Podcast appearances and mentions of Fanny Mendelssohn

Freya's music is characterized by contrasts between earthy rhythmic play and fragility, luminous spaces, and a sense of the otherworldly. She has been commissioned by numerous institutions and ensemblesHer current season includes Mother Tongue, a new four movement work for the London Philharmonic Orchestra and Ed Gardner; a new work for the Archipelago Collective's 10th anniversary festival on San Juan Island WA; and a new work for classical orchestra for the Orchestra of the Age of Enlightenment in response to Fanny Mendelssohn's Das Jahr. Also upcoming is the release on NMC of Waley-Cohen's Debut Disc, Spell Book, with performances from the Manchester Collective as well as Tamsin Waley-Cohen, Ann Beilby, Nathaniel Boyd, Hèloïse Werner, Fleur Barron and Katie Bray.Other recent successes include the world premiere of Pocket Cosmos, premiered in June 2022 by commissioners London Chamber Orchestra and directed by Pekka Kuusisto, and staging of Freys's contemporary dramatic song cycle Spell Book at Longborough Festival Opera and Waley-Cohen's first opera WITCH, commissioned in celebration of the 200th anniversary of the Royal Academy of Music.Freya was the 2019/20 Associate Composer at Wigmore Hall, which held a day of concerts in March 2023 focused on her music. She was also Associate Composer of St. David's Hall's contemporary music series, ‘Nightmusic', from 2018 – 2021. Winner of a 2017 Royal Philharmonic Society Composition Prize, Freya Waley-Cohen held an Open Space Residency at Snape Maltings from 2015 – 2017 and was 2016 – 2018 Associate Composer of Nonclassical.I spoke to Freya from her home in London.

Carlos Iribarren | La música compuesta por mujeres es la gran protagonista del episodio de hoy, gracias a la pianista madrileña Susana Gómez Vázquez, quien ha publicado un disco delicioso titulado “Sisters of the Moon”. Susana nos ha visitado y nos explica de dónde sale ese título que engloba a 9 compositoras de diferentes épocas y estilos. Así, podremos escuchar piezas para piano de Claudia Montero, Fanny Mendelssohn, Florence Beatrice Price y Helene de Montgeroult. También disfrutaremos de una pieza compuesta por nuestra invitada y otra que escribió la gran pianista Alicia de Larrocha en su colección “Pecados de Juventud”. Carlos Iribarren y Mario Mora comparten hoy micrófonos con una intérprete cuya agenda está repleta de conciertos, en los que seguirá tocando en su instrumento algunas de las piezas que forman la mejor música del mundo: la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Wir stellen euch anhand des Buches "Komponistinnen. Frauen, Töne, Meisterwerke" von Aliette de Laleu (Reclam 2024) die vergessenen Komponistinnen der Musikgeschichte vor. Dazu zählen Beatriz de Dia, Barbara Strozzi, Maria Anna Mozart, Fanny Mendelssohn und Clara Schuhmann.

Wir stellen euch anhand des Buches "Komponistinnen. Frauen, Töne, Meisterwerke" von Aliette de Laleu (Reclam 2024) die vergessenen Komponistinnen der Musikgeschichte vor. Dazu zählen Beatriz de Dia, Barbara Strozzi, Maria Anna Mozart, Fanny Mendelssohn und Clara Schuhmann.

Fanny Mendelssohn - NotturnoMichael Landrum, pianoMore info about today's track: Dorian Sono Luminus DSL-92158Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Episodio 165En este episodio de Dirección Coral Online, exploramos la estrecha relación entre Felix y Fanny Mendelssohn, desde su infancia compartida hasta la trágica muerte de Fanny, que marcó el último año de vida de Felix. Analizamos cómo su duelo se reflejó en el *Nunc dimittis*, una de sus últimas composiciones, y su profundo significado como despedida musical.  para acceder a una lista de reproducción de las obras escuchadas en este episodio, y a las partituras analizadas podés visitar este enlace165 espero tus comentarios!

Nach ihrem Gewinn des Concours Géza Anda im Jahr 2018 ging es in ihrer Karriere steil bergauf. Nach diversen Alben mit Musik von Bach bis Rachmaninoff präsentiert Huangci in ihrer neusten Aufnahme nun Stücke aus ihrer Heimat. 01:30 - Aktuell: Blick auf drei Grammy-Gewinner:innen 2025: - «Best Opera Recording» Kaija Saariaho: Adriana Mater (San Francisco Symphony Chorus, San Francisco Symphony, Esa-Pekka Salonen) - «Best Jazz Performance»: Twinkle Twinkle Little Me (Samara Joy Featuring Sullivan Fortner) - «Best Contemporary Classical Composition» Gabriela Ortiz: Revolución Diamantina (Gustavo Dudamel, Los Angeles Philharmonic & Los Angeles Master Chorale) (Moritz Weber) 08:00 - Talk: Die Pianistin Claire Huangci. (Elisabeth von Kalnein) 29:00 - Neuerscheinungen: - «Cité des compositrices» (Webseite, Social-Media-Kanäle). https://citedescompositrices.com/ - «Auf der Jagd nach Romantik», Musik für 2 Hörner von Mozart, Beethoven, Simrock, Rosetti. Bart Aerbeydt, Gijs Laceulle (Naturhorn), Freiburger Barockorchester. (Aparté 2024) (Felix Michel) 53:00 - Swisscorner: «Walpurginsacht»: Halbszenisches Konzert von vokal:orgel mit Musik von Felix Mendelssohn, Fanny Mendelssohn u.a. Junger Kammerchor Basel, Chöre der Gymnasien Muttenz und Laufen und der Steinerschule Birseck, Junge Oper des Theater Basel. Leitung: Abélia Nordmann (11.2., Stadtcasino Basel). (Moritz Weber)

Die aufstrebende Pianistin Gaia Sokoli macht es sich mit ihrer Repertoirewahl nicht gerade leicht. Aber sie bleibt auch auf ihrem zweiten Album Fanny Mendelssohn treu.

Due appuntamenti concludono il progetto «Music in International Days» sostenuto dall'Otto per Mille valdese e Officine d'Arte APS.Si tratta di due concerti all'Auditorium dell'Educatorio della Provvidenza EdP di Torino il 21 novembre, per la «Giornata Internazionale dell'Infanzia» con Gabriele Anglani, Michela Montanaro e Giovanni Melina e il 24 novembre, «Giornata internazionale contro la violenza sulle donne» con Maria Teresa e Carmela Pizzulli, Clara Piccoli, che eseguiranno i due trii di Clara Schumann e Fanny Mendelssohn.Ne parliamo con Maria Teresa Pizzulli.

This episode begins with Mozart—the glorious, peppy last movement of a piano concerto—and ends with Sarah Vaughan, singing a song (“Black Coffee”). In between we have Bill Monroe, Fanny Mendelssohn, Earl Scruggs—a real variety show. But all to a purpose. Mozart, Piano Concerto No. 14 in E flat, K. 449, last movement Clarke, “The Cloths of Heaven” Monroe, “Blue Moon of Kentucky” Bernstein, “Some Other Time” Mendelssohn, Fanny, arr. Masur, Ken-David, “Schöne Fremde” Dunhill, “The Cloths of Heaven” Kern, “Why Was I Born?” Scruggs, “Foggy Mountain Breakdown” Burke, “Black Coffee”

1834. De getalenteerde Fanny Mendelssohn leeft lang in de schaduw van haar broer Felix. Tot ze trouwt met de schilder Wilhelm Hensel, die haar enorm aanmoedigt om te blijven componeren. Een reis naar Rome verandert alles en motiveert Fanny om haar eigen muziek te componeren en uit te geven. Zo schrijft ze op haar 29 een eigenzinnig strijkkwartet, los van alle regels. Moeilijke woorden: fantasie. Uitvoering: Quatuor Ebène.

Harriet Constable is a journalist and filmmaker based in London. Her journalism and documentary work has featured in outlets including the BBC, Economist and New York Times. She is a graduate of Colombia University's School of Journalism summer school, is a Pulitzer Center grantee and a fellow of the Royal Society of Arts. Her first novel is The Instrumentalist. Anna Maria della Pietà: the greatest violinist of 18th century, possibly a composer in her own right, fundamental to Vivaldi's music, grew up in the extraordinary Ospedale della Pietà - the original conservatoire of music Synaesthesia: people think it's seeing music through colour - which it is in The Instrumentalist - but it's more than that. Words can have smells and taste, one sense can trigger another in profound ways. Bach's Cello Suite in G minor while standing on a mountain: anyone can enjoy classical music, it's supposed to be listened to LOUDLY, it's supposed to be magnificent. Go somewhere epic, ideally in nature, and play this piece. Track the mountain with your eyes. The Foundling Museum: the UK's first children's charity, a heartfelt ode to the orphans and their parents. Female musicians: Fanny Mendelssohn, Clara Schulman, Nannerl Mozart, Francesca Caccini - listen to Nocturne in G minor. Spaghetti Aglio Olio This podcast is powered by ZenCast.fm

Fanny Mendelssohn steht mit ihren Klavierwerken keineswegs im Schatten von ihrem Bruder Felix, das macht dieses Album deutlich.

durée : 01:18:54 - Au fil des émotions - par : Suzanne Gervais - Dans notre été classique aujourd'hui, une programmation libre, au fil des émotions et des envies, de Schubert à Brahms en passant par Fanny Mendelssohn, Charles-Hubert Gervais, Kurt Weil, Giuseppe Verdi, Nino Rota… - réalisé par : Delphine Keravec

Eager to learn how organizations can innovate their way out of a crisis? You may be surprised that the key to this comes from an arts organization.Tune into a special live recording of our podcast, with John Mangum, the executive director/CEO of the Houston Symphony, and Scott Sonenshein, the Henry Gardiner Symonds Professor of Management – Organizational Behavior at Rice Business. During the pandemic, the performing arts faced an especially grave challenge beyond the shared difficulties with other industries: an existential crisis over the relevance of arts in times of extreme hardship. Professor Scott Sonenshein, a New York Times bestselling author and expert on how employees can create organizational, social and personal change, led a multi-year study of two prominent orchestras (including the Houston Symphony), resulting in a surprising insight with far-reaching applications. Resourcefulness is not just helpful for surviving adversity. It's a strategic framework that enables organizations to become better versions of themselves.In this conversation, John and Scott reflect on how the Houston Symphony transformed their operations and performance delivery during the pandemic, and how business leaders facing disruptions can benefit from critical changes Scott's research uncovered.Following their conversation, musicians from the Houston Symphony perform Fanny Mendelssohn's String Quartet in E-flat major, illustrating the Symphony's commitment to diversity and exploration in music. Musicians:MuChen Hsieh '17, violinAmy Semes '19, violinWei Jiang, violaJeremy Kreutz '20, celloEpisode Guide: 00:36 Exploring resilience and innovation at the Houston Symphony05:16 Deep dive into Scott Sonenshein's research on organizational change10:42 The Houston Symphony's pandemic response and innovation26:30 Leadership, trust, and the future of the Houston Symphony37:26 Closing remarks40:16 Fanny Mendelssohn's String Quartet in E-flat major Owl Have You Know is a production of Rice Business and is produced by University FM.Episode Quotes:What made the Houston Symphony shine during the pandemic?15:48 [Scott Sonenshein]: When you got to see an organization that was relentless in determining to keep playing and keep the music going no matter what form that looked like, you saw a lot of innovation and creativity in finding ways not to just put online what they were doing before but to really reinvent what they were doing so it would be suitable for the format that they could play in. And that's why you saw a lot of the Zoom symphonies and the little boxes, but what the Houston Symphony did was bring musicians into the homes of their audience. And that created a lot of new experiences for their audience. What has the pandemic taught the the Houston Symphony are taking forward for the years to come?36:51 [John Mangum]:  [Music] It's one of the few spaces where you can go and really unplug and just be alone, and that is rare these days. And I think that the symphony is going to continue to scale great artistic heights and commission new works and support young composers and reflect the diversity and energy of our community.How did the pandemic pushed for the Houston symphony to think outside the box21:30 [John Mangum] Even when we had our largest possible audience during that pandemic season, there were only about 400 or 450 people in Jones Hall, which at the time sat 2,900. That was because households had to sit together and then be a certain distance from anyone who wasn't in their household—back to this bubble idea. We weren't under pressure to sell tickets, so that gave us the ability to program whatever we wanted. You didn't have to do a certain number of Beethoven symphonies, or Star Wars in concert, or the kind of things that sell tickets. So we could really explore all kinds of repertoire.Show Links: To Adapt During Crisis, Take a Lesson From JazzHouston SymphonyTranscriptGuest Profiles:John Mangum | LinkedInScott Sonenshein | LinkedInScott Sonenshein | Jones Graduate School of Business at Rice UniversityScott Sonenshein

Dr. Gail Archer is a GRAMMY-nominated internationally touring concert organist and trail-blazer for women organists.  She has fantastic advice on not only approaching a career in music, but in living life to it's fullest. We talked about learning languages, some fascinating history, the magic of choirs and much more. This episode features music from several of her acclaimed recordings, and we discuss women composers, and the challenges facing women organists. We also speak about Musforum the international network for wormen organists that she founed. Gail's work highlighting composers from many Eastern European countries including Poland, Ukraine, Bulgaria and Russia was a big part of this conversation and you'll hear some of this music as well as that of Fanny Mendelssohn, a discussion of the Bach revival and interesting details about J.S. Bach himself, and one of Gail's recordings of one of his sublime Chorale preludes. I learned a lot about the history of the pipe organ and gained not only a better understanding of the instrument and it's vast repertoire, but I also gained important insights into the work of choir directors. One of the main topics Gail addressed was how to build a robust career and live a full life, with sensivity, curiosity,  intelligence and determination.  Gail Archer website: http://www.gailarcher.com/ Musforum network for women organists: https://musforum.org/ This is also available on YouTube, and the transcript is linked there as well: https://www.leahroseman.com/episodes/gail-archer  I really do need the help of my listeners to keep this project going; please consider buying me a coffee through my support page which is linked to Paypal: https://ko-fi.com/leahroseman photo: Stephanie Berger Timestamps:  (00:00) Intro (03:32) playing on different organs (05:55) J.S. Bach Chorale preludes, Fritz organ (08:30)  Chorale Prelude An Wasserflüssen Babylon, By the Waters of Babylon, from Gail Archer's album "J. S. Bach The Transcendent Genius" (13:02)  history of the organ (26:17)Fanny Mendelssohn Prelude in G major from Gail Archer's album “Mendelssohn in the Romantic Century” (28:36) Musforum and sexist challenges facing women organists  (36:47) please support this series! (38:23) scene in England and Europe for women organists (39:25) Eastern European organs, Chernivsti (45:22) Chacona by Svitlana Osgtrova from album Chernivsti (48:28) St. John Cantius in Chicago rescued organ from Canada, Polish album (51:28) excerpt from Grazyna Baciewisz Esquisse on album Cantius (51:53) interpreting repertoire, choosing registers, Messiaen, Bulgarian project (58:08) Baroque performance practice (01:00:01) choir director, the magic of choirs, building her career, Harriman institute at Columbia (01:07:07) learning Russian and Italian (01:10:02) choral director, priorities working with choirs (01:15:10) books and history, Mendelssohn family, Clara Schumann, Bach revival (01:24:02) advice, how Gail built her career --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Mit ihrer Ostersonate schreibt die junge Fanny 1828 ein virtuoses Meisterwerk über das Auferstehungsfest und wandelt darin auf den Spuren Bachs. Lange schrieb man es fälschlich ihrem Bruder Felix zu. Erst vor wenigen Jahren kam die Wahrheit ans Licht. Von Ben Süverkrüp.

Charlie Russell discusses with Ivan six things which should be better known. Charlie Russell she/her. Creative Associate and co-founder at Mischief. Trained at LAMDA. Work with Mischief includes Groan Ups (West End); The Play That Goes Wrong (UK Tour, West End, Broadway); Peter Pan Goes Wrong (Pleasance, West End, BBC1 adaptation, Broadway); The Comedy About A Bank Robbery (West End); The Goes Wrong Show (BBC Sitcom); Improviser, Mischief Movie Night (West End, UK Tour), Austentatious, Yes Queens. Charlie wrote and performed a run of her first solo show, Charlie Russell Aims To Please, at the Edinburgh Fringe Festival in 2022. Other acting work includes Kat in Kite Strings (Short Film), Doctors (BBC 1), And Then There Were None (BBC1 & Mammoth Screen) #FindTheGirl (BBC3 Online) and A Twist Of Dahl (BBC Radio 4). Charlie can next be seen starring in Fanny at The Watermill Theatre in May 2024. 500 Acts of Kindness group https://www.facebook.com/groups/2074795452542346/ Fanny Mendelssohn https://www.nytimes.com/1996/03/23/arts/music-review-fanny-mendelssohn-was-audacious-too.html The game Worldle https://thinkygames.com/reviews/worldle-a-treasure-trove-for-geography-nerds/ Improv https://www.hooplaimpro.com/improv-comedy-club-london-bridge.html A Short History of Queer Women by Kirsty Loehr. https://www.gscene.com/arts/books/book-review-a-short-history-of-queer-women-by-kirsty-loehr/ Therapy https://www.nhs.uk/mental-health/talking-therapies-medicine-treatments/talking-therapies-and-counselling/benefits-of-talking-therapies/ This podcast is powered by ZenCast.fm

