Podcast appearances and mentions of William Byrd

The Sixth Sunday of Easter; Rogation Sunday  ORISON: Jesus, thou Joy of loving hearts (Tune: Christe Redemptor) – Sarum Plainsong, Mode I [see HYMNS]  PSALM 66:1-11 – Peter R. Hallock (1924-2014)  HYMN 210: The day of resurrection (Tune: Ellacombe) – from Gesangbuch, 1784; harm. William Henry Monk (1823-1889), alt.  NUNC DIMITTIS – Plainsong, Tone VIII; harm. John Holmes (d. 1629)  ANTHEM: Victimae paschali laudes – William Byrd (c. 1540-1623)  Jason Anderson, director • Jeremy Matheis, reader • Theo Floor, cantor 

In this episode of the Anglotopia Podcast, Jonathan Thomas is joined by Heather Teysko — host of the Renaissance English History Podcast, founder of TudorCon, and one of the true pioneers of independent history podcasting. Heather started her podcast back in 2009 on a Labor Day weekend whim, with a cheap microphone and no idea how to edit audio, and has since built it into one of the longest-continuously-running independent history podcasts in the world, alongside a book community, online summits, a Tudor planner, and TudorCon — the world's first Tudor history convention, now in its seventh year. Jonathan and Heather swap stories about falling in love with Britain, building history audiences online, resisting the shiny lure of algorithm-chasing, and why genuine passion is the only thing that makes any of this work. They also dig into TudorCon 2026 — taking place October 23rd–25th at the extraordinary Agecroft Hall in Richmond, Virginia, a genuine 15th-century English manor house that was disassembled and shipped to America piece by piece — where Anglotopia is proud to be a sponsor. Anglotopia Listeners can use the code ANGLOTOPIA to get 15% off the Tudorcon ticket price or Tudorcon from home. For Tudorcon, they can go to https://tudorcon.englandcast.com; that's the full Tudorcon site. For Tudorcon From Home, you can go to englandcast.com/tudorconfromhome and get a Tudorcon from home ticket. Use the code ANGLOTOPIA to save 15% on both pages. Links Renaissance English History Podcast — englandcast.com TudorCon 2026 (October 23–25, Richmond VA) — tudorcon.englandcast.com Agecroft Hall, Richmond Virginia — agecrofthall.org Heather's book — The Tudor Fan Guide (Countryman Press/WW Norton, coming Summer 2027) Churchill Conference 2026 Philadelphia Friends of Anglotopia Takeaways Heather Teysko launched the Renaissance English History Podcast in 2009 — the only Tudor history podcast in existence at the time — and very nearly canceled it in 2013 when she discovered it was getting 40,000 downloads a month without her having posted a new episode in nearly a year. The spark for Heather's Tudor obsession was singing William Byrd's Ave Verum Corpus in a high school choir and realising that Byrd was writing secret Catholic music in Latin while serving Elizabeth I's Protestant court — a teenage existential crisis that never really ended. TudorCon, which began as an online summit and went in-person in 2019, is now expanding significantly for 2026 — moving from a single-track event at Agecroft Hall to a multi-track conference with five classrooms and a reception hall, thanks to a new partnership with Randolph-Macon College in Ashland, Virginia. Agecroft Hall is a genuine 15th-century Lancashire manor house that was purchased, disassembled stone by stone, and shipped to Richmond, Virginia in the 1920s by a wealthy tobacco entrepreneur who wanted to live in an authentic English manor — including the original medieval glass, which had to be transported separately by road to avoid cracking. TudorCon is deliberately designed to sit between an academic conference and a Renaissance fair — costume-friendly, open to non-academics, and built around the idea that passionate enthusiasts with deep knowledge of a specific corner of Tudor history have just as much to contribute as credentialed scholars. TudorCon From Home is a full live-streamed experience with its own host, dedicated talks, special events, and a real community feel — the online attendees even took a group screenshot last year to include in the official TudorCon group photo. Heather lived in England for two years in her mid-20s on a BUNAC visa, spending weekends picking random train destinations and exploring — including accidentally attending the Durham Miners' Parade without knowing what it was. After nearly 16 years treating her Tudor work as a hobby, Heather made a deliberate mental shift 18 months ago to treat it as a business — and has since signed a book deal with Countryman Press (an imprint of WW Norton) for The Tudor Fan Guide, due out in summer 2027. Both Heather and Jonathan agree that chasing algorithms and platform trends is a dead end — the only sustainable strategy is making content you're genuinely passionate about and trusting that your specific audience will find you. Heather is currently deep in a rabbit hole on medieval female mystics — including Julian of Norwich, Margery Kempe, and Elizabeth Barton (the Maid of Kent), the only woman in recorded history to have her head displayed on London Bridge. ⠀ Soundbites "William Byrd was writing Catholic music in Latin about transubstantiation while he was writing Protestant theological services for Elizabeth I. And something about that really spoke to the teenager in me — nobody understands my deep dark soul." — Heather on the moment that sparked a lifelong obsession. "I logged in and I looked at my statistics. And this thing was getting like 40,000 downloads a month. And I was like, what the heck? I guess I'll keep this live." — Heather on almost cancelling the podcast in 2013. "I had a young person's rail card. Every weekend I would show up at a random train station, look at where the trains were headed, and pick a place that sounded interesting. I wound up in Durham Cathedral for the miners' parade without knowing what a miners' parade was." — Heather on her two years living in England. "I wanted to build something that was a mix of an academic conference with the fun of a Renaissance fair — where you could wear costumes, but you're actually focused on the history. And I think it's pretty cool." — Heather on the founding vision of TudorCon. "Tudor nerds tend to be islands of nerdiness surrounded by people who roll their eyes when we want to talk about transubstantiation. Just having a space for all these people to be together in real time was really awesome." — Heather on why the community side of TudorCon matters more than the talks. "It's the friendliest place in the world. People are always nervous about coming if they don't know anybody. Absolutely, you can come by yourself — because it's just the nicest group of people around." — Heather on what first-time TudorCon attendees always say. "I could listen to somebody read train schedules if they were enthusiastic about it and loved it. That genuine passion for something — it's not something you see every day. When you see people who really have it, it's infectious." — Heather on what makes content communities work. "She was starting from nothing — she had nothing. And she was paying me and treating it like a business. And I had this realization: I have way more reach than she does, and I keep treating my stuff like a hobby. So it's going to always stay that way." — Heather on the moment she decided to take her own business seriously. "I used to feel guilty working on my podcast because I was like, I'm just doing my Tudor stuff. But now I'm like, actually, this is a business. Mom's going to work now. Mom needs to not be disturbed because mom is working." — Heather on the mental shift that changed everything. "There's a community dedicated to roundabouts in Wales. There are 8 billion people in the world — surely a couple thousand of them share what you're passionate about. The internet gives you the tools to bring them together." — Heather on why niche communities always find their audience. ⠀ Chapters 00:00 Introduction — Jonathan introduces Heather Teysko and TudorCon, and announces Anglotopia as a 2026 sponsor 02:17 How Tudor History Started — William Byrd, high school choir, and a teenage existential crisis about transubstantiation 04:29 Moving to England at 24 — BUNAC visas, headhunting firms, Barnet, and random train adventures 07:19 Starting the Podcast in 2009 — A Labor Day whim, a cheap microphone, and no idea how to edit 09:38 The Early Podcasting Landscape — Why nobody treated it as a business, and how the show evolved 11:00 Almost Cancelling Everything — 40,000 monthly downloads, a baby, and a very close call 12:27 Moving to Spain and Finding a Business Model — Throwing things at the wall, a failed Tudor radio network, and a slow evolution 13:44 The Online Summit That Led to TudorCon — The Facebook group, the debates, and realising community was the magic sauce 15:02 TudorCon's History — From first in-person 2019 to pandemic pivot to Richmond expansion 15:52 TudorCon 2026 — Multi-track expansion, Randolph-Macon College partnership, and why Jonathan is finally going to Agecroft 16:00 What Is Agecroft Hall? — A real 15th-century Lancashire manor house shipped to Virginia stone by stone 18:37 The TudorCon 2026 Speaker Lineup — Nathan Amin as keynote, John Dee's experiments, everyday Tudor life, and Virginia's local Tudor connections 21:21 What Surprises First-Time Attendees — The friendliness, the inclusivity, and the magic of being around your people 23:05 TudorCon From Home — The live stream, Heather's husband as host, and the group photo story 24:43 A Discount Code for Anglotopia Listeners — Details in the show notes 25:09 The Churchill Conference Comparison — Jonathan's experience and the Philadelphia America 250 connection 26:41 Building a History Community — What Heather has learned about authenticity, passion, and why shiny marketing objects always fail 29:51 On Expanding Too Far — Why Francotopia and New Zealandopia were bad ideas, and why passion can't be replicated 30:31 The New Zealand Girls' Trip — Nine months old, postpartum depression, and one of the worst decisions of Heather's life 31:52 Travelling with Infants — Jonathan's Diamond Jubilee trip with a six-month-old and the Oxford ring road 33:18 Chasing Algorithms vs. Staying Authentic — How both Jonathan and Heather learned the same lesson the hard way 34:25 The Value of Community in the Age of AI — Why human connection and shared passion can't be replicated by technology 34:54 What's Coming on the Renaissance English History Podcast — Female mystics, Julian of Norwich, Elizabeth Barton, and following the rabbit hole 36:50 The Business Shift — From "my Tudor stuff" to a real business, a book deal with WW Norton, and a Tudor app in development 41:21 Two Hobby-Turned-Businesses Compare Notes — Jonathan and Heather on what it feels like when the hard work starts paying off 42:51 Wrap-Up — Where to find Heather, TudorCon details, and a reminder that Anglotopia is a proud 2026 sponsor Video Version

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen.  Haec dies - William Byrd

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen.  Sing joyfully – William Byrd

Join The Revd Dr Jeff Lake, Associate Priest of St Bride's, and St Bride's Choir for this week's reflection in words and music. The week's reflection opens with an extract from the Mass Propers for Easter Day by William Byrd which were published as part of his 1607 Gradualia. The propers are a selection of texts from a mass liturgy which vary depending on the season. The Easter Sequence from those propers, Victimae paschali laudes, contrasts rich choral sections with reduced-voice ones which include some dramatic settings of the texts. Our reading from the John's Gospel describes Jesus's first appearance to the disciples after the resurrection and the Thomas's later questioning who was not with them. Jeff's reflection begins with Thomas's doubt and goes on to consider how we recognise the risen Christ when there is no option of the physical connection which Thomas experienced. We close with the hymn "The day thou gavest Lord is ended" whose text was written by John Ellerton and sung to the tune St Clement composed by The Revd Clement Scholefield. Information about our weekly Sunday services in St Bride's of Choral Eucharist at 11am (https://www.stbrides.com/worship-music/worship/regular-services/choral-eucharist/) and Choral Evensong at 5:30pm (https://www.stbrides.com/worship-music/worship/regular-services/choral-evensong/) can be found on the website. Find out what's happening at St Bride's at https://www.stbrides.com/whats-on If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. SUPPORT ST BRIDE'S ================== We are hugely grateful for people's generosity which we wholly rely on to continue our work, maintain our wonderful architectural heritage and support world-class music-making. People are often surprised to learn that St Bride's receives no external funding. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet

För 500 år sedan översattes nya testamentet till svenska, en händelse som markerar att vi gick från fornsvenska till nusvenska. Men vägen dit hade varit lång. Det språk vi idag kallar svenska växte fram ur urgermanska rötter, slipades av kontakt med latin, lågtyska och andra nordiska tungomål, och formades av kristendomens och statens framväxt.Svenskan har aldrig varit statisk. Den har burit kungars lagar, folkets röster och samtidens idéer. Från ett namn på en dialekt till ett nationellt verktyg för identitet och kommunikation. Viktiga händelser som bibelöversättningar, tryckkonstens utveckling och folkskola har kodifierat svenskan, spritt den och befäst den.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med språkvetaren och författaren professor Tore Janson om det svenska språkets historia — från indoeuropeiska rötter till 1900-talet. Samtalet utgår från Jansons bok Svenskans historia: språkets roll under 800 år.Redan för över 4 000 år sedan talade människor i nuvarande Sverige ett språk med rötter i det indoeuropeiska språkträdet – samma stam som latin, sanskrit och grekiska. Men det skulle dröja årtusenden innan något kunde kallas svenska. Under lång tid talade människor i Skandinavien en form av nordgermanskt språk som saknade både skrift och namn. Runinskrifterna från järnåldern är bland de första språkliga spåren, men ger begränsad inblick i vardagligt språkbruk.På 1000-talet var språket i Svealand och Götaland i stort sett enhetligt. I isländska källor kallades det dansk tunga – ett gemensamt namn för nordbornas språk. Termen svenska användes ännu inte om vare sig folk eller språk.Det verkliga språksprånget skedde med kristendomens införande och framväxten av en svensk statsapparat. Kyrkan förde med sig det latinska alfabetet, utbildning och behovet av skriftliga texter. Under 1200-talet började svenskan skrivas med latinska bokstäver, först i juridiska sammanhang. Den äldsta kända texten är Äldre Västgötalagen från 1220-talet – en lagtext nedtecknad av kyrkans män på folkets språk, men med latinsk skriftteknik.Samtidigt växte Sverige fram som ett mer samlat kungarike, vilket ökade behovet av ett gemensamt språk och reglerat skriftspråk. Under Birger jarls tid på 1200-talet stabiliserades statsmakten, och skriftspråket fick större genomslag i administration och rättskipning.Det är först år 1308 som ordet svenska dyker upp för första gången upp i skrift — i en översättning av en riddarroman beställd av den norska drottningen Eufemia. Ett avgörande belägg finns i en epilog till riddardikten om hertig Fredrik av Normandie, där det står att texten ”är nu gjord till rima... av tysko och i svenska tunga”. Denna benämning markerar en ny språklig medvetenhet – att svenskan var något eget, skilt från danska och tyska.Svenskans status stärktes ytterligare i Magnus Erikssons landslag (1347), som fastslog att rättsliga dokument från kung, lagman och häradshövding skulle skrivas ”a svensko” – på svenska. Därmed blev svenska inte bara ett språk i bruk, utan ett riksspråk med juridisk och politisk funktion.Bildtext: Genesis ur Gustav Vasas bibel från 1541, den första fullständiga bibeln på svenska. Översättningen bidrog starkt till att standardisera skriftspråket och lade grunden för modern svenska under tidigmodern tid. Litteraturbanken. Public Domain.Musik: Browning à 5” av William Byrd (ca 1540–1623), omkring 1578. Av: Phillipwserna, CC BY-SA 4.0, via Wikimedia Commons.Klippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.

Aujourd'hui, nous sommes le mardi 30 décembre, sixième jour de l'octave de Noël.Je me présente devant le Seigneur pour entendre de tout mon être le récit de ce jour. Syméon a pris l'enfant dans ses bras et s'éclipse, mais la présentation de Jésus au Temple réserve encore une surprise : après Syméon, Anne entre en scène pour rencontrer Jésus. À la suite de la prophétesse, je demande au Seigneur la grâce de vivre cette prière comme une réelle... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Ihfadhi ûma-I-ilah (office melchite) de Música Antigua interprété par Música Antigua - Pas d'album © Creative Commons Youtube Audio Library ; Pavana 'Bray' de William Byrd interprété par Alex McCartney - Elizabeth's Lutes © Creative Commons by-nc-sa license from Magnatunes.

durée : 01:28:04 - En pistes ! du lundi 08 décembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Compositeur prolifique, Jenkins a traversé une période charnière de la musique anglaise, reliant les époques de William Byrd et Henry Purcell. Et nous resterons en Angleterre avec un disque de chants de Noël dans la plus pure tradition britannique. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:04 - En pistes ! du lundi 08 décembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Compositeur prolifique, Jenkins a traversé une période charnière de la musique anglaise, reliant les époques de William Byrd et Henry Purcell. Et nous resterons en Angleterre avec un disque de chants de Noël dans la plus pure tradition britannique. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The Short, Daring Life of Thomas Watson On this day in Tudor history, 26 September 1592, poet and translator Thomas Watson was buried at St Bartholomew-the-Less. You may not know his name, but in Elizabethan circles he was the rule-bender who wrote 18-line “sonnets”, carried letters for Sir Francis Walsingham, supplied lyrics for William Byrd, and once landed in prison after stepping between Christopher Marlowe and a blade. I'm Claire Ridgway, historian and author. In this episode you'll discover: Hekatompathia (1582): the 100-poem love sequence with 18-line “sonnets” Watson the Latinist: Petrarch, Sophocles' Antigone, Amyntas & Amintae gaudia Music & verse: his words for Byrd and Englishings of Italian madrigals The 1589 brawl with Marlowe & William Bradley: wound, death, and a self-defence pardon Final years, plague-time death, and The Tears of Fancie (1593) Where to start reading: dip into Hekatompathia for the form-breaking love poems, then try The Tears of Fancie to hear his later English voice. Question for you: Had you heard of Watson before? Which Elizabethan poet deserves more attention? If you enjoyed this “On This Day,” please like, subscribe, and ring the bell for daily Tudor & Elizabethan deep dives.     #OnThisDay #TudorHistory #Elizabethan #ThomasWatson #ChristopherMarlowe #Walsingham #WilliamByrd #RenaissancePoetry #Sonnets #LondonHistory #EarlyModern #EnglishLiterature  

Simeon England is a blacksmith, traditional flintlock hunter, and living historian portraying the 18th-century frontiersmen, scouts and longhunters of Kentucky. We start this living history episode about the daily lives of the colonial longhunters [1760s-1770s] who set out from Virginia & North Carolina for deer skins & furs in the wilds of Kentucky, with readings of first-hand accounts about beavers and salt licks. From their hunting methods to their frontier camps we discuss topics such as: tomahawks; boiling salt; hide work; backcountry blacksmithing; traps; horses; dogs; wolves; a slippery elm cure for peeling feet; deer & bear hunting; and buffalo traces. There's learning from books & then there's learning from doing, as Simeon shares some lessons learned from hunting with period gear & flintlock rifles. We hear of Simon Kenton's harrowing experiences running the gauntlet while captured by natives and conclude on a sort of reverence for the craftsman's raw, natural materials [that perhaps we have lost in our age of fast & cheap mass manufacturing]. Readings from The History of the Dividing Line Betwixt Virginia and North Carolina by William Byrd and by A Tour of the United States of America by JFD Smyth.Check out Simeon England's blacksmithing at SimeonEngland.com. Follow him on Instagram & watch his Townsends Longhunter living history features.Support Our Numinous Nature on Patreon.Follow Our Numinous Nature & my naturalist illustrations on InstagramCheck out my shop of shirts, prints, and books featuring my artContact: herbaceoushuman@gmail.com

In deze aflevering van Kalm met Klassiek vraagt Ab je eerst even de tijd te nemen om alle omstandigheden zo goed mogelijk in te richten voor het luisteren naar deze podcast. Zorg dat je zo optimaal mogelijk tot ontspanning kunt komen. Vervolgens is het de beurt aan de muziek, met vandaag een artist in residence van het Festival Oude Muziek: het ensemble Stile Antico. Twaalf stemmen brengen je het prachtige 'Retire my soul' van William Byrd. Meer informatie over het Festival Oude Muziek in Utrecht vind je hier (https://www.npoklassiek.nl/thema/oude-muziek). Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37). 

On this edition of The Arts Section, host Gary Zidek takes a closer look at a new concert-theater work that explores the history of composer William Byrd's acts of defiance in 16th century England. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gary to preview local outdoor theater options, plus we'll hear about what's happening this summer at the Stratford Theater Festival in Canada. Later in the show, Gary catches up with the theater artist behind a bio-play that looks back at the life of acclaimed singer Donny Hathaway. And Gary talks to the author of a book all about the hit TV series Ted Lasso.

Aujourd'hui, nous sommes le vendredi 18 juillet.L'évangile de ce jour nous parle de l'observance de la loi au détriment du bien des hommes. Je me tourne intérieurement vers le Seigneur, en lui demandant la grâce de la justice, pour mieux entendre sa parole... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Sous ta miséricorde nous cherchons refuge de Jean-Claude Reichert interprété par Foyer de Charité d'Ottrot - Hymne Acathiste à la mère de Dieu © Foyer de Charité d'Ottrot ; Pavana 'Bray' de William Byrd interprété par Alex McCartney - Elizabeth's Lutes © Creative Commons by-nc-sa license from Magnatunes.

Aujourd'hui, nous sommes le jeudi 12 juin.Au moment d'entrer dans la prière je recueille tout ce qui est dispersé de moi-même en écoutant le chant… Je me mets progressivement en présence de Celui qui m'attend. Je demande à l'Esprit Saint de m'éclairer sur la réalité... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Pavana 'Bray' de William Byrd interprété par Alex McCartney - Elizabeth's Lutes © Creative Commons by-nc-sa license from Magnatunes ; Peuple d'un Dieu qui est justice de Jacques Berthier interprété par Les Petits Chanteurs de Strasbourg - CD Signes 58 Pentecôte © ADF-Bayard Musique.

durée : 00:09:27 - Le Disque classique du jour du mardi 13 mai 2025 - Pour sa première parution discographique, le Trio Musica Humana a choisi d'enregistrer la Messe à 3 voix de William Byrd et de construire autour de cette œuvre un programme pour trois voix d'hommes et virginal, constitué de madrigaux et pièces instrumentales.

durée : 00:09:27 - Le Disque classique du jour du mardi 13 mai 2025 - Pour sa première parution discographique, le Trio Musica Humana a choisi d'enregistrer la Messe à 3 voix de William Byrd et de construire autour de cette œuvre un programme pour trois voix d'hommes et virginal, constitué de madrigaux et pièces instrumentales.

Aujourd'hui nous sommes le samedi 10 mai de la troisième semaine du temps pascal.L'évangile d'aujourd'hui se situe à la toute fin du long entretien de Jésus sur le Pain de vie. C'est maintenant l'heure du choix. Le moment où il faut se décider. Croire ou ne pas croire, voilà la question! En cette fin de semaine, me voici Seigneur en ta présence, pour écouter ta Parole. Donne-moi de laisser là tous mes soucis, et d'ouvrir mon cœur... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Seigneur, à qui irions nous de Keur Moussa interprété par Keur Moussa - Psaumes et rythmes pour tous les temps - lundi à mercredi © Editions Art et Musique ; Pavana 'Bray' de William Byrd interprété par Alex McCartney - Elizabeth's Lutes © Creative Commons by-nc-sa license from Magnatunes.

Easter Day PROCESSIONAL: Easter Canticle – Peter R. Hallock (1924–2014) PSALM 114 – Plainsong, Tonus Peregrinus (Ninth psalm tone) HYMN: Come, ye faithful, raise the strain (Tune: GAUDEAMUS PARITER) – Medieval Bohemian Carol Melody, 1544; vs. 2 harm. Hymnal 1940; vs. 3 harm. Harvey Grace (1874-1944) NUNC DIMITTIS: Plainsong setting, Tonus peregrinus; harm. William Byrd (c. 1540-1623) ANTHEM: […]

durée : 01:27:37 - En pistes ! du jeudi 10 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Les pianistes du Geister Duo jouent marches, ländlers et fantaisies dans un coffret intégrale. A retrouver aussi : William Byrd mis à l'honneur dans la première parution discographique du Trio Musica Humana, l'Orchestre Philharmonique de Radio France explore l'univers du compositeur Howard Shore...

durée : 01:27:37 - En pistes ! du jeudi 10 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Les pianistes du Geister Duo jouent marches, ländlers et fantaisies dans un coffret intégrale. A retrouver aussi : William Byrd mis à l'honneur dans la première parution discographique du Trio Musica Humana, l'Orchestre Philharmonique de Radio France explore l'univers du compositeur Howard Shore...

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. Laetentur coeli – William Byrd

L'ange Gabriel annonce la naissance de Jean le Baptiste (Lc 1, 5-25)Méditation par le Père Jean-Marie PetitclercChant Final : "Miserere. Gaudium" par William Byrd

And you thought YOU were gonna have a lot of holiday company! Poor Mary, who's only given birth a week or so ago, now faces this onslaught of unexpected visitors in today's episode.  We'll find out who exactly all those folks are, their connection to one of the most powerful families in Europe, and what's up with the peacock. Pretty sure that wasn't one of the animals at the Nativity... SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode music “Joy to the World” and “We Three Kings” performed by John Sayles http://www.jsayles.com/familypages/holidaymusic.htm “Mass for 4 Voices,” composed by William Byrd, performed by Ensemble Morale. Courtesy of musopen.org https://musopen.org/music/44138-mass-for-4-voices “Suite in F Major” composed by Michael Praetorius. Performed by Michel Rondeau. Courtesy of musopen.org https://musopen.org/music/43633-suite-in-f-major Artwork information  https://www.nga.gov/collection/art-object-page.41581.html https://www.nga.gov/collection/highlights/angelico-lippi-the-adoration-of-the-magi.html https://en.wikipedia.org/wiki/Adoration_of_the_Magi_(Fra_Angelico_and_Filippo_Lippi) https://www-jstor-org.dclibrary.idm.oclc.org/stable/20074684?seq=6 (JSTOR article, may need to log in through your library) Magi gifts https://uscatholic.org/articles/202212/why-did-the-magi-bring-jesus-gold-frankincense-and-myrrh https://www.biblicalarchaeology.org/daily/people-cultures-in-the-bible/jesus-historical-jesus/why-did-the-magi-bring-gold-frankincense-and-myrrh/ Medici information https://www.britannica.com/topic/Medici-family Karen's favorite illuminated manuscript “The Hours of Catherine of Cleves” https://www.themorgan.org/collection/Hours-of-Catherine-of-Cleves Recommended Reading: “Fra Angelico” by Laurence Kanter and Pia Palladino. Published by the Metropolitan Museum of Art and Yale University Press, 2005. Pgs 278-283. Explains Magi's visitation. (Free PDF) https://cdn.sanity.io/files/cctd4ker/production/f9c70388da067f22ea0e43e5e512fb5f8d2b0d33.pdf Transcript available at https://alonglookpodcast.com/adoration-magi-angelico-lippi/  

Rolling Stones guitarist, Ronnie Wood discusses his parallel career as an artist. As a new exhibition of his work opens at the Andrew Martin showroom in London, Ronnie talks about how he has drawn inspiration from Delacroix, Caravaggio and Picasso. As a new three part series Boybands Forever starts on BBC2 and the iplayer, we explore what was behind the rise and fall of the boybands of the nineties and noughties with Richie Neville of Five and Hannah Verdier from Smash Hits. And, keyboard music from before the invention of the piano. Pianist Mishka Rushdie Momen performs from her new album Reformation, a collection of pieces by Tudor-era composers William Byrd, John Bull, Orlando Gibbons and Jan Pieterszoon Sweelinck.Presenter: Tom Sutcliffe Producer: Ruth Watts

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen.  Sanctus/Benedictus and Agnus Dei from Mass for Three Voices - William Byrd

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen.  O quam gloriosum – William Byrd

The Twentieth Sunday after Pentecost ORISON: ‘Beloved, let us love one another' from In Praise of Singing – Alice Parker (1925-2023) PSALM 139 – Peter R. Hallock (1924-2014) HYMN: God himself is with us (Tune: TYSK) – from Psalm und Choralbuch, 1719; arr. Gregory Bloch NUNC DIMITTIS – Plainsong setting, Tonus peregrinus; harm. William Byrd […]

For all who have heard it, the sound of the choral ensemble The Sixteen, conducted by Harry Christophers is unforgettable and beautiful.  This podcast features an interview with Harry Christophers, and music by William Byrd, Thomas Tallis and Arvo Pärt, from their album The Deer's Cry.  On the eve of their US tour, this podcast celebrates their 45th anniversary.

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen.  Sing joyfully – William Byrd

SynopsisIt's likely you'll hear a good deal of American music today — and rightly so — but we're taking a minute or two to acknowledge a special British composer's anniversary, as today's date marks the anniversary of the passing of William Byrd, one of England's greatest composers, who produced both sacred and secular works that are still regularly performed today on both sides of the Atlantic. William Byrd was born in London around 1542 — we don't know exactly when — and died on July 4, 1623, at the age of some 80 years — a remarkably long lifespan for that time. He was also a remarkably prolific composer, a master of intricate choral counterpoint and virtuosic keyboard pieces. He was the first Englishman to write madrigals in the Italian fashion, but his chief significance lies in his many sacred works. Byrd lived during the tumultuous period of the English Reformation, and produced works for both the Roman Catholic Church and England's new Anglican service. Queen Elizabeth I was a great admirer of his music, so much so that she overlooked the fact that Byrd remained an unashamed Roman Catholic in Protestant England, and even granted him a royal patent related to publishing music.Music Played in Today's ProgramWilliam Byrd (c. 1540-1623): Sanctus, from Mass for Five Voices; The Cardinall's Musick; Andrew Carwood; Gaudeamus CD 206

This summer I'm returning to a series first published in 2022, in which I model a variety of styles of contemplative prayer. I hope it's a blessing to you. If you'd like to connect with me, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠find me on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠at my website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you'd like to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠help support this podcast financially⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, there's a way to do just that ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on my page at buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Thanks for sharing, subscribing, rating, and reviewing, as this helps our community to grow. Thanks as always to my friend, Peter Vaughan-Vail, for providing the beautiful harp music you hear in this and every episode. Here are some resources to help you dig into this week's topic on your own: 1. Ave Verum Corpus, written by William Byrd and performed by Voices of Ascension Chorus 2. Ave Verum Corpus, written by Mozart and performed by Choir of King's College, Cambridge 3. Ave Verum Corpus by William Byrd: text, history and translation by Choral Public Domain Library Primer on contemplation with lots more helpful resources: Raised Catholic episode 78: Contemplative Summer

The other day I received a press release about an intriguing album of keyboard music by 16th- and early 17th-century composers, three Englishman and a Dutchman, played on the modern piano by Mishka Rushdie Momen, one of this country's most gifted and intellectually curious young concert pianists. It's called Reformation, and before I'd heard a note of the music – which is performed with thrilling exuberance and subtlety – I knew I wanted to interview Ms Rushdie Momen.  That's because Hyperion had included with the press release a strikingly perceptive essay by the pianist putting this ostensibly secular keyboard music in the context of what she rightly calls the ‘vandalism' of the English Reformation, shockingly illustrated by the demolition of the great shrine of Walsingham. At the same time, she recognises the unnerving pressures facing both Catholic and Protestant composers in an era of bewildering and violent cultural upheaval – but also one in which we can glimpse  elements of toleration and compromise.  Here's my Holy Smoke interview with Mishka Rushdie Momen, which begins with a track from her album: a little galliard called La Volta, danced at Elizabeth I's court even though the Queen knew that its composer, William Byrd, had remained faithful to the Catholic Church.

Damian Thompson: The other day I received a press release about an intriguing album of keyboard music by 16th- and early 17th-century composers, three Englishman and a Dutchman, played on the modern piano by Mishka Rushdie Momen, one of this country's most gifted and intellectually curious young concert pianists. It's called Reformation, and before I'd heard a note of the music – which is performed with thrilling exuberance and subtlety – I knew I wanted to interview Ms Rushdie Momen.  That's because Hyperion had included with the press release a strikingly perceptive essay by the pianist putting this ostensibly secular keyboard music in the context of what she rightly calls the ‘vandalism' of the English Reformation, shockingly illustrated by the demolition of the great shrine of Walsingham. At the same time, she recognises the unnerving pressures facing both Catholic and Protestant composers in an era of bewildering and violent cultural upheaval – but also one in which we can glimpse  elements of toleration and compromise.  Here's my Holy Smoke interview with Mishka Rushdie Momen, which begins with a track from her album: a little galliard called La Volta, danced at Elizabeth I's court even though the Queen knew that its composer, William Byrd, had remained faithful to the Catholic Church.

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. In resurrectione tua – William Byrd

Easter Day PROCESSIONAL: Easter Canticle – Peter R. Hallock (1924–2014) PSALM 114 – Plainsong, Tonus Peregrinus (Ninth psalm tone) HYMN: Ad cenam Agni providi – Plainsong, Mode VIII; harm. Guillaume Dufay (c. 1397-1474); NUNC DIMITTIS: Plainsong setting, Tonus peregrinus; harm. William Byrd (c. 1540-1623) Cпасение coдeлaл (Salvation is created) – Pavel Chesnokov (1877-1944); arr. for men's voices […]

Fr. Eric Nicolai preached this meditation in Kintore College, Toronto, on March 27, 2024. What a contrast between the gratitude and generosity of Mary of Bethany and the painful betrayal of Judas, one who was from his inner circle (Matthew 26:14-25). The searing and painful treachery of Judas' infidelity is a danger we must be aware of. Thumbnail: Kiss of Judas, fresco by Giotto, Scrovegni Chapel, Padua, 1304. Music: VOCES8 'Ave Verum' by William Byrd.

Las historias que traemos a este programa muestran que cada camino que tomamos está marcado por la huella de aquellos y aquellas que vinieron antes, que dejaron su saber para que se entretejiera con el de sus sucesores. Hablaremos de músicos que heredaron el cargo de otros músicos o que continuaron su proyecto, como ocurrió con Leonin y Perotin, Thomas Tallis y William Byrd, Bach y Telemann, Francois Couperin y Marguerite Antoinette Couperin, Adrian Willaert y Cipriano de Rore.Escuchar audio

Hoy comenzamos con una página de William Byrd porque no podíamos dejar que terminase este año 2023 sin dedicarle un programa especial a este autor británico, fallecido el 4 de julio de 1623 y de quien por tanto este año se ha cumplido el cuarto centenario de su muerte. Haremos un repaso por su vida y por su obra.Escuchar audio

On Friday, November 3, 2023, Scribe Records releases Penitence & Lamentation, the Byrd Ensemble's new album marking 400 years since the death of its namesake, William Byrd, and coinciding with Byrd Ensemble's 20th anniversary season. Praised for their “rich, full-voiced, and perfectly blended” (Early Music America) sound, the Byrd Ensemble's new project focuses on the unifying theme of guilt and grief, forming a collection of songs by Byrd and his contemporaries; Thomas Tallis's monumental 40-part motet, Spem in alium; and the world premiere recording of Nico Muhly's Fallings (2023), based on Byrd's motet, Ne irascaris Domine. The album's first single, Nicolas Gombert's Lugebat David Absalon, will be released on all streaming services on October 13. Penitence & Lamentation Album Tracklist1. Nicolas Gombert – Lugebat David Absalon [8:20]2. William Byrd – Domine secumdum actum meum [6:52]3. Thomas Tallis – In jejunio et fletu  [4:06]4. Thomas Tallis – Absterge Domine  [5:33]5. Thomas Crecquillon – Pater paccavi [8:36]6. Robert Ramsey – How are the mighty fallen  [5:14]7. William Byrd – Emendemus in melius [3:17]8. William Byrd – Ye sacred muses  [3:09]9. William Byrd – Ne irascaris Domine [7:56]10. Nico Muhly – Fallings (2023) (World Premiere Recording) [7:00]11. Robert Carver – O bone Jesu [12:36]This album is broadcasted with the permission of Katy Salomon representing Primo Artists.

Deirdre is a jellyfish, and she's just trying to go with the flow. Featuring Maeve Higgins. Maeve's new album “A Very Special Woman” is available on bandcamp. Choral music in this episode from Friedrich Wilhelm Nietzche and William Byrd, in the public domain. Additional music from Blue Dot Sessions. The Animals is a special series presented by Everything is Alive.

SynopsisWe tend to think our time has had a monopoly on bitter religious conflicts, but on today's date in 1572, which happened to be St. Bartholomew's Day, the Catholic queen dowager of France, Catherine de Medici, and her son, King Charles IX, decided that the best way to rid their kingdom of troublesome Protestants would be simply to kill them off. A few days earlier, Catholic and Protestant nobles from across France had come to Paris to attend a noble wedding which, ironically, was intended to bring the rival religious factions closer together. Things quickly turned ugly, and on the 24th of August the infamous “Massacre of St. Bartholomew” began and quickly spread across the entire country. Among those who perished was a French Protestant composer named Claude Goudimel, who was killed when the massacre reached Lyons.Fortunately for posterity, not all Reformation era rulers were so bloodthirsty. The English Catholic composer Thomas Tallis managed to keep his head through the reigns of alternating Catholic and Protestant monarchs, and the Protestant Queen Elizabeth the First admired and supported the music of William Byrd, despite his openly Catholic sympathies.Music Played in Today's ProgramClaude Goudimel (1510 – 1572) Comfort, comfort Ye my people Cathedral Singers; Richard Proulx, conductor. GIA 290

William Byrd - Mass for Five Voices: Agnus DeiOxford CamerataJeremy Summerly, conductorMore info about today's track: Naxos 8.550574Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

William Byrd - Mass for Five Voices: SanctusOxford CamerataJeremy Summerly, conductorMore info about today's track: Naxos 8.550574Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

William Byrd - Mass for Five Voices: CredoOxford CamerataJeremy Summerly, conductorMore info about today's track: Naxos 8.550574Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

William Byrd - Mass for Five Voices: GloriaOxford CamerataJeremy Summerly, conductorMore info about today's track: Naxos 8.550574Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Marrying someone based on a portrait was part of life in Renaissance Europe. An exhibition in Bath explores the politics of wedlock and painting - New Generation Thinker Christina Faraday has been to visit. Eleanor Chan has been studying the history of depicting musical notes on the page, whilst Sew What podcast host Isabella Rosner looks at needlework skills in Tudor England. John Gallagher hosts the conversation. Producer: Nick Holmes BBC Radio 3 is marking the anniversary of the Tudor composer William Byrd with episodes of Composer of the Week, concerts including one during the Proms season at Londonderry and other discussions - all available on BBC Sounds. You can also find Eleanor Chan's Essay about another Tudor composer - The discordant tale of Thomas Weelkes . Painted Love: Renaissance Marriage Portraits runs at the Holburne Museum in Bath until October 1st 2023. Christina Faraday's book Tudor Liveliness: Vivid Art in Post-Reformation England is out now from Yale University Press. You might also be interested in other Free Thinking conversations about Tudor history, including: The Tudor Mind with guests including Helen Hackett https://www.bbc.co.uk/programmes/m0017dsp Tudor Families with guests including Joanne Paul and Emma Whipday https://www.bbc.co.uk/programmes/m0017dvc What do you call a stranger with guests including Nandini Das and John Gallagher https://www.bbc.co.uk/programmes/b0b89ssp A collection of discussions about Shakespeare collected on the Free Thinking programme website

The most admired and influential composer during the reigns of Queen Elizabeth I and King James I, William Byrd died exactly 400 years ago on 4 July 1623. Byrd's music ranks among the most unique and inspired works of the late Renaissance. Remarkably, Byrd was a practicing Catholic in Anglican England who persistently faced threats of religious persecution.In this edition of Not Just the Tudors, Professor Suzannah Lipscomb finds out more to Byrd's award-winning biographer Dr. Kerry McCarthy. This episode was produced by Rob Weinberg.The following musical extracts are used with the kind permission of the performers:Clarifica Me https://www.youtube.com/watch?v=MXqpCaVnYfQ&t=29sPerformed by Léon BerbenDomines quis habitat https://www.youtube.com/watch?v=L1zrywqZfyQPerformed by the Byrd EnsembleSimilles Illes Fiant (In Exitu Israel) https://www.youtube.com/watch?v=jM8N8JlgnJAAd Dominum Cum Tribulare https://www.youtube.com/watch?v=R6KHWQ5OzWQPerformed by The Cardinall's Musick directed by Andrew CarwoodDiscover the past on History Hit with ad-free original podcasts and documentaries released weekly presented by world renowned historians including Dan Snow, Suzannah Lipscomb, Lucy Worsley, Matt Lewis, Tristan Hughes and more. Get 50% off your first 3 months with code TUDORS. Download the app on your smart TV or in the app store or sign up here >You can take part in our listener survey here.For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android or Apple store. Hosted on Acast. See acast.com/privacy for more information.

William Byrd - Mass for Five Voices: KyrieOxford CamerataJeremy Summerly, conductorMore info about today's track: Naxos 8.550574Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This episode features highlight clips from episodes 50, 58, 60, and 66 of the Catholic Culture Podcast. 50: A Catholic Composer in Queen Elizabeth's Court, Pt. II – Kerry McCarthy https://www.catholicculture.org/commentary/episode-50a-catholic-composer-in-queen-elizabeths-court-pt-iikerry-mccarthy/ 58: A Hidden Life Film Review w/ James Majewski https://www.catholicculture.org/commentary/episode-58-hidden-life-film-review-w-james-majewski/ 60: Princeton Hosts Event Dedicated to St. Cecilia https://www.catholicculture.org/commentary/episode-60-princeton-funds-catholic/ 66: Christopher Tolkien, 1924-2020 – John Garth https://www.catholicculture.org/commentary/ep-66-christopher-tolkien-1924-2020-john-garth/ Donate to make this show possible! http://catholicculture.org/donate/audio Go to Catholic Culture's website for tons of written content, including news, articles, liturgical year info, and a vast library of documents: https://www.catholicculture.org