Podcasts about Cornwall

In this week's MBA Admissions podcast we began by discussing the current state of the MBA admissions season. We are still seeing an uptick in activity of MBA Decision Wire, as many candidates begin to weigh their MBA options. Graham highlighted MBA webinar events that are on the horizon that Clear Admit is hosting. The first webinar looks at the enduring value of the MBA. The second series of events is for deferred admissions candidates who are currently completing their first degrees. Signups are here: https://www.clearadmit.com/events Graham noted a news story recently published on Clear Admit that focuses on Washington / Olin's new MS in AI for Business. Graham also highlighted two admissions tips. The first focuses on how scholarships should impact MBA program selection. The second admissions tip explores the importance of respecting word counts and other similar constraints in the admissions process. Graham then noted a Real Humans piece spotlighting students from Washington / Olin. We then discussed two recently published Class of 2025 employment reports from Booth and Kellogg. For this week, for the candidate profile review portion of the show, Alex selected one ApplyWire entry and two DecisionWire entries. This week's first MBA admissions candidate appears to have a very decent profile overall, but their GRE score of 324 is potentially their weakest element. Should they consider a retake? This week's second MBA applicant is deciding between Duke / Fuqua ($50K), Northwestern / Kellogg ($30k) and UPenn / Wharton. This week's final MBA candidate has offers and a variety of scholarships from UNC / Kenan Flagler, Georgetown / McDonough, CMU / Tepper, Cornell / Johnson and Emory / Goizueta. They have a 316 GRE score. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

It was the biggest night of the year in a little town called Cornwall. It was the night of the annual Christmas pageant. Since there are no nearby malls or cities to compete with, the pageant is pretty much packed out every year. It's an especially big deal for the children in town. They get to try out for the roles in the Christmas story, and everybody wants a part. Which leads us to the problem of Harold. See, Harold wanted to be in the play, too, but he was...well, he was kind of a slow and simple kid. The directors were ambivalent, I mean, they knew Harold would be crushed if he didn't have a part, but they were afraid he might mess up the town's magic moment if he did. Finally, they decided to cast Harold as the innkeeper - the one who turns Mary and Joseph away the night Jesus is to be born. He only has one line: "I'm sorry, we have no room." Well, no one could imagine what that one line was going to do to everyone's Christmas. I'm Ron Hutchcraft and I want to have A Word With You today about "The Christmas Invitation." The night of the pageant the church was packed, as usual. I mean, the set was in place, and there was an entire wall with scenes of Bethlehem painted on it, including the door of the inn where Harold would greet - and then turn away - the young Jewish travelers. Backstage, the angels were playing Frisbee with their halos, and the shepherds were waiting 'till the last minute to put on their annually laundered bathrobes, and Harold was being personally coached by the nervous directors. "Now remember, Harold, when Joseph says, 'Do you have a room for the night?' you say...you say..." Hesitantly, Harold said, "I'm sorry. We... We have no room." The directors looked at each other somewhat hopefully. They'd done all they could. Well, the Christmas story unfolded according to plan - angels singing, Joseph's dream, the trip to Bethlehem. Finally, Joseph and Mary arrived at the door of the Bethlehem Inn, looking appropriately tired, discussing whether the baby might come tonight. Joseph knocked on the inn door. Backstage, the directors were just out of sight, coaching Harold to open the door now. And wouldn't you know it - the door was stuck! The whole set shook; Harold tried to get that door open. When he finally did, Joseph asked his question on cue: "Do you have a room for the night?" Harold froze. From backstage, a loud whisper: "I'm sorry. We have no room." And Harold mumbled, "I'm sorry. We have no room." And, with a little coaching, he shut the door. Well, the directors heaved a sigh of relief - prematurely. As Mary and Joseph disappeared into the night, the set suddenly started shaking again, and the door opened. Harold was back! And then, in an unrehearsed moment that folks would never forget, Harold went running after the young couple, shouting as loud as he could, "Wait! Wait! You can have my room!" I think little Harold may have understood the real issue of Christmas better than anyone there that night. How can you leave Jesus outside? You have to make room for Jesus. And that may be the issue for you this Christmas season. What will you do with this Son of God who came to earth to find you? This One who trades a throne room for a stable, angel praise for human mockery, this Creator who gives Himself on a cross? The Bible gives us the only appropriate response in Galatians 2:20, our word for today from the Word of God: "The life I now live by faith in the Son of God who loved me and gave Himself for me." You look at what Jesus did to pay for your sin on that cross, and you say those life-changing words - "For me." Jesus is at your door this Christmas. Maybe He's been knocking for a long time and maybe He won't keep knocking much longer. All your life - even in the events of the last few months - it's been to prepare you for this crossroads moment with Jesus your Savior. I'd love to help you cross over as the Bible says, "from death to life" belonging to Jesus. Our website is there for that purpose - ANewStory.com. Don't leave Him outside any longer. Open the door this Christmas season. "Jesus, I cannot keep You out any longer. Come on in. You can have my room. You can have my life."

Climate refugees. The Animal (whatever Act) and the beginning of the end for factory farming. Reform, Farage dogging (the hunting ban). Cornwall's octopi bloom. The London Stock Exchange with June Sarpong - Bondi Beach fallout, Winter Solstice, White Christmas dreams, Nuclear Energy and the Romans, and different view of Crimbo.  It's not Ed or Labour wot did it - the greenest xmas on the grid ever. 

In this week's episode, we celebrate Christmas by investigating the DARK version of Santa's little elves - The Knockers. These small, elf-like creatures live in the mines of Cornwall and are known for leading locals to either gold... or their deaths... Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Secret Society Facebook Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/ThisParanormalLife⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get access to weekly bonus episodes! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Official TPL Merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thisparanormallife.com/store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Intro music by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.purple-planet.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Edited by Philip Shacklady Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's MBA Admissions podcast we began by discussing the current state of the MBA admissions season. Last week was the final week of decision releases for Round 1, for the top MBA programs. This now corresponds with an uptick in activity of MBA Decision Wire, as many candidates begin to weigh their MBA options. Graham noted two admissions tips recently published on Clear Admit. The first focuses on GMAC's Common Letter of Recommendation, which has been adopted by many of the top MBA programs. The second admissions tip explores the recent phenomenon of some MBA programs offering test waivers. Graham highlighted an Adcom Q&A featuring Yale SOM's Bruce DelMonico. This led to a discussion on the value of the institutional brand for Yale's MBA program. Graham then noted a Real Humans piece spotlighting students from Dartmouth / Tuck. We then discussed the recently published employment reports from Tuck and MIT / Sloan. For this week, for the candidate profile review portion of the show, Alex selected two ApplyWire entries and one DecisionWire entry: This week's first MBA admissions candidate has superb numbers, including a 339 GRE score. They work at Accenture and want to target the Ed Tech space, post MBA. This week's second MBA applicant also has very strong numbers, and works in the video gaming industry. They want to move to product management in the gaming industry, post MBA. This week's final MBA candidate has offers from Tuck, Darden and Goizueta, while applying with a test waiver. They may take the test and develop a Round 2 strategy. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

This Christmas, we celebrate the One who came near. O Adonai. O Radix. O Clavis. O Rex Gentium. O Emmanuel. Each name reveals a different facet of Jesus - our Lord, our Root, our Key, our King, our God with us. Join us Sundays in December as we journey through the wonder of who He is.

Ready to start planning your June 2026 travels? In episode 149 of The Places Where We Go, we explore some of the best destinations, festivals, and experiences around the world happening in June 2026. Whether you're dreaming of live music, outdoor adventures, cultural celebrations, or world-class sporting events, this episode is packed with inspiration to help you plan an unforgettable early-summer getaway. We highlight iconic U.S. music festivals including Bonnaroo Music & Arts Festival, Milwaukee Summerfest, Electric Forest in Rothbury, Michigan, Green River Festival, and the always-fun Tupelo Elvis Festival. If you're craving nature, we also chat about summer solstice celebrations, camping adventures, and the thrilling Century Ride at Lake Almanor. Then we head across the Atlantic to Europe, where June 2026 brings incredible international experiences such as the Isle of Wight Festival, Golowan Festival in Cornwall, the French Open in Paris, and, of course, the excitement of the World Cup. Whether you're planning a big trip, a weekend getaway, or simply daydreaming about future adventures, this episode will spark ideas, help you choose where to go, and inspire you to make the most of June 2026. The Places Where We Go Resources PODCAST: Released every other week in your favorite podcast app WEBSITE & BLOG www.theplaceswherewego.com

John Granger Attempts to Convince Nick (and You!) That The Hallmarked Man will be Considered the Best of the Series.We review our take-away impressions from our initial reading of The Hallmarked Man. Although we enjoyed it, especially John's incredible prediction of Robin's ectopic pregnancy, neither of us came away thinking this was the finest book in the series. For Nick, this was a surprise, as enthusiastic J. K. Rowling fan that he is other than Career of Evil every book he has read has been his favourite. Using an innovative analysis of the character pairs surrounding both Cormoran and Robin, John argues that we can't really appreciate the artistry of book number eight until we consider its place in the series. Join John and Nick as they review the mysteries that remain to be resolved and how The Hallmarked Man sets readers up for shocking reveals in Strike 9 and 10!Why Troubled Blood is the Best Strike Novel:* The Pillar Post Collection of Troubled Blood Posts at HogwartsProfessor by John Granger, Elizabeth Baird-Hardy, Louise Freeman, Beatrice Groves, and Nick JefferyTroubled Blood and Faerie Queene: The Kanreki ConversationBut What If We Judge Strike Novels by a Different Standard than Shed Artifice? What About Setting Up the ‘Biggest Twist' in Detective Fiction History?* If Rowling is to be judged by the ‘shock' of the reveals in Strike 10, then The Hallmarked Man, the most disappointing book in the series even to many Serious Strikers, will almost certainly be remembered as the book that set up the finale with the greatest technical misdirection while playing fair.* The ending must be a shock, one that readers do not see coming, BUT* The author must provide the necessary clues and pointers repeatedly and emphatically lest the reader feel cheated at the point of revelation.* If the Big Mysteries of the series are to be solved with the necessary shock per both Russian Formalist and Perennialist understanding, then the answers to be revealed in the final two Strike novels, Books Two and Three of the finale trilogy, should be embedded in The Hallmarked Man.* Rowling on Playing Fair with Readers:The writer says that she wanted to extend the shelf of detective fiction without breaking it. “Part of the appeal and fascination of the genre is that it has clear rules. I'm intrigued by those rules and I like playing with them. Your detective should always lay out the information fairly for the reader, but he will always be ahead of the game. In terms of creating a character, I think Cormoran Strike conforms to certain universal rules but he is very much of this time.* On the Virtue of ‘Penetration' in Austen, Dickens, and Rowling* Rowling on the Big Twist' in Austen's Emma:“I have never set up a surprise ending in a Harry Potter book without knowing I can never, and will never, do it anywhere near as well as Austen did in Emma.”What are the Key Mysteries of the Strike series?Nancarrow FamilyWhy did Leda and Ted leave home in Cornwall as they did?Why did Ted and Joan not “save” Strike and Lucy?Was Leda murdered or did she commit suicide?If she was murdered, who dunit?If she commited suicide, why did she do it?What happened to Switch Whittaker?Cormoran StrikeIs Jonny Rokeby his biological father?What SIB case was he investigating when he was blown up?Was he the father of Charlotte's lost baby? If not, then who was?Why has he been so unstable in his relations with women post Charlotte Campbell?Charlotte CampbellWhy did her mother hate her so much?What was her relationship with her three step-fathers? Especially Dino LongcasterWho was the father of her lost child?Was the child intentionally aborted or was it a miscarriage?What was written in her “suicide note”?Was Charlotte murdered or did she commit suicide?If she was murdered, who done it?If she committed suicide, why did she do it?What happened to the billionaire lover?What clues do we get in Hallmarked Man that would answer these questions?- Strike 8 - Greatest Hits of Strikes 1-7: compilation, concentration of perumbration in series as whole* Decima/Lion - incest* Rupert's biological father not his father of record (Dino)* Sacha Legard a liar with secrets* Ryan Murphy working a plan off-stage - Charlotte's long gameStrike about ‘Pairings' in Lethal WhiteStrike continued to pore over the list of names as though he might suddenly see something emerging out of his dense, spiky handwriting, the way unfocused eyes may spot the 3D image hidden in a series of brightly colored dots. All that occurred to him, however, was the fact that there was an unusual number of pairs connected to Chiswell's death: couples—Geraint and Della, Jimmy and Flick; pairs of full siblings—Izzy and Fizzy, Jimmy and Billy; the duo of blackmailing collaborators—Jimmy and Geraint; and the subsets of each blackmailer and his deputy—Flick and Aamir. There was even the quasi-parental pairing of Della and Aamir. This left two people who formed a pair in being isolated within the otherwise close-knit family: the widowed Kinvara and Raphael, the unsatisfactory, outsider son.Strike tapped his pen unconsciously against the notebook, thinking. Pairs. The whole business had begun with a pair of crimes: Chiswell's blackmail and Billy's allegation of infanticide. He had been trying to find the connection between them from the start, unable to believe that they could be entirely separate cases, even if on the face of it their only link was in the blood tie between the Knight brothers.Part Two, Chapter 52Key Relationship Pairings in Cormoran Strike:Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-RossScripted Ten Questions:1. So, Nick, back when we first read Hallmarked Man we said that there were four things we knew for sure would be said about Strike 8 in the future. Do you remember what they were?2. And, John, you've been thinking about the ‘Set-Up' idea and how future Rowling Readers will think of Hallmarked Man, even that they will think of it as the best Strike novel. I thought that was Troubled Blood by consensus. What's made you change your mind?3. So, Nick, yes, Troubled Blood I suspect will be ranked as the best of series, even best book written by Rowling ever, but, if looked at as the book that served the most critical place in setting up the finale, I think Hallmarked Man has to be considered better in that crucial way than Strike 5, better than any Strike novel. Can you think of another Strike mystery that reviews specific plot points and raises new aspects of characters and relationships the way Strike 8 does?4. Are you giving Hallmarked Man a specific function with respect to the last three books than any of the others? If so, John, what is that exactly and what evidence do we have that in Rowling's comments about reader-writer obligations and writer ambitions?5. Nick, I think Hallmarked Man sets us up to answer the Key mysteries that remain, that the first seven books left for the final three to answer. I'm going to organize those unresolved questions into three groups and challenge you to think of the ones I'm missing, especially if I'm missing a category.6. If I understand the intention of your listing these remaining questions, John, your saying that the restatement of specific plot points and characters from the first seven Strike novels in Hallmarked Man points to the possible, even probable answers to those questions. What specifically are the hallmarks in this respect of Hallmarked Man?7. If you take those four points, Nick, and revisit the mysteries lists in three categories, do you see how Rowling hits a fairness point with respect to clueing readers into what will no doubt be shocking answers to them if they're not looking for the set-ups?8. That's fun, Nick, but there's another way at reaching the same conclusions, namely, charting the key relationships of Strike and Ellacott to the key family, friends, and foes in their lives and how they run in pairs or parallel couplets (cue PPoint slides).9. Can we review incest and violence against or trafficking of young women in the Strike series? Are those the underpinning of the majority of the mysteries that remain in the books?10. Many Serious Strikers and Gonzo Galbraithians hated Striuke 8 because Hallmarked Man failed to meet expectations. In conclusion, do you think, Nick, that this argument that the most recent Strike-Ellacott adventure is the best because of how it sets us up for the wild finish to come will be persuasive -- or just annoying?On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtThe Neo-Iconoclasm of Film (and Other Screened Adaptations): Justin requested within his question for an expansion of my allusion to story adaptations into screened media as a “neo-iconoclasm.” I can do that here briefly in two parts. First, by urging you to read my review of the first Hunger Games movie adaptation, ‘Gamesmakers Hijack Story: Capitol Wins Again,' in which I discussed at post's end how ‘Watching Movies is a a Near Sure Means to Being Hijacked by Movie Makers.' In that, I explain via an excerpt from Jerry Mander's Four Arguments for the Elimination of Television, the soul corrosive effects of screened images.Second, here is a brief introduction to the substance of the book I am working on.Rowling is a woman of profound contradictions. On the one hand, like all of us she is the walking incarnation of her Freudian family romance per Paglia, the ideas and blindspots of the age in which we live, with the peculiar individual prejudices and preferences and politics of her upbringing, education, and life experiences, especially the experiences we can call crises and consequent core beliefs, aversions, and desires. Rowling acknowledges all this, and, due to her CBT exercises and one assumes further talking therapy, she is more conscious of the elephant she is riding and pretending to steer than most of her readers.She points to this both in asides she make in her tweets and public comments but also in her descriptive metaphor of how she writes. The ‘Lake' of that metaphor, the alocal place within her from her story ideas and inspiration spring, is her “muse,” the word for superconscious rather than subconscious ideas that she used in her 2007 de la Cruz interview. She consciously recognizes that, despite her deliberate reflection on her PTSD, daddy drama, and idiosyncratic likes and dislikes, she still has unresolved issues that her non-conscious mind presents to her as story conflict for imaginative resolution.Her Lake is her persona well, the depths of her individual identity and a mask she wears.The Shed, in contrast, is the metaphorical place where Rowling takes the “stuff” given her by the creature in her Lake, the blobs of molten glass inspiration, to work it into proper story. The tools in this Shed are unusual, to say the least, and are the great markers of what makes Rowling unique among contemporary writers and a departure from, close to a contradiction of the artist you would expect to be born of her life experiences, formative crises, and education.Out of a cauldron potion made from listening to the Smiths, Siouxie and the Banshees, and The Clash, reading and loving Val McDermid, Roddy Doyle, and Jessica Mitford, and surviving a lower middle class upbringing with an emotionally barren homelife and Comprehensive education on the England-Wales border, you'd expect a Voldemort figure at Goblet of Fire's climax to rise rather than a writer who weaves archetypally rich myths of the soul's journey to perfection in the spirit with alchemical coloring and sequences, ornate chiastic structures, and a bevy of symbols visible only to the eye of the Heart.To understand Rowling, as she all but says in her Lake and Shed metaphor, one has to know her life story and experiences to “get” from where her inspiration bubbles up and, as important, you need a strong grasp of the traditionalist worldview and place of literature in it to appreciate the power of the tools she uses, especially how she uses them in combination.The biggest part of that is understanding the Perennialist definition of “Sacred Art.” I touched on this in a post about Rowling's beloved Christmas story, ‘Dante, Sacred Art, and The Christmas Pig.'Rowling has been publicly modest about the aims of her work, allowing that it would be nice to think that readers will be more empathetic after reading her imaginative fiction. Dante was anything but modest or secretive in sharing his self-understanding in the letter he wrote to Cangrande about The Divine Comedy: “The purpose of the whole work is to remove those living in this life from the state of wretchedness and to lead them to the state of blessedness.” His aim, point blank, was to create a work of sacred art, a category of writing and experience that largely exists outside our understanding as profane postmoderns, but, given Rowling's esoteric artistry and clear debts to Dante, deserves serious consideration as what she is writing as well.Sacred art, in brief, is representational work — painting, statuary, liturgical vessels and instruments, and the folk art of theocentric cultures in which even cutlery and furniture are means to reflection and transcendence of the world — that employ revealed forms and symbols to bring the noetic faculty or heart into contact with the supra-sensible realities each depicts. It is not synonymous with religious art; most of the art today that has a religious subject is naturalist and sentimental rather than noetic and iconographic, which is to say, contemporary artists imitate the creation of God as perceived by human senses rather than the operation of God in creation or, worse, create abstractions of their own internally or infernally generated ideas.Story as sacred art, in black to white contrast, is edifying literature and drama in which the soul's journey to spiritual perfection is portrayed for the reader or the audience's participation within for transformation from wretchedness to blessedness, as Dante said. As with the plastic arts, these stories employ traditional symbols of the revealed traditions in conformity with their understanding of cosmology, soteriology, and spiritual anthropology. The myths and folklore of the world's various traditions, ancient Greek drama, the epic poetry of Greece, Rome, and Medieval Europe, the parables of Christ, the plays of Shakespeare's later period, and the English high fantasy tradition from Coleridge to the Inklings speak this same symbolic language and relay the psychomachia experience of the human victory over death.Dante is a sacred artist of this type. As difficult as it may be to understand Rowling as a writer akin to Dante, Shakespeare, Homer, Virgil, Aeschylus, Spenser, Lewis, and Tolkien, her deployment of traditional symbolism and the success she enjoys almost uniquely in engaging and edifying readers of all ages, beliefs, and circumstances suggests this is the best way of understanding her work. Christmas Pig is the most obviously sacred art piece that Rowling has created to date. It is the marriage of Dantean depths and the Estecean lightness of Lewis Carroll's Alice books, about which more later.[For an introduction to reading poems, plays, and stories as sacred art, that is, allegorical depictions of the soul's journey to spiritual perfection that are rich in traditional symbolism, Ray Livingston's The Traditional Theory of Literature is the only book length text in print. Kenneth Oldmeadow's ‘Symbolism and Sacred Art' in his Traditionalism: Religion in the light of the Perennial Philosophy(102-113), ‘Traditional Art' in The Essential Seyyed Hossein Nasr(203-214), and ‘The Christian and Oriental, or True Philosophy of Art' in The Essential Ananda K. Coomaraswamy(123-152) explain in depth the distinctions between sacred and religious, natural, and humanist art. Martin Lings' The Sacred Art of Shakespeare: To Take Upon Us the Mystery of Things and Jennifer Doane Upton's two books on The Divine Comedy, Dark Way to Paradise and The Ordeal of Mercy are the best examples I know of reading specific works of literature as sacred art rather than as ‘stories with symbolic meaning' read through a profane and analytic lens.]‘Profane Art' from this view is “art for art's sake,” an expression of individual genius and subjective meaning that is more or less powerful. The Perennialist concern with art is less about gauging an artist's success in expressing his or her perception or its audience's response than with its conformity to traditional rules and its utility, both in the sense of practical everyday use and in being a means by which to be more human. Insofar as a work of art is good with respect to this conformity and edifying utility, it is “sacred art;” so much as it fails, it is “profane.” The best of modern art, even that with religious subject matter or superficially beautiful and in that respect edifying, is from this view necessarily profane.Sacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”The original iconoclasts or “icon bashers” were believers who treasured sacred art but did not believe it could use images of what is divine without necessarily being blasphemous; after the incarnation of God as Man, this was no longer true, but traditional Christian iconography is anything but naturalistic. It could not be without becoming subjective and profane rather than being a means to spiritual growth and encounters. Western religious art from the Renaissance and Reformation forward, however, embraces profane imitation of the sense perceived world, which is to say naturalistic and as such the antithesis of sacred art. Film making, on religious and non-religious subjects, is the apogee of this profane art which is a denial of any and all of the parameters of Sacred art per Aquinas, traditional civilizations, and the Perennialists.It is a neo-iconoclasm and a much more pervasive and successful destruction of the traditional world-view, so much so that to even point out the profanity inherent to film making is to insure dismissal as some kind of “fundamentalist,” “Puritan,” or “religious fanatic.”Screened images, then, are a type of iconoclasm, albeit the inverse and much more subtle kind than the relatively traditional and theocentric denial of sacred images (the iconoclasm still prevalent in certain Reform Church cults, Judaism, and Islam). This neo-iconoclasm of moving pictures depicts everything in realistic, life-like images, everything, that is, except the sacred which cannot be depicted as we see and experience things. This exclusion of the sacred turns upside down the anti-naturalistic depictions of sacred persons and events in iconography and sacred art. The effect of this flood of natural pictures akin to what we see with our eyes is to compel the flooded mind to accept time and space created nature as the ‘most real,' even ‘the only real.' The sacred, by never being depicted in conformity with accepted supernatural forms, is effectively denied.Few of us spend much time in live drama theaters today. Everyone watches screened images on cineplex screens, home computers, and smart phones. And we are all, consequently, iconoclasts and de facto agnostics, I'm afraid, to greater and lesser degrees because of this immersion and repetitive learning from the predominant art of our secular culture and its implicit atheism.Contrast that with the imaginative experience of a novel that is not pornographic or primarily a vehicle of perversion and violence. We are obliged to generate images of the story in the transpersonal faculty within each of us called the imagination, one I think that is very much akin to conscience or the biblical ‘heart.' This is in essence an edifying exercise, unlike viewing photographic images on screens. That the novel appears at the dawn of the Modern Age and the beginning of the end of Western corporate spirituality, I think is no accident but a providential advent. Moving pictures, the de facto regime artistry of the materialist civilization in which we live, are the counter-blow to the novel's spiritual oxygen.That's the best I can manage tonight to offer something to Justin in response to more about the “neo-iconoclasm” of film This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

rWotD Episode 3152: Thomas Pitt of Boconnoc Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Saturday, 20 December 2025, is Thomas Pitt of Boconnoc.Thomas Pitt (c. 1705 – 17 July 1761), of Boconnoc, Cornwall, was a British landowner and politician who sat in the House of Commons between 1727 and 1761. He was Lord Warden of the Stannaries from 1742 to 1751. Pitt was the grandson and namesake of the better known Thomas Pitt and the son of Robert Pitt, MP, of Boconnoc, near Lostwithiel in Cornwall. His mother was Harriet Villiers, daughter of Edward FitzGerald-Villiers and the Irish heiress Katherine FitzGerald. Thomas Pitt was the elder brother of William Pitt the Elder. He succeeded his father in 1727 to his estates, including Boconnoc.As head of the family, Pitt inherited both his grandfather's immense fortune and his parliamentary boroughs - he had the complete power to nominate both MPs at Old Sarum and one of the two at Okehampton, as well as considerable influence in at least two Cornish boroughs, Camelford and Grampound. He had himself elected Member of Parliament for Okehampton in 1727, the first election after he came of age, and represented the borough until 1754; but on a number of occasions he was also elected for Old Sarum, which meant that when he chose to sit for Okehampton the Old Sarum seat was free to offer at a by-election to somebody else who had failed to get into Parliament.Pitt was Assay master of the Stannaries from March 1738 to February 1742 and Lord Warden of the Stannaries from February 1742 to March 1751, when the Cornish Stannary Parliament met for the last time.Pitt was ambitious for political influence and, attaching himself to the retinue of Frederick, Prince of Wales, managed the general elections of 1741 and 1747 in Cornwall in the Prince's interests; but this involved massive expenditure - especially at the notoriously-corrupt Grampound, where he spent huge sums both on bribing the voters and on lawsuits attempting to deprive the most rapacious of their votes. By 1751 he had bankrupted himself, and the death that year of the Prince of Wales destroyed his hopes of securing influence or patronage for his efforts. He mortgaged his boroughs to the Treasury, allowing the government to name two MPs at Old Sarum and one at Okehampton in return for a pension of £1000 a year. After sitting briefly for Old Sarum in the 1754 Parliament, he resigned his seat and fled the country.Returning to England in 1761, however, Pitt persuaded the government to allow him to be once more elected for Old Sarum - a temporary measure, he promised, to prevent his being arrested for debt until he was able satisfy his creditors. (MPs were immune from civil arrest.) He promised to relinquish the seat at the earliest possible moment and allow the government to name his replacement in accordance with the original arrangement; but he died a few months later, still MP for Old Sarum.Pitt had married, c.1731, Christian, the daughter of Sir Thomas Lyttelton, 4th Baronet, M. P., of Hagley, Worcestershire and the sister of Lord Lyttelton. They had two sons and two daughters. He afterwards married, in 1761, Maria, the daughter of General Murray.Pitt died on 17 July 1761. His only surviving son was the first Baron Camelford, who repudiated his father's arrangement for Old Sarum, and chose himself as MP when he inherited the borough.This recording reflects the Wikipedia text as of 00:17 UTC on Saturday, 20 December 2025.For the full current version of the article, see Thomas Pitt of Boconnoc on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Salli.

Send us a textWhen Harry and Agnes Wells inherit an old house in Cornwall in the summer of 1999 they visit with the intention of renovating the building.  But as days pass they discover the house has some unexpected secrets.   The Angry House is an award-winning drama by novelist Thomas Wrightson.In 'The Angry House' by Thomas Wrightson you can hear:Charlie Richards as HarryMarie-Claire Wood as AgnesDavid Monteith as Geraldand Sarah Golding as Samantha GregoryWhispers and other voices by the cast and Thomas WrightsonThe Angry House was produced and directed by Chris GregoryCasting was by Chris Gregory and Thomas WrightsonThe original score for The Angry House was arranged and performed by Chris GregorySound design, mixing and editing are by Chris Gregory for Alternative StoriesThomas Wrightson is a novelist based in Anglesey in North Wales. You can find out more about Thomas and his work by visiting his website here:  https://thomaswrightson.co.uk/The Angry House was the winning script in the 2025 Pen to Print Audio Play Competition. The competition which is open to audio drama writers who have not previously had an audio drama produced runs annually and a number of the winning scripts can be heard on this podcast. To find out more about the competition and to enter the 2026 version please visit the Pen to Print website here  https://pentoprint.org/get-involved/competitions/Alternative Stories would like to thank Pen to Print for running the competition and Lucy Kaufman and Emily Inkpen for judging entries alongside Chris Gregory.If you have enjoyed this episode of Spec Fic Radio Theatre please subscribe and leave us a like, rating or review wherever you listen to podcasts. You may like to know that Alternative Stories now has a Patreon page where you can listen to all of our shows ad free and ahead of general release.  You can find out more and join here  https://www.patreon.com/AltStories.Support the show

Final episode of the season, just in time for the holidays... and it's the big reveal... what on earth have we been up to in Cornwall? Artwork by brandnewhistory.net. Edited by Tim Thornton. Thanks to Sam and Andy for letting us record the pod, and building the fire. Original music appears courtesy R'COUP'D and Sony Music Publishing. Fink's new live album Wheels II is out NOW! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://finkmusic.net/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  

Todays guest Taylor Doyle joined us at SFE with the goal of riding The Pan Celtic Magnum Opus (2024), a self-navigated cycling challenge taking riders through Scotland, Wales, Ireland, Isle of Man, Cornwall and Brittany - a distance of over 2000miles.  Building strength for this goal event had it's own challenges - New to strength and conditioning, a recent ACL rupture and her life 'on the road' meant her training sessions were rarely ever in the same place. But Taylor's consistency and hard work were rewarded as she took the womens crown for this gruelling race. Today Kriss catches up with Taylor as she prepares for The Atlas Mountain Race in February, a fixed route, unsupported, single-stage cycling race in Morroco covering a distance of approximately 1350km, 25,000m of climbing and 8 days to complete. (00:00) Introduction to The Strength for Endurance Podcast (00:40) Catching Up with Taylor: Unique Adventures and Upcoming Challenges (01:03) The Atlas Mountain Race: An Ultra-Distance Cycling Challenge (02:45) Training and Preparation: Overcoming Setbacks and Building Strength (04:53) Balancing Work and Training: The Life of a Remote Media Manager (07:36) The Journey to Ultra-Distance Racing: From Injury to Triumph (16:09) Sustainable Racing: Plastic-Free and Conscious Consumption (22:17) Final Thoughts and Future Plans Learn more about Strength For Endurance: Download our FREE Return to Run guide: https://www.strengthforendurance.com/return-to-run-guide Find Out About Online or Face to Face Coaching Programs: https://www.strengthforendurance.com/ Receive weekly coaching tips and masterclasses straight to your inbox:  https://www.strengthforendurance.com/sfe-inner-circle Follow us on Instagram, Facebook, Tiktok and Youtube @strengthforendurance 

"Salt water reverberations and soundscapes are a daily and necessary embodied element of my life by and on the Pacific Ocean in Santa Barbara, Southern California. As a woman from Britain living in SoCal, I connect with the sea caves sounds in Mawgan Porth, Cornwall, England, being soothed and inspired by the rhythms, pitches, textures, and timbres of water drops, accompanied by the constant roar outside the sea caves.  "With Cornish marine sounds I have added my daily ocean soundscapes: slaps of waves on my coastal rowing boat; sea lions barking on bell buoy (slightly muted by the bodies of sea lions bodies) marking the safe harbor entrance; a train on the nearby shore; little Ourn, a homemade 18-foot wooden sailing boat built in 1931 by a 15-year old lad from Eling, Southampton, England, splashing through the waves at 5 knots in the Pacific Ocean near Santa Barbara (and low-tech wind sounds without a wind screen to reminder listeners that sail boats by necessity play with wind power).  "Perhaps these aquatic reverberations can offer some solace and connection with salt water surroundings; and senses of stewardship for protection and conservation of water lives." Sea cave at Mawgan Porth reimagined by Ruth Hellier.

Inside a sea cave on a Cornish beach, recording dripping waves on different surfaces and at different distances, onto rock, into small puddles and directly onto sand, while the roar of the sea waves continues outside the cave.  Recorded in Mawgan Porth, Cornwall, England by Cities and Memory, April 2025. 

Männerabend #288 – Cornwall-Mania! Dennis und Reinhold sind zu Besuch in Otter bei Biersommelier Marco Stock. Der „Joey Kelly des Männerabends“ war erneut in Cornwall im Urlaub und hat einen Koffer voller Bier mit nach Hause gebracht. Grund genug also für uns durch 10 (!) Biere zu probieren und euch mit auf eine bierige Reise in […]

Welcome to a very special festive edition of The Travel Diaries. Today I'm joined by the legendary chef, restaurateur and writer, Rick Stein.Rick is returning to the podcast for the first time in five years, and I can't think of a better guest to bring a little culinary sparkle to our Christmas Special.This year, Rick is celebrating the release of his beautifully personal and utterly joyful new book, Rick Stein's Christmas - a treasure trove of festive recipes, stories, traditions, and reflections on what this time of year really means. In our conversation, we dive into his own Christmas rituals in both Cornwall and Australia, the dishes that embody comfort and nostalgia for him, the lessons he learned while cooking - and occasionally improvising - his way through last year's festivities, and the deeply human side of the season that he weaves into the book.We also travel far beyond the Christmas table, hearing about Rick's recent adventures filming in the Australian outback, the food gems he uncovered there, his newest favourite destinations, and the UK restaurants he's loving right now.So pour yourself something warm and cosy, settle in, and enjoy this festive journey with the wonderful Rick Stein.Destination Recap: ThailandAustraliaThe Niagara Café, Gundagai, NSW, AustraliaÎle de Ré, France, FranceRiva, Barnes, London, England Riley's Fish Shack, Tynemouth, EnglandPorto, PortugalDouro Valley, Portugal Laigueglia, Liguria, Italy, Italy Hotel Windsor, Laigueglia, Liguria, ItalyTrieste, Italy Tbilisi, GeorgiaArgentinaPeruBrazilLake Como, Italy If you'd like to explore more of Rick's stories, tips and recipes, his new book Rick Stein's Christmas is out now. II'll be back in a couple of weeks, on the 30th, with a very special guest to close out the year - actor and national treasure Richard E. Grant.Until then, have a cosy, joyful Christmas, and thank you so much for listening to The Travel Diaries.With thanks to...Citalia - If, like Rick, you're dreaming of your own Italian adventure, visit Citalia.com to start planning today.Naturhotel Forsthofgut – if, like many of our guests, you're dreaming of an alpine escape rooted in harmony with nature, visit forsthofgut.at to start planning today.Thanks so much for listening today. If you want to be the first to find out who is joining me on next week's episode come and follow me on Instagram I'm @hollyrubenstein, and you'll also find me on TikTok - I'd love to hear from you. And if you can't wait until then, remember there's the first 15 seasons to catch up on, that's over 160 episodes to keep you busy. Hosted on Acast. See acast.com/privacy for more information.

Send us a textIn episode #165 we talked with ultrarunner and adventure seeker Lydia Oldham about:Lydia's solo completion of The Speed Project, running 500km from LA to VegasHer solo 650-kilometer Fastest Known Time (FKT) on the Camino Portuguese.Her journey from running for fitness to finding her passion on the trailsGut training and learning from her fueling mistakesLydia Oldham is an ultrarunner, adventure seeker and the voice behind @comerunwith.me. She's smashed a solo 650 kilometer Fastest Known Time on the Camino Portuguese, powered 500km from Los Angeles to Las Vegas in under five days for The Speed Project, and doubled the Berlin Marathon, running the course backwards overnight, followed by the official race in the morning, totaling 84 kilometers in under 12 hours. Next up for Lydia in 2025 is London to Cornwall to raise money and awareness for the MTA charity, helping women who have had masectomies. Lydia runs to push limits, and to show that the impossible is worth chasing.Please note that this podcast is created strictly for educational purposes and should never be used for medical diagnosis or treatment.Follow Lydia: IG: www.instagram.com/comerunwith.meMentioned:The Speed Project: https://www.youtube.com/watch?v=r68wQ9mcXNYStyrkr, Available on The Feed: https://thefeed.com/teams/nutritional-revolutionMaurten Gels: https://amzn.to/3KTGm9tMaurten Bars: https://amzn.to/3L0S7LgTailwind: https://amzn.to/4p00rJkSum Socks (UK): https://sumsclub.co.uk/products/projeto-portugalReebok road shoes: https://amzn.to/4oYYwVhMerrell trail shoes: https://amzn.to/4oWyhi2Mastectomy Tattooing Alliance: https://www.justgiving.com/page/storiesandinkMORE NR New customers save 10% off all products on our website with the code NEWPOD10 If you would like to work with our practitioners, click here: https://nutritional-revolution.com/work-with-us/ Save 50% off your 1st Trifecta Nutrition order with code NR50: https://trifectanutrition.llbyf9.net/qnNk05 Save 20% on all supplements at our trusted online source: https://us.fullscript.com/welcome/kchannell Join Nutritional Revolution's The Feed Club to get $20 off right away with an additional $20 Feed credit drop every 90 days.: https://thefeed.com/teams/nutritional-revolution If you're interested in sponsoring Nutritional Revolution Podcast, shoot us an email at nutritionalrev@gmail.com.

The podcast mix series concludes this year with a feature from the sibling DJ duo, Vibe Society. Comprising brothers Jack and Ben, the duo has performed at several notable festivals in Cornwall. Their musical style is heavily influenced by the EDM festivals they have experienced worldwide, resulting in a dynamic multi-genre sound that tends toward the harder edges of dance music. https://www.littlesouth.com/vibe-society-end-of-year-mix

Reisen kann man auch im Kopf, mit all den schönen Geschichten in den Lieblingsbüchern - auch in der Bibel, sagt Pastorin Laura Koch-Pauka.

In this week's MBA Admissions podcast we began by discussing the current state of the MBA admissions season. Last week, admissions decisions rolled out for several top MBA programs including Harvard, Stanford, UPenn / Wharton, MIT / Sloan and Northwestern / Kellogg. This upcoming week, USC / Marshall, Rice / Jones, Texas / McCombs, UNC / Kenan Flagler, Vanderbilt / Owen and Washington / Foster are scheduled to release their Round 1 decisions. The next livestream AMA with Graham and Alex is scheduled for this Tuesday, December 16th; here's the link to Clear Admit's YouTube channel: https://bit.ly/cayoutubelive. Last week Clear Admit livestreamed its first Decision Day Watch Party. We scheduled this for December 10, when several top MBA programs were scheduled to release their Round 1 decisions. Several admissions officers joined us for the event, and it was a huge success. Graham highlighted a recently published Financial Times 2025 ranking of European business schools that ranks institutions across multiple programs (MBA, MiM, EMBA, and Executive Education), rather than individual programs, which we thought was a strange approach. Graham noted several admissions-related pieces of content recently published on Clear Admit. The first focuses on how to choose between MBA programs, once you have your offers. The second focuses on the dreaded wait list, and what steps can be taken. The third article looks at how candidates who didn't get positive results can reflect. The final admissions-related piece focuses on MBA essay construction, which led to a conversation about how best to use Clear Admit's AI Chat Bot. Graham highlighted two Real Humans pieces spotlighting students from Chicago / Booth and Emory / Goizueta. We then discussed the recently published employment reports from Stanford and NYU / Stern. Finally, Graham profiled a podcast that focuses on The Forté Foundation. For this week, for the candidate profile review portion of the show, Alex selected three ApplyWire entries. This week's first MBA admissions candidate is from Brazil but now resides in Chicago. They are looking at the Booth part-time MBA program. A potential concern is their 313 GRE score. This week's second MBA applicant is working in research, looking at the impact of tech on young people. They reside in New York City and are only looking at Columbia and Stern. This week's final MBA candidate has a strong professional background, transitioning from investment banking to private equity. They have a 3.8 GPA and a 325 GRE score. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

Three visions of darkness as the days draw in. Adam Rutherford's guests for Radio 4's Monday discussion programme are a poet, a photographer of night-time and a National Gallery curator. Night Vision is the latest book from the award-winning poet and writer Jean Sprackland exploring our complex relationship with the dark: what we fear and what we wish to banish. In the dark she finds a place of possibility and she asks what might we discover in the dark if we free our imagination. The photographer Jasper Goodall has been taking photographs in the dark for many years, mainly in forests and woodlands. In 2025 in exhibitions on show at Nottingham, Brighton, Cornwall and the Royal Academy Summer Exhibition he has displayed works which draw on classical myth, European folklore and animistic belief systems. Christine Riding, Director of Collections and Research, talks about the images of scientific experiment and industrialisation in England on show in the National Gallery's exhibition showcasing the candlelight paintings of Wright of Derby (1734-1797). Wright of Derby: From the Shadows in the Sunley Room at the National Gallery runs until 10 May 2026 and there is an entrance fee. Producer: Ruth Watts

Lydia Oldham didn't come from a traditional ultrarunning background. She started running during lockdown — running 1 mile runs, sprinting every 5K, and having no idea she'd one day be creating 300-mile running projects across countries.In this episode, Lydia breaks down how she built herself into someone capable of taking on massive, self-created challenges — including running solo across Portugal, completing a solo Speed Project, and most recently running 300 miles from London to Cornwall for charity.But this conversation isn't just about distance.It's about courage, self-belief, creativity, and redefining what's possible when you stop waiting for permission.We dive into:How Lydia went from struggling through short runs to creating multi-day ultrarunning projectsWhy self-created challenges can be more powerful than racesThe mindset shift that helped her stop fearing failureHow she mentally navigates dark moments during 300-mile effortsWhy enjoying your runs matters more than “grinding”How storytelling gives meaning to hard effortsWhy you don't need elite talent to do extraordinary thingsIf you've ever thought:“Could I do something bigger… or is that not for me?”This episode will change how you think about your limits — and what you're capable of building over time.SHOW LINKS:Register for our race, The Desert Peak Ultra 100K + 50K at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠desertpeakultra.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to work with me to crush your next ultramarathon in our group coaching program? Sign up for our group coaching program here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠https://www.theeverydayultra.com/group-coaching⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to be coached by me and my team to crush your next ultramarathon in our 1:1 coaching program?⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Book a free call here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with one of our coaches to see if we are a good fit!Follow Joe on IG:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/joecorcione/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Everyday Ultra YouTube Channel:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠https://www.youtube.com/channel/UCUelKGeptWZivD6yRIDiupg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Try HYPERLYTE Liquid Performance running nutrition and get 15% off your order when you use code EVERYDAYULTRA at www.hyperlyteliquidperformance.comTry CurraNZ to boost recovery and performance and get 15% off your first order with code EVERYDAYULTRAPOD at ⁠⁠⁠⁠www.curranzusa.com⁠⁠⁠⁠Get your FREE TrainingPeaks account to track, plan, and analyze your training easier at trainingpeaks.com/everydayultraTry PlayOn Pain Relief Spray at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠playonrelief.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Try Bear Butt Wipes and get 10% off your order with code EVERYDAYULTRA at bearbuttwipes.comTry Janji apparel and get 10% off your order with code EVERYDAYULTRA at Janji.com

Well this one's incredibly fun - brothers Elliott & Jake have popped over to Nat's for a natter and what a joy it was. From Cornwall opening the Leicester Square Greggs (and being on Drag Race UK) AND from Cornwall to feeding the stars at the Oscars, these two are a hoot! Elliott's insta - https://www.instagram.com/elliottgrover Pasty's insta - https://www.instagram.com/pasty_kween Catch Pasty at the Karaoke Hole - https://dalstonsuperstore.com/the-karaoke-hole/ And follow in their touristy footsteps with a trip to the Hollywood Museum - https://thehollywoodmuseum.com/ Enjoy! xx Please subscribe, follow, and leave a review. xxx You can find us in all places here; ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podfollow.com/lifewithnat/view⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/lifewithnatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get the merch!: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.lifewithnat.shop/⁠⁠⁠⁠⁠⁠⁠⁠ Nat's insta: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@natcass1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Neice's insta: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@natsnieces⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Tony's insta: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@tonycass68⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Linny's insta: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@auntielinny.lwn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ THE BIG CHRISTMAS LIVE SHOW 7th December ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- claphamgrand.com/event/live-with-nat-at-christmas/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Book Club: November's book - All Together for Christmas by Sarah Morgan & December's book (optional extra for the speedy readers) - A Heart for Christmas: Advent Romance by Sophie Jomain Nat's solo chats - any rants always welcome!  Scraping the Barrel - SCAN AND SHOP VIRGIN NO LONGER! Bonce vs list! - Are you a list maker? Always collecting for Nostalgia Fest! What's brewing with the Nieces - are we all skipping the end of summer, all of autumn and going straight to Christmas - Nat's door is! Group chat ettiquette & pranks. Nice Lorraines… get in touch! Advent calendars & gift recommendations v. welcome! Things we're nagging with Linny about - More lateness stories and some cleaning questions, please! The Tony talks chatter - Keep your DIY questions coming, also open to some saucy two paragraph stories for Tony to read out at the Southend show - think cheeky postcards (both in tone and length)! Can we make Tony an influencer and get him any freebies?  TBC Cultural differences ep - inspired by Linny's Mediterranean heritage and her & Ellia's Italian trip, we'd love to hear about the cultural differences you've noticed between the UK and basically ANYWHERE else!  A 'Keep It Light Media' Production Sales, advertising, and general enquiries: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@keepitlightmedia.com⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of What Went Wrong, I chatted with Tim Bronson, the Fully Booked Coach, who came armed with not one but two “what went wrong” tales. Both are a little painful, a little funny, and packed with lessons marketers can actually use. First, there was the podcast that wasn't. Back in 2008, Tim marched into a music store, dropped a grand on shiny equipment he didn't understand, then promptly lost his nerve when it didn't work. Without a clear plan or patience for the learning curve, he packed it up and walked away before ever recording a single episode. Fast-forward to 2019, and Tim's book relaunch hit another snag. Following advice to line up 50 reviews at launch, he asked 50 people for help, assumed their polite “yes” meant they'd actually deliver, and stopped there. The result? Not nearly enough momentum to push the book up the Amazon charts. Two very different mistakes, but the themes are familiar to anyone who's ever launched…well, anything. Impulse without preparation. Expectations without math. Starting strong but not following through. Key Points Success takes more than enthusiasm. Without a plan, even the best ideas fizzle. Technology and tactics get easier, but the discipline of sticking with it never changes. People will say “yes” to be nice. That's not the same as showing up. Momentum matters. Half-measures rarely hit tipping points. Actionable Takeaways Do the prep work. Before buying tools or chasing tactics, get clear on what you're building and why. Scale your numbers. If you need 50 reviews, ask 150. If you want 100 sign-ups, plan for 1,000 invites. Build in the buffer. Stick with it. The first version is always messy. Resist the urge to abandon ship before giving yourself time to learn. Don't stop too soon. Momentum compounds—keep pushing even after you think you've done “enough.” Ask for help. Whether it's a tech-savvy friend or a launch-savvy strategist, outside perspective can save you time and money. In short? Marketing isn't about never making mistakes—it's about making them, learning fast, and not letting them be the end of the story. About Tim  Tim Brownson is the owner of The Fully Booked Coach and has been coaching full-time since 2005. After turning his blog A Daring Adventure into one of the web's top life-coaching destinations, he pivoted in 2012 to help fellow coaches master no-BS marketing. His book The Clarity Method is used by hundreds of coaches worldwide to uncover core values and fuel client breakthroughs. After spending 14 years in Orlando, he is now firmly ensconced in the very wet but very beautiful county of Cornwall in England with his wife and two Dobermans. Learn More :  https://thefullybookedcoach.com/  

For this second episode in our Festive Folklore series for December 2025, I'm joined by my podcast pals, The Faerie Folk podcast and Sian Powell from Celtic Myths & Legends. We discuss some plant-based traditions from Herefordshire, the Mari Lwyd, and Cornwall's Montol Festival. We also talk about Christmas films, our own Christmas traditions, and what we'll be enjoying for Christmas dinner... Find The Faerie Folk at: https://thefaeriefolk.libsyn.com/ Find Celtic Myths & Legends at: https://celticmythspodcast.libsyn.com/ Get your free guide to home protection the folklore way here: https://www.icysedgwick.com/fab-folklore/ Become a member of the Fabulous Folklore Family for bonus episodes and articles at https://patreon.com/bePatron?u=2380595 Buy Icy a coffee or sign up for bonus episodes at: https://ko-fi.com/icysedgwick Fabulous Folklore Bookshop: https://uk.bookshop.org/shop/fabulous_folklore Pre-recorded illustrated talks: https://ko-fi.com/icysedgwick/shop Request an episode: https://forms.gle/gqG7xQNLfbMg1mDv7 Get extra snippets of folklore on Instagram at https://instagram.com/icysedgwick Find Icy on BlueSky: https://bsky.app/profile/icysedgwick.bsky.social 'Like' Fabulous Folklore on Facebook: https://www.facebook.com/fabulousfolklore/

This podcast is me reading a little book I put out earlier this year: CANADA IS AWESOME It's an audio book about all the weird, wonderful, beautiful things that make Canada ... Canada. Did you ever notice Canadians speak in the collective? "What do you think of the weather we're having?" "Shall we grab a Timmy's before the meeting?" "Think we have a shot at the playoffs?" We, we, we. We use the word we so much. Why do we feel like such a collective? I don't think it's complicated. I think it's because we are one. We all toss around half of everything we make into a big glass jar and use it to pay for everyone's health care, education, and services. Sure, the system's never perfect, but if you shatter your ankle in an icy Canadian Tire parking lot, need a dozen years of free school for five kids in Kamloops, or want to drive on freshly snowplowed roads from Comox to Cornwall to Cape Spear, well ... we got you. We got you. We got everyone. This is a different type of book than I've done before—in addition to this audiobook (totally free, right here) I also posted in its entirety on my blog (totally free) in HTML and PDF: HTML: https://www.neil.blog/canada-is-awesome PDF: https://www.neil.blog/s/NP_CIA_wCOVER.pdf I also made a 78-page, bright red, self-published hardcover (with colour photos) and paperback (available on Prime, but black and white photos.) HARDCOVER: https://a.co/d/8vjssD3 PAPERBACK: https://a.co/d/aCYDAh6 I made these books at cost so the price you see on your local Amazon page is the same as it costs me to make them.  This book was designed by a Canadian in Ottawa (​Steve St. Pierre​) and the audio and video edited by a Canadian in Toronto (​Dave Boire​), and even the T-shirt I'm wearing in the YouTube video was designed and manufactured by a Canadian in Toronto (​Daniel Torjman​), who was also a past guest on the pod: https://www.3books.co/chapters/94 If you're Canadian I hope this holiday season this books help you feel pride in who we are. If you're not Canadian, I hope this helps you see Canada a little clearer. Maybe it will inspire you to visit ... or to move here! (My hood is filling up with Americans like mad these days.)  Flip this on for your long road trip and let's let ourselves get inspired by what's possible when grit, determination, and kindness come together across culture and language. Let's reflect on shared goals of spending time with loved ones, hitting best-in-world education rates, and, of course, kicking back by the lake with a Moosehead and a bowl of ketchup chips. This is a piece of writing close to my heart and something I have been working on for over a decade. I hope you like it.  And, if you do, share it with someone else.  Happy holidays, eh!  Neil

Send us a textWelcome to a new mini series of the Alternative Stories and Fake Realities Podcast This week we have short fiction from Welsh poet, novelist and short story writer Christopher Meredith.   The story you're about to hear is a seasonal piece set in the early 1960s in south Wales.  It's  called 'The Cavalry' and it's from Chris's brilliant collection 'Brief Lives' which is published by Seren.You can order a copy of Brief Lives here https://www.serenbooks.com/book/brief-lives/ Christopher Meredith is the award-winning author of five novels and five collections of poetry and also tranlsates Welsh to English. Prizes include an Eric Gregory Award, the Arts Council of Wales Young Writer Prize and the Fiction Prize for his first novel, Shifts. His second novel, Griffri, was shortlisted for the Book of the Year Award.  His collection of poems, The Meaning of Flight, was long-listed for The Book of the Year Award 2006.  He has given readings all over Britain and Europe as well as in Israel/Palestine and the USA.  Born and brought up in Tredegar, he was a steelworker and a schoolteacher before becoming a professor of creative writing at the University of Glamorgan. He lives in Brecon. A collection of six short fictions, titled Brief Lives, was released in 2018. Find out more about Christopher Meredith by visiting his website here https://christophermeredit9.wixsite.com/websiteAll content in audio, onscreen and in print is protected and may not be copied or used for any purposes including generative AI/AI training.Join us next week on the alternative stories and fake realities podcast for award winning audio drama.  The Angry House by Thomas Wrightson is a ghost story set in Cornwall in the late 1990s and it was the winner of the 2025 Pen to Print Audio play competition.  Production, sound design and editing in this episode were by Chris Gregory.If you'd like to support the work of Alternative Stories, gain early access to many of our podcasts and hear exclusive bonus episodes please consider joining our Patreon.  You can find a link here: https://www.patreon.com/AltStoriesSupport the show

Cornwall Park farm is something of a hidden gem in the heart of Auckland City. But being a farm in the city comes with specific challenges. You can find photos and read more about the stories in this episode on our webpage, here.Go to this episode on rnz.co.nz for more details

Light waves breaking on a stone boat jetty in the very small one-boat Boscastle harbour in Cornwall on a sunny August afternoon. Recorded by Cities and Memory, June 2025. 

Where will Francis in Swansea and Colin in Cornwall play their Jokers?

Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

In this week's MBA Admissions podcast we began by discussing the current state of the MBA admissions season. Last week, admissions decisions rolled out for several top MBA programs including Yale SOM, CMU / Tepper, Chicago / Booth and Michigan / Ross. This upcoming week, MIT / Sloan, Harvard, Stanford, UPenn / Wharton, Northwestern / Kellogg, UVA / Darden, Georgetown / McDonough, Johns Hopkins / Carey, Berkeley / Haas, Dartmouth / Tuck, Duke / Fuqua, UCLA / Anderson, Notre Dame / Mendoza and Arizona / Carey are scheduled to release their Round 1 decisions. Graham highlighted a webinar event focused on MBA career paths, scheduled for Thursday. Signups are here: https://www.clearadmit.com/events The next livestream AMA is scheduled for Tuesday, December 16th; here's the link to Clear Admit's YouTube channel: https://bit.ly/cayoutubelive. Graham noted several admissions-related pieces of content recently published on Clear Admit. The first focuses on December admissions events being hosted by top MBA programs. The second looks at how best to manage the congested schedule of Round 2 MBA application deadlines that arrive in January. The third piece looks at some of the issues related to applying to b-school as a younger candidate. The final article dives into whether deferred MBA admissions is a good pathway for undergraduate students. Graham highlighted a Real Humans piece spotlighting students from Berkeley / Haas, and then we discussed the recently published Harvard Business School employment report for the Class of 2025. This led to a discussion on search funds. Finally, Graham profiled a soon-to-be published podcast that focuses on leadership, from a conversation with Texas / McCombs. For this week, for the candidate profile review portion of the show, Alex selected three ApplyWire entries: This week's first MBA admissions candidate has a 685 GMAT score. They applied to programs in the first round and subsequently have started a new experience in Africa. We discuss their options for this season versus next season. This week's second MBA applicant is a military candidate with a master's in computer science. They applied in Round 1 with an EA score of 160. They may decide to apply to Sloan in Round 2, depending on results. This week's final MBA candidate has a 333 GRE score and has had several startup experiences. They are targeting Harvard, Stanford and Wharton. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

In today's conversation, I'm delighted to welcome Cynthia for the very first of our new community-centred episodes. Instead of traditional, more formal interviews, these gatherings invite you to sit with us as friends would, following curiosity, truth, and a little everyday enchantment wherever it wants to flow.I've never spoken one-to-one with Cynthia before, and what unfolded was a deeply honest exploration of intuition, leaving religion, finding your own path, and reclaiming magick as a way of being in the world.This episode is a tapestry of personal story, insight, humour, and the kind of grounded witchcraft that makes the mundane shimmer.In this episode, we explore:1. Cynthia's powerful journey from evangelical Christianity to witchcraftRaised in a religious environment, Cynthia shares how early doubts, motherhood, and profound family experiences began to untangle her from doctrine and move her toward a more authentic spiritual life. Her father's passing opened a deep reckoning about meaning, purpose, and the life she did not want to live.2. The moment she realised: “I think I might be a witch”From the heart-pounding purchase of her first witchcraft book to recognising lifelong intuitive experiences, Cynthia describes the extraordinary relief of naming what had always been quietly true.3. Intuition as a knowing beyond sightWe explore the nature of intuition, not as voices or visions but as a bone-deep knowing that often speaks before logic catches up. We share personal stories of “turn left instead” moments that proved profoundly important later.I also share how becoming a person of your word strengthens intuition and why not everything needs to be “proved” in order to be honoured.4. Religion, trauma, and the fear of a masculine godCynthia speaks openly about the harm created by the religious masculinity she was raised with and the difficulty of allowing masculine energy in again. We explore a re-framing of masculine and feminine energies as archetypal and relational rather than gendered, hierarchical, or punitive.5. Magick as relationship, not ritualI share stories from my childhood in Cornwall, early magickal encounters, and how nature has always spoken to me. I also describe my priestess training, misconceptions around deities, and why I see gods and goddesses not as authorities but as beings in relationship and reciprocity.6. The importance of community and ritual in a post-religious worldTogether, we explore what is lost when people leave religion: not the dogma, but the communal rhythm, the shared practices, and the rituals that hold us during life's thresholds. We talk about how magick can restore this sense of grounding through conscious pauses, seasonal rituals, and connection to the land.7. Everyday magick in actionFrom enchanted stones to unexpected conversations at the front door of a courthouse, Cynthia shows how magick moves through the seemingly ordinary moments of life, opening paths of service, compassion, and courage.8. Saying no, wintering, and reclaiming your own paceWe close with a reminder that witchcraft honours cycles. Sometimes magick asks us to act, sometimes to rest. Unlike religious systems rooted in constant servitude, witchcraft grants permission to protect your energy and honour your own seasons.Why this episode mattersThis conversation is a lantern for anyone who is:deconstructing old beliefsexperiencing intuitive awakeningscraving community without dogmawanting a magick that is lived, not performedrebuilding trust in themselvesseeking an approach to spirituality grounded in the land, the body, and everyday lifeIt's vulnerable, warm, wise, and deeply human. The kind of conversation that used to happen around kitchen tables or late at night with friends who “get it.”Join the conversationIf you'd like to come on the show and share your own story or ask me your questions in real time, send a message on Instagram or drop me an email. These episodes are meant to feel like friends gathered around a hearth fire, sharing life, magick, and the courage to walk their own path.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --All of the Magick:The A Pinch of Magick App:IPhone - download on the App StoreAndroid - download pn the Google PlayOur (free) magickal Community: Facebook GroupMagickal JournalsExplore on Amazon Rebecca's Author PageWebsiteRebeccaAnuwen.comMagickalHabits.comInstagramFor Magick: Click hereFor a Sacred Pause in Nature: Click hereFor CharmCasting: Click hereFor Merlin, my Dog: Click here

DEFENDANT: Tori Amos EVIDENCE: Cloud Watcher California Red Blend SCENE OF THE CRIME: "The Finest Vineyards in California"  -- Hey friend — welcome to the chaos: we opened a grocery-store red called Cloud Watcher (hello, green-pepper nose and dark-plum cocoa vibes), wrestled over a billion points in Corrections Corner, and brought our dog Hermes along to supervise. We sip, we sigh, and we trade childhood-cloud stories while debating whether cloud-watching is relaxing or suspiciously boring.    Then things get deliciously melodic because our “defendant” today is Tori Amos. We peel back her origin story — piano prodigy at Peabody, early L.A. band experiments, exile to the UK, and the piano-driven masterpiece Little Earthquakes — and run through highlights from Choirgirl Hotel to Boys for Pele, Night of Hunters and beyond. There's talk of kazoo deep cuts, mood rings, curly hair aesthetics, and why Tori's lyrics made us fall in love with poetry all over again.   Of course we couldn't resist a game: a twelve-question cross-examination where we read lyrics and guessed whether they were Tori or Not-Tori. There were surprises (Fiona Apple, Tracy Chapman, The Cranberries), triumphant wins, a couple of tequila—I mean wine—sips for wrong answers, and a lot of nostalgic 90s energy. You'll hear about favorite songs (Crucify gets a special shout), concert memories, and how husband, Fact Checker and our little group fit into the Tori fandom saga.   Gossip alert: we dive into the messy 90s drama — Trent Reznor, Courtney Love, and the career fallout that left some fans scribbling love and hate in equal measure. We don't shy away from the heavy stuff either: there's a frank moment about trauma, loss, and how those themes weave through Tori's music.   Between parenthetical jokes about Publix ads, soup-watching disasters, and a recurring helicopter/hematite-cloud dream, this episode is equal parts nerdy music-nerd history and cozy chat over a $10 bottle that punches way above its price. We also bouquet in a little wanderlust — Cornwall homes, haunted castles, and the dream of living like older, well-rested rich people with perfect towels and fireplaces in every room.   So pour a glass, settle in, and listen for the lyric-guessing triumphs, the wardrobe nostalgia (yep, we reunited with our high-school T-shirts), and the way Tori's songs keep looping back into our weird little lives. If you're a Tori obsessive, an accidental listener, or just here to find out whether that wine is worth a splurge — welcome, you're home.

Welcome to an extraordinary edition of the Takin’ A Walk podcast with host Buzz Knight and the self-proclaimed “Master of Music Mayhem,” Harry Jacobs. This comprehensive music history podcast episode explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Join Dr. Ahmad B. Hadid, an interventional cardiologist, and host Caitlin White from Montefiore St. Luke's Cornwall as they delve into the critical topic of stroke awareness. With strokes affecting 800,000 individuals annually in the US, understanding the signs and symptoms is crucial. Learn why time is brain and how acting quickly can save lives. Don't miss this vital discussion to improve your knowledge on stroke prevention and treatment.

Chris Spangle and Matt Wittlief open Season 2 with essential background for the late 1200s, tracing how the Holy Roman Empire's electoral system emerged after the Carolingians, how the Great Interregnum unfolded and how the Habsburgs entered European politics. They also outline parallel developments in Wales, Scotland, the Low Countries, international trade, banking and the origins of English common law to set the stage for the reigns of Kings Edward I, II and III. Topics in this episode: Early imperial elections after Otto III and the king of the Romans title The Stauffers and the Welfs, plus the Ghibelline and Guelph factions Frederick II's deposition in 1245, William of Holland and the Great Interregnum The seven prince electors and the contested 1254 election between Richard of Cornwall and Alfonso II of Castile Rudolf of Habsburg's election in 1273, later Habsburg influence and Albert's election in 1298 Wales from Offa's Dyke to Gruffudd ap Llywelyn, Llywelyn the Great and the Marcher lords Scotland from the Picts and Gaels to Malcolm III, the Dunkeld line and the Treaty of York in 1237 Norway's role in northern politics, including control of the Hebrides, Orkney and Shetland The Low Countries, the county of Flanders, English wool and the trade cities of Bruges and Ghent The Champagne fairs, the growth of Italian merchant banking and the Knights Templar's financial system The position of Jews in medieval Europe, including moneylending, Aaron of Lincoln, the York massacre and the 1255 Lincoln accusation The rise of universities in Bologna, Paris and Oxford and the development of English common law through writs, precedent and administrative expansion under Edward I Learn more about your ad choices. Visit megaphone.fm/adchoices

Some hauntings linger in old stone houses. Others cling to attics, staircases, or forgotten rooms. But every so often, a haunting chooses a person—and once it does, it doesn't seem interested in letting go. For Sarah, the first encounter came before she even understood the concept of a ghost: a man sitting on the staircase of her family's 400-year-old mining house in Cornwall, two dogs quietly at his side. Solid. Present. Silent. She stepped around him as casually as a child walks past a family member. Only later did she realize no one else ever saw him. Touches. Lights. Migraines. Names spoken in her mind. Objects vanishing. Spirits confirmed by mediums who knew nothing of her experiences. And everywhere she went, the same unnerving feeling: She was being noticed. We explore the unsettling possibility that the haunting was never tied to a place at all…but to Sarah herself. #HauntedLife #SensitiveToSpirits #CornwallGhosts #ParanormalExperiences #LivingWithGhosts #ParanormalActivity #SpiritualAttachment #GhostEncounters #HauntedSinceChildhood #ShadowWatchers  Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Some hauntings linger in old stone houses. Others cling to attics, staircases, or forgotten rooms. But every so often, a haunting chooses a person—and once it does, it doesn't seem interested in letting go. For Sarah, the first encounter came before she even understood the concept of a ghost: a man sitting on the staircase of her family's 400-year-old mining house in Cornwall, two dogs quietly at his side. Solid. Present. Silent. She stepped around him as casually as a child walks past a family member. Only later did she realize no one else ever saw him. Touches. Lights. Migraines. Names spoken in her mind. Objects vanishing. Spirits confirmed by mediums who knew nothing of her experiences. And everywhere she went, the same unnerving feeling: She was being noticed. We explore the unsettling possibility that the haunting was never tied to a place at all…but to Sarah herself. #HauntedLife #SensitiveToSpirits #CornwallGhosts #ParanormalExperiences #LivingWithGhosts #ParanormalActivity #SpiritualAttachment #GhostEncounters #HauntedSinceChildhood #ShadowWatchers Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

0:30 - Narco boats 15:01 - CPS sexual abuse settlement 34:19 - Minnesota 01:16:20 - James A. Gagliano, retired FBI supervisory special agent and doctoral candidate in homeland security, defends the bureau’s handling of the J6 pipe bomber case — insisting it wasn’t botched, it was a cold case that needed fresh eyes. James also served as mayor of the Village of Cornwall-on-Hudson, New York 01:36:40 - USMC LtCol. (ret.) Jonathan P. Myers breaks down the failures of the Afghanistan evacuation and Project Allies that he says set the stage for last week’s shooting of two National Guardsmen in D.C. LtCol Myers is also the author of American to the Corps: Iraq, Bosnia, Benghazi, Snowden: A Marine Corps Intelligence Officer’s Incredible Journey 01:52:41 - Founder and CIO of Perry International Capital Partners, Jim Perry, highlights how Trump’s five-point plan is unfolding — and why the economy is thriving as a result. For more on Perry International Capital Partners perrycapitalpartners.com 02:11:51 - Open Mic Friday!See omnystudio.com/listener for privacy information.

Cornwall, 2011: A mother called Tina Nash has just been tortured for 12 hours by a monstrous man called Shane Jenkins, her boyfriend who'd waited years for the chance to be with her. Only as soon as won her over, he'd abuse her over and over again - until one night in April, he took his darkest yet.Resources:National Centre for Domestic Violence https://www.ncdv.org.uk/https://linktr.ee/eleanornealeresourcesWatch OUTLORE Podcast:https://www.youtube.com/@EleanorNealeFollow Me Here for Updates & Short Form Content:InstagramTikTok

A group of Labour MPs with rural consitituancies have urged the Government to think again on Inheritance Tax Changes, with some abstaining on a Commons vote on the issue earlier this week. This is the ongoing row over the Government's plan to re-impose inheritance tax on farming and business assets over a million pounds, which was introduced in last year's budget and is due to take effect from April next year. Ministers insist the plan is fair and say its time to move on. The cost to arable farmers of this year's summer drought has been estimated to be £828 million. The think tank the Energy and Climate Intelligence Unit says farmers will lose the income as a result of what it says is the second worst UK harvest on record, where crops were hit by a very hot spring and summer as well as the resulting lack of water. A pioneering project to help the crews on fishing boats manage the unpredictability of their earnings has been launched in Cornwall. Weather conditions, fuel prices and market demand can mean that one week crews will earn, but the next they won't, making budgeting tricky.  Citizens Advice Cornwall says its led to problems - which is why, along with other local groups, it's set up Net Savings, a government backed collaboration to help fishing crews with financial advice. And as part of our week-long look at winter jobs on farm, we meet a cider apple farmer who'll be tending his trees throughout the season. Presented by Charlotte Smith and produced by Sally Challoner.

Join host Samuel Goldsmith for a festive special as he welcomes legendary chef Rick Stein to unwrap the magic of Christmas. In this heartwarming episode, Rick shares cherished family traditions from his Cotswolds childhood, reveals the inspiration behind his new book Rick Stein's Christmas, and offers a peek into his own holiday table, complete with roast goose, Christmas Eve fish, and the secrets to perfect gravy. Discover how Rick blends British and German traditions, navigates family memories both joyful and bittersweet, and brings his signature warmth to every festive feast. From Boxing Day leftovers to sparkling Shiraz, and even a few culinary confessions, this episode is packed with stories, laughter, and practical tips for your own celebrations. Pour yourself something festive, grab a mince pie, and settle in for a delicious conversation that captures the true spirit of Christmas with one of Britain's most beloved chefs.Rick Stein's passion for using good-quality local produce and his talent for creating delicious recipes in his books and restaurants have won him a host of awards, accolades and fans. As well as presenting a number of television series, he has published many best-selling cookery books, including French Odyssey, Coast to Coast, Far Eastern Odyssey, Rick Stein's Long Weekends and Rick Stein's India. Rick has always believed in showcasing local seafood and farm produce in his four restaurants in Padstow, Cornwall, where he also has a cookery school, food shops and a pub in the nearby village of St Merryn. In 2018 Rick was awarded an CBE for services to the economy. He divides his time between Padstow, London and Australia, where he also has two seafood restaurants by the sea in Mollymook, and Port Stephens NSW. Subscribers to the Good Food app via the App Store get the show ad-free, plus regular bonus content. Download the Good Food app to get started. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's MBA Admissions podcast we began by discussing the current state of the MBA admissions season. This upcoming week, Emory / Goizueta, CMU / Tepper, Boston College / Carroll, Chicago / Booth, Yale SOM, Michigan / Ross, SMU / Cox and Georgia / Terry are scheduled to release their Round 1 decisions. Graham highlighted the upcoming Masters in Management (MiM) webinar series, scheduled for Tuesday and Wednesday of this week. Signups for these events are here, https://www.clearadmit.com/events The next livestream AMA is scheduled for Tuesday, December 16th; here's the link to Clear Admit's YouTube channel: https://bit.ly/cayoutubelive. Graham noted recently published articles on career placements in the Tech and Finance industries as well as a Fridays from the Frontline piece on the Eurout LGBTQ+ conference at London Business School. He then covered two admissions tips recently published by Clear Admit. The first focuses on the increasing importance of video essays in the MBA admissions process. The second admissions tip focuses on how best to do school research via communities of students, alumni and faculty. Graham highlighted three Real Humans pieces spotlighting students from IMD, IESE and Cambridge / Judge, and then we discussed the recently published Class of 2027 admissions profile from Harvard Business School. Finally, Graham profiled a recently published podcast that focuses on UNC / Kenan Flagler's Deans Fellows program. For this week, for the candidate profile review portion of the show, Alex selected two ApplyWire entries and one DecisionWire entry: This week's first MBA admissions candidate has a 695 GMAT score but is planning a retake. They only have two years of experience but are determined to begin their MBA program this season. This week's second MBA applicant has a whopping 755 GMAT score but only a 3.0 GPA. They are targeting next season for their MBA, as they only have 2.5 years of experience, to date. This week's final MBA candidate is choosing between the one-year MBA programs at Northwestern / Kellogg, CMU / Tepper and Emory / Goizueta. They want to do consulting post MBA, and their partner has an offer at Tepper. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

The Rogue Promises continue! Tony the Pub Quiz Master hosts Yesterday's Quiz with contender, Harry. There's an important public service announcement in All The Latest Things, and Radio 1's Sam and Danni jump on board as Greg prepares to cross the Atlantic for a silly show, on the Isles of Scilly! Talking of silly, Greg imitates one of his childhood idols, Fireman Sam with Euston's Firefighters and Melvin Odoom fights a Koala bear! A Postie offers to share her round with Greg as he embarks on delivering a piece of the Radio 1 jigsaw piece and Cornwall's local pull together to find ways to get Greg across stormy seas! It's all go, go, go!

Some people beg the universe for a sign. He grew up with twelve. From childhood, he was never truly alone. A second thought, then a third, then a quiet chorus of voices moved through his life like invisible companions. They whispered exam answers, translated dead languages he'd never studied, and pulled him away from danger — once screaming at him not to get in a car that later crashed and killed his friend. They weren't cruel. They weren't chaotic. They were calm, wise, strangely loving. Across countries and careers, they guided him into promotions, out of toxic alliances, even into — and out of — a marriage. To coworkers he was intuitive, almost psychic. Only he knew there was a committee of unseen advisers standing just behind his thoughts. Then came Tintagel Castle in Cornwall. As he stepped onto the ancient cliffs, the voices went silent for the first and only time. A single impression slid through before they vanished: We can't follow you in there. Are they spirits, guardians, or something far older learning through him? #TrueGhostStory #SpiritGuides #ParanormalVoices #GuardianSpirits #HauntedButProtected #PsychicExperiences #UnexplainedPhenomena #TintagelCastle #SupernaturalStory #CreepyEncounters #RealParanormal #StrangeButTrue Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Some people beg the universe for a sign. He grew up with twelve. From childhood, he was never truly alone. A second thought, then a third, then a quiet chorus of voices moved through his life like invisible companions. They whispered exam answers, translated dead languages he'd never studied, and pulled him away from danger — once screaming at him not to get in a car that later crashed and killed his friend. They weren't cruel. They weren't chaotic. They were calm, wise, strangely loving. Across countries and careers, they guided him into promotions, out of toxic alliances, even into — and out of — a marriage. To coworkers he was intuitive, almost psychic. Only he knew there was a committee of unseen advisers standing just behind his thoughts. Then came Tintagel Castle in Cornwall. As he stepped onto the ancient cliffs, the voices went silent for the first and only time. A single impression slid through before they vanished: We can't follow you in there. Are they spirits, guardians, or something far older learning through him? #TrueGhostStory #SpiritGuides #ParanormalVoices #GuardianSpirits #HauntedButProtected #PsychicExperiences #UnexplainedPhenomena #TintagelCastle #SupernaturalStory #CreepyEncounters #RealParanormal #StrangeButTrue Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

In this week's MBA Admissions podcast we began by discussing the current state of the MBA admissions season, a few interview invites continue to roll out. This upcoming week, IESE and London Business School are scheduled to release their Round 1 decisions. Graham highlighted the upcoming Masters in Management (MiM) webinar series, scheduled for December 2 and 3. Signups for these events are here, https://www.clearadmit.com/events The next livestream AMA is scheduled for this Tuesday, November 25; here's the link to Clear Admit's YouTube channel: https://bit.ly/cayoutubelive. Graham noted a recently published article on AI instruction in top MBA programs. This is clearly an important and evolving area. Graham also highlighted a Fridays from the Frontline article featuring two ex-military students at NYU / Stern, and an article focused on consulting placements at top MBA programs. He then covered two admissions tips recently published by Clear Admit. The first focuses on creating the MBA resume, and the second focuses on how to select recommendation writers for business school applications. Graham highlighted two Real Humans pieces spotlighting students from Northwestern / Kellogg and Vanderbilt / Owen, and then we discussed the recently published Class of 2027 profile from Columbia Business School. For this week, for the candidate profile review portion of the show, Alex selected three ApplyWire entries: This week's first MBA admissions candidate has a strong overall profile in the environmentally sustainable space. They have a 332 GRE and a 3.44 GPA. We discussed whether the GPA would be a liability. This week's second MBA applicant has a 740 GMAT but a 3.15 GPA. They applied to 15 programs in Round 1 and have received several interview invites. This week's final MBA candidate is from Portugal and has a strong GPA. They worry that their 645 GMAT might limit some of their opportunities. This episode was recorded in Madrid, Spain and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

Sure, this starts with a derailment. But a derailment BY Alasdair? What crazy mixed up episode is this? Well, most of it is a classic ghost story from Cornwall. Featuring a fast-thinking blacksmith, a humble servant, a burst horse and a bit of magick. ⁠⁠See Alasdair On Tour in 2026!⁠⁠ Edited by ⁠⁠⁠Laurence Hisee⁠⁠⁠ Join the LoreFolk at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/loremenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ko-fi.com/loremen⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check the sweet, sweet merch here... ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/stores/loremen-podcast?ref_id=24631⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @loremenpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/loremenpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/loremenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/loremenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Two explorers head beneath the Cornwall cliffs, expecting a quiet day exploring abandoned mine tunnels. But the deeper they go, the heavier the air becomes—until their gas detector slams to 100%, oxygen collapses, and a crushing pressure settles over them like the tunnels themselves are tightening. Then comes the sound. A harsh metal scrape, like chains dragged slowly across rock. Once… then again, closer. And beneath it, a steady, deliberate breathing that isn't theirs. With the air vanishing and something moving in the dark, they realize the mine isn't abandoned... Follow Be. Busta on Insta: @Be.Busta To listen to the podcast on YouTube: http://bit.ly/BeScaredYT Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: http://bit.ly/BeScaredPod If you want to support the show, and get all the episodes ad-free go to: https://bescared.supercast.com/ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/BeScaredPod. If you would like to submit a story for the chance to have it narrated on this channel, please send your story to the following email: Bish.Busta@gmail.com Music: All music was taken from Myuuji's channel and Incompetech by Kevin Mcleod which can be found here: https://www.youtube.com/user/myuuji http://incompetech.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices