Podcast appearances and mentions of ivan hewett

Em 1829, Fanny Mendelssohn, de 22 anos, irmã mais velha de Felix, escreveu em seu diário que acabara de compor sua Sonata de Páscoa. Para comemorar o Dia Internacional da Mulher este ano, a sonata foi estreada publicamente com a devida atribuição no Royal College of Music em Londres e transmitida pela BBC3. O crítico do Telegraph, Ivan Hewett, escreveu sobre isso: revela uma obra de energia inquieta e aspiração espiritual ardente. O manuscrito foi descoberto em uma livraria de Paris em 1970 e foi atribuído a seu famoso irmão mais novo, Félix, pois trazia a assinatura “F.Mendelssohn”. FAÇA PARTE DO CONVERSA DE CÂMARA COM O NOSSO PADRIM! Então entre na conversa! No Padrin.com.br você pode ajudar o Conversa de Câmara a crescer e seguir divulgando ainda mais a boa música da humanidade. Mostre que você tem um gosto refinado apoiando a gente no Padrim.com.br ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.padrim.com.br/conversadecamara ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Karollina Coimbra, Aarão Barreto, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Ediney Giordani, Tramujas Jr, Brasa de Andrade Neto e Aldo França.

Kate Molleson talks to the German violinist Christian Tetzlaff as he prepares for a recital in London. They discuss the intensity of performing live, the joy of playing chamber music, and playing one last time with his musical partner - and soul mate - Lars Vogt, who passed away recently. Also, in light of rising living costs and of the latest Government measures, Kate is joined by critic and broadcaster Ivan Hewett, and Jamie Njoku-Goodwin, Chief Executive of UK Music, to assess how the music industry is being affected. There's also news of a recently launched orchestra in Colombia, consisting entirely of female players, the Women's Philharmonic Orchestra. Writer Mark Katz tells Kate about his new book 'Music and technology: a short introduction', in which he suggests music and technology have co-existed for much longer than we might think, to explain why technology can be used for good or evil, and how technology have empowered marginalised communities in societies across the world.

In which Rainer - that's me - reviews the First night of the Proms and chats to Ivan Hewett who is chief music critic of the Daily Telegraph. We chatted around the history of the Proms, his top tips for this year's programme, his thoughts on the Last Night, and the Prommer who wanted her ashes spread at the Royal Albert Hall. And there's a Bob Marley inspired Tchaikovsky Fantasia played by our Proms in the Pub pianist, Harry The Piano. See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/rainer-herschs-proms-in-the-pub.

ARTS & SOCIETY FORUM: At one time, classical music was rigorously defended – both by the sector and within wider society – because of its unique stature as the epitome of the European music tradition and its alignment with Enlightenment ideals. But who defends classical music today? Should it be defended? Is it time to shake up the genre, make it more accessible, and embrace the sentiment of John Gilhooly, director of Wigmore Hall who says, “In many ways all this is a purification, a chance to start again.” Or is there something intrinsic to the genre that we should seek to preserve? Do we still believe in the transcendental qualities of high art and the concept of art for arts’ sake? Should we defend our traditions or embrace the new normal and move with the times? Gabriella Swallow,  Stephen Johnson, Ivan Hewett and Dolan Cummings discuss.

Personal stories about Farewell to Stromness, by Sir Peter Maxwell Davies. Written in 1980 as a protest against uranium mining in Orkney, the music has touched and changed people's lives. The Orkney landscape which inspired Max's music is described by his partner Tim Morrison. We hear from Rosalind Newton, for whom the music provided peace after the death of her grandmother. Conductor Christopher Warren-Green recalls his performance of the music at the wedding of the Prince of Wales and Duchess of Cornwall. In Stromness we discover a community coming together to face the threat of uranium mining. Guitarist Sean Shibe and writer Ivan Hewett consider why this simple piece is so subtle and affective. And we hear from Jeana Leslie how the music, with its quiet melancholy inspired by folk music, has became traditional , and was a favourite for Peter Maxwell Davies to perform to visitors at his remote island home. Producer: Melvin Rickarby

Ivan Hewett recommends recordings of Shostakovich's Piano Quintet in G minor

This week Ivan Hewett asks what happens when music meets philosophy and explains what lovers of classical music get wrong about the chart hits. These are newly relevant questions thanks to the publication of Roger Scruton's book on the western musical tradition. You can read Hewett's review of Scruton's book on our website. Plus: politics with Alex Dean and culture with Sameer Rahim See acast.com/privacy for privacy and opt-out information.

Ivan Hewett recommends a recorded version of Brahms' Symphony No. 1.

Ivan Hewett and Andrew survey recordings of the composer Samuel Coleridge-Taylor.

Ivan Hewett surveys recordings of music by Henri Dutilleux, a composer with a unique voice who took inspiration from the tradition of Ravel, Debussy and Roussel, but created a sound world of sensuous harmony and colour that was all his own.

In his 1978 album Music for Airports Brian Eno created a new genre of music he named 'ambient music'. The album was designed to ease the tedium of waiting in airports, but ambient music, which Eno said was 'as ignorable as it is interesting', had an influence way beyond that. Ivan Hewett looks into the genesis and subsequent history of ambient music, and explains why Eno's description is not as self-contradictory as it appears to be.The story of new music is peppered with events that have altered the course of musical history. For our New Year New Music season, we asked five Radio 3 presenters to each tell the story of one of these "seismic moments". From silence and ambient sounds to riot and revolution, these intriguing events have, in different ways, changed the progress of sound and culture - or, as one of our five suggests, have they?Written and read by Ivan Hewett. Produced by Elizabeth Allard.

Ivan Hewett with a personal recommendation from recordings of Brahms's piano quartet in G minor, Op.25

Ahead of The Gold Medal, the Guildhall School’s most prestigious prize, we talk to our three talented finalists about how they are preparing for the big day. Clarinettist Max Mausen, cellist Michael Petrov and violinist Rose Hsien will each be playing a concerto with the Guildhall Symphony Orchestra, in front of a prestigious jury panel including renowned violinist and previous Gold Medal winner Tasmin Little and Ivan Hewett, Chief Music Critic at The Daily Telegraph. We find out how our finalists were selected, how they cope with nerves and just how much it would mean to them to find themselves on The Gold Medal board in the Silk Street foyer. The Gold Medal is on 12 May in Barbican Hall. Get tickets here: https://www.barbican.org.uk/music/event-detail.asp?ID=15752

A guide to Verdi's opera Falstaff, featuring the opera historians Sarah Lenton, Flora Willson and Ivan Hewett.

Tim Stanley, Damian Thompson and Ivan Hewett discuss 50 years of the Doctor

Rana Mitter introduces an anthology of unexpected readings from the letters and autobiography of the English composer Michael Tippett. With guests Ivan Hewett and Oliver Soden. Recorded in front of an audience at the Royal College of Music as part of this year's Proms Plus events.

Ivan Hewett with a personal recommendation from recordings of Janacek's 2 string quartets.

Critic and Hear and Now presenter Ivan Hewett nominates Hungarian composer Gyorgy Kurtag's Officium Breve in memoriam Andreae Szervanszky for string quartet. With commentary from writer Paul Griffiths.

Ivan Hewett introduces an Act by Act synopsis of the opera, of Verdi's Flastaff

BAL: Beethoven Violin Sonatas update. Ivan Hewett listens to some recent recordings

The In Tune A-Z of Opera. Today's letter is I for Interlude. Our guide is Ivan Hewett. For details of the music used in today's podcast please visit the In Tune playlist pages http://www.bbc.co.uk/programmes/b00skbn6