In deze aflevering van Kalm met Klassiek wordt de week geopend die in het teken staat van vrouwelijke componisten. Komende vrijdag 8 maart is het Internationale Vrouwendag, en daarom hoor je vijf afleveringen lang muziek van vrouwen door de eeuwen heen. Vandaag is het allereerst de beurt aan Fanny Mendelssohn, een muzikaal wonderkind dat in haar relatief korte leven meer dan 450 werken heeft voortgebracht. Een reis naar Italië gaf haar de inspiratie die ze nodig had om het 'Pianotrio' van deze aflevering te componeren. Voel je vrij om je op de Toscaanse heuvels te wanen bij deze muziek...  Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

Fanny Mendelssohn Hansel (1805-1847) was a German composer and pianist. She wrote hundreds of works, but for generations it has gone largely unnoticed and in some cases was attributed to her brother, Felix.  For Further Reading: Who was Fanny Mendelssohn, the unsung composer whose music was published under her brother's name? Fanny Mendelssohn Hensel finally moves out of her brother's shadow Fanny Mendelssohn Hensel, 1805-1847 This month, we're pulling back the curtain to reveal women overlooked in their own lifetimes or in our historical accounts of the eras in which they lived. We're talking about the activists, thinkers, leaders, artists, and innovators history has forgotten. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures.  Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, and Abbey Delk. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

The short-lived, San Francisco-based Women's Philharmonic, founded in 1981 and disbanded in 2004, had an enormous impact on America's classical music scene, promoting not only the music of woman composers but performances by prominent woman conductors and soloists. In 1992, they made their first recording for the Koch International Classics label under the direction of conductor JoAnn Falletta. Musical Concepts is pleased to return this recording, featuring works by Fanny Mendelssohn, Clara Schumann, Germaine Tailleferre, and Lili Boulanger, to international availability.TracksFanny Mendelssohn Ouverture (arr. Falletta) (10:32)Clara SchumannPiano Concerto in A Minor, Op. 7 (1836) I. Allegro maestoso (6:34) II. Romanze (Nina Flyer, cello) (4:51) III. Finale (10:24) Germaine TailleferreConcertino for Harp and Orchestra I. Allegretto (7:26) II. Lento (3:32) III. Rondo (5:03) Lili Boulanger D'un Soir Triste (arr. Falletta) D'un Matin de Printemps (arr. Falletta) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Det er en stor glede å få lov til å ønske velkommen på Nerdelandslaget, dyreelsker, kanskje tidenes beste gjennomskuer av forrædere i TV2-programmet Forræder og sjakkens Fanny Mendelssohn med hundre jern i ilden: Heidi Røneid!

Ukraine claims it has identified 20,000 children who it alleges have been abducted by Russia since the start of the war. Arrest warrants have been issued to President Putin and his Commissioner for Children's Rights. It's the subject of the latest work from film maker Shahida Tulaganova, whose documentary Ukraine's Stolen Children airs on ITV tonight. Now you may have heard of German composer Felix Mendelssohn but what about his sister, Fanny? A composer in her own right, Fanny was long ignored by the classical music world in favour of her brother. And despite being forbidden a musical career, Fanny persevered and composed 450 works. A new documentary, Fanny The Other Mendelssohn, explores her life and features never-before-heard or recorded pieces by her. Its director, BAFTA winner Sheila Hayman is also Fanny's 3x great granddaughter and she joins Emma to discuss it. An extra course of chemotherapy could cut the risk of death from cervical cancer by up to two fifths, according to a new study by scientists. The drugs used are already licensed for use in the UK so those involved say it should be straightforward to roll out because the treatment is 'cheap and accessible'. GP Dr Phillipa Kaye who is also an ambassador for Jo's Cervical Cancer Trust and Comedian, Ambassador for Eve Appeal and cervical cancer survivor Karen Hobbs both join Emma Barnett to discuss it. Designer Sarah Burton has stepped down as Creative Director of the fashion brand Alexander McQueen, meaning that there are now only a tiny number of women designing clothes for the rest of us. So why are there so few female designers at the top fashion houses? And does it actually make a difference when the clothes women wear are designed by men? Presenter: Emma Barnett Producer: Emma Pearce

Fanny Mendelssohn - The Year: Autumn: SeptemberLiana Serbescu, pianoMore info about today's track: CPO 999013-2Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Charlotte Maclet is an award winning violinist who first performed a Mendelssohn concerto at age nine! She has performed as a soloist in her native France and abroad. She led the acclaimed quartet Camerata Alma Viva and is now first violinist for Zaïde Quartet. She and Emma discuss her recent recording with Zaïde, Invisible, which places the music of Fanny Mendelssohn and Clara Schumann alongside the more famous men who share a surname, how to lead a quartet as democratically as possible and why she chose life in chamber music over a solo career.Quatuor ZaïdeBuy their record: InvisibleThe 3 Questions:What piece of art changed everything for you?The work of Gustav KlimtWhat piece of art do you respect rather than like?The work of Marina AbrahmovitchGive us a recommendation...Listen to Glen Gould! And read Haruki Murakami's Absolutely On Music

Fanny Mendelssohn - NotturnoMichael Landrum, pianoMore info about today's track: Sono Luminus DSL-92158Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

One of the pieces Fanny published under her own name during her lifetime. Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

