Podcast appearances and mentions of James B Harris

Marta Kristen was born Birgit Annalisa Rusanen, on February 26, 1945, in Oslo, Norway, to a Finnish mother and a German soldier who was killed towards the end of World War II in Europe. Marta was only two months old when she was left in an orphanage. In 1949, Dr. and Mrs. Harold Soderquist of Detroit, Michigan adopted her, and brought her to America; she was renamed Martha Soderquist. In 1959, the family moved to L.A. and she attended Santa Monica High School for a year; she later graduated from Hollywood Professional School. Producer/director James B. Harris discovered the pretty, petite aspiring actress; he arranged for her to get an agent, and she was quickly booked for TV programs, such as Alfred Hitchcock Presents and The Loretta Young Show (aka "The New Loretta Young Show"). In 1963, Marta met a graduate student and, 6 months later, they got married. Her career took off and she made a splash as the mermaid "Lorelei" in Beach Blanket Bingo. She would be best-known and remembered, however, for her signature role of "Judy Robinson" in Lost in Space.  Marta is also known for her work in Battle Beyond the Stars, Murphy Brown, Fame and Trapper John.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

We get two early Stanley Kubrick films this week, not just The Killing (1956) but also Killer's Kiss (1955). While both are New York noirs, each offers a different view of the famed director. Killer's Kiss is the last film in which Kubrick did almost everything himself: directing, shooting, producing, and writing the story from scratch. The Killing is a Hollywood production, with  Lucien Ballard behind the lens (albeit to Kubrick's chagrin), James B. Harris producing his first of several collaborations with Kubrick, and Jim Thompson adapting a Lionel White novel (albeit with Kubrick still taking the credit). The Killing has the more compelling story and experimental structure, but Killer's Kiss has the more experimental (and guerrilla) camerawork and an axe fight in a mannequin factory.

The 7th Voyage of Sinbad (1958) / Some Call it Loving (1973) Once upon a time we woke up sleeping beauty with James B. Harris and set sail for the island of Colossa with Ray Harryhausen…

Boiling Point (1993)  Directed by James B. Harris  Written by James B. Harris  Starring Dennis Hopper, Wesley Snipes, Viggo Mortensen, Lolita Davidovich Release Date April 16th, 1993    "Red (Dennis Hopper), an ageing con artist, is released from prison together with the easily-led Ronnie (Viggo Mortensen), a young hoodlum. When their latest scam leads to the death of a US Secret Service agent, the man's partner (Wesley Snipes) vows revenge - but he is told he has only one week to snare the killers before he is transferred." 

"The Human Chair" is a short story by Japanese author and critic Edogawa Ranpo. It was published in the October 1925 edition of the literature magazine Kuraku. Text translated by James B. Harris.

Hola Gerardo aqui en otro episodio de Simplemente Yo; La selección de esta semana es The Killing, The Killing es una película de film noir/heist hecha en Estados Unidos en 1956 dirigida por Stanley Kubrick y producida por James B. Harris. Fue escrita por Kubrick y Jim Thompson y basada en la novela Clean Break de Lionel White. Johnny Clay reúne a un equipo de cinco hombres para planificar y ejecutar un robo en un hipódromo. Espero que lo disfruten ;)   Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Facebook: https://www.facebook.com/fnpod

This week on Drive-In Double Feature Nathan & Ryan watched cop from 1988 directed by James B. Harris and starring James Woods. James Woods is known for Salvador, Hades in Hercules, and many other roles. In Cop we follow a detective who is hunting after a serial killer murdering women around his home turf. It's a cop procedural with a hint of a maniac cop who will do anything to solve the case. Music used: Cop- Michael Colombier Find us on youtube: https://www.youtube.com/channel/UCSPtFHIJShOhP9iFfq2d-gQ

Welcome to the CodeX Cantina where our mission is to get more people talking about books! Returning to the master of Japanese horror, Edogawa Ranpo is up for discussion today. Let's look at his banned story "The Caterpillar" (芋虫, Imomushi, 1929) today. Our copy was translated by James B. Harris. Edogawa Ranpo Playlist: https://www.youtube.com/watch?v=3CeUrnCbXHs&list=PLHg_kbfrA7YCOaE5eRkfRRymqAhAm4n-P ✨Do you have a Short Story or Novel you'd think we'd like or would want to see us cover? Join our Patreon to pick our reads.

This week we cover James B. Harris' Cop (1988), an adaptation of James Ellroy's Blood On The Moon. We talk about how they managed wring such an incredible film out of such terrible source material and the ways in which the film functions as an essay on what Ellroy would become. 

chameleon street (1989) / 99 river street (1953) we have an undying love for the streets on extended clip, and our double feature this week is a great representation of that. james b. harris goes zelig mode and phil karlson delivers yet another all-timer b-noir. sorry about the bad audio. i forgot to turn my mic on lol. back to normal next week for berlinale. talked about on malcolm in the middle: dead of night / deathdream, zoom up: the beaver book girl, nomadland, pantyhose hero

The Ellroy Boys dechurn, rechurn, and start somewhere close to the beginning. That means our brother, @Howlingmutant0 joins @blauer_geist, @luso_brendan and @rubberwidow to talk Blood on the Moon, the first novel in Ellroy's Lloyd Hopkins trilogy and the first Ellroy opus to be adapted for film, as Cop (1988), starring James Woods and directed by James B. Harris. This is the first breakdown of Ellroy's first series, and will further dive deep into the myth of Silverlake homeboy and supercop, Lloyd Hopkins and coming soon, we'll be breaking down Because The Night & Suicide Hill.

Well, they didn't. This week, Jamie dives into the backstory to Stanley Kubrick's 1962 adaptation of Lolita, interviews one of the world's foremost Kubrick scholars, examines Vladimir Nabokov's involvement and how the first Lolita, Sue Lyon, was treated on set and in media. [Trigger warning: this podcast contains discussion of child sex abuse, pedophillia and the plot of the story Lolita.] Nabokov's script for Lolita: https://www.openculture.com/2014/06/vladimir-nabokovs-script-for-stanley-kubricks-lolita.html James B. Harris allegations: https://airmail.news/issues/2020-10-24/the-dark-side-of-lolita James Fenwick's Stanley Kubrick Produces: https://www.rutgersuniversitypress.org/stanley-kubrick-produces/9781978814875 Haley Mills and Lolita: https://www.huffpost.com/entry/hayley-mills_b_881441 Chasing Lolita by Graham Vickers: https://www.chicagoreviewpress.com/chasing-lolita-products-9781556526824.php Lucia Wiliams: https://www.researchgate.net/profile/Lucia_Williams Lindsay Ellis's "The Whole Plate: Framing Megan Fox": https://www.youtube.com/watch?v=tKyrUMUervU Kubrick on Lolita as a love story: http://www.archiviokubrick.it/english/words/interviews/1962southern.html More Information on the Hays Code: https://www.npr.org/templates/story/story.php?storyId=93301189#: Sue Lyon in 1962: https://www.youtube.com/watch?v=_bHz-N6bJ3I Sue Lyon in the 1980s: https://www.youtube.com/watch?v=NOLtXhPYxoM Charlie Chaplin's history of CSA and abuse: https://www.wsws.org/en/articles/2018/06/07/chap-j07.html Errol Flynn and child sex abuse: https://www.vanityfair.com/hollywood/2013/09/errol-flynn-toronto-film-festival The poster for Baby Doll, 1956: https://images-na.ssl-images-amazon.com/images/I/51I-84I48DL._AC_.jpg Carroll Baker interview from 2019: https://www.forbes.com/sites/kristenlopez/2019/12/09/carroll-baker-on-not-being-hollywoods-baby-doll-63-years-later/?sh=2ead498f27d8 Shelley Duvall and Stanley Kubrick: https://www.youtube.com/watch?v=9qRuo1lbEIU Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Trace the origins of Stanley Kubrick's stellar career - from Look magazine photographer to director of early classics including 'Fear and Desire', 'Killer's Kiss', 'The Killing', 'Lolita', 'Paths of Glory', 'Spartacus' and 'Dr. Strangelove'. Guests include producer James B. Harris, actors Shane Rimmer, Shirley Douglas, and Richard Anderson, biographers Vincent LoBrutto (Stanley Kubrick: A Biography) and Ed Sikov (Mr. Strangelove), critics Erich Feursten and Keith Uhlich, authors Mario Falsetto (Stanley Kubrick: A Narrative and Stylistic Ananlysis), Peter Biskind (Easy Riders, Raging Bulls), and Randy Rasmussen (Stanley Kubrick: 7 Films Analyzed), Criterion Collection producer Curtis Tsui, director and cinematographer Peter Hyams (2010: The Year We Make Contact), film analyst Barry Krusch, and film professor R. Barton Palmer. Hosted by Jamey DuVall. Support this podcast

Harris approached Kubrick with a proposal for a production partnership following a successful stint in sales and distribution. He produced Kubrick's 'The Killing', 'Paths of Glory' and 'Lolita' prior to embarking on his own successful directing career.   Support this podcast

Trace the origins of Stanley Kubrick's stellar career - from Look magazine photographer to director of early classics including 'Fear and Desire', 'Killer's Kiss', 'The Killing', 'Lolita', 'Paths of Glory', 'Spartacus' and 'Dr. Strangelove'. Guests include producer James B. Harris, actors Shane Rimmer, Shirley Douglas, and Richard Anderson, biographers Vincent LoBrutto (Stanley Kubrick: A Biography) and Ed Sikov (Mr. Strangelove), critics Erich Feursten and Keith Uhlich, authors Mario Falsetto (Stanley Kubrick: A Narrative and Stylistic Ananlysis), Peter Biskind (Easy Riders, Raging Bulls), and Randy Rasmussen (Stanley Kubrick: 7 Films Analyzed), Criterion Collection producer Curtis Tsui, director and cinematographer Peter Hyams (2010: The Year We Make Contact), film analyst Barry Krusch, and film professor R. Barton Palmer. Hosted by Jamey DuVall. Support this podcast

Trace the origins of Stanley Kubrick's stellar career - from Look magazine photographer to director of early classics including 'Fear and Desire', 'Killer's Kiss', 'The Killing', 'Lolita', 'Paths of Glory', 'Spartacus' and 'Dr. Strangelove'. Guests include producer James B. Harris, actors Shane Rimmer, Shirley Douglas, and Richard Anderson, biographers Vincent LoBrutto (Stanley Kubrick: A Biography) and Ed Sikov (Mr. Strangelove), critics Erich Feursten and Keith Uhlich, authors Mario Falsetto (Stanley Kubrick: A Narrative and Stylistic Ananlysis), Peter Biskind (Easy Riders, Raging Bulls), and Randy Rasmussen (Stanley Kubrick: 7 Films Analyzed), Criterion Collection producer Curtis Tsui, director and cinematographer Peter Hyams (2010: The Year We Make Contact), film analyst Barry Krusch, and film professor R. Barton Palmer. Hosted by Jamey DuVall.

Au sommaire de cette spéciale guerre au cinéma : Retour sur les dernières sorties RIMINI, à savoir, AUX POSTES DE COMBAT (1965) de James B. Harris et CAPE ET POIGNARD (1946) de Fritz Lang ;Chroniques de L'HERITAGE DES 500.000 (1963), unique film réalisé par l'acteur fétiche d'Akira Kurosawa, Toshiro Mifune, et de CHINA GATE (1957) de Samuel Fuller, deux films édités par CARLOTTA ;Evocation de LA BATAILLE DE MIDWAY (1976) de Jack Smight sorti chez ELEPHANT FILMS ;Echanges autour du film d'Elem Klimov intitulé REQUIEM POUR UN MASSACRE (1985) (POTEMKINE). Bonne écoute à toutes et à tous.

Edogawa Rampo’s short story, ‘The Human Chair’,was originally published in Japanese in 1925. The story is taken from the collection, Japanese Tales of Mystery and Imagination, translated by James B. Harris, and published by Tuttle Publishing. ‘The Human Chair’ is a tale of the grotesque in which a master carpenter entombs himself inside a chair in order to gain the intimacy that society has denied him. The longer he spends inside the chair, pressed close to the bodies of strangers, the harder it becomes to return to his ordinary life. As well as being a superb example of the uncanny tale, ‘The Human Chair’ is a rich palimpsest that reveals layer upon layer of sexual, social and national anxieties.

Dialogue avec Jean-François Rauger à la suite de la projection du film Some Call It Loving (Sleeping Beauty) (1972).