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In this episode, we welcome Oscar-nominated writer/director Joachim Trier and Oscar-nominated editor Olivier Bugge Coutté, the longtime collaborators behind Sentimental Value. The film has earned nine Academy Award nominations, including recognition for both of their work. Trier and Coutté have also collaborated on films such as The Worst Person in the World, Reprise, Oslo, August 31st, Louder Than Bombs, and Thelma. In our chat, Joachim shares on developing the story and writing the screenplay, while both dive deep into their creative partnership. They also offer practical advice for emerging writers, directors, and editors navigating their own creative paths.The Making Of is presented by AJA:From cinema to proAV: gaining a competitive edge with streaming knowledgeThe worlds of cinema production and proAV are converging. Cinema-grade equipment is making its way into more stadiums, houses of worship, and concert venues. Because of this, professionals that understand the tools and disciplines powering both will stand out. Get ahead of the curve with the latest streaming insights and gear from AJA.‘The 2026 Oscar Nominated Short Films' Review: Major Themes, Minor LengthsThree critics briefly consider the short films nominated for the 98th Academy Awards.From dive-bar patrons to Regency paramours, cross-generational friendship to same-sex longing, and chilly science fiction to Middle Eastern politics, this year's live action category of Oscar nominated shorts is refreshingly varied.Read more hereNow with Massive 8TB Capacity—Thunderbolt 5 SpeedThe OWC Envoy Pro Ultra now comes in a new 8TB capacity, pairing enormous space with next‑generation Thunderbolt 5 performance. With real‑world speeds over 6000 MB/s and a rugged, bus‑powered design, it's perfect for 4K/8K workflows, on‑location shoots, and fast media offloads. High‑speed, high‑capacity, and ready for serious creative work.Browse hereShowcase Your Brand: Feature your products or services in this newsletter and reach 250K film, TV and broadcast industry pros each week. To learn more, please email mvalinsky@me.comZEISS Aatma – Contemporary Full Frame Primes with a Soulful Legacy LookZEISS introduces the new Aatma, set of nine high-end full frame T1.5 cinema primes (18mm, 25mm, 35mm, 40mm, 50mm, 65mm, 85mm, 100mm, and 135mm) designed to marry the benefits of modern optical design with the nostalgic image characteristics that are popular today. Drawing inspiration from some of the most beloved ZEISS lenses of the 20th century, Aatma combines an emotion-driven look with the mechanical reliability, data integration, and workflow compatibility that's expected for current production. Read more hereA New Solution from Atomos: The Atomos Shogun AV-19 Rack-Mounted 4K HDR Monitor/Recorder/Switcher is your all-in-one solution for professional live production, combining a stunning 19” 4K HDR DCI-P3 display with quad-channel switching, real-time ISO recording of up to four camera feeds plus program out, and support for 10-bit Apple ProRes, ProRes RAW, and Avid DNx recording to CFexpress or USB-C media. Perfect for studios, video village, and broadcast environments, it delivers the monitoring accuracy and workflow efficiency your production demands. The Atomos Shogun AV-19 is available for pre-order now for $2,099.00. Learn more at Videoguys.com or call our production experts at 800-323-2325 today!OWC Exclusive Listener Offer:Enjoy 10% off your next order as a thank-you for tuning in to The Making Of! Whether you're upgrading your workflow or adding pro-level gear, OWC has you covered. Use your exclusive listener link below and save on the tools that help bring your creative vision to life. Explore herePodcast Rewind:Feb. 2026 - Ep. 119. Get full access to The Making Of at themakingof.substack.com/subscribe
+++Hinweis: AKTENZEICHEN LIVEGEFLÜSTER am 23.05.2026 im Stadttheater Aschaffenburg | Geschichten aus der Community und offenes Mic für eure Erlebnisse -> Tickets unter Reservix.de +++Der Aufhocker. Klingt wie ein Möbelstück zum Zusammenbauen. Ist aber alles andere als harmlos. (Wobei so Möbel zusammenbauen auch nie harmlos ist, oder!?)
Samboll, Thomas www.deutschlandfunk.de, Sonntagsspaziergang
EP 677 Josh Smith – MKC What’s up! This week on the Rich Outdoors Podcast, I’m sitting down with Josh Smith—founder of Montana Knife Company and honestly one of the most inspiring entrepreneurs in the outdoor space right now. This is a podcast I’ve been wanting to do for a long time, and we did not disappoint. Josh went from being a lineman for the power company, making knives on the side in a 200 square foot shop in his horse pasture, to building one of the most beloved brands in the hunting industry from the ground up. No investors, no conglomerates, no selling out. Just a guy who refused to quit and built something that hunters actually care about. We talk about the origin story of MKC, why he saw a massive hole in the hunting knife market, and how he quietly infiltrated the hunting community like a Green Beret special ops team before anyone even knew he was there. We get into the Benchmade lawsuit and why his entire team cheered when they found out they were getting sued. We dive deep into building company culture at scale, hiring the right people, why listening to your customer beats watching your competitor every single time, and why most people have no idea how many hunters have never even heard of a brand they think everyone knows about. But this one goes way beyond knives. We talk about Bridger Watch, building a product in a category dominated by giants, the parallels between what Josh built and what we’re trying to build, and the advice he gave me that I’m going to be thinking about for a long time. We also talk about legacy—knives that get passed down, stories behind the blades, and why sometimes the most important tool isn’t the most impressive one, it’s the one that means something. This is one of those conversations that reminds you why you started. Whether you’re a hunter, an entrepreneur, or both—this episode is for you. Let’s get into it. Interested in the Bridger Watch? If you heard us talk about the smartwatch we’re building for hunters and want to be the first to know what we’re up to—head over to bridgerwatch.com and get on the list. Three years in the making and we’re just getting started. Go check it out. Episode Sponsors Tricer Tripods – They make gear that’s fast, light, and simple, from amazing tripods to bino mounts, panhead truck mounts, and now even bipods. Trier just dropped their new updated AD and BC tripods, and I got to test the new Tritech technology this year. The center post is now a T-post, which makes it pack down smaller and cleaner—Drew is a mad scientist and he just keeps innovating. If you want to use code TRO, it’ll save you 10% at checkout. Go support a great company. Head over to tricer.com. Stone Glacier – If you’re in the market for a new pack, I ran the Sky Archer 6400 this year and packed out a lot of animals with it including a couple of elk. What I love about Stone Glacier packs is they work great whether you’re on a 10-day backpacking trip or day hunting from the side-by-side. Minimalist, tough, and they work. You don’t need to own multiple packs—this thing does it all. Check it out at stoneglacier.com and use code TRO for a discount. Chapter Timestamps 0:00 – Intro & Sponsors 3:45 – Welcome Josh Smith: Driving Across Montana for a Podcast 6:30 – Why Josh Started Montana Knife Company 10:15 – Seeing the Gap: What Was Missing in the Hunting Knife Market 14:00 – Authenticity from Day One: Building Community Without Money 18:30 – Sending Knives Out with No Ask: How Word Spread 22:00 – From the Horse Pasture to 11 Employees: The Growth Timeline 26:15 – The Green Beret Strategy: Quietly Taking Over the Hunting Space 30:00 – Getting Sued by Benchmade (And Why the Team Cheered) 34:30 – Don’t Watch Your Competitor, Listen to Your Customer 38:15 – Scaling Fast Without Losing Culture 42:00 – Hiring Doers: What Josh Looks for in Employees 46:30 – The Pizza Rule: Why You Can’t Manage Too Many People 50:15 – How MKC Uses Transparency to Build Employee Buy-In 54:00 – Taking on Giants: Parallels Between MKC and Bridger Watch 58:30 – Most Hunters Have Never Heard of You (And Why That’s Exciting) 1:02:15 – The Legacy of a Knife: Stories Behind the Blades 1:07:00 – Building a Family Heirloom vs. Building a Gadget 1:11:30 – Josh’s Advice for Bridger Watch 1:15:00 – Don’t Quit Your Day Job Yet: How to Chase a Dream Responsibly 1:18:30 – The People You Surround Yourself With Matter Everything 1:21:00 – Final Thoughts & What Josh is Most Excited About Three Key Takeaways Listen to Your Customer, Not Your Competitor – One of Josh’s most powerful pieces of advice: don’t open your competitor’s website every day and react to what they’re doing. Your product roadmap should be driven entirely by what your customer is telling you they need—not by what the big brand is doing. By the time you react to a competitor, you’re already behind. The companies that win are the ones so locked into their customer’s needs that by the time the big guy realizes what happened, it’s too late. Most People Don’t Know You Exist—And That’s the Opportunity – MKC ran surveys recently and the percentage of hunters who had heard of them was shockingly low. Most companies would find that depressing. Josh and Brandon found it energizing. If you’ve built something great and most of your target market still doesn’t know you exist, you have an enormous runway in front of you. Stop assuming everyone knows your story. Tell it again. Tell it to the 3,000 people in that gymnasium down the road who’ve never heard it. Culture Is Built Intentionally or It Isn’t Built at All – From bringing employees to trade shows as a reward, to reading the Attaboy box out loud at company meetings, to bringing in bankers and health insurance reps to teach employees about life—Josh has built a company where people feel cared about. That doesn’t happen by accident. It requires intentional decisions every single day to treat your people the way you’d want your own kids to be treated. And when people feel that, they go the extra mile and they keep the culture alive even when you can’t be in every room.
Lars von Trier gehört zweifellos zu den größten Filmemachern der Gegenwart. Er setzt sich nicht nur mit intrikaten Fragen mit ungeheurer Radikalität auseinander, sondern auch mit dem Medium Film an sich. Während das Dogma-Manifest das Kino revolutionieren sollte, ist „Dogville“ aus dem Jahr 2003 trotz der experimentellen Form in erster Linie eine Verneigung vor Hollywood und seinen Stars – wie Lauren Bacall, Nicole Kidman und James Caan. „Dogville“ knüpft an die #Filmnoir-Tradition der 1940er-Jahre an, doch zugleich verunreinigt Lars von Trier diese produktiv, indem er sich dezidiert auf #BertoltBrecht, dessen Theatertheorie und das Lied der Seeräuber-Jenny aus der „Dreigroschenoper“ bezieht. Keineswegs haben wir es bei diesem Film nur mit abgefilmtem Theater zu tun – was viele Theaterregisseure offenbar nicht begreifen wollen, wenn sie diesen Film wiederum für die Bühne adaptieren. Vielmehr ist „Dogville“ ein Film, der uns anzeigt, wo wir als Zuschauer stehen, wenn wir das Kino genießen und uns einer Illusion hingegeben, an die wir nicht glauben können, aber glauben wollen. Mehr dazu von Wolfgang M. Schmitt im Video!Literatur:Bertolt Brecht: Die Dreigroschenoper, Suhrkamp.Bertolt Brecht: Schriften zum Theater 3, Suhrkamp. Die Filmanalyse +ABO gibt es bei Steady als Monats- und vergünstigtes Jahresabo. Der RSS-Feed ist automatisch mit Spotify verknüpft, kann aber auch in alle Podcatcher eingefügt werden:https://steady.page/de/die-filmanalyse-abo/aboutBei Steady kann man die Filmanalyse für ein Jahr verschenken:https://steady.page/de/die-filmanalyse-abo/gift_plansDie Filmanalyse +ABO gibt es bei Apple-Podcast als Monats- und vergünstigtes Jahresabo:https://podcasts.apple.com/de/podcast/die-filmanalyse/id1586115282Außerdem gibt es die Möglichkeit, ein Abo via Patreon abzuschließen, jedoch ist hier der RSS-Feed nicht mit Spotify verknüpft:https://www.patreon.com/c/wolfgangmschmitt/home
En este episodio corto de Designaholic, Jorge Diego conversa con Mario Julián Gutiérrez, fundador de Dum Dum Studio, sobre una disciplina del diseño gráfico que suele pasar desapercibida: el diseño de títulos de apertura en el cine. A partir de referentes como Vértigo de Alfred Hitchcock, Seven de David Fincher, Melancholia de Lars von Trier y Poor Things de Yorgos Lanthimos, la conversación explora cómo tipografía, animación y narrativa visual construyen una antesala emocional que anticipa el tono, la atmósfera y la intención de una película. Un episodio que conecta cine, diseño y cultura visual, invitando a mirar con más atención esos primeros minutos que muchas veces decidimos saltarnos.Escucha este episodio si estás…• interesado en la relación entre cine y diseño gráfico• buscando referentes sobre tipografía en movimiento• curioso por entender cómo los opening credits construyen narrativa• explorando cruces entre diseño, animación y cultura visual• cansado de poner skip intro sin pensar qué hay detrásShow Notes y Links relacionados a este episodioMario Julián Gutierrez → (https://www.instagram.com/mariojuliang/)Dum Dum Studio → (https://dumdum.studio/)• Entrevista anterior de Mario en Designaholic → (https://www.youtube.com/watch?v=0oR-ZKsDeQo)• Saul Bass → (https://www.artofthetitle.com/designer/saul-bass/)• Vértigo → (https://www.imdb.com/es/title/tt0052357/)• Anatomy of a Murder → (https://www.imdb.com/es/title/tt0052561/?ref_=ext_shr_lnk)• Psycho → (https://www.imdb.com/es/title/tt0054215/?ref_=ext_shr_lnk)• Seven → (https://www.imdb.com/es/title/tt0114369/?ref_=ext_shr_lnk)• Kyle Cooper → (https://www.artofthetitle.com/designer/kyle-cooper/)• Melancholia → (https://www.imdb.com/es/title/tt1527186/?ref_=ext_shr_lnk)• Poor Things → (https://www.imdb.com/es/title/tt14230458/?ref_=ext_shr_lnk)No te pierdas nuestros episodios, publicamos todos los Martes.Síguenos en: Instagram https://www.instagram.com/designaholic.mxFacebook https://www.facebook.com/designaholicmx/Twitter https://twitter.com/designaholicmx Suscríbete a nuestro newsletter semanal “Las 5 de la Semana” aquí: https://embeds.beehiiv.com/b98191c1-e91e-4e8c-bf49-e4ff0603f851Nuestra página web es: http://designaholic.mxTambién te dejo mi cuenta personal donde además de publicar sobre mi estudio y los proyectos que hacemos, comparto mucho más sobre Arte, Arquitectura y Diseño. Instagram https://www.instagram.com/jd_etienneTwitter https://www.twitter.com/jd_etienne Hosted on Acast. See acast.com/privacy for more information.
Writer-director Joachim Trier makes award-winning films that strike an emotional chord with audiences. Probably best known for his previous film The Worst Person in the World (2021), starring Renate Reinsve and co-written by Eskil Voght, Trier recreates that magic with his latest work Sentimental Value, about two sisters and their relationship with their estranged director father. Trier teamed up with Voght once again to co-write the screenplay and Reinsve plays the lead, marking the third film the director and actress have worked on together. Stellan Skarsgard stars alongside Reinsve as her character's father. Sentimental Value has nine Oscar nominations, including Best Picture, Best International Feature, Best Director, and Best Original Screenplay. We speak with writer-director Joachim Trier about the film and why it has resonated so much with audiences. Sentimental Value is playing in select theaters.
Rebecca arrives in Trier and starts discovering the Germany of her grandmother – a short A2/B1 German learning story with questions.https://germanwithstories.comhttps://patreon.com/germanwithstorieshttps://germanwithstories.substack.com
Gary Victor und Haitis literarische Apokalypse „An der Kreuzung der Parallelstraßen”. Die Rezension von Barbara Hoppe im Podcast.Rezension lesenGary VictorAn der Kreuzung der Parallelstraßena.d. Französischen von Peter TrierLitradukt Verlag, Trier 2025bei Thalia
Ref.: Prof. Dr. Marco Benini, Liturgiewissenschaftler; Leiter der Wissenschaftlichen Abteilung des Deutschen Liturgischen Instituts, Trier
Trier hat den energieeffizientesten Gebäudebestand Deutschlands, aus Baden-Württemberg haben es zwei Städte in die Top 10 geschafft. Welche Städte das sind und welche besonders schlecht abschneiden - Margareta Holzreiter mit den Hintergründen
Part 2 of 2. OA 1230 - Seeing all the obstacles to holding government officials accountable, Congress created Section 1983, allowing citizens to sue for money damages for violations of their civil rights. We cover how that works, the one weird trick it uses to get around state sovereign immunity, and how that accidentally created the infamous qualified immunity doctrine that has made police seemingly unaccountable. We also discuss proposed reforms that might fix issues of qualified and sovereign immunity. 42 U.S.C § 1983 Pierson v Ray, 386 U.S. 547 (1967) Graham v Conner, 490 U.S. 386 (1989) Pearson v Callahan, 555 U.S. 223 (2009) Kisela v Hughes, 584 U.S. 100 (2018) Barnes v Felix, 605 U.S. 73 (2025) Barnes v Felix, 138 Harvard L. Rev. 291 (2025). Julia Yoo, The Problem with Policing in the United States, ADVOCATE (Feb. 2021). David J. Ignall, Making Sense of Qualified Immunity: Summary Judgment and Issues for the Trier of Fact, 30 Cal. W. L. Rev. 201 (1994). (NOTE: Good review for basics, but note the date!) Bivens v. Six Unknown-Named Agents of the Federal Bureau of Narcotics, 403 U.S. 388 (1971) Egbert v Boule, 596 U.S. 482 (2022) S. 122 Qualified Immunity Act of 2025 119th Cong. (2025) S. 3186 Constitutional Accountability Act 119th Congr. (2025) H.R. 6091 Bivens Act of 2025 119th Congr. (2025) H.R. 4944 Ending Qualified Immunity for ICE Agents Act 119th Congr. (2025) Qualified Immunity Abolition Act of 2026 (no bill number assigned yet) Gelinas, S. (2026, January 18). Markey, Pressley renew push to end qualified immunity after ICE shooting death. Athol Daily News. Check out the OA Linktree for all the places to go and things to do!
På torsdag ble det klart at Joachim Triers Affeksjonsverdi har fått hele ni Oscar-nominasjoner. Hør kulturredaktør Bernhard Ellefsen og filmkritiker Aksel Kielland diskutere hva dette sier om Affeksjonsverdi og om Oscar-utdelingen. Hosted on Acast. See acast.com/privacy for more information.
The mirror might have two faces, but Marty & Scott are pretty sure that Lauren Bacall only had one face... but what a face!! In this episode, they flit merrily through the last four decades of Bacall's 60-year filmography.Films we flirt with:The Shootist (1976, Dir. Don Siegel) at 1:43The Fan (1981, Dir. Ed Bianchi) at 17:46The Mirror Has Two Faces (1996, Dir. Barbra Streisand) at 33:40Dogville (2003, Dir. Lars von Trier) at 46:25Plus Continuity Boulevard (at 1:03:54) and the Lightning Round (at 1:15:03)Follow us on Spotify, Apple Podcasts, Google Podcasts, or Amazon Music.Visit us at slackandslashpod.comEmail us at slackandslash@gmail.com
PENDENTE: Rubrica su Cinema, letteratura, fumetto ed esperienze culturali
CINEMA! E ANCORA CINEMA!Nuovo appuntamento con la mia rubrica "improvvisata" in cui esprimo opinioni su film visti da pochi minuti al Cinema per ricordarvi che il CINEMA è AL CINEMA!Torna Joachim Trier con il suo cinema sofferente, diretto eppure non troppo esplicito.Guardando al solito imprescindibile Bergman, Trier ci racconta con "Sentimental Value" la storia di una famiglia unita dall'arte ma con un passato impossibile da dimenticare e un futuro non pianificabile. In parole povere, la vita.
Heute sprechen wir im Camino-Podcast über den Mosel-Camino. Er beginnt in Koblenz und führt Euch bis nach Trier. Henriette ist den Weg gelaufen und berichtet davon. Buen Camino!########Hier könnt Ihr das Camino-Podcast-Postkarten-Set bestellen: Camino-podcast.de Hier bestellst Du Deinen neuen Pilgerführer und unterstützt uns damit:linktr.ee/camino_podcast########Kontakt zum Camino-Podcast: www.camino-podcast.de // hallo@camino-podcast.de // linktr.ee/camino_podcast // WA-Sprachnachricht +49 160 970 170 56Danke an Hans-Jörg Karrenbrock & w/ove für das Sounddesign des Camino-Podcasts. Lukas von WELKS hat die Layouts erstellt - Danke! Merci auch an den Conrad-Stein-Verlag und Domradio.de für die Unterstützung. Buen Camino!
CELÝ ZÁZNAM STUDIA N LIVE A VŠECHNY OSTATNÍ EPIZODY V PLNÉ VERZI NAJDETE NA HEROHERO.CO/STUDION Film může uklidňovat, ale také otevřít místa, na která nejsme připraveni. Ve Studiu N mluví Filip Titlbach s filmovým historikem a uměleckým šéfem karlovarského filmového festivalu Karlem Ochem o snímku Citová hodnota, o síle emocí v kině a o tom, proč jsou některé filmy přitažlivé právě tím, že z nich máme obavy. Film Citová hodnota režiséra Joachima Triera se stal jedním z nejdiskutovanějších evropských snímků – a to nejen kvůli devíti oscarovým nominacím nebo triumfu na Evropských filmových cenách. „Já si na Trierovi už od jeho mládí vážím jisté zralosti a moudrosti, se kterými přistupuje ke svým postavám. Snaží se být chápavý a celé je to obestřené velmi hustou melancholií,“ popsal na živém natáčení Studia N v pražském kině Přítomnost Och. Filmy rozděluje na ty, kterým věří, a na ty, které mu připadají vycucané z prstu. „Citová hodnota je film, který patří do té první kategorie. Trier tvoří neuvěřitelně komplexní mikrosvět vztahů, melancholie a věrohodných emocí, že se do něj vždycky rád nořím. Někdy z toho mám ale trochu obavy, protože při sledování jeho filmů prožívám velmi silné emoce. Je to přitažlivost a obava zároveň,“ říká. Někdy lidé podle něj prožívají ještě silnější emoce, když se na film dívají podruhé. Diváci a divačky by se podle filmového historika měli rozmýšlet, jestli na určité druhy filmů mají zrovna kapacitu. Film totiž může léčit i zraňovat. Hranice mezi tím, kdy kino pomáhá a kdy už ubližuje, je podle Ocha u každého jinde a souvisí s tím, co si do sálu neseme ze svého vlastního života. „Stalo se mi, že jsem z jednoho filmu odešel už po deseti minutách, protože se v něm odehrávalo něco, co jsem intenzivně prožíval. Představa, že se dívám na zkondenzovanou verzi téhož pro mě byla absolutně fyzicky nepřijatelná,“ přiznává. I proto je někdy legitimní z kina odejít. Ne proto, že by film selhal, ale protože se trefil až příliš přesně. „Je to lepší možnost než se u toho trápit,“ říká. Zažívá Joachim Trier svých warholovských patnáct minut slávy? Co dělá film výjimečným? A jak se vybírají snímky pro karlovarský filmový festival? Podívejte se na záznam celé debaty na herohero.co/studion
Vimos Marty Supreme (2025) de Josh Safdie y hubo una polémica de la gran siete.No menos polémica hubo con las últimas noticias del Oscar.Bien podrías ir a hoytrasnoche.com y ponerla toda.
GOD FREDAG! Velkommen til en mellomkulturell reise Saiida og Mikkel skal ta deg med på. Vi har diskutert meldingsloggen til Trump, en visitt til Nationaltheateret og BODØ GLIMT (RAHHHH!). Sykdomssesongen er igang og en viss person i studio har hatt man-flu. Han har slitt i hele kroppen..... OSCAR kom også på besøk med Trier og Reinsve. Vi forteller også om absolutt alt det spennende som skjer i helgen!!! TUNE IN!Takk til Malin på teknikk!!!
Le mois de janvier est la période idéale pour bien préparer la saison à venir en réalisant, notamment, un calendrier des semis. Notre jardinier vous donne tous ses conseils. Ecoutez Le jardin RTL du 17 janvier 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
I denne live-innspillingen fra biblioteket i Bergen snakker Heidi med Hanne Rømsing og Helle Ulrikke Fjelldal om hvordan Tove Janssons verker fortolkes i andre medier, fra film til spill. Hvilke muligheter åpner seg, og hva blir borte på veien?Hanne og Helle er begge litteraturformidlere og jobber på biblioteket. Hanne har ansvaret for bibliotekets filmvisninger, mens Helle jobber i spillteamet. Episodens utvalgte verk er animasjonsklassikeren "Kometen kommer" fra 1992, filmatiseringen av "Sommerboken", og dessuten "Tove" fra 2020, som er basert på Tove Janssons liv. Vi rekker også innom dataspillet "Snusmumrikken: Melodien i Mummidalen". I samtalen er vi inne på alt fra atomprøvesprengninger og Lars von Trier til flaue skandinaviske aksenter og stormen som forløsende motiv hos Tove Jansson – og vi spør: Kan det bli for mye kjærlighet på film?OPPDAG: Tove Jansson er produsert av Heidi Sævareid. Musikk ved Andreas Opstad Larsen.Følg gjerne @oppdagtovejansson på Instagram for oppdateringer og annet innhold!
Hvordan ligger Affeksjonsverdi an i Oscar-racet? I denne første av årets Filmfrelst-episoder om Oscar-sesongen diskuterer vi status, inkludert PGA-, DGA- og The Actor Awards-nominasjonene, og ikke minst Golden Globe-utdelingen og hva prisene der fortalte oss. I praten nedenfor er vi naturligvis ekstra oppmerksomme på Joachim Triers Affeksjonsverdi og filmens nåværende posisjon i kappløpet frem mot Oscar, og vurderer hvordan den ligger an i diverse kategorier. Panelet ser også nærmere på forskjellen mellom bransjeorganisasjonenes priser og Oscar, og deler tanker om hvordan utfallet kan bli når Akademiet offentliggjør sine priser torsdag 22. januar. Sørger den stadig mer internasjonale medlemsmassen for å skyve frem ikke-engelskspråklige festivalfavoritter, inkludert Affeksjonsverdi? Blir det plass til både Trier og Gullpalme-vinner Jafar Panahi (Bare et uhell) i kategorien for beste regissør? Kan Affeksjonsverdi stadig vekk få så mange som åtte Oscar-nominasjoner, og er Stellan Skarsgård egentlig favoritt til å vinne prisen for beste mannlige birolle? Ved mikrofonene sitter Montages-redaktørene Karsten Meinich og Lars Ole Kristiansen. God lytting!
Johann Peter Kagenbusch, geboren 1816, war ein Schwindler und Hochstapler. Im 19. Jahrhundert konnte er viele Menschen täuschen - auch ein Bankhaus, welches unter seinem Einfluss viel Geld für den Bergwerk an der Mosel, in Bernkastel-Kues, ausgab. Am Ende blieb der Ruin. Doch nicht nur dort betrieb Kagenbusch betrügerische Geschäfte ... Romanautor und Historiker Jörg Matthias Braun weiß mehr zum Mann, der verarmt 1888 starb. Zu unserem Gast: Jörg Matthias Braun stammt aus Bernkastel-Kues. Er hat zehn Bücher über die Geschichte der Stadt Bernkastel-Kues und ihrer Einwohner veröffentlicht. Er hat auch die Chroniken von Bernkastel und Cues überarbeitet und digitalisiert. In einem weiteren Schritt hat er die bisherige Geschichte der seit 1905 bestehenden Stadt Bernkastel-Kues in einem neuen Werk zusammengefasst (LINK): https://www.volksfreund.de/region/mosel-wittlich-hunsrueck/joerg-matthias-braun-hat-neue-chronik-fuer-bernkastel-kues-geschrieben_aid-109962111 Mehr zum Roman und Fakten über Kagenbusch: Jörg Matthias Braun: Kagenbusch: Eine Lebensbeichte, Paperback, 186 Seiten, ISBN-13: 9783819230721, 2025, Verlag BoD - Books on Demand https://buchshop.bod.de/kagenbusch-joerg-matthias-braun-9783819230721 Jörg Matthias Braun: "Bernkastel-Kueser Kriminalgeschichten" : https://buchshop.bod.de/bernkastel-kueser-kriminalgeschichten-joerg-matthias-braun-9783769368291 Mehr zum Thema gibt es auch in einem weiteren Buch von JörgMatthias Braun: "Bernkastel-Kueser Kriminalgeschichten" : https://buchshop.bod.de/bernkastel-kueser-kriminalgeschichten-joerg-matthias-braun-9783769368291 True Crime: Eine Familie voller Mörder Viele Morde passieren im familiären Umfeld. Doch was, wenn eine ganze Familie mordlustig zu sein scheint? Das Buch „Ein ungeheuerlicher Mord in Gonzerath“ von Jörg Matthias Braun beschreibt die blutige Geschichte der Familie Breuer. In der Folge unseres True-Crime-Podcasts "Spurensuche", die ihr auf volksfreund.de sowie allen gängigen Streaming-Portalen finden könnt, geht es um die Geschichte der Familie, die mehrfach durch Morde und tragische Schicksale in den Schlagzeilen war. Unser Podcast: "Porta - Das Tor zur Geschichte" erscheint regelmäßig auf volksfreund.de/porta mit ergänzenden Informationen und ist ein Angebot des Trierischen Volksfreunds aus Trier. Ihr habt Fragen, Anregungen oder Kritik? Schreibt uns an podcast@volksfreund.de
Emil Danielsson är en av våra främsta löpare genom tiderna. Med ett personbästa så bra som 13.13 på 5000m placerar han sig som tvåa någonsin på distansen. Efter succéåret 2023 då Emil slog pers på samtliga distanser saknar han den riktiga fullträffen men har hela tiden verkat på en väldigt hög nivå. Efter ett 2025 som började väldigt bra med 13.25 på Stockholm Stadion i maj så följde en oläglig förkylning och de riktiga topptiderna uteblev. I årets sista tävling, 5 kilometer i tyska Trier, kom dock en riktig fullträff. Vinst i ett välmeriterat fält och fina 13.38 i ett taktiklopp. Nu går Emil in med högt mod mot 2026 och hoppas på ett nytt karriärsår. I veckans avsnitt berättar Emil, som utöver elitsatsningen ockå har ett krävande jobb, om hur han nu lägger grunden för 2026 och hur man bygger för en riktigt lyckad säsong. Vi för höra om spännande starter och ny mål för 2026. John har senaste halvårets första misslyckade vecka bakom sig och misslyckades totalt med loppet i Köpenhamn. Manne har återigen sprungit lopp med systersonen Didrik och går in i en ny spännande träningssatsning som kommer innebära mera LT-tröskel. Veckans sponsorer: Lumonite (Koden springsnyggt25 ger 15% rabatt på samtliga pannlampor hos valostore.se). Saucony - Missa inte lanseringen av nya Ride 19, en fantastisk mängd och lätt tröskelsko. Rörligt material finns på Spring Snyggt Youtube.
In episode 110 of The Neon Crew Podcast, Kyle and Mac discuss table tennis shenanigans, the most wholesome Lars von Trier film, and the concept of weaponized anxiety.LISTEN TO PODCAST HERE:YouTube: https://www.youtube.com/@theneoncrewpodcast/featured Spotify: https://open.spotify.com/show/3AI17IdYnujCrtSc7M5EKG?si=58d599af20514ae8 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-neon-crew-podcast/id1585795358SOCIAL MEDIA:Facebook: https://www.facebook.com/NeonCrewPodcastYouTube Community: https://www.youtube.com/@theneoncrewpodcast/community Instagram: https://www.instagram.com/neon_crew_podcast/ MERCH: https://www.etsy.com/shop/TheNeonCrewPodcast?ref=shop-header-name&listing_id=1374844203&from_page=listing Music by Gideon HunterGideon's Channel: https://www.youtube.com/@wakerisefall Logo design by Lauren HunterLauren's Instagram: https://www.instagram.com/pineandsun/?fbclid=IwAR1zgGnVTNcnK6lji2A5NhDj-NCmD3f1PLqj1ckjr220HiWvsFJisfy9n8g Timestamps:00:00 | Intro4:48 | Marty Supreme (SPOILERS)1:10:42 | Antichrist (SPOILERS)2:06:25 | Mac's recommendation for episode 111
Un afamado director de cine vuelve a su país para filmar una nueva película en su hogar familiar, para lo que debe reencontrarse con las dos hijas a las que dejó de ver tras su divorcio, una de ellas la actriz que él quiere para el rol protagónico. "Valor Sentimental" es el sexto largometraje de Joachim Trier, pero apenas el primero que se estrena comercialmente en Chile. Estrenado en Cannes, donde obtuvo el Grand Prix, este filme suena fuerte para la temporada de premios, ya con varias nominaciones a los Globos de Oro y esperando en la lista corta de los Oscar. Disponible en algunas salas de cine, pronto llegará a plataformas de streaming.
Altfried G. Rempe, Trier, Katholische Kirche: Ob das Gute wirklich überwiegt? Es braucht jedenfalls eine Chance – gerade für‘s nächste Jahr…
Altfried G. Rempe, Trier, Katholische Kirche: Jahreswechsel findet im Nu statt – aber trotzdem leben manche zwischen den Zeiten
In this solo episode, I reflect on Lars von Trier's Melancholia—a film often described as dark or depressing, yet one I found strangely clarifying and alive.After briefly situating the film within von Trier's long career, I offer a grounded overview of its structure and themes before moving into deeper psychological and philosophical territory. Drawing on psychoanalysis and existential therapy, I explore how Melancholia portrays depression not simply as pathology, but as a slowing down—a descent into depth in a culture addicted to speed, optimism, and surface meaning.Using the work of James Hillman, Freud, Lacan, and existential thinkers like Kierkegaard and Heidegger, I reflect on melancholia as a confrontation with truth rather than something to be rushed past or fixed. The episode considers what the film can teach us about despair, authenticity, and what remains when familiar structures of meaning fall away.This is an episode about staying with difficult emotions long enough to listen—about refusing easy reassurance in favor of depth, honesty, and presence.
Altfried G. Rempe, Trier, Katholische Kirche: Feuerwerk ja – aber nur leise? War wohl nicht witzig gemeint; aber es geht auch radikaler…
In der neuen Episode von Porta, dem History-Podcast von volksfreund.de: Nach dem Ersten Weltkrieg ist Deutschland politisch und wirtschaftlich zerrüttet und das Rheinland besetzt. Ein Ereignis aus dem Jahr 925 sorgt in diesen Zeiten für nationalbetonte Festlichkeiten - auch in Trier. Denn dort fand ein besonderes Schauspiel statt.
Hope Hopkinson talks to filmmaker Joachim Trier about his new film, Sentimental Value. Two adult sisters navigate their emotional wounds and futures when their absentee father returns following the death of their mother. Trier tackles the journey of his characters with the gentle humour and a lived-in reality we've come to expect from his cinema. Featuring sumptuous technical credits and sharp scripting, Trier once again excels in conveying the profound with the lightest of touch. Starring: Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, Elle Fanning and Anders Danielsen Lie. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com. Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.
“Ik ben van kleins af aan geobsedeerd door verhalen”, vertelt actrice Ruth Becquart. “Het helpt me om mijn leven te leiden en om inzicht te krijgen in mezelf en anderen.” Becquart vertelt over een juicy Frans boek, de speelse seksscènes uit de film Breaking the Waves van regisseur Lars von Trier en welke klassieke muziek ze luistert op haar roeimachine. In onze cultuurpodcast Bar Miroir brengen bekende gasten elke week drie dingen mee die hen raken, inspireren of een impact hebben op hun denken of leven. Je kan de aflevering ook bekijken op het Youtubekanaal van De Standaard. Gast Ruth Becquart | Presentatie Lise Bonduelle | Redactie Fien Dillen, Lise Bonduelle | Eindredactie Fien Dillen | Audioproductie Brecht Plasschaert | Muziek Azertyklavierwerke | Chef podcast Alexander Lippeveld See omnystudio.com/listener for privacy information.
SAMEDI 20 DÉCEMBRE 2025Julie Pitoiset - Château des Jacques (Bourgogne)Établi sur les crus de Moulin-à-Vent, Morgon, Chénas et Fleurie, le Château des Jacques est un pionnier des grands vins de garde du Beaujolais. Avec 70 ha travaillés dans le respect du vivant, le domaine allie rigueur, innovation et fidélité à ses terroirs. Complexes, profonds et lumineux, ses vins reflètent un héritage centenaire porté par une nouvelle génération engagée face aux défis contemporains.Laure Ménétrier - Musée du Vin de Champagne et d'Archéologie régionale (Champagne)Au cœur d'Épernay, le Musée du Vin de Champagne et d'Archéologie régionale s'épanouit dans le Château Perrier, joyau du XIXᵉ siècle.bSous la direction de Laure Ménétrier, le musée propose un parcours immersif où archéologie, culture du vin et nature se rencontrent.Avec une scénographie interactive et moderne, il offre aux visiteurs une expérience vivante et sensorielle, révélant l'histoire et l'art de vivre champenois.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
2025 has seen the Chinese government act with increasing confidence in its own power and agency on the international stage. Is this confidence mirrored in Chinese self-perceptions? MERICS Analyst Alexander Davey and professor for sinology at the University of Trier Kristin Shi-Kupfer join Johannes Heller-John to cast a spotlight on domestic debates in China.Together with Christina Sadeler from MERICS and Wutao Wen from the University of Trier they are the co-authors of the report “China's domestic debates under the shadow of geopolitics: How views about the economy, commercial culture, and trending topics reveal self-perceptions”.The report and this podcast are part of the China Spektrum, a joint project of the China institute of the University of Trier (CIUT) and MERICS, supported by the Friedrich Naumann Foundation for Freedom.
Norwegian-Danish filmmaker Joachim Trier joins the Filmmaker Toolkit to discuss his follow up to Worst Person in the World, the filmmaker family drama Sentimental Value. Trier broke down the details of that incredible house, and dove deep into the personal intricacies of his script. Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298 Learn more about your ad choices. Visit megaphone.fm/adchoices
Die Themen von Minh Thu und Flo am 17.12.25: (00:00:00) Döner-Stopp: Wie eine Busfahrerin in Trier eine ungeplante Pause eingelegt hat, um sich einen Döner zu holen. (00:01:36) Nach Anschlag am Bondi Beach: Was über die Attentäter und ihr mutmaßliches Motiv bekannt geworden ist. (00:05:57) Verbrenner-Aus: Warum die EU-Kommission jetzt doch vom Verbrenner-Aus zurückrudert. (00:11:35) Apotheken-Proteste: Warum es heute in vielen Apotheken dunkel bleiben wird. (00:16:37) 🎁 Unser Adventskalender: Hinter Türchen Nummer 17 versteckt sich Journalistin und Podcasterin Yasmine M'Barek. Habt ihr Fragen oder Feedback? Schickt uns gerne eine Sprachnachricht an 0151 15071635 oder schreibt uns an 0630@wdr.de – kommt auch gern in unseren WhatsApp-Channel: https://1.ard.de/0630-bei-Whatsapp Von 0630.
In this episode of Editors on Editing, Glenn is joined by Olivier Bugge Coutté. Olivier, an editor based in Denmark is a graduate of the National Film and Television School where he studied alongside his longtime collaborator, Joachim Trier. While some of his other credits include Thelma, The Apprentice, The Promised Land, Beginners and Copenhagen Does Not Exist, Olivier has cut all of Trier's films, including The Worst Person in The World which was nominated for the Academy Award for Best International feature, and the most recent film, Sentimental Value, which won the grand prize at the Cannes Film Festival this year.Thanks again to ACE for partnering with us on this podcast, check out their website for more.Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!
"Porta", der Geschichts-Podcast von volksfreund.de, mit einer neuen Folge -> Nur einen Gott und kein anderer? Von wegen: Die Römer beteten eine Vielzahl an Göttern an, auch die der unterworfenen Völker. Zum Beispiel die der Treverer, dem gallischen Stamm, der unserer Stadt Trier den Namen gab. Lothar Schwinden, Historiker aus Trier, erklärt, wer die Götter der Treverer waren - vor allem deren wichtigster: Lenus Mars.
Studios love to hold movies back until the end of the year to sneak into awards conversations. "Song Sung Blue" with Hugh Jackman and Kate Hudson, along with "Marty Supreme" starring Timothée Chalamet and Gwyneth Paltrow, are among the films trying to catch the attention of critics. Another film that hits a similar chord is "Sentimental Value," the latest film from Joachim Trier starring Renate Reinsve, Elle Fanning and Stellan Skarsgård. In this episode, co-host Bruce Miller catches up with Trier about the film and his overall style that allows his films to "say enough, but not too much." We also talk about the first batch of episodes of "Stranger Things," which released the first half of its season in time for the Thanksgiving break. Co-host Terry Lipshetz watched the episodes with his family and shares his thoughts about the final run. About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY
Min 4: VALOR SENTIMENTAL (4,5 estrellas) En "Valor sentimental", Joachim Trier vuelve a explorar las fragilidades humanas con su habitual mezcla de intimidad y desgarro, apoyándose en las interpretaciