Podcasts about Piano quintet

SynopsisOn today's date in 1908, the Hoffman String Quartet gave a recital at Boston's Potter Hall, opening their program with a Romantic classic, Robert Schumann's String Quartet from 1842, followed by much more modern fare — Debussy's String Quartet written in 1893.And to close their program, the Hoffman Quartet premiered a brand-new contemporary work: a piano quintet by American composer Amy Beach, with the composer at the piano.The Boston Globe's critic noted “the audience was of goodly proportions and very demonstrative in its appreciation of Mrs. Beach's composition,” but (critics being critics), did a little nit-picking, concluding, “The work is thoroughly good, though a little too choppy at times.” The critic from The Boston Evening Transcript had fewer nits to pick, writing: “The quintet begins in the luminous key of F-sharp minor, and throughout Mrs. Beach modulates freely … [she] has sought a modern sonority of utterance … Her rhythms spurred the ear, and her harmonies [have] tang and fancy … In imagination, feeling, and expression, it is distinctly rhapsodic. Mrs. Beach can think musically in truly songful melodies, and such are the themes of her new quintet.”Music Played in Today's ProgramAmy Beach (1867-1944): Piano Quintet; Garrick Ohlsson, piano; Takács Quartet; Hyperion CDA-68295

COMPOSITORI CECHILeós Janàček (1854 - 1928) - Sinfonietta, VI/18 Fanfara: Allegretto. Allegro maestosoIl castello: Andante. AllegrettoIl castello della regina: ModeratoLa strada del castello: AllegrettoIl municipio: Andante con moto Wiener PhilharmonikerSir Charles Mackerras, direttore*******24:19Vítězslav Novák (1870-1949) - Piano Quintet in la minore, Op. 12 1. Allegro molto moderato2. Andante - Variazioni su un'antica canzone d'amore boema del XV secolo3. Allegro risoluto - Slovakian Kubin Quartet*******50:18Vítězslava Kaprálová (1915-1940) - Military Sinfonietta Brno PhilharmonicOlga Machonova-Pavlu, direttore

  Schubert – Piano Sonata in D major, op.53 D.850: Piano Sonata in D major, op.53 D.850: IV. Rondo. Allegro moderato Interprété par Paul Lewis Schubert – Piano Quintet in A Major, Op. Posth. 114, D. 667 « The Trout »: I.... Continue Reading →

In this episode of One Symphony with conductor Devin Patrick Hughes, Devin has an inspiring conversation with bass virtuoso and composer Kebra Seyoun Charles. From their early exposure to African drumming and gospel music to becoming a celebrated classical musician, Charles shares their unique journey and vision for the future of classical music through their "Counter Classical" style. Charles's work embodies a fresh perspective on classical music's future, one that honors tradition while embracing innovation and inclusivity. Their approach shows that classical music's evolution doesn't require abandoning its foundations, but rather expanding its boundaries to embrace diverse influences and experiences. As they put it, "Classical music is so beautiful and so ephemeral and it can't be contained." Charles explores growing up in a musical household and how that led to their disvoery of the film composer, Erich Woflgang Korngold. They also discuss the autobiographical ballet project, Enby, that's based on their experience as a nonbinary person developing in the world.  Kebra-Seyoun Charles is able to give prominence to the dance qualities in all forms of music. Kebra-Seyoun has performed alongside esteemed improvisers and composers such as Jon Batiste, at Carnegie Hall, and Tyshawn Sorey, at the New England Conservatory. Kebra-Seyoun was also featured in “Slugs' Saloon” at the Institute of Contemporary Art in Boston, an interactive installation created by famed jazz musician and composer Jason Moran. Kebra-Seyoun Charles is also a passionate chamber musician. Playing with groups like East Coast Chamber Orchestra, A Far Cry, Palaver Strings, and the Sphinx Virtuosi afford Kebra the opportunity to showcase virtuosity while still playing within an ensemble. A prime example of this is their tenure on the 2019 Emmy award-winning Broadway production “Hadestown”. Thank you for joining us on One Symphony. Thanks to Kebra-Seyoun Charles for sharing their amazing spirit and music-making. You can find  more info at https://www.kscharles.com. Recordings from the episode include:  Koussevitsky: Concerto for Double Bass, First Movement. Featuring Kebra-Seyoun Charles on Double Bass. Performed with the Boston Philharmonic Youth Orchestra, Benjamin Zander conducting. Dating in NY. Composed by Kebra-Seyoun Charles. Featuring Charles on bass and musicians from the Juilliard School.  The third movement from Andres Martin's Bass Concerto. Performed by Charles with the New World Symphony under the direction of Chad Goodman. First movement from Erich Korngold's Piano Quintet, op. 15. Performed by the ARC Ensemble from the Royal Conservatory, Toronto.  Erich Korngold's Cello Concerto in One Movement. Featuring Victor Julien-Laferrière on cello performing with the Frankfurt Radio Symphony. Conducted by Marie Jacquot. “Another Breakup Song.” Composed by Kebra-seyoun Charles. Featuring Charles on bass. Kayla Williams on viola, Joseph Brent on mandolin, Sommer Alteir on violin, and Kabir Adiya-Kumar on percussion.  “Galaxy,” composed by Xavier Foley. Featuring Kebra-seyoun Charles and Xavier Foley on bass accompanied by the Sphinx Virtuosi.  Holdberg Suite. Composed by Edvard Grieg. Performed by the Palaver Strings featuring Kebra-Seyoun Charles on bass.  You can always find more info at OneSymphony.org or DevinPatrickHughes.com including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music.   

In this episode, we discuss recordings of “Marais: Tombeau Pour Monsieur de Sainte-Colombe” (Harmonia Mundi) by La Rêveuse, Florence Bolton & Benjamin Perrot, “Zádor: Piano Quintet, Accordion Concerto, Suite for Brass Instruments & Hungarian Fantasy” (Naxos) by Klaudiusz Baran & The Budapest Symphony Orchestra MÁV / Mariusz Smolij, “Magnus Lindberg: Viola Concerto, Absence & Serenades” (Ondine) by Lawrence Power & The Finnish Radio Symphony Orchestra / Nicholas Collon, “Flamenco Jazz Summit: El Mar Empieza Aqui” (Origin) by Piet Verbist, “Awakening” (Broken Silence Records) by Lennart Allkemper, and “Music Is the Answer” (Fresh Sound New Talent) by Domenico Sanna.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 181 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Marais: Tombeau Pour Monsieur de Sainte-Colombe” (Harmonia Mundi) La Rêveuse, Florence Bolton, Benjamin Perrot https://open.spotify.com/album/47amQ4Cr8mBaehxfo9NhSN https://music.apple.com/us/album/marais-tombeau-pour-monsieur-de-sainte-colombe/1749188869 https://music.amazon.com/albums/B0D5K5MC3L   “Zádor: Piano Quintet, Accordion Concerto, Suite for Brass Instruments & Hungarian Fantasy” (Naxos) Klaudiusz Baran, Budapest Symphony Orchestra MÁV / Mariusz Smolij https://open.spotify.com/album/2R9pqWL2kf4vQWuy3pbKGV https://music.apple.com/us/album/zádor-orchestral-works/1759528302 https://music.amazon.com/albums/B0D7QMCJQ2   “Magnus Lindberg: Viola Concerto, Absence & Serenades” (Ondine) Lawrence Power, Finnish Radio Symphony Orchestra / Nicholas Collon https://open.spotify.com/album/2gFdzTz6vkFwa8um3FUjWH https://music.apple.com/us/album/magnus-lindberg-viola-concerto-absence-serenades/1757030114 https://music.amazon.com/albums/B0D8JS51GB   “Flamenco Jazz Summit: El Mar Empieza Aqui” (Origin)  Piet Verbist https://open.spotify.com/album/7ifSv6kUKjbYjH77j8st1T https://music.apple.com/us/album/flamenco-jazz-summit-el-mar-empieza-aquí/1753344686 https://music.amazon.com/albums/B0D7QRTX4D   “Awakening” (Broken Silence Records) Lennart Allkemper https://open.spotify.com/album/7rh4xSSbWSpKZc0mQZ3E6k https://music.apple.com/us/album/awakening/1764952277 https://music.amazon.com/albums/B0DF845GPD   “Music Is the Answer” (Fresh Sound New Talent) Domenico Sanna https://open.spotify.com/album/0pz5bIgGd5S1fkaLJYS3VA https://music.apple.com/us/album/music-is-the-answer/1761845064 https://music.amazon.com/albums/B0DCKC1VFG

This Day in Legal History: WWI Spy ConvictedOn August 16, 1918, Lothar Witzke became the first German spy convicted by the United States during World War I. Tried by a military commission at Fort Sam Houston, Texas, Witzke was found guilty of espionage for his role in sabotage activities against the U.S., including his alleged involvement in the Black Tom explosion, a major act of sabotage in 1916. His conviction marked a significant moment in the U.S.'s efforts to counter German espionage during the war. Witzke was sentenced to hang, but his fate took a turn when President Woodrow Wilson commuted his sentence on May 27, 1920. The commutation reflected the complexities of wartime justice and international relations. Later, in 1922, President Calvin Coolidge granted Witzke a pardon, leading to his deportation to Berlin. Witzke's case highlighted the U.S. government's determination to crack down on espionage while also navigating the diplomatic and political nuances of post-war justice.India's legal market is cautiously opening to foreign law firms under new guidance allowing them to practice international law within the country. However, only a few firms have taken steps to establish a presence, as many remain hesitant due to past challenges and uncertainties about the implementation of these new rules. India's rapid economic growth and favorable business environment under Prime Minister Narendra Modi make it an attractive prospect for foreign firms, but the memory of previous failed attempts and local opposition leads many to adopt a wait-and-see approach.Some firms are opting for strategies like the "fly in, fly out" model, running operations from nearby locations like Singapore. Others, like Baker McKenzie and Dentons, are planning to establish offices when permitted, but are currently working through collaborations with local firms. Japan-based TNY Legal and GVA Professional have already entered the Indian market to support their clients' growing needs.Despite the opportunities, significant hurdles remain, including unclear regulations and potential resistance from the local bar. Implementing legislation is still required, and foreign firms face a complex bureaucracy. The possibility of limits on foreign registrations to protect Indian firms adds to the uncertainty, making the path forward for foreign law firms in India fraught with challenges. India Sees Foreign Law Firms Take Baby Steps to Set Up OutpostsTikTok is challenging a U.S. law requiring its parent company, China-based ByteDance, to sell its U.S. assets or face a ban, arguing that the U.S. Department of Justice has misrepresented the app's ties to China. TikTok maintains that its data and content moderation decisions for U.S. users are handled within the U.S. and that the law infringes on its free speech rights. The law, signed by President Biden, aims to end Chinese ownership of TikTok due to national security concerns. The case will be heard by a federal appeals court in September, just before the November presidential election.TikTok disputes US claims on China ties in court appeal | ReutersThe Ninth Circuit Court of Appeals upheld California's vote-by-mail system, ruling that it does not violate the constitutional rights of in-person voters, even if some invalid mailed ballots are occasionally counted. The court rejected the claim that counting these ballots dilutes the votes of in-person voters, emphasizing that such errors do not disproportionately affect any particular group. The decision arose from a lawsuit aiming to decertify California's 2020 election results, which, if successful, could have favored Donald Trump. The court found that the plaintiffs' "vote dilution" theory was legally unfounded, consistent with rulings from other circuits.California Vote-By-Mail Upheld in Rebuke of ‘Vote Dilution' SuitGSK plans to seek the dismissal of a Zantac-related lawsuit in Florida, where plaintiffs allege the heartburn drug caused prostate cancer. This follows a recent Florida court ruling in GSK's favor, which excluded expert testimony linking ranitidine, Zantac's active ingredient, to prostate cancer. The ruling aligns with a 2022 federal court decision that dismissed similar cancer-related claims. However, a Delaware court ruling in June allowed over 70,000 lawsuits to proceed, permitting expert testimony that Zantac causes cancer. GSK is appealing the Delaware decision, as the majority of Zantac cases are concentrated there. Concerns over ranitidine's potential to degrade into the carcinogen NDMA led to the FDA pulling Zantac from the market five years ago.GSK to seek dismissal of Florida case against heartburn drug Zantac | ReutersBayer achieved a legal victory as a U.S. appeals court ruled that federal law shields the company from liability in a lawsuit claiming its Roundup weed killer causes cancer. The 3rd U.S. Circuit Court of Appeals in Philadelphia decided that federal regulations, which require uniform pesticide labeling, preempted Pennsylvania state law from mandating a cancer warning on Roundup. This ruling came in response to a lawsuit by David Schaffner, a landscaper diagnosed with non-Hodgkin's lymphoma, who argued that Bayer's Monsanto unit failed to warn consumers about the cancer risk. The decision could lead to a U.S. Supreme Court review due to conflicting rulings from other federal appeals courts, potentially impacting Bayer's broader litigation risk. Bayer, which has settled much of the Roundup litigation for $10.9 billion but still faces tens of thousands of claims, welcomed the ruling, asserting that Roundup and its active ingredient glyphosate are safe.Bayer wins victory in US legal battle against Roundup cancer claims | ReutersThis week's closing theme is by Franz Schubert.This week's closing theme brings us to the world of Franz Schubert, a composer whose music bridges the Classical and Romantic eras with remarkable emotional depth and lyrical beauty. Schubert, born in Vienna in 1797, was a prolific composer despite his tragically short life, leaving behind a vast body of work that continues to resonate with audiences today. Among his numerous compositions, his Piano Quintet in A major, D. 667, known as the "Trout Quintet," and his symphonies are often celebrated, but today we focus on one of his masterpieces in chamber music: his Piano Quintet in F minor, Op. 15.The first movement, "Allegro con fuoco ma non troppo," showcases Schubert's unique ability to blend intensity with elegance. The title, which translates to "fast, with fire but not too much," perfectly encapsulates the movement's spirit. It opens with a passionate and fiery theme that immediately captures the listener's attention, setting the stage for a dynamic interplay between the piano and strings. As the movement progresses, Schubert masterfully balances this intensity with moments of lyrical beauty, creating a musical narrative that is both dramatic and profoundly moving.This piece exemplifies Schubert's gift for melody and his deep understanding of the human experience, qualities that have endeared his music to generations of listeners. As you listen to the "Allegro con fuoco ma non troppo," let yourself be carried by its sweeping phrases and the emotional journey it offers—a true testament to Schubert's genius.Without further ado, the first movement of Franz Schubert's Fantasie in C major, Op. 15, popularly known as the Wanderer Fantasy. Enjoy.   This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

The newly formed Mātātā Quintet join forces to present the first movement of Dvořák's Piano Quintet No. 2. Written in 1887, this monumental chamber work reflects the Czech composer's admiration for Bohemian folk music. Infused with rich melodies and rhythmic vitality, the work exudes a pastoral charm while maintaining Dvořák's masterful handling of classical forms. Mātātā Quintet are Justin Bird, piano; Peau Halapua and Miyo Yoon, violins; Ben Harrison, viola; Karen French, cello.

How much do we know about the origins of the piano quintet? This easy combination—take a string quartet, add piano, and voila!—is one that tok until the late Classical period to develop. Vlad Smishkewych explores the world of the The Curious Piano Quintet

Charles Wakefield Cadman - Piano Quintet: 3rd movementPaul Posnak, pianoBergonzi QuartetMore info about today's track: Naxos 8.559067Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

In this episode of One Symphony, conductor Devin Patrick Hughes sits down with renowned composer Pierre Jalbert to explore Jalbert's musical journey, creative process, and the spiritual influences that shape his work. Jalbert shares intimate stories about his childhood in Vermont, his collaborations with world-class musicians, and the importance of resonance and reverberation in his compositions. He also pays tribute to his mentor, the late Larry Rachleff, and discusses his genre-bending project with the Apollo Chamber Players. Throughout the interview, Jalbert offers insights into the challenges and rewards of writing for both chamber groups and large ensembles and reveals how he strives to create music that serves the audience. Join us for a fascinating glimpse into the mind of one of today's best composers. Earning widespread notice for his richly colored and superbly crafted scores, Pierre Jalbert's music has been described as “immediately captures one's attention with its strong gesture and vitality” by the American Academy of Arts and Letters.  Among his many honors are the Rome Prize, the BBC Masterprize, a Guggenheim Fellowship, and the Fromm Foundation commission.   Jalbert's music has been performed worldwide in such venues as Carnegie Hall, Wigmore Hall, Lincoln Center, the Kennedy Center, and the Barbican.  Recent orchestral performances include those by the Boston Symphony, the National Symphony, the Houston Symphony, the Cabrillo Festival Orchestra, and the Cincinnati Symphony Orchestra.    He has served as Composer-in-Residence with the Los Angeles Chamber Orchestra, the California Symphony, and Music in the Loft in Chicago. Select chamber music commissions and performances include those of the Ying, Borromeo, Maia, Enso, Chiara, Escher, Del Sol, and Emerson String Quartets, as well as violinist Midori.  Three new CDs of his music have been recently released:  Violin Concerto, Piano Quintet and Secret Alchemy, and Piano Trio No. 2.   Jalbert is Professor of Music at Rice University's Shepherd School of Music in Houston, and he is a co-founder of Musiqa, a Houston-based new music collective.  His music is published by Schott Helicon Music Corporation, New York.   Thank you for joining us on One Symphony. Thanks to Pierre Jalbert for sharing her music and stories. You can find more info at https://www.pierrejalbert.com.   Pierre Jalbert composed all music featured in this episode, with one exception.   String Theory was performed live by the Kaleidoscope Chamber Orchestra.   Mystical and With Great Energy, from Secret Alchemy, from the album Music From Copland House performed by Curtis Macomber, Danielle Farina, Alexis Pia Gerlach and Michael Boriskin.   The first movement from From Dusk to Starry Night “The Night in Silence” on a text by Walt Whitman features Sasha Cooke and the River Oaks Chamber Orchestra.   Violin Concerto, featuring Steven Copes on violin. Performed by The Saint Paul Chamber Orchestra with Thomas Zehetmair as the conductor.    “Fiddle Dance” from L'espirit du nord. Performed by the Apollo Chamber Players.    Mozart Piano Concerto K488 in A major, first movement improvised cadenza performed by Robert Levin with the Cluj-Nacopa Philharmonic in Romania with Nicole Moldovenau as the conductor.    “Chanson de Lisette” from Le'spirit du nord. Performed by the Apollo Chamber Players.   “Music of air and fire” performed by the Houston Youth Symphony conducted by Michael Isadore.   You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!  

Inside The Music explores works of composer Robert Schumann and the effect his love for his wife Clara had on his music. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores Schumann's compositions through live CRC performances by pianists Christian Zacharias and Arnaldo Cohen, mezzo Bernarda Fink and pianist Anthony Spiri, and the Nash Ensemble of London.Schumann: Davidsbundlertanze, Op. 6Lebhaft Innig Mit Humor Ungeduldig Einfach Christian Zacharias, piano [10/20/2016 performance]Schumann: Arabeske in C Major, Op. 18 Arnaldo Cohen, piano [1/31/1999 performance]Schumann: Frauenliebe und -leben, Op. 42 Seit ich ihn gesehenEr, der Herrlichste von allenIch kann's nicht fassen, nicht glauben Du Ring an meinem FingerHelft mir, ihr SchwesternBernarda Fink, mezzo-soprano & Anthony Spiri, piano [11/13/2016 performance]Piano Quintet in E-flat Major, Op. 44 Scherzo: Molto vivace Finale: Allegro ma non troppoThe Nash Ensemble of London [5/10/2001 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Hosted by Eric Garcia:Music in Shostakovich and Stalin:Shostakovich: Symphony No. 4Royal Liverpool Philharmonic OrchestraVasily Petrenko, conductor℗ 2013 NaxosShostakovich:Lady Macbeth of MtsenskGalina Vishnevskaya, Dimiter Petkov, & Nicolai GeddaLondon Philharmonic OrchestraMstislav Rostropovich, conductor℗ 2002 by EMI Records ltdShostakovich : Concerto for Piano, Trumpet, Strings/Piano Concerto No.2/Symphony No.1Berliner PhilharmonikerMariss Jansons, conductor℗ The copyright in these sound recordings is owned by EMI Records Ltd. This compilation (P) 2003 by EMI Records Ltd.Shostakovich: Piano Concerto No. 1, Piano Quintet & ConcertinoMartha ArgerichOrchestra della Svizzera ItalianaAlexander Verdernikov, conductor℗ 2007 Parlophone Records Limited, a Warner Music Group CompanyTea for TwoBenny Goodman Greatest Hits (Remastered)Benny Goodman Quartet℗ 1996 BMG MusicShostakovich: The Jazz AlbumConcertgebouworkest Riccardo Chailly, conductor℗ 1992 Decca Music Group LimitedProkofiev: Alexander Nevsky; Scythian Suite; Lieutenant KijéChicago Symphony Orchestra, Elena Obraztsova & London Symphony OrchestraClaudio Abbado, conductorThis Compilation ℗ 1995 Deutsche Grammophon GmbH, Berlin50 of the Best: J.S. BachBournemouth Symphony OrchestraJosé Serebrier, conductor℗ 2011 Naxos Digital CompilationsStravinsky: Oedipus RexAnne Sofie von Otter, Vinson Cole, Nicolai Gedda, Hans Sotin, Simon Estes, Swedish Radio Choir, Swedish Radio Symphony Orchestra & The Eric Ericson Chamber ChoirEsa-Pekka Salonen, conductor℗ 1992 SONY BMG MUSIC ENTERTAINMENT

Hosted by Eric Garcia:Music in Shostakovich and Stalin:Shostakovich: Symphony No. 4Royal Liverpool Philharmonic OrchestraVasily Petrenko, conductor℗ 2013 NaxosShostakovich:Lady Macbeth of MtsenskGalina Vishnevskaya, Dimiter Petkov, & Nicolai GeddaLondon Philharmonic OrchestraMstislav Rostropovich, conductor℗ 2002 by EMI Records ltdShostakovich : Concerto for Piano, Trumpet, Strings/Piano Concerto No.2/Symphony No.1Berliner PhilharmonikerMariss Jansons, conductor℗ The copyright in these sound recordings is owned by EMI Records Ltd. This compilation (P) 2003 by EMI Records Ltd.Shostakovich: Piano Concerto No. 1, Piano Quintet & ConcertinoMartha ArgerichOrchestra della Svizzera ItalianaAlexander Verdernikov, conductor℗ 2007 Parlophone Records Limited, a Warner Music Group CompanyTea for TwoBenny Goodman Greatest Hits (Remastered)Benny Goodman Quartet℗ 1996 BMG MusicShostakovich: The Jazz AlbumConcertgebouworkest Riccardo Chailly, conductor℗ 1992 Decca Music Group LimitedProkofiev: Alexander Nevsky; Scythian Suite; Lieutenant KijéChicago Symphony Orchestra, Elena Obraztsova & London Symphony OrchestraClaudio Abbado, conductorThis Compilation ℗ 1995 Deutsche Grammophon GmbH, Berlin50 of the Best: J.S. BachBournemouth Symphony OrchestraJosé Serebrier, conductor℗ 2011 Naxos Digital CompilationsStravinsky: Oedipus RexAnne Sofie von Otter, Vinson Cole, Nicolai Gedda, Hans Sotin, Simon Estes, Swedish Radio Choir, Swedish Radio Symphony Orchestra & The Eric Ericson Chamber ChoirEsa-Pekka Salonen, conductor℗ 1992 SONY BMG MUSIC ENTERTAINMENT

The second portion of Norm and Barbara's talk with Toronto composer Linda Catlin Smith. Linda touches on Listening, teaching composition and her large work for cello and piano, Ballad.Episode NotesFor more information on Linda Catlin Smith please visit her website.During the talk, Linda reference Faure's Piano Quintet it can be heard on YoutubeLinda mentioned Morton Feldman's works For Philip Guston and String Quartet #2. They can be heard on Apple Music here and hereNorm and Barbara made a concert recording of Linda's piece Ballad which you can listen to on SoundcloudIf you would like to help fund New Musing on New Music you can do so on the suddenlyLISTEN website. Thanks for your support! 

References Front. Oncol. 2017. 26 November.V.7. Oncogene. 2017 Mar 23; 36(12): 1607–1618. Schubert, F. 1819 Piano Quintet in A major, D. 667/ "Trout" https://youtu.be/syod5rkFdNY?si=5F3rexiou7dTifYg Hunter, R., Garcia , J. 1970 "Ripple" https://youtu.be/xofhZx9eWUQ?si=tpOAMzyW5qUy01P_ --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Leós Janàček (1854 - 1928) - Sinfonietta, VI/18 Fanfara: Allegretto. Allegro maestosoIl castello: Andante. AllegrettoIl castello della regina: ModeratoLa strada del castello: AllegrettoIl municipio: Andante con moto Wiener PhilharmonikerSir Charles Mackerras, direttore***********Vítězslav Novák - Piano Quintet in la minore, Op. 12 1. Allegro molto moderato2. Andante - Variazioni su un'antica canzone d'amore boema del XV secolo3. Allegro risoluto - Slovakian Kubin Quartet************Vítězslava Kaprálová (1915-1940) - Military SinfoniettaBrno PhilharmonicOlga Machonova-Pavlu, direttore

Kotuku Quintet Simon Ansell (violin), John Seager (violin), Judith Gust (viola), Sally-Anne Brown (cello), Louise Webster (piano). The Kotuku Quintet returns with the Piano quintet in F minor, op. 34 by Johannes Brahms. Described as his greatest piece of chamber music it is probably the most frequently performed of his chamber works. Brahms was a demanding self-critic, and the quintet went through several iterations, beginning life as a string quintet, then transcribed into a sonata for two pianos before ending as a work for piano and string quartet. Here, the dual sides of his musical nature – dark, turbulent romanticism and rigorous classicism – were in their most fruitful conflict and balance, the music covering a wide spectrum of moods: majesty, serenity, tension, foreboding, anger and joy. Piano Quintet in F minor, Op. 34 Johannes Brahms 1. Allegro non troppo 2. Andante, un poco adagio 3. Scherzo: Allegro 4. Finale: Poco sostenuto – Allegro non troppo – Presto, non troppo

