one unified country has been a topic of debate for decades. Given the history of colonization, genocide, and ongoing oppression faced by Indigenous peoples in the United States, tribes have argued that they should be recognized as true sovereign nations, separate and distinct from the U.S.On the other hand, some argue that the idea of a "united" America is paramount and that recognizing that separate individual "Nations within a Nation" would be a threat to national unity and security. In this podcast, we will offer perspective on how the complex history and ongoing struggles faced by Indigenous peoples in the United States are largely ignored by elected politicians who (in some cases) come from within our tribal communities.Also...Recently, the Keep America Beautiful organization announced the release of all rights to its "Crying Indian" ad campaign made famous in the 1970s. We ask... why now?And...The first Native American to command a space mission has returned from a six month trip to the International Space Station. We welcome her, and the space X Dragon crew back to earth.The Native Opinion Podcast is Hosted by Michael Kickingbear (Mashantucket Pequot) and David Grey Owl (Eastern Band of Cherokee Indians.) Learn more about the hosts here.Research and Website resources from this episode:One America? (1st Segment)Markwayne Mullin Goes Nuclear On Labor Leader In Fiery Hearing On Unions (VIDEO)Can UPS drivers make 100k?Ups Feeder Driver Salary (According to Zip Recruiter)What Does a UPS Feeder Driver Do?'Class War' Erupts at Hearing as Union Leader and GOP Senator Exchange Verbal BlowsTEAMSTER OFFICER SALARY REPORT (2019)Interview With Mark-Wayne Mullin (VIDEO: The Oklahoma News Report)Carol Tome, CEO, United Parcel Service, Inc. (UPS) Total Compensation for Fiscal Year Ending in 2021: $27,620,893. (Source: AFLCIO)UPS CEO addresses dangerous heat inside trucks and contentious weekend deliveries as a driver strike threatens to upend millions of deliveriesMarkwayne Mullin to replace Jim Inhofe in U.S. Senate (VIDEO)Mullin's and Hern's net worth jump with sale of businessesNative News Today's Jason Salsman visits with US Congressman and Cherokee citizen Markwayne Mullin VIDEO (Produced by Mvskoke Media)Report: Markwayne Mullin earned $600,000-plus in outside income against House rulesKeep America Beautiful organization announced the release of all rights to its "Crying Indian"National Congress of American Indians Aquires Rights Retires “Crying Indian”National Congress of American Indians Press ReleaseExample of one of the "Crying Indian" ad spots. VIDEOWelcome home Commander Nicole Aunapu Mann, First Native American Woman in Space First Native American Woman in Space VIDEOFirst Native American woman to fly in space returns to Earth‘That was one heck of a ride,' said NASA astronaut Nicole Mann after landing into the Gulf of Mexico

Mary Belle Zook, communications director for the Indigenous Food and Agricultural Initiative, brings together her skills, passions, agricultural background and Tribal heritage each day to help Native farmers and producers.

In the first half-hour, “First Voices Radio” Correspondent Anne Keala Kelly (Kanaka Maoli) talks with Shannon O'Loughlin (Choctaw Nation of Oklahoma), CEO and attorney for the Association on American Indian Affairs. The Association has been tracking domestic and international auctions selling sensitive American Indian, Alaska Native and Native Hawaiian cultural heritage since 2018. Bonhams Skinner, a large global auction house, has been hosting a 10-day American Indian and Tribal Art online auction this month. The Association has major concerns about the chain of title, as well as the authenticity, of many of the items in this auction. Shannon has been practicing law for more than 22 years and is a lecturer at Johns Hopkins University. She has served Indian Country in the private sector as an attorney, leading a large national firm's Indian law practice that worked to strengthen, maintain and protect Indian nation sovereignty, self-determination and culture. More information at: https://www.indian-affairs.org/  In the second half-hour, Tiokasin catches up with returning guest Stephany Seay. Stephany is Co-Founder and Board President of Roam Free Nation. She has been working in service to the last wild buffalo for more than 20 years. Stephany learned about the continued war against wild buffalo in 1996 and has been advocating for them ever since. In response to their struggle, she moved to Montana on New Year's Day 2004, where she became the media coordinator for Buffalo Field Campaign, from which she parted ways after 18 years of service over philosophical differences. Stephany has nearly 20 years of experience standing with the buffalo and is an avid wildlife photographer, backcountry skier and horsewoman. She is a member of Deep Green Resistance. Stephany trusts that the buffalo have called us not just to help defend them, but to help us save us from ourselves from the unsustainable and selfish creation of industrial civilization. More information at: https://roamfreenation.org/ Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Anne Keala Kelly (Kanaka Maoli), Correspondent Malcolm Burn, Studio Engineer, Radio Kingston, WKNY 1490 AM and 107.9 FM, Kingston, NY Tiokasin Ghosthorse, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) (00:00:22) 2. Song Title: Great Divide Artist: Eagle & Hawk Album: Liberty (2019) Label: Rising Sun Productions, Inc., Winnipeg, Manitoba (00:29:20; 00:54:50) AKANTU INSTITUTE Visit Akantu Institute, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuinstitute.org/ to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse.