Podcasts about Fritz Lang

Forget the "well, actually" crowd. Yes, the Germans were central to the space race, and host Matt Trump is leaning all the way into it. In Part I of this new series, Matt traces humanity's first object to ever cross into outer space back to a test launch from Peenemunde on June 20, 1944, two weeks after D-Day, and the weapon it became, the V2. But the real story starts decades earlier with Jules Verne, whose 1865 novel "From the Earth to the Moon" predicted Apollo and Artemis with eerie accuracy, and inspired a young Transylvanian Saxon named Hermann Oberth to turn science fiction into the actual rocket equation. Matt also dives into the strange, tangled connections between Oberth, Fritz Lang, Thea von Harbou, and the silent film "Metropolis," and what that film really reveals about how the Nazis saw themselves. Next week, the warriors arrive: Wernher von Braun.

On the 114th episode of Bomb Squad Matinee, Tim, Ethan, and Austin discuss Rintaro's 2001 sci-fi anime film Metropolis. Is this less discussed sci-fi anime gem worth seeking out? How does the film compare to Osamu Tezuka's original manga and Fritz Lang's classic silent film? Does this film have one of the greatest needle drops of all time? Tune in to find out!

OUR MAN FLINT, the 1966 spy spoof that shook Hollywood, is back under the microscope. Dan and Tom from Cracking the Code of Spy Movies decode this James Coburn classic in their signature style. Released just weeks after THUNDERBALL, this movie punched well above its weight. It spoofed James Bond, "The Man from U.N.C.L.E.", and even drew from vaudeville comedy traditions. The movie's story follows Flint, a brilliant ex-agent pulled back to stop mad scientists bent on world domination through weather control. Highlighted themes in this episode: ·       James Coburn's portrayal of Derek Flint ·       Jerry Goldsmith's iconic score, which blends jazz, electronics, and exotica. He's ahead of his time. Some critics called this score better than anything from the Bond series. ·       ZOWIE, GALAXY, and SPECTRE: the movie directly mocks Bond's spy-agency formula with wit and precision. ·       Austin Powers' DNA traces directly back here — from the harem of women to the multifunction lighter. ·       Vaudeville roots: We uncover surprising comedy traditions hidden in the movie's structure Dan and Tom explore the movie's influences — from Fritz Lang's 1929 Spies to Sherlock Holmes — and trace its legacy through DIE HARD, KINGSMAN, AUSTIN POWERS, and beyond. Whether you're a die-hard spy movie fan or new to the genre, this episode will make you see Flint in a whole new way. This movie was the predecessor to IN LIKE FLINT. Tell us what you think of our decoding of OUR MAN FLINT Have you seen OUR MAN FLINT?  If so, what are your thoughts?  What spoofs did we miss?  If you haven't seen it, does our decoding session make you want to watch it? Would you like us to decode the other "Flint" movie, IN LIKE FLINT? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://spymovienavigator.com/episode/our-man-flint-decoded

durée : 00:58:31 - Les émissions culturelles de France Culture - par : Antoine Guillot - Figure mythique du cinéma, le docteur Mabuse a accompagné l'œuvre de Fritz Lang sur quatre décennies. Bernard Eisenschitz revient sur cette trilogie visionnaire, explorant les thèmes de la terreur, du pouvoir et de la manipulation. - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Bernard Eisenschitz Historien du cinéma, Sandra Onana Critique française de cinéma Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

En esta primera parte dedicada a la relación entre cómic y cine, Alberto Azcueta nos guía por una fascinante selección de novelas gráficas y biografías ilustradas sobre los grandes nombres del séptimo arte. Desde pioneras como Alice Guy hasta leyendas como Charles Chaplin, Fritz Lang, Bela Lugosi, Orson Welles, Akira Kurosawa o Fellini, descubrimos cómo el cómic se convierte en una herramienta única para narrar la historia del cine y sus sombras. También hablamos de expresionismo alemán, Hollywood clásico, true crime, Pasolini, Metrópolis y obras imprescindibles como Filmish, el ensayo gráfico que analiza el lenguaje cinematográfico. ️ Una conversación imprescindible para amantes del cine, el cómic y la cultura visual. ☕ Hazte socio/a de El Café de la Lluvia y forma parte de nuestra comunidad: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ Escúchanos y léenos en nuestra web: https://elcafedelalluvia.com/ ▶️ Suscríbete a nuestro canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia Recibe nuestros contenidos en tu correo: https://elcafedelalluvia.com/suscripcion-newsletter/ Síguenos en redes sociales: Twitter: https://twitter.com/cafelluvia Instagram: https://www.instagram.com/elcafedelalluvia/ Facebook: https://www.facebook.com/Cafedelalluvia Tu apoyo nos ayuda a seguir dando voz a la cultura, la literatura y el pensamiento crítico. Gracias por acompañarnos ☕✨

Felicia is joined by Joey Gantner to discuss the effects of lust on a man in Fritz Lang's Human Desire (1954). We chat about how the women in his film are more than your typical film noir femme fatale, and why it helps to separate this work from the other Grahame and Ford pairing. This is the last episode in the Lang series, it always feels like a task to tackle a huge director but a fun task nonetheless. My guests and I wanted to pick some of his slightly lesser known films to show the range and depth of his work, and we hope you feel inspired to dig a big deeper into his catalogue. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Joey here: Spotify: Out of the Podcast Tape Record Label: sludge-people.com IG: @sludgepeople IG: @outofthepodcast Listen to our previous episodes here: To Live and Die in L.A. (D.O.P. Robby Müller 1985) Repo Man (Alex Cox 1984) Miracle Mile (Steve De Jarnatt 1988) Sources: Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l'étoile : Cinémathèque française. https://mubi.com/en/notebook/posts/interview-with-fritz-lang-beverley-hills-august-12-1972 https://fourstarfilmfan.com/2019/11/17/human-desire-1954/ https://mubi.com/en/notebook/posts/no-other-kind-close-up-on-fritz-lang-s-human-desire https://midwestfilmjournal.com/2024/05/03/fritz-on-fridays-human-desire-1954/ https://davidnilsenwriter.com/2015/06/22/the-trains-of-human-desire-1954/ https://www.sensesofcinema.com/2013/cteq/la-bete-humaine-unquiet-desperation/ https://notesoncinematograph.blogspot.com/2010/05/rivettedomarchi-interview-fritz-lang.html

Uno spietato assassino di bambini è ancora senza volto e imperversa nelle strade della città tedesca. La polizia brancola nel buio e così la criminalità organizzata decide di intervenire e avviare per conto proprio le ricerche, che porteranno alla cattura del mostro e ad un processo sommario.Solo due parole per definire questa pellicola del maestro Lang : Capolavoro assoluto.Una maestria nelle inquadrature e nelle sequenze, tensione altissima e la magistrale interpretazione di Peter Lorre, primo serial killer della storia del cinema, fanno di M un titolo imperdibile, che non deve mai e poi mai essere dimenticato e che rimane una lezione di cinema per tutte le generazioni a seguire.

Felicia is joined by Rolo Tony to discuss Fritz Lang's return to his roots as he blends German expressionism and film noir in Ministry of Fear (1944). We chat about the impact of the set design along with the power of Ray Milland's performance. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Rolo Tony here: Twitter: @PoorOldRoloTony Letterboxd: @PoorOldRoloTony YouTube: @PoorOldRoloTony Twitter: @GuysGotJuice Spotify: @TheseGuysGotJuice Listen to our previous episodes here: Ghost Dog: The Way of the Samurai (Jim Jarmusch 1999) A Woman Under the Influence (John Cassavetes 1974) Sources: Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l'étoile : Cinémathèque française. https://www.criterion.com/current/posts/2690-ministry-of-fear-paranoid-style https://www.sensesofcinema.com/2022/cteq/an-entertainment-fritz-langs-ministry-of-fear-1944/ https://www.londonfictions.com/graham-greene-the-ministry-of-fear.html https://mubi.com/en/notebook/posts/ministry-of-fear-love-during-wartime https://mubi.com/en/notebook/posts/the-forgotten-auld-lang-syne https://www.criterion.com/films/28065-ministry-of-fear?srsltid=AfmBOoqHJpuDu7frQOsoLl3Tg5Mcvo4IqBCqmwIAYBqx2wOmLqaRgqPT https://vintagestardust.wordpress.com/2025/07/27/hans-dreier-art-director/

Proton-Drive Angebot

„Metropolis“: Wenn Filme die Zukunft zeigen – Vor rund 100 Jahren kam Fritz Langs Film „Metropolis“ ins Kino. Er zeigt eine Stadt im Jahr 2026 – und eine Zukunft mit sozialer Ungleichheit, Maschinen und der Angst vor künstlicher Intelligenz.

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Hay películas que cambian el cine y un poco el mundo. La primera de la que vamos a hablar en este programa es una de ellas. Pero entraran al menos dos películas del mismo peso e importancia. Por eso teníamos ganas de retomar el Todopoderosos de Fritz Lang. Porque es de esos autores a los que todos los directores miran antes de rodar cualquier cosa.

The post-WW1 Weimar Republic in Germany was the height of European civilization. Its scientists and scholars led the world. Its Bauhaus architecture was the rage. Its arts featured such luminaries as Fritz Lang, Bertolt Brecht, Kurt Weill and Thomas Mann. Yet, out of this modern democracy sprang Nazism, German fascism, and one of the most barbaric regimes ever. How did Hitler happen? It is one of the most important questions of history. What happened in Germany has disturbing resonances for our own time. Fascist-like regimes are taking power in many countries. We ignore disturbing signs at our peril from torchlight parades in Charlottesville with crowds chanting, “Jews Will Not Replace Us” to a synagogue massacre in Pittsburgh to the murder of African-Americans in a church in Charleston. What can we learn from the past to ensure it doesn't happen again? Recorded at Hunter College. Interviewed by David Barsamian

M - “I Can't Escape from Myself”We discuss an early cinematic masterpiece from Fritz Lang this week - M (1931). Peter Lorre plays a serial killer who inspires multiple factions of the underworld of his city to conspire to capture him and apply their own brand of justice. The themes and story feel extremely timely - even though this film is nearly 100 years old!We hope you enjoy this fresh conversation about this classic film! Support the show

As I started to look to 2026, I knew there was still more to cover in this series beyond what we hit upon in the five episodes last year in discussing authoritarianism in cinema. One of the richest genres doing that was science fiction which, coincidentally, is what led to my emphasis on the genre this year. With such a vast subject, there was only one choice to join me on this episode- the person who started this series with me, Jason from Binge Movies and The Slashers. This is probably the most obvious lineup we've had yet, but when you have movies like Fritz Lang's "Metropolis", John Carpenter's "They Live" and Paul Verhoeven's "Starship Troopers", you already have not just compelling films to watch, but a wealth of depth to cover. I hope you enjoy!

Felicia is joined by Raf Stitt to discuss Fritz Lang's exploration of the male psyche in The Woman in the Window (1944). We chat about the impact of a twist ending, and how film noir is deeply rooted in German Expressionism. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Raf here: Website: https://screenagewasteland.com/tag/the-canon-podcast/ Spotify: @ScreenageWasteland Apple:@ScreenageWasteland Letterboxd: @rafstitt IG: @rafstitt Twitter: @rafstitt Bluesky: @rafstitt Sources: Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l'étoile : Cinémathèque française. https://www.sensesofcinema.com/2002/cteq/woman_window/ https://heartofnoir.com/film/the-woman-in-the-window-1944/ https://www.tcm.com/articles/176542/the-woman-in-the-window-joan-bennett-and-edward-g-robinson-in-fritz-langs-film-noir-the-woman-in-the-window https://midwestfilmjournal.com/2024/01/05/fritz-on-fridays-the-woman-in-the-window-1944/

Send us Fan MailWe do enjoy discussing the foundational effect modern directors have on their films --- the whole auteur theory of the style and technique of a director in producing idiosyncratic work. And in film noir, there are plenty of directors who made their reputation in film and the establishment of their hallmark style within the genre. In the last few months, we've visited several such directors who drove deep into the style of film noir --- some later branched out into other work while keeping their significant style. Others plowed a furrow mostly in noir and in retrospect furthered the recognition of the genre itself. To name but a few, we've recently clocked in Fritz Lang, Anthony Mann, Robert Siodmack, and Jules Dassin. You might add Otto Preminger, Jacques Tourneur, and the great Billy Wilder. They brought their characteristic feel to noir and contributed to the idea of the director as author of the entirety of the film --- all else subsumed to their vision. But one of the more impactful and deeply moving of films noir was authored by a director who was an auteur before the phrase was created. A director who was famous and notorious in film – making from his first feature onward. The first feature delivered, by the way, at age 25. A proclaimed genius of film. Many have recognized his first film as perhaps among if not the greatest film in history. He had a nodding acquaintance with films that would be known as noir in later years --- but they merely reflected the fantastic and magical way he saw film and created with cinema. His style was seen across many genres and subject areas --- but it was especially valid for film noir. He was a natural in the movement. His name --- George Orson Welles.Website and blog: www.thosewonderfulpeople.comBluesky: @wonderfulpeople.bsky.social

Felicia is joined by Martin Kessler to discuss Fritz Lang's first foray into the world of sound in his film M (1931). We chat about what led Lang to finally make his first talkie, and how he allows the audience to use their imagination in full by not showing the violence on screen. This is the series opener and Fritz Lang is a director I have wanted to discuss on the show for a long time. I mainly focused on his career in America and I wanted to discuss the slightly lesser known films to show his great range. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Martin here: Twitter: @MovieKessler Website: The Pink Smoke Spotify: @ThePinkSmoke Apple: @ThePinkSmoke Soundcloud: @ThePinkSmoke Deaf Crocodile Commentaries: Website: https://deafcrocodile.com/ The Tragedy of Man (Marcell Jankovics 2011) Song of the Miraculous Hind (Marcell Jankovics 2002) Listen to our previous episodes here: The Landlord (D.O.P. Gordon Willis 1970) Opening Night (John Cassavetes 1977) Sources: Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l'étoile : Cinémathèque française. https://mubi.com/en/notebook/posts/interview-with-fritz-lang-beverley-hills-august-12-1972 https://www.tcm.com/articles/38694/m-1931 https://www.criterion.com/current/posts/1457-my-film-m-a-factual-report https://www.c-span.org/clip/public-affairs-event/peter-bogdanovich-on-fritz-langs-m/4994498

Vi tar en närmare titt på Roger Cormans adaptioner av Edgar Allan Poe, ofta i nära samarbete med storheterna Vincent Price och Richard Matheson. Det blir, bland mycket annat, ett samtal om psykoanalys, manlighet, arvsskuld, trauma och ett billigt och effektivt filmskapande gjort av gubbar i form av den absoluta gräddan av den amerikanska skräckmyllan. I avsnittet som helhet pratar vi också bland annat om: H.P Lovecraft, Peter Pan-syndromet, Lucio Fulci, gotisk skräck, skräckromantik, det makabra, galenskap, självdestruktivitet, blommigt språk, weird fiction, kosmisk skräck, exploateringsfilm, Sigmund Freud, Alfred Hitchcock, Psycho, det undermedvetna, det overkliga, Besökarna, Sam Raimi, The Evil Dead, gravvalv, kryptor, degenering, romantiseringen av den döende kvinnan, Hammer Horror, Bram Stoker, HBTQ-perspektiv, påkostade för- och eftertexter, det psykedeliska, Les Baxter, jazziga soundtracks, dödsdrift, skräckmelodram, Saw-franchisen, Barbara Steele, Mario Bava, Black Sunday, aristokratisk dekadens, katalepsi, Ray Milland, taphofobi, The Autopsy of Jane Doe, The Whisperer in Darkness, Agatha Christie, omotiverad dimma, Slå nollan till polisen, tvångsneuroser, OCD, spöken, kameraåkningar, Peter Lorre, M, Fritz Lang, skräckkomedi, Basil Rathbone, Sherlock Holmes, hypnos, transliknande tillstånd och Mike Flanagan. Mycket nöje!

Fritz Lang directed a pair of noirs in the mid-40s, starring Edward G. Robinson, Joan Bennett and Dan Duryea. The other is Woman in the Window. In Scarlet Street Eddie G. Is a mild-mannered cashier who meets Kitty, a beauty who might not mean him well. And then Dan Duryea gets involved. Like any self-respecting noir classic, this one is nice to look at, and even features twelve paintings created for the film. In real-life, Eddie collected art and Dan Duryea was a nice man. Shelly Brisbin with Philip Michaels, Dr. Drang, Nathan Alderman and Micheline Maynard.

Fritz Lang directed a pair of noirs in the mid-40s, starring Edward G. Robinson, Joan Bennett and Dan Duryea. The other is Woman in the Window. In Scarlet Street Eddie G. Is a mild-mannered cashier who meets Kitty, a beauty who might not mean him well. And then Dan Duryea gets involved. Like any self-respecting noir classic, this one is nice to look at, and even features twelve paintings created for the film. In real-life, Eddie collected art and Dan Duryea was a nice man. Shelly Brisbin with Philip Michaels, Dr. Drang, Nathan Alderman and Micheline Maynard.

Cloak and Dagger (1946) is one of the most overlooked spy films ever made — and this episode proves it deserves a second look. Dan and Tom decode this gritty WWII thriller starring Gary Cooper and directed by Fritz Lang. It's raw, tense, and surprisingly realistic. Before James Bond made espionage glamorous, this film showed what it really looked like. No gadgets. No tuxedos. Just survival. A physics professor is yanked from the Manhattan Project and sent to Europe — with no training and no safety net. His mission: find out how close Nazi Germany is to building an atomic bomb. That fear was real. The stakes were enormous. We dig deep into what makes this film stand out: the brutal, visceral staircase fight scene, the film noir cinematography by Sol Polito, and Max Steiner's understated score. We also explore the Hitchcock parallels, the Bond connections, and the censored anti-nuclear ending Fritz Lang never got to film. Episode highlights: ·      

Le Mépris de Jean-Luc Godard, un film sorti en 1963, est devenu depuis un film culte. Le Mépris cʹest dʹabord un hommage au corps de la femme le plus célèbre du moment Brigitte Bardot. Cʹest ensuite un tournage incroyable perturbé par des nuées de paparazzi dans des décors grandioses. Le Mépris, cʹest Rome et Cinecittà, Capri et une villa époustouflante sur la mer. Cʹest aussi Fritz Lang, Michel Piccoli, Jack Palance, Jean-Luc Godard. Basé sur le livre homonyme dʹAlberto Moravia, le réalisateur fait un chef-dʹœuvre, qui rencontre peu de succès à sa sortie. De plus le film est un peu chahuté par ses producteurs. Mais tout ça contribue à sa légende. Le Mépris révélera, avec le temps qui passe, son intemporalité et sa force. Vous lʹavez compris, cʹest lʹhistoire dʹun film particulier, dʹun tournage particulier, de Brigitte Bardot, de Jean-Luc Godard et de Michel Piccoli dont il va être question aujourdʹhui. Pour vous en parler, nous avons la bible dʹAntoine de Baecque quʹil consacre au réalisateur, ainsi que beaucoup, beaucoup dʹarchives, des extraits, des anecdotes. Mais il est temps de pénétrer dans la chambre, Brigitte Bardot est déjà là….son corps est là en tous cas, la voilà qui le détaille. REFERENCES NEMER, François, Godard (Le cinéma), Découvertes Gallimard, 2006 CERISUELO, Marc, Le Mépris, Les Editions de la Transparence, coll. Cinéphilie, 2006 VIMENET, Pascal, Préface de Jean Douchet, Le Mépris, Jean-Luc Godard, Image par Image, Hatier, 1992 DE BAECQUE, Antoine, Godard, biographie, éditions Grasset, 2010 Jacques Rozier, Paparazzi https://www.cinematheque.fr/henri/film/63574-paparazzi-jacques-rozier-1963/

Diese Folge ist ein echter Quantensprung in der Geschichte vom komische Gespräche Podcast - die Frage ist natürlich in welche Richtung!? Entscheide selbst! Diese Themen stehen zur Auswahl: Cicero, Bayern gegen Freiburg, Quantensprünge, Proben vs. Ausprobieren, das nicht tanzende Tuch, der Naumburger Meister, 18 Punkte Jura, Wasser im Schritt, Katharina die Große und Fritz Lang. HIER KANNST DU UNS ÜBERALL HÖREN: https://linktr.ee/komischegespraeche HIER KANNST DU UNS AUF KAFFEE EINLADEN: https://ko-fi.com/komischegespraechepodcast HIER GEHT ES ZUR KOMISCHE MUSIKE PLAYLIST AUF SPOTIFY: https://tinyurl.com/komischeMusike

Description Returning guest Ryan Haupt joins Joe to discuss the film M. This is director Fritz Lang’s first sound film, and is a clear demonstration of how sound is going to forever alter the film medium. This haunting noir film … Continue reading →

Brandon & Boomer discuss Fritz Lang's mob-justice noir Fury (1936) https://swampflix.com/ 00:00 Welcome 01:34 Nadja (1994) 05:07 Queen Margot (1994) 07:47 Number Seventeen (1932) 12:32 Miroirs No 3 (2026) 15:57 Ernst Lubitsch 24:33 Fat Girl (2001) 30:34 Mad Love (1935) 36:11 Ruthie the Duck Girl (1999) 43:53 The Wolf House (2018) 47:49 A Body to Live In (2026) 53:22 Undertone (2026) 1:03:07 The Chronology of Water (2026) 1:07:17 Alpha (2026) 1:17:27 Obex (2026) 1:22:37 The Bride! (2026) 1:26:42 They Will Kill You (2026) 1:30:55 The Drama (2026) 1:36:26 Forbidden Fruits (2026) 1:44:42 Fury (1936)

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On Episode 207 of Floating Through Film, we're coming back to our FTF Theory series to talk about Fritz's Lang's 1931 serial killer film M, while bringing up Deleuze's analysis of the film contained in one of his lectures on his book "Cinema 1: The Movement-Image". We hope you enjoy!Lecture available here: https://deleuze.cla.purdue.edu/lecture/lecture-14-6/Episode Next Week: Nobuhiko Obayashi Week 1 (I Are You, You Am Me + The Girl Who Leapt Through Time) Music:- Intro: from M (https://www.youtube.com/watch?v=0tA0nSuko40)- Outro: created by Richie Joshuva for the podcast Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s)Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker)Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links:Spotify and Apple: https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

Tonight Justin and Cameron are in Czechoslovakia as nazis are taking over and watching as the resistance fighters and the rest of the community do their best to push back against the goose stepping losers in Fritz Lang's Hangmen Also Die! Will ummm...well it's usually a will the movie be good or not with colorful metaphor but this one feels hard. Either way find out tonight on Cinema Roulette!Art by: https://tellersplace.tumblr.com/ Cinema Roulette Intro Song: "Rain Keeps Falling (Part 2)" by J.J. Vicars. Check him out! https://jjvicars.com/Follow us on BlueSky: Cinema Roulette: https://bsky.app/profile/cinemaroulette.bsky.socialJustin's Bsky: https://bsky.app/profile/jkpancake.bsky.social Cameron's Bsky: https://bsky.app/profile/camcammackert.bsky.socialFind all the other places you can stream or follow us here: https://linktr.ee/CinemaRoulette

Fritz Lang's Metropolis In 1927 Cinema was still in its relative infancy. Nearly eleven years earlier D.W. Griffith had established the "grammar of cinema" with his epic masterpiece, The Birth of a Nation. The subsequent decade would showcase spectacles (Ben-Hur, Intolerance), comedies (The Gold Rush, The General), and dramatic classics (Sunrise: A Song of Two Humans, The Last Laugh). Cinematic Science Fiction would be attempted as early as 1902 with Melie's A Voyage to the Moon, however it would take nearly a quarter of a century for Sci-Fi to reveal its technical brilliance and possibilities with 1927s Fritz Lang masterpiece Metropolis. While an incredibly innovative, beautiful, and groundbreaking film, Lang's narrative (from a treatment and screenplay by his wife and artistic partner, Thea von Harbou), continues - or is the beginning - of the lazy and apologetic "White Savior" cinematic trope that has continued from Lawrence of Arabia thru Dances with Wolves, and most recently, Avatar and Dune. This week Mr. Chavez & I go back to the argument that we have made before and will continue to make regarding this insulting and problemtic cinematic trope. Each generation seems to want to tell its own version of this story without recognizing the inherent hypocrisy of a society and culture victimized by the elite while simultaneously needing to be saved by a blonde-haired, blue-eyed messiah (in this case a billionaire suddenly aware of his "mediator destiny" and responsibility to his "brothers"). Yes, we recognize the technical and production brilliance of this film, while at the same time being unable to ignore (or excuse) the obvious and insulting simplicity of its narrative. It is possible to simultaneoulsy admire and take issue with a work of art. Take a listen and ask yourself if you agree. Let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

[REDIFFUSION] Dans cet épisode Andréa Brusque vous parle d'une icône glamour du Hollywood des années 40. Sacrée plus belle femme du monde, à son époque, elle était aussi belle que brillante. Scientifique méconnue pendant longtemps, c'est aussi grâce à elle que nous avons aujourd'hui des technologies telles que le bluetooth et le wifi. Son nom : Hedy Lamarr. De sa vie d'actrice à ses inventions, découvrez son Fabuleux destin. Une jeune fille déjà ambitieuse Hedwig Kiesler est née le 9 novembre 1914 à Vienne. Fille d'une famille juive, son père était banquier et sa mère une ancienne pianiste de renom. Elle a grandi dans un milieu privilégié qui lui permet d'apprendre plusieurs langues telles que l'anglais ou l'italien. Jeune fille très curieuse, elle adore quand son père lui explique comment fonctionnent les technologies de l'époque. Pleine d'énergie, Hedwig a des semaines bien chargées entre l'équitation, la danse et le piano. Elle parvient aussi à garder du temps pour se consacrer à sa passion : bricoler des gadgets. A l'âge de 13 ans, Hedwig s'intéresse ensuite beaucoup au cinéma. Un jour, elle va avec ses parents voir “Métropolis” de Fritz Lang et là, c'est la révélation. Hedwig veut devenir actrice et fera tout pour réaliser son rêve. Un podcast Bababam Originals Ecriture : Clémence Setti Voix : Andréa Brusque Learn more about your ad choices. Visit megaphone.fm/adchoices

A inteligência artificial já está substituindo as mulheres? Um pulo nas narrativas cinematográficas para tentar entender por que mulheres artificiais são tão sedutoras para os homens. Com participação da antropóloga, pesquisadora e crítica de cinema Isabel Wittmann.Apoie este podcast: alinevalek.com.br/apoieAssine nossa newsletter: alinevalek.substack.comFale comigo: escreva@alinevalek.com.brClube de Leitura Bobagens ImperdíveisConheça a programação e participe: https://alinevalek.com.br/clubedeleitura/Links relacionadosAcompanhe a Isabel Wittmann: https://www.instagram.com/iwittmannConheça o projeto Feito por Elas: https://www.instagram.com/feitoporelas_Tese da Isabel: “Feminilidades maquínicas: gênero, sexualidade e corpo de mulheres artificiais no cinema fantástico” https://www.teses.usp.br/teses/disponiveis/8/8134/tde-16012024-134412/publico/2023_IsabelWittmann_VCorr.pdfLivro “A Eva Futura", de Auguste Villiers de L'Isle-Adam, publicado em 1886: https://amzn.to/4bpl2DxLivro “Manifesto Ciborgue", de Donna Haraway, de 1985: https://amzn.to/49x6PlyFilme “Her", de Spike Jonze (2013): https://www.youtube.com/watch?v=dJTU48_yghsFilme “Metropolis”, de Fritz Lang (1927): https://www.youtube.com/watch?v=jE1quAeo3PgSobre a fuga de Fritz Lang da Alemanha nazista: https://daily.jstor.org/how-fritz-langs-flight-from-nazi-germany-shaped-hollywood/Robôs japoneses criados com pele viva: https://www.bbc.com/portuguese/articles/cprqj71387qoPor que vozes de computador são majoritariamente femininas? https://edition.cnn.com/2011/10/21/tech/innovation/female-computer-voicesEpisódios relacionadosEsse antigo medo de robôs: https://open.spotify.com/episode/6RU8aq3386bW9VuxOjNs5F?si=cf9a2e2e78914c28Trilha sonora: “Fall on source", mobygratis; “Mission to mars”, Audio Hertz; “Spying in the 60's”, Sir Cubworth; “The Sax of ancient terror", Jimena Contreras; “Subterranean Howl”, ELPHNT; “Spookster", Wayne Jones

This episode is part of Season 36: Serial Killers in History—a single-episode deep dive into one of the most disturbing and least-known serial killers of the Weimar era.December 1924. A homeless stonemason narrowly escapes death in a small Silesian town. What police discover in the aftermath reveals twenty-one years of murder hidden behind the most respectable facade imaginable—a church organ blower who sold his victims as pork at public markets. The story of Karl Denke forces us to confront how society's indifference to its most vulnerable creates perfect hunting grounds for predators.The VictimVincenz Olivier was a homeless stonemason wandering the streets of Münsterberg in search of work, food, or somewhere warm to sleep. Like dozens before him, Olivier was invisible to society—the kind of man whose disappearance would never make headlines, whose death would never prompt an investigation. He accepted an offer of twenty pfennigs to write a letter for a respected local citizen. That simple act of desperation brought him face-to-face with a killer who had evaded detection for over two decades. When Denke dictated a bizarre opening line and Olivier turned his head in confusion, that moment of hesitation saved his life—and exposed one of history's most methodical murderers.The CrimeKarl Denke operated his killing enterprise from 1903 to 1924, targeting society's invisible people: homeless vagrants, unemployed journeymen, recently released prisoners, and travelers seeking work during Germany's economic collapse. His reputation as "Papa Denke"—the charitable organ blower who helped travelers—was his hunting tool. He would offer small payments for simple tasks, then strike from behind with a pickaxe as victims sat distracted at his desk. After death came systematic processing that would have impressed a professional butcher. Denke dismembered bodies, pickled flesh in brine, rendered human fat for soap, and tanned human skin to manufacture leather goods. He held an official vendor's license and sold his "boneless pickled pork" at public markets in Breslau.The InvestigationWhen police searched Denke's apartment on Christmas Eve 1924, they discovered a museum of murder. Two wooden tubs filled with pickled human flesh. According to Friedrich Pietrusky's 1926 forensic report, 351 human teeth were recovered and sorted in containers. Belts, suspenders, and shoelaces crafted from tanned human skin. A ledger documenting thirty-one victims by name—and their slaughter weight. The evidence documented at least thirty victims, with estimates suggesting forty or more. Denke's suicide by hanging with a handkerchief in his holding cell before interrogation meant the full scope of his crimes would never be known. Among verified victims: confectioner Adolf Salisch and fur dealer Rochus Pawlick (Denke's last known victim before Olivier's escape). Victims ranged from sixteen to seventy-six years old. The case revealed significant weaknesses in law enforcement practices, as his victims' marginal status meant their disappearances were never investigated.Historical ContextKarl Denke operated during one of Germany's most turbulent periods—the Weimar Republic era marked by hyperinflation, widespread poverty, and social displacement following World War I. Meat shortages made cheap protein precious as gold, and no one questioned why a gentle church organ blower had steady supplies of quality meat. His crimes coincided with those of other notorious German killers Fritz Haarmann and Peter Kürten, yet while those names echo through criminal history, Denke became a footnote. His immediate suicide prevented any sensational trial. After World War II, Münsterberg became Polish Ziębice, German residents were expelled, records scattered, and the case fell between German and Polish historiography—nearly lost entirely.Sources: Friedrich Pietrusky forensic report (1926), Lucyna Biały research (1999), Casefile Podcast Episode 212, German criminal archivesResourcesThe location of Denke's crimes was Teichstraße 10 (now Stawowa Street 13) in Ziębice, Poland. Note: Sources conflict on whether the original structure still stands—a 1999 report indicated the building had been replaced by newer construction. For those interested in Weimar-era crime, Fritz Lang cited Denke as one of several inspirations for his 1931 film "M," alongside Fritz Haarmann, Carl Großmann, and Peter Kürten (the primary model). Casefile Podcast covered this case in Episode 212, titled "The Forgotten Cannibal" (May 21, 2022).Our Sponsors:* Check out BetterHelp: https://www.betterhelp.comSupport this podcast at — https://redcircle.com/foul-play-crime-series/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Metropolis: een dystopische blik op 2026 en De gasvlam als thuisgevoel    (01:36) Wil Trump in Venezuela doen wat de VS in 1989 in Panama deden, toen de strijd tegen drugs werd gebruikt om de toenmalige president van Panama af te zetten? Te gast is Edwin Koopman, Latijns-Amerika journalist en VPRO-collega (Bureau Buitenland).  (20:14) De film Metropolis uit 1927, over een futuristische stad waarin een hevige klassenstrijd wordt gevoerd. En regisseur Fritz Lang liet de film afspelen in het jaar 2026. Wat voor beeld wordt er van ons heden geschetst? Te gast is mediawetenschapper Dan Hassler-Forest.  (42:55) Het thuisgevoel is niet zo vanzelfsprekend als het lijkt. Dat gevoel is ook gemaakt, bijvoorbeeld met de gasvlam en het koken daarop. Religiewetenschapper en etnoloog Ernst van den Hemel schreef voor de bundel ‘Venster op thuis' de bijdrage ‘De gasvlam als thuisgevoel' en is te gast.  (52:25) Elke week bespreken we historische tips met afwisselend Nadia Bouras, Wim Berkelaar, Bart Funnekotter, Sanne Frequin, en Fresco Sam-Sin. Deze week is de beurt aan Bart Funnekotter. Hij bespreekt twee boeken en een documentaire:  Een schandaal in Königsberg - Christopher Clark (vert. Wil Hansen)  Dokter Satan - Jean-Marc Dreyfus (vert. Hans van Riemsdijk)  The Stringer: The Man Who Took the Photo - documentaire van Netflix    (01:08:07)  Biograaf Wies van Leeuwen over Pierre Cuypers, de architect van de in Amsterdam afgebrande Vondelkerk.   (01:16:22) Bevel! Miljoenen Europese mannen moesten zich tijdens de Tweede Wereldoorlog melden om dwangarbeid te doen voor Duitsland. Na thuiskomst werd er vaak nauwelijks nog over gesproken. In de serie Gedwongen vertellen de laatste getuigen over de Arbeitseinsatz. In de negentig zijn ze inmiddels. Ze vertrokken als tiener en werden maanden-, soms jarenlang tewerkgesteld. Zo werden ze volwassen in de snelkookpan van de oorlog. Voor welke dilemma's kwamen ze te staan? En wat doet dwang met een mens?  Gedwongen- tewerkgesteld in Duitsland is een podcast van het Nationaal Comité 4 en 5 Mei, het NIOD en Aldus' producties, geregisseerd door Tjitske Mussche met muziek van Darius Timmer.    Meer info:  https://www.vpro.nl/ovt/artikelen/ovt-4-januari-2025 (https://www.vpro.nl/ovt/artikelen/ovt-4-januari-2025)   

"HEAD and HANDS need a mediator. THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART!"Merry Christmas and Happy New Year from the Holmes Movies Podcast team. Here's to a more prosperous and great 2026.Welcome to the ninth episode of our ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.On this Fascism on Film episode, the Holmes Brothers look at Fritz Lang's colossally influential science fiction epic, Metropolis. Released in 1927, Metropolis is a masterpiece of German Expressionist cinema that has inspired every sci fi movie from Star Wars to Blade Runner to even Tim Burton's Batman films. The film has even inspired music videos like Queen's Radio Ga-Ga and Madonna's Express Yourself, the music video for this song was directed by David Fincher. The film is set in a futuristic world. A sprawling concrete jungle that is reminiscent of Manhattan. The working class work below in the bowels of the city keeping it running while the wealthy upper class live up in decadence. Freder (played by Gustav Fröhlich), the son of a wealthy city master, falls in love with Maria a saintly and beautiful girl. She is kidnapped and she is used to bring the robot designed and built by Rotwang (Rudolf Klein-Rogge). Using Maria's likeness, the Machine causes chaos and Maria and Freder try to help save and bridge the divide between the people.We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.Be sure to check out our Monument Valley Film on our YouTube Channel.Anders's screenwriter work can also be seen at work in the horror, car chase thriller Delivery Run, co-written with & directed by Joey Palmroos. The film has been released digitally and also in select cinemas in the US. In Finland, it will be released in cinemas on November 5th. You can read a review about it here on the Fangoria website.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Check out our blog and read Anders's recent review on The Hitcher, starring Rutger Hauer.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

https://daredaniel.com/wp-content/uploads/2025/12/CANON-FODDER_S01_E52.mp3 Metropolis (1927; Dir.: Fritz Lang) Canon Fodder Episode 52 Daniel and Corky crank up the city lights for the jaw-dropping dystopia of Fritz Lang’s fully restored Metropolis (1927). Directly or indirectly influencing a century of pop culture from Blade Runner to Diamond Dogs, Lang’s film continues to amaze and inspire. But did your hosts appreciate Lang’s outstanding vision, or are they on the Fritz? METROPOLIS (1927) FACTS & FIGURES Sight & Sound 2022 Critics Poll Ranking: #67 [tied] World premiere: Jan. 10, 1927 IMDB synopsis: “In a futuristic city sharply divided between the working class and the city planners, the son of the city’s mastermind falls in love with a working-class prophet who predicts the coming of a savior to mediate their differences.” CLIPS & CLIPPINGS Official trailer for Metropolis (1927) The Moloch! Maria’s transformation Metropolis cityscape NEXT EPISODE’S MOVIE Pierrot le Fou (1965; Dir.: Jean-Luc Godard) IMDB synopsis: “Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.” Our review of Pierrot le Fou comes out Tuesday, Jan. 20! Join us in two weeks for our Best of Canon Fodder 2025 episode! Follow Dare Daniel & Canon Fodder on Facebook and Instagram. Be sure to listen, rate, review and subscribe to the show on Pandora, Apple Podcasts, Spotify, Listen Notes, Castbox and more. New episodes every other Tuesday! Please help support the show by clicking the Donate button on the homepage or find “Support the Show” in the main menu. Read more of Daniel’s movie reviews at Dare Daniel and Rotten Tomatoes. The post Metropolis (1927) – Canon Fodder Episode 52 appeared first on Dare Daniel & Canon Fodder Podcasts.

Oscar and Car summarise what they watched in the month of November:2:40 - M (1931)4:47 - Treasure of Sierra Madre7:22 - Happiness9:04 - Children of Men14:40 - Under the Tuscan Sun19:50 - Rambo24:15 - Tron: Ares30:00 - Johnny Mnemonic33:40 - Good Fortune 36:27 - All's FairIf you have any questions or requests, send them to askwwwtpodcast@gmail.com Find us through: YouTube: https://www.youtube.com/@whowouldwatchthis Instagram: https://www.instagram.com/whowouldwatchthis/ TikTok: @podcastwhowouldwatchthis Letterboxd: Carl: https://letterboxd.com/carlllllllllll1/Oscar: https://letterboxd.com/oscarfart/ More links: https://linktr.ee/whowouldwatchthis

This week on Movie Mistrial, we descend into the towering cityscape and class struggles of Fritz Lang's visionary silent-era epic, Metropolis.Metropolis is a groundbreaking achievement in film history, revered for its monumental set design, innovative special effects, and ambitious storytelling. With its iconic imagery—like the robot Maria and the sprawling dystopian skyline—it helped define science fiction as a cinematic genre while tackling still-relevant themes of inequality, industrialization, and human identity.While undeniably influential, Metropolis's melodramatic acting, uneven pacing, and simplified political message can feel dated to modern audiences. Some may find its symbolic storytelling more visually impressive than emotionally resonant.Join us as we explore the legacy of Metropolis. Is it the blueprint for sci-fi greatness, or a historical relic best appreciated for its influence rather than its narrative?Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitterFacebook: http://tiny.cc/MistrialFBInstagram: http://tiny.cc/MistrialInstaVisit our website, www.moviemistrial.com, for more captivating episodes and to stay up-to-date with all things movies.

Front Row Classics celebrates Noirvember with a suspenseful 1954 noir from Fritz Lang. Brandon and Emmett Stanton are chatting about Human Desire. The film features strong performances from Glenn Ford, Broderick Crawford and the incomparable Gloria Grahame. Brandon and Emmett also chat about the railroad imagery and strange subtext seen throughout the movie.

Human Desire Front Row Classics celebrates Noirvember with a suspenseful 1954 noir from Fritz Lang. Brandon and Emmett Stanton are chatting about Human Desire. The film features strong performances from Glenn Ford, Broderick Crawford and the incomparable Gloria Grahame. Brandon and Emmett also chat about the railroad imagery and strange subtext seen throughout the movie. … Continue reading Ep. 388- Human Desire →

We're closing out Sci-Fi Month with one of the most influential films ever made: Fritz Lang's Metropolis. A towering achievement of silent cinema, dystopian storytelling, and visual imagination, Metropolis laid the blueprint for nearly every sci-fi world that came after it.We dig into the film's groundbreaking effects, its timeless themes of class, industry, and humanity, and why its futuristic vision still feels eerily relevant today. As we wrap up a month of brain-bending timelines, cosmic loops, and speculative worlds, Metropolis reminds us where the genre truly began.Epic, visionary, and unforgettable — the perfect finale to Sci-Fi Month.

Think film noir is all detectives and femme fatales? Think again. Kristy and Jeff trade daylight for streetlights as they slip into the smoky, shadowy world of Noirvember — a month-long celebration of crime, cynicism, and cinematic style. From doomed lovers to desperate antiheroes, this episode proves that in film noir, everyone's guilty of something. 

Carl Theodore Dreyer's Vampyr If you dig deep enough, Cinema will unleash great treasures. The Silent Era ended in 1927 with the release of The Jazz Singer . . .  Movies would never be the same. A number of filmmakers would utilize the new technology in innovative, imaginitive, and groundbreaking ways. Fritz Lang's M comes to mind. Musicals became a reality and would astonish audiences. Storytellng became an entirely new artform. However the power of Silent Films would continue to be felt. Chaplin stubbornly held onto silence, while Karl Dane, Douglas Fairbanks Sr., and Emil Jannings would witness their star power dim sound emerged. Danish filmmaker, Carl Theodore Dreyer, would struggle throughout his career with complex material, however he would - years later - be recognized as one of the greatest filmmakers of all time. With Vampyr the struggle with the new technology is evident in its use in the film, however the brilliance in Dreyer's vision is in the visual. The images are haunting, disturbing, and - in many cases - unforgettable. Take a look at this Classic of World Cinema and enjoy one of the great works of the 20th Century. Take a listen as we bring you this powerful film. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com - Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Janicke Askevold unpacks her journey from shooting Together Alone with friends during COVID to premiering her new feature Solomamma at the Locarno Film Festival. The Norwegian actor-turned-director traces how a one-page pitch led to full Norwegian Film Institute backing and a 25-day Oslo shoot that balanced long summer daylight, short 8-hour workdays, and a five-year-old co-star.Solomamma follows Edith, a journalist and single mother who secretly seeks out her sperm donor - an encounter that evolves into love, deceit, and a search for self. Co-produced across Lithuania, Latvia, and Finland, with sound design by a collaborator of Ruben Östlund, the film examines modern solo motherhood in the wake of Norway's 2020 legalization of single-parent conception.Janicke's cinematic influences span Fritz Lang's expressionism, Billy Wilder's Sunset Boulevard, and Maren Ade's Toni Erdmann. On craft, she champions preparation, the power of casting chemistry tests that “made her cry,” and editing as the stage where “you can make a whole new film.”Her advice to young filmmakers: trust your instincts, start sooner, send the story out—and don't wait for permission.What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

STERNENGESCHICHTEN LIVE TOUR in D und Ö: Tickets unter https://sternengeschichten.live Eine Rakete startet mit einem Countdown. Aber warum eigentlich? Wozu braucht man das und warum muss man das so dramatisch machen? Alles zum Lift-Off erfahrt ihr in der neuen Folge der Sternengeschichten. Wer den Podcast finanziell unterstützen möchte, kann das hier tun: Mit PayPal (https://www.paypal.me/florianfreistetter), Patreon (https://www.patreon.com/sternengeschichten) oder Steady (https://steadyhq.com/sternengeschichten) Sternengeschichten-Hörbuch: https://www.penguin.de/buecher/florian-freistetter-sternengeschichten/hoerbuch-mp3-cd/9783844553062

De Berlin à Hollywood, Fritz Lang a puisé dans son obsession du mal pour réaliser les plus grands films à suspense. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

EPISODE 108 -  “HOLLYWOOD ROYALTY: GLENN FORD & ELEANOR POWELL, REMEMBERED BY SON PETER FORD” - 10/06/25 PETER FORD was born into Hollywood royalty. As the son of MGM dancing sensation ELEANOR POWELL, and rugged leading man GLENN FORD, he was born into a world stat few can imagine. He lived in a mansion in Beverly Hills with a staff of 8. He called RITA HAYWORTH “Aunt Rita,” was babysat by JAMES MASON, had his first martini (at 10!) thanks to FRITZ LANG, and often had luminaries like HENRY FONDA, BARBARA STANWYCK, and CLARK GABLE at his dining room table. Peter once wrote, “I was sent by Central Casting to play the role of the perfect Hollywood son in this idyllic world of make-believe. I was great and performed flawlessly. It was hard work but I was underpaid!” Join us as Peter offers a fascinating, honest, and informative discussion of his loving, but complicated relationship with his parents, and what it was like to grow up surrounded by icons.  SHOW NOTES:  Sources: Glenn Ford: A Life (2011), by Peter Ford; “Peter Ford, A Star's Son: The Hardest Job in the World,” April 2011, by Charles Ziarko, Classic Images;  www.PeterFord.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Gilda (1946), starring Glenn Ford & RitaHayworth; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; Heaven With The Barbed Wire Fence (1939), starring Glenn Ford, Jean Rogers & Richard Conte; So Ends the Night (1941), starring Fredric March, Glenn Ford & Margaret Sullavan; The Loves of Carmen (1948), starring Glenn Ford & Rita Hayworth; The Man From Colorado (1948), starring Glen Ford, William Holden & Ellen Drew; The Blackboard Jungle (1955), starring Glenn Ford, Sidney Poitier & Anne Francis; Interrupted Melody (1955), starring Glenn Ford & Eleanor Parker; 3:10 to Yuma (1957), starring Glenn Ford & Van Heflin; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Steve Turek. Kevin Slick. Peter Lorre. Fritz Lang. This week, the podcast revisits the classic 1931 film M. Plus Mark Matzke's Beta Capsule Review (Ultraman Taro)! Voicemail: (360) 524-2484‬ Email: Deth Designs - Monster Kid Radio on Patreon - Monster Kid Radio on Twitch! - Monster Kid Radio on YouTube - Follow Mark Matzke Small Town Monsters - Follow Kevin SlickMusic, Photography, and More - Kevin Slick on YouTube - Follow Steve TurekDieCast Movie Podcast - Ray Harryhausen: Miniature Models of the Silver Screen - Deth Designs - Classic Horror Film Board - Executive Producer -  "" () provided courtesy of  Bride of Monster Kid Radio is a Production. All original content of Bride of Monster Kid Radio is licensed under a . You can learn more about Team Deth, our other projects like Deth Merchant, Mail Order Zombie, Deth Writer, and more at . Please rate and review Monster Kid Radio wherever you download your favorite podcasts. Next time on Bride of Monster Kid Radio:

Sci Fi July launches with a titan of cinematic futurism: Metropolis (1927). Fritz Lang's visually stunning epic set the blueprint for dystopian science fiction, blending Gothic horror, political allegory, and machine-age spectacle. Co-written with Thea von Harbou, the film envisions a divided city of soaring towers and subterranean toil, where Freder—the privileged son of master planner Joh Fredersen—awakens to injustice through his encounter with the spiritual leader of the working class, Maria.Mike is joined by Ranjit Sandhu and Federico Bertolini to discuss the many versions of the film, its fraught production, the complex legacy of Lang and von Harbou, and why Rotwang's lab never goes out of style. From Giger to Gaga, Metropolis casts a long, haunting shadow.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.