9 月末，精神山西人 VC 和小红书以及山西文旅厅、山西文物局一起，沿着经典的「晋北访古路线」，特种兵式地走了 5 天，并且很幸运地遇到了几位身份不同、性格迥异的山西守庙人。本期节目，我们就一起听听守庙人和他们守护的那些古老寺庙的故事。 我们非常好奇一个问题「关于为什么是山西？为什么山西能留下这么多古建筑？」这次探访之旅，可能会为我们提供新的观察和思考。 此外，我们更希望每个人都能来山西真实地走一走、看一看，踩一踩山西的土，吹一吹山西的风，进一进山西的寺庙，吃一吃山西的面和醋，然后分享一下属于你的答案。在「小宇宙」平台本期节目评论区分享你的访古故事，或者你和山西的故事，我们会抽出 5 位听友，送出一份由小红书在今年十月特别推出的限量版《山西古建奇谭》打卡集章本！(今年十一假期山西一本难求的「特产」) 我们这次探访的山西古建筑和守庙人： 1. 浑源县荆庄的大云寺（守庙人：王大爷） 2. 繁峙县公主寺（守庙人：居林秀） 3. 定襄县洪福寺（守庙人：赵所长） 4. 王崇恩教授，多年来致力于在山西从事建筑遗产保护方向研究工作 > 荆庄大云寺就藏在这座民居大门里> 大云寺守庙人王大爷> 大云寺里的壁画「不动尊明王」> 公主寺守庙人居林秀> 定襄洪福寺> 和赵所长坐在洪福寺院子里聊天（感谢图片提供：导演罗娜娜）*** 「YǐN隐 × 午夜飞行」 听友福利 *** 「午夜飞行」和现代设计金饰与珠宝品牌「YǐN隐」，共同为听友们准备了一张「金色听友券」！线上优惠券：「YǐN隐 × 午夜飞行」 听友专属 ¥100 满减听友券 - 可叠加各种活动使用（满 ¥400 可使用） - 可在淘宝「YǐN隐旗舰店」报「午夜飞行」暗号领取 - 有效期至 10 月 31 日 长期有效优惠券： 「YǐN隐」也为午夜飞行的听友们准备了长期有效券，只要报「午夜飞行」给电商客服或门店顾问，都可获得 ¥50 减免 线上渠道：微信公众号搜索「YǐN隐」、淘宝搜索「YǐN隐」 线下门店：北京市王府井大街王府中环 3 层 301B 【节目主播/制作】 主播/制作：VC 微博：@VividCrystal https://weibo.com/u/1241505120 小红书：@午夜飞行VC https://www.xiaohongshu.com/user/profile/572a84ee50c4b435fe74744e 【节目互动】 微博：@午夜飞行Official https://weibo.com/u/7298580324 公众号：午夜飞行 【欢迎加入听友群】 入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群 入群方式 B：关注公众号「午夜飞行」 ，回复「听友群」三个字，即可获取入群通道 【本集音乐】All music credits to: 1. 灵气 - 风潮音乐 2. 资料说明-历史 - 郭权兴 3. 三个朋友 - 无问西东 - 宇文硕/布达佩斯电影交响乐团 4. Montmarte - Asaf Avidan 5. The Marsh - Chad Crouch 6. Concertino for Two Pianos in A minor, op. 94: Adagio - Allegretto - Allegro - Dmitri Shostakovich,Maxim Shostakovich 7. Piano Quintet in A, D.667 - "The Trout": 2. Andante - James Levine/Gerhart Hetzel/Wolfram Christ 8. The Sea Temple - Pravana 【关于节目】 《午夜飞行》是一档关注旅行、城市、文化和生活的播客节目，由 VC 主持/制作，力求用声音将多彩的城市故事带给你。微博：@午夜飞行Official / 公众号：午夜飞行 本播客由 Marcast Media 荣誉出品，也欢迎你订阅收听 Marcast 旗下的其他播客节目。你可以通过以下方式找到我们：- 微博：@Marcast https://weibo.com/u/2743283854 - 公众号：Marcast - 小红书：@Marcast新播客 - 进听友群请添加微信：hellomarcast - 商务合作联系：hello@marcastmedia.com - 欢迎订阅 Beads Newsletter https://beads.beehiiv.com 每周一封精选英文播客内容分享，为你提取、总结那些 90% 的人听不到的、隐藏在声音里的一手信息和知识，和你一起拓展认知和视野，每周一上午发送 © 2023 Marcast Media

Johanna Müller-Hermann once held a significant place as a composer and teacher in Vienna, yet has been largely forgotten over the decades since her death in 1941. Radio 3 has been working to unearth her music and story through its Forgotten Women Composers project, in collaboration with the Arts and Humanities Research Council and Dr Carola Darwin. This week, Dr Darwin and Professor Robert Evans join Donald Macleod to explore this fascinating composer and her times. Their series includes many specially recorded works by Müller-Hermann that have sat neglected in dusty archives for decades. Müller-Hermann was greatly celebrated in her own lifetime and moved in eminent musical circles. She studied with Zemlinsky, befriended Alma Mahler, and also corresponded with Arnold Schoenberg. She went on to teach at Austria's New Vienna Conservatory where students travelled from as far away as America and the UK to study with her. She became a pivotal figure in Vienna's cultural scene and her music was regularly performed and published during her lifetime. Music Featured: String Quintet in A minor, Op 7 (excerpt) Piano Sonata, Op 8 (Allegro enérgico) Herbst, Op 20 No 3 (Vier Lieder) Wie eine Vollmondnacht, Op 20 No 4 (Vier Lieder) Zwei dreistimmige Frauenchöre, Op 10 Piano Sonata, Opus 8 (excerpt) Cello Sonata, Op 17 (Moderato) String Quartet in E flat, Op 6 (Moderato) Intermezzo in D, Op 3 No 4 (Fünf Klavierstücke) Vier Lieder, Op 2 Violin Sonata in D minor, Op 5 (Moderato serioso) UK Broadcast Premiere String Quartet in E flat, Op 6 (excerpt) Die stille Stadt, Op 4 No 1 Heroic Overture, Op 21 (excerpt) Alle die wachsenden Schatten, Op 9 No 3 (Drei Chöre) Violin Sonata in D minor, Op 5 (excerpt) UK Broadcast Premiere Heroic Overture, Op 21 String Quintet in A minor, Op 7 (Adagio con expressione) Piano Quintet in G minor, Op 31 (excerpt) Zwei Lieder, Op 11 Cello Sonata, Op 17 (excerpt) Epilog zur einer Tragodie 'Brand‘ – symphonic fantasy, Op 25 Intermezzo in D minor, Op 3 No 3 (Fünf Klavierstücke) Impromptu in D minor, Op 3 No 5 (Fünf Klavierstücke) In Memoriam, Op 28 No 5 (Herbstlieder) Novelette in A flat, Op 3 No 2 (Fünf Klavierstücke) Violin Sonata in D minor, Op 5 (Allegretto amabile) UK Broadcast Premiere Piano Quintet in G minor, Op 31 (Adagio sostenuto) Drei Gesange, Op 33 String Quartet in E flat, Op 6 (Allegro con spirito) Presented by Donald Macleod Produced by Luke Whitlock For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johanna Müller-Hermann (1868-1941) https://www.bbc.co.uk/programmes/m001h57j And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

After more than two decades as one of New York City's busiest freelance oboists, James Roe decided to pivot his career. He packed up his oboe case, reed knife, and metronome to take on leadership positions at two of the ensembles he had regularly performed with. First he spent two years as president and CEO of the New Jersey Symphony Orchestra, before moving into his current role as president and executive director of the Orchestra of St. Luke's, where he's been since 2015. How did 25 years of performing in symphony orchestras prepare him to lead one himself? For Roe, his seat in the oboe section gave him a strategic vantage point — one that allowed him to see thousands of concerts play out on the faces of audience members in real time. "You could see when something was hitting, that look in someone's eye that meant the music was meaningful to them," Roe says on the latest episode of the Classical Post podcast. "I've taken that into my leadership role because it shows that, as musicians and musical organizations, our mission is not fulfilled on stage — that's only the beginning. The mission is fulfilled in the hearts, minds, ears, and spirits of people in the audience." At the helm of the Orchestra of St. Luke's, Roe oversees more than 70 concerts per season in 20 venues across New York City, as well as a host of education and community programs that help make classical music more accessible for every New Yorker. And through it all, Roe's guiding principle is to ensure "the audience is the focus of everything we do." In this episode, we talk more about the Orchestra of St. Luke's current season — including the Carnegie Hall premiere of Florence Price's Piano Quintet with Marc-André Hamelin and the third year of the ensemble's DeGaetano Composition Institute, where three emerging composers work with composer-mentor Anna Clyne on new pieces to be premiered by OSL. Plus, Roe shares how reading during his daily commute supports his well-being, the inspiration he gets from the "wonderful crackle of anticipation" before a concert begins, and his favorite Manhattan restaurant when he's craving Basque cuisine. — Classical Post® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by Gold Sound Media® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

Donald Macleod explores how Cesar Franck, who was, known for being retiring and unassuming, became a leading figure of French musical life. It seems as if Franck's diffident character positively hindered his advancement. He wasn't interested in moving in glamorous social circles, and lived, according to one visitor who called on him the year before he died, "like a monk". This natural reticence may be why the composer of popular works such as the Violin Sonata, the Piano Quintet, a ground-breaking String Quartet and the glorious Symphony in D found that all too often his critics were quick to find fault and were slow to recognise his worth. He had some disappointments to bear, in an age when opera was thriving, none of his four operas saw the light of day in his lifetime. Recognition for his two major choral works, La Rédemption and Les Béatitudes was to come after his death in 1890 at the age of 67. Franck did enjoy some support. Early on Liszt recognised his talent and did his best to help him get his work performed, and later on a band of his pupils, among them the composer Vincent d'Indy did their best to promote their beloved teacher's music. To mark the 200th anniversary of Franck's birth, Donald Macleod spends the week delving a bit deeper into this enigmatic and complex character from his early compositions which pay homage to Liszt and the pianistic tradition of Hummel, to the wonderfully vivid pictorial canvas of Le Chasseur Maudit. Music Featured: Panis angelicus (Messe á trois voix, Op 12 FVW 61) Variations brillantes sur Gustave III, Op 8 (excerpt) Trio Concertant No 2 in B flat Op 1, No 2 (4th mvt) Ce qu'on entend sur la montagne L'ange et l'enfant Les Septs Paroles du Christ au Croix, No 7 Prélude, Fugue et Variation (Six Pieces, Op 18) Symphonic Variations Egologue, Op 3 Stradella (Overture) Hulda (Act 4: excerpt) Patria Piano Quintet in F minor (3rd mvt) La Rédemption (7th – 9th mvt) Violin sonata Op 23 (1st mvt) Prélude, Choral et Fugue Blessed are the Meek (Les Béatitudes, No 2) Rebecca (Camel drivers'chorus) Prélude (Prélude, Aria et Final) String Quartet in D major (4th mvt) Chorale No 3 in A minor, M40 Symphony in D (3rd mvt) Presented by Donald Macleod Produced by Johannah Smith For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for César Franck (1822-1890) https://www.bbc.co.uk/programmes/m001fnfs And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

The pianist Mark Bebbington continues his invaluable service to British music with a new album for Resonus that gathers together four rarities from Vaughan Williams's output, ranging from the Piano Quintet of 1903 to the Fantasia on the 'Old 104th' Psalm Tune of 1949. Joined by members of the Royal Philharmonic Orchestra for three of the works, and by the entire orchestra plus the City of London Choir and conductor Hilary Davan Wetton for the Fantasia, this album fills in some major gaps in the VW recorded catalogue. James Jolly caught up with the pianist to talk through the album's four works. 

2022 年「小雪」节气的第二天，我和作家文珍 (a.k.a 逛公园爱好者) 相约，去逛了北京城里一个非常冷门的公园——二十四节气公园 (后来又转战去了天坛公园)，因为她最新出版的一本散文集《风日有清欢》，就是以中国传统二十四节气为主题，把自然风物、节气、诗词、人和故事放在一起，书写属于我们的「气候记忆」，也换一个角度重新认识这个世界。本期节目最佳收听方式，是带上这期节目去位于北京东城区永定门东街的「二十四节气公园」，边听我们聊天，边一起逛公园，全方位地感知二十四节气的细节和奇妙。当然，也可以去你所在城市的公园里，跟随着我们的声音，感受时间和自然在我们身上缓缓流过，尝试建立一种更有仪式感和自然美感的生活。非常推荐你去读一读文珍的这本《风日有清欢》，更希望你能多去自然里走一走、感受气候变化的奇妙，记录下那些在不同时节出现在我们生活里的人和事。也许，我们可以像文珍一样，在波涛起伏的海面躺平，尝一尝雨水的味道。本期节目，我们会在「小宇宙」评论区抽出 3 位听友送出文珍的《风日有清欢》。欢迎你在评论区留下你对节气、气候风物的感知，也可以讲讲你和季节、节气的故事和回忆。祝我们能度过一个顺遂的冬天，手边有粮，心里有光，风日有清欢。本期节目中，我和文珍聊到了：[00:17] 和文珍见面 1 分钟就开始拍果子、捡叶子[02:47] 神奇的北京「二十四节气公园」，一个沿河的街心公园[04:11] 在「春种」广场：聊《月令七十二候集解》和春天的时令花[08:54] 文珍是从什么时候开始关注「二十四节气」的？[16:30] 在「夏长」广场：聊属于夏日风物[17:05] 《风日有清欢》章节顺序的安排以及在大暑的一场告别[21:13] 今天我们需要重新与自然建立情感连接[22:31] 在「秋收」广场：聊秋季的风物和一个关于桂花的可爱故事[32:03] 在「冬藏」广场：聊小时候关于冬日腊梅、和爸爸一起玩雪橇的故事[36:47] 「自然风物是可以搭救我们的」[39:36] 对时间的重新感知，以及《风日有清欢》对文珍的意义[45:24] 和「迷路爱好者、精神少数民族」去逛天坛公园，看树看云聊秋冬[49:21] 北京依然是你最喜欢的城市吗？为什么说它像一只巨大的鲸鱼？[54:00] 重看《包法利夫人》《金瓶梅》的感受和对不同文学类型创作的思考[59:28] 《风日有清欢》里「夹带了很多私货」的物候和「人的症候」[01:01:11] 和我们一起捡白皮松的树皮吧！[01:04:00] 大雪三候：鹖鴠不鸣，虎始交，荔挺出【节目主播/制作】VC (微博: @VividCrystal https://weibo.com/u/1241505120 )节目微博：@午夜飞行Official https://weibo.com/u/7298580324公众号：午夜飞行【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 (ID: midnightflyfly)，回复「听友群」三个字，即可获取入群通道【本集音乐】1. Piano Quintet in A, D.667 - The Trout: 2. Andante - James Levine, Gerhart Hetzel, Wolfram Christ2. 被困住的鲸 Trapped Whale - Tie Yann (铁阳)【关于节目】《午夜飞行》是一档关注旅行、城市、文化和生活的播客节目，由 VC 主持/制作，力求用声音将多彩的城市故事带给你。微博：@午夜飞行Official / 公众号：午夜飞行本播客由 Marcast Media 制作出品。也欢迎你订阅收听 Marcast 旗下的其他播客节目，微博/公众号：@Marcast，商务合作联系：hello@marcastmedia.com https://weibo.com/u/2743283854

Thanks for joining me, Dr. Benjamin Harding, on the Piano Explored Podcast. Follow us at www.benjaminharding.net.I am so thrilled to welcome Dr. Paul Barnes on the podcast today. His website is at www.paulbarnes.netPraised by the New York Times for his “Lisztian thunder and deft fluidity," and the San Francisco Chronicle as “ferociously virtuosic,” pianist Paul Barnes has electrified audiences with his intensely expressive playing and cutting-edge programming. He has been featured seven times on APM's Performance Today and on the cover of Clavier Magazine with his recordings streamed worldwide.Celebrating his twenty-five-year collaboration with Philip Glass, Barnes commissioned and gave the world premiere of Glass's Piano Quintet "Annunciation." The work is Glass's first piano quintet and first work based on Greek Orthodox chant. Barnes recording of the quintet with string quartet superstars Brooklyn Rider was released in October of 2019 to critical acclaim.  ResMusica in Paris wrote: "Paul Barnes, whose pianistic lines are always clear, is a marvel of dialogue with Brooklyn Rider." Barnes twelfth CD New Generations: The New Etudes of Philip Glass and Music of the Next Generation has also received rave reviews. Gramophone Magazine wrote, "Pianists of Barnes's great technique and musicality are a boon to new music." And American Record Guide commented, "This disc provides further proof of Barnes's ability to communicate new music with flair and passion." Produced by Orange Mountain Music, the recording features the world-premiere recording of Dreaming Awake, a selection of Glass's etudes and works by N. Lincoln Hanks, Lucas Floyd, Jason Bahr, Zack Stanton, Ivan Moody, and Jonah Gallagher. Barnes is Marguerite Scribante Professor of Music at the University of Nebraska-Lincoln Glenn Korff School of Music. He was recently appointed Artistic Director of the Lied Center Piano Academy which welcomes several high-school pianists to Lincoln each summer for an intensive week of piano, composition, improvisation and collaboration. He will also be teaching this summer in Greece at the Piano Plus Summer Institute. In great demand as a pedagogue and clinician, Barnes has served as convention artist at several state MTNA conventions, most recently at Virginia and was recently named "Teacher of the Year" by the Nebraska Music Teachers Association.Barnes latest recital Illumination features a contemplative and cathartic program of piano works inspired by the mystical world of chant. Barnes, also a Greek Orthodox chanter, has collaborated most recently with Philip Glass and Victoria Bond to create piano works based on ancient byzantine and Jewish chant. New chant-based works by Native flutist Ron Warren and David von Kampen were also given their premiere performances. Barnes gave the world premiere of Victoria Bond's Illumination on Byzantine Chant at New York's Symphony Space in April of 2021. Barnes released his fourteenth recording last fall on Albany Records entitled Illumination: The Piano Works of Victoria Bond including the world-premiere recording of Illuminations on Byzantine Chant. American Record Guide wrote "he sings with haunting musicality...and plays with fervid virtuosity...the music is calm and meditative, perfect for these troubled times." Barnes' recordings are available on Spotify, Pandora, ITunes, Apple Music, YouTube, and Amazon.

IN THIS EPISODE Donate to ISBM! https://fundraising.fracturedatlas.org/international-society-of-black-musicians Check out our website: https://www.isblackmusicians.com https://www.clevescene.com/news/transgender-employee-files-healthcare-lawsuit-against-cleveland-orchestra-39531389 https://www.npr.org/2022/08/17/1118010206/placido-domingo-linked-to-criminal-ring-in-argentina-prosecutors-say https://www.nbcnews.com/news/nbcblk/solange-knowles-becomes-first-black-woman-compose-music-nyc-ballet-rcna43412 Black Excellence: Dr. Vernell Bennett-Fairs https://www.loc.edu/about-us/the-president/ Piece of the week: Piano Quintet in C minor - Ralph Vaughan Williams https://www.youtube.com/watch?v=3na3sPQXmHA

Episode #74: The Waltons Uploaded: July 23, 2022 Franz von Suppé: Die schöne Galathée (Overture) Detroit Symphony Orchestra Paul Paray, conductor MERCURY LIVING PRESENCE 434 309-2 Sir William Walton: Symphony No. 1 in B-flat Minor I. Allegro assai II. Presto, con malizia III. Andante con malinconia IV. Maestoso – Brioso ed ardenamente – Vivacissimo – Maestoso New Philharmonia Orchestra Sir Malcom Sargent, conductor Symphony No. 2 I. Allegro molto II. Lento assai III. Passacaglia: Theme (Risoluto), Variations, Fugato, and Coda (Scherzando – Presto) London Symphony Orchestra André Previn, conductor EMI STUDIO CDM 7 63269 2 Béla Bartók: Piano Quintet, Sz. 23 I. Andante II. Vivace. Scherzando III. Adagio IV. Poco a poco più vivace Kodály Quartet: Attila Falvay, violin Tamás Szabó, violin Gábor Fias, viola János Davich, ‘cello with Jenő Jandó, piano NAXOS 8.550886

À quoi ressemblera la Rochelle en 2250 ? Entre vestiges du passé, montée des eaux et pollution, embarquez immédiatement pour le découvrir à bord d'une croisière futuriste et quelque peu... élitiste. Dernier épisode d'une série de quatre fictions sonores créées par Benjamin Le Saux et Paula Jacques lors de l'expédition Les Maux Bleus. Musique : “Symphony No.29 in A major, K.201 - IV. Allegro con spirito” de Wolfgang Amadeus Mozart et "Piano Quintet in A major 'The Trout', D. 667 - IV. Andantino – Allegretto" de Franz Schubert Voix : Hélaine Lefrançois Illustration : Louison Wary

STRUT AND FRETApril 10, 2022 • 3:00 pmSarasota Opera HouseSingle concert ticket $50 | Purchase here or by calling the Sarasota Opera box office at 941-328-1300.Pre-concert talk with Robert Sherman at 2:15 pmGrammy Award-winning guitarist Jason Vieaux returns to perform in contemporary and Classical quintets, contrasted with the lush Dvořák quintet for piano and strings.~ Luigi Boccherini, Guitar Quintet in D Major, G.448, “Fandango”~ U.S. premiere of Giacomo Susani's Quintet for Guitar and String Quartet~ Antonin Dvořák, Piano Quintet in A Major, Op. 81Benny Kim, violin; Ruth Lenz, violin; Cynthia Phelps, viola; Dmitri Atapine, cello; Christine J. Lee, cello; Wendy Chen, piano; Jason Vieaux, guitarStudents from the Suzuki Institute School of Music will share their music in the Sarasota Opera House courtyard from 2:30-2:55 pm.

INNOCENCE AND ILLICIT PASSIONApril 6, 2022 • 7:30 pmSarasota Opera HouseSingle concert ticket $50 | Purchase here or by calling the Sarasota Opera box office at 941-328-1300.Pre-concert talk with Robert Sherman at 6:45 pmThe 15-year-old Mozart celebrated the completion of his second set of string quartets by composing his sunny first viola quintet. One hundred years later, Franck created his piano quintet, secretly dedicated to his young lover. Is passion audible?~ Wolfgang Mozart, String Quintet in Bb Major, K.174~ Bernhard Romberg, Sonata in E Minor for Violoncello, Viola, and Bass, Op. 38 no. 1~ César Franck, Piano Quintet in F MinorJennifer Frautschi, violin; Benny Kim, violin; Daniel Avshalomov, viola; Cynthia Phelps, viola; Dmitri Atapine, cello; Christine J. Lee, cello; Dee Moses, double bass; Wu Han, pianoStudents from Booker High School will share their music in the Sarasota Opera House courtyard from 7:00-7:25 pm.

Catalyst Quartet — Uncovered, Vol. 2: Florence B. Price (Azica) Jump to giveaway form New Classical Tracks - Catalyst Quartet by “She just wanted a chance, and she never really got it,” violist Paul Laraia said about composer Florence Price. “It's so fulfilling that we were able to release all of this chamber music. Four of these works have never been recorded.”   Last year, his group, the Catalyst Quartet, launched its first album in a series of recordings commemorating historically important Black composers. The group's latest CD, Uncovered, Vol. 2: Florence B. Price, is the second recording in that series. Why is the title “Uncovered” significant? “Back in 2018, when we were formulating this project, we thought about that title. We felt that it best described the reality in which these composers' music never went away. We needed to focus attention back onto them. “In the case of some of these works, like the works of Florence Price, there was a little bit of detective work. We had to go to the actual library in Arkansas and collect manuscripts in order to make this recording, because the publishing companies that own the rights just aren't pumping out the music fast enough for it to be heard.” Can you tell me about the featured guest, Michelle Cann? “She's just incredible. She is a consummate chamber musician and has all of the incredible facilities and musical intellect to solo. She also separately was taking up her own mission involving the music of Florence Price. “Having her perspective was a really great thing for us, even for all four of us when we play the other pieces that didn't have piano. For instance, one rehearsal we were working on the ‘Juba' movement from the long Piano Quintet in A minor. We were asking Michelle what her take was on swinging some of the rhythms. “To the nonexpert, it can sound like ragtime, but Michelle told us that we needed to listen to the Robert Nathaniel Dett version to get the idea of what was in Price's ears when she was writing those rhythms.” Can you talk about what we hear in 5 Folk Songs in Counterpoint? “There's an emotional and conversational aspect to every one of the entrances and voices that take us with a through line. In the case of the five folk songs, I think there's a through line that spans the entire work. We feel this journey going all the way through. The third movement is a slow chorale that's really gorgeous, and I think it serves as an emotional center point. “The goal is not for our recording to be the only definitive set. The music is so dense that it can be interpreted so many ways. It deserves a collective effort in order to move us closer to having better and stronger interpretations of her music and for her music to be more widely available and known.” To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Watch now More on Florence Price and the Catalyst Quartet Rhapsody in Black Florence Price meets Frederick Stock New Classical Tracks Catalyst Quartet honors Samuel Coleridge-Taylor Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Catalyst Quartet — Uncovered, Vol. 2: Florence B. Price (Amazon Music) Catalyst Quartet (official site)

Olga Scheps was born in Moscow in 1986, the daughter of two pianists, and discovered the instrument for herself at the age of four. She began studying the piano more intensively after her family moved to Germany in 1992. At an early age she had already developed her own unique style of keyboard playing, which combines intense emotiveness and powerful expressivity with extraordinary pianistic technique. Among those who discovered these talents was Alfred Brendel, who has encouraged the young pianist. A holder of scholarships from the Deutsche Stiftung Musikleben and Studienstiftung des deutschen Volkes, she completed her studies with Professor Pavel Gililov in her adopted home of Cologne in 2013, passing her Concert Examination with Distinction. She rounded out her training with Professor Arie Vardi and Professor Dmitri Bashkirov.Besides the well-known works for piano Olga Scheps's repertory consists of compositions that are seldom heard in the concert hall, including the posthumous Études of Frédéric Chopin, Franz Liszt's Malédiction, Olivier Messiaen's Les Oiseaux exotiques, Antonín Dvořák's Piano Concerto, Arvo Pärt's „Lamentate“, and Mieczysław Weinberg's Piano Quintet. Her solo recitals are as popular with audiences all over the world as her acclaimed appearances as soloist with orchestra and her chamber projects.Such noted conductors as Thomas Dausgaard, Lorin Maazel, José Serebrier, Marcus Bosch, Ralf Weikert, Michel Tabachnik, Antoni Wit, Ivor Bolton, Cristian Mandeal, Christoph Altstaedt, Tugan Sokhiev, Simone Young, Markus Poschner and Pablo Heras-Casado have invited Olga Scheps to collaborate with them.Among the leading orchestras with which she has appeared in concert are the Orchestre Philharmonique de Monte-Carlo, the Warsaw Philharmonic Orchestra, the Mozarteum Orchester Salzburg, the Munich Symphony Orchestra, the Royal Scottish National Orchestra, the State Symphony Cappella of Russia (Moscow), the Staatskapelle Weimar, the Zurich Chamber Orchestra, the NDR Radiophilharmonie, the Orchestre National du Capitole de Toulouse, the Prague Philharmonia, the Israel Philharmonic Orchestra and the New Japan Philharmonic Orchestra.Olga Scheps now performs with great success in world-famous concert halls such as the Elbphilharmonie, the Berlin and Cologne Philharmonie, the Vienna Konzerthaus, the Cadogan Hall London, the Zurich Tonhalle, and the Suntory Hall Tokyo. She is a sought-after guest at festivals like the Rheingau Musik Festival, Festspiele Mecklenburg-Vorpommern, Kissinger Sommer, Heidelberger Frühling, Klavier-Festival Ruhr, Schleswig-Holstein Musik Festival, MDR Musiksommer, Lucerne Festival am Piano, ACHTBRÜCKEN Festival in Cologne, Mozart Festival Würzburg, Mersin Festival in Turkey, and Menuhin Festival Gstaad.A passionate chamber musician, she plays regularly with such artists as Alban Gerhardt, Daniel Hope, Adrian Brendel, Jan Vogler, Nils Mönkemeyer, the Danish String Quartet, the Danel Quartet and the Kuss Quartet, with which she recorded Mieczysław Weinberg's Piano Quintet.Since 2009 Olga Scheps has been an exclusive Sony Classical artist. Her debut album ‘Chopin' immediately won an ECHO Klassik award. The two recordings that followed, ‘Russian Album' (2010) and ‘Schubert' (2012), were also highly praised by the press. Her fourth Sony Classical CD was released early in 2014 and features Chopin's Piano Concertos nos. 1 and 2 with the Stuttgart Chamber Orchestra. The success of her solo-album ‘Vocalise', published in 2015, was surpassed by her latest album ‘Satie' which Olga Scheps has recorded on the occasion of the French composer's 150th birthday: It reached top 1 of the German classical music charts at first go. Her CD "Tchaikovsky" was released in October 2017 and she broke new ground with the album "100 % Scooter - Piano Only", on which she recorded arrangements of the most famous Scooter hits by Sven Helbig. In March 2019 Olga Scheps' album “Melody” was released, containing pieces spanning four centuries, from Bach to Aphex Twin. Her recording of the Weinberg Piano Quintet with the Kuss Quartet was released in late 2019. Olga Scheps is a Steinway Artist.FIND OLGA ON SOCIAL MEDIAFacebook | Instagram | Twitter | Twitch | YouTube================================PODCAST INFO:Podcast website: https://www.uhnwidata.com/podcastApple podcast: https://apple.co/3kqOA7QSpotify: https://spoti.fi/2UOtE1AGoogle podcast: https://bit.ly/3jmA7ulSUPPORT & CONNECT:Support on Patreon: https://www.patreon.com/denofrichTwitter: https://twitter.com/denofrichFacebook: https://www.facebook.com/denofrichYouTube: https://www.youtube.com/c/DenofRich

¿Qué es la música de cámara? ¿Cómo se le llama al conjunto de dos instrumentos? ¿Y a los conjuntos de tres, cuatro o más? ¿Por qué este tipo de música estaba tan de moda en el siglo XIX? ¿Y qué instrumentos podemos escuchar en la música de cámara? En este episodio nerdeamos un poco y se lo explicamos todo de forma sencilla a los niños. Vamos de dos a 9 instrumentos y escuchamos un poco de música sin olvidarnos de nuestro compositor del mes, Johannes Brahms.  La música que vas a escuchar en el episodio de hoy sobre agrupaciones musicales en la música de cámara.    00:37   16 Waltzes, Op. 39: Waltz No. 13 in B Minor, por Johannes Brahms. Interpretado por Jenő Jandó.  01:21   Sonata No. 5 in F Major for Violin and Piano, Op. 24, "Spring": I. Allegro, por Ludwig van Beethoven. Interpretado por Nora Chastain & Friedemann Rieger.  02:53   Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto por Johannes Brahms. Interpretado por Maria Kliegel & Kristin Merscher.  03:22   Clarinet Sonata in F Minor, Op. 120, No. 1: III. Allegretto grazioso, por Johannes Brahms. Interpretado por Kalman Berkes & Jenő Jandó.  04:01   Piano Trio in G Minor, Op. 17: II. Scherzo: Tempo di Menuetto, por Clara Schumann. Interpretado por Andrea Noferini, Francesco Nicolosi & Rodolfo Bonucci.  05:11   Trio for Violin, Horn and Piano in E-Flat Major, Op. 40: IV. Finale: Allegro con brio, por Johannes Brahms. Interpretado por Madoka Inui, Wolfgang Tomboeck & Johannes Tomboeck.  05:44   Quartet for Strings No. 12 In F Major, Op. 96 "American String Quartet": Molto Vivace por Antonín Dvořák. Interpretado por Bamberg Quartet.  06:28   Quartet for Flute, Guitar, Viola & Cello, D. 96 (After Wenzel Matiegka's Nocturne, Op. 21): V. Tema con variazioni, "Mädchen o schlumm're noch nicht" por Franz Schubert. Interpretado por Luise Walker, Gottfried Hechtl, Jürgen Geise & Wilfried Tachezi.  06:54   Quartet for Oboe, Violin, Viola and Violoncello In F Major, K. 370: III. Rondo-Allegro por Wolfgang Amadeus Mozart. Interpretado por Endres Quartet, Alfred Sous, Heinz Endres, Fritz Ruf & Adolph Schmidt.  07:31   Piano Quintet in A Major, D. 667 "The Trout": II. Andante por Franz Schubert. Interpretado por Colorado String Quartet & Emmy Verhey.  08:05   String Sextet No. 1 in B-Flat Major, Op. 18: II. Andante ma moderato por Johannes Brahms. Interpretado por Stuttgart Soloists.  08:56   Septet In e Flat Major, Op.20: III. Tempo Di Minuetto por Ludwig van Bethoven. Interpretado por Ostgota Symphonic Wind Ensemble & Olof Boman.  10:29   String Octet in E-Flat Major, Op. 20: III. Scherzo: Allegro leggierissimo por Felix Mendelssohn. Interpretado por Auer Quartet & Kodály Quartet.  11:48   Nonet in E flat major, Op. 38: III. Scherzo: Vivace por Louise Farrenc. Interpretado por Kevin Geraldi & Minerva Chamber Ensemble.    Si te gusta el episodio, califícalo en tu app favorita  o puedes dejar tu review. :)  No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan conmigo sobre música clásica. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Web: allegromagico.com    ¿Quieres aprender lo básico de música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos.  ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños. 

Franz Schubert - Piano Quintet "Trout": 5th movement Istvan Toth, double bass Jeno Jando, piano Kodaly Quartet More info about today's track: Naxos 8.550658 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Franz Schubert - Piano Quintet "Trout": 4th movement Istvan Toth, double bass Jeno Jando, piano Kodaly Quartet More info about today's track: Naxos 8.550658 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Franz Schubert - Piano Quintet "Trout": 3rd movement Istvan Toth, double bass Jeno Jando, piano Kodaly Quartet More info about today's track: Naxos 8.550658 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Franz Schubert - Piano Quintet "Trout": 2nd movement Istvan Toth, double bass Jeno Jando, piano Kodaly Quartet More info about today's track: Naxos 8.550658 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Franz Schubert - Piano Quintet "Trout": 1st movement Istvan Toth, double bass Jeno Jando, piano Kodaly Quartet More info about today's track: Naxos 8.550658 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Schubert Piano Quintet in A major 'The Trout', D. 667Franz Schubert wrote his Piano Quintet in A major, D. 677, popularly known as The Trout, in 1819, when he was only 22 years old. Like a good fraction of his works, however, it was published after his death, in 1829. Schubert didn't employ the traditional quintet lineup (piano + string quartet), opting instead for replacing one violin with a double bass. The composer Johann Nepomuk Hummel had rearranged his own Septet for the same instrumentation, and the Trout was actually written for a group of musicians coming together to play Hummel's work.The nickname of the piece stems from the fourth movement, which is a set of variations on a lied by Schubert himself, named Die Forelle (the trout). Apparently the patron who commissioned the piece suggested that Schubert includ said set of variations.

Synopsis Two famous pieces of chamber music had their premieres on today's date, both at private readings prior to their first public performances. On today's date in 1842, the German Romantic composer Robert Schumann arranged for a trial reading of his new Piano Quintet in E-flat at the Leipzig home of some of his friends. Schumann's wife, Clara, was supposed to be the pianist on that occasion, but she took ill, and Schumann's friend and fellow-composer Felix Mendelssohn stepped in at the last moment for the informal performance, reading the work at sight. After this preliminary reading, Mendelssohn praised the work, but offered some friendly suggestions concerning part of the trio section in the new work's Scherzo movement, which prompted Schumann to write a livelier replacement movement for the work's first public performance. About 100 years later, on today's date in 1949, a cello sonata by the Soviet composer Sergei Prokofiev received a similar private performance in Moscow, for an invited audience at the House of the Union of Composers. Two of the leading Soviet performers of the day, cellist Mstislav Rostropovich and pianist Sviatoslav Richter, gave the work its first performance. The following spring, it was again Rostropovich and Richter who gave the Sonata its public debut at the Moscow Conservatory. Music Played in Today's Program Robert Schumann (1810–1856) — Piano Quintet in Eb, Op. 44 (Menahem Pressler, piano; Emerson String Quartet) DG 445 848 Sergei Prokofiev (1891–1953) — Cello Sonata, Op. 119 (David Finckel, cello; Wu Han, piano) Artist Led 19901

COMPOSER Pierre Jalbert talks about his 1 Track, PIANO QUINTET

Synopsis At New York City's Town Hall on today's date in 1968, the New England Festival Quartet premiered a new chamber work by the American composer George Walker. Walker's String Quartet No. 2 was sandwiched on the program between the String Quartet, Op 95, by Beethoven, and Robert Schumann's Piano Quintet, Op. 44, with George Walker performing the piano part in the Schumann – not surprisingly, since in addition to studying composition at the Curtis Institute, Walker had studied piano there as well, with Rudolf Serkin, no less.  “What was gratifying,” wrote The New York Times music critic the following day, “was the fact that the Walker Quartet held up very well between two such strong works.”28 years later, in 1996, Walker would go on to win the Pulitzer Prize for Music – the first African-American composer to do so. But then, that was only one of George Walker's many remarkable “firsts.” He was also the first black graduate of the Curtis Institute in 1945, the first black musician to play New York's Town Hall that same year, the first black recipient of a doctorate from the Eastman School in 1955, and the first black tenured faculty member at Smith College in 1961. Music Played in Today's Program George Walker (1922 – 2018): String Quartet No. 2 (Son Sonora String Quartet) Naxos 8559659

durée : 00:13:42 - Théodore Dubois Piano Quartet & Piano Quintet - La redécouverte du compositeur français Théodore Dubois se poursuit avec sa musique de chambre pour piano, autour d'un Quatuor avec piano et Quintette avec piano et hautbois.

Katy Hamilton picks her favourite recording of R Schumann's Piano Quintet in E flat major

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Laura Kaminsky “makes the most of textures, sometimes delicate and almost weightless, sometimes thick and convoluted, but always vivid.” (Washington Post) “Full of fire as well as ice, contrasting dissonance and violence with tonal beauty and meditative reflection, (her music) is strong stuff.” (American Record Guide) As One (American Opera Projects/BAM), the most produced contemporary opera in the U.S., has played in Canada, Europe and Australia. Hometown to the World (Santa Fe Opera) premieres 2021; Finding Wright (Dayton Opera), 2022. Fantasy: Oppens Plays Kaminsky (Cedille Records, 2021) features pianist Ursula Oppens, Cassatt String Quartet, pianist Jerome Lowenthal, ASU Symphony Orchestra/Maestro Jeffery Meyer. For more information, visit: https://laurakaminsky.com/ Recordings used in the podcast courtesy of artist: Anthem, from Laura Kaminsky's Piano Quintet, performed by Ursula Oppens and the Cassatt String Quartet. Released on Fantasy: Oppens Plays Kaminsky, Cedille Records CDR 90000 202.

Let's go back a few years to hear two clips from 2009 Honens Prize Laureate Georgy Tchaidze. After listening to Georgy perform one of Medtner's Fairy Tales, known as the greatest but most neglected piano music in Medtner's repertoire, enjoy Dvořák's Finale from Piano Quintet in A Major Op. 81 with Georgy and 2010 BISQC first prize winner, the Cecilia String Quartet. - Watch the video edition of this excerpt at honens.com/home.

Hosted by Eric Garcia:Music in Shostakovich and Stalin:Shostakovich: Symphony No. 4Royal Liverpool Philharmonic OrchestraVasily Petrenko, conductor℗ 2013 NaxosShostakovich:Lady Macbeth of MtsenskGalina Vishnevskaya, Dimiter Petkov, & Nicolai GeddaLondon Philharmonic OrchestraMstislav Rostropovich, conductor℗ 2002 by EMI Records ltdShostakovich : Concerto for Piano, Trumpet, Strings/Piano Concerto No.2/Symphony No.1Berliner PhilharmonikerMariss Jansons, conductor℗ The copyright in these sound recordings is owned by EMI Records Ltd. This compilation (P) 2003 by EMI Records Ltd.Shostakovich: Piano Concerto No. 1, Piano Quintet & ConcertinoMartha ArgerichOrchestra della Svizzera ItalianaAlexander Verdernikov, conductor℗ 2007 Parlophone Records Limited, a Warner Music Group CompanyTea for TwoBenny Goodman Greatest Hits (Remastered)Benny Goodman Quartet℗ 1996 BMG MusicShostakovich: The Jazz AlbumConcertgebouworkest Riccardo Chailly, conductor℗ 1992 Decca Music Group LimitedProkofiev: Alexander Nevsky; Scythian Suite; Lieutenant KijéChicago Symphony Orchestra, Elena Obraztsova & London Symphony OrchestraClaudio Abbado, conductorThis Compilation ℗ 1995 Deutsche Grammophon GmbH, Berlin50 of the Best: J.S. BachBournemouth Symphony OrchestraJosé Serebrier, conductor℗ 2011 Naxos Digital CompilationsStravinsky: Oedipus RexAnne Sofie von Otter, Vinson Cole, Nicolai Gedda, Hans Sotin, Simon Estes, Swedish Radio Choir, Swedish Radio Symphony Orchestra & The Eric Ericson Chamber ChoirEsa-Pekka Salonen, conductor℗ 1992 SONY BMG MUSIC ENTERTAINMENT

Hosted by Eric Garcia:Music in Shostakovich and Stalin:Shostakovich: Symphony No. 4Royal Liverpool Philharmonic OrchestraVasily Petrenko, conductor℗ 2013 NaxosShostakovich:Lady Macbeth of MtsenskGalina Vishnevskaya, Dimiter Petkov, & Nicolai GeddaLondon Philharmonic OrchestraMstislav Rostropovich, conductor℗ 2002 by EMI Records ltdShostakovich : Concerto for Piano, Trumpet, Strings/Piano Concerto No.2/Symphony No.1Berliner PhilharmonikerMariss Jansons, conductor℗ The copyright in these sound recordings is owned by EMI Records Ltd. This compilation (P) 2003 by EMI Records Ltd.Shostakovich: Piano Concerto No. 1, Piano Quintet & ConcertinoMartha ArgerichOrchestra della Svizzera ItalianaAlexander Verdernikov, conductor℗ 2007 Parlophone Records Limited, a Warner Music Group CompanyTea for TwoBenny Goodman Greatest Hits (Remastered)Benny Goodman Quartet℗ 1996 BMG MusicShostakovich: The Jazz AlbumConcertgebouworkest Riccardo Chailly, conductor℗ 1992 Decca Music Group LimitedProkofiev: Alexander Nevsky; Scythian Suite; Lieutenant KijéChicago Symphony Orchestra, Elena Obraztsova & London Symphony OrchestraClaudio Abbado, conductorThis Compilation ℗ 1995 Deutsche Grammophon GmbH, Berlin50 of the Best: J.S. BachBournemouth Symphony OrchestraJosé Serebrier, conductor℗ 2011 Naxos Digital CompilationsStravinsky: Oedipus RexAnne Sofie von Otter, Vinson Cole, Nicolai Gedda, Hans Sotin, Simon Estes, Swedish Radio Choir, Swedish Radio Symphony Orchestra & The Eric Ericson Chamber ChoirEsa-Pekka Salonen, conductor℗ 1992 SONY BMG MUSIC ENTERTAINMENT

Ep. 42(a) - It is late November 1862. We find Johannes Brahms in Vienna making a great success of himself for once but reeling from a devastating blow given him by the musical establishment of Hamburg. He will try to pick himself up and carry on with his work, compartmentalizing the tenderness he felt for one place from the bitterness for the other so that he might do so. And then further troubles to deal with: family strife and division that will make his life more difficult than ever; a loss that will wrench his heart and cause him the greatest pain, one for which tears aplenty would not be an adequate response but rather, music; tones and song in memoriam of a cherished loved one on a grand scale. --------------- Try MuseScore 3.6! Wonderful music notation software, easy to use, and free without limitations. https://musescore.org/en/3.6 ----------------- Subscribe on iTunes and give us a 5-star review! download our app! Visit and like our Facebook page! https://www.facebook.com/thegreatcomposerspodcast/?ref=bookmarks Works heard in this episode (all by Brahms): 1. String Sextet in G major op. 36 mvt. 1, Allegro non troppo 2.  9 Lieder and Songs op. 32 no. 9 "Wie bist du, meine Königin" 3-5. String Sextet in G major op. 36 mvts. 2-4, Scherzo, Poco Adagio, Poco Allegro 6, 7. Piano Quintet in f minor op. 34 mvts. 2, 3, Andante, un poco Adagio, Scherzo 8. "Horn" Trio in E-flat major op. 40 mvt. 3 (beginning), Adagio Mesto    

a cura di Massimiliano SamsaLeós Janàček (1854 - 1928) - Sinfonietta, VI/18Leós Janàček (1854 - 1928) - Sinfonietta, VI/18Fanfara: Allegretto. Allegro maestosoIl castello: Andante. AllegrettoIl castello della regina: ModeratoLa strada del castello: AllegrettoIl municipio: Andante con motoPrima esecuzione: Praga, Smetana-Saal, 26 giugno 1926Wiener PhilharmonikerSir Charles Mackerras, direttoreIniziata nel 1925 ed eseguita per la prima volta a Praga il 26 giugno 1926, la Sinfonietta è l'ultima composizione orchestrale di Janàček, ma anche la più originale e imprevedibile. L'originalità sta nell'unione di una forma classica come quella della sinfonia con un organico insolito, dominato da un forte schieramento di ottoni: oltre a 4 corni, 4 tromboni e 2 tube tenori vi figurano complessivamente ben 14 trombe (l'idea iniziale sembra fosse dovuta all'ascolto di una banda militare in un parco di Pisek). L'imprevedibilità è invece data dai rapporti che si vengono a creare tra l'impianto formale e l'organizzazione del materiale al suo interno. In realtà, del classico principio sinfonico rimane soltanto l'elemento dell'elaborazione tematica (che però Janàček sottomette alle proprie leggi di sviluppo a blocchi contrapposti) e una certa simmetria di corrispondenze e relazioni fra i singoli movimenti. Che sono cinque, contraddistinti da una continua flessibilità agogica e da una diversa distribuzione dell'organico orchestrale, suddiviso in sezioni: solo alla fine l'intera orchestra si riunisce in una sorta di festosa, generale celebrazione di tono giubilante.La fanfara introduttiva dell'Allegretto iniziale (trombe, tube tenori e timpani) ritorna, intensificata, anche alla conclusione dell'ultimo tempo, in una ripetizione ampliata però con la presenza degli archi e dei legni: ciò stabilisce una forma ad arco di assoluta novità, nella quale si dispongono i vari movimenti, ognuno con differente intonazione e carattere. Il secondo e il quarto elaborano motivi di danza della tradizione morava e ceca, con effetti graffianti e accenti intensamente drammatici. Il denso Moderato centrale è il cuore della composizione, e ne riassume in veemente crescendo dinamico ed espressivo tutta la stupefacente sostanza melodica e ritmica, con soluzioni armoniche e timbriche affatto inedite.Testo tratto da: https://www.flaminioonline.it/Guide/Janacek/Janacek-Sinfonietta618.html********Vítězslav Novák - Piano Quintet in la minore, Op. 121. Allegro molto moderato2. Andante - Variazioni su un'antica canzone d'amore boema del XV secolo3. Allegro risoluto - Slovakian Kubin QuartetIl Quintetto per pianoforte in la minore è il primo di una serie di opere del cosiddetto periodo moravo ed è stato composto nel 1897. L'opera mostra il suo incanto per la Moravia e le sue melodie popolari, alcune delle quali sono incluse in quest'opera. Il primo tema del movimento di apertura è basato sul canto popolare Hear the Earth tremare e gemere mentre il movimento centrale è basato su una canzone d'amore moravo del XV secolo O Elsa, adorabile Elsa, mentre il tema principale del terzo movimento è una parafrasi di un Canzone nuziale della Moravia.*********Vítězslava Kaprálová (1915-1940) - Military SinfoniettaBrno PhilharmonicOlga Machonova-Pavlu, direttoreLa Sinfonietta militare op. 11 è stata la composizione di diploma della compositrice ceca Vitezslava Kaprálová che ha portato a termine con successo i suoi studi al Conservatorio di Praga. Kaprálová iniziò a lavorarci il 29 maggio 1936 e completò il lavoro il 23 febbraio 1937. Dedicò la composizione a Edvard Beneš, presidente della Repubblica cecoslovacca. L'opera fu eseguita per la prima volta dalla Filarmonica Ceca sotto la direzione della stessa Kaprálová, in un concerto organizzato dal Consiglio Nazionale delle Donne nella Sala Lucerna di Praga il 26 novembre 1937. L'anno successivo la Sinfonietta aprì il festival ISCM a Londra. In questa occasione, Kaprálová diresse il lavoro con la BBC Orchestra.

Your free classical podcast this month is Schubert's Trout Quintet played by Monique Lapins, Gillian Ansell, Rolf Gjelsten, Hiroshi Ikematsu and Piers Lane.

Program III Sunday, April 15, 2018, 3:00 p.m. Sarasota Opera House Paganini, Terzetto Concertante in D major, MS 114 Daniel Palmizio, Christine Lee, Jason Vieaux Castelnuovo-Tedesco, Quintet for Guitar and String Quartet in F major, Op. 143 Jason Vieaux, Ruth Lenz, Claudio Cruz, Daniel Palmizio, Erica Piccotti Shostakovich, Piano Quintet in G minor, Op. 57 Federico Agostini, Ruth Lenz, Bruno Giuranna, Antonio Meneses, Derek Han Purchase the music (without talk) at: http://www.classicalsavings.com/store/p1177/La_Musica_54%2F67.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

In this episode, I share with you the conversation I had with Angela Ezeonyeka and Andrew Coleman on their show - The Musician's Toolbox Podcast. With the Musician's Toolbox Podcast, Andrew and Angela aim to equip musicians with the information, inspiration, and imagination to pursue and achieve a career in music.  And they do this by interviewing professionals in the industry and exposing listeners to all facets of a musician's life. We cover a lot of ground in our chat, including mindful and effective practicing, anxiety management, and audition preparation. I had a great time speaking with Angela and Andrew and I hope you find tons of value in our discussion!  And when you're done with the episode, don't forget to head to themusicianstoolboxpodcast.com or search for the musician's toolbox podcast in your favorite podcast player and make sure to check out their wonderful content.   Frustrated with your playing?  Unsatisfied with you career?  Ready for a change? Whatever your challenge, you don't have to go at it alone, and I can help.  Visit www. https://www.mindoverfinger.com/workwithme to learn more and book your call and let's discuss how to get you from where you are to where you want to be!     MORE ABOUT ANGELA, ANDREW, AND THE MUSICIAN'S TOOLBOX PODCAST: Website: https://www.themusicianstoolboxpodcast.com YouTube channel: https://www.youtube.com/channel/UCvFWEGoy67ZiU62tRuNt3iQ?view_as=subscriber Facebook: https://www.facebook.com/themusicianstoolbox Instagram: https://www.instagram.com/themusicianstoolbox/   The vision of Musician's Toolbox is to equip musicians with the information, inspiration, and imagination to pursue and achieve a career in music by finding professionals in the industry, interviewing them, and exposing listeners to all facets of a musician's life. Additionally, Musician's Toolbox will showcase a contemporary composer monthly (or as regularly as possible) to further listeners' understanding and appreciation for contemporary music.     ANGELA EZEONYEKA Angela Ezeonyeka is a multi-faceted musician currently residing in Port Hueneme, CA.  Her formal education began with a Bachelors of Music from Brigham Young University, emphasizing in Viola Performance.  In 2010, she relocated to UCSB to study viola with Helen Callus in her graduate studies which she completed in 2016.  While in her graduate studies, she performed for famous artists including Yo-Yo Ma, Gil Shaham, and members of the Silk Road Ensemble as a member of the Young Artists String Quartet in Residence. Angela's freelance work includes teaching and coaching for Santa Barbara Strings and Santa Barbara Symphony youth education programs, private studio instruction for piano, violin, viola, and beginning cello, studio recording, orchestra gigs with numerous orchestras along the coast, and performing for weddings and special events with the Santa Barbara String Quartet.  Angela has performed on a few television programs like The Amazing Race Season 28 Finale Episode with the String Quartet. From a young age, Angela has been interested in many different genres and styles of music.  This interest makes her adaptable and desirable for recording artists in the studio.  She has recorded on albums in folk, singer-songwriter, reggae, Irish, and Bluegrass.   ANDREW COLEMAN From a young age, Andrew Coleman has always loved music. As an 18-month-old, young Andrew sat unmoving while his aunt's student played "Rhapsody in Blue" during a masterclass. Just a few years later at the ripe age of 4, Andrew gave his full attention to a family rehearsal of Schumann's Piano Quintet in E-Flat Major. Starting at age 6, Andrew began learning the piano from his grandma. From family reunions, to living rooms, to funerals, music is an essential piece that not only makes up a part of Andrew, but the entire family. Most of Andrew's years developing his career as a musician are in front of him; yet, his beginning years are still full of achievement. Through his childhood and teenage years, Andrew developed a love for the piano, and Andrew is currently studying with Sue Miller at the College of Southern Idaho and will graduate in May 2021. In October of 2018, he performed with the Magic Valley Symphony. At the beginning of his college years, he was a part of many ensembles at the College of Southern Idaho including, CSI Honors Chamber Quintet and Magic Valley Chorale. During the 2020 pandemic and shutdown, Andrew and cousin Michael produced an online senior recital. Andrew also competed, and won, in the 2020 international at-home-edition of #PlaywithRay. Recently, Andrew co-founded "Musician's Toolbox" with his cousin, Angela Ezeonyeka, whose goal is to equip musicians with the tools to achieve a career in music.     Join the Mind Over Finger Tribe for access to my weekly live videos and to exchange with a community of like-minded musicians!   Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights!   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support!     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

This week, Carl moves away from Orchestral Music and focuses on a pinnacle of Romantic era Chamber Music by Johannes Brahms.

This week, we start out with a rousing round of Two Truths and a Lie and then we move on to our three topics:THE EASTERN EUROPEAN RECORDING INDUSTRY AND FAR RIGHT POLITICSThe trailer to Dinesh D'Souza's “Trump Card: The Movie” featuring Debbie D'Souza and the Budapest Scoring Orchestra Will's blog post about recording in OstravaWill's vlog about the sameLISTENER FEEDBACKMusic Suggestions for Kensho's WeddingThe Lark Ascending Make Our Garden Grow Knee Play 5 Will orchestras keep the pace of change?Jessie Montgomery in the NYT THE COVID OUTBREAK AT THE MARIINSKY THEATERRussian Ballet Returned to the Stage. Then a Covid Outbreak Hit. (NYT)Valery Gergiev Wants to Make Music, But the West Brings Up Putin (LAT)CLASSICAL MIXTAPEThe full playlistTiffanyAnatoly Lyadov, KikimoraWillBoris Lyatoshynsky, Piano Trio No. 2KenshoDohnányi, Piano Quintet, mvmt. 3THINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” GET A COPY OF ALEX ROSS'S WAGNERISM FOR OUR BOOK CLUBWe start with the Prelude, and Chapters 1 & 2 next weekYou can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

Lucy Parham recommends recordings of Brahms's Piano Quintet in F minor, Op. 34

Le vendredi à 11h30, retrouvez Patrick Leterme dans la séquence "Ce N'est Pas Tout"

Le vendredi à 11h30, retrouvez Patrick Leterme dans la séquence "Ce N'est Pas Tout"

For more information on Linda Catlin Smith please visit her website.During the talk, Linda reference Faure's Piano Quintet it can be heard on Youtube Linda mentioned Morton Feldman's works For Philip Guston and String Quartet #2. They can be heard on Apple Music here and hereNorm and Barbara made a concert recording of Linda's piece Ballad which you can listen to on Soundcloud

This episode of Spoleto Backstage rounds out Geoff Nuttall’s list of top Spoleto Festival chamber performances from the past decade with a 2011 program featuring Franz Schubert’s Piano Quintet in A major, D. 667—better known as the “Trout” Quintet. As Geoff shares with Bradley Fuller in a conversation before the music begins, this sparkling chamber work gets both its nickname and the musical material for its theme-and-variations fourth movement from a catchy lied or art song Schubert wrote two years prior: “Die Forelle” (“The Trout”), op. 32, D. 550. Baritone Tyler Duncan performs this lied just before pianist Pedja Muzijevic joins string players Hsin-Yun Huang, Christopher Costanza, Anthony Manzo, and Geoff himself for the quintet it inspired. The concert opens with Niccolò Paganini’s fiendishly-difficult Moses Fantasy for cello and piano, a work based on an operatic aria by Gioachino Rossini and allegedly shaped by its composer’s prison sentence.

This episode of Spoleto Backstage showcases a 2012 chamber series program bookended by late Romantic American works. Opening with Arthur Foote’s A Night Piece , the concert also features Joseph Haydn’s Symphony No. 101 in D Major, “The Clock” (arr. Salomon) before concluding with Amy Beach’s Piano Quintet in F-sharp minor, Op. 67. Geoff Nuttall and Bradley Fuller talk about the selections and the backgrounds of those who wrote them ahead of the music itself. Following the concert, Bradley speaks with countertenor Anthony Roth Costanzo about his recent engagements, from performing in the lead role of the Metropolitan Opera’s 2019-20 production of Philip Glass’s opera Akhnaten to keeping busy with a variety of projects which don’t involve performing before a live, in-person audience. Anthony also shares about his beginnings as a singer and how he envisions the future of the countertenor repertoire.

In this episode of Spoleto Backstage , Geoff Nuttall introduces Bradley Fuller to another of the most memorable Spoleto Festival USA chamber music programs from the past decade. This 2016 concert includes moving arias by Handel (with countertenor Anthony Roth Costanzo performing), an expressive keyboard sonata by CPE Bach, and César Franck’s intensely passionate Piano Quintet in F minor. Following the performance, Bradley speaks with violist, educator, and intended composer-in-residence for the 2020 chamber music series Jessica Meyer. A recording of Meyer’s Seasons of Basho—a work slated for performance in the chamber series—comes after their conversation.

Today's episode of the Phenomenal 50 features the Piano Quintet in G-minor by Sergei Taneyev performed by pianist Wu Han and the Escher String Quartet (violinists Adam Barnett-Hart and Aaron Boyd, violist Pierre Lapointe, and cellist Dane Johansen) on March 18, 2014 in Alice Tully Hall.

On this week's episode of the Phenomenal 50 we present the Piano Quintet in E-flat major, Op. 44 by Robert Schumann performed by pianist John Browning and the Guarneri String Quartet (violinists Arnold Steinhardt and John Dalley, violist Michael Tree, and cellist David Soyer) from March 1, 1974.

Today we’re chatting improv and Adès with the Vonnegut Collective. An enjoyably Coronavirus-free interview recorded back in March with a healthy dose of silliness and fun to complement the deep thoughts on what makes a good piece, and the place of improvisation in music education. Vonnegut Collective - https://vonnegutcollective.co.uk/ Links and Show Notes Omer Meir Wellber Remix Ensemble Frank Zappa - The Yellow Shark - Intro Rem Koolhaas architect As Gemma won’t give us her favourite Dire Straits song, here’s Spotify’s Django Bates Markus Stockhausen Cornelius Cardew Scratch Orchestra John Stevens - Search & Reflect Iceberg https://vonnegutcollective.co.uk/projects/thomas-ades-tullis-rennie/ Adès Piano Quintet score (check out the sorta uncoupled piano in the first movement) Tullis Rennie - Muscle Memory (it’s really cool) Rate us on iTunes - it really helps! Subscribe to the mailing list for new episode notifications

Lots of parents now have kids at home, in need of schooling. A friend of Jay's asked him, “Could you put together a little program for my kids?” Here it is: Bach, Mozart, Brahms, Chopin, and worthy others. A neat, balanced smattering. For “kids” of all ages. Tracks played: Bach, Prelude in C major, Book I, “The Well-Tempered Clavier” Chopin, Etude in C major, Op. 10, No. 1 Mozart, Twelve Variations on “Ah, vous dirai-je, Maman” Brahms, “Wie Melodien zieht es mir” Wagner, Prelude, Act III, “Lohengrin” Puccini, “Addio, mio dolce amor,” from “Edgar” Debussy, “Reflets dans l'eau” Turina, “Zapateado” Shostakovich, Scherzo, Piano Quintet in G minor Lowry, arr. Copland, “At the River”

060 Marc-André Hamelin: Musical Offering In this episode, I discuss with international piano soloist and composer Marc-André Hamelin! Among many other topics, we discuss his philosophy about performing, how he approaches solving problems, the wonderful reason he prefers to play by memory, how important curiosity has been in his career, and the importance of living a full life and be exposed to culture. Marc-André also elaborates on: The practicing habits he had at a young age The importance of developing the aptitude to solve problems of becoming your own teacher His advice on memorization Score or no score, that is the question His simple practice “priming” His current interest in Faure's music and how he dives in the topic His favorite tool in the practice room: the score! His idea of the ideal concert: you will all agree with him! Why he strongly believes in practicing slowly Marc-Andre is an incredible artist and human being and I am so very happy and honored to have him on the podcast today! I know that you'll be inspired by his insight and wisdom!     Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday!  Find it here: www.mindoverfinger.com/resources!   And join the Mind Over Finger Book Club in the Tribe!  We meet HERE, and we'll begin 2020 with The Inner Game of Golf by Tim Gallwey!   Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW!  GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!!     MORE ABOUT MARC-ANDRÉ: Website: https://www.marcandrehamelin.com/   YouTube: Click here to catch amazing performances and interviews with Marc-André Facebook: https://www.facebook.com/marcandrehamelinpiano/   “A performer of near-superhuman technical prowess” (The New York Times), pianist Marc André Hamelin is known worldwide for his unrivaled blend of consummate musicianship and brilliant technique in the great works of the established repertoire, as well as for his intrepid exploration of the rarities of the 19th, 20th, and 21st centuries – in concert and on disc – earning him legendary status as a true icon of the piano. Mr. Hamelin begins the 19/20 season performing the Brahms Piano concerti with the Orchestre Métropolitain and Yannick Nézet-Séguin at Le Festival de Lanaudière, and the world premiere of Ryan Wigglesworth's piano concerto at the BBC Proms, led by the composer. Other summer appearances include recitals at the Schubertiade, Helsingborg Piano Festival, Mänttä Music Festival, Domaine Forget, Orford Music Festival, the Newport Music Festival, and at the Rosendal Chamber Music Festival with friend and regular collaborator, Leif Ove Andsnes. Recital appearances this season include a return to Carnegie Hall's Stern Auditorium/Perelman Stage on the Great Artists Series. He also performs at Wigmore Hall, the George Enescu Festival, Ascona (Switzerland), Prague, Munich, Alte Oper Frankfurt, Stuttgart, Moscow State Philharmonic, at the Elbphilharmonie for the Husum Rarities of Piano Music Festival, Monte Carlo, and the Heidelberg Festival, among other dates. Mr. Hamelin is the inaugural guest curator for Portland Piano International, where he opens the season with two solo recitals. He returns to San Francisco Performances – a series with whom he has a long and deeply supportive artistic relationship – as a Perspectives Artist for their 40th Anniversary Season, performing a solo recital; Die Winterreise with tenor Mark Padmore; and the world premiere of his own Piano Quintet, commissioned by SFP and performed by himself and the Alexander String Quartet. An exclusive recording artist for Hyperion Records, in 19/20, Hyperion releases two albums by Mr. Hamelin – one a solo disc and the other with the Takács Quartet. He recently released a disc of Schubert's Piano Sonata in B-Flat Major and Four Impromptus; a landmark disc of Stravinsky's The Rite of Spring and Concerto for Two Pianos with Leif Ove Andsnes; Morton Feldman's For Bunita Marcus; and Medtner's Piano Concerto No. 2 and Rachmaninov's Piano Concerto No. 3 with the London Philharmonic Orchestra and Vladimir Jurowski. His impressive Hyperion discography of more than 60 recordings includes concertos and works for solo piano by such composers as Alkan, Godowsky, and Medtner, as well as brilliantly received performances of Brahms, Chopin, Liszt, Schumann, and Shostakovich. He was honored with the 2014 ECHO Klassik Instrumentalist of Year (Piano) and Disc of the Year by Diapason Magazine and Classica Magazine for his three-disc set
of Busoni: Late Piano Music and an album of his own compositions, Hamelin: Études, which received a 2010 Grammy nomination and a first prize from the German Record Critics' Association. Mr. Hamelin was a distinguished member of the jury of the 15 th Van Cliburn International Piano Competition in 2017 where each of the 30 competitors in the preliminary round performed Hamelin's Toccata on L'Homme armé; this was the first time the composer of the commissioned work was also a member of the jury. Mr. Hamelin has composed music throughout his career, with nearly 30 compositions to his name. The majority of those works – including the Études and Toccata on L'Homme armé – are published by Edition Peters. Mr. Hamelin makes his home in the Boston area with his wife, Cathy Fuller. Born in Montreal, Marc-André Hamelin is the recipient of a lifetime achievement award from the German Record Critics' Association and has received seven Juno Awards and eleven GRAMMY nominations. He is an Officer of the Order of Canada, a Chevalier de l'Ordre du Québec, and a member of the Royal Society of Canada.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

The Kotuku Quintet returned to the stage this year with a programme that featured two little-known works for piano quintet from the Romantic era. Frank Bridge’s Quintet in D minor, and Enrique Granados’ Quintet in G minor. The English composer Frank Bridge (1879-1941) was widely respected as a teacher, composer, violist and conductor. His Quintet has been described as ‘a high-point of post-romantic English music’. Today it is hardly known but this fresh, enjoyable, moving work is well deserving of greater popularity. Spanish composer Enrique Granados (1867-1916), dubbed by some as the ‘Spanish Grieg’, wrote his Piano Quintet in G minor fairly early in his career and is one of only a handful of chamber works that he wrote. His distinctly Spanish style of classical music can be heard in the second movement, Allegretto, with the suggested strumming of a guitar, accompanying a melancholy song beautifully evocative of a lazy afternoon in the sun.

