Podcasts about Piano quartet

On this week's episode of Inside the Music, Artistic Director of Capital Region Classical Derek Delaney explores Felix Mendelssohn's early works with live CRC performance by the Ébène Quartet and pianist Pei-Yao Wang and friends.Piano Quartet in C Minor, Op. 1AdagioScherzo: PrestoAllegro moderatoPei‐Yao Wang, piano; Carmit Zori, violin; Eric Nowlin, viola; Sophie Shao, cello[2/14/2010 performance]Quartet in A Minor, Op. 13Adagio non lentoIntermezzo: Allegretto con moto—Allegro di moltoPresto—Adagio non lentoÉbène Quartet [11/13/2014 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

DescriptionFelix Mendelssohn: The Wunderkind Who Composed with Spark & Soul in 60 Seconds. Take a minute to get the scoop!Fun FactFelix Mendelssohn's first known composition, a *Piano Quartet in C minor*, was completed when he was just 13 years old. Written in 1822, this ambitious work already showed remarkable maturity, blending classical elegance with hints of youthful intensity. It was one of many early pieces that demonstrated Mendelssohn's exceptional talent and foreshadowed his future as a celebrated composer. His sense of structure, melodic grace, and expressive depth made even his earliest compositions stand out.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Donald Macleod & Dr Jennifer Martyn explore the remarkable, tragic story of gifted violinist and composer, Amanda Maier Amanda Maier was one of the 19th century's most brilliant musicians, yet whose story was almost lost to history. Born in the small Swedish town of Landskrona, her virtuoso talent at the violin saw her rise to become one of Europe's most in-demand performers: giving private and public concerts of major works by Brahms, Mendelssohn, and Bruch, as well as her own dazzling compositions. Maier was a friend of Grieg, Brahms, Clara Schumann and Ethel Smyth and her music was reviewed in newspapers across Europe. Tragically, ill health would see her pass away at the age of just 41 and her musical legacy slowly forgotten. This week, Donald Macleod is joined by musicologist and violinist Dr Jennifer Martyn to celebrate Amanda Maier's life and work - with performances of all her extant compositions alongside works by key figures in her life, including Edward Grieg, Carl Reinecke and Maier's husband, Julius Röntgen, with whom she enjoyed a close and loving relationship in music and in life.Music Featured:Violin Sonata in B minor (3rd mvt) Preludes in E major, G sharp minor, and E flat major Violin Sonata in B minor (2nd mvt) Den sjuka flickans sång (“Song of a sick girl”) Carl Reinecke: Symphony No 2 “Hakon Jarl” (1st mvt) Piano Trio in E flat major (3rd and 4th mvts) Aftonklockan (“The Evening Clock”) Violin Sonata in B minor (1st mvt) Julius Röntgen: Serenade for Wind No 1, Op 14 (1st mvt) Piano Trio in E flat major (2nd mvt) Violin Concerto in D minor Sången (“Song”) Nine Pieces for violin and piano Piano Trio in E flat major (1st mvt) Karol Lipinski: Violin Concerto No 2 “Militaire” (2nd mvt) Nacht-mittags Potpourri (St Nicholas-Schwank) St Nicholas-Schwank (excerpt) String Quartet in A minor (2nd and 3rd mvts) Grieg: Sarabande (Holberg Suite) Swedish Tunes and Dances Allegretto (Zwiegespräche) Piano Quartet in E minor (1st and 2nd mvts) Brahms: Violin Sonata No 3 (1st mvt) Zwiegespräche (excerpts) Piano Quartet in E minor (3rd and 4th mvts)Presented by Donald Macleod Produced by Steven Rajam for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Amanda Maier-Röntgen (1853-1894) https://www.bbc.co.uk/programmes/m001zmwn And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

SynopsisOn today's date in 1880, a quartet for piano and strings was premiered in Paris, with its composer, 24-year-old Gabriel Fauré, at the keyboard. Now in 1880, many Parisians knew two things about Fauré: first, that he was a talented pupil of Camille Saint-Saens; and second, that he had been engaged for years to Marianne Viardot, the daughter of legendary French singer Pauline Viardot-Garcia, and that Marianne had suddenly broken off the engagement, leaving the young man heartbroken.French pianist Marguerite Long described the quartet's slow movement as “the sorrowful echo of the breakup of Fauré's engagement with Marianne Viardot,” reporting she could not hold back her tears when she once performed the work with Fauré turning pages for her.But Faure's friend and biographer Émile Vuillermoz would dismiss the suggestion with a loud French snort, protesting that “Fauré's reserve always prevented him from following the example of Romantic artists who allowed the whole world to witness their personal frustrations. … He would never have allowed his private feelings to become a public spectacle!”In any case, Fauré's first Piano Quartet is now regarded as one of his early masterpieces, so perhaps it's both: a breakup and break-away work.Music Played in Today's ProgramGabriel Fauré (1845-1924): Piano Quartet No. 1 (Domus Ensemble) Hyperion 66166

Marina Frolova-Walker chooses her favourite version of Schumann's Piano Quartet, Op.47

This episode features a piano quartet from Fresno State, performing music by Joaquin Turina and Ernst Dohnanyi. They are Jackson Snead (violin), Melissa McGlumphy (viola), Emma Hill (cello), and Alina Xiong (piano).

Beethoven gradually transformed. The original is a 1938 Columbia recording of the Rondo from Piano Quartet in E flat major, op 16, performed by Robert Schmitz & the Roth Quartet, chosen at random & downloaded from the Internet Archive. More on this 584th weekly Disquiet Junto project, Generations (The Assignment: Bridge a gap in your musical taste), at: https://disquiet.com/0584/ More on the Disquiet Junto at: Disquiet Junto F.A.Q. – Disquiet Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/ Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0584-generations/

On this week's lecture, resident lecturer Bruce Adolphe discusses Fauré's Quartet No. 2 in G minor for Piano, Violin, Viola, and Cello, Op. 45. Featuring a performance by Michael Stephen Brown, piano; Danbi Um, violin; Matthew Lipman, viola; Nicholas Canellakis, cello.

In this episode, the show host fangirls over lecanemab and the very recent, very exciting Alzheimer's disease development it has brought, to the sound of Elfrida Andrée's Piano Quartet in A minor.

This week, we start out with a rousing round of Game of Pairs and then we move on to our three topics:PHILLY'S SCOTTISH COVID FLAPPhiladelphia Orchestra to chorus: Put on masks. Chorus to orchestra: We're out of here.VIVALDI'S WOMENhttps://open.spotify.com/album/7J5O8SUo6i75aN1ULdK2vQ?si=YNEqjzGBSryWXvLpnUTZKwRADIO QUOTASQuotas Should Be Introduced On Classical Music Radio Stations As Well As Concerts, Says BBC PresenterCLASSICAL MIXTAPEThe full playlistMaggieAdam Wakeman, A Handful of MemoriesTiffanyDvorak, Symphony No. 6WillHowells, Piano Quartet in A minorTHINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

DescriptionAaron Copland was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Take a minute to get the scoop!Fun FactDuring the late 1940s, Copland became aware that Stravinsky and other fellow composers had begun to study Arnold Schoenberg's use of twelve-tone (serial) techniques. After he had been exposed to the works of French composer Pierre Boulez, he incorporated serial techniques into his Piano Quartet (1950), Piano Fantasy (1957), Connotations for orchestra (1961) and Inscape for orchestra (1967). Unlike Schoenberg, Copland used his tone rows in much the same fashion as his tonal material—as sources for melodies and harmonies, rather than as complete statements in their own right, except for crucial events from a structural point of view.About Steven, HostSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show

Today I'm going to be talking about one piece, but in two different ways.  I'm going to start today with an in-depth look at Brahms' Piano Quartet in G Minor, an early piece of his that reveals an incredible sense of drama, drive, and creativity. This is very different music than I've talked about before with Brahms as this is decidedly the work of a young composer, without all the burnished maturity of Brahms' later music. This is also a great opportunity to revisit the bedrock of the Classical and Early Romantic eras, Sonata Form, a form that makes so many pieces from those eras intelligible and clear.  But I'm also going to be talking about another piece. Well, it's the same piece, but to some people, it sounds so completely different that it constitutes a completely new piece entirely. To some others, myself included, it almost constitutes an entirely new Brahms symphony. What I'm talking about is the composer Arnold Schoenberg's arrangement of Brahms's Piano Quartet for a massive orchestra, filling the stage with instruments that Brahms never would have even conceived of! You don't often think of Schoenberg and Brahms in the same breath, but Schoenberg was a devotee of Brahms' music, and often defended him against those who called him a crusty old conservative composer. But Schoenberg was still Schoenberg, and this arraangement of the quartet reflects that in a lot of ways. So along with an exploration of Sonata Form, I'll save a look at the Schoenberg arrangement for the end of th show, since this is a great chance to look at orchestration and how a composer takes a piece written for 4 people and transforms it into a piece for 100. So today we'll dive into this vast and complex piece, and along they way we'll visit Schoenberg's fascinating and sometimes downright wacky arrangement.  Join us!

The acclaimed Norwegian pianist Leif Ove Andsnes joins us to talk about the second album release in his Mozart Momentum project, which documents the genius of Wolfgang Mozart by focusing on touchstone years in the composer's life (in this case, 1786). Performing with the Mahler Chamber Orchestra, Leif Ove presents a beautiful portrait during the years in which Mozart's writing for the piano was at its most revolutionary, creative and game-changing (a creativity also evidenced by his landmark opera The Marriage of Figaro, which dates from the same year). Released by Sony Classical, the album includes Mozart's Piano Concertos Nos. 23 & 24, Piano Quartet in E-flat major, Piano Trio in B-flat major and Recitative and Aria Ch'io mi scordi di te? featuring Mozart specialist (and wonderful soprano) Christiane Karg.

The acclaimed Norwegian pianist Leif Ove Andsnes joins us to talk about the second album release in his Mozart Momentum project, which documents the genius of Wolfgang Mozart by focusing on touchstone years in the composer's life (in this case, 1786). Performing with the Mahler Chamber Orchestra, Leif Ove presents a beautiful portrait during the years in which Mozart's writing for the piano was at its most revolutionary, creative and game-changing (a creativity also evidenced by his landmark opera The Marriage of Figaro, which dates from the same year). Released by Sony Classical, the album includes Mozart's Piano Concertos Nos. 23 & 24, Piano Quartet in E-flat major, Piano Trio in B-flat major and Recitative and Aria Ch'io mi scordi di te? featuring Mozart specialist (and wonderful soprano) Christiane Karg.

The acclaimed Norwegian pianist Leif Ove Andsnes joins us to talk about the second album release in his Mozart Momentum project, which documents the genius of Wolfgang Mozart by focusing on touchstone years in the composer's life (in this case, 1786). Performing with the Mahler Chamber Orchestra, Leif Ove presents a beautiful portrait during the years in which Mozart's writing for the piano was at its most revolutionary, creative and game-changing (a creativity also evidenced by his landmark opera The Marriage of Figaro, which dates from the same year). Released by Sony Classical, the album includes Mozart's Piano Concertos Nos. 23 & 24, Piano Quartet in E-flat major, Piano Trio in B-flat major and Recitative and Aria Ch'io mi scordi di te? featuring Mozart specialist (and wonderful soprano) Christiane Karg.

Mozart composed many combinations for the piano and strings, trios, quartets, and quintets. In this Program, we explore the Quartet for Piano and Strings #1

Leif Ove Andsnes and the Mahler Chamber Orchestra follow their “triumphant” (Gramophone), “sparkling” (New York Times), and award-winning Mozart Momentum 1785 release with its partner album, focusing on the composer's extraordinary creativity in the year 1786. “When you realize how quickly Mozart developed during the early years of the 1780s, it makes you ask: why did this happen? What was going on? It's about the momentum of his creativity at this time,” says Leif Ove Andsnes.The double-album Mozart Momentum 1786 includes Mozart's Piano Concertos Nos. 23 & 24, Piano Quartet in E-flat major, Piano Trio in B-flat major and Recitative and Aria Ch'io mi scordi di te? featuring guest soprano Christiane Karg. Purchase the music (without talk) at:Mozart Momentum 1786 (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson).

Johannes Brahms - Piano Quartet No. 1: Rondo Philharmonia Orchestra; Robert Craft, conductor; Arnold Schoenberg More info about today's track: Naxos 8.557524 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

FROM DARKNESS INTO LIGHTApril 13, 2022 • 7:30 pmSarasota Opera HouseSingle concert ticket $50 | Purchase here or by calling the Sarasota Opera box office at 941-328-1300.Pre-concert talk with Robert Sherman at 6:45 pmMozart's dark and stormy piano quartet may have deterred its publisher, but it showed the way from the Classical to the Romantic – so Tchaikovsky owes Mozart (and Florence) for his inspiration. This souvenir is beyond festive – think 1812 without the cannons.~ Wolfgang Mozart, Piano Quartet in G Minor, K. 478~ Zoltan Kodály, Serenade for Two Violins and Viola, Op. 12~ Pyotr Ilyich Tchaikovsky, String Sextet in D Minor, Souvenir de FlorenceBenny Kim, violin; Ruth Lenz, violin; Daniel Avshalomov, viola; Cynthia Phelps, viola; Dmitri Atapine, cello; Christine J. Lee, cello; Wendy Chen, pianoStudents from Booker High School will share their music in the Sarasota Opera House courtyard from 7:00-7:25 pm.

DEREK HAN MEMORIAL CONCERTApril 3, 2022 • 3:00 pmSarasota Opera HouseSingle concert ticket $65 | Purchase here or by calling the Sarasota Opera box office at 941-328-1300.Pre-concert talk with Robert Sherman at 2:15 pmCelebrate the legacy of La Musica's co-founder and associate artistic director Derek Han with the music he loved, featuring special guest Wu Han, Derek's colleague, and dear friend. Special programming funded by The Exchange.~ Ludwig van Beethoven, Piano Trio in G Major, Op. 1 no. 2~ Maurice Ravel, Sonata for Violin and Violoncello~ Johannes Brahms, Piano Quartet in G Minor, Op. 25Jennifer Frautschi, violin; Kristin Lee, violin; Daniel Avshalomov, viola; Dmitri Atapine, cello; Christine J. Lee, cello; Wu Han, pianoStudents from the Suzuki Institute School of Music will share their music in the Sarasota Opera House courtyard from 2:30-2:55 pm.

Well here it is, folks! Our return to music history featuring the master himself: Wolfgang Amadeus Mozart. Be sure to like and share with a friend!  Music: https://imslp.org/wiki/Rondo_in_D_major%2C_K.485_(Mozart%2C_Wolfgang_Amadeus) https://creativecommons.org/licenses/by/4.0/legalcode https://imslp.org/wiki/Piano_Quartet_in_G_minor%2C_K.478_(Mozart%2C_Wolfgang_Amadeus) https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode

Episode 60 of CMC's fortnightly podcast features an interview with composer Raymond Deane about his recent work for piano quartet ‘Vayu Vata'. Premiered by the Danish-based Rudersdal Chamber Players in January, the episode also includes a contribution from the group's violinist Christine Pryn about the work. Presented by Jonathan Grimes and Evonne Ferguson. CMCIreland · amplify #60 - Raymond Deane on his recent work for piano quartet 'Vayu Vata' Show Notes Raymond Deane CMC Composer Page raymonddeane.com YouTube Channel Christine Pryn Rudersdal Chamber Players Prayer for Peace Music Raymond Deane - Violin Concerto (Christine Pryn, RTÉ National Symphony Orchestra, conductor Gerhard Markson Raymond Deane - Vayu Vata (Rudersdal Chamber Players) Raymond Deane - Oboe Concerto (Matthew Manning, RTÉ National Symphony Orchestra, conductor Colman Pearce) Shostakovich - Piano Trio No. 2

This week, we start out by taking Classic FM's “Personality Test to Reveal Your Deepest Desire” then we move on to our three titillating topics:CLASSIC FM ROMANCEMarian and Paul's Dating Success Story (Classic FM)MOVIE CLUB: MUSIC OF THE HEART (1999)Trailer (YouTube)COMPOSERS AND VENEREAL DISEASEClassical Composers Unfairly Tainted by STD Rumors, Book Claims (Guardian)Franz Schubert — One Too Many Nights Out (Scandalous Overtures)Music Chat: Why Didn't Sibelius Die of Syphillis? (YouTube: David Hurwitz)CLASSICAL MIXTAPEThe full playlistWillRachmaninoff, Symphony No. 3, mvmt. 2TiffanyChen Gang and He Zhanhao, Butterfly Lovers Violin ConcertoKenshoJohannes Brahms, Piano Quartet in c minor, mvmt. 3THINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

Fauré Piano Quartet no. 2, Op. 45Sheet MusicGabriel FauréChamber groupPiano Quartet no. 2, Op. 45The Piano Quartet, Op. 45, in the key of G minor, was written in 1886 and first published the following year. Dedicated to Pyotr Tchaikovsky, it features a regular piano quartet ensamble (piano, violin, viola, cello). It evokes classical structures through a late romatic, maybe pre-impressionist language.