What was life like for a 19th century female composer? Today, we celebrate a woman who was forced to watch her brother shine from the sidelines for a majority of her career, and what she did to make a name for herself. We discuss Christmas trees, Roman goddesses, and singing queens. Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

durée : 00:36:59 - Les Nuits de France Culture - par : Albane Penaranda - Si les noms de Clara Schumann, Alma Mahler et Fanny Mendelssohn nous sont connus, c'est surtout en tant que femme ou sour de .... et ceux de Louise Farrenc, Hélène de Montgeroult ou Pauline Viardot rayonnent encore de façon confidentielle, c'est tout le propos de cette émission. On ne saurait mieux le dire que l'historienne Mélanie Traversier, directrice, avec Alban Ramaut, de l'édition de l'ouvrage intitulé La musique a-t-elle un genre ? : * "Toutes les femmes artistes qu'elles soient musiciennes, autrices, peintres, cinéastes, ont subi les mêmes processus d'invisibilisation - ou en tout cas de disqualification. Si leur stade suprême est l'oubli total, ils passent aussi par des discours qui minorent le rôle des femmes dans l'histoire des arts, les plaçant par exemple sous une tutelle masculine, réduisant ces artistes à n'être que 'la sour de', 'la fille de.', 'l'épouse de.', 'la muse de', 'la maîtresse de.' comme on l'a vu avec Germaine Tailleferre, grande compositrice mais souvent qualifiée de 'mascotte du Groupe des Six'. Si les noms de Clara Schumann, Alma Mahler et Fanny Mendelssohn nous sont connus, c'est surtout en tant que femme ou sour de .... Et ceux de Louise Farrenc, Hélène de Montgeroult ou Pauline Viardot rayonnent encore de façon confidentielle. C'était tout le propos de cette émission diffusée diffusé le 17 juillet 2015 en direct et en public depuis Montpellier à l'occasion des trente ans du Festival Radio France. L'existence et les ouvres de femmes compositrices du XIXe siècle étaient salués dans un numéro de "Continent musiques d'été" au cours duquel Anna Sigalevitch s'entretenait avec la musicologue Florence Badol-Bertrand et la mezzo-soprano Marianne Crebassa. "Reconnaissance et statut des femmes compositrices au XIXe siècle",  Par Anna Sigalevitch  Réalisation : Charles Le Gargasson Extrait : Continent musiques d'été - Reconnaissance et statut des femmes compositrices au XIXe siècle (1ère diffusion : 17/07/2015) Indexation web : Documentation Sonore de Radio France

Town Square with Ernie Manouse airs at 3 p.m. CT. Tune in on 88.7FM, listen online or subscribe to the podcast. Join the discussion at 888-486-9677, questions@townsquaretalk.org or @townsquaretalk. First, Sarah Rothenberg, Artistic Director of DACAMERA, joins us with a preview of the upcoming 2023-2024 season of the arts organization, which includes a new suite from jazz trumpeter and composer Terence Blanchard from his history-making opera “Fire Shut Up in My Bones”, two world premieres from Etienne Charles and composer Matthew Aucoin and director Peter Sellars, and a celebration of composer Fanny Mendelssohn in concert and film. To learn more about DACAMERA'S 2023-2024 Season, click here. Plus, June 16 – 23, DACAMERA is offering a free virtual streaming event of its recent production of Kendrick Scott's “Unearthed”, which is a memorialization of the Sugar Land 95 through original music, poetry, and visual art. For more information, click here. The Sugar Land 95 refers to 95 African-American individuals whose remains were uncovered during construction of a new school in Fort Bend Independent School District in 2018. Our conversation on The Sugar Land 95 continues with the co-hosts of a new Texas Newsroom podcast Sugar Land, Journalist Brittney Martin and Southwestern University Assistant Professor of Anthropology Dr. Naomi Reed.  Their podcast explores details about who The Sugar Land 95 were, the systemic issues around them, and what progress has been made in the five years since they were discovered. The first two episodes of the Sugar Land podcast will be released Friday, June 16, 2023, on HoustonPublicMedia.org and all major podcast platforms. The remainder of the 8 episodes will be released weekly, every Thursday. Guests: Sarah Rothenberg  Artistic Director, DACAMERA Brittney Martin  Independent Journalist Co-Host & Executive Producer, Sugar Land podcast Dr. Naomi Reed Assistant Professor of Anthropology, Southwestern University Co-Host & Senior Producer, Sugar Land podcast Town Square with Ernie Manouse is a gathering space for the community to come together and discuss the day's most important and pressing issues. We also offer a free podcast here, on iTunes, and other apps

Difficile de rentrer directement dans une simple énumération de ces femmes qui ont été pour la plupart oubliées ou ont connu un destin « d'étoile filante ». Certaines auront été le reflet de leur époque, des mœurs et la place de la femme dans celles-ci ! En compagnie de Jean-Claude Mory, ancien Régisseur général de l'Opéra de Paris, nous allons revenir sur cette grande histoire, en plusieurs épisodes ... « Oublions que je suis une femme et parlons musique » s'agaçait la grande Nadia Boulanger au siècle dernier. Les femmes furent sans cesse renvoyées à leur condition, celle d'épouse, mère ou sœur, priées de disparaitre en raison des conventions sociales ou au profit d'un frère comme Maria Anna Mozart, Fanny Mendelssohn, d'un mari pour Alma Mahler ou Clara Schumann ! et bien d'autres... La présence d'une femme sur « scène » pose problème ! Au XIXe siècle, une violoniste et sa gestuelle vigoureuse donc « virile » avec l'archet font dire à certains que c'est scandaleux de voir jouer une femme du violon comme de la voir fumer en public ! Le violoncelle où la femme écarte les jambes pour tenir l'instrument et en sortir des sons graves est indécent sans oublier les instruments à vent comme flûte, trombone, trompette et autres instruments classés dans la catégorie « cuivres » ! Malgré ces interdits, les femmes ont usé de stratagèmes pour contourner les interdits, emprunter des noms d'hommes pour les compositrices ou placer les instruments d'une façon différente comme pour la harpe ou le violoncelle…. Malheureusement, en les accusant de superficialité, voire d'user de leurs charmes, en les réduisant à leur apparence, on dénigre leur talent artistique et dès la fin du XIXe siècle certaines musiciennes défendront « la cause féminine » ! Égalité de traitement, de droits divers, d'être reconnues pour leur art et leurs compétences comme les hommes. Outre les obstacles rencontrés de leur vivant, beaucoup de ces musiciennes entrées dans cette volonté, subiront le sort de ne pas rester dans la postérité et tomberont pour la plupart dans l'oubli ! Si nous pouvions par cette chronique réécrire leur histoire, non pas parce que ce sont des femmes, mais de grandes musiciennes qui ont marqué leur temps voire l'histoire de leur instrument. Nous mettons l'accent sur leurs succès mais aussi sur leurs combats, leurs parcours de vie dans toute leur complexité et leur diversité.

Sowohl Fanny Mendelssohn als auch ihr dreieinhalb Jahre jüngerer Bruder Felix saßen sonntags vormittaqs regelmäßig am Klavier im Speisezimmer der Familie und gaben Konzerte fürs staunende Publikum. Es ging nicht nur ums musikalische Miteinander, es gab wohl auch einen geschwisterlichen Wettbewerb der beiden Genies.

Music by Fanny Mendelssohn, Ludwig van Beethoven, Frédéric Chopin, and Maurice Ravel. The post Tyler Wang, 17, piano appeared first on WFMT.

How do you see Brahms Symphony No. 4? For Scottish orchestral bassist and abstract painter Kirsty Matheson, music—like days of the week— have color. Kirsty shares how she balances her professional music life with her painting career that took flight during a 100 Day project in 2021. This fascinating conversation allows us to dip into synesthesia, a neurological condition shared by Kirsty and many other creative minds that creates a crossover between senses, in Kirsty's case allowing her to paint classical music.  Find Kirsty: Kirsty's Website: www.kirstymatheson.com Kirsty's Instagram: @kirsty_matheson_art   Kirsty's Twitter: @KirstyM_Art    Mentioned:Justin Mortimer | artist  (learn)Esperanza Spalding | American bassist, singer and composer (listen) Ju-Fang Liu | Principal Bass, Indianapolis Symphony Orchestra (learn) Kristen Bruya | Principal Bass, Minnesota Orchestra (learn) Aspen Music Festival (explore) Dido and Aeneas Overture , Henry Purcell (listen) John Butt |University of Glasgow | Director, Dunedin Consort (listen) Kirsty's 100 Day Project (explore) BBC3 Tom Service Interview, Music in the Moment, May 31, 2021 (listen) Maggie Hambling | British painter and sculptor (learn) Synesthesia | neurological condition involving an overlap of senses (learn) Famous synaesthetes, BBC article  (learn) Wassily Kandinsky (1866-1944) | Russian painter (learn) Mozart, Symphony No. 40 in G Minor (listen) Fanny Mendelssohn (1805 –1847) | composer (listen) Seonaid Aitken | Scottish jazz violinist (listen) BBCThe Afternoon Show Podcast | Kirsty's review  movie Tár (listen)  BBC Scottish Symphony Orchestra (learn)Find Me, Kristy Darnell Battani:Website:    https://www.kristybattani.comInstagram:  kristybattaniartSupport the show

Jess Gillam is joined by the Mumbai-born pianist Shivank Menon, to talk about the records that they love. Their playlist includes Rostropovich playing Bach, Sviatoslav Richter playing Chopin, songs by Ravel, Fanny Mendelssohn and Donny Hathaway, and a recording of Bill Evans duetting with himself. Playlist: MORELENBAUM2 & RYUICHI SAKAMOTO: Sabia J S BACH ARR. KODALY: Vater unser im Himmelrich, BWV 762 (Mstislav Rostropovich, cello; Herbert Tachezi (organ) CHOPIN: Polonaise No 7 in A flat, Op 61 (Sviatoslav Richter, piano) ROBERT DE VISÉE: Sarabande from Suite No 7 in D minor (Thomas Dunford, archlute; Jean Rondeau, harpsichord) FANNY MENDELSSOHN: Schwanenlied, Op 1 No 1 (Dorothea Craxton, soprano & Babette Dorn, piano + Benjamin Appl, baritone & James Baillieu, piano) RAVEL: Soupir from 3 Poèmes de Stéphane Mallarmé (Anne Sofie von Otter, mezzo-soprano) DONNY HATHAWAY: A Song for You BILL EVANS: Emily

A vida de Fanny Mendelssohn poderia ter sido contada por Jane Austen. Assim foi a história das mulheres há 200 anos.See omnystudio.com/listener for privacy information.

Un saludo amigos y mecenas. Acabamos con este audio la serie que hemos consagrado a Comte. Hoy hablamos de su moral y hacemos un poco de recapitulación crítica. Saludos cordiales y gracias por sus escuchas. ***** Música de la época: Trío para piano en re menor op. 11 de Fanny Mendelssohn (la hermana mayor del famoso compositor decimonónico Félix Mendelssohn). ****** Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!

Fanny Mendelssohn - In this episode and the series that follow, Joe highlights the lives and music of women composers through the centuries, whose compositions were discouraged, suppressed and even forbidden. The following are links to some of her compositions. https://youtu.be/ti1eZ2B63Ro ,  https://youtu.be/MxlMuaO5hng

Guðjón R. Sigurðsson fæddist árið 1903 í Austur Skaftafellssýslu, en fluttist vestur um haf rúmlega tvítugur að aldri. Guðjón festi aldrei rætur heldur ferðast vítt og breitt um landið og stundaði fjölbreytt farandstörf. Þegar litla vinnu var að fá hafðist Guðjón við í óbyggðum Kanada og veiddi í sig og á. Hann kynntist ótal eftirminnilegum einstaklingum og lenti oft í lífsháska. En römm er taugin heim, og eftir ævintýralegt lífshlaup í Kanada ákvað Guðjón að flytja aftur til Íslands, og stuttu síðar hóf hann að skrifa endurminningar sínar. Þórður Sævar Jónsson tók þær saman og við heyrum í honum í þætti dagsins. Í kvöld fara fram í Hörpu tónleikar í tónleikaröð undir yfirskriftinni Feima. Nafnið Feima er samheiti orðsins kona og tilvísun í stefnu kammerklúbbsins að rétta af hlutföll kynja sem oft sjást á efnisskrám og annars staðar í tónlistarlífinu. Feima sprettur upp úr starfi kammersveitarinnar Elju og á tónleikum FEIMU slást ýmsar tónlistarkonur í hóp með klassískum hljóðfæraleikurum Elju. Á tónleikunum í kvöld leikur tónlistarkonan RAKEL eigin tónlist í útsetningum fyrir kammerhóp, ásamt því að fulltrúar úr Elju flytja verk eftir Veronique Vöku, Fanny Mendelssohn og Kaju Saariaho. Þær Rakel Sigurðardóttir og Björg Brjánsdóttir verða gestir í hljóðstofu hér á eftir og segja okkur nánar af starfi Feimu og tónleikum kvöldsins. Játningarnar eru eitt af lykilverkum heimsbókmenntanna, hreinskilin og opinská sjálfsævisaga eins helsta hugsuðar átjándu aldar, Jeans-Jacques Rousseau. Í tólf bókum rekur Rousseau ítarlega ævintýralegan feril sinn og opinberar bresti sína og tilfinningar. Pétur Gunnarsson rithöfundur hefur nú þýtt þetta gríðarmikla verk úr frönsku og Gauti Kristmannsson hefur nýlokið lestri. Heyrum meira af því í þætti dagsins. En við byrjum á því að forvitnast um íslenska myndlistarkonu í Þýskalandi. Nýlega var tilkynnt um handhafa Albert-Weisgerber heiðursverðlaunanna, sem veitt eru fyrir ævistarf myndlistarmanns sem skapað hefur sér sérstöðu, virðingu og unnið ötullega að list sinni heima og að heiman. Myndlistarkonan Sigrún Ólafsdóttir hlýtur verðlaunin að þessu sinni, en þeim fylgir yfirlitssýning á verkum hennar og bókaútgáfa um listferil hennar. Víðsjá sló á þráðinn til Þýskalands af þessu tilefni. Umsjón: Halla Harðardóttir og Melkorka Ólafsdóttir

Guðjón R. Sigurðsson fæddist árið 1903 í Austur Skaftafellssýslu, en fluttist vestur um haf rúmlega tvítugur að aldri. Guðjón festi aldrei rætur heldur ferðast vítt og breitt um landið og stundaði fjölbreytt farandstörf. Þegar litla vinnu var að fá hafðist Guðjón við í óbyggðum Kanada og veiddi í sig og á. Hann kynntist ótal eftirminnilegum einstaklingum og lenti oft í lífsháska. En römm er taugin heim, og eftir ævintýralegt lífshlaup í Kanada ákvað Guðjón að flytja aftur til Íslands, og stuttu síðar hóf hann að skrifa endurminningar sínar. Þórður Sævar Jónsson tók þær saman og við heyrum í honum í þætti dagsins. Í kvöld fara fram í Hörpu tónleikar í tónleikaröð undir yfirskriftinni Feima. Nafnið Feima er samheiti orðsins kona og tilvísun í stefnu kammerklúbbsins að rétta af hlutföll kynja sem oft sjást á efnisskrám og annars staðar í tónlistarlífinu. Feima sprettur upp úr starfi kammersveitarinnar Elju og á tónleikum FEIMU slást ýmsar tónlistarkonur í hóp með klassískum hljóðfæraleikurum Elju. Á tónleikunum í kvöld leikur tónlistarkonan RAKEL eigin tónlist í útsetningum fyrir kammerhóp, ásamt því að fulltrúar úr Elju flytja verk eftir Veronique Vöku, Fanny Mendelssohn og Kaju Saariaho. Þær Rakel Sigurðardóttir og Björg Brjánsdóttir verða gestir í hljóðstofu hér á eftir og segja okkur nánar af starfi Feimu og tónleikum kvöldsins. Játningarnar eru eitt af lykilverkum heimsbókmenntanna, hreinskilin og opinská sjálfsævisaga eins helsta hugsuðar átjándu aldar, Jeans-Jacques Rousseau. Í tólf bókum rekur Rousseau ítarlega ævintýralegan feril sinn og opinberar bresti sína og tilfinningar. Pétur Gunnarsson rithöfundur hefur nú þýtt þetta gríðarmikla verk úr frönsku og Gauti Kristmannsson hefur nýlokið lestri. Heyrum meira af því í þætti dagsins. En við byrjum á því að forvitnast um íslenska myndlistarkonu í Þýskalandi. Nýlega var tilkynnt um handhafa Albert-Weisgerber heiðursverðlaunanna, sem veitt eru fyrir ævistarf myndlistarmanns sem skapað hefur sér sérstöðu, virðingu og unnið ötullega að list sinni heima og að heiman. Myndlistarkonan Sigrún Ólafsdóttir hlýtur verðlaunin að þessu sinni, en þeim fylgir yfirlitssýning á verkum hennar og bókaútgáfa um listferil hennar. Víðsjá sló á þráðinn til Þýskalands af þessu tilefni. Umsjón: Halla Harðardóttir og Melkorka Ólafsdóttir

Komponiert habe sie nichts, schreibt Fanny Hensel 1840. Denn es „kräht ja doch kein Hahn danach“, stellte die hochmusikalische Schwester von Felix Mendelssohn fest. Einige Jahre später aber entstand ihr Klaviertrio d-Moll. Heute finden komponierende Frauen Gehör. Wenn man sie zu Gehör bringt, wie hier das Trio Gaspard.

Fanny Mendelssohn - Adagio Heather Schmidt, piano More info about today's track: Naxos 8.570825 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

She was a composer whose music was wrongfully neglected and was sometimes attributed and published under her brother's name. Join Evan Keely and John Banther as they discuss the unique challenges she faced, her letters, late success in publishing, and more.  Support Classical Breakdown: https://weta.org/donatefm See omnystudio.com/listener for privacy information.

paypal.me/LibroTobias Esta semana en nuestra “Sección principal” tenemos una película que nos ha pedido nuestro donante vía PayPal Jesús Porrero, “El reino de los cielos” dirigida por Ridley Scott trata sobre las cruzadas en el siglo XII, específicamente en el llamado sitio de Jerusalén de 1187. Además en nuestra sección “El callejón oscuro” os traigo a William Heirens conocido como el “Asesino del pintalabios” su apodo se le adjudicó debido a que, en las escenas de sus crímenes, se encontraron mensajes escritos en la pared con un lápiz labial. Finalmente en la sección “¿Qué fue de?” esta semana os hablo de Fanny Mendelssohn que vivió toda su vida a la sombra de su hermano Félix pese a estar más dotada que el e incluso componer algunas de las mejores obras de este. Tiempos: Sección principal: del 00:04:27 al 01:44:02 Sección “El callejón oscuro”: del 01:44:03 al 02:26:10 Sección “¿Qué fue de?”: del 02:26:11 al 03:06:55 Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

En este episodio conoceremos a la compositora romántica Fanny Hensel Mendelssohn, antiguamente conocida más como "la hermana de Félix Mendelssohn", pero que recientemente se está ganando su propio lugar dentro de los compositores reconocidos de la primera mitad del siglo XIX.  La música de Fanny Mendelssohn que vas a escuchar en este episodio 00:30 Allegro grazioso No. 1, WV 294, interpretado por Elżbieta Sternlicht. 05:04. String Quartet in E-Flat Major (H. 277), interpretado por Quatuor Ébène. 10:36. 4 Lieder, Op. 6: No. 4, Il saltarello romaNo. Allegro molto, interpretado por Ana Markovic & Yen-Ling Liu. 13:56 Six mélodies pour le Piano, Op. 4 & Op. 5: Andante soave in E-Flat Major, interpretado por Beatrice Rauchs. 15:36. Das Jahr: 12 Characterstucke (original version): No. 4. April, interpretado por Wolfram Lorenzen. 16:45. 6 Lieder, Op. 1: No. 1, Schwanenlied, interpretado por Jerilyn Chou & Chiaki Kotobuki. 18:26. Overture in C Major, interpretado por The Women's Philarmonic, JoAnn Falletta.    

We're given a preview of Saturday night's concert at Carthage College that will feature the music of Felix and Fanny Mendelssohn. Dr. Ed Kawakami is Director of Choral Activities, and Dr. Dimitri Shapovalov is interim conductor of the Carthage Choir. They are serving as co-chairs of the music department. Saturday night's concert includes the Overture in C by Fanny Mendelssohn as well as Felix Mendelssohn's setting of Psalm 42 for choir and orchestra.

Fanny Mendelssohn - Notturno Michael Landrum, piano More info about today's track: Dorian Sono Luminus DSL-92158 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Though many societies either forbade or looked down on women who wanted to be composers, many persevered. This show highlights Francesca Caccini, Elizabeth Claude Jacquet de la Guerre, Louise Farrenc, Cecile Chaminade, Germaine Tailleferre, Hildegard von Bingen, Marianna Martines, Fanny Mendelssohn, Amy Beach, Florence Price, and Queen Lili'oukalani.

The Unthank sisters, writers Lucy Holland and Oyinkan Braithwaite and historian and feminist activist Sally Alexander join Shahidha Bari for a conversation about what it means to be a sister on International Women's Day 2022. You could make a family from recent novels depicting sisterhood from Oyinkan Braithwaite's My Sister the Serial Killer, to Daisy Johnson's Sisters and Brit Bennett's The Vanishing Half but literary sisterhood goes back via Jane Austen and the Brontës to Chekhov, King Lear's daughters, Cinderella and Greek myths about the seven sisters who formed the Pleiades, or Antigone and Ismene. And if you're looking at feminist history the idea of the sisterhood has been a cornerstone of political action. Is it right that sisters will have a particular bond and sound if they perform music together? All of this and more in tonight's Free Thinking conversation. The Unthank sisters will be on tour with their latest album Sorrows Away visiting a range of venues from Norwich, Poole, Northampton, Middlesborough, Belfast, Edinburgh, Dublin and a range of places in between starting on March 13th in Lincoln Lucy Holland has written Sistersong set in Anglo-Saxon Britannia. She also presents Breaking the Glass Slipper, a podcast celebrating women in genre. You can hear a reading of Oyinkan's novel My Sister the Serial Killer by Weruche Opia on BBC Sounds https://www.bbc.co.uk/sounds/series/p08q6q19 Sally Alexander, Professor Emerita at Goldsmiths, is founding editor of the History Workshop Journal and is working on a history of psycho-analysis. Producer: Kevin Core You might also be interested in the most recent episode of Radio 3's Words and Music on Sisters, with its curated playlist of readings and music of all kinds ranging from Wordsworth, Jane Austen, Brit Bennet and Arifa Akbar to Fanny Mendelssohn, Errollyn Wallen, Hildegard of Bingen and the Labeque Sisters performing Ravel. And tomorrow's programme explores new research into women's history. And there's a playlist on the Free Thinking programme website called Women in the World https://www.bbc.co.uk/programmes/p084ttwp

En el episodio de hoy de nuestro cuento musical para niños, Jugando con Tchai, el pequeño Tchai y su familia se van de vacaciones a un pueblo llamado Puercoespín Carabonda, en las cercanas montañas a su pueblo. Pero, ¿qué se le olvida empacar para su corto viaje? Y, ¿a quién se encuentra en una tienda cercana? La música que podrán escuchar en este episodio.  La historia de hoy con música de la compositora del mes, Fanny Mendelssohn: los niños podrán escuchar partes de su Sonata de Pascua, en especial los movimientos I y III.    00:38 Ostersonate: I. Allegro Assai Moderato por Fanny Mendelssohn, interpretado por Gaia Sokoli.  03:38  Ostersonate: III. Scherzo. Allegretto por Fanny Mendelssohn, interpretado por Gaia Sokoli.    Paula también pregunta a los niños cuál es su episodio de Tchai favorito ya que ella lo ha pasado genial creando la historia de este episodio.   Si te gusta el episodio, califícalo en tu app favorita  o puedes dejar tu review. :)  No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan conmigo sobre música clásica. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Web: allegromagico.com    ¿Quieres aprender lo básico de música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos.  ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños.