Podcasts about janacek

durée : 01:29:21 - En pistes ! du vendredi 02 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - La pianiste Claire Désert présente un nouveau disque qui tend à faire éprouver le temps suspendu et angoissé du pressentiment. On découvrira aussi deux « Pygmalion » dans un seul disque, celui de l'ensemble Il Caravaggio de Camille Delaforge.

durée : 01:29:21 - En pistes ! du vendredi 02 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - La pianiste Claire Désert présente un nouveau disque qui tend à faire éprouver le temps suspendu et angoissé du pressentiment. On découvrira aussi deux « Pygmalion » dans un seul disque, celui de l'ensemble Il Caravaggio de Camille Delaforge.

Winner of the Royal Philharmonic Society's Singer Award, Jennifer Johnston is a former BBC New Generation Artist, and a graduate of Cambridge University and the Royal College of Music. She has enjoyed close collaborations with both the Bayerische Staatsoper, where she has sung over 80 performances as a guest artist and with whom she won Recording of the Year at the Gramophone Awards for Korngold's Die Tote Stadt, and the Royal Liverpool Philharmonic Orchestra, for whom she was their Artist-In-Residence for two seasons. Facetune_10-01-2024-19-09-31_edited_edited.jpg Her operatic roles have included Brigitta in Korngold's Die Tote Stadt (Petrenko/Bayerische Staatstoper, Gramophone's Recording of the Year), Mrs Sedley in Britten's Peter Grimes (Gardiner/Bayerische Staatsoper), Hedwige in Rossini's Guillaume Tell (Ettinger/Bayerische Staatsoper), Second Norn in Wagner's Götterdämmerung (Petrenko/Bayerische Staatsoper), Mrs Grose in Britten's The Turn of the Screw (Eschenbach/La Scala), Juno in Handel's Semele (Luks/Glyndebourne Festival), Lady de Hautdesert in Birtwistle's Gawain (Metzmacher/Salzburg Festival), Jocasta in Stravinsky's Oedipus Rex (Gardiner/Berlin Philharmonic & London Symphony Orchestras and on disc), Judith in Bartok's Bluebeard's Castle (Yankovskaya/English National Opera, Mäkelä/Oslo Filharmonien), Dido in Purcell's Dido & Aeneas (Weiss/Festival d'Aix-en-Provence), Waltraute in Wagner's Die Walküre (Rattle/Bayerische Rundfunks Symphony Orchestra on disc), and Pasqualita in Adams' Doctor Atomic (Adams/BBC Symphony Orchestra and on disc). The works of Mahler lie at the heart of her repertoire, particularly his Second Symphony (Rouvali/Philharmonia Orchestra on disc, Zinman/Vienna Symphony Orchestra), Third Symphony (Vänskä/Minnesota Orchestra, Mäkelä/Royal Concertgebouw Orchestra, Welser-Möst/Cleveland Orchestra), Eighth Symphony (Bychkov/NDR Elbphilharmonie Orchestra, Welser-Möst/Vienna Philharmonic Orchestra, Petrenko/Bayerisches Staatsorchester), Rückert Lieder (Zinman/Vienna Symphony Orchestra), Das Lied Von Der Erde (Marin/Hamburg Symphony Orchestra), and Lieder Eines Fahrenden Gesellen (V.Petrenko/Royal Liverpool Philharmonic Orchestra), In huge demand on the concert platform, she has collaborated with many of the world's leading orchestras and conductors, particularly Beethoven's Missa Solemnis (Gardiner/Orchestre Revolutionnaire et Romantique at the BBC Proms, Carnegie Hall and on disc), Beethoven's Ninth Symphony (Welser-Möst/Cleveland & Royal Concertgebouw Orchestras), Wagner's Wesendonck Lieder (Madaras/Halle Orchestra), Elgar's Sea Pictures (Slatkin/Irish National Symphony Orchestra), Elgar's The Dream of Gerontius (Brabbins/BBC Scottish Symphony Orchestra), Verdi's Requiem (Oramo/BBC Symphony Orchestra at the First Night of the Proms, Slatkin/Orchestra National de Lyon), Schumann's Das Paradies und die Peri (Gatti/Accademia Di Santa Cecilia), Schumann's Faustszenen (Harding/Gewandhausorchester), Ravel's Schéhérezade (Oramo / BBC Symphony Orchestra), Adès's Totentanz (Adès/Royal Concertgebouw Orchestra) ,Janacek's Glagolitic Mass (Kanellakis/BBC Symphony Orchestra at the First Night of the Proms), Britten's Phaedra (Brabbins/Royal Liverpool Philharmonic Orchestra), Chausson's Poeme de l'Amour et de la Mer (De Billy/London Philharmonic Orchestra), and Respighi's Il Tramonto (Petrenko/Royal Liverpool Philharmonic Orchestra).

durée : 00:15:50 - Disques de légende du lundi 18 novembre 2024 - Dans un répertoire inattendu, ces deux artistes athlétiques magnifient le doux Janacek et le farouche Bartok.

durée : 00:15:50 - Disques de légende du lundi 18 novembre 2024 - Dans un répertoire inattendu, ces deux artistes athlétiques magnifient le doux Janacek et le farouche Bartok.

durée : 01:28:28 - En pistes ! du mercredi 06 novembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Emilie et Rodolphe vous font découvrir un opéra rarement entendu du compositeur tchèque Janacek et les symphonies de Francesco Zappa. Des découvertes aujourd'hui dans En Pistes !

durée : 01:28:28 - En pistes ! du mercredi 06 novembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Emilie et Rodolphe vous font découvrir un opéra rarement entendu du compositeur tchèque Janacek et les symphonies de Francesco Zappa. Des découvertes aujourd'hui dans En Pistes !

Soprano Claire Booth is internationally renowned for her dedication to a vast repertoire, as well as the vitality and musicianship that she brings to the stage. Opera highlights include the title roles in Handel's Berenice for the Royal Opera and Janacek's Cunning Little Vixen for Garsington Opera, and her concert appearances have resulted in close associations with the BBC orchestras, the City of Birmingham Symphony Orchestra and the Mahler Chamber Orchestra. Claire has also collaborated with Pierre Boulez, Gustavo Dudamel and Yannick Nezet-Seguin, to name a few, and has premiered nearly 100 works over the course of her career so far.Claire's 2024 activity has focused on celebrating Schoenberg in his 150th anniversary year, with performances of a whole range of his works, and two albums centred around his music: 'Expressionist Music' with Christopher Glynn, released in May, and 'Pierrot Portraits' with Ensemble 360, released last Friday, with Pierrot Lunaire at its heart.In this episode, Claire talks more about her longstanding relationship with Pierrot Lunaire, and how the new album came to be; plus the eclectic career she's forged for herself, and how her recent Masters in Cultural Policy and Management has given her an even broader perspective on the industry as a whole. Claire also talks about the time she underwent surgery for pre-nodules, not being able to speak for a month, and wondering whether she would be able to sing again.-------------------Claire's links:WebsiteInstagram-------------------Follow The Classical Circuit on InstagramDid you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*No offence taken if not.--------------------Music: François Couperin - Le Tic-Toc-Choc ou Les MaillotinsPerformed by Daniel Lebhardt--------------------This podcast is also available to listen to via The Violin Channel--------------------The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart). Hosted on Acast. See acast.com/privacy for more information.

durée : 01:27:37 - En pistes ! du mardi 10 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce mardi, retrouvez les œuvres de Beethoven, Bridge, Janacek, Dvorak, Grieg, Hendrik Tobi, Ravel, Pasquini, Schumann et Chopin. En pistes !

durée : 01:27:37 - En pistes ! du mardi 10 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce mardi, retrouvez les œuvres de Beethoven, Bridge, Janacek, Dvorak, Grieg, Hendrik Tobi, Ravel, Pasquini, Schumann et Chopin. En pistes !

Carl Reinecke spielte eine wichtige Rolle im kulturellen Leben Leipzigs. Ein geachteter Komponist und Pianist, war er auch ein hervorragender Lehrer (u.a. von Grieg und Janacek) und vor allem ein geschätzter Dirigent.  35 Jahre lang leitete er das Gewandhausorchester Leipzig, länger als jeder andere Dirigent nach ihm. Alles in Allem Grund genug, in diesem Jahr Reineckes 200. Geburtstag zu feiern. Komponiert hat er fast 300 Werke in allen Gattungen, besonders viel Kammermusik, darunter auch eine der raren grossen romantischen Flötensonaten. Inspiriert hat sich Reinecke dafür bei Friedrich de la Motte Fouqués Märchen «Undine». Das rätselhaft schöne Wasserwesen kann nur eine Seele bekommen, wenn es sich mit einem Menschen vermählt - doch ihrem untreuen Gatten bringt Undine schliesslich den Tod. Reinecke ist mit «Undine» eine wunderbar klangmalerische Sonate gelungen. Heute zählt sie zu den wenigen Werken von ihm, die oft aufgeführt und auf CD eingespielt werden.  In der Diskothek stehen fünf Interpretationen von Carl Reineckes «Undine» zur Diskussion. Gäste von Eva Oertle sind die Pianistin Aglaia Graf und der Flötist Felix Renggli.

Welcome to your weekly UAS news update, we have four stories for you this week: NDAA Markup, Commercial UAV Workshops, WingtraCloud, and two new courses from Pilot Institute! Now is the time to make our voices heard in the US Senate. The Senate Armed Services Committee is considering its version of the National Defense Authorization Act. The House's NDAA bill includes the Countering CCP Drones Act, which would ban DJI Drones.  It's also important to ensure the Drones for First Responders Act or the Countering CCP Drones Act isn't included in the bill's language. As a reminder, the Countering CCP Drones Act plans to ban Chinese drones by revoking to preventing new FCC approvals, which would affect EVERYONE, including public safety agencies. The DFR Act would ban Chinese drones in 5 years after creating an incremental tariff, which would affect everyone, including public safety agencies that would lose financial aid after 5 years and have to pay for expensive drones without subsidies. The Senate will vote on their version of the act next week, between June 11th and June 13th, so the time to act is NOW.  Please visit the DAA's website to contact your senator!  https://droneadvocacyalliance.com/ Next up, Commercial UAV Expo is around the corner! I'll be on a panel with Desiree Ekstein, Jared, Janacek, Vic Moss, Kenji Sugahara, and Amy T Wiegand discussing Regulations and Compliance, BVLOS, Airspace Management, Remote I, Operations Over People and Vehicles, and more.  The talk is on Tuesday, September 3rd from 1:00 PM to 3:30 PM and I hope to see you there!  https://www.expouav.com/session/now-beyond-2024-essentials-for-every-drone-pilot/ Last up, Wingtra released WingtraCLOUD this week!  WingtraCLOUD is a new software solution for flight planning, site-based file organization, 3D Planning, and coordinate systems.  The primary goal of the new software is to streamline surveyors' workflows and enable more data capture.  It doesn't look like WingtraCLOUD currently integrates an image processing system but integrations are available according to Wingtra's website.  We'll keep you updated if we see more!  https://wingtra.com/wingtracloud/ Lastly, two new courses: LiDAR and Search and Rescue. Have a great week, and we'll see you on Monday for the Live!

durée : 01:27:48 - En pistes ! du jeudi 28 mars 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin, Emilie et Rodolphe vous proposent d'écouter le Concerto pour violon n° 5 de Mozart, des pièces pour piano de Lekeu, un extrait de l'opéra "Katja Kabanova" de Janacek, nous poursuivrons avec la Symphonie n°7 de Bruckner et le Quatuor à cordes de Fanny Hensel. En pistes !

Women of Substance with Dr. Scarlett Horton⁣ Episode 71 - Dr. Scarlett Horton interviews Jennifer Larmore __________⁣ Jennifer Larmore is an American mezzo-soprano, a Grammy winner with over 100 recordings to her name, a Chevalier of the French government, Richard Tucker winner, Hall of Famer and an author! Add straight actress to the list with her appearance in a new Netflix series entitled *King the Land.* She has a wide-ranging repertoire, having begun with coloratura roles from the Baroque and bel canto then adding music from the Romantic and Contemporary periods. She began her career at Opera de Nice in 1986 with Mozart’s La Clemenza di Tito and went on to sing at virtually every major opera house in the world, including the Metropolitan Opera, La Scala, Paris Opera, Tokyo, Berlin Deutsche Oper, and London Covent Garden. She is a two-time Grammy Award winner who has recorded widely for the Teldec, RCA, Harmonia Mundi, Deutsche Grammophon, Arabesque, Opera Rara, Bayer, Naive, Chandos, VAI and Cedille labels in over one hundred CDs to date as well as DVDs of “Countess Geschwitz” in Lulu, Jennifer Larmore in Performance for VAI, Il Barbiere di Siviglia (Netherlands Opera), L’Italiana in Algeri (Opera de Paris), La Belle Hélène (Hamburg State Opera), Orlando Furioso (Opera de Paris) and Jenufa (Deutsche Oper Berlin). She has recorded three charming books on tape for Atlantic Crossing Records with stories by Kim Maerkl entitled Mozart’s Magical Night with Hélène Grimaud and the Bavarian State Orchestra, Puccini’s Enchanted Journey with story by Kim Maerkl, and The King’s Daughter with story and music for flute and string orchestra by Kim Maerkl with the flute player Natalie Schwaabe. With the pianist Antoine Palloc, she has made many International recital tours, including appearances in Amsterdam, Paris, Madrid, Hong Kong, Seoul, Tokyo, Vietnam, Vienna, London, San Juan, Prague, Melbourne, Brussels, Berlin, Rio de Janeiro, Lisbon, Sao Paolo, Athens and Copenhagen, as well as all the major American venues. Symphonic repertoire has played a large role in this mezzo’s career with the works of Mahler, Schoenberg, Mozart, de Falla, Debussy, Berlioz and Barber featuring prominently. Miss Larmore has enjoyed great collaborations with world orchestras under the direction of Muti, Lopez-Cobos, Bernstein, Runnicles, Sinopoli, Masur, von Dochnanyi, Jacobs, Mackerras, Nelson, Spinosi, Abbado, Barenboim, Bonynge, Maazel, Osawa and Guidarini. Jennifer’s repertoire has expanded to include roles such as “Marie” in Berg’s masterpiece Wozzeck, which she sang to great success at the Grand Théâtre de Genève. Berg is now a specialty of Miss Larmore, with her having sung “Countess Geschwitz” in Berg’s Lulu at Covent Garden in the Christof Loy production with Antony Pappano, then again in Madrid. At Paris Opera Bastille she sang in the Willy Decker production and she reprised the role yet again in a new production of William Kentridge with Lothar Zagrosek conducting for the Nederlandse Opera, and at the Rome Opera. She has also become well known for “Kostelnička Buryjovka” in Janacek’s Jenůfa which she performed with Donald Runnicles at Berlin Deutsche Oper. The DVD of this production was nominated for a Grammy. She reprised her “Kostelnička” in this same production for the New National Theater in Tokyo. ”Lady Macbeth” in Verdi’s opera Macbeth is a role she debuted in a striking new production of Christof Loy at the Grand Théâtre de Genève, then in the Bob Wilson production in Bologna and Reggio Emilia. Her first “Eboli” was in the French version of Don Carlos at the Caramoor Music Festival in New York, with Will Crutchfield conducting, and she sang “Jocasta” in Stravinsky’s Oedipus Rex at the Bard Festival. Adding to her growing list of new repertoire, Miss Larmore debuted the role of ”Mère Marie” in Les dialogues des carmélites at the Caramoor Festival, New York. She went back to her roots with “Ottavia” in Monteverdi’s l’Incoronazione di Poppea at the Theater an der Wien in October 2015 and returned there in December 2016 for her debut in the role of “Elvira” in Mozart’s Don Giovanni. Debuts for more new roles came in 2017 with the title role of La Belle Hélène at Hamburg State Opera, and then “Anna 1” in Kurt Weill’s The Seven Deadly Sins for the Atlanta Opera. In 2018 she debuted the role of “La Dama” in Hindemith’s Cardillac for the Maggio Musicale in Firenze, “Fidalma” In Il Matrimonio Segreto for Opera Köln, and “Marcellina” In Le Nozze di Figaro in Tokyo. Engagements in 2019 included concerts in Grenoble, Olten and Magève with OpusFive, “Marcellina” in Paris at the Théâtre des Champs-Elysées, and she returned to Opera Köln in the title role of a new production in her on-going collaboration with Doucet/Barbe of La Grand Duchesse de Gérolstein. 2020 was an interesting year, but also because she debuted “Herodias” in Salome for the Atlanta Opera before going into lockdown. Continuing with their collaboration, in 2021, Jennifer sang ”Genevieve” in their new production of Pelleas et Melisande in Parma. Miss Larmore, in collaboration with the double bass player Davide Vittone, created an ensemble called Jennifer Larmore and OpusFive. This a string quintet offering programs that are entertaining and varied with Songs and Arias, Cabaret/Operetta and Movies and Broadway. They have given concerts in Seville, Pamplona, Valencia, Las Palmas, Venice, Amiens, Olten, Aix en Provence, Dublin, and Paris. At the Magève Festival in August, 2018 they presented a World Premiere work by composer Scott Eyerly, called Creatures Great and Small on the theme of animals. In July of 2022, Jennifer and OpusFive performed at the Liestal Stimmen zu Gast Festival in a program entitled America! Throughout her career Jennifer Larmore has garnered awards and recognition. In 1994 Jennifer won the prestigious Richard Tucker Award. In 1996 she sang the Olympic Hymn at the Closing Ceremonies of the Olympics in Atlanta. In 2002, “Madame” Larmore was awarded the Chevalier des arts et des lettres from the French government in recognition of her contributions to the world of music. In 2010 she was inducted into the Georgia Music Hall of Fame in her home state of Georgia. In addition, to her many activities, travels, performances and causes, author Jennifer Larmore is working on books that will bring a wider public to the love of opera. Her book “Una Voce” explores the world and psychology of the performer. Miss Larmore is widely known for teaching and giving master classes and in 2018, she went to New York’s Manhattan School of Music, Santiago, Chile, Luxembourg, Atlanta, and to the new Teatro Nuovo at Suny Purchase College, New York. She began the New Year 2019 with master classes for the Atlanta Opera and Kennesaw State University in Kennesaw, GA. In March, 2019 Miss Larmore gave master classes and workshops at the École Normale and for the Philippe Jaroussky Academy in Paris. In 2020 she gave classes at the École Normale, Atlanta Opera, Kennesaw State University, Luxembourg, and on ZOOM for the Kiefersfelden Master Classes and Utah Valley University. In 2022 classes were in Malta, Tirol, Lausanne, Sion, Martina Franca and Valencia! In 2023 she began the year with a master class at the Eva Lind Akademie in Achenkirch, Austria! Miss Larmore lives in Paris with her husband and little Opera dog Buffy. “Train up a child in the way he should go [and in keeping with his individual gift or bent]...” Proverbs 22:6a (AMPC) In this episode, Scarlett and David interview Jennifer about how her love for the arts was nurtured and encouraged at a very young age, which opened doors for her gift in great places. Your faith will be inspired as you watch. __________ https://JenniferLarmore.info https://ScarlettHorton.com __________ TO SUPPORT THIS PODCAST: https://gvly.org/s/NNHT.5REoBw OR TEXT Proverbs31 to 844-544-7171

