Podcasts about Cornwall

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On this week's episode of Local Legends Martin chats with Sunday Times bestselling author Marion Gibson!Regular listeners will recall that Marion last came on Three Ravens during October 2025 to chat about her wonderful book Witchcraft: A History in Thirteen Trials, at which time we spoke about Marion's childhood and career, so we this time we skip all that and jump straight into the 17th century and witch hunt fever!This is all inspired by Marion's new book Witchland: A Tale of Witch Hunting and War in Seventeenth-Century Britain as researched in partnership with the brilliant Tabitha Stanmore, author of Cunning Folk: Life in the Era of Practical Magic and Love Spells.The book offers readers both a history of the English Civil War and, as a product of months of digging through county archives, never-before-discussed histories of several individual everyday folk accused of witchcraft from Scotland, Newcastle and East Anglia down into Devon and Cornwall. The book also draws connections between English witch trials and their later American counterparts, all of which we dig into, along with the folkloric deaths of two of history's most infamous witch hunters/accusers... Learn more about Marion at mariongibson.co.uk and you can keep up with all her adventures on Instagram @witchesetcinsta.About Three Ravens

Today I had Grace on the R2Kast

Passion is perhaps an overused word in photography and sport, but this week it earns its place within the show. German photographer and journalist Kai Behrmann joins me to talk about his long-term project exploring Argentina's extraordinary relationship with football and why the game runs so deep in the country's culture and identity. Valerie Jardin returns for this month's Teach Me Street, while the mailbag takes us to Finland with Juha Wikström, who has been photographing people completing one of the world's great pilgrimages. David Lloyd reports from Vapington-on-Sea, Giles Thurston writes with remarkable openness on Substack, and from Cornwall, there's reading under the covers by torchlight. Read more about our photographic adventures on our photography travel website, The Journey Beyond. Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily. BUY THE NEW SHOW ZINE, REFLECTIONS

“We're Bombalonzo.” This episode features the cast and creative team (Faith Stansfield and Matty Franklin from the cast and Kirsten Edwards and Marc Taylor from the creative team) from the Boom Theatre in Cornwall, who are performing a Young Actors Edition of CATS inspired by a “Cornish twist.” They discuss their first introductions to Cats, why Boom chose the dance-led show, and how the production reimagines the junkyard as a derelict Cornish harbor with immersive elements like fog and sea scent. Marc outlines three character “tribes” (village cats, mystical moor/legend cats, and pirate/wrecker outsiders), plus costume ideas including Cornish tartan and a tartan-clad Beetle Tattoo. Maddie and Faith explain character-development exercises, relationship choices (including their “Bombalonzo” dynamic), and how they're adjusting adult themes for a youth cast. 01:21 First Encounters With CATS 06:37 Cornwall Reimagining 11:00 Three Tribes Concept 13:27 Building Characters in Rehearsal 31:02 Designing a Cornish Cats 36:46 Rapid Fire Check out Boom Theatre Instagram: @boom_theatre Check out the Boom Theatre's website: boomtheatre.uk Produced by: ⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's MBA Admissions podcast we began by discussing the upcoming events Clear Admit is hosting. We are hosting a livestream event on Tuesday, September 1, ahead of the Round 1 deadlines. This event is for participants to ask any questions they have for their Round 1 strategy. Graham and Alex will be hosting, as usual. You can subscribe to Clear Admit's YouTube channel here: https://www.youtube.com/@ClearAdmitMBA Later in September, Clear Admit will also host six webinar events featuring admissions professionals from all the top MBA programs. Signups for those events are here: https://www.clearadmit.com/events Graham highlighted a recently published admissions tip, focused on GMAC's common letter of recommendation. Clear Admit continues its Adcom Q&A series. This week Graham notes Q&As with Notre Dame / Mendoza and Washington / Olin. Graham also highlighted several podcast Q&As with admissions deans that continue to be released. Graham and Alex also had a deep-dive discussion on the use of AI in MBA admissions. For this week, for the candidate profile review portion of the show, Alex selected two ApplyWire entries: This week's first MBA admissions candidate is a military candidate and is targeting Tepper. They plan to remain in Pittsburgh for their career. This week's second MBA applicant is from the UK and has interesting global experience. We worry about their GRE score of 317. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

Kathy Clugston delves into the GQT archive to explore one of Britain's most intriguing gardening phenomena: microclimates.Travelling across the British Isles, the programme uncovers how local conditions shape what gardeners can grow. We'll hear stories from the subtropical gardens of Cornwall and the Isles of Scilly, to the urban heat islands of London and the dry conditions of East Anglia before ending up in one gardener's rather chilly frost pocket.Along the way, the panel suggests plants for coastal walls, city streets and challenging shade, explore exotic species thriving in unexpected places, and offer advice on everything from tropical-style planting to sweetcorn cultivation.Plus, a visit to St Michael's Mount, and Derek Jarman's garden in Dungeness.Producer: Rahnee Prescod Assistant Producer: William NortonA Somethin' Else production for BBC Radio 4* If listening on BBC Sounds and you wish to view the plant list, please go to the Gardeners' Question Time website and open this week's episode page.Tickets are available for the BBC Radio 4 Gardeners' Question Time Summer Party 2026 held at RHS Garden Wisley on Saturday 5th September. Information and ticket details can be accessed via: https://www.rhs.org.uk/gardens/wisley/whats-on/gardeners-question-time-summer-garden-party

In this episode, Noor gets into what happens when your dreams feel so big your mind just can't get on board — and how to fix it. She shares the full story of manifesting her dream home: from standing in her then-boyfriend Richard's kitchen in 2010 saying she wanted to build her dream house one day, to driving down a road in Sheffield years later telling him "one day we're going to live here," to finding a bungalow on Rightmove during a caravan holiday in Cornwall, competing against nine other offers, and discovering it was on the exact road she'd pointed to all those years before. The lesson? Your vision is always working. But your conscious mind needs to be brought along for the ride. Noor introduces the parameters of possibility and conscious mind onboarding — the process of breaking big dreams into logical steps so your mind stops shutting them down and starts building the ladder towards them instead. If you're ready to step into the version of you who manifests everything on your vision board (and then some!)...I'm hosting a FREE workshop on Thursday August 27th at 7PM BST. It's called Become The Woman Who Manifests Her Vision Board To Reality Over And Over Again and inside, we're going to go deep into becoming the woman who can take a vision, hold it, move with it and turn it into reality repeatedly. If something in this podcast episode has awoken something in you that knows you're meant for more… save your spot below, you're not going to want to miss this >>> SAVE YOUR SPOT TODAY   Enjoyed today's episode? Noor always loves to hear your lightbulb moments & responds to all DM's personally. Share your thoughts with Noor on Instagram @Noor_Hibbert

In this week's MBA Admissions podcast we began by discussing the upcoming events Clear Admit is hosting. We plan to do a livestream event on Tuesday, September 1, ahead of the Round 1 deadlines. This event is for participants to ask any questions they have for their Round 1 strategy. Graham and Alex will be hosting, as usual. We hope to roll out these livestream events on a monthly schedule. Later in September, Clear Admit will also host several more webinar events featuring admissions professionals from the top MBA programs. Signups for those events are here: https://www.clearadmit.com/events Clear Admit continues its Adcom Q&A series. This week Graham notes two Adcom Q&As, from emlyon and Imperial Business School. Graham also highlighted several podcast Q&As that are being released, regularly. For this week, for the candidate profile review portion of the show, Alex selected two ApplyWire entries: This week's first MBA admissions candidate is from Pakistan and works in the Philippines. They have 11 years of experience and a 3.94 GPA. This week's second MBA applicant has a 725 GMAT and 3.91 GPA. They are from South Asia and have work experience with start-ups. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

Join us this Sunday for an online service from the Trelawny Benefice in Cornwall, led by Rev Richard Allen. With music from the Polperro Fishermen's Choir, Forever Grateful and the Pelynt Male Choir.Rev Richard Allen has led many of our online services from the Trelawny Benefice, but he is now stepping down as the Rector.So in this service, we're looking back at some of Rev Richard's “best bits”. We thank Rev Richard for bringing his Cornish community to our online community, leading services from a tractor, in a field of sheep, on a lifeboat, and so much more.“This is the day that the Lord has made. Let us rejoice and be glad in it.”Whether you're exploring faith, returning to church, or looking for spiritual encouragement, you are warmly invited to worship with our growing online community across England and beyond.

The Prime Minister's due to announce a package of support to help farmers in England cope with the drought. The measures will include putting an extra £50 million of Defra's budget towards this year's Sustainable Farming Incentive and offering up to £15 million for on-farm reservoirs, to enable farmers to store water in the winter which they can use in the summer. As well as drought and heat, livestock farmers are staving off an outbreak of bluetongue - it's a disease which affects cattle and sheep, but not humans. The South West is dealing with hundreds of cases, mostly in sheep in Devon, Cornwall and Somerset. However there've been cases in Northern England and Wales as well, and for the first time ever, a couple of cases in Scotland.Brassica growers say the sector's in crisis. Farmers say crops like brocolli and cauliflower are dying in the fields because of the drought and extreme heat.The hot weather means demand for salad is up but when it's too hot, the crops don't like it - and nor do the pickers. We visit a grower in Lancashire where workers are picking by torch-light to avoid the heat.Vitamin B12 is essential for our diets, it's found in meat, fish, eggs and dairy products, but not in plants, or not until now, that is: scientists have developed a way of fortifying peashoots with B12 and hope to get them in supermarket salad bags in the next year or two. This summer marks the end of an era for the Thompson family and their berry farm at Blairgowrie, in Perthshire, one of Scotland's most important soft fruit growing areas. The Thompsons have decided to end commercial production because they say the business is no longer economically viable. Presenter = Caz Graham Producer = Rebecca Rooney

Bluetongue, the livestock disease that is transmitted by midges, is spreading, especially in the south west. It affects farm animals including sheep and cattle. It doesn't affect people, but it can be very painful and fatal to livestock. Annual bluetongue statistics are counted from July to June, the so-called bluetongue season. Since the end of June this year, there have already been more cases than in the whole of the previous season. Hundreds of farmers in Devon, Cornwall and Somerset are coping with the virus in their sheep, in particular. We visit a farmer near Exeter whose flock is just beginning to emerge from a bout of bluetongue.We import more than 80% of fresh tomatoes, and more than 50% of lettuce. However, new analysis from the environmental think-tank The Green Alliance suggests that if the UK replaced half of fruit and vegetable imports with homegrown produce, it would generate nearly £2 billion for the economy and make us more self-sufficient in food production than we've been for the last 25 years. Vitamin B12 is essential for our diets and is found in meat, fish, eggs and dairy products, but not in plants - until now. Scientists have developed a way of fortifying pea shoots with B12 and hope to get it in supermarket salad bags in the next year or two. After successful trials, agri-tech company Lettus Grow and the John Innes Centre believe it could work for other crops too. B12's very expensive, but growers say they've developed a super-efficient way of getting it into the pea shoots.Presenter: Caz Graham Producer: Rebecca Rooney

Tom Irwin is joined by St Enodoc Head Professional Nick Williams for a fascinating look back at almost 46 years in golf. Nick recalls joining St Enodoc in the 1980s, when the club was a very different place, and reflects on how it has grown from a relatively unknown Cornish gem into a thriving golf club. He also shares stories from his career, including the changing role of the club professional, repairing persimmon clubs, setting courses and handicaps, and the evolution of golf coaching. They also discuss how technology has transformed teaching, whether modern coaching has become too technical, and why Nick still believes getting the basics right is the key to playing better golf. A fascinating conversation about a lifetime spent behind the counter, on the course and in the coaching bay at one of Cornwall's most renowned golf clubs.

Our guest on this week's HortWeek Podcast is CEO of one of the biggest players across both ornamentals and fruit production in the UK.Matt Jarrett, the group CEO at Greosn unpacks the group's rapid expansion, from his roots in the ornamental sector (Newey) and ethical labour (Proforce) to running a £400m powerhouse in the UK fruit and ornamental markets.Jarrett details Greosn's recent acquisitions, including the Mansfield's group and Emery Fruit Farms which expanded its fruit portfolio to £95m and yielding around 10,000 tonnes of berries and 27,000 tonnes of apples annually.Diversification has given the firm year-round revenue streams, from hand-picking 800 million daffodil stems in Cornwall in the spring, to top fruit harvesting in autumn.Jarrett discusses the state of the UK's Seasonal Worker Scheme (SWS) where Government reductions in visa quotas threaten to hamper growth:"I worry slightly around the growth of the category... we're only as good as the labor that we can put on these businesses at this time."Of course, automation and other technologies offer opportunities for efficiencies. Jarrett discusses Greosn's £15 million CAPEX spend this year featuring AI flower forecasting, precision agronomy, UV robotics to combat mildew, and a new 15-line packhouse facility in Kent.Growth will also come from acquisitions, and Jarrett hints at upcoming acquisitions to take the business to a new financial landmark: "We've got a very clear strategy to really push the business and get to a sort of a billion by 2029." Hosted on Acast. See acast.com/privacy for more information.

Thomas Sowell is one of the thinkers I have recommended for years, particularly for his criticism of simplistic explanations for racial disparities. But I think one of the central arguments in Black Rednecks and White Liberals does not hold up as well as many conservatives assume.In this reaction, I respond to Hunter Matz's discussion of Sowell's thesis on the Joe Rogan Experience and examine the argument that Southern “redneck” culture was largely responsible for the cultural problems of black Americans.I look at the West Indies comparison, the distinction between Appalachian and Southern plantation culture, the influence of the planter class, the history of slavery and Reconstruction, Northern education, Booker T. Washington, the Great Society, and the cultural changes that followed.My argument is not that culture does not matter. Quite the opposite. Culture matters enormously. But history is complicated, and I do not think we can explain modern black American problems by simply pointing to Southern rednecks.As I say toward the end of the video, I have not argued that anything is in anyone's DNA or blamed one group of white people for everything. I am arguing that the history is more complicated than this particular explanation allows.Jon's Music: jonharristunes.comTo Support the Podcast: https://www.jonharrismedia.com/support/Become a Patronhttps://www.patreon.com/jonharrispodcastSubstack: https://substack.com/@jonharris Follow Jon on Twitter: https://twitter.com/jonharris1989Follow Jon on Facebook: https://www.facebook.com/jonharris1989/00:00 – Why I Am Reacting to Joe Rogan02:43 – Thomas Sowell's “Black Rednecks” Thesis04:00 – The Problem With the West Indies Comparison06:35 – Are Ghettos and Black Culture Unique to America?08:33 – Did Black Americans Simply Adopt “Redneck Culture”?10:00 – The Cornwall and Ebonics Argument12:10 – Who Actually Lived in the Southern Black Belt?15:35 – Why Eugene Genovese Matters16:58 – Reconstruction, Education, and Booker T. Washington20:50 – The Great Society, Northern Influence, and Who Is Responsible?Support this podcast at — https://redcircle.com/conversations-that-matter8971/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this Meaningful Money Q&A (Episode 58), Pete Matthew and Roger Weeks answer six real listener questions on the money decisions facing UK savers and investors. We cover paying off your mortgage versus investing, gifting surplus income to manage care fees and inheritance tax, and how to buy capital gains tax-free gold. We also explore consolidating pensions before retirement and how LGPS members can weigh up AVCs versus ISAs and AVCs versus APCs. Tune in for clear, practical UK personal finance, pensions and retirement planning guidance - education, not advice. Shownotes: https://meaningfulmoney.tv/QA58    02:18  Question 1 Hi team Been listening for ages and having a psychological meltdown over this. I have approx £20k in my S&S ISA and £20k left on my mortgage.  How can I justify the decision to pull the trigger and pay it off?  Note that I also have £30k approx in a cash ISA and £5k float easy access.  I also overpay the mortgage about £800-£1k per month but that's eased off the last few months, with the money diverted to an early year getaway. I'm aware there isn't a perfect result or conclusion but I'm struggling to get past how to make the decision. In context, I do have a big holiday coming up later in the year (£5k-9k expected spend), but I'm itching to pay this off and get regular investing. It might be that writing this email I'm working it out for myself but I'd be keen to hear your thoughts (not advice!) on how I can think about the situation or other angles maybe I'm not thinking about. Michael 07:33  Question 2 Hi Pete, Roger & Nick, Many thanks for your podcasts.  Listening to you has been a part of my weekly habits for several years and I feel that you have been a "gateway" which has helped me to get a better grip on my future.   Thanks a lot! My question is how much to put aside for care fees when compared with potential IHT liability.  Specifically whether to advise my mum to gift her future surplus income instead of investing in her ISA? Mum is 88, and in reasonably good health. She has £330k in a S&S ISA, £50k premium bonds and owns her property worth £600k. Mum's  monthly spending is £500, her monthly income (from pensions) is £2k.  Leaving mum with surplus income of £1.5k per month. Mum already makes gifts of £100 per month to her two grandchildren from her surplus income and uses her annual gift exemption of £3k per annum. I have LPA (F&A & H&W) for mum.   It is important to me that I treat mum and her finances with respect and stay focussed on mums needs (rather than that of me and my immediate family).  As such I have been transferring mums surplus income into her S&S ISA each quarter, so that Mum has enough money to do whatever she wants to do. I am wondering what is the point in continuing to put more money into mums ISA when she has more money than she needs already. Mum is widowed; has no desire to travel abroad; make any changes to the house; buy a new car or similar.   Mums immediate financial needs are met via her pension income.   Therefore aside from potential care home fees I wonder what is the point in continuing to boost Mums investments via the ISA. Assuming care home (nursing home) fees of £2k per week equates to £104k per annum.   It seems to me that Mum has over 3 years of fees covered before she would need to sell her house. I am an only child and executor for mums will.  Currently mum has left her estate to me in her will.   Mum says she "doesn't want her hard earned money going to the tax man".   My concern is that if Mum's S&S ISA continues to grow then her estate will be subject to IHT when she dies, unless of course the money is eaten up with care fees. With this in mind I wonder whether to advise mum that her future surplus income should be gifted rather than invested. What are your thoughts? Many thanks for your excellent work! Kind regards, The Rusholme Ruffian 14:37 Question 3 Hello Pete and Roger (no d!) Great podcast! I hope all the good karma you give out comes back to you! Quick and short question: I am aware some physical gold holdings are subject to CGT but some, such as gold sovereigns and Royal mint bullion are exempt. So are there CGT exempt gold holdings that one can buy and keep in a GIA to sell later CGT free? Many thanks and keep going! Adam 16:52 Question 4 Hi Pete, Hi Rog My son put me onto your podcast some time ago and I've been working through the back catalogue from 2019 and am currently up to 2023. I have also bought the Retirement Guide book and plan to join the Academy later this year.  Like everyone else, I wish I'd found this years ago!  But hey ho, we are where we are. I'm 57 and plan to retire next year.  My wife gave up work to look after our children and so apart from state pension all our pension funds are those I've been able to accumulate through my various jobs.  I have 4 pensions - 1 DB and 3 DC.  One of the DCs is in drawdown as I had to withdraw the tax free element a couple of years ago for reasons I won't go into (but I was careful not to trigger the MPAA).   I now work in Financial Services and you won't believe the Compliance hoops I would have to get through to change out of the default pension funds and likewise consolidation of the DC pensions - that will have to wait until I actually retire. Having listened to so many episodes, I have loads of questions but the ones spinning through my head the most are:- 1. Can I consolidate a DC in drawdown with my virgin, untouched DCs and does it matter if I wait until I retire to do so? If yes, how would that be presented to me by the provider. 2. With investments all in one person's name, is there anyway that imbalance can be addressed? For example, what options are there to make use of tax allowances which my wife may have to minimise tax. Is it possible to transfer some of my pension to my wife? - I suspect not. Do we need separate cash pots (in case of death of one of us)? 3. In the Home Straight season and in the book you list a number of questions to ask DC providers. Are there any questions I should be asking my DB provider? even if they are just the practicalities. Thanks again for the podcasts and guidance.  Say Hello to Cornwall for me - I'm sure we'll be visiting Fowey more often when do retire.  (Don't suppose you or Roger can recommend a book on the history of Cornwall?) Mark 24:30 Question 5 Hi Pete and Roger, I'm in my early 50s and only now feel like I'm reaching a stage where I have some financial breathing space, but it has also triggered panic that I may be behind and need to make the most of the next 8–10 years. For context, I was a single mother for 24 years. During much of that time I worked part-time on a relatively low salary while contributing to the LGPS. My children have now left home and over the last eight years I returned to full-time work and progressed professionally. I'm now earning just above the higher-rate tax threshold at £62,000. Over the last eight years I have aggressively focused on becoming debt free and paid my mortgage off last year. I currently: - contribute 8.5% into LGPS (part final salary part CARE) - Just opened an AVC £550 per month cost to me - Just opened a stocks and shares investment platform where I can comfortably afford upto £250 per month - save £600 per month into a cash ISA for flexibility/emergency funds - currently hold around £20k in cash isa savings I would ideally like the option to retire around 60, perhaps gradually rather than stopping work completely overnight. My question is: Given my relatively late start to focused financial planning (and lack of understanding) am I broadly approaching this in the right way, and what else should someone in my position be considering over the next decade to build a secure but flexible retirement? I'd also be interested in your thoughts on balancing AVCs versus ISAs at this stage of life, and whether people like me should focus more on flexibility or maximum pension accumulation. Thank you, I've just found your podcast and will be listening help reduce some of the fear around pensions and investments I have. Regards, Lotty 32:12  Question 6 Hi Pete and Roger I'm loving the podcast and it has really helped focus my mind and be more intentional about my finances, having not really saved or invested for the first 40 years of my life. I am a relatively low earner with a salary of £30,000, which means I can only afford to commit around £200 a month for savings and investments, but I do save anything left over at the end of the month too. I could look for a higher paid role, but my current job gives me a lot of flexibility including mostly home working and because I have worked in local government for 20 years I get very good sickness and redundancy benefits, as well as a defined benefit pension which I have been paying into from the start of my employment. This will guarantee me my final salary on retirement, although that assumes I work until 68, which is longer than I want to ideally. [ALARM!} I have built up an emergency fund of 1 month salary and will try and get that to 2 months, but with my sickness and redundancy benefits I don't feel I necessarily need the 3-6 months which is recommended by many. I also have a stocks and shares ISA which I am hoping to build up and not spend until retirement, with the plan of using it to bridge the gap before I draw on my pension. I am now considering making additional contributions to my pension and have two options available to me. One is to make Additional Voluntary Contributions (AVCs) via the Prudential and the other is Additional Pension Contributions (APCs) through the scheme itself. With AVCs my employer will pay in with me, but they don't with APCs. With my employer paying in with me that makes me wonder if AVCs may be a better option. Alternatively, as I don't have much money to put in I may keep my pension contributions as they are and focus on my stocks and shares ISA. I know you can't tell me which route to take, but I am interested in your thoughts and perhaps there are some questions I should be putting to my pension provider to give me more clarity. Apologies for the length of the question. Many thanks, Andrew   Jacksons - https://jacksons.life  Meaningful Academy Retirement Planning: https://meaningfulacademy.com/retirementplanning  Meaningful Coaching: https://meaningfulcoaching.co.uk 

Livestock farmers in Devon, Cornwall and Somerset are at the centre of the current outbreak of bluetongue and cases are rising rapidly. Bluetongue can be fatal to animals like sheep and cattle but doesn't affect humans, it's spread by midges, and makes animals lethargic and lame as well as causing birth defects or spontaneous abortions. The Farming Community Network has a 24 hour help line: we ask them about the impact the disease is having on farmers in the South West of England. As England and Wales are set to enter the fifth heatwave of the summer, almost three-quarters of England is now in drought. The National Drought Group has added the East Midlands, Lincolnshire & Northamptonshire, Kent & East Sussex, and Solent & the South Downs into drought status. The prolonged lack of rain in some places is having a major impact on farming and food production in the UK and Europe. We speak to a farmer from Copa Cogeca which represents European farmers and farming cooperatives.We're talking about UK salad production all this week. Unseasonably hot weather doesn't just increase our demand for lettuce, tomatoes and other salad crops, it also has an impact on how they well they grow, the diseases they might catch, and the working conditions of those planting and harvesting them.Presenter = Caz Graham Producer = Rebecca Rooney

Clare's debut two part book is a landmark exploration of modern pixie and piskie encounters in Devon and Cornwall, blending folklore research, contemporary testimonies, mythic ecology, and West Country fairy traditions. Ideal for readers seeking authentic British fairy lore, real‑world faerie experiences, and the living traditions of Pixieland, Clare explains her genesis on this journey in to the folklore of these enigmatic creatures.Clare's podcast can be found here:Both volumes can be located here:A big thank you to Clare for joining me once again.Our Patreon is live, if you want to support the show and get Ad-Free episodes, bonus content, early release of the regular show and monthly prizes for everyone who signs up!Join now for $4 a month!You can also support the show by leaving a review to help spread the word.Don't forget, you can now show your support with our brand new Merchandise shop on Tee-Public!Click here for all the show merch!You can join us on Facebook and Instagram as well.You can also subscribe to our YouTube channel!Email us at mysteriesandmonsters@gmail.com with any feedback, guest suggestions or if you'd like to appear.           All artwork by Dean Bestall and the show was produced by Brennan Storr of the Ghost Story Guys. Our theme music is kindly provided by the amazing Weary Pines, you can find them here:  Intro - Zombies Ate My Shotgun     Outro - Into The Night #ClareCasely #TheHeartofPixieland #Pixie #Piskie #Dartmoor #Fae #Faery #Folklore #Magic #Spiritualism #Knockers #Miners #Pixieled #PixieMarket #Whist #TheRiverDart #Encounters #History #Devon #Cornwall #DrSimonYoung #JoHickeyHall #MorganDaimler #Goblins 

In this week's MBA Admissions podcast we began by discussing the upcoming events Clear Admit is hosting. We plan to do a livestream event on Tuesday, September 1, ahead of the Round 1 deadlines. This event is for participants to ask any questions they have for their Round 1 strategy. Graham and Alex will be hosting, as usual. You can subscribe to Clear Admit's YouTube channel here: https://www.youtube.com/@ClearAdmitMBA Later in September, Clear Admit will also host several more webinar events featuring admissions professionals from all the top MBA programs. Signups for those events are here: https://www.clearadmit.com/events Graham highlighted a recently published resource that covers all the 2026 Early and Round 1 deadlines for top MBA programs. On September 9, several programs, including Harvard, Stanford, Wharton, and Columbia have their first-round deadlines. Clear Admit continues its Adcom Q&A series. This week Graham notes a Q&A with Chicago / Booth. Graham also highlighted several podcast Q&As that are being released, regularly. For this week, for the candidate profile review portion of the show, Alex selected two ApplyWire entries. This week's first MBA admissions candidate is from India and has a 332 GRE score. They are concerned that they have not worked for more traditional big brand businesses. This week's second MBA applicant has a liberal arts degree and makes no mention of a standardized test. We really encourage them to take the GMAT or GRE. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

Up front, you can find Simon's tour dates at www.filmstories.co.uk/live. Simon Brew has been touring the UK with Film Stories in 2026, and in June 2026, he landed at the lovely Plaza Cinema in Truro. There, for an hour and half, he and Mark Kermode talked movies. And lots of them. In this special recording, you can hear the pair talk about dentistry, John Travola, Event Horizon, The Devils, The Exorcist II, Howard The Duck, Masters Of The Universe and a whole lot more... Learn more about your ad choices. Visit megaphone.fm/adchoices

“One night in Cornwall, around 2 AM, I heard a tawny owl outside the holiday cottage where I was staying. I quickly grabbed my Zoom H5 and went out in my pyjamas. As I was standing there, listening, a second sound emerged: a motorcycle, travelling through the hills of Rosudgeon and Goldsithney. The nocturnal duet between these two lone creatures lasted for minutes on end.”

Watch the full discussion here: https://renderingunconscious.substack.com/p/ru416-klara-naszkowska-and-ana-tomcic Rendering Unconscious welcomes Drs. Klara Naszkowska and Ana Tomčić back to the podcast! Rendering Unconscious episode 416. On this episode, Klara and Ana discuss their upcoming course "Early Women Psychoanalysts," which will span 14 sessions, starting in September. The course will cover 17 early women psychoanalysts, with Klara focusing on historical and cultural aspects and Ana on clinical applications. Each session will last two hours, including a 10-minute break. The course aims to rewrite and update psychoanalytic history and contemporary thought by integrating these often-overlooked figures' theories and practices, emphasizing the importance of historical justice and the relevance of these women's contributions today. Klara Naszkowska, PhD (she/her) is an educator, research scholar, and writer whose work focuses on the intersections of Jewish women's history, psychoanalysis, Nazi persecution, migration, and memory. She is Professor of Gender, Sexuality, and Women's Studies at Montclair State University (NJ). Ana Tomčić, PhD (she/her) is a cultural historian and psychoanalytic trainee at the Society for Social and Critical Psychoanalysis in Cornwall, UK. Be sure to check out: RU399: EARLY WOMEN PSYCHOANALYSTS WITH KLARA NASZKOWSKA, ANA TOMČIC, CANDICE DUMAS, HÅVARD NILSEN & DÓRA SZABÓ: https://renderingunconscious.substack.com/p/ru399-early-women-psychoanalysts You may find your favorite Rendering Unconscious Podcast episodes and guests here: https://renderingunconscious.substack.com/p/episodes –––––– Fourteen-session online course: Early Women Psychoanalysts Co-taught by Klara Naszkowska and Ana Tomčić Format: 14 Saturdays, spread over the academic year, 12:00-2:00 PM (New York), from September 26, 2026 to June 26, 2027 Includes: Free digital copy of Early Women Psychoanalysts For more information and to register, please visit: https://www.earlywomenpsychoanalysts.com/ Composing with Spielrein: Contemporary Applications of Sabina Spielrein's Work, International interdisciplinary conference, September 5-6, 2026 online. Registration is now OPEN! More info and REGISTER HERE. https://www.spielreinassociation.org/register Conference fee: £10 Second International Conference on Early Women Psychoanalysts The International Association for Spielrein Studies is pleased to announce the Second International Conference on Early Women Psychoanalysts, dedicated to women who engaged with psychoanalysis before the end of World War II. The conference will be held online on April 10–11, 2027. For further details and the Call for Papers please visit: https://www.spielreinassociation.org/conference-early-women-psychoanalysts RU Center news & updates: Our next event is Saturday, August 15th, with the next installment of An Introduction to Psychoanalysis. On Jean Laplanche, queer theory, Heinz Kohut, Self Psychology, Transpersonal Psychology, Abraham Maslow and Stanislav Grof, as well as Israel Regardie, an interesting character at the crossroads of 20th-century psychoanalysis and occultism. https://rucenterforpsychoanalysis.substack.com/p/an-intro-to-psychoanalysis-continues-c7e Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu If you are interested in pursuing psychoanalytic treatment or supervision with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ As always, huge thanks to Carl Abrahamsson for providing the intro and outro music for Rendering Unconscious Podcast. https://linktr.ee/CarlAbrahamsson Links to everything can be found at: https://linktr.ee/renderingunconscious Thank You.

In this bonus, Dave tells us about taking a trip with his family to England, Neil was at the All-Ireland Hurling final as part of BBC's push to get the UK into GAA, and we even get a few facts in.New full episodes every Thursday.Bonus mini-eps on Sundays and Tuesdays.To listen to Dave on the radio check outhttps://www.todayfm.com/shows/dave-moore-1499732 To see Neil on tour check outhttps://www.neildelamere.com/reinventing-the-neil-tourhttps://www.neildelamere.com/neils-on-wheels-tourYou can watch the podcast on Youtubehttps://www.youtube.com/@WhyWouldYouTellMeThatpodcastPresented and Produced by Neil Delamere and Dave MooreEdited by Diarmuid O'BrienMusic by Dave MooreArtwork by Ray McDonnell Hosted on Acast. See acast.com/privacy for more information.

Why do secondary schools fail so many young people? Whose fault is it? What does good vocational education look like? He says the hard hat is just as important as the graduation cap, but does Andy Burnham really get it? With A-Level and GCSE results due out, Steph's launched a day to celebrate the millions of people getting vocational qualifications. To mark this we take the show to a thriving business in Cornwall to look at how they're solving their skills problem. Also, Robert and Steph unpick the crisis in British education and come up with bold solutions. The Rest is Money is brought to you by Octopus Energy, Britain's smart energy pioneer. This episode is brought to you by Accenture. https://Accenture.com/Spotify-UK. Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠the⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠restismoney@goalhanger.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheRestIsMoney⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheRestIsMoney⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@RestIsMoney⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Advertise with us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Partnerships@goalhanger.com⁠ For more Goalhanger Podcasts, head to ⁠www.goalhanger.com⁠ Video Editor: Dylan Bonham Producer: Isabelle Bougeard Learn more about your ad choices. Visit podcastchoices.com/adchoices

Who are the people, past and present, who have helped you become who you are?In this episode of The Systemic Way, we explore Team of Life, a creative narrative practice developed from the Tree of Life approach. We speak with Mariangels Ferrer-Duch and Vicky Eames from Riverbank Psychology as we discuss how to help people reconnect with stories of strength, courage and belonging. This is a reflective conversation about narrative practice, relational identity and the power of remembering that no one's story is written alone.Using the metaphor of a sporting team, Team of Life invites us to think about the people, relationships, communities, values, skills and experiences that have helped shape who we are and supported us through difficult times.Who are the people who have been in your corner?Who has passed you the ball when you needed it?Who helped you find your way when you were unsure where to go?And whose team are you a member of?Together, we explore how Team of Life can create opportunities to recognise skills, celebrate relationships and reconnect people with stories of strength, contribution and belonging that can easily become overshadowed by problems.From a systemic and narrative perspective, the episode asks what becomes possible when we move away from seeing resilience as an individual quality and instead locate it within relationships, histories, communities and collective experience.Because none of us gets through life entirely on our own.Sometimes, it takes a team. Who would be on your Team of Life?Dr Vicky Eames is a consultant clinical psychologist with over 30 years of experience in adult and child and adolescent mental health. She offers psychological therapy in Cornwall and online with specialisms in narrative therapy, attachment and trauma focused therapy, EMDR as well as therapeutic work with neurodivergent people.Mariangels Ferrer-Duch is a clinical psychologist and systemic family therapist with over 30 years experience. She also holds a masters in narrative therapy and community work. Mariangels offers online supervision, consultation and training, helping practitioners develop their skills in narrative therapy, 

Welcome back to Law of Attraction Changed my Life - the podcast that helps you design and manifest a life you love, one week at a time! This week I'm talking to viral TikTok witch & author of Manifest Like a Witch, Lily Statham! Sorry this episode is a little late, it didn't upload for some reason and I'm doing this on the road to Cornwall! Come find us both on Instagram & let us know what you thought of the episode. You can find everything else at workwithfrancescaamber.com/links and of course save £££ on your mortgage using https://linkprod.sprive.com/refer?code=VYQRZRJS See you next week, Fran xYou can find the EXTREMELY WEALTHY FAST overnight audio here: https://francescaamber.com/products/extreme-wealth-fast-8-hour-affirmationsWant to overpay your mortgage without even trying? Sign up to Sprive here: https://linkprod.sprive.com/refer?code=VYQRZRJS and use my code VYQRZRJSCome see me at my events: https://workwithfrancescaamber.com/links Hosted on Acast. See acast.com/privacy for more information.

Am I a candidate for genetic testing, and what happens before and after the results? Genetic testing workflow and follow‑up — Umangi Patel, MD, Medical Director, Oncology Services at Montefiore St. Luke's Cornwall, walks through the full process: identifying red flags from personal and family history, referral to genetic counseling, insurance authorization, and sample collection by blood or saliva. She explains multi‑gene panels versus single‑gene tests, how labs such as Myriad and Invitae report results, and how clinicians communicate positive, negative, or variant of unknown significance findings. The episode details downstream steps tied to different results — specialist referrals (GYN oncologist, breast surgeon, gastroenterologist, urologist), surveillance options (mammogram, MRI, colonoscopy, transvaginal ultrasound, PSA), chemoprevention, and timing of risk‑reducing surgery — and emphasizes that genetics is evolving, so variants and recommendations may change over time.

Discover how Lizzi Larbalestier integrates water, nature, and presence into coaching to foster deep connection and mindfulness. With a background in sports therapy, animal rescue, and environmental psychology, Lizzi talks about  the importance of observing and engaging with the natural world, especially water,  to cultivate calm, clarity, and resilience.    She shares stories of coaching outdoors in England's south west, on Cornwall's coast, the sensory power of water, and the profound impact of slowing down and creating space for awareness. Her approach challenges traditional coaching paradigms by focusing on embodied presence, fluidity, and the organic connection with nature. If you're curious about coaching beyond the conventional room setting or want to harness the healing power of water and nature, this episode offers inspiring insights into a different and impactful coaching practice.   Contact: Contact Lizzi through Linked In https://www.linkedin.com/in/lizzilarbalestier/ and https://goingcoastal.blue/  Contact Claire by emailing info@3dcoaching.com  or join our coaching community where you can talk with other listeners. Further Information: Subscribe or follow The Coaching Inn on your podcast platform or our YouTube Channel to hear or see new episodes as they drop. Find out more about 3D Coaching and get new ideas and offers in our weekly email. Keywords: coaching, nature coaching, blue health, water and coaching, presence in coaching, outdoor coaching, mindfulness, environmental psychology, sensory awareness, embodied presence, coaching outdoors, nature connection, resilience, calm, clarity, self-awareness, animal rescue, sports therapy, experiential learning, wellness coaching   We love having a variety of guests join us! Please remember that inviting someone to participate does not mean we necessarily endorse their views or opinions. We believe in open conversation and sharing different perspectives.

In this week's MBA Admissions podcast we began by discussing the upcoming events Clear Admit is hosting. We plan to do a livestream event on Tuesday, September 1, ahead of the Round 1 deadlines. This event is for participants to ask any questions they have for their Round 1 strategy. Graham and Alex will be hosting, as usual. We hope to roll out these livestream events on a monthly schedule. Later in September, Clear Admit will also host several more webinar events featuring admissions professionals from the top MBA programs. Signups for those events are here: https://www.clearadmit.com/events Graham highlighted a recently published article that focuses on Chicago / Booth's new research center for supply chain and applied technologies. Graham also noted an admissions tip detailing how to identify and prepare recommenders for the MBA admissions process. Clear Admit continues its Adcom Q&A series. This week Graham notes a written and a podcast Q&A from Berkeley / Haas. For this week, for the candidate profile review portion of the show, Alex selected two ApplyWire entries: This week's first MBA admissions candidate has a 3.73 GPA and 675 GMAT. They have what appears to be strong work experience and some decent entrepreneurial experience. This week's second MBA applicant is seeking to pivot away from the Oil and Gas sector. They are from Pakistan and have more than 11 years of experience. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

The whole of Wales and half of England are now officially in drought. For farmers the impacts are huge. There are concerns about a shortage of feed for livestock and cereal yields are down. The Environment Agency in England says it will step up controls on how much water can be taken from rivers and groundwater. The National Farmers Union has called for a more modern abstraction system, saying we're still using regulations which are 50 years old. The environmental charity River Action says too many businesses are taking water from rivers, and the government should review the abstraction licence system. It says that trillions of litres of water are being taken from rivers, lakes and aquifers every year.There's been a rise in cases of bluetongue this summer. The disease is spread by midges and can have a devastating impact on cattle and sheep. We hear from a farmer who lost a third of his calves due to the virus, and a scientist who says the hot weather is accelerating the spread.All week BBC local radio stations in England have been focusing on agriculture, as part of this year's Farmwatch reporters have looked at food inflation and what rising costs mean for producers. We also hear from an inspiring young farmer in Cornwall, who has got his own dairy herd - comprising one Jersey cow.Presenter = Charlotte Smith Producer = Rebecca Rooney

In Episode 304 of the Kite Podcast, Will Evans and Ben Eagle are joined by Marie Stephenson, who is taking on the remarkable challenge of milking 10,000 cows in 10 days as she travels from Scotland to Cornwall in support of RABI. The challenge has attracted significant interest across social and national media, creating a valuable opportunity to promote British agriculture in a positive light and showcase the people and stories behind the sector. Alongside fourth-generation dairy farmer Colin Price, Marie discusses the inspiration behind the challenge, the logistics of visiting dairy farms across the country, and why the campaign has captured the imagination of so many. Colin reflects on the pride, resilience and strong sense of community within farming, highlighting the importance of using opportunities like this to strengthen public understanding of agriculture and celebrate the industry's many successes. The episode also features the latest milk market update from Chris Walkland, with insights into current milk volumes across Europe, making for an uplifting conversation about community spirit, positive PR for farming and the best of British agriculture Please note: The information provided during this podcast has been prepared for general informational purposes only and does not constitute advice. The information must not be relied upon for any purpose and no representation or warranty is given as to its accuracy, completeness or otherwise. Any reference to other organisations, businesses or products during the podcast are not endorsements or recommendations of Dairy Consulting Ltd or its affiliated companies. The views of the presenter are personal and may not be the views of Dairy Consulting Ltd. The contents of this podcast are the copyright of Dairy Consulting Ltd.

In this special episode, contemporary artist Libita Sibungu joins EMPIRE LINES live, to explore the layers, energies, and geologies that connect people to place, and African diasporic, mixed and multi-racial, and working-class experiences in Cornwall, through their installation, ZED LOVE (2026).This episode was recorded live as part of the public programme for Libita Sibungu: ZED LOVE at Newlyn Art Gallery & The Exchange in Penzance in July 2026. The exhibition continues until 31 October 2026: newlynartgallery.co.uk/activities/empire-lines-podcast-recording/Find all the information in the first Instagam post: instagram.com/p/DZqDXwfFT22/?img_index=1For more from Barby Asante, listen to the episode from her collective choral performance, Declaration of Independence (2023), at Stratford Station in London as part of Art on the Underground: pod.link/1533637675/episode/aa2803b68933ab974ca584cf6a18479cFor more with Angeline Morrison, listen to Paul Gilroy live in conversation with EMPIRE LINES at the Black Atlantic Symposium in Plymouth, marking the 30th anniversary of his formative text in 2023: pod.link/1533637675/episode/90a9fc4efeef69e879b7b77e79659f3fAnd read into Library Obscura — a new publication from the AfroSea Collective (Libita Sibungu, Maria Christoforidou, Angeline Morrison, Caroline Deeds, and Catherine Lucktaylor)—supported by Exeter University and the Hypatia Trust in Penzance in April 2026.For more about the Diaspora Pavilion at the Venice Biennale in 2017, listen to artist Yinka Shonibare, in the episode on Decolonised Structures (Queen Victoria (2022-2023) at the Serpentine in London: pod.link/1533637675/episode/01fffb739a1bd9f84f930ce41ee31676And listen to curator Sabina Desir with Anita, Mark, and Julie—three children of Black (and Indigenous) American airmen stationed at RAF Manston in the 1950s— on Richard Birch's Children of the Manston US Air Force Servicemen Print Series (2023) at Turner Contemporary in Margate: pod.link/1533637675/episode/OTU0NmM1YzMtMTYwMi00NjdiLWI0ZDgtZWUzYmI5ODViOGY1PRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠instagram.com/empirelinespodcast⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠patreon.com/empirelinesEMPIRE LINES is a project within the ecosystem of Radical Ecology (2025-2026).

Witchland with Professor Marion Gibson: The Witchfinder General, Civil War Chaos, and Recovering the AccusedWe sit down with Professor Marion Gibson (emeritus, Exeter University) to explore her new book, “Witchland: A Tale of Witch Hunting and War in 17th Century Britain,” a gripping, archive-driven look at the 1640s British Civil Wars and the Matthew Hopkins–John Stearne witch hunts that pursued roughly 200–300 people. Marion explains her mission to remedy a “triple injustice” by restoring the accused to history—their names, neighbors, and ordinary lives—rather than centering persecutors. We dig into how war, religious conflict, migration, and the 1604 Witchcraft Act helped fuel mass prosecutions; how “watchers,” clergy, and communities escalated sleep-deprivation interrogations; and how templates of questions produced patterned confessions about familiars, spirits, and the devil. Stories range from the nameless “Witch of Newbury” to Scotland's pricking practices, Great Yarmouth's transatlantic links to New England, Cornwall's Ann Jeffries and Moses Pitt, and growing efforts to memorialize victims.00:00 Meet Marion Gibson02:49 Why Write Witchland04:43 Triple Injustice06:48 Civil War Panic09:17 Witch of Newbury11:16 Law That Enabled Hunts14:01 Familiars And Confessions17:18 Religion And Reformers20:48 Building A National Story25:00 Accusations And Watchers30:39 Templates And Scotland40:54 Cornwall Fairies Tale44:30 Memorials And Memory47:18 Buy The Book Next50:31 Final Thanks And OutroBuy Witchland by Marion GibsonBuy Books on English and European Witch TrialsCT Witch and Culture FestHistory Camp BostonEnd Witch HuntsThe Thing About Witch Hunts: https://aboutwitchhunts.comThe Thing About the Salem Witch Trials: https://aboutsalem.comSalem Witch Trials History Youtube

Super Steve Denyer sits in on the show and speaks to James Clarke from Par Track LTD to find out how The National Lottery will help fund Cornwall's only UK Athletics licensed track.Catch up on all previous episodes of TFI Unplugged on the Virgin Radio UK YouTube channel! Hosted on Acast. See acast.com/privacy for more information.

Late last month, John shared two theories about the Cormoran Strike series of novels, both from Katya Slonenko, a member of the Reddit r/CormoranStrike online fandom: Dementia, Jewelry, and a Nine Inch Cock: The Mystery of Shanker's ‘Old Man,' His Given Name, and Why He's Never Killed Jeff Whittaker and Katya Slonenko: Leda Strike's 'Mistress of the Salmon Salts' Pudenda Tattoo. John corresponded with Katya while preparing those posts and invited her to join him and Nick for a discussion of her ideas, of life as a Redditor, and her thoughts about Rowling's artistry and meaning. She accepted the invitation but said she wouldn't be free until July to talk. Hence the wait! As expected, though, speaking with her about her own journey to expertise in Rowling Studies, her ideas about the clues Rowling has embedded so carefully within the first eight books and especially in Hallmarked Man, and the Reddit posts of which she thinks Hogwarts Professor readers need to be aware was well worth the wait.You'll want to read those posts from June before listening to get the most out of this conversation, but, regardless of your preparation, John and Nick believe that every Serious Striker and Rowling Reader will be charmed and challenged by Katya's remarkable insights, generous spirit, and winsome personality. The conversation includes three other Reddit community posts — about Leda's ‘Carnival' dress (Arachulia), about the real name of her first husband, and about the Harry Potter tattoo Rowling-Galbraith hid on a Strike novel character's shoulder — which took the discussion above and beyond the two Katya theories in the June posts.Nick and John close the conversation by inviting her back and they hope readers here will share the questions they want us to be sure to ask her on her return visit in the comment thread below. Or just ask her yourself! As she demonstrated on the threads beneath the June posts, she is generous with her time in responding to other Strike fans.Can't wait for more Katya Slonenko? Follow her at r/CormoranStrike, on Instagram (Tattoos!), on FaceBook, and check our her older, longer posts on Medium…The Ten Plus Questions with Links1. Welcome, Katya, and thank you for joining us! The serious readers at Hogwarts Professor have been buzzing about your Shanker and Leda r/Cormoran Strike Reddit posts and we're thrilled to be able to talk with you about those ideas. First, though, tell us about your first Rowling reading experiences and how you started posting on Reddit about the Strike series.2. I'm guessing that Reddit Strike fandom may be as unfamiliar to Hogwarts Professor readers as it was to me. What is it about the Pelican_Girl and TopRequirement670 moderated posts and that international community that you love the most?3. Shanker! I confess -- I hadn't given him a thought really beyond a doppelganger twin for Strike before Fiona from Adelaide introduced me to the ideas that he had to be involved in the death of Leda Strike and that the Riccis were also somehow party to it. Ed Shardlow shared your Reddit post on the subject and my mind was blown; you made a compelling case soon after the publication of Hallmarked Man last year that Shanker is a Ricci, the illegitimate son of Nico ‘Muccy' Ricci, but to avenge Leda Strike's death he has become a Met or MI5 informer. Let's start with the four pointers that Shanker gave Strike in one conversation that he is a Ricci-by-blood and what made you think of that connection:* Shanker's statement that his father had dementia or was senile;* Shanker's report that his dad taught that jewelry was the way to a woman's heart;* Shanker's claim that his ‘old man' was said to have a “nine inch cock;” and* Shanker's saying that his begetter “‘ad kids wiv abou' ten diff'rent women.”4. I see the trigger now that you've detailed it but you dug and made four more connections that were buried in the texts of the series' other books:* Shanker's knowledge of the Ricci clan, especially Mucky,* his Strike-witnessed working with Mucky in drug deals,* “he deals cocaine and is good with a knife;” and, best of all,* the reaction Robin had to both Shanker and Luca at their first meeting, the fun-house mirror upside-down reflection of the attraction half-siblings feel for another intuitively. Robin is viscerally repulsed and afraid of the half-sibling Ricci boys.We cannot not see these connections after you point them out, but they're nigh on invisible until they're pointed out! Why do you think you saw them when we missed them -- and why do you think Rowling has taken such care to make them invisible in plain sight?5. And Shanker is an MI5 informant? Where does that come from?5.5 Let's not forget that you also make an intelligent guess, the first one I've heard, about what Shanker's given name really is, one based on the names of Nico Ricci's two children out of ten for whom we have names.* Katya shared not only her reasoning about why Shanker's name is John or an Italian variant of the Evangelist's name but also her theory about the parentage and name of the other remaining character in the series who also remains nameless: the mysterious ‘Strike' with whom Leda ran away from Cornwall! (Be sure to read the comment thread for Redditor conversation about other possible Ricci children…)6. Your thoughts about Shanker all feed into theories about Leda Strike and her mysterious death in the end, which brings us to another aspect of her life and death about which you've brought an important and unique perspective. I'm talking about the Mistress of the Salmon Salt tattoo. Did you know anything about tattoos, Katya, before writing this piece?7. As a tattoo artist yourself, what do you make of Leda's tattoo placement?8. Tattoos are meaningful, powerful reflections or revelations of the person's interior life or self-understanding (see the post about Katya's ‘Salmon Salt Tattoo' theory for much more on this). What do you think this tattoo communicates about Leda? Is it another example of Rowling's text-within-the-text or a variant of her using cryptonyms to signal important information about a character's inner life?What Tattoos Mean in Cormoran Strike and a Catalog of Examples* From Katya's 2023 ‘Mistress of the Salmon Salt Revisited:'I hear you asking - why can't Leda's be just a tattoo, without any deeper meaning to it? That's because all the other tattoos in the Strike books have meaning and provide a clue to their wearers' characters.Here are some examples:* Kelsey Pratt's One Direction tattoo is an obvious link to her being a One Direction fan. (How Leda's tattoo is different? She chose the name of the particular song, not the more generic name of the band, to be tattooed on her)* Laing's rose pierced with a dagger bluntly means violence to women. Rose is a woman in the language of symbols, while the dagger is… well, a dagger.* Polworth's St Piran's cross means he's a Cornish patriot. I'll be surprised if it also doesn't mark him as The Hanged Man (a symbolic bearer of a cross)* Portia Bayliss's trident refers to her Caribbean roots* Edie had a small black heart on the knuckles because she was the creator of ‘The Ink Black Heart' cartoon.* Zoe's tattoos are of ‘The Ink Black Heart' characters she identifies with.* Pez Pierce has The Beatles quote around his neck - Strawberry Fields was (is?) a place in Liverpool.* Union Jack, a skull, and a Nordic “Chaos” rune give a good impression of what the Turisaz character will be about (all tattooed on visible spots like head or neck - he wears them proudly!);* Same with Algiz and Uruz, sans the Union Jack and the skull.* Noli Seymour's tattoo stands for “Golden Prophet”. It denotes her connection to the Universal Humanitarian Church and her status there as the current Golden Prophet.* An ace of spades was inked onto his left cheek, and a tattooed tiger covered his throat. - Jordan Reaney's tattoos are pretty telling, too.* Not a character, but still - JK herself has a tattoo, “Solve et Coagula”, which means - “I'm a writer of an alchemical detective series!” :DSo you see, all these tattoos are chosen to reflect their owners' personal histories. That's generally a feature of Rowling's writing: if she describes a character, every little detail works for the portrait she wants to paint. There are no details put there “just because” - everything is important. How the characters dress and speak, what they eat and drink, what music they listen to, and what tattoos they have tell us something about the character.What does Leda's tattoo contribute to her portrait?Nothing!In Career of Evil, when we learn of its existence, the tattoo adds literally nothing to Leda's portrait. Why is it mentioned in the story to which it makes zero contribution, except for serving as a plot device enabling the killer's obsession?Because it will be important later.* Katya shared in her answer her theory from experience that Rowling-Galbraith had secretly marked a character as a Harry Potter fan by giving her a shoulder tattoo that Potter-heads would recognize!9. Rowling's Solve et Coagula tattoo: what do you think she is telling the world about herself? Is there a correspondence or tie between the author's tattoo and its placement and Leda's?10. Whittaker quotes a line from the Salmon Salt song by the Blue Oyster Cult — “She was the Quicklime Girl” — while testifying at his trial on murder charges; what do you think that tells us about her death? Does it suggest it was suicide or murder? Do you think Whittaker did it? 11. And another one to make eleven! You thought at one point because of the meaning of ‘Mistress of the Salmon Salt' that we had to take seriously the possibility that Leda herself was a serial killer. But you've changed your mind. Why is that? * In addition to her own thinking on this subject, Katya shared yet another Redditor theory, this one from Arachulia about The New Dress that Aunt Joan said was the real reason that Leda had left her Nancarrow home in Cornwall with the mysterious ‘Strike.' Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

See what the team at The Successful Bookkeeper has on right now → This is the second and final part of Michael Palmer's conversation with Andrew Seguin, founder of Seguin Financial. If you want a candid look at how a bookkeeping firm doubles revenue without a big advertising budget, this episode delivers. Andrew walks through the real levers he pulls: a four-day workweek that keeps his team loyal, a disciplined approach to scope creep, and a referral engine built entirely on great service. Chapters [00:00] Introduction and Episode Recap [01:18] Four-Day Workweek Announcement [03:30] Andrew's Fridays: A Work in Progress [05:30] Scope Creep: How to Catch and Address It [09:30] Time Tracking as a Profitability Tool [12:00] How the Firm Doubled Revenue [15:00] Partnerships and Referral Strategy [18:00] Service as the Real Differentiator [21:30] Going Virtual Across Ontario [24:30] Final Advice: Start With Something The Four-Day Workweek in Practice Andrew made the switch to a Monday–Thursday, 36-hour week — with no pay cut for his team. "Working one hour extra per day doesn't feel as a big burden, but you get a whole day off every week, all year long," he explains. The response from clients has been overwhelmingly positive, and the retention impact has been real. For Andrew himself, it has gradually freed up his Fridays too — without the guilt of stepping away while his team is still at their desks. Catching Scope Creep Before It Costs You Andrew's approach to scope creep starts with the team: coach them to flag anything that feels different from the usual work, then back it up with time tracking so the numbers tell the story. Rather than hitting a client with a hard "that's out of scope," his firm offers two paths — "we can show you how to do it yourself, or we can have a conversation about a monthly increase to accommodate this." That framing keeps the conversation collaborative, not combative, and gets results either way. Partnerships and Referrals as a Growth Engine Seguin Financial grew from around a million dollars to double that in roughly 2.5 years — without meaningful advertising spend. The fuel? Strategic partnerships with fractional CFOs, outreach to franchise head offices, and a deliberate focus on asking the firm's best clients for referrals. "Our easiest client to take on is a referral," Andrew says, "because they've done probably so much work behind the scenes that at that point it's almost inevitable that they're going to become a client." Referrals arrive pre-sold — and they rarely price-shop. Service Is What Clients Can Actually See Andrew draws a clear line between quality of work and quality of service — and argues that for most clients, only one of those is visible. "Business owners are probably not going to always look at our reports. They might not really care a lot about the quality of the work. But the service they can see." Being responsive — not available at 8 PM, but back within 24 hours with an action plan — has moved Seguin Financial into a different tier in the eyes of their clients and made referrals far more frequent. Start With Something, Then Let the Data Lead Andrew's parting advice is straightforward: start tracking, even if it's just two spreadsheets. "Without time tracking, you're blind. You're honestly blind to which clients are doing very well for you and doing pretty poorly for you." He reviews his firm's analytics every month, makes a video for the team, calls out wins, and flags what to watch. That monthly discipline is what keeps the firm's profitability from quietly eroding — and what surfaces the clients worth doubling down on. Links Mentioned The Successful Bookkeeper PureBookkeeping Seguin Financial — find Andrew on LinkedIn About the Guest Andrew Seguin is the founder of Seguin Financial, a virtual bookkeeping firm based in Cornwall, Ontario, Canada. With over eight years in the business, Andrew has grown his firm to serve clients across Ontario, with a focus on e-commerce and owner-operated businesses. He is known in the bookkeeping community for his data-driven approach to profitability and his commitment to building a firm culture that keeps great people around for the long haul. About the hostMichael PalmerMichael Palmer is the host of The Successful Bookkeeper podcast and co-founder of Pure Bookkeeping and The Successful Bookkeeper. He started this work because of his father — a brilliant electrical contractor who worked twice as hard as he should have had to, because nobody on the financial side was in his corner. That gap is what The Successful Bookkeeper exists to close. His view: bookkeepers are the most undervalued force in small business — and every bookkeeper who builds a real business changes two families: theirs, and their clients'.

In this week's MBA Admissions podcast we began by discussing the upcoming events Clear Admit is hosting. The MBA Essay Workshop series continues this week, on Tuesday and Wednesday, July 28th and 29th. These events bring together an increasing number of top MBA programs to discuss both their written essay prompts as well as their video essays. Signups for all events are here: https://www.clearadmit.com/events Graham highlighted a new MBA program from MIT / Sloan, which is offered in the evenings, but which has all the characteristics of a full-time MBA offering. Graham also noted a partnership story with Dartmouth / Tuck that illustrates how candidates can use and evaluate MBA programs' career reports. Graham then noted a recently published MBA admissions tip, focused on the importance and design of an MBA resume. Clear Admit continues its Adcom Q&A series. This week Graham notes a written Q&A from NYU / Stern and a podcast Q&A with Columbia. For this week, for the candidate profile review portion of the show, Alex selected two ApplyWire entries: This week's first MBA admissions candidate is from India with eight years of work experience. They have not yet taken the GMAT or GRE test, and we encourage them to target the first rounds. This week's second MBA applicant is currently still completing their undergraduate studies and is targeting deferred admissions opportunities at the top MBA programs. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

Links to Steven Webb's podcast and how you can support his work.Donate paypal.me/stevenwebb or Coffee stevenwebb.ukSteven's courses, podcasts and links: stevenwebb.ukEpisode descriptionI stood up in the council chamber in Truro, tried to tell everyone about a film I loved, and called an albatross a pterodactyl.That was years ago. I still go over it. I still feel a bit sick before I speak in that room.The mistake took two seconds. The suffering has taken years, and I have been the one supplying it.That is what this episode is about. The Buddha called it the two arrows. Life fires the first one, and you cannot dodge it. The email lands, the relationship ends, the body starts aching in the morning. That pain is real and it is not optional. Then we pick up the bow ourselves and fire the second one, every time we replay it, every time we go over what we should have said, every time we lie there at night and cannot put it down.Life sometimes misses with the first arrow. We never miss with the second. We are far too good a shot.But there is a part of this I did not expect to end up talking about, and it is the bit people push back on hardest when I say it out loud. I think we hold on to the suffering because it feeds something in us. When we are struggling, we get to be the hero of our own story. Battling through. Still here. Doing all right, considering. And if life goes easy for a while, that hero has nothing to do.I am not offering you a way to stop feeling pain. I do not think there is one, and I think the people selling one are lying. Getting better at this usually means feeling more, not less. It just does not have to last as long.No adverts, no sponsors, and it stays that way.What is in this one(00:00) The albatross, the pterodactyl, and a veteran councillor who made it worse(05:00) The email you reread in your head hours later, and why that is the second arrow(07:00) Why the first arrow sometimes misses and the second one never does(08:00) Pain is not proof your practice has failed(09:00) Where I think the spiritual world gets this wrong(11:00) The suffering loop, and the hero it keeps fed(12:00) Five hundred miles round Cornwall, and why the sunny days near St Ives were the hardest to fundraise on(15:00) Why we evolved to replay the bad things, and when that stops serving you(18:00) Your homeworkYour homework this weekSit with the meditation that goes with this episode, linked below.Then just count. For one week, notice how many times you replay something somebody said to you, as if this time you are going to solve it, or win it, or make it fair. You do not have to stop doing it. Just catch yourself doing it and name it quietly. There is the second arrow.Sometimes you will catch it. Sometimes you will not. Both are fine.Notable quotes from this episode"Sometimes life misses with the first arrow. But the second arrow, because we're the one firing it internally, it never misses. We're a damn good aim with that." (07:00)"The mind cannot think its way out of a problem it did not cause." (17:00)"When we're suffering, when we're going through a really bad time, we have this mechanism that makes us feel like the hero that's battling through. But if life is really easy, then what's that hero got to do?" (11:30)"Just because you have pain, it doesn't mean your practice isn't working." (08:00)"One of the veteran councillors came over and said, I think you meant albatross. I said, did I say pterodactyl? He said, you did." (02:30)LinksThe companion meditation: The Second Arrow, A Meditation to Reduce Your SufferingEverything else, including the Weekly Calm newsletter: stevenwebb.ukNow on YouTube: search Stillness in the StormsIf you want to treat me to a coffee, it is all at stevenwebb.ukThank youAdam, Alison, Anna, Diana, Dominique, Dova, Ellen, Fran, Jenna and Mia, Jennifer, Jude, Kellee, Kylin, Marcie, Rita, Simon, Stefan, Stephen and Sue. This podcast does not exist without you.

Sometimes the hardest setback becomes the start of a far better life. I speak with Jeff Brown, an international photography business mentor whose path began with dyslexia, school struggles, and a fishing fly business at age 16. Jeff shares how military photography, personal branding, and business skills helped him build a successful creative career. He also opens up about losing everything through a failed pub, rebuilding his mental health, and creating a global photography mentoring business. His story shows how persistence, clear goals, strong branding, and the courage to change direction can create an unstoppable life. Highlights: 00:01:38 - How dyslexia and school struggles shaped Jeff's drive to work for himself. 00:05:58 - The first sale that showed him entrepreneurship was possible. 00:14:50 - Why passion and effort mattered more than early photography skills. 00:35:49 - How branding and marketing helped grow four photography businesses. 00:39:06 - The business failure that forced Jeff to rebuild his life. 01:01:49 - Why clear goals, strong branding, and steady action create growth. About the Guest: Jeff Brown is an International Photography Business Mentor, Best Selling Photography Business Author, Public Speaker and President of The British Institute of Professional Photography. Also working for The International School Photography Conference Team he has delivered sell-out courses and workshops around the world. Jeff works closely with photographers from all niches and photographic backgrounds having a real passion to help them grow their online brand and achieve their goals.          Jeff first dipped his toe into entrepreneurship at the age of 15 while still at school, selling handmade fishing flies to local tackle shops to boost his pocket money. After leaving school at 16 he set up his first full-time venture, a mail-order fishing tackle business. His fishing tackle business came to an end 7 years later, shortly after Jeff enlisted in the Royal Navy where he went on to serve as a military photographer and intelligence analysist.            Following nearly 10 years service he left the armed forces to set up his own photography company, and eighteen months later had a successful six-figure wedding photography company and a commercial photography business, then going on to open a separate school photography business and a Boudoir Makeover studio turning over 1,000 boudoir and model shoots per year.            In 2014 Jeff decided to follow his dreams of owning a country food pub by investing over £120k of his own money into a pub venture, which turned out to be his greatest ever failure, losing his entire investment and racking up £60k of debt in just 12 months while at the same time going through a divorce.           After suffering from depression in 2015, he changed direction again and developed an online photography business mentoring program, making it his mission to help and inspire photographers worldwide to market their businesses better.                                                Part of Jeff's major focus and teachings are in the areas of Goal Setting, Brand Message, Consistency, and Website Content including the new AI and AEO search on Google, and also his favourite social media platform which is LinkedIn. It's essential to have a mindset for success and a clear path to follow. No business can truly succeed without goals, direction, a powerful brand and a positive mindset to achieve.        Jeff has written 4 internationally best-selling photography books and recently published his first travel book – ·      The Photographers Missing Link-edIn ·      The Ambitious Photographer's Journal          ·      Help My Photography Website Needs More Customers        ·      The Photographer's Gratitude & Mindset Journal       ·      Plan Your Ultimate Northumberland 250 Road Trip   He writes for several photography magazines and associations and is also a brand ambassador for OM System (Olympus Cameras), The British Photography Awards, Studio Ninja, The Societies of Photographers, and the UK and US Brand Ambassador for The Shutter Studio App.         Jeff lives in the beautiful scenic county of Northumberland, England. He's a keen traveller having visited over 60 countries so far, as well as being an outdoor enthusiast, motorbiker and loves getting out in nature when ever he can. Ways to connect with Jeff**:** Website: www.thephotographersmentor.comFacebook: www.facebook.com/JeffBrownThePhotographersMentorLinkedIn: www.linkedin.com/in/thephotographersmentorAmazon: https://www.amazon.com/stores/Jeff%20Brown/author/B09M76J1XK About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe? Welcome to Unstoppable Mindset, where inclusion, diversity, and the unexpected meet. I'm your host, Michael Hingston, speaker, author, and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead, and connect with others. Each week, I talk with people who challenge assumptions, face adversity head-on, and show what's possible when we choose curiosity over fear. Together, we focus on mindset, resilience, and the small shifts that lead to meaningful change. Let's get started. Hi again, everyone. Welcome to another episode of Unstoppable Mindset. You know what's really fun about this podcast is we get to meet all sorts of people who talk about all sorts of different kinds of things, and today we get to talk to a gentleman from England, Jeff Brown, and Jeff, among other things, is an international photography business mentor, best-selling photography business author, he's a public speaker and also the president of the British Public Institute of Photography. I think I said that right. Jeff Brown  01:36 British British Institute of Professional Photography. British Michael Hingson  01:40 Institute of Professional Photography. Got to say it right, but anyway, and and all sorts of other things. He's an adventurous kind of person, as you're going to learn in the course of the day. So, Jeff, I want to welcome you to Unstoppable Mindset, and we're really glad you're here. Jeff Brown  01:55 Thank you. Thanks for having me on. Michael Hingson  01:57 Well, I'm glad to do it, and I have a visitor in the studio today, my cat Stitch, who is monitoring this, and I'm sure that if she has any opinions, she's going to voice them. But we'll see. Stitch is a wonderful kitty. She's almost 16 years old, and we we love having her around. But anyway, so Jeff, why don't we start by you telling us kind of maybe about the early Jeff growing up and some of those things, and we'll go from there. Jeff Brown  02:25 So growing up, so I grew up in the northeast of England, and I was born in 1970. So I'm 55 now, and back in sort of late 70s, early 80s, the northeast of England was a was a bit of a grim place. It was gray. It was there was a lot of poverty. It was mainly coal mining and shipbuilding, and it was the old sort of mentality of you know you go to school, you study hard, you get a job, you stay in the job for for your life, you retire, and then you're dead. That's it. Yeah. So, for some reason, that didn't really, really appeal to me. And I used to love reading. I read loads of books. I was obsessed with books. Got into books from a very early age. Into sort of fantasy type books, Lord of the Rings, The Hobbit, and stuff like that. But it was only when I got into maybe probably about the the junior schools I'd gone through the infant school I got to about eight or nine year old that I realized there was something the matter with me in the fact that I'm really struggled with with school I wasn't very good at it years and years later, I found out I was dyslexic, but I couldn't read out aloud. I had real problems with numbers. Numbers seemed to always look the wrong way around to me, and I got an instant dislike of school and an instant dislike of authority. I had I just I couldn't wait to get out of it, but I was quite creative when I got into fishing, I was good at making fishing flies. I got into photography, and that sort of gave me more of a creative mindset. Where I thought, well, I don't want to work for anybody else. I don't want to be told what to do. I want to try and make my own direction. And I decided that I was going to be self-employed or you know start my own business at the age of 14, Michael Hingson  04:23 what did your parents think of your your kind of independent mindset or entrepreneurial mindset? Because you must have voiced it along the way. Jeff Brown  04:31 Well, I did, yeah, and funny enough, you know, I said I had a real dislike of school. I mean, I actually not not overly proud of it, but I was expelled from school at the age of 16, kicked out of school because I got into quite a bit of trouble. I was I was very rebellious. I really disliked it with the passion, and I left school with zero qualifications. So I didn't I didn't pass any exams. I filled every exam that I actually bothered to turn up for, but to. It matters worse. My dad was a college lecturer, and my mum was a teacher. So, so obviously it didn't go down well with with having two parents who were in the education system. But they backed me 100% They were they they could see that I was struggling, but dyslexia wasn't really a thing that was talked about back. Yeah, and yeah, my my dad put forward at the time one and a half 1000 pound to help me get onto the you know get the equipment I needed and the the office space to start my first business. Michael Hingson  05:34 So it was pretty supportive, Jeff Brown  05:36 very supportive. Yeah, yeah, yeah, and and and I think it helped as well that my first business was making fishing flies and tying and exporting fishing flies to fishing businesses around the world. But my dad was keen on fishing as well, so he had he had an attraction to the business. Michael Hingson  05:54 Okay. Well, I know that my wife had lots of relatives in England. A lot of them were from the Cornwall Mosel area, and a lot of them, of course, were very much into fishing. Jeff Brown  06:05 Oh yeah, yeah. I know Cornwall. In fact, I spent a year in Cornwall on on Navy search and rescue, and that would have been 1919 98 I think it was then very beautiful place. Michael Hingson  06:19 I've not been. I'd love to go sometime. We'll have to figure that out. Jeff Brown  06:23 Yeah, it is. It's gorgeous. It's gorgeous. Michael Hingson  06:26 So you started this business. So you were basically 15 when you started the the business, which I think is kind of interesting. That's at a young age, and of course, by the time you were 16, as you said, you got expelled from school, which had to not be very very much fun. Jeff Brown  06:44 Yeah, I mean, well, to be honest, so the the starting of the business, I used to I used to go into the fishing tackle shops at weekend myself and one of my friends who who I used to go fishing with, and he was good at making flies. He was called Phil. Obviously, I'm called Jeff, and we decided we were going to create a business called PJ Flies. And one weekend, we we went into one of the local fish and tackle shops, and we were buying some some bits and bobs to make fish and flies with. And the business owner, the owner of the shop, said, "Look, says, look, if you bring me some flies down next week, if they if they if they're any good, I'll buy them off you. So we walked into the shop and took these fishing flies in the following week in a little presentation box. And I remember him individually taking each fly out at a time because he said, "How much how much how much are you going to sell me them for? And I said, "Well, I'll sell them for 10 pence each. So he was taking them out, and I was counting up in my head. And at the time, my pocket money was, I think, was three or four pounds a week, and I came out of that shop with a 10-pound note. So it was double what I was getting paid off my pocket money, and it was such a great feeling. So that was my first ever sort of dip into entrepreneurship, earning money, and and he said, and the last thing he said as I went out the door, he says, if you can if you can make the same amount next week or even double, bring them back and I'll buy them off you. So the following week I went back and made 20 quid. Michael Hingson  08:18 Wow, what goes into making a fly, I'm not a fisherman by by training or anything, so I don't know a lot about fly fishing. Jeff Brown  08:27 Yeah, so it's all feathers and so feathers and furrows, and it's all held onto the hook with with a very fine thread, like what's called a gossamer thread. It takes it takes a while to learn. So I was taught by an old guy who was a really good fisherman, and he he had a caravan on the same caravan site that my parents had that they used to go on holiday on, and because we we we never used to go abroad in those days, all the holidays were spent in England, and that he he saw that I was getting into fishing, and he came and taught me how to how to tie fishing flies, which was great. Michael Hingson  09:06 Yeah, and of course, the whole idea behind the fly is to attract the fish, right? Jeff Brown  09:10 That's right. Yeah, yeah. Michael Hingson  09:13 So that they will, if you will, take the bait. Jeff Brown  09:16 Yeah, yeah, totally. And the funny thing was, I was yeah, I used to love fishing, but I don't need fish, so I would either put you know put them back in the in in the river, or I'd I'd give them away to to members of the family. Michael Hingson  09:30 Wow. Well, and suddenly fortunes changed, and there you were making flies and selling them. Jeff Brown  09:37 That's right. That's right. Michael Hingson  09:39 So how long did you do that? Jeff Brown  09:42 So we we got we got a proper sort of business premises in 1986. So when I was I was 16 year old, and we applied for a grant with the then Prince's Trust, which was run by Prince Charles, who's now King Charles. And we were the youngest people in in the UK to be accepted for a grant. They bent the rules and they give us the grant under the age of 18. So we got the grant at 17 year old, and then shortly after, we were in a business sort of a business community, a big a big workspace with lots of offices with other creative people in, and shortly after the the center had opened, about six months after, the the the manager of the center came up and says, "Well, look, we'd like to we'd like you to make a box of salmon flies, but a really good box of salmon flies, all the best ones, and we'll pay you. And it's going to be a presentation box for a special guest who's coming to officially open the business center in a few months. But we can't tell you who it is. And anyway, it turned out two months later it was it was Prince Charles. Speaker 1  10:59 He Jeff Brown  10:59 came to visit us, and he was presented with a box of fishing flies-the the flies that we tied from. Michael Hingson  11:07 Wow, that was pretty cool. So you got to meet him. Jeff Brown  11:11 So yeah, we got to meet him. He talked about fishing. He talked about fly tying. He said he'd he'd been bought a fly tying kit for Christmas one year from his wife, who would have been Princess Diana, but he couldn't get away from get away from it. It was too. He found it too complicated and too complex. So he says, "I really admire that you you know that you guys can can tie the flies. So so yeah. So it was nice. It was nice to meet him. It was nice to be able to do that presentation box, and we had that business till I was 26 so Michael Hingson  11:45 10 years, Jeff Brown  11:46 nearly 10 years. Yeah. Michael Hingson  11:48 Now, have you met him ever since Jeff Brown  11:52 then? I haven't met him, but I have met other members of the the royal family because I was a my next stage in business, so my next stage in life was to become a a military photographer. I met a few members of the royal family in my capacity as a military photographer. So I went from so one avenue being creative, which was the fishing flies, into sort of another avenue being creative. And the funny thing was, I'd never had any intention of John in the military. None of my family were in the military. My dad had done his national service, and my granddad had served in the in the navy during the Second World War. But just on a whim, one day I happened to be walking past a military careers office, and I thought I'd pop in. I love cooking. I thought, oh look, I'd seen a picture on the window where he could train to be a military chef. Yeah, okay. So I went into enquire about being a chef, joined as an aircraft engineer, and then transferred across to become a military photographer. And funny enough, like I said early on, that I hate authority and I hate being told what to do because that came from a hatred of hatred of schools. Michael Hingson  13:10 A school, right? Jeff Brown  13:11 But I believe that the military was different because people say, "Well, you know, if you if you hate authority and hate being told what to do, why the hell did you go and join the military? But the military was very different in the fact that I put up with the I put up with the authority because the military give you adventure. It wasn't a nine foot nine to five. It wasn't a routine job, you know. So it give and I love excitement. I love adventure. I love the the idea of every day being different. So so I was happy enough to put up with military life, and I did that for nearly nine years. Michael Hingson  13:49 Well, so did you find that the military respected your creativity as you grew at being a photographer, and so you were a photographer, so that you were allowed to, to to be creative and do the things that you wanted to do, or did you find that there was just as much authoritarianism, if you will, and they kept telling you what to Jeff Brown  14:15 do? No, no, they were very good at being creative. Funny, the the military photography branch-it's only a small branch. It's about 80 people in the in the in the navy photography branch. So by comparison to all the other branches of the navy, it's tiny, and it's always also a very sought after branch. So basically, have to wait till somebody retires or somebody, you know, gives up their position that you can actually request, and I just managed to get in at the right time where somebody had left, and I applied, and I got accepted and went on to their training course, and their training course is is quite intense, 26 exams in six months, but. All the people who run it are really passionate photographers, so they're all about developing your own creativity. Yes, there's rules and regulations to follow, but it was very different than other other avenues of the armed forces. And then, you know, your average working day, you were you were given a lot of freedom. You were given a brief for a job, but then quite often you would just go off and design that job the way you wanted, you know. Michael Hingson  15:24 But why did you, since you, I guess you, as you said, joined as an aircraft engineer? Why did you decide to look at photography? What what attracted you to that? Jeff Brown  15:35 Because I didn't. Well, first of all, I didn't realize you could be a military photographer. So it was, and you can't join as a military photographer anyway. It's what's called a sidewards entry branch. You have have to have served three years in a in a another part of the armed forces before you can apply. And to apply to get into the military military photography branch, you have to pretty much do it on your own merit. So you've got to build a portfolio up. You've got to do all the application yourself, and they also look at your. It's not like the way you react to discipline, the way you think on your own two feet, sort of thing. So, funny enough, when I went through the interviews and and they looked at my portfolio, they said that my my work was pretty poor, but they loved the way I thought, and they loved the way I was driven, and would get up early and go out and do stuff. This is, you know, it's the it's the passion and the the willingness to learn. We can teach you all the other stuff, but you you know you you're showing that willingness and and going that extra mile. That's that's what got us in and and got us to be accepted into the into the branch. It wasn't my skills as a photographer because I was that was pretty useless. Pretty new, Michael Hingson  16:49 yeah, Jeff Brown  16:50 yeah. But you know they they developed that. Michael Hingson  16:55 So the the whole idea of going in and learning to cook and being a chef kind of went by the wayside, huh? Jeff Brown  17:00 It did, yes. But I still, I still, I still love cooking to this day, and I was still very passionate about it. And I always had a dream of, you know, one day owning a a pub or running a food pub, Michael Hingson  17:12 right? Well, and you know things happen, but you you clearly are an adventurous sort of person that you even chose to do all of this, and that-that's in of itself, I think, admirable to you know to do that. So you you became a photographer, and so what kind of things did you do during the time you were in the military from a photographic standpoint? Jeff Brown  17:40 So we would do everything. We do everything from portraits of sort of admirals in uniform, official portraits. We do big presentations and awards. We do a lot of PR photography. So we'd be we'd be tasked with with a concept or an idea, or being told something is happening, or we want to promote this, so they might say, right? We've got an aircraft carrier coming into your area. Can you come up with some ideas to to sort of really promote it? Something that look really exciting. It'll encourage people to to join the military because one of the one of the things military photography branch, it's it's about PR. It's trying to get pictures of the military into the into the newspapers in a positive light. So you know, young young men and women go, "Oh, that looks great! I'd love to join, and it serves them an absolute fortune in in in advertising. So so that was that was a lot of the stuff we did, we create concepts and ideas, and quite often the concept and ideas led to having a lot of fun. You know, I'd say like, well, what have I got at my disposal? And then an admiral might say, well, what do you need? I said, well, I need a few helicopters. I need some fast patrol boats. I need some marines on on on ribs lent over these these you know rigid inflatable boats all camouflaged up with their cam cream on and their rifles and they'll be in front of the in front of the the aircraft carrier then we'll have the the helicopters flying in the background and all this was was so basically controlled by us, so we would have headsets on. We'd be talking to the, talking to the the pilots. We'd be directing people, and those shoots probably cost 10s and 10s of 1000s of pounds to to put together. When you think about it, but it was great to see some of the images come out. And in those days, when I first started doing it, we were shooting a lot of the stuff on film, so we didn't have the the the the benefit of seeing the images instantly, as in you know with digital photography. Michael Hingson  19:51 I was going to say much less digitally editing it. It was all on film. Jeff Brown  19:54 Yeah, yeah, yeah. Michael Hingson  19:56 When did it migrate over to be more digital? Jeff Brown  20:00 So we were still we when I was in training we we were using digital but still preferred you to to do a bit more on the film side of things Michael Hingson  20:08 higher quality Jeff Brown  20:10 yeah and and they also I think for like an archival purposes for the idea of have negatives and hard print Speaker 2  20:18 yeah Jeff Brown  20:19 but then you know towards like the 2004 two you know 2003 2004 Then they were starting to embrace digital fully, and and you know do away with all the the film. Michael Hingson  20:33 Wow! Jeff Brown  20:34 And obviously there is the cost aspect as well. You know because you with film it costs every time you you press the shutter button, you know you can you can take a lot more images. But I suppose it does it does make you a bit more of a lazy photographer. Michael Hingson  20:49 Well, I I suppose in some senses it can. It just depends on how disciplined you are. Well, you seem to be a pretty disciplined kind of person, and so you you worked at that pretty well, and I can. I can appreciate that. So so when did you start doing photography for the military? When did you enroll in the military? Jeff Brown  21:11 So that was 1997 Michael Hingson  21:14 Okay, so you were what 2526 25 Jeff Brown  21:19 Yeah, 2026 Yeah, yeah, 2627 yeah. Michael Hingson  21:23 Well, and the the thing about photography or or any skill like that that is is pretty unique and pretty new for you is that you had to really develop the knack to doing it, but you obviously also had to have a lot of understanding about things like, as you said, PR and all that. I mean, some of that just had to be a little bit more natural, or just you observed so much that you realized the value of it. And as you pointed out, having the the whole photography branch in the military had to be incredibly much less expensive for the military, no matter what you wanted them to do, than them doing PR in other ways because it was all done internally. Yes, yes, you had to have helicopters and military people and all that other stuff, but they didn't have to pay the company to go out and, or didn't have to pay it much to go out and do the photography because you're the company. Jeff Brown  22:29 That's right. That's right. And also, some some of the jobs were required a certain level of vetting that they couldn't bring a company in unless those people were vetted. To you know, like on, I did quite a few photography shoots on nuclear submarines, which you you can't enter a nuclear submarine base unless you're you're vetted to a certain level. Michael Hingson  22:51 Right. Now that brings up a point. So let's let's go back to that. So going into a nuclear submarine base and so on, and and doing photography. What what was the purpose of pictures for that? Since it had to be pretty cleared and must have been somewhat classified. Jeff Brown  23:11 Well, sometimes some of the the shoots on board the submarine would be like award ceremonies. So okay, yeah, you know, people getting medals or achievements, and actually getting a photograph from receiving their award from the captain of the submarine. But then sometimes we would have PR photographs of of the the submarine sailing, and we'd be on speedboats going down the lock, photographing the submarine. Michael Hingson  23:41 But what you were not doing was taking pictures of things that were so classified that they didn't dare show them to the public or whatever. Jeff Brown  23:49 Yes, yes, Michael Hingson  23:50 yeah. Which which makes sense. Speaker 1  23:57 If you enjoy unstoppable mindset and would like to help us continue bringing these conversations to you each week, we've created a way for you to support the show. Your contribution helps us cover production costs and continue sharing stories, insights, and ideas that inspire people to live with purpose and possibility. If supporting the podcast feels right for you, you'll find the link in the show notes. Thank you for being part of the Unstoppable Mindset Community. Michael Hingson  24:30 So you you did that, and so you clearly found a niche to to do and to to work at, and obviously loved it. Jeff Brown  24:43 I do. I mean, it took it took a while to get the confidence. I'm quite an introverted person, so where I love taking photographs, and you know, it's easy to take photographs of things and objects and landscapes and that sort of stuff. It's. It's quite hard when you don't have a lot of confidence and you are quite introverted to start directing people and telling people what to do, especially when you had to direct, you know, entire ships, companies, or groups of 4050, people to do a a group shot at the awards ceremony. So that that was something that took a bit of getting used to and put me out of my comfort zone to to become a bit more sociable and a bit less introverted, and also direct people from behind the camera. Michael Hingson  25:31 So you you became a director, Jeff Brown  25:35 I suppose. Yeah, you do. In some senses, Michael Hingson  25:38 anyway. Jeff Brown  25:38 Yeah, yeah, and from from another point of view, I sudden realized that you know you might not like directing people, or you might be really nervous about speaking to people you've never met before and telling them what to do. But quite often, the people on the other side of the camera are just as nervous as you because they don't like having their photograph taken. They feel awkward, so you know part of your job as a photographer is to put people at ease and make people feel comfortable. Michael Hingson  26:03 Yeah, and I think about it as a public speaker. I keep hearing all the time that one of the top fears that people have is speaking and standing on a stage and speaking. And I and I finally realize that that's because we're conditioning people to think that it's scary, but the fact of the matter is that, and I still believe this to this day, audiences want speakers to succeed. Unless you're just a real jerk, audiences want you to succeed, and I would think that that some of that same level of confidence goes into what you do as a photographer. You are-they want you to succeed, and the people who are nervous about you taking their pictures and so on. Your job, as you point out, is to kind of help make them feel more comfortable about Jeff Brown  26:55 it. Yeah, and and you, you know, on from your point of view, you know, you you want somebody to love the picture? Michael Hingson  27:02 Yeah, Jeff Brown  27:02 you want someone to go, oh wow, you know, like actually take away their their dislike and awkwardness of having a photograph taken, and you know it's it's quite rewarding when you see somebody go, oh wow, I didn't know I could look that good, you know, because you've you've directed them, you've posed them, you've helped them feel more relaxed, and they see themselves in a different because it's it's quite it quite often it's not that somebody always looks awkward or you know they don't take a good picture as people say oh don't take my picture I don't take a good picture you know it's the fact that they've never been directed they've never they've always felt felt uncomfortable and awkward so it comes through in the the final image because they don't look relaxed. They don't look natural. They've got this fake smile. They look uncomfortable. Michael Hingson  27:49 I know. For me, I've I've never worried about that. Of course, being blind my whole life, I never really cared a whole lot about pictures. Yeah. So I love to pick on pictures all the time. So you know, for example, people say that a picture is worth 1000 words, and I just point out, yeah, but it takes a whole lot more memory. So, but but but I I appreciate pictures, and I've learned a lot more about photography and appreciating photography ever since September 11th. And part of that was my guide dog Roselle at the time, who became a real camera ham hound. She loved to be in front of the camera, and there was one time we were on a Larry King show on CNN, and you know his shots are and the photographers and and the and everything on the show is basically front like from the chest up, and and so on, and they take pictures. So one day we were going to be on the show, and they made a a little platform that Roselle, my guide dog, could lie on, and they said, "Okay, put her up on there, and I did, and she laid down, put her head between her paws, and that was it. And the director came like about a minute before the show started, and he said, "Isn't there anything you can do to get her to react more and to be a little bit more involved in the show? And I said, "Are the Klieg lights on yet? And he said, "No. I said, "Just wait till you turn the lights on. Everything will change. The lights came on. She lifted up her head, started blinking her eyes and flashing her eyelashes, smiling and licking her chops, and just having a good old time. She loved the camera. It was so funny. Jeff Brown  29:39 Yeah, I can't get. I can't get my dog to sit. He won't sit in front. He won't sit in front of the camera. He's a working Springer Spaniel. He will not stay still for two minutes. And there's something about it. Every time you look, you pick up the camera. I think he knows that you want to take a picture, and he turns his head away. He looks the opposite direction. Michael Hingson  29:57 Yeah. See, Roselle was exactly the opposite. Knew you wanted to take her picture, and she was going, "Bring it on! She just absolutely loved it. It was so funny, and and and it was it was a blessing. But it it as as we talked about it, as I talked to photographers and other people when we dealt with different interviews and so on, I grew to appreciate the value of pictures and what it was that they were trying to get, and it didn't take any work really to get Roselle to be involved in that. It didn't take a lot of work to get me involved with it, but I gained a greater understanding of it. So I certainly value the fact that there's there's a lot of reasons for taking photographs, although I also like audio input and other things like that that I'm going to see. But still, it's it's great that we have this technology, and nowadays, of course, because it is so digital, it makes it so much easier. Jeff Brown  30:59 It does. I think I think obviously there's you know everybody's using photographer now. Everyone walks around with a camera in their pocket, which is you know effectively a smartphone, and the quality of the images that you can take on a phone are fantastic. You know the you know the the resolution, the color saturation, the the look absolutely amazing. But sometimes I think people forget to stop and appreciate the moment. So everybody is more, you know, getting the picture taken, sticking it onto Instagram, onto Facebook, and also we have all these digital memories. But not many people are printing pictures out and putting them on the walls like we used to in the 80s and 90s. You know, family portraits, and I think that is a big thing that photographers need to be to be sort of reinventing and encouraging people to to enjoy the wall art, personalize the home, have a picture on the wall that brings a smile to your face every time you see it. Because if you take it on your phone, you you enjoy it for a second, and then it becomes a memory, and it goes in. I looked the other day. I've got 14 and a half 1000 pictures on my phone. Yeah. So, and I only ever see them, you know, seconds after I take them and I post them on Facebook, and then maybe a year later when a Facebook memory comes up and reminds me, oh, this is what you were doing this time last year. Michael Hingson  32:20 Yeah. Well. Well, and I understand that, and I, I, I also understand what you're saying about lazy photography because, as you said, you take the picture, you look at it, and it's gone, and you don't necessarily do all you can to make sure that the picture is looking as good as it as it can look, and sometimes we just rely on the automatic zoom and other things like that to make the picture look good. But the bottom line is that ultimately we're in control of it and really should make the picture as good as we can make it. Jeff Brown  32:54 Yeah, I mean that was that was what we were taught in the military right at the very beginning. And as I say, you know, was starting out on on on film cameras. It was get it right in the camera. You know, get it right in the camera. It'll look a lot better, and it'll save you hours of time in the dark room. And then there's a tendency now for photographers to think, "Oh, that'll do. I'll just sort it out in Photoshop afterwards, and which again takes time. And as a photographer, time is money. So yeah, yeah. The better you can get the composition and the and the way a photograph looks in the camera, then the less work you're going to have to do afterwards. Michael Hingson  33:35 Yeah, which makes perfect sense. And so I appreciate that. Well, so you were in the military for 10 years, and what made you retire from the military? And also, what kind of skills did you learn that you then took away from the military? One of them had to be accepting authority a little bit more, but I'm being sarcastic. But still, what what kind of skills and so on did you learn, and and did you take away, and and why did you even leave the military after 10 years? Jeff Brown  34:07 So, so being a military photographer, I was a military photographer, and there was a new a new sort of breed of like a new discipline that was coming into into the into our area into the the photography branch, and it was called IA, which is an intelligence analyst, and they believed that photographers, probably rightly, had a real attention to detail and a keen a keen eye for spotting things, and they were so they recruited intelligence analysts from the photography branch to analyze intelligence imagery, satellite imagery, reconnaissance, and then collate this information with other intelligence services. Like Lacher on I six and JCHQ, so so people on the ground, you know, and and military listening outposts, and so I got sent to work. So I did my intelligence course, and I got sent to work for with the intelligence services for about two and a half years now. While I was while I was doing my job as a military analyst, intelligence analyst, I started getting people coming into my office and saying, "You're a military photographer, aren't you? Yeah. Would you photograph my dog? Can you can you photograph my daughter at her birthday? Do you do weddings? Can you do my my my partner's wedding and stuff like that? So started doing a little bit of stuff on weekends, and then soon realized that there was actually quite a good bit of money being a photographer. So that was it. So that that set me on the path of right. I'm going to get out the military. I'm going to start with my own business. I'm going to go back to being self-employed again, but this time using my skills as a photographer. And yeah, I had good photography skills. I had other skills that the military had sort of drummed into me, which was you know timekeeping, organization, attention to detail, and that would work brilliant with a wedding because with a wedding you've got to organize people, everything's got to be on time. You've you've got to have that attention to detail, so started doing weddings on weekends, and then I left, and now decided to go into partnership with another military photographer who was working at the same the same base as me, and was also from the same the same area, the same the same city. So I left first because he was married with two kids. Alif first to set the business up and get the business bringing in money, and then about six months later, the business was bringing in enough money for him to put his notice in and and come out and and join me full time in the photography business. So and then it just skyrocketed from there. We ended up having four different photography businesses, Michael Hingson  37:03 pretty impressive, huh? Jeff Brown  37:05 It was good, but I think you know a lot of the lot the stuff that we did is when we left the military is you get a resettlement grant to resettle you back into civilian life to to to get you ready to work for other people, but obviously we were going to go self employed, so we we spent this resettlement grant of 7000 pound on marketing and branding training. So I got 7000 Kev got 7000 So we spent spent a lot of our money on understanding how to run a business, understanding what brand was all about and brand concept and and marketing. And it wasn't necessarily our photography skills that helped us succeed. It was the skills of actually understanding how to run a business and how to market our brand, Michael Hingson  37:49 which also goes a little bit back to understanding PR and just as you said, understanding all about business, which is which is pretty cool. Speaker 3  37:57 Yeah. Michael Hingson  37:59 Well, as you as you did that, how easy was it for you to integrate back into society and become disciplined enough to run your own business? Because when you were in the military, you had other people who were making a lot of those decisions, but you had to learn something along the way or figure out something along the way that allowed you to truly run your own business. Jeff Brown  38:22 To be honest, I felt I felt quite excited to be going back to it because, obviously, you know, from sort of 1415, year old, I'd had I'd had my own business, and that that was my first my first ever job. You know, working for myself with fish and fish and tackle business, and I sort of realized early on that yes, I don't have a boss, but ultimately the business is the boss because the business demands from you all the time. It demands how much work you need to put in, and if you don't put the work in, then you don't get the money. But the other good thing about running your own business is you're not on a fixed wage. You know, you have that ability to make a lot more money, without having to be promoted or or impress somebody else, you know. So for some people, it doesn't work. Like my girlfriend always says, she doesn't think she could do what I do because she doesn't like that uncertainty. Of you know, because every business is ups and downs, ups and downs. You have low moments. You have high moments, but that's life in general, isn't it? And I think you've just got to have more high moments than low moments. But yeah, I love it. I don't think I could ever work for anybody else. But a lot of, I think I'm unemployable. I don't think I can. I don't think I could go into a normal job. But a lot of those high Michael Hingson  39:40 moments are also moments that essentially you create. It's your mindset. That's Jeff Brown  39:45 right. Yeah, Michael Hingson  39:46 because you know, like failure. Everybody talks about failure. Well, you know, you're going to experience failure in your life, and I have gotten to the point where I tend to react and say there really is no such thing as failure. Because failure seems to be an absolute-you screwed up, and that's all there is to it. And the reality is, it's not. Failure isn't really the issue. The issue is okay. You made a plan. Something didn't work right. The question really is now: Where do you go from here? How do you fix it? What have you learned from what happened? And I think that's really the issue. Jeff Brown  40:20 That's totally that's totally right, and you know, but I made a a decision back in 2014 So you said, you know, I love cooking, and had the photography businesses, which which were both doing very well. They were both they were all super successful, you know, bringing in the money, and I decided, wouldn't it be nice to buy a really, really beautiful traditional country pub, one with log fires, you know, in the middle of the countryside, maybe a two, 300 year old building, and and run my own pub? So that was that was my idea. So so I found this this beautiful little country pub in Durham, in the northeast of England, and it was like a picture postcard country pub that looked beautiful. It actually had two log fires. It had, I think, it was about 300 year old. It had wooden beams, everything, and so I fell in love with it. I I bought the lease on it. I plowed 120,000 pounds of my own money into it, and within 12 months, I'd lost all that money. I was a further 60,000 pound in debt, and I couldn't see any way out. Because you say, you know, like failure. Sometimes people think failure is that's it, that's the end. They can't see past it, and stupidly, I decided that that was it. I couldn't go on anymore, so I tried to drive my car off a bridge. I was, I was drunk at the time, but you know, luckily I didn't. I just damaged the car. I didn't damage myself. I woke up the next morning feeling utterly disgusted with myself because my daughter at the time would have been seven year old. and I realized I needed to get out the pub, and I needed to change a different direction, which I did. So I ran away, and I came to the countryside where I live now in Northumberland, and moved away from all my family and and my friends, about an hour away from all my family and friends to restart my life again, and I spent probably about six months listening to positivity books and audio books, and and trying to rewind my mindset, and then take a new direction. And that's when I got into the idea of because I was in the middle of the countryside, I could run an online business training photographers in marketing and branding, and you know how to how to promote themselves on the internet, and I could do that with anybody anywhere in the world who was a photographer. So that was my idea, and that's what I went for. And you know, looking back at it, 11 years on from that, it would be 11 years in March when I tried to take my own life, and I thought that was that was the biggest worst failure I'd ever have. It was the best failure I ever had because I've never been as happy. I've never been as stress free. My work takes me all over the world, speaking and meeting photographers. I have an absolutely amazing community. No day is the same because I'm on all different time zones, speaking to different people, and and I just love it. It's stress free, but you know, if I'd stayed at the pub, that wouldn't have been stress free. So, Michael Hingson  43:33 so what happened? That why did the pub fail? Fail, or or why didn't the public pub succeed? And what did you learn from that? Jeff Brown  43:40 So, well, first of all, probably I probably fell in love with the idea of the pub, but I probably didn't do enough research. Now, funny enough, it was in an old mining village, my coal mining village, that was very, very much based around if you weren't born and bred in the area, you didn't fit in, so first of all, I think fit into the village very well. But the profitability in the pub trade is is very hard, especially if the pub, if the building is owned by a brewery and you've got to buy your beer direct from the brewery, it reduces the profit margins. And I just think everything that could go wrong in that 12 month did go wrong. We had staff stealing offers. We had a couple of sabotages to the pub, a couple of really big bills that wasn't expected, equipment going wrong and equipment failing, and yeah, the costs just spiraled out of control. Michael Hingson  44:38 Just a lot of lack of research, Jeff Brown  44:41 yeah, yeah, yeah, Michael Hingson  44:42 and I would suspect that you would say that because of that, and because you realized all that, you learned. Jeff Brown  44:50 I learned, yeah, yeah, I, I totally learned, and I think you know that I, I, I fell in love with the idea of it. I fell in love with the building, and probably, probably didn't research it. And also, you know, yeah, I was great at marketing. I was great at business, but I'd never run a pub before. And yeah, it was probably a bit of a. I'd probably sort of trying to run before I could walk. In that, you know, might have been better off going and working for somebody else and being a manager or working in a bar. And you know, the the day I opened the pub, I'd never even pulled a pint before. Never stood behind a bar and served served a drink. So, Michael Hingson  45:28 yeah, and that's that's an art in of itself. Jeff Brown  45:32 Yeah, yeah, that's right. Michael Hingson  45:34 I used to when I lived in New Jersey and worked in New York. I used to go to a restaurant called Virgil's Real Barbecue, best barbecue I think in the country, and so if you're ever in New York, it's Virgil's. Anyway, they had opened a facility in Las Vegas. Also, they opened a restaurant in Las Vegas, and so last week when I was at the Consumer Electronics Show, I went there, and one of the things I had heard early on when they I heard about them opening the restaurant several years ago, was that the people who opened the restaurant before they could open it had to go spend six months in New York at the original Virgil's, learning everything about it, so that they could make this restaurant and the food be the same as as what they experienced, because they wanted Virgil's to be the same in both places, and they did. And I can say that, from my perspective, at least, they did a really great job, and they learned from that, which was exactly what you wanted for the people in Las Vegas to do, and they survived the pandemic, and it's still open. So when you're in Las Vegas next time, Jeff Brown  46:47 yeah, I'm there next week. So yeah, I'll have to Virgil's. Yeah, I'll check it out. Michael Hingson  46:52 Virgil's real barbecue, best ribs in the country. That's my opinion, and I'm sticking to it, everybody. Well, that's cool. So. So, do you believe that things happen for a reason? I mean, a lot has happened, and of course, the pub closed and and all that. Do you believe that things happen for a reason? Jeff Brown  47:13 I do, and and you know now I I think one of the things as well when you get to that point where you you don't believe there's there's there's any way out, and and you know you you get that alone, you get depressed, but you you feel that you've got to take your own life. You are right at the very bottom. I think for you to go to the very bottom and then come back up again, it changes your mindset about stuff. And I I never get stressed. I am a very, very chilled out person. If something goes wrong now or something fails, I just go. Well, it's happened for a reason. Maybe something better is around the corner. Maybe it's the universe trying to direct me in a in a different path. You know, and and I think the less you live, the more you live by that mindset, the more it opens you up to other opportunities. Yeah, keeps you living it. You know, you're not living in the past; you're living in the future. It it was for the first six months coming up here 11 years ago. It was hard to move away from that failure in my mind. I kept playing it over and over again, but you know, playing it over and over again wasn't going to make that failure with the pub any different. The outcome had happened, and what I needed to do was focus on the future, get back together and get my myself back together, both mentally and also establish a new business and a new way of life. And that in itself was a a massive learning curve, but for the better. Michael Hingson  48:44 Well, and and the reality is, it it certainly has made a big difference in your life. And the fact is that, again, it goes back to failure isn't the end all, and failure is is probably the wrong way to put it. It's a learning experience, and I think that it's so important to do that. I am like you. I refuse to feel stress. I've been through too many experiences in my life that that caused stress, and I've learned that there are always ways to to deal with things, and so it's important to not let the stress overwhelm you. I wrote a book that was published in 2024 called "Live Like a Guide Dog: True Stories from a Blind Man and His Dogs About Being Brave, Overcoming Adversity, and Moving Forward in Faith. And moving forward in faith is part of it, but the whole issue is we focus on our lives on so many things. We think we need to control everything, and the reality is, we only control probably much less than 10% of all the things that we experience, but we worry about 100% of everything, and that doesn't help. And so, it builds up so much fear and causes so much stress. And if we would just focus on the things over which we really can control, we would be much better off. Jeff Brown  49:59 Saying that, you know, after leaving the pub, because my mindset was very, very delicate, and I had to build my my mental health back up, I decided to stop watching the news. So I used to used to get up and go downstairs and put the news on TV and have my morning coffee and and listen to all this negativity, all this drama, every single morning, which I've done for probably 40, you know, well, at least 30-five years, and and that was it. I've never watched the news since. I don't watch any live TV. I don't watch the news. People say, "Well, how do you manage? So, well, somebody will tell me something, but most of the time, half the stuff that people get worried about never actually happens. And if it does happen, quite often there's nothing you can do about it because it's the other side of the world. Michael Hingson  50:53 Well, even if it's in England, you don't have control over it, so why worry about it? Now, I watch I watch the news, but I do it because I want to get the information. But I won't worry about it. And there's so much that happens. But I feel that that at least there is information to be gained by watching the news. But what I had to learn somewhere along the line is don't take it personally because you don't have any control over it. And there are so many things that that go on, but the the trick is not to let things you don't have any control over really affect you to the point where you get nervous and stressful again. Jeff Brown  51:34 Yeah, yeah, and I think that you know the the same thing can be put into social media. You know, people say social media is negative. Social media is dangerous, and it depends how you react to it and what you engage on. You know, in my own social media, I follow a lot of photographers, a lot of people who talk about adventures and motorcycle rides and travel and nature. So my news feed is filled with a lot of positive stuff. And if if I see something negative or see something sensationalist, what I do is I don't unfriend that person. I just unfollow them, so I don't see their content again. Michael Hingson  52:09 Yeah. Jeff Brown  52:10 But from from the plus side, you know, social media has bought me more opportunity than anything else, and and effectively for free. And I've traveled traveled a lot because of my work. I have over 100,000 followers across my my social media platforms, and social media brings me customers, brings me clients. It helps me sell books, so there is a lot of positivity to it. I suppose it. The negative is only if you engage in the negative, then you will you'll find the the negative aspect. Michael Hingson  52:40 Yeah. Well, and the reality is that again, it's it's how you approach life, and you've clearly learned a lot about how to approach life in a much more positive way. You've developed, well, we'll call it an unstoppable mindset. You've developed a mindset that allows you to go through life and do the things that you need to do, and focus on the things that you can, and you leave the rest of it alone. Jeff Brown  53:06 Yeah, yeah, totally, totally. Michael Hingson  53:08 Which which makes a lot of sense. Well, for you, you you talked earlier about the fact that you have dyslexia, and you've been with dyslexia for most of your life, or maybe all of your life. It's interesting. I've talked to so many people who didn't know that they had dyslexia when they were in school and so on, and experienced a lot of the same frustrations and kinds of experiences that that you've experienced. And somewhere along the line, they finally discovered that they they had dyslexia. How did that when you when you finally realized that? What did that do for you? How did how did that really affect you? Jeff Brown  53:52 Well, funny enough, I I can remember a moment where I must have been about eight year old, where a teacher and you know, back in the 70s, teachers weren't as kind, weren't as kind to to schoolchildren as they are now. You know, and and this this teacher singled me out in front of the class and and told me that I was stupid and I wouldn't amount to anything because I kept struggling with this reading and my numbers. And at the time, I I was I was chubby. I had ginger hair, so I didn't have a I didn't have a lot going for us in in the popularity front, and also being you know the the stupid one in the class. So I found it really negative, and I found it really really personal because I didn't realize that I was dyslexic because nobody knew what dyslexia was now, and when I got to my mid 30s, and I went to train to go into the work with the intelligence services and be an image analyst, I had to redo my English and maths all level qualifications that I should have passed at school, but obviously I didn't. I had to do them through the military, and that was when I found out I was dyslexic, and I didn't actually know what dyslexia was until until I made up on it, and then it all made sense. You know why why I'd struggled for so long. I have my own workarounds. I know what my I know what my what my issues are. I mean, now with with with my work, there's so much out there that helps you as a dyslexic. You know, you you have you have spell checker, you have read aloud where you might not be able to see see it. You know, so quite often I'll do a social media post, and I'll I'll get Word document to read it out aloud so I can hear it. But if I if I if I read it back, I can't see the mistakes I've made because my mind doesn't process that. I know when I write a number down, I probably write write it down the wrong way. So if somebody gives me a phone number and I phone it and it's dead, I just change some of the digits around and figure Michael Hingson  55:58 it out. Do you agree? Do you use technology like Dragon, naturally speaking, to dictate? Jeff Brown  56:04 I tend, I tend to. So I started using only in the past six months. I was quite, I was quite sort of against AI, and well, not against it, but everybody was jumping on the chat, ChatGPT bandwagon, and I always tend to do something different than everybody else does. Six months ago, I jumped on a piece of software called Claude, and because I've because I've written five books now, I've written four business books, and I've written a travel book. I also had a lot of content to give to Claude to feed Claude, and then I had transcripts from my YouTube channel, and and then I gave them some do's and don'ts about you know tone of voice and language, and you know I would never say things like this, I would never say things like that. Told them that you know don't be spelling color without a U. Don't put a Z in sympathize because not American English. It's English, English, and the funny thing is, like over the over the past few months, he's he's pretty much replicated my tone of voice, so I can get Claude to write me a social media post, and then I I just tweak it slightly, and I'll make some changes, and then when I've written that social media post, I give it back to Claude and say, can you note? Can you identify the changes that I've made from what you've originally made, Michael Hingson  57:24 right? Jeff Brown  57:25 And take them on board for the next one, and then you give a summary of the changes. And it's yeah, it's it's it's quite impressive. It's quite scary as well because he he says things like, "Am I becoming more Jeff? Yeah, yeah, you are a bit. Michael Hingson  57:42 Well, the other thing is there are programs and technologies, as I mentioned, like Dragon, which is a a technology that you can get where you dictate, and it recognizes your voice, and it will then convert what you say directly into digitized form, which is pretty cool. I use Dragon when I write a fair amount, and and so that that goes back far earlier than AI. Although I'm sure that there are AI, there are AI components to Dragon naturally speaking today. But it's a it's a great program, and it makes writing a lot easier. So rather than typing on a keyboard, I'm speaking, and it is essentially taking what I write, and it just completely digitizes it by recognizing my voice and then putting it out in in in a digital form for me. I can use it with Microsoft Word and other things like that, Jeff Brown  58:41 yeah. And then do then do you listen back to that and then give edits on on what has been on what is being done? Michael Hingson  58:49 Yeah, I can. I just go back and read the word doc, and but it's but it literally is is transcription of what I say, so I can then go back and say, okay, let's fix this, or everything is fine, and I can go even go back and figure out what's misspelled if there are things that it misrecognized. But it works pretty well. Jeff Brown  59:12 Yeah, tech technology is is is fantastic. It's also got it's it's it's I suppose worrying sides for creative people, where there's a lot, a lot of creatives that potentially AI could could really damage their careers going forward. So it's it's interesting to see which direction it's taken. You know, work with it, but then also be aware of it. Michael Hingson  59:40 Yeah. Well, you still need to take control. Jeff Brown  59:43 Yeah, yeah. Michael Hingson  59:45 So, what's the most unusual or interesting country that you've ever visited since you do so much traveling? Jeff Brown  59:52 I've been to North Korea. So, 2019 I went to North Korea for New. New Year's Eve to celebrate New Year in in Pyongyang Square with another 100,000 North Koreans. There was only 12 Western tourists in Pyongyang at the time, and we were there for 10 days. So yes, I've I've done North Korea, which it took a bit getting into getting into North Korea. It's not as easy as just you can't go on and book a holiday. He can't choose a hotel. It all has to be done through a third-party agent, and it took about six months to get the whole thing to together. But it was-it was very interesting. It was a completely different than every anything I'd ever experienced before, and it's also supposed to be one of the safest countries you can travel to because you you're followed by the North Korean secret police everywhere you go, even inside buildings, when you're in restaurants, when you're in bars. That nothing could ever happen to you, but the North Korean people would never dare to come up and speak to you anyway, you know. But the the thing with North Korea is everything is everything is orchestrated. Everything is set for you alive and there in advance, so you only ever see what they want you to see. You never see the other side of North Korea. I've also been to Chernobyl, where the the last was that was absolutely fascinating, and last year I went to Transnistria, which is one of these countries that doesn't exist. It's not officially recognized by by the UN, and that was like stepping back into the 1980s Speaker 1  1:01:38 That was, Jeff Brown  1:01:39 but everywhere I've been, you know, I think that that's t

Today, we catch up with Nick Wylie and Kieran Hill from Cosnish Gems. Have you ever thought about luxury private cottages in Cornwall? If not, listen in to hear why you should consider bespoke Cornwall getaways suitable for groups of all sizes.

Welcome to another episode of The Katie Price Show. This week has been full of headlines including the Lee headlines which I will address on here first for all you listeners and the other headlines of the week. I also share more about my week in Cornwall with Harvey, Sophie is off this week it's like we are tag teaming. We also discuss what football players have DMed me and my appearance in the Princess's diary. I Love it! Learn more about your ad choices. Visit megaphone.fm/adchoices

Flipping Summer madness!!! Yeah it feels like this holiday has gone on for months already. We took in a bit of Cornwall and caught up with the UK family. Cornwall was a very wise choice as it has a microclimate that allowed a little escape from the insanity that London heatwave. You know what? I did a pretty good job of disappearing completely albeit without a full phone detox. I feel that might be needed soon. Someone threw out a stat that we only have 300 months of free time in our lives. Best not to spend all of that on the phone. Im such a sad addict at this point it's not funny. Anyhow that's beside the point. Back in the bubble of the music space, I made a little computer only setup in my space to see if I can't use it to focus on a different kind of making and perhaps even the FINISHING? Lets see. I go on about that a lot in the intro so I'll not linger on that now. Needless to say I wish you all fulfillment and success however that looks to you. This episode is with the excellent Nicholas Semrad. He's aheady had many a musical life. You may have seen him playing alongside Cory Henry, Lauryn Hill or Mark Guiliana. You may know him as a patch maker for Sequential or Yamaha. Perhaps you know him for his film and TV work. He's highly accomplished and a touring beast. Currently he's slathering on the make up on a 6 month Empire of the Sun gig. He's a total beast and yet a wonderfully humble and chill individual. Ive had micro hangs with him before on the road but never a long form one on one until now. So it's a treat to have the chance. Give it up for for Mr Semrad!!!

I bring Molly to a beautiful field in the English countryside on the border between Devon and Cornwall, and I quiz her on British culture. I ask a variety of questions on topics of behaviour, attitudes, cultural norms, and language. Play along while you listen and see how many you can get right too.Show notes page - https://levelupenglish.school/podcast386/

Farming has one of the worst fatality rates of any industry sector in the UK and new research suggests the true number of health and safety incidents on farm is even higher than reported. The Institution of Occupational Safety and Health (IOSH) says 30% of farmers wouldn't log an incident because they fear inspections or legal consequences, and 34% think near misses aren't serious enough to report.The National Drought Group, which includes government agencies, water companies, conservation groups and farming representatives publishes a new report for England today. Last week the Environment Agency said England was NOT in drought, although the South West, parts of Southern England, Norfolk and Cambridgeshire were experiencing 'prolonged dry weather' and river flows aross the country were below normal or exceptionally low. The hot dry weather is affecting the potato crop and growers in Cornwall fear their harvest could fail if the heatwave continues.The Welsh government is announcing a new food strategy at the Royal Welsh Show, and all week we're looking at agricultural policy in Wales. One of the biggest changes has been the re-launch of the Sustainable Farming Scheme, or SFS, the income support programme which replaces the Common Agricultural Policy, including the Basic Payment Scheme. We visit a farm in Brecon to find out what farmers think of the latest version of the Welsh scheme.We hear from a volunteer who's been leading walks in the Lake District National park for six decades - Ron Wood's 78 and has no plans to stop.Presenter = Anna Hill Producer = Rebecca Rooney

In this week's MBA Admissions podcast we began by discussing the upcoming events Clear Admit is hosting. The MBA Essay Workshop series begins this week, on Tuesday, Wednesday and Thursday, and continues Tuesday and Wednesday of next week. These events will bring together an increasing number of the top MBA programs to discuss both their written essay prompts as well as their video essays. Signups for all events are here: https://www.clearadmit.com/events Graham highlighted two admissions tips, published by Clear Admit, this week. The first focuses on how to make the most of a campus visit. The second explores identifying advocates, students, alumni and faculty, that can help provide anecdotes to candidates' applications. Clear Admit continues its Adcom Q&A series. This week Graham notes Q&As from London Business School, Florida / Warrington and Toronto / Rotman. For this week, for the candidate profile review portion of the show, Alex selected three ApplyWire entries. This week's first MBA admissions candidate is from Brazil and is a sponsored candidate with plans to return to BCG. This week's second MBA applicant is from Mexico and has an EA score of 154. We encourage them to explore taking the GRE test. The final candidate this week is from India. They have an outstanding profile, but their GMAT score is 645. We are hoping they can retake the test, while still applying in Round 1. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

On this week's episode of You Are What You Read, we are thrilled to introduce the #1 New York Times bestselling author, Daniel Silva, with his latest book, RANSOM. Daniel's novels include the beloved Gabriel Allon series, The Cellist and A Death in Cornwall, among others. His books are critically acclaimed bestsellers around the world and have been translated into more than thirty languages. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, counter terrorism police are now leading the investigation into Ann Widdecombe's death. A 28-year-old man who was arrested on suspicion of murder has been re-arrested on suspicion of commission, preparation or instigation of acts of terrorism.The investigation was previously being handled by Devon and Cornwall police who had previously said there was "nothing to suggest" the murder was politically motivated. Counter terrorism Policing South East said the change had come after “new information and evidence has come to light during what has been a dynamic and complex investigation”.Adam, Chris and Danny Shaw, policing and criminal justice commentator, discuss what we know so far. You can now listen to Newscast on a smart speaker. If you want to listen, just say "Ask BBC Sounds to play Newscast”. It works on most smart speakers. You can join our Newscast online community here: https://bbc.in/newscastdiscordGet in touch with Newscast by emailing newscast@bbc.co.uk or send us a WhatsApp on +44 0330 123 9480.New episodes released every day. If you're in the UK, for more News and Current Affairs podcasts from the BBC, listen on BBC Sounds: https://bbc.in/4guXgXd Newscast brings you daily analysis of the latest political news stories from the BBC. The presenter was Adam Fleming. It was made by Jack Maclaren with Anna Harris. The social producers were Gabriel Purcell-Davies and Joe Wilkinson. The technical producer was Jonathan Greer. The assistant editor is Chris Gray. The senior news editor is Sam Bonham.

In this week's MBA Admissions podcast we kicked off the show by celebrating the 500th episode of this podcast series, which began in March 2018. Through the series we have profiled more than 1,000 MBA candidates, and the series has received over 400,000 listens. For upcoming events, Clear Admit is hosting a special webinar event for international students, scheduled for this Wednesday, July 16, at 10AM Central European time. This webinar explores the value of a U.S.-based MBA for international students, as well as the logistics of moving to the United States. The Clear Admit's MBA Essay Workshop series is also scheduled for July 21, 22 and 23, and July 28 and 29. These events will bring together an increasing number of the top MBA programs to discuss both their written essay prompts as well as their video essays. Signups for all events are here: https://www.clearadmit.com/events Graham highlighted a new £25 million gift received by London Business School, which will be used to help bolster their scholarship offerings. Graham also discussed three articles Clear Admit published last week, all focused on better understanding the value of the MBA. Clear Admit continues its Adcom Q&A series. This week Graham noted Q&As from Duke / Fuqua and IESE. Finally, Graham concluded the Real Humans Alumni series. This week focuses on an alumnus from London Business School, working at Bain. For this week, for the candidate profile review portion of the show, Alex selected two ApplyWire entries. This week's first MBA admissions candidate is from South America and has a 332 GRE score. They appear to have strong family-business experience. We hope there is clarity around their post-MBA goals. This week's second MBA applicant is from India and is a chemical engineer. They have a 665 GMAT score. We wonder if there is an advantage to retaking the test. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

A lone Briton fleeing murderous outlaws stumbles into a hidden world beneath the forests of ancient Britain, where an older people still remember every stolen homeland and every dead king. One act of mercy may be the only thing standing between Cororuc and a vengeance that has burned in darkness for centuries. The Lost Race by Robert E. Howard. That's next on The Lost Sci-Fi Podcast. Let's peel back the pages of time 99 and a half years as we travel back to ancient Britain with a story written years before Conan the Barbarian first appeared in print. Robert E. Howard's The Lost Race blends brutal adventure, hidden civilizations, and eerie folklore into one unforgettable journey beneath the forests of Cornwall. From the January 1927 Weird Tales magazine on page 74, The Lost Race by Robert E. Howard… Next on The Lost Sci-Fi Podcast, A strange malfunction in a revolutionary vending machine leaves two worlds trading useless objects while baffled scientists race to understand the impossible connection. As the exchanges grow more deliberate, one risky decision could turn a commercial gimmick into the first bridge between planets. The Cosmic Jackpot by George O. Smith. Lost Sci-Fi Premium - https://lostscifi.supercast.com/ Buy Me a Coffee - https://lostscifi.com/coffee =========================== Newsletter - https://lostscifi.com/free/ Facebook - https://lostscifi.com/facebook YouTube - https://lostscifi.com/youtube X - http://Lostscifi.com/x Instagram - https://www.instagram.com/lostscifiguy Bluesky - https://bsky.app/profile/lostscifipodcast.bsky.social Merchandise - https://lostscifi.creator-spring.com/ =========================== Thanks to Our Listeners Who Bought Us a Coffee $200 Someone $100 Tony from the Future $75 James Van Maanenberg $50 James Van Maanenberg, MizzBassie, Anonymous Listener $25 Fintan Quigley, Curious Jon, David Bell, Steve, Miriam, Someone, Someone, Eaten by a Grue, Jeff Lussenden, Fred Sieber, Anne, Craig Hamilton, Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener $15 Every Month Someone $15 Steve, Someone, SueTheLibrarian, Joannie West, Amy Özkan, Someone, Carolyn Guthleben, Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener $10 David, Anonymous Listener $5 Every Month Eaten by a Grue $5 Tammy, Owen, Bruce, Someone, TLD, David, Denis Kalinin, Timothy Buckley, Andre'a, Martin Brown, Ron McFarlan, Tif Love, Chrystene, Richard Hoffman, Anonymous Listener Listen without commercials and enjoy exclusive bonus episodes every month with Lost Sci-Fi Premium—start your free 7-day trial today. https://lostscifi.supercast.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When vulnerable Cornwall resident Steven Hoskin moved into his own flat in St Austell, he hoped for independence and friendship. Instead, a group of troubled young people entered his life, gradually taking over his home and exploiting his trusting nature. As warning signs mounted, opportunities to intervene were missed, with devastating consequences…*** LISTENER CAUTION IS ADVISED *** This episode was researched and written by Eileen Macfarlane.Script editing, additional writing, illustrations and production direction by Rosanna Fitton.Audio editing by Joel Porter at Dot Dot Dot Productions.Narration, additional audio editing and mixing, and script editing by Benjamin Fitton.To get early ad-free access, including Season 1, sign up for They Walk Among PLUS, available from Patreon or Apple Podcasts.More information and episode references can be found on our website https://theywalkamonguspodcast.comSOCIAL MEDIA: https://linktr.ee/TheyWalkAmongUsSupport this show http://supporter.acast.com/theywalkamongus. Hosted on Acast. See acast.com/privacy for more information.