Podcast appearances and mentions of Richard Wright

Listen to JCO's Art of Oncology article, "A Fight Bigger Than Myeloma” by Dr. Adeel Khan, an Assistant Professor of Medicine and Public Health at UT Southwestern. The article is followed by an interview with Dr. Adeel Khan and host Dr. Mikkael Sekeres. Dr. Khan shares the story of a patient whose multiple myeloma diagnosis and treatment serves as a reminder of the civil liberties progress we've made and that we have more to go. TRANSCRIPT Narrator: A Fighter Bigger Than Myeloma, by Adeel M. Khan, MD, MPH, MS  I met her during the early part of my clinical training in hematology/oncology. She was in her late 70s, dressed in a rust-colored cardigan and a headwrap with patterns that reminded me of Ghanaian kente cloth. Her eyes were sharp, her tone polite but direct. You could tell from the moment she spoke that she had lived a life where she had to advocate—for herself, for her family, for her place in rooms that were not always welcoming.  Her chart said “multiple myeloma, R-ISS II,” but it did not say that she had first come to an emergency room at least a year earlier complaining of back pain and fatigue and had been told it was probably arthritis or old age. It did not mention that she had seen three different doctors before someone ordered the laboratory tests that finally began to work up her anemia and increasingly compromised kidney function. It would take another trio of doctors to eventually order a magnetic resonance imaging whose ghostly lytic lesions led down the path to a bone marrow biopsy and her cancer diagnosis. When I brought this up gently during one of our early appointments, she looked at me and said, “They don't hear pain the same when it comes from someone like me.” As a Black woman from the Deep South, she had grown up learning how to navigate a health care system that did not always believe her. She told me stories about being dismissed, misdiagnosed, and interrupted. She was born into an era of structural violence where she would be ignored at best and mistreated at worst. She carried the weight of those moments, but she also carried strength, and clarity, and the kind of dignity that made people sit up straighter in their leather chairs when she entered the room. She was one of the most quietly revolutionary people I have ever known, having grown up during a time of civil rights activism. She had even taken part in bending Dr King's long arc of the moral universe toward justice and could share story upon story from her glory days. Her myeloma treatments were not easy. Chemotherapy rarely is. She shared that there were days when her body was tired of fighting, when her bones ached, her blood counts dropped, and her neuropathic pain throbbed. In the back of my mind, I thought how tragic it was that her delayed diagnosis added unnecessary complications and whether she too thought of that. She was fully mindful of the issues people with her skin color faced in our American healthcare system and society as a whole and revealed how that motivated her to carry forward. “If I don't take up space here,” she told me once, “then someone else like me won't either.” Over the course of our visits, I came to understand that she did not see her myeloma as the hardest fight of her life. Not by a long shot. Her primary struggle was centered on life in Birmingham in the 1950s where separate but equal was still the law of the land; her mother cleaned houses, her father worked odd jobs, and her own prospects were uncertain. She admired the writings of Richard Wright and Jean Toomer and was not shy in sharing her passions. One day, during a particularly tough visit—her disease had progressed and we were down to limited options—I found myself meandering. We went through the usual workup and discussions: laboratory test results, symptoms, and treatment options. I offered the prospect of clinical trials, but she shook her head gently and said, “I've done my time in experiments—I can't give myself to a system that gave my people so little.” I paused. It was the first hint of what would become a larger conversation—not just about medicine, but about history. She was well aware of the atrocities of the Tuskegee syphilis trials in her home state, the Kligman experiments on incarcerated Black men, and the forced sterilization of women of color. As dependent upon medicine as she was in her old age, it carried a bloody stain of dehumanizing racism that soured her against it. Outwardly, I had little in common with her. As a young South Asian man growing up in times more conscious of racial injustice, I was far removed from these historical crimes. Although I learned of them during my education, I did not internalize their impact on the patients in front of me in clinic. But through her I came to comprehend just how scarring and enduring these events can be and how they can rob someone of trust. And the truth is the health care system had not treated her well. She had personal stories of doctors who did not believe her pain, nurses who assumed she was uneducated,  and being passed over for better options, better care, and better answers. “But I kept showing up,” she said. “Because that's what we do. We show up even when we're not wanted.” Her stories to me were revelations. In her younger years, she had helped organize teachers at her school when they tried to fire a fellow Black teacher who seemingly spoke too loud in a meeting. She had lived through redlining, through the crack epidemic, through watching young Black men vanish into prisons, and still she rose every day and worked as a public school teacher for decades. She worked for a system that largely did not work for her. I came to admire that about her—that in simply living day-to-day life with plain dignity and acute awareness of society's issues, she promoted change by living it. “You want to talk about cancer?” she once said, half laughing. “Try walking into a bank in 1972 with a good credit score and a Black face. That's a disease this country still hasn't cured.” Curiously, she did not say these things with bitterness. Not even anger, really. Just clarity. Like someone who had long ago made peace with the truth, even if it was sharp. In clinic, she challenged my every assumption—about treatment tolerance, about compliance, about who is difficult, and who is “advocating.” And she taught me to look differently at the ways bias lingers in medicine. Not just in data or policies, but in subtle moments: the tone we use when explaining options, the hesitations in our tests and referrals, and the assumptions we may not even realize we are making. And she did not just expect good care—she demanded it. She told me early on, “Don't you treat me like I'm anything other than your mother.” That landed. And in seeing patients before me now, I remind myself to wonder who they were in their past lives, what baggage burdens them, and how it all shapes their perspectives. So from my view, she fought multiple myeloma with everything she had, but from hers, she fought something bigger: an entire system shaped by inequality. And ultimately, she made me better to realize that, not just as a doctor, but as a human being. In my years since knowing her, completing my training, and beginning my practice, I reflect on her grace. I think not just about her life, but what it means to practice medicine in a world that often forgets what patients carry with them into the clinic—generations of weight, of injustice, of strength. Mikkael Sekeres: Welcome back to JCO's Cancer Stories, The Art of Oncology. This ASCO podcast features intimate narratives and perspectives from authors exploring their experiences in oncology. I'm your host, Mikkael Sekeres. I'm Professor of Medicine and Chief of the Division of Hematology at the Sylvester Comprehensive Cancer Center, University of Miami. I am so happy that today we are joined by Adeel Khan, who's Assistant Professor of Medicine and Public Health at UT Southwestern in Dallas to talk about his Journal of Clinical Oncology article, “A Fight Bigger than Myeloma.” Our guest's disclosures will be linked in the transcript. Adeel, thank you so much for contributing to JCO and for joining us to discuss your article. Adeel Khan: Thank you so much for having me. It's a pleasure to be here. Mikkael Sekeres: Adeel, I don't want to be disingenuous to our readers by acting as if we've just met. You and I have known each other for a decade since you were still in your training. I wonder if for our listeners you can tell us a little bit about yourself, where are you from and and walk us through your career so far. Adeel Khan: More than happy to. So, I grew up mostly in Oklahoma, but I've sort of lived around in the Northeast and here in the Southwest where I am currently. I did college at the University of Oklahoma. I did medical school at the University of Michigan. I did residency with good fortune at the Cleveland Clinic where I happened to get to know you and have continued to know you since. I did my fellowship then in hematology oncology at Beth Israel Deaconess in the Harvard system and along the way of all that I did a Masters of Public Health at Harvard and a Masters of Science and Epidemiology at Columbia, and that pinball finally settled here to UT Southwestern here in Dallas which I am very happy to make my second home. Mikkael Sekeres: That's great. I will say just for our listeners you've been a superstar since the moment you were a resident. It's been a real treat for me to get to know you over the years. Adeel Khan: Thank you so much. Mikkael Sekeres: Can you tell us a little bit about your own story as a writer? You're a good writer. We get submissions from some really good writers every single week. It's a real privilege to be an editor for the Art of Oncology section and it's always reinvigorating to me to see how many good writers there are in medicine. How did you start your journey as a writer and how long have you been writing reflective narrative pieces? Adeel Khan: I would say if I went back to let's say high school, you know, people tend to be divided into kind of like the sciency types versus the literary arts types and you're kind of an either/or, you know, you didn't really have as much crossover then. But you know, I actually didn't mind when we had an essay due and I liked writing back then, and when I entered college I did a minor in English because I actually did enjoy that and I just liked the idea of being able to put your thoughts on paper in a way immortalizing them. Adeel Khan: And then as I sort of pursuing medicine more and more, publishing is really- it has all kinds of flavors to it and scientific publishing is obviously what has been emphasized, but you know, there's so many things to talk about within medicine. There's the science and the art of the field, and as I've moved along, I've written different pieces focusing really on patient stories and interactions. And I think my motivation has always been that as I have gotten particularly nowadays increasingly busy, I've had the fortune and misfortune of becoming more and more busy, it's easy to lose the opportunity to really connect with people that makes what we do meaningful. And so in those times when you know, and they can be rare, but when you really get to connect with someone in front of you who you're helping to care for, it's really refreshing and it's rejuvenating and I've tried to keep that with me as long as I can as I've gone through my journey. Mikkael Sekeres: There's a lot of jumping off points from what you just said, Adeel. I wonder if I can start with do you consider yourself an English major who's good at science or do you consider yourself a scientist who's a good writer? Adeel Khan: I think I'm too humble to say either. I think I was really a science major who just happened to like writing and reading and kept that as a part of myself. Mikkael Sekeres: Because I think there are a cadre of doctors who are actually English majors and have learned to turn science into storytelling and that's their entrée into science and medicine. I remember I talked for a while with David Scadden about this. He's a brilliant translational scientist who's based at Mass General who also teaches a writing course to the Harvard undergrads and who was an English major when he was an undergrad at Case Western. We've talked about this, about how there are people, I'll include myself in this, who just think different, who probably have these liberal arts brains and they figured out a way to convert science into a way a liberal arts person can understand it. Adeel Khan: Yeah, I mean narrative medicine has been I think around all along and it has only kind of been recently named as a field, but I mean it very much speaks to that that there's so much more than just G proteins in medicine. Mikkael Sekeres: I'm thrilled to hear that by the way. You mentioned you were an English minor. Are there particular writers who are an influence on you or can you talk about what's the most recent book or article you've read? Adeel Khan: Oh, that is a great question. Paulo Coelho is someone I've liked for a long time, The Alchemist. I really liked it because I read it after I had lived in Egypt. I lived in Egypt between college and med school as a study abroad program, and I had actually been to the Faiyum Oasis where the protagonist in that story ends up. And so it was just a fascinating story to me that I could trace some of the steps that are discussed in the book and it's so much- it's a story about self discovery which at that phase of life that I was in was you know, very much a theme of my own life. And so that's one that definitely stands out in my head. Mikkael Sekeres: Do you think reading pieces outside of medicine makes you a better scientist? Adeel Khan: I think absolutely. I think it makes you a better human being. In some ways I lament that so much of what I do reading now is so much just about what's in the field, what's new in myeloma, what's new in hematology oncology and I sort of miss the escape to reading other things and being able to pursue it. And even broader than just what a novel really offers. I mean, I grew up reading comic books too and I've always loved superheroes and fiction whether it's Star Wars and other things. And really they're just stories and the medium- there might be connotations whether it's a comic book or a or a novel, but they're just different mediums, but the fact that they're just stories is fundamental. I actually think to myself that it's so fascinating that the earliest piece of writing that we've really retained as human beings is we believe, the Epic of Gilgamesh, which is really a story of a superhero when you think about it, you know, and it's it's fiction, it's phantasmic in so many ways. But it speaks to how stories are just vital as people. Mikkael Sekeres: And what is it about graphic novels or my kids now of course call them graphic novels. We're not allowed to call them comic books. Adeel Khan: As they've been renamed, yeah. Mikkael Sekeres: What is it about graphic novels or comic books or the story of a hero that appeals to us in medicine? Adeel Khan: I think it's in some ways a parable of what we're doing. There's something so powerful and fundamental about this idea of good-evil and we can rename it in different ways, but that you're trying to overcome something that's an issue, an obstacle. And when you think about what we do in- particularly in oncology, that's very much what we're trying to do. We're trying to overcome an illness, a disease, to try to help the person in front of us. And it has different aspects to it. It could be someone pursuing something in a lab, it can be treating someone in front of you in clinic, but that simple dichotomy of there's something good about what you're doing because there's something bad in front of you is just the fundamental that runs through it all. Mikkael Sekeres: It's fascinating. I wonder if 30, 40, 50 years ago people would have said, “Oh, it's because the doctor is the hero,” but we don't view ourselves that way anymore. The patient is the hero. I love how you posit this as a good versus evil, the evil of course being cancer and the good everything that our patients do and that we try to to help to do to overcome that. Adeel Khan: For sure. Mikkael Sekeres: You wrote a really great essay about a woman who was a patient of yours. Can you tell me a little bit about what inspired you this time to make this connection and to write about this woman? Adeel Khan: Within the past year or so as I had been just really- the fortune and misfortune of getting busier, I lamented that I just wasn't able to spend as much time with patients in the way that I used to. One of the beauties of medical school and you know, to some degree residency and certainly fellowship is that you just have a little bit more time as a trainee, student and trainee where you can really bond with your patients I think a little bit more. And so in trying to kind of refresh my motivation, I was thinking about just kind of randomly some stories that I've kept in the back of my mind and this patient's story is one that stood out to me as I was recalling things. It was so fascinating to me because she had the disease which I now focus on. And the way that she viewed it and the way that she viewed it as a part of her life was just so different than what I think most people think of. And in that way it was very revitalizing that her focus in her life was part of a broader theme of the way that I think she viewed society. And this was just one piece of her own part of that much, much larger puzzle. Mikkael Sekeres: You really write lovingly about her and about how meaningful her context was in how you cared for her and what her experience was in the medical system. I wonder if I can read a little bit of what you wrote because it really did grab me as well. I'm going to start out by quoting you where you say, “Outwardly, I had little in common with her. As a young South Asian man growing up in times more conscious of racial injustice, I was far removed from these historical crimes. Though I learned of them during my education, I did not internalize their impact on the patients in front of me in clinic. But through her, I came to comprehend just how scarring and enduring these events can be and how they can rob someone of trust.” Wow, there's a lot there. Could you start with what was your perspective as a young South Asian man growing up in Oklahoma and what your view was of racial injustice compared to what her experience was of racial injustice? Adeel Khan: Yeah, I have to admit I don't know that I thought that much of it back then and I think that that's part of what it is. You know, being someone who was South Asian, I'm Pakistani, I have Indian roots, and coming into American history and as we learned about it there's so much about slavery and the theme of slavery unfortunately and and the struggles that enslaved peoples have. And you know, as a relatively recent immigrant, I didn't see myself in that narrative. I didn't see myself in that historical reality. But I knew about it intellectually, you know, I knew about the Tuskegee Syphilis Experiments, you know, I learned about all these things and and you learned about how atrocious so much of it is. But again, not being so directly connected, I did not put myself in that same role as someone to view it so close to myself. I will say it hit a little bit more after 9/11 when you know, I was randomly stopped at airport security a little bit more often in those days and again, I think that speaks to racial injustices, you know, I was certainly profiled looking back then, I've been held by TSA in the past, but even that is very minor compared to what African Americans have dealt with here. And this patient in just kind of sharing her tidbits during our time together, I was not directly asking her so much of this. She was really offering a lot of it to me as we would talk and she would be very generous in sharing parts of her story. And over time I kind of understood the broader narrative of her life. You know, it was clear how much of all that was actually in the forefront of her head. Adeel Khan: And I think she might have been a little bit more unique in the way that she kept it there, but she was hyper vigilant of issues of society and the roots that brought a given society to where it is here. I kind of got to know her, this is during the COVID pandemic and this was after the injustice of what happened to George Floyd and so it was a theme that I think people were talking about more and so I think she felt comfortable in saying really what was quite a bit that was stewing in the back of her head seemingly at all times. Mikkael Sekeres: It's so interesting you talk about what you endured after 9/11 as being, I'm going to quote you now, “minor” compared to what she's been through, but even a minor affront like that can really compromise your trust. You write about her, “As a Black woman from the deep South, she had grown up learning how to navigate a healthcare system that did not always believe her.” Can you expand on that a little bit? How is it that the healthcare system didn't believe her and what can we do going into interactions with patients from different backgrounds where we're incorporating that there's a compromise of trust and we have to make up for that? Adeel Khan: Yeah, and I think you know, it's so unfortunate that so many people have stories like this where, in her case really it was back pain that was her presenting symptom. This is long before she knew me. And she'd had the back pain for quite some time, but being an older woman, she was in her 70s at that time, she was not in phenomenal health for other reasons. It sounds like she was just kind of ignored, told that it was old age, tendon changes, she did not have meaningful imaging for some time. When she finally did after seeing a slew of different providers, that's when it was revealed like there's something more significant here. And then when you kind of piece that a little bit retrospectively and I think she certainly sensed this and I did when I- hindsight's always 20/20, when I looked through things, it's like, well, this probably could have been caught much earlier. It's just that no one really I think listened to what she was speaking to with her pain and the gravity that was actually behind it. And it just speaks to the fact that I think we have to be more thoughtful in what we take away from patients and not to ignore even small comments because they might be revealing of something much bigger behind them. Mikkael Sekeres: You quote her, you have some really great quotes in your essay where you just listen to what she says and transcribe it because what she says is very meaningful. And one of the quotes you provide from her is, “They don't hear pain the same when it comes from someone like me.” Wow. “When it comes from someone like me,” someone like her, how was it that people weren't hearing her description of pain, something that was different that was going on in her body and how can we be more attentive to people when they complain about things like pain? Adeel Khan: It's unfortunate that there's even known data to show how depending upon a patient's melanin content in their skin, how likely they are to get pain medications and what happens to them is different and this is an unfortunate example of that where I think she just wasn't heard properly. And so it wasn't addressed properly and she was not shy about saying that. I mean I think she sensed that. She was very clear in feeling that herself and in wanting to have better care, she was still prevented and hence why she had to go from provider to provider. Mikkael Sekeres: You've lived in a bunch of different places in the country. I mean, following your path, you've been in Oklahoma, you've been in Michigan, Ohio, Massachusetts, and now Texas. Do you think that we as providers have to have different levels of sensitivity depending on where in the country we're practicing and how some of our patients' trust in healthcare may have been compromised in those different parts of the country? Adeel Khan: I think absolutely. I mean this particular patient was from Alabama which has a heavy history that she was again very aware of and for those of us reading history books are also very aware of too. And it's interesting how, while the U.S. is in some ways- has some aspects that are monolithic, but it's very much not so. It's very patchy and people are different, you know, if I take one theme that we're talking about here is obviously racial injustice, but if you take something like obesity, you know, prevalence rates are very different throughout the country and attitudes surrounding it are also very different. And I think we do- ought to be mindful that in treating the patient in front of us, it's not done without context. And so how they view their illness and their situation is going to be different depending upon the state, depending upon the city, depending upon actually even the era that they grew up in. So I would say now, if you took actually a similar patient, but you put her in a very modern context post-year 2000, she's likely to have different feelings of the situation around her than someone who was born in this case in the 1940s. And that just speaks to the fact that circumstances change and we should be recognizing that as providers, even though it's not always easy to. Mikkael Sekeres: Well, it just emphasizes how very important it is to know the history of the place where we practice and how it's affected our patients' perceptions of healthcare and trust and being cared for, particularly now as there's such a movement to whitewash that history and eliminate it from major institutions like the Smithsonian. It has been such a pleasure to have Adeel Khan here. He is Assistant Professor of Medicine, Public Health at UT Southwestern in Dallas and wrote just a great JCO article called “A Fight Bigger Than Myeloma.” Adeel, thank you so much for submitting your article and for joining us today. Dr. Adeel Khan: Thank you so much for having me. It's been a pleasure. Mikkael Sekeres: If you've enjoyed this episode, consider sharing it with a friend or colleague or leave us a review. Your feedback and support helps us continue to have these important conversations. If you're looking for more episodes and context, follow our show on Apple, Spotify, or wherever you listen and explore more from ASCO at ASCO.org/podcasts. Until next time, this has been Mikkael Sekeres for JCO Cancer Stories: The Art of Oncology. The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience, and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity, or therapy should not be construed as an ASCO endorsement.   Show Notes Like, share and subscribe so you never miss an episode and leave a rating or review.  Guest Bio: Dr Adeel Khan is an Assistant Professor of Medicine and Public Health at UT Southwestern.

When it comes to the concept of The West, its scope and principles have been criticized both contemporarily and historically. How did the West emerge as a coherent concept, and what has it meant over time?Georgios Varouxakis is a Professor in the History of Political Thought at Queen Mary University of London, where he is also the Co-director of the Centre for the Study of the History of Political Thought. He is also the author of several books, and his newest book is titled The West: The History of an Idea.Greg and Georgios discuss Giorgios's new book, 'The West: The History of an Idea,' and explore the origins, evolution, and various interpretations of the concept of 'the West.' Their conversation covers some popular misconceptions about the West, reasons behind its historical development, and the roles nations like Greece, Russia, and Ukraine have played in shaping the West's identity. Giorgios emphasizes how the West has been a flexible and evolving idea, open to new members and continuously redefined through history. *unSILOed Podcast is produced by University FM.*Episode Quotes:The two myths of the West's origins03:06: The popular conceptions are that the West must have always existed. People take for granted that at least since the ancient Greeks, there is a West that has resisted the invasion of Asia through the Persian Empire and that in the Battle of Marathon, the West defined itself and defeated. A projection of things that people later imagined. In this sense, ancient Greeks saw themselves as Greeks. They did not see themselves as West or Europe or anything else. The other end of the spectrum is that the West must have begun with a Cold War, that surely the West is a creation of the post–First World War situation where the United States leads a group of peoples versus the Soviet Union, and that is the West. These are the two popular extremes. Popular conceptions that I consider, the two ends of the spectrum.The West as an open-ended idea17:14: The West had inherent from its inception an open-endedness that was not based on just ethnic descent or just religion.Richard Wright: The gadfly of the West37:14: [Richard Wright] says, "I'm Western, but I now realize I'm more Western than the West. I'm more advanced than the West. I believe in the Western principles and values, and constitutional and political and other philosophical ideas. I was taught, I believe in freedom of speech, separation of, and the of. These are not necessarily practiced much of the time by Western governments and elites. So he becomes literally like Socrates was the gadfly of Athenian democracy. Richard Wright becomes the gadfly of the West, saying, 'I'm criticizing you because you're not doing the Western thing. You're not Western enough.' Literally, he says, 'The West is not Western enough.'"Why the West should be improved, not abolished47:48: My argument is peoples and their leaderships make decisions, and they may change allegiances. They may adopt institutions, alliances, and cultural references that their ancestors did not have a century or two ago, come from a country that. An experiment in that these experiments may change. You know, things may change, but I do not think anytime soon Greece will join some Eastern or whatever alliance. So to the extent that what anyone can predict, the attractiveness of the West is exactly this combination of, and an entity. As we keep saying, it should be criticized and improved. So it is not abolishing the West that I would recommend, it is improving the West and making the West live up to more of its aspirations and principles.Show Links:Recommended Resources:John Stuart MillAuguste ComteOttoman EmpirePeter the GreatCatherine the GreatGeorg Wilhelm Friedrich HegelAhmed RızaOliver GoldsmithJean-Jacques RousseauGermaine de StaëlThomas MannFrancis LieberDonald TrumpSteve BannonOswald SpenglerWestern CivilizationWalter LippmannW. E. B. Du BoisRichard WrightFrancis FukuyamaGuest Profile:Faculty Profile at Queen Mary University of LondonLinkedIn ProfileGuest Work:Amazon Author PageThe West: The History of an IdeaLiberty Abroad: J. S. Mill on International RelationsMill on NationalityVictorian Political Thought on France and the FrenchPhilPapers.org Profile Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

On the September 15 edition of the Music History Today podcast, Huey Lewis breaks through, Johnny Ramone passes away, & Dire Straits break up. Plus, it's Roy Acuff's birthday.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

This week, I am joined by LARRY CRANE (producer, engineer, owner of Jackpot! Recording Studio & founder/editor of Tape Op Magazine & Pink Floyd superfan), who chose the classic music film PINK FLOYD: LIVE AT POMPEII to discuss!!!We discuss the genesis of the film and all the different versions of this film (including the super frustrating screensaver version of Live At Pompeii), Chris's recent accidental hallucinatory viewing of the film and its many jump scares, Larry building Jackpot! Recording Studios & his early studio Laundry Rules, why artists often can't stop reworking their older bodies of work, Larry's gateway into Pink Floyd, The Benson Echorec piece of equipment used throughout this performance, Joe Boyd and the UFO Club, Larry building fuzz boxes without a switch on it, why the film is both wonderful and frustrating for Larry, the secret weapon of band member Richard Wright in this film, bands that spend over a year making an album, the accidental two-bass recording of 'One Of These Days', Syd Barrett's body of work, democracies within rock bands, monster drummer Nick Mason, is the film made for future scholars of the band or stoners, artists who don't suffer foolish questions, rock bands with zero body fat, Jonathan Richman doing an opening set before movies, and Larry getting an email for our episode from Alan Parson (the engineer of Dark Side Of The Moon) that solves a lingering question we've always had about the film!Overhead the albatross, hangs motionless upon the air (right?!?) on this week's episode of Revolutions Per Movie!AND OF COURSE THEY RELEASED YET ANOTHER VERSION OF PINK FLOYD LIVE AT POMPEII AFTER WE RECORDED THIS...HA! GET IT HERE:https://shop.pinkfloyd.com/collections/live-at-pompeiiLARRY CRANE: https://tapeop.comhttps://jackpotrecording.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Richard Wright, former EU ambassador to Moscow, and former director of UNRWA office in New York.