Donald Macleod uncovers the story of a forgotten luminary of 19th century music Composer of the Week explores the remarkable life and music of Emilie Mayer, who was known in her lifetime as the Female Beethoven. Born in Germany, in 1812, Mayer is considered by some to be the most prolific female composer of the Romantic period. She was held in high regard by the musical establishment of her time and appointed co-director of the Opera Academy in Berlin. Royalty frequently attended Mayer's concerts and awarded her gold medals for her music and other artistic endeavours. In 1883 when Mayer died, she was buried in a place of honour, near to Felix and Fanny Mendelssohn. Donald Macleod is joined by Katy Hamilton throughout the week, to explore Mayer's life and the environment in which she flourished. Music Featured: Overture in C Piano Sonata in D minor (excerpt) Piano Quartet in E flat (Allegro) Symphony No 1 in C minor (Adagio – Allegro) Symphony No 2 in E minor (Un poco adagio – Allegro assai) String Quartet in G minor, Op 14 (Scherzo) Piano Concerto in B flat (excerpt) Symphony No 2 in E minor (excerpt) Tonwellen (Waltz) Symphony No 3 in C, “Military” (excerpt) String Quartet in G minor, Op 14 (Allegro appasionato) Symphony No 4 in B minor (excerpt) Symphony No 4 in B minor (Allegro appassionato) Piano Quartet in E flat major (Finale Allegro) Piano Trio in B minor, Op 16 (Scherzo) Symphony No 6 in E (excerpt) Piano Concerto in B flat (Allegro) Symphony No 6 in E (Adagio – Allegro con spirito) Notturno, Op 48 Overture to Faust, Op 46 Presented by Donald Macleod Produced by Luke Whitlock, for BBC Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Emilie Mayer (1812-1883) https://www.bbc.co.uk/programmes/m00120z9 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Brahms piano quartet is considered as one of the most beautiful pieces of chamber music, especially with a group of top performers, like the violinist Gidon Kremer, the pianist Martha Argerich, the violist Yuri Bashmet and the cellist Misha Maisky

The Piano quartet and also the Quintet allow the piano to blend with the strings in a memorable fashion. This is one of the best compositions by the composer.

Le vendredi à 11h30, retrouvez Patrick Leterme dans la séquence "Ce N'est Pas Tout"

Le vendredi à 11h30, retrouvez Patrick Leterme dans la séquence "Ce N'est Pas Tout"

durée : 00:13:42 - Théodore Dubois Piano Quartet & Piano Quintet - La redécouverte du compositeur français Théodore Dubois se poursuit avec sa musique de chambre pour piano, autour d'un Quatuor avec piano et Quintette avec piano et hautbois.

Marylene Gingras-Roy (viola), Jennifer Orchard (violin), Charlie Powers (cello) and Rodrigo Ojeda (piano) perform the 3rd and 4th movement from Schumann's Piano Quartet on this PSO Center Stage.  WQED-FM's Jim Cunningham interviews Marylene, Jennifer and Charlie about the Schumann, what they have been doing during the pandemic, and more.

In episode seven, Artistic Director Paul Kildea chats with violinist, composer, and Musica Viva FutureMaker Harry Ward. Their wide-ranging conversation begins with a discussion of Harry's exciting new arrangement of Mahler's Piano Quartet, which will be debuted by pianist Konstantin Shamray, the ANAM Orchestra, and concertmaster Sophie Rowell.Harry also reflects on his disrupted 2020, which was to see him study at Berlin's prestigious Karajan Academy. Though disappointed, the disruption means he's able to join Musica Viva on tour and perform his own arrangement. Looking forward to a time when he's able to take up his placement in Berlin, Harry tells Paul about the city's rich musical traditions and culture, which he hopes to bring back to Australia and apply to his own practice.

Gustav Mahler score Klavierquartett, piano quartet, Movement 1: in A.---A listening guide of Klavierquartett with Lew Smoley.

Mendelssohn’s “Piano Trio in D minor, No. 1, Op. 49 Webern’s “Langsamer Satz for String Quartet” Richard Strauss’ “Piano Quartet in C minor, Op. 13” Musicians are: Federico Agostini, Antonio Meneses, Derek Han, Claudio Cruz, Cecilia Ziano, JeongHyoun Lee and Bruno Giuranna Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p365/La_Musica_Chamber_Music_Hour_43.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Keyboard Quartet in G Major, WB 66 by Johann Christian Bach Divertimento for String Trio in E-flat Major, K. 563 by Wolfgang Amadeus Mozart ​Piano Quartet in D Major, Op. 23 by Antonin Dvorak Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p381/La_Musica_International_Chamber_Music_Festival_%2344.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

This Saturday, we feature three chamber groups: one each of strings, winds, and brass. We also talk to one member of each group: pianist Colin Song, about to major in Neuroscience at Emory University; bassoonist Abigail Lopez, about to study Music at DePaul; and freshman trombonist Owen Riordan, about being the newest member of an established quartet. Aurora Piano Quartet ... The post Aurora Piano Quartet, Lakeshore Winds, and The Bone Rangers appeared first on WFMT.

In this episode, Gustav Hoyer discusses research led by Dr. Tomas Schäfer as published through his research into the psychology of music listening (1).  Music is a mirror for our own personal inward journeys, a tool to help define our moods, and a glue that connects us to others. We explore these three reasons that his research identified and Gustav shares some of his own compositions as well as excerpts of other works that have served these functions for him. In this episode we hear:Hoyer, Piano Quartet in c-minor, 3rd mvmt (‘Wonder’)Grieg,  Holberg Suite, IV. Aria excerpt(performed by Sir Neville Marriner and Academtn of St. Martin in the Fields)Rachmaninov, Second Piano Concerto, 2nd Mvmt excerpt (performed by Gary Graffman and the NY Philharmonic Orchestra)Hoyer, Vignettes from an American Life. 5th mvmd (‘Front Porch Rondo’)Bach, Toccata in D-Major excerpt (performed by Glenn Gould)These links will take you to Spotify, but they are available at many other music locations as well.If you like this podcast, please leave us a review wherever you get this podcast, and share it with your friends. If you have thoughts, complaints, ideas about this podcast, please reach out to him at salutations@gustavhoyer.com.  We'd love to hear from you!(1) The psychological functions of music listening Frontiers in Psychology, August 2013, Vol 4, Article 511 Thomas Schäfer1*, Peter Sedlmeier1, Christine Städtler1 and David Huron2 

This week's episode of the Phenomenal 50 features Antonin Dvorak's Piano Quartet in E-flat major, Op. 87 in a performance from January 7, 1979 played by violinist Joseph Suk, violist Walter Trampler, cellist Leslie Parnas, and pianist Richard Goode.

On this week's lecture, resident lecturer Bruce Adolphe discusses Fauré's Piano Quartet in C minor, Op. 15. Featuring a performance by Michael Brown, piano; Kristin Lee, violin; Jeremy Berry, viola; Estelle Choi, cello.

Gerald Barry, Piano Quartet No1 e Sextet Lezioni di musica del 09/02/2020 con Carlo Boccadoro

On this week's lecture, resident lecturer Bruce Adolphe discusses Brahm's Piano Quartet No. 2 in A major, Op. 26. Featuring a performance by Anna Polonsky, piano; Arnaud Sussmann, violin; Jeremy Berry, viola; Mihai Marica, cello.

This week on Inside the Arts, mezzo-soprano Hilary Ginther is The Maid of Orléans in Tchaikovsky's Joan of Arc. This production by the New Orleans Opera Association marks the American premiere of the English translation of this work. Hilary Ginther joins us with Maestro Robert Lyall. Then, Musaica Chamber Ensemble continues its 14th season, The Architecture of Music with Keyboard Cornerstones of Bach and Fauré. Among the works featured are Bach's Goldberg Variations for string trio and Fauré's 2nd Piano Quartet in G minor. Musaica violist and president Bruce Owen joins us for a chat. And, actor/writer Ricky Graham's Carnival comedy tribute to local Y'at culture celebrates a milestone! Yes, the 25th Anniversary of "...And The Ball and All" is upon us. And, this year it's back with a twist! Ricky Graham and cast member Gary Rucker stop by with all the details. Airs Tuesdays at 1:00 p.m., Wednesdays at 8:30 p.m., and Thursdays at 8:45 a.m.

Donald Macleod looks for clues in Beethoven’s early life that point towards the great man he would become. All through 2020, Donald Macleod takes an unprecedented deep dive into the compelling story and extraordinary music of Ludwig van Beethoven. In this uniquely ambitious series, told across 125 episodes of Composer of the Week, Donald puts us inside Beethoven’s world and explores his hopes, struggles and perseverance in all the colourful detail this amazing narrative deserves. Alongside this in-depth biography, Donald will also be meeting and talking to Beethoven enthusiasts and experts from across the world to discover how his music continues to speak to us in the 21st century. Through story and sound, the series builds into a vivid new portrait of this composer, born 250 years ago this year, who made art that changed how people saw themselves and understood the world. This week, Donald looks at Beethoven’s humble beginnings as a child born into a family of court musicians, working for the Archbishop-Elector’s retinue in Bonn, Germany. He showed musical talent early and followed his father and grandfather into the Elector’s employ as soon as he reached his teens. Would he continue to follow the family pattern and retire there too? Music featured: Piano Sonata No 24 in F# major, Op 78 (2nd movement) Fugue in D for organ, WoO 31 Symphony No 6 (movts. IV & V) Violin Sonata Op 30 No 2 (2nd movement) String Quartet Op 18 No 4 (1st and 3rd movements) String Quartet No 13 in Bb, Op 130 (2nd movement) Piano Sonata No 2, Op 2 No 2 (1st and 2nd movements) Symphony No 4 (4th movement) Sonata for cello and piano, Op 102 No 1 (2nd and 3rd movements) Piano Quartet, WoO 36 No 3 Piano Sonata No 19, Op 49 No 1 (2nd movement) Piano Trio, WoO 38 (arr. Alec Frank-Gemmill) Der Mann von Wort, Op 99 24 Variations on "Venni Amore" by Righini, WoO 65 Piano Trio, Op 70 No 2 (3rd and 4th movements) String Quartet, Op 95 (Serioso) (1st movement) Fidelio: Act I (finale) Musik zu einem Ritterballett, Woo 1 12 Variations on 'See the conqu'ring hero comes' by Handel for cello and piano, WoO 45 Rondo a capriccio in G major (Rage over a lost penny) for piano, Op 129 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46 Resignation, WoO 149 String Quartet, Op 59 No 1 (1st movement) Violin Concerto (2nd and 3rd movements) Presented by Donald Macleod Produced by Chris Taylor for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Making a Man https://www.bbc.co.uk/programmes/m000dpzm And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores the music of Johannes Brahms through his close relationships. Brahms was a deeply private man and very guarded about his life, his friends and his feelings. Across this week, Donald goes “Behind Closed Doors” with Brahms to discover what really made him tick. He finds friends, mentors and lovers along the way who together help solve the enigma of the composer. We’ll hear about Brahms’s doomed early romance with a young singer, Agathe von Siebold, plus his lifelong friendships with Robert, and particularly Clara Schumann - probably the person he was closest to in his life. Donald explores the music written for some of the women he knew intimately, and why he sought solitude and how it came to influence his music. Throughout his life, there was a great expectation placed on Brahms’s shoulders. We end by looking at how that shaped his character and music. Music featured: Sonata No 3 in F minor, Op 5 (4th movement) Lieder & Romanzen, Op 14 (No 4, Ein Sonett & No 7, Ständchen) Piano Concerto No 1 in D minor, Op 15 (1st movement) Ave Maria, Op 12 String Sextet No 2 in G, Op 36 (1. Allegro non troppo) 2 Gavottes, WoO 3 (Nos 1 and 2) Piano Sonata No 1 in C major, Op 1 (1. Allegro) 6 Songs, Op 3 (Nos 2 and 3) Piano Quartet, Op 25 (3rd and 4th movements) String Sextet No 1in B flat major, Op 18 (2nd movement) Piano Quintet in F minor, Op 34A (1st movement) Rhapsody in B minor, Op 79 No 1 6 Songs, Op 7 (Nos 2 -5) Variations in E flat on a Theme by Schumann (Nos 8-11) Alto Rhapsody, Op 53 16 Waltzes, Op 39 (Nos 1-4) Cello Sonata No 1 in E minor, Op 38 (3rd movement - Allegro) Klavierstücke, Op 76 (No 7 - Intermezzo in A major; No 8 - Capriccio in C major) Violin Sonata No 2, Op 100 (1st movement: Allegro amabile) Nanie, Op 82 Piano Concerto No 2 in B flat major, Op 83 (3rd movement - Andante) Serenade No 1 in D major, Op 11 (2nd movement) Piano Sonata No 2 in F sharp minor, Op 2 (4th movement) Vier ernste Gesänge, Op 121 (Nos 3 and 4) Ein Deutsches Requiem [A German Requiem], Op 45 (2nd and 3rd movements) Presented by Donald Macleod Produced by Glyn Tansley for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johannes Brahms. https://www.bbc.co.uk/programmes/m000cb1x And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

