Podcasts about Fritz Lang

Lee and Daniel are joined by guests Vaughn and Bobby to pry into the mysteries of Fritz Lang's final film, "The Thousand Eyes of Dr. Mabuse" (1960). How did Lang do in his last film? Had he lost a step or was he way ahead of his time? What sort of influence, if any, did this have on the soon-to-come Bond series and the contemporary Krimi genre? The hosts also talk about what they've watched recently. Check your mirrors, there might be someone looking at you from the other side! "The 1,000 Eyes of Dr. Mabuse" IMDB  Check out Bobby on The Grindbin.  Check out Vaughn on Motion Picture Massacre.  Lee on Bluesky, Instagram, and Letterboxd.    Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon.    Featured Music: Excerpt from "The Night Has a Thousand Eyes" by Bobby Vee; "Dread and Danger" by Syd Dale; and "Needle Gun" by Hawkwind.

Película "Metrópolis" de Fritz Lang.

Noemí Guillermo representa una combinación muy poco frecuente: una dermatóloga con una sólida carrera científica que, paralelamente, desarrolla una intensa actividad como divulgadora cinematográfica, filóloga y ensayista. Colabora en tertulias culturales en Radio y TV. Es autora de varios libros, el último sobre el director de cine español Jose Luis Garci, titulado “Chaval dedícate al cine (de palique con Garci)”.1:00 Inicios: “Los dermatólogos tienen superpoderes…”9:00 Vaughan radio. Graduada Lenguas Modernas. Cultura Audiovisual y Literaria11:00 Mentores: Francisco Ponce y Jose Luis Garci. 16:00 Me gusta el Cine Clásico y cine mudo. 19:00 Mis recomendaciones de Cine Clásico (hasta 1970)Metrópolis (1927). Ciencia Ficción. Fritz LangUna Mujer para Dos (Design for Living). 1933. Comedia Romantica. Ernst LubitschCasablanca. 1942. Drama romántica. Michael CurtizEl Gran Carnaval. 1951. Billy WilderPerdicion (1944). Cine Negro. Billy Wilder. En un Lugar Solitario (1950). Cine Negro. Nicholas Ray.Dies Irae.(1943). Dreyer.Los Mejores Años de nuestra Vida (1946). Drama. William WylerBreve Encuentro.(1945). Drama romántico. David LeanCautivos del Mal (1952). Drama. Vincent Minelli.Eva al Desnudo (1950). Drama. Joseph MankiewiczLa Jungla de Asfalto (1950). Cine Negro. John Huston.Ciudadano Kane. Orson WellsEl Apartamento (1960). Billy WilderTestigo de Cargo (1957). Drama Judicial. Billy Wilder30:00 Mis recomendaciones de Cine Moderno (1970 en adelante)El Padrino (las tres partes). Francis Ford CoppolaBlade Runner. Ridley ScottEd Wood. Tim BurtonEl Hombre Elefante. David LynchLa Vida de los Otros. Florian Von Donnersmarck L.A.Confidential. Curtis HansonEl Caballero Oscuro. Cristopher NolanMilliom Dollar Baby. Clint EastwoodOlvidate de Mí (Eternal Sunshine of the Spotless Mind). Michael GondryHer. Spike Jonze500 dias juntos. Marc Webber.42:00 Películas que considero están Infravaloradas.Apocalypto. Mel GibsonDetour. 1945. Edgard G UlmerEl Puente (Die Brücke). 1959. Bernhard WickiLa Calle de la Vergüenza. Mizoguchi. Mesas Separadas. Delbert MannTitanic. 1953. Barbara Stanwick. Jean NegulescoTiburoneros. Luis AlcorizaThe Set Up. 1949. Robert Wise. Boxeo.Madame De... 1953. Comedia. Max OphulsSin Remisión. Drama Carcelario. John Cromwell.The Prime of Miss Jean Brodie (1969). Ronald Neame50:00 Cine Español. Peliculas que recomiendoSurcos. Cine Negro 1951. Jose Antonio Nieves CondeExtraño Viaje. Comedia. Fernán GómezEl Camino. Comedia. Ana MariscalTiempo de Matar a un Niño. Chicho Ibañez SerradorLa Residencie. Ibañez SerradorMi Querida Señorita. Jaime de Armiñán.El Verdugo.Los Santos Inocentes54:00 Películas Recientes que me gustanLos Domingos. Laura Ruiz de Azúa.Un poeta. Simón Mesa Soto (Colombia)La Chica de la Aguja. 2024. Magnus Von Horn Robot Dreams. Animación. 2023. Pablo BergerUn Completo Desconocido. 2024. James Mangold58:00 Series que RecomiendoSuccessionNo Digas NadaEl PingüinoTrue LoveAfter Live1883America Primeval (Erase una vez el Oeste)1:01:00 Mis actores/actrices favoritos. 1:08:00 El Vampiro de Düsseldorf (Fritz Lang) es mi película favorita1:12:00 Otras Aficiones: Natación. Lectura. 1:13:00 Libros recomendados: Vargas Llosa, Delibes y GaldósPantaleón y las Visitadores (Vargas Llosa)La Tía Julia y el Escribidor (Vargas Llosa)Lo Prohibido (Galdós)La Familia de León Roch (Galdós)Novelas de Torquemada (Galdós)La Sombra del Ciprés es Alargada (Delibes)Mi idolatrado hijo Sisí (Delibes)El Fin del Romance (Graham Greene)Carnicero (Joice Carol Oates)No Digas Nada (Patrick Keefe)Traigan los Caballos Vacíos. Auto-Biografia de David NivenEl Viaje. Paco Roca (comic)

durée : 00:58:46 - Les Nuits de France Culture - par : Albane Penaranda - Comment Fritz Lang est-il passé de l'expressionnisme allemand au film noir américain ? Cette émission des "Nuits magnétiques" retrace ce parcours à travers des extraits de films et les archives de la voix du cinéaste. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Pepe Rivero presenta Yoruba Suite, un disco que fusiona la forma clásica de la suite con el jazz y las raíces afrocubanas, explorando nuevas conexiones entre tradición e improvisación. Además, descubrimos Mi niñera de la KGB, de Laura Ramos, una investigación sobre la vida de África de las Heras, una de las espías más enigmáticas del siglo XX, vinculada a la KGB, Trotski y Che Guevara. También recorremos la programación del 75.º Festival Internacional de Santander, viajamos al festival Música no Claustro de Tui junto a su director artístico Samuel Diz, recordamos al cineasta Fritz Lang en el 50.º aniversario de su fallecimiento y cerramos el programa con un homenaje a Tony Bennett, figura esencial del jazz vocal, cuando se cumplen cien años de su nacimiento.Escuchar audio

Er gilt als Kino-Genie und als Despot am Set. Als Filmregisseur Fritz Lang am 2.8.1976 stirbt, nimmt er auch das Geheimnis um den Tod seiner ersten Frau mit ins Grab. Von Thomas Klug.