Women of Substance with Dr. Scarlett Horton⁣ Episode 71 - Dr. Scarlett Horton interviews Jennifer Larmore __________⁣ Jennifer Larmore is an American mezzo-soprano, a Grammy winner with over 100 recordings to her name, a Chevalier of the French government, Richard Tucker winner, Hall of Famer and an author! Add straight actress to the list with her appearance in a new Netflix series entitled *King the Land.* She has a wide-ranging repertoire, having begun with coloratura roles from the Baroque and bel canto then adding music from the Romantic and Contemporary periods. She began her career at Opera de Nice in 1986 with Mozart’s La Clemenza di Tito and went on to sing at virtually every major opera house in the world, including the Metropolitan Opera, La Scala, Paris Opera, Tokyo, Berlin Deutsche Oper, and London Covent Garden. She is a two-time Grammy Award winner who has recorded widely for the Teldec, RCA, Harmonia Mundi, Deutsche Grammophon, Arabesque, Opera Rara, Bayer, Naive, Chandos, VAI and Cedille labels in over one hundred CDs to date as well as DVDs of “Countess Geschwitz” in Lulu, Jennifer Larmore in Performance for VAI, Il Barbiere di Siviglia (Netherlands Opera), L’Italiana in Algeri (Opera de Paris), La Belle Hélène (Hamburg State Opera), Orlando Furioso (Opera de Paris) and Jenufa (Deutsche Oper Berlin). She has recorded three charming books on tape for Atlantic Crossing Records with stories by Kim Maerkl entitled Mozart’s Magical Night with Hélène Grimaud and the Bavarian State Orchestra, Puccini’s Enchanted Journey with story by Kim Maerkl, and The King’s Daughter with story and music for flute and string orchestra by Kim Maerkl with the flute player Natalie Schwaabe. With the pianist Antoine Palloc, she has made many International recital tours, including appearances in Amsterdam, Paris, Madrid, Hong Kong, Seoul, Tokyo, Vietnam, Vienna, London, San Juan, Prague, Melbourne, Brussels, Berlin, Rio de Janeiro, Lisbon, Sao Paolo, Athens and Copenhagen, as well as all the major American venues. Symphonic repertoire has played a large role in this mezzo’s career with the works of Mahler, Schoenberg, Mozart, de Falla, Debussy, Berlioz and Barber featuring prominently. Miss Larmore has enjoyed great collaborations with world orchestras under the direction of Muti, Lopez-Cobos, Bernstein, Runnicles, Sinopoli, Masur, von Dochnanyi, Jacobs, Mackerras, Nelson, Spinosi, Abbado, Barenboim, Bonynge, Maazel, Osawa and Guidarini. Jennifer’s repertoire has expanded to include roles such as “Marie” in Berg’s masterpiece Wozzeck, which she sang to great success at the Grand Théâtre de Genève. Berg is now a specialty of Miss Larmore, with her having sung “Countess Geschwitz” in Berg’s Lulu at Covent Garden in the Christof Loy production with Antony Pappano, then again in Madrid. At Paris Opera Bastille she sang in the Willy Decker production and she reprised the role yet again in a new production of William Kentridge with Lothar Zagrosek conducting for the Nederlandse Opera, and at the Rome Opera. She has also become well known for “Kostelnička Buryjovka” in Janacek’s Jenůfa which she performed with Donald Runnicles at Berlin Deutsche Oper. The DVD of this production was nominated for a Grammy. She reprised her “Kostelnička” in this same production for the New National Theater in Tokyo. ”Lady Macbeth” in Verdi’s opera Macbeth is a role she debuted in a striking new production of Christof Loy at the Grand Théâtre de Genève, then in the Bob Wilson production in Bologna and Reggio Emilia. Her first “Eboli” was in the French version of Don Carlos at the Caramoor Music Festival in New York, with Will Crutchfield conducting, and she sang “Jocasta” in Stravinsky’s Oedipus Rex at the Bard Festival. Adding to her growing list of new repertoire, Miss Larmore debuted the role of ”Mère Marie” in Les dialogues des carmélites at the Caramoor Festival, New York. She went back to her roots with “Ottavia” in Monteverdi’s l’Incoronazione di Poppea at the Theater an der Wien in October 2015 and returned there in December 2016 for her debut in the role of “Elvira” in Mozart’s Don Giovanni. Debuts for more new roles came in 2017 with the title role of La Belle Hélène at Hamburg State Opera, and then “Anna 1” in Kurt Weill’s The Seven Deadly Sins for the Atlanta Opera. In 2018 she debuted the role of “La Dama” in Hindemith’s Cardillac for the Maggio Musicale in Firenze, “Fidalma” In Il Matrimonio Segreto for Opera Köln, and “Marcellina” In Le Nozze di Figaro in Tokyo. Engagements in 2019 included concerts in Grenoble, Olten and Magève with OpusFive, “Marcellina” in Paris at the Théâtre des Champs-Elysées, and she returned to Opera Köln in the title role of a new production in her on-going collaboration with Doucet/Barbe of La Grand Duchesse de Gérolstein. 2020 was an interesting year, but also because she debuted “Herodias” in Salome for the Atlanta Opera before going into lockdown. Continuing with their collaboration, in 2021, Jennifer sang ”Genevieve” in their new production of Pelleas et Melisande in Parma. Miss Larmore, in collaboration with the double bass player Davide Vittone, created an ensemble called Jennifer Larmore and OpusFive. This a string quintet offering programs that are entertaining and varied with Songs and Arias, Cabaret/Operetta and Movies and Broadway. They have given concerts in Seville, Pamplona, Valencia, Las Palmas, Venice, Amiens, Olten, Aix en Provence, Dublin, and Paris. At the Magève Festival in August, 2018 they presented a World Premiere work by composer Scott Eyerly, called Creatures Great and Small on the theme of animals. In July of 2022, Jennifer and OpusFive performed at the Liestal Stimmen zu Gast Festival in a program entitled America! Throughout her career Jennifer Larmore has garnered awards and recognition. In 1994 Jennifer won the prestigious Richard Tucker Award. In 1996 she sang the Olympic Hymn at the Closing Ceremonies of the Olympics in Atlanta. In 2002, “Madame” Larmore was awarded the Chevalier des arts et des lettres from the French government in recognition of her contributions to the world of music. In 2010 she was inducted into the Georgia Music Hall of Fame in her home state of Georgia. In addition, to her many activities, travels, performances and causes, author Jennifer Larmore is working on books that will bring a wider public to the love of opera. Her book “Una Voce” explores the world and psychology of the performer. Miss Larmore is widely known for teaching and giving master classes and in 2018, she went to New York’s Manhattan School of Music, Santiago, Chile, Luxembourg, Atlanta, and to the new Teatro Nuovo at Suny Purchase College, New York. She began the New Year 2019 with master classes for the Atlanta Opera and Kennesaw State University in Kennesaw, GA. In March, 2019 Miss Larmore gave master classes and workshops at the École Normale and for the Philippe Jaroussky Academy in Paris. In 2020 she gave classes at the École Normale, Atlanta Opera, Kennesaw State University, Luxembourg, and on ZOOM for the Kiefersfelden Master Classes and Utah Valley University. In 2022 classes were in Malta, Tirol, Lausanne, Sion, Martina Franca and Valencia! In 2023 she began the year with a master class at the Eva Lind Akademie in Achenkirch, Austria! Miss Larmore lives in Paris with her husband and little Opera dog Buffy. “Train up a child in the way he should go [and in keeping with his individual gift or bent]...” Proverbs 22:6a (AMPC) In this episode, Scarlett and David interview Jennifer about how her love for the arts was nurtured and encouraged at a very young age, which opened doors for her gift in great places. Your faith will be inspired as you watch. __________ https://JenniferLarmore.info https://ScarlettHorton.com __________ TO SUPPORT THIS PODCAST: https://gvly.org/s/NNHT.5REoBw OR TEXT Proverbs31 to 844-544-7171

SMETANA: La pared del diablo o El muro del diablo (Ópera cómico-romántica) (Acto III) (39.37). L. Domaninska (sop.), M. Subrtova (sop.), I. Mixova (con.), I. Zidek (ten.), A. Votava (ten.), V. Bednar (bar.), K. Berman (baj.), L. Mraz (baj.), Coro y Orq. del Teatro Nacional de Praga. Dir. Z. Chalabala. JANACEK: 5 Danzas moravas (selec.) (Kozich, Trojky y Silnice) (6.02). Orq. Fil. de Eslovenia. Dir.: L. Pesek.Escuchar audio

durée : 01:29:00 - En pistes ! du mercredi 27 décembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nous poursuivons la semaine avec leTrio pour flûte, violoncelle et piano de Haydn, le Quatuor avec piano n° 1 de Brahms, diverses œuvres de Janacek, nous entendrons également des lieder de Strauss, la mythique Danse Macabre de Camille Saint-Saëns, ainsi qu'une œuvre chorale d'Augusta Holmès - réalisé par : Lionel Quantin

durée : 01:33:31 - Relax ! du mardi 28 novembre 2023 - par : Lionel Esparza - Découvrons les nouvelles étoiles de la musique, futurs interprètes intemporels : le trio Busch, le chef français Christophe Rousset et le jeune ensemble le Consort. Le disque de légende de ce jour : La Petite renarde rusée, de Janacek, par Vaclav Neumann.

[@ 5 min] As Lidiya Yankovskaya prepares to step down as Music Director of Chicago Opera Theater, we take a look at some of the ‘Swings and Misses' of her tenure, including being a three-time Inside the Huddle guest on the OBS... [@ 30 min] And then… PJ files a report on “X: The Life and Times of Malcolm X” from the Met, and Lise Davidsen joins us for a ‘Free Throw' on Janacek's "Jenůfa"… [@ 42 min] Plus, in the ‘Two Minute Drill'… France is the big winner in the World Cup of Opera, and an opera company in Dallas attempts to show the relationship between opera and sports... GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Jess Gillam swaps favourite music with the mezzo-soprano Anne Sofie von Otter Anne Sofie is one of classical music's most celebrated singers with a huge back catalogue of recordings, and she's also known for her huge versatility and musical curiosity working with artists from conductors Claudio Abbado and Giuseppe Sinopoli to Elvis Costello, Brad Mehldau and Rufus Wainwright. Today though she's listening to other people's recordings, as she and Jess sat down together to listen to a Janacek fanfare and a headphone blasting piece of Verdi. Jess picks a Nina Simone track that left them both speechless, while Anne Sofie brought along a ravishing piece by Rameau and (quite literally) turned up the volume on a barnstorming Beyoncé track. Playlist: JANACEK: Sinfonietta, 1st mvt 'Sokol Fanfare' [Vienna Philharmonic, Charles Mackerras (conductor)] JÓHANN JÓHANNSSON: Good Night, Day [Hildur Guðnadóttir (cello), Air Lyndhurst String Orchestra, Anthony Weeden (conductor)] BEYONCÉ: Countdown RAMEAU: Les Boréades, Act 4 Entrée de Polymie [Les Musiciens du Louvre, Marc Minkowski (cond)] VERDI: Requiem, Dies Irae (into Tuba Mirum) [Coro y Orchestra dell'Accademia Nationale di Santa Cecilia, Antonio Pappano (conductor)] NINA SIMONE: Little Girl Blue BENGAN JANSON: I've Found a New Baby

My name is Em, trail name, In Tune. I'm into a lot of outdoor adventure-type activities and also all things music. I'm 24 years old, from Canada, and hiked the Appalachian Trail in 2022! Guest Links- Em on YouTube - https://www.youtube.com/c/Em%E2%80%99sOutdoors Em on Instagram - https://www.instagram.com/em_aroundtheworld/ Connect with Anna, aka Mud Butt, at info@traildames.com You can find the Trail Dames at: Our website: https://www.traildames.com The Summit: https://www.traildamessummit.com The Trail Dames Foundation: https://www.tdcharitablefoundation.org Instagram: https://www.instagram.com/traildames/ Facebook: https://www.facebook.com/groups/traildames/ Hiking Radio Network: https://hikingradionetwork.com/ Hiking Radio Network on Instagram: https://www.instagram.com/hikingradionetwork/ Music provided for this Podcast by The Burns Sisters "Dance Upon This Earth" https://www.theburnssisters.com

Janacek Sinfonietta, Rachmaninoff Symphonic Dances, Sibelius 2nd Symphony.

Die Pianistin Yaara Tal und ihr Klavierduo-Partner Andreas Groethuysen sind zu Gast beim nächsten BR-KLASSIK-Studiokonzert am Dienstag, 9. Mai, im BR-Funkhaus München. Passend zum Programmschwerpunkt "Der wilde Sound der 20er" hat das renommierte Klavierduo ein Programm mit Musik aus den 1920er-Jahren im Gepäck, darunter auch weniger Bekanntes von Komponisten wie Janacek, Delius und Bloch. Konzertbeginn ist um 20.00 Uhr, BR-KLASSIK überträgt live im Radio.

Robert Powell is one of our best-known actors, with a career that began in the late sixties and exploded into almost instant fame; since then, there have been some fifty films, including “The Thirty-Nine Steps” and “The Italian Job”, numerous theatre roles, and television appearances which have included six years on Holby City. For many people, though, he will always be Gustav Mahler thanks to Ken Russell's 1973 biopic; for some, he became a memorable representation of Jesus Christ, thanks to his starring role in Zeffirelli's six-hour epic. Robert Powell begins by choosing Mahler's famous Adagietto from the Fifth Symphony. He listened to Mahler non-stop when rehearsing for the role, but was still surprised by some of the eccentric things Ken Russell asked him to do: he will never forget floating for hours in a freezing lake. He talks about the impact of early fame, conjuring up the excitement of the King's Road in the “swinging sixties”, and meeting his wife, Babs, who danced with Pan's People. And he tells the story of how, when he was playing Jesus, he delivered the Sermon on the Mount and “something really extraordinary happened”. These days he is a devoted grandfather, making up for the time he couldn't spend with his family when he was away filming. Other music choices include Stravinsky, Bach, Janacek, and his hero Bob Dylan. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘Herinneringen aan Brno' Dertig jaar geleden maakte ik een reis met mijn vader, oa naar het huis van Leos Janacek in Brno. Honderdtwintig jaar geleden maakte Janacek een reis in muziek naar zijn jeugd.  Meer zien? Klik hier (https://www.nporadio4.nl/klassiek/podcasts/3c8cd236-2eda-4d1b-bf6e-cea7e7b69adf/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-8-20-t-m-24-februari) Leos Janacek On A Overgrown Path, Book I, nr.1-4 Olena Kushpler, piano (album: Janacek) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.

2013 wurde der türkische Pianist Fazil Say wegen spöttischer Äußerungen über den Islam zu zehn Monaten Haft verurteilt, ins Gefängnis musste er dann allerdings doch nicht. Say, ein Kritiker des türkischen Präsidenten Erdogan, ist mittlerweile in seiner Heimat wieder voll rehabilitiert. Künstlerisch eigenwillig ist er immer noch. Gerade hat Fazil Say mit seiner langjährigen Kammermusikpartnerin, der Geigerin Patricia Kopachinskaja, ein Album mit Violinsonaten von Brahms, Janacek und Bartók veröffentlicht.

Synopsis So what do you call a setting of the Latin mass that is not in Latin? Well, if you're the Moravian-born composer Leoš Janáček, you call it “Glagolitic,” since your Mass sets an Old Church Slavonic text written down in a script called that. The idea came from a clerical friend who complained about the lack of original religious music in Czechoslovakia and suggested Janáček's do something about it. His “Glagolitic Mass” premiered in Brno on today's date in 1927. One reviewer wrote it was “a marvelous religious work of an old composer” – to which Janacek snapped back: “I am NOT old. And I am certainly NOT religious!” Now, people do say “you're only as old as you feel,” and the 73-year old Janáček had for many years been in love with a much younger woman who inspired his best works, and rather than any religious convictions, Janacek told another reporter that the piece was in fact jump-started by an electrical storm he witnessed and described as follows: ‘It grows darker and darker. Already I am looking into the black night; flashes of lightning cut through it . . . I sketch nothing more than the quiet motive of a desperate frame of mind to the words ‘Gospodi pomiluj' [Love have mercy] and nothing more than the joyous shout ‘Slava, Slava!' [Glory].” Music Played in Today's Program Leos Janácek (1854-1928) Glagolitic Mass Bavarian Radio Chorus and Orchestra; Rafael Kubelik, conductor. DG 429182

Along with Antonin Dvorak and Bedrich Smetana, Leos Janacek is known as one of the three great Czech composers. He was born in Moravia, part of the Austrian Empire at the time, and became passionately interested in studying the folk music of his Moravian culture. After World War I, when the empire collapsed and Moravia became incorporated into the new country of Czechoslovakia, those nationalistic sentiments only increased, and Janacek was the perfect person to express those feelings through his music, seeing as his interest in the folk music of his homeland had been a lifelong passion for him. Enter the Sinfonietta, written in 1926, commissioned by none other than a Gymnastics festival! A sinfonietta is usually a smaller scale piece than a symphony, shorter, with a lighter orchestration and a lighter touch. But Janacek was always a rebel, and his Sinfonietta is a symphony in all but name, featuring an absolutely massive brass section that lustily performs the nationliaistic fanfares that Janacek gleefully adds  to the music. The Sinfonietta is an expression of patriotic love for Janacek's homeland, but it is also a piece that shows off so many of the things that make Janacek such a unique and underrated composer, his love of short fragmented melodies, his shocks and surprises, his innovative use of orchestration, and more. If you're not familiar with Janacek's music, the Sinfonietta is the perfect entry point, so come join us on this Patreon-sponsored episode!

With props to Andy Taylor and a dedication to Aaron Carter, Anna and Krista dive into Janacek's Jenufa, a beautiful opera about awful people. They also go off on the decision to cut funding to some major opera houses in the UK and give you a sneak peek into the next episode.

durée : 01:58:27 - Rudolf Firkusný (1912-1994) - par : Philippe Cassard - Un des artistes majeurs du XXème siècle, qui a fait connaître au monde entier la musique pour et avec piano de Dvorak, Janacek et Martinu. - réalisé par : Félicie Faugère

durée : 00:05:47 - Classic & Co - par : Anna Sigalevitch - Une nouvelle production mise en scène par Tatjana Gürbaca et dirigée par Tomas Netopil.

The Knights — The Kreutzer Project (Avie) Jump to giveaway form New Classical Tracks - The Knights by “Aren't we all obsessed with time travel? Aren't we all wanting to have dinner with that person that's not alive anymore,” conductor of the Knights, Eric Jacobsen, asked when he fired up the time machine for their newest album, The Kreutzer Project. With his brother, violinist and composer Colin Jacobsen, they explore time-traveling dialogues between Beethoven in 1803, Leo Tolstoy in 1889, Leos Janacek in 1923 and most recently, Anna Clyne and Colin Jacobsen with their 21st-century pieces. What idea launched this project? Eric: “There were a couple of things that got this going. I can't remember if the Beethoven violin and piano sonata was the first thing that we said, ‘Oh, my gosh, this can be a concerto,' or if we looked at the Janacek String Quartet and said, ‘Wow, this could absolutely have a harp, snare drum and woodwinds.' We thought of all the works at the same time.” Is it true that Beethoven's sonatas are infamous for being hard on both the pianist and violinist? Colin: “The issue in this version is it's a violin concerto, but the orchestra is playing the piano part, which is incredibly virtuosic. It's really a concerto grosso grosso because everyone has to pull their weight with the virtuosic lines.” Eric: “When someone listens to this and doesn't know that it was arranged and made today, I think one would probably assume that it was made during Beethoven's life because it fits that time period. We know that he didn't make this arrangement, but it almost feels like it could be. It is from a composer who only wrote one violin concerto. I feel like this is an incredible complement to that piece.” Tell us about the expanded version of Leos Janacek's String Quartet. Colin: “A lot of Janacek's music has a sense of beauty that is thwarted or interrupted. You can hear that in the very opening. There's this gorgeous yearning chorale and it contains the primary motif of the whole piece then immediately you get interruptions from different voices. I think this is part of the emotion from the Tolstoy novella, which is a yearning for something that gets thwarted all the time.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. More on The Knights New Classical Tracks The Knights - Golijov: Azul New Classical Tracks The Knights celebrate the holiday season with a Christmas album Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources The Knights — The Kreutzer Project (Avie store) The Knights — The Kreutzer Project (Amazon store) The Knights (official site)

Kate Molleson talks to Icelandic pianist Vikingur Ólafsson about his concerts at the opening weekend of the Southbank Centre's new season, and about his new double album, From Afar, on which all the pieces are recorded twice, on two different pianos. And, as a new production of Verdi's Aida opens at the Royal Opera House, Kate talks to director Robert Carsen, and to opera historian Flora Willson about how the famous ancient Egypt-set opera by an Italian composer is viewed by Egyptians. We also hear from Egyptian mezzo-soprano Gala El Hadidi, and from Cairo-based journalist Ati Metwaly about music education in Egyptian schools. Plus, Tom Service visits the Wales Millennium Centre in Cardiff to investigate Welsh National Opera's new production of Janacek's opera about immortality, The Makropulos Affair. Producer: Graham Rogers

durée : 02:02:15 - Été Classique Matin du jeudi 04 août 2022 - par : Charlotte Landru-Chandès - Aujourd'hui, promenade matinale en compagnie de Poulenc, Brahms, Schumann, Janacek ou encore Vivaldi, mais aussi de Haydn, Lili Boulanger et Amy Beach. - réalisé par : Sébastien Royer

For classical musicians, the process of exploring and learning new repertoire never ends. That's especially true for pianists, who have a titanic amount of literature available to them — from seminal keyboard works of the Baroque to the freshly inked compositions of today. Climbing that mountain of music can be intimidating — but not for Orion Weiss. Although his student days at Juilliard, the Cleveland Institute of Music, and Pianofest in the Hamptons are well behind him, it's the piano's incredible wealth of literature that fuels his inspiration to create music. "I have an insatiable hunger for discovering the musical literature," Weiss says in the latest episode of the Classical Post podcast. "It's endlessly enriching to have this repertoire to work through and try to understand and grow with ... I won't ever feel like I'm not a student anymore — I'm striving to achieve something I haven't yet." Weiss's endless curiosity has served him well throughout his career, and it's the foundation for his latest album, Arc I. The first installment of an ambitious trilogy — what Weiss playfully refers to as his "Lord of the Rings of the piano" — the new album features piano works by Granados, Janacek, and Scriabin written during the frantic build-up to World War I, an unsettling time that sees many parallels to today. "When I was recording the album, I was trying to understand feelings and the world today. It's hard to know what the future is, but connecting to periods where people were more stressed than normal and had reason to be, somehow makes me feel like the music can explain something to me — how to proceed, how to deal with it, how to understand emotionally what's going on." In this conversation, we discuss future installments of the Arc trilogy, the ways Weiss sees music as a form of time travel, and how a career in classical music is a lot like climbing an endless Stairmaster. Plus, he shares more about his personal wellness and fitness routines, his favorite spots for the spiciest Szechuan food in New York City, and the power of dark chocolate when he can't muster the energy to practice. Listen to Arc I on Spotify, Apple Music, or wherever you stream or download music. — Classical Post uncovers the creativity that exists behind great music. Dive into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok. Classical Post is an ambassador for NED, a wellness company. Get 15% off their products like CBD oil and many other health-based products by using our code CLASSICALPOST at checkout.

My name is Em, trail name, In Tune. I'm into a lot of outdoor adventure-type activities and also all things music. I'm 24 years old, from Canada, and currently attempting to thru-hike the Appalachian Trail! Guest Links- Em on YouTube - https://www.youtube.com/c/Em%E2%80%99sOutdoors Em on Instagram - https://www.instagram.com/em_aroundtheworld/ Connect with Anna, aka Mud Butt, at info@traildames.com You can find the Trail Dames at: Our website: https://www.traildames.com The Summit: https://www.traildamessummit.com The Trail Dames Foundation: https://www.tdcharitablefoundation.org Instagram: https://www.instagram.com/traildames/ Facebook: https://www.facebook.com/groups/traildames/ Hiking Radio Network: https://hikingradionetwork.com/ Hiking Radio Network on Instagram: https://www.instagram.com/hikingradionetwork/ Music provided for this Podcast by The Burns Sisters "Dance Upon This Earth" https://www.theburnssisters.com

durée : 01:57:09 - En pistes ! du mardi 24 mai 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce mardi : Saint-Saëns, Janacek, Liszt, Mozart ou encore Fauré. Voilà ce que vous ont concocté Emilie et Rodolphe pour bien démarrer la journée !

Nigel Simeone joins Hannah to discuss a wide variety of recorded performances of Janacek's opera Jenufa. Completed in 1902 Jenufa was Janacek's first great masterpiece. It is a tragic tale of small-minded village attitudes, infanticide and redemption. But as with all Janacek, the music is totally life-enhancing without being in the least sentimental. At the heart of the story is the strong but complicated relationship between Jenufa and her mother: they share some of the most heart-breaking music in the opera.

Emission du 04 mai 2022.

Episode 33: Attention to Detail features performer, educator, and music researcher, Hannah Harley. Hannah is a Brisbane based cellist and is currently completing her PhD at University of Queensland. Her research explores the factors of the performers' attention and focus within the contexts of a string quartet. We also discuss the advantages and disadvantages in music research, and also how we can apply the knowledge of music psychology into performance and education. Music Credits Opening Theme by Daniel Kassulke Excerpts from Janacek's String Quartet No.1 "Kreutzer Sonata" (Movement 1 and 2) performed by Meraki String Quartet

Tristan & Isolde, Romeo & Juliet, Pelléas & Mélisande are three pairs of lovers who have fired composers' imaginations. Films like Love Story, Love Actually, and Shakespeare in Love are made all the more poignant by their musical scores. And where would The Beatles, 10cc, or Queen have been without All you need is love, I'm not in love, and Love of my life? This lecture shows how there is no emotion more likely to inspire musical creativity than love.A lecture by Jeremy SummerlyThe transcript and downloadable versions of the lecture are available from the Gresham College website:https://www.gresham.ac.uk/lectures-and-events/music-loveGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.Website: http://www.gresham.ac.ukTwitter: http://twitter.com/GreshamCollegeFacebook: https://www.facebook.com/greshamcollegeInstagram: http://www.instagram.com/greshamcollege

Hear about Sister Rebecca's adventures in Africa, how she felt God calling her to become a religious sister, and the work of Promise Pointe, which provides permanent affordable housing and a supportive community for the chronically homeless in Victoria, Texas and the Crossroads region. Sister recently published a book of her letters while she served in Africa for 31 years entitled "Letters Out of Africa" available on Amazon. All profits benefit the Sisters of the Incarnate Word and Blessed Sacrament.Promise Pointe: https://www.promisepointe.orgBook: https://www.amazon.com/Letters-Out-Africa-Mission-Journey/dp/1735703311

Join Alex and Fernando in their ongoing futile quest of discussing some of their favorite composers. Listen to great recordings of works by Georges Bizet, Antonin Dvorak, Leos Janacek, Ottorino Respighi and more!

In his series on thought about infinity through the centuries, Adrian Moore has considered the topic through the lenses of philosophy, theology and mathematics. Now, in this penultimate episode, the focus is firmly on us. Adrian ponders our finite nature and confronts the question of whether, if we could, we really would want to live for ever. He brings us the Czech composer Janacek's opera, with its eponymous heroine Elina Makropulos. Her father, the court physician, has procured an elixir of life for her but, far from making her eternally happy, her long life has become unbearably tedious. Some philosophers fully sympathise with Elina Makropulos and celebrate our finite nature. Others lament it. But as Adrian discovers, there is consensus on one point – the fact that one day our life will end doesn't rob it of meaning. Indeed, it is our very sense of our own finite nature, argues John Cottingham, Professor Emeritus at Reading University, that produces what St Augustine called ‘the restlessness of the human heart' - our constant desire to reach out for more. A Juniper production first broadcast on BBC Radio 4 in September 2016.