This week on The Talent, presenter Jess Carrascalao Heard and regular mentor Julia Hastings reflect on some of the highlight performances from Season 2 of The Talent for 2019, before announcing the audience prizewinner and the three finalists for the season.--Pieces featured:"Blues" from Sonata No. 2 in G Major for Violin and Piano by Ravel (performed by violinist Jessica Yu with pianist Ray Liang)Prelude and Fugue in B-flat Minor by J.S. Bach (performed by pianist Hannah Shin)Movement 1, Concerto for Flute and Piano by Ibert (performed by flautist Gabriella Alberti and pianist Konrad Olszewski)Movement 3, Piano Quartet in G Minor (performed by the Brahma Quartet - violinist Lizzy Scarlett, violist Eugenie Lyons, cellist Michaela Robb and pianist Joy Xi)"Someone to Watch Over Me" by Gershwin (arr. Turrin) (performed by trumpeter Adrian Meyer on flugel horn, with pianist Konrad Olszewski)Prelude from Cello Suite No. 5 in C Minor by J.S. Bach (performed by cellist Caleb Murray)Irish Tune from County Derry by Grainger (performed by pianist Samuel Zhong)--The Talent creditsHost: Jessica Carrascalao HeardProducer: Grace IpProduction intern: Athaya AnadutaPanel Operator: Jessica Carrascalao HeardPodcast Producer: Jessica Carrascalao Heard

This week on The Talent, presenter Jess Carrascalao Heard and regular mentor Julia Hastings reflect on some of the highlight performances from Season 2 of The Talent for 2019, before announcing the audience prizewinner and the three finalists for the season.--Pieces featured:"Blues" from Sonata No. 2 in G Major for Violin and Piano by Ravel (performed by violinist Jessica Yu with pianist Ray Liang)Prelude and Fugue in B-flat Minor by J.S. Bach (performed by pianist Hannah Shin)Movement 1, Concerto for Flute and Piano by Ibert (performed by flautist Gabriella Alberti and pianist Konrad Olszewski)Movement 3, Piano Quartet in G Minor (performed by the Brahma Quartet - violinist Lizzy Scarlett, violist Eugenie Lyons, cellist Michaela Robb and pianist Joy Xi)"Someone to Watch Over Me" by Gershwin (arr. Turrin) (performed by trumpeter Adrian Meyer on flugel horn, with pianist Konrad Olszewski)Prelude from Cello Suite No. 5 in C Minor by J.S. Bach (performed by cellist Caleb Murray)Irish Tune from County Derry by Grainger (performed by pianist Samuel Zhong)--The Talent creditsHost: Jessica Carrascalao HeardProducer: Grace IpProduction intern: Athaya AnadutaPanel Operator: Jessica Carrascalao HeardPodcast Producer: Jessica Carrascalao Heard

Danny Elfman is known to millions for his scores for over 100 movies, including many collaborations with the director Tim Burton, not to mention his inimitable title music for The Simpsons. This summer he released a new album on Sony Classical containing his Violin Concerto and Piano Quartet. The concerto, written for and played by Sandy Cameron, joined by the Royal Scottish National Orchestra conducted by John Mauceri, was the subject of a conversation Gramophone's James Jolly had with Elfman. But they started by talking about the emergence of the specialist film composer in the past 50 or so years.

durée : 00:16:12 - Le Disque classique du jour du lundi 24 juin 2019 - Ces 4 musiciennes donnent une superbe version de ces pièces : Les cordes sont amples et rondes, portées par un piano délié qui crépite.

On today's episode, Bruce Adolphe the resident lecturer of CMS talks about Mozart's Piano Quartet in E-flat major, K. 493. Excerpts performed by Anna Polonsky, piano; Sean Lee, violin; Mark Holloway, viola; and Nicholas Canellakis, cello.

Tune in with Sam and Tim on J. S. Bach's birthday as they discuss his St John Passion, Brexit protest at the Royal Albert Hall and possibly the best ever Welsh composer. We also chat to Oskar McCarthy of Festival Voices about their upcoming gig at the Bussey Building. Music Credits:‘Happy Birthday Fugue' by Giovanni Dettori, performed by Katarzyna Preisner ‘Maria' from West Side Story by Leonard Bernstein, performed by Timmy Fisher ‘Ach, mein Sinn, wo willt du endlich hin' from J. S. Bach's St John Passion, performed by Colin Baldy and Collegium Novum under Edward Higginbottom ‘Rocket Man' performed by William Shatner, broadcast by Classic Chicago Television ‘I. Poco adagio - Allegro con brio - Poco adagio' from Grace Williams' Sextet for Oboe, Trumpet & Piano Quartet, performed by Madeleine Mitchell and the London Chamber Ensemble ‘Dixit Dominus' by George Frideric Handel, arranged by Festival Voices Sibelius 5th Symphony Mov. 1, arranged by Timmy Fisher Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/ The Edinburgh International Festival's lineup this summer: https://www.eif.co.uk/festival-guide Festival Voices: https://www.festivalvoices.com/ And their crowdfunding page: https://www.justgiving.com/crowdfunding/festivalvoices

CMS Resident Lecturer Bruce Adolphe discusses Brahms's Piano Quartet No. 1 in G minor, Op. 25 in this weeks episode. Featuring a performance by Nicolas Dautricourt, violin; Paul Neubauer, viola; Mihai Marica, cello; and Orion Weiss, piano.

Bruce Adolphe, CMS resident lecturer, discusses Dvorak's Piano Quartet in E-flat major. Featuring musical demonstrations and a performance by pianist Michael Brown, violist Matthew Lipman, and cellist Nicholas Canellakis.

In today's podcast, CMS resident lecturer, Bruce Adolphe discusses the Piano Quartet No. 3 in C minor by Johannes Brahms. Featuring musical excerpts and a performance by pianist Michael Brown, violinist Danbi Um, violist Matthew Lipman, and cellist Mihai Marica.

Berlin Piano Quartet: Mozart, Schumann (RBB / Sony Music 2017)

Berlin Piano Quartet: Mozart, Schumann (RBB / Sony Music 2017)

Join CMS Resident Lecturer, Bruce Adolphe, on an exploration into the Piano Quartet in E-flat major by Robert Schumann. Featuring musical examples and a performance by pianist Michael Brown, violinist Sean Lee, violist Matthew Lipman, and cellist Nicholas Canellakis.

A piano quartet with roots right here at BYU perform at the Assembly Hall on Temple Square.

In Part 2 of Jonathan's interview of Jeannette, they discuss Jeannette's best and worst gigs, and shares pieces of advice for the listeners. Purchase Garth Newel Piano Quartet's newest album here: https://store.cdbaby.com/cd/garthnewelpianoquartet12 Musical interlude: Paul Moravec - Piano Quartet (mvt. 2)

In Part 1 of Jonathan's interview with Jeannette Fang (pianist of the Garth Newel Piano Quartet and co-host of So Many Wrong Notes podcast) (recorded June 2017), we discuss sexism and other mental pathology in the highest echelons of music, Chopin etudes, and the familial stresses surrounding going into music. Purchase Garth Newel Piano Quartet's newest album here: https://store.cdbaby.com/cd/garthnewelpianoquartet12

Celebrate Valentine’s Day with a special concert and reception featuring all seating and the Piano Quartet entirely on the historic State Theatre stage. This quartet was created in 1985 by The Berlin Philharmonic and features world-renowned pianist Markus Groh and Berlin Philharmonic musicians Andreas Buschatz on violin, Matthew Hunter on viola, and Knut Weber on cello. Hunter joins us to discuss how his interest in music started with philosophy and how his musical journey took him to playing the viola.

Volume I, No. 6 The closing strains of the third movement of Schumann's Piano Quartet (1842) express introspection.

Join conductor and host Joshua Weilerstein as he takes a deep dive into Brahms' Piano Quartet in G minor, with a surprise appearance by Arnold Schoenberg and his brilliant arrangement of the quartet for orchestra!  This podcast is appropriate for beginners all the way to experts and for ages 10-110.  

Inon Barnatan, piano Boris Brovtsyn, violín Amihai Grosz, viola Boris Andrianov, violonchelo Mahler, Pianokwartet in A minor según arreglo de Alfred Schnittke 29 de diciembre 2010 Internationaal Kamermuziekfestival Utrecht

Conductor Marin Alsop chose Piano Quartet by Robert Schumann and Victory Stride by James P. Johnson

Science journalist and self-experimenter Michael Mosley joins Kate Silverton and Suzy Klein. Michael's varied career started in banking and then he qualified as a doctor before joining the BBC. He talks about the Fast Diet, reveals the most terrifying experiment he's undertaken, and why he's now investigating life before birth. In the week that the Queen becomes Britain's longest-serving monarch, listener Steve Evans talks about his experiences as this month he becomes the longest serving Paramedic in the North West. Shelby Holmes' family run a travelling family fair. Despite missing a lot of school when she was growing up she has just graduated from Oxford University. Shelby discusses her experiences and future plans. Ann Davidson a retired nurse living near Bodrum in Turkey talks about helping Syrian refugees. JP Devlin ventures to the bottom of author Cressida Cowell's garden to see if there are dragons in her shed. Marin Alsop, the conductor for this year's Last Night of the Proms, shares her Inheritance Tracks. Critic and author Adam Mars-Jones talks about the relationship with his father Sir William Mars-Jones, a free thinking, maverick high court judge, who was involved in some of the most famous criminal cases of the 20th century. Michael Mosley's Countdown to Life: The Extraordinary Making of You is a three part series which begins on Monday, 14th September, at 9pm on BBC 2. Cressida Cowell's How to Fight a Dragon's Fury is out now. Marin Alsop's tracks are Piano Quartet by Robert Schumann and Victory Stride by James P. Johnson. Kid Gloves, a Voyage Around My Father by Adam Mars-Jones is out now.

선곡표 1. 비발디 사계 Le Quattro Stagioni Op.8 Nos.1-4 - 3. Autumn 2. 브람스 교향곡 4번 Symphony No.4 in e minor Op.98 - 4. Allegro 3. 베토벤 피아노 소나타 8번 비창 Piano Sonata No.8 in c minor Op.13 - 2. Adagio cantabile 4. 쇼팽 : 에튀드 Op.10, No.3 "이별의 곡" 5. 크라이슬러 - 사랑의 슬픔 6. 루빈스타인 멜로디 Melodie in F Major Op.3-1 7. 라프 피아노 4중주 Piano Quartet in c minor Op.202 No.2 - 1. Allegro 8. Masaji Watanabe - Crescent 9. S.E.N.S. - Like Wind 10. 라흐마니노프 교향곡 2번 3악장 Adagio

(Published on Jul 27, 2012) A new month-long chamber music festival on the campus of Kean University (Union, NJ) winds up this weekend with student and faculty recitals at Enlow Hall and at Lincoln Center. Foulger Fellows - Alex Beyer (18), Janny Joo (21), and Jeremy Jordan (23) - rehearse with faculty and reveal their interests in history, environmental science, and access to audiences through new technologies. July 7, 2012. Music by Johannes Brahms: Piano Quartet no. 1 in G minor, Piano Quartet no. 3 in C minor

Work for voice and string orchestra by Bach performed by Rebel Baroque Orchestra on November 10, 2013. Work for string orchestra by Bach performed by A Far Cry on December 5, 2013. Work for piano quartet by David Ludwig performed by Musicians from Ravinia's Steans Institute on March 30, 2014.Bach: Zerschmettert mich, ihr Felsen und ihr Hugel, Aria in A Major from St. John PassionBach: Brandenburg Concerto No. 3 in G major, BWV 1048David Ludwig: Aria Fantasy for Piano QuartetDuring the past century, classical music has explored many new and far-flung territories. But it would be a mistake not to recognize the profound influence of earlier music – in particular, that of Bach.This influence has been felt in many ways. One significant development has been the emergence of historical performance: using centuries-old instruments. The first selection on our podcast, comes from this tradition: the Baroque orchestra Rebel performing an aria from Bach’s St. John Passion, with tenor Rufus Mueller. The historical instruments lend a brightness and transparency that is quite unique.We’ll then go to a modern performance of an historic work: the chamber orchestra A Far Cry playing Bach’s third Brandenburg Concerto. They bring a unique perspective to the music of Bach, playing it on modern instruments.Finally, we arrive at the most modern work of the bunch: contemporary composer David Ludwig’s Aria Fantasy for Piano Quartet. It takes some careful listening to hear, but the piece is actually based on Bach’s famous Goldberg Variations; you may hear quotes from the various movements creep in throughout the work.

Ivan Hewett with a personal recommendation from recordings of Brahms's piano quartet in G minor, Op.25

We're taking the show on the road -- okay, maybe just a couple buildings away. But to a much larger venue for sure!

Composer Anna Meredith nominates Gerald Barry's "bold and daring" Piano Quartet No.1, with commentary from an established interpreter of Barry's music, conductor Richard Baker.

Ravel: MiroirsFauré: Piano Quartet No. 2 in G minor, Op. 45We go inside the French salon to hear works by two great composers working about the turn of the last century: Ravel and Fauré. First up is a suite of bravura piano of which Chan performs three of the original five movements. The first, “Night Moths,” includes quiet, quick chromatic runs, and the second movement, “Sad Birds,” was apparently inspired by a blackbird’s song. The fourth movement of the suite, “Alborada del gracioso,” is a Spanish-tinged comic serenade. From this highly evocative, programmatic set, we move on to Fauré’s more abstract Piano Quartet. Probably best known for his art songs, Fauré was an expert melodist, which you can hear in the work’s long, soaring lines. And, as in most of his songs, each movement begins with a bit of a piano introduction, setting the scene for the string instruments’ melody.

Vivaldi: Concerto for bassoon, strings, and continuo in A minorSchumann: Piano Quartet in E-flat Major, Op. 47While the bassoon was hardly a common solo instrument at the turn of the 18th century, Vivaldi clearly took it seriously. He wrote over 39 concertos for the instrument, including the Bassoon Concerto in A minor that we’ll hear today. Why was Vivaldi so drawn to the bassoon? Theories abound: perhaps he was inspired by a well-known Venetian master of the dulcian (an early version of the bassoon) or by an accomplished bassoonist at the girls’ school where he taught. Robert Schumann wrote his Piano Quartet in E-flat Major in 1842, a year known as his “Chamber Music Year” for the abundance of chamber works he composed during that time. Why so much chamber music all at once? Part of the answer lies in the genre itself, representing an ideal middle ground between private and public entertainment. This piano quartet has moments of quiet intimacy; yet the overall texture is thick with activity and grand gestures, melding an older chamber music model with a new impulse towards soloistic virtuosity.

In this episode we talk about seeking community, we meet a common friend of heavy metal album covers and anti-mason propagandists as we learn about Baphomet in the regular show segment A Corner in the Occult. We learn just what I mean when I refer to occultism and the occult. And I offer some friendly discourse by elaborating on Thelema, its Laws, and how I personally apply it in my life as we go beyond 93! Segments: Seeking Community, A Corner in the Occult-Baphomet, What is Occultism? and Beyond 93! Music: Proteus by composer George Wood, The Eternal by Lumiloop, Voices from the ether by ASCIAN, Piano Quartet in g 3rd Movement by Mozart performed by Linda Holzer, Spaces by 3vrn3n, Drum and Bass by Ted Tunes, Universe Inside You by Persian Paladin   Links: Peter J. Carroll, Chick Publications: The Curse of Baphomet, Leonardo Da Vinci Notebooks Online, Dan Eldon, GeekWitch, Haunted New Jersey Podcast, PSIence by Marie D. Jones, The Pagan Podcast Index, Proud Pagan Podcasters, Templar History.com, The Wigglian Way Credits: GarageBand, PodsafeAudio, Podsafe Music Network

In this introductory episode we introduce the listener to the show by discussing the title and its direction.  We learn about Aleister Crowley in the show segment “A Corner in the Occult”.  Later we address the issues with being an individual and what to avoid if you happen to be one of the cursed. And we finish the show with a look into pantheism.  Segments:  A Corner in the Occult: Aleister Crowley,  The Curse of Being Weird,  Could I be a Pantheist?  Music: (in order of being heard)  Proteus by composer George Wood, The Eternal by Lumiloop,  Piano Quartet in g 3rd Movement by Mozart performed by Linda Holzer, Drum and Bass by Ted Tunes, Eternal by 1,  Spaces by 3vrn3n, a soundscape project by M. T. Pierce. Music of the lithosphere,  Universe Inside You by Persian Paladin. Links:  The Pagan Podcast Index, Haunted New Jersey, Deo’s Shadow, World Pantheism, Universal Pantheist Society, The Mindscape of Alan Moore Credits:  PodsafeAudio, Podsafe Music Network

Dvořák: Sonatina for violin and piano in G Major, Op. 100 (arr. for viola)Dvořák: Piano Quartet in E-flat Major, Op. 87It’s odd, but true, that one of the best-known classical symphonies about America was actually written by a Czech composer. Antonin Dvořák’s “New World” symphony was written during a trip the composer took to the states in the 1890’s, and is just one of the pieces that established him as the most distinguished and well-known of Czech composers. During his time in America, Dvořák wrote other pieces as well, including the sonatina that comes first on today’s all-Dvořák program. Then, we’ll return to a Dvořák piece that’s a bit more Old World in style: his piano quartet in E-Flat Major. Written before his trip to America, this piece reflects Dvořák’s connection to European composers, particularly Brahms, who was a strong advocate for Dvorak in building his early career. The folksong-like melodies here are reminiscent not of America, but of Dvořák’s native Eastern Europe.