Nagorny, Tobias www.deutschlandfunkkultur.de, Studio 9

Er schuf mit „Metropolis“ eine visionäre Megacity und setzte in „M - Eine Stadt sucht einen Mörder“ neue Standards im Umgang mit dem Sound. Vor 50 Jahren starb der Filmregisseur Fritz Lang. Er gilt als der große Architekt des modernen Kinos. Strecker, Nicole www.deutschlandfunk.de, Kalenderblatt

Heute vor 50 Jahren starb der deutsche Regisseur Fritz Lang.

Los responsables de Decine21 comentan los estrenos veraniegos, los 50 años de la muerte de Fritz Lang y la llegada a las carteleras de "Spider-Man: Brand New Day". Como todas las semanas, José María Aresté, Pablo de Santiago y Juan Luis Sánchez, recomiendan un clásico, una película reciente y una serie.

I Is Another marks Felix Randau's return to the Locarno Film Festival, where the film premieres in competition. Inspired by the true story of Felix Kersten, personal masseur to Heinrich Himmler, we discuss why Randau rejected a conventional hero narrative in favor of a morally ambiguous portrait, exploring the blurred line between truth, history, and the stories we choose to believe.We also discuss antiheroes, historical storytelling, filmmaking in Germany, and the films that shaped Felix's love of cinema, including The African Queen, Heat, The Third Man, and the work of John Huston, Michael Mann, François Truffaut, and Fritz Lang.At its core, our conversation is about resisting simple answers, embracing moral complexity, and recognizing that history is often shaped as much by storytelling as it is by fact.  What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Faster than your Keurig, LTP is back and brewing up another rich blend of Film Noir analysis with the big reveal on Fritz Lang's 1953 classic, "The Big Heat", starring Glenn Ford and Gloria Grahame. Beginning with its origins as a popular serial by crime fiction author, William P McGivern, and the real-life case that inspired the film, Josh goes deep cover into the life of the enigmatic Lang himself, his influence on the genre and on the film's production. What's with all the coffee talk? Check out the episode and see for yourself!PlotSummary@11:00; Context&Production@34:00; Review@1:29:30

There are spoilers ahead! For many films I'm afraid. I would especially avoid the episode until you have watched Ex-Machina (which you really really should immediately it really is phenomenal) as Jes does talk directly about the ending between 53:23 till 53:46. I have made a list of the films and books mentioned below. This is another detour episode and perhaps you're thinking I'm trying to avoid the very big task of recording 2001: A Space Odyssey content. And perhaps you're right. But I hope you enjoy this discussion. If you try to think of a futuristic city your mind may be drawn towards a real place but it could just as easily be drawn towards the great science fiction films that render our future on our screens. Films like Blade Runner, Minority Report, Fifth Element and (the granddaddy) Metropolis have all shown us what human futures could look like. Sometimes these visions are intimidating, terrifying or occausionally aspirational. These images in turn can affect and inform own understanding of what an unwritten future should be like. I have two wonderful guests to talk through the somewhat symbiotic relationship of science fiction and architecture Amy Brookes is an architect and an Associate Professor at the University of Reading. She has written extensively about architecture and one of her special interests is Architecture in science fiction literature and film. Jes Deaver is an award-winning architect as well as a filmmaker and writer. She is the author of the article The Architecture of Imagination which explores the parallels between science fiction and architecture. Chapters 00:00 Introduction 01:32 The SF-Architecture connection 06:40 How the symbolism of the tower changes 14:38 Anxieties in architecture 17:00 The reciprocal relationship 27:10 Fears of suburbia 30:27 Non place and virtual space 33:43 Apocalyptic futures 40:02 Hopeful alternatives 49:04 Favourite architectural sci-fi films 53:46 Recommendations Recommendations: And He Built a Crooked House by Robert Heinlein Octavia's Brood: Science Fiction Stories from Social Justice Movements   Films mentioned in the episode: Metropolis (1927) Blade Runner (1982) Minority Report (2002) Chappie (2015) District 9 (2009) Attack the Block (2011) Fifth Element (1997) Just Imagine (1930) Gagarine (2020) Atlantics (2019) Tommorowland (2015) Truman Show (1998) Stepford Wives (1975) Edward Scissorhands (1990) Soylent Green (1973) Don't Look Up (2021) Children of Men (2006) Snowpiercer (2013) Hunger Games (2012) Robocop (1987) Nation Estate (2012) Silent Running (1972) High Rise (2015) Ex Machina (2014)   Books mentioned: Rem Koolhaas (Remment Lucas Koolhaas) is a Dutch Architect and author of the book Delirious New York published in 1978. Ready Player One by Ernest Kline. (Made into a film by Steven Speilberg in 2018) Every Version of You by Grace Chan. Artificial Wisdom by Thomas R Weaver. Everything for Everyone: An Oral History of the New York Commune, 2052-2072 by Eman Abdelhadi and M. E. O'Brien Mouldiness Manifesto by Friedensreich Hundretwasser   TV Shows mentioned: Westworld Andor   Other links of interest: A page from Mark Bould's website about the city: https://markbould.com/tag/paul-verhoeven/ '5 Minute Modern' YouTube  video about Brutalism: https://www.youtube.com/watch?v=ib82VYtjFtY An interesting article about Fritz Lang's depiction of the future city The German Take on Gotham: https://jacobin.com/2025/12/the-german-take-on-gotham   NEXT EPISODE! The next episode will be about Destroy All Monsters which features lots of Kaiju, a Japanese Moonbase, evil aliens who look like beautiful women and groovy 60s outfits. You can rent the film on Apple TV (at least in the UK) but take a look at Just Watch and Rotten Tomatoes to see where the film is showing in your region. DVDs and Blurays of the film are also available for relatively reasonable prices.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! El miedo a que nuestras creaciones se rebelen contra nosotros no nació con la inteligencia artificial ni con la revolución industrial, sino en el momento en que el ser humano comprendió que podía fabricar algo más fuerte, más rápido y quizá más listo que él mismo. Toda herramienta prolonga el cuerpo y amplía sus capacidades, pero mientras se limita a la fuerza bruta permanece bajo control. El problema surge cuando alguien imagina una criatura fabricada dotada de algo parecido a la voluntad, porque entonces deja de ser herramienta y se convierte en rival. Esa genealogía del temor tiene raíces muy antiguas. Los griegos imaginaron a Talos, un gigante de bronce que custodiaba las costas Creta, pero no sabía distinguir al invasor del náufrago. Talos solo podía ser desactivado mediante un clavo en su tobillo al que al final tuvieron que recurrir. La tradición judía dio forma al golem, un hombre de barro que se volvía inestable porque carecía de alma. Entre ambos median 2000 años pero ninguna distancia real, porque ambos obedecen la letra de las órdenes e ignoran su espíritu. Después llegaron los autómatas renacentistas y dieciochescos, los relojes con figuras, el pato de Vaucanson y el falso turco ajedrecista, hasta que el telar de Jacquard y la furia de los luditas trasladaron el miedo al terreno económico. En 1818 apareció Frankenstein, una fábula sobre la paternidad irresponsable más que sobre la tecnología, porque la criatura no nace perversa, se rebela contra su creador cuando éste le abandona. Samuel Butler en 1863 imaginó la amenaza se en términos evolutivos, predijo que las máquinas nos domesticarían como si fuésemos animales ya que evolucionaban más rápido que los seres vivos. El paso final llegó en 1920, cuando se acuñó la palabra robot, que significa esclavo. Lo hizo un autor checo llamado Karel Čapek que escribió una obra de teatro en la que los robots se rebelaban contra sus dueños. Luego llegaron Fritz Lang, Asimov y sus tres leyes de la robótica, HAL 9000 de Stanley Kubrick, Skynet, Terminator y Matrix que han ido reelaborando la historia hasta el momento presente en el que nuestro temor está en la inteligencia artificial. Pero los miedos de nuestro tiempo no los han traído los microchips ni los modelos de IA. Los hemos traído nosotros. Cambia el material y el vocabulario, pero la pregunta permanece intacta desde hace miles de años, sabemos crear cosas que nos superan y tememos que un día nos sustituyan y ocupen nuestro lugar. · Canal de Telegram: https://t.me/lacontracronica · “Contra el pesimismo”… https://amzn.to/4m1RX2R · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #ia #maquinas Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! El miedo a que nuestras creaciones se rebelen contra nosotros no nació con la inteligencia artificial ni con la revolución industrial, sino en el momento en que el ser humano comprendió que podía fabricar algo más fuerte, más rápido y quizá más listo que él mismo. Toda herramienta prolonga el cuerpo y amplía sus capacidades, pero mientras se limita a la fuerza bruta permanece bajo control. El problema surge cuando alguien imagina una criatura fabricada dotada de algo parecido a la voluntad, porque entonces deja de ser herramienta y se convierte en rival. Esa genealogía del temor tiene raíces muy antiguas. Los griegos imaginaron a Talos, un gigante de bronce que custodiaba las costas Creta, pero no sabía distinguir al invasor del náufrago. Talos solo podía ser desactivado mediante un clavo en su tobillo al que al final tuvieron que recurrir. La tradición judía dio forma al golem, un hombre de barro que se volvía inestable porque carecía de alma. Entre ambos median 2000 años pero ninguna distancia real, porque ambos obedecen la letra de las órdenes e ignoran su espíritu. Después llegaron los autómatas renacentistas y dieciochescos, los relojes con figuras, el pato de Vaucanson y el falso turco ajedrecista, hasta que el telar de Jacquard y la furia de los luditas trasladaron el miedo al terreno económico. En 1818 apareció Frankenstein, una fábula sobre la paternidad irresponsable más que sobre la tecnología, porque la criatura no nace perversa, se rebela contra su creador cuando éste le abandona. Samuel Butler en 1863 imaginó la amenaza se en términos evolutivos, predijo que las máquinas nos domesticarían como si fuésemos animales ya que evolucionaban más rápido que los seres vivos. El paso final llegó en 1920, cuando se acuñó la palabra robot, que significa esclavo. Lo hizo un autor checo llamado Karel Čapek que escribió una obra de teatro en la que los robots se rebelaban contra sus dueños. Luego llegaron Fritz Lang, Asimov y sus tres leyes de la robótica, HAL 9000 de Stanley Kubrick, Skynet, Terminator y Matrix que han ido reelaborando la historia hasta el momento presente en el que nuestro temor está en la inteligencia artificial. Pero los miedos de nuestro tiempo no los han traído los microchips ni los modelos de IA. Los hemos traído nosotros. Cambia el material y el vocabulario, pero la pregunta permanece intacta desde hace miles de años, sabemos crear cosas que nos superan y tememos que un día nos sustituyan y ocupen nuestro lugar. · Canal de Telegram: https://t.me/lacontracronica · “Contra el pesimismo”… https://amzn.to/4m1RX2R · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #ia #maquinas Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Send Kevin a Text MessageBob Bookman, one of Hollywood's most respected literary agents, managers, and producers, joins host Kevin Goetz for a masterclass on the art of discovering stories that successfully make the leap from page to screen. Over a remarkable career, Bookman has represented authors and filmmakers including Michael Crichton, John Irving, Thomas Harris, Jonathan Demme, Cameron Crowe, and Tom Stoppard, helping bring to the screen films like Jurassic Park, The Silence of the Lambs, Hannibal, The Cider House Rules, A Beautiful Mind, and Jerry Maguire. In recent years he's brought that same eye for material to producing, including the Best Picture nominee A Complete Unknown.Running the Yale Law School Film Society (06:54): Bookman recalls building an underground film education out of 16mm prints borrowed from historian Bill Everson, bringing legends like Frank Capra, Fritz Lang, and Miloš Forman to campus for free screenings.Landing the Job, and Skipping the Mailroom (18:26): Bookman shares how a chance introduction from agent Jack Gilardi led to interviews with legends like Abe Lastfogel and David Begelman, before he landed at IFA and bypassed the mailroom.Becoming "The Book Guy" (23:24): Bookman describes how agency head Marvin Josephson handed him ICM's entire literary publications franchise,launching his decades-long reputation as Hollywood's go-to book agent.What Makes a Book Cinematic (27:09): Bookman breaks down why great novels rarely make great films, and what he actually looks for: three-act structure, character conflict, and a story that takes audiences somewhere new.The Secret to a Great Adaptation (29:15): Using John Irving's Oscar-winning adaptation of his own novel The Cider House Rules as the gold standard, Bookman explains why most authors shouldn't adapt their own books, and why Irving was the exception.The Best Adaptations, and a Hawks-Hemingway Bet (33:00): Bookman names The Silence of the Lambs and A Beautiful Mind among the best adaptations he's seen, then tells the story of how Howard Hawks turned Ernest Hemingway's self-described worst book into To Have and Have Not.Rapid-Fire on the Legends (37:43): Bookman gives quick, candid impressions of the writers and directors he's worked with — Michael Crichton, Jonathan Demme (including his own cameo in The Silence of the Lambs), Cameron Crowe, Tom Stoppard, and Paul Greengrass.Originality, AI, and What's Next (40:24): Bookman argues that algorithms can imitate stories but not replicate the human heart, and discusses his new venture producing low-budget original films.Host: Kevin GoetzGuest: Bob BookmanProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Bob Bookman:IMDb: https://www.imdb.com/name/nm1023283/Website: https://www.bobbookman.com/For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Today Justin and Cameron walk the halls of the mountain king to watch Fritz Lang's first talkie M. Will this last little adventure with Fritz Lang be an adventure to remember or was it better off staying silent? Find out today on Cinema Roulette!Art by: https://tellersplace.tumblr.com/ Cinema Roulette Intro Song: "Rain Keeps Falling (Part 2)" by J.J. Vicars. Check him out! https://jjvicars.com/Follow us on BlueSky: Cinema Roulette: https://bsky.app/profile/cinemaroulette.bsky.socialJustin's Bsky: https://bsky.app/profile/jkpancake.bsky.social Cameron's Bsky: https://bsky.app/profile/camcammackert.bsky.socialFind all the other places you can stream or follow us here: https://linktr.ee/CinemaRoulette

Original Release Date: Monday 22 June 2026    Description:   There are two Carolinas in the USA. North and South. Phil is exploring both of them. So, this week's show was pre-recorded quite a few days earlier than usual. In it, Dean and Phil discuss The Actor's Gang, a well-respected theater company and training ground for talented performers (like their pal, Steve Benaquist). Dean and Phil continue to talk about the late, great artist David Hockney, his love of smoking, and the ways in which he taught the world to think of Los Angeles, namely as it pertains to light. Light and its interplay with shadows is absolutely top of mind for your friends in podcasting and they go deep into film noir, talking about such great actors as George Raft, Humphrey Bogart, Burt Lancaster, Edmond O'Brien, and Edward G. Robinson, and such great directors of noir as Fritz Lang and Robert Siodmak. The movies They Drive by Night, The Killers and Scarlet Street all get appraised. Finally, Phil holds court about the 1980 neo-noir The First Deadly Sin, which was the final motion picture produced by Frank Sinatra, and the final lead performance for Sinatra as an actor. It was supposed to have been directed by Roman Polanski, which has Phil asking, “What if it had been?” He also suggests another young director (at the time) who would have been a better choice than the film's eventual director, Brian G. Hutton. Nevertheless, Hutton did director a couple of Dean's favorite movies, so Phil shares the quite interesting details of Hutton's career.

Legendary pioneering film director, original bad boy auteur, visionary…bit of a dick. Fritz Lang's personal life was almost as dramatic as his films. He's in Paris for the febrile pre-war days of 1914, showing real acts of bravery on the Galician front. Driving to work at the UFA studios on the days of the Spartacist Uprisings and conveniently dodging Goebbels in 1933.Not the most reliable narrator, particularly when it comes to his first wife and his departure from Berlin in 1933, but if there were ever a man of his time, it's Fritz Lang. His work would span the turbulent era from silent to sound, and later from Europe to the US. Obsessive and dictatorial on set, he directed some of the most recognisable films of the Weimar era, Metropolis and M.++++++  

Forget the "well, actually" crowd. Yes, the Germans were central to the space race, and host Matt Trump is leaning all the way into it. In Part I of this new series, Matt traces humanity's first object to ever cross into outer space back to a test launch from Peenemunde on June 20, 1944, two weeks after D-Day, and the weapon it became, the V2. But the real story starts decades earlier with Jules Verne, whose 1865 novel "From the Earth to the Moon" predicted Apollo and Artemis with eerie accuracy, and inspired a young Transylvanian Saxon named Hermann Oberth to turn science fiction into the actual rocket equation. Matt also dives into the strange, tangled connections between Oberth, Fritz Lang, Thea von Harbou, and the silent film "Metropolis," and what that film really reveals about how the Nazis saw themselves. Next week, the warriors arrive: Wernher von Braun.

On the 114th episode of Bomb Squad Matinee, Tim, Ethan, and Austin discuss Rintaro's 2001 sci-fi anime film Metropolis. Is this less discussed sci-fi anime gem worth seeking out? How does the film compare to Osamu Tezuka's original manga and Fritz Lang's classic silent film? Does this film have one of the greatest needle drops of all time? Tune in to find out!

OUR MAN FLINT, the 1966 spy spoof that shook Hollywood, is back under the microscope. Dan and Tom from Cracking the Code of Spy Movies decode this James Coburn classic in their signature style. Released just weeks after THUNDERBALL, this movie punched well above its weight. It spoofed James Bond, "The Man from U.N.C.L.E.", and even drew from vaudeville comedy traditions. The movie's story follows Flint, a brilliant ex-agent pulled back to stop mad scientists bent on world domination through weather control. Highlighted themes in this episode: ·       James Coburn's portrayal of Derek Flint ·       Jerry Goldsmith's iconic score, which blends jazz, electronics, and exotica. He's ahead of his time. Some critics called this score better than anything from the Bond series. ·       ZOWIE, GALAXY, and SPECTRE: the movie directly mocks Bond's spy-agency formula with wit and precision. ·       Austin Powers' DNA traces directly back here — from the harem of women to the multifunction lighter. ·       Vaudeville roots: We uncover surprising comedy traditions hidden in the movie's structure Dan and Tom explore the movie's influences — from Fritz Lang's 1929 Spies to Sherlock Holmes — and trace its legacy through DIE HARD, KINGSMAN, AUSTIN POWERS, and beyond. Whether you're a die-hard spy movie fan or new to the genre, this episode will make you see Flint in a whole new way. This movie was the predecessor to IN LIKE FLINT. Tell us what you think of our decoding of OUR MAN FLINT Have you seen OUR MAN FLINT?  If so, what are your thoughts?  What spoofs did we miss?  If you haven't seen it, does our decoding session make you want to watch it? Would you like us to decode the other "Flint" movie, IN LIKE FLINT? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://spymovienavigator.com/episode/our-man-flint-decoded

durée : 00:58:31 - Les émissions culturelles de France Culture - par : Antoine Guillot - Figure mythique du cinéma, le docteur Mabuse a accompagné l'œuvre de Fritz Lang sur quatre décennies. Bernard Eisenschitz revient sur cette trilogie visionnaire, explorant les thèmes de la terreur, du pouvoir et de la manipulation. - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Bernard Eisenschitz Historien du cinéma, Sandra Onana Critique française de cinéma Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

En esta primera parte dedicada a la relación entre cómic y cine, Alberto Azcueta nos guía por una fascinante selección de novelas gráficas y biografías ilustradas sobre los grandes nombres del séptimo arte. Desde pioneras como Alice Guy hasta leyendas como Charles Chaplin, Fritz Lang, Bela Lugosi, Orson Welles, Akira Kurosawa o Fellini, descubrimos cómo el cómic se convierte en una herramienta única para narrar la historia del cine y sus sombras. También hablamos de expresionismo alemán, Hollywood clásico, true crime, Pasolini, Metrópolis y obras imprescindibles como Filmish, el ensayo gráfico que analiza el lenguaje cinematográfico. ️ Una conversación imprescindible para amantes del cine, el cómic y la cultura visual. ☕ Hazte socio/a de El Café de la Lluvia y forma parte de nuestra comunidad: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ Escúchanos y léenos en nuestra web: https://elcafedelalluvia.com/ ▶️ Suscríbete a nuestro canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia Recibe nuestros contenidos en tu correo: https://elcafedelalluvia.com/suscripcion-newsletter/ Síguenos en redes sociales: Twitter: https://twitter.com/cafelluvia Instagram: https://www.instagram.com/elcafedelalluvia/ Facebook: https://www.facebook.com/Cafedelalluvia Tu apoyo nos ayuda a seguir dando voz a la cultura, la literatura y el pensamiento crítico. Gracias por acompañarnos ☕✨

Felicia is joined by Joey Gantner to discuss the effects of lust on a man in Fritz Lang's Human Desire (1954). We chat about how the women in his film are more than your typical film noir femme fatale, and why it helps to separate this work from the other Grahame and Ford pairing. This is the last episode in the Lang series, it always feels like a task to tackle a huge director but a fun task nonetheless. My guests and I wanted to pick some of his slightly lesser known films to show the range and depth of his work, and we hope you feel inspired to dig a big deeper into his catalogue. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Joey here: Spotify: Out of the Podcast Tape Record Label: sludge-people.com IG: @sludgepeople IG: @outofthepodcast Listen to our previous episodes here: To Live and Die in L.A. (D.O.P. Robby Müller 1985) Repo Man (Alex Cox 1984) Miracle Mile (Steve De Jarnatt 1988) Sources: Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l'étoile : Cinémathèque française. https://mubi.com/en/notebook/posts/interview-with-fritz-lang-beverley-hills-august-12-1972 https://fourstarfilmfan.com/2019/11/17/human-desire-1954/ https://mubi.com/en/notebook/posts/no-other-kind-close-up-on-fritz-lang-s-human-desire https://midwestfilmjournal.com/2024/05/03/fritz-on-fridays-human-desire-1954/ https://davidnilsenwriter.com/2015/06/22/the-trains-of-human-desire-1954/ https://www.sensesofcinema.com/2013/cteq/la-bete-humaine-unquiet-desperation/ https://notesoncinematograph.blogspot.com/2010/05/rivettedomarchi-interview-fritz-lang.html

Felicia is joined by Rolo Tony to discuss Fritz Lang's return to his roots as he blends German expressionism and film noir in Ministry of Fear (1944). We chat about the impact of the set design along with the power of Ray Milland's performance. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Rolo Tony here: Twitter: @PoorOldRoloTony Letterboxd: @PoorOldRoloTony YouTube: @PoorOldRoloTony Twitter: @GuysGotJuice Spotify: @TheseGuysGotJuice Listen to our previous episodes here: Ghost Dog: The Way of the Samurai (Jim Jarmusch 1999) A Woman Under the Influence (John Cassavetes 1974) Sources: Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l'étoile : Cinémathèque française. https://www.criterion.com/current/posts/2690-ministry-of-fear-paranoid-style https://www.sensesofcinema.com/2022/cteq/an-entertainment-fritz-langs-ministry-of-fear-1944/ https://www.londonfictions.com/graham-greene-the-ministry-of-fear.html https://mubi.com/en/notebook/posts/ministry-of-fear-love-during-wartime https://mubi.com/en/notebook/posts/the-forgotten-auld-lang-syne https://www.criterion.com/films/28065-ministry-of-fear?srsltid=AfmBOoqHJpuDu7frQOsoLl3Tg5Mcvo4IqBCqmwIAYBqx2wOmLqaRgqPT https://vintagestardust.wordpress.com/2025/07/27/hans-dreier-art-director/

„Metropolis“: Wenn Filme die Zukunft zeigen – Vor rund 100 Jahren kam Fritz Langs Film „Metropolis“ ins Kino. Er zeigt eine Stadt im Jahr 2026 – und eine Zukunft mit sozialer Ungleichheit, Maschinen und der Angst vor künstlicher Intelligenz.

Hay películas que cambian el cine y un poco el mundo. La primera de la que vamos a hablar en este programa es una de ellas. Pero entraran al menos dos películas del mismo peso e importancia. Por eso teníamos ganas de retomar el Todopoderosos de Fritz Lang. Porque es de esos autores a los que todos los directores miran antes de rodar cualquier cosa.

The post-WW1 Weimar Republic in Germany was the height of European civilization. Its scientists and scholars led the world. Its Bauhaus architecture was the rage. Its arts featured such luminaries as Fritz Lang, Bertolt Brecht, Kurt Weill and Thomas Mann. Yet, out of this modern democracy sprang Nazism, German fascism, and one of the most barbaric regimes ever. How did Hitler happen? It is one of the most important questions of history. What happened in Germany has disturbing resonances for our own time. Fascist-like regimes are taking power in many countries. We ignore disturbing signs at our peril from torchlight parades in Charlottesville with crowds chanting, “Jews Will Not Replace Us” to a synagogue massacre in Pittsburgh to the murder of African-Americans in a church in Charleston. What can we learn from the past to ensure it doesn't happen again? Recorded at Hunter College. Interviewed by David Barsamian

M - “I Can't Escape from Myself”We discuss an early cinematic masterpiece from Fritz Lang this week - M (1931). Peter Lorre plays a serial killer who inspires multiple factions of the underworld of his city to conspire to capture him and apply their own brand of justice. The themes and story feel extremely timely - even though this film is nearly 100 years old!We hope you enjoy this fresh conversation about this classic film! Support the show

As I started to look to 2026, I knew there was still more to cover in this series beyond what we hit upon in the five episodes last year in discussing authoritarianism in cinema. One of the richest genres doing that was science fiction which, coincidentally, is what led to my emphasis on the genre this year. With such a vast subject, there was only one choice to join me on this episode- the person who started this series with me, Jason from Binge Movies and The Slashers. This is probably the most obvious lineup we've had yet, but when you have movies like Fritz Lang's "Metropolis", John Carpenter's "They Live" and Paul Verhoeven's "Starship Troopers", you already have not just compelling films to watch, but a wealth of depth to cover. I hope you enjoy!

Felicia is joined by Raf Stitt to discuss Fritz Lang's exploration of the male psyche in The Woman in the Window (1944). We chat about the impact of a twist ending, and how film noir is deeply rooted in German Expressionism. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Raf here: Website: https://screenagewasteland.com/tag/the-canon-podcast/ Spotify: @ScreenageWasteland Apple:@ScreenageWasteland Letterboxd: @rafstitt IG: @rafstitt Twitter: @rafstitt Bluesky: @rafstitt Sources: Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l'étoile : Cinémathèque française. https://www.sensesofcinema.com/2002/cteq/woman_window/ https://heartofnoir.com/film/the-woman-in-the-window-1944/ https://www.tcm.com/articles/176542/the-woman-in-the-window-joan-bennett-and-edward-g-robinson-in-fritz-langs-film-noir-the-woman-in-the-window https://midwestfilmjournal.com/2024/01/05/fritz-on-fridays-the-woman-in-the-window-1944/

Send us Fan MailWe do enjoy discussing the foundational effect modern directors have on their films --- the whole auteur theory of the style and technique of a director in producing idiosyncratic work. And in film noir, there are plenty of directors who made their reputation in film and the establishment of their hallmark style within the genre. In the last few months, we've visited several such directors who drove deep into the style of film noir --- some later branched out into other work while keeping their significant style. Others plowed a furrow mostly in noir and in retrospect furthered the recognition of the genre itself. To name but a few, we've recently clocked in Fritz Lang, Anthony Mann, Robert Siodmack, and Jules Dassin. You might add Otto Preminger, Jacques Tourneur, and the great Billy Wilder. They brought their characteristic feel to noir and contributed to the idea of the director as author of the entirety of the film --- all else subsumed to their vision. But one of the more impactful and deeply moving of films noir was authored by a director who was an auteur before the phrase was created. A director who was famous and notorious in film – making from his first feature onward. The first feature delivered, by the way, at age 25. A proclaimed genius of film. Many have recognized his first film as perhaps among if not the greatest film in history. He had a nodding acquaintance with films that would be known as noir in later years --- but they merely reflected the fantastic and magical way he saw film and created with cinema. His style was seen across many genres and subject areas --- but it was especially valid for film noir. He was a natural in the movement. His name --- George Orson Welles.Website and blog: www.thosewonderfulpeople.comBluesky: @wonderfulpeople.bsky.social

Felicia is joined by Martin Kessler to discuss Fritz Lang's first foray into the world of sound in his film M (1931). We chat about what led Lang to finally make his first talkie, and how he allows the audience to use their imagination in full by not showing the violence on screen. This is the series opener and Fritz Lang is a director I have wanted to discuss on the show for a long time. I mainly focused on his career in America and I wanted to discuss the slightly lesser known films to show his great range. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Martin here: Twitter: @MovieKessler Website: The Pink Smoke Spotify: @ThePinkSmoke Apple: @ThePinkSmoke Soundcloud: @ThePinkSmoke Deaf Crocodile Commentaries: Website: https://deafcrocodile.com/ The Tragedy of Man (Marcell Jankovics 2011) Song of the Miraculous Hind (Marcell Jankovics 2002) Listen to our previous episodes here: The Landlord (D.O.P. Gordon Willis 1970) Opening Night (John Cassavetes 1977) Sources: Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l'étoile : Cinémathèque française. https://mubi.com/en/notebook/posts/interview-with-fritz-lang-beverley-hills-august-12-1972 https://www.tcm.com/articles/38694/m-1931 https://www.criterion.com/current/posts/1457-my-film-m-a-factual-report https://www.c-span.org/clip/public-affairs-event/peter-bogdanovich-on-fritz-langs-m/4994498

Vi tar en närmare titt på Roger Cormans adaptioner av Edgar Allan Poe, ofta i nära samarbete med storheterna Vincent Price och Richard Matheson. Det blir, bland mycket annat, ett samtal om psykoanalys, manlighet, arvsskuld, trauma och ett billigt och effektivt filmskapande gjort av gubbar i form av den absoluta gräddan av den amerikanska skräckmyllan. I avsnittet som helhet pratar vi också bland annat om: H.P Lovecraft, Peter Pan-syndromet, Lucio Fulci, gotisk skräck, skräckromantik, det makabra, galenskap, självdestruktivitet, blommigt språk, weird fiction, kosmisk skräck, exploateringsfilm, Sigmund Freud, Alfred Hitchcock, Psycho, det undermedvetna, det overkliga, Besökarna, Sam Raimi, The Evil Dead, gravvalv, kryptor, degenering, romantiseringen av den döende kvinnan, Hammer Horror, Bram Stoker, HBTQ-perspektiv, påkostade för- och eftertexter, det psykedeliska, Les Baxter, jazziga soundtracks, dödsdrift, skräckmelodram, Saw-franchisen, Barbara Steele, Mario Bava, Black Sunday, aristokratisk dekadens, katalepsi, Ray Milland, taphofobi, The Autopsy of Jane Doe, The Whisperer in Darkness, Agatha Christie, omotiverad dimma, Slå nollan till polisen, tvångsneuroser, OCD, spöken, kameraåkningar, Peter Lorre, M, Fritz Lang, skräckkomedi, Basil Rathbone, Sherlock Holmes, hypnos, transliknande tillstånd och Mike Flanagan. Mycket nöje!

Fritz Lang directed a pair of noirs in the mid-40s, starring Edward G. Robinson, Joan Bennett and Dan Duryea. The other is Woman in the Window. In Scarlet Street Eddie G. Is a mild-mannered cashier who meets Kitty, a beauty who might not mean him well. And then Dan Duryea gets involved. Like any self-respecting noir classic, this one is nice to look at, and even features twelve paintings created for the film. In real-life, Eddie collected art and Dan Duryea was a nice man. Shelly Brisbin with Philip Michaels, Dr. Drang, Nathan Alderman and Micheline Maynard.

Fritz Lang directed a pair of noirs in the mid-40s, starring Edward G. Robinson, Joan Bennett and Dan Duryea. The other is Woman in the Window. In Scarlet Street Eddie G. Is a mild-mannered cashier who meets Kitty, a beauty who might not mean him well. And then Dan Duryea gets involved. Like any self-respecting noir classic, this one is nice to look at, and even features twelve paintings created for the film. In real-life, Eddie collected art and Dan Duryea was a nice man. Shelly Brisbin with Philip Michaels, Dr. Drang, Nathan Alderman and Micheline Maynard.

Cloak and Dagger (1946) is one of the most overlooked spy films ever made — and this episode proves it deserves a second look. Dan and Tom decode this gritty WWII thriller starring Gary Cooper and directed by Fritz Lang. It's raw, tense, and surprisingly realistic. Before James Bond made espionage glamorous, this film showed what it really looked like. No gadgets. No tuxedos. Just survival. A physics professor is yanked from the Manhattan Project and sent to Europe — with no training and no safety net. His mission: find out how close Nazi Germany is to building an atomic bomb. That fear was real. The stakes were enormous. We dig deep into what makes this film stand out: the brutal, visceral staircase fight scene, the film noir cinematography by Sol Polito, and Max Steiner's understated score. We also explore the Hitchcock parallels, the Bond connections, and the censored anti-nuclear ending Fritz Lang never got to film. Episode highlights: ·      

Le Mépris de Jean-Luc Godard, un film sorti en 1963, est devenu depuis un film culte. Le Mépris cʹest dʹabord un hommage au corps de la femme le plus célèbre du moment Brigitte Bardot. Cʹest ensuite un tournage incroyable perturbé par des nuées de paparazzi dans des décors grandioses. Le Mépris, cʹest Rome et Cinecittà, Capri et une villa époustouflante sur la mer. Cʹest aussi Fritz Lang, Michel Piccoli, Jack Palance, Jean-Luc Godard. Basé sur le livre homonyme dʹAlberto Moravia, le réalisateur fait un chef-dʹœuvre, qui rencontre peu de succès à sa sortie. De plus le film est un peu chahuté par ses producteurs. Mais tout ça contribue à sa légende. Le Mépris révélera, avec le temps qui passe, son intemporalité et sa force. Vous lʹavez compris, cʹest lʹhistoire dʹun film particulier, dʹun tournage particulier, de Brigitte Bardot, de Jean-Luc Godard et de Michel Piccoli dont il va être question aujourdʹhui. Pour vous en parler, nous avons la bible dʹAntoine de Baecque quʹil consacre au réalisateur, ainsi que beaucoup, beaucoup dʹarchives, des extraits, des anecdotes. Mais il est temps de pénétrer dans la chambre, Brigitte Bardot est déjà là….son corps est là en tous cas, la voilà qui le détaille. REFERENCES NEMER, François, Godard (Le cinéma), Découvertes Gallimard, 2006 CERISUELO, Marc, Le Mépris, Les Editions de la Transparence, coll. Cinéphilie, 2006 VIMENET, Pascal, Préface de Jean Douchet, Le Mépris, Jean-Luc Godard, Image par Image, Hatier, 1992 DE BAECQUE, Antoine, Godard, biographie, éditions Grasset, 2010 Jacques Rozier, Paparazzi https://www.cinematheque.fr/henri/film/63574-paparazzi-jacques-rozier-1963/

Description Returning guest Ryan Haupt joins Joe to discuss the film M. This is director Fritz Lang’s first sound film, and is a clear demonstration of how sound is going to forever alter the film medium. This haunting noir film … Continue reading →

Brandon & Boomer discuss Fritz Lang's mob-justice noir Fury (1936) https://swampflix.com/ 00:00 Welcome 01:34 Nadja (1994) 05:07 Queen Margot (1994) 07:47 Number Seventeen (1932) 12:32 Miroirs No 3 (2026) 15:57 Ernst Lubitsch 24:33 Fat Girl (2001) 30:34 Mad Love (1935) 36:11 Ruthie the Duck Girl (1999) 43:53 The Wolf House (2018) 47:49 A Body to Live In (2026) 53:22 Undertone (2026) 1:03:07 The Chronology of Water (2026) 1:07:17 Alpha (2026) 1:17:27 Obex (2026) 1:22:37 The Bride! (2026) 1:26:42 They Will Kill You (2026) 1:30:55 The Drama (2026) 1:36:26 Forbidden Fruits (2026) 1:44:42 Fury (1936)

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On Episode 207 of Floating Through Film, we're coming back to our FTF Theory series to talk about Fritz's Lang's 1931 serial killer film M, while bringing up Deleuze's analysis of the film contained in one of his lectures on his book "Cinema 1: The Movement-Image". We hope you enjoy!Lecture available here: https://deleuze.cla.purdue.edu/lecture/lecture-14-6/Episode Next Week: Nobuhiko Obayashi Week 1 (I Are You, You Am Me + The Girl Who Leapt Through Time) Music:- Intro: from M (https://www.youtube.com/watch?v=0tA0nSuko40)- Outro: created by Richie Joshuva for the podcast Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s)Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker)Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links:Spotify and Apple: https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

Tonight Justin and Cameron are in Czechoslovakia as nazis are taking over and watching as the resistance fighters and the rest of the community do their best to push back against the goose stepping losers in Fritz Lang's Hangmen Also Die! Will ummm...well it's usually a will the movie be good or not with colorful metaphor but this one feels hard. Either way find out tonight on Cinema Roulette!Art by: https://tellersplace.tumblr.com/ Cinema Roulette Intro Song: "Rain Keeps Falling (Part 2)" by J.J. Vicars. Check him out! https://jjvicars.com/Follow us on BlueSky: Cinema Roulette: https://bsky.app/profile/cinemaroulette.bsky.socialJustin's Bsky: https://bsky.app/profile/jkpancake.bsky.social Cameron's Bsky: https://bsky.app/profile/camcammackert.bsky.socialFind all the other places you can stream or follow us here: https://linktr.ee/CinemaRoulette

Fritz Lang's Metropolis In 1927 Cinema was still in its relative infancy. Nearly eleven years earlier D.W. Griffith had established the "grammar of cinema" with his epic masterpiece, The Birth of a Nation. The subsequent decade would showcase spectacles (Ben-Hur, Intolerance), comedies (The Gold Rush, The General), and dramatic classics (Sunrise: A Song of Two Humans, The Last Laugh). Cinematic Science Fiction would be attempted as early as 1902 with Melie's A Voyage to the Moon, however it would take nearly a quarter of a century for Sci-Fi to reveal its technical brilliance and possibilities with 1927s Fritz Lang masterpiece Metropolis. While an incredibly innovative, beautiful, and groundbreaking film, Lang's narrative (from a treatment and screenplay by his wife and artistic partner, Thea von Harbou), continues - or is the beginning - of the lazy and apologetic "White Savior" cinematic trope that has continued from Lawrence of Arabia thru Dances with Wolves, and most recently, Avatar and Dune. This week Mr. Chavez & I go back to the argument that we have made before and will continue to make regarding this insulting and problemtic cinematic trope. Each generation seems to want to tell its own version of this story without recognizing the inherent hypocrisy of a society and culture victimized by the elite while simultaneously needing to be saved by a blonde-haired, blue-eyed messiah (in this case a billionaire suddenly aware of his "mediator destiny" and responsibility to his "brothers"). Yes, we recognize the technical and production brilliance of this film, while at the same time being unable to ignore (or excuse) the obvious and insulting simplicity of its narrative. It is possible to simultaneoulsy admire and take issue with a work of art. Take a listen and ask yourself if you agree. Let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

[REDIFFUSION] Dans cet épisode Andréa Brusque vous parle d'une icône glamour du Hollywood des années 40. Sacrée plus belle femme du monde, à son époque, elle était aussi belle que brillante. Scientifique méconnue pendant longtemps, c'est aussi grâce à elle que nous avons aujourd'hui des technologies telles que le bluetooth et le wifi. Son nom : Hedy Lamarr. De sa vie d'actrice à ses inventions, découvrez son Fabuleux destin. Une jeune fille déjà ambitieuse Hedwig Kiesler est née le 9 novembre 1914 à Vienne. Fille d'une famille juive, son père était banquier et sa mère une ancienne pianiste de renom. Elle a grandi dans un milieu privilégié qui lui permet d'apprendre plusieurs langues telles que l'anglais ou l'italien. Jeune fille très curieuse, elle adore quand son père lui explique comment fonctionnent les technologies de l'époque. Pleine d'énergie, Hedwig a des semaines bien chargées entre l'équitation, la danse et le piano. Elle parvient aussi à garder du temps pour se consacrer à sa passion : bricoler des gadgets. A l'âge de 13 ans, Hedwig s'intéresse ensuite beaucoup au cinéma. Un jour, elle va avec ses parents voir “Métropolis” de Fritz Lang et là, c'est la révélation. Hedwig veut devenir actrice et fera tout pour réaliser son rêve. Un podcast Bababam Originals Ecriture : Clémence Setti Voix : Andréa Brusque Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is part of Season 36: Serial Killers in History—a single-episode deep dive into one of the most disturbing and least-known serial killers of the Weimar era.December 1924. A homeless stonemason narrowly escapes death in a small Silesian town. What police discover in the aftermath reveals twenty-one years of murder hidden behind the most respectable facade imaginable—a church organ blower who sold his victims as pork at public markets. The story of Karl Denke forces us to confront how society's indifference to its most vulnerable creates perfect hunting grounds for predators.The VictimVincenz Olivier was a homeless stonemason wandering the streets of Münsterberg in search of work, food, or somewhere warm to sleep. Like dozens before him, Olivier was invisible to society—the kind of man whose disappearance would never make headlines, whose death would never prompt an investigation. He accepted an offer of twenty pfennigs to write a letter for a respected local citizen. That simple act of desperation brought him face-to-face with a killer who had evaded detection for over two decades. When Denke dictated a bizarre opening line and Olivier turned his head in confusion, that moment of hesitation saved his life—and exposed one of history's most methodical murderers.The CrimeKarl Denke operated his killing enterprise from 1903 to 1924, targeting society's invisible people: homeless vagrants, unemployed journeymen, recently released prisoners, and travelers seeking work during Germany's economic collapse. His reputation as "Papa Denke"—the charitable organ blower who helped travelers—was his hunting tool. He would offer small payments for simple tasks, then strike from behind with a pickaxe as victims sat distracted at his desk. After death came systematic processing that would have impressed a professional butcher. Denke dismembered bodies, pickled flesh in brine, rendered human fat for soap, and tanned human skin to manufacture leather goods. He held an official vendor's license and sold his "boneless pickled pork" at public markets in Breslau.The InvestigationWhen police searched Denke's apartment on Christmas Eve 1924, they discovered a museum of murder. Two wooden tubs filled with pickled human flesh. According to Friedrich Pietrusky's 1926 forensic report, 351 human teeth were recovered and sorted in containers. Belts, suspenders, and shoelaces crafted from tanned human skin. A ledger documenting thirty-one victims by name—and their slaughter weight. The evidence documented at least thirty victims, with estimates suggesting forty or more. Denke's suicide by hanging with a handkerchief in his holding cell before interrogation meant the full scope of his crimes would never be known. Among verified victims: confectioner Adolf Salisch and fur dealer Rochus Pawlick (Denke's last known victim before Olivier's escape). Victims ranged from sixteen to seventy-six years old. The case revealed significant weaknesses in law enforcement practices, as his victims' marginal status meant their disappearances were never investigated.Historical ContextKarl Denke operated during one of Germany's most turbulent periods—the Weimar Republic era marked by hyperinflation, widespread poverty, and social displacement following World War I. Meat shortages made cheap protein precious as gold, and no one questioned why a gentle church organ blower had steady supplies of quality meat. His crimes coincided with those of other notorious German killers Fritz Haarmann and Peter Kürten, yet while those names echo through criminal history, Denke became a footnote. His immediate suicide prevented any sensational trial. After World War II, Münsterberg became Polish Ziębice, German residents were expelled, records scattered, and the case fell between German and Polish historiography—nearly lost entirely.Sources: Friedrich Pietrusky forensic report (1926), Lucyna Biały research (1999), Casefile Podcast Episode 212, German criminal archivesResourcesThe location of Denke's crimes was Teichstraße 10 (now Stawowa Street 13) in Ziębice, Poland. Note: Sources conflict on whether the original structure still stands—a 1999 report indicated the building had been replaced by newer construction. For those interested in Weimar-era crime, Fritz Lang cited Denke as one of several inspirations for his 1931 film "M," alongside Fritz Haarmann, Carl Großmann, and Peter Kürten (the primary model). Casefile Podcast covered this case in Episode 212, titled "The Forgotten Cannibal" (May 21, 2022).Our Sponsors:* Check out BetterHelp: https://www.betterhelp.comSupport this podcast at — https://redcircle.com/foul-play-crime-series/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

https://daredaniel.com/wp-content/uploads/2025/12/CANON-FODDER_S01_E52.mp3 Metropolis (1927; Dir.: Fritz Lang) Canon Fodder Episode 52 Daniel and Corky crank up the city lights for the jaw-dropping dystopia of Fritz Lang’s fully restored Metropolis (1927). Directly or indirectly influencing a century of pop culture from Blade Runner to Diamond Dogs, Lang’s film continues to amaze and inspire. But did your hosts appreciate Lang’s outstanding vision, or are they on the Fritz? METROPOLIS (1927) FACTS & FIGURES Sight & Sound 2022 Critics Poll Ranking: #67 [tied] World premiere: Jan. 10, 1927 IMDB synopsis: “In a futuristic city sharply divided between the working class and the city planners, the son of the city’s mastermind falls in love with a working-class prophet who predicts the coming of a savior to mediate their differences.” CLIPS & CLIPPINGS Official trailer for Metropolis (1927) The Moloch! Maria’s transformation Metropolis cityscape NEXT EPISODE’S MOVIE Pierrot le Fou (1965; Dir.: Jean-Luc Godard) IMDB synopsis: “Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.” Our review of Pierrot le Fou comes out Tuesday, Jan. 20! Join us in two weeks for our Best of Canon Fodder 2025 episode! Follow Dare Daniel & Canon Fodder on Facebook and Instagram. Be sure to listen, rate, review and subscribe to the show on Pandora, Apple Podcasts, Spotify, Listen Notes, Castbox and more. New episodes every other Tuesday! Please help support the show by clicking the Donate button on the homepage or find “Support the Show” in the main menu. Read more of Daniel’s movie reviews at Dare Daniel and Rotten Tomatoes. The post Metropolis (1927) – Canon Fodder Episode 52 appeared first on Dare Daniel & Canon Fodder Podcasts.

Front Row Classics celebrates Noirvember with a suspenseful 1954 noir from Fritz Lang. Brandon and Emmett Stanton are chatting about Human Desire. The film features strong performances from Glenn Ford, Broderick Crawford and the incomparable Gloria Grahame. Brandon and Emmett also chat about the railroad imagery and strange subtext seen throughout the movie.

STERNENGESCHICHTEN LIVE TOUR in D und Ö: Tickets unter https://sternengeschichten.live Eine Rakete startet mit einem Countdown. Aber warum eigentlich? Wozu braucht man das und warum muss man das so dramatisch machen? Alles zum Lift-Off erfahrt ihr in der neuen Folge der Sternengeschichten. Wer den Podcast finanziell unterstützen möchte, kann das hier tun: Mit PayPal (https://www.paypal.me/florianfreistetter), Patreon (https://www.patreon.com/sternengeschichten) oder Steady (https://steadyhq.com/sternengeschichten) Sternengeschichten-Hörbuch: https://www.penguin.de/buecher/florian-freistetter-sternengeschichten/hoerbuch-mp3-cd/9783844553062