Podcasts about Ray Harryhausen

The Mandalorian and Grogu’ feels like an old Ray Harryhausen creature feature. ‘Course, all those beasties come with teeth, and the movie does, too.Read our full review PluggedIn Facebook Page If you've enjoyed listening to Plugged In Reviews, please give us your feedback.

In this episode, Chris Cochrane guest-hosts for his brother Ray and devotes the whole show to one event: Disney’s D23 2026 fan convention in Anaheim. Friday night delivered Marvel’s new X-Men cast, Adam Driver as Mister Sinister, a fresh Avengers: Doomsday trailer, and a release date for Frozen 3. Saturday turned to the parks, with Villains Land, an Indiana Jones dark ride, the long-awaited Expedition Everest yeti repair, and a Monsters Inc land opening in 2027. – Want to start a podcast? It’s easy to get started! Sign up at Blubrry – Thinking of buying a Starlink? Use my link to support the show. Subscribe to the Newsletter. Email Chris if you want to get in touch! Like and Follow Geek News Central’s Facebook Page. Support my Show Sponsor: Best Godaddy Promo Codes Get 1Password Full Summary Chris Cochrane opens the show and explains why this episode breaks the usual format. Instead of six or eight unrelated stories, the entire episode covers Disney’s D23 convention, which he compares to Apple’s WWDC. For newcomers, he notes that D23 is Disney’s official fan club, named for the company’s founding year of 1923. This year’s event ran two nights at the Honda Center: Friday for movies and television, Saturday for the theme parks. Marvel Finally Casts the X-Men Friday’s headline was the X-Men. The Associated Press put the crowd near 12,000, and Marvel Studios used that stage to name its rebooted team. Christopher Abbott plays Professor Charles Xavier, Inde Navarrette plays Rogue, and Maya Boyd plays Storm. Adam Driver rounds out the group as the villain Mister Sinister. Meanwhile, Samara Weaving, Kit Connor, and Sadie Sink were already known as Emma Frost, Cyclops, and Jean Grey. Jake Schreier directs, and the film arrives May 5, 2028. Chris calls the lineup spot-on casting. He singles out Weaving as a perfect match for the comics, and he points out that Sink already appeared as Jean Grey in Spider-Man: Brand New Day. Navarrette is the least established name, coming off a breakout role in an indie horror film. Boyd, meanwhile, was the name he knew least, with what he believes is a Broadway background. Above all, Chris hopes Marvel does the team justice, and he recommends the animated revival X-Men ’97 on Disney+ as the best place to start. Frozen 3 Gets a Date and a Chaotic Reveal Frozen 3 lands November 24, 2027. That is the Wednesday of Thanksgiving week, the same slot the first two films used. The story centers on Anna and Kristoff’s wedding, which a new villain, an evil Ice Queen, disrupts. Jennifer Lee returns to direct with Trent Correy, and the full voice cast is back. However, the reveal itself fell apart. Kristen Bell and Idina Menzel performed a darker arrangement of “Frozen Heart.” Meanwhile, the audio failed, the video failed, and a set of doors never opened. Menzel asked the crowd whether they should try it again, and Bell simply narrated everything that was supposed to happen. Afterward, Josh Gad sang “Oooh, Samantha,” a new love song for Olaf. Chris is here for it, since Olaf is one of the franchise’s best comic characters. Pixar, Disney Animation, and the Rest of Friday Night Pixar chief Pete Docter laid out a packed slate. Incredibles 3 hits summer 2028 and follows Violet and Dash sneaking out at night to fight crime. Chris hopes that finally shows a grown-up Jack-Jack. Coco 2 follows in November 2029 with Benjamin Bratt returning as Ernesto de la Cruz. That has fans puzzling over how a villain already in the Land of the Dead comes back. Additionally, Pixar showed an original called Ghost Market and a Venice-set cat film called Gatto. On the Disney Animation side, Zootopia 3 is confirmed. The live-action Tangled arrives March 31, 2028 with Kathryn Hahn as Mother Gothel. Chris considers that casting perfect after her turn in Agatha All Along. A live-action Lilo & Stitch sequel, a new Simpsons movie, a Bluey movie, and a Kingdom Hearts anime series round out the list. For Star Wars fans, Ahsoka returns January 20, 2027. Chris also offers a hot take: he prefers Rogue One to the entire sequel trilogy. Consequently, he welcomes original stories like Ryan Gosling’s upcoming Starfighter. Adam Driver Is Mister Sinister Driver appeared by video rather than in person. He told the crowd that he and Kevin Feige had talked for years about joining the Marvel Cinematic Universe. Then he announced he would play Magneto. After a long pause, he corrected himself to Nathaniel Milbury, which is Mister Sinister’s human alias. The gag landed because fans had floated Driver for Magneto for years. For anyone new to the comics, Chris explains that Mister Sinister is a geneticist obsessed with mutant DNA, a manipulator rather than a brawler. The cast met backstage only minutes earlier, so Chris is curious how their chemistry develops. Notably, Christopher Abbott previously worked with Driver on HBO’s Girls. The script comes from Beef creator Lee Sung Jin and The Bear co-showrunner Joanna Calo, two prestige-television names that have Chris excited. Why the X-Men Took Thirty Years to Reach the MCU A business story underlies the casting. In the 1990s, a financially struggling Marvel sold film rights to raise cash. Fox ended up with the X-Men and the Fantastic Four, and Sony took Spider-Man. As a result, Marvel Studios built its connected universe from 2008 onward without some of its most famous characters. The Hugh Jackman era of X-Men films belonged to Fox, with a separate continuity and no crossovers. That changed in 2019, when Disney closed its $71 billion purchase of 21st Century Fox’s film and television studio. Most coverage framed the deal as a streaming play, but it also brought the X-Men home. Chris sums it up neatly: Disney signed the paperwork in 2019, cast the film in 2026, and audiences see it in 2028. Ryan Gosling’s Starfighter, Ghost Rider, and VisionQuest Lucasfilm dated Star Wars: Starfighter for May 28, 2027. Gosling plays Kade Auberon, a pilot from the wrong side of the galaxy tied to the fastest starfighter ever built. Before he walked out, Disney played clips of him as a kid on The Mickey Mouse Club. Gosling said the company changed his life then and is changing it again now. He is also playing Ghost Rider in the Marvel universe. That thrills Chris, since Nicolas Cage last carried the character on the big screen. Meanwhile, the Disney+ series VisionQuest arrives October 14. Paul Bettany returns as Vision and James Spader as Ultron, and the trailer drops the two androids into oddly mundane human situations. Bettany joked that Vision has “rather inconveniently died several times.” Chris agrees the character has been through the wringer since WandaVision. The Avengers: Doomsday Trailer Avengers: Doomsday opens December 18, with Joe and Anthony Russo directing. Robert Downey Jr., Chris Evans, and Hayley Atwell introduced the new footage. It offers the clearest look yet at Downey as Doctor Doom, who fights off Thor and takes his hammer. Evans appears as Captain America holding a baby, and Ian McKellen shows up as a haggard, long-haired Magneto. One quieter shot has Doom staring at a portrait of a lost wife and child. That frames him as a grieving avenger rather than a world-ender. He also commands an army of comic-accurate Sentinels. The cast pulls from the Avengers, the Fantastic Four, and the legacy Fox X-Men, including Patrick Stewart. Hugh Jackman also appeared on screen to say he is willing to return as Wolverine, though that was not a confirmation. Chris, a self-described Marvel nerd, closes with a theory. He suspects the MCU’s Tony Stark was actually Victor von Doom, adopted by the Starks, which would explain the Downey casting. He also predicts the Fox-era X-Men die off in this film and that Thor may be the major casualty. If it happens, he wants credit for calling it. Sponsor: GoDaddy Economy hosting $6.99/month, WordPress hosting $12.99/month, domains $11.99. Website builder trial available. Use codes at geeknewscentral.com/godaddy to support the show. Disney Parks Around the World Saturday’s Disney Experiences showcase covered parks, resorts, and cruise ships, with Neil Patrick Harris hosting. Hong Kong Disneyland gets an Avengers pavilion that reshapes its Stark Expo skyline. Shanghai Disneyland is building the first land devoted entirely to Spider-Man, complete with a new coaster. Since Spider-Man is his favorite hero, Chris hopes to visit once it opens. Closer to home, Avengers Campus at Disney California Adventure is doubling in size with two rides opening in 2028. Avengers: Infinity Defense brings back Jeremy Renner, Anthony Mackie, Chris Hemsworth, and Downey, while Stark Flight Lab adds Brie Larson. A Coco boat ride into the Land of the Dead is also coming, with no height requirement. Chris admits he prefers California Adventure to Disneyland because the rides are better. Overseas, Disneyland Paris will retire its Star Wars Hyperspace Mountain overlay at the end of 2027 and restore the original Jules Verne theme. Paris also gets the first ride ever based on The Lion King. Tokyo Disneyland adds Sugar Rush: Sweet Rescue, the first Wreck-It Ralph ride, plus a Space Mountain launch sequence designed with YouTuber Mark Rober. Finally, Disney Cruise Line announced three more ships, including the Disney Believe in 2027 and an entirely new class in 2029. Back in Anaheim, Tomorrowland is getting reimagined, which Chris welcomes because the land badly needs an update. The Magic Happens parade and the Remember Dreams Come True fireworks are both returning. For the tech crowd, Millennium Falcon: Smugglers Run now has a Fortnite crossover, where in-game missions unlock content on the real ride. Every New Walt Disney World Ride and Land Chris ranks the Florida parks Hollywood Studios first, then Epcot, Animal Kingdom, and Magic Kingdom. Magic Kingdom leads the announcements with Villains Land, now the official name. It features a Maleficent coaster through an enchanted briar and a boat ride through the Evil Queen’s catacombs. Reporting puts its scale near Star Wars: Galaxy’s Edge, and Glenn Close appeared in character as Cruella to announce it. Piston Peak, the Cars area replacing Tom Sawyer Island, adds two more rides, though their exact names remain unsettled. Additionally, the Carousel of Progress gets new scenes and a recast. Jamie Lee Curtis and Bryan Cranston will voice Mom and Dad starting late spring 2027. Chris, invoking Heisenberg, calls Cranston the GOAT. At Animal Kingdom, the Indiana Jones ride now has a name: Indiana Jones and the Myth of the Jade Serpent. It tells an original 1950 story inside a Maya temple, and Harrison Ford personally served as the physical model for the animatronic. Nearby, the Tropical Americas land brings Antonio’s Fiesta de Encanto, with more than fifty animal animatronics and no height requirement. Then comes the fix park regulars have wanted for years. The Expedition Everest yeti broke soon after the ride opened. Rather than fix it, Disney lit it with a strobe for over a decade, earning the nickname disco yeti. Now it is being repaired and returned to full motion. Chris rates Everest among his top five rides anywhere, and he suggests riding it before the fix so you can compare. Over at Epcot, Spaceship Earth gets its first major story rewrite in nearly twenty years, shifting from communication history to human connection. Dreamfinder also returns to Journey Into Imagination, and Disney Experiences chairman Thomas Mazloum introduced that news with two words: “we heard you.” Mazloum added that Disney has more projects underway than at any point in its history. After this rundown, Chris believes him. Monsters Inc Land Opens in 2027 Monstropolis begins opening at Hollywood Studios in early 2027, but in stages. The headline door coaster will not be ready on day one. It is the first suspended coaster in any Disney park. It also uses Disney’s first vertical lift, hauling riders about forty feet straight up before launching them into the door vault. Instead, the land opens with the Glob Theater’s “Welcome to Monstropolis” show and Harryhausen’s, a working sushi restaurant lifted from the first film. The stage show features an original song by Randy Newman, his first ever written for a theme park attraction. Chris also notes that the restaurant name honors stop-motion legend Ray Harryhausen. Wrapping up, Chris names the X-Men casting and the Doomsday trailer as his favorite moments of the weekend. He hopes to cover more movie news on future shows, and he plugs Dune: Part Three, which also opens December 18. Chris signs off with the usual mentions: GNC Insider at geeknewscentral.com/insider, email at geeknews@gmail.com, the newsletter, and modern podcast apps at podcastapps.com. He also thanks GoDaddy for over twenty years of support. The post Huge Announcements From D23!! #1873 appeared first on Geek News Central.

Front Row Classics is taking a look at another great summer movie with 1963's Jason and the Argonauts. Brandon is joined by author Christopher McKittrick to discuss this pioneering triumph in fantasy storytelling and special effects. Much of the discussion is dedicated to the legendary Ray Harryhausen whose stop-motion animation and visual effects inspired filmmakers for generations. 

Jason and the Argonauts Front Row Classics is taking a look at another great summer movie with 1963’s Jason and the Argonauts. Brandon is joined by author Christopher McKittrick to discuss this pioneering triumph in fantasy storytelling and special effects. Much of the discussion is dedicated to the legendary Ray Harryhausen whose stop-motion animation and … Continue reading Ep. 486- Jason and the Argonauts →

This week on Bad Dads Film Review, we complete our accidental trilogy of “third things.” After covering Close Encounters of the Third Kind on the midweek show, we turn to Army of Darkness, Sam Raimi's third Evil Dead film, and use that as an excuse to dig into the noble, messy and often suspicious art of the threequel.There is no formal intro this week — time has apparently been attacked by Deadites — so we open with a catch-up on what everyone has been watching. Reegs has been busy with Backrooms, Obsession, Disclosure Day and Apple TV's Cape Fear, which gets a recommendation so long as you know going in that it is extremely ridiculous. Sidey has finally finished The Pit, finding the second season weaker than the first but still worth the time, and has also watched Backrooms and started The Mandalorian. Dan has finished series five of Slow Horses, which he continues to push as an absolute treat, and has also seen The Odyssey at the cinema, where three hours apparently went by surprisingly quickly.That leads us into the usual wandering preamble: 4DX screenings with shaking seats, water and wind; panoramic side-screen cinema formats; the Sphere in Vegas; Sidey somehow still not having made it to IMAX; Spider-Man: Brand New Day and big cinema opening weekends; Tom Holland and Jon Bernthal on Hot Ones; and the general horror of people getting overconfident with hot sauce before reality arrives in liquid form.The Top 5 this week is third films in a franchise, which gives us one of those lists where genuinely great films sit shoulder to shoulder with absolute nonsense. Dan opens strongly with The Lord of the Rings: The Return of the King, a film that swept the Oscars so hard it practically brought its own broom. Sidey goes for Toy Story 3, remembering Lotso, Spanish Buzz, the daycare escape, the furnace sequence and the emotional finality of Andy giving up his toys. Reegs makes a spirited defence of The Matrix Revolutions, arguing that its uneasy truce ending and refusal to give everyone a simple victory has aged better than its reputation suggests.From there, we move through Indiana Jones and the Last Crusade, with Sean Connery, River Phoenix and the Holy Grail; The Bourne Ultimatum, which Sidey remembers as peak Jason Bourne closure and kinetic shaky-cam action; Guardians of the Galaxy Vol. 3, praised by Reegs for Rocket's unexpectedly emotional backstory; The Naked Gun 33⅓: The Final Insult, because Frank Drebin remains Frank Drebin; and Die Hard with a Vengeance, which gives Sidey an excuse to talk about Zeus, Simon Says, Jeremy Irons and New York puzzle chaos.There are plenty of other third-film detours too, including RoboCop 3, Austin Powers in Goldmember, The Fast and the Furious: Tokyo Drift, Alien 3, John Wick: Chapter 3 — Parabellum, Back to the Future Part III, Halloween III: Season of the Witch, The Good, the Bad and the Ugly, the Cornetto trilogy, Avengers: Infinity War, Blade: Trinity, Karate Kid Part III and Ocean's 13. Sidey bends the rules by choosing the third episode of Twin Peaks, “Zen, or the Skill to Catch a Killer,” while Dan lands on Before Midnight, the third film in Richard Linklater's Before trilogy.Eventually, we arrive in 1300 AD for Army of Darkness itself. Dan has not seen it, but has correctly gathered that this is not really the same kind of horror film as The Evil Dead. Reegs, who has seen it many times, explains the tonal journey of the series: the first film as bleak, grimy horror; Evil Dead II as a genuine horror-comedy masterpiece; and Army of Darkness as the point where Ash becomes the full cartoon version of himself — part action hero, part idiot, part Bruce Campbell chin-delivery system.We talk about Sam Raimi's direction, Bill Pope's cinematography before The Matrix, Danny Elfman's contribution to the score, and the way Raimi's visual energy clearly echoes forward into later filmmakers such as Edgar Wright. The plot is gloriously simple and gloriously stupid: Ash is dragged through time after Evil Dead II, lands in the middle of a medieval conflict between Lord Arthur and Henry the Red, gets thrown into a pit, fights Deadites, reclaims his chainsaw hand, introduces everyone to the boomstick, and immediately becomes insufferable once the locals start treating him as their prophesied saviour.The film then sends Ash off to retrieve the Necronomicon, with one very clear instruction: say the words “Klaatu barada nikto” before taking the book. Naturally, Ash being Ash, he half-remembers, fudges it and unleashes the titular army of darkness. Along the way we get the windmill sequence, tiny mirror Ashes, Three Stooges slapstick, bad Ash splitting out of good Ash, Sheila falling for exactly the worst man available, and a castle siege finale full of skeletons, homemade weapons, a modified car and Ray Harryhausen-style chaos.We also get into the two endings: the darker UK/director's cut version, where Ash takes too many drops and wakes up in a ruined future, and the more crowd-pleasing US S-Mart ending, where he returns to work, tells the story and gets one last heroic Deadite showdown. Reegs prefers the bleaker ending because it feels funnier and more in keeping with Ash's ability to mess up almost everything.The verdict is affectionate, even if slightly qualified. Reegs still thinks Evil Dead II is the one to watch if you only watch one Evil Dead film, and he does not think Army of Darkness is great in quite the same way. But it is funny, quotable, inventive and packed with cult moments: the boomstick, S-Mart, “primitive screwheads,” bad magic words, skeleton armies and Bruce Campbell at maximum Ash. Sidey thinks Dan would probably enjoy it, describing it as something like The Princess Bride with Ray Harryhausen effects and comedy horror nonsense thrown in.So the final recommendation is simple: if you only watch one, Reegs says watch Evil Dead II. If you ask Sidey, just watch them all.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

