Podcast appearances and mentions of Richard Wright

Un nouvel album de PHIDEAUX c'est un bel évènement ! Malheureusement "AutoMoto Animus", titre de ce nouvel opus du multi-instrumentiste texan (dont la musique est traversée par des influences allant de Jethro Tull à Pink Floyd, en passant par Genesis, Vand Der Graff ou encore Bowie), ne sortira qu'après cette saison. Mais le bougre nous laisse une jolie carte de visite avec un premier single à découvrir en ouverture de ce numéro !  La fin de saison approche et il ne reste plus grand chose des atours de Cunégonde qui s'est gracieusement dévoilée depuis la rentrée. Le dernier album d'ANGE vous aura été entièrement exposé tout au long de ce cycle 2024/2025, un superbe opus dans lequel la voix de Tristan Décamps est désormais prédominante mais le Père n'a pas dit son dernier mot, celui de la fin de cet effeuillage sonore sera en effet laissé à Christian Décamps dans notre ultime épisode de fin de saison ! Un groupe qui ayant quelques difficultés à se trouver un nom, "oiseau rare" (but in english in the text!), publie son premier album éponyme en 1969 après avoir été repéré par Tony Smith, le manager de Genesis et Van Der Graaf Generator. Belle opération pour le businessman car le titre "Sympathy" va pulvériser les charts, surtout hors de leur Angleterre natale (il seront par exemple numéro un en France). Mais comme ce "tube" est suffisamment diffusé dans toute bonne radio commerciale qui se respecte, je vous propose donc ici un autre extrait de ce coup d'essai réussi, premier d'une série de 5 albums jusqu'à la dissolution des RARE BIRD en 1974. Parlons maintenant d'une naissance, l'arrivée dans la scène régionale d'un groupe jazz fusion baptisé UNSQUARE. Ce quartet nantais se définit comme du jazz progressif. Deux singles ont été publiés en 2025 sur les plateformes de streaming et un premier EP est attendu pour la fin de cette année. En cas d'impatience ou de curiosité, vous pourrez aller les voir en concert dans le cadre du PROG NIGHT qui se déroulera au Floride à Nantes le 26 juin. Ils y partageront l'affiche avec les groupes Elements et Hamasaari. En attendant, l'un de leurs singles est proposé à vos cages à miel dans cette émission. Autre nouvelle formation, cette fois, plutôt le versant métal du prog : DUALISIS. Un métal qui reste mélodique et accessible avec une jolie voix féminine. Leur 1er EP  "Us" est de bonne augure pour la suite. Ils seront également visibles sur pas mal de scènes avec un agenda bien rempli jusqu'à la fin de l'année ! Pour la région de votre radio préférée, je peux vous indiquer demain 12 juin le V'n B de Saint-Herblain, sinon plus tard et plus au nord : Hennebont (Morbihan) le 10 juillet. Plein d'autres dates sur leur site !  Direction les Pays-Bas avec le nouvel album de GLORIOUS WOLF : "Elements Of Hope". J'ai découvert ce projet porté par Ruud Dielen il y a maintenant 3 ans et quel plaisir de replonger dans son univers ! Ruud est un passionné et s'inspire du rock progressif "old school". Mais attention il produit toutefois une musique ancrée dans notre époque et superbement produite. Le concept de sa dernière œuvre est le passage d'un enfant à l'âge adulte dans un monde chaotique, se retrouvant confronté à de nouveaux défis, comme l'IA. Mais comme le titre l'indique, il y a des raisons d'espérer !  Depuis que Sony s'est offert le catalogue de PINK FLOYD, les commerciaux de la firme se démènent pour nous amener à dépenser régulièrement nos soussous dans leur popoche en revisitant sous toutes les formes possibles les productions de la poule aux oeufs d'or… Cette fois encore ils font appel à Steven Wilson pour rafraichir un peu le teint de cette institution. Il s'agit cette fois d'une compilation de 7 titres considérés sans doute comme les plus "bankables" pour essayer d'attirer un nouveau public et d'un 8ème pour nous convaincre, nous les anciens, de mettre aussi et encore la main à la poche, ce titre étant proposés dans une version quasi inédite  ! 1977, l'album "Animals". Rappelez-vous l'album commence par un très court titre acoustique dédié à la nouvelle femme de Roger Waters, Carolyne Christie. Ce titre, "Pigs On The Wings", est repris en clôture de l'album pour une 2ème partie toute aussi courte. Or à l'origine, cette chanson ne devait en faire qu'une seule, avec sur le pont, un savant l'un de ces solos de guitare comme  David Gilmour sait si bien les faire. Par mégarde en tripatouillant la console pendant l'absence de l'ingé-son, nos musiciens effacent le solo de guitare (on est à l'ère de l'analogique, l'opération est irréversible). Entre alors en cabine Snowy White, guitariste de soutien de scène du groupe (qui collaborera ensuite avec le claviériste Richard Wright pour son premier album solo "Wet Dream" en 1978 puis avec Roger Waters après son départ du Floyd). On propose à Snowy de jouer un solo sur le pont de "Pigs On The Wings", la prise est gardée et le titre est prévu de sortir sous cette forme. Mais Waters choisi finalement de couper le titre en deux partie pour "encadrer" l'album, exit le pont et donc  la partie de Snowy White. La prise originale est toutefois disponible (mais rare !) sur la version cartouches 8 pistes de l'album, concurrence à l'époque de la cassette audio et qui avait pour avantage de pouvoir tourner en boucle sans avoir à être retournée. Ce format, bien plus encombrant que la cassette, sera utilisé essentiellement en radio pour les jingles et les pubs mais ne sera pas développé pour le grand public en Europe. Il connaîtra une distribution assez confidentielle en Amérique du Nord. En anglais cette cartouche est appelée tout simplement "8-tracks cartridge", ainsi la nouvelle compilation, comportant par ailleurs 8 titres a donc été baptisée du double juste titre  "8-Tracks". L'extrait proposé dans ce numéro est cette rare version "non coupée" et avec le solo de White que personnellement je n'avais jamais entendue !    Revenons en France, y compris dans le texte avec une écriture véritable pièce d'orfèvrerie :  ALCAZ.    Je ne connaissais pas  encore ce duo marseillais dont le dernier album intitulé "Le Nid des Anges" est paru l'année dernière.  7ème opus de Jean-Yves Liévaux et Viviane Cayol, mais malheureusement Viviane a été emportée par la maladie peu de temps après sa publication. Reste ce bel héritage que je ne connaissais pas, une musique et des mots que je vous invite à parcourir et une pensée pour Viviane, qui par ailleurs était également peintre. Extrait de ce "Nid des Anges" dans cet épisode d'Amarok. Repartons aux USA, pas pour la coupe du monde (qui à vrai dire m'importe peu), mais pour ce diptyque orwellien "2084" par BUILT FOR THE FUTURE. Il s'agit du 4ème album de ce groupe de San Antonio (Texas). Curieusement le communiqué de presse ne le cite pas mais "2084 La Fin Du Monde" est un livre de Boualem SANSAL. Alors je ne sais pas si le groupe s'en est inspiré ou en a juste repris le titre , n'ayans pas (encore) lu cet ouvrage. Mais côté musique, il s'agit donc après "2084 Heretic" (le précédent album) de "2084 Empire" qui paraît en double CD.  Nos texans futuristes sont de musiciens qui écumaient déjà les scènes dans les années 80 mais qui, motivés par les croisement du rock progressif et de la pop qualitative, de Tears For Fears et Rush à Pink Floyd (encore eux !) décidaient donc de construire l'avenir avec ce beau projet et leur style personnel. Bien leur en a pris, un bel univers à découvrir. Si MIKE OLDFIELD et Richard Branson étaient potes à l'époque de Tubular Bells et dans début des 70's, le second, patron entre autres des disques Virgin, est devenu le meilleur ennemi du premier qui rongeait son frein (bizarre ça comme expression d'ailleurs, qui fait ça ?!!!) en attendant d'être libéré de ses obligations contractuelles au sein du célèbre label. En guise d'ultime album, alors que le milliardaire attendait de son poulain une nouvelle version des fameuses cloches tubulaires, le Maëstro publie en 1991 l'album libérateur "Heaven's Open" qu'il signe de son prénom complet "Michael" et dont il s'approprie exceptionnellement le poste de chanteur principal (ce qui n'est pas sa qualité première). Comme s'il voulait savonner la planche de son patron avant de livrer le "Tubular Bells II" tant attendu à sa nouvelle écurie WEA dès l'année suivante. Un album atypique donc, mais où Oldfield se lâche par exemple en flirtant à sa manière avec des rythmes reggae sur le titre diffusé dans cet épisode : Rendez-moi tous mes attributs !  L'une des influences "old school" de Ruud (cité plus haut pour Glorious Wolf) a peut-être été ce groupe de compatriotes des seventies : FOCUS. On retrouve ici les néerlandais sur le 2ème album logiquement intitulé à l'origine "Focus II" et paru en 1971, album devenu par la suite plus connu et réédité sous le nom de "Moving Waves", histoire de finir en douceur cette nouvelle étape au pays des musiques progressives, l'une des dernières avant la fin du voyage dans deux semaines déjà…   Thierry Joigny AMAROK, chaque jeudi, à 20h  

This week, Melissa stops by and we talk protests, ongoing anti-racism work, losing community, fear, love, sobriety, and a whole lot more. We speak about the original voices of truth for human rights, civil rights, and equality for all. The Black, Indigenous, and People of Colour shared and continue to share these messages of truth  despite the violence, racism, ignorance they face at every turn.We talk literature ideas to expand thinking. She mentions Toni Morrison. Some influencial authors for me are Richard Wright, Assata Shakur, Angela Davis, James Baldwin and beyond....in no particular order other than most recent reads. We explore addiction support found inside the twelve step rooms. What lingers with me after these discussions is the deeply ingrained cult mentality and language used. Even years after leaving.I told myself I would die without the rooms...it is simply not true. In fact, I was closer to dying inside them. I was not alone in believing once we leave, we will drink, use and die. It is so common that it is a part of the overall program now, which of course serves to reinforce the toxic belief. If you leave, you will die. This phrase rings out in my brain to this day and who knows, maybe it always will. Thank you for your vulnerability and openness Melissa, we are so grateful!

durée : 02:30:05 - Les Matins de France Culture - par : Guillaume Erner - Ce matin, à 7h40 puis 8h20, Juliette Binoche est l'invitée de Guillaume Erner. Elle présente “En nous”, son dernier film avec Akram Khan, en salles le 3 juin. À 7h17, l'historien Pierre Grosser revient sur les relations entre l'Union européenne et Vladimir Poutine. - réalisation : Félicie Faugère, Marie-Lys de Saint Salvy, Mathilde Thon-Fourcade, Emma Lichtenstein, Juliette Devaux, Jean Leymarie, François Saltiel, Alexandra Delbot, Lucile Commeaux, Gilles Gressani, Yoann Duval, Alice Deschamps Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Richard Wright has made pots for 30 years. Living in Lenoir North Carolina, Richard is a full time potter. Previously a Physical Therapist, Richard continues to use his hands but in a more craft centered way. Richard's work is considered Catawba Valley traditional pottery, where the potters use native clay with an attention to form. Richard lives with his wife of 29 yrs, has 3 children, and lives in a home from the 1800s. https://ThePottersCast.com/1231

We take a look at some of the 00's most crazy press conferences.  Part 1 of the podcast came out earlier this week, so if you missed it... make sure to go back and listen! From Joe Kinnear's foul-mouthed tirade at the press in his FIRST news conference as Newcastle United manager to Ian Holloway's attempts to analogise a home win over Chesterfield.  Geoffrey Richmond's bizarre effort to appease Leeds United fans also comes up, while of course it's a FACT that we covered Rafa Benitez's meltdown.  If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com  If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..)  So good night Richard Wright,  Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

We take a look at some of the 00's most crazy press conferences. From Joe Kinnear's foul-mouthed tirade at the press in his FIRST news conference as Newcastle United manager to Ian Holloway's attempts to analogise a home win over Chesterfield. Geoffrey Richmond's bizarre effort to appease Leeds United fans also comes up, while of course it's a FACT that we covered Rafa Benitez's meltdown. If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

Governor Brian Kemp's last hurrah with the veto pen (and the 'sign into law' pen, too) is akin to burying landmines on property just before abandoning it for someone else to step all over. Income & property tax relief measures passed by the GOP-led General Assembly will shift tax burden onto consumption taxes everyone will pay - disproportionately impacting the poor and working class - to give the better-and-well-of a break. Meanwhile, those revenue cuts also created a budget shortfall his vetoes don't measure to. So with those 'tough decisions' to make he chose curbing funds to combat veteran homelessness and money earmarked for K-12 student transportation needs. Wouldn't those buses help get students-of-need to those private schools their vouchers were supposed to bridge the gap for? - -- There's been so much attention paid to who ought to represent each party in the gubernatorial race that Georgia voters have no idea who ought to be lieutenant governor, with each party's candidates failing to gather enough support to overcome 'undecided' on either side. One of the three Democratic options - Richard Wright, a certified public account and not a career politician - joined the show today to make his case.

Greg Bluestein and Patricia Murphy break down the increasingly volatile race for second place in Georgia's governor's contest, where Democrats are scrambling to emerge as the strongest alternative to Keisha Lance Bottoms and Republicans remain locked in an expensive fight over who can take on Burt Jones. They dig into Michael Thurmond's pitch to cut the state sales tax, why Jason Esteves may be gaining momentum, and why so many Democratic voters remain undecided just days before the primary. Then Greg and Patricia turn to the Democratic race for lieutenant governor, where Josh McLaurin, Nabilah Islam Parkes and Richard Wright are battling for a job that suddenly carries much higher stakes in Georgia politics. They also discuss why a Democratic win in either race could trigger a major power struggle under the Gold Dome. Have a question or comment for the show? Call or text the 24-hour Politically Georgia Podcast Hotline at 770-810-5297. We'll play back your question and answer it during our next Monday Mailbag segment. You can also email your questions at PoliticallyGeorgia@ajc.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

May of 2004, Richard Wright - a 53-year-old Akron mail carrier - returned home from a trip to Las Vegas, and stopped on his way home from the airport to have a drink in his neighborhood bar. Shortly after, someone followed him home from the bar and shot him dead in his driveway. But he wasn't robbed, so who killed Richard Wright, and why? Ohio Mysteries: ⁠http://www.ohiomysteries.com⁠ Akron Beacon Journal: ⁠http://www.beaconjournal.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In the final part of our detailed conversation with Greg Taylor, he reflects on the last Pink Floyd concerts he attended during the post-Barrett years, spanning 1969 to 1971. From the early days of the band's pioneering surround sound system at The Dome in Brighton in 1969, Greg takes us through a vivid period of cultural change and personal creative growth. As an emerging avant-garde artist, Greg became increasingly driven to document what he was witnessing, recording live performances, taking photographs, and even capturing footage of Hyde Park 1970 on Super 8 film. Greg's resourcefulness placed him closer to the action than most. Whether blending in with a makeshift press pass or positioning recording equipment on stage, Greg experienced key moments in Pink Floyd's evolution with rare immediacy. One standout memory comes from a bold decision to head backstage during an interval, leading to an unexpected encounter when Richard Wright answered the dressing room door. This concluding episode offers a fascinating, first-hand perspective on a transitional era for Pink Floyd, as they moved through experimentation towards the defining successes that would follow. Subscribe for more episodes, and we would love to read your own memories or questions in the comments. Part 2 of The Legend of Mick The Hat arrives next month.

Mark 11:1-11“If you possess enough courage to speak out what you are, you will find you are not alone.” - Richard Wright

 A brief take on subfields in African American literary studies, showing how areas like the Harlem Renaissance, Richard Wright studies, the Black Arts Movement, and Toni Morrison Studies emerged over time to organize research, debates, and scholarly communities. Script by Howard Rambsy IIRead by Kassnadra Timm

Comenzaremos la primera parte del programa hablando de la ayuda internacional que está recibiendo Cuba para afrontar la crisis energética y económica; y de la reapertura del diálogo con España sobre los abusos del colonialismo en México. Hablaremos también del aumento considerable de la población de mariposas monarca en México esta temporada; y por último, de la investigación de Reuters que ha dado con la verdadera identidad del artista callejero Banksy.   La segunda parte del programa estará dedicada a la lengua y cultura de América Latina. En nuestro diálogo gramatical ilustraremos ejemplos de Affirmative/Negative Adverbs and Adverbs of Doubt. En este segmento hablaremos de la película argentina Sangre Negra, adaptada del libro de Richard Wright sobre la desigualdad racial en Estados Unidos. Cerraremos la emisión explorando el uso de la frase No llegar a los talones mientras conversamos sobre la Rambla de Montevideo. - Cuba recibe ayuda internacional para afrontar el bloqueo estadounidense - El rey de España reabre el diálogo sobre la Conquista de México - México comienza a recuperar sus mariposas monarca - Revelan la verdadera identidad del artista callejero Banksy - La joya del cine negro que encontró su salvación en Argentina - La Rambla, el orgullo de Montevideo

Along with dozens of scholarly articles and a handful of edited books and journal issues, he is the author of seven books: Sensibility and Singularity (2001), Godard Between Identity and Difference (2008), Levinas and the Postcolonial (2012), Glissant and the Middle Passage (2019), and three recent books that are the occasion for our conversation, Atlantic Theory (2025), So Unimaginable a Price (2026) and At the Margins of Nihilism (2026). He is also the co-editor with Michael Sawyer of Journal of French and Francophone Philosophy and co-host of both The Black Studies Podcast and Conversations in Atlantic Theory.In today's conversation, we explore Dr. Drabinski's three latest monographs: In Atlantic Theory, where he traces the enduring legacies of slavery and colonialism while offering a comparative account of critical thought across the Atlantic world. In So Unimaginable a Price, he turns to James Baldwin, situating his work within a broader mid-century Atlantic context and placing it in dialogue with thinkers across the Caribbean and Africa.Finally, in At the Margins of Nihilism, he develops a theoretical framework through a comparative reading of Jacques Derrida and Orlando Patterson, drawing on figures such as Richard Wright, Frantz Fanon, and Baldwin to examine how different forms of nihilism operate as closed systems, and how they are unsettled through vernacular practices of life and refusal.

Voor het eerst in de geschiedenis van De Grote Vriendelijke Podcast publiceren we een gesprek met een buitenlandse schrijver. Maar niet zomaar één: volgens kinderboekrecensenten Jaap Friso (JaapLeest.nl) en Bas Maliepaard (Trouw) een van de beste hedendaagse jeugdboekenschrijvers van de Verenigde Staten: Jason Reynolds. Hij is bekend van rauwe, swingende, poëtische en empathische young adultboeken over zwarte jongeren als '67 seconden', 'Toen ik de sterkste was' en '24 seconden vanaf nu' (alle Blossom Books 15+), van de verhalenbundel 'Let goed op' en de Track-serie, waarvan nu drie delen in het Nederlands verkrijgbaar zijn: 'Ghost', 'Patina' en 'Sunny' (alle Condor 10+). Jason Reynolds kwam op uitnodiging van zijn Nederlandse uitgeverijen naar Nederland en ging op 21 maart 2026 voor een uitverkochte zaal in de Bibliotheek Utrecht in gesprek met kinderboekenschrijver en presentator Milouska Meulens. Bij het gesprek schoof ook zijn Nederlandse vertaler Maria Postema aan (onder meer over hoe je woordgrappen met dairy en diary in hemelsnaam naar het Nederlands overbrengt) en kwamen Griffeljuryleden Ernestine Comvalius en Joan Windzak hem de Zilveren Griffels uitreiken, die hij in 2022 won voor 'Let goed op' en in 2025 voor 'Patina'.  In deze integrale registratie hoor je Jason praten over zijn liefde voor een begin of een eind, over schrijven als het meest serieuze spel in zijn leven, dat boeken mogen entertainen, hoe hoofdstuk twee meestal het eerste hoofdstuk wordt, zijn ego én onzekerheid, de metronoom die hij tijdens het schrijven altijd hoort tikken in zijn hoofd en waarom hij altijd antwoord geeft als kinderen vragen of hij rijk is. Helemaal in het Engels dus, deze Big Friendly Podcast. Enjoy! Verwijzingen in deze aflevering Andere boeken Jason noemt het eerste boek dat hij ooit las: 'Black Boy' van Richard Wright. Ook noemt hij herhaaldelijk het werk van Toni Morrison, specifiek 'Beloved' ('Beminde', De Bezige Bij).  Maria Postema In aflevering 112 van de GVP hoor je Maria Postema nog uitgebreider over het vertalen van het werk van Jason Reynolds. Interview Bas met Jason Bas interviewde Jason Reynolds in 2021 voor Trouw. Dat stuk is hier terug te lezen.

In Part 2 of our in-depth conversation with Greg Taylor, we turn to Pink Floyd's concerts in 1968, as Greg recalls a series of extraordinary performances he witnessed during that transitionary year.At the centre of the episode is Greg's vivid recollection of the 19 January 1968 concert at Lewes Town Hall, a rare performance featuring the short-lived five-man Pink Floyd line-up with Syd Barrett and David Gilmour both on stage. Greg remembers the evening in remarkable detail, from the character of the hall itself and the local promoter who organised the event, to the backstage atmosphere and the stories that have survived from that night.Most striking of all is Greg's memory of David Gilmour positioned slightly behind Syd Barrett on stage, ready to step forward if Syd stopped playing. It is a fascinating glimpse of Pink Floyd at a fragile moment, still carrying Syd's creative, painterly vision while beginning to adapt to the possibility of continuing without it.The conversation then moves through recollections of several other memorable performances from 1968, including the Falmer House Courtyard show at the University of Sussex in May, the Midsummer High weekend concert in June at Hyde Park, (where Greg captured remarkable photographs of the band at close range), and Middle Earth at the Roundhouse in October.Greg also talks about taping some of the Floyd's BBC sessions, photographing concerts as a teenager, and the atmosphere of the British underground music scene in the late 1960s.If you are interested in early Pink Floyd, Syd Barrett, psychedelic London, and the live music culture of the late 1960s, Greg's memories offer a rare, intimate, first-hand window into that world.Subscribe for more episodes, and we would love to hear your own recollections or questions in the comments. Part 3 on Greg's journey through 1969 - 1971 premieres next month, so don't miss it!

This episode celebrates the conviction of Zora Neale Hurston in holding to her principles in spite of pressure from both the literary world and leaders within the Harlem Renaissance to write in a fashion that was both palatable and expressive of the black grief and pain of American racism.Though Zora acknowledged that Black Americans experienced hardships associated with prejudice, she did not believe it was the predominant experience that should be expressed in literature.  For Zora, Black people were joy and beauty, intelligence and love and in no great measure were we robbed of presence and prestige because of the divisions of segregation.  Therefore, her writings in the 1920's and 30's were a deviation from the harsher realities portrayed by other authors such as Richard Wright.  Additionally, as an anthropologist, Zora held to the dialect and vernacular of the subjects she interviewed despite urgings to make the text ‘tidier' for the reader.  Rather, Zora chronicled the accounts of her subjects unchanged from how they were delivered to her.These choices unfortunately had a deleterious impact on her work and though she saw great success with ‘Their Eyes Were Watching God', she subsequently found it impossible to get published and ultimately had to return to menial labor and living in housing for the poor.Fortunately many years after her death, some of her work was resurrected and published, like Barracoon completed in 1931, published 87 years later in 2018.If you would like to engage with the podcast, submit your listener questions to info@NurahSpeaks.com.  Listeners can also learn more by visiting NurahSpeaks.com.You can follow Nurah Speaks on X, Instagram and Facebook @NurahSpeaks and subscribe to the channel on YouTube.

It's been over 30 years since we were treated to a new album from Pink Floyd's Richard Wright. This was his second, and last solo album.Dig in with Nik and Duncan.

About the Lecture: This talk examines Soviet engagement with Black American literature by tracing unexpected continuities between Imperial Russian and Soviet approaches to race and cultural diplomacy. Through close analysis of literary criticism published in Soviet journals from the 1930s through the 1960s, particularly reviews of works by Langston Hughes, Richard Wright, James Baldwin, and W.E.B. Du Bois in "International Literature" (Internatsional'naia literatura) and "Foreign Literature" (Inostrannaia literatura), this lecture demonstrates how Soviet critics developed formulaic reading practices that served remarkably similar functions to Tsarist-era engagement with American racial issues and western colonialism. Both regimes used American racism as a mirror to reflect their own moral superiority and projected paternalistic leadership over distant oppressed peoples, from Imperial Russia's relationship with Ethiopia in the nineteenth century to the Soviet Union's post-war interest in a rapidly decolonizing Africa. The talk reveals how literary criticism functioned as ideological instruction in the Soviet Union, with critics constructing a carefully curated canon of acceptable Black literature that taught readers how to “properly understand” Black American life, reinforcing the state's anti-racist credentials while serving Cold War propaganda goals. By attending to these continuities rather than taking revolutionary rhetoric at face value, the lecture offers new insights into Soviet cultural politics and the enduring patterns of Russian soft-power projection that remain relevant to understanding contemporary Russian foreign policy. About the Speaker: Jesse Kruschke is a PhD Candidate and Teaching Assistant in the Department of German, Nordic, and Slavic+ at the University of Wisconsin-Madison. Her research focuses on the Soviet reception of twentieth-century American literature, with particular attention to how literary journals published, translated, and framed the work of leftist Black

We've talked recently on Chris Fabry Live about the rich history of African American biblical messages and the Black musical tradition. What do we learn from reading Black books? Pastor and author Claude Atcho takes us through the works of Ralph Ellison, Richard Wright, James Baldwin, Zora Neal Hurston, and others to hear how their stories sharpen our theological thinking. Featured resource:Reading Black Books: How African American Literature Can Make Our Faith More Whole and Just by Claude Atcho February thank you gift:The Love Language That Matters Most by Gary Chapman and Les & Leslie Parrott Chris Fabry Live is listener-supported. To support the program, click here.Become a Back Fence Partner: https://moodyradio.org/donateto/chrisfabrylive/partnersSee omnystudio.com/listener for privacy information.

Between the 1930s and '50s, Chicago was a hub for Black writers, poets and creatives – an era known as the Chicago Black Renaissance. A number of great literary, music and art names came out of Chicago during this renaissance – including Gwendolyn Brooks, Richard Wright, Margaret Walker, Nat King Cole, Langston Hughes and many more. In the Loop dives into Chicago's poetry scene then and now, with Chicago Public Library's division chief of Archives and Special Collections Chianta Dorsey, Chicago's first Poet Laureate avery r. young and Sudanese-American poet and archivist Israa Abbas. For a full archive of In the Loop interviews, head over to wbez.org/intheloop.

An episode from our show's early days: Stories about what happens when strangers are kind — and when they're not. Prologue: Brett Leveridge was standing on the subway platform when a man walked by, stopping in front of each passenger to deliver a quiet verdict: "You're in. You're out. You can stay. You—gotta go." Most people ignored him. But Brett found himself hoping for the thumbs up. (5 minutes)Act One: New York City locksmith Joel Kostman tells the story of an act of kindness he committed, hoping for a small reward. (13 minutes)Act Two: In 1940, Jack Geiger, at the age of fourteen, left his middle-class Jewish home and knocked on the door of a black actor named Canada Lee. He asked Lee if he could move in with him. Lee said yes. In Lee's Harlem apartment, Geiger spent a year among many of the great figures of the Harlem Renaissance: Langston Hughes, Billy Strayhorn, Richard Wright, Adam Clayton Powell. (11 minutes)Act Three: How two next-door neighbors start treating each other badly, and how their feud becomes an all-consuming obsession. Paul Tough reports. (14 minutes)Act Four: For five weeks, a singer named Nick Drakides stood on a stoop in the East Village, singing Sinatra songs late at night to the delight of his neighbors. The cops didn't bust him; the crowds behaved. It was his gift to New York. Blake Eskin tells the story. (12 minutes)Transcripts are available at thisamericanlife.orgThis American Life privacy policy.Learn more about sponsor message choices.

«En Amérique, nous sommes là depuis 3 siècles, rejetés dans le ghetto, mais nous sommes Américains !» revendiquait l'écrivain Richard Wright. Être des Américaines et des Américains comme les autres, est une aspiration partagée par toutes celles et ceux qui ont répondu à l'enquête historique menée par les deux sociologues africains américains St. Clair Drake et Horace R. Cayton dans les quartiers de Black Metropolis, au cœur du ghetto de la ville de Chicago. (Rediffusion) Une enquête devenue un classique de la socio-anthropologie urbaine, publiée aux États-Unis en 1945 et enfin disponible en français. Mais que raconte Black Metropolis de la réalité quotidienne des migrants noirs arrivés dans ce bastion industriel du nord ? Comment sont-ils venus alors qu'ils fuyaient le racisme officiel des États du sud ? Comment ont-ils survécu et lutté pour leurs droits dans le ghetto urbain de Chicago ? Et comment ont-ils organisé leur vie sociale et culturelle au rythme du blues de Chicago, genre musical qu'ils ont inventé ? Autant de questions à évoquer avec nos invitées Anne Raulin et Danièle Joly, directrices de la traduction en français de Black Metropolis, une ville dans la ville, Chicago, 1914-1945. À lire : Black Metropolis, une ville dans la ville, Chicago, 1914-1945, aux éditions de la MSH dans la collection Amérique(s). Une traduction dirigée par Anne Raulin, professeure émérite en Anthropologie à l'Université Paris Nanterre et spécialiste des minorités urbaines et des dynamiques mémorielles et Danièle Joly, sociologue, professeure émérite à l'Université de Warwick et spécialiste des questions d'intégration, de discrimination et d'asile en Europe.   Playlist :  Duke Ellington, Caravan Mahalia Jackson, Precious Lord take my hand Jelly Roll Morton, Winin'boy blues Robert Johnson, Sweet home Chicago.  Pour aller plus loin : À écouter aussi«Chicago - Juillet 1919, les premières émeutes raciales»   Black Lives Matter, l'affaire Emmett Till

Send us a textIn this episode, we are joined once again by my good friend, David Carson, to discuss Pink Floyd's Wish You Were Here album in belated celebration of the 50th anniversary of its September 12, 1975 release.For a more detailed examination of the musical theory behind the album, I highly recommend Doug Helvering's reaction to the album.Check out David's singing project, Sons of Sinatra, as well!Merry Christmas! I will see you all shortly in 2026...Support the showSubscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com

In this episode, we are joined by quite simply a legend of British sports broadcasting, multi-award winning journalist and documentary maker Gabriel Clarke. Part 1 of the podcast came out last Monday, so if you missed it... make sure to go back and listen! Gabriel looks back at the start of his career, in particular his role as a reporter on Saint and Greavsie, and host of Football League Extra.  He also lifts the lid on what really happens when ITV and the BBC go head-to-head at World Cups and European Championships - especially  when both channels end up in the same hotel. Plus, we dig into your correspondence, exploring everything from a world populated by clones of Pierluigi Collina to the chaos of Thomas Gravesen acting as Wayne Rooney's driving instructor. If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we are joined by quite simply a legend of British sports broadcasting, multi-award winning journalist and documentary maker Gabriel Clarke. Gabriel looks back at the start of his career, in particular his role as a reporter on Saint and Greavsie, and host of Football League Extra. He also lifts the lid on what really happens when ITV and the BBC go head-to-head at World Cups and European Championships - especially when both channels end up in the same hotel. Plus, we dig into your correspondence, exploring everything from a world populated by clones of Pierluigi Collina to the chaos of Thomas Gravesen acting as Wayne Rooney's driving instructor. If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we are joined by writer Guillem Balague to discuss Spanish football in the 00's. Part 1 of the podcast came out last Monday, so if you missed it... make sure to go back and listen! Guillem looks back on his big break with Sky Sports in 1997 and tells us what it was like covering some massive stories - like Luís Figo's move from Barcelona to Real Madrid, the whole Galácticos era, and David Beckham rocking up in Madrid in 2003. We also find out why Spanish fans whip out those famous white handkerchiefs when they want a manager gone. Of course, we get into Barcelona, how Pep Guardiola totally changed the game, and the Spain national team's ridiculous spell of dominance. And yes, we dive into your messages too - more 00s VAR madness, and the all-important question: did James Beattie really sample an Eminem track before Southampton's FA Cup final against Arsenal in 2003? If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we are joined by writer Guillem Balague to discuss Spanish football in the 00's. Guillem looks back on his big break with Sky Sports in 1997 and tells us what it was like covering some massive stories - like Luís Figo's move from Barcelona to Real Madrid, the whole Galácticos era, and David Beckham rocking up in Madrid in 2003. We also find out why Spanish fans whip out those famous white handkerchiefs when they want a manager gone. Of course, we get into Barcelona, how Pep Guardiola totally changed the game, and the Spain national team's ridiculous spell of dominance. And yes, we dive into your messages too - more 00s VAR madness, and the all-important question: did James Beattie really sample an Eminem track before Southampton's FA Cup final against Arsenal in 2003? If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

So… the Dream Team watchalong odyssey begins! Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! We start with the first ever episode of the cult show as Harchester United take on Chelsea in the third round of the Coca-Cola Cup. Big Ron Atkinson is at the helm for The Dragons, the match against Chelsea has been moved to 5pm on police advice and youth team captain Dean Hocknell is shagging in the boardroom after rejecting Beppe di Marco's sister. If that hasn't got you hooked, nothing will! If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join Buzz Knight and Harry Jacobs, the Master of Music Mayhem, as they explore pivotal moments from the week of November 17th in rock history. This episode dives deep into Pink Floyd’s groundbreaking double album The Wall, released in the UK on November 17, 1979, examining Roger Waters’ creative vision, the band’s intense seven-studio recording sessions, and the controversial firing of keyboardist Richard Wright. Discover the bizarre Star Wars Holiday Special that aired once on CBS in 1978 and became an infamous stain on the franchise. Learn how guitarist Danny Whitten’s tragic 1978 heroin overdose inspired Neil Young’s haunting classic “The Needle and the Damage Done.” The hosts celebrate U2’s experimental Achtung Baby (1991), Led Zeppelin’s Houses of the Holy going 11x platinum, and The Who’s complex rock opera Quadrophenia (1973), which represented each band member’s personality across its four album sides. Plus: Michael Jackson’s game-changing Thriller video MTV premiere, The Beatles’ iconic White Album UK release (1968), Pearl Jam’s Vitalogy vinyl-first strategy, and an incredible story about young Jon Bon Jovi witnessing David Bowie and Freddie Mercury recording “Under Pressure.” Keywords: Pink Floyd The Wall, Roger Waters, David Gilmour, Quadrophenia, Beatles White Album, Thriller video, Achtung Baby, Led Zeppelin, Neil Young, music history podcast, classic rock, 1970s music, 1980s music, rock opera​​​​​​​​​​​​​​​​Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Join Buzz Knight and Harry Jacobs, the Master of Music Mayhem, as they explore pivotal moments from the week of November 17th in rock history. This episode dives deep into Pink Floyd’s groundbreaking double album The Wall, released in the UK on November 17, 1979, examining Roger Waters’ creative vision, the band’s intense seven-studio recording sessions, and the controversial firing of keyboardist Richard Wright. Discover the bizarre Star Wars Holiday Special that aired once on CBS in 1978 and became an infamous stain on the franchise. Learn how guitarist Danny Whitten’s tragic 1978 heroin overdose inspired Neil Young’s haunting classic “The Needle and the Damage Done.” The hosts celebrate U2’s experimental Achtung Baby (1991), Led Zeppelin’s Houses of the Holy going 11x platinum, and The Who’s complex rock opera Quadrophenia (1973), which represented each band member’s personality across its four album sides. Plus: Michael Jackson’s game-changing Thriller video MTV premiere, The Beatles’ iconic White Album UK release (1968), Pearl Jam’s Vitalogy vinyl-first strategy, and an incredible story about young Jon Bon Jovi witnessing David Bowie and Freddie Mercury recording “Under Pressure.” Keywords: Pink Floyd The Wall, Roger Waters, David Gilmour, Quadrophenia, Beatles White Album, Thriller video, Achtung Baby, Led Zeppelin, Neil Young, music history podcast, classic rock, 1970s music, 1980s music, rock opera​​​​​​​​​​​​​​​​Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

So… the Dream Team watchalong odyssey begins! We start with the first ever episode of the cult show as Harchester United take on Chelsea in the third round of the Coca-Cola Cup. Big Ron Atkinson is at the helm for The Dragons, the match against Chelsea has been moved to 5pm on police advice and youth team captain Dean Hocknell is shagging in the boardroom after rejecting Beppe di Marco's sister. If that hasn't got you hooked, nothing will! If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we're joined by former Southampton, Blackburn, and Bolton striker Kevin Davies. Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! Kevin reflects on his early days at Chesterfield, that unforgettable FA Cup semi-final against Middlesbrough, and what it was like sharing a dressing room with Sean Dyche. He opens up about his breakthrough season in the Premier League with Southampton, and how his big-money move to Blackburn Rovers didn't quite go to plan. Of course, we also dive into his time under Big Sam Allardyce at Bolton Wanderers in the 00's - it's every bit as entertaining as you'd hope! But did Big Sam really make the players take breathalyser tests? Plus, we get stuck into your correspondence - including some top-tier insider info on the burgers at Millwall. If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we're joined by former Southampton, Blackburn, and Bolton striker Kevin Davies. Kevin reflects on his early days at Chesterfield, that unforgettable FA Cup semi-final against Middlesbrough, and what it was like sharing a dressing room with Sean Dyche. He opens up about his breakthrough season in the Premier League with Southampton, and how his big-money move to Blackburn Rovers didn't quite go to plan. Of course, we also dive into his time under Big Sam Allardyce at Bolton Wanderers in the 00's - it's every bit as entertaining as you'd hope! But did Big Sam really make the players take breathalyser tests? Plus, we get stuck into your correspondence - including some top-tier insider info on the burgers at Millwall. If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're back for the second instalment of Big Ron Manager! Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! Tensions continue to rise at Peterborough United as manager Steve Bleasdale attempts to keep the club's promotion push on track.  Key defender Mark Arber has got the shits, striker James Quinn needs eye drops for conjunctivitis and owner Barry Fry keeps splashing cash on lavish buffets.  Can Bleao start making valid points and prevent himself from losing the dressing room? Well, if his cake analogy is anything to go by….we suspect not.  If you've got anything to contribute to the show, you know what to do: hello@letsbehavingyou.com As a reminder, as the QK fan club transitions to the LBHY fan club you'll still get access to all the old QK subscriber episodes, PLUS you'll be getting monthly special episodes from LBHY. So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're back for the second instalment of Big Ron Manager! Tensions continue to rise at Peterborough United as manager Steve Bleasdale attempts to keep the club's promotion push on track.  Key defender Mark Arber has got the shits, striker James Quinn needs eye drops for conjunctivitis and owner Barry Fry keeps splashing cash on lavish buffets.  Can Bleao start making valid points and prevent himself from losing the dressing room? Well, if his cake analogy is anything to go by….we suspect not.  If you've got anything to contribute to the show, you know what to do: hello@letsbehavingyou.com As a reminder, as the QK fan club transitions to the LBHY fan club you'll still get access to all the old QK subscriber episodes, PLUS you'll be getting monthly special episodes from LBHY. So good night Richard Wright, Chris, Alex and Nick x Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we're joined by former Motherwell, Everton, Birmingham, and Scotland forward James McFadden. Part 1 of the podcast came out on Monday, so if you missed it... make sure to go back and listen! James shares stories from his early days - growing up with Glasgow's most famous chippy as the family business and making his professional debut only after shovelling snow off the pitch. He recalls missing his flight home after his Scotland debut, and reflects on those unforgettable goals against the Netherlands and France. James also opens up about his time at Everton, including Pierluigi Collina's memorable refereeing performance in the Champions League clash with Villarreal. Plus, we dig into your correspondence, so there's more 00's VAR. If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x NORD VPN: http://nordvpn.com/lbhy Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we're joined by former Motherwell, Everton, Birmingham, and Scotland forward James McFadden. James shares stories from his early days - growing up with Glasgow's most famous chippy as the family business and making his professional debut only after shovelling snow off the pitch. He recalls missing his flight home after his Scotland debut, and reflects on those unforgettable goals against the Netherlands and France. James also opens up about his time at Everton, including Pierluigi Collina's memorable refereeing performance in the Champions League clash with Villarreal. Plus, we dig into your correspondence, so there's more 00's VAR. If you've got anything at all to contribute, you can email us at: hello@letsbehavingyou.com If you're a member of the QK Fan club - good news! As the QK fan club transitions to LBHY fan club you'll still get access to all the old QK subscriber episodes and you'll be getting monthly special episodes from LBHY as well (which may very well include, Big Ron Manager..) So good night Richard Wright, Chris, Alex and Nick x NORD VPN: http://nordvpn.com/lbhy Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this groundbreaking episode of The Collective Perspective, we step out of our comfort zone and into the workshop. Join us as Logan Eadens learns to weld for the first time under the guidance of expert fabricator and small business owner Richard Wright of Wright's Welding & Fabrication. What starts as a hands-on lesson in melting metal becomes a conversation about purpose, craftsmanship, and the heart of American trades. Richard shares how welding is more than just sparks and steel — it's a discipline, a lifeline, and a contribution to something bigger. This episode marks a new direction for our podcast, exploring what it means to build — not just things, but people, communities, and legacies. Whether you're a young person looking for a career path or someone who just appreciates real, skilled work, this one's for you. Featuring: • Logan Eadens – First-time welder • Richard Wright – Owner, Wright's Welding & Fabrication • Hosts: Jeff Aldrich & Travis Eadens Welding is the glue… but fabrication is the art. Chapters (00:00:00) - Introduction: The Heart of America(00:00:28) - Exploring Wright's Welding(00:01:46) - Hands-On Welding Experience(00:08:25) - Mentorship and Life Lessons(00:10:34) - The Journey to Welding(00:14:52) - Challenges and Growth(00:18:57) - Building a Business(00:23:43) - The Evolution of a Hustle(00:25:19) - The Role of Schools(00:34:02) - Opportunities in Welding(00:39:47) - Conclusion and Future Outlook

Listen to JCO's Art of Oncology article, "A Fight Bigger Than Myeloma” by Dr. Adeel Khan, an Assistant Professor of Medicine and Public Health at UT Southwestern. The article is followed by an interview with Dr. Adeel Khan and host Dr. Mikkael Sekeres. Dr. Khan shares the story of a patient whose multiple myeloma diagnosis and treatment serves as a reminder of the civil liberties progress we've made and that we have more to go. TRANSCRIPT Narrator: A Fighter Bigger Than Myeloma, by Adeel M. Khan, MD, MPH, MS  I met her during the early part of my clinical training in hematology/oncology. She was in her late 70s, dressed in a rust-colored cardigan and a headwrap with patterns that reminded me of Ghanaian kente cloth. Her eyes were sharp, her tone polite but direct. You could tell from the moment she spoke that she had lived a life where she had to advocate—for herself, for her family, for her place in rooms that were not always welcoming.  Her chart said “multiple myeloma, R-ISS II,” but it did not say that she had first come to an emergency room at least a year earlier complaining of back pain and fatigue and had been told it was probably arthritis or old age. It did not mention that she had seen three different doctors before someone ordered the laboratory tests that finally began to work up her anemia and increasingly compromised kidney function. It would take another trio of doctors to eventually order a magnetic resonance imaging whose ghostly lytic lesions led down the path to a bone marrow biopsy and her cancer diagnosis. When I brought this up gently during one of our early appointments, she looked at me and said, “They don't hear pain the same when it comes from someone like me.” As a Black woman from the Deep South, she had grown up learning how to navigate a health care system that did not always believe her. She told me stories about being dismissed, misdiagnosed, and interrupted. She was born into an era of structural violence where she would be ignored at best and mistreated at worst. She carried the weight of those moments, but she also carried strength, and clarity, and the kind of dignity that made people sit up straighter in their leather chairs when she entered the room. She was one of the most quietly revolutionary people I have ever known, having grown up during a time of civil rights activism. She had even taken part in bending Dr King's long arc of the moral universe toward justice and could share story upon story from her glory days. Her myeloma treatments were not easy. Chemotherapy rarely is. She shared that there were days when her body was tired of fighting, when her bones ached, her blood counts dropped, and her neuropathic pain throbbed. In the back of my mind, I thought how tragic it was that her delayed diagnosis added unnecessary complications and whether she too thought of that. She was fully mindful of the issues people with her skin color faced in our American healthcare system and society as a whole and revealed how that motivated her to carry forward. “If I don't take up space here,” she told me once, “then someone else like me won't either.” Over the course of our visits, I came to understand that she did not see her myeloma as the hardest fight of her life. Not by a long shot. Her primary struggle was centered on life in Birmingham in the 1950s where separate but equal was still the law of the land; her mother cleaned houses, her father worked odd jobs, and her own prospects were uncertain. She admired the writings of Richard Wright and Jean Toomer and was not shy in sharing her passions. One day, during a particularly tough visit—her disease had progressed and we were down to limited options—I found myself meandering. We went through the usual workup and discussions: laboratory test results, symptoms, and treatment options. I offered the prospect of clinical trials, but she shook her head gently and said, “I've done my time in experiments—I can't give myself to a system that gave my people so little.” I paused. It was the first hint of what would become a larger conversation—not just about medicine, but about history. She was well aware of the atrocities of the Tuskegee syphilis trials in her home state, the Kligman experiments on incarcerated Black men, and the forced sterilization of women of color. As dependent upon medicine as she was in her old age, it carried a bloody stain of dehumanizing racism that soured her against it. Outwardly, I had little in common with her. As a young South Asian man growing up in times more conscious of racial injustice, I was far removed from these historical crimes. Although I learned of them during my education, I did not internalize their impact on the patients in front of me in clinic. But through her I came to comprehend just how scarring and enduring these events can be and how they can rob someone of trust. And the truth is the health care system had not treated her well. She had personal stories of doctors who did not believe her pain, nurses who assumed she was uneducated,  and being passed over for better options, better care, and better answers. “But I kept showing up,” she said. “Because that's what we do. We show up even when we're not wanted.” Her stories to me were revelations. In her younger years, she had helped organize teachers at her school when they tried to fire a fellow Black teacher who seemingly spoke too loud in a meeting. She had lived through redlining, through the crack epidemic, through watching young Black men vanish into prisons, and still she rose every day and worked as a public school teacher for decades. She worked for a system that largely did not work for her. I came to admire that about her—that in simply living day-to-day life with plain dignity and acute awareness of society's issues, she promoted change by living it. “You want to talk about cancer?” she once said, half laughing. “Try walking into a bank in 1972 with a good credit score and a Black face. That's a disease this country still hasn't cured.” Curiously, she did not say these things with bitterness. Not even anger, really. Just clarity. Like someone who had long ago made peace with the truth, even if it was sharp. In clinic, she challenged my every assumption—about treatment tolerance, about compliance, about who is difficult, and who is “advocating.” And she taught me to look differently at the ways bias lingers in medicine. Not just in data or policies, but in subtle moments: the tone we use when explaining options, the hesitations in our tests and referrals, and the assumptions we may not even realize we are making. And she did not just expect good care—she demanded it. She told me early on, “Don't you treat me like I'm anything other than your mother.” That landed. And in seeing patients before me now, I remind myself to wonder who they were in their past lives, what baggage burdens them, and how it all shapes their perspectives. So from my view, she fought multiple myeloma with everything she had, but from hers, she fought something bigger: an entire system shaped by inequality. And ultimately, she made me better to realize that, not just as a doctor, but as a human being. In my years since knowing her, completing my training, and beginning my practice, I reflect on her grace. I think not just about her life, but what it means to practice medicine in a world that often forgets what patients carry with them into the clinic—generations of weight, of injustice, of strength. Mikkael Sekeres: Welcome back to JCO's Cancer Stories, The Art of Oncology. This ASCO podcast features intimate narratives and perspectives from authors exploring their experiences in oncology. I'm your host, Mikkael Sekeres. I'm Professor of Medicine and Chief of the Division of Hematology at the Sylvester Comprehensive Cancer Center, University of Miami. I am so happy that today we are joined by Adeel Khan, who's Assistant Professor of Medicine and Public Health at UT Southwestern in Dallas to talk about his Journal of Clinical Oncology article, “A Fight Bigger than Myeloma.” Our guest's disclosures will be linked in the transcript. Adeel, thank you so much for contributing to JCO and for joining us to discuss your article. Adeel Khan: Thank you so much for having me. It's a pleasure to be here. Mikkael Sekeres: Adeel, I don't want to be disingenuous to our readers by acting as if we've just met. You and I have known each other for a decade since you were still in your training. I wonder if for our listeners you can tell us a little bit about yourself, where are you from and and walk us through your career so far. Adeel Khan: More than happy to. So, I grew up mostly in Oklahoma, but I've sort of lived around in the Northeast and here in the Southwest where I am currently. I did college at the University of Oklahoma. I did medical school at the University of Michigan. I did residency with good fortune at the Cleveland Clinic where I happened to get to know you and have continued to know you since. I did my fellowship then in hematology oncology at Beth Israel Deaconess in the Harvard system and along the way of all that I did a Masters of Public Health at Harvard and a Masters of Science and Epidemiology at Columbia, and that pinball finally settled here to UT Southwestern here in Dallas which I am very happy to make my second home. Mikkael Sekeres: That's great. I will say just for our listeners you've been a superstar since the moment you were a resident. It's been a real treat for me to get to know you over the years. Adeel Khan: Thank you so much. Mikkael Sekeres: Can you tell us a little bit about your own story as a writer? You're a good writer. We get submissions from some really good writers every single week. It's a real privilege to be an editor for the Art of Oncology section and it's always reinvigorating to me to see how many good writers there are in medicine. How did you start your journey as a writer and how long have you been writing reflective narrative pieces? Adeel Khan: I would say if I went back to let's say high school, you know, people tend to be divided into kind of like the sciency types versus the literary arts types and you're kind of an either/or, you know, you didn't really have as much crossover then. But you know, I actually didn't mind when we had an essay due and I liked writing back then, and when I entered college I did a minor in English because I actually did enjoy that and I just liked the idea of being able to put your thoughts on paper in a way immortalizing them. Adeel Khan: And then as I sort of pursuing medicine more and more, publishing is really- it has all kinds of flavors to it and scientific publishing is obviously what has been emphasized, but you know, there's so many things to talk about within medicine. There's the science and the art of the field, and as I've moved along, I've written different pieces focusing really on patient stories and interactions. And I think my motivation has always been that as I have gotten particularly nowadays increasingly busy, I've had the fortune and misfortune of becoming more and more busy, it's easy to lose the opportunity to really connect with people that makes what we do meaningful. And so in those times when you know, and they can be rare, but when you really get to connect with someone in front of you who you're helping to care for, it's really refreshing and it's rejuvenating and I've tried to keep that with me as long as I can as I've gone through my journey. Mikkael Sekeres: There's a lot of jumping off points from what you just said, Adeel. I wonder if I can start with do you consider yourself an English major who's good at science or do you consider yourself a scientist who's a good writer? Adeel Khan: I think I'm too humble to say either. I think I was really a science major who just happened to like writing and reading and kept that as a part of myself. Mikkael Sekeres: Because I think there are a cadre of doctors who are actually English majors and have learned to turn science into storytelling and that's their entrée into science and medicine. I remember I talked for a while with David Scadden about this. He's a brilliant translational scientist who's based at Mass General who also teaches a writing course to the Harvard undergrads and who was an English major when he was an undergrad at Case Western. We've talked about this, about how there are people, I'll include myself in this, who just think different, who probably have these liberal arts brains and they figured out a way to convert science into a way a liberal arts person can understand it. Adeel Khan: Yeah, I mean narrative medicine has been I think around all along and it has only kind of been recently named as a field, but I mean it very much speaks to that that there's so much more than just G proteins in medicine. Mikkael Sekeres: I'm thrilled to hear that by the way. You mentioned you were an English minor. Are there particular writers who are an influence on you or can you talk about what's the most recent book or article you've read? Adeel Khan: Oh, that is a great question. Paulo Coelho is someone I've liked for a long time, The Alchemist. I really liked it because I read it after I had lived in Egypt. I lived in Egypt between college and med school as a study abroad program, and I had actually been to the Faiyum Oasis where the protagonist in that story ends up. And so it was just a fascinating story to me that I could trace some of the steps that are discussed in the book and it's so much- it's a story about self discovery which at that phase of life that I was in was you know, very much a theme of my own life. And so that's one that definitely stands out in my head. Mikkael Sekeres: Do you think reading pieces outside of medicine makes you a better scientist? Adeel Khan: I think absolutely. I think it makes you a better human being. In some ways I lament that so much of what I do reading now is so much just about what's in the field, what's new in myeloma, what's new in hematology oncology and I sort of miss the escape to reading other things and being able to pursue it. And even broader than just what a novel really offers. I mean, I grew up reading comic books too and I've always loved superheroes and fiction whether it's Star Wars and other things. And really they're just stories and the medium- there might be connotations whether it's a comic book or a or a novel, but they're just different mediums, but the fact that they're just stories is fundamental. I actually think to myself that it's so fascinating that the earliest piece of writing that we've really retained as human beings is we believe, the Epic of Gilgamesh, which is really a story of a superhero when you think about it, you know, and it's it's fiction, it's phantasmic in so many ways. But it speaks to how stories are just vital as people. Mikkael Sekeres: And what is it about graphic novels or my kids now of course call them graphic novels. We're not allowed to call them comic books. Adeel Khan: As they've been renamed, yeah. Mikkael Sekeres: What is it about graphic novels or comic books or the story of a hero that appeals to us in medicine? Adeel Khan: I think it's in some ways a parable of what we're doing. There's something so powerful and fundamental about this idea of good-evil and we can rename it in different ways, but that you're trying to overcome something that's an issue, an obstacle. And when you think about what we do in- particularly in oncology, that's very much what we're trying to do. We're trying to overcome an illness, a disease, to try to help the person in front of us. And it has different aspects to it. It could be someone pursuing something in a lab, it can be treating someone in front of you in clinic, but that simple dichotomy of there's something good about what you're doing because there's something bad in front of you is just the fundamental that runs through it all. Mikkael Sekeres: It's fascinating. I wonder if 30, 40, 50 years ago people would have said, “Oh, it's because the doctor is the hero,” but we don't view ourselves that way anymore. The patient is the hero. I love how you posit this as a good versus evil, the evil of course being cancer and the good everything that our patients do and that we try to to help to do to overcome that. Adeel Khan: For sure. Mikkael Sekeres: You wrote a really great essay about a woman who was a patient of yours. Can you tell me a little bit about what inspired you this time to make this connection and to write about this woman? Adeel Khan: Within the past year or so as I had been just really- the fortune and misfortune of getting busier, I lamented that I just wasn't able to spend as much time with patients in the way that I used to. One of the beauties of medical school and you know, to some degree residency and certainly fellowship is that you just have a little bit more time as a trainee, student and trainee where you can really bond with your patients I think a little bit more. And so in trying to kind of refresh my motivation, I was thinking about just kind of randomly some stories that I've kept in the back of my mind and this patient's story is one that stood out to me as I was recalling things. It was so fascinating to me because she had the disease which I now focus on. And the way that she viewed it and the way that she viewed it as a part of her life was just so different than what I think most people think of. And in that way it was very revitalizing that her focus in her life was part of a broader theme of the way that I think she viewed society. And this was just one piece of her own part of that much, much larger puzzle. Mikkael Sekeres: You really write lovingly about her and about how meaningful her context was in how you cared for her and what her experience was in the medical system. I wonder if I can read a little bit of what you wrote because it really did grab me as well. I'm going to start out by quoting you where you say, “Outwardly, I had little in common with her. As a young South Asian man growing up in times more conscious of racial injustice, I was far removed from these historical crimes. Though I learned of them during my education, I did not internalize their impact on the patients in front of me in clinic. But through her, I came to comprehend just how scarring and enduring these events can be and how they can rob someone of trust.” Wow, there's a lot there. Could you start with what was your perspective as a young South Asian man growing up in Oklahoma and what your view was of racial injustice compared to what her experience was of racial injustice? Adeel Khan: Yeah, I have to admit I don't know that I thought that much of it back then and I think that that's part of what it is. You know, being someone who was South Asian, I'm Pakistani, I have Indian roots, and coming into American history and as we learned about it there's so much about slavery and the theme of slavery unfortunately and and the struggles that enslaved peoples have. And you know, as a relatively recent immigrant, I didn't see myself in that narrative. I didn't see myself in that historical reality. But I knew about it intellectually, you know, I knew about the Tuskegee Syphilis Experiments, you know, I learned about all these things and and you learned about how atrocious so much of it is. But again, not being so directly connected, I did not put myself in that same role as someone to view it so close to myself. I will say it hit a little bit more after 9/11 when you know, I was randomly stopped at airport security a little bit more often in those days and again, I think that speaks to racial injustices, you know, I was certainly profiled looking back then, I've been held by TSA in the past, but even that is very minor compared to what African Americans have dealt with here. And this patient in just kind of sharing her tidbits during our time together, I was not directly asking her so much of this. She was really offering a lot of it to me as we would talk and she would be very generous in sharing parts of her story. And over time I kind of understood the broader narrative of her life. You know, it was clear how much of all that was actually in the forefront of her head. Adeel Khan: And I think she might have been a little bit more unique in the way that she kept it there, but she was hyper vigilant of issues of society and the roots that brought a given society to where it is here. I kind of got to know her, this is during the COVID pandemic and this was after the injustice of what happened to George Floyd and so it was a theme that I think people were talking about more and so I think she felt comfortable in saying really what was quite a bit that was stewing in the back of her head seemingly at all times. Mikkael Sekeres: It's so interesting you talk about what you endured after 9/11 as being, I'm going to quote you now, “minor” compared to what she's been through, but even a minor affront like that can really compromise your trust. You write about her, “As a Black woman from the deep South, she had grown up learning how to navigate a healthcare system that did not always believe her.” Can you expand on that a little bit? How is it that the healthcare system didn't believe her and what can we do going into interactions with patients from different backgrounds where we're incorporating that there's a compromise of trust and we have to make up for that? Adeel Khan: Yeah, and I think you know, it's so unfortunate that so many people have stories like this where, in her case really it was back pain that was her presenting symptom. This is long before she knew me. And she'd had the back pain for quite some time, but being an older woman, she was in her 70s at that time, she was not in phenomenal health for other reasons. It sounds like she was just kind of ignored, told that it was old age, tendon changes, she did not have meaningful imaging for some time. When she finally did after seeing a slew of different providers, that's when it was revealed like there's something more significant here. And then when you kind of piece that a little bit retrospectively and I think she certainly sensed this and I did when I- hindsight's always 20/20, when I looked through things, it's like, well, this probably could have been caught much earlier. It's just that no one really I think listened to what she was speaking to with her pain and the gravity that was actually behind it. And it just speaks to the fact that I think we have to be more thoughtful in what we take away from patients and not to ignore even small comments because they might be revealing of something much bigger behind them. Mikkael Sekeres: You quote her, you have some really great quotes in your essay where you just listen to what she says and transcribe it because what she says is very meaningful. And one of the quotes you provide from her is, “They don't hear pain the same when it comes from someone like me.” Wow. “When it comes from someone like me,” someone like her, how was it that people weren't hearing her description of pain, something that was different that was going on in her body and how can we be more attentive to people when they complain about things like pain? Adeel Khan: It's unfortunate that there's even known data to show how depending upon a patient's melanin content in their skin, how likely they are to get pain medications and what happens to them is different and this is an unfortunate example of that where I think she just wasn't heard properly. And so it wasn't addressed properly and she was not shy about saying that. I mean I think she sensed that. She was very clear in feeling that herself and in wanting to have better care, she was still prevented and hence why she had to go from provider to provider. Mikkael Sekeres: You've lived in a bunch of different places in the country. I mean, following your path, you've been in Oklahoma, you've been in Michigan, Ohio, Massachusetts, and now Texas. Do you think that we as providers have to have different levels of sensitivity depending on where in the country we're practicing and how some of our patients' trust in healthcare may have been compromised in those different parts of the country? Adeel Khan: I think absolutely. I mean this particular patient was from Alabama which has a heavy history that she was again very aware of and for those of us reading history books are also very aware of too. And it's interesting how, while the U.S. is in some ways- has some aspects that are monolithic, but it's very much not so. It's very patchy and people are different, you know, if I take one theme that we're talking about here is obviously racial injustice, but if you take something like obesity, you know, prevalence rates are very different throughout the country and attitudes surrounding it are also very different. And I think we do- ought to be mindful that in treating the patient in front of us, it's not done without context. And so how they view their illness and their situation is going to be different depending upon the state, depending upon the city, depending upon actually even the era that they grew up in. So I would say now, if you took actually a similar patient, but you put her in a very modern context post-year 2000, she's likely to have different feelings of the situation around her than someone who was born in this case in the 1940s. And that just speaks to the fact that circumstances change and we should be recognizing that as providers, even though it's not always easy to. Mikkael Sekeres: Well, it just emphasizes how very important it is to know the history of the place where we practice and how it's affected our patients' perceptions of healthcare and trust and being cared for, particularly now as there's such a movement to whitewash that history and eliminate it from major institutions like the Smithsonian. It has been such a pleasure to have Adeel Khan here. He is Assistant Professor of Medicine, Public Health at UT Southwestern in Dallas and wrote just a great JCO article called “A Fight Bigger Than Myeloma.” Adeel, thank you so much for submitting your article and for joining us today. Dr. Adeel Khan: Thank you so much for having me. It's been a pleasure. Mikkael Sekeres: If you've enjoyed this episode, consider sharing it with a friend or colleague or leave us a review. Your feedback and support helps us continue to have these important conversations. If you're looking for more episodes and context, follow our show on Apple, Spotify, or wherever you listen and explore more from ASCO at ASCO.org/podcasts. Until next time, this has been Mikkael Sekeres for JCO Cancer Stories: The Art of Oncology. The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience, and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity, or therapy should not be construed as an ASCO endorsement.   Show Notes Like, share and subscribe so you never miss an episode and leave a rating or review.  Guest Bio: Dr Adeel Khan is an Assistant Professor of Medicine and Public Health at UT Southwestern.

When it comes to the concept of The West, its scope and principles have been criticized both contemporarily and historically. How did the West emerge as a coherent concept, and what has it meant over time?Georgios Varouxakis is a Professor in the History of Political Thought at Queen Mary University of London, where he is also the Co-director of the Centre for the Study of the History of Political Thought. He is also the author of several books, and his newest book is titled The West: The History of an Idea.Greg and Georgios discuss Giorgios's new book, 'The West: The History of an Idea,' and explore the origins, evolution, and various interpretations of the concept of 'the West.' Their conversation covers some popular misconceptions about the West, reasons behind its historical development, and the roles nations like Greece, Russia, and Ukraine have played in shaping the West's identity. Giorgios emphasizes how the West has been a flexible and evolving idea, open to new members and continuously redefined through history. *unSILOed Podcast is produced by University FM.*Episode Quotes:The two myths of the West's origins03:06: The popular conceptions are that the West must have always existed. People take for granted that at least since the ancient Greeks, there is a West that has resisted the invasion of Asia through the Persian Empire and that in the Battle of Marathon, the West defined itself and defeated. A projection of things that people later imagined. In this sense, ancient Greeks saw themselves as Greeks. They did not see themselves as West or Europe or anything else. The other end of the spectrum is that the West must have begun with a Cold War, that surely the West is a creation of the post–First World War situation where the United States leads a group of peoples versus the Soviet Union, and that is the West. These are the two popular extremes. Popular conceptions that I consider, the two ends of the spectrum.The West as an open-ended idea17:14: The West had inherent from its inception an open-endedness that was not based on just ethnic descent or just religion.Richard Wright: The gadfly of the West37:14: [Richard Wright] says, "I'm Western, but I now realize I'm more Western than the West. I'm more advanced than the West. I believe in the Western principles and values, and constitutional and political and other philosophical ideas. I was taught, I believe in freedom of speech, separation of, and the of. These are not necessarily practiced much of the time by Western governments and elites. So he becomes literally like Socrates was the gadfly of Athenian democracy. Richard Wright becomes the gadfly of the West, saying, 'I'm criticizing you because you're not doing the Western thing. You're not Western enough.' Literally, he says, 'The West is not Western enough.'"Why the West should be improved, not abolished47:48: My argument is peoples and their leaderships make decisions, and they may change allegiances. They may adopt institutions, alliances, and cultural references that their ancestors did not have a century or two ago, come from a country that. An experiment in that these experiments may change. You know, things may change, but I do not think anytime soon Greece will join some Eastern or whatever alliance. So to the extent that what anyone can predict, the attractiveness of the West is exactly this combination of, and an entity. As we keep saying, it should be criticized and improved. So it is not abolishing the West that I would recommend, it is improving the West and making the West live up to more of its aspirations and principles.Show Links:Recommended Resources:John Stuart MillAuguste ComteOttoman EmpirePeter the GreatCatherine the GreatGeorg Wilhelm Friedrich HegelAhmed RızaOliver GoldsmithJean-Jacques RousseauGermaine de StaëlThomas MannFrancis LieberDonald TrumpSteve BannonOswald SpenglerWestern CivilizationWalter LippmannW. E. B. Du BoisRichard WrightFrancis FukuyamaGuest Profile:Faculty Profile at Queen Mary University of LondonLinkedIn ProfileGuest Work:Amazon Author PageThe West: The History of an IdeaLiberty Abroad: J. S. Mill on International RelationsMill on NationalityVictorian Political Thought on France and the FrenchPhilPapers.org Profile Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This week, I am joined by LARRY CRANE (producer, engineer, owner of Jackpot! Recording Studio & founder/editor of Tape Op Magazine & Pink Floyd superfan), who chose the classic music film PINK FLOYD: LIVE AT POMPEII to discuss!!!We discuss the genesis of the film and all the different versions of this film (including the super frustrating screensaver version of Live At Pompeii), Chris's recent accidental hallucinatory viewing of the film and its many jump scares, Larry building Jackpot! Recording Studios & his early studio Laundry Rules, why artists often can't stop reworking their older bodies of work, Larry's gateway into Pink Floyd, The Benson Echorec piece of equipment used throughout this performance, Joe Boyd and the UFO Club, Larry building fuzz boxes without a switch on it, why the film is both wonderful and frustrating for Larry, the secret weapon of band member Richard Wright in this film, bands that spend over a year making an album, the accidental two-bass recording of 'One Of These Days', Syd Barrett's body of work, democracies within rock bands, monster drummer Nick Mason, is the film made for future scholars of the band or stoners, artists who don't suffer foolish questions, rock bands with zero body fat, Jonathan Richman doing an opening set before movies, and Larry getting an email for our episode from Alan Parson (the engineer of Dark Side Of The Moon) that solves a lingering question we've always had about the film!Overhead the albatross, hangs motionless upon the air (right?!?) on this week's episode of Revolutions Per Movie!AND OF COURSE THEY RELEASED YET ANOTHER VERSION OF PINK FLOYD LIVE AT POMPEII AFTER WE RECORDED THIS...HA! GET IT HERE:https://shop.pinkfloyd.com/collections/live-at-pompeiiLARRY CRANE: https://tapeop.comhttps://jackpotrecording.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Settling for your day to day routine is one of the best ways to ensure a boring unfulfilled life. When you feel unfulfilled and like everyday is filled with going through the motions, it becomes easy to turn to unhealthy, self-destructive habits. Without understanding why you feel this way, affairs, drugs, and other unhealthy addictions have the opportunity to creep in.Robert Greene is well known for books that have shaped culture, challenged beliefs and p*ssed quite a few people off. The Daily Laws, Mastery and The 48 Laws of Power are just a few of his bestselling books.Robert joins Tom in this epic conversation about how to look inward and uncover the root cause of the boredom that leaves you feeling like your just wasting life away. Fulfillment is key if you really want to change your life around. The path to fulfillment involves mastery and Robert breaks down our need for stress in order to get there.ORIGINAL AIR DATE: 11-8-22Native Son by Richard Wright: https://www.amazon.com/Native-Son-Richard-Wright/dp/0061148504SHOW NOTES:0:00 | Introduction to Robert Greene0:25 | Why Your Life Is So Boring10:03 | Can't Handle Change23:40 | Admit You're Out of Control35:12 | Everyone Is Seeking Power44:42 | This Is The Goal of Mastery55:01 | Self-Absorption Kills Fulfillment1:06:51 | Competing Ideas Can Both Be True1:14:05 | Pain of Challenged Viewpoints1:20:40 | This Will Transform Your SkillsFollow Robert Greene:Website: https://powerseductionandwar.com/What's up, everybody? It's Tom Bilyeu here:If you want my help... STARTING a business: join me here at ZERO TO FOUNDER SCALING a business: see if you qualify here. Get my battle-tested strategies and insights delivered weekly to your inbox: sign up here.**********************************************************************If you're serious about leveling up your life, I urge you to check out my new podcast, Tom Bilyeu's Mindset Playbook —a goldmine of my most impactful episodes on mindset, business, and health. Trust me, your future self will thank you.**********************************************************************Join me live on my Twitch stream. I'm live daily from 6:30 to 8:30 am PT at www.twitch.tv/tombilyeu**********************************************************************LISTEN TO IMPACT THEORY AD FREE + BONUS EPISODES on APPLE PODCASTS: apple.co/impacttheory**********************************************************************FOLLOW TOM:Instagram: https://www.instagram.com/tombilyeu/Tik Tok: https://www.tiktok.com/@tombilyeu?lang=enTwitter: https://twitter.com/tombilyeuYouTube: https://www.youtube.com/@TomBilyeu Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Settling for your day to day routine is one of the best ways to ensure a boring unfulfilled life. When you feel unfulfilled and like everyday is filled with going through the motions, it becomes easy to turn to unhealthy, self-destructive habits. Without understanding why you feel this way, affairs, drugs, and other unhealthy addictions have the opportunity to creep in. Robert Greene is well known for books that have shaped culture, challenged beliefs and p*ssed quite a few people off. The Daily Laws, Mastery and The 48 Laws of Power are just a few of his bestselling books. Robert joins Tom in this epic conversation about how to look inward and uncover the root cause of the boredom that leaves you feeling like your just wasting life away. Fulfillment is key if you really want to change your life around. The path to fulfillment involves mastery and Robert breaks down our need for stress in order to get there. ORIGINAL AIR DATE: 11-8-22 Native Son by Richard Wright: https://www.amazon.com/Native-Son-Richard-Wright/dp/0061148504 SHOW NOTES: 0:00 | Introduction to Robert Greene 0:25 | Why Your Life Is So Boring 10:03 | Can't Handle Change 23:40 | Admit You're Out of Control 35:12 | Everyone Is Seeking Power 44:42 | This Is The Goal of Mastery 55:01 | Self-Absorption Kills Fulfillment 1:06:51 | Competing Ideas Can Both Be True 1:14:05 | Pain of Challenged Viewpoints 1:20:40 | This Will Transform Your Skills Follow Robert Greene: Website: https://powerseductionandwar.com/ What's up, everybody? It's Tom Bilyeu here: If you want my help... STARTING a business: join me here at ZERO TO FOUNDER SCALING a business: see if you qualify here. Get my battle-tested strategies and insights delivered weekly to your inbox: sign up here. ********************************************************************** If you're serious about leveling up your life, I urge you to check out my new podcast, Tom Bilyeu's Mindset Playbook —a goldmine of my most impactful episodes on mindset, business, and health. Trust me, your future self will thank you. ********************************************************************** Join me live on my Twitch stream. I'm live daily from 6:30 to 8:30 am PT at www.twitch.tv/tombilyeu ********************************************************************** LISTEN TO IMPACT THEORY AD FREE + BONUS EPISODES on APPLE PODCASTS: apple.co/impacttheory ********************************************************************** FOLLOW TOM: Instagram: https://www.instagram.com/tombilyeu/ Tik Tok: https://www.tiktok.com/@tombilyeu?lang=en Twitter: https://twitter.com/tombilyeu YouTube: https://www.youtube.com/@TomBilyeu Learn more about your ad choices. Visit megaphone.fm/adchoices