Donald Macleod explores the music of Johannes Brahms through his close relationships. Brahms was a deeply private man and very guarded about his life, his friends and his feelings. Across this week, Donald goes “Behind Closed Doors” with Brahms to discover what really made him tick. He finds friends, mentors and lovers along the way who together help solve the enigma of the composer. We’ll hear about Brahms’s doomed early romance with a young singer, Agathe von Siebold, plus his lifelong friendships with Robert, and particularly Clara Schumann - probably the person he was closest to in his life. Donald explores the music written for some of the women he knew intimately, and why he sought solitude and how it came to influence his music. Throughout his life, there was a great expectation placed on Brahms’s shoulders. We end by looking at how that shaped his character and music. Music featured: Sonata No 3 in F minor, Op 5 (4th movement) Lieder & Romanzen, Op 14 (No 4, Ein Sonett & No 7, Ständchen) Piano Concerto No 1 in D minor, Op 15 (1st movement) Ave Maria, Op 12 String Sextet No 2 in G, Op 36 (1. Allegro non troppo) 2 Gavottes, WoO 3 (Nos 1 and 2) Piano Sonata No 1 in C major, Op 1 (1. Allegro) 6 Songs, Op 3 (Nos 2 and 3) Piano Quartet, Op 25 (3rd and 4th movements) String Sextet No 1in B flat major, Op 18 (2nd movement) Piano Quintet in F minor, Op 34A (1st movement) Rhapsody in B minor, Op 79 No 1 6 Songs, Op 7 (Nos 2 -5) Variations in E flat on a Theme by Schumann (Nos 8-11) Alto Rhapsody, Op 53 16 Waltzes, Op 39 (Nos 1-4) Cello Sonata No 1 in E minor, Op 38 (3rd movement - Allegro) Klavierstücke, Op 76 (No 7 - Intermezzo in A major; No 8 - Capriccio in C major) Violin Sonata No 2, Op 100 (1st movement: Allegro amabile) Nanie, Op 82 Piano Concerto No 2 in B flat major, Op 83 (3rd movement - Andante) Serenade No 1 in D major, Op 11 (2nd movement) Piano Sonata No 2 in F sharp minor, Op 2 (4th movement) Vier ernste Gesänge, Op 121 (Nos 3 and 4) Ein Deutsches Requiem [A German Requiem], Op 45 (2nd and 3rd movements) Presented by Donald Macleod Produced by Glyn Tansley for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johannes Brahms. https://www.bbc.co.uk/programmes/m000cb1x And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Renowned conductor and pianist Jeffrey Kahane joins forces with Austin's Miró Quartet to perform Dvořák’s "Piano Quintet in A Major" after the Quartet tackles Dvořák’s "Cypresses and Schumann’s Quartet in A Minor" on their own.

Ivan Hewett recommends recordings of Shostakovich's Piano Quintet in G minor

프랑크 피아노 5중주 op.14 스비아토슬라프 리히터 (피아노) 보로딘 쿼텟 1984

Donald Macleod explores the strange, brilliant and occasionally nightmarish world of the Soviet composer Alfred Schnittke. The music of Alfred Schnittke (1934-1998) is like being lost in a hall of mirrors. Staring back at you is the whole of music history - from Bach to modern pop via tangos, Soviet work songs, Gregorian chant and Viennese waltzes - refracted and distorted, and woven together to create a uniquely personal style. Thrilling, grotesque, occasionally nightmarish - Schnittke creates a world where everything has a hidden meaning. Beethoven's Fifth suddenly springs terrifyingly out of the darkness in the midst of an otherwise chaotic symphony. Or a cheap Russian pop song appears inexplicably amidst a Baroque chorale. Schnittke's world of suppressed meanings perfectly captured life under the cosh of Soviet Communism. All this week, Donald Macleod unpicks the strands of a musician often seen as the heir to Shostakovich - and perhaps the last truly great composer of the 20th century. Donald begins by exploring the connections - musical, psychological and spiritual - between Alfred Schnittke and the great titan of Soviet music, Dmitri Shostakovich. He then unravels the term "polystylism", which Schnittke himself coined to describe his fusing of wildly eclectic styles - from Bach to pop to hypermodernism to Tchaikovsky. We hear about Schnittke’s intense fame in the 1970s, and how his turn to a deeply devout musical style shocked the avant-garde and won him a whole new spectrum of admirers. Donald takes us through Schnittke’s most rollicking and significant year – 1985 – which saw the creation of five acknowledged masterpieces and the first of several crippling strokes. Seemingly, Schnittke’s mortality drove him to create ever more shattering music in his final years - to compose to the very bitter end, in the face of almost unimaginable physical challenges. Music featured: Concerto Grosso No 1 (arr. for flute, oboe, harpsichord, prepared piano and strings) (2nd mvt) Violin Concerto No 1 (2nd mvt) Piano Quintet (2nd mvt - "In Tempo Di Valse") Violin Sonata No 1 Symphony No 1 (2nd mvt) The Cloak (Gogol Suite) Concerto Grosso No 3 Voices Of Nature Schnittke, arr Boguslavsky Suite In The Old Style Hymn No 3, for cello, bassoon, harp, harpsichord and tubular bells Complete This Work Which I Began (Choir Concerto - 4th mvt) Gloria - Credo - Crucifixus (Symphony No 2 "St Florian") O Master Of All Living (Choir Concerto - 1st mvt) When They Beheld The Ship That Suddenly Came; If You Wish To Overcome Unending Sorrow; I Entered This Life Of Tears A Naked Infant (Psalms Of Repentance) Moz-Art A La Haydn Viola Concerto (1st & 2nd mvts) Concerto Grosso No 4 / Symphony No 5 (2nd mvt) Doctor Faustus lamented and wept...It came to pass (Faust Cantata) Menuet, for violin, viola and 'cello Stille Nacht Symphony No 6 (3rd & 4th mvts) Piano Sonata No 1 For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Schnittke: https://www.bbc.co.uk/programmes/b0bcpr22 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z Presenter: Donald Macleod Producer: Steven Rajam for BBC Wales

In today's lecture, CMS Resident Lecturer, Bruce Adolphe, dives in to the Piano Quintet in F minor, Op. 34 by Johannes Brahms. Featuring music performed by the Amphion String Quartet and pianist Michael Brown.

Richard Morrison recommends recordings of Dvorak’s Piano Quintet No. 2 in A Major, Op 81

Program III Sunday, April 15, 2018 3:00 p.m. Sarasota Opera House Paganini, Terzetto Concertante in D major, MS 114 Daniel Palmizio, Christine Lee, Jason Vieaux Castelnuovo-Tedesco, Quintet for Guitar and String Quartet in F major, Op. 143 Jason Vieaux, Ruth Lenz, Claudio Cruz, Daniel Palmizio, Erica Piccotti Shostakovich, Piano Quintet in G minor, Op. 57 Federico Agostini, Ruth Lenz, Bruno Giuranna, Antonio Meneses, Derek Han ~ James P. Roque, SunTrust Private Wealth Management, Corporate Season Sponsor ~ Herald-Tribune Media Group, Media Season Sponsor Single concert price: $40.00 Order now at: https://www.lamusicafestival.org/index.php/festival/concerts

Elgar composed little chamber music, which makes his "Piano Quintet" a rare gem. The piece, composed at the very end of Elgar's career, features both an unusual combination of instruments and a wide range of sharply-contrasting moods. The result is a sort of elegant tension that stands apart from other works by this normally reserved composer. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 33143]

Elgar composed little chamber music, which makes his "Piano Quintet" a rare gem. The piece, composed at the very end of Elgar's career, features both an unusual combination of instruments and a wide range of sharply-contrasting moods. The result is a sort of elegant tension that stands apart from other works by this normally reserved composer. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 33143]

In today's lecture, Bruce Adolphe examines composer Edward Elgar's classical music masterpiece, his Opus 84 Piano Quintet in A minor. Performances by the Amphion String Quartet and pianist Gilbert Kalish.

Episode 10 - Pacifica Quartet / Brahms Piano Quintet Schumann String Quartet No. 1 by Cedille Records

Ronan O’Hora, Head of Advanced Performance and Keyboard Studies, and Matthew Jones, Acting Head of Chamber Music, join us to talk about the upcoming Chamber Masters concert here at the Guildhall School. We discuss the concert itself, performing alongside colleagues, and the constant learning experience that is live performance. Ronan and Matthew will be performing two masterful chamber works - Dvořák’s Piano Quintet and Beethoven's Ghost trio - alongside alongside Guildhall School colleagues Andras Keller and Pablo Hernan Benedi on violin and Louise Hopkins on cello in a special concert as part of our Faculty Artist series. The Chamber Masters concert will take place in the Milton Court Concert Hall at 7:30pm on Monday 31 October. Tickets are available from the Barbican Box Office (https://www.barbican.org.uk/music/event-detail.asp?ID=20061). Follow us on Twitter (twitter.com/guildhallschool) and check out our website (www.gsmd.ac.uk) to stay up to date with all the events and news from the Guildhall School. Intro and outro music is Little Lily Swing by Tri-Tachyon, licenced under Creative Commons CC BY 4.0 (http://freemusicarchive.org/music/Tri-Tachyon/Little_Lily_Swing/Tri-Tachyon_-_01_-_Little_Lily_Swing)

선곡표 1.Mozart -피아노 소나타 12번 F장조 KV332 중 2mov. Adagio 2.Schubert - 피아노 5중주 `송어` Piano Quintet in A Major D. 667 4. Andantino 3.조플린 -The easy Winner 4.드뷔시 - 어린이 차지 Children's Corner - Serenade to a Doll 5.Chopin - 화려한 대왈츠 6.Schubert -바이올린 소나타 A장조 D574 중 1mov. Allegro moderato 7.R. Strauss -바이올린 소나타 E플랫장조 op.18 중 1mov. Allegro ma non troppo 8.Tchaikovsky -바이올린협주곡 D장조 op.35 중 1mov. Allegro moderato 9.브루흐 콜 니드라이 - Op.47

Transcript -- The final movement of Schubert’s Piano Quintet in A major, D. 667, known as the Trout quintet. The performance was filmed at the Royal Northern College of Music in Manchester and features Siobhan Doyle (violin), Kimi Makino (viola), Christopher Mansfield (cello), Filipe Dandalo (double bass) and Jeremy Young (piano).

The final movement of Schubert’s Piano Quintet in A major, D. 667, known as the Trout quintet. The performance was filmed at the Royal Northern College of Music in Manchester and features Siobhan Doyle (violin), Kimi Makino (viola), Christopher Mansfield (cello), Filipe Dandalo (double bass) and Jeremy Young (piano).

Uncover the stifled history behind Bartok's youthful, Brahms-inspired Piano Quintet, which will be performed by the Budapest Festival Orchestra Soloists at the Queen's Hall on Friday 14 August.

Highlights from the music of composer Robert Schumann, including excerpts from the piano concerto, Kinderszenen, the Piano Quintet, the Symphony #3 and Arabeske.  Performers include: Arthur Rubinstein , Arturo Toscanini, Albert Cortot and Myra Hess.

Onyx Chamber Players, James Garlick, Meg Brennand, David White, Laurel Wells, and Mel Butler play Brahms Piano Quintet in F Minor: Scherzo: Allegro. Filmed at a live concert at Daniels Recital Hall in Seattle. Episode 278.This clip is part of a full episode that will air on Seatte Community Media in Seattle at 6:30 pm Thursday, Sunday at 2:30 am and Tuesdays at 3:30 pm. (Comcast channel 77 or Broadstripe channel 23). You can view it on the above channels, or online at www.seattlecommunitymedia.org.It also airs throughout New York State on Time Warner Cable, and in several other States and Cities - including New York and New York City, Atlanta, Dallas, Denver and Baltimore, on the Cable Access channel.

1 - "Scherzo" do/from "Quinteto com piano em Mi bemol maior/Piano Quintet in E flat major, Op. 44"(Schumann). Quarteto Osesp. Ricardo Castro, piano. 2 - "September Song" (Kurt Weill). Lina Nyberg, voz/voice. 3 - "Adagio" do/from "Concerto para piano/ Piano Concert N.2" (Rachmaninov). Arnaldo Cohen, piano. Orquestra Sinfônica do Estado de São Paulo/São Paulo Symphony Orchestra. John Neschling, regente/conductor. 4 - Canto do bicudo/ Brazilian birdcall 5 - "Curva de Vento" (Rivotril). Rivotril.

Performed by: The Jupiter String Quartet and Kevin Loucks, piano. Part of the Chamber Music Residency for Pre-Formed Ensembles, this concert was recorded by Piper Payne and Jeremy Van Slyke.

Webern: Two Early Pieces for Cello and Piano Brahms: Piano Quintet in F minor, Op. 34Today’s podcast pairs two composers who seem rather different: Anton Webern and Johannes Brahms. Webern’s Two Early Pieces was written in 1899, when the composer was just 15 years old, and is believed to be his very first composition. But the pair of slow movements sound not at all like Webern’s sparsely orchestrated, mostly atonal later works. Brahms had a bit more experience under his belt when he wrote his Piano Quintet in F minor, but it’s still considered a relatively early work. Clara Schumann consulted with Brahms on the many drafts of this piece, which began its life first as a string quartet and then as a two-piano sonata. The result still preserves a sort of satisfying youthful impetuousness, with passionate themes and bold harmonic transitions, if not as much of the formal structure and counterpoint that would characterize Brahms’s later work.

Vivaldi: Flute Concerto, Op. 10, No. 1Dvořák: Piano Quintet in A Major, Op. 81The first piece on today’s program falls into the category of “program music,” meaning that the notes follow a set “program” or story. And this music delivers: full of vigorous, rushing passages and endless motion, conjuring a storm-tossed ocean. Dvorak’s piano quintet, on the other hand, evokes many emotions without giving name to any of them. Actually his second quintet—he was reputedly dissatisfied with his first—the piece has won a place among the most-loved Romantic-era quintets, and it’s easy to hear why. Warm, lush melodies, colorful Eastern European elements and delicious rhythms—two against three, three against four—make it a great piece to sink your teeth into, even without a storyline.