Podcast appearances and mentions of leanne howe

Dr. Joshua Nelson, a Cherokee Nation citizen scholar, talks with Dr. Farina King about his experiences in Italy and work on a documentary tentatively titled, "Trail of the Thunderbirds." His documentary film project features two Native American Medal of Honor awardees, Ernest Childers and Jack Montgomery of the 45th Infantry Division, known as the "Thunderbirds," during World War II. President's Associates Presidential Professor Dr. Nelson is an associate professor of English and affiliated faculty with Film & Media Studies, Native American Studies, and Women's & Gender Studies at the University of Oklahoma, focusing on American Indian literature and film. He is the author of Progressive Traditions: Identity in Cherokee Literature and Culture, and a co-producer of the PBS documentary Searching for Sequoyah (directed by James Fortier and produced by LeAnne Howe). He is also one of the leading organizers of the Native Crossroads Film Festival and Symposium at OU. He and his wife divide their time between Norman and Park Hill, Cherokee Nation, Oklahoma.Resources:Dr. Joshua Nelson's OU webpageSearching for Sequoyah website- https://searchingforsequoyah.comNative Crossroads Film Festival- http://www.nativecrossroads.orgDemichelis's Iperstoria Interview with Dr. NelsonOklahoma National Guard Museum website- https://www.okngmuseum.comOU in Arezzo

In this episode, the first page of three books of poetry will be read:When The Light of the World Was Subdued, Our Songs Came Through edited by Joy Harjo with Leanne Howe, Jennifer Elise Foerster, and Contributing EditorsNepantla: An Anthology, Queer Poets of Color edited by Christopher Soto100 Poems to Break Your Heart edited by Edward Hirsch

“Whatever high crimes and mass deaths and lasting pain can be attributed to the perpetrators of genocide on innocent people, the truth is, we must forgive. And what of the Choctaw-Irish connection? We cannot blame the people standing before us for the mistakes their ancestors made. The wrong we are attempting to right in this volume is ignorance. Ignorance of the truth about the Irish Potato Famine, and the cruelty and deaths that resulted from the Choctaws who were forced on the Trail of Tears. We forgive, for that is how we lighten the burden and allow our own lives to proceed; but we will never forget. And why? So it will never happen again. That is our hope, our wish, our prayer. May the tragedies of our peoples never happen again. Our gift, the Choctaw Gift to the Irish, is a gift of love. Love and respect for you, your children, your husbands, wives, your ancestors, those buried and those hovering about. We send you blessings and hope that the spirit of joy will shine upon you every day of your life – and beyond.” These are the writings of Choctaw Author, Tim Tingle in the book, “Famine Pots: The Choctaw-Irish Gift Exchange, 1847-Present” by LeAnne Howe and Padraig Kirwan, which entails a collection of 15 essays written by both Irish and Choctaws (such as Tim and others), about the beauty of the bond between the Irish and the Choctaw. Today's episode is one to celebrate – it's Native ChocTalk's 50th episode! But more importantly, this year (2022) is one of commemoration and contemplation, as it's the 175th anniversary of the Choctaw gift to the Irish in which they sent funds for food during Ireland's deadly famine. Some of the conversations in today's episode are difficult to hear. My guest, Seth Fairchild of the Chahta Foundation and I talk about the realities and suffering of the Irish Famine. But you'll also hear about the beauty of kindred spirits that were born out of the kindness of strangers, and the bond that resulted from a small gift presented by those who were also suffering. You'll also learn about: • The origin of the potato and its introduction to Ireland • How and why the Irish famine began • The grave mistreatment of the Irish • What the Choctaws felt and did upon hearing the news of the famine in Ireland • Why funds were sent to the Irish, despite the Choctaw facing hardships themselves • The Choctaw-Irish connection and similarities that go back for centuries • The Chahta Foundation and the Choctaw-Ireland Scholarship in which you'll hear from Claire Green Young on her experience as a Choctaw college student in Ireland • Alex Pentek's monument, Kindred Spirits (a tribute to the Choctaw for their kindness) I'd like to dedicate today's 50th episode to the people of Ireland. The suffering of your ancestors will never be forgotten. And may our people's kindred spirits live on for centuries to come. Information: • Choctaw-Ireland Scholarship Programme: https://tinyurl.com/5n7kvzmc • Chahta Foundation: https://chahtafoundation.com/ • “Famine Pots: The Choctaw-Irish Gift Exchange, 1847-Present” https://tinyurl.com/mrxc8zm7 Native ChocTalk Facebook page: https://www.facebook.com/nativechoctalkpodcast All Podcast Episodes: https://nativechoctalk.com/podcasts/

Conversations with LeAnne Howe (UP of Mississippi, 2022) is the first collection of interviews with the groundbreaking Choctaw author, whose genre-bending works take place in the US Southeast, Oklahoma, and beyond our national borders to bring Native American characters and themes to the global stage. Best known for her American Book Award-winning novel Shell Shaker (2001), LeAnne Howe (b. 1951) is also a poet, playwright, screenwriter, essayist, theorist, and humorist. She has held numerous honors including a Fulbright Distinguished Scholarship in Amman, Jordan, from 2010 to 2011, and she was the recipient of the Modern Language Association's first Prize for Studies in Native American Literatures, Cultures, and Languages for her travelogue, Choctalking on Other Realities (2013). Spanning the period from 2002 to 2020, the interviews in this collection delve deeply into Howe's poetics, her innovative critical methodology of tribalography, her personal history, and her position on subjects ranging from the Lone Ranger to Native American mascots. Two previously unpublished interviews, "'An American in New York' LeAnne Howe" (2019) and "Genre-Sliding on Stage with LeAnne Howe" (2020), explore unexamined areas of her personal history and how it impacted her creative work, including childhood trauma and her incubation as a playwright in the 1980s. These conversations along with 2019's Occult Poetry Radio interview also give important insights on the background of Howe's newest critically acclaimed work, Savage Conversations (2019), about Mary Todd Lincoln's hallucination of a "Savage Indian" during her time in Bellevue Place sanitarium. Taken as a whole, Conversations with LeAnne Howe showcases the development and continued impact of one of the most important Indigenous American writers of the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Conversations with LeAnne Howe (UP of Mississippi, 2022) is the first collection of interviews with the groundbreaking Choctaw author, whose genre-bending works take place in the US Southeast, Oklahoma, and beyond our national borders to bring Native American characters and themes to the global stage. Best known for her American Book Award-winning novel Shell Shaker (2001), LeAnne Howe (b. 1951) is also a poet, playwright, screenwriter, essayist, theorist, and humorist. She has held numerous honors including a Fulbright Distinguished Scholarship in Amman, Jordan, from 2010 to 2011, and she was the recipient of the Modern Language Association's first Prize for Studies in Native American Literatures, Cultures, and Languages for her travelogue, Choctalking on Other Realities (2013). Spanning the period from 2002 to 2020, the interviews in this collection delve deeply into Howe's poetics, her innovative critical methodology of tribalography, her personal history, and her position on subjects ranging from the Lone Ranger to Native American mascots. Two previously unpublished interviews, "'An American in New York' LeAnne Howe" (2019) and "Genre-Sliding on Stage with LeAnne Howe" (2020), explore unexamined areas of her personal history and how it impacted her creative work, including childhood trauma and her incubation as a playwright in the 1980s. These conversations along with 2019's Occult Poetry Radio interview also give important insights on the background of Howe's newest critically acclaimed work, Savage Conversations (2019), about Mary Todd Lincoln's hallucination of a "Savage Indian" during her time in Bellevue Place sanitarium. Taken as a whole, Conversations with LeAnne Howe showcases the development and continued impact of one of the most important Indigenous American writers of the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Conversations with LeAnne Howe (UP of Mississippi, 2022) is the first collection of interviews with the groundbreaking Choctaw author, whose genre-bending works take place in the US Southeast, Oklahoma, and beyond our national borders to bring Native American characters and themes to the global stage. Best known for her American Book Award-winning novel Shell Shaker (2001), LeAnne Howe (b. 1951) is also a poet, playwright, screenwriter, essayist, theorist, and humorist. She has held numerous honors including a Fulbright Distinguished Scholarship in Amman, Jordan, from 2010 to 2011, and she was the recipient of the Modern Language Association's first Prize for Studies in Native American Literatures, Cultures, and Languages for her travelogue, Choctalking on Other Realities (2013). Spanning the period from 2002 to 2020, the interviews in this collection delve deeply into Howe's poetics, her innovative critical methodology of tribalography, her personal history, and her position on subjects ranging from the Lone Ranger to Native American mascots. Two previously unpublished interviews, "'An American in New York' LeAnne Howe" (2019) and "Genre-Sliding on Stage with LeAnne Howe" (2020), explore unexamined areas of her personal history and how it impacted her creative work, including childhood trauma and her incubation as a playwright in the 1980s. These conversations along with 2019's Occult Poetry Radio interview also give important insights on the background of Howe's newest critically acclaimed work, Savage Conversations (2019), about Mary Todd Lincoln's hallucination of a "Savage Indian" during her time in Bellevue Place sanitarium. Taken as a whole, Conversations with LeAnne Howe showcases the development and continued impact of one of the most important Indigenous American writers of the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Conversations with LeAnne Howe (UP of Mississippi, 2022) is the first collection of interviews with the groundbreaking Choctaw author, whose genre-bending works take place in the US Southeast, Oklahoma, and beyond our national borders to bring Native American characters and themes to the global stage. Best known for her American Book Award-winning novel Shell Shaker (2001), LeAnne Howe (b. 1951) is also a poet, playwright, screenwriter, essayist, theorist, and humorist. She has held numerous honors including a Fulbright Distinguished Scholarship in Amman, Jordan, from 2010 to 2011, and she was the recipient of the Modern Language Association's first Prize for Studies in Native American Literatures, Cultures, and Languages for her travelogue, Choctalking on Other Realities (2013). Spanning the period from 2002 to 2020, the interviews in this collection delve deeply into Howe's poetics, her innovative critical methodology of tribalography, her personal history, and her position on subjects ranging from the Lone Ranger to Native American mascots. Two previously unpublished interviews, "'An American in New York' LeAnne Howe" (2019) and "Genre-Sliding on Stage with LeAnne Howe" (2020), explore unexamined areas of her personal history and how it impacted her creative work, including childhood trauma and her incubation as a playwright in the 1980s. These conversations along with 2019's Occult Poetry Radio interview also give important insights on the background of Howe's newest critically acclaimed work, Savage Conversations (2019), about Mary Todd Lincoln's hallucination of a "Savage Indian" during her time in Bellevue Place sanitarium. Taken as a whole, Conversations with LeAnne Howe showcases the development and continued impact of one of the most important Indigenous American writers of the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Conversations with LeAnne Howe (UP of Mississippi, 2022) is the first collection of interviews with the groundbreaking Choctaw author, whose genre-bending works take place in the US Southeast, Oklahoma, and beyond our national borders to bring Native American characters and themes to the global stage. Best known for her American Book Award-winning novel Shell Shaker (2001), LeAnne Howe (b. 1951) is also a poet, playwright, screenwriter, essayist, theorist, and humorist. She has held numerous honors including a Fulbright Distinguished Scholarship in Amman, Jordan, from 2010 to 2011, and she was the recipient of the Modern Language Association's first Prize for Studies in Native American Literatures, Cultures, and Languages for her travelogue, Choctalking on Other Realities (2013). Spanning the period from 2002 to 2020, the interviews in this collection delve deeply into Howe's poetics, her innovative critical methodology of tribalography, her personal history, and her position on subjects ranging from the Lone Ranger to Native American mascots. Two previously unpublished interviews, "'An American in New York' LeAnne Howe" (2019) and "Genre-Sliding on Stage with LeAnne Howe" (2020), explore unexamined areas of her personal history and how it impacted her creative work, including childhood trauma and her incubation as a playwright in the 1980s. These conversations along with 2019's Occult Poetry Radio interview also give important insights on the background of Howe's newest critically acclaimed work, Savage Conversations (2019), about Mary Todd Lincoln's hallucination of a "Savage Indian" during her time in Bellevue Place sanitarium. Taken as a whole, Conversations with LeAnne Howe showcases the development and continued impact of one of the most important Indigenous American writers of the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Conversations with LeAnne Howe (UP of Mississippi, 2022) is the first collection of interviews with the groundbreaking Choctaw author, whose genre-bending works take place in the US Southeast, Oklahoma, and beyond our national borders to bring Native American characters and themes to the global stage. Best known for her American Book Award-winning novel Shell Shaker (2001), LeAnne Howe (b. 1951) is also a poet, playwright, screenwriter, essayist, theorist, and humorist. She has held numerous honors including a Fulbright Distinguished Scholarship in Amman, Jordan, from 2010 to 2011, and she was the recipient of the Modern Language Association's first Prize for Studies in Native American Literatures, Cultures, and Languages for her travelogue, Choctalking on Other Realities (2013). Spanning the period from 2002 to 2020, the interviews in this collection delve deeply into Howe's poetics, her innovative critical methodology of tribalography, her personal history, and her position on subjects ranging from the Lone Ranger to Native American mascots. Two previously unpublished interviews, "'An American in New York' LeAnne Howe" (2019) and "Genre-Sliding on Stage with LeAnne Howe" (2020), explore unexamined areas of her personal history and how it impacted her creative work, including childhood trauma and her incubation as a playwright in the 1980s. These conversations along with 2019's Occult Poetry Radio interview also give important insights on the background of Howe's newest critically acclaimed work, Savage Conversations (2019), about Mary Todd Lincoln's hallucination of a "Savage Indian" during her time in Bellevue Place sanitarium. Taken as a whole, Conversations with LeAnne Howe showcases the development and continued impact of one of the most important Indigenous American writers of the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Ken reads several poems from LeAnne Howe's 2005 collection Evidence of Red, then ends with one of his poems inspired by LeAnne's novel Miko Kings.

HEY YOU! YEAH, YOU! YOU RIGHT THERE!!! HAVE YOU SHOPPED AT A NATIVE AMERICAN OWNED BOOKSTORE??? BOUGHT A BOOK WRITTEN BY A NATIVE AMERICAN AUTHOR??? DO YOU KNOW WHAT STOLEN LAND YOU ARE CURRENTLY OCCUPYING??? NO? WHAT ARE YOU DOING? IT IS NATIVE AMERICAN HERITAGE MONTH!!!This week the Little Sleep Hosts reviewed books by Native American authors! They discussed Native American Literatures (yes, with an s on the end!) and common themes. They also talked a bit about Social Horror. Aliza reviewed Savage Conversations by LeAnne Howe, a quick read in play form and worth every word. Riss Reviewed The Only Good Indians by Stephen Graham Jones, a gory and gritty read that will have you thinking about the consequences of your every action. All of the links mentioned in the podcast can be found in this neat Twitter thread. Go there now and check them all out!https://twitter.com/lsmrpodcast/status/1447592892898422791?s=10Also be sure to text your city and state, or your area code to (907)312-5085 to find out the stolen land you occupy.

Hesci! It's the epic return of Skoden Cinema from the 7 month hiatus. In this episode, Turtle completely mansplains the 2004 boxing flick Black Cloud, starring Eddie Spears, Julia Jones, Russell Means, Saginaw Grant, and Nathaniel Arcand. Oh yeah, Tim McGraw and Rick Schroder are in this too. We dig in deep to the body by discussing real life Navajo boxer Lowell Bahe, we take a right hook to the brain by learning the origins of the word "Squaw" and why we should never use it when describing Native women, until we're finally knocked into the Spirit World. Music for the episode by John Moreland "Black Cloud" and "Things I Can't Control" off the 2011 album Things I Can't ControlReferences include IMDB, Arizona Sun newspaper, Seeing Red by Prof. LeAnne Howe, wikipedia (gross)

This week, we hear from one of the co-editors of the first historically comprehensive Native poetry anthology – yes the very first. It’s called When The Light of The World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry. It was edited by Poet Laureate Joy Harjo with Jennifer Elise Foerster and LeAnne Howe.  Organized by geographical region, each section begins with a poem from traditional oral literatures and closes with an emerging poet. Contributors range from Eleazar, a seventeenth-century Native student at Harvard, to Jake Skeets, a Diné poet born in 1991.  The poet, translator, and critic André Naffis-Sahely reviewed the anthology in the April 2021 issue of Poetry. Today he speaks with co-editor LeAnne Howe about how the anthology came to be, and why it took so long to get here. Howe, a member of the Choctaw Nation of Oklahoma, opens the conversation with a Choctaw chant. You’ll hear two poems from the anthology. Ishki, Mother, Upon Leaving the Choctaw Homelands, 1831 by LeAnne Howe and The Old Man’s Lazy by Peter Blue Cloud.

We're back! In this episode we encounter esteemed poet, writer and scholar LeAnne Howe — who talks about the extraordinary Norton anthology of Native Nations poetry ‘When The Light of The World Was Subdued, Our Songs Came Through' she edited with Joy Harjo and Jennifer Elise Foerster which highlights the untold stories of people from the Native Nations. She also gives us an insight into how her Chocktaw heritage enriches her own poetry. Plus Robin and Peter share their opinions about a venerable UK poetry magazine, terrible haikus and Nothing in particular.  

What's Love Got To Do With It? is a three-part podcast series about Radical Love. In this first episode, CAConrad and LeAnne Howe share an intensely personal conversation with one another about First Lady Mary Todd Lincoln, who insisted she was tormented by an Indigenous Spirit – a reminder that her husband’s record on racial equality is fraught with violence and oppression; AIDS and loving during the Reagan years; and the new horizons created by the Black Lives Matter movement. Please note: this episode contains sensitive content from the start. What’s Love Got To Do With It? is programmed and curated by Beatrice Gibson, produced by Alannah Chance, and features unique compositions by Crystabel Riley and Seymour Wright. It is a commission by Bergen Kunsthall; Camden Art Centre, London; KW Institute for Contemporary Art, Berlin; and Mercer Union, a centre for contemporary art, Toronto.

A conversation with Professors Gordon Henry, LeAnne Howe, Margaret Noodin, and Kimberly Blaeser about Indigenous poetry and their contributions to the exciting new anthology, When the Light of the World Was Subdued, Our Songs Came Through.  Written, engineered, and produced by Zack Kruse. Music by Zack Kruse.

She's the woman of the moment: after a sequence of acclaimed and award-winning poetry collections in both Irish and English, Clare poet Doireann Ní Ghríofa has delivered a sensational non-fiction book, "A Ghost In The Throat", nominated in two categories in the Irish Book Awards.  In today's episode, Doireann joins Darach and Peadar to talk about her career. She chats about her first poems and the writers who inspire her, including her collaboration with Choctaw poet LeAnne Howe. She tells of the journey to publication and the delicate business of translation. And she talks about her love of Caoineadh Airt Uí Laoghaire which led to the book which has readers enthralled. --- Support Motherfocloir on Patreon: https://www.patreon.com/darach  Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/  --- Contact the show: whatsapp - +353894784713 (https://wa.me/353894784713) twitter - @motherfocloir and @theirishfor email - motherfocloir@headstuff.org (mailto:motherfocloir@headstuff.org) --- Want to record your own podcast? Check out our studios at https://thepodcaststudios.ie

Recorded by LeAnne Howe for Poem-a-Day, a series produced by the Academy of American Poets. Published on November 11, 2020. www.poets.org

Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gina and Kelly discuss their favorite moments from the first half of season one. We discuss the crayfish names suggested by listeners and Lindsey Eckert’s loveable personality. We talk about butt transcendence from “Vampires on the Outside, Accountants on the Inside” and booty-shaking rhythm from “Southern Souls.” We share a surprising snake premonition from our trip to Pasaquan, and Monica Miller answers questions about southern belles and Georgia peaches. In bonus clips, LeAnne Howe and Kirstin Squint discuss native mascots, and Gina talks with Michael Bibler about gifts. We end this episode with a clip from our conversation about southern nostalgia and authenticity with Scott Romine. Learn more about this episode at www.aboutsouthpodcast.com. | Co-Producers: Gina Caison & Kelly Vines | | Music: Brian Horton | | www.brianhorton.com |

The Native South is a complex term, encompassing many different American Indian cultures, peoples, and connections. This week, we talk with Choctaw author and professor LeAnne Howe and Native American Studies scholar Kirstin Squint about what we might mean when we talk about the “Native South.” Howe and Squint describe how Native American literature can act as a vehicle for change, opening up people to Indigenous histories, allowing them to see the continuing presence and influence of Indigenous cultures, and enabling productive conversations about contemporary issues including the environment and immigration. Learn more about this episode at www.aboutsouthpodcast.com. | Co-Producers: Gina Caison & Kelly Vines | | Music: Brian Horton | www.brianhorton.com |