En Criterio Cero viajamos a la mitología clásica para celebrar el 45 aniversario de “Furia de titanes” (1981), una de esas películas que marcaron a toda una generación y que siguen siendo pura magia cinematográfica ⚔️ En este episodio repasamos toda la trama con detalle, desgranando cada momento clave de la aventura de Perseo, mientras descubrimos un buen puñado de curiosidades de producción que rodearon a este clásico inolvidable. Y, por supuesto, ponemos el foco en una figura imprescindible: el maestro Ray Harryhausen, responsable de esos efectos especiales artesanales que aún hoy siguen despertando asombro y admiración. Además, ampliamos el universo del programa con un bloque muy especial donde Pepe Soto nos guía a través del mito real de Perseo, muy distinto a lo que vimos en pantalla… y que aporta una nueva dimensión a la historia. Un episodio para amantes del cine fantástico, la mitología y la artesanía del séptimo arte, dirigido y presentado por Salva Vargas. Y sobre cierto remake… bueno, digamos que ni sabemos ni queremos saber Dale al play y… forma tu propio criterio. Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Javier Ramírez, La Casa del Acantilado, Shinyoru, Lestat, Kal-el__80, Cohaggen, Elena Gómez, José Ángel Sanz, Rudy Ayose, Ian Pérez, Ed Salas, Mario López, Sergio, Cristina AR, Bichodiablo, Javi, Iñaki Pinto, Alejandro Martínez Ribes, AgVe, David Torrent Durán. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,99€ al mes: https://acortar.link/emR6gd Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://acortar.link/qhUhCz Premium Mensual: https://acortar.link/gbQ4mp iVoox Plus Mensual: https://acortar.link/y7SDmV Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html También puedes hacerte con algo de merchandising de Criterio Cero. Camisetas, Sudaderas, tazas o mochilas en el siguiente enlace: https://www.latostadora.com/shop/criteriocero/?shop_trk Y Criterio Cero no acaba ya en el audio, ahora también nos tenéis en vídeo: En Twitch hacemos directos de Criterio En Serie: https://www.twitch.tv/criteriocero En YouTube: https://www.youtube.com/@criteriocero Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas, Just Live it, Filmotecast, La Tetera, Fuera de continuidad, Campamento Krypton, La órbita de Endor, Archivo007, El bastón de Chaplin, Cinco Duros: La historia del videojuego español

1974 was a top year for horror movies and it contains some of the most popular titles of all time. But, what do I think was the very greatest horror movie that came out during 1974? Well, here we have the top 9. The worst 10. A slew of also rans. Some awesome mates. Some special guests. Several shots of whisky and a 6 hour running time split over 4 episodes. This is 1974, A Year In Horror.   0.31 - Sci-Fi Corner 6.24 - Also Rans (Part 2) 8.05 - Messiah Of Evil (w/ Lono) 1.06.13 - Sugar Hill (w/ Father Malone) A YEAR IN HORROR PATREON

Welcome to another Movie Monday, and with Christopher Nolan's The Odyssey looming over the horizon, I felt this was the perfect opportunity to visit the ancient Greece of 1963 and the Ray Harryhausen classic Jason and the Argonauts, directed by Don Chaffey. This episode features contributions from: (in order of appearance) Jason Connerley of Nerd's RPG Variety Cast (podcast) Karl Rodriguez of The GMologist Presents… (podcast, YouTube) B. J. Taylor of The Arcane Alienist (podcast) Goblin's henchman (podcast, blog) and the UmberBulk of the Southwest Sofa Crew Joe Richter of Hindsightless (podcast) Mirke the Meek (podcast) M. W. Lewis of The Worlds of M. W. Lewis (podcast) and The War of Independence (Youtube) Honourable mentions: Calliope Callisto Clark and the Search for Wisdom by Claudia Mills, Percy Jackson and the Sea of Monsters by Rick Riordan The GMologist presents… 300 Greek-inspired Table Top Roleplaying Clydesdale: Saving the Greatest Horse savingthegreatesthorse.com Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ The movie for August is 1987's House 2: The Second Story directed by Ethan Wiley. That episode will air August 31st, so submit your message by the 29th please, to ensure you can be added to the episode. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

The Primevals looks like a forgotten adventure movie from another era because it basically is. Filmed largely in 1994 and completed decades later, this wild stop-motion epic begins as a Yeti expedition before exploding into hidden civilizations, prehistoric creatures, reptilian aliens, lasers and gladiator combat. We review the movie, its incredible production history, its Ray Harryhausen-inspired effects and whether this long-lost passion project was worth the wait.

Christopher Nolan's THE ODYSSEY crushed it at the box office this weekend, but this is far from the first film to bring the Greek myths to life on the big screen. While Cory maintains that Nolan ain't stoney, we found some myth movies that are! Plus we've got cannabis comic and mythology nerd Ngaio Bealum to find the right strains to send you on your very own quest for the Golden Fleece. There is really no other movie we should begin with but this one. It's peak Ray Harryhausen with JASON AND THE ARGONAUTS from 1963. Harryhausen brings us the giant Talos, winged-harpies, the seven-headed Hydra AND the skeleton battle that may be the stop motion wizard's greatest achievement. Streaming on Tubi and Roku Channel (although Ngaio warns that the commercial breaks on Roku are "abrupt.") Then, horror maestro Mario Bava drags our beloved demigod Hercules straight to hell in HERCULES IN THE HAUNTED WORLD (1961) aka HERCULES AT THE CENTER OF THE EARTH (UK version). This entry in Italy's sword and sandal cycle from the early 60s is "totally metal" according to Cory, and it's Bava so it has freaky wraiths rising from the tombs of Hades and trees that bleed bright red Hammer horror blood. English body builder Reg Park is Hercules and Dracula himself CHRISTOPHER LEE is the vampire sorcerer who opposes him. The U.S. version with trippy Filmation credits sequence is on Pluto (appropriately); the UK version is on YouTube; and the Italian cut with subtitles is on Prime. Take your pick. As always, we begin by digressing with talk of rock shows and rock clubs we have loved, plus what to partake in before Nolan's three hour ODYSSEY and LISTENER MAIL! Please write to us at oldmoviesforyoungstoners@gmail.com. We love getting mail! Hosts: Cory Sklar, Ngaio Bealum and Bob Calhoun Greg and Philena are on assignment. Old Movies for Young Stoners theme and "A Vampire in Van Nuys" courtesy of Chaki, the Funk Wizard. Get Chaki's new album, "From L.A. to the Bay" on BandCamp! https://chaki.bandcamp.com/album/from-l-a-to-the-bay-2 You can now hear Ngaio on CROSS-POLINATION, a 2-hour showcase of great music and comedy every Tuesday from 10am to Noon on Sacramento's KUTZ 95.7 FM. You can listen on the web at https://www.kutzfm.org. "Hydra" by Huma Huma and "Heaven and Hell (Part 2)" by Jeremy Blake courtesy of YouTube Audio Library. Trailer and archival audio courtesy of Archive.org. Next episode: Documentary filmmaker Floyd Webb joins us once again for the Senegalese psychedelia of TOUKI BOUKI (1973) and THE LONG SHIPS (1964), a Viking epic with Richard Widmark and Sydney Poitier. Web: www.oldmoviesforyoungstoners.com Instagram (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

Erik Childress and Peter Sobczynski take you through another week of physical media. Criterion has you covered from Mike Mills to Nagisa Ôshima. Butch and Sundance make na early appearance alongside Barbara Stanwyck. Giancarlo Giannini tries to solve some giallo murders, Ray Harryhausen takes you to an island of monsters or you can travel to one with Glen Powell and Sydney Sweeney. Ray Liotta is a bad cop after Kurt Russell's wife and Michael Douglas is an ordinary guy looking to bring some sense to society. Or is he? We certainly know where he would end up in Gary Ross' wondrous debut fantasy. It's all part of a show with films that may be even more relevant today than when they premiered.1:47 - Criterion (Cruel Story of Youth (4K), I'll Remind You of Everything: The Films of Mike Mills (4K))16:31 - Kino (The Maverick Queen)22:12 - Celluloid Dreams (The Black Belly of the Tarantula)27:52 - Sony (The 7th Voyage of Sinbad (4K), Anyone But You (4K))45:35 - Shout (Unlawful Entry (4K), Pleasantville (4K))1:09:01 - Arrow (Falling Down (4K))1:25:04 – New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

The Odyssey is a 2026 epic fantasy action film written and directed by Christopher Nolan. An adaptation of Homer's ancient Greek epic poem the Odyssey, Matt Damon stars as Odysseus, the Greek king of Ithaca, and it chronicles his long and perilous journey home after the Trojan War and his encounters with mythical beings as he attempts to reunite with his wife, Penelope, portrayed by Anne Hathaway. The ensemble cast includes Tom Holland, Robert Pattinson, Lupita Nyong'o, Samantha Morton, Zendaya, and Charlize Theron. Nolan and his wife Emma Thomas produced the film through their production company, Syncopy.Nolan began writing the script in March 2024 and had secured the project with Universal Pictures by October. The Odyssey was announced in December. Casting took place from late 2024 through early 2025, and Damon was confirmed for the lead role in February 2025. Nolan studied several translations of the Odyssey. He depicted a realistic interpretation of Greek mythology, drawing inspiration from the epic historical films Andrei Rublev (1966) and Ran (1985), as well as the films of special effects artist Ray Harryhausen. Filming took place from February to August 2025 in Morocco, Greece, Italy, Scotland, Iceland, Western Sahara, and Malta, as well as at the Universal Studios Lot in Los Angeles. With an estimated budget of $250 million, The Odyssey is among the most expensive of Nolan's career, and the first to be shot entirely on IMAX's 70 mm film cameras. Leading up to the release, the costume and production designs, accents, dialogue, and casting choices sparked critical discussion and scrutiny regarding perceived historical accuracy to the setting depicted and faithfulness to the source material.The Odyssey premiered on July 6, 2026, at the Odeon Luxe Leicester Square in London, ahead of a theatrical release by Universal Pictures on July 17 in the US and the UK. It was made available in IMAX and multiple premium large formats. The Odyssey received acclaim, with particular praise for Nolan's direction. It has grossed $39 million. Hosted on Acast. See acast.com/privacy for more information.

pWotD Episode 3362: The Odyssey (2026 film) Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 614,398 views on Thursday, 16 July 2026 our article of the day is The Odyssey (2026 film).The Odyssey is a 2026 epic fantasy action film written and directed by Christopher Nolan. An adaptation of Homer's ancient Greek epic the Odyssey, the film stars Matt Damon as Odysseus, the Greek king of Ithaca, and chronicles his long and perilous journey home after the Trojan War and his encounters with mythical beings as he attempts to reunite with his wife, Penelope, portrayed by Anne Hathaway. The ensemble cast includes Tom Holland, Robert Pattinson, Lupita Nyong'o, Samantha Morton, Zendaya, and Charlize Theron. Nolan and his wife Emma Thomas produced the film through their production company, Syncopy.Nolan began writing The Odyssey in March 2024, secured the project with Universal Pictures by October, and the film was announced in December. Casting occurred from late 2024 through early 2025, and Damon was confirmed for the lead role in February 2025. Nolan studied several translations of the Odyssey. He depicted a realistic interpretation of Greek mythology, drawing inspiration from the epic historical films Andrei Rublev (1966) and Ran (1985), as well as the films of special effects artist Ray Harryhausen. Filming took place from February to August 2025 in Morocco, Greece, Italy, Scotland, Iceland, Western Sahara, and Malta, as well as at the Universal Studios Lot in Los Angeles. With an estimated budget of $250 million, the film is among the most expensive of Nolan's career, and the first to be shot entirely on IMAX's 70 mm film cameras. Leading up to the film's release, the costume and production designs, accents, dialogue, and casting choices sparked critical discussion and scrutiny regarding historical accuracy to the source material and the setting depicted.The Odyssey premiered on July 6, 2026, at the Odeon Luxe Leicester Square in London, ahead of a theatrical release by Universal Pictures on July 17 in the United States and the United Kingdom. It was made available in IMAX and multiple premium large formats. The film received critical acclaim, with praise for Nolan's direction.This recording reflects the Wikipedia text as of 07:13 UTC on Friday, 17 July 2026.For the full current version of the article, see The Odyssey (2026 film) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Tiffany.

Adam Resnick's surreal, absurdist fantasy comedy, CABIN BOY, is our feature presentation this week! We discuss the film's Late Night with David Letterman beginnings, Tim Burton backing out of the film after it was written for him, the influence of Ray Harryhausen, Chris Elliott's comedy stylings, Hitler mustaches, Bryan Doyle Murray, and much more! We also pick our Top 7 James Gammon Movies in this week's Silver Screen 7!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

This is a re-upload as I'd initially used the wrong audio file. This episode consists of a late entry for June's Movie Monday from The South West London Sofa Gang (James Knight aka Lothar the Lame, Tyranner the Dwarf, and Ellen the Elf) plus some Masters of the Universe feedback for Joe Richter of Hindsightless, and Jason Connerley of Nerds RPG Variety Cast. Here's a link to Metal World: The Rough Cut https://www.drivethrurpg.com/en/product/257412/metal-world-the-rough-cut Check of the Cerebravore review of Masters of the Universe (2026) Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ With Christopher Nolan's The Odyssey looming over the horizon, I felt this was the perfect opportunity to visit the ancient Greece of 1963 and the Ray Harryhausen classic Jason and the Argonauts, directed by Don Chaffey. The episode will air on July 27th, so please send in your submissions by the 25th if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands Follow me on Bluesky @freethrall.bsky.social You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

C'est sans doute l'un des films les plus attendus de l'année : L'Odyssée débarque ce mercredi 15 juillet sur les écrans français. Porté par une pléiade de stars américaines, Matt Damon en tête dans le rôle d'Ulysse (mais aussi Zendaya, Tom Holland ou encore Charlize Theron), cette adaptation de grande ampleur est signée du Britannique Christopher Nolan. Le réalisateur oscarisé d'Oppenheimer et de la trilogie Batman The Dark Knight revisite cette épopée mythologique avec les codes du blockbuster.  RFI : L'Odyssée est un poème grec d'Homère écrit il y a plus de 2 700 ans. Qu'est-ce qui vous fascine autant dans ce récit et en quoi est-ce qu'il nous parle encore au XXIe siècle ? Christopher Nolan : Je pense que lorsque l'on étudie L'Odyssée d'Homère, on y trouve des vérités universelles et intemporelles. Cette œuvre fondamentale de la littérature est à l'origine de toute la culture occidentale. Ce poème a fasciné génération après génération pendant près de 3 000 ans parce qu'il est simple et possède ces qualités accessibles et intemporelles de la nature humaine. Nos préoccupations humaines n'ont pas tellement changé. En l'adaptant, je me suis rendu compte qu'il y avait des thèmes et des modèles de narration qui faisaient écho à mes précédents films. Ainsi, le récit du retour au foyer est quelque chose que j'avais abordé dans Inception et Interstellar, par exemple. Dans la trilogie sur « Batman, The Dark Knight », on retrouve aussi le thème du voyage du héros. C'est sa simplicité et son approche de la nature humaine qui permettent à chaque génération de l'interpréter d'une manière pertinente pour notre époque. C'est un grand récit d'aventures, avec des éléments fantastiques, des monstres, mais que vous rendez très réaliste. Le réalisme est un terme chargé au cinéma. Je voulais que le film ait néanmoins une texture réaliste pour que les spectateurs croient à l'histoire. Mais c'était un défi : comment aborder les éléments fantastiques ? Pour le cheval de Troie, j'ai réfléchi à la manière dont cela aurait pu fonctionner dans la vraie vie. Mon public et moi savons que le cheval est rempli de Grecs, donc il faut le « vendre » d'une certaine manière. Ma solution a été de me dire : s'il ressemble à un monument déchu, à moitié enterré dans le sable et sur le point d'être détruit par la mer, il ne ressemble pas à quelque chose conçu pour être transporté dans la ville. De même pour le Cyclope, en filmant dans une vraie grotte et en cherchant des solutions concrètes. Comme mon ami Guillermo del Toro l'a bien montré, un monstre n'est jamais juste un monstre. Mais si vous arrivez à exprimer ses émotions, vous commencez à y croire, il y a du poids et de la gravité, et c'est alors menaçant et effrayant parce que cela semble réel. Vous avez réalisé un film de science-fiction, Interstellar, des films de superhéros avec Batman, un film de guerre avec Dunkerque. Là vous vouliez investir un autre genre : le peplum ? J'avais pour référence de grands films épiques comme Lawrence d'Arabie, Gladiator ou Barry Lyndon. Mais il n'y avait pas eu de récit moderne de la mythologie grecque. Des réalisateurs comme Ray Harryhausen s'y sont attaqués, mais avec des budgets et des ressources de séries B. Avoir l'opportunité de faire cela pour la première fois avec une grande échelle, un budget et un casting importants, c'est une occasion unique pour un réalisateur. Pourquoi avoir choisi de tourner en pellicule IMAX ? Je veux tourner un film entièrement en pellicule IMAX depuis que j'ai environ 16 ans et que j'ai vu pour la première fois des documentaires dans des musées filmés en IMAX. La clarté de l'image, la couleur incroyable, l'absence de grain, l'écran large qui vous immerge d'une manière vraiment fondamentale, m'ont semblé immédiatement pertinents pour des superproductions hollywoodiennes. Mais ce sont des caméras massives et bruyantes. Pour ce projet, je suis allé chez IMAX et j'ai dit : « Pouvez-vous trouver un moyen de rendre les caméras silencieuses parce que je veux vraiment faire le film entier de cette façon ? » Ils ont conçu un boîtier high-tech dans lequel je pouvais mettre la caméra, un très grand boîtier, mais qui la rendait silencieuse. Mais il faut changer les bobines au bout de trois minutes. Donc, on a dit aux acteurs : « D'accord, vous allez avoir cette machine massive devant le visage et vous allez devoir vous arrêter au milieu d'une scène et suspendre votre émotion pendant que nous rechargeons la caméra aussi vite que possible, aussi discrètement que possible. » Si les acteurs n'avaient pas voulu le faire ou n'avaient pas trouvé que cela fonctionnait pour eux, nous l'aurions abordé différemment. Mais en fait, je pense qu'ils ont trouvé cela très excitant. Le niveau de concentration sur la performance avec ces restrictions était très intense. Si vous filmez sur un format numérique où vous pouvez filmer pendant des heures, vous pouvez obtenir du bon travail de tout le monde sur le plateau, mais ce sera à des moments différents. Tandis que lorsque vous faites tourner cette caméra et que tout le monde est concentré, sachant que vous avez ce temps limité et que tout doit se rejoindre à ce moment-là, chaque technicien donne le meilleur de lui-même et arrive à ce point de concentration intense. Chaque format que vous choisissez a des avantages et des inconvénients ; la clé est d'essayer de construire le scénario autour des avantages. Et qu'est-ce qui était le plus compliqué sur le tournage ? D'un point de vue physique, être sur des bateaux est toujours extrêmement difficile au cinéma, surtout sur un vaisseau antique reconstitué dans des eaux agitées. Mais certaines scènes calmes, des scènes dramatiques plus intenses, ont été pour moi de loin les plus difficiles à filmer. Il fallait faire en sorte que l'équipe de prise de vue comprenne comment déplacer la caméra comme n'importe quelle autre, alors qu'elle est 50 fois plus grande. Et puis que les acteurs puissent continuer à se concentrer en dépit des interruptions. Ça a été l'un des plus grands défis du film.

C'est sans doute l'un des films les plus attendus de l'année : L'Odyssée débarque ce mercredi 15 juillet sur les écrans français. Porté par une pléiade de stars américaines, Matt Damon en tête dans le rôle d'Ulysse (mais aussi Zendaya, Tom Holland ou encore Charlize Theron), cette adaptation de grande ampleur est signée du Britannique Christopher Nolan. Le réalisateur oscarisé d'Oppenheimer et de la trilogie Batman The Dark Knight revisite cette épopée mythologique avec les codes du blockbuster.  RFI : L'Odyssée est un poème grec d'Homère écrit il y a plus de 2 700 ans. Qu'est-ce qui vous fascine autant dans ce récit et en quoi est-ce qu'il nous parle encore au XXIe siècle ? Christopher Nolan : Je pense que lorsque l'on étudie L'Odyssée d'Homère, on y trouve des vérités universelles et intemporelles. Cette œuvre fondamentale de la littérature est à l'origine de toute la culture occidentale. Ce poème a fasciné génération après génération pendant près de 3 000 ans parce qu'il est simple et possède ces qualités accessibles et intemporelles de la nature humaine. Nos préoccupations humaines n'ont pas tellement changé. En l'adaptant, je me suis rendu compte qu'il y avait des thèmes et des modèles de narration qui faisaient écho à mes précédents films. Ainsi, le récit du retour au foyer est quelque chose que j'avais abordé dans Inception et Interstellar, par exemple. Dans la trilogie sur « Batman, The Dark Knight », on retrouve aussi le thème du voyage du héros. C'est sa simplicité et son approche de la nature humaine qui permettent à chaque génération de l'interpréter d'une manière pertinente pour notre époque. C'est un grand récit d'aventures, avec des éléments fantastiques, des monstres, mais que vous rendez très réaliste. Le réalisme est un terme chargé au cinéma. Je voulais que le film ait néanmoins une texture réaliste pour que les spectateurs croient à l'histoire. Mais c'était un défi : comment aborder les éléments fantastiques ? Pour le cheval de Troie, j'ai réfléchi à la manière dont cela aurait pu fonctionner dans la vraie vie. Mon public et moi savons que le cheval est rempli de Grecs, donc il faut le « vendre » d'une certaine manière. Ma solution a été de me dire : s'il ressemble à un monument déchu, à moitié enterré dans le sable et sur le point d'être détruit par la mer, il ne ressemble pas à quelque chose conçu pour être transporté dans la ville. De même pour le Cyclope, en filmant dans une vraie grotte et en cherchant des solutions concrètes. Comme mon ami Guillermo del Toro l'a bien montré, un monstre n'est jamais juste un monstre. Mais si vous arrivez à exprimer ses émotions, vous commencez à y croire, il y a du poids et de la gravité, et c'est alors menaçant et effrayant parce que cela semble réel. Vous avez réalisé un film de science-fiction, Interstellar, des films de superhéros avec Batman, un film de guerre avec Dunkerque. Là vous vouliez investir un autre genre : le peplum ? J'avais pour référence de grands films épiques comme Lawrence d'Arabie, Gladiator ou Barry Lyndon. Mais il n'y avait pas eu de récit moderne de la mythologie grecque. Des réalisateurs comme Ray Harryhausen s'y sont attaqués, mais avec des budgets et des ressources de séries B. Avoir l'opportunité de faire cela pour la première fois avec une grande échelle, un budget et un casting importants, c'est une occasion unique pour un réalisateur. Pourquoi avoir choisi de tourner en pellicule IMAX ? Je veux tourner un film entièrement en pellicule IMAX depuis que j'ai environ 16 ans et que j'ai vu pour la première fois des documentaires dans des musées filmés en IMAX. La clarté de l'image, la couleur incroyable, l'absence de grain, l'écran large qui vous immerge d'une manière vraiment fondamentale, m'ont semblé immédiatement pertinents pour des superproductions hollywoodiennes. Mais ce sont des caméras massives et bruyantes. Pour ce projet, je suis allé chez IMAX et j'ai dit : « Pouvez-vous trouver un moyen de rendre les caméras silencieuses parce que je veux vraiment faire le film entier de cette façon ? » Ils ont conçu un boîtier high-tech dans lequel je pouvais mettre la caméra, un très grand boîtier, mais qui la rendait silencieuse. Mais il faut changer les bobines au bout de trois minutes. Donc, on a dit aux acteurs : « D'accord, vous allez avoir cette machine massive devant le visage et vous allez devoir vous arrêter au milieu d'une scène et suspendre votre émotion pendant que nous rechargeons la caméra aussi vite que possible, aussi discrètement que possible. » Si les acteurs n'avaient pas voulu le faire ou n'avaient pas trouvé que cela fonctionnait pour eux, nous l'aurions abordé différemment. Mais en fait, je pense qu'ils ont trouvé cela très excitant. Le niveau de concentration sur la performance avec ces restrictions était très intense. Si vous filmez sur un format numérique où vous pouvez filmer pendant des heures, vous pouvez obtenir du bon travail de tout le monde sur le plateau, mais ce sera à des moments différents. Tandis que lorsque vous faites tourner cette caméra et que tout le monde est concentré, sachant que vous avez ce temps limité et que tout doit se rejoindre à ce moment-là, chaque technicien donne le meilleur de lui-même et arrive à ce point de concentration intense. Chaque format que vous choisissez a des avantages et des inconvénients ; la clé est d'essayer de construire le scénario autour des avantages. Et qu'est-ce qui était le plus compliqué sur le tournage ? D'un point de vue physique, être sur des bateaux est toujours extrêmement difficile au cinéma, surtout sur un vaisseau antique reconstitué dans des eaux agitées. Mais certaines scènes calmes, des scènes dramatiques plus intenses, ont été pour moi de loin les plus difficiles à filmer. Il fallait faire en sorte que l'équipe de prise de vue comprenne comment déplacer la caméra comme n'importe quelle autre, alors qu'elle est 50 fois plus grande. Et puis que les acteurs puissent continuer à se concentrer en dépit des interruptions. Ça a été l'un des plus grands défis du film.

Madeline Brumby and Shane Morton join Jim for a rousing discussion of the 1953 Monster Movie Classoc "Beast From 20,000 Fathoms," starring Paul Christian, Paula Raymond, Cecil Kellaway, Kenneth Tobey, Donald woods, Lee Van Cleef, Steve Brodie, Ross Elliot, Michael Fox, King Donovan, James Best, and with Special Effects by Ray Harryhausen. A dinosaur, frozen in the Arctic, is awakened after a nuclear bomb test and returns to his birthplace - New York City - causing death and destruction. Find out more about this gem on MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

By way of Christopher Nolan, The Odyssey is hitting cinemas in July, an epic fantasy action bonanza based on Homer's Odyssey. Its use of scale and practical effects harken back to the movies and stories he grew up on, including this one, Jason and the Argonauts from 1963. Featuring groundbreaking effects from stopmotion and dynomation wizard Ray Harryhausen, he considers it the pinnacle of his work, with the giant bronze statue Talos, the seven headed Hydra and of course the skeleton battle sequence. Join us this week and the next two as we explore more of the inspirations behind The Odyssey and thanks for watching our Caravan Of Garbage review.SUBSCRIBE HERE ►► http://goo.gl/pQ39jNVideo Edition ►Help support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-moviesThe Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Hello, Kaiju Lovers! And happy birthday, Ray Harryhausen! And Nate and Elijah, too. Yes, they're back for their annual crossover, and this year in their reverse order coverage of Ray's filmography, they've reached an outlier: One Million Years B.C. (1967). While it has a cinematographer and director Ray had worked with, this wasn't produced by Charles H. Schneer or distributed by Columbia Pictures. No, this is a Hammer Film and a remake of a 1940 movie starring Lon Chaney Jr. It made Raquel Welch an overnight star and sex symbol (much to her chagrin).Not only is it one of the British studio's most successful films, it might be the most iconic dinosaur film predating Jurassic Park (see MIFV episode 79). Nate and Elijah get into all the nitty-gritty of this prehistoric epic—including the censored cuts made to the U.S. version—in this sensational celebration! For full show notes, including a bibliography of Nate's sources, check out this episode blog post on the MIFV website: https://monsterislandfilmvault.com/index.php/2026/06/29/monster-conversation-harryhausen-annual-5-one-million-years-b-c-mifv-x-kaiju-conversation/.  Additional Music: “Legends of Warcraft” by PSK “The Dark Ages” by Phil Rey Check out Nathan's spinoff podcasts, The Henshin Men and The Power Trip, and Henshin Power V3! Listen to Elijah Thomas' podcast, Kaiju Conversation! We'd like to give a shout-out to our free MIFV MAX patrons on Patreon: Cordell Stevens, John Pannozzi, Jacob Heron, Cool Cat Videos, Bransbow, Sean Sullivan, Frankie Wolf, Russel Hale, FRIEN Jadge, Bob Hard, ArtsieSteph, Robert O'Brien, DD Chief, Kaye, Nobody, The Indiscrite One, Clayton Warden, Enigma, Dave Blanken, Patrick Greenlaw, Mikki, Josh Baughan, Shane Cochran, Francis Chopin, and Geek 3D Art. You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month! (https://www.patreon.com/monsterislandfilmvault) Buy official MIFV merch on TeePublic! (https://www.teepublic.com/user/the-monster-island-gift-shop). NEW MERCH NOW AVAILABLE! This episode is approved by the Monster Island Board of Directors. Timestamps: Introduction: 0:00-16:04 Production History: 16:04-59:28 Elijah's Synopsis: 59:28-1:08:59 Toku Talk - Film Discussion: 1:08:59-3:08:47 Toku Talk – The Film's Legacy: 3:08:47-3:24:47 Toku Talk – Cast and Crew: 3:24:47-3:29:23 Toku Talk – Harryhausen Film Ranking (so far): 3:29:23-3:36:03 Outro (housekeeping, etc.): 3:36:03-3:48:11 Credits: 3:48:11-end Podcast Social Media: MIFV Linktree: https://linktr.ee/monsterislandfilmvault Nate's Linktree: https://linktr.ee/nathan_marchand MIFV is a member of PodNation (https://podnation.tv/) MIFV is one of Feedspot's top 10 tokusatsu podcasts! (https://blog.feedspot.com/tokusatsu_podcasts/) MIFV is one of Feedspot's top 20 monster podcasts! (https://podcasts.feedspot.com/monster_podcasts/) www.MonsterIslandFilmVault.com #JimmyFromNASALives, #MonsterIslandFilmVault, #kaiju, #daikaiju, #giantmonsters, #RayHarryhausen, #KaijuConversation, #raquelwelch, #onemillionyearsbc, hammerfilms, #dinosaurs © 2026 Moonlighting Ninjas Media and ET13 Productions

Nate and Elijah are back to celebrate the birthdays of Ray Harryhausen and themselves in the fourth episode of Monster Conversation: Harryhausen Annual. Join their prehistoric quest through Don Chafey's One Million Years B.C.Kaiju Conversation is a podcast series diving into the world of tokusatsu featuring genres like science fiction, J-Horror, action, and comedy! From Godzilla, Gamera, and Ultraman to the deepest darkest places like Zeiram, Zebraman, and Tetsuo: The Iron Man.The podcast is hosted by Elijah Thomas and Jackson Gibbens. Email: kaijuconversation@gmail.comTwitter/Facebook: @kaiju_convers Instagram: kaiju_conversLinktree:https://linktr.ee/Kaiju_Convers YouTube:https://www.youtube.com/channel/UCuni8GjDt1abcYq39cOxzDw Discord Server:https://discord.gg/gEwRexe Merchandise:https://teespring.com/stores/kaiju-conversation • Host: Elijah Thomashttps://linktr.ee/ET13_PRODUCTIONS• Guest: Nathan MarchandPodcast website: www.monsterislandfilmvault.comTwitter: https://twitter.com/TheMonsterIsla1Facebook: https://www.facebook.com/MonsterIslandFilmVault/Instagram: https://www.instagram.com/monsterislandfilmvault/Follow Jimmy on Twitter: https://twitter.com/NasaJimmFollow the Monster Island Board of Directors on Twitter: https://twitter.com/MonsterIslaBODFollow the Raymund Martin and the MIFV Legal Team on Twitter: https://twitter.com/MIFV_LegalTeamFollow Crystal Lady Jessica on Twitter: https://twitter.com/CrystalLadyJes1Author website: www.nathanjsmarchand.cAuthor Twitter: https://twitter.com/nathanmarchand7?lang=e• Editor: Jackson Gibbenshttps://linktr.ee/RexXenoDon't forget to leave us a 5-star review!

This month's movie was Masters of the Universe (no, not that one). Directed by Gary Goddard and released in 1987, this starred Dolph Lundgren, Frank Langella, and Courteney Cox, of all people. This episode features contributions from: (in order of appearance) Jason Connerley of Nerd's RPG Variety Cast (podcast) Joe Richter of Hindsightless (podcast) Goblin's henchman (podcast, blog) and the UmberBulk of the Southwest Sofa Crew Mirke the Meek (podcast) Karl Rodriguez of The GMologist Presents… (podcast, YouTube) Lex Mandrake of Dank Dungeons (YouTube, itch) Honourable mentions: Lifeforce dir. Tobe Hooper (1985), John Blanche (1948 - June 2026) Check of the Cerebravore review of Masters of the Universe (2026) If there's still time, you can back James Spahn's Blades of Power here https://www.kickstarter.com/projects/barrelridergames/retroquest?utm_source=substack&utm_medium=email Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ With Christopher Nolan's The Odyssey looming over the horizon, I felt this was the perfect opportunity to visit the ancient Greece of 1963 and the Ray Harryhausen classic Jason and the Argonauts, directed by Don Chaffey. That episode will air on July 25th, so please send in your submissions by the 27th if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

In this episode, Karl Rodriguez of The GMologist Presents… (podcast, Youtube) catches up on a few Movie Monday episodes. Honourable mentions: Sinbad, Ray Harryhausen, Buckaroo Banzai, Westworld, HBO, Michael Crichton. The movie for June is 1987's Masters of the Universe, directed by Gary Goddard and starring Dolph Lundgren. That episode will air on June 29th, so please send in your submissions by the 27th if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

It's time for the first, of three, interviews from Forbidden Worlds Film Festival 2026! Sam Espensen returns to talk about the 1985 medieval fantasy movie; Ladyhawke! As well as discussing what the movie means to Sam, the characters within and the genre as a whole, she talks about Ray Harryhausen, stop-motion and more! This is part 2 of the interview with Sam, for part 1, go to Spider-Dan & The Secret Bores: https://pod.fo/e/423f02 Subscribe & tune into both podcast feeds (or YouTube channels) so you don't miss any of their FWFF coverage! YouTube will have the video versions and clips will be on YT, TikTok & Instagram. Mike & Spider-Dan reviewed 13 movies from the film festival, and have 6 interviews to release, catch the first (1985's Ladyhawke), on the feed of Spider-Dan & The Secret Bores.   Make sure you follow @FWFilmFestival on social media and visit their website for more information and future events: www.forbiddenworldsfilmfestival.co.uk   Find Sam's Spirit company here: http://instagram.com/espensenspirit   Mike & Spider-Dan review 13 movies from FWFF '26, so check out the 6 reviews on GCC and the 7 on SP&TSB. Their Ladyhawke review is here: https://pod.fo/e/40954b   For video versions, check out this YouTube playlist: https://www.youtube.com/watch?v=51H9VeN6CKk&list=PLy_ca4KI17VBXnk-HtPBK12mJQKbDa8M- Join Mike's Patreon at the free tier for monthly bonus episodes, or support for £1 a month for weekly episodes! Head there now for access to the massive catalogue; www.patreon.com/GenuineChitChat You can also support with a one-off payment at Ko-Fi and Mike will be sure to send you bonus content as a thank you: https://ko-fi.com/GenuineChitChat Guest Spots: Mike was recently on Spider-Dan's pod, talking about the Special Edition of James Cameron's The Abyss, detailing the making-of, behind-the-scenes drama and more: https://pod.fo/e/401e58 Mike also appeared on Back To The Filmography, talking in-depth about Interstellar, including behind-the-scenes details, Matthew McConaughey's performance and more: https://pod.fo/e/3b9a62 Find all of Spider-Dan's details on his website: https://www.spiderdanandthesecretbores.com Find all of Mike's social media & other links at https://linktr.ee/GenuineChitChat Don't forget to review & share this episode wherever you can!

Lita (Hannah Fierman) is a dominatrix looking to get some cash on the side in The Demonatrix (2026) ★★★1/2 out of ★★★★★Intensity:

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following episode! On bonus episode thirty-seven, Colton and Andrew set sail on a quest to retrieve the Golden Fleece in the 1963 film 'Jason and the Argonauts', which features visual effects from the legendary Ray Harryhausen! As we build to the release of Christopher Nolan's 'The Odyssey' in July, look forward to more bonus episodes centered on Greek mythology-inspired films! This episode was originally presented as a Patreon exclusive bonus episode. Support us on Patreon to gain timed exclusive access to all future bonus episodes and early access to all regular episodes.  00:00:00 - Episode Teaser/Intro Music/Opening 00:05:01 - Andrew's Mythology Trivia Question of the Episode! 00:07:22 - 'Jason and the Argonauts' (Intro and Fun Fact) 00:12:25 - 'Jason and the Argonauts' (Spoilers) 00:46:56 - Conclusion/Outro Music Visit our website! Support us on Patreon! Thank you for listening! Got something to say? Send it our way to watchreviewrepeat@gmail.com! Produced by: Anna Mattis Intro/Outro Music: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

‘The Mandalorian and Grogu’ feels like an old Ray Harryhausen creature feature. ‘Course, all those beasties come with teeth, and the movie does, too. Read the full review. If you've enjoyed listening to Plugged In Reviews, please give us your feedback.

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew go to the farm, out onto the runway and out to sea. Then the boys talk some Ray Harryhausen as they look back at Clash of the Titans from 1981 in the Totally Retro Nostalgia Recall Flashback! segment. Is it as good as 7 year old Bryce remembers? Introduction-0:00 Murman Predicts-2:54 In Cinema Animal Farm (2026)-4:36 The Devil Wears Prada 2 (2026)-11:47 Deep Water (2026)-30:49 Murman Minute-47:13 Open Rage Jim's Open Rage- Giving Renny Harlin money-52:27 Bryce's Open Rage- Devil double feature-56:16 Totally Retro Nostalgia Recall Flashback! Clash of the Titans (1981)-57:26 Outro-1:09:54 Thanks Ragers for listening to our film review podcast. Rage On! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

In this episode, I chat with model maker Jim Davidson about his journey from a dinosaur-obsessed kid in the 1970s to working on some of the most memorable practical effects sequences in modern cinema. Jim talks about discovering the work of Ray Harryhausen, and how seeing Star Wars at the age of 12 made him realise that visual effects could be a real career. We get into how a chance meeting with future Oscar-winning art director Robert Stromberg led to his first break in the industry, and how that snowballed into working with the Skotak brothers on major productions. Jim shares detailed insights into the making of the nuclear nightmare sequence in Terminator 2: Judgment Day, including how the miniature buildings were constructed, destroyed, and reset using a combination of breakaway materials, air cannons and practical ingenuity. We also talk about his work on Batman Returns, the realities of working in small, tight-knit effects crews, and the creative problem-solving that defined that era of filmmaking. A big part of the conversation focuses on the industry shift following Jurassic Park, when CGI began to replace large-scale practical effects. Jim reflects on witnessing that transition first-hand, and why he chose not to move into digital work. There's also discussion of his later work, including returning to stop motion for Creepshow, bringing things full circle back to the techniques that first inspired him. It's a fascinating look at a very specific window in film history, from someone who was right in the middle of it. Topics CoveredGrowing up in the 1970s and early creative influencesDiscovering Ray Harryhausen and stop motionThe impact of Star Wars on a generationBreaking into the film industry through Robert StrombergEarly work and first film projectsWorking with the Skotak brothersPractical effects techniques on Terminator 2Building and destroying miniature citiesIn-camera effects vs optical compositingWorking on Batman Returns miniaturesLife on practical effects crews in the 80s and 90sThe rise of CGI after Jurassic ParkTransition from analog to digital workflowsMatte painting: traditional vs PhotoshopReturning to stop motion on CreepshowReflections on a career in practical effectsThis podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

Show 288. Dive into this episode of Skull Rock Podcast as we explore the magic of Disney, film history, and pop culture. Hosted by Aljon Go and Dave Bossert, this episode features a special interview with Producer-writer-director Arnie (Arnold) Leibovit and a celebration of poetry month with poet laureate Matt Mason. Plus, don't miss details about a rare screening of Ray Harryhausen's The Seventh Voyage of Sinbad! LINKS: The Puppetoon Movie 4K Restoration Preorder - Matt Mason poetry books - https://amzn.to/4cLXKHbWe are now on Patreon! Click this link to support the show -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Skull Rock Podcast | Join our crew! | Patreon. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Skull Rock Podcast is powered by Riverside.fm. Click⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and start making great podcasts today!Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theoldmillpress.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Faceboook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠|⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X/Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Aljon Go (aljongo) - Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Aljon's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dining at Disney Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Sorcerer Radio - All Disney Music, All Day Long ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SRSounds.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - E-mail: aljon@skullrockpodcast.com ||⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dave Bossert (@dave_bossert) • Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Email dave@skullrockpodcast.com. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠davidbossert.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Shop using our Amazon affiliate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. LISTEN to Dave's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Tunes Behind the Toons" segment on Sirius/XM's Disney Hits channel 133⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Release the Kraken! This week on the 80s Flick Flashback Podcast, Tim Williams and guest co-host Chris McMichen journey back to 1981 to revisit the ultimate mythological masterpiece: Clash of the Titans.Before digital pixels took over, Ray Harryhausen's legendary stop-motion magic brought the gods of Olympus and the monsters of the Styx to life. We're diving deep into our earliest childhood memories of the Kraken, the terrifying (and surprisingly effective) Medusa sequence, and the mechanical owl that everyone—love him or hate him—remembers: Bubo.From the gravitas of Laurence Olivier to the groundbreaking practical effects that defined an era, we explore why this blend of Greek mythology and Hollywood royalty remains a timeless cult classic. We'll also talk about the vintage toy line, the film's massive box office impact, and where it lands on our Rewatchability and Nostalgia Meter today.Chapters00:00 Introduction to Clash of the Titans06:04 Rewatching and Nostalgia11:52 Cast and Characters16:54 Impact and Legacy23:07 Notable Performances and Behind the Scenes28:09 The Enforcer of Many Roles34:13 Trivia and Original Storyline39:20 The Clash of the Titans Sequel45:36 Rewatchability and Nostalgia Meter

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En uno de mis buceos en mi ingente colección de DVD's recordé que tenía todas las películas de Simbad de Ray Harryhausen hechas por Columbia, artefactos que me retrotraen a la infancia de una manera salvaje, entre monstruos de stop-motion y aventuras sin fin. Hoy os hablo del primero de ellos.Escucha este episodio completo y accede a todo el contenido exclusivo de Todo es Rock And Roll Podcast. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/14610

Also on Arizona Spotlight: Looking back fifty years to the tragic wreck of the Edmund Fitzgerald; and a tiny hummingbid who acts like a mighty eagle.

The ancient Greek story of Jason and Medea starts as a love story and ends as a horror show — just the way the Greeks liked it. The met, fell in love, stole the magical golden fleece (a symbol of authority and kinship) and escaped like a primeval Bonnie and Clyde. Find out why one of our guests calls Jason "an absolute hypocritical pig of a husband" as IDEAS explores their turbulent relationship. *This episode originally aired on Sept.19, 2022.Guests in this episode:Edith Hall is a professor of Classics at Durham University.Florence Yoon is an assistant professor of Greek Language and Literature at the University of British Columbia.Rosie Wyles is a senior lecturer in Classical History and Literature at the University of Kent.James Clauss is a professor of Classics at the University of Washington.Lucy Jackson is an assistant professor of Classics and Ancient History at Durham University.Connor Heaney is a collections manager at the Ray & Diana Harryhausen Foundation in Edinburgh.Vanessa Harryhausen is Ray Harryhausen's daughter.Lyndsy Spence is the author of Cast a Diva: The Hidden Life of Maria Callas, published by The History Press.

In this episode, a tribute to Ray Harryhausen, a true pioneer of stop motion animation. Discover how his innovative filmmaking techniques brought iconic monsters to life, shaping the landscape of visual effects and cinema history forever. From an interview with the master from 1999.   SAVE 17% ON PLUS TODAY

Film Photography Podcast – Episode 373 – April 1, 2026
 - Michael, Owen, and Mat return with another installment of the “mm club,” diving into Super 8 filmmaking gear, including the Vintage Visual Super 8 developing reel designed for use in standard Paterson 8-reel tanks. The unique D-Mount Zunow 13mm f/1.3 lens. Special guest Mark O'Brien joins to celebrate the stop-motion magic of Ray Harryhausen, plus listener letters and more.

The season on the fantasy genre continues with the classic fantasy adventure movie with greek myths and Ray Harryhausen effects with CLASH OF THE TITANS.  Please send any and all feedback to anotherlookpod@gmail.com.  Please follow us on Instagram @anotherlookpod, and rate/review/subscribe where ever you get your podcasts.

This month, Robert and Nat go it without an under the weather Cody. To make up for that absence, we are joined by Hunter Fagan of Dis-Order and Grim Grinning Hosts to talk Jules Verne and Ray Harryhausen in 1961's MYSTERIOUS ISLAND. Time tracks: 0:00:00 - MYSTERIOUS ISLAND Discussion 1:26:57- Next Movie and Outro

In this episode of The Filmumentaries Podcast, I'm joined by creature effects designer Alec Gillis, founder of Studio Gillis and co-founder of Amalgamated Dynamics Inc. (ADI) alongside Tom Woodruff Jr.Alec has spent more than four decades helping bring some of cinema's most memorable creatures to life. After beginning his career working under the legendary Stan Winston, he went on to contribute to films including Aliens, Predator, Alien³, Tremors, Death Becomes Her, Starship Troopers and many more.In this conversation we talk about how a childhood encounter with Ray Harryhausen's Jason and the Argonauts set him on this path, the early days building stop-motion creatures in his parents' garage, working for Roger Corman alongside a young James Cameron, and what it was like joining Stan Winston Studio during one of the most exciting periods in creature effects history.We also talk about the eight-week scramble to build the Predator, working with David Fincher on Alien³, forming ADI with Tom Woodruff Jr., and how practical creature effects continue to evolve in an industry now dominated by digital tools.This interview was recorded remotely, but I recently had the chance to visit Alec in Los Angeles while filming interviews for our upcoming Joe Alves documentary, where we spoke in person about his work on Jaws 3-D.Topics discussed• Discovering movie magic through Ray Harryhausen• Building stop-motion creatures as a kid• Learning the craft during the Roger Corman years• Meeting and working alongside James Cameron• Life inside Stan Winston Studio• Creating the Predator in just eight weeks• The production of Alien³ and working with David Fincher• Founding Amalgamated Dynamics Inc. with Tom Woodruff Jr.• Practical effects in the digital era• Mentoring the next generation of creature artistsSupport the PodcastIf you enjoy The Filmumentaries I hope you enjoy it.This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

FX artists Ray Harryhausen and Randall William Cook

In this episode, Anna and Derek chat about the core memories formed from the Medusa sequence, exactly why Thetis is hanging out on Mount Olympus, and much more during their discussion of the Ray Harryhausen showcase Clash of the Titans (1981).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

In this episode of the Fan2Fan Podcast, Bernie and Pete talk atomic age monsters and mutants! The duo trace how post-World War II anxieties about nuclear power, radiation, and scientific overreach gave rise to a new wave of cinematic monsters. Welcome to the atomic age of giant ants, mutated beasts! They discuss how these films captured Cold War fears and reflected a world grappling with atomic uncertainty. Along the way, Bernie and Pete spotlight the legendary Ray Harryhausen and how his groundbreaking stop-motion animation brought towering creatures to life. For more info about the Fan2Fan Podcast, visit https://fan2fan.libsyn.com

Stephen Bissette (Swamp Thing) & Jim Rugg (Cartoonist Kayfabe, Street Angel) join Dave to discuss the upcoming Artist and Complete Editions of Tyrant via Kickstarter , Bissette's singular prehistoric dinosaur masterwork. Eisner Hall of Fame legend Bissette and comic genius Rugg explore the role of fanzines in shaping early careers, the intensive scientific research that nearly derailed Tyrant's earliest issues, Ray Harryhausen, and how Alan Moore's advice solved the problem of creating a non-human narrative voice.Pre-Save the kickstarter here - https://tinyurl.com/yp4mwt72Join my Patreon - https://www.patreon.com/davengersdirecteditionGrab Jim Rugg's books through PowerPulp - https://powerpulpcomics.com/Grab Stephen's Paleo Pop - https://www.amazon.sg/Bissettes-TYRANT%C2%AE-presents-Paleo-PopTM/dp/B0G4DWVX4G

For February's Movie Monday, we watched The Golden Voyage of Sinbad from 1973, a fantasy adventure directed by Gordon Hessler and featuring stop-motion effects of Ray Harryhausen. This episode features contributions from: (in order of appearance) Jason Connerley of Nerd's RPG Variety Cast (podcast) Goblin's henchman (podcast, blog) and the UmberBulk of the Southwest Sofa Crew Joe Richter of Hindsighless (podcast) James Knight, Tyranner the Dwarf, and Ellen the Elf of the Southwest London Sofa Gang Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ The movie for March is The Adventures of Buckaroo Banzai Across the 8th Dimension from 1984, directed by W. D. Richter and starring Peter Weller. That episode will air on March 30th, so please send in your submissions by the 28th if you'd like to be included in the show. Also, be sure not to miss the new podcast I'm involved with, entitled With Wife and I. My wife, Isla, suggested we take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall. You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Greek mythology has a way of cycling back. Every generation seems to take a turn with these stories, reshaping them to fit the tools and tastes of the moment. With a new version of The Odyssey directed by Christopher Nolan on the horizon, it feels like a good time to revisit a few earlier attempts. Not the definitive versions. Just four films that each capture a different moment in how the myths were staged.Jason and the ArgonautsDirected by Don Chaffey and brought to life by the stop motion work of Ray Harryhausen, this remains the standard for mythological adventure on film.The skeleton fight is still the showcase. Harryhausen animated seven sword fighting skeletons by hand, frame by frame, matching choreography that had already been filmed with live actors. It took months to complete just a few minutes of screen time. The patience shows. The movement has weight and timing that still feels precise.There is also Talos, the bronze giant, who creaks to life in a way that feels mechanical and ancient at the same time. No digital polish. Just careful craft. The film was not a major hit in 1963, but it built its reputation through television airings and revival screenings. Filmmakers like Steven Spielberg and Peter Jackson have pointed to it as an influence.Clash of the TitansNearly twenty years later, Harryhausen returned for what would be his final feature. Released in 1981, the same summer as Raiders of the Lost Ark, it feels like a bridge between eras.Medusa is the standout. Instead of legs she has a serpentine body, and the sequence plays almost like a horror film, full of shadow and flickering light. Harryhausen again handled the creature effects himself, at a time when optical and early digital techniques were starting to change the industry.The cast gives the film a formal tone. Laurence Olivier plays Zeus and Maggie Smith appears as Thetis. There is also Bubo, the small mechanical owl added after the success of Star Wars. Even at the time some viewers were unsure about that addition. It says a lot about where fantasy films were headed in the early 1980s.HerculesDirected by Luigi Cozzi and starring Lou Ferrigno, this version of Hercules leans into spectacle in a way that is sometimes baffling and sometimes charming.Ferrigno had already been known for playing the Hulk on television, so casting him as Hercules made sense on a physical level. The film itself mixes Greek myth with science fiction imagery, including cosmic visuals and creatures that feel closer to Italian fantasy cinema than to Homer.It was part of a cycle of sword and sandal films in the early 1980s, many of them international co productions designed for global markets. The effects are uneven, but there is sincerity here. It commits to its vision without irony.The OdysseyDirected by Andrei Konchalovsky and starring Armand Assante, this two part television adaptation aired in 1997 as an event production.The format allows it to cover more of the journey than most feature films attempt. The Cyclops sequence and the Sirens episode stand out, helped by visual effects that were ambitious for network television at the time. The production won an Emmy for visual effects and reflects a brief period when large scale myth adaptations were being mounted for prime time audiences.Watching it now, you can see both its limits and its effort. It wants to treat the source material seriously, without reducing it to spectacle alone.Taken together, these films show how the same source material can shift with the era. Stop motion craft in the 1960s. Transitional fantasy in the early 1980s. International genre filmmaking. Large scale television in the 1990s.When Nolan releases his Odyssey, it will enter a long line of attempts to translate these myths into something contemporary. Revisiting these earlier versions is a way to see how each generation solved the same problem with different tools.They are worth tracking down. Not because they are perfect, but because each one reflects a moment when someone decided these ancient stories were still worth staging carefully.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

This is an off-the-cuff episode, wherein I cover a variety of things. Free PDFs: Cairn: Barebones Edition by Yochai Gal https://yochaigal.itch.io/cairn-barebones-edition Intergalactic Bastionland: Beyond Into The Odd: Playtest by Chris McDowall https://open.substack.com/pub/bastionland/p/bastionland-goes-intergalactic?utm_campaign=post-expanded-share&utm_medium=web Books: Promethean Horrors: Classic Tales of Mad Science by Xavier Aldana Reyes for British Library Tales of the Weird The Uncanny by Sigmund Freud It Was All A Dream: An Anthology of Bad Horror Tropes Done Right by Brandon Applegate Films: Dr. Jekyll and Mr. Hyde (1931) dir. Rouben Mamoulian The Black Cat (1934) dir. Edgar G. Ulmer Black Pit of Dr. M (1959) dir. Fernando Mendez The Plague of the Zombies (1966) dir. John Gilling Theatre of Blood (1973) dir. Douglas Hickox Frightmare (1974) dir. Pete Walker Messiah of Evil (1974) dir. Willard Huych, Gloria Katz Phantasm (1979) dir. Don Coscarelli Weapons (2025) dir. Zach Cregger RPG Material: Cosmic Dark by Graham Walmsley The No-Prep Gamemaster: Train Your Brain to Run Tabletop Roleplayng Games Second Edition by Matt Davids https://www.drivethrurpg.com/en/product/524180/the-no-prep-gamemaster-train-your-brain-to-run-tabletop-roleplaying-games Cloud Empress Core Boxed Set by Watts Honourable Mentions: Dave Aldridge of dPercantile (podcast) Weird Studies podcast Episode 86: On E.T.A. Hoffmann's “The Sandman” https://open.spotify.com/episode/5LwYzcmq29EJXXa9C5SSH4?si=vDE7gzUfQQay5i-gWK8uXQ&context=spotify%3Ashow%3A7MtLPVWIcFbl5XPsMiF9f8 Scott Doward of The Good Friends of Jackson Elias (podcast) Andy Goodman of Grizzly Peaks Radio (podcast) Jen Fridy at GrimHumor https://www.jenfridy.com/ Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ This month's Movie Monday is The Golden Voyage of Sinbad from 1973. Directed by Gordon Hessler and featuring stop-motion effects of Ray Harryhausen. That episode will air on February 23rd, so please send in your submissions by the 21st if you'd like to be included in the show. Also, be sure not to miss the new podcast I'm involved with, entitled With Wife and I. My wife, Isla, suggested we take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at spencer.freethrall@gmail.com, follow me on BlueSky @freethrall.bsky.social, or look me up on Discord by searching for freethrall You can also hear me in actual plays on Grizzly Peaks Radio and find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Colossal thrills as gods, monsters, and men clash!Ray Harryhausen returns to the show as we continue our swords-and-sorcery journey, this time with a big ol' emphasis on the sandals. Join us as we make fun of Hercules, talk even longer about Wuthering Heights, and even sing a little bit of The Sound of Music.CHAPTERS(00:00:00) Welcome(00:02:42) What we're watching(00:28:23) Jason and the Argonauts(01:11:40) Movie trivia(01:13:54) Final thoughts & ratings(01:20:51) Mailbag(01:22:55) Next episode...LINKSWe'd love to hear from you! Send us a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠voice message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, support us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Listen to the ⁠Podzilla Wrap-up Podcast⁠.Check out our amazing artist, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cassie Selin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.THANK YOUA special thank you to all our Odo Island patrons:Jacob DockeyRich JetteFrogurtConnor StompanatoShaun SagerNerklesMichael KnottsRon JimenezMatt CrossJBSpinoEmmaJB MasonThe Sci-Fi Critic

Ray Harryhausen said this was his best movie. I tend to agree. Jason And The Argonauts (1963) - Blu-Ray Review ROCKFILE Podcast 959 #jasonandtheargonauts #moviereview #rockfile  ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group:  https://www.facebook.com/groups/rockfilesroom -Official Website:  https://therockfile.com/ -YouTube channel:  https://www.youtube.com/@rockfile -Interview Archive:  https://therockfile.com/Interviews/    ~ Music from #Uppbeat https://uppbeat.io/t/enrique-molano/ants-carnival License code: IV5M5EGLBEBSNUDV  ~ Note: the static pictures in my movie reviews are NOT screen captures. I am not set up to do that yet but one day I hope to be.  

I begin this episode by talking about two Kickstarters I recently backed. Tanya Flocker's The Thunder Perfect Mind (ending February 10th) https://www.kickstarter.com/projects/floaker/the-thunder-perfect-mind?ref=discovery&term=the%20thunder%20perfect%20mind&total_hits=1&category_id=34 Three Sail Studio's Gallows Corner - A Peasants' Revolt RPG https://www.kickstarter.com/projects/threesailsstudios/gallows-corner-a-peasants-revolt-rpg?ref=nav_search&result=project&term=gallows%20corner&total_hits=1 This is followed by some Movie Monday feedback from Evil Jeff of Minions & Musings (podcast), Joe Richter of Hindsighless (podcast), and Mirke of Mirke the Meek (podcast). Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ This month's Movie Monday is The Golden Voyage of Sinbad from 1973. Directed by Gordon Hessler and featuring stop-motion effects of Ray Harryhausen. That episode will air on February 23rd, so please send in your submissions by the 21st if you'd like to be included in the show. Also, be sure not to miss the new podcast I'm involved with, entitled With Wife and I. My wife, Isla, suggested we take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. You can find it wherever you get your podcasts. Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

In 2010 two things were big. 3D films and Sam Worthington, both a result of Avatar from 2009. And whilst that franchise continues on Clash of the Titans (which incorporates both) acts as a time capsule of that era of film making. Also acting as a reboot of the 1981 Ray Harryhausen original movie it pits Perseus, the son of Liam Neeson's Zeus, against the Gods of Olympus including Ralph Finnes Hades who is threatening to release the Kraken on the ever increasingly disgruntled mortals of Greece. Thanks for watching our Caravan Of Garbage review!SUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.