Podcasts about Piano quintet

Donald Macleod explores how Amy Beach railed against the sexism of her time to journey from a child piano prodigy to a respected composer.Young Birches Valse – Caprice, op.4 3 Songs, Op 2 no 3 - Empress of Night Eilende Wolken, segler der Lufte, Op. 18 Violin Sonata, Op.34 - I. Allegro Moderato Quartet for Strings in One Movement The Lark Quartet Romance for violin and piano, op.23 Ecstasy, Op.19 no 2 Symphony in E Flat, Op.32 'Gaelic' Peace I leave with you Dreaming (4 Sketches, Op.15) Piano Quintet in F sharp minor, Op.67 Deus Misereatur, Op.78 no 2 Jephthah's Daughter, Op.53 A Hermit Thrush At Morn, Op.92, no.2 Piano Concerto, Op. 45 From Grandmother's Garden - V. Honeysuckle By the still waters, Op.114 (arr. Lewin for 2 guitars) Hermit Thrush At Eve, Op.92, no.1 (1922) 3 Piano pieces, Op. 128 (I. Scherzino) Ses Yeux, Op. 66 Piano Trio in A minor, Op. 150 Cabildo, Op. 149 “Ah, love is a jasmine vine” Canticle of the Sun Scottish Legend, Op. 54, No 1For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Amy Beach (1867-1944): https://www.bbc.co.uk/programmes/m002rf45And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-zProducer: Steven Rajam / Sam Phillips

This week on The Sound Kitchen, you'll hear the answer to the question about the difference in “freedom of expression” between the US and the EU. There are your answers to the bonus question on “The Listeners Corner”, and a tasty musical dessert on Erwan Rome's “Music from Erwan”. All that and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. World Radio Day is just around the corner, so it's time for you to record your greetings for our annual World Radio Day programme! WRD is on 13 February; we'll have our celebration the day after, on the 14 February show. The deadline for your recordings is Monday 2 February, which is not far off! Try to keep your greeting to under a minute. You can record on your phone and send it to me as an attachment in an e-mail to thesoundkitchen@rfi.fr Be sure to record your greeting from underneath a blanket. Then the sound will be truly radiophonic – I mean, you want everyone to understand you, right? Don't miss out on the fun. 2 February is just around the corner, so to your recorders! Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Facebook: Be sure to send your photos for the RFI English Listeners Forum banner to thesoundkitchen@rfi.fr More tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos. Would you like to learn French? RFI is here to help you! Our website “Le Français facile avec rfi” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard. Go to our website and get started! At the top of the page, click on “Test level”, and you'll be counselled on the best-suited activities for your level according to your score. Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service, told me: “Bathe your ears in the sound of the language, and eventually, you'll get it”. She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more. There's Spotlight on France, Spotlight on Africa, the International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.   Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. NB: You do not need to send her your quiz answers! Email overload! This week's quiz: On 13 December, I asked you a question about the then-new US security strategy, which presented Europe as lacking in "self-confidence" and facing "civilizational erasure" due to immigration. You were to re-read our article “EU Council president rejects political influence in US security plan”, and send in the answer to this question: What did the EU Council president, Antonio Costa, say about the difference in the idea of “free speech” between Europe and the United States? The answer is, to quote our article: "The United States cannot replace Europe in what its vision is of freedom of expression,” Costa said. "There is no freedom of speech if citizens' freedom of information is sacrificed to defend the techno oligarchs in the United States." In addition to the quiz question, there was the bonus question, suggested by RFI Listeners Club member Jayanta Chakrabarty from New Delhi, India. Jayanta's question was: “What inspiring act have you witnessed that could motivate a nation or society?” Do you have a bonus question idea? Send it to us! The winners are: RFI English listener Khizar Hayat Shah from Punjab, Pakistan. Khizar is also the winner of this week's bonus question. Congratulations on your double win, Khizar. Also on the list of lucky winners this week are Faheem Noor, the president of the World United RFI Listeners Organization in Nankana Sahib, Pakistan, and RFI Listeners Club members Solomon Fessahazion from Asmara, Eritrea, as well as Deekay Dimple from Assam, India. Last but not least, there's RFI English listener Liton Hossain Khan from Naogaon in Bangladesh. Congratulations winners! Here's the music you heard on this week's programme: “Scherzo” from the Piano Quintet in G minor, Op. 57, by Dmitri Shostakovich, performed by the Quintetto Chigiano; “What's Going On?” by Marvin Gaye, Al Cleveland, and Reynaldo Benson, performed by Marvin Gaye; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “ Pithecanthropus Erectus” by Charles Mingus, performed by Mingus and his ensemble. Do you have a music request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, tune into Alison Hird's report on alternative retirement living on the “Spotlight on France” podcast number 138 (Reinventing retirement, saving a Paris cinema, counting the French), which will help you with the answer. You have until 23 February to enter this week's quiz; the winners will be announced on the 28 February podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France Click here to find out how you can win a special Sound Kitchen prize. Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club. 

LiteraturPur #69: Wie verhält sich Kunst zur Macht? Darüber habe ich mit dem Schriftsteller Alain Claude Sulzer und dem Pianisten Oliver Schnyder im Salon LiteraturPur diskutiert. Anlass war das 50ste Todesjahr des russischen Komponisten Dimitri Schostakovitsch, das mit Konzerten und Festivals begangen wurde. Dimitri Schostakowitsch lebte ein Leben im Schatten der Macht, in Angst und Schrecken, in Anpassung und Widerstand. Er war gefangen zwischen künstlerischer Integrität und den Zwängen des stalinistischen Regimes. Was das mit ihm machte und wie es seine Musik beeinflusst hat, das beschreibt der britische Autor Julian Barnes im Roman „Der Lärm der Zeit“. Ein Roman über einen Musiker unter Stress. So beschreibt Julian Barnes, wie Schostakovitsch 1937 nächtelang mit gepacktem Koffer vor dem Lift auf seine Verhaftung wartete. Künstler unter Stress, ein Thema das auch heute immer noch oder wieder aktuell ist. Wie Alain Claude Sulzer und Oliver Schnyder diesen biografischen Roman über Schostakovitsch gelsen haben und wo sie Stress, Widerstand, Angst aber auch Ironie in seiner Musik hören, das war Thema im Salon LiteraturPur. Eine gekürzte Version des Salongesprächs kannst du in dieser Podcastfolge von LiteraturPur nachhören.Julian Barns, Der Lärm der Zeit, im Verlag Kiepenheuer&WitschOliver Schnyder hat diesen Herbst ein grossaritges Schostakowitsch Album veröffentlicht: Shostakovich, Piano Trios & Piano Quintet, Prospero / 2025

Donald Macleod explores the life and work of Elfrida Andrée, a Swedish composer and organist who fought for women's rights in classical music. Featuring guests Anastasia Belina and Jonas Lundblad. Music Featured: Fritiof Suite Summer memories from Bjurslätt Piano Sonata in A, Op 3 An angel walks through the room Symphony No 1 Romance No 2 Serenade String Quartet in A major Chorale with variations in D minor Piano Quintet in E minor Andante quasi recitativo Swedish Mass No 1 Symphony No 2 Four Piano Pieces Symphony No 2 Piano Trio in G minor Organ Symphony No 1 in B minor Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Elfrida Andrée (1841-1929): https://www.bbc.co.uk/programmes/m002lnpf And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores Dmitri Shostakovich's life during the years of World War II, a period indelibly linked to his most famous work – the ‘Leningrad' symphony - which became an international symbol of resistance against the Nazis when it was performed by an orchestra suffering from the effects of starvation during the siege of the city.Music Featured:Funeral march in Memory of Victims of the Revolution Piano Concerto No 2 in F Major, Op 102 (2nd mvt, Andante) Lady Macbeth of Mtsensk District (Act IV, Vstaváy! Po mestám! Zívo!) Symphony No 5 in D minor, Op 47 (4th mvt, Allegro non troppo) Piano Quintet in G minor, Op 57 (1st mvt, Prelude – Lento) Symphony no 7, Op.60 “Leningrad” (2nd mvt, Moderato) King Lear (excerpt) The tale of the priest and his servant Balda, Op 36 (Finale) Symphony No 1 in F minor, Op 10 (2nd mvt, Allegro) Rothschild's violin (excerpt) Piano Sonata No 1, Op 12 Symphony No 7 in C Major, Op 60 “Leningrad” (1st mvt, Allegretto) Counterplan, Op 33 (Song of the Counterplan) The Golden Age Suite, Op 22a (2nd mvt, Adagio) Preludes, Op 34 (Nos 9-13) Romances on English poets, Op 62 Sonata No 2 in D minor, Op 61 (3rd mvt, Moderato) Moscow-Chryomushki, Op 105 (1st mvt, A Spin through Moscow) Zoya Suite, Op 64a (1st mvt, Song about Zoya) Cello Concerto No 1 in E flat major, Op 107 (2nd mvt, Moderato) Symphony No 8, Op 65 (4th mvt, Largo) Piano Trio No 2 in E minor, Op 67 (4th mvt, Allegretto) Four Pushkin Romances (No 1, Rebirth) String Quartet No 2 in A major, Op 68 (3rd mvt, Valse Allegro) Symphony No 9 in E-flat major, Op 70 (5th mvt, Allegretto) Violin Concerto No 1 in A minor, Op 99 (1st mvt, Nocturne) From Jewish Poetry (No 8, Winter) Symphony No 13 (1st mvt, Babi Yar. Adagio)Presented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Dmitry Shostakovich (1906-1975) https://www.bbc.co.uk/programmes/m002gdl6And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Louise Farrenc - Piano Quintet No. 2: FinaleLinos EnsembleMore info about today's track: CPO 999194-2Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

SynopsisOn today's date in 1908, the Hoffman String Quartet gave a recital at Boston's Potter Hall, opening their program with a Romantic classic, Robert Schumann's String Quartet from 1842, followed by much more modern fare — Debussy's String Quartet written in 1893.And to close their program, the Hoffman Quartet premiered a brand-new contemporary work: a piano quintet by American composer Amy Beach, with the composer at the piano.The Boston Globe's critic noted “the audience was of goodly proportions and very demonstrative in its appreciation of Mrs. Beach's composition,” but (critics being critics), did a little nit-picking, concluding, “The work is thoroughly good, though a little too choppy at times.” The critic from The Boston Evening Transcript had fewer nits to pick, writing: “The quintet begins in the luminous key of F-sharp minor, and throughout Mrs. Beach modulates freely … [she] has sought a modern sonority of utterance … Her rhythms spurred the ear, and her harmonies [have] tang and fancy … In imagination, feeling, and expression, it is distinctly rhapsodic. Mrs. Beach can think musically in truly songful melodies, and such are the themes of her new quintet.”Music Played in Today's ProgramAmy Beach (1867-1944): Piano Quintet; Garrick Ohlsson, piano; Takács Quartet; Hyperion CDA-68295

COMPOSITORI CECHILeós Janàček (1854 - 1928) - Sinfonietta, VI/18 Fanfara: Allegretto. Allegro maestosoIl castello: Andante. AllegrettoIl castello della regina: ModeratoLa strada del castello: AllegrettoIl municipio: Andante con moto Wiener PhilharmonikerSir Charles Mackerras, direttore*******24:19Vítězslav Novák (1870-1949) - Piano Quintet in la minore, Op. 12 1. Allegro molto moderato2. Andante - Variazioni su un'antica canzone d'amore boema del XV secolo3. Allegro risoluto - Slovakian Kubin Quartet*******50:18Vítězslava Kaprálová (1915-1940) - Military Sinfonietta Brno PhilharmonicOlga Machonova-Pavlu, direttore

  Schubert – Piano Sonata in D major, op.53 D.850: Piano Sonata in D major, op.53 D.850: IV. Rondo. Allegro moderato Interprété par Paul Lewis Schubert – Piano Quintet in A Major, Op. Posth. 114, D. 667 « The Trout »: I.... Continue Reading →

In this episode of One Symphony with conductor Devin Patrick Hughes, Devin has an inspiring conversation with bass virtuoso and composer Kebra Seyoun Charles. From their early exposure to African drumming and gospel music to becoming a celebrated classical musician, Charles shares their unique journey and vision for the future of classical music through their "Counter Classical" style. Charles's work embodies a fresh perspective on classical music's future, one that honors tradition while embracing innovation and inclusivity. Their approach shows that classical music's evolution doesn't require abandoning its foundations, but rather expanding its boundaries to embrace diverse influences and experiences. As they put it, "Classical music is so beautiful and so ephemeral and it can't be contained." Charles explores growing up in a musical household and how that led to their disvoery of the film composer, Erich Woflgang Korngold. They also discuss the autobiographical ballet project, Enby, that's based on their experience as a nonbinary person developing in the world.  Kebra-Seyoun Charles is able to give prominence to the dance qualities in all forms of music. Kebra-Seyoun has performed alongside esteemed improvisers and composers such as Jon Batiste, at Carnegie Hall, and Tyshawn Sorey, at the New England Conservatory. Kebra-Seyoun was also featured in “Slugs' Saloon” at the Institute of Contemporary Art in Boston, an interactive installation created by famed jazz musician and composer Jason Moran. Kebra-Seyoun Charles is also a passionate chamber musician. Playing with groups like East Coast Chamber Orchestra, A Far Cry, Palaver Strings, and the Sphinx Virtuosi afford Kebra the opportunity to showcase virtuosity while still playing within an ensemble. A prime example of this is their tenure on the 2019 Emmy award-winning Broadway production “Hadestown”. Thank you for joining us on One Symphony. Thanks to Kebra-Seyoun Charles for sharing their amazing spirit and music-making. You can find  more info at https://www.kscharles.com. Recordings from the episode include:  Koussevitsky: Concerto for Double Bass, First Movement. Featuring Kebra-Seyoun Charles on Double Bass. Performed with the Boston Philharmonic Youth Orchestra, Benjamin Zander conducting. Dating in NY. Composed by Kebra-Seyoun Charles. Featuring Charles on bass and musicians from the Juilliard School.  The third movement from Andres Martin's Bass Concerto. Performed by Charles with the New World Symphony under the direction of Chad Goodman. First movement from Erich Korngold's Piano Quintet, op. 15. Performed by the ARC Ensemble from the Royal Conservatory, Toronto.  Erich Korngold's Cello Concerto in One Movement. Featuring Victor Julien-Laferrière on cello performing with the Frankfurt Radio Symphony. Conducted by Marie Jacquot. “Another Breakup Song.” Composed by Kebra-seyoun Charles. Featuring Charles on bass. Kayla Williams on viola, Joseph Brent on mandolin, Sommer Alteir on violin, and Kabir Adiya-Kumar on percussion.  “Galaxy,” composed by Xavier Foley. Featuring Kebra-seyoun Charles and Xavier Foley on bass accompanied by the Sphinx Virtuosi.  Holdberg Suite. Composed by Edvard Grieg. Performed by the Palaver Strings featuring Kebra-Seyoun Charles on bass.  You can always find more info at OneSymphony.org or DevinPatrickHughes.com including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music.   

In this episode, we discuss recordings of “Marais: Tombeau Pour Monsieur de Sainte-Colombe” (Harmonia Mundi) by La Rêveuse, Florence Bolton & Benjamin Perrot, “Zádor: Piano Quintet, Accordion Concerto, Suite for Brass Instruments & Hungarian Fantasy” (Naxos) by Klaudiusz Baran & The Budapest Symphony Orchestra MÁV / Mariusz Smolij, “Magnus Lindberg: Viola Concerto, Absence & Serenades” (Ondine) by Lawrence Power & The Finnish Radio Symphony Orchestra / Nicholas Collon, “Flamenco Jazz Summit: El Mar Empieza Aqui” (Origin) by Piet Verbist, “Awakening” (Broken Silence Records) by Lennart Allkemper, and “Music Is the Answer” (Fresh Sound New Talent) by Domenico Sanna.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 181 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Marais: Tombeau Pour Monsieur de Sainte-Colombe” (Harmonia Mundi) La Rêveuse, Florence Bolton, Benjamin Perrot https://open.spotify.com/album/47amQ4Cr8mBaehxfo9NhSN https://music.apple.com/us/album/marais-tombeau-pour-monsieur-de-sainte-colombe/1749188869 https://music.amazon.com/albums/B0D5K5MC3L   “Zádor: Piano Quintet, Accordion Concerto, Suite for Brass Instruments & Hungarian Fantasy” (Naxos) Klaudiusz Baran, Budapest Symphony Orchestra MÁV / Mariusz Smolij https://open.spotify.com/album/2R9pqWL2kf4vQWuy3pbKGV https://music.apple.com/us/album/zádor-orchestral-works/1759528302 https://music.amazon.com/albums/B0D7QMCJQ2   “Magnus Lindberg: Viola Concerto, Absence & Serenades” (Ondine) Lawrence Power, Finnish Radio Symphony Orchestra / Nicholas Collon https://open.spotify.com/album/2gFdzTz6vkFwa8um3FUjWH https://music.apple.com/us/album/magnus-lindberg-viola-concerto-absence-serenades/1757030114 https://music.amazon.com/albums/B0D8JS51GB   “Flamenco Jazz Summit: El Mar Empieza Aqui” (Origin)  Piet Verbist https://open.spotify.com/album/7ifSv6kUKjbYjH77j8st1T https://music.apple.com/us/album/flamenco-jazz-summit-el-mar-empieza-aquí/1753344686 https://music.amazon.com/albums/B0D7QRTX4D   “Awakening” (Broken Silence Records) Lennart Allkemper https://open.spotify.com/album/7rh4xSSbWSpKZc0mQZ3E6k https://music.apple.com/us/album/awakening/1764952277 https://music.amazon.com/albums/B0DF845GPD   “Music Is the Answer” (Fresh Sound New Talent) Domenico Sanna https://open.spotify.com/album/0pz5bIgGd5S1fkaLJYS3VA https://music.apple.com/us/album/music-is-the-answer/1761845064 https://music.amazon.com/albums/B0DCKC1VFG

