Podcasts about decolonial citizenship black women

What do werewolves, enslaved women and immortal beings have in common? And how can they shed light on contemporary questions of ableism and police brutality? In Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women's Speculative Fiction (Duke University Press, 2018), Sami Schalk argues that black women's speculative fiction changes the rules of literary and textual interpretation by opening up productive spaces of conversation at the intersection of (dis)ability, race and gender. Schalk undertakes a close reading of a variety of genres of speculative fiction including science fiction and neo-slave narratives by authors such as Octavia Butler, Nalo Hopkinson and N.K. Jemisin. Her book shows the range of black women authors' exploration and critique of marginalizing social and political structures and their visions for more just, equitable futures. Sami Schalk is an Assistant Professor of Gender & Women's Studies at University of Wisconsin-Madison. Her interdisciplinary research focuses broadly on disability, race, and gender in contemporary American literature and culture, especially African American literature, speculative fiction, and women's literature. She has published on literature, film, and material culture in a variety of peer-reviewed humanities journals. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women's Narratives of Resistance in the Francophone World examines Caribbean and African women's literary and political contributions to anti-colonial movements.  Learn more about your ad choices. Visit megaphone.fm/adchoices

What do werewolves, enslaved women and immortal beings have in common? And how can they shed light on contemporary questions of ableism and police brutality? In Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction (Duke University Press, 2018), Sami Schalk argues that black women’s speculative fiction changes the rules of literary and textual interpretation by opening up productive spaces of conversation at the intersection of (dis)ability, race and gender. Schalk undertakes a close reading of a variety of genres of speculative fiction including science fiction and neo-slave narratives by authors such as Octavia Butler, Nalo Hopkinson and N.K. Jemisin. Her book shows the range of black women authors’ exploration and critique of marginalizing social and political structures and their visions for more just, equitable futures. Sami Schalk is an Assistant Professor of Gender & Women’s Studies at University of Wisconsin-Madison. Her interdisciplinary research focuses broadly on disability, race, and gender in contemporary American literature and culture, especially African American literature, speculative fiction, and women’s literature. She has published on literature, film, and material culture in a variety of peer-reviewed humanities journals. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements.  Learn more about your ad choices. Visit megaphone.fm/adchoices

What do werewolves, enslaved women and immortal beings have in common? And how can they shed light on contemporary questions of ableism and police brutality? In Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction (Duke University Press, 2018), Sami Schalk argues that black women’s speculative fiction changes the rules of literary and textual interpretation by opening up productive spaces of conversation at the intersection of (dis)ability, race and gender. Schalk undertakes a close reading of a variety of genres of speculative fiction including science fiction and neo-slave narratives by authors such as Octavia Butler, Nalo Hopkinson and N.K. Jemisin. Her book shows the range of black women authors’ exploration and critique of marginalizing social and political structures and their visions for more just, equitable futures. Sami Schalk is an Assistant Professor of Gender & Women’s Studies at University of Wisconsin-Madison. Her interdisciplinary research focuses broadly on disability, race, and gender in contemporary American literature and culture, especially African American literature, speculative fiction, and women’s literature. She has published on literature, film, and material culture in a variety of peer-reviewed humanities journals. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements.  Learn more about your ad choices. Visit megaphone.fm/adchoices

What do werewolves, enslaved women and immortal beings have in common? And how can they shed light on contemporary questions of ableism and police brutality? In Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction (Duke University Press, 2018), Sami Schalk argues that black women’s speculative fiction changes the rules of literary and textual interpretation by opening up productive spaces of conversation at the intersection of (dis)ability, race and gender. Schalk undertakes a close reading of a variety of genres of speculative fiction including science fiction and neo-slave narratives by authors such as Octavia Butler, Nalo Hopkinson and N.K. Jemisin. Her book shows the range of black women authors’ exploration and critique of marginalizing social and political structures and their visions for more just, equitable futures. Sami Schalk is an Assistant Professor of Gender & Women’s Studies at University of Wisconsin-Madison. Her interdisciplinary research focuses broadly on disability, race, and gender in contemporary American literature and culture, especially African American literature, speculative fiction, and women’s literature. She has published on literature, film, and material culture in a variety of peer-reviewed humanities journals. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements.  Learn more about your ad choices. Visit megaphone.fm/adchoices

What do werewolves, enslaved women and immortal beings have in common? And how can they shed light on contemporary questions of ableism and police brutality? In Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women's Speculative Fiction (Duke University Press, 2018), Sami Schalk argues that black women's speculative fiction changes the rules of literary and textual interpretation by opening up productive spaces of conversation at the intersection of (dis)ability, race and gender. Schalk undertakes a close reading of a variety of genres of speculative fiction including science fiction and neo-slave narratives by authors such as Octavia Butler, Nalo Hopkinson and N.K. Jemisin. Her book shows the range of black women authors' exploration and critique of marginalizing social and political structures and their visions for more just, equitable futures. Sami Schalk is an Assistant Professor of Gender & Women's Studies at University of Wisconsin-Madison. Her interdisciplinary research focuses broadly on disability, race, and gender in contemporary American literature and culture, especially African American literature, speculative fiction, and women's literature. She has published on literature, film, and material culture in a variety of peer-reviewed humanities journals. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women's Narratives of Resistance in the Francophone World examines Caribbean and African women's literary and political contributions to anti-colonial movements.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Frances Ellen Watkins Harper's nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper's writings and highlighting her important contributions to African American literature and history. Koritha Mitchell's new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper's life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell's foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell's website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women's Resistance in the Francophone World, examines Caribbean and African women's literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper’s writings and highlighting her important contributions to African American literature and history. Koritha Mitchell’s new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper’s life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell’s foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell’s website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper’s writings and highlighting her important contributions to African American literature and history. Koritha Mitchell’s new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper’s life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell’s foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell’s website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper’s writings and highlighting her important contributions to African American literature and history. Koritha Mitchell’s new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper’s life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell’s foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell’s website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frances Ellen Watkins Harper's nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper's writings and highlighting her important contributions to African American literature and history. Koritha Mitchell's new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper's life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell's foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell's website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women's Resistance in the Francophone World, examines Caribbean and African women's literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What do gingerbread houses in Haiti teach us about the construction of identity in the French Caribbean? How do hurricanes and earthquakes reveal the connections between the tangible built environment and intangible notions of identity? Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean (Liverpool University Press, 2017) examines these questions in a rich body of works from Haiti, Guadeloupe and Martinique. The book proposes two key concepts to aid in our understanding of Caribbean writers’ construction of identity in their literary works. The term “architexture” asks readers to be attentive to the building blocks of the text and the inner workings of literary works that reflect on themselves and reach out beyond their own pages to be in conversation with other writers, other texts, other stories. Authenticity underscores the ever-present specter of the colonial past and the possibilities for drawing on multiple influences (or in Herbeck’s terminology, using multiple building materials) to construct a unique and original Caribbean identity. Drawing on a range of writers including Maryse Conde, Daniel Maximin and Yanick Lahens, this book steps back from a narrow view of the finished edifice and takes in the scaffolding and mortar that holds these narratives together. Jason Herbeck is Professor of French at Boise State University. His research focuses primarily on evolving narrative forms in twentieth and twenty-first-century French and French-Caribbean literatures, and how these forms relate to expressions and constructions of identity. In addition to many articles and book chapters devoted to the literatures and histories of Haiti, Martinique and Guadeloupe, he has also published widely on Albert Camus and is, since 2009, President of the North American Section of the Societe des Etudes Camusiennes. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do gingerbread houses in Haiti teach us about the construction of identity in the French Caribbean? How do hurricanes and earthquakes reveal the connections between the tangible built environment and intangible notions of identity? Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean (Liverpool University Press, 2017) examines these questions in a rich body of works from Haiti, Guadeloupe and Martinique. The book proposes two key concepts to aid in our understanding of Caribbean writers’ construction of identity in their literary works. The term “architexture” asks readers to be attentive to the building blocks of the text and the inner workings of literary works that reflect on themselves and reach out beyond their own pages to be in conversation with other writers, other texts, other stories. Authenticity underscores the ever-present specter of the colonial past and the possibilities for drawing on multiple influences (or in Herbeck’s terminology, using multiple building materials) to construct a unique and original Caribbean identity. Drawing on a range of writers including Maryse Conde, Daniel Maximin and Yanick Lahens, this book steps back from a narrow view of the finished edifice and takes in the scaffolding and mortar that holds these narratives together. Jason Herbeck is Professor of French at Boise State University. His research focuses primarily on evolving narrative forms in twentieth and twenty-first-century French and French-Caribbean literatures, and how these forms relate to expressions and constructions of identity. In addition to many articles and book chapters devoted to the literatures and histories of Haiti, Martinique and Guadeloupe, he has also published widely on Albert Camus and is, since 2009, President of the North American Section of the Societe des Etudes Camusiennes. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do gingerbread houses in Haiti teach us about the construction of identity in the French Caribbean? How do hurricanes and earthquakes reveal the connections between the tangible built environment and intangible notions of identity? Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean (Liverpool University Press, 2017) examines these questions in a rich body of works from Haiti, Guadeloupe and Martinique. The book proposes two key concepts to aid in our understanding of Caribbean writers’ construction of identity in their literary works. The term “architexture” asks readers to be attentive to the building blocks of the text and the inner workings of literary works that reflect on themselves and reach out beyond their own pages to be in conversation with other writers, other texts, other stories. Authenticity underscores the ever-present specter of the colonial past and the possibilities for drawing on multiple influences (or in Herbeck’s terminology, using multiple building materials) to construct a unique and original Caribbean identity. Drawing on a range of writers including Maryse Conde, Daniel Maximin and Yanick Lahens, this book steps back from a narrow view of the finished edifice and takes in the scaffolding and mortar that holds these narratives together. Jason Herbeck is Professor of French at Boise State University. His research focuses primarily on evolving narrative forms in twentieth and twenty-first-century French and French-Caribbean literatures, and how these forms relate to expressions and constructions of identity. In addition to many articles and book chapters devoted to the literatures and histories of Haiti, Martinique and Guadeloupe, he has also published widely on Albert Camus and is, since 2009, President of the North American Section of the Societe des Etudes Camusiennes. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do gingerbread houses in Haiti teach us about the construction of identity in the French Caribbean? How do hurricanes and earthquakes reveal the connections between the tangible built environment and intangible notions of identity? Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean (Liverpool University Press, 2017) examines these questions in a rich body of works from Haiti, Guadeloupe and Martinique. The book proposes two key concepts to aid in our understanding of Caribbean writers’ construction of identity in their literary works. The term “architexture” asks readers to be attentive to the building blocks of the text and the inner workings of literary works that reflect on themselves and reach out beyond their own pages to be in conversation with other writers, other texts, other stories. Authenticity underscores the ever-present specter of the colonial past and the possibilities for drawing on multiple influences (or in Herbeck’s terminology, using multiple building materials) to construct a unique and original Caribbean identity. Drawing on a range of writers including Maryse Conde, Daniel Maximin and Yanick Lahens, this book steps back from a narrow view of the finished edifice and takes in the scaffolding and mortar that holds these narratives together. Jason Herbeck is Professor of French at Boise State University. His research focuses primarily on evolving narrative forms in twentieth and twenty-first-century French and French-Caribbean literatures, and how these forms relate to expressions and constructions of identity. In addition to many articles and book chapters devoted to the literatures and histories of Haiti, Martinique and Guadeloupe, he has also published widely on Albert Camus and is, since 2009, President of the North American Section of the Societe des Etudes Camusiennes. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1931 and 1933, French writer Michel Leiris participated in a state-sponsored expedition to document the cultural practices of people in west and east Africa. The Mission Dakar-Djibouti employed some questionable, unethical methods to dispossess African communities of their cultural and religious artifacts and artwork. In his capacity as secretary-archivist, Leiris recorded the events, actions and observations of the mission in great detail, in a daily journal that would become L’Afrique fantome. Leiris was both critical of and to an extent complicit in the exploitative encounter between French ethnographers and the colonized people they sought to study. His journal reveals the tensions between Europe’s claims about the superiority of its civilization and the violence and barbarity of colonialism on the ground. It also bears witness to the process by which some of the holdings in the Quai Branly museum in Paris today, were taken as booty (or in Leiris’ words, “butin”) from the African continent in the early twentieth century. Brent Edward’s Phantom Africa (Seagull Books, 2017) makes L’Afrique fantome available to English-speaking readers in its entirety for the first time. This translation presents an important and invaluable archive that documents the makings of ethnography as a field of study, as well its imbrication with colonial conquest and imperialism. In a thoughtful introduction that examines the historical context of Leiris’ journey, his personal motivations, his use of language, his triumphs and frustrations, Edwards clearly lays out the importance of this text for readers interested in anthropology, literary studies and the history of colonial encounters. Brent Hayes Edwards was awarded a 2012 PEN/Heim Translation Fund Grant for Phantom Africa. He is also the author of Epistrophies: Jazz and the Literary Imagination (Harvard University Press, 2017) and The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism (Harvard University Press, 2003), which was awarded the John Hope Franklin Prize of the American Studies Association, the Gilbert Chinard prize of the Society for French Historical Studies, and runner-up for the James Russell Lowell Prize of the Modern Language Association. With Robert G. OMeally and Farah Jasmine Griffin, he co-edited the collection Uptown Conversation: The New Jazz Studies (Columbia University Press, 2004). His research and teaching focus on topics including African American literature, Francophone literature, theories of the African diaspora, translation studies, archive theory, black radical historiography, cultural politics in Paris in the 1920s and 1930s, surrealism, experimental poetics, and jazz. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1931 and 1933, French writer Michel Leiris participated in a state-sponsored expedition to document the cultural practices of people in west and east Africa. The Mission Dakar-Djibouti employed some questionable, unethical methods to dispossess African communities of their cultural and religious artifacts and artwork. In his capacity as secretary-archivist, Leiris recorded the events, actions and observations of the mission in great detail, in a daily journal that would become L’Afrique fantome. Leiris was both critical of and to an extent complicit in the exploitative encounter between French ethnographers and the colonized people they sought to study. His journal reveals the tensions between Europe’s claims about the superiority of its civilization and the violence and barbarity of colonialism on the ground. It also bears witness to the process by which some of the holdings in the Quai Branly museum in Paris today, were taken as booty (or in Leiris’ words, “butin”) from the African continent in the early twentieth century. Brent Edward’s Phantom Africa (Seagull Books, 2017) makes L’Afrique fantome available to English-speaking readers in its entirety for the first time. This translation presents an important and invaluable archive that documents the makings of ethnography as a field of study, as well its imbrication with colonial conquest and imperialism. In a thoughtful introduction that examines the historical context of Leiris’ journey, his personal motivations, his use of language, his triumphs and frustrations, Edwards clearly lays out the importance of this text for readers interested in anthropology, literary studies and the history of colonial encounters. Brent Hayes Edwards was awarded a 2012 PEN/Heim Translation Fund Grant for Phantom Africa. He is also the author of Epistrophies: Jazz and the Literary Imagination (Harvard University Press, 2017) and The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism (Harvard University Press, 2003), which was awarded the John Hope Franklin Prize of the American Studies Association, the Gilbert Chinard prize of the Society for French Historical Studies, and runner-up for the James Russell Lowell Prize of the Modern Language Association. With Robert G. OMeally and Farah Jasmine Griffin, he co-edited the collection Uptown Conversation: The New Jazz Studies (Columbia University Press, 2004). His research and teaching focus on topics including African American literature, Francophone literature, theories of the African diaspora, translation studies, archive theory, black radical historiography, cultural politics in Paris in the 1920s and 1930s, surrealism, experimental poetics, and jazz. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1931 and 1933, French writer Michel Leiris participated in a state-sponsored expedition to document the cultural practices of people in west and east Africa. The Mission Dakar-Djibouti employed some questionable, unethical methods to dispossess African communities of their cultural and religious artifacts and artwork. In his capacity as secretary-archivist, Leiris recorded the events, actions and observations of the mission in great detail, in a daily journal that would become L’Afrique fantome. Leiris was both critical of and to an extent complicit in the exploitative encounter between French ethnographers and the colonized people they sought to study. His journal reveals the tensions between Europe’s claims about the superiority of its civilization and the violence and barbarity of colonialism on the ground. It also bears witness to the process by which some of the holdings in the Quai Branly museum in Paris today, were taken as booty (or in Leiris’ words, “butin”) from the African continent in the early twentieth century. Brent Edward’s Phantom Africa (Seagull Books, 2017) makes L’Afrique fantome available to English-speaking readers in its entirety for the first time. This translation presents an important and invaluable archive that documents the makings of ethnography as a field of study, as well its imbrication with colonial conquest and imperialism. In a thoughtful introduction that examines the historical context of Leiris’ journey, his personal motivations, his use of language, his triumphs and frustrations, Edwards clearly lays out the importance of this text for readers interested in anthropology, literary studies and the history of colonial encounters. Brent Hayes Edwards was awarded a 2012 PEN/Heim Translation Fund Grant for Phantom Africa. He is also the author of Epistrophies: Jazz and the Literary Imagination (Harvard University Press, 2017) and The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism (Harvard University Press, 2003), which was awarded the John Hope Franklin Prize of the American Studies Association, the Gilbert Chinard prize of the Society for French Historical Studies, and runner-up for the James Russell Lowell Prize of the Modern Language Association. With Robert G. OMeally and Farah Jasmine Griffin, he co-edited the collection Uptown Conversation: The New Jazz Studies (Columbia University Press, 2004). His research and teaching focus on topics including African American literature, Francophone literature, theories of the African diaspora, translation studies, archive theory, black radical historiography, cultural politics in Paris in the 1920s and 1930s, surrealism, experimental poetics, and jazz. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1931 and 1933, French writer Michel Leiris participated in a state-sponsored expedition to document the cultural practices of people in west and east Africa. The Mission Dakar-Djibouti employed some questionable, unethical methods to dispossess African communities of their cultural and religious artifacts and artwork. In his capacity as secretary-archivist, Leiris recorded the events, actions and observations of the mission in great detail, in a daily journal that would become L’Afrique fantome. Leiris was both critical of and to an extent complicit in the exploitative encounter between French ethnographers and the colonized people they sought to study. His journal reveals the tensions between Europe’s claims about the superiority of its civilization and the violence and barbarity of colonialism on the ground. It also bears witness to the process by which some of the holdings in the Quai Branly museum in Paris today, were taken as booty (or in Leiris’ words, “butin”) from the African continent in the early twentieth century. Brent Edward’s Phantom Africa (Seagull Books, 2017) makes L’Afrique fantome available to English-speaking readers in its entirety for the first time. This translation presents an important and invaluable archive that documents the makings of ethnography as a field of study, as well its imbrication with colonial conquest and imperialism. In a thoughtful introduction that examines the historical context of Leiris’ journey, his personal motivations, his use of language, his triumphs and frustrations, Edwards clearly lays out the importance of this text for readers interested in anthropology, literary studies and the history of colonial encounters. Brent Hayes Edwards was awarded a 2012 PEN/Heim Translation Fund Grant for Phantom Africa. He is also the author of Epistrophies: Jazz and the Literary Imagination (Harvard University Press, 2017) and The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism (Harvard University Press, 2003), which was awarded the John Hope Franklin Prize of the American Studies Association, the Gilbert Chinard prize of the Society for French Historical Studies, and runner-up for the James Russell Lowell Prize of the Modern Language Association. With Robert G. OMeally and Farah Jasmine Griffin, he co-edited the collection Uptown Conversation: The New Jazz Studies (Columbia University Press, 2004). His research and teaching focus on topics including African American literature, Francophone literature, theories of the African diaspora, translation studies, archive theory, black radical historiography, cultural politics in Paris in the 1920s and 1930s, surrealism, experimental poetics, and jazz. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1931 and 1933, French writer Michel Leiris participated in a state-sponsored expedition to document the cultural practices of people in west and east Africa. The Mission Dakar-Djibouti employed some questionable, unethical methods to dispossess African communities of their cultural and religious artifacts and artwork. In his capacity as secretary-archivist, Leiris recorded the events, actions and observations of the mission in great detail, in a daily journal that would become L’Afrique fantome. Leiris was both critical of and to an extent complicit in the exploitative encounter between French ethnographers and the colonized people they sought to study. His journal reveals the tensions between Europe’s claims about the superiority of its civilization and the violence and barbarity of colonialism on the ground. It also bears witness to the process by which some of the holdings in the Quai Branly museum in Paris today, were taken as booty (or in Leiris’ words, “butin”) from the African continent in the early twentieth century. Brent Edward’s Phantom Africa (Seagull Books, 2017) makes L’Afrique fantome available to English-speaking readers in its entirety for the first time. This translation presents an important and invaluable archive that documents the makings of ethnography as a field of study, as well its imbrication with colonial conquest and imperialism. In a thoughtful introduction that examines the historical context of Leiris’ journey, his personal motivations, his use of language, his triumphs and frustrations, Edwards clearly lays out the importance of this text for readers interested in anthropology, literary studies and the history of colonial encounters. Brent Hayes Edwards was awarded a 2012 PEN/Heim Translation Fund Grant for Phantom Africa. He is also the author of Epistrophies: Jazz and the Literary Imagination (Harvard University Press, 2017) and The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism (Harvard University Press, 2003), which was awarded the John Hope Franklin Prize of the American Studies Association, the Gilbert Chinard prize of the Society for French Historical Studies, and runner-up for the James Russell Lowell Prize of the Modern Language Association. With Robert G. OMeally and Farah Jasmine Griffin, he co-edited the collection Uptown Conversation: The New Jazz Studies (Columbia University Press, 2004). His research and teaching focus on topics including African American literature, Francophone literature, theories of the African diaspora, translation studies, archive theory, black radical historiography, cultural politics in Paris in the 1920s and 1930s, surrealism, experimental poetics, and jazz. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1931 and 1933, French writer Michel Leiris participated in a state-sponsored expedition to document the cultural practices of people in west and east Africa. The Mission Dakar-Djibouti employed some questionable, unethical methods to dispossess African communities of their cultural and religious artifacts and artwork. In his capacity as secretary-archivist, Leiris recorded the events, actions and observations of the mission in great detail, in a daily journal that would become L’Afrique fantome. Leiris was both critical of and to an extent complicit in the exploitative encounter between French ethnographers and the colonized people they sought to study. His journal reveals the tensions between Europe’s claims about the superiority of its civilization and the violence and barbarity of colonialism on the ground. It also bears witness to the process by which some of the holdings in the Quai Branly museum in Paris today, were taken as booty (or in Leiris’ words, “butin”) from the African continent in the early twentieth century. Brent Edward’s Phantom Africa (Seagull Books, 2017) makes L’Afrique fantome available to English-speaking readers in its entirety for the first time. This translation presents an important and invaluable archive that documents the makings of ethnography as a field of study, as well its imbrication with colonial conquest and imperialism. In a thoughtful introduction that examines the historical context of Leiris’ journey, his personal motivations, his use of language, his triumphs and frustrations, Edwards clearly lays out the importance of this text for readers interested in anthropology, literary studies and the history of colonial encounters. Brent Hayes Edwards was awarded a 2012 PEN/Heim Translation Fund Grant for Phantom Africa. He is also the author of Epistrophies: Jazz and the Literary Imagination (Harvard University Press, 2017) and The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism (Harvard University Press, 2003), which was awarded the John Hope Franklin Prize of the American Studies Association, the Gilbert Chinard prize of the Society for French Historical Studies, and runner-up for the James Russell Lowell Prize of the Modern Language Association. With Robert G. OMeally and Farah Jasmine Griffin, he co-edited the collection Uptown Conversation: The New Jazz Studies (Columbia University Press, 2004). His research and teaching focus on topics including African American literature, Francophone literature, theories of the African diaspora, translation studies, archive theory, black radical historiography, cultural politics in Paris in the 1920s and 1930s, surrealism, experimental poetics, and jazz. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writers have long created networks and connections by exchanging letters or writing back to one another in their poetry and fiction. Letters between Ernest Hemmingway and F. Scott Fitzgerald, or Zora Neale Hurston and Langston Hughes, attest to the rich world of intellectual exchange beyond the pages of published works. In Grounds of Engagement: Apartheid-Era African American and South African Writing (University of Illinois Press, 2015), Stephane Robolin examines the conversations between writers on spatial terms. Paying attention to the transnational crossings and circulations of African American and South African writers through their travels, correspondence and published works, Robolin's study uncovers the metaphoric and sometimes quite literal grounds on which authors in different spaces contested the similar realities of racism and segregation that they experienced in South Africa and the United States. This study weaves together the voices of Langston Hughes, Richard Rive, Peter Abrahams, Richard Wright, Alice Walker, Bessie Head and others in a larger narrative about the spatial dimensions of Black transnationalism in the twentieth century. Stephane Robolin is an Associate Professor of English at Rutgers University where he also directs the Center for African Studies. He teaches courses in African Literature, African Diaspora Studies and Postcolonial Literature and Theory. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women's Resistance in the Francophone World, examines Caribbean and African women's literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Writers have long created networks and connections by exchanging letters or writing back to one another in their poetry and fiction. Letters between Ernest Hemmingway and F. Scott Fitzgerald, or Zora Neale Hurston and Langston Hughes, attest to the rich world of intellectual exchange beyond the pages of published works. In Grounds of Engagement: Apartheid-Era African American and South African Writing (University of Illinois Press, 2015), Stephane Robolin examines the conversations between writers on spatial terms. Paying attention to the transnational crossings and circulations of African American and South African writers through their travels, correspondence and published works, Robolin’s study uncovers the metaphoric and sometimes quite literal grounds on which authors in different spaces contested the similar realities of racism and segregation that they experienced in South Africa and the United States. This study weaves together the voices of Langston Hughes, Richard Rive, Peter Abrahams, Richard Wright, Alice Walker, Bessie Head and others in a larger narrative about the spatial dimensions of Black transnationalism in the twentieth century. Stephane Robolin is an Associate Professor of English at Rutgers University where he also directs the Center for African Studies. He teaches courses in African Literature, African Diaspora Studies and Postcolonial Literature and Theory. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writers have long created networks and connections by exchanging letters or writing back to one another in their poetry and fiction. Letters between Ernest Hemmingway and F. Scott Fitzgerald, or Zora Neale Hurston and Langston Hughes, attest to the rich world of intellectual exchange beyond the pages of published works. In Grounds of Engagement: Apartheid-Era African American and South African Writing (University of Illinois Press, 2015), Stephane Robolin examines the conversations between writers on spatial terms. Paying attention to the transnational crossings and circulations of African American and South African writers through their travels, correspondence and published works, Robolin’s study uncovers the metaphoric and sometimes quite literal grounds on which authors in different spaces contested the similar realities of racism and segregation that they experienced in South Africa and the United States. This study weaves together the voices of Langston Hughes, Richard Rive, Peter Abrahams, Richard Wright, Alice Walker, Bessie Head and others in a larger narrative about the spatial dimensions of Black transnationalism in the twentieth century. Stephane Robolin is an Associate Professor of English at Rutgers University where he also directs the Center for African Studies. He teaches courses in African Literature, African Diaspora Studies and Postcolonial Literature and Theory. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writers have long created networks and connections by exchanging letters or writing back to one another in their poetry and fiction. Letters between Ernest Hemmingway and F. Scott Fitzgerald, or Zora Neale Hurston and Langston Hughes, attest to the rich world of intellectual exchange beyond the pages of published works. In Grounds of Engagement: Apartheid-Era African American and South African Writing (University of Illinois Press, 2015), Stephane Robolin examines the conversations between writers on spatial terms. Paying attention to the transnational crossings and circulations of African American and South African writers through their travels, correspondence and published works, Robolin’s study uncovers the metaphoric and sometimes quite literal grounds on which authors in different spaces contested the similar realities of racism and segregation that they experienced in South Africa and the United States. This study weaves together the voices of Langston Hughes, Richard Rive, Peter Abrahams, Richard Wright, Alice Walker, Bessie Head and others in a larger narrative about the spatial dimensions of Black transnationalism in the twentieth century. Stephane Robolin is an Associate Professor of English at Rutgers University where he also directs the Center for African Studies. He teaches courses in African Literature, African Diaspora Studies and Postcolonial Literature and Theory. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writers have long created networks and connections by exchanging letters or writing back to one another in their poetry and fiction. Letters between Ernest Hemmingway and F. Scott Fitzgerald, or Zora Neale Hurston and Langston Hughes, attest to the rich world of intellectual exchange beyond the pages of published works. In Grounds of Engagement: Apartheid-Era African American and South African Writing (University of Illinois Press, 2015), Stephane Robolin examines the conversations between writers on spatial terms. Paying attention to the transnational crossings and circulations of African American and South African writers through their travels, correspondence and published works, Robolin’s study uncovers the metaphoric and sometimes quite literal grounds on which authors in different spaces contested the similar realities of racism and segregation that they experienced in South Africa and the United States. This study weaves together the voices of Langston Hughes, Richard Rive, Peter Abrahams, Richard Wright, Alice Walker, Bessie Head and others in a larger narrative about the spatial dimensions of Black transnationalism in the twentieth century. Stephane Robolin is an Associate Professor of English at Rutgers University where he also directs the Center for African Studies. He teaches courses in African Literature, African Diaspora Studies and Postcolonial Literature and Theory. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regine Jean-Charles' Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women's Narratives of Resistance in the Francophone World examines Caribbean and African women's literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regine Jean-Charles' Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women's Narratives of Resistance in the Francophone World examines Caribbean and African women's literary and political contributions to anti-colonial movements.

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices