Podcast appearances and mentions of William Byrd

durée : 00:09:27 - Le Disque classique du jour du mardi 13 mai 2025 - Pour sa première parution discographique, le Trio Musica Humana a choisi d'enregistrer la Messe à 3 voix de William Byrd et de construire autour de cette œuvre un programme pour trois voix d'hommes et virginal, constitué de madrigaux et pièces instrumentales.

durée : 00:09:27 - Le Disque classique du jour du mardi 13 mai 2025 - Pour sa première parution discographique, le Trio Musica Humana a choisi d'enregistrer la Messe à 3 voix de William Byrd et de construire autour de cette œuvre un programme pour trois voix d'hommes et virginal, constitué de madrigaux et pièces instrumentales.

Aujourd'hui nous sommes le samedi 10 mai de la troisième semaine du temps pascal.L'évangile d'aujourd'hui se situe à la toute fin du long entretien de Jésus sur le Pain de vie. C'est maintenant l'heure du choix. Le moment où il faut se décider. Croire ou ne pas croire, voilà la question! En cette fin de semaine, me voici Seigneur en ta présence, pour écouter ta Parole. Donne-moi de laisser là tous mes soucis, et d'ouvrir mon cœur... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Seigneur, à qui irions nous de Keur Moussa interprété par Keur Moussa - Psaumes et rythmes pour tous les temps - lundi à mercredi © Editions Art et Musique ; Pavana 'Bray' de William Byrd interprété par Alex McCartney - Elizabeth's Lutes © Creative Commons by-nc-sa license from Magnatunes.

Easter Day PROCESSIONAL: Easter Canticle – Peter R. Hallock (1924–2014) PSALM 114 – Plainsong, Tonus Peregrinus (Ninth psalm tone) HYMN: Come, ye faithful, raise the strain (Tune: GAUDEAMUS PARITER) – Medieval Bohemian Carol Melody, 1544; vs. 2 harm. Hymnal 1940; vs. 3 harm. Harvey Grace (1874-1944) NUNC DIMITTIS: Plainsong setting, Tonus peregrinus; harm. William Byrd (c. 1540-1623) ANTHEM: […]

durée : 01:27:37 - En pistes ! du jeudi 10 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Les pianistes du Geister Duo jouent marches, ländlers et fantaisies dans un coffret intégrale. A retrouver aussi : William Byrd mis à l'honneur dans la première parution discographique du Trio Musica Humana, l'Orchestre Philharmonique de Radio France explore l'univers du compositeur Howard Shore...

durée : 01:27:37 - En pistes ! du jeudi 10 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Les pianistes du Geister Duo jouent marches, ländlers et fantaisies dans un coffret intégrale. A retrouver aussi : William Byrd mis à l'honneur dans la première parution discographique du Trio Musica Humana, l'Orchestre Philharmonique de Radio France explore l'univers du compositeur Howard Shore...

This service of Choral Evensong, sung by the Cathedral Schola, observes the Feast of Martin Luther. The officiant and preacher is the Rev. Dr. Thee Smith. Choral repertoire includes:William Byrd (1539/40-1623), Preces & ResponsesDietrich Buxtehude (1637-1707), MagnificatJohann Sebastian Bach (1685-1750), Ein feste Burg ist unser Gott, BWV 80, movement 1Charles Villiers Stanford (1852-1924), Beati quorum via

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. Laetentur coeli – William Byrd

Vem gjorde årets bästa pop, jazz, folk och klassiska musik? Och vilka trender styrde vad vi lyssnade på? Vi sammanfattar musikåret 2024 med en hel panel musikexperter! Lyssna på alla avsnitt i Sveriges Radio Play. P3:S JONAS DAVIDS TRE POPFAVORITER:Billie Eilish – ”Birds of a feather”Robyn & Jamie XX – ”Life”Sade – ”Young Lion”P2:S MÄRET ÖMANS TRE JAZZFAVORITER:Michael Mayo – ”I didn't know what time it was”Milton & Esperanza – ”Morro Velho”Tilde Schweitzer – ”Moonglow”P2:S ESMERALDA MOBERGS TVÅ FOLKFAVORITER:Stockholm Vodou Orchestra & Aurelia Dey – Live (album)Emma & Ellika – ”Väder” (album)P2:S JULIA SJÖSTEDTS TRE KLASSISKA FAVORITER:Anima Eterna Brugge – Bruckner: Symphony no. 4 ”Romantic” (album)Mishka Rushdie Momen – Reformation: Keyboard works by William Byrd, Orlando Gibbons, John Bull & Jan Pieterszoon Sweelinck (album)Quatuor Dutilleux – Rita Strohl: Volume 2, Musique de chambre (album)INTERVJU: ERIK LUNDIN ÄR TILLBAKA – EFTER FEM ÅRS TYSTNADSå ett efterlängtat album som kom att avsluta 2024. Erik Lundin blev snabbt en del av hiphopeliten efter debuten 2015, känd för sina poetiska texter. Men sedan blev det tyst i fem år. Hör honom berätta om varför han inte varit redo att släppa ny musik förrän nu, i den här intervjun med kulturredaktionens Tanja Ulriksson.ESSÄ: ANAMMA MÖRKRET – STOPPA LJUSFÖRORENINGARNAPå lördag är det vintersolstånd och årets mörkaste dag. Men många svenskar tillbringar ganska stora delar av året med att förbanna mörkret. Författaren Eva-Lotta Hultén är inte en av dem. I denna essä från OBS höjer hon ett varningens finger för det artificiella ljusets lockelse.Programledare: Lisa WallProducent: Felicia Frithiof

L'ange Gabriel annonce la naissance de Jean le Baptiste (Lc 1, 5-25)Méditation par le Père Jean-Marie PetitclercChant Final : "Miserere. Gaudium" par William Byrd

And you thought YOU were gonna have a lot of holiday company! Poor Mary, who's only given birth a week or so ago, now faces this onslaught of unexpected visitors in today's episode.  We'll find out who exactly all those folks are, their connection to one of the most powerful families in Europe, and what's up with the peacock. Pretty sure that wasn't one of the animals at the Nativity... SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode music “Joy to the World” and “We Three Kings” performed by John Sayles http://www.jsayles.com/familypages/holidaymusic.htm “Mass for 4 Voices,” composed by William Byrd, performed by Ensemble Morale. Courtesy of musopen.org https://musopen.org/music/44138-mass-for-4-voices “Suite in F Major” composed by Michael Praetorius. Performed by Michel Rondeau. Courtesy of musopen.org https://musopen.org/music/43633-suite-in-f-major Artwork information  https://www.nga.gov/collection/art-object-page.41581.html https://www.nga.gov/collection/highlights/angelico-lippi-the-adoration-of-the-magi.html https://en.wikipedia.org/wiki/Adoration_of_the_Magi_(Fra_Angelico_and_Filippo_Lippi) https://www-jstor-org.dclibrary.idm.oclc.org/stable/20074684?seq=6 (JSTOR article, may need to log in through your library) Magi gifts https://uscatholic.org/articles/202212/why-did-the-magi-bring-jesus-gold-frankincense-and-myrrh https://www.biblicalarchaeology.org/daily/people-cultures-in-the-bible/jesus-historical-jesus/why-did-the-magi-bring-gold-frankincense-and-myrrh/ Medici information https://www.britannica.com/topic/Medici-family Karen's favorite illuminated manuscript “The Hours of Catherine of Cleves” https://www.themorgan.org/collection/Hours-of-Catherine-of-Cleves Recommended Reading: “Fra Angelico” by Laurence Kanter and Pia Palladino. Published by the Metropolitan Museum of Art and Yale University Press, 2005. Pgs 278-283. Explains Magi's visitation. (Free PDF) https://cdn.sanity.io/files/cctd4ker/production/f9c70388da067f22ea0e43e5e512fb5f8d2b0d33.pdf Transcript available at https://alonglookpodcast.com/adoration-magi-angelico-lippi/  

Rolling Stones guitarist, Ronnie Wood discusses his parallel career as an artist. As a new exhibition of his work opens at the Andrew Martin showroom in London, Ronnie talks about how he has drawn inspiration from Delacroix, Caravaggio and Picasso. As a new three part series Boybands Forever starts on BBC2 and the iplayer, we explore what was behind the rise and fall of the boybands of the nineties and noughties with Richie Neville of Five and Hannah Verdier from Smash Hits. And, keyboard music from before the invention of the piano. Pianist Mishka Rushdie Momen performs from her new album Reformation, a collection of pieces by Tudor-era composers William Byrd, John Bull, Orlando Gibbons and Jan Pieterszoon Sweelinck.Presenter: Tom Sutcliffe Producer: Ruth Watts

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen.  Sanctus/Benedictus and Agnus Dei from Mass for Three Voices - William Byrd

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen.  O quam gloriosum – William Byrd

The Twentieth Sunday after Pentecost ORISON: ‘Beloved, let us love one another' from In Praise of Singing – Alice Parker (1925-2023) PSALM 139 – Peter R. Hallock (1924-2014) HYMN: God himself is with us (Tune: TYSK) – from Psalm und Choralbuch, 1719; arr. Gregory Bloch NUNC DIMITTIS – Plainsong setting, Tonus peregrinus; harm. William Byrd […]

For all who have heard it, the sound of the choral ensemble The Sixteen, conducted by Harry Christophers is unforgettable and beautiful.  This podcast features an interview with Harry Christophers, and music by William Byrd, Thomas Tallis and Arvo Pärt, from their album The Deer's Cry.  On the eve of their US tour, this podcast celebrates their 45th anniversary.

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen.  Sing joyfully – William Byrd

Aujourd'hui nous sommes le mercredi 24 juillet et nous fêtons Saint Charbel Maklouf, moine maronite libanais, qui termina sa vie en ermite, consacrant tout son temps à la prière.Je fais silence et je me rends attentif à ma respiration. Je prends conscience que je suis là, présente à mon Seigneur et Créateur. Il m'a tissé dès le sein de ma mère et il m'appelle à la vie en abondance. Je rends grâce et je m'ouvre... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Pavana 'Bray' de William Byrd interprété par Alex McCartney - Elizabeth's Lutes © Creative Commons by-nc-sa license from Magnatunes.

SynopsisIt's likely you'll hear a good deal of American music today — and rightly so — but we're taking a minute or two to acknowledge a special British composer's anniversary, as today's date marks the anniversary of the passing of William Byrd, one of England's greatest composers, who produced both sacred and secular works that are still regularly performed today on both sides of the Atlantic. William Byrd was born in London around 1542 — we don't know exactly when — and died on July 4, 1623, at the age of some 80 years — a remarkably long lifespan for that time. He was also a remarkably prolific composer, a master of intricate choral counterpoint and virtuosic keyboard pieces. He was the first Englishman to write madrigals in the Italian fashion, but his chief significance lies in his many sacred works. Byrd lived during the tumultuous period of the English Reformation, and produced works for both the Roman Catholic Church and England's new Anglican service. Queen Elizabeth I was a great admirer of his music, so much so that she overlooked the fact that Byrd remained an unashamed Roman Catholic in Protestant England, and even granted him a royal patent related to publishing music.Music Played in Today's ProgramWilliam Byrd (c. 1540-1623): Sanctus, from Mass for Five Voices; The Cardinall's Musick; Andrew Carwood; Gaudeamus CD 206

This summer I'm returning to a series first published in 2022, in which I model a variety of styles of contemplative prayer. I hope it's a blessing to you. If you'd like to connect with me, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠find me on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠at my website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you'd like to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠help support this podcast financially⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, there's a way to do just that ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on my page at buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Thanks for sharing, subscribing, rating, and reviewing, as this helps our community to grow. Thanks as always to my friend, Peter Vaughan-Vail, for providing the beautiful harp music you hear in this and every episode. Here are some resources to help you dig into this week's topic on your own: 1. Ave Verum Corpus, written by William Byrd and performed by Voices of Ascension Chorus 2. Ave Verum Corpus, written by Mozart and performed by Choir of King's College, Cambridge 3. Ave Verum Corpus by William Byrd: text, history and translation by Choral Public Domain Library Primer on contemplation with lots more helpful resources: Raised Catholic episode 78: Contemplative Summer

The other day I received a press release about an intriguing album of keyboard music by 16th- and early 17th-century composers, three Englishman and a Dutchman, played on the modern piano by Mishka Rushdie Momen, one of this country's most gifted and intellectually curious young concert pianists. It's called Reformation, and before I'd heard a note of the music – which is performed with thrilling exuberance and subtlety – I knew I wanted to interview Ms Rushdie Momen.  That's because Hyperion had included with the press release a strikingly perceptive essay by the pianist putting this ostensibly secular keyboard music in the context of what she rightly calls the ‘vandalism' of the English Reformation, shockingly illustrated by the demolition of the great shrine of Walsingham. At the same time, she recognises the unnerving pressures facing both Catholic and Protestant composers in an era of bewildering and violent cultural upheaval – but also one in which we can glimpse  elements of toleration and compromise.  Here's my Holy Smoke interview with Mishka Rushdie Momen, which begins with a track from her album: a little galliard called La Volta, danced at Elizabeth I's court even though the Queen knew that its composer, William Byrd, had remained faithful to the Catholic Church.

Damian Thompson: The other day I received a press release about an intriguing album of keyboard music by 16th- and early 17th-century composers, three Englishman and a Dutchman, played on the modern piano by Mishka Rushdie Momen, one of this country's most gifted and intellectually curious young concert pianists. It's called Reformation, and before I'd heard a note of the music – which is performed with thrilling exuberance and subtlety – I knew I wanted to interview Ms Rushdie Momen.  That's because Hyperion had included with the press release a strikingly perceptive essay by the pianist putting this ostensibly secular keyboard music in the context of what she rightly calls the ‘vandalism' of the English Reformation, shockingly illustrated by the demolition of the great shrine of Walsingham. At the same time, she recognises the unnerving pressures facing both Catholic and Protestant composers in an era of bewildering and violent cultural upheaval – but also one in which we can glimpse  elements of toleration and compromise.  Here's my Holy Smoke interview with Mishka Rushdie Momen, which begins with a track from her album: a little galliard called La Volta, danced at Elizabeth I's court even though the Queen knew that its composer, William Byrd, had remained faithful to the Catholic Church.

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. In resurrectione tua – William Byrd

Easter Day PROCESSIONAL: Easter Canticle – Peter R. Hallock (1924–2014) PSALM 114 – Plainsong, Tonus Peregrinus (Ninth psalm tone) HYMN: Ad cenam Agni providi – Plainsong, Mode VIII; harm. Guillaume Dufay (c. 1397-1474); NUNC DIMITTIS: Plainsong setting, Tonus peregrinus; harm. William Byrd (c. 1540-1623) Cпасение coдeлaл (Salvation is created) – Pavel Chesnokov (1877-1944); arr. for men's voices […]

Alléluia ! Christ est ressuscité. Oui, il est vraiment ressuscité ! Je me dispose à entrer dans cette louange de la joie de Pâques en demandant la grâce, au cœur du tombeau ouvert et vide, de voir et de croire... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Pavana 'Bray' de William Byrd interprété par Alex McCartney - Elizabeth's Lutes © Creative Commons by-nc-sa license from Magnatunes.

Fr. Eric Nicolai preached this meditation in Kintore College, Toronto, on March 27, 2024. What a contrast between the gratitude and generosity of Mary of Bethany and the painful betrayal of Judas, one who was from his inner circle (Matthew 26:14-25). The searing and painful treachery of Judas' infidelity is a danger we must be aware of. Thumbnail: Kiss of Judas, fresco by Giotto, Scrovegni Chapel, Padua, 1304. Music: VOCES8 'Ave Verum' by William Byrd.

Las historias que traemos a este programa muestran que cada camino que tomamos está marcado por la huella de aquellos y aquellas que vinieron antes, que dejaron su saber para que se entretejiera con el de sus sucesores. Hablaremos de músicos que heredaron el cargo de otros músicos o que continuaron su proyecto, como ocurrió con Leonin y Perotin, Thomas Tallis y William Byrd, Bach y Telemann, Francois Couperin y Marguerite Antoinette Couperin, Adrian Willaert y Cipriano de Rore.Escuchar audio

Hoy comenzamos con una página de William Byrd porque no podíamos dejar que terminase este año 2023 sin dedicarle un programa especial a este autor británico, fallecido el 4 de julio de 1623 y de quien por tanto este año se ha cumplido el cuarto centenario de su muerte. Haremos un repaso por su vida y por su obra.Escuchar audio

For conductor and baritone Malcolm J. Merriweather, artistic inspiration has largely sprung from asking questions related to his identity. What role does his work as a Black musician play within the larger tapestry of music history? Who are the artists of the past who contributed to the legacy he's inherited today? As director of the New York Philharmonic Chorus and music director of the Dessoff Choirs, Merriweather spends his days bringing to life great choral works from the Renaissance through the 21st century. But two composers — who happened to live 400 years apart — have proved his primary focus over the past several years: Margaret Bonds, a contributor to the Harlem Renaissance; and Vicente Lusitano, an Afro-Portuguese musician who's considered the first published Black composer. Merriweather has led the Dessoff Choirs in performances of both composers' music, oftentimes programming their work alongside that of their contemporaries. Which, in the case of Lusitano, includes Thomas Tallis, William Byrd, and Giovanni Palestrina — who also happens to be an important figure in the ensemble's early history. "It's part of the Dessoff Choirs' mission to bring underperformed and underrepresented music and composers to the concert stage," Merriweather says on the latest episode of the Classical Post podcast. "That's been part of our mission since our founding in 1924 by Margarete Dessoff, a German Jewish immigrant. At that time, she was bringing the music of Palestrina to this country, which had never been heard here." In this episode, Merriweather and I talk more about his relationship to Margaret Bonds's music, and how his critically acclaimed recordings of her songs led him to London to hear Lusitano's works for the first time. Plus, he shares how the act of baking nourishes his mind and body, why he has to make his bed first thing in the morning, and his favorite restaurant in Harlem for American-Senagalese fusion cuisine. — ⁠⁠⁠Classical Post⁠⁠⁠® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by ⁠⁠⁠Gold Sound Media⁠⁠⁠® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

On Friday, November 3, 2023, Scribe Records releases Penitence & Lamentation, the Byrd Ensemble's new album marking 400 years since the death of its namesake, William Byrd, and coinciding with Byrd Ensemble's 20th anniversary season. Praised for their “rich, full-voiced, and perfectly blended” (Early Music America) sound, the Byrd Ensemble's new project focuses on the unifying theme of guilt and grief, forming a collection of songs by Byrd and his contemporaries; Thomas Tallis's monumental 40-part motet, Spem in alium; and the world premiere recording of Nico Muhly's Fallings (2023), based on Byrd's motet, Ne irascaris Domine. The album's first single, Nicolas Gombert's Lugebat David Absalon, will be released on all streaming services on October 13. Penitence & Lamentation Album Tracklist1. Nicolas Gombert – Lugebat David Absalon [8:20]2. William Byrd – Domine secumdum actum meum [6:52]3. Thomas Tallis – In jejunio et fletu  [4:06]4. Thomas Tallis – Absterge Domine  [5:33]5. Thomas Crecquillon – Pater paccavi [8:36]6. Robert Ramsey – How are the mighty fallen  [5:14]7. William Byrd – Emendemus in melius [3:17]8. William Byrd – Ye sacred muses  [3:09]9. William Byrd – Ne irascaris Domine [7:56]10. Nico Muhly – Fallings (2023) (World Premiere Recording) [7:00]11. Robert Carver – O bone Jesu [12:36]This album is broadcasted with the permission of Katy Salomon representing Primo Artists.

Dr. Larry Lipkis, Starner Professor of Music and Director of the Early Music Program at Moravian University in Bethlehem, speaking about the Fall 2023 Early Music Concert in Peter Hall on Sunday, October 29th at 5:00 pm. There will be music of William Byrd and more. www.moravian.edu/

Deirdre is a jellyfish, and she's just trying to go with the flow. Featuring Maeve Higgins. Maeve's new album “A Very Special Woman” is available on bandcamp. Choral music in this episode from Friedrich Wilhelm Nietzche and William Byrd, in the public domain. Additional music from Blue Dot Sessions. The Animals is a special series presented by Everything is Alive.

Nicholas goes to St Paul's Cathedral to talk to master of the choristers Andrew Carwood and Byrd scholar Dr Katie Bank (of Byrd Central) about their passion for William Byrd's music. Is Peter Phillips right? Do audiences like Tallis while singers prefer Byrd?TRACK LISTING :Byrd - Fantasia BK62 (excerpt)Christian Wilson, organByrd - Lord, in they wrath, correct me notAlamire / David SkinnerByrd - Magnificat (excerpt) from The Great ServiceOdyssean Ensemble / Colm Carey Christian Wilson, organByrd - Infelix Ego (last section)The Cardinall's Musick / Andrew CarwoodByrd - Ad Dominum cum tribularer (2nd half)I Fagiolini / Robert HollingworthByrd - O salutaris hostia a6Marian Consort / Rory McCleerySupport this show http://supporter.acast.com/choral-chihuahua. Hosted on Acast. See acast.com/privacy for more information.

SynopsisWe tend to think our time has had a monopoly on bitter religious conflicts, but on today's date in 1572, which happened to be St. Bartholomew's Day, the Catholic queen dowager of France, Catherine de Medici, and her son, King Charles IX, decided that the best way to rid their kingdom of troublesome Protestants would be simply to kill them off. A few days earlier, Catholic and Protestant nobles from across France had come to Paris to attend a noble wedding which, ironically, was intended to bring the rival religious factions closer together. Things quickly turned ugly, and on the 24th of August the infamous “Massacre of St. Bartholomew” began and quickly spread across the entire country. Among those who perished was a French Protestant composer named Claude Goudimel, who was killed when the massacre reached Lyons.Fortunately for posterity, not all Reformation era rulers were so bloodthirsty. The English Catholic composer Thomas Tallis managed to keep his head through the reigns of alternating Catholic and Protestant monarchs, and the Protestant Queen Elizabeth the First admired and supported the music of William Byrd, despite his openly Catholic sympathies.Music Played in Today's ProgramClaude Goudimel (1510 – 1572) Comfort, comfort Ye my people Cathedral Singers; Richard Proulx, conductor. GIA 290

Louise Hung plays Orlando Gibbons' Galiardo Fantasia of Foure Parts from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. 

William Byrd - Mass for Five Voices: Agnus DeiOxford CamerataJeremy Summerly, conductorMore info about today's track: Naxos 8.550574Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613 probably as part of the celebrations for a royal wedding. MIO's Artistic Director John Edwards talks to keyboardist Louise Hung about pitch and temperament - how early keyboards were not tuned the same way a modern piano is. We then hear Louise Hung perform Gibbons' Fantazia in Four Parts. 

William Byrd - Mass for Five Voices: SanctusOxford CamerataJeremy Summerly, conductorMore info about today's track: Naxos 8.550574Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

William Byrd - Mass for Five Voices: CredoOxford CamerataJeremy Summerly, conductorMore info about today's track: Naxos 8.550574Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Louise Hung plays John Bull's Pavana and Orlando Gibbons' Galiardo and The Queenes Command from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. 

William Byrd - Mass for Five Voices: GloriaOxford CamerataJeremy Summerly, conductorMore info about today's track: Naxos 8.550574Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613 probably as part of the celebrations for a royal wedding. MIO's Artistic Director John Edwards talks to Prof. Deanne Williams about the plays by Shakespeare, Beaumont and Fletcher and others, and masque performances during the run up to the marriage of Frederick, Count Palatine and Elizabeth Stuart. We then hear Louise Hung perform music by Bull and Gibbons from the book. 

This week, Donald Macleod marks the 400th anniversary of the death of William Byrd, the greatest British musician of his age. Donald is joined all week by Byrd expert Kerry McCarthy to explore Byrd's story and reveal a composer of determined ambition and powerful convictions. Those who encountered him, found Byrd could be a difficult adversary as well as a loyal friend. Donald also visits Essex to discover what remains of Byrd's legacy in the places where he felt most at home, and to see how the composer navigated a hazardous path between his catholic faith and his duty to the crown at a time of great religious intolerance. Music Featured: O Lux Beata Trinitas The Bells Praise the Lord all Ye Gentiles Have Mercy on me O God Fantasia No 2 Laudibus in Sanctis John come kiss me now O You that hear this voice In fields abroad Galliard a6 Fantasia in A minor (extract) O Lord Make thy Servant Elizabeth Magnificat (Short Evening Service) Te Deum (The Great Service) In Nomine a5 (No 2) Fantasia a6 in F In Nomine a5 (No 3) Domine Quis Habitabit Fantasia in A minor Laetentur coeli Clarifica Me, I, II & III Magnificat (The Great Service) Peccantem me quotidie Attollite portas Come to me grief forever All as a sea As I beheld I saw a herdman wild Gaudeamus omnes Mass for 4 voices: Credo Sellinger's Round Pavan 'Sir William Petre' Ne irascaris Domine Oh God that guides the cheerful sun Haec dies The Battell (extract) Galiardo ‘Mrs. Mary Brownlow' Responsum accepit Simeon Nunc dimittis Come Jolly Swains Have Mercy on me, O God Blow up the Trumpet Galiardo ‘The Earle of Salisbury' Tristitia et anxietas Presented by Donald Macleod Produced by Chris Taylor For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for William Byrd (1543-1623) https://www.bbc.co.uk/programmes/m001n819 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Marrying someone based on a portrait was part of life in Renaissance Europe. An exhibition in Bath explores the politics of wedlock and painting - New Generation Thinker Christina Faraday has been to visit. Eleanor Chan has been studying the history of depicting musical notes on the page, whilst Sew What podcast host Isabella Rosner looks at needlework skills in Tudor England. John Gallagher hosts the conversation. Producer: Nick Holmes BBC Radio 3 is marking the anniversary of the Tudor composer William Byrd with episodes of Composer of the Week, concerts including one during the Proms season at Londonderry and other discussions - all available on BBC Sounds. You can also find Eleanor Chan's Essay about another Tudor composer - The discordant tale of Thomas Weelkes . Painted Love: Renaissance Marriage Portraits runs at the Holburne Museum in Bath until October 1st 2023. Christina Faraday's book Tudor Liveliness: Vivid Art in Post-Reformation England is out now from Yale University Press. You might also be interested in other Free Thinking conversations about Tudor history, including: The Tudor Mind with guests including Helen Hackett https://www.bbc.co.uk/programmes/m0017dsp Tudor Families with guests including Joanne Paul and Emma Whipday https://www.bbc.co.uk/programmes/m0017dvc What do you call a stranger with guests including Nandini Das and John Gallagher https://www.bbc.co.uk/programmes/b0b89ssp A collection of discussions about Shakespeare collected on the Free Thinking programme website

The most admired and influential composer during the reigns of Queen Elizabeth I and King James I, William Byrd died exactly 400 years ago on 4 July 1623. Byrd's music ranks among the most unique and inspired works of the late Renaissance. Remarkably, Byrd was a practicing Catholic in Anglican England who persistently faced threats of religious persecution.In this edition of Not Just the Tudors, Professor Suzannah Lipscomb finds out more to Byrd's award-winning biographer Dr. Kerry McCarthy. This episode was produced by Rob Weinberg.The following musical extracts are used with the kind permission of the performers:Clarifica Me https://www.youtube.com/watch?v=MXqpCaVnYfQ&t=29sPerformed by Léon BerbenDomines quis habitat https://www.youtube.com/watch?v=L1zrywqZfyQPerformed by the Byrd EnsembleSimilles Illes Fiant (In Exitu Israel) https://www.youtube.com/watch?v=jM8N8JlgnJAAd Dominum Cum Tribulare https://www.youtube.com/watch?v=R6KHWQ5OzWQPerformed by The Cardinall's Musick directed by Andrew CarwoodDiscover the past on History Hit with ad-free original podcasts and documentaries released weekly presented by world renowned historians including Dan Snow, Suzannah Lipscomb, Lucy Worsley, Matt Lewis, Tristan Hughes and more. Get 50% off your first 3 months with code TUDORS. Download the app on your smart TV or in the app store or sign up here >You can take part in our listener survey here.For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android or Apple store. Hosted on Acast. See acast.com/privacy for more information.

William Byrd - Mass for Five Voices: KyrieOxford CamerataJeremy Summerly, conductorMore info about today's track: Naxos 8.550574Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Códigos, juegos visuales, firmas sonoras o insonoras, palíndromos... Por más que escuchemos algunas obras musicales, no las podremos comprender a no ser que acudamos a la partitura. Porque allí, escondidos entre pentagramas, notas y textos, podremos encontrar los juegos con los que los compositores aderezaban sus obras y que a la vez eran la demostración de su absoluto dominio de la técnica compositiva, tal y como comprobaremos con ejemplos de Guillaume de Machaut, Guillame DuFay, Josquin des Prez, William Byrd, Baude Cordier y J.S. Bach.Escuchar audio

Meet St. Francis, who's in the middle of receiving a…um…complicated divine visitation. This wealthy young party lover and man about town gave it all up to live a more meaningful life and lead others to embrace self-sacrifice, love nature, and encourage peace.  In today's episode we find out how his spiritual devotion led to this rather mixed blessing and why he's one of the most popular saints.  If you want to follow along, you can find it at here on the Frick Collection's site. Photo of St. Francis in gallery https://www.frick.org/blogs/middle_ground_bellini_breuer SHOW NOTES  “A Long Look” opening and closing themes are by Ron Gelinas: “Ascension” https://youtu.be/jGEdNSNkZoo and “Easy” https://youtu.be/2QGe6skVzSs Episode music:   “Byrd O Magnum Mysterium” by William Byrd. Performed by Ensemble Morales https://musopen.org/music/10537-o-magnum-mysterium/ “Ale and Anecdotes” by Darren Curtis | https://www.darrencurtismusic.com/ Music promoted on https://www.chosic.com/free-music/all/ Creative Commons Attribution 3.0 Unported (CC BY 3.0) https://creativecommons.org/licenses/by/3.0/ Artwork information  https://collections.frick.org/objects/39/st-francis-in-the-desert https://www.frick.org/interact/miniseries/cocktails_curator/bellinis_st_francis_desert St. Francis info https://en.wikipedia.org/wiki/Francis_of_Assisi#Character_and_legacy https://www.britannica.com/biography/Saint-Francis-of-Assisi#ref2420 In a New Light : Giovanni Bellini's “St. Francis in the Desert.” Rutherglen, Susannah et al. New York: The Frick Collection in association with D Giles Limited, London, 2014. “Cocktails with A Curator” St. Francis in the Desert https://www.frick.org/interact/miniseries/cocktails_curator/bellinis_st_francis_desert “Canticle of the Creatures” https://en.wikipedia.org/wiki/Canticle_of_the_Sun Meaning of stigmata https://www.franciscantradition.org/blog/78-feast-of-the-stigmata-of-saint-francis Transcript available at alonglookpodcast.com

This episode features highlight clips from episodes 50, 58, 60, and 66 of the Catholic Culture Podcast. 50: A Catholic Composer in Queen Elizabeth's Court, Pt. II – Kerry McCarthy https://www.catholicculture.org/commentary/episode-50a-catholic-composer-in-queen-elizabeths-court-pt-iikerry-mccarthy/ 58: A Hidden Life Film Review w/ James Majewski https://www.catholicculture.org/commentary/episode-58-hidden-life-film-review-w-james-majewski/ 60: Princeton Hosts Event Dedicated to St. Cecilia https://www.catholicculture.org/commentary/episode-60-princeton-funds-catholic/ 66: Christopher Tolkien, 1924-2020 – John Garth https://www.catholicculture.org/commentary/ep-66-christopher-tolkien-1924-2020-john-garth/ Donate to make this show possible! http://catholicculture.org/donate/audio Go to Catholic Culture's website for tons of written content, including news, articles, liturgical year info, and a vast library of documents: https://www.catholicculture.org

Easter Day PROCESSIONAL: Easter Canticle – Peter R. Hallock (1924–2014) PSALM 118:14-24 – Plainsong, Tone VIII.1 HYMN: Ad cenam Agni providi – Plainsong, Mode VIII; harm. Guillaume Dufay (c. 1397-1474); ed. Jason A. Anderson (b. 1976) NUNC DIMITTIS: Plainsong setting, Tonus peregrinus; harm. William Byrd (c. 1540-1623) ANTHEM: Christus surrexit – Jacob Handl (1550-1591) Jason Anderson, director • Joel […]