This Day in Legal History: WWI Spy ConvictedOn August 16, 1918, Lothar Witzke became the first German spy convicted by the United States during World War I. Tried by a military commission at Fort Sam Houston, Texas, Witzke was found guilty of espionage for his role in sabotage activities against the U.S., including his alleged involvement in the Black Tom explosion, a major act of sabotage in 1916. His conviction marked a significant moment in the U.S.'s efforts to counter German espionage during the war. Witzke was sentenced to hang, but his fate took a turn when President Woodrow Wilson commuted his sentence on May 27, 1920. The commutation reflected the complexities of wartime justice and international relations. Later, in 1922, President Calvin Coolidge granted Witzke a pardon, leading to his deportation to Berlin. Witzke's case highlighted the U.S. government's determination to crack down on espionage while also navigating the diplomatic and political nuances of post-war justice.India's legal market is cautiously opening to foreign law firms under new guidance allowing them to practice international law within the country. However, only a few firms have taken steps to establish a presence, as many remain hesitant due to past challenges and uncertainties about the implementation of these new rules. India's rapid economic growth and favorable business environment under Prime Minister Narendra Modi make it an attractive prospect for foreign firms, but the memory of previous failed attempts and local opposition leads many to adopt a wait-and-see approach.Some firms are opting for strategies like the "fly in, fly out" model, running operations from nearby locations like Singapore. Others, like Baker McKenzie and Dentons, are planning to establish offices when permitted, but are currently working through collaborations with local firms. Japan-based TNY Legal and GVA Professional have already entered the Indian market to support their clients' growing needs.Despite the opportunities, significant hurdles remain, including unclear regulations and potential resistance from the local bar. Implementing legislation is still required, and foreign firms face a complex bureaucracy. The possibility of limits on foreign registrations to protect Indian firms adds to the uncertainty, making the path forward for foreign law firms in India fraught with challenges. India Sees Foreign Law Firms Take Baby Steps to Set Up OutpostsTikTok is challenging a U.S. law requiring its parent company, China-based ByteDance, to sell its U.S. assets or face a ban, arguing that the U.S. Department of Justice has misrepresented the app's ties to China. TikTok maintains that its data and content moderation decisions for U.S. users are handled within the U.S. and that the law infringes on its free speech rights. The law, signed by President Biden, aims to end Chinese ownership of TikTok due to national security concerns. The case will be heard by a federal appeals court in September, just before the November presidential election.TikTok disputes US claims on China ties in court appeal | ReutersThe Ninth Circuit Court of Appeals upheld California's vote-by-mail system, ruling that it does not violate the constitutional rights of in-person voters, even if some invalid mailed ballots are occasionally counted. The court rejected the claim that counting these ballots dilutes the votes of in-person voters, emphasizing that such errors do not disproportionately affect any particular group. The decision arose from a lawsuit aiming to decertify California's 2020 election results, which, if successful, could have favored Donald Trump. The court found that the plaintiffs' "vote dilution" theory was legally unfounded, consistent with rulings from other circuits.California Vote-By-Mail Upheld in Rebuke of ‘Vote Dilution' SuitGSK plans to seek the dismissal of a Zantac-related lawsuit in Florida, where plaintiffs allege the heartburn drug caused prostate cancer. This follows a recent Florida court ruling in GSK's favor, which excluded expert testimony linking ranitidine, Zantac's active ingredient, to prostate cancer. The ruling aligns with a 2022 federal court decision that dismissed similar cancer-related claims. However, a Delaware court ruling in June allowed over 70,000 lawsuits to proceed, permitting expert testimony that Zantac causes cancer. GSK is appealing the Delaware decision, as the majority of Zantac cases are concentrated there. Concerns over ranitidine's potential to degrade into the carcinogen NDMA led to the FDA pulling Zantac from the market five years ago.GSK to seek dismissal of Florida case against heartburn drug Zantac | ReutersBayer achieved a legal victory as a U.S. appeals court ruled that federal law shields the company from liability in a lawsuit claiming its Roundup weed killer causes cancer. The 3rd U.S. Circuit Court of Appeals in Philadelphia decided that federal regulations, which require uniform pesticide labeling, preempted Pennsylvania state law from mandating a cancer warning on Roundup. This ruling came in response to a lawsuit by David Schaffner, a landscaper diagnosed with non-Hodgkin's lymphoma, who argued that Bayer's Monsanto unit failed to warn consumers about the cancer risk. The decision could lead to a U.S. Supreme Court review due to conflicting rulings from other federal appeals courts, potentially impacting Bayer's broader litigation risk. Bayer, which has settled much of the Roundup litigation for $10.9 billion but still faces tens of thousands of claims, welcomed the ruling, asserting that Roundup and its active ingredient glyphosate are safe.Bayer wins victory in US legal battle against Roundup cancer claims | ReutersThis week's closing theme is by Franz Schubert.This week's closing theme brings us to the world of Franz Schubert, a composer whose music bridges the Classical and Romantic eras with remarkable emotional depth and lyrical beauty. Schubert, born in Vienna in 1797, was a prolific composer despite his tragically short life, leaving behind a vast body of work that continues to resonate with audiences today. Among his numerous compositions, his Piano Quintet in A major, D. 667, known as the "Trout Quintet," and his symphonies are often celebrated, but today we focus on one of his masterpieces in chamber music: his Piano Quintet in F minor, Op. 15.The first movement, "Allegro con fuoco ma non troppo," showcases Schubert's unique ability to blend intensity with elegance. The title, which translates to "fast, with fire but not too much," perfectly encapsulates the movement's spirit. It opens with a passionate and fiery theme that immediately captures the listener's attention, setting the stage for a dynamic interplay between the piano and strings. As the movement progresses, Schubert masterfully balances this intensity with moments of lyrical beauty, creating a musical narrative that is both dramatic and profoundly moving.This piece exemplifies Schubert's gift for melody and his deep understanding of the human experience, qualities that have endeared his music to generations of listeners. As you listen to the "Allegro con fuoco ma non troppo," let yourself be carried by its sweeping phrases and the emotional journey it offers—a true testament to Schubert's genius.Without further ado, the first movement of Franz Schubert's Fantasie in C major, Op. 15, popularly known as the Wanderer Fantasy. Enjoy.   This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

The newly formed Mātātā Quintet join forces to present the first movement of Dvořák's Piano Quintet No. 2. Written in 1887, this monumental chamber work reflects the Czech composer's admiration for Bohemian folk music. Infused with rich melodies and rhythmic vitality, the work exudes a pastoral charm while maintaining Dvořák's masterful handling of classical forms. Mātātā Quintet are Justin Bird, piano; Peau Halapua and Miyo Yoon, violins; Ben Harrison, viola; Karen French, cello.

How much do we know about the origins of the piano quintet? This easy combination—take a string quartet, add piano, and voila!—is one that tok until the late Classical period to develop. Vlad Smishkewych explores the world of the The Curious Piano Quintet

Charles Wakefield Cadman - Piano Quintet: 3rd movementPaul Posnak, pianoBergonzi QuartetMore info about today's track: Naxos 8.559067Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

In this episode of One Symphony, conductor Devin Patrick Hughes sits down with renowned composer Pierre Jalbert to explore Jalbert's musical journey, creative process, and the spiritual influences that shape his work. Jalbert shares intimate stories about his childhood in Vermont, his collaborations with world-class musicians, and the importance of resonance and reverberation in his compositions. He also pays tribute to his mentor, the late Larry Rachleff, and discusses his genre-bending project with the Apollo Chamber Players. Throughout the interview, Jalbert offers insights into the challenges and rewards of writing for both chamber groups and large ensembles and reveals how he strives to create music that serves the audience. Join us for a fascinating glimpse into the mind of one of today's best composers. Earning widespread notice for his richly colored and superbly crafted scores, Pierre Jalbert's music has been described as “immediately captures one's attention with its strong gesture and vitality” by the American Academy of Arts and Letters.  Among his many honors are the Rome Prize, the BBC Masterprize, a Guggenheim Fellowship, and the Fromm Foundation commission.   Jalbert's music has been performed worldwide in such venues as Carnegie Hall, Wigmore Hall, Lincoln Center, the Kennedy Center, and the Barbican.  Recent orchestral performances include those by the Boston Symphony, the National Symphony, the Houston Symphony, the Cabrillo Festival Orchestra, and the Cincinnati Symphony Orchestra.    He has served as Composer-in-Residence with the Los Angeles Chamber Orchestra, the California Symphony, and Music in the Loft in Chicago. Select chamber music commissions and performances include those of the Ying, Borromeo, Maia, Enso, Chiara, Escher, Del Sol, and Emerson String Quartets, as well as violinist Midori.  Three new CDs of his music have been recently released:  Violin Concerto, Piano Quintet and Secret Alchemy, and Piano Trio No. 2.   Jalbert is Professor of Music at Rice University's Shepherd School of Music in Houston, and he is a co-founder of Musiqa, a Houston-based new music collective.  His music is published by Schott Helicon Music Corporation, New York.   Thank you for joining us on One Symphony. Thanks to Pierre Jalbert for sharing her music and stories. You can find more info at https://www.pierrejalbert.com.   Pierre Jalbert composed all music featured in this episode, with one exception.   String Theory was performed live by the Kaleidoscope Chamber Orchestra.   Mystical and With Great Energy, from Secret Alchemy, from the album Music From Copland House performed by Curtis Macomber, Danielle Farina, Alexis Pia Gerlach and Michael Boriskin.   The first movement from From Dusk to Starry Night “The Night in Silence” on a text by Walt Whitman features Sasha Cooke and the River Oaks Chamber Orchestra.   Violin Concerto, featuring Steven Copes on violin. Performed by The Saint Paul Chamber Orchestra with Thomas Zehetmair as the conductor.    “Fiddle Dance” from L'espirit du nord. Performed by the Apollo Chamber Players.    Mozart Piano Concerto K488 in A major, first movement improvised cadenza performed by Robert Levin with the Cluj-Nacopa Philharmonic in Romania with Nicole Moldovenau as the conductor.    “Chanson de Lisette” from Le'spirit du nord. Performed by the Apollo Chamber Players.   “Music of air and fire” performed by the Houston Youth Symphony conducted by Michael Isadore.   You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!  

Inside The Music explores works of composer Robert Schumann and the effect his love for his wife Clara had on his music. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores Schumann's compositions through live CRC performances by pianists Christian Zacharias and Arnaldo Cohen, mezzo Bernarda Fink and pianist Anthony Spiri, and the Nash Ensemble of London.Schumann: Davidsbundlertanze, Op. 6Lebhaft Innig Mit Humor Ungeduldig Einfach Christian Zacharias, piano [10/20/2016 performance]Schumann: Arabeske in C Major, Op. 18 Arnaldo Cohen, piano [1/31/1999 performance]Schumann: Frauenliebe und -leben, Op. 42 Seit ich ihn gesehenEr, der Herrlichste von allenIch kann's nicht fassen, nicht glauben Du Ring an meinem FingerHelft mir, ihr SchwesternBernarda Fink, mezzo-soprano & Anthony Spiri, piano [11/13/2016 performance]Piano Quintet in E-flat Major, Op. 44 Scherzo: Molto vivace Finale: Allegro ma non troppoThe Nash Ensemble of London [5/10/2001 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Hosted by Eric Garcia:Music in Shostakovich and Stalin:Shostakovich: Symphony No. 4Royal Liverpool Philharmonic OrchestraVasily Petrenko, conductor℗ 2013 NaxosShostakovich:Lady Macbeth of MtsenskGalina Vishnevskaya, Dimiter Petkov, & Nicolai GeddaLondon Philharmonic OrchestraMstislav Rostropovich, conductor℗ 2002 by EMI Records ltdShostakovich : Concerto for Piano, Trumpet, Strings/Piano Concerto No.2/Symphony No.1Berliner PhilharmonikerMariss Jansons, conductor℗ The copyright in these sound recordings is owned by EMI Records Ltd. This compilation (P) 2003 by EMI Records Ltd.Shostakovich: Piano Concerto No. 1, Piano Quintet & ConcertinoMartha ArgerichOrchestra della Svizzera ItalianaAlexander Verdernikov, conductor℗ 2007 Parlophone Records Limited, a Warner Music Group CompanyTea for TwoBenny Goodman Greatest Hits (Remastered)Benny Goodman Quartet℗ 1996 BMG MusicShostakovich: The Jazz AlbumConcertgebouworkest Riccardo Chailly, conductor℗ 1992 Decca Music Group LimitedProkofiev: Alexander Nevsky; Scythian Suite; Lieutenant KijéChicago Symphony Orchestra, Elena Obraztsova & London Symphony OrchestraClaudio Abbado, conductorThis Compilation ℗ 1995 Deutsche Grammophon GmbH, Berlin50 of the Best: J.S. BachBournemouth Symphony OrchestraJosé Serebrier, conductor℗ 2011 Naxos Digital CompilationsStravinsky: Oedipus RexAnne Sofie von Otter, Vinson Cole, Nicolai Gedda, Hans Sotin, Simon Estes, Swedish Radio Choir, Swedish Radio Symphony Orchestra & The Eric Ericson Chamber ChoirEsa-Pekka Salonen, conductor℗ 1992 SONY BMG MUSIC ENTERTAINMENT

Hosted by Eric Garcia:Music in Shostakovich and Stalin:Shostakovich: Symphony No. 4Royal Liverpool Philharmonic OrchestraVasily Petrenko, conductor℗ 2013 NaxosShostakovich:Lady Macbeth of MtsenskGalina Vishnevskaya, Dimiter Petkov, & Nicolai GeddaLondon Philharmonic OrchestraMstislav Rostropovich, conductor℗ 2002 by EMI Records ltdShostakovich : Concerto for Piano, Trumpet, Strings/Piano Concerto No.2/Symphony No.1Berliner PhilharmonikerMariss Jansons, conductor℗ The copyright in these sound recordings is owned by EMI Records Ltd. This compilation (P) 2003 by EMI Records Ltd.Shostakovich: Piano Concerto No. 1, Piano Quintet & ConcertinoMartha ArgerichOrchestra della Svizzera ItalianaAlexander Verdernikov, conductor℗ 2007 Parlophone Records Limited, a Warner Music Group CompanyTea for TwoBenny Goodman Greatest Hits (Remastered)Benny Goodman Quartet℗ 1996 BMG MusicShostakovich: The Jazz AlbumConcertgebouworkest Riccardo Chailly, conductor℗ 1992 Decca Music Group LimitedProkofiev: Alexander Nevsky; Scythian Suite; Lieutenant KijéChicago Symphony Orchestra, Elena Obraztsova & London Symphony OrchestraClaudio Abbado, conductorThis Compilation ℗ 1995 Deutsche Grammophon GmbH, Berlin50 of the Best: J.S. BachBournemouth Symphony OrchestraJosé Serebrier, conductor℗ 2011 Naxos Digital CompilationsStravinsky: Oedipus RexAnne Sofie von Otter, Vinson Cole, Nicolai Gedda, Hans Sotin, Simon Estes, Swedish Radio Choir, Swedish Radio Symphony Orchestra & The Eric Ericson Chamber ChoirEsa-Pekka Salonen, conductor℗ 1992 SONY BMG MUSIC ENTERTAINMENT

The second portion of Norm and Barbara's talk with Toronto composer Linda Catlin Smith. Linda touches on Listening, teaching composition and her large work for cello and piano, Ballad.Episode NotesFor more information on Linda Catlin Smith please visit her website.During the talk, Linda reference Faure's Piano Quintet it can be heard on YoutubeLinda mentioned Morton Feldman's works For Philip Guston and String Quartet #2. They can be heard on Apple Music here and hereNorm and Barbara made a concert recording of Linda's piece Ballad which you can listen to on SoundcloudIf you would like to help fund New Musing on New Music you can do so on the suddenlyLISTEN website. Thanks for your support! 

References Front. Oncol. 2017. 26 November.V.7. Oncogene. 2017 Mar 23; 36(12): 1607–1618. Schubert, F. 1819 Piano Quintet in A major, D. 667/ "Trout" https://youtu.be/syod5rkFdNY?si=5F3rexiou7dTifYg Hunter, R., Garcia , J. 1970 "Ripple" https://youtu.be/xofhZx9eWUQ?si=tpOAMzyW5qUy01P_ --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Leós Janàček (1854 - 1928) - Sinfonietta, VI/18 Fanfara: Allegretto. Allegro maestosoIl castello: Andante. AllegrettoIl castello della regina: ModeratoLa strada del castello: AllegrettoIl municipio: Andante con moto Wiener PhilharmonikerSir Charles Mackerras, direttore***********Vítězslav Novák - Piano Quintet in la minore, Op. 12 1. Allegro molto moderato2. Andante - Variazioni su un'antica canzone d'amore boema del XV secolo3. Allegro risoluto - Slovakian Kubin Quartet************Vítězslava Kaprálová (1915-1940) - Military SinfoniettaBrno PhilharmonicOlga Machonova-Pavlu, direttore

Kotuku Quintet Simon Ansell (violin), John Seager (violin), Judith Gust (viola), Sally-Anne Brown (cello), Louise Webster (piano). The Kotuku Quintet returns with the Piano quintet in F minor, op. 34 by Johannes Brahms. Described as his greatest piece of chamber music it is probably the most frequently performed of his chamber works. Brahms was a demanding self-critic, and the quintet went through several iterations, beginning life as a string quintet, then transcribed into a sonata for two pianos before ending as a work for piano and string quartet. Here, the dual sides of his musical nature – dark, turbulent romanticism and rigorous classicism – were in their most fruitful conflict and balance, the music covering a wide spectrum of moods: majesty, serenity, tension, foreboding, anger and joy. Piano Quintet in F minor, Op. 34 Johannes Brahms 1. Allegro non troppo 2. Andante, un poco adagio 3. Scherzo: Allegro 4. Finale: Poco sostenuto – Allegro non troppo – Presto, non troppo

9 月末，精神山西人 VC 和小红书以及山西文旅厅、山西文物局一起，沿着经典的「晋北访古路线」，特种兵式地走了 5 天，并且很幸运地遇到了几位身份不同、性格迥异的山西守庙人。本期节目，我们就一起听听守庙人和他们守护的那些古老寺庙的故事。 我们非常好奇一个问题「关于为什么是山西？为什么山西能留下这么多古建筑？」这次探访之旅，可能会为我们提供新的观察和思考。 此外，我们更希望每个人都能来山西真实地走一走、看一看，踩一踩山西的土，吹一吹山西的风，进一进山西的寺庙，吃一吃山西的面和醋，然后分享一下属于你的答案。在「小宇宙」平台本期节目评论区分享你的访古故事，或者你和山西的故事，我们会抽出 5 位听友，送出一份由小红书在今年十月特别推出的限量版《山西古建奇谭》打卡集章本！(今年十一假期山西一本难求的「特产」) 我们这次探访的山西古建筑和守庙人： 1. 浑源县荆庄的大云寺（守庙人：王大爷） 2. 繁峙县公主寺（守庙人：居林秀） 3. 定襄县洪福寺（守庙人：赵所长） 4. 王崇恩教授，多年来致力于在山西从事建筑遗产保护方向研究工作 > 荆庄大云寺就藏在这座民居大门里> 大云寺守庙人王大爷> 大云寺里的壁画「不动尊明王」> 公主寺守庙人居林秀> 定襄洪福寺> 和赵所长坐在洪福寺院子里聊天（感谢图片提供：导演罗娜娜）*** 「YǐN隐 × 午夜飞行」 听友福利 *** 「午夜飞行」和现代设计金饰与珠宝品牌「YǐN隐」，共同为听友们准备了一张「金色听友券」！线上优惠券：「YǐN隐 × 午夜飞行」 听友专属 ¥100 满减听友券 - 可叠加各种活动使用（满 ¥400 可使用） - 可在淘宝「YǐN隐旗舰店」报「午夜飞行」暗号领取 - 有效期至 10 月 31 日 长期有效优惠券： 「YǐN隐」也为午夜飞行的听友们准备了长期有效券，只要报「午夜飞行」给电商客服或门店顾问，都可获得 ¥50 减免 线上渠道：微信公众号搜索「YǐN隐」、淘宝搜索「YǐN隐」 线下门店：北京市王府井大街王府中环 3 层 301B 【节目主播/制作】 主播/制作：VC 微博：@VividCrystal https://weibo.com/u/1241505120 小红书：@午夜飞行VC https://www.xiaohongshu.com/user/profile/572a84ee50c4b435fe74744e 【节目互动】 微博：@午夜飞行Official https://weibo.com/u/7298580324 公众号：午夜飞行 【欢迎加入听友群】 入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群 入群方式 B：关注公众号「午夜飞行」 ，回复「听友群」三个字，即可获取入群通道 【本集音乐】All music credits to: 1. 灵气 - 风潮音乐 2. 资料说明-历史 - 郭权兴 3. 三个朋友 - 无问西东 - 宇文硕/布达佩斯电影交响乐团 4. Montmarte - Asaf Avidan 5. The Marsh - Chad Crouch 6. Concertino for Two Pianos in A minor, op. 94: Adagio - Allegretto - Allegro - Dmitri Shostakovich,Maxim Shostakovich 7. Piano Quintet in A, D.667 - "The Trout": 2. Andante - James Levine/Gerhart Hetzel/Wolfram Christ 8. The Sea Temple - Pravana 【关于节目】 《午夜飞行》是一档关注旅行、城市、文化和生活的播客节目，由 VC 主持/制作，力求用声音将多彩的城市故事带给你。微博：@午夜飞行Official / 公众号：午夜飞行 本播客由 Marcast Media 荣誉出品，也欢迎你订阅收听 Marcast 旗下的其他播客节目。你可以通过以下方式找到我们：- 微博：@Marcast https://weibo.com/u/2743283854 - 公众号：Marcast - 小红书：@Marcast新播客 - 进听友群请添加微信：hellomarcast - 商务合作联系：hello@marcastmedia.com - 欢迎订阅 Beads Newsletter https://beads.beehiiv.com 每周一封精选英文播客内容分享，为你提取、总结那些 90% 的人听不到的、隐藏在声音里的一手信息和知识，和你一起拓展认知和视野，每周一上午发送 © 2023 Marcast Media

