Podcasts about music in the brain

Are some people's brains wired to learn music faster than others? Martin's brother joins the podcast to help explain how one study measured the effects of music lessons in the brain. .... Everyone's Special and No One Is is a podcast about obscure, misunderstood, and/or controversial topics related to music.

(02:43) Ifølge UNESCO er 152 kulturarvssteder i Ukraine blevet ødelagt under den russiske invasion. Derfor har UNESCO udviklet en app, der skal gøre det lettere at genopbygge kirker, statuer og monumenter, som er blevet ødelagt under den russiske invasion af landet. Gæster: Elsebeth Gerner Nielsen, formand for den danske UNESCO-kommission og tidligere kulturminister og Tao Thomsen, kreativ direktør hos Virtue Futures. (09:34) ""Der er et yndigt land"" har fået kritik som nationalsang, og i en ny programserie af DR, skal 15 kunstnere skrive hver deres bud på en ny slags nationalsang. Men ""Der er et yndigt land"" er en god nationalsang, fordi den giver en fællesskabsfølelse og så fungerer melodi, rytme, tempo godt for alle. Gæster: Peter Vuust, musiker, hjerneforsker, leder af centret Music In The Brain på Aarhus Universitet og Mikkel Wallentin, professor i kognitionsvidenskab, Aarhus Universitet. (31:48) Kay Bojesen er bedst kendt for hængeaben, men han har lavet over 2000 produktioner. Og nogle af de originale genstande har netop nu fundet vej til Trapholt, som er et Museum for Moderne Kunst og Design i Kolding. Portræt af en af de største danske designere. Gæst: Sara Staunsager, museumsinspektør, Trapholt. (47:01) Sommerferieguide: Kræs' kulturagent på Sjælland guider til nogle af de ting, du kan opleve, hvis du holder ferie på Sjælland. Anbefalinger: Sagnlandet Lejre, Roskilde Festival og havkajak på Roskilde Fjord. Vært: Maja Hald. Tilrettelagt af: Søren Berggreen Toft, Joachim Vestergård Jensen og Esben Lund. See omnystudio.com/listener for privacy information.

Peter Vuust is a Professor at the Center for Music in the Brain in Aarhus, a jazz musician, and composer. In this conversation , we talk about his recent review in Nature Reviews Neuroscience, how he got to where he is, active inference in music, jazz improvisation, and much more.BJKS Podcast is a podcast about neuroscience, psychology, and anything vaguely related, hosted by Benjamin James Kuper-Smith. In 2022, episodes will appear irregularly, roughly twice per month. You can find the podcast on all podcasting platforms (e.g., Spotify, Apple/Google Podcasts, etc.). Timestamps00:05: How Peter became a jazz musician04:54: How Peter became professor of neuroscience08:20: How to combine two different professions practically?11:50: Start discussing 'Music in the brain'24:53: How do prediction errors change with familiarty of a piece of music?38:18: How does moving to the beat (active inference) reduce prediction errors?46:48: The 3 dynamics in musical synchronisation55:10: How does Peter compose for improvisation in jazz?Podcast linksWebsite: https://geni.us/bjks-podTwitter: https://geni.us/bjks-pod-twtPeter's linksWebsite: https://geni.us/vuust-webGoogle Scholar: https://geni.us/vuust-scholarTwitter: https://geni.us/vuust-twtBen's linksWebsite: https://geni.us/bjks-webGoogle Scholar: https://geni.us/bjks-scholarTwitter:  https://geni.us/bjks-twtReferences and linksHeggli, Konvalinka, ..., & Vuust (2021). Transient brain networks underlying interpersonal strategies during synchronized action. Social cognitive and affective neuroscience.Heggli, Konvalinka, Kringelbach, & Vuust (2019). Musical interaction is influenced by underlying predictive models and musical expertise. Scientific reports.Heggli, Cabral, ..., & Kringelbach. (2019). A Kuramoto model of self-other integration across interpersonal synchronization strategies. PLoS computational biology.Morillon, & Baillet (2017). Motor origin of temporal predictions in auditory attention. Proceedings of the National Academy of Sciences.Rosso, Maes, & Leman (2021). Modality-specific attractor dynamics in dyadic entrainment. Scientific Reports.Vuust, Heggli, Friston, & Kringelbach (2022). Music in the brain. Nature Reviews Neuroscience.See the painting with the 'false' line at 7:30 in this talk: https://www.youtube.com/watch?v=hOfGX6KSiX8&t=458sStravinsky's Rite of Spring: https://www.youtube.com/watch?v=rP42C-4zL3wThe last part with frequent time signature changes starts at 30:07.A survivor from Warsaw by Schoenberg: https://www.youtube.com/watch?v=LBNz76YFmEQ3rd movement of Sinfonia by Berio: https://www.youtube.com/watch?v=9YU-V2C4ryUBeatles Documentary by Peter Jackson (Get Back): https://www.imdb.com/title/tt9735318/Blame it on the Boogie, by The Jacksons: https://www.youtube.com/watch?v=nqxVMLVe62U

Vi er mange, der elsker musik. Vi har det i ørerne hver eneste dag, vi går til koncerter, og vi sætter jævnligt vores yndlingsnummer på. Det er big business. Vi bruger mange penge på musik. I 2017 brugte vi 6 milliarder bare på at høre musikken live. Men hvorfor bruger vi så meget tid og penge på musik? Hvorfor har mennesket udviklet musik? Hvordan har det hjulpet os med at overleve? Det får du svaret på i denne udsendelse, hvor Charlotte Koldbye er taget til Århus for at tale med professor Peter Vuust, der leder forskningscentret Music in the Brain på Århus Universitet.

Simple rytmer, toner og harmonier kan bruges til at aflure den menneskelige hjernes mysterier. På Århus Universitet bruger hjerneforskere musik til at kortlægge nogle helt grundlæggende strategier for hvordan hjernen arbejder. Charlotte Koldbye besøgte Peter Vuust, der leder Center for Music in the Brain. Du kan se den dansende papagøje, hvordan søløven Ronan holder takt med musikalske stimuli og læse mere om musik for dyr. Og se, hvordan musikken bruges til at dramatisere optagelserne om leguanen, som undslipper slangerne på et hængende hår. Se link: https://www.sciencestories.dk/da/artikler/music-brain-1.

Eyleen Braaten is the Executive Director of the Giving Voice Initiative, a unique organisation that inspires and equips choirs to help people with Alzheimer's and their care partners through the joy of singing. In this episode, Christine talks to Eyleen about building a movement that celebrates the unique power of singing together. The post #226 – Music in the Brain with Eyleen Braaten appeared first on Total Choir Resources.

Dit daglige magasinprogram med det nyeste indenfor jazzen. Jazzoom spotter tendenser og opdaterer dig på det vigtigste i jazzen herhjemme og i udlandet. Vært: Stine Danving. www.dr.dk/p8jazz

Vi er mange, der elsker musik. Vi har det i ørerne hver eneste dag, vi går til koncerter, og vi sætter jævnligt vores yndlingsnummer på. Det er big business. Vi bruger mange penge på musik. I 2017 brugte vi 6 milliarder bare på at høre musikken live. Men hvorfor bruger vi så meget tid og penge på musik? Hvorfor har mennesket udviklet musik? Hvordan har det hjulpet os med at overleve? Det får du svaret på i denne udsendelse, hvor Charlotte Koldbye er taget til Århus for at tale med Peter Vuust, der leder forskningscentret Music in the Brain på Århus Universitet. Science Stories er støttet af Novo Nordisk Foundation

Vi er mange, der elsker musik. Vi har det i ørerne hver eneste dag, vi går til koncerter, og vi sætter jævnligt vores yndlingsnummer på. Det er big business. Vi bruger mange penge på musik. I 2017 brugte vi 6 milliarder bare på at høre musikken live. Men hvorfor bruger vi så meget tid og penge på musik? Hvorfor har mennesket udviklet musik? Hvordan har det hjulpet os med at overleve? Det får du svaret på i denne...

Hvordan arbejder vores hjerne egentlig? Bygger vi mentale projektioner af verden inde i vores hoveder? Gætter vi hele tiden på, hvad det næste, som kommer til at ske, eller lægger vi kun mærke til når vi ikke gætter rigtigt? Det er nogle af de grundlæggende spørgsmål hjerneforskere verden over forsøger at få svar på. En af de hjerneforskere hedder Peter Vuust. Han er leder af Center for Music in the Brain ved...

Simple rytmer, toner og harmonier kan bruges til at aflure den menneskelige hjernes mysterier. På Århus Universitet bruger hjerneforskere musik til at kortlægge nogle helt grundlæggende strategier for hvordan hjernen arbejder. Peter Vuust er leder af Center for Music in the Brain.

Du kender det nok - du hører en sang, som sætter dig tilbage til et særligt følelsesladet øjeblik. Eller du hører en sang, hvor ordene præcist udtrykker, hvordan du har det. Musik kan bringe os helt ud af fatning - og det kan berolige og trøste os. Hør med i dag, når Anne Kejser har musik- og menneskekyndige gæster i studiet. Medvirkende: Peter Vuust, jazzmusiker, hjerneforsker, professor og leder på Center for Music In The Brain på Aarhus Universitet. Kim Sagild, producer og musiker. Vært: Anne Kejser. (Sendt første gang 9. oktober).

Dr. Richard E. Cytowic, MD, of George Washington Medical Center discusses his presentation "Wednesday Is Indigo Blue: Discovering the Brain of Synesthesia."

Michael Kubovy and Judith Shatin of the University of Virginia discuss their presentation "The Mind of an Artist." Debate has long raged about whether and how music expresses meaning beyond its sounding notes. Kubovy and Shatin discuss evidence that music does indeed have a semantic element, and offer examples of how composers embody extra-musical elements in their compositions. Kubovy is a cognitive psychologist who studies visual and auditory perception, and Shatin is a composer who explores similar issues in her music.

Michael Kubovy and Judith Shatin of the University of Virginia discuss their presentation "The Mind of an Artist." Debate has long raged about whether and how music expresses meaning beyond its sounding notes. Kubovy and Shatin discuss evidence that music does indeed have a semantic element, and offer examples of how composers embody extra-musical elements in their compositions. Kubovy is a cognitive psychologist who studies visual and auditory perception, and Shatin is a composer who explores similar issues in her music.

Dr. Richard E. Cytowic, MD, of George Washington Medical Center discusses his presentation "Wednesday Is Indigo Blue: Discovering the Brain of Synesthesia."

Michael Kubovy and Judith Shatin of the University of Virginia discuss their presentation "The Mind of an Artist." Debate has long raged about whether and how music expresses meaning beyond its sounding notes. Kubovy and Shatin discuss evidence that music does indeed have a semantic element, and offer examples of how composers embody extra-musical elements in their compositions. Kubovy is a cognitive psychologist who studies visual and auditory perception, and Shatin is a composer who explores similar issues in her music.

Dr. Richard E. Cytowic, MD, of George Washington Medical Center discusses his presentation "Wednesday Is Indigo Blue: Discovering the Brain of Synesthesia."

Helfgott and Middleton examine the use of classical music by law enforcement and other cultural institutions as social control, to quell and prevent crime. Their conversation touches on how classical music is viewed in contemporary culture, how it can be a tool for discouraging criminal activity and anti-social behavior, as well as its history as a mind-altering experience.

Helfgott and Middleton examine the use of classical music by law enforcement and other cultural institutions as social control, to quell and prevent crime. Their conversation touches on how classical music is viewed in contemporary culture, how it can be a tool for discouraging criminal activity and anti-social behavior, as well as its history as a mind-altering experience.

Helfgott and Middleton examine the use of classical music by law enforcement and other cultural institutions as social control, to quell and prevent crime. Their conversation touches on how classical music is viewed in contemporary culture, how it can be a tool for discouraging criminal activity and anti-social behavior, as well as its history as a mind-altering experience.

From Mode to Emotion in Musical Communication: Steven Brown, Director of the NeuroArts Lab at McMaster University, discusses his work looking at the expression of emotion in both Western and non-Western musics. Music employs a number of mechanisms for conveying emotion. Some of them are shared with other modes of expression (speech, gesture) while others are specific to music. The most unique way that music communicates emotion is through the use of contrastive scale types. While Westerners are familiar with the major/minor distinction, the use of contrastive scale types in world musics is universal.

From Mode to Emotion in Musical Communication: Steven Brown, Director of the NeuroArts Lab at McMaster University, discusses his work looking at the expression of emotion in both Western and non-Western musics. Music employs a number of mechanisms for conveying emotion. Some of them are shared with other modes of expression (speech, gesture) while others are specific to music. The most unique way that music communicates emotion is through the use of contrastive scale types. While Westerners are familiar with the major/minor distinction, the use of contrastive scale types in world musics is universal.

From Mode to Emotion in Musical Communication: Steven Brown, Director of the NeuroArts Lab at McMaster University, discusses his work looking at the expression of emotion in both Western and non-Western musics. Music employs a number of mechanisms for conveying emotion. Some of them are shared with other modes of expression (speech, gesture) while others are specific to music. The most unique way that music communicates emotion is through the use of contrastive scale types. While Westerners are familiar with the major/minor distinction, the use of contrastive scale types in world musics is universal.

Artistic anathemas, musical mayhem, and cultural conundrums such as "the devil's music"- Middleton and Krash explore the psychological and social issues associated with the human tendency toward censorship of musical expression, as well as what has been described as "suicide-by-music" and crimes that have been connected to musical genres.

Artistic anathemas, musical mayhem, and cultural conundrums such as "the devil's music"- Middleton and Krash explore the psychological and social issues associated with the human tendency toward censorship of musical expression, as well as what has been described as "suicide-by-music" and crimes that have been connected to musical genres.

Artistic anathemas, musical mayhem, and cultural conundrums such as "the devil's music"- Middleton and Krash explore the psychological and social issues associated with the human tendency toward censorship of musical expression, as well as what has been described as "suicide-by-music" and crimes that have been connected to musical genres.

In our everyday lives language and instrumental music are obviously different things. Neuroscientist and musician Ani Patel is the author of a recent, elegantly argued offering from Oxford University Press, Music, Language and the Brain. Oliver Sacks calls Patel a "pioneer in the use of new concepts and technology to investige the neural correlates of music." In this podcast he discusses some of the hidden connections between language and instrumental music that are being uncovered by empirical scientific studies.

In our everyday lives language and instrumental music are obviously different things. Neuroscientist and musician Ani Patel is the author of a recent, elegantly argued offering from Oxford University Press, Music, Language and the Brain. Oliver Sacks calls Patel a "pioneer in the use of new concepts and technology to investige the neural correlates of music." In this podcast he discusses some of the hidden connections between language and instrumental music that are being uncovered by empirical scientific studies.

In our everyday lives language and instrumental music are obviously different things. Neuroscientist and musician Ani Patel is the author of a recent, elegantly argued offering from Oxford University Press, Music, Language and the Brain. Oliver Sacks calls Patel a "pioneer in the use of new concepts and technology to investige the neural correlates of music." In this podcast he discusses some of the hidden connections between language and instrumental music that are being uncovered by empirical scientific studies.

Daniel Levitin's new book The World in Six Songs has attracted a serious fan following, including Sting, Joni Mitchell and Willie Nelson. Neuroscientist, rock producer, and best selling author (This is Your Brain on Music) Levitin talks about his research for this fascinating book that takes the reader on a journey of the world through 6 types of songs--friendship, joy, comfort, knowledge, religion/ritual, and love.

Daniel Levitin's new book The World in Six Songs has attracted a serious fan following, including Sting, Joni Mitchell and Willie Nelson. Neuroscientist, rock producer, and best selling author (This is Your Brain on Music) Levitin talks about his research for this fascinating book that takes the reader on a journey of the world through 6 types of songs--friendship, joy, comfort, knowledge, religion/ritual, and love.

Daniel Levitin's new book The World in Six Songs has attracted a serious fan following, including Sting, Joni Mitchell and Willie Nelson. Neuroscientist, rock producer, and best selling author (This is Your Brain on Music) Levitin talks about his research for this fascinating book that takes the reader on a journey of the world through 6 types of songs--friendship, joy, comfort, knowledge, religion/ritual, and love.