Drive-In Double Feature Podcast

Nathan and Ryan log in to discuss Don't Log Off (2025), a modern techno-horror film that taps into the paranoia of constant connectivity. Built around video calls, online identities, and the fear of what happens when the screen doesn't go dark, the movie blends contemporary anxieties with classic genre tension. The hosts break down how well the film uses its digital setting, whether the gimmick sustains the scares, and how Don't Log Off fits into the growing subgenre of internet-based horror. It's timely, uneasy, and proof that sometimes the scariest thing is staying online.

Nathan and Ryan take a grim turn with Dahmer (2002), the unsettling true-crime drama starring Jeremy Renner as infamous serial killer Jeffrey Dahmer. Instead of leaning into exploitation, the film opts for a cold, restrained approach, focusing on isolation, routine, and the quiet horror of unchecked violence. The hosts discuss Renner's chilling performance, the film's muted tone, and whether Dahmer succeeds as a character study rather than a traditional serial killer thriller. It's an uncomfortable watch—and a very different kind of horror than the usual Drive-In fare.

Nathan and Ryan blast off into the Heisei era with Godzilla vs. SpaceGodzilla (1994), one of the strangest and most divisive entries in the franchise. The hosts break down SpaceGodzilla's wild origin story, the crystal-covered battlefields, and the introduction of fan-favorite MOGUERA. From telekinetic kaiju powers to baby Godzilla in peril, this episode explores how the film balances big ideas, uneven effects, and classic Godzilla spectacle. Is it an underrated gem or a cosmic misfire? Either way, it's peak '90s

Nathan and Ryan strap on their 3D glasses and dive into Saw 3D (aka Saw: The Final Chapter), the movie that promised to end the franchise… and very clearly did not. The hosts break down the gimmicky 3D gore, the returning legacy characters, and the soap-opera-level twists that push Jigsaw mythology to its absolute limit. From public traps to pink blood splatter to one last “gotcha” reveal, this episode examines whether Saw 3D works as a franchise finale or just another cruel game in a series that refused to die.

Nathan and Ryan crank the insanity dial to maximum with The Machine Girl (2008), a no-holds-barred Japanese splatter film that turns revenge into a geyser of blood, severed limbs, and absurd weaponry. The hosts dive into the film's gleefully over-the-top violence, DIY energy, and cartoonish tone, where bullies get pulverized and a schoolgirl upgrades her missing arm with a fully functional machine gun. From low-budget ingenuity to punk-rock filmmaking spirit, this episode celebrates The Machine Girl as a cult classic that knows exactly how ridiculous it is—and loves every second of it.

Nathan and Ryan sharpen their Hattori Hanzō swords and dive into Kill Bill: The Whole Bloody Affair, Quentin Tarantino's elusive, fully assembled vision of his two-part revenge epic. Combining Vol. 1 and Vol. 2 into a single, blood-soaked experience—with altered edits, restored scenes, and extended carnage—the hosts break down how the film plays as one continuous saga. They discuss its genre-hopping insanity, anime violence, spaghetti western soul, and whether this version truly stands as Tarantino's definitive cut. It's operatic revenge, pop-culture maximalism, and arterial spray at its finest.

Nathan and Ryan dive into Merry Matrimony (2015), a Hallmark holiday romance where a marriage of convenience becomes the key to saving a family business just in time for Christmas. The hosts break down the film's cozy vibes, predictable-but-comforting tropes, and the undeniable charm that keeps these seasonal cable movies endlessly watchable. From fake dating to festive sweaters and last-minute realizations of true love, this episode asks the important question: does Merry Matrimony earn its spot in the holiday movie rotation?

Nathan and Ryan unwrap Holiday Heist (2011), a made-for-TV Christmas movie that blends lighthearted family drama with a surprisingly competent bank robbery. When two siblings get caught up in a holiday hostage situation, the season of goodwill collides with small-time crooks, parental bonding, and cable-movie tension. The hosts break down the movie's Hallmark-meets-heist vibes, its earnest performances, and why this oddball holiday thriller stands out among the usual parade of festive romances and talking animals. It's Christmas cheer… with a criminal twist!

Nathan and Ryan take a chilling listen to The Shout (1978), a strange and unsettling British psychological horror film adapted from a story by Robert Graves. Starring Alan Bates, John Hurt, and Susannah York, the film weaves folklore, repression, and unreliable narration into a hypnotic tale about an ancient Aboriginal scream capable of killing anyone who hears it. The hosts discuss its fractured storytelling, eerie sound design, and surreal tone, exploring why The Shout remains a haunting and often overlooked gem of late-'70s art-horror.

Nathan and Ryan dive headfirst into Despiser (2003), a bizarre direct-to-video hybrid that mixes live-action, early-2000s CGI, and animated hellspawn into one surreal action-horror experience. When a crooked cop is killed and dragged into a war between Heaven and Hell, he's forced to battle demons, angels, and his own conscience—often as a glowing cartoon character. The hosts break down the movie's ambitious-but-rough visuals, oddball mythology, and why Despiser feels like a lost late-night cable fever dream that only the Drive-In Double Feature Podcast would dare to resurrect.

Nathan and Ryan cross the DMZ (metaphorically) to talk about Joint Security Area (2000), Park Chan-wook's breakout thriller that blends political tension, mystery, and emotional drama in a story set at the border between North and South Korea. The hosts dig into the film's Rashomon-style structure, its look at fractured brotherhood, early hints of Park's signature style, and why this film still resonates as one of the strongest anti-war statements of its era. From bullets to bittersweet bonds, Drive-In Double Feature heads into one of the most gripping “what really happened?” mysteries in modern Korean cinema.

Nathan and Ryan dive into the icy, offbeat world of Out Cold (1989), a dark comedic thriller where John Lithgow plays a mild-mannered dry cleaner who gets tangled up in murder, manipulation, and one very bad night. The hosts break down the film's strange blend of noir, black comedy, and suburban paranoia, Lithgow's pitch-perfect unraveling, and how this forgotten oddity quietly became a cult gem. From frozen corpses to marital double-crosses, Drive-In Double Feature warms up this chilly, underrated slice of late-'80s weirdness.

Nathan and Ryan return to the Heisei era with Godzilla vs. Mechagodzilla II (1993), the movie that gives us an all-new Mechagodzilla, a kidnapped Baby Godzilla, and one very stressed-out Rodan. The hosts dig into why this entry feels like Toho trying to juggle a heartfelt custody battle with giant kaiju brawls, how the revamped Mechagodzilla might be the slickest design of the era, and why Baby Godzilla looks both adorable and vaguely cursed. It's metal-plated mayhem, beam-spam battles, and surprisingly tender monster parenting as the guys break down one of the strangest “sequels” in the franchise.

Nathan and Ryan dive headfirst into Saw VI (2009), the sequel that somehow manages to mix health-insurance commentary with elaborate death traps—because of course it does. The hosts break down how this entry refines the formula after a wobbly couple of sequels, why William the insurance executive might be the most on-the-nose target in the franchise, and how the movie leans into moral judgments with the subtlety of a shotgun carousel. It's gruesome games, convoluted lore, and surprisingly pointed social critique as the guys continue their descent through the Saw saga.

Nathan and Ryan blast off into Capricorn One (1977), the paranoid sci-fi thriller where NASA stages a fake Mars landing and everything immediately goes off the rails. The hosts dig into why this all-star conspiracy romp—featuring Elliott Gould, James Brolin, Hal Holbrook, and even O.J. Simpson—became a cult favorite despite its serious subject matter. From government mistrust to desert chases to killer crop-dusters, they explore how Capricorn One blends B-movie energy with '70s political anxiety in the most entertaining way possible.

Nathan and Ryan dive into City on Fire (1987), Ringo Lam's explosive Hong Kong crime classic starring Chow Yun-fat as an undercover cop caught between loyalty and survival. The hosts unpack the film's gritty style, tense undercover drama, and its influence on later action cinema—especially its undeniable fingerprints on Reservoir Dogs. From its sweaty, neon-lit shootouts to its tragic emotional core, the guys explore why City on Fire stands tall as one of the defining heroic-bloodshed films of the era and how it fits into the wild world of '80s Hong Kong genre filmmaking.

Nathan and Ryan ante up for Robert Altman's California Split, a drifting, character-driven dive into gambling addiction starring Elliott Gould and George Segal at their loosened-collar best. The hosts unpack Altman's signature overlapping dialogue, the film's lived-in hangout energy, and the bittersweet portrait of two men chasing wins they can never hold onto. From poker rooms to racetracks to late-night degenerate chaos, this episode explores why California Split stands apart as one of the great '70s character studies—and how its deceptively loose vibe hides a knockout emotional punch.

Nathan and Ryan dive into Stanley Kubrick's The Killing (1956), a razor-sharp, tension-packed noir about a meticulously planned racetrack heist that absolutely refuses to go smoothly. With Sterling Hayden leading a crew of crooks who are all almost competent, the hosts dig into the film's nonlinear storytelling, bleak humor, and the early signs of Kubrick's icy precision as a filmmaker. They explore how this tight, tough little crime flick became a blueprint for modern heist movies and why it still hits as hard today as it did nearly 70 years ago.

Nathan and Ryan take a trip into the cynical, chaotic world of Little Murders (1971), Alan Arkin's biting dark comedy about love, apathy, and the crumbling fabric of 1970s New York City. Starring Elliott Gould and Marcia Rodd, this offbeat cult classic mixes absurdist humor, social commentary, and shocking violence in a way that's both hilarious and unsettling. The hosts unpack the film's satirical look at urban paranoia, disconnection, and the futility of trying to stay sane in a world gone mad. Is Little Murders a lost masterpiece of counterculture cinema or just too bleak to laugh at? Tune in to find out!

Nathan and Ryan step into the world of speculative science fiction with Things to Come (1936), a bold and ambitious vision of humanity's future written by H.G. Wells himself. From global wars and societal collapse to the utopian rise of a technologically advanced civilization, this British sci-fi classic explores both the optimism and anxiety of progress. The hosts discuss its stunning production design, prophetic storytelling, and how it stands as one of the earliest cinematic attempts to map out the destiny of humankind. Is Things to Come a visionary masterpiece or a dated dream of the future? Tune in and find out!

Nathan and Ryan take a trip back to the Heisei era for Godzilla vs. Mothra, a kaiju clash that pits the King of the Monsters against the Queen of the Monsters in an environmental epic! The hosts discuss how this entry leans heavily into themes of nature's revenge, corporate greed, and giant bug warfare — all while delivering some of the most colorful effects and creature battles of the series. Is this a return to form for Godzilla, or just a flashy remake of an old favorite? Find out as the Drive-In Double Feature crew breaks down this fan-favorite monster showdown!

Nathan and Ryan continue their descent into the Saw saga with Saw V, a sequel that slows down the gore to dig deeper into the twisted legacy of Jigsaw — and the questionable competence of his apprentice, Detective Hoffman. The hosts break down the film's elaborate death traps, tangled flashbacks, and the increasingly convoluted lore that ties everything together. Is Saw V a clever continuation or just a blood-soaked filler between better entries? Tune in as the guys put the pieces together in this mid-franchise madness!

Nathan and Ryan dive into one of the goopiest sci-fi horrors of the 1970s — The Incredible Melting Man! When an astronaut returns from space exposure to cosmic radiation, he begins to melt… and murder! The hosts discuss the film's wild blend of tragic monster story and low-budget schlock, the unforgettable (and disgusting) makeup effects by Rick Baker, and how this movie manages to be both gross and oddly beautiful. It's a meltdown of B-movie madness that only the Drive-In Double Feature Podcast can handle.

Nathan and Ryan take a trip into Hammer Films' psychological side with Taste of Fear (1961), a stylish and suspenseful thriller often compared to Hitchcock's best. When a wheelchair-bound woman returns to her father's French Riviera estate, she's haunted by strange visions and sinister secrets lurking in the shadows. The hosts discuss the film's tight direction by Seth Holt, the eerie cinematography, and how it stands out among Hammer's more gothic horrors. Expect twists, paranoia, and plenty of atmosphere as the guys explore this underrated British gem.

Nathan and Ryan dig up Michele Soavi's Cemetery Man (1994), a surreal and darkly comedic take on the zombie genre that's equal parts arthouse and grindhouse. Starring Rupert Everett as a cemetery caretaker battling both the undead and his own existential despair, this Italian cult classic bends horror tropes into something bizarrely poetic. The hosts discuss its themes of death, desire, and madness, its dreamlike tone, and why Cemetery Man remains one of the strangest, most unforgettable zombie films ever made.

Nathan and Ryan take a haunting deep dive into Lake Mungo (2008), the Australian faux-documentary that blurs the line between supernatural horror and raw human grief. Presented like a true-crime investigation, the film slowly unravels the mystery behind a young woman's death, uncovering chilling secrets and emotional revelations along the way. The hosts discuss the film's unique storytelling approach, its eerie realism, and why Lake Mungo has quietly become one of the most haunting—and heartbreaking—entries in modern horror.

Nathan and Ryan descend into the underworld of Nightbreed (1990), Clive Barker's cult fantasy-horror epic about a hidden city of monsters and the humans who fear them. As the hosts unpack Barker's unique vision of good, evil, and everything monstrous in between, they dive into the film's troubled production, its striking creature designs, and how it found redemption through its devoted cult following and the fabled “Director's Cut.” Expect talk of ‘90s horror weirdness, misunderstood monsters, and why Nightbreed remains one of the most ambitious dark fantasies of its time.

Nathan and Ryan slice into Torso (1973), Sergio Martino's stylish and brutal giallo that bridges the gap between Italian murder mysteries and the American slasher craze to come. As university students are picked off one by one by a masked killer, the film dives deep into voyeurism, desire, and bloody paranoia—all wrapped in Martino's distinct visual flair. The hosts discuss how Torso helped define the formula for later horror classics, its shocking violence, and why it remains one of the most influential (and underrated) giallo films of the era.

Nathan and Ryan stealth their way into the world of Justice Ninja Style (1986), a no-budget martial arts oddity that delivers everything its title promises—and a lot more (whether you asked for it or not). With wooden acting, backyard fight scenes, and a plot that vanishes faster than a ninja smoke bomb, this regional action flick is a masterclass in DIY filmmaking chaos. The hosts unpack its mysterious origins, unforgettable performances, and how it perfectly embodies the wild, unfiltered spirit of true B-cinema.

Nathan and Ryan take a joyride through Roger Corman's Big Bad Mama (1974), a raucous slice of '70s exploitation that blends crime, sex, and high-speed chases. Angie Dickinson stars as Wilma McClatchie, a gun-toting mama leading her daughters on a Depression-era crime spree filled with booze, bullets, and bank robberies. The hosts discuss Corman's brand of rebellious filmmaking, the movie's mix of grit and camp, and how it helped define the “outlaw family” subgenre of B-movies.

Nathan and Ryan head Down Under to talk about one of the gnarliest splatter flicks of the early '90s, Body Melt (1993). This Ozploitation horror delivers grotesque practical effects, surreal humor, and exploding bodies in a suburban nightmare of diet supplements gone wrong. The hosts dig into the film's over-the-top gore, satirical edge, and why it remains a cult favorite among lovers of extreme cinema.

Nathan and Ryan take on one of the most insane B-movie concepts ever committed to film: The Velocipastor (2018). When a priest discovers he can transform into a dinosaur, he decides to use his new powers to fight ninjas, crime, and sin itself. The hosts break down the film's intentionally absurd tone, its ultra-low-budget charm, and why this little cult oddity has become a fan-favorite in the midnight movie circuit.

Nathan and Ryan dive into the wild world of the Heisei era with Godzilla vs. King Ghidorah (1991). This entry brings in time-traveling villains, cyborg assassins, and a new origin story for the King of the Monsters—along with the return of his ultimate rival, King Ghidorah. The hosts unravel the bonkers plot, debate the film's controversial time travel logic, and celebrate the spectacular kaiju battles that make this one of the most unforgettable Godzilla films of the '90s.

Nathan and Ryan continue their descent into the Saw franchise with Saw IV (2007), the entry that proves Jigsaw's traps don't stop just because he's dead. As Detective Rigg is forced through a series of brutal tests, the movie expands the lore with flashbacks to John Kramer's past while upping the gore to new extremes. The hosts break down the increasingly convoluted timeline, the creative (and nasty) traps, and debate whether this sequel keeps the tension alive or drowns in its own mythology.

Nathan and Ryan step into the eerie world of Vivarium (2019), a surreal sci-fi horror film where a young couple (Imogen Poots and Jesse Eisenberg) become trapped in a nightmarish suburban housing development. With its unsettling atmosphere, bizarre child-rearing twist, and heavy-handed social commentary, the movie mixes Twilight Zone-style weirdness with modern anxieties about conformity and domestic life. The hosts debate whether Vivarium is a chilling hidden gem or an overlong metaphor that loses its bite.

Nathan and Ryan bundle up for Snow Day (2000), Nickelodeon's wintry comedy about kids staging the ultimate day off from school. With a scheming snowplow driver, a lovestruck teen, and Chevy Chase as a bumbling weatherman, this nostalgic oddball has all the makings of a late-90s/early-2000s time capsule. The hosts dig into the film's slapstick antics, the Nickelodeon-era charm, and whether Snow Day still holds up as a guilty pleasure or if it should stay buried under the snowdrifts of memory.

Nathan and Ryan hit the backroads of horror with Jeepers Creepers (2001), the cult-favorite creature feature that introduced audiences to the Creeper. A brother and sister's road trip turns into a nightmare when they stumble across a centuries-old monster with a taste for human parts. The hosts discuss the film's creepy atmosphere, iconic opening act, and unforgettable creature design—while also unpacking how the movie's legacy has been complicated by its infamous director. Is Jeepers Creepers still an effective scare-fest, or has time dimmed its headlights?

Nathan and Ryan sink their teeth into The Last Vampire on Earth, a no-budget oddity that feels like a bootleg Twilight mixed with soap opera melodrama. Marketed as a brooding vampire romance, this ultra-cheap production delivers awkward performances, questionable editing, and an atmosphere that makes it one of the strangest attempts at a vampire movie ever made. Is it so-bad-it's-good fun, or just a painful watch? The hosts break down all the bloody (and baffling) details.

Nathan and Ryan take on one of the most infamous box office bombs of the early 90s: Hudson Hawk. Bruce Willis stars as a wisecracking cat burglar who times his heists to classic songs while getting wrapped up in a conspiracy involving Leonardo da Vinci's secret inventions. With cartoonish villains, tonal whiplash, and a soundtrack of absurdity, this oddball action-comedy has become a cult favorite for some and a headache for others. The hosts break down whether Hudson Hawk is an underrated gem or an overindulgent disaster.

Nathan and Ryan dive into Albert Pyun's Brain Smasher… A Love Story, the offbeat action-comedy where Andrew Dice Clay plays a tough bouncer who finds himself protecting a supermodel (Teri Hatcher) from a gang of “not ninjas” in Portland. The hosts break down the film's strange blend of romance, martial arts parody, and Pyun's signature low-budget flair, while asking the big question: is this secretly a charming cult gem or just a bizarre 90s curiosity?

Nathan and Ryan take a trip back to 1950 with I Was a Shoplifter, a cautionary crime drama that mixes noir style with moral messaging. Following a young woman caught stealing who gets pulled into a slick shoplifting ring, the film balances pulpy thrills with a heavy dose of “crime doesn't pay” melodrama. The hosts discuss the movie's place in the era's crime film cycle, its campy mix of sincerity and exploitation, and how it fits into the tradition of morality tales disguised as B-movies.

Nathan and Ryan dive into Samuel Fuller's hard-edged noir classic Pickup on South Street (1953). When a pickpocket (Richard Widmark) unknowingly swipes microfilm containing government secrets, he becomes entangled in a dangerous game of espionage, betrayal, and survival on the streets of New York. The hosts unpack the film's gritty style, its Cold War anxieties, and Fuller's sharp mix of pulp thrills and political tension.

Nathan and Ryan take on one of the strangest and most ambitious entries in the Godzilla franchise: Godzilla vs. Biollante (1989). Blending sci-fi, horror, and a dash of plant-based madness, this sequel pits the King of the Monsters against Biollante—a genetically engineered kaiju born from roses, human DNA, and Godzilla's own cells. The hosts discuss the film's experimental tone, its Cold War-era science fiction themes, and whether or not Biollante deserves more love as one of Godzilla's most unique foes.

Nathan and Ryan dive deeper into the twisted world of Jigsaw with Saw III (2006), the sequel that cranks up the gore, the traps, and the moral dilemmas. As Amanda's role expands and John Kramer's story takes center stage, the hosts unravel the film's shocking twists, its place in the Saw franchise, and why this entry cemented the series' reputation as the ultimate horror endurance test. Expect plenty of discussion on inventive kills, psychological torment, and how far is too far when it comes to horror sequels.

Nathan and Ryan step into the squared circle for a wild ride through Bodyslam (1986), the over-the-top comedy that mashes together the worlds of professional wrestling and rock ‘n' roll. From rowdy matches to outrageous tour antics, this cult oddity features Dirk Benedict, “Rowdy” Roddy Piper, and a soundtrack that's just as cheesy as the plot. The hosts break down the film's chaotic charm, its behind-the-scenes production troubles, and why it's a bizarre love letter to '80s entertainment excess.

On this episode of Drive-In Double Feature, Nathan and Ryan crack open the locked door to the twisted world of Flowers in the Attic (1987), the dark and melodramatic adaptation of V.C. Andrews' infamous novel. They dig into the film's gothic atmosphere, over-the-top performances, and the uneasy balance between shocking melodrama and Lifetime-style family drama. Expect plenty of discussion on why this story has remained such a bizarre pop culture touchstone, even with its awkward changes from the book.

This week on Drive-In Double Feature, Nathan and Ryan shred their way through the cult insanity of Miami Connection (1987), the ultimate martial arts rock band ninja movie you never knew you needed. With friendship, loyalty, and dragon sound at its core, this Florida-set fever dream pits synth-powered good guys against biker ninjas in a tale of betrayal, roundhouse kicks, and brotherhood. The hosts dive into the movie's bizarre production history, its earnest charm, and why Miami Connection deserves every bit of its cult status. Tae Kwon-Do has never looked this radical.

In this episode of Drive-In Double Feature, Nathan and Ryan descend deep into the subterranean horrors of Shadowzone (1990), a lesser-known Full Moon sci-fi chiller with big ideas and gooey monsters. When a government experiment in sleep research goes terribly wrong, a gateway to another dimension opens—and what comes through is hungry. The hosts dig into the film's grimy production design, body horror vibes, and surprisingly thoughtful themes lurking beneath the slime. Is this Full Moon's answer to The Thing? Or just another creature feature with a killer practical effects budget? Tune in and find out.Tags:

On this episode of Drive-In Double Feature, Nathan and Ryan open the doors to the Pet Shop (1993)—a bizarre direct-to-video oddity from the minds behind Prehysteria! and Puppet Master. When a pair of alien grifters disguise themselves as a kindly couple running a pet store in a small desert town, it's up to a group of kids to uncover the truth before it's too late. Join the hosts as they break down the movie's low-budget charm, strange creature effects, and the wholesome-to-weird energy only a '90s Full Moon production can provide. Expect aliens, laser beams, and a lot of head-scratching.

This week on Drive-In Double Feature, Nathan and Ryan lock and load for Kathryn Bigelow's Blue Steel (1990), a slick, gritty psychological thriller that's equal parts neo-noir and cop drama. Jamie Lee Curtis stars as a rookie NYPD officer who faces off against a Wall Street sociopath obsessed with her—and her service weapon. The hosts dive into Bigelow's stylish direction, the film's gender politics, and how Blue Steel stands out in a sea of '90s thrillers with its unnerving atmosphere and explosive performances. Prepare for some serious firepower.

In this episode of Drive-In Double Feature, Nathan and Ryan venture into the ashes of nuclear paranoia with The Return of Godzilla (1984), the film that resurrected the Big G for a new generation. As Japan reckons with the reemergence of its most destructive force, the hosts dig into the movie's darker tone, Cold War anxieties, and the towering presence of Heisei-era Godzilla. It's a reboot, a political thriller, and a kaiju throwdown all in one—strap in as we discuss why this overlooked entry deserves more love.