Romance language originating in northern France
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Émission spéciale sur le film "The Arab" avec l'acteur Nabil AsliPlaylist: Fred Dionne - A l'ancienneGeneviève et Matthieu - Son sur le lacDamien Robitaille - Mètres de mon êtreNoir Désir - L'Europe
Soledad est une enfant arrachée à sa famille et enrôlée de force dans la guerre. Zarina Khan, l'autrice de L'enfant-soldat née Musique, milite pour le droit des enfants. Sa pièce repose sur une enquête et un vécu auprès de ces trop nombreux enfants soldats en Afrique. Le texte aborde un sujet âpre soutenu par de la musique en live sur scène et l'interprétation théâtrale remarquable de Nancy Nkusi. La pièce, en tournée, a été présentée aux Zébrures, le festival des francophonies qui se poursuit jusqu'au 3 octobre à Limoges. À lire aussiLes Zébrures, festival des francophonies: «Un théâtre de résistance et de reconstruction»
Soledad est une enfant arrachée à sa famille et enrôlée de force dans la guerre. Zarina Khan, l'autrice de L'enfant-soldat née Musique, milite pour le droit des enfants. Sa pièce repose sur une enquête et un vécu auprès de ces trop nombreux enfants soldats en Afrique. Le texte aborde un sujet âpre soutenu par de la musique en live sur scène et l'interprétation théâtrale remarquable de Nancy Nkusi. La pièce, en tournée, a été présentée aux Zébrures, le festival des francophonies qui se poursuit jusqu'au 3 octobre à Limoges. À lire aussiLes Zébrures, festival des francophonies: «Un théâtre de résistance et de reconstruction»
Nous explorons le chapitre 37 d'Harry Potter et l'Ordre du Phénix : «La prophétie perdue»...Invitée de cet épisode : Florence, auditrice de l'émission.0:00 Introduction16:15 Chapitre1:36:24 Meilleur personnage & renommage1:47:15 La volièrePour prolonger l'aventure Harry Potter avec nous :Facebook : https://www.facebook.com/frequence934Instagram : https://www.instagram.com/frequence934Discord : https://discord.com/invite/ps7FgM2bfGTwitch : https://www.twitch.tv/stream9troisquartsNotre volière : frequence934@gmail.comou à : Fréquence 9 3/4, Espace Conquérant, 3 Place Jean Nouzille 14000 Caen FRANCEAccédez à des contenus exclusifs sur Patreon : https://www.patreon.com/frequence934Soutenez-nous sur Tipeee : https://fr.tipeee.com/frequence934Thème musical :Moonlight Hall, de Kevin MacLeod (Licence CC BY 3.0)Jérémy & Marina ⚡Soutenez-nous sur Patreon et Tipeee !
Au programme: Anne Pitteloup, "Fille de" (éd. Finitude), Catel, "Le Roman des Goscinny" (éd. Grasset) et Jean Philippe Toussaint, "La Hantise" (éd. de Minuit)
Witness to Yesterday (The Champlain Society Podcast on Canadian History)
Larry Ostola speaks with William Jenkins about his book Canada and the Great Irish Famine. In the summer of 1847, over four hundred ships arrived in the Gulf of St Lawrence, carrying Irish men, women, and children who were fleeing the starvation and misery of the Great Potato Famine. Tens of thousands of famine refugees rebuilt their lives in different parts of Canada, in places urban and rural, Anglophone and Francophone. Though still a young province within the British Empire, Canada would be marked permanently and in significant ways by this mass migration. Canada and the Great Irish Famine examines how people confronted, experienced, and remembered the famine migration. Essays consider the transatlantic voyage; the collection of donations and organization of aid; the challenges encountered by the cities of Quebec, Saint John, Montreal, Toronto, Kingston, and Hamilton and their public debates over the impact of so many new arrivals; the accompanying problems of disease, destitution, mental illness, death and burial; the stories of orphaned children; and expressions of famine memory. The worst demographic catastrophe in nineteenth-century Europe inspired generations of political writings, artistic and literary endeavours, and commemorative practices, and it was woven into narratives of Irish nationalism and the founding of Canada. Canada and the Great Irish Famine provides a new perspective on the social outcomes of Ireland's famine migration as well as on the resilience and adaptability of the receiving communities and the migrants themselves. William Jenkins is associate professor of history at York University and the current president of the Canadian Association for Irish Studies. He is the author of Between Raid and Rebellion: The Irish in Buffalo and Toronto, 1867–1916. If you like our work, please consider supporting it: bit.ly/support_WTY. Your support contributes to the Champlain Society's mission of opening new windows to directly explore and experience Canada's past. Image Credit: McGill Queens University Press
Nomi est une femme mongole au parcours inspirant, profondément attachée à ses racines nomades et ouverte au monde. Francophone passionnée, elle incarne le lien vivant entre la tradition mongole et les voyageurs en quête d'authenticité. Guide de voyage et interprète expérimentée, Nomi accompagne depuis plusieurs années ceux qui souhaitent découvrir la Mongolie autrement : avec respect, écoute et immersion.Élevée au rythme des saisons dans la steppe, Nomi a grandi au cœur des valeurs de l'hospitalité, de la nature et de la liberté. Formée aux langues étrangères et à la médiation culturelle, elle a choisi de mettre ses compétences au service du dialogue entre les peuples. Son rôle de guide dépasse la simple logistique : elle est une véritable conteuse, traductrice d'émotions et de traditions, permettant aux voyageurs de comprendre l'âme mongole au-delà des apparences.Avec elle, chaque voyage devient une rencontre : avec des éleveurs, des chamans, des artisans, mais aussi avec soi-même. Grâce à sa connaissance fine du terrain et son regard humaniste, Nomi offre bien plus qu'un itinéraire : elle crée des ponts, éclaire les silences, et fait vivre des expériences inoubliables dans l'immensité mongole. Si vous avez aimé ce podcast, n'hésitez pas à le partager sur les réseaux sociaux avec le hashtag #regardailleurs Pour continuer à suivre mon travail, retrouvez moi sur: Instagram: https://www.instagram.com/gaiaimages_photography/Mon site internet: https://www.gaia-images.comSoutenir le podcast : https://www.buymeacoffee.com/alexandre.gaiaSoutenez-nous sur Patreon et Tipeee !
Invitée spéciale: Marie-Andrée Bergeron, professeure de littérature québécoise et féministe à l'Université de Calgary et la nouvelle directrice du Centre français (Craigie Hall C301) -- https://arts.ucalgary.ca/languages-linguistics-literatures-cultures/french-centre/activites/le-centrePlaylist: Les Rita Mitsouko - Como vaCatherine Ringer, Alice on the Roof - Ma chérieLou Adriane Cassidy - Les amours immaturesLou Adriane Cassidy - Si les bateauxBye Parula - Quand vient le soirBye Parula - Still Got The SpiritLa Securite - Princesse
AU programme: Isabelle Cornaz "Bahia" ( éd. La Baconnière), Guillaume de Tonquedec, "Ta mère et moi" ( éd.Stock) , Jérôme Colin "Je suis né dans la tempête" (éD Allary)
Baptiste Lambert et Olivier Mouton dialoguent au sujet de l'avenir de la Wallonie et de Bruxelles, en invitant parfois un politique pour l'interpeller. Les journalistes vous proposent différents podcasts sur les thèmes qui dominent notre monde et notre société. Sous différents angles et avec un accent clair sur l'économie et les entreprises, sur les affaires, les finances personnelles et les investissements. De manière indépendante, pertinente, toujours constructive et tournée vers l'avenir. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Le Québec est-il toujours la voie royale pour s'installer au Canada en 2026 ? Entre quotas, délais et nouvelles réalités, de nombreuses familles francophones réévaluent leurs options.
Playlist: Max Richter - On the Nature of DaylightCharlélie Couture - Même pas sommeilCéline Dion - Le BalletCharlélie Couture - Tous les hommesCharlélie Couture - Le Jour de la dernière heureCharlélie Couture - Envie de l'eauJonathan Personne - Reve americainDaniel Roa/Raver Rouge - PopsicleRaymond Roussel - Luster
Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Nous explorons le chapitre 36 d'Harry Potter et l'Ordre du Phénix : «Le seul qu'il ait jamais craint»...Invitée de cet épisode : Alisa, auditrice de l'émission.0:00 Introduction19:17 Chapitre1:16:01 Meilleur personnage & renommage1:28:30 La volièrePour prolonger l'aventure Harry Potter avec nous :Facebook : https://www.facebook.com/frequence934Instagram : https://www.instagram.com/frequence934Discord : https://discord.com/invite/ps7FgM2bfGTwitch : https://www.twitch.tv/stream9troisquartsNotre volière : frequence934@gmail.comou à : Fréquence 9 3/4, Espace Conquérant, 3 Place Jean Nouzille 14000 Caen FRANCEAccédez à des contenus exclusifs sur Patreon : https://www.patreon.com/frequence934Soutenez-nous sur Tipeee : https://fr.tipeee.com/frequence934Thème musical :Moonlight Hall, de Kevin MacLeod (Licence CC BY 3.0)Jérémy & Marina ⚡Soutenez-nous sur Patreon et Tipeee !
Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Au programme: Élise Lespade "Paradisi Gloria" (éd. cercle ouvert ) lauréate du Prix Stanislas, Philippe Jaenada "L'Inconnue du quai de Javel" ( éd. Flammarion), Daria Marx "Tuer le vieux" ( éd. Flammarion) et Martine Delvaux "Divas" ( éd. Héliotrope)
Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
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Pousserez-vous la porte du bar... des désespérés ? Le 19 septembre, la troupe Les Apprentis Comédiens Sydney présente FIN DE SOIRÉE, sa toute première création à Sydney, au Randwick Town Hall. Une pièce en français, entre humour, absurdité, solitude et désir, où des personnages qui n'auraient peut-être jamais dû se croiser finissent par se retrouver face à face, jusqu'à ce que certaines vérités éclatent. Au micro de SBS French, Yasmina Vally, metteuse en scène de la pièce, revient sur cette création collective, l'histoire d'une troupe qui voyage depuis plus de vingt ans en tissant du lien au sein des communautés francophones, et sur le choix de reverser les bénéfices de la soirée à Lifeline Australia.
Pousserez-vous la porte du bar... des désespérés ? Le 19 septembre, la troupe Les Apprentis Comédiens Sydney présente FIN DE SOIRÉE, sa toute première création à Sydney, au Randwick Town Hall. Une pièce en français, entre humour, absurdité, solitude et désir, où des personnages qui n'auraient peut-être jamais dû se croiser finissent par se retrouver face à face, jusqu'à ce que certaines vérités éclatent. Au micro de SBS French, Yasmina Vally, metteuse en scène de la pièce, revient sur cette création collective, l'histoire d'une troupe qui voyage depuis plus de vingt ans en tissant du lien au sein des communautés francophones, et sur le choix de reverser les bénéfices de la soirée à Lifeline Australia.
Playlist: Gaël Faye - Lundi méchantLa Femme - SeptembrePomme - septembreVianney - D'or et d'étainLaëtitia - Un jardinGabriel Fredette, Olivier Bergeron - Nouveau DépartLubiana - Rivière des cœurs blessésWaahli - SouvenirKeny Arkana - Sans terre d'asileSeka - FIDÈLESouldia, Blynk - Le cœur à la bonne place--Blynk - SincèreLydia Képinski - Vivant-eRouge Pompier - Transfusion
Playlist: Gaël Faye - Lundi méchantLa Femme - SeptembrePomme - septembreVianney - D'or et d'étainLaëtitia - Un jardinGabriel Fredette, Olivier Bergeron - Nouveau DépartLubiana - Rivière des cœurs blessésWaahli - SouvenirKeny Arkana - Sans terre d'asileSeka - FIDÈLESouldia, Blynk - Le cœur à la bonne place--Blynk - SincèreLydia Képinski - Vivant-eRouge Pompier - TransfusionLa Securite - La princesse
Sur cet épisode de Le Sick Podcast, Éric Hoziel se joint à Tony Marinaro et Alexis Lavoie-Martel! Learn more about your ad choices. Visit megaphone.fm/adchoices
La capsule du mois de septembre du Réseau Santé Alberta avec Alexandra Brassard: à la 31e minute et la 44e seconde de l'émission.Playlist: Laura Schembri - Sous le soleilFouKi - Trop tardMarieme - ONE LOVELes Louanges - Central Park La FontaineAriane Moffatt - JouerLudovick Bourgeois - Jamais s'oublierAlex LeBlanc - Valse pour ArielBENNETT - Vois sur ton chemin (Techno Mix)TRIANGLE DES BERMUDES, featuring MC YOSHI, Mauvais Djo & Kokosvoice - Ricky roséIrdens Exantus, featuring SHAH FRANK - Vices & PorcelaineMauvais Djo - PiléAubin pi la S.C.B - Laisse-moi faire ma own thing
La capsule du mois de septembre du Réseau Santé Alberta avec Alexandra Brassard: à la 31e minute et la 44e seconde de l'émission.Playlist: Laura Schembri - Sous le soleilFouKi - Trop tardMarieme - ONE LOVELes Louanges - Central Park La FontaineAriane Moffatt - JouerLudovick Bourgeois - Jamais s'oublierAlex LeBlanc - Valse pour ArielBENNETT - Vois sur ton chemin (Techno Mix)TRIANGLE DES BERMUDES, featuring MC YOSHI, Mauvais Djo & Kokosvoice - Ricky roséIrdens Exantus, featuring SHAH FRANK - Vices & PorcelaineMauvais Djo - PiléAubin pi la S.C.B - Laisse-moi faire ma own thing
Au programme: Hemley Boum , "Nos vies sauvages" (éd. Gallimard), Thomas Gunzig , "Spectres" (éd. Diable Vauvert) , Jean-François Beauchemin, "Herbier du souvenir" (éd. Québec Amérique) et Thomas Binggeli, "Virginia dans les tours" (éd. La Veilleuse)
(Aug 28, 2026) O'Bonsawin is a Wabanaki and Francophone who's been touring almost constantly for the last three years.
durée : 00:10:05 - Les Matins de France Culture - par : Julie Gacon - Dans "Les jours d'après", Valérie Donzelli prête son regard et sa voix à Louise, portée par la mise en scène sensible de Stéphanie Pillonca. Une comédie dramatique à découvrir en salles le 6 janvier 2027, dévoilée en avant-première au Festival du film francophone à Angoulême en cette fin août. - équipe : Sam Baquiast, Anouk Milliot, Sarah Masson, Rodi Eken, Léa Capuano, Romain Rincon Hernandez, Salomé Erbs - invités : Valérie Donzelli Actrice, scénariste et réalisatrice française Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
"From the Dickensian atmosphere of glowing lamps and peeling church bells to quaint stone gabled houses, cobblestoned lanes, and horse-drawn caleche, Old Québec City or Vieux-Québec, is unstoppably picturesque. Charles Dickens wasn't wrong with his summation of the Old City's appeal: “Splendid views which burst upon the eye at every turn.” It is like a grand, evocative set of gorgeousness, a built landscape spanning 400 years, bestowed with World Heritage protection in 1985. It is the only North American walled city beyond Mexico, underpinning its proud sense of historical continuity. A city that clings to her French-speaking heritage and Gallic traditions. Home to the largest Francophone population outside of France, Québec City is where the dream of New France was born and died." Read Mike's full article article. LISTEN ABOVESee omnystudio.com/listener for privacy information.
durée : 00:05:01 - Les Matins de France Culture - par : Marie Sorbier - L'usage du français au Cambodge aujourd'hui résulte de deux grandes périodes de son histoire contemporaine. - invités : Marie Buscail Première conseillère à l'ambassade de France au Cambodge Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Céline Dion is set to emerge from her career dormancy into a sold-out Paris residency—a triumph over a rare neurological illness that, until recently, prevented her from singing. Her silence seemed unimaginable. Only a few decades ago, a precocious Dion evolved from a big-lunged teen Francophone chanteuse to the chest-beating frontwoman of a string of smash English-language hits—including several titanic movie themes. The sheer physicality of her athletic voice captivated audiences in the '90s, and filled your mom's car.Join Chris Molanphy as he unlocks the heart of Céline Dion's chart history—how she built pop's most soaring career from working-class Quebec to the stage at Eurovision…from the power of love to the prow of a very large ship.Podcast production by Kevin Bendis.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.
Céline Dion is set to emerge from her career dormancy into a sold-out Paris residency—a triumph over a rare neurological illness that, until recently, prevented her from singing. Her silence seemed unimaginable. Only a few decades ago, a precocious Dion evolved from a big-lunged teen Francophone chanteuse to the chest-beating frontwoman of a string of smash English-language hits—including several titanic movie themes. The sheer physicality of her athletic voice captivated audiences in the '90s, and filled your mom's car.Join Chris Molanphy as he unlocks the heart of Céline Dion's chart history—how she built pop's most soaring career from working-class Quebec to the stage at Eurovision…from the power of love to the prow of a very large ship.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.
Céline Dion is set to emerge from her career dormancy into a sold-out Paris residency—a triumph over a rare neurological illness that, until recently, prevented her from singing. Her silence seemed unimaginable. Only a few decades ago, a precocious Dion evolved from a big-lunged teen Francophone chanteuse to the chest-beating frontwoman of a string of smash English-language hits—including several titanic movie themes. The sheer physicality of her athletic voice captivated audiences in the '90s, and filled your mom's car.Join Chris Molanphy as he unlocks the heart of Céline Dion's chart history—how she built pop's most soaring career from working-class Quebec to the stage at Eurovision…from the power of love to the prow of a very large ship.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.
This Mix takes you through Afrobeats, Ghana classics, Amapiano, Francophone anthems, and party favorites with seamless transitions and exclusive DJ Loft mashups. The set features music from Rema, Davido, Wizkid, Burna Boy, Fireboy DML, KiDi, Black Sherif, Joey B, DarkoVibes, Kwabena Kwabena, R2Bees, Sarkodie, Shallipopi, Uncle Waffles, Tyler ICU, Mavo, Dopenation, Magic System, Meiway, Awilo Longomba, Shatta Wale, and many more, including signature DJ Loft edits and live blends. From smooth Afrobeats and nostalgic Ghana hits to infectious Amapiano grooves and nonstop dancefloor energy, this mix captures the atmosphere of a Friday night exactly as it happened. Press play, turn it up, and experience the vibes live with DJ Loft. Don't forget to like, comment, subscribe, and share if you're enjoying the mix.
Nous explorons le chapitre 35 d'Harry Potter et l'Ordre du Phénix : «Au-delà du voile»...Invitée de cet épisode : Nina, auditrice de l'émission.0:00 Introduction12:06 Chapitre1:01:11 Meilleur personnage & renommage1:13:53 La volièrePour prolonger l'aventure Harry Potter avec nous :Facebook : https://www.facebook.com/frequence934Instagram : https://www.instagram.com/frequence934Discord : https://discord.com/invite/ps7FgM2bfGTwitch : https://www.twitch.tv/stream9troisquartsNotre volière : frequence934@gmail.comou à : Fréquence 9 3/4, Espace Conquérant, 3 Place Jean Nouzille 14000 Caen FRANCEAccédez à des contenus exclusifs sur Patreon : https://www.patreon.com/frequence934Soutenez-nous sur Tipeee : https://fr.tipeee.com/frequence934Thème musical :Moonlight Hall, de Kevin MacLeod (Licence CC BY 3.0)Jérémy & Marina ⚡Soutenez-nous sur Patreon et Tipeee !
Dans cet épisode, Vincent Heuschling et Nicolas Steinmetz décortiquent Hermès Agent, le nouveau venu open source qui bouscule OpenClaw. Au programme : son architecture en cinq couches, sa mémoire persistante, et sa capacité à tourner en local pour préserver votre souveraineté. On parle aussi dans cet épisode du nouveau mode de facturation d'Anthropic, de cas d'usage concrets (daily briefing bot, revue de PR GitHub) et d'un sujet qu'on n'anticipe pas assez : la traçabilité et l'identité des agents qui se chaînent entre eux.## Chapitres00:00:00 Introduction et présentation de Nicolas Steinmetz 00:02:00 Hermès Agent, le nouveau rival d'OpenClaw00:04:00 Harness engineering en cinq couches00:09:00 Mémoire persistante et orchestration multi-modèle00:14:00 Sandbox, permissions et souveraineté des données00:20:00 Nouveau modèle de facturation d'Anthropic00:26:00 Cas d'usage concrets et niveau de contrôle00:32:00 Nvidia, CUDA et identité des agents## Le BigdataHebdoLe BigdataHebdo est le podcast Francophone de la Data et de l'IA. Retrouvez plus de 200 épisodes https://bigdatahebdo.com Rejoignez la communauté sur le Slack https://join.slack.com/t/bigdatahebdo/shared_invite/zt-a931fdhj-8ICbl9dbsZZbTcze61rr~Q
Sur cet épisode de Le Sick Podcast, Tony Marinaro et Marc Turgeon reviennent sur l'actualité dans le monde du sport! Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we're joined by Dr. Keith Moser, professor in the Department of Classical & Modern Languages and Literatures. Dr. Moser researches all types of cool stuff; including 20th and 21st century French and Francophone literature, social and ecological justice, globalization, ecocriticism, and environmental philosophy, among many other important topics. As part of his research, Dr. Moser has become an expert in monster studies. This episode highlights his recent article “Capitalism's Haunted Screens: The Hyperreal Spectacle in Dawn of the Dead and Thanksgiving” as well as the summer's recent horror movie releases.
In this episode of the Project Narrative Podcast, Jim Phelan and Gerald Prince discuss Guy de Maupassant’s 1884 story, “La Parure,” or “The Necklace” in English. Prince reads the 1924 translation by Ernest Boyd. Gerald Prince is professor of French and Francophone studies in the Department of Francophone, Italian, and Germanic Studies at the University of Pennsylvania. Prince is one of the preeminent scholars of his generation in the fields of narratology and of 20th and 21st century French literature. Prince’s books include Métaphysique et technique dans l’oeuvre romanesque de Sartre, A Grammar of Stories, Narratology: The Form and Functioning of Narrative, A Dictionary of Narratology, Narrative as Theme, Guide du Roman de Langue Française (1901-1950), and Guide du Roman de Langue Française (1951-2000). In 2013, Prince received the Wayne C. Booth Lifetime Achievement Award from the International Society for the Study of Narrative.
Nous explorons le chapitre 34 d'Harry Potter et l'Ordre du Phénix : Le Département des mystères»...Invitée de cet épisode : Astrid, auditrice de l'émission.0:00 Introduction13:32 Chapitre53:38 Meilleur personnage & renommage1:03:33 La volièrePour prolonger l'aventure Harry Potter avec nous :Facebook : https://www.facebook.com/frequence934Instagram : https://www.instagram.com/frequence934Discord : https://discord.com/invite/ps7FgM2bfGTwitch : https://www.twitch.tv/stream9troisquartsNotre volière : frequence934@gmail.comou à : Fréquence 9 3/4, Espace Conquérant, 3 Place Jean Nouzille 14000 Caen FRANCEAccédez à des contenus exclusifs sur Patreon : https://www.patreon.com/frequence934Soutenez-nous sur Tipeee : https://fr.tipeee.com/frequence934Thème musical :Moonlight Hall, de Kevin MacLeod (Licence CC BY 3.0)Jérémy & Marina ⚡Soutenez-nous sur Patreon et Tipeee !
Nous explorons le chapitre 33 d'Harry Potter et l'Ordre du Phénix : «Lutte et fugue»...Invitée de cet épisode : Virginie, auditrice de l'émission.0:00 Introduction11:48 Chapitre1:01:12 Meilleur personnage & renommage1:10:36 La volièrePour prolonger l'aventure Harry Potter avec nous :Facebook : https://www.facebook.com/frequence934Instagram : https://www.instagram.com/frequence934Discord : https://discord.com/invite/ps7FgM2bfGTwitch : https://www.twitch.tv/stream9troisquartsNotre volière : frequence934@gmail.comou à : Fréquence 9 3/4, Espace Conquérant, 3 Place Jean Nouzille 14000 Caen FRANCEAccédez à des contenus exclusifs sur Patreon : https://www.patreon.com/frequence934Soutenez-nous sur Tipeee : https://fr.tipeee.com/frequence934Thème musical :Moonlight Hall, de Kevin MacLeod (Licence CC BY 3.0)Jérémy & Marina ⚡Soutenez-nous sur Patreon et Tipeee !
Klô has gone through some big changes since being shortlisted for the Polaris Music Prize in 2021. She wrote her latest album, Abracadabra, after becoming a mother for the first time, which completely changed her relationship to music and the world. Klô joins Tom Power to discuss how she's rediscovering herself as an artist. Plus, she sets up a song, Lettre à une jeune poète, and talks about the challenges of being a francophone musician in Canada.
