Podcasts about francophone

Nous explorons le chapitre 9 d'Harry Potter et la Coupe de Feu : «La Marque des Ténèbres»... Invitée de cet épisode : Yasmine, auditrice de l'émission 0:00 Introduction 3:10 Chapitre 1:18:07 Meilleur personnage 1:20:59 La volière Pour prolonger l'aventure Harry Potter avec nous : Facebook : https://www.facebook.com/frequence934 Twitter : https://twitter.com/frequence934 Instagram : https://www.instagram.com/frequence934 Discord : https://discord.com/invite/ps7FgM2bfG Twitch : https://www.twitch.tv/stream934 Notre volière : frequence934@gmail.com ou à : Fréquence 9 3/4, Espace Conquérant, 3 Place Jean Nouzille 14000 Caen FRANCE Accédez à des contenus exclusifs sur Patreon : https://www.patreon.com/frequence934 Soutenez-nous sur Tipeee : https://fr.tipeee.com/frequence934 Thème musical : Moonlight Hall, de Kevin MacLeod (Licence CC BY 3.0) Jérémy & Marina ⚡

1/2: #Africa: #Mali: The collapse of order in Francophone West Africa: the jihad rising in Mali; Wagner Group prospering in West Africa.  Caleb Weiss, Bridgeway Foundation. Bill Roggio, FDD https://www.longwarjournal.org/archives/2023/09/analysis-setting-the-stage-for-malis-near-future.php 1793 France

2/2: #Africa: #Mali: The collapse of order in Francophone West Africa: the jihad rising in Mali; Wagner Group prospering in West Africa.  Caleb Weiss, Bridgeway Foundation. Bill Roggio, FDD https://www.longwarjournal.org/archives/2023/09/analysis-setting-the-stage-for-malis-near-future.php 1796 France

L'AAMEG, la FACCI et l'Alliance Française présentent le Forum de l'Afrique francophone en Australie occidentale ce mardi 5 septembre à Perth. L'occasion de se plonger dans l'état actuel et les perspectives futures de l'énergie, des ressources et du développement durable en Afrique francophone. Pour en parler Thomas Feldstein, le directeur de l'Alliance Française de Perth.

French Moroccan author Leïla Slimani won critical acclaim and a reputation as an author of bold & brutal fiction with her first two novels. Adele is about a bourgeoise Parisian wife and mother who lives a sexually promiscuous secret life. In Lullaby, a nanny kills the children she's employed to care for, a story currently being adapted as a drama series starring Nicole Kidman. Leïla has also written the first two in a planned trilogy of novels based on her own family history, and has published short stories and non-fiction. She has won France's most prestigious literary award the Prix Goncourt, and in 2017 she was appointed as President Macron's personal representative to Francophone countries. For This Cultural Life, Leïla Slimani tells John Wilson about her childhood in Rabat, the daughter of a prominent Moroccan economist and politician. She reveals how she was motivated to write novels after the death of her father who had been convicted of financial fraud and imprisoned, but who was posthumously cleared of any wrongdoing. She chooses her French-born maternal grandmother, who told stories to Leïla , as a formative influence on her creative imagination from a young age. Having covered the Arab Spring uprisings in Morocco and Tunisia as a journalist for Jeune Afrique magazine, Leïla discusses how news stories have inspired much of her work. Producer: Edwina Pitman

durée : 00:03:16 - Géopolitique - par : Pierre  Haski  - Cinq pays d'Afrique francophone ont connu des coups d'état militaires en deux ans, le dernier au Gabon hier, signe d'une faillite des États postcoloniaux façonnés par la France. Le pacte social est rompu et les militaires se posent en sauveurs.

durée : 00:03:16 - Géopolitique - par : Pierre  Haski  - Cinq pays d'Afrique francophone ont connu des coups d'état militaires en deux ans, le dernier au Gabon hier, signe d'une faillite des États postcoloniaux façonnés par la France. Le pacte social est rompu et les militaires se posent en sauveurs.

Hello everyone. This is Ti-han 張迪涵_, one of the hosts of our Taiwan On-Air podcast series, sponsored by the European Association of Taiwan Studies and today we are here for a Book Chat. Our guest today is a rising-star French scholar who specialised in Taiwanese and Chinese literary studies and translation,  Professor Gwennaël Gaffric from Université Lyon 3 Jean Moulin. Both Gwennael and I studied at the University of Lyon 3 as doctoral students back in early 2010s. First time we met was because I required some help from a native French speaker to help me revise my poorly written doctoral proposal and application in French at the time. Although Gwenn had never met me before, he was very kind to lend me a hand to review my application together. And since then, he had always been a great help and a true friend, and of course a wonderful colleague to work with throughout these years. Many of our Francophone colleagues who work on Taiwan studies also know Gwenn through his great works of fiction translation. As a doctoral student, he started with translating Wu Ming-yi's 睡眠的航線 [Routes in a Dream], and subsequently translated also Wu's 複眼人[The Man with the Compound Eyes] and 天穚上的魔術師 [The Magician on the Skywalk], as well as other Taiwanese novelists and poets such as Chi Ta-wei, Kao Yi-feng, Xia Yu and Walis Nokan. In recent years, his translation also goes beyond Taiwan, further including other Chinese best-selling eco sci-fi such as the Three-Body Problem from Liu Cixin and The Waste Tide by Chen Qiufan. Gaffric's research today crosses between science fiction, ecocriticism,, and Sinohpone literary translation. And of course, he also plays a key role in the promotion of Taiwan literature and culture to the French-speaking world, as he is not only in charge as the director of Taiwan Fiction Collection Series in the Asiathèque, but he also collaborates with Ministry of Culture文化部 and Centre Culturel de Taïwan à Paris 巴文中心 to bring authors and poets to the Francophone readers. Today, however, we are not here to quiz Gwenn about his literary translation, but more about his scholarly research and his monograph, The Literature in the Age of Anthropocene: An Ecocritical Study of the Taiwanese writer Wu Ming-yi [La Littérature à l'ère de l'anthropocene: Une étude écocritique autour des oeuvres de l'écrivain taïwanaise Wu Ming-yi] which is recently translated into Chinese by his wife, Hsu Ya-wen, and published in Taiwan by Xinjindian Publishing. This is a book that based on Gwennaël's doctoral thesis and with adapted revisions. In the book, readers are able to go more in depth on Gaffric's own critical interpretation and analysis of Wu Ming-yi's works across different periods as well as his theoretical understanding and worldview contextualised in the era of Anthropocene. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Hello everyone. This is Ti-han 張迪涵_, one of the hosts of our Taiwan On-Air podcast series, sponsored by the European Association of Taiwan Studies and today we are here for a Book Chat. Our guest today is a rising-star French scholar who specialised in Taiwanese and Chinese literary studies and translation,  Professor Gwennaël Gaffric from Université Lyon 3 Jean Moulin. Both Gwennael and I studied at the University of Lyon 3 as doctoral students back in early 2010s. First time we met was because I required some help from a native French speaker to help me revise my poorly written doctoral proposal and application in French at the time. Although Gwenn had never met me before, he was very kind to lend me a hand to review my application together. And since then, he had always been a great help and a true friend, and of course a wonderful colleague to work with throughout these years. Many of our Francophone colleagues who work on Taiwan studies also know Gwenn through his great works of fiction translation. As a doctoral student, he started with translating Wu Ming-yi's 睡眠的航線 [Routes in a Dream], and subsequently translated also Wu's 複眼人[The Man with the Compound Eyes] and 天穚上的魔術師 [The Magician on the Skywalk], as well as other Taiwanese novelists and poets such as Chi Ta-wei, Kao Yi-feng, Xia Yu and Walis Nokan. In recent years, his translation also goes beyond Taiwan, further including other Chinese best-selling eco sci-fi such as the Three-Body Problem from Liu Cixin and The Waste Tide by Chen Qiufan. Gaffric's research today crosses between science fiction, ecocriticism,, and Sinohpone literary translation. And of course, he also plays a key role in the promotion of Taiwan literature and culture to the French-speaking world, as he is not only in charge as the director of Taiwan Fiction Collection Series in the Asiathèque, but he also collaborates with Ministry of Culture文化部 and Centre Culturel de Taïwan à Paris 巴文中心 to bring authors and poets to the Francophone readers. Today, however, we are not here to quiz Gwenn about his literary translation, but more about his scholarly research and his monograph, The Literature in the Age of Anthropocene: An Ecocritical Study of the Taiwanese writer Wu Ming-yi [La Littérature à l'ère de l'anthropocene: Une étude écocritique autour des oeuvres de l'écrivain taïwanaise Wu Ming-yi] which is recently translated into Chinese by his wife, Hsu Ya-wen, and published in Taiwan by Xinjindian Publishing. This is a book that based on Gwennaël's doctoral thesis and with adapted revisions. In the book, readers are able to go more in depth on Gaffric's own critical interpretation and analysis of Wu Ming-yi's works across different periods as well as his theoretical understanding and worldview contextualised in the era of Anthropocene. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Hello everyone. This is Ti-han 張迪涵_, one of the hosts of our Taiwan On-Air podcast series, sponsored by the European Association of Taiwan Studies and today we are here for a Book Chat. Our guest today is a rising-star French scholar who specialised in Taiwanese and Chinese literary studies and translation,  Professor Gwennaël Gaffric from Université Lyon 3 Jean Moulin. Both Gwennael and I studied at the University of Lyon 3 as doctoral students back in early 2010s. First time we met was because I required some help from a native French speaker to help me revise my poorly written doctoral proposal and application in French at the time. Although Gwenn had never met me before, he was very kind to lend me a hand to review my application together. And since then, he had always been a great help and a true friend, and of course a wonderful colleague to work with throughout these years. Many of our Francophone colleagues who work on Taiwan studies also know Gwenn through his great works of fiction translation. As a doctoral student, he started with translating Wu Ming-yi's 睡眠的航線 [Routes in a Dream], and subsequently translated also Wu's 複眼人[The Man with the Compound Eyes] and 天穚上的魔術師 [The Magician on the Skywalk], as well as other Taiwanese novelists and poets such as Chi Ta-wei, Kao Yi-feng, Xia Yu and Walis Nokan. In recent years, his translation also goes beyond Taiwan, further including other Chinese best-selling eco sci-fi such as the Three-Body Problem from Liu Cixin and The Waste Tide by Chen Qiufan. Gaffric's research today crosses between science fiction, ecocriticism,, and Sinohpone literary translation. And of course, he also plays a key role in the promotion of Taiwan literature and culture to the French-speaking world, as he is not only in charge as the director of Taiwan Fiction Collection Series in the Asiathèque, but he also collaborates with Ministry of Culture文化部 and Centre Culturel de Taïwan à Paris 巴文中心 to bring authors and poets to the Francophone readers. Today, however, we are not here to quiz Gwenn about his literary translation, but more about his scholarly research and his monograph, The Literature in the Age of Anthropocene: An Ecocritical Study of the Taiwanese writer Wu Ming-yi [La Littérature à l'ère de l'anthropocene: Une étude écocritique autour des oeuvres de l'écrivain taïwanaise Wu Ming-yi] which is recently translated into Chinese by his wife, Hsu Ya-wen, and published in Taiwan by Xinjindian Publishing. This is a book that based on Gwennaël's doctoral thesis and with adapted revisions. In the book, readers are able to go more in depth on Gaffric's own critical interpretation and analysis of Wu Ming-yi's works across different periods as well as his theoretical understanding and worldview contextualised in the era of Anthropocene. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hello everyone. This is Ti-han 張迪涵_, one of the hosts of our Taiwan On-Air podcast series, sponsored by the European Association of Taiwan Studies and today we are here for a Book Chat. Our guest today is a rising-star French scholar who specialised in Taiwanese and Chinese literary studies and translation,  Professor Gwennaël Gaffric from Université Lyon 3 Jean Moulin. Both Gwennael and I studied at the University of Lyon 3 as doctoral students back in early 2010s. First time we met was because I required some help from a native French speaker to help me revise my poorly written doctoral proposal and application in French at the time. Although Gwenn had never met me before, he was very kind to lend me a hand to review my application together. And since then, he had always been a great help and a true friend, and of course a wonderful colleague to work with throughout these years. Many of our Francophone colleagues who work on Taiwan studies also know Gwenn through his great works of fiction translation. As a doctoral student, he started with translating Wu Ming-yi's 睡眠的航線 [Routes in a Dream], and subsequently translated also Wu's 複眼人[The Man with the Compound Eyes] and 天穚上的魔術師 [The Magician on the Skywalk], as well as other Taiwanese novelists and poets such as Chi Ta-wei, Kao Yi-feng, Xia Yu and Walis Nokan. In recent years, his translation also goes beyond Taiwan, further including other Chinese best-selling eco sci-fi such as the Three-Body Problem from Liu Cixin and The Waste Tide by Chen Qiufan. Gaffric's research today crosses between science fiction, ecocriticism,, and Sinohpone literary translation. And of course, he also plays a key role in the promotion of Taiwan literature and culture to the French-speaking world, as he is not only in charge as the director of Taiwan Fiction Collection Series in the Asiathèque, but he also collaborates with Ministry of Culture文化部 and Centre Culturel de Taïwan à Paris 巴文中心 to bring authors and poets to the Francophone readers. Today, however, we are not here to quiz Gwenn about his literary translation, but more about his scholarly research and his monograph, The Literature in the Age of Anthropocene: An Ecocritical Study of the Taiwanese writer Wu Ming-yi [La Littérature à l'ère de l'anthropocene: Une étude écocritique autour des oeuvres de l'écrivain taïwanaise Wu Ming-yi] which is recently translated into Chinese by his wife, Hsu Ya-wen, and published in Taiwan by Xinjindian Publishing. This is a book that based on Gwennaël's doctoral thesis and with adapted revisions. In the book, readers are able to go more in depth on Gaffric's own critical interpretation and analysis of Wu Ming-yi's works across different periods as well as his theoretical understanding and worldview contextualised in the era of Anthropocene. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of the Patrick Henningsen Show on TNT Radio which aired on August 8, 2023, Patrick talks with Arnaud Develay, an international human rights lawyer, to discuss the incredible developments in Niger and central Africa, as the geopolitical center of gravity shifts to the large continent, as a proxy playing field where western and Eurasian interests collide. What will become of the Francophone countries, and how will the energy situation affect the EU's plans going forward? All this and more.  More from Arnaud: 21stcenturywire.com  TUNE-IN LIVE to TNT RADIO for the Patrick Henningsen Show every MON-FRI at 12PM-2PM (NEW YORK) | 5PM-7PM (LONDON) | 2AM-4AM (BRISBANE): https://tntradio.live

Soldiers in the West African country of Niger announced a coup on national TV last week, saying they had dissolved the constitution, suspended all institutions and closed all borders. The coup was widely condemned, including by France, the UN and West African regional body ECOWAS. Niger was seen as the last solid ally of the West in the Sahel region. It's also a country seen as vital to U.S. counter-terrorism efforts in Africa. There are concerns that the security situation in Niger and across the Sahel could deteriorate further. President Bazoum's government has been a partner to European countries trying to stop the flow of migrants across the Mediterranean Sea, agreeing to take back hundreds of migrants from detention centres in Libya. He has also cracked down on human traffickers in what had been a key transit point between other countries in West Africa and those further north. On the programme this week, we look at why Niger matters and how the coup could be making a troubled region even more fragile. Why did the presidential guards turn on the man they were hired to protect? How did France squander its historic advantage in a Francophone country? Will this coup make the citizens of Niger safer — or are the only winners the armed groups who roam the Sahel? Could the crisis in Niger spread into a wider regional conflict? Shaun Ley is joined by: Paul Melly, consulting fellow at the Africa programme at Chatham house Idayat Hassan, senior associate for the Africa program of the Centre for Strategic and International Studies and director of the Centre for Democracy and Development Ebenezer Obadare, senior fellow of African studies at the Council on Foreign Relations Also featuring: Rama Yade, director of the Africa Centre at the Atlantic Council Chris Ogunmondede, editor of the pan-African international affairs publication The Republic Photo: Supporters of General Abdourahamane Tchiani rally in Niamey, Niger - 30 Jul 2023. Credit: ISSIFOU DJIBO/EPA-EFE/REX/Shutterstock Produced by Max Horberry and Ellen Otzen

Lʹactualité culturelle de la semaine avec Eric Emmanuel Schmitt pour "Le défi de Jérusalem" aux éditions Albin Michel Florence Cestac et Albert Algoud pour "Le prof qui a sauvé sa vie" aux éditions Dargaud Léonore Confino pour "Le village des sourds" aux éditions Actes Sud Entretien reportage à Marrakech avec Fouad Laroui pour "30 jours pour trouver un mari" chez Mialet-Barrault éditeurs

#France #African #america Spotify Link - Listen Now: https://podcasters.spotify.com/pod/show/realblackforum/episodes/The-Pact-for-the-Continuation-of-Colonization---How-France-Put-Black-Africans-Back-In-Slavery-e27033t Article Link: https://www.pambazuka.org/governance/france-still-robbing-its-former-african-colonies Blog: https://realblackconsciousnessesforum387099824.wordpress.com/ Email the podcast: rbcforum313@yahoo.com Join us as we have a conversation about The Pact for the Continuation of Colonization which is officially called French colonial pact. According to Pan African Visions: THE COLONIAL PACT It is the Colonial Pact that set up the common currency for the Francophone countries, the CFA Franc, which demands that each of the 14 C.F.A member countries must deposit 65% (plus another 20% for financial liabilities, making the dizzying total of 85%) of their foreign exchange reserves in an “Operations Account” at the French Treasury in Paris. The African nations therefore have only access to 15% of their own money for national development in any given year. If they are in need of extra money, as they always are, they have to borrow from their own 65% in the French Treasury at commercial rates. And that is not all: there is a cap on the credit extended to each member country equivalent to 20% of their public revenue in the preceding year. So if the countries need to borrow more than 20%, too bad; they cannot do it. Amazingly, the final say on the C.F.A arrangements belongs to the French Treasury, which invests the African countries' money in its own name on the Paris Bourse (the stock exchange). It is also the Colonial Pact that demands that France has the first right to buy or reject any natural resources found in the land of the Francophone countries. So even if the African countries could get better prices elsewhere, they cannot sell to anybody until France says it does not want to buy those natural resources. So yeah, just tap in to the conversation as we discuss the matter. Make sure you like, share, and comment! Thanks in advance! RBCF! Hashtags: #imperialism #antiimperialism #imperialismo #antiimperialismo #fuckimperialism #usimperialism #imperialisme #deathtoimperialism #endimperialism #anti_imperialism313 #americanimperialism #antimperialism #smashimperialism #endusimperialism #culturalimperialism #downwithimperialism #britishimperialism #stopimperialism #notoimperialism #neoimperialism #noimperialism #westernimperialism #hentikanimperialisme #fightimperialism #downwithusimperialism #newimperialism #japaneseimperialism #notousimperialism #imperialismoyankee #resistimperialism #abajoelimperialismo #whiteimperialism #noimperialismo #economicimperialism #arabimperialism #corporateimperialism #spanishimperialism #fuckamericanimperialism #endwesternimperialism #endborderimperialism --- Send in a voice message: https://podcasters.spotify.com/pod/show/realblackforum/message

Lʹactualité culturelle de la semaine avec Anthony Passeron, lauréat du Prix Première du premier roman remis à La Foire du Livre de Bruxelles. Jean Van Hamme pour "La Flèche ardente" aux éditions Dargaud Adeline Dieudonné pour "Reste" aux éditions LʹIconoclaste Reportage en déambulation dans Montréal pour les 20 ans de Mémoire dʹEncrier avec Mélikah Abdelmoumen au Marché Jean Talon, Yara El-Ghadban au Mont Royal et Blaise Ndala dans le Vieux Montréal. Lʹactualité culturelle de la semaine avec Anthony Passeron, lauréat du Prix Première du premier roman remis à La Foire du Livre de Bruxelles. Jean Van Hamme pour "La Flèche ardente" aux éditions Dargaud Adeline Dieudonné pour "Reste" aux éditions LʹIconoclaste Reportage en déambulation dans Montréal pour les 20 ans de Mémoire dʹEncrier avec Mélikah Abdelmoumen au Marché Jean Talon, Yara El-Ghadban au Mont Royal et Blaise Ndala dans le Vieux Montréal.

Episode 165: Narrative Subversions: “Unnatural” Narration and an Ethics of Engagement in the Work of Mahi Binebine   In this podcast, Doyle Calhoun presents a work related to his first book project, The Suicide Archive: Reading Resistance in the Wake of French Empire—which concludes with a chapter on suicide bombing, focused on Moroccan writer and artist Mahi Binebine's (b. 1959) novel Les Étoiles de Sidi Moumen (2010)—and a second book project, Narrative Subversions: Strange Voices in Francophone Fiction, which explores unconventional narrative configurations and includes a chapter on narrative techniques in Binebine's work.   Doyle Calhoun is currently Assistant Professor of Language and Culture Studies (postcolonial Francophone studies) at Trinity College in Connecticut. He received his Ph.D. in French from Yale University, where he was an affiliate of the Yale Council on African Studies. Prior to Yale, he completed a Masters in linguistics at KU Leuven, in Belgium, where he was also a Fulbright Research Grantee.   Calhoun's research and teaching focus on the literatures and cinemas of Africa and the Caribbean, especially Senegalese literature in French and Wolof. Working at the intersection of literary criticism, history, media studies, and decolonial theory, Calhoun shows how aesthetic forms provide alternatives to dominant colonial and postcolonial scripts. Calhoun has published over a dozen articles, in journals such as Research in African Literatures, French Studies, and Nineteenth-Century French Studies, and his work is forthcoming from PMLA. His public-facing writing has appeared in Public Books and the Sydney Review of Books. In 2021, he received the Ralph Cohen Prize from New Literary History for the best essay by an untenured scholar. His first book project, The Suicide Archive: Reading Resistance in the Wake of French Empire, turns the difficult topic of suicidal resistance into one worthy of analysis, attention, and interpretation. Beginning in the eighteenth century and working through the twenty-first century, from the time of slavery to the so-called Arab Spring, The Suicide Archive covers a broad geography that stretches from Guadeloupe and Martinique to Senegal, Algeria, Morocco, and Tunisia, and draws on an expansive corpus of literature, film, oral history, and archival materials to plot a long history of suicide as a political language in extremis.   This episode was recorded on July 28th, 2022 at the Tangier American Legation Institute for Moroccan Studies (TALIM).    Recorded and edited in Tangier, by: Abdelbaar Mounadi Idrissi, Outreach Coordinator, TALIM.   Posted by Hayet Lansari, Librarian, Outreach Coordinator, Content Curator (CEMA).  

Lʹactualité culturelle de la semaine autour des 120 ans de la naissance de Georges Simenon avec son fils John Simenon pour "Lʹannée Simenon" chez Dargaud. Yasmine Char pour "Lʹamour comme un empire" aux éditions Gallimard Philippe Besson pour "Ceci nʹest pas un fait divers" aux éditions Julliard Deuxième partie de lʹentretien avec le Prix Nobel Jean-Marie Gustave Le Clézio depuis Marrakech pour "Avers : des nouvelles des indésirables" aux éditions Gallimard

Michael Delisle pour "Cabale" aux éditions du Boréal Nathalie Rheims pour "Au long des jours" aux éditions Léo Scheer Thomas Fersen pour "Dieu sur Terre" aux éditions LʹIconoclaste et une performance autour de son texte.

2023-06-26 Homélie du Père Mathieu (messe francophone) by Radio Maria France

1er juillet 2022

As more immigrants arrive in Fredericton, its Francophone culture is changing and diversifying. Jeanne Armstrong spoke to the director of the Centre communautaire Sainte-Anne, the hub for all things Francophone in our city.

Episode 164: Amazigh Sisterhood in Poetry and Songs During the Algerian War In this podcast, Fazia Aitel, Associate professor of Francophone and African Studies, Claremont McKenna College in California provides an overview of an ongoing work on Amazigh women from Kabylia, Algeria. Her initial interest was to assess the way women managed while being principally targeted by the French propaganda machine during the Algerian war of independence. Fanon summarized the French colonial mindset on women in one line: “let's win over the women, and the rest will follow” (Dying colonialism, 1989). The colonial administration failed to win over Algerian women. However, this attempt to divide women from men to weaken the Algerian movement led Fazia to research whether Kabyle women ever created women's groups or organizations during the war. She thus tracks here the first instance of sisterhood among Amazigh women of Kabylia until the first Amazigh women's movement in Kabylia in 2001. This is a work in progress about the emergence, significance, and complexities of feminism within an oppressed indigenous group. We thank our friend Ignacio Villalón, AIMS contemporary art follow for his guitar performance of A vava Inouva of Idir for the introduction and conclusion of this podcast.  Realization and Editing by: Hayet Lansari, Librarian, Outreach Coordinator, Content Curator (CEMA).  

À l'occasion de la Journée mondiale des donneurs de sang, nous parlons de ce geste solidaire. Chaque année dans le monde, on récolte 118,5 millions de dons de sang dont 40 % dans les pays à revenu élevé. Si la transfusion sanguine permet de sauver des vies et d'améliorer la santé, nombreux sont les patients qui n'y ont pas accès à temps. Qui peut donner son sang ? À quelle fréquence peut-on le donner ? Avec :  Pr Jacques Chiaroni, professeur de Médecine et directeur de l'Établissement français du sang (EFS) Provence-Alpes-Côte-d'Azur et Corse, enseignant à la Faculté de Marseille.  Pr Claude Tayou, hématologiste, chef de service d'Hématologie et de Transfusion sanguine au CHU de Yaoundé, directeur des programmes d'accréditation des Services nationaux du sang à la Société Africaine de Transfusion Sanguine, membre du Conseil d'administration de la Société Francophone de Transfusion Sanguine Nicolas Bamba, journaliste rattaché à la rédaction web de RFI.>> À lire aussi : « Je vous raconte comment j'ai donné mon plasma » Programmation musicale :► Fredy Massamba - Mpassi Zi Bua ► Ceuzany – Pedra Bun 

À l'occasion de la Journée mondiale des donneurs de sang, nous parlons de ce geste solidaire. Chaque année dans le monde, on récolte 118,5 millions de dons de sang dont 40 % dans les pays à revenu élevé. Si la transfusion sanguine permet de sauver des vies et d'améliorer la santé, nombreux sont les patients qui n'y ont pas accès à temps. Qui peut donner son sang ? À quelle fréquence peut-on le donner ? Avec :  Pr Jacques Chiaroni, professeur de Médecine et directeur de l'Établissement français du sang (EFS) Provence-Alpes-Côte-d'Azur et Corse, enseignant à la Faculté de Marseille.  Pr Claude Tayou, hématologiste, chef de service d'Hématologie et de Transfusion sanguine au CHU de Yaoundé, directeur des programmes d'accréditation des Services nationaux du sang à la Société Africaine de Transfusion Sanguine, membre du Conseil d'administration de la Société Francophone de Transfusion Sanguine Nicolas Bamba, journaliste rattaché à la rédaction web de RFI.>> À lire aussi : « Je vous raconte comment j'ai donné mon plasma » Programmation musicale :► Fredy Massamba - Mpassi Zi Bua ► Ceuzany – Pedra Bun 

15 juin 2022

Professor of French and French Studies (University of the South) JULIAN LEDFORD brings to life the historical Joseph Bologne, Chevalier de Saint-George who is dramatized in the film CHEVALIER by Kelvin Harrison Junior in the title role. CHEVALIER highlights Joseph Bologne's improbable rise in French society as a celebrated violinist-composer, horseman, and fencer. Saint-George is bestowed the title of Chevalier by the French Royal Court and is a favorite of Marie Antoinette Ledford shines the light on the many accomplishments and provides the social and cultural context in which Chevalier de Saint-George was acclaimed, including his transcendence of France's racial codes in the 18th century. Julian Ledford, Assistant Professor of French and French Studies at the University of the South in Sewanee, Tennessee. Professor Ledford specializes in early-modern French and Francophone literature with a particular focus on Joseph Bologne, the Chevalier de Saint-George, and 18th-century women writers' contributions to discussions on masculinities.  Professor Ledford's additional research interests include ethnic, racial, and sexual alterity in the early 18th century; French Baroque opera; and second language teaching and learning. Professor Ledford's article  “Joseph Boulogne, the Chevalier de Saint-George and the Problem With Black Mozart” appeared in the Journal of Black Studies in 2019.   TRANSCRIPT TIMESTAMPS 0:08 - Intro to Historical Drama with The Boston Sisters (Podcast Intro) 1:27 - CHEVALIER Film synopsis 3:46 - Julian Ledford Introduction 4:45 - Discovering Joseph Bologne, Chevalier de Saint-George 11:39 - The Problem with “Black Mozart” 18:22 - Saint-George's Musical Contemporaries 23:32 - The Magnetism of Saint-George 29:08 - Break 29:39 - Africans and Black Codes in 18th Century France 35:33 - Saint-George and “Black Excellence” 41:58 - Saint-George's Contributions to Classical Music 43:57 - Student Reactions to CHEVALIER 47:36 - “Ernestine,” Saint-George's First Opera  50:10 - Impact of the CHEVALIER Film 52: 55 - Lightning Round: Becoming Saint-George's Musicologist, Historian, Documenter Jamaican Flag, Music Note, Compass 57:30 - Where to Watch CHEVALIER Online (CHEVALIER available for streaming June 2023) 57:57 - Connect with Historical Drama with The Boston Sisters 59:25 - Podcast Credits and Disclaimers STAY ENGAGED with HISTORICAL DRAMA WITH THE BOSTON SISTERS LISTEN to past past podcasts starting with the guests featured in this bonus episode SIGN UP for our mailing list SUBSCRIBE to the podcast on your favorite podcast platform You can SUPPORT this podcast on Anchor or SHOP THE PODCAST on our affiliate bookstore Thank you for listening! --- Support this podcast: https://podcasters.spotify.com/pod/show/historicaldramasisters/support

Selon l'OMS, le tabac fait plus de 8 millions de morts chaque année, soit la moitié de celles et ceux qui en consomment et le tabagisme est à l'origine d'un cancer sur trois. Quel impact la consommation du tabac a-t-elle sur le corps ? Quelles sont les maladies causées ou aggravées par le tabac ? Comment la dépendance se développe-t-elle ? Comment arrêter de fumer ? Dr Marion Adler, tabacologue à l'Hôpital Antoine Béclère de Clamart, dans les Hauts-de-Seine, membre du Comité scientifique et du Conseil d'administration de la Société Francophone de Tabacologie Pr Séraphin Komi Adjoh, chef du service de Pneumologie du CHU Sylvanus Olympio de Lomé au Togo.► En fin d'émission, nous parlons de la Conférence régionale sur l'accès à l'oxygène en milieu médical en Afrique, qui se déroule les 24 et 25 mai 2023 à Dakar, avec Marine Vignon, responsable du programme maladies respiratoires chez Alima, ONG humanitaire médicale basée à Dakar, au Sénégal.

Selon l'OMS, le tabac fait plus de 8 millions de morts chaque année, soit la moitié de celles et ceux qui en consomment et le tabagisme est à l'origine d'un cancer sur trois. Quel impact la consommation du tabac a-t-elle sur le corps ? Quelles sont les maladies causées ou aggravées par le tabac ? Comment la dépendance se développe-t-elle ? Comment arrêter de fumer ? Dr Marion Adler, tabacologue à l'Hôpital Antoine Béclère de Clamart, dans les Hauts-de-Seine, membre du Comité scientifique et du Conseil d'administration de la Société Francophone de Tabacologie Pr Séraphin Komi Adjoh, chef du service de Pneumologie du CHU Sylvanus Olympio de Lomé au Togo.► En fin d'émission, nous parlons de la Conférence régionale sur l'accès à l'oxygène en milieu médical en Afrique, qui se déroule les 24 et 25 mai 2023 à Dakar, avec Marine Vignon, responsable du programme maladies respiratoires chez Alima, ONG humanitaire médicale basée à Dakar, au Sénégal.

522. Part 2 of our conversation with Charlotte Bentley about New Orleans French opera. "New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. .. This book pieces together what it took to bring opera to New Orleans and the ways in which the city's operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans's Francophone theater, the Théâtre d'Orléans, as well as the performers who came to the city and the reception they received. But opera's significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines and visual culture, and dancing in its many ballrooms. Just as New Orleans helped to create transatlantic opera, opera in turn helped to create the city of New Orleans." This week in Louisiana history. May 12, 1898. New constitution includes the "Grandfather Clause" to permit illiterate whites to vote; a poll tax and literacy test included to disqualify black voters. This week in New Orleans history. Jazzland Opens May 20, 2000. The Jazzland Theme Park was an entertainment retail, and amusement complex. The park features a variety of entertainment opportunities designed to convey the elements of New Orleans' rich culture and history. In addition to the economic benefits mentioned Jazzland Theme Park will assist the City in achieving its goal of diversifying the image of New Orleans as an “adult tourist” City into more of a “family tourist” destination. Jazzland had 1 million visitors in the first year of operation".  This week in Louisiana. Louisiana Peach Festival June 3, 2023 Come discover the homegrown flavors, art, music, and culture of Ruston, LA at the 73rd Annual Louisiana Peach Festival featuring 12+ hours of live music, a juried arts market, food vendors, kids' activities, and more peachy fun in the heart of charming Downtown Ruston. Postcards from Louisiana. ET on trumpet with the New Birth Brass Band in Jackson Square playing "When You're Smiling." Listen on Google Play. Listen on Google Podcasts. Listen on Spotify. Listen on Stitcher. Listen on TuneIn. The Louisiana Anthology Home Page. Like us on Facebook. 

521. Part 1 of our conversation with Charlotte Bentley about New Orleans French-language opera." New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it..... This book pieces together what it took to bring opera to New Orleans and the ways in which the city's operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans's Francophone theater, the Théâtre d'Orléans, as well as the performers who came to the city and the reception they received. But opera's significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines and visual culture, and dancing in its many ballrooms. Just as New Orleans helped to create transatlantic opera, opera in turn helped to create the city of New Orleans." This week in Louisiana history. May 5, 1713 Antoine Cadillac was appointed French Gov. of Louisiana. This week in New Orleans history. The North Claiborne streetcar line began running on May 13, 1868. It was a downtown (i.e., downriver) line. From 1917 to 1925, it was operated as a single line with the Jackson Line. Its last run was on December 27, 1934. This week in Louisiana. The Essence Festival Caesars Superdome New Orleans, LA Tickets Website Thu, Jun 29, 2023 - Mon, Jul 3, 2023 The Essence Festival, known as "the party with a purpose", is an annual music festival which started in 1995 as a one-time event to celebrate the 25th anniversary of Essence, a magazine aimed primarily towards African-American women. It became the largest African-American culture and music event in the United States. The festival features artists simultaneously performing on a main stage as well as four standing-room only superlounge stages. Postcards from Louisiana. Congo Square drums Easter April 9, 2023. Listen on Google Play. Listen on Google Podcasts. Listen on Spotify. Listen on Stitcher. Listen on TuneIn. The Louisiana Anthology Home Page. Like us on Facebook. 

L'artiste québécoise Diane Dufresne s'apprête à être intronisée au Panthéon de la musique canadienne. Il s'agit d'une première pour une interprète francophone.  Chronique de Patrick Delisle-Crevier, journaliste culturel au 7 jours.Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Brian Valente-Quinn is an Associate Professor of Francophone African studies at the University of Colorado Boulder. His book, Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa, was published at Northwestern University Press in 2021. Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country's colonial heritage, as well as through their innovations on the craft of theater‑making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country's theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society. Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial education, cultural Pan‑Africanism, West African Sufism, uses of television and mass media, and popular theater and activism. Using a multidisciplinary approach that includes field, archival, and literary methods, Valente‑Quinn offers a fresh look at performance cultures of West Africa and the Global South in a book that will interest students and scholars in African, Francophone, and performance studies. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

2023-04-24 Homélie - Messe francophone Radio Maria by Radio Maria France

Brian Valente-Quinn is an Associate Professor of Francophone African studies at the University of Colorado Boulder. His book, Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa, was published at Northwestern University Press in 2021. Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country's colonial heritage, as well as through their innovations on the craft of theater‑making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country's theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society. Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial education, cultural Pan‑Africanism, West African Sufism, uses of television and mass media, and popular theater and activism. Using a multidisciplinary approach that includes field, archival, and literary methods, Valente‑Quinn offers a fresh look at performance cultures of West Africa and the Global South in a book that will interest students and scholars in African, Francophone, and performance studies. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Brian Valente-Quinn is an Associate Professor of Francophone African studies at the University of Colorado Boulder. His book, Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa, was published at Northwestern University Press in 2021. Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country's colonial heritage, as well as through their innovations on the craft of theater‑making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country's theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society. Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial education, cultural Pan‑Africanism, West African Sufism, uses of television and mass media, and popular theater and activism. Using a multidisciplinary approach that includes field, archival, and literary methods, Valente‑Quinn offers a fresh look at performance cultures of West Africa and the Global South in a book that will interest students and scholars in African, Francophone, and performance studies. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Brian Valente-Quinn is an Associate Professor of Francophone African studies at the University of Colorado Boulder. His book, Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa, was published at Northwestern University Press in 2021. Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country's colonial heritage, as well as through their innovations on the craft of theater‑making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country's theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society. Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial education, cultural Pan‑Africanism, West African Sufism, uses of television and mass media, and popular theater and activism. Using a multidisciplinary approach that includes field, archival, and literary methods, Valente‑Quinn offers a fresh look at performance cultures of West Africa and the Global South in a book that will interest students and scholars in African, Francophone, and performance studies. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Our World Bank EdTech team is preparing to launch the next iteration of our EdTech Policy Academy and we'll have several Francophone countries joining us. To be a resource for our participants, today's episode is in French. Our EdTech Policy Academy is a four-week hands-on clinic to engage policymakers and educators in conversations about navigating solutions to close educational gaps and prevent learning loss. This is the fourth iteration of the Academy and today four instructors from our upcoming EdTech Policy Academy discuss in French what participants can expect. This initiative is in partnership with the Mastercard Foundation. Dans cet épisode, Sarah Kleinmann, Christiane Voufo, Souleymane Diabate et Frederico Carvalho nous éclairent sur ce qu'est la EdTech Policy Academy, et l'orientation particulière qu'elle prend cette année en se concentrant sur l'apprentissage hybride et les compétences numériques. En qualité d'instructeurs de la session de printemps 2023, ils mettent en lumière les moments forts de l'expérience d'apprentissage qui attend les participants, ainsi que les réalisations attendues par l'équipe pédagogique. Pour en savoir plus sur la Policy Academy, vous pouvez regarder cette vidéo: https://youtu.be/2HucrXhGl2U.

We're joined by Dr Estrella Sendra: scholar, teacher, filmmaker, journalist and festival organiser based at King's College London. We bring marginalised African film into the spotlight as we learn about the origin of Francophone West African film and its pioneers. We discuss the genre's evolution - including its globalisation and top tips for getting into Francophone West African cinema. Follow us on IG: itsacontinentpod and Twitter: itsacontinent. It's a Continent (published by Coronet) is available to purchase: ⁠itsacontinent.com/book⁠ ⁠ ⁠ We're on Buy me a Coffee too:⁠ https://www.buymeacoffee.com/itsacontinent⁠ Visit our website:⁠ itsacontinent.com⁠ Artwork by Margo Designs:⁠ https://margosdesigns.myportfolio.com⁠ Music provided by Free Vibes:⁠ https://goo.gl/NkGhTg⁠ Warm Nights by Lakey Inspired:⁠ https://soundcloud.com/lakeyinspired/...⁠ Creative Commons — Attribution 3.0 Unported— CC BY 3.0 ⁠https://creativecommons.org/licenses/...⁠ Recommendations: ⁠https://mubi.com/⁠ ⁠African Screen Worlds: Decolonising Film and Screen Studies⁠ ⁠Francophone West African Cinema⁠

À l'occasion du Congrès Francophone d'Allergologie, nous faisons un point sur ce dérèglement du système immunitaire. Les allergies correspondent à une hypersensibilité de l'organisme à des substances a priori inoffensives : les allergènes. Selon l'Inserm, 20 à 30 % de la population est concernée par une maladie allergique. Pouvant se manifester par des réactions cutanées, respiratoires ou généralisées, les allergies peuvent être traitées. Comment diagnostiquer l'allergie et identifier l'allergène ? Comment expliquer le développement d'une allergie ? Quelles sont les prises en charge existantes ? Dr Sarah Court Devilliers, allergologue à Dijon. Membre du Bureau fédéral de l'Association Nationale de Formation Continue des Allergologues (ANAFORCAL), VP DPC et chargée de communication ; membre du Conseil d'administration de la Fédération Internationale ANAFORCAL, qui regroupe toutes les associations francophones de médecins allergologues. Membre du groupe presse du Congrès francophone d'allergologie, qui se déroule du 25 au 28 avril au Palais des Congrès de Paris Dr Julienne Teclessou, dermato-vénérologue allergologue au CHU Campus de Lomé au Togo et maitre-assistante à la Faculté des Sciences de la Santé de l'Université de Lomé. ► En fin d'émission, à l'occasion de la Journée mondiale de lutte contre le paludisme, nous dressons un bilan de l'avancée de la recherche avec Amélie Wamba, coordinatrice du projet Gene Drive à l'Association panafricaine de contrôle des moustiques (PAMCA), en partenariat avec RBM - pour en finir avec le paludisme, la plus grande plateforme mondiale de coordination des actions contre le paludisme avec plus de 500 partenaires (pays impaludés, acteurs du secteur privé, ONG, fondations, universités…). ► À écouter aussi : Priorité Santé - Paludisme, les enfants particulièrement vulnérables.

durée : 00:54:21 - La librairie francophone - par : Emmanuel Kherad - Cette semaine, la librairie francophone est au Festival du livre de Paris

Celeste Day Moore is a historian of African American culture, media, and Black internationalism in the twentieth century. Her first book, Soundscapes of Liberation: African American Music in Postwar France (Duke University Press, 2021), was awarded the Gilbert Chinard Prize from the Society for French Historical Studies. Her research has appeared in American Quarterly, the Journal of African American History, and the first edited volume of the African American Intellectual History Society (AAIHS). She received her doctorate from the University of Chicago and has been a fellow at the Institut d'Études Politiques in Paris and the Carter G. Woodson Institute for African-American and African Studies at the University of Virginia. As an associate professor of history at Hamilton College, she teaches courses on African American history as well as histories of empire, race, Black internationalism, and U.S. international relations. In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military's wartime records and radio programs; the French record industry's catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power. Their work resonated among diverse Francophone audiences and transformed the lives and labor of many African American musicians, who found financial and personal success as well as discrimination in France. By showing how the popularity of African American music was intertwined with contemporary structures of racism and imperialism, Moore demonstrates this music's centrality to postwar France and the convergence of decolonization, the expanding globalized economy, the Cold War, and worldwide liberation movements. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, with a focus on the region of Brittany, the historical and artistic dimensions of radio in France, and podcasting. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Rencontre avec Yan Chantrel, sénateur de français de l'étranger, en visite en Australie, pour parler éducation, art et rôle de la France dans le monde via sa diplomatie.

517. Part 2 of our interview with Windy Counsell Petre about Louisiana author Grace King. “Grace King was an American author of Louisiana stories, history, and biography, and a leader in historical and literary activities. King began her literary career as a response to George Washington Cable negative portrayal of Louisiana Creoles. King desired to create a sympathetic portrayal of Louisianians and Southerners based on her observations and experiences. King viewed herself as a type of representative for the region, although she herself was not in fact a Creole.  King also became a representative for Southern women. In her literary works, King focuses primarily on women and women's issues in Reconstruction and its aftermath. King also emphasizes how race and class affected the lives of women” (Wikipedia).  This week in Louisiana history. April 15, 1795. The Pointee Coupee Slave Rebellion. This week in New Orleans history. April 16, 1718. Official date of founding of New Orleans. This week in Louisiana. 2023 Annual Festival International De Louisiane Cajundome & Convention Center, Lafayette, Louisiana Apr 26 - 30, 2023 Website Le Festival International de Louisiane is a community-based, non-profit arts organization formed in 1986 to produce an annual visual and performing arts festival celebrating the French cultural heritage of southern Louisiana - primarily a combination of French, African, Caribbean and Hispanic influences. The largest outdoor, FREE Francophone event in the U.S., the Festival places special emphasis on highlighting the connections between Acadiana and the Francophone world. Each year, artists from Europe, Africa, Canada, the Caribbean and the Americas are invited to share their talents with the community. Since its creation, Le Festival International de Louisiane has become famous as a premier presenter of some of the most unique world musicians and performances in the United States. Popular artists such as Aaron Neville, Dr. John, Irma Thomas, Black Joe Lewis, The Wailers, Sharon Jones & the Dap Kings, and Buddy Guy have all performed on our stages. Postcards from Louisiana. Brass band playing in Jackson Square.Listen on Google Play.Listen on Google Podcasts.Listen on Spotify.Listen on Stitcher.Listen on TuneIn.The Louisiana Anthology Home Page.Like us on Facebook.

517. Part 2 of our interview with Windy Counsell Petre about Louisiana author Grace King. “Grace King was an American author of Louisiana stories, history, and biography, and a leader in historical and literary activities. King began her literary career as a response to George Washington Cable negative portrayal of Louisiana Creoles. King desired to create a sympathetic portrayal of Louisianians and Southerners based on her observations and experiences. King viewed herself as a type of representative for the region, although she herself was not in fact a Creole.  King also became a representative for Southern women. In her literary works, King focuses primarily on women and women's issues in Reconstruction and its aftermath. King also emphasizes how race and class affected the lives of women” (Wikipedia).  This week in Louisiana history. April 15, 1795. The Pointee Coupee Slave Rebellion. This week in New Orleans history. April 16, 1718. Official date of founding of New Orleans. This week in Louisiana. 2023 Annual Festival International De Louisiane Cajundome & Convention Center, Lafayette, Louisiana Apr 26 - 30, 2023 Website Le Festival International de Louisiane is a community-based, non-profit arts organization formed in 1986 to produce an annual visual and performing arts festival celebrating the French cultural heritage of southern Louisiana - primarily a combination of French, African, Caribbean and Hispanic influences. The largest outdoor, FREE Francophone event in the U.S., the Festival places special emphasis on highlighting the connections between Acadiana and the Francophone world. Each year, artists from Europe, Africa, Canada, the Caribbean and the Americas are invited to share their talents with the community. Since its creation, Le Festival International de Louisiane has become famous as a premier presenter of some of the most unique world musicians and performances in the United States. Popular artists such as Aaron Neville, Dr. John, Irma Thomas, Black Joe Lewis, The Wailers, Sharon Jones & the Dap Kings, and Buddy Guy have all performed on our stages. Postcards from Louisiana. Brass band playing in Jackson Square.Listen on Google Play.Listen on Google Podcasts.Listen on Spotify.Listen on Stitcher.Listen on TuneIn.The Louisiana Anthology Home Page.Like us on Facebook.