Johanna Müller-Hermann once held a significant place as a composer and teacher in Vienna, yet has been largely forgotten over the decades since her death in 1941. Radio 3 has been working to unearth her music and story through its Forgotten Women Composers project, in collaboration with the Arts and Humanities Research Council and Dr Carola Darwin. This week, Dr Darwin and Professor Robert Evans join Donald Macleod to explore this fascinating composer and her times. Their series includes many specially recorded works by Müller-Hermann that have sat neglected in dusty archives for decades. Müller-Hermann was greatly celebrated in her own lifetime and moved in eminent musical circles. She studied with Zemlinsky, befriended Alma Mahler, and also corresponded with Arnold Schoenberg. She went on to teach at Austria's New Vienna Conservatory where students travelled from as far away as America and the UK to study with her. She became a pivotal figure in Vienna's cultural scene and her music was regularly performed and published during her lifetime. Music Featured: String Quintet in A minor, Op 7 (excerpt) Piano Sonata, Op 8 (Allegro enérgico) Herbst, Op 20 No 3 (Vier Lieder) Wie eine Vollmondnacht, Op 20 No 4 (Vier Lieder) Zwei dreistimmige Frauenchöre, Op 10 Piano Sonata, Opus 8 (excerpt) Cello Sonata, Op 17 (Moderato) String Quartet in E flat, Op 6 (Moderato) Intermezzo in D, Op 3 No 4 (Fünf Klavierstücke) Vier Lieder, Op 2 Violin Sonata in D minor, Op 5 (Moderato serioso) UK Broadcast Premiere String Quartet in E flat, Op 6 (excerpt) Die stille Stadt, Op 4 No 1 Heroic Overture, Op 21 (excerpt) Alle die wachsenden Schatten, Op 9 No 3 (Drei Chöre) Violin Sonata in D minor, Op 5 (excerpt) UK Broadcast Premiere Heroic Overture, Op 21 String Quintet in A minor, Op 7 (Adagio con expressione) Piano Quintet in G minor, Op 31 (excerpt) Zwei Lieder, Op 11 Cello Sonata, Op 17 (excerpt) Epilog zur einer Tragodie 'Brand‘ – symphonic fantasy, Op 25 Intermezzo in D minor, Op 3 No 3 (Fünf Klavierstücke) Impromptu in D minor, Op 3 No 5 (Fünf Klavierstücke) In Memoriam, Op 28 No 5 (Herbstlieder) Novelette in A flat, Op 3 No 2 (Fünf Klavierstücke) Violin Sonata in D minor, Op 5 (Allegretto amabile) UK Broadcast Premiere Piano Quintet in G minor, Op 31 (Adagio sostenuto) Drei Gesange, Op 33 String Quartet in E flat, Op 6 (Allegro con spirito) Presented by Donald Macleod Produced by Luke Whitlock For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johanna Müller-Hermann (1868-1941) https://www.bbc.co.uk/programmes/m001h57j And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

After more than two decades as one of New York City's busiest freelance oboists, James Roe decided to pivot his career. He packed up his oboe case, reed knife, and metronome to take on leadership positions at two of the ensembles he had regularly performed with. First he spent two years as president and CEO of the New Jersey Symphony Orchestra, before moving into his current role as president and executive director of the Orchestra of St. Luke's, where he's been since 2015. How did 25 years of performing in symphony orchestras prepare him to lead one himself? For Roe, his seat in the oboe section gave him a strategic vantage point — one that allowed him to see thousands of concerts play out on the faces of audience members in real time. "You could see when something was hitting, that look in someone's eye that meant the music was meaningful to them," Roe says on the latest episode of the Classical Post podcast. "I've taken that into my leadership role because it shows that, as musicians and musical organizations, our mission is not fulfilled on stage — that's only the beginning. The mission is fulfilled in the hearts, minds, ears, and spirits of people in the audience." At the helm of the Orchestra of St. Luke's, Roe oversees more than 70 concerts per season in 20 venues across New York City, as well as a host of education and community programs that help make classical music more accessible for every New Yorker. And through it all, Roe's guiding principle is to ensure "the audience is the focus of everything we do." In this episode, we talk more about the Orchestra of St. Luke's current season — including the Carnegie Hall premiere of Florence Price's Piano Quintet with Marc-André Hamelin and the third year of the ensemble's DeGaetano Composition Institute, where three emerging composers work with composer-mentor Anna Clyne on new pieces to be premiered by OSL. Plus, Roe shares how reading during his daily commute supports his well-being, the inspiration he gets from the "wonderful crackle of anticipation" before a concert begins, and his favorite Manhattan restaurant when he's craving Basque cuisine. — Classical Post® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by Gold Sound Media® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

Donald Macleod explores how Cesar Franck, who was, known for being retiring and unassuming, became a leading figure of French musical life. It seems as if Franck's diffident character positively hindered his advancement. He wasn't interested in moving in glamorous social circles, and lived, according to one visitor who called on him the year before he died, "like a monk". This natural reticence may be why the composer of popular works such as the Violin Sonata, the Piano Quintet, a ground-breaking String Quartet and the glorious Symphony in D found that all too often his critics were quick to find fault and were slow to recognise his worth. He had some disappointments to bear, in an age when opera was thriving, none of his four operas saw the light of day in his lifetime. Recognition for his two major choral works, La Rédemption and Les Béatitudes was to come after his death in 1890 at the age of 67. Franck did enjoy some support. Early on Liszt recognised his talent and did his best to help him get his work performed, and later on a band of his pupils, among them the composer Vincent d'Indy did their best to promote their beloved teacher's music. To mark the 200th anniversary of Franck's birth, Donald Macleod spends the week delving a bit deeper into this enigmatic and complex character from his early compositions which pay homage to Liszt and the pianistic tradition of Hummel, to the wonderfully vivid pictorial canvas of Le Chasseur Maudit. Music Featured: Panis angelicus (Messe á trois voix, Op 12 FVW 61) Variations brillantes sur Gustave III, Op 8 (excerpt) Trio Concertant No 2 in B flat Op 1, No 2 (4th mvt) Ce qu'on entend sur la montagne L'ange et l'enfant Les Septs Paroles du Christ au Croix, No 7 Prélude, Fugue et Variation (Six Pieces, Op 18) Symphonic Variations Egologue, Op 3 Stradella (Overture) Hulda (Act 4: excerpt) Patria Piano Quintet in F minor (3rd mvt) La Rédemption (7th – 9th mvt) Violin sonata Op 23 (1st mvt) Prélude, Choral et Fugue Blessed are the Meek (Les Béatitudes, No 2) Rebecca (Camel drivers'chorus) Prélude (Prélude, Aria et Final) String Quartet in D major (4th mvt) Chorale No 3 in A minor, M40 Symphony in D (3rd mvt) Presented by Donald Macleod Produced by Johannah Smith For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for César Franck (1822-1890) https://www.bbc.co.uk/programmes/m001fnfs And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

The pianist Mark Bebbington continues his invaluable service to British music with a new album for Resonus that gathers together four rarities from Vaughan Williams's output, ranging from the Piano Quintet of 1903 to the Fantasia on the 'Old 104th' Psalm Tune of 1949. Joined by members of the Royal Philharmonic Orchestra for three of the works, and by the entire orchestra plus the City of London Choir and conductor Hilary Davan Wetton for the Fantasia, this album fills in some major gaps in the VW recorded catalogue. James Jolly caught up with the pianist to talk through the album's four works. 

2022 年「小雪」节气的第二天，我和作家文珍 (a.k.a 逛公园爱好者) 相约，去逛了北京城里一个非常冷门的公园——二十四节气公园 (后来又转战去了天坛公园)，因为她最新出版的一本散文集《风日有清欢》，就是以中国传统二十四节气为主题，把自然风物、节气、诗词、人和故事放在一起，书写属于我们的「气候记忆」，也换一个角度重新认识这个世界。本期节目最佳收听方式，是带上这期节目去位于北京东城区永定门东街的「二十四节气公园」，边听我们聊天，边一起逛公园，全方位地感知二十四节气的细节和奇妙。当然，也可以去你所在城市的公园里，跟随着我们的声音，感受时间和自然在我们身上缓缓流过，尝试建立一种更有仪式感和自然美感的生活。非常推荐你去读一读文珍的这本《风日有清欢》，更希望你能多去自然里走一走、感受气候变化的奇妙，记录下那些在不同时节出现在我们生活里的人和事。也许，我们可以像文珍一样，在波涛起伏的海面躺平，尝一尝雨水的味道。本期节目，我们会在「小宇宙」评论区抽出 3 位听友送出文珍的《风日有清欢》。欢迎你在评论区留下你对节气、气候风物的感知，也可以讲讲你和季节、节气的故事和回忆。祝我们能度过一个顺遂的冬天，手边有粮，心里有光，风日有清欢。本期节目中，我和文珍聊到了：[00:17] 和文珍见面 1 分钟就开始拍果子、捡叶子[02:47] 神奇的北京「二十四节气公园」，一个沿河的街心公园[04:11] 在「春种」广场：聊《月令七十二候集解》和春天的时令花[08:54] 文珍是从什么时候开始关注「二十四节气」的？[16:30] 在「夏长」广场：聊属于夏日风物[17:05] 《风日有清欢》章节顺序的安排以及在大暑的一场告别[21:13] 今天我们需要重新与自然建立情感连接[22:31] 在「秋收」广场：聊秋季的风物和一个关于桂花的可爱故事[32:03] 在「冬藏」广场：聊小时候关于冬日腊梅、和爸爸一起玩雪橇的故事[36:47] 「自然风物是可以搭救我们的」[39:36] 对时间的重新感知，以及《风日有清欢》对文珍的意义[45:24] 和「迷路爱好者、精神少数民族」去逛天坛公园，看树看云聊秋冬[49:21] 北京依然是你最喜欢的城市吗？为什么说它像一只巨大的鲸鱼？[54:00] 重看《包法利夫人》《金瓶梅》的感受和对不同文学类型创作的思考[59:28] 《风日有清欢》里「夹带了很多私货」的物候和「人的症候」[01:01:11] 和我们一起捡白皮松的树皮吧！[01:04:00] 大雪三候：鹖鴠不鸣，虎始交，荔挺出【节目主播/制作】VC (微博: @VividCrystal https://weibo.com/u/1241505120 )节目微博：@午夜飞行Official https://weibo.com/u/7298580324公众号：午夜飞行【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 (ID: midnightflyfly)，回复「听友群」三个字，即可获取入群通道【本集音乐】1. Piano Quintet in A, D.667 - The Trout: 2. Andante - James Levine, Gerhart Hetzel, Wolfram Christ2. 被困住的鲸 Trapped Whale - Tie Yann (铁阳)【关于节目】《午夜飞行》是一档关注旅行、城市、文化和生活的播客节目，由 VC 主持/制作，力求用声音将多彩的城市故事带给你。微博：@午夜飞行Official / 公众号：午夜飞行本播客由 Marcast Media 制作出品。也欢迎你订阅收听 Marcast 旗下的其他播客节目，微博/公众号：@Marcast，商务合作联系：hello@marcastmedia.com https://weibo.com/u/2743283854

Thanks for joining me, Dr. Benjamin Harding, on the Piano Explored Podcast. Follow us at www.benjaminharding.net.I am so thrilled to welcome Dr. Paul Barnes on the podcast today. His website is at www.paulbarnes.netPraised by the New York Times for his “Lisztian thunder and deft fluidity," and the San Francisco Chronicle as “ferociously virtuosic,” pianist Paul Barnes has electrified audiences with his intensely expressive playing and cutting-edge programming. He has been featured seven times on APM's Performance Today and on the cover of Clavier Magazine with his recordings streamed worldwide.Celebrating his twenty-five-year collaboration with Philip Glass, Barnes commissioned and gave the world premiere of Glass's Piano Quintet "Annunciation." The work is Glass's first piano quintet and first work based on Greek Orthodox chant. Barnes recording of the quintet with string quartet superstars Brooklyn Rider was released in October of 2019 to critical acclaim.  ResMusica in Paris wrote: "Paul Barnes, whose pianistic lines are always clear, is a marvel of dialogue with Brooklyn Rider." Barnes twelfth CD New Generations: The New Etudes of Philip Glass and Music of the Next Generation has also received rave reviews. Gramophone Magazine wrote, "Pianists of Barnes's great technique and musicality are a boon to new music." And American Record Guide commented, "This disc provides further proof of Barnes's ability to communicate new music with flair and passion." Produced by Orange Mountain Music, the recording features the world-premiere recording of Dreaming Awake, a selection of Glass's etudes and works by N. Lincoln Hanks, Lucas Floyd, Jason Bahr, Zack Stanton, Ivan Moody, and Jonah Gallagher. Barnes is Marguerite Scribante Professor of Music at the University of Nebraska-Lincoln Glenn Korff School of Music. He was recently appointed Artistic Director of the Lied Center Piano Academy which welcomes several high-school pianists to Lincoln each summer for an intensive week of piano, composition, improvisation and collaboration. He will also be teaching this summer in Greece at the Piano Plus Summer Institute. In great demand as a pedagogue and clinician, Barnes has served as convention artist at several state MTNA conventions, most recently at Virginia and was recently named "Teacher of the Year" by the Nebraska Music Teachers Association.Barnes latest recital Illumination features a contemplative and cathartic program of piano works inspired by the mystical world of chant. Barnes, also a Greek Orthodox chanter, has collaborated most recently with Philip Glass and Victoria Bond to create piano works based on ancient byzantine and Jewish chant. New chant-based works by Native flutist Ron Warren and David von Kampen were also given their premiere performances. Barnes gave the world premiere of Victoria Bond's Illumination on Byzantine Chant at New York's Symphony Space in April of 2021. Barnes released his fourteenth recording last fall on Albany Records entitled Illumination: The Piano Works of Victoria Bond including the world-premiere recording of Illuminations on Byzantine Chant. American Record Guide wrote "he sings with haunting musicality...and plays with fervid virtuosity...the music is calm and meditative, perfect for these troubled times." Barnes' recordings are available on Spotify, Pandora, ITunes, Apple Music, YouTube, and Amazon.

IN THIS EPISODE Donate to ISBM! https://fundraising.fracturedatlas.org/international-society-of-black-musicians Check out our website: https://www.isblackmusicians.com https://www.clevescene.com/news/transgender-employee-files-healthcare-lawsuit-against-cleveland-orchestra-39531389 https://www.npr.org/2022/08/17/1118010206/placido-domingo-linked-to-criminal-ring-in-argentina-prosecutors-say https://www.nbcnews.com/news/nbcblk/solange-knowles-becomes-first-black-woman-compose-music-nyc-ballet-rcna43412 Black Excellence: Dr. Vernell Bennett-Fairs https://www.loc.edu/about-us/the-president/ Piece of the week: Piano Quintet in C minor - Ralph Vaughan Williams https://www.youtube.com/watch?v=3na3sPQXmHA

Episode #74: The Waltons Uploaded: July 23, 2022 Franz von Suppé: Die schöne Galathée (Overture) Detroit Symphony Orchestra Paul Paray, conductor MERCURY LIVING PRESENCE 434 309-2 Sir William Walton: Symphony No. 1 in B-flat Minor I. Allegro assai II. Presto, con malizia III. Andante con malinconia IV. Maestoso – Brioso ed ardenamente – Vivacissimo – Maestoso New Philharmonia Orchestra Sir Malcom Sargent, conductor Symphony No. 2 I. Allegro molto II. Lento assai III. Passacaglia: Theme (Risoluto), Variations, Fugato, and Coda (Scherzando – Presto) London Symphony Orchestra André Previn, conductor EMI STUDIO CDM 7 63269 2 Béla Bartók: Piano Quintet, Sz. 23 I. Andante II. Vivace. Scherzando III. Adagio IV. Poco a poco più vivace Kodály Quartet: Attila Falvay, violin Tamás Szabó, violin Gábor Fias, viola János Davich, ‘cello with Jenő Jandó, piano NAXOS 8.550886

À quoi ressemblera la Rochelle en 2250 ? Entre vestiges du passé, montée des eaux et pollution, embarquez immédiatement pour le découvrir à bord d'une croisière futuriste et quelque peu... élitiste. Dernier épisode d'une série de quatre fictions sonores créées par Benjamin Le Saux et Paula Jacques lors de l'expédition Les Maux Bleus. Musique : “Symphony No.29 in A major, K.201 - IV. Allegro con spirito” de Wolfgang Amadeus Mozart et "Piano Quintet in A major 'The Trout', D. 667 - IV. Andantino – Allegretto" de Franz Schubert Voix : Hélaine Lefrançois Illustration : Louison Wary

STRUT AND FRETApril 10, 2022 • 3:00 pmSarasota Opera HouseSingle concert ticket $50 | Purchase here or by calling the Sarasota Opera box office at 941-328-1300.Pre-concert talk with Robert Sherman at 2:15 pmGrammy Award-winning guitarist Jason Vieaux returns to perform in contemporary and Classical quintets, contrasted with the lush Dvořák quintet for piano and strings.~ Luigi Boccherini, Guitar Quintet in D Major, G.448, “Fandango”~ U.S. premiere of Giacomo Susani's Quintet for Guitar and String Quartet~ Antonin Dvořák, Piano Quintet in A Major, Op. 81Benny Kim, violin; Ruth Lenz, violin; Cynthia Phelps, viola; Dmitri Atapine, cello; Christine J. Lee, cello; Wendy Chen, piano; Jason Vieaux, guitarStudents from the Suzuki Institute School of Music will share their music in the Sarasota Opera House courtyard from 2:30-2:55 pm.

INNOCENCE AND ILLICIT PASSIONApril 6, 2022 • 7:30 pmSarasota Opera HouseSingle concert ticket $50 | Purchase here or by calling the Sarasota Opera box office at 941-328-1300.Pre-concert talk with Robert Sherman at 6:45 pmThe 15-year-old Mozart celebrated the completion of his second set of string quartets by composing his sunny first viola quintet. One hundred years later, Franck created his piano quintet, secretly dedicated to his young lover. Is passion audible?~ Wolfgang Mozart, String Quintet in Bb Major, K.174~ Bernhard Romberg, Sonata in E Minor for Violoncello, Viola, and Bass, Op. 38 no. 1~ César Franck, Piano Quintet in F MinorJennifer Frautschi, violin; Benny Kim, violin; Daniel Avshalomov, viola; Cynthia Phelps, viola; Dmitri Atapine, cello; Christine J. Lee, cello; Dee Moses, double bass; Wu Han, pianoStudents from Booker High School will share their music in the Sarasota Opera House courtyard from 7:00-7:25 pm.