De Stokely Carmichael, figure des luttes noires du XXème siècle, on connaît surtout le combat aux États-Unis, comme dirigeant des Black Panther. On sait moins qu'en 1968, Carmichael a rejoint la Guinée avec son épouse, la chanteuse sud-africaine Miriam Makeba. Il est alors devenu un proche collaborateur du président ghanéen en exil Kwame Nkrumah et s'est engagé aux côtés de la révolution guinéenne. Bokar Ture, fils de Stokely Carmichael, a accordé un entretien à RFI : il raconte les années africaines de la vie de son père. RFI : Votre père a été un acteur important des luttes noires du XXème siècle. Aux États-Unis, où il a été l'un des responsables des Black Panther… mais aussi dans son parcours transatlantique puisqu'il vient s'installer en 1968 en Guinée. Parlez-nous d'abord de lui. D'où vient-il ? Comment est née cette conscience militante noire ?  Bokar Ture : Kwame Ture est né Stokely Carmichael à Trinidad et Tobago, connu aussi en français comme Trinité-et-Tobago, en 1941. Il immigre plus tard aux États-Unis pour retrouver sa mère -donc ma grand-mère- qui y était déjà installée quelques années plus tôt. Elle avait pu avoir sa nationalité américaine parce qu'elle était née à Panama. Comment a commencé cette conscience ? Déjà, il avait un penchant politique très tôt. Il y a une de ses tantes qui racontait une anecdote : quand il était jeune, il la poussait à aller voter pour un syndicaliste à l'île de Trinidad. Et au lycée, aux États-Unis, il fréquentait déjà des groupes gauchistes. Un de ses amis de classe était le fils du président du Parti communiste américain dans les années 1952. Et donc, très tôt, il a pu découvrir les discours marxistes. Et bien sûr, il vivait au sud du Bronx, à côté de Harlem. Et la 125e rue de Harlem est une rue reconnue pour des discours politiques de tout genre, de différents groupes.  Il a été l'un de ceux qui ont travaillé l'idée de Black Power. Il a même coécrit, en 1967 avec Charles Hamilton, un ouvrage qui le théorise, intitulé Black Power, the politics of Liberation in America.  Effectivement, le concept de Black Power existait avant. Il y avait un livre qui s'appelait Black Power par Richard Wright, qui a été écrit pendant les années 1950 et qui était un ouvrage dédié à Kwame Nkrumah. Mais personne n'a rendu l'idée de Black Power aussi populaire que Kwame Ture - Stokely Carmichael à l'époque. Notamment durant une marche contre la peur au sud des États-Unis, aux côtés de Martin Luther King, où il disait, plus ou moins : « On est fatigué de mendier notre liberté, comme on l'a fait ces dernières années dans les droits civiques. Maintenant, ce qu'on va faire, c'est de demander le Black Power », le pouvoir noir, qui était un appel à une autodétermination en termes de structures politiques et économiques pour les personnes noires descendantes d'africains aux États-Unis.  En 1968, votre père épouse une première femme, la chanteuse sud-africaine Miriam Makeba. Au-delà de la relation amoureuse qui s'est nouée entre eux, cette union reflète-t-elle aussi une pensée de votre père, de plus en plus tournée vers l'Afrique et vers le panafricanisme à cette époque ?  Ce n'est pas un tournant, c'est une continuité. Kwame Ture a toujours été Africain dans l'âme. Il vient d'un milieu où l'Afrique est centrale dans l'identité noire. Bien avant qu'il ne se marie avec Miriam Makeba. On le voit dans des photos au début des années 1960 avec ses camarades où il est en tenue africaine. Il se sentait toujours africain. Pour lui, être noir et africain, il ne voyait pas de distinction et toute sa vie était ainsi. Quand il a marié Tantie Miriam, comme je l'appelle, c'était juste une continuité. Après aussi, ma mère, Marlyatou Barry, qui était aussi une Guinéenne. C'était juste une continuité de sa façon de vivre.  Comment se fait concrètement la connexion entre votre père et le premier responsable guinéen, Ahmed Sékou Touré ? Stokely Carmichael, à l'époque, faisait une tournée mondiale et il a rencontré Shirley Graham Du Bois, qui était la veuve de W.E.B Du Bois, qui est aussi une légende de l'histoire de la lutte antiraciste et du développement du panafricanisme. Elle a invité Stokely Carmichael à venir en Guinée pour une conférence du Parti démocratique de Guinée pour rencontrer Kwame Nkrumah et Sékou Touré. Quand il est venu, il a rencontré les deux présidents. Il avait déjà beaucoup entendu parler de Kwame Nkrumah, parce que mon grand-père a travaillé dans un bateau un moment. Il est parti au Ghana et quand il est revenu à New York, il expliquait que c'était la première fois qu'il avait vu une nation noire, indépendante, avec sa propre armée, un président, etc. et il expliquait ceci à un jeune Stokely Carmichael. Cela a vraiment marqué sa pensée. Quelques années plus tard, ils se voient face à face avec Kwame Nkrumah. Après la conférence, en quittant la Guinée, il part dire au revoir à Sékou Touré, qui lui dit : « Écoute, mon fils. Ici, c'est chez toi, tu peux revenir quand tu veux. C'est ta maison. »  Il part voir Kwame Nkrumah qui lui dit « Écoute, moi, je cherche un secrétaire politique, donc si ça t'intéresse, tu es toujours le bienvenu. » Un an et demi plus tard, deux ans pratiquement, il était de retour avec sa nouvelle épouse, Miriam Makeba.  Qu'est ce qui fait qu'il vient s'installer à Conakry à cette époque ?  Pour lui, c'était le coin le plus révolutionnaire en Afrique. Lumumba a été assassiné très tôt donc il n'y avait plus le Congo. Après, il y a eu le coup d'État contre Kwame Nkrumah en 1966. Modibo Keïta en 1968. Quand lui est arrivé, le seul autre pays, c'était la Tanzanie, mais qui était beaucoup moins radicale. Donc il a choisi la Guinée. C'était le pays qui s'alignait le plus avec sa pensée du pouvoir noir à l'échelle mondiale.  Il est aussi menacé aux États-Unis. C'est aussi pour cela qu'il quitte les États-Unis ? De toute façon, mon père était prêt à se martyriser. Il a vu Malcolm X tué, il a vu Martin Luther King tué et les agences voulaient sa tête. Il a échappé à pas mal d'attentats. Mais ce n'était pas la raison centrale. Déjà, il y avait l'invitation. Ensuite, il ne voyait pas les États-Unis comme le centre de cette lutte à laquelle il a dédié sa vie. Il voyait l'Afrique comme étant une partie essentielle. Pour lui, en venant en Guinée, il rejoignait l'Afrique, il rejoignait la révolution africaine qui pouvait donner la dignité à tout le peuple noir à travers le monde.  Diriez-vous qu'il y a un vrai projet politique international derrière cette volonté de s'installer en Guinée ?  Il a toujours eu ce projet. Quand il parlait de Black Power, déjà, dans le livre dont vous avez parlé, il parlait aussi des colonies en Afrique. Dans Black Power, lui et Charles Hamilton faisaient le parallèle entre la situation que vivaient les Afro-Américains aux États-Unis et la situation que vivaient les Africains en Afrique et aux Caraïbes aussi. Il faisait ce parallèle. Dans sa tête, c'était quelque chose qui était un combat international dès le début.  Quelles sont les idées sur lesquelles votre père, Stokely Carmichael – Kwame Ture, une fois qu'il change de nom – et Ahmed Sékou Touré se retrouvaient ?  On parle de personnes qui avaient la même vision d'une Afrique unie, une Afrique libre où il n'y a pas d'inégalités. Ils étaient tous deux penchés vers des idées socialistes. Ils étaient totalement alignés idéologiquement. Sékou Touré était un de ses mentors, une de ces personnes qui l'ont formé dans cette idéologie.  Ils se retrouvent dans l'idée, qui est défendue par Ahmed Sékou Touré à l'époque, d'authenticité africaine ? À 100 %. Et il s'intègre à 100 %. Je peux vous dire que moi, par exemple, j'ai très peu de souvenirs de mon père en habit occidental. Il s'habillait en tenue africaine, cousue en Afrique. Il s'est enraciné dans la population africaine. Ce qui était quand même unique parce que tout le monde était tourné vers une façon de vivre occidentale. Et lui non, il voulait se réapproprier son héritage culturel.  Et la volonté de promouvoir les cultures africaines, de leur donner leur vraie place ? C'est exactement cela, revaloriser la culture africaine, la culture noire, se réapproprier celle-ci. Et ne pas avoir de complexes vis-à-vis des cultures européennes, dominantes et autres.  Depuis le début de cet entretien, on joue avec deux noms pour parler de votre père, Stokely Carmichael, Kwame Ture. À un moment donné de sa vie, il décide de passer du nom de Stokely Carmichael à celui de Kwame Ture. C'est une démarche qui dit aussi beaucoup de choses sur le lien qu'il a avec Kwame Nkrumah et Ahmed Sékou Touré.  Effectivement. Il y avait un précédent aux États-Unis. Il y avait pas mal d'Afro-Américains, notamment dans son milieu révolutionnaire, qui changeaient de nom. Notamment Malcolm X, Mohamed Ali. Bien sûr, le nom est inspiré de Kwame Nkrumah et de Sékou Touré. L'anecdote, c'est qu'il était en Tanzanie lors d'un entretien radio. Après l'entretien, apparemment, un vieil homme venu à pied d'un village lointain est venu le voir et lui a dit : « Écoute mon fils, j'ai vraiment aimé ton entretien. Mais il y a une chose : ton nom sonne un peu bizarre, un peu féminin, il faut le changer ». Il a alors pris le nom de Kwame Nkrumah et de Sékou Touré. Lorsqu'il venait l'annoncer à Sékou Touré et lui dire : « J'ai pris le prénom de Kwame », Sékou Touré lui a répondu : « C'est bien, parce qu'à chaque fois que nous avons des débats, tu prends toujours son parti. » Il lui a répondu : « Mais j'ai pris le nom Touré comme nom de famille. ». Ce qui était approprié, car c'étaient ses deux mentors. À lire aussiKwame Ture, le destin hors du commun d'un Black Panther parti s'installer en Guinée [1/2] Comment est-ce que vous décririez les liens qu'il entretenait avec Kwame Nkrumah et Ahmed Sékou Touré ? En Kwame Nkrumah, il voyait un symbole de cette lutte. Il était prêt à le suivre. Il a mené quelques opérations au Ghana pour essayer de voir s'il pouvait réinstaurer Kwame Nkrumah au pouvoir. Il était très proche de lui. Et Sékou Touré était comme un père pour lui. En 1970, votre père vit l'un des moments charnières de l'histoire de la Première République guinéenne, à savoir l'attaque contre Conakry du 22 novembre 1970. Savez-vous comment il a vécu ces journées ?  Je sais qu'il était un participant dans l'action de repousser les troupes portugaises. Il était armé ce jour et a dû utiliser son arme. Selon ce que j'ai appris, il était un des premiers à alerter les autorités, y compris le président, du fait qu'il y avait une attaque qui venait. Ca tirait sur sa case, donc il devait quitter sa maison. Lui et Miriam Makeba ont dû se réfugier quelque part d'autre où il l'a laissée et lui est ressorti pour aider à défendre la ville.  Cette opération conjointe de militaires portugais et de rebelles guinéens a conduit à la plus grande vague d'arrestations en Guinée de toute la Première République. La vie du pays va être rythmée pendant de longs mois par des confessions publiques de personnes présentées comme les complices d'un « complot impérialiste » aux ramifications tentaculaires. Comment est-ce que votre père se positionnait par rapport à cette thèse du complot permanent contre la Guinée ? Et plus généralement, quel regard portait-il sur l'État policier qu'était aussi devenu la Guinée de cette époque ?  C'est quelque chose de très complexe et malheureusement, la Guinée ne s'est toujours pas réconciliée avec ce passé et les positions sont assez ancrées. Maintenant, si on parle de Kwame Ture précisément, pour lui, c'était un régime panafricaniste, le seul régime panafricaniste radical. Et malgré toutes ses erreurs, c'était celui qui pouvait tenir jusqu'au bout cette conviction qu'il avait lui-même. Il était totalement d'accord avec le fait qu'il fallait conserver ce régime pour qu'il ne bascule pas dans un régime néocolonialiste.  À tout prix ? À tout prix.  En 1974, il y a un autre évènement important pour l'Afrique et plus généralement pour le monde noir, c'est le combat en Afrique, à Kinshasa, entre Mohamed Ali et George Foreman. Dans un livre de mémoires, votre père indique qu'il a été invité par Mohamed Ali lui-même à venir à Kinshasa pour le combat. Est-ce que vous savez ce que représentait cet affrontement pour votre père ?  Mohamed Ali était son ami. Il y avait ce symbole de Mohamed Ali qui représentait l'Africain fier et George Foreman qui était un peu l'opposé de cela. Mais après, il a rencontré George Foreman et il disait que George Foreman l'avait séduit avec son charme, l'a embrassé et tout. Je pense qu'au-delà du symbolique, mon père était beaucoup plus intéressé par ce qui se passait au Congo démocratique, c'est-à-dire le Zaïre à l'époque, et le fait que c'était sous le régime de Mobutu Sese Seko, auquel il était farouchement opposé par ce qu'il représentait en termes de corruption et d'alignement avec les puissances coloniales. Qui sont de manière générale les acteurs politiques qui fréquentaient le salon de votre père dans ces années 1970 et au début des années 1980, pendant la Première République en Guinée ? On parle d'un melting pot qui ne dit pas son nom. Que ce soit des artistes - Miriam Makeba et Nina Simone, qui était une de ses amies très proches - ou des activistes de partout dans le monde. Qui venaient à Conakry et qui venaient le rencontrer ? Qui venaient à Conakry ou qui y vivaient. Parce que vous savez qu'à une époque, Conakry était un centre du monde noir où on conciliait l'art, les mouvements de libération, etc. Il y avait un grand nombre de personnes qui y vivaient, comme Amilcar Cabral, comme Kwame Nkrumahn, avant même il y avait Félix-Roland Moumié du Cameroun, pour ce qui est de la politique. Concernant les arts et la littérature, il y avait Ousmane Sembène qui y vivait, il y avait Maryse Condé qui y vivait. C'était vraiment un centre… et il se retrouve chez lui avec toutes ces personnes, plus ou moins de différentes sphères. Moi, je peux raconter avoir vu des activistes exilés sud-africains, Tsietsi Mashinini, qui a commencé la révolte estudiantine de Soweto, qui était parmi d'autres exilés sud-africains. Il y avait beaucoup d'Afro-Américains, bien sûr, des Black Panthers exilés. Il y avait la diplomatie guinéenne, des diplomates de pays gauchistes et souverainistes, il y avait tout un monde. Mais aussi, il faut savoir que Kwame Ture était vraiment penché vers la masse, la masse populaire. Donc autour de tout ça, on voit un chef villageois qui est assis ou on voit la personne déshéritée du quartier qui est là, assise, qui peut recevoir un repas. Parce que notre maison était comme un centre communautaire pour la jeunesse du quartier. Il amenait tous les enfants du quartier à la plage chaque dimanche. Puis se retrouvait peut-être un mardi à saluer un chef d'État. Puis avait une conférence avec un groupe communautaire. Moi, j'ai vu tout cela dans cette maison. C'était quelque chose de magique. Il recevait où, justement ? Dans son salon, dans son bureau ? Y avait-il un rituel autour de la réception de ses amis politiques ? Déjà, il avait une véranda où il était assis… parce que c'était un bibliophile. Il lisait beaucoup, il écrivait beaucoup. Il ne lisait pas pour le plaisir, mais il lisait pour ses conférences. Après, il y a des gens qui venaient pour le rencontrer. Je sais qu'il y a eu Charles Taylor qui était venu de nulle part pour le rencontrer. C'était vraiment un melting pot.    À cette époque, votre père continue aussi ses voyages et ses tournées, il n'est pas tout le temps à Conakry ? Il était très organisé. Sur toutes ses photos, il écrivait les dates et les lieux. On se demande comment il pouvait parcourir toutes ces distances en si peu de temps. Un jour, on le voit au Connecticut. Le lendemain, on le voit à Paris, banni, chassé. En Angleterre, peut-être, d'où il est banni et chassé. Parce que c'était très compliqué pour lui d'avoir accès a beaucoup de pays. Après, on le voit en Californie... Il était partout. Sékou Touré disparaît en 1984. Mais votre père continue, lui, son engagement pour ses idées au sein du Parti démocratique de Guinée. Qu'est-ce qui a marqué ces années de militantisme politique sous Lansana Conté ? Le contexte a vraiment changé !  Et c'est là que l'on voit vraiment les convictions de l'homme. Parce que, du jour au lendemain, tout a changé. Il a été arrêté par le régime de Lansana Conté. Donc, il a perdu les privilèges qu'il avait, bien sûr, où il connaissait le président et était sous sa tutelle. Mais malgré cela, il a décidé de rester en Guinée. La moitié de sa vie guinéenne, quinze ans, s'est passée ainsi. Il a décidé malgré tout de rester en Guinée, d'être actif dans la vie politique guinéenne et la vie sociale de la Guinée.  … Et de rester fidèle à ses convictions.  Exactement. Vous êtes à l'époque enfant. Quel souvenir est-ce que vous gardez de ces années, de votre maison à Conakry, de ceux qui y passaient ? Quelle était l'ambiance ? Vous disiez tout à l'heure que tout le quartier se retrouvait chez vous…  C'est cela. Mon père était d'une gentillesse rare, d'un altruisme qu'on ne retrouve pas très souvent. Donc effectivement, c'était pour moi quelque chose de très formateur. Comment quelqu'un peut traiter un chef d'État avec le même respect qu'il traite la personne la plus déshéritée du quartier. Et toutes ces personnes pouvaient se retrouver chez lui, devant lui, avec le même respect, ou peut-être même le déshérité avec un peu plus d'amour.  Vous appelez régulièrement les Guinéens à se souvenir de votre père, Stokely Carmichael / Kwame Ture. Avez-vous le sentiment que son histoire a été oubliée en Guinée ?  Je parle de manière générale. Il y a une politique de mémoire en Guinée qui doit être améliorée. Stokely Carmichael est un pont unique entre l'Afrique et l'Amérique. On parle d'un personnage qui a passé la moitié de sa vie en Guinée. À ce stade, l'État guinéen n'a pas fait une seule initiative pour se réapproprier de l'héritage de cette personnalité.  Donc il y a un vrai chantier ? Il y a un chantier.  Une dernière question plus personnelle. Quel père a été Stokely Carmichael ? Quelle image retenez-vous de lui ?  Un père adorable, d'une gentillesse rarissime, qui m'a beaucoup appris, que j'ai profondément aimé. Quelqu'un qui était attaché à tout ce qui est beau dans le monde, à commencer par les enfants. ►A lire pour aller plus loin : BERTHO Elara, Un couple panafricain, Editions Rot-Bo-Krik, 2025 À (ré)écouterElara Bertho: «Replacer Conakry au centre des imaginaires, c'était un peu l'idée de cet ouvrage»

In this special episode, Let's Be Having You is live from Soccer Aid with a very special guest - former Manchester City and England goalkeeper Joe Hart.  Joe reflects on his early days at Shrewsbury Town, sharing what it was like to grow up as a promising young goalkeeper, which included trips to the local Liquid nightclub! He also opens up about his move to Manchester City - and, of course, relives the unforgettable moment of winning the Premier League title in 2012. We'll see you soon for the next series, but in the meantime, if you want a regular fix of Let's Be Having You head over to the LBHY fan club at letsbehavingyou.com If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x *Soccer Aid is live on @itv 6pm on Sunday. To donate head to: socceraid.org.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this special episode, Let's Be Having You is live from Soccer Aid with a very special guest - former Arsenal midfielder Jack Wilshere. Jack opens up about his early football journey, from idolising Paolo Di Canio and David Beckham as a youngster, to being scouted by a referee and signing with Arsenal at just nine years old - for a mere £1,500! He shares memories of his iconic performance in the victory over Barcelona, what it was like living with Wojciech Szczesny, and how he nearly botched his Goal of the Season strike against Norwich City. And yes - Jack also dishes on grabbing the mic to mock arch-rivals Tottenham during Arsenal's FA Cup victory parade. We'll see you soon for the next series, but in the meantime, if you want a regular fix of Let's Be Having You head over to the LBHY fan club at letsbehavingyou.com If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x *Soccer Aid is live on @itv 6pm on Sunday. To donate head to: socceraid.org.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's time for the Let's Be Having You End of Series Quiz! Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! There are a few familiar favourites and some new additions as Chris and Alex are put to the test – but who will come out on top? Will Alex continue the streak and go 2-0? We'll see you soon for the next series, but in the meantime, if you want a regular fix of Let's Be Having You head over to the LBHY fan club at letsbehavingyou.com If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's time for the inaugural Let's Be Having You End of Series Quiz! There are a few familiar favourites and some new additions as Chris and Alex are put to the test – but who will come out on top? Will Alex continue the streak and go 2-0? We'll see you soon for the next series, but in the meantime, if you want a regular fix of Let's Be Having You head over to the LBHY fan club at letsbehavingyou.com If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this episode, we are joined by simply one of the biggest football cult heroes of the 00's (… and whisper it very quietly, he's not even a footballer)…  Harchester United legend Karl Fletcher AKA Terry Kiely!  Part 1 of the podcast came out last week, so if you missed it... make sure to go back and listen! Terry takes us deep inside The Dragons' Lair, spilling all the behind-the-scenes secrets - including the surprising name originally lined up to play Fletch. Trust us, it's sensational stuff. From working alongside icons like Linsey Dawn McKenzie, Katie Price and Big Ron Atkinson to reliving his most memorable moments in the iconic purple and white of Harchester, Terry doesn't hold back. And what about that unforgettable half-time team talk from Mike Bassett (played by Ricky Tomlinson)? Did Terry manage to keep a straight face? He gives us the full story on being part of another legendary 00's cult classic. If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