Originally released April 2016: Believe it or not there is a thriving rock scene in North America that has been churning out great music for decades but very few people outside of the Canadian province of Quebec even know it exists. This is because Quebec (population 8 million) is a predominantly French speaking province surrounded by English speaking provinces and the US below and this has led to the development of what some people refer to as Francophone, or Quebec-based bands or artists that choose to perform in French and thus find themselves isolated to Quebec. A band from Quebec that performs in French will be heard by very few people outside of Quebec and that's just the way it is, until now. On this episode BJ is joined once again by Simon Fauteux, a rock artist from Quebec who chose to perform in French. Simon has put together a list of 20 of the greatest songs by the most important rock artists from Quebec, from the seventies until today. OFFENBACH - CALINE DE BLUES OFFENBACH - J'AI L'ROCK'N'ROLL PIS TOE CORBEAU - ILLEGAL CORBACH - CHEVALIERS DE LA NUIT BEAU DOMMAGE - LE PICBOIS HARMONIUM - POUR UN INSTANT ROBERT CHARLEBOIS - TOUT ECARTILLE AUT'CHOSE - LES PAY D'EN HAUT FRANCOEUR - LES ELUCIBRATIONS DE JOHNNY MICHEL PAGLIARO - J'AI MARCHE POUR UNE NATION GAROLOU - SUR LE BOUT DU PONT PLUME LATRAVERSE - LEON LE CAMELEON GILLES VALIQUETTE - JE SUIS COOL ASTEUR DANIEL BELANGER - OPIUM MANGE L'OURS MANGE - POUPEE VAUDOU POSSESSION SIMPLE - COMME UN CAVE LES DALES HAWERCHUCK - LES DALES HAWERCHUCK LES COLOCS - PASSE-MOE LA PUCK GALAXIE - PORTUGAL MORDICUS - GRANDVILLE SIMON FAUTEUX - LAURA Learn more about your ad choices. Visit megaphone.fm/adchoices
Nous explorons le chapitre 32 d'Harry Potter et l'Ordre du Phénix : «Hors du feu»...Invitée de cet épisode : Elise, auditrice de l'émission.0:00 Introduction13:50 Chapitre1:04:17 Meilleur personnage & renommage1:13:57 La volièrePour prolonger l'aventure Harry Potter avec nous :Facebook : https://www.facebook.com/frequence934Instagram : https://www.instagram.com/frequence934Discord : https://discord.com/invite/ps7FgM2bfGTwitch : https://www.twitch.tv/stream9troisquartsNotre volière : frequence934@gmail.comou à : Fréquence 9 3/4, Espace Conquérant, 3 Place Jean Nouzille 14000 Caen FRANCEAccédez à des contenus exclusifs sur Patreon : https://www.patreon.com/frequence934Soutenez-nous sur Tipeee : https://fr.tipeee.com/frequence934Thème musical :Moonlight Hall, de Kevin MacLeod (Licence CC BY 3.0)Jérémy & Marina ⚡Soutenez-nous sur Patreon et Tipeee !
Contemporary French and Francophone Futuristic Novels: The Longing to be Written and Its Refusal (Palgrave Macmillan, 2022) sheds a new light on the metafictional aspects of futuristic and science fiction novels, at the crossroads of information and media studies, possible worlds theories applied to cognitive narratology, questions related to the criticism of post-humanity, and, more broadly, contemporary French and Francophone literature. It examines the fictional minds of characters and their conceptions of resistance to the anticipated worlds they inhabit, particularly in novels by Pierre Bordage, Marie Darrieussecq, Michel Houellebecq, Amin Maalouf, Jean-Christophe Rufin, Antoine Volodine, and Élisabeth Vonarburg. It also explores how corporal postures serve as a matrix for philosophical quests in novels by Amélie Nothomb, Alain Damasio, and Romain Lucazeau. More specifically, from the fictional readers' points of view, it provides a critical approach to the mythologies of writing, in the wake of the French philosophical tales by authors including Cyrano de Bergerac and Voltaire, to question the traditionally expressed formulations of the mythologies of writing, that is, of the metaphors of the book (the book of life, nature, and the world), to rethink the idea of a humanity within its limits. Guest Emmanuel Buzay is currently working as an international technical expert for the Modern Language Association and the French Embassy in the US, having previously held appointments at UMass Amherst and the University of Connecticut. In addition to this monograph, he has published book chapters on topics from Frankenstein to Michel Houellebecq, and his articles have appeared in Nouvelles Études Francophones, Res Futurae, and Contemporary French and Francophone Studies. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network