Catalyst Quartet — Uncovered, Vol. 2: Florence B. Price (Azica) Jump to giveaway form New Classical Tracks - Catalyst Quartet by “She just wanted a chance, and she never really got it,” violist Paul Laraia said about composer Florence Price. “It's so fulfilling that we were able to release all of this chamber music. Four of these works have never been recorded.”   Last year, his group, the Catalyst Quartet, launched its first album in a series of recordings commemorating historically important Black composers. The group's latest CD, Uncovered, Vol. 2: Florence B. Price, is the second recording in that series. Why is the title “Uncovered” significant? “Back in 2018, when we were formulating this project, we thought about that title. We felt that it best described the reality in which these composers' music never went away. We needed to focus attention back onto them. “In the case of some of these works, like the works of Florence Price, there was a little bit of detective work. We had to go to the actual library in Arkansas and collect manuscripts in order to make this recording, because the publishing companies that own the rights just aren't pumping out the music fast enough for it to be heard.” Can you tell me about the featured guest, Michelle Cann? “She's just incredible. She is a consummate chamber musician and has all of the incredible facilities and musical intellect to solo. She also separately was taking up her own mission involving the music of Florence Price. “Having her perspective was a really great thing for us, even for all four of us when we play the other pieces that didn't have piano. For instance, one rehearsal we were working on the ‘Juba' movement from the long Piano Quintet in A minor. We were asking Michelle what her take was on swinging some of the rhythms. “To the nonexpert, it can sound like ragtime, but Michelle told us that we needed to listen to the Robert Nathaniel Dett version to get the idea of what was in Price's ears when she was writing those rhythms.” Can you talk about what we hear in 5 Folk Songs in Counterpoint? “There's an emotional and conversational aspect to every one of the entrances and voices that take us with a through line. In the case of the five folk songs, I think there's a through line that spans the entire work. We feel this journey going all the way through. The third movement is a slow chorale that's really gorgeous, and I think it serves as an emotional center point. “The goal is not for our recording to be the only definitive set. The music is so dense that it can be interpreted so many ways. It deserves a collective effort in order to move us closer to having better and stronger interpretations of her music and for her music to be more widely available and known.” To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Watch now More on Florence Price and the Catalyst Quartet Rhapsody in Black Florence Price meets Frederick Stock New Classical Tracks Catalyst Quartet honors Samuel Coleridge-Taylor Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Catalyst Quartet — Uncovered, Vol. 2: Florence B. Price (Amazon Music) Catalyst Quartet (official site)

Olga Scheps was born in Moscow in 1986, the daughter of two pianists, and discovered the instrument for herself at the age of four. She began studying the piano more intensively after her family moved to Germany in 1992. At an early age she had already developed her own unique style of keyboard playing, which combines intense emotiveness and powerful expressivity with extraordinary pianistic technique. Among those who discovered these talents was Alfred Brendel, who has encouraged the young pianist. A holder of scholarships from the Deutsche Stiftung Musikleben and Studienstiftung des deutschen Volkes, she completed her studies with Professor Pavel Gililov in her adopted home of Cologne in 2013, passing her Concert Examination with Distinction. She rounded out her training with Professor Arie Vardi and Professor Dmitri Bashkirov.Besides the well-known works for piano Olga Scheps's repertory consists of compositions that are seldom heard in the concert hall, including the posthumous Études of Frédéric Chopin, Franz Liszt's Malédiction, Olivier Messiaen's Les Oiseaux exotiques, Antonín Dvořák's Piano Concerto, Arvo Pärt's „Lamentate“, and Mieczysław Weinberg's Piano Quintet. Her solo recitals are as popular with audiences all over the world as her acclaimed appearances as soloist with orchestra and her chamber projects.Such noted conductors as Thomas Dausgaard, Lorin Maazel, José Serebrier, Marcus Bosch, Ralf Weikert, Michel Tabachnik, Antoni Wit, Ivor Bolton, Cristian Mandeal, Christoph Altstaedt, Tugan Sokhiev, Simone Young, Markus Poschner and Pablo Heras-Casado have invited Olga Scheps to collaborate with them.Among the leading orchestras with which she has appeared in concert are the Orchestre Philharmonique de Monte-Carlo, the Warsaw Philharmonic Orchestra, the Mozarteum Orchester Salzburg, the Munich Symphony Orchestra, the Royal Scottish National Orchestra, the State Symphony Cappella of Russia (Moscow), the Staatskapelle Weimar, the Zurich Chamber Orchestra, the NDR Radiophilharmonie, the Orchestre National du Capitole de Toulouse, the Prague Philharmonia, the Israel Philharmonic Orchestra and the New Japan Philharmonic Orchestra.Olga Scheps now performs with great success in world-famous concert halls such as the Elbphilharmonie, the Berlin and Cologne Philharmonie, the Vienna Konzerthaus, the Cadogan Hall London, the Zurich Tonhalle, and the Suntory Hall Tokyo. She is a sought-after guest at festivals like the Rheingau Musik Festival, Festspiele Mecklenburg-Vorpommern, Kissinger Sommer, Heidelberger Frühling, Klavier-Festival Ruhr, Schleswig-Holstein Musik Festival, MDR Musiksommer, Lucerne Festival am Piano, ACHTBRÜCKEN Festival in Cologne, Mozart Festival Würzburg, Mersin Festival in Turkey, and Menuhin Festival Gstaad.A passionate chamber musician, she plays regularly with such artists as Alban Gerhardt, Daniel Hope, Adrian Brendel, Jan Vogler, Nils Mönkemeyer, the Danish String Quartet, the Danel Quartet and the Kuss Quartet, with which she recorded Mieczysław Weinberg's Piano Quintet.Since 2009 Olga Scheps has been an exclusive Sony Classical artist. Her debut album ‘Chopin' immediately won an ECHO Klassik award. The two recordings that followed, ‘Russian Album' (2010) and ‘Schubert' (2012), were also highly praised by the press. Her fourth Sony Classical CD was released early in 2014 and features Chopin's Piano Concertos nos. 1 and 2 with the Stuttgart Chamber Orchestra. The success of her solo-album ‘Vocalise', published in 2015, was surpassed by her latest album ‘Satie' which Olga Scheps has recorded on the occasion of the French composer's 150th birthday: It reached top 1 of the German classical music charts at first go. Her CD "Tchaikovsky" was released in October 2017 and she broke new ground with the album "100 % Scooter - Piano Only", on which she recorded arrangements of the most famous Scooter hits by Sven Helbig. In March 2019 Olga Scheps' album “Melody” was released, containing pieces spanning four centuries, from Bach to Aphex Twin. Her recording of the Weinberg Piano Quintet with the Kuss Quartet was released in late 2019. Olga Scheps is a Steinway Artist.FIND OLGA ON SOCIAL MEDIAFacebook | Instagram | Twitter | Twitch | YouTube================================PODCAST INFO:Podcast website: https://www.uhnwidata.com/podcastApple podcast: https://apple.co/3kqOA7QSpotify: https://spoti.fi/2UOtE1AGoogle podcast: https://bit.ly/3jmA7ulSUPPORT & CONNECT:Support on Patreon: https://www.patreon.com/denofrichTwitter: https://twitter.com/denofrichFacebook: https://www.facebook.com/denofrichYouTube: https://www.youtube.com/c/DenofRich

¿Qué es la música de cámara? ¿Cómo se le llama al conjunto de dos instrumentos? ¿Y a los conjuntos de tres, cuatro o más? ¿Por qué este tipo de música estaba tan de moda en el siglo XIX? ¿Y qué instrumentos podemos escuchar en la música de cámara? En este episodio nerdeamos un poco y se lo explicamos todo de forma sencilla a los niños. Vamos de dos a 9 instrumentos y escuchamos un poco de música sin olvidarnos de nuestro compositor del mes, Johannes Brahms.  La música que vas a escuchar en el episodio de hoy sobre agrupaciones musicales en la música de cámara.    00:37   16 Waltzes, Op. 39: Waltz No. 13 in B Minor, por Johannes Brahms. Interpretado por Jenő Jandó.  01:21   Sonata No. 5 in F Major for Violin and Piano, Op. 24, "Spring": I. Allegro, por Ludwig van Beethoven. Interpretado por Nora Chastain & Friedemann Rieger.  02:53   Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto por Johannes Brahms. Interpretado por Maria Kliegel & Kristin Merscher.  03:22   Clarinet Sonata in F Minor, Op. 120, No. 1: III. Allegretto grazioso, por Johannes Brahms. Interpretado por Kalman Berkes & Jenő Jandó.  04:01   Piano Trio in G Minor, Op. 17: II. Scherzo: Tempo di Menuetto, por Clara Schumann. Interpretado por Andrea Noferini, Francesco Nicolosi & Rodolfo Bonucci.  05:11   Trio for Violin, Horn and Piano in E-Flat Major, Op. 40: IV. Finale: Allegro con brio, por Johannes Brahms. Interpretado por Madoka Inui, Wolfgang Tomboeck & Johannes Tomboeck.  05:44   Quartet for Strings No. 12 In F Major, Op. 96 "American String Quartet": Molto Vivace por Antonín Dvořák. Interpretado por Bamberg Quartet.  06:28   Quartet for Flute, Guitar, Viola & Cello, D. 96 (After Wenzel Matiegka's Nocturne, Op. 21): V. Tema con variazioni, "Mädchen o schlumm're noch nicht" por Franz Schubert. Interpretado por Luise Walker, Gottfried Hechtl, Jürgen Geise & Wilfried Tachezi.  06:54   Quartet for Oboe, Violin, Viola and Violoncello In F Major, K. 370: III. Rondo-Allegro por Wolfgang Amadeus Mozart. Interpretado por Endres Quartet, Alfred Sous, Heinz Endres, Fritz Ruf & Adolph Schmidt.  07:31   Piano Quintet in A Major, D. 667 "The Trout": II. Andante por Franz Schubert. Interpretado por Colorado String Quartet & Emmy Verhey.  08:05   String Sextet No. 1 in B-Flat Major, Op. 18: II. Andante ma moderato por Johannes Brahms. Interpretado por Stuttgart Soloists.  08:56   Septet In e Flat Major, Op.20: III. Tempo Di Minuetto por Ludwig van Bethoven. Interpretado por Ostgota Symphonic Wind Ensemble & Olof Boman.  10:29   String Octet in E-Flat Major, Op. 20: III. Scherzo: Allegro leggierissimo por Felix Mendelssohn. Interpretado por Auer Quartet & Kodály Quartet.  11:48   Nonet in E flat major, Op. 38: III. Scherzo: Vivace por Louise Farrenc. Interpretado por Kevin Geraldi & Minerva Chamber Ensemble.    Si te gusta el episodio, califícalo en tu app favorita  o puedes dejar tu review. :)  No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan conmigo sobre música clásica. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Web: allegromagico.com    ¿Quieres aprender lo básico de música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos.  ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños. 

Franz Schubert - Piano Quintet "Trout": 5th movement Istvan Toth, double bass Jeno Jando, piano Kodaly Quartet More info about today's track: Naxos 8.550658 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Franz Schubert - Piano Quintet "Trout": 4th movement Istvan Toth, double bass Jeno Jando, piano Kodaly Quartet More info about today's track: Naxos 8.550658 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Franz Schubert - Piano Quintet "Trout": 3rd movement Istvan Toth, double bass Jeno Jando, piano Kodaly Quartet More info about today's track: Naxos 8.550658 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Schubert Piano Quintet in A major 'The Trout', D. 667Franz Schubert wrote his Piano Quintet in A major, D. 677, popularly known as The Trout, in 1819, when he was only 22 years old. Like a good fraction of his works, however, it was published after his death, in 1829. Schubert didn't employ the traditional quintet lineup (piano + string quartet), opting instead for replacing one violin with a double bass. The composer Johann Nepomuk Hummel had rearranged his own Septet for the same instrumentation, and the Trout was actually written for a group of musicians coming together to play Hummel's work.The nickname of the piece stems from the fourth movement, which is a set of variations on a lied by Schubert himself, named Die Forelle (the trout). Apparently the patron who commissioned the piece suggested that Schubert includ said set of variations.

Hosted by Eric Garcia:Music in Shostakovich and Stalin:Shostakovich: Symphony No. 4Royal Liverpool Philharmonic OrchestraVasily Petrenko, conductor℗ 2013 NaxosShostakovich:Lady Macbeth of MtsenskGalina Vishnevskaya, Dimiter Petkov, & Nicolai GeddaLondon Philharmonic OrchestraMstislav Rostropovich, conductor℗ 2002 by EMI Records ltdShostakovich : Concerto for Piano, Trumpet, Strings/Piano Concerto No.2/Symphony No.1Berliner PhilharmonikerMariss Jansons, conductor℗ The copyright in these sound recordings is owned by EMI Records Ltd. This compilation (P) 2003 by EMI Records Ltd.Shostakovich: Piano Concerto No. 1, Piano Quintet & ConcertinoMartha ArgerichOrchestra della Svizzera ItalianaAlexander Verdernikov, conductor℗ 2007 Parlophone Records Limited, a Warner Music Group CompanyTea for TwoBenny Goodman Greatest Hits (Remastered)Benny Goodman Quartet℗ 1996 BMG MusicShostakovich: The Jazz AlbumConcertgebouworkest Riccardo Chailly, conductor℗ 1992 Decca Music Group LimitedProkofiev: Alexander Nevsky; Scythian Suite; Lieutenant KijéChicago Symphony Orchestra, Elena Obraztsova & London Symphony OrchestraClaudio Abbado, conductorThis Compilation ℗ 1995 Deutsche Grammophon GmbH, Berlin50 of the Best: J.S. BachBournemouth Symphony OrchestraJosé Serebrier, conductor℗ 2011 Naxos Digital CompilationsStravinsky: Oedipus RexAnne Sofie von Otter, Vinson Cole, Nicolai Gedda, Hans Sotin, Simon Estes, Swedish Radio Choir, Swedish Radio Symphony Orchestra & The Eric Ericson Chamber ChoirEsa-Pekka Salonen, conductor℗ 1992 SONY BMG MUSIC ENTERTAINMENT

Hosted by Eric Garcia:Music in Shostakovich and Stalin:Shostakovich: Symphony No. 4Royal Liverpool Philharmonic OrchestraVasily Petrenko, conductor℗ 2013 NaxosShostakovich:Lady Macbeth of MtsenskGalina Vishnevskaya, Dimiter Petkov, & Nicolai GeddaLondon Philharmonic OrchestraMstislav Rostropovich, conductor℗ 2002 by EMI Records ltdShostakovich : Concerto for Piano, Trumpet, Strings/Piano Concerto No.2/Symphony No.1Berliner PhilharmonikerMariss Jansons, conductor℗ The copyright in these sound recordings is owned by EMI Records Ltd. This compilation (P) 2003 by EMI Records Ltd.Shostakovich: Piano Concerto No. 1, Piano Quintet & ConcertinoMartha ArgerichOrchestra della Svizzera ItalianaAlexander Verdernikov, conductor℗ 2007 Parlophone Records Limited, a Warner Music Group CompanyTea for TwoBenny Goodman Greatest Hits (Remastered)Benny Goodman Quartet℗ 1996 BMG MusicShostakovich: The Jazz AlbumConcertgebouworkest Riccardo Chailly, conductor℗ 1992 Decca Music Group LimitedProkofiev: Alexander Nevsky; Scythian Suite; Lieutenant KijéChicago Symphony Orchestra, Elena Obraztsova & London Symphony OrchestraClaudio Abbado, conductorThis Compilation ℗ 1995 Deutsche Grammophon GmbH, Berlin50 of the Best: J.S. BachBournemouth Symphony OrchestraJosé Serebrier, conductor℗ 2011 Naxos Digital CompilationsStravinsky: Oedipus RexAnne Sofie von Otter, Vinson Cole, Nicolai Gedda, Hans Sotin, Simon Estes, Swedish Radio Choir, Swedish Radio Symphony Orchestra & The Eric Ericson Chamber ChoirEsa-Pekka Salonen, conductor℗ 1992 SONY BMG MUSIC ENTERTAINMENT

Ep. 42(a) - It is late November 1862. We find Johannes Brahms in Vienna making a great success of himself for once but reeling from a devastating blow given him by the musical establishment of Hamburg. He will try to pick himself up and carry on with his work, compartmentalizing the tenderness he felt for one place from the bitterness for the other so that he might do so. And then further troubles to deal with: family strife and division that will make his life more difficult than ever; a loss that will wrench his heart and cause him the greatest pain, one for which tears aplenty would not be an adequate response but rather, music; tones and song in memoriam of a cherished loved one on a grand scale. --------------- Try MuseScore 3.6! Wonderful music notation software, easy to use, and free without limitations. https://musescore.org/en/3.6 ----------------- Subscribe on iTunes and give us a 5-star review! download our app! Visit and like our Facebook page! https://www.facebook.com/thegreatcomposerspodcast/?ref=bookmarks Works heard in this episode (all by Brahms): 1. String Sextet in G major op. 36 mvt. 1, Allegro non troppo 2.  9 Lieder and Songs op. 32 no. 9 "Wie bist du, meine Königin" 3-5. String Sextet in G major op. 36 mvts. 2-4, Scherzo, Poco Adagio, Poco Allegro 6, 7. Piano Quintet in f minor op. 34 mvts. 2, 3, Andante, un poco Adagio, Scherzo 8. "Horn" Trio in E-flat major op. 40 mvt. 3 (beginning), Adagio Mesto    

This week, Carl moves away from Orchestral Music and focuses on a pinnacle of Romantic era Chamber Music by Johannes Brahms.

This week, we start out with a rousing round of Two Truths and a Lie and then we move on to our three topics:THE EASTERN EUROPEAN RECORDING INDUSTRY AND FAR RIGHT POLITICSThe trailer to Dinesh D'Souza's “Trump Card: The Movie” featuring Debbie D'Souza and the Budapest Scoring Orchestra Will's blog post about recording in OstravaWill's vlog about the sameLISTENER FEEDBACKMusic Suggestions for Kensho's WeddingThe Lark Ascending Make Our Garden Grow Knee Play 5 Will orchestras keep the pace of change?Jessie Montgomery in the NYT THE COVID OUTBREAK AT THE MARIINSKY THEATERRussian Ballet Returned to the Stage. Then a Covid Outbreak Hit. (NYT)Valery Gergiev Wants to Make Music, But the West Brings Up Putin (LAT)CLASSICAL MIXTAPEThe full playlistTiffanyAnatoly Lyadov, KikimoraWillBoris Lyatoshynsky, Piano Trio No. 2KenshoDohnányi, Piano Quintet, mvmt. 3THINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” GET A COPY OF ALEX ROSS'S WAGNERISM FOR OUR BOOK CLUBWe start with the Prelude, and Chapters 1 & 2 next weekYou can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

Today's episode of the Phenomenal 50 features the Piano Quintet in G-minor by Sergei Taneyev performed by pianist Wu Han and the Escher String Quartet (violinists Adam Barnett-Hart and Aaron Boyd, violist Pierre Lapointe, and cellist Dane Johansen) on March 18, 2014 in Alice Tully Hall.

On this week's episode of the Phenomenal 50 we present the Piano Quintet in E-flat major, Op. 44 by Robert Schumann performed by pianist John Browning and the Guarneri String Quartet (violinists Arnold Steinhardt and John Dalley, violist Michael Tree, and cellist David Soyer) from March 1, 1974.