Callers: Still Chauvin-bashing! Is your "black fatigue" righteous? Ever forget your race? Pence "courage" award!The Hake Report, Friday, May 30, 2025 ADTIMESTAMPS* (0:00:00) Start - Jake Husdon AI The Hake Report Song* (0:04:56) Hey, guys!* (0:07:07) CJ, WA: Original Hake guy; Chauvin feds* (0:14:26) CJ: Do you pray for Chauvin? Christ… Rain Dance* (0:18:36) CJ: George Floyd crossed a line* (0:20:23) CJ: $150 to platform a debate* (0:22:37) JOSH, GA: White-black, man-woman, Mark-Ronnie, anger* (0:30:26) JOSH: Paying attention* (0:35:34) RYAN, IL: Derek Chauvin admitted it!* (0:39:31) RYAN: Love and fear for Jewish people* (0:42:35) RYAN: Separation?* (0:44:34) RONNIE, OH: "Black Fatigue" question* (0:50:16) RONNIE… Reminders you're black, "Native Son," Richard Wright* (1:02:20) MARK, L.A.: CJ ("JC"), Praying for Chauvin* (1:05:53) MARK: Ronnie, MT, identity* (1:10:44) Coffees…* (1:19:39) Supers: Rumble, DLive* (1:22:24) Pence J6 JFK "Courage" award* (1:32:09) Phil Robertson coming* (1:34:14) MICHAEL, Canada: Trump pardoned Larry Hoover* (1:39:43) MICHAEL: Ronnie got y'all; whites, Jewish people, men-women* (1:46:04) Supers: Rumble Rants from CJ* (1:47:28) WILLIAM, CA: Original question axed! Talking sense* (1:51:22) JC supers* (1:53:56) Closing: Priority callersLINKSBLOG https://www.thehakereport.com/blog/2025/5/30/the-hake-report-fri-5-30-25PODCAST / Substack HAKE NEWS from JLP https://www.thehakereport.com/jlp-news/2025/5/30/jlp-fri-5-30-25Hake is live M-F 9-11a PT (11-1CT/12-2ET) Call-in 1-888-775-3773 https://www.thehakereport.com/showVIDEO YT - Rumble* - Pilled - FB - X - BitChute (Live) - Odysee*PODCAST Substack - Apple - Spotify - Castbox - Podcast Addict*SUPER CHAT on platforms* above or BuyMeACoffee, etc.SHOP - Printify (new!) - Cameo | All My LinksJLP Network: JLP - Church - TFS - Nick - Joel - Punchie Get full access to HAKE at thehakereport.substack.com/subscribe

Send us a textFormer label executive, guitarist and author Paul Rappaport joins Al to introduce him to Pink Floyd's 1994 album The Division Bell. Paul talks about how he became a part of the Pink Floyd “family” while working with them in his capacity as senior VP of rock promotion for Columbia Records. He shares his initial reactions to The Division Bell, which he had heard in bits and pieces while working on promotions for the album, and he explains why the album is still a favorite of his more than 30 years later. Paul also talks about how he came up with the idea for the Pink Floyd airship, which was a central part of the promotion plan for The Division Bell, and how he wound up playing guitar alongside David Gilmour during a Pink Floyd show in London. Finally, Paul discusses his book Gliders Over Hollywood, which recounts his experiences working with numerous revered rock artists over the course of his career.Gliders Over Hollywood is a highly entertaining read! Learn more about it at glidersoverhollywood.com.Al is on Bluesky at @almelchior. This show has an account on Instagram at @youmealbum. You can support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.IMPORTANT UPDATE! You, Me and An Album will soon have additional offerings on Patreon. More information will be coming soon. To sign up, go to patreon.com/youmealbum.1:36 Paul joins the show2:05 When Paul left Columbia Records, his timing couldn't have been more perfect3:00 Paul explains how he made a strong connection with the members of Pink Floyd6:47 Paul talks about why he chose to discuss The Division Bell9:30 Paul views Richard Wright's playing as the most critical part of Pink Floyd's musical identity15:03 Paul cites his four favorite tracks from the album19:09 Al partially agreed with Paul in terms of his favorite tracks27:15 Is it fair to compare a venerable artist's later albums with those that established their reputation?31:25 Al names his four favorite tracks from The Division Bell32:26 Paul discusses the elements that make certain tracks his favorites34:57 It often makes more sense to think about Pink Floyd albums as one cohesive piece instead of as a collection of tracks40:08 Paul talks about the perspective he took when writing about Pink Floyd and other artists in Gliders Over Hollywood42:38 Paul discusses the role Bob Ezrin played as the band's producer44:17 Don Ienner put Paul on the spot over The Division Bell's sales potential45:56 Paul discusses his reaction when he heard the entirety of The Division Bell for the first time46:44 Paul talks about how he got the idea to promote The Division Bell with an airship53:47 Paul recounts the night he played guitar with Pink Floyd for one of their shows1:01:23 Paul talks about the experience of having written Gliders Over Hollywood1:04:15 Are there albums that Paul doesn't know that he wants to get to know?Outro music is from “Let's Roll” by Paul Rappaport.Support the show

For this episode, we are joined by simply one of the biggest football cult heroes of the 00's (… and whisper it very quietly, he's not even a footballer)… Harchester United legend Karl Fletcher AKA Terry Kiely! Terry takes us deep inside The Dragons' Lair, spilling all the behind-the-scenes secrets - including the surprising name originally lined up to play Fletch. Trust us, it's sensational stuff. From working alongside icons like Linsey Dawn McKenzie, Katie Price and Big Ron Atkinson to reliving his most memorable moments in the iconic purple and white of Harchester, Terry doesn't hold back. And what about that unforgettable half-time team talk from Mike Bassett (played by Ricky Tomlinson)? Did Terry manage to keep a straight face? He gives us the full story on being part of another legendary 00s cult classic. If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

Native Son is a 2019 drama based off the 20th century American classic novel of the same name by Richard Wright. Starring Ashton Sanders (of Moonlight fame), Native Son follows a young black man named Bigger who lives in Chicago. Bigger is into the punk and alternative lifestyle but doesn't quite fit in with his friends. His mom's boyfriend gets him an interview to be a driver for a wealthy Chicago businessman named Henry Dalton (portrayed by Bill Camp). Bigger quickly gets to know Henry Dalton's daughter Mary Dalton (portrayed by Margaret Qualley), a woman that will eventually change his life. Caution: movie spoilers. Intro- 0:00 to 5:41.Film Discussion- 5:41 to 1:11:19.Film Ratings/Outro- 1:11:19 to End.Programming note: we will be taking a two week break due to our editor and co-host Eric taking a vacation over the Memorial Day week, thus not having time to edit the episode.Upcoming podcast release schedule-June 4th- Hundreds of Beavers.June 11th- Under the Silver Lake.June 18th- The Birdcage.June 25th- The Souvenir.

For this episode, we are joined by Oh What A Time's Tom Craine to review one of the all time great 00's football documentaries - Trouble At The Top: Luton Kicks Off.  Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! We look back at John Gurney's infamous 55-day spell as Luton chairman, including one of the craziest managerial appointment processes of the decade: MANAGER IDOL!  And that's only the beginning of the chaos… If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this episode, we are joined by Oh What A Time's Tom Craine to review one of the all time great 00's football documentaries - Trouble At The Top: Luton Kicks Off.  We look back at John Gurney's infamous 55-day spell as Luton chairman, including one of the craziest managerial appointment processes of the decade: MANAGER IDOL!  And that's only the beginning of the chaos… If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

So here we go! It's episode one of the Big Ron Manager watchalong with comedian Ivo Graham.  Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! Yes, you heard right, Ivo is moving from Steve Bruce's literary masterclass to Big Ron's attempt at a media relaunch at League Two Peterborough United. We get our first sighting of young managerial buck Steve Bleasdale and it doesn't disappoint… we're talking bust-ups, foul mouthed rants and of course a visit to the local factory.  Plus, we dig into your correspondence, including news from Georgi Kinklandze's vineyard and an update on Dream Team's Sean Hocknell.  If you've got anything to contribute to the show, you know what to do: hello@letsbehavingyou.com Thank you for subscribing to the show, your support means the world and we couldn't make the show without you. As a reminder, as the QK fan club transitions to the LBHY fan club you'll still get access to all the old QK subscriber episodes, PLUS you'll be getting monthly special episodes from LBHY. So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

So here we go! It's episode one of the Big Ron Manager watchalong with comedian Ivo Graham.  Yes, you heard right, Ivo is moving from Steve Bruce's literary masterclass to Big Ron's attempt at a media relaunch at League Two Peterborough United. We get our first sighting of young managerial buck Steve Bleasdale and it doesn't disappoint… we're talking bust-ups, foul mouthed rants and of course a visit to the local factory.  Plus, we dig into your correspondence, including news from Georgi Kinklandze's vineyard and an update on Dream Team's Sean Hocknell.  If you've got anything to contribute to the show, you know what to do: hello@letsbehavingyou.com Thank you for subscribing to the show, your support means the world and we couldn't make the show without you. As a reminder, as the QK fan club transitions to the LBHY fan club you'll still get access to all the old QK subscriber episodes, PLUS you'll be getting monthly special episodes from LBHY. So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this episode, we're joined by former Leeds, Chelsea and Middlesbrough striker Jimmy Floyd Hasselbaink. Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! He explains the truth behind his name ‘Jimmy', starting as a goalkeeper (yes, really), and we even get to witness a Premier League Golden Boot in the wild!  Jimmy also chats about giving Arsenal fans nightmares and takes us back to that wild European rollercoaster with Middlesbrough. And was Premier League ref Uriah Rennie actually name-dropped in Ja Rule's Smokin' and Ridin'? We dig into your correspondence. If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Tickets for Legends Ibiza are available to buy now, head to https://legendsibiza.uk for all the information you'll need ahead of the sporting festival of the summer! Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this episode, we're joined by former Leeds, Chelsea and Middlesbrough striker Jimmy Floyd Hasselbaink. He explains the truth behind his name ‘Jimmy', starting as a goalkeeper (yes, really), and we even get to witness a Premier League Golden Boot in the wild!  Jimmy also chats about giving Arsenal fans nightmares and takes us back to that wild European rollercoaster with Middlesbrough. And was Premier League ref Uriah Rennie actually name-dropped in Ja Rule's Smokin' and Ridin'? We dig into your correspondence! If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Tickets for Legends Ibiza are available to buy now, head to https://legendsibiza.uk for all the information you'll need ahead of the sporting festival of the summer! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Taking a break from the great coconut shy of life, magazine editor Andy Lyons, writer Harry Pearson and host Daniel Gray continue with new-ish feature Backward Glance, in which a Random Issue Generator picks out an old copy of WSC magazine from the archives for them to chat about. This time, Issue 198 from August 2003 pops up to spark discussion about unknown Russian businessman Roman Abramovich's arrival at Chelsea, Carlton Palmer's dream of taking Gazza to Stockport, a Richard Wright loft injury, the Dell's Chocolate Boxes and much more. Further, magazine Deputy Editor Ffion Thomas previews WSC issue 453 and Record Breakers brings us an Arminia anthem.Support the showWould you like to hear twice as many podcasts and longer editions of these ones, and support our print magazine? You would? Then join the WSC Supporters' Club! Sign up here: www.patreon.com/whensaturdaycomes

For this episode, we are joined by a dream guest - it's former Coventry City, Southampton and Celtic manager Gordon Strachan!  Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! Gordon shares all on his time at Coventry City: from working with Big Ron Atkinson to having Noel Whelan as a lodger, and even trying to bring a teenage Andrea Pirlo to Highfield Road! He talks us through his spell at Southampton and gives us his thoughts on Rupert Lowe's bold decision to bring Sir Clive Woodward into football. And of course, we get into his period at Celtic – featuring all the chaos and comedy of trying (and failing) to make sense of Thomas Gravesen! Plus, our inbox is BULGING! We dig into your excellent correspondence… but seriously, was the kick-off of Liverpool's UEFA Cup semi-final against Barcelona really delayed because of Eastenders? If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this episode, we are joined by a dream guest - it's former Coventry City, Southampton and Celtic manager Gordon Strachan!  Gordon shares all on his time at Coventry City: from working with Big Ron Atkinson to having Noel Whelan as a lodger, and even trying to bring a teenage Andrea Pirlo to Highfield Road! He talks us through his spell at Southampton and gives us his thoughts on Rupert Lowe's bold decision to bring Sir Clive Woodward into football. And of course, we get into his period at Celtic – featuring all the chaos and comedy of trying (and failing) to make sense of Thomas Gravesen! Plus, our inbox is BULGING! We dig into your excellent correspondence… but seriously, was the kick-off of Liverpool's UEFA Cup semi-final against Barcelona really delayed because of Eastenders? If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we're joined by a true legend of the commentary world – Ian Darke! Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! He shares why it's best not to strike up a conversation with Des Lynam during the first 40 seconds of a flight, and what it's really like handling fiery managers like Sir Alex Ferguson and Neil Warnock. Ian also reflects on his time as a boxing commentator, including the tense moments where he had to navigate riots and even gunfire. Plus, there's time to chat about his lifelong support for Portsmouth FC and the unforgettable highs of the club's remarkable run through the 00's. If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we're joined by a true legend of the commentary world – Ian Darke! He shares why it's best not to strike up a conversation with Des Lynam during the first 40 seconds of a flight, and what it's really like handling fiery managers like Sir Alex Ferguson and Neil Warnock. Ian also reflects on his time as a boxing commentator, including the tense moments where he had to navigate riots and even gunfire. Plus, there's time to chat about his lifelong support for Portsmouth FC and the unforgettable highs of the club's remarkable run through the 00's. If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pink Floyd's 'Animals', a lyrically dark, musically dense concept album loosely based on George Orwell's 'Animal Farm', is as eerily precient today as it was when first released in 1977. Rob and this week's guest, Portland, Oregon songwriter and
multi-instrumentalist James Cook (Trashcan Joe, Captain's Audio Project), take a deep dive into this sweepingly nihilistic classic. Songs discussed in this episode: Pigs On The Wing (Pink Floyd Cover) - Chrome; Waiting For The Moon, Really Hard To Find - Captain's Audio Project; Breathe (In The Air) - Pink Floyd; Rise Above - Black Flag; Pigs On The Wing (Part One), Astronomy Domine, Dogs, Shine On You Crazy Diamond, Dogs, Pigs (Three Different Ones), Sheep, Pigs On The Wing (Part Two) - Pink Floyd; A Little Bit Here - Trashcan Joe; Satan Wrote This Song - Captain's Audio Project

For this episode, we are joined by a no nonsense, tough tackling defender from the 00's - it's former England and Leeds United right-back Danny Mills!  Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! We finally get to the bottom of his rivalry with Arsenal fans - so does Danny actually hate them?  There's more revelations from Peter Risdale's office... Plus, Danny reveals what the England players were up to before that legendary 2002 World Cup showdown with Argentina, and why Stuart Pearce thought it was a great idea to chuck David James up front for Manchester City! Alex discusses his near death experience and we dig into some Dream Team correspondence.  If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this episode, we are joined by a no nonsense, tough tackling defender from the 00's - it's former England and Leeds United right-back Danny Mills!  We finally get to the bottom of his rivalry with Arsenal fans - so does Danny actually hate them?  There's more revelations from Peter Risdale's office... Plus, Danny reveals what the England players were up to before that legendary 2002 World Cup showdown with Argentina, and why Stuart Pearce thought it was a great idea to chuck David James up front for Manchester City! Alex discusses his near death experience and we dig into some Dream Team correspondence.  If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we're joined by a true cult hero of the 00's and the ultimate showman - Swansea City legend, Lee Trundle! Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! Lee shares his journey as a late bloomer in professional football and why, at 48, he's still out there tearing it up on the pitch. He takes us through his unforgettable goals, jaw-dropping skills, and the moment Soccer AM catapulted him into national fame. We also get the inside scoop on the Premier League move that almost happened, the surprising story behind his face appearing on a thong, and the time he landed an ASBO! Plus, we dive into your messages, including Guus Hiddink's bizarre eating habit and Ray Wilkins' unique way of lifting Chelsea's spirits after their dramatic 2009 Champions League exit to Barcelona. Got something to contribute? Drop us an email at hello@letsbehavingyou.com. And if you're a member of the QK Fan Club—good news! As we transition to the LBHY Fan Club, you'll still have access to all the old QK subscriber episodes, plus exclusive monthly specials from Let's Be Having You (which just might feature Big Ron Manager…).   So, good night Richard Wright, Chris, Alex, and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we're joined by a true cult hero of the 00's and the ultimate showman - Swansea City legend, Lee Trundle! Lee shares his journey as a late bloomer in professional football and why, at 48, he's still out there tearing it up on the pitch. He takes us through his unforgettable goals, jaw-dropping skills, and the moment Soccer AM catapulted him into national fame. We also get the inside scoop on the Premier League move that almost happened, the surprising story behind his face appearing on a thong, and the time he landed an ASBO! Plus, we dive into your messages, including Guus Hiddink's bizarre eating habit and Ray Wilkins' unique way of lifting Chelsea's spirits after their dramatic 2009 Champions League exit to Barcelona. Got something to contribute? Drop us an email at hello@letsbehavingyou.com. And if you're a member of the QK Fan Club—good news! As we transition to the LBHY Fan Club, you'll still have access to all the old QK subscriber episodes, plus exclusive monthly specials from Let's Be Having You (which just might feature Big Ron Manager…).   So, good night Richard Wright, Chris, Alex, and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this episode, we are joined by a tireless, box-to-box midfielder – former Wimbledon, West Ham United and Aston Villa star Nigel Reo-Coker. Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! Did the June Bug drink really propel West Ham to the 2006 FA Cup final? Nigel reveals all on infamous trips to the big 00's hangout…TGI Friday's!  We also revisit his early career at Wimbledon, getting his firsthand take on the club's controversial move to Milton Keynes. Plus, Nigel explains how he inadvertently told then-England manager Sven Goran Eriksson to “f*** off” ahead of the 2006 World Cup.  And, of course, we dive into your correspondence, including a singing Premier League manager from the 00's who could have easily headlined a music festival! Got something to contribute? Drop us an email at hello@letsbehavingyou.com. And if you're a member of the QK Fan Club—good news! As we transition to the LBHY Fan Club, you'll still have access to all the old QK subscriber episodes, plus exclusive monthly specials from Let's Be Having You (which just might feature Big Ron Manager…).   So, good night Richard Wright, Chris, Alex, and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this episode, we are joined by a tireless, box-to-box midfielder – former Wimbledon, West Ham United and Aston Villa star Nigel Reo-Coker. Did the June Bug drink really propel West Ham to the 2006 FA Cup final? Nigel reveals all on infamous trips to the big 00's hangout…TGI Friday's!  We also revisit his early career at Wimbledon, getting his firsthand take on the club's controversial move to Milton Keynes. Plus, Nigel explains how he inadvertently told then-England manager Sven Goran Eriksson to “f*** off” ahead of the 2006 World Cup.  And, of course, we dive into your correspondence, including a singing Premier League manager from the 00's who could have easily headlined a music festival! Got something to contribute? Drop us an email at hello@letsbehavingyou.com. And if you're a member of the QK Fan Club—good news! As we transition to the LBHY Fan Club, you'll still have access to all the old QK subscriber episodes, plus exclusive monthly specials from Let's Be Having You (which just might feature Big Ron Manager…).   So, good night Richard Wright, Chris, Alex, and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're back with series two of Let's Be Having You — and this time, we're joined by a true cult hero of sports broadcasting! A man once dubbed a “f****** legend” by Noel Gallagher… it's none other than former Match of the Day, Football Focus, and Final Score host, Ray Stubbs! Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! With a career spanning six decades, Ray takes us through some wild moments—from bizarre sponsorship deals with his boyhood club Tranmere Rovers to convincing Diego Maradona and Gazza to take part in ‘Mystery Sportsman' on A Question of Sport. Plus, he shares the chaos of covering Liverpool's UEFA Cup opponents after one too many lunchtime shots. We also dig into your correspondence, including a look at former Premier League referee Uriah Rennie's unexpected role as the ‘Ice Judge' on ITV's 00s game show Freeze Out! Got something to contribute? Drop us an email at hello@letsbehavingyou.com. And if you're a member of the QK Fan Club—good news! As we transition to the LBHY Fan Club, you'll still have access to all the old QK subscriber episodes, plus exclusive monthly specials from Let's Be Having You (which just might feature Big Ron Manager…). So, good night Richard Wright, Chris, Alex, and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're back with series two of Let's Be Having You — and this time, we're joined by a true cult hero of sports broadcasting! A man once dubbed a “f****** legend” by Noel Gallagher… it's none other than former Match of the Day, Football Focus, and Final Score host, Ray Stubbs! With a career spanning six decades, Ray takes us through some wild moments—from bizarre sponsorship deals with his boyhood club Tranmere Rovers to convincing Diego Maradona and Gazza to take part in ‘Mystery Sportsman' on A Question of Sport. Plus, he shares the chaos of covering Liverpool's UEFA Cup opponents after one too many lunchtime shots. We also dig into your correspondence, including a look at former Premier League referee Uriah Rennie's unexpected role as the ‘Ice Judge' on ITV's 00s game show Freeze Out! Got something to contribute? Drop us an email at hello@letsbehavingyou.com. And if you're a member of the QK Fan Club—good news! As we transition to the LBHY Fan Club, you'll still have access to all the old QK subscriber episodes, plus exclusive monthly specials from Let's Be Having You (which just might feature Big Ron Manager…). So, good night Richard Wright, Chris, Alex, and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

«En Amérique, nous sommes là depuis 3 siècles, rejetés dans le ghetto, mais nous sommes Américains !» revendiquait l'écrivain Richard Wright. Être des Américaines et des Américains comme les autres, est une aspiration partagée par toutes celles et ceux qui ont répondu à l'enquête historique menée par les deux sociologues africains américains St. Clair Drake et Horace R. Cayton dans les quartiers de Black Metropolis, au cœur du ghetto de la ville de Chicago. Une enquête devenue un classique de la socio-anthropologie urbaine, publiée aux États-Unis en 1945 et enfin disponible en français. Mais que raconte Black Metropolis de la réalité quotidienne des migrants noirs arrivés dans ce bastion industriel du nord ? Comment sont-ils venus alors qu'ils fuyaient le racisme officiel des États du sud ? Comment ont-ils survécu et lutté pour leurs droits dans le ghetto urbain de Chicago ? Et comment ont-ils organisé leur vie sociale et culturelle au rythme du blues de Chicago, genre musical qu'ils ont inventé ? Autant de questions à évoquer avec nos invitées Anne Raulin et Danièle Joly, directrices de la traduction en français de Black Metropolis, une ville dans la ville, Chicago, 1914-1945.À lire : Black Metropolis, une ville dans la ville, Chicago, 1914-1945, aux éditions de la MSH dans la collection Amérique(s).Une traduction dirigée par Anne Raulin, professeure émérite en Anthropologie à l'Université Paris Nanterre et spécialiste des minorités urbaines et des dynamiques mémorielles et Danièle Joly, sociologue, professeure émérite à l'Université de Warwick et spécialiste des questions d'intégration, de discrimination et d'asile en Europe. Playlist :  Duke Ellington, Caravan Mahalia Jackson, Precious Lord take my hand Jelly Roll Morton, Winin'boy blues Robert Johnson, Sweet home Chicago. Pour aller plus loin :À écouter aussi«Chicago - Juillet 1919, les premières émeutes raciales» Black Lives Matter, l'affaire Emmett Till

When Vivian Harsh became a Chicago librarian, she began what was called at the time the “Special Negro Collection” – an archive housing Black history and literature. Harsh knew writers like Langston Hughes, Gwendolyn Brooks, Richard Wright and Zora Neale Hurston personally. Their work is also housed in the Vivian Harsh Research Collection, at Chicago's Woodson Regional Library. Reset chats with the unit head of the collection, Raquel Flores-Clemons, to learn about Harsh's life and legacy. For a full archive of Reset interviews, head over to wbez.org/reset.

Caleb opens today's episode with a mini (sarcastic) review of "As I Lay Dying" by William Faulkner. After that, we discuss our Book of the Month, "Native Son" by Richard Wright. We cover the topics of racism, social injustice, class status, and poverty.  You can follow us on Instagram, Facebook, and Twitter @dpwpodcast You can check out Caleb's work at www.calebjamesk.com. 

WELCOME TO CARRIED AWAY... THE SATC REWATCH PODCAST - where two twenty something women rewatch the iconic 90s series... twenty something years later. In this weeks episode we see Carrie invite Big to the country, Charlotte suggest that Trey has his sperm tested, Sam is hired by Richard Wright and Miranda supports Steve with a mercy fuck. We get Carried Away… discussing Big's Big karma, Trey's reaction to Charlotte suggestion, the introduction of Richard Wright, Steve's spot of testicle shopping, emotions in the workplace, society's gender expectations, Charlotte brining porn to the doctors office, Aidan and Big's break through and abso-fucking-lutely everything in between. Find out which characters we relate to most and our hilarious quotes of the episode!

Settling for your day to day routine is one of the best ways to ensure a boring unfulfilled life. When you feel unfulfilled and like everyday is filled with going through the motions, it becomes easy to turn to unhealthy, self-destructive habits. Without understanding why you feel this way, affairs, drugs, and other unhealthy addictions have the opportunity to creep in. Robert Greene is well known for books that have shaped culture, challenged beliefs and p*ssed quite a few people off. The Daily Laws, Mastery and The 48 Laws of Power are just a few of his bestselling books. Robert joins Tom in this epic conversation about how to look inward and uncover the root cause of the boredom that leaves you feeling like your just wasting life away. Fulfillment is key if you really want to change your life around. The path to fulfillment involves mastery and Robert breaks down our need for stress in order to get there. ORIGINAL AIR DATE: 11-8-22 Native Son by Richard Wright: https://www.amazon.com/Native-Son-Richard-Wright/dp/0061148504 SHOW NOTES: 0:00 | Introduction to Robert Greene 0:25 | Why Your Life Is So Boring 10:03 | Can't Handle Change 23:40 | Admit You're Out of Control 35:12 | Everyone Is Seeking Power 44:42 | This Is The Goal of Mastery 55:01 | Self-Absorption Kills Fulfillment 1:06:51 | Competing Ideas Can Both Be True 1:14:05 | Pain of Challenged Viewpoints 1:20:40 | This Will Transform Your Skills Follow Robert Greene: Website: https://powerseductionandwar.com/ What's up, everybody? It's Tom Bilyeu here: If you want my help... STARTING a business: join me here at ZERO TO FOUNDER SCALING a business: see if you qualify here. Get my battle-tested strategies and insights delivered weekly to your inbox: sign up here. ********************************************************************** If you're serious about leveling up your life, I urge you to check out my new podcast, Tom Bilyeu's Mindset Playbook —a goldmine of my most impactful episodes on mindset, business, and health. Trust me, your future self will thank you. ********************************************************************** Join me live on my Twitch stream. I'm live daily from 6:30 to 8:30 am PT at www.twitch.tv/tombilyeu ********************************************************************** LISTEN TO IMPACT THEORY AD FREE + BONUS EPISODES on APPLE PODCASTS: apple.co/impacttheory ********************************************************************** FOLLOW TOM: Instagram: https://www.instagram.com/tombilyeu/ Tik Tok: https://www.tiktok.com/@tombilyeu?lang=en Twitter: https://twitter.com/tombilyeu YouTube: https://www.youtube.com/@TomBilyeu Learn more about your ad choices. Visit megaphone.fm/adchoices

Carrie insecurities arise when she learns Petrovsky has many "loverrrs" from his past. Meanwhile Miranda has an ugly run-in with Dr. Robert in the stairwell while Charlotte volunteers to help the blind. And Samantha, has one of the most heart-warming scenes with Smith Jerrod after attending Richard Wright's hotel party.   

We're back! We know it's been a rough few weeks, heck a rough year, for a lot of us. We decided this week's episode would be all about our TV & movie "comfort food". This episode is chock-full of what we like to watch when we need that show that brings back great memories, has characters that feel like our best friends, or just helps us feel that everything is going to be OK. Pattie's ListScrubs, Powerpuff Girls, It's Always Sunny in Philadelphia, Buffy the Vampire Slayer, Game Shows, Battlestar Galactica, Doctor Who, Dirty Jobs, How It's Made, Studio Ghibli Movies, It's Alive series, Princess Bride, The NeverEnding Story, Babe. Bill's ListParks & Rec, Star Trek, True Lies, Real Genius, Star Wars, Armageddon, Predator, Aliens, Oceans 13, The Mummy, Shawshank Redemption, Office Space, and the book Black Boy by Richard Wright. Find us on our website thewatchlistpod.com or social media @theWatchListPod and tell us: What's YOUR comfort food?

"Wright was one of those people," said poet Amiri Baraka, "who made me conscious of the need to struggle." In this episode, Jacke takes a look at the life and works of Black American novelist and poet Richard Wright (1908-1960), author of Uncle Tom's Children, Native Son, Black Boy, and thousands of haiku. Born in Mississippi in desperate poverty to a schoolteacher mother and a sharecropper father (who were themselves the free children of formerly enslaved peoples), Wright had little formal education until he was 12, when he quickly demonstrated his intelligence and passion for reading. After high school, Wright traveled north to Chicago, where he set his most famous work, the fiery Dostoevskyan novel Native Son. Quickly achieving celebrity as one of America's most famous and successful Black writers, Wright moved to Paris, where he lived the rest of his life - and where he met a young James Baldwin, who accepted Wright's help before writing a pair of essays that strongly criticized Wright's fiction. Additional listening suggestions: Baldwin v. Faulkner James Baldwin, "Going to Meet the Man" 358 The Profound Wisdom of Black Life and Literature (with Farah Jasmine Griffin) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.   Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices