Podcast appearances and mentions of robert fink

Sunday night 9/03/23 - Guest speaker Evangelist Robert Fink preaching At Ozark Full Gospel Church

Robert Fink, a Musicologist and Chair of the Music Industry Programs at UCLA, joins Amy & JJ for a fascinating conversation about music. From an artist's tone.. to the potential death of classical music and what that might mean - this is a MUST listen podcast! See omnystudio.com/listener for privacy information.

Rob is a firm believer in value-based leadership and has over twenty years of experience as a senior executive. Rob has worked for three startups in his career and has never been greater than employee number 5 at any of his professional stops. Each one of the three startups is now a market leader. Through this experience, Rob developed a deep understanding of how to grow and hyper-scale organizations. Rob has led operations, sales, marketing, and technology teams in his career and has consistently served as the conduit between these departments to drive efficiency and productivity.He has fifteen years of experience in solution architecture, innovation, program management, and blue-chip sales campaign management and execution. During his tenure, Rob has architected and managed the development of over seventy custom pieces of software and is the co-inventor on three patents. After spending half his career working to help entrepreneurs achieve their dreams as an employee, Rob formed Vision North, LLC to increase his ability to help other small to mid-size business owners. Vision North was founded to help organizations grow and overcome through a unique approach to consulting and a collection of world-class talent and expertise. This merger of passion and competency allows the concept of consultancy engagements to work for Vision North clients. Small and mid-size companies can experience big agency results at a fraction of the cost, and with demonstrable benefits. Vision North was developed to be an atypical consulting agency in that its main goal is not the establishment of recurring revenue, but rather the enablement of positive and lasting change and success for its clients. The goal is to be a change agent for personal, professional, and organizational growth.Learn Morehttps://thevisionnorth.com/https://www.linkedin.com/in/robert--fink/At Inspire Wealth, we believe everyone should be able to live the retirement they've always wanted. Your financial situation is different from that of your parents, your neighbors, and even your closest friends, so a cookie-cutter approach isn't going to cut it. We can work with you to create a retirement strategy that fits your unique retirement needs — a strategy designed to get you to your goals. When you have concerns about things like how long your money will last or what will happen if you pass away before your spouse, we can help you answer those questions, too!Learn More: https://inspireyourretirement.com/ep-25-interview-with-robert-fink-founder-of-vision-north-w-nick-bour-founder-of-inspire-wealth

Sunday night 9/04/22 - Guest speaker Evangelist Robert Fink preaching a message titled "The Good Samaritan".

On May 23, 2022, Meredith Michael joined JF and Phil for a live recording at Illuminated Brew Works, a craft brewery in Chicago, Illinois.The occasion was the launch of Weird Studies Black IPA, the fruit of a collaboration with IBW brewmaster Brian Buckman and his team of beer alchemists. The game plan was to talk about potions, but the final conversation ranges over a number of topics including singularity and repetition, time and eternity, alchemy and ritual, Okakura Kakuzō's The Book of Tea, cooking and pickling, and the cultural phenomenon Phil calls "weedhead sh*t." Purchase the Weird Studies Black IPA from Beer on the Wall (https://wehavegreatbeer.square.site/product/illuminated-brew-works-weird-studies-4pk-for-shipping-only-/8126?cp=true&sa=false&sbp=false&q=true) or visit the Illuminated Brew Works (https://www.ibw-chicago.com) website. Buy volume 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and volume 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2) of the Weird Studies soundtrack by Pierre-Yves Martel (https://www.pymartel.com) Support us on Patreon (https://www.patreon.com/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the new T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! Get your Weird Studies merchandise (https://www.redbubble.com/people/Weird-Studies/shop?asc=u) (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) SHOW NOTES Okakura Kakuzō, [The Book of Tea](https://en.wikipedia.org/wiki/TheBookofTea)_ Oscar Wilde on absinthe (https://www.goodreads.com/quotes/335553-after-the-first-glass-of-absinthe-you-see-things-as) Mircea Eliade, [The Myth of the Eternal Return: Cosmos and History](https://www.amazon.com/Myth-Eternal-Return-Princeton-Bollingen/dp/0691182973/ref=sr11?crid=2P1E7XDGASW4L&keywords=The+Myth+of+the+Eternal+Return%3A+Cosmos+and+History&qid=1654693787&s=books&sprefix=the+myth+of+the+eternal+return+cosmos+and+history%2Cstripbooks-intl-ship%2C63&sr=1-1) Toni Morrison. Song of Solomon (https://www.amazon.com/Song-Solomon-Toni-Morrison-Books/s?k=Song+of+Solomon+Toni+Morrison&rh=n%3A283155) The Suzuki Method (https://en.wikipedia.org/wiki/Suzuki_method) Robert Fink, Repeating Ourselves: American Minimal Music as Cultural Practice (https://www.ucpress.edu/book/9780520245501/repeating-ourselves) David Cronenberg (dir.), Scanners (https://www.imdb.com/title/tt0081455/) (1981) Lars von Trier (dir.), Dancer in the Dark (https://www.imdb.com/title/tt0168629/) (2000) Alan Watts, Beat Zen, Square Zen and Zen (https://www.amazon.com/Beat-Zen-Square/dp/0872860515) William Shakespeare, Macbeth (https://en.wikipedia.org/wiki/Macbeth) Special Guest: Meredith Michael.

Sunday night 9/05/21 - Guest speaker Evangelist Robert Fink - Sermon titled "God Gives Us a Second Chance"

As we commemorate 50 years of the death of Igor Stravinsky, Tom Service explores how his music continues to resonate in today's world, how his legacy has been in effect reinvented, from contemporary composition to film scores, from digital sampling in pop to the language of jazz, and also in the world of dance. With contributions from the composers George Benjamin, Anders Hillborg, Shiva Feshareki and Helen Grime, explaining how Stravinsky's music has shaped their work and their lives; from the musicologists Marina Frolova-Walker, Robert Fink and Jonathan Cross, who elaborate on how Stravinsky has been reinvented on many different contexts since his death; and we also hear from the dancer and choreographer Seeta Patel, who reinterpreted the iconic ballet 'Rite of Spring' within South Indian classical dance traditions. Producer: Juan Carlos Jaramillo

In this first episode of 2021 Jacob, Brandy, and Mike talk about two flavorful beers from Jailbreak Brewing Company, White Russian and Dusk till Dusk.Mike sits down virtually with Robert Fink, a brewer from Jailbreak Brewing Company. They talk barrel-aged beer, proprietary blends and the impact of furloughs as a result of the pandemic on the employees of breweries. Keep up to date with everything happening at DCBeer.com, @DCBeer on Facebook, Twitter, and Instagram, and join our new DC Beer Discord community! Email us at beershow@dcbeer.com.

Robert Fink is on the leadership team at Palantir, where he has helped shape their approach to product design and architecture. He has also played major roles in ensuring the company stays focused on the mission needs of customers today, and, through shaping R&D, is helping ensure the company is better able to serve the needs of future customers and future missions. In his time at Palantir Robert has participated in several responses to crisis situations where data solutions were needed quickly in order to save lives and limit loss of property. He captured many lessons learned from past responses to crisis situations in a recent Medium post titled: In crisis response, answer the simple questions first. The lessons learned from this post is very relevant to the situation many decision-makers are wrestling with right now so we sought out time with Robert to join us on the OODAcast. Topics we reviewed with Robert include: Doing business in a global corporation where most of the team are operating out of their homes Lessons learned from crisis response including disaster relief work globally Lessons learned from support to public health Use cases for data integration and analysis in public health, including long-term research and informing operational decisions Privacy in a crisis Speed of delivery of solutions in a crisis (how can solutions be fielded faster?) What is data governance and what parts are still applicable in a crisis? What is meant by focusing on "simple questions first"   Related Resources: In Crisis Response, Ask Simple Questions First: The article that inspired this discussion The Executive’s Guide to Quantum Computing: What business decision-makers need to know now about quantum superiority Context on Make vs Buy in the Federal Ecosystem: If you know of anyone anywhere in government who is thinking of building/coding a new data system to track issues around the pandemic they should just stop and should buy a commercial platform. OODAcast on YouTube: OODA’s YouTube Channel

In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink, Melinda Latour, and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music. Comprised of four sections focused on genre, voice, instrument, and production, The Relentless Pursuit of Tone engages diverse popular music genres and employs varied theoretical and methodological approaches. The book begins with an ethnographic study about timbre in the 1990s Bay Area rave scene by Cornelia Fales. It concludes with a discussion about timbre in contemporary recording production and electronic dance music by Simon Zagorski-Thomas, along with an afterword by Simon Frith. In between are essays that engage tone in multiple musical genres such as death metal and country, in recording techniques like Auto-Tune and reverb, and through considerations of voice and assorted instruments, including the electric guitar and synthesizer. A companion website with music examples, videos, and images can be accessed here. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink, Melinda Latour, and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music. Comprised of four sections focused on genre, voice, instrument, and production, The Relentless Pursuit of Tone engages diverse popular music genres and employs varied theoretical and methodological approaches. The book begins with an ethnographic study about timbre in the 1990s Bay Area rave scene by Cornelia Fales. It concludes with a discussion about timbre in contemporary recording production and electronic dance music by Simon Zagorski-Thomas, along with an afterword by Simon Frith. In between are essays that engage tone in multiple musical genres such as death metal and country, in recording techniques like Auto-Tune and reverb, and through considerations of voice and assorted instruments, including the electric guitar and synthesizer. A companion website with music examples, videos, and images can be accessed here. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.

In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink, Melinda Latour, and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music. Comprised of four sections focused on genre, voice, instrument, and production, The Relentless Pursuit of Tone engages diverse popular music genres and employs varied theoretical and methodological approaches. The book begins with an ethnographic study about timbre in the 1990s Bay Area rave scene by Cornelia Fales. It concludes with a discussion about timbre in contemporary recording production and electronic dance music by Simon Zagorski-Thomas, along with an afterword by Simon Frith. In between are essays that engage tone in multiple musical genres such as death metal and country, in recording techniques like Auto-Tune and reverb, and through considerations of voice and assorted instruments, including the electric guitar and synthesizer. A companion website with music examples, videos, and images can be accessed here. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink, Melinda Latour, and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music. Comprised of four sections focused on genre, voice, instrument, and production, The Relentless Pursuit of Tone engages diverse popular music genres and employs varied theoretical and methodological approaches. The book begins with an ethnographic study about timbre in the 1990s Bay Area rave scene by Cornelia Fales. It concludes with a discussion about timbre in contemporary recording production and electronic dance music by Simon Zagorski-Thomas, along with an afterword by Simon Frith. In between are essays that engage tone in multiple musical genres such as death metal and country, in recording techniques like Auto-Tune and reverb, and through considerations of voice and assorted instruments, including the electric guitar and synthesizer. A companion website with music examples, videos, and images can be accessed here. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink, Melinda Latour, and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music. Comprised of four sections focused on genre, voice, instrument, and production, The Relentless Pursuit of Tone engages diverse popular music genres and employs varied theoretical and methodological approaches. The book begins with an ethnographic study about timbre in the 1990s Bay Area rave scene by Cornelia Fales. It concludes with a discussion about timbre in contemporary recording production and electronic dance music by Simon Zagorski-Thomas, along with an afterword by Simon Frith. In between are essays that engage tone in multiple musical genres such as death metal and country, in recording techniques like Auto-Tune and reverb, and through considerations of voice and assorted instruments, including the electric guitar and synthesizer. A companion website with music examples, videos, and images can be accessed here. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink, Melinda Latour, and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music. Comprised of four sections focused on genre, voice, instrument, and production, The Relentless Pursuit of Tone engages diverse popular music genres and employs varied theoretical and methodological approaches. The book begins with an ethnographic study about timbre in the 1990s Bay Area rave scene by Cornelia Fales. It concludes with a discussion about timbre in contemporary recording production and electronic dance music by Simon Zagorski-Thomas, along with an afterword by Simon Frith. In between are essays that engage tone in multiple musical genres such as death metal and country, in recording techniques like Auto-Tune and reverb, and through considerations of voice and assorted instruments, including the electric guitar and synthesizer. A companion website with music examples, videos, and images can be accessed here. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Robert Fink, Associate and Design Technology Director at Quinn Evans Architects, explains how BIM is leveraged to document historic buildings and shares what it took to develop a model for Mt. Vernon with Bill, Kristina, and Charlie. During the conversation, Robert explains the unique modeling challenges that exist when modeling an American … Read More →