Podcasts about CSA

La neutralité existe-t-elle encore dans les médias ? Dis-nous ton avis en commentaire !Aujourd'hui, on reçoit Christine Kelly, journaliste, ancienne membre du CSA (devenu l'Arcom), et figure emblématique de CNews et Europe 1.Elle publie " Pourquoi moi " aux éditions Fayard.Dans cet entretien, elle répond à toutes nos questions :

這幅深空視野拼鬥圖 leh 展示一个 hŏng 足讚嘆 ê 景色，這是 James Webb 太空望遠鏡 ê NIRCam 紀錄 loài ê 星系團 Abell 2744。Abell 2744 嘛叫做 Pandora 星系團，伊敢若是 3 个無仝 ê 大質量星系團合併 ê 結果。伊就 tī 玉夫座方向 35 億光年遠 ê 所在。這个大型星系團 因為 內底攏是烏暗物質，所以伊就 kā 時空扭曲去，這个 重力透鏡 效應嘛 影響著 閣較遠方 ê 天體。比 Pandora 星系團閣較紅 ê 天體，有足濟攏是受著透鏡效應 ê 影響，in 大部份攏是早期宇宙 ê 遙遠星系。受著透鏡效應扭曲 ê 影響，in ê 影像 去予搝長、拗彎，變做弧形。是講影像內底這寡 特別 ê 繞射光針，是銀河內 ê 前景星。照目前估計 ê Pandora 星系團 距離來看，這个宇宙盒仔差不多有 600 萬 光年大。毋過免驚！你閣會當看 這支 2 分鐘 ê 影片，來探索這个迷人 ê 天區。 ——— 這是 NASA Astronomy Picture of the Day ê 台語文 podcast 原文版：https://apod.nasa.gov/ 台文版：https://apod.tw/ 今仔日 ê 文章： https://apod.tw/daily/20251003/ 影像：NASA, ESA, CSA, Ivo Labbe (Swinburne), Rachel Bezanson (University of Pittsburgh) 資料：Alyssa Pagan (STScI) 音樂：P!SCO - 鼎鼎 聲優：阿錕 翻譯：An-Li Tsai (TARA) 原文：https://apod.nasa.gov/apod/ap251003.html Powered by Firstory Hosting

Sarah Gretsinger worked for other farms for over a decade before starting her urban farm, The Kale Next Door, on the land around her house in Akron, Ohio. Hear how she scaled down techniques she had practiced on larger farms in order to grow intensively on a small land base. Host April Parms Jones, one of Sarah's CSA customers, gets all the details of how Sarah gets the most out of not a lot of space.They do a deep dive on garlic, just in time for garlic planting season. Sarah outlines the practices she uses to encourage healthy soil, and explains how flowers fit in with the veggies in her CSA. Sarah also discusses the ways urban farming can help relocalize the food system and how others who have land in urban areas can start growing on it or make it available to others to help solve the issue of land access. Connect With Guest:Instagram: @thekalenextdoor Podcast Sponsors: Huge thanks to our podcast sponsors as they make this podcast FREE to everyone with their generous support:Nifty Hoops builds complete gothic high tunnels that are easy to install and built to last. Their bolt-together construction makes setup straightforward and efficient, whether it's a small backyard hoophouse, or a dozen large production-scale high tunnels- especially through their community build option, where professional builders work alongside your crew, family, or neighbors to build each structure- usually in a single day. Visit niftyhoops.com to learn more. Farmhand is the virtual assistant built for farmers—helping CSAs scale sales, run error-free fulfillment, and deliver 5-star service. Whether you're at 100 members or 1,000, Farmhand helps you grow without burning out. You've heard us—and our farmers—right here on the Growing for Market Podcast. Explore more stories and learn more at farmhand.partners/gfm. Discover innovative packaging solutions at A-ROO Company, your one-stop shop for customizable and eco-friendly packaging across various industries, including floral, produce, and specialty packaging. Explore stylish and eco-friendly Kraft Paper Sleeves and sheets at shop.a-roo.com today and enjoy an exclusive 15% discount with code "GFM15" for Growing For Market listeners. When it comes to quality and innovation, A-ROO Company is the name you can trust. There are a lot of farm sales platforms out there, but there's only one that's cooperatively owned by farmers. That's GrownBy — your all-in-one solution to simplify farm sales. GrownBy makes online farm sales easy and affordable; setting up your shop is free, and you only pay when you sell. Join over 900 farms who have already signed up for GrownBy, at grownby.com. If you have never attended an ASCFG Conference, there is no better time to invest in yourself! The Association of Specialty Cut Flower Growers is welcoming Growing for Market readers to register at the ASCFG member rate for the 2026 Conference in Albuquerque on January 13-14. Register at ascfg.org. Subscribe To Our Magazine -all new subscriptions include a FREE 28-Day Trial

***This show is brought to you by Quince. Go to http://quince.com/playonpod for free shipping on your order and 365-day returns.*** In the parking garage outside The Tower, Richard coaches Buckingham on how to act distraught. The Mayor arrives with Catesby and recoils in horror when Ratcliffe delivers Hastings' head. In order to keep her own, she promises to tell the citizens that Hastings was a traitor who deserved to die. Once she leaves, Richard tells Buckingham to spread the word that King Edward was father to countless illegitimate children, including the two Princes. Later, Richard is planted as a guest on the Maximum Rock-n-Roll Radio Show to pose as a devout Christian and give the impression that he does not want to be King unless the people demand it. Buckingham stages a call into the show to plead with Richard to take the throne, saying that if he doesn't, there will be rebellion. Richard pretends to be reluctant but eventually gives in. Later, outside The Tower parking garage, the Duchess, Elizabeth, Anne and Dorset assemble to visit the Princes, but Brackenbury refuses to let them in. Dorset flees to France to join forces with Richmond. Anne agrees to be crowned in order to save the Princes. Elizabeth goes to Sanctuary to save herself and the Duchess goes to her death. Later, King Richard sits on the throne at The Temple Beautiful with Buckingham at his side, celebrating their rise to power. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pull back the curtain with me on the refreshed Six Figure Flower Farming program opening November 4. I walk through the five pillars that scale a flower farm without burnout: your profit plan, crop costing to pinpoint top moneymakers, efficient farm operations that run without you, marketing that builds demand, and sales that convert CSA and retail customers with ease. You will hear how we use ready-to-go spreadsheets, pricing and break even calculators, templates, and swipe files, plus weekly live Q and A and community support. This is also the final cohort with lifetime access, which makes it the best time to join for long-term success and systems that actually pay you.Join the waitlist for the Six Figure Flower Farming Course: www.trademarkfarmer.com/waitlistGet our free training: www.trademarkfarmer.com/profit Did you enjoy this episode? Please leave a review on Apple or Spotify. Follow Jenny on Instagram: @trademarkfarmer Find free flower business resources: www.trademarkfarmer.com ​

毛蟹星雲 是 彼个有名 ê Charles Messier 星表 ê 頭一粒天體。伊 ê 編號是 M1，毋是彗星。實際上，咱這馬知影 毛蟹星雲 是一个 超新星殘骸，是懸質量恆星死亡爆炸了後產生 ê 脹大星雲 ê 雲屑仔。天文學家 tī 1054 年 ê 時陣有看著這个激烈出世 ê 毛蟹星雲。這个星雲 ê 直徑差不多有 10 光年，伊 ê 脹大 速度 是一秒鐘 1500 公里。你若是比較 Hubble 太空望遠鏡 kah James Webb 太空望遠鏡 ê 清楚影像，就會發現 伊咧脹大。2005 年 Hubble 太空望遠鏡 ê 可見光波段 kah 2023 年 Webb 太空望遠鏡 ê 紅外光波段，有翕著毛蟹星雲 ê 雲屑仔 kah 雲絲 ê 活動。這隻宇宙甲殼類動物，就 tī 金牛座 方向差不多 6500 光年遠 ê 所在。 ——— 這是 NASA Astronomy Picture of the Day ê 台語文 podcast 原文版：https://apod.nasa.gov/ 台文版：https://apod.tw/ 今仔日 ê 文章： https://apod.tw/daily/20250508/ 影像：NASA, ESA, CSA, STScI; Jeff Hester (ASU), Allison Loll (ASU), Tea Temim (Princeton University) 音樂：P!SCO - 鼎鼎 聲優：阿錕 翻譯：An-Li Tsai (TARA) 原文：https://apod.nasa.gov/apod/ap250508.html Powered by Firstory Hosting

質量上大 ê 少年星團是 NGC 346。伊就 tī 咱 ê 衛星星系 小麥哲倫星雲 ê 恆星形成區內底，離咱有 21 萬光年遠。雖罔講 NGC 346 星團內底 ê 大質量恆星 攏足短命--ê，毋過 in 攏 活跳跳 閣 pìn-piàng 叫。恆星風 kah 輻射 leh 雕這區 厚塗粉 分子雲外沿 ê 時陣，會驅動內底 ê 恆星形成活動。恆星形成區內底會有足濟 紅嬰仔恆星，四散 tī 星團內底。In 才 300 到 500 萬歲爾爾，猶未開始 tī in ê 核心 進行 水素 ê 核融合反應。NGC 346 這張壯觀 ê 紅外線景色 是 ùi James Webb 太空望遠鏡 ê 近紅外線相機 NIRcam 翕--ê。相片內底 ê 粉紅仔色，是大質量恆星 ê 高能輻射 kā 水素原子 離子化。柑仔色是恆星形成分子雲 內底 ê 水素分子 kah 塗粉 發出 ê 發射線。Webb 太空望遠鏡翕--ê 這張 遮爾清楚 ê 少年恆星形成區，若是照 小麥哲倫星雲 ê 距離來估算，應該是有 240 光年闊。 ——— 這是 NASA Astronomy Picture of the Day ê 台語文 podcast 原文版：https://apod.nasa.gov/ 台文版：https://apod.tw/ 今仔日 ê 文章： https://apod.tw/daily/20250502/ 影像：NASA, ESA, CSA, Olivia C. Jones (UK ATC), Guido De Marchi (ESTEC), Margaret Meixner (USRA) 資料：Alyssa Pagan (STScI), Nolan Habel (USRA), Laura Lenkić (USRA), Laurie E. U. Chu (NASA Ames) 音樂：P!SCO - 鼎鼎 聲優：阿錕 翻譯：An-Li Tsai (TARA) 原文：https://apod.nasa.gov/apod/ap250502.html Powered by Firstory Hosting

是按怎木星有環？木星主要 ê 環 是 1979 年 NASA 航海家 1 號 太空船飛過木星 ê 時陣翕著--ê。毋閣環是按怎來--ê，彼陣咱猶毋知。等到 NASA 加利略 太空船 tī 1995 年到 2003 年 踅木星咧行 ê 時陣，有證實一个假說。講，木星環 是 流星體 挵著木星附近 ê 細粒衛星，才產生--ê。比論講，若是有一粒細粒流星體 挵著木星足細粒 ê 衛星 Metis。這粒流星體會鑽入去衛星內底、蒸發、爆炸，kā 產生 ê 塗粉擲入去 踅木星 ê 軌道。這張 木星相片是 James Webb 太空望遠鏡 tī 紅外線波段 翕--ê。這毋若看會著 木星 kah 木星雲，嘛看會著木星環。咱嘛看會著木星 ê 大紅斑 (GRS)，就是正爿較淺色彼丸。木星上大粒 ê 衛星 木衛二 Europa 就 tī 倒爿彼个 繞射光尖 ê 中心。木衛二 Europa ê 烏影，就 tī 大紅斑 ê 邊仔。這張相片內底有幾若个特徵，咱到今 猶毋是蓋清楚。比論講木星正爿邊界，敢若有一重 kah 木星 分開 ê 雲層。 ——— 這是 NASA Astronomy Picture of the Day ê 台語文 podcast 原文版：https://apod.nasa.gov/ 台文版：https://apod.tw/ 今仔日 ê 文章： https://apod.tw/daily/20250402/ 影像：NASA, ESA, CSA, STScI 資料：Judy Schmidt 音樂：P!SCO - 鼎鼎 聲優：阿錕 翻譯：An-Li Tsai (TARA) 原文：https://apod.nasa.gov/apod/ap250402.html Powered by Firstory Hosting

Comentário de Ralph de Carvalho: A Produtividade do Atacante Ciel: O primeiro assunto trata da contratação e longevidade do jogador Ciel, atualmente com 43 anos de idade. Apesar da idade que geralmente marca o fim da vida útil no futebol (cerca de 35 a 38 anos) Ciel é artilheiro e entrega em campo o que se espera, sendo disputado por várias equipes. Ele está no CSA de Alagoas, onde a direção busca um contrato mais longo (até dezembro de 2026), e recentemente ele foi emprestado ao Tirol do Ceará para disputar a Taça Fares Lopes, demonstrando sua eficiência e produtividade. O Processo Eleitoral no Náutico: O segundo tema foca no processo eleitoral do Clube Náutico Capibaribe, com atenção ao prazo de inscrição das chapas. A chapa de situação, que deve ser liderada por Bruno Becker para presidente e Ricardo Malta para vice, está consolidada. Houve uma possibilidade de chapa de oposição com Plínio Albuquerque e Roberto Selva, mas essa ideia não vingou, indicando que o clube pode ter uma chapa única. O atual presidente, Bruno Becker, é esperado para oficializar sua candidatura no momento da inscrição. Débitos e SAF no Santa Cruz: O terceiro assunto é a situação do Santa Cruz, que passou a ser cobrado publicamente, com ameaças de inclusão dos débitos na Câmara Nacional de Resolução de Disputas (CNRD). A entrada do débito no CNRD pode causar punições severas, como a impossibilidade de inscrever novos atletas. O Vila Nova de Goiás, através do presidente Hugo Jorge Bravo, cobra R$ 700.000 referentes à venda do meia João Pedro. Além disso, o presidente do Tubarão de Santa Catarina cobra valores devidos pelo empréstimo do atacante Geovani. Questiona-se se os débitos são responsabilidade do Santa Cruz ou da futura SAF, a Cobra Coral Participações, sendo estranho que uma SAF comece a ser instalada já gerando ou assumindo um passivo. Apesar das cobranças, o Santa Cruz continua contratando jogadores, como Andrei, Ianson e Pedro Costa.

In today's episode, Amanda drinks a spicy margarita mocktail with actor, writer, and content creator Julie Nolke. Julie is a CSA-nominated performer and the creator of her self-titled YouTube channel with nearly 1 million subscribers. She's best known for her viral series Explaining the Pandemic to my Past Self (~65 million views), and has earned herself multiple accolades including three Webby Awards, two Streamy nominations, and two Buffer Festival Excellence in Writing awards. You'll also recognize Julie from her on-screen performances in Run the ‘Burbs (CBC/Hulu), the Emmy Award winning Workin' Moms (CBC/Netflix), Murdoch Mysteries (CBC), What We Do in the Shadows (FX), or her leading role in The Wedding Rule (W Network). Most recently, she is fresh off the western tour of her sold out one woman sketch show: Dying on the Outside. In this episode, Amanda and Julie discuss navigating career shifts in the aftermath of viral success, how new motherhood has reshaped Julie's identity and creative priorities, and the ongoing journey of redefining what ambition and success look like. Mentions from this episode… ~ Julie's YouTube channel ~ Julie's I Solved the Housing Crisis sketch ~ Julie's Explaining the Pandemic to my Past Self series ~ Run the ‘Burbs ~ Andrew Phung ~ Rakhee Morzaria (listen to Rakhee's Liquid Courage episode here!) ~ Wendy Litner ~ Gwynne Phillips ~ Fight Night by Miriam Toews   Terms we mentioned… “ACTRA” - stands for the Alliance of Canadian Cinema, Television and Radio Artists, and is a national union that represents and aims to protect eligible performers in Canada's recorded entertainment industries “AFBS” - stands for the Actra Fraternal Benefit Society, and is an organization that provides insurance, retirement, and health benefits to members of the entertainment industry, primarily those who belong to ACTRA and the Writers Guild of Canada “22 Minutes” - refers to This Hour Has 22 Minutes, an award-winning Canadian comedy series focusing on Canadian politics and current events.   ~ ~ ~ ~ ~   Let's Connect!    Liquid Courage - click here!  Amanda Pereira (host) - click here!  Julie Nolke (guest) - click here!    ⇒ To donate to the show, click here!    ~ ~ ~ ~ ~   The music in this episode is thanks to HookSounds. You can check out their tracks here: www.hooksounds.com. Use the discount code LIQUIDCOURAGE10 for 10% off a HookSounds subscription!* *If you use this code, I earn a small commission — so you'll be supporting the podcast, too!

Every IoT device should comply with the Connectivity Standard Alliance (CSA) Matter standard, but we know that's not the case. For some developers, doing that is a no-brainer. However, there are some developers who struggle with the process. For that latter group, the CSA recently released a Matter-compliant platform certification that should help them get to market far more quickly. To explain how that works, I spoke to Jon Harros, who leads the Alliance Certification and Testing team at the CSA, on this week's Embedded Executives podcast. Jon goes through the need for the program, how it's implemented, and what developers need to know.

The young Prince Edward arrives at The Temple Beautiful and complains to Richard about his uncles imprisonment. Richard tells him his uncles Rivers and Dorset were dangerous. Edward protests but is interrupted by the arrival of the Mayor of London who greets him with flattery. Edward asks about the whereabouts of his mother and brother, the Duke of York. Hastings arrives and tells Edward his mother and brother are in sanctuary. Buckingham orders Hastings to bring York to them by force. The Cardinal protests but Buckingham convinces him there's no need for sanctuary under these circumstances. Alone with his uncle Richard, Edward asks where he and his brother will be staying before their coronation. Richard tells him they're to stay in the Tower. Edward protests but is interrupted by the arrival of his younger brother. Little York teases Richard until he learns they're going to the Tower. He starts to argue but Edward tells him not to fear. They're taken away. Richard and Buckingham call in Catesby to test Hastings' loyalty. Once alone, Richard promises Buckingham the Earldom of Hereford. Later that night, a messenger from Stanley arrives at Barrington Hall to warn Hastings that Richard is going to kill him. Hastings reassures him that Richard won't harm him. Catesby arrives and hears from Hastings that he won't support Richard taking the throne, even though he had his enemies (Rivers and Dorset) killed. Stanley rolls up and warns Hastings not to trust Richard. Buckingham saunters out to meet them and takes them to the Tower for the coronation. Elsewhere, in a warehouse basement in Pomfret, Rivers begs for his life as Ratcliffe drowns him. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elaine Heath is the abbess of Spring Forest, a new monastic community in Hillsborough, North Carolina. Spring Forest centers around communal prayer and meals, a vibrant farm, refugee support, and other ministries you can read about here. You can learn more about Elaine's work as an author and speaker on her website, or in articles like this one from the Center for Action and Contemplation.Many thanks to Elaine and her husband Randall for welcoming Ron and I and our audio producer, Colin, to the farm last June. Besides relishing the good company of our hosts, we enjoyed harvesting cabbage, feasting and praying with the Sunday evening group, walking through the woods, and petting some good-natured goats.Dr. Elaine HeathOn the farm.Someone had to help harvest the cabbage, so Ron and Colin and I pitched in.Elaine, husband Randall, and I in their lovely home.TRANSCRIPTElaine Heath If you are nurtured by traditional church—or let's say, conventional church—keep doing it, but also realize that for other people that's not nurturing. It feels dry and lifeless, and it's clear the Spirit is doing something new. So instead of insisting everybody stop doing the new thing, and everybody has to come and do the conventional thing, you can be conventional in your worship and bless and make space for others so that we have a plethora of experiments going on.Debra Rienstra Welcome to the Refugia Podcast. I'm your host, Professor Debra Rienstra. Refugia are habitats in nature where life endures in times of crisis. We're exploring the concept of refugia as a metaphor, discovering how people of faith can become people of refugia: nurturing life-giving spaces in the earth, in our human cultural systems, and in our spiritual communities, even in this time of severe disturbance. This season, we're paying special attention to churches and Christian communities who have figured out how to address the climate crisis together as an essential aspect of their discipleship.Today, I'm excited to introduce you to Dr. Elaine Heath. Elaine is founder and abbess of Spring Forest, a new monastic community centered on a 23-acre forest and farm property near Hillsboro, North Carolina. The farm supplies a CSA and supports food security for refugees and serves as the setting for outdoor programs for kids, cooking classes, potlucks, forest walks and more. But the Spring Forest community is a dispersed network of people who move in and out of the farm space in a variety of ways. They live on the farm for a time, they visit often to volunteer, or they simply join the community online for daily prayer. We got to visit the farm last spring, and I can tell you that Elaine's long experience with new monasticism, trauma-informed care, and contemplative practice make her an ideal curator of refugia space. The vibe on the farm is peaceful, orderly, and full of life. It's a place of holy experimentation in new ways to form Christian community and reconnect with the land. Let's get to it.Debra Rienstra Elaine, thank you for talking with me today. It's really great to be with you.Elaine Heath Yeah, I'm glad to be with you too.Debra Rienstra So you served in traditional parish ministry and in religious academia for many years, and then in 2018 you retired from that work to found Spring Forest. Why a farm and a new monastic community? What inspired and influenced this particular expression of faith?Elaine Heath I've always loved farms and forests. But actually, my dream to do this started about 25 years ago, and my husband and I bought a 23 acre property in North Central Ohio, right when I was right out of my PhD program and I got my first academic job at my alma mater, which is Ashland Theological Seminary. So I went there to direct the Doctor of Ministry program, and we bought this beautiful property. It had a little house that looked like the ranger station, and it had a stream and a big labyrinth cut in the field, and it had beautiful soil to grow, you know, for market gardening. And what we planned to do was gradually develop retreat ministries there. My husband was going to build some hermitages up in the woods, because I did a lot of spiritual direction with pastors who were burned out and traumatized, and we felt like that, you know, as I got older and phased out of academia, that would be something we could do together.So we were there for a couple years, and then I was recruited to go to Perkins School of Theology at Southern Methodist University. And we were very sad to leave our property behind, but we were clear that we were being called to Texas. So we bought a home in the city in a sort of mixed income, racially diverse neighborhood in Garland, and it was a big house with a nice yard, and soon after starting to teach evangelism—which, I kind of created my own path for how to teach evangelism, because I don't believe in selling Jesus or any of those kinds of colonizing things. So I was teaching about living a contemplative life and practicing social and environmental justice and being good news in the world, and being good neighbors to all our neighbors, and thinking of our neighbors as us and not them. And I had them reading Shane Claiborne and the people writing with the emerging church movement at the time, and pretty soon, I had students in my class coming to my office every week. It was a different student, but the same tears and the same kind of narrative: “Dr. Heath, I think I'm going to have to leave the church to answer my call. Tell me what I should do.” And it was because they were being called to do innovative, new monastic ministry, missional, new monastic kinds of things. But our denomination in particular didn't quite get it, even though early Methodism was very much like that.So I realized fairly quickly that this was God calling me through these students to focus my research and writing and my teaching in the area of emergence. Emergence theory, what's happening in the world. How do these currents of emergence intersect with what's happening politically and environmentally, and what's happening, you know, in the economy and with the church. So pretty soon, I don't know, it wasn't very long, I felt God was calling me to gather students and start some experiments outside, out in the city. And so I had a prayer partner, and we were praying for a house to come available, so that we could start a new monastic house. And she came to me one day and she said, “I saw the house coming. It'll be here soon.” And I said, “Okay.” I had no money for a house. You know, kind of a lowly professor, didn't make that much. And within two weeks, one of our neighbors came to me, who didn't really know me well at all, and said, “Hey, my mom has a rental property. It's been in our family for a long time, and we wondered if you might have some students that would like to live there. We won't even charge rent, just pay their utilities and not have drug parties or whatnot.” And I said, “No, that's unlikely,” you know. So I said, you know, I could throw the phone down and ran down to get in her car and go over to this house with her. And we were driving over, and she says, “You know, it's not the best neighborhood.” I said, “Perfect!” But we got there, and it was a really great little three bedroom house in a predominantly Latina neighborhood, and that was our first new monastic house. So I asked three of the students who'd been crying in my office, “Would you be willing to break your leases wherever you live and come and live here for a year?” And I can assign a spiritual director to work with you, and I can write a curriculum for an independent study on the theory and practice of new monasticism. And we can develop a Rule of Life based on our United Methodist membership vows. And they all immediately said yes, and so that's how we got started with our first house.Elaine Heath And then right around the same time, I started a missional house church that was quickly relocated into the neighborhood where most of the refugees are resettled in Dallas, because one of my students brought six Congolese men to our little house church worship, and that that was the beginning of realizing we were called to work with refugees.Debra Rienstra Oh, I see.Elaine Heath So that all got started around 2008. And by 2009, there was a student who came to Perkins who had been a commercial real estate banker on Wall Street. And he came to Perkins as a student. He was an older man. And we were going on my very first pilgrimage to Iona, Northumbria, and Lindisfarne, and Michael Hahn was with us too. He and I team-taught this class, so it was my first one. But it turned out that Larry Duggins, the student, had come to seminary because he really wanted to be equipped to help young adults who were feeling disillusioned with the church but wanted to be out in the world doing good work. And he started describing what he was called to, and I'm like, “Well, that's what I'm doing with these students.” So we joined forces and created a nonprofit called Missional Wisdom Foundation, and within three years, we had a network of eight new monastic communities across the metroplex. They were all anchored at local churches. Some of them were parsonages that weren't being used. And we wove into the expectations and sort of the lifestyle of those houses, urban agriculture.Debra Rienstra Oh, I was waiting for the farm to come back into it. Yeah, because I'm seeing these threads of experimentation and monasticism and place. We're sitting here today on your current farm land. So it's really interesting to hear all these threads being developed early on in an urban context.Elaine Heath Yes, it was quite something. These houses were all in different social contexts. There was one house, the Bonhoeffer house, that was in East Dallas, in a neighborhood that was not only mixed income and racially diverse, but also used to be where the mayor lived. And now there are people who are unhoused living there, and there are also people with nice houses living there. So it was a very interesting neighborhood. So that house, we learned quickly that you needed to take a year to get to know the neighborhood before you try to figure out how you're going to support whatever justice work needs to happen in the neighborhood. But that house got really close with the unhoused community and did a lot of good ministry with the guys and a few women. Then there was one for undocumented workers, the Romero House, and just different social contexts. But all of them had a backyard garden or, you know, some type of growing food kind of thing. And I used to take students to this farm that was an urban farm in DeSoto, which is just south of Dallas, where it was quite small, but these were former missionaries, the type that have crusades and show the Jesus film and everything in sort of poor countries. And then they had an awakening that happened, and they realized they were being called to help people in orphanages learn how to grow their own food in a sustainable way and raise the living standard for the whole village. So they had this little farm, and I would take students there every semester to experience the conversion of thought that this couple had over what mission is, and to experience the beauty and joy of tilapia that provide food for the lettuce, that provide for the bees, you know. So this closed system. So that also affected my imagination about what I really wanted to do in the future.And so gradually, the years—we were there for 11 years, and we lived in community the whole time that we were there. By the time we came here for me to work at Duke, we had a very clear picture of what we wanted to do here. And so we looked for the property back when we had to sell that first farm, when we were so sad about selling it, I had an experience in prayer where I sensed God was saying to me, “Don't give up on this dream. It's sacred, and it will happen in the future on a better piece of property, at a better time in your life for this.” And so when it was time to move here, I said to Randall, “This is the time. Let's look for that property.” So that's how we landed here.Friendly, very contented dairy goats, hanging out in the afternoon.Debra Rienstra Yeah. When talking about your students, you mentioned yesterday that you like to “ruin them for fake church.” So what do you mean by fake church, and how exactly do you ruin them for it?Elaine Heath Well, you know, church is really the people and not the building. You all know that. It's the people and we're called to be a very different kind of people who are a healing community, that neighbor well, that give ourselves away, that regard our neighbors—human and non human—as part of us, whether they think they're part of us or not. We have this sort of posture in life. And when I think of how Jesus formed the church, Jesus had this little ragtag group of friends, and they traveled around and did stuff and talked about it, and they got mad at each other and had power struggles and drama and, you know, and then Jesus would process the drama with them. And he would do these outrageous things, you know, breaking sort of cultural taboo to demonstrate: this is what love really looks like. And so we don't get to do much of any of that, sitting in a pew on Sunday morning, facing forward while the people up in the front do things. And so many churches—maybe you've never experienced this, but I certainly have. The pastor's sort of the proxy disciple while people kind of watch and make judgments and decide whether or not they want to keep listening to those sermons.Debra Rienstra Oh yes.Elaine Heath So when you experience Christian life in a community where it's both natural, it's just the way you live in the world, and it's also liturgically rich, and the life is a contemplative life, and it's also a life of deep missional engagement with the world— that other version of church, it's like oatmeal with no flavoring in it. It makes you, I mean, it's about the life together. It's how we live in this world. It's not about sitting somewhere for an hour once a week and staring forward.Debra Rienstra Right. Yeah, so I would, you know, of course, I would describe what you're describing as refugia, being the people of refugia. You know? Not that I'm—we'll come back to traditional worship and traditional forms of faith and religion. But it seems like what you're doing is living into something you say on your website that we are in the midst of a new reformation in the church, and I certainly sense that too. I think the evidence is all around us, and the research bears out that we've reached this inflection point, and it's a painful inflection point that a lot of people think of as decline, because living through it feels confusing and bewildering and dark and full of loss. So what is your sense of when we are, in this point in history, in particular, for those of us who've been part of church communities, where are we finding ourselves? Why is it so confusing?Elaine Heath I really believe we're in a dark night of the soul as the church in the West and perhaps places in the East too. I know we've exported a capitalist version of church all over the world, sadly. But I believe we're in a dark night of the soul, you know, classically understood, where it's spirit-breathed. It's not that the devil is doing something to us. It's spirit-breathed to detach us from our sort of corporate ego that thinks we get to show up and boss the world around and act like we own the joint.Debra Rienstra We call that church of empire.Elaine Heath Yeah. And so I think that's what's happening. And when, you know, if you study the literature, if you work in spiritual direction, and you're looking at what happens with the dark night of the soul. That's a real dark night, not a clinical depression or something like that, but an actual dark night. You have to go through it. You can't bypass it. You can't work your way out of it. You can't talk your way out of it. And what happens is you find yourself increasingly hungry for simplicity, for a simple but clear experience of God, because it's like God's disappeared. There's a deep loneliness, even a sort of cold hell, to being in a dark night of the soul. And so there's a restlessness, there's a longing for actual experience of God. There's a feeling of futility. Things that used to work don't work anymore. So you know the threefold path? The purgation, illumination and union is one way that we've learned to think about what happens. The purgation part is— we're there.Debra Rienstra We're being purgated.Elaine Heath We're being purgated, yeah. And at the same time that we're having these flashes of intuitive knowing, this sort of illumination is coming. “Oh, let's pay attention to the saints and mystics who lived through things like this. What gave them life? What helped them to keep showing up and being faithful?” And we're having moments of union too, when we feel like, “Oh, discipleship means I make sure that the trees are cared for and not just people. Oh, all living things are interconnected. Quantum physics is teaching us a spiritual truth we should have known already.” So the three parts of that contemplative path are happening simultaneously. But I think what feels most forward to a lot of people is the purgation piece where you're like, “Oh, things are just dropping away. Numbers are dropping. Things that used to work don't work. What's going to happen now?” Sort of a sense of chaos, confusion. Tohu va bohu, yeah.Debra Rienstra Yeah, do you want me to explain what that is?Elaine Heath Yeah, chaos and confusion. From the beginning of time.Debra Rienstra It's the realm out of which creation is formed. So the idea that the spirit is drawing us into this dark night is actually really reassuring. We are where we're supposed to be. And even though it feels confusing and painful, there are these moments of wisdom—that's so reassuring. In fact, one of the things you write: the new reformation is all about the emergence. So this emergence is happening of a generous, hospitable, equitable form of Christianity that heals the wounds of the world. What is your vision about what the church needs to release and hold and create right now?Elaine Heath We need to release everything that even slightly has a hint of empire, that we have thought of as what it means to be the church, because that completely reverts what church is supposed to be about. So giving up empire, we need to take up the great kenotic hymn of Philippians two and actually live it.Debra Rienstra The self emptying hymn.Elaine Heath The self emptying. And it's not—I know that that can be problematic when we're thinking of women or, you know, groups that have been forced to empty themselves in an exploited way. But that's not really what that's all about. It's about showing up to God, paying attention, seeing what God's invitation is, then cooperating with that and just releasing the outcome. That's what that's about, and really finding out, what am I in this world for? What are we in this world for? And being about that and not about something else.Debra Rienstra Yeah, it's hard to release the ways that we have done things. Well, you have a congregation, you have a pastor, you have a sanctuary, you have programs, you want the kids to come, you need tithes, all of those systems. And actually, what you're doing here at Spring Forest—let's talk about that. What you're doing here at Spring Forest doesn't have any of that. Sunday services. There's no church building. You have barn buildings, you have farm buildings. No Sunday school, no adult ed, no choirs, organs, praise bands, any of that stuff, right? Do you think of Spring Forest as a new model for church? Perhaps one among many?Elaine Heath It's one among many. We're definitely shaped by traditional monasticism. We're shaped by early Methodism. We're influenced by the Catholic Worker Movement, and definitely Bonhoeffer's work and a number of others: the Clarence Jordan and Koinonia farms. And so we're influenced by all of those. We do have music sometimes at Forest Feast, if we have someone that can lead it, and, you know, do a good job. But the backbone of our worship life is morning and evening prayer. And that is so wonderful. You were here last night for Forest Feast, and we use the same structure we use for morning and evening prayer, and we have a group of about six people who are writing the liturgies for us, who have been writing for a year and a half now.Debra Rienstra Who are those people?Elaine Heath Well, there's Steve Taylor is our lay leader, and his wife, Cheryl, and then there's Donna Patterson, who's—none of them were here last night. They all had to go somewhere. But some of them are lay people. Some of them are clergy.Debra Rienstra And they don't live here?Elaine Heath No, they live— well, some of the people that write live far away, and they're in our digital community. But, yeah, Steve and Cheryl live in Lumberton, which is, you know, almost two hours away. But they're beautiful. I mean, if you go online and look at some of the last month, look at the prayers and see the—they're just truly beautiful, and they reflect our spirituality of our community.Debra Rienstra Yeah. So the community, it seems to me, you have had people living on the farm itself, but your community, like the Iona community, is both located here on this land, but also dispersed. And so you have that interaction, that conversation between this residential life. So let's try to describe for listeners: there's the farm. You live here with your husband. You have interns from Duke. You have a farm. What do you call Larry?Elaine Heath He's our farm coach.Debra Rienstra Coach, yes, I love that. They have the farm coach who has the farming knowledge that you all sort of follow. You have chefs. They don't live here either, but they come in. So you have a lot of people coming in and out on this farm. And you do regenerative farming. You have programs for kids, you have refugee support, and you can talk about that, trauma informed rest for spiritual leaders. And then a number of other things. The farm produces vegetables and those go to a CSA, and also a lot of it is donated. Why this particular assembly of activities? How does it all fit together? And what are the theological principles beneath each of these endeavors?Elaine Heath The overarching principle is that the Holy Spirit gives gifts to every believer and to every person, let's just be honest. And the job of the pastor, the pastor teacher, is to fan those gifts into flame, to help them have the support they need to use their gifts and that the ministries should be shaped by the gifts of the people, which means you can't use a cookie cutter. And we have numerically a small community, but incredibly high capacity of people. So we have these gifts that they have, and then the ministries are emerging out of those gifts. And it might seem like, why do you have refugee support? And you know, just name anything else we're doing. How does this fit together? The organizing principle—okay, so you have the foundation. These are gifts given by the Spirit. Our ministries are emerging from our gifts. And the organizing sort of a cohesive piece is our rule of life that ties everything together. And so our rule of life is prayer, work, table, neighbor and rest. And that rule of life came about after we lived here for a year, when we first started Spring Forest with—there was another pastor that co-founded it with me, Francis Kinyua, who's from Kenya, and he was my student in Dallas, and did all those other things with me. So we invited him to come. We had to work with three different bishops to kind of make it work. But it worked, you know. Anyway, we just waited for a year to see. We had lots of work to do with getting the farm ready to go and Francis and I went to Church World Service right away to say, “Hey, we have a lot of experience supporting refugees, and we would like to do that here as well.” So we got started with that, but we waited a year and then just articulated, what are the practices that we do that are keeping us grounded here and keeping us right side up. And it was those things, so we named it.Debra Rienstra Okay, you were just doing it, and then you named those things.Elaine Heath Instead of creating sort of an aspirational rule and tried to live into it, we named what was actually working, what was actually grounding us and felt life giving.Debra Rienstra Hi, it's me, Debra. If you are enjoying this podcast episode, go ahead and subscribe on your preferred podcast platform. If you have a minute, leave a review. Good reviews help more listeners discover this podcast. To keep up with all the Refugia news, I invite you to subscribe to the Refugia newsletter on Substack. This is my fortnightly newsletter for people of faith who care about the climate crisis and want to go deeper. Every two weeks, I feature climate news, deeper dives, refugia sightings and much more. Join our community at refugianewsletter.substack.com. For even more goodies, including transcripts and show notes for this podcast, check out my website at debrarienstra.com. D-E-B-R-A-R-I-E-N-S-T-R-A dot com. Thanks so much for listening. We're glad you're part of this community. And now back to the interview.Debra Rienstra You do partner a lot with, you know, “regular church folk.” It's that sort of in-and-out permeable membrane. How do you think about the relationship of what you're doing here, with Spring Forest, with the work of sort of standard congregations, is there like a mutuality? How do you think about that?Elaine Heath It's just like traditional monasticism. You've got a community that have this rule of life they follow. People who are not living in the community can become Oblates to the rule of life and have a special relationship. And usually those people go to church somewhere else. Part of our ethic here is we want to resist competition between churches, so we don't meet on Sundays to do things like programmatically. We usually just rest on Sundays and watch a movie and eat popcorn, you know.Debra Rienstra That's a spiritual practice.Elaine Heath But also, so there's that sort of historic piece, and people from churches come here for retreats. Lead teams come for retreats. People come—pastors, we have a lot of pastors who come here for a retreat. But also we are a mission community, so we're very active with supporting refugees. We're very active with the food programs that we have, and that gives people from a church—lots of churches don't have things like that going on. They don't have the resources for it, or they haven't figured it out. But that way, we can partner with churches and people can come here and they can actually get their hands in the soil, and they can teach somebody to read, and they can see little children learning where food comes from. They can help the chef with her kitchen things, you know. So it's a wonderful way to provide spiritual formation and missional formation to congregations that don't have those resources. And we can do these things together.Debra Rienstra Yeah. And that's that's premised on this being a place, an embodied place, a refugia space that people can come to. Yeah. I think that's a wonderful model. Do you yourself ever feel a sense of loss for “the old ways?” And I'm just thinking of this because at the beginning of your book, God Unbound, which is about Galatians, you write about how Paul challenges the Galatians to let go of their tight grip on the past, and you write about how you, reading that, felt yourself like a little bit of a traditionalist, you know, sort of defending, “But what about the past? What about the old ways?” Which you have loved too, right? So, how would you counsel people who have loved traditional church despite everything, and really do feel this sense of loss and wonder anxiously about what's next?Elaine Heath Yeah, I feel empathy. You know, something was going on in the Middle East at the time. I can't remember exactly the situation. There's always something going on, but it had to do with people's culture being wiped out and being told that what they believed didn't count and wasn't right and everything. And I was feeling such grief for them, and then all of a sudden, you know, I'm in Galatians, and think, “Well, that's how those people felt.” And even myself, there are things in my own daily practice that are—they're precious to me. My way of praying in the morning, the facing into the forest, you know, and things like that, that are rituals for me. And thinking, you know, if somebody told me “that doesn't matter,” how hard that would be. So I think in the spiritual journey, we come to the place, if we keep maturing, where we realize, in Merton's words, that so often we think it's the finger pointing to the moon, we think the finger is the moon. And it's that way about rituals and all sorts of things that we do, and we get to a place where we realize that intellectually and even spiritually, in an emotional way. But you can't force people to get to that point. This is something that happens as we grow and mature as life goes by. So what I have said to many people is, “If you are nurtured by traditional church, or, let's say, conventional church,”—because which traditional church are we talking about? One, right here, middle class, white, are we talking about Brazil? —”So if that nurtures you, keep doing it. But also realize that for other people, that's not nurturing. It feels dry and lifeless, and it's clear the Spirit is doing something new.” So instead of insisting everybody stop doing the new thing, and everybody has to come and do the conventional thing, you can be conventional in your worship and bless and make space for others so that we have a plethora of experiments going on. Because we're in a time of great emergence, as Phyllis Tickle wrote, and we need lots of experiments.Debra Rienstra Yeah. I appreciated what you wrote about trial and error. It's a time of trial and error, and it's okay to try things and have them not work. And that fits the refugia model too, really, really well. I mean, refugia don't always work. They just sometimes fail. Let's talk about a couple of key metaphors that I've noticed in your writings and in the website for Spring Forest too. One is that metaphor of the mycelial network, so the underground fungus that connects the creatures, the beings, the plants, the trees of the forest. I think is a wonderful metaphor too, for the way that faith and climate people, people who are worried about the climate crisis, and also people of faith—it's a great metaphor for how they're finding each other and connecting and building this sort of cultural and spiritual soil where the seeds of the future can grow. How is that metaphor meaningful for you here at Spring Forest?Elaine Heath Well, it means a lot in terms of the first of all, the diversity of expressions of ministry that are even here on the property, but also, especially in our dispersed community, through following the rule of life together, which—we are a practice-based community, rather than a dogma-based community. So as people are practicing those practices where they live and work and play, then they are forming community in a very specific, contextual way where they are. I think of Steve and Cheryl again, the friends I mentioned earlier. He's our lay leader. They live in a, I think a working class neighborhood in Lumberton, which is the land of the Lumbee here in North Carolina. And they have developed a wonderful, just neighborhood ministry there with—and they've been able, through potluck dinners and front yard barbecues and remembering people's birthdays and things like this, they've developed this friendship network in the neighborhood with people that are on complete opposite sides, politically, racially, and this is in the South, where you've got all sorts of issues. And they've taken the sort of ethic of Spring Forest here, but it's caused a mushroom to bloom there that looks really different from here. They don't have a farm, they don't have a forest, they've got this neighborhood. But the neighboring, the praying, the tabling, resting, all of those things are part of how they live there. And so it's fruiting there. And it's the same in other places in the world where we have people that live there.Debra Rienstra It's a good example, too, of how eating together is sacramental, both here and in these other networks that are connected to you. The Garden of Eden and the vision of the New Earth in Revelation are both important to you, that that whole long scriptural arc begin in a garden, end in a garden city, and then the Tree of Life is also your symbol, your logo. So how would you situate our work today as people of faith in that long arc of history, from the garden to the Garden City, and how does the Tree of Life fit into that for you?Elaine Heath There's a way in which the whole story is happening simultaneously. Does that make sense?Debra Rienstra Yeah.Elaine Heath It's all happening beyond time, sort of simultaneously. So sometimes we're living in the garden and we've been deceived, and now we have to figure out what to do, and sometimes we're rebuilding the wall, and sometimes we're on our way to Bethlehem, and sometimes we're in the garden of the new creation. And we can see it, and we're living that truth even while there's still the wall being built. There's a simultaneity to it all. But for me, I think especially of the theology of Julian of Norwich. That's why we have her icon here. There's this vision of love making all things new, that God, Christ, the risen Christ, says in Revelation 21:5, “Behold, I make all things new.” All things, not just a handful of people who get the right doctrine, not just—no, all things: horses and amoeba and all things are being made new in mysterious ways that we can't completely know.Debra Rienstra And that's Colossians one and Romans eight as well.Elaine Heath It's this thread that comes through scripture, and we get to participate in that, even while we don't see all the things completely made new, we get to be part of that. And to me, that's what it means to follow Christ. That's what it means to be a disciple. And to be the love of God enfleshed in this world is to keep participating in the making of all things new. This is why healing has such a central role in my theological vision and my practice, is it's making all things new.Debra Rienstra Healing land, healing people, healing communities.Elaine Heath Yeah, yeah. Healing theology. Theology has been so damaged by patriarchy and philosophy and all sorts of things, you know, and racism.Debra Rienstra Colonization. Yeah, so that embodiment is important even theologically, because we're not aiming for some abstract doctrinal perfection. We're not aiming to become disembodied creatures. We're aiming for this embodied redemption. And so working on the farm, healing, you know, getting muddy, walking through forests, harvesting veg, and you're able to invite people into that embodiment. Little kids doing yoga, I think that's wonderful. You know, just finding this kind of rest in their own little bodies. Eating—one of the most embodied and kinship-with-creation things we do, right? Taking it inside ourselves. And that, I think, is condensed in ritual. So I know that you have been playfully experimenting with rituals. I was able to be a part of the Forest Feast last night with my husband Ron and our friend Colin. And it was this beautifully curated event where we shared table together and then went through this prayer sequence that you described, and it was beautifully participative. I noticed you do a blessing of the animals too on the farm. So good thing these are blessed chickens and blessed dairy goats, blessed dogs and cats. What other sort of liturgical shenanigans have you tried to help people live into this embodied faith practice?Elaine Heath We do so many things. It's so much fun. It's never boring. It's never boring. We have a ritual in the fall, in late November, where we tuck the farm in and put it to bed for the winter, and we have the children come, we get some compost. You know, we've cleared out the beds, and they're gonna rest now. And so the children put some compost in. And we have a liturgy that we use. We light candles, and we thank Mother Earth for the food, we thank God for the opportunities. And so this is one of the things that we do ritualistically. We also have a spring ritual. It's very Hebrew-Bible like, right? With these seasons and the crops and the things with the liturgical seasons, we also have done a bunch of things. My favorite one so far was for epiphany, and this was two years ago. And so I had the interns from Duke Divinity School do the bulk of the planning. I just gave them a little bit of guidance about the four-fold order of worship and just some things like that. So we had a journey through the forest. It started here. We went on the forest trail. Of course, it was dark outside, and they had gone ahead and set up fairy lights at certain places where we're going to stop. And one of the interns' fiance was a musician, so he had his guitar, and he had one of those things where you can play the harmonica and play the guitar at the same time, but he was our troubadour, and all of us were the Magi. So there's this troop of Magi, and we would stop at each station along the way, and there were prompt questions that we would take five minutes, and people could respond to these questions. There would be a scripture reading, and we respond to the question, we go to the next station. And it was so amazing. People shared from their lives in a very deep way. It surprised me how quickly they went deep. Well, it was dark, and there were these twinkle lights, and there was the troubadour. Then we finally got up to the Christ child, and we went into the goat barn. And honestly, I get chills every time I even remember this. But the students had set up in the goat barn—and the goats were in the barn. Okay, they were behind a little chain link thing so they didn't step on the icons and everything. But they had set up an altar at the base of the feeding trough with a big icon of Mary with the Christ Child, candles, and some other things there. There were different icons and some fairy lights. And we went in there, and we all crowded in and began to sing. We sang “This Little Light of Mine,” we sang some Christmas carols, and finished the story. And then we came back to the house and had some snacks and talked about what kind of wisdom was given to us since we were Magi. We were going to be people seeking wisdom and seeking—it was the most beautiful thing. And we've done lots of things like that. We see the land here is a primary text to learn from and to listen to and to observe, not as a metaphor, but as, it's actually a conversation partner. So we do things like that.Debra Rienstra That playfulness is so exciting to me, this sense of using our tradition, using our scriptures, using the skills that we've honed as people of faith over generations, singing together, praying together, but experimenting with those things in new contexts and new ways, in new forms of embodiment that are just faithful and yet playful. And so, as you say, people go deep because they're sort of jarred out of their habitual ways, and that can be such a great formational moment and bonding moment too, and it's very memorable. We remember that in ways—you know, you had such joy on your face as you're describing that. What would you say as you look back over the last, well, let's see, it's been almost eight years? Seven, eight years here at this location. What would you say has given you the most anguish and what has given you the most joy?Elaine Heath Oh, anguish. Which story should I tell?Debra Rienstra Yeah, I don't want to make it sound like it's all been beautiful and romantic and perfect.Elaine Heath Whenever you have community, you have drama. Well, you know, at your typical church, you're gonna have drama sometimes. But what we've found a few times, and it's pretty predictable. This happens in traditional monasteries too, which is why they have novitiate periods that are sometimes quite lengthy and sort of staggered, like you put your toe in the water. People of very high capacity who are deeply grounded spiritually and have a real vision for the gospel, are attracted to community life like this. People who are really hurt, who've had a lot of brokenness, especially from religious institutions or abusive situations, trauma that that is unresolved, that has a lot of unhealed wounds, are also attracted to places like this, often with a sort of utopian hope, because of, you know, life's deficits.Debra Rienstra And they feel that this is a place of healing, and they're right about that.Elaine Heath They're right about it. And so what actually happens is sometimes with the person, the second category of person, will come and join in and just be so full of gladness, because, “Oh, these, these are real people, like they're really doing things in the world. This is what I've longed for.” But then, as relationships form, and we're doing life together, and we all bump up against each other at times, the unhealed wounds fester. And the way I see it is, God's bringing them to a place where, if they'll just do their inner work now, now that it's clear what's the next step—if they'll take the next step, whether it's get some therapy, stay on your meds, get some support for your addiction recovery, whatever the things are—if you'll take the next step, then this is a very supportive community that can help you. It's a village that can be around you and you will heal here in the context of this village. But sometimes people are not willing or not able, or it's not time in their own sense of what they can do, and so then they'll leave. Sometimes when people leave, this happens in traditional churches, for whatever reason, this is a common sort of psychological reaction, they'll create some sort of chaotic drama to be the excuse for leaving, rather than have to face the fact that it was time for me to take the next step, and I was too scared. Because that takes a lot of self awareness, you know, to come to realizations about things like that. So I know from talking to people, from, you know, friends that are in traditional monasteries and convents that this is a common thing that happens there. So it happens here sometimes, and it's never easy. It's always painful and always challenging, you know, but with God's help, we get through it. And so that's the anguish, when those kinds of things happen. We've had a time or two where, over the last 20 years, really, where a person would come in, usually a young adult who's very idealistic, and they're like, “This isn't a new monastic community. You're not forcing people to pray three times a day!” You know, whatever the thing is that they have in their head that is supposed to be, because we're pretty gracious, you know.Debra Rienstra You don't get up at three in the morning.Elaine Heath Yeah, that's not us. We can't do that because, especially if you've got families with children and, you know, you've got to get up and go to work in the morning. So sometimes there will be somebody that figures they know more than everybody else in the room, and they want to take over and run the joint. You know, that's not going to happen. So then that sometimes creates some anguish. What about the joy? The joy is—and there's so much to give me joy. I really, really love seeing people come alive, like I really love seeing people who have, especially people who have been harmed by religion, because of their identity or because of anything, and they find deep spiritual friendship. They find how to connect, in Buechner's words, their deep passion with the world's great need, and start a new thing. And it gives them so much joy. And it's actually helping people. It's helping the world. And just sort of fanning that flame, that gives me a lot of joy. I have so much joy being in touch with the land and the animals. I just really experience them directly mediating God to me. I feel the divine life in them, and I feel, I guess I get a lot of dopamine hits when I'm out there harvesting and when I'm, you know, brushing the goats and talking to the chickens and whatnot.Debra Rienstra They are blessed chickens!Elaine Heath They are blessed chickens.Debra Rienstra What advice would you give to church people who, even though they love their church and their community, recognize that something needs to change, but they don't know where to start? What advice would you give?Elaine Heath To start in their own home, if at all possible, start in their own neighborhood. Start having neighbors over for dinner. Do not tell them we're going to have a Bible study now, because that's—it's not to have a Bible study. It's to form friendships with our neighbors. Start neighboring well. Figure out who lives on my street. Who lives across the street? Invite them for dinner. Have neighborhood potlucks. We did this in Texas, right after we moved there, I think they're still going. We'd have 50 people in our house sometimes. But just invite the neighbors for dinner. Have a potluck. Get to know them. Remember their birthdays, go to their kids' graduation. When you find out their mother died, go to the funeral. It's so simple. It's just such basic neighboring. That's where to start. It's not a church program. It's not making you stop going to church somewhere, to go to church over here. What you're actually doing is living church in your own neighborhood. Start doing that.Debra Rienstra Elaine, it's been such a pleasure to be here on the farm with you and to talk with you, get to know you a little bit. Thank you for what you do, and thank you for spending some time with me today.Elaine Heath It's been a joy. Thank you for the interview.Debra Rienstra Thanks for joining us for show notes and full transcripts, please visit debrarienstra.com and click on the Refugia Podcast tab. This season of the Refugia Podcast is produced with generous funding from the Calvin Institute of Christian Worship. Colin Hoogerwerf is our awesome audio producer. Thanks to Ron Rienstra for content consultation as well as technical and travel support. Till next time, be well. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit refugianewsletter.substack.com

How does a star form? How does the universe form? And how can we use every bit of astronomical data to answer those questions? To find out, Dr. Charles Liu and co-host Allen Liu welcome astrostatistician Sabrina Berger, all the way from Melbourne, Australia, where she's currently pursuing her PhD. As always, though, we start off with the day's joyfully cool cosmic thing, the new radioastronomy photographs of Callisto, one of the moons of Jupiter, taken by ALMA. Sabrina talks about her own low-frequency radio astronomy research looking for hydrogen in the very early reionization period of the universe when the first galaxies were forming. (Be warned: we dive into the difficulties ionization poses for trying to discern these early processes, including a side trip into quantum mechanics, the hyperfine transition of neutral hydrogen at 21cm depicted on the plaque attached to the Pioneer spacecraft, and even the Cosmic Background Radiation.) You'll also hear how Sabrina is innovatively using GPS satellites to help calibrate large radioastronomy telescope arrays. For our first student question, Derek asks, “I heard that black holes can form right after the Big Bang, before stars do. How is that possible?” Sabrina describes these primordial black holes, and, although none have been confirmed yet, that there have been a number of papers published recently on the subject. In fact, one paper suggesting that the as-yet-undiscovered “Planet 9” could even be one of these primordial black holes. And then, finally, we get to the subject of astrostatistics, Sabrina's area of expertise. She explains that it allows you to harness every piece of information that you're observing in astronomy and to answer questions like “How does a star form?” or “How does the universe form?” You'll hear about huge data sets, the use of artificial intelligence, field level inferences… and the MCMC, or the Markov chain Monte Carlo used in statistics. (If you don't know what that is, you're not alone, and our own resident mathematician Allen helps Sabrina untangle the complexity with a cotton ball analogy that blew Chuck and Sabrina's collective minds!) For our next student question, Wally asks, “Why is redshift one like nine billion years ago, bur redshift two only two billion years before that, and redshift three only one billion years before that?” As Chuck says, “that's a little complicated,” just before he, Allen and Sabrina proceed to explain how we measure universal expansion, the passage of time, and the “stretching” of light. Our next conversation is one of the most controversial we've ever had and revolves around who Sabrina thinks makes the best espresso, Australia, Italy or a “Third Wave Coffee Shop” like we have here in the US. You'll hear about why there's an ISSpresso machine on the ISS – and how the Italian Space Agency invented a way to make an espresso in zero-g! Plus, you'll hear a little about the work-life balance in Australia and how wonderful astronomy down under is. (Check out our Patreon for the story behind the Australian Aboriginal "Emu-in-the-sky" constellation.) If you'd like to know more about Sabrina, you can find her on Twitter and Blue Sky @sabrinastronomy or check out her research on her website. We hope you enjoy this episode of The LIUniverse, and, if you do, please support us on Patreon. Credits for Images Used in this Episode: An image of Jupiter's icy moon Callisto, photographed by NASA's Galileo spacecraft in 2001. – Credit: NASA/Galileo Photograph of Jupiter taken in 2019. The four fainter objects are four of its moons (left to right): Callisto, Ganymede, Io, and Europa. – Credit: Creative Commons / Rehman Abubakr ALMA images of Callisto – Credit: Maria Camarca et al 2025 Planet. Sci. J. 6 183. See the ALMA/Callisto paper: “A Multifrequency Global View of Callisto's Thermal Properties from ALMA”: https://iopscience.iop.org/article/10.3847/PSJ/ade7ee Timeline of the universe. – Credit: NASA, ESA, CSA, STScI The Pioneer plaques, attached to the Pioneer 10 and 11 spacecraft. – Credit: NASA Sedna orbit with solar system (Sun, Jupiter, Saturn, Uranus, Neptune and Pluto visible) and positions on Jan 1, 2017 – Credit: Creative Commons / Tom Ruen Redshift and universe expansion. As light travels from great distances to Hubble's mirrors, it is stretched to longer and longer red wavelengths, or cosmologically redshifted, as the universe expands. – Credit: NASA, ESA, Leah Hustak (STScI) The ISSpresso machine on the International Space Station.– Credit: NASA Astronaut Samantha Cristoforetti drinking espresso out of the cup on ISS, 2015 – Credit: NASA #liuniverse #charlesliu #allenliu #sciencepodcast #astronomypodcast #sabrinaberger #astrostatistician #astrostatistics #redshift #blackholes #primordialblackholes #callisto #alma #planet9 #sedna #universeexpansion #isspresso

In this lively and laughter-filled episode, the Hort Culture crew—Alexis, Brett, Jessica, and Ray—dive into the deep connections between horticulture, health, and community. The conversation kicks off with birthday cake energy and quickly blooms into a discussion about how plants and specialty crops shape lives—from personal stories about meeting spouses on farms to the way flowers boost mood and spark connection.The team explores fascinating research on the physical and mental health benefits of plants: from leafy greens supporting brain health to tree canopy reducing heat-related emergencies. They talk CSAs, farm-to-school programs, and how trying new vegetables (and flowers!) can help build lasting habits. Plus, there's a fun round of Kentucky farmers market price trivia—revealing just how much tomatoes and beans have changed over 20 years.

你敢捌 tī 太空看過火箭發射？ 咱會使 ùi 這个縮時攝影影片 斟酌來 kā 看。 這是 ùi 國際太空站 面頂看著 ê 景色，有一台火箭飛到地球軌道 ê 懸度。 這台 露西亞 ê Soyuz-FG 火箭，是 tī 2018 年 11 月 ê 時陣，ùi 哈薩克 ê Baikonur 太空發射中心 發射 ê。 伊送一台 Progress MS-10 模組（嘛號做 71P）去-lih，內底是欲予國際太空站用 ê 物資。 這个 90 秒鐘 ê 影片 內底（ùi 15 分鐘濃縮來 ê），倒爿下跤 看會著城市 ê 光 kah 地球看會著 ê 雲。 嘛看會著大氣層內底，藍色 氣輝層 kah 金色 氣輝層，to̍h 迒 tī 這支影片 ê 對角方向。 正爿頂懸，tī 地球後壁，閣有遠方 ê 天星。 咱會當看著火箭 ê 下節 落轉來地球。 頂節 ê 補給船，發射伊 ê 推進器，沓沓仔 倚近國際太空站。 這間 太空實驗室 to̍h 按呢，tī 2018 年 慶祝 in 成立 20 週年 矣。 蹛 tī 踅地國際太空站 ê 太空人，愛進行足濟 ê 實用勤務 kah 科學實驗。 這毋若會當擴展人類 ê 智識，嘛會當增加未來 tī 地球低層軌道 ê 商業應用。 ——— 這是 NASA Astronomy Picture of the Day ê 台語文 podcast 原文版：https://apod.nasa.gov/ 台文版：https://apod.tw/ 今仔日 ê 文章： https://apod.tw/daily/20250105/ 影像：NASA, ESA, CSA, STScI; D. Milisavljevic (Purdue University), T. Temim (Princeton University), I. De Looze (University of Gent) 音樂：P!SCO - 鼎鼎 聲優：蔡老師 翻譯：An-Li Tsai (TARA) 原文：https://apod.nasa.gov/apod/ap250105.html Powered by Firstory Hosting

壯麗 ê 捲螺仔星系 Messier 33 看起來是有過量 ê 水素氣體 leh 發光。 M33 是本星系群 ê 成員之一，嘛叫做 三角座星系，離咱有 300 萬 光年遠。 這張 清楚 ê 宇宙肖像，就是這个星系中心 3 萬光年 ê 範圍，是 leh 翕 M33 發紅光 ê HII 區，就是水素離子雲。 這寡 HII 區就綴 M33 鬆鬆 ê 捲螺仔手骨，踅入去星系核內底。 M33 ê 大片 HII 區 是目前咱知影 上大 ê 恆星誕生區，會生出足濟短命 ê 大質量恆星。 足光 ê 大質量恆星 發出強烈 ê 紫外光輻射，kā 邊仔 ê 水素氣體 離子化，予 in 發出特別 ê 紅光。 這張影像是 kā 闊頻資料 kah H-alpha (Hα) 濾鏡紀錄 ê 狹頻資料 疊出來 ê 結果。 H-alpha (Hα) 濾鏡是 tī 可見光波段，會當 kā 上強 ê 水素 發射線 ê 信號送過來。 ——— 這是 NASA Astronomy Picture of the Day ê 台語文 podcast 原文版：https://apod.nasa.gov/ 台文版：https://apod.tw/ 今仔日 ê 文章： https://apod.tw/daily/20250130/ 影像：NASA, ESA, CSA, STScI; D. Milisavljevic (Purdue University), T. Temim (Princeton University), I. De Looze (University of Gent) 音樂：P!SCO - 鼎鼎 聲優：草莓大福 翻譯：An-Li Tsai (TARA) 原文：https://apod.nasa.gov/apod/ap250130.html Powered by Firstory Hosting

咱銀河系內底 ê 大質量恆星 有燦爛 ê 一生。 In 是 ùi 大型宇宙雲崩塌來--ê，in ê 核子反應爐 著起來了後，會 tī 核心製造重元素。 大部份大質量恆星經過短短幾若百萬年了後，會 kā 伊 產生 ê 物質 噴轉去星際空間，變做後一擺做恆星 ê 材料。 這个咧漲大 ê 屑仔雲叫做仙后座 A，這是 恆星性命週期 上落尾 ê 階段。 超新星爆炸產生超新星殘骸，伊發出來 ê 光，350 年前頭一擺 tī 地球天頂 hŏng 看著，毋過這个光其實是愛開 1 萬 1000 年才會到咱遮。 這幅 James Webb 太空望遠鏡 ê NIRCam 翕 ê 清楚影像，有翕著超新星殘骸 猶燒滾滾 ê 雲絲 kah 雲丸。 咧漲大 ê 白煙外殼，大細差不多有 20 光年大。 Uì 大質量恆星爆炸發出來 ê 光，有去予 Webb 太空望遠鏡翕著。 這張清楚影像，就是超新星殘骸 仙后座 A。 ——— 這是 NASA Astronomy Picture of the Day ê 台語文 podcast 原文版：https://apod.nasa.gov/ 台文版：https://apod.tw/ 今仔日 ê 文章： https://apod.tw/daily/20250117/ 影像：NASA, ESA, CSA, STScI; D. Milisavljevic (Purdue University), T. Temim (Princeton University), I. De Looze (University of Gent) 音樂：P!SCO - 鼎鼎 聲優：阿錕 翻譯：An-Li Tsai (TARA) 原文：https://apod.nasa.gov/apod/ap250117.html Powered by Firstory Hosting

In this episode of "The Uncut with Lyndsay and Shannon," the hosts share an honest, unscripted look at flower farming as they wrap up dahlia season. They discuss digging and storing tubers, and managing rogue plants. The conversation covers flower farming techniques like pinching dahlias, changes to their CSA, and the upcoming Dirt Con virtual conference. They also answer a listener's question about sourcing ranunculus and lisianthus plugs, offering practical advice for small-scale growers. The episode highlights both the challenges and rewards of farm life.Learn more about DirtCon and join the email list for all the updates.If you want to dive in deeper with us each month, join our membership group - The Dirt on Flowers Insiders! So if you love the podcast and want to dig deeper with us, head over to www.thedirtonflowers.com/membership to join now. Did you love today's episode? Take a screenshot and share it in your IG stories. Don't forget to tag @dirtonflowers!Leave us a rating and review on Apple Podcasts!Head to www.thedirtonflowers.com to sign up for our newsletter and become a Dirt on Flowers insider!Want to learn more about your hosts? Follow us on Instagram!Lyndsay @wildroot_flowercoShannon @bloomhillfarm

Inside the Tower, Clarence begs for his life. Later, at the Gilman DIY Music Venue, King Edward secures a reluctant peace between his family's rival factions, but collapses in grief when Richard arrives with news of Clarence's death. In the ensuing chaos, Richard secures the alliance of Buckingham and Ratcliffe. That night, Elizabeth and the Duchess grieve the deaths of Edward and Clarence. Richard enters to offer his condolences and Buckingham suggests a quiet coronation for the young prince Edward in order to avoid civil unrest. Meanwhile, Dorset and Rivers rush to secure the safety of Prince Edward in Ludlow. At Rasputin Records, citizens fret over being ruled by a child King with Richard as his Protector. At home with her younger son, the Prince of York, Elizabeth gets a tattoo as she ruminates with the Duchess over their horrible state of affairs. A messenger arrives with the news that Dorset and Rivers have been imprisoned in Pomfret by Richard and Buckingham. Elizabeth grabs York and withdraws in despair to sanctuary, leaving the Duchess behind. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cybersecurity Today: Teenage Ransomware Arrests, GoAnywhere Critical Flaw, and Google AI Vulnerability In this episode of Cybersecurity Today, hosted by Jim Love, two teenagers were arrested in London for a ransomware attack on Kiddo International preschools, involving child data extortion. The show discusses a critical vulnerability in GoAnywhere MFT servers actively exploited by ransomware operators, emphasizing the need for immediate patching. It also highlights an urgent warning from CSA about a 2021 Windows flaw now under active attack. Additionally, researchers have found a new method to exploit Google's Gemini AI through invisible unicode characters, with Google declining to patch the issue. The episode concludes with security recommendations and a note on the show's upcoming special weekend edition for Canadian Thanksgiving. 00:00 Introduction and Headlines 00:28 Teenagers Arrested for Preschool Ransomware Attack 01:57 Critical Vulnerability in Go Anywhere MFT Servers 03:21 Urgent Alert for 2021 Windows Flaw 04:32 Google Gemini AI's Invisible Prompt Flaw 06:16 Conclusion and Sign-Off

if you have any feedback, please send us a text! Thank you!The CSA and the Vital Times podcast are proud to recognize Dr. Ana Maria Crawford of Stanford University, recipient of the 2025 ASA Nicholas Greene, MD Award for Outstanding Humanitarian Contribution.In this episode, host Dr. Ludwig Lin speaks with Dr. Crawford about her decades-long commitment to advancing global health. To learn more about opportunities to get involved in global health initiatives and participate in Dr. Crawford's upcoming webinars, visit www.stanesglobal.com. .

http://www.TimeManagementRevolution.com - In this episode, Helene Segura, the Time Management Fixer, discusses with Nancy D. Butler, CFP®, CDFA®, CLTC®, CSA®, to explore what it takes to juggle major life changes, family responsibilities, and the challenges of building a business from scratch. Together, they unpack lessons from starting with limited resources, the critical role of time management in work and life, and the strategies that made growth possible without losing sight of priorities. Connect with Nancy D. Butler, CFP®, CDFA®, CLTC®, CSA®: Website: www.aboveallelse.org LinkedIn: https://www.linkedin.com/in/nancybutlersuccess/ YouTube: https://www.youtube.com/channel/UCXJ9VpV6DNxQHp33Z9brTqQ X: https://x.com/njbutler1 Facebook: https://www.facebook.com/aboveallelsesuccess https://www.facebook.com/nancy.butler.399 About Nancy Butler: Starting with just $2,000 and no other source of income, Nancy grew an asset management and financial planning firm to $200 million in assets before selling it. With over 40 years of entrepreneurial success, she inspires and guides individuals to create more fulfilling lives and achieve their dreams, while helping business owners boost client satisfaction and profitability by an average of 250%. Her unique blend of personal, business, and financial expertise delivers measurable, lasting impact. For other Time Management Revolution podcast episodes, visit: YouTube: https://youtube.com/playlist?list=PLAU3o93PRjlW9lca-YT38dVMADSARXUtK&si=CZWm8QGem-vc9R0l Apple Podcasts: https://podcasts.apple.com/us/podcast/your-time-management-revolution-productivity-tips-from/id1046485977 Audible: https://amzn.to/3T21QkK …or wherever you get your podcasts! In this episode of the Time Management Revolution podcast, Helene Segura and Nancy Butler discussed how she built her business over 25 years before planning a careful exit strategy, emphasizing the importance of hiring the right team members based on their strengths and implementing a structured "model week" schedule that divided her time into focus days, buffer days, and free days. Get your FREE Productivity Kickstarter Kit at http://www.TimeManagementRevolution.com ! Time management keynote speaker Helene Segura also provides individual consulting and onsite or virtual productivity packages for companies. Contact Helene today to check availability and start your time management revolution! https://www.HeleneSegura.com/speaking/ #TimeManagement #productivitytips #WorkLifeBalance #EntrepreneurMindset #LeadershipDevelopment #EntrepreneurLife #Resilience

Queen Elizabeth replays a tape of her husband King Edward's band as she obsesses over his failing health. Her brother, Lord Rivers, tries to comfort her, as do her two sons from a previous marriage, Gray and Dorset. She tells them that the sons she conceived with Edward are still too young to rule, and that if her husband dies, the throne will go to Richard until the oldest son comes of age, putting her safety in jeopardy. Buckingham and Derby arrive to report that King Edward's health is improving and that he wants to make peace between Richard and Elizabeth's clans. Richard barges in with Hastings at his side, railing that he's being disrespected and that people are telling lies about him. Elizabeth does her best to defend herself against his accusation that she put Clarence in jail and that she is vying for the throne. As they argue, the old Queen Margaret arrives unseen and listens to them from outside the house, commenting bitterly to herself about how quickly power is lost. She finally confronts the group and berates Richard for the murders of her family before cursing everyone in the room, one by one. After she departs, Catesby enters to say that King Edward wants to talk to his family. Richard, left alone, celebrates his mischief, then hires two murderers to kill his brother Clarence in the Tower. There, Clarence tells Brackenbury (the jailer) about a nightmare he had in which he drowned trying to rescue Richard and was dragged down to hell. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

The girlies are fighting! In this episode, we're gossiping about Nicki Minaj vs Cardi B…again, and Taylor Swift vs Charli XCX. Are you Team #ActuallyRomantic or #EverythingIsRomantic? We also chat about Bad Bunny being our Superbowl Halftime show performer, the winner of Big Brother S27, Selena Gomez & Benny Blanco getting married, Nicole Kidman & Keith Urban getting divorced, and Rihanna's new baby girl! We've got a juicy one for you today, girls! Sit back, relax, and take a Gossip Break with us.    06:13 - Big Brother 27's Winner “The Legally Blonde” Strategy (People) 11:23 - Rihanna & A$AP Rocky Welcome Baby no.3 - It's a Girl! (People) 14:25 - Selena Gomez & Benny Blanco are Married! (Vogue) 17:31 - Nicole Kidman Files for Divorce from Keith Urban (People) 22:02 - Bad Bunny Announced as the Super Bowl Halftime Performer (NFL) 30:36 - Taylor Swift & Charli XCX Drama Explained + Our Thoughts on The Life of a Showgirl Album (Variety) 44:58 - Nicki Minaj vs Cardi B's Explosive Social Media War (Complex) (TW: SA, CSA mentioned) Follow us on Instagram & Threads @gossipbreakpod & Tik Tok @gossipbreak Thank you so much for all your support!  PS If you're enjoying the podcast, please leave us a rating and review - We truly appreciate each and every one of you who listen and gossip with us!

As his older brother, the newly crowned King Edward, weakens with illness, Richard, Duke of Gloucester, lays out his plans to take the throne. He frames his brother Clarence for conspiring to kill Edward, then convinces Lady Anne, the widow of the previous King Henry, to marry him, even though he killed her husband and their son. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLA. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on What's My Frame I'm joined by Casting Director & Spanish Dialect Consultant, Miranda Martinez. Miranda began her career in Dallas, Texas, working in commercial casting before collaborating with renowned casting director Jo Edna Boldin,CSA on major studio films including The Lone Ranger and The Last Stand. After relocating to Los Angeles in 2012, Miranda expanded her credits as the Los Angeles Casting Director for the independent feature Icaros: A Vision, where she spent three weeks in the Amazon jungle of Iquitos, Peru, working closely with the local cast of native Shipibo-Conibo people to help shape authentic performances.She has contributed to high-profile projects with acclaimed casting director April Webster, CSA including Tom Clancy's Jack Ryan, Lisey's Story, Clarice, Locke & Key, and Sacred Lies. On Jack Ryan, she also served as a Spanish dialect consultant, advising on accent accuracy and subtitle translation during post-production. Fluent in Spanish and raised in Panama, Miranda brings deep linguistic expertise to her work, specializing in Spanish dialect consulting for multilingual productions.Her background as an actor, having appeared in national commercials and independent films, gives her a performer's perspective that informs her casting approach. Miranda occasionally teaches actor workshops, most recently at the SAG-AFTRA Foundation, where participants had the option to perform in either English or Spanish. She is also committed to supporting emerging filmmakers, regularly serving as Casting Director for short films at Chapman University's Dodge College of Film and Media Arts.-What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Pour les étudiants, se nourrir devient de plus en plus difficile. À la rentrée 2024, ils sont près de 20% à déclarer ne pas manger à leur faim, selon le baromètre annuel de la FAGE. Une cause d'anxiété supplémentaire, près de quatre ans après la crise Covid qui avait déjà révélé l'état de santé mentale alarmant des étudiants. Les différents confinements sont venus amplifier un problème déjà existant en aggravant les problèmes financiers des étudiants mais aussi leurs interactions sociales. En effet, une enquête CSA publiée en 2023 montre que 68% des étudiants déclarent se trouver en situation de mal-être. Ce mal-être est-il essentiellement lié au Covid ? Comment venir en aide aux étudiants ? Et dans les universités, il n'y a pas d'aides ? Écoutez la suite de cet épisode de "Maintenant vous savez". Un podcast Bababam Originals, écrit et réalisé par Maële Diallo. Première diffusion : décembre 2022 À écouter aussi : ⁠Pourquoi le dragon est-il présent dans tant de cultures ?⁠ ⁠Qu'est-ce que la malédiction du pharaon ?⁠ ⁠Comment Jennifer Lopez a-t-elle participé à l'invention de Google Images ?⁠ Retrouvez tous les épisodes de ⁠⁠"Maintenant vous savez".⁠⁠ Suivez Bababam sur ⁠⁠Instagram⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you lead a volunteer-run organization into its next phase of growth without losing its identity and heart? And how can associations support members who are often behind the scenes but shape what the world sees?In this episode of Associations Thrive, host Joanna Pineda celebrates Hispanic Heritage Month with returning guest Josie Hernandez, Executive Director of Casting Society (CSA) and President of Association Latinos. Josie discusses:How Casting Society represents global casting professionals working in film, TV, theater, reality, commercials, and new media.The Society's advocacy that led to a new Academy Award category for casting, debuting at the 2026 Oscars, a monumental achievement for the profession.How Josie led CSA's transition from a volunteer-run structure to professional management through her firm, Bostrom.The business processes, governance practices, and SOPs that helped Casting Society grow revenue, membership, and influence.How CSA supports its diverse membership through its Training and Education Program , delivered by Casting Society Cares, which helps casting assistants advance their careers.The unique Artios Awards, held simultaneously in three cities, Los Angeles, New York, and London, to honor excellence in casting across media.Association Latinos' signature event, Conexiones, a one-day summit designed around cultural leadership and lived experience, taking place October 10 in Chicago.How Association Latinos has grown organically, yet intentionally, with a volunteer base that now helps lead programming and strategy.References:CSA WebsiteArtios Awards EventsAssociation Latinos WebsiteConexiones EventJosie Hernandez on episode 59 of Associations Thrive about Association LatinosJosie Hernandez on episode 109 of Associations Thrive on the Workforce Trends Survey

Join Executive Director Jim Hajny as he welcomes a Lucie Bruno. Lucie is the director of the Strength Found program, which provides crucial support to adult survivors of childhood sexual abuse (CSA). She is also a peer mentor for the Ethical Peer Support (EPS) training, operating out of Ottawa, Canada. In this essential discussion, Jim and Lucie address why the topic of CSA remains often "taboo," despite its prevalence and widespread impact on individuals' lifetimes, often leading to mental health issues, substance use, and failed relationships. Lucie shares her passion for peer support and details the successful, peer-led Strength Found program.

Welcome to Barn Talk. Today, we're excited to bring you a conversation that truly celebrates the grit, diversity, and heart of Iowa agriculture. Our guest is Matt Kroul—an Iowa farm kid turned University of Iowa football standout, NFL lineman, and now a passionate advocate for the future of the family farm.Matt sits down with Tork and Sawyer to share his incredible journey—from growing up surrounded by livestock, sports, and hard work, to the highs and grind of college and professional football, and ultimately, returning home to join the next generation guiding his family's operation. But this isn't your typical row crop farm—Kroul Farms is a model of real diversification: from 1200 acres of pastures, row crops, greenhouses, vegetables, and pumpkins, to retail firewood, a CSA program, and direct-to-consumer beef.We'll dive into the creative, sometimes chaotic realities of running a truly diversified farm, the challenges and rewards of working with family, and what it means to build a legacy while raising young kids with strong values. Matt speaks candidly about transition planning, the pressures facing small farmers, and the mindset shifts needed to keep agriculture thriving for the next generation. Plus, we'll get honest about balancing relentless work, family time, and what really keeps a rural community strong.Whether you're passionate about AG, family businesses, or just love a good comeback story, this episode is packed with laughs, hard-earned wisdom, and memorable moments. Get ready to meet one of Iowa's most down-to-earth and forward-thinking farmers—you'll definitely want to check out everything the Kroul family is doing. Let's get started!Shop Farmer Grade

Jay Watte is a fourth-generation farmer from the Imperial Valley in Southern California, where he manages a family operation focused on seed production. Thanks to his pioneering practices, Jay hasn't sprayed insecticides on his farm for nearly two years. Instead of pesticides, Jay uses nutrient management, particularly boron applications, to boost plant resilience and reduce pest pressure. His experiments with soil inoculations and cover crops, are yielding promising results, including healthier plants and higher seed quality. Jay's approach emphasizes sustainable practices that prioritize long-term soil vitality and community well-being over short-term gains. Jay supplies major retailers and local farmers with his seed, especially Bermuda grass and alfalfa. Beyond seed production, he has ventured into growing agave and is launching a market garden to provide diverse, healthy produce to his community through a local CSA program. In this episode, John and Jay discuss: The challenges of producing seed compared to forage crops Improving alfalfa seed quality  Changing regional crop patterns, including the decline of cotton and sugar beets Water management and irrigation challenges in a desert environment Evolving management strategies to combat the rise in pest and disease pressures Jay's success in reducing insecticide use through boron and nutrient management The benefits of soil inoculations and cover crops in regenerative farming Jay's vision for a sustainable legacy for his children and community Additional Resources To learn more about AEA's Rebound Boron, please visit: https://advancingecoag.com/product/rebound-boron-gal-p6850075/ About John Kempf John Kempf is the founder of Advancing Eco Agriculture (AEA). A top expert in biological and regenerative farming, John founded AEA in 2006 to help fellow farmers by providing the education, tools, and strategies that will have a global effect on the food supply and those who grow it. Through intense study and the knowledge gleaned from many industry leaders, John is building a comprehensive systems-based approach to plant nutrition – a system solidly based on the sciences of plant physiology, mineral nutrition, and soil microbiology. Support For This Show & Helping You Grow Since 2006, AEA has been on a mission to help growers become more resilient, efficient, and profitable with regenerative agriculture.  AEA works directly with growers to apply its unique line of liquid mineral crop nutrition products and biological inoculants. Informed by cutting-edge plant and soil data-gathering techniques, AEA's science-based programs empower farm operations to meet the crop quality markers that matter the most. AEA has created real and lasting change on millions of acres with its products and data-driven services by working hand-in-hand with growers to produce healthier soil, stronger crops, and higher profits. Beyond working on the ground with growers, AEA leads in regenerative agriculture media and education, producing and distributing the popular and highly-regarded Regenerative Agriculture Podcast, inspiring webinars, and other educational content that serve as go-to resources for growers worldwide. Learn more about AEA's regenerative programs and products: https://www.advancingecoag.com  

Meet Grant Guidroz, one half of the husband-and-wife team behind FullnessFarm.com, a thriving organic farm in the heart of Baton Rouge. Since 2015, they've been on a mission to grow nutrient-dense vegetables, herbs, and edible flowers—without synthetic fertilizers, herbicides, or pesticides—and share the harvest through their popular CSA and the Red Stick Farmers Market. In this episode of American Family Farmer, you'll hear how the Guidroz family built Fullness Farm from the ground up, why soil health matters for both flavor and nutrition, and how they help neighbors turn backyards into productive organic gardens. From custom garden design to hands-on consultations, Grant and Allison, his wife, show that anyone can cultivate fresh, seasonal food right outside their door while keeping every food dollar local.Tune in to learn how community-supported agriculture works, discover tips for starting your own organic garden, and get inspired by a family whose passion for sustainable farming is bringing true “fullness” to Baton Rouge and beyond. Website: AmericanFamilyFarmerShow.com Social Media: @GoodDayNetworks

In this episode of Hands in the Soil, we sit down with Rachel Nafis, owner of Psalter Farm Flowers in San Diego, CA. Since 2019, Rachel and her team have been growing flowers for a 66-member CSA, local flower shops, and event florists across eight neighborhood gardens—all located right in her community.Rachel shares her journey into agriculture, including the transition from working as an RN to managing a 40-acre vegetable ranch, and ultimately shifting into her innovative urban flower farming model. She offers an honest look at the pros and cons of growing in small, unconventional spaces, and why collaboration and creativity are essential to her farm's success. We also explore the role of community in this model, how neighborhood gardens foster connection, and why flowers bring a unique kind of joy and meaning to her work.Tune in to learn more about:Rachel's journey from nursing to farmingHow Psalter Farm Flowers began and evolved into an urban modelThe pros and cons of urban flower farmingTips for efficiency and creativity in small growing spacesWhy collaboration is central to her “flexible farming model”The role of community engagement and land literacy in urban agricultureRachel's favorite flowers to grow and why they inspire herAdvice for aspiring urban farmers navigating challenges and opportunities… And so much more!Rachel's Resources & Links:Website: psalterfarmflowers.comInstagram: @psalterfarmflowersConnect with Hannah:Instagram: @hannahkeitel

Text me a message!Today's Episode comes to you from Brookfield Vermont where we visit with Kyle Dodda and Betsy Simpson of 1000 Stone Farm. They've got many balls in the air with a wide range of crops from veggies to perennial fruit, eggs and meat, hard cider and a restaurant. They sell retail out of a farmstore, wholesale, CSA & go to a farmers market. This seems like a lot to me for a couple growing on about 5 acres, so I joined them in a conversion to figure out what motivates them and how they manage such a diverse business.Support the showVisit the website to see photos/videos from the visit: https://thefarmersshare.comFollow the show on Facebook and Instagram: @thefarmersshareSubscribe to the YouTube Channel: https://www.youtube.com/@thefarmersshare

Web Searches For Archives Didier observed additional file types being searched for as attackers continue to focus on archive files as they spider web pages https://isc.sans.edu/diary/Web%20Searches%20For%20Archives/32282 FBI Flash Alert: Salesforce Attacks The FBI is alerting users of Salesforce of two different threat actors targeting Salesforce. There are no new vulnerabilities disclosed, but the initial access usually takes advantage of social engineering or leaked data from the Salesdrift compromise. https://www.ic3.gov/CSA/2025/250912.pdf VSCode Cursor Extensions Malware Koe Security unmasked details about a recent malicious cursor extension campaign they call White Cobra. https://www.koi.security/blog/whitecobra-vscode-cursor-extensions-malware BSides Augusta https://bsidesaugusta.org/

Community Supported Agriculture, or a CSA, is a unique way to up your produce game at home. You can buy a direct share of a local farm's production, and receive fresh fruit and vegetables weekly. You might have a friend or family member in the city who has their own CSA, but maybe you're not sure how to go about finding your own. In the latest installment of our What the Hack life hack series, Angelina Montez, editor of Hunter College's NYC Food Policy Center, provides a CSA explainer and listeners shout out their local CSA.

Met interieurarchitect Casper Schwarz (Casper Schwarz Architects) en Martijn Buijtels (Akoestiek.nl). Presentatie: Mark Timo.Waar gaat het over?Akoestiek is geen afterthought. We verkennen hoe je geluid, materialen en ruimteprogrammering samenbrengt zodat mensen zich thuis voelen op de werkvloer (belonging), in hospitality en in woonomgevingen. Inclusief valkuilen, quick wins en maatwerkoplossingen die esthetiek versterken.HoofdlijnenDe shift: van numerieke kantoren naar mensgerichte werkomgevingenBeleving vs. belonging en wat dat betekent voor materiaal- & meubelkeuzesAkoestiek-basics: absorptie, reflectie, isolatie (tussen ruimten)Ontwerpproces: waarom vroeg betrekken loont (meten, modelleren, voorkomen)Cases:Jones Day, Amsterdam – onzichtbaar spanplafond in monumentale halLincoln International, WTC Amsterdam – akoestische “parasols”: karakter + kabelmanagementMaterialen & technieken: gerecycled PET-felt, stoffen, span- en spuitplafondsHoreca & wonen: wat werkt wél (en waarom je niet “onder de tafel” oplost)Toekomst werkplek: balans tussen ontmoeting en focus, menselijkheid + techQuotes uit de aflevering“Je kunt een ontwerp nog zo mooi maken; als je niet prettig kunt communiceren, kom je niet terug.”“Belonging is misschien wel breder dan beleving—mensen willen ergens écht bij horen.”“Achteraf akoestiek toevoegen? Dan kom je aan het ontwerp en aan het budget.”GastenCasper Schwarz – Founder, Casper Schwarz ArchitectsMartijn Buijtels – Oprichter, Akoestiek.nl (AMB)VermeldingenWorkspace Design Show – speakers corner ontwerp door CSA; sessie “Habitour: a workspace to fall in love with”: https://workspaceshow.nl/home-dutch-2025CreditsHost: Mark TimoMuziek/producent: Music from #Uppbeathttps://uppbeat.io/t/hartzmann/sunnyLicense code: TUXOJDHYFVJS1TBH

Pamela Jones - Escaping a Deadly Polygamous CultDIVORCED: FLDS Cults TW: Brief mention of CSA and child abuse in this episodeIn 1965, PAMELA JONES was born in Los Molinos, Mexico, into a polygamous Mormon cult known as The Church of the Firstborn of the Fullness of Time. As the eldest daughter of 13 children, she left school at age 11 to care for her younger siblings in a remote desert compound without electricity or running water. Married at 15, Pamela found herself trapped at Zion's Camp, an even more oppressive cult offshoot, with a husband more controlling and manipulative than her abusive father. At age 34, after 17 pregnancies and 9 children, Pamela and her kids escaped to the United States. With no resources and less than a fifth-grade education, she found work cleaning houses, determined to build a new life for her family.Today Pamela and her sister Vera, also a cult survivor, host the podcast Wicked Confessions Uncensored, exploring the hidden world of polygamous cults, where pretenses of holiness mask shocking truths. Pamela and Vera pull back the curtain to reveal the scandals, immorality, hypocrisy, betrayal, and hidden reality of life in these oppressive and secretive communities.Pamela lives outside Minneapolis with her sweetheart, Rick, close to her 9 children and 30 grandchildren. The Dirt Beneath Our Door: My Journey to Freedom After Escaping a Polygamous Mormon Cult is her first book.FIND PAMELA JONES:Website: https://www.pamelaspeaks.live/Book: The Dirt Beneath Our Door https://www.simonandschuster.com/books/The-Dirt-Beneath-Our-Door/Pamela-Jones/9781637747292Podcast: Wicked Confessions Uncensored is available on most podcast platforms.FIND JANICE:Janice Selbie's Best-selling book Divorcing Religion: A Memoir and Survival Handbook is now available in the USA:Amazon.comhttps://www.amazon.ca/dp/B0DP78TZZF and CANADA Amazonhttps://www.amazon.ca/dp/B0DP78TZZFRecordings are available for the Shameless Sexuality: Life After Purity Culture conference 2025! Get your Resource Ticket now: https://www.shamelesssexuality.org/ Religious Trauma Survivor Support Group is happening on Tuesdays at 5pm Pacific and Thursdays at 6pm Eastern (starting April 17). Don't miss this opportunity to connect with others for healing and support: https://www.divorcing-religion.com/services Need help on your journey of healing from Religious Trauma? Book a free 20-minute consultation with Janice here: https://www.divorcing-religion.com/servicesFollow Janice and Divorcing Religion on Social Media:Threads: Wisecounsellor@threads.netBlueSky: @janiceselbie.bsky.socialFacebook: https://www.facebook.com/DivorcingReligionTikTok:  https://www.tiktok.com/@janiceselbieInstagram: https://www.instagram.com/wisecounsellor/Subscribe to the audio-only version here: https://www.divorcing-religion.com/religious-trauma-podcast The Divorcing Religion Podcast is for entertainment purposes only. If you need help with your mental health, please consult a qualified, secular mental health clinician.Support the show

Welcome to episode 233 of Growers Daily! We cover: different CSA models, Farming people's yards and when the heck to pull out those tunnel tomatoes.  We are a Non-Profit! 

With over 20 years of farming experience, hear how Laura Llewellyn grew Chimalow Produce to maximize soil and veg quality, based on the idea that healthy soil will lead to better vegetables. Learn how Laura encourages biological life in the soil, how they balance minimizing soil disturbance with mechanical cultivation, address deficiencies and encourage mycorrhizal fungi. Drawing on her experience as the manager of a retail produce department, Laura shares the strategy she uses to set up market displays to make them engaging and easy for customers to shop.Connect With Guest:Instagram: @chimalowproduceWebsite: chimalowproduce.com Podcast Sponsors: Huge thanks to our podcast sponsors as they make this podcast FREE to everyone with their generous support:Nifty Hoops builds complete gothic high tunnels that are easy to install and built to last. Their bolt-together construction makes setup straightforward and efficient, whether it's a small backyard hoophouse, or a dozen large production-scale high tunnels- especially through their community build option, where professional builders work alongside your crew, family, or neighbors to build each structure- usually in a single day. Visit niftyhoops.com to learn more. Since 1993, Vermont Compost Company has supplied premium living soils and compost-based amendments to thousands of successful growers all over the country. All ingredients used in Vermont Compost products are approved for certified organic production. Each fall, Vermont Compost Company offers a Prebuy Sale to incentivize ordering your spring soil before winter settles in. Early Bird customers save 20% on orders placed, paid for and shipped by October 31st. For more information, visit vermontcompost.com/prebuy, or call at (802) 223-6049. Vermont Compost Company - living soils for organic growing since 1993. BCS two-wheel tractors are designed and built in Italy where small-scale farming has been a way of life for generations. Discover the beauty of BCS on your farm with PTO-driven implements for soil-working, shredding cover crops, spreading compost, mowing under fences, clearing snow, and more – all powered by a single, gear-driven machine that's tailored to the size and scale of your operation. To learn more, view sale pricing, or locate your nearest dealer, visit BCS America. Farmhand is the all-in-one virtual assistant created for CSA farmers. With five-star member support, custom websites, shop management, and seamless billing, Farmhand makes it effortless to market, manage, and grow a thriving CSA. Learn more and set up a demo with the founder at farmhand.partners/gfm.Subscribe To Our Magazine -all new subscriptions include a FREE 28-Day Trial

Rebekah & Lauren sit down with Mimō Davis, co-founder of Urban Buds. Mimō shares her journey from being a social worker in New York City to a flower farmer in Missouri. Inspired by her mother's greenhouse, she moved to Missouri in 1989 and bought a 15-acre farm. Urban Buds, located in St. Louis, grows 80 varieties of cut flowers year-round and sells them at the Tower Grove Farmers Market and online. They offer a CSA program, small weddings, and monthly happy hours. Mimō emphasizes the importance of local flowers for their longevity and environmental impact. She also highlights St. Louis's family-friendly activities and community support, particularly during COVID-19. Urban Buds will be hosting their next Kids Flower Workshop on Sunday, September 14th! And don't forget to check out their next Monthly Flower Happy Hour with a friend!A transplant from New York City, Mimō Davis, has been growing specialty cut flowers in Missouri since 1992. Her first farm, WildThang Farms, was located in Ashland, Missouri. Currently, she is a farmer-florist and co-owner of Urban Buds: City Grown Flowers, a one-acre flower farm in the Dutchtown neighborhood of St. Louis, with her business partner, Miranda Duschack. Urban Buds produces flowers year-round and grows 80-plus varieties annually, selling wholesale to St. Louis area florists, designing for select weddings and events, and bringing fresh, seasonal blooms to the Tower Grove and Boulevard Farmers' Markets. Mimō is dedicated to mentoring and educating other flower farmers and serves on the board of the Association of Specialty Cut Flower Growers as Community Engagement and Outreach Liaison, helping to foster growth and knowledge within the cut flower industry. Mimō holds a Master's degree in Horticulture from North Carolina A&T University.We hope you enjoyed this podcast episode! To learn more about Moms of the Lou you can go to stlouismom.com or follow us on Instagram and Facebook. You can listen to the podcast on Apple Podcast and Spotify. And don't forget to rate and review so more people can tune in! This episode was produced by the St. Louis Mom. It was recorded and edited by STL Bucketlist Studios in St. Louis, Missouri. 

Lyndsay and Shannon share actionable strategies for launching a successful CSA early bird campaign. They discuss the importance of timing, creating urgency, and offering meaningful incentives to boost early sign-ups. The hosts emphasize using email marketing and social media to build hype, nurture customer relationships, and avoid last-minute sales stress. Drawing from their own flower farming experiences, they provide practical tips on planning, authentic communication, and leveraging customer stories to grow a loyal CSA subscriber base and ensure a smooth, profitable season ahead.Learn more about DirtCon and join the email list for all the updates.If you want to dive in deeper with us each month, join our membership group - The Dirt on Flowers Insiders! So if you love the podcast and want to dig deeper with us, head over to www.thedirtonflowers.com/membership to join now. Did you love today's episode? Take a screenshot and share it in your IG stories. Don't forget to tag @dirtonflowers!Leave us a rating and review on Apple Podcasts!Head to www.thedirtonflowers.com to sign up for our newsletter and become a Dirt on Flowers insider!Want to learn more about your hosts? Follow us on Instagram!Lyndsay @wildroot_flowercoShannon @bloomhillfarm

Scaling up means different things for different farms; hear from Grace Lam how Fivefork Farms has scaled up to the point where they are growing 60,000 dahlias both for flower and tuber sales and over 700 dahlia share members. They don't just grow dahlias though- there is a lot of practical info in this interview, including how to keep up with labor and water needs as the farm grows, when and how to mechanize, and specialty crop insurance programs that can help insure your growing farm. Learn how they keep their farmstand thriving and steps they have taken to make the farm more resilient in the face of increasingly extreme weather in this interview with host Rebecca Kutzer-Rice. Connect With Guest:Instagram: @fiveforkfarmsWebsite: fiveforkfarms.com Podcast Sponsors: Huge thanks to our podcast sponsors as they make this podcast FREE to everyone with their generous support: Nifty Hoops builds complete gothic high tunnels that are easy to install and built to last. Their bolt-together construction makes setup straightforward and efficient, whether it's a small backyard hoophouse, or a dozen large production-scale high tunnels- especially through their community build option, where professional builders work alongside your crew, family, or neighbors to build each structure- usually in a single day. Visit niftyhoops.com to learn more. BCS two-wheel tractors are designed and built in Italy where small-scale farming has been a way of life for generations. Discover the beauty of BCS on your farm with PTO-driven implements for soil-working, shredding cover crops, spreading compost, mowing under fences, clearing snow, and more – all powered by a single, gear-driven machine that's tailored to the size and scale of your operation. To learn more, view sale pricing, or locate your nearest dealer, visit BCS America. Farmhand is the all-in-one virtual assistant created for CSA farmers. With five-star member support, custom websites, shop management, and seamless billing, Farmhand makes it effortless to market, manage, and grow a thriving CSA. Learn more and set up a demo with the founder at farmhand.partners/gfm. Subscribe To Our Magazine -all new subscriptions include a FREE 28-Day Trial 

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Join Analytic Dreamz on Notorious Mass Effect for a critical segment on Roblox's 2025 sexploitation lawsuits. Filed in Missouri (Aug 27) and Louisiana (Aug 15), cases allege Roblox's platform, with 42% of users under 12, enables predators to exploit children via lax safety measures. A Clay County case details a 13-year-old boy's grooming, while St. Louis and Louisiana suits claim negligence and CSA material distribution. Analytic Dreamz examines Roblox's defense, public backlash, and calls for reform.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Next Chapter Podcasts presents the complete Play On Podcast series, Timon of Athens, in its entirety. The PLAY ON PODCAST SERIES, “TIMON OF ATHENS”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by KENNETH CAVANDER. All episodes were directed by ANDY WOLK.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   ANTHONY COCHRANE  as                TIMON POOYA MOHSENI           as                FLAVIA KEVIN KILNER                 as                ALCIBIADES JASON KRAVITS             as                APEMANTUS ABIGAIL ONWUNALI      as                VENTIDIA, TIMANDRA and SENATOR 1 MICHAEL LUWOYE         as                OLD ATHENIAN, CAPHIS, and SENATOR 2 BARZIN AKHAVAN         as                THE PAINTER and LUCULLUS NADINA HASSAN            as                THE POET and LUCRETIA HASSIEM MUHAMMAD  as                MERCHANT, ISIDORE, and THIEF #1 GREGG MOZGALA         as                LUCILIUS, SEMPRONIUS, and THIEF #2 DORCAS LEUNG             as                JEWELER, CUPID, VARRO and PHRYNIA   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition by LAWRENCE SHRAGGE. Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “TIMON OF ATHENS” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The rich are never satisfied.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Join Analytic Dreamz on Notorious Mass Effect for a critical segment on Roblox's 2025 sexploitation lawsuits. Filed in Missouri (Aug 27) and Louisiana (Aug 15), cases allege Roblox's platform, with 42% of users under 12, enables predators to exploit children via lax safety measures. A Clay County case details a 13-year-old boy's grooming, while St. Louis and Louisiana suits claim negligence and CSA material distribution. Analytic Dreamz examines Roblox's defense, public backlash, and calls for reform.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, Lyndsay and Shannon discuss strategies for overcoming the mid-season “CSA slump” in flower subscription programs. They share insights on keeping customers engaged through creative communication, personalized touches, and community-building events. The conversation covers the unique challenges of CSA customers, the importance of clear reminders, and adapting subscription structures. Practical tips include using welcome guides, offering bonuses, and gathering feedback. The episode provides actionable advice for flower farmers to maintain excitement, deepen customer relationships, and ensure a vibrant, profitable CSA season.Learn more about DirtCon and join the email list for all the updates.If you want to dive in deeper with us each month, join our membership group - The Dirt on Flowers Insiders! So if you love the podcast and want to dig deeper with us, head over to www.thedirtonflowers.com/membership to join now. Did you love today's episode? Take a screenshot and share it in your IG stories. Don't forget to tag @dirtonflowers!Leave us a rating and review on Apple Podcasts!Head to www.thedirtonflowers.com to sign up for our newsletter and become a Dirt on Flowers insider!Want to learn more about your hosts? Follow us on Instagram!Lyndsay @wildroot_flowercoShannon @bloomhillfarm

The Senators arrive at Timon's cave to beg forgiveness in exchange for funds. Flavia implores her master to let her serve him. Timon writes his epitaph. Alcibiades storms Athens gates and negotiates terms for the city's surrender. The PLAY ON PODCAST SERIES, “TIMON OF ATHENS”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by KENNETH CAVANDER. All episodes were directed by ANDY WOLK.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   ANTHONY COCHRANE  as                TIMON POOYA MOHSENI           as                FLAVIA KEVIN KILNER                 as                ALCIBIADES JASON KRAVITS             as                APEMANTUS ABIGAIL ONWUNALI      as                VENTIDIA, TIMANDRA and SENATOR 1 MICHAEL LUWOYE         as                OLD ATHENIAN, CAPHIS, and SENATOR 2 BARZIN AKHAVAN         as                THE PAINTER and LUCULLUS NADINA HASSAN            as                THE POET and LUCRETIA HASSIEM MUHAMMAD  as                MERCHANT, ISIDORE, and THIEF #1 GREGG MOZGALA         as                LUCILIUS, SEMPRONIUS, and THIEF #2 DORCAS LEUNG             as                JEWELER, CUPID, VARRO and PHRYNIA   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition by LAWRENCE SHRAGGE. Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “TIMON OF ATHENS” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The rich are never satisfied.” Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it take to turn six acres into a destination for food, flowers, and connection?  On this episode of the Thriving Farmer Podcast, Michael talks with Julie Warpinski, founder of Rosewood Farm in Sugar Grove, Illinois. Drawing on her background as a chef, Julie has transformed six acres into a vibrant destination for seasonal produce, fresh flowers, and memorable events. From CSA programs and farm camps to weddings and cooking classes, Rosewood blends the beauty of farm life with the joy of gathering. In this episode, you'll hear: From Kitchen to Field – How Julie's culinary roots inspired her journey into farming [0:57] Hands-On Learning – The types of classes and educational programs offered at Rosewood [8:07] Seasonal Growing – How Rosewood produces fresh vegetables and flowers throughout the year [10:31] Marketing the Farm – The strategies Julie uses to reach and engage her customers [16:18] Life on the Farm – What a typical day looks like and how Julie manages her time [27:47] Sustainability in Practice – Julie's perspective on long-term living and working on the farm [31:02] Serving the Community – Where Rosewood's customers come from and how they connect with the farm [40:50] Words of Wisdom – Julie's advice for leaving a corporate job to start a farm [43:38]   Don't miss this episode if you're curious about blending good food, community spirit, and sustainable farming into one thriving business.   About the Guest: Former chef turned passionate farmer, Julie founded Rosewood Farm to reconnect people with the source of their food. What began as a personal journey has grown into a thriving community hub focused on naturally grown produce, fresh-cut flowers, and hands-on education. Rosewood Farm hosts seasonal events, farm camps, and cooking classes to inspire a deeper appreciation for sustainable living.   Connect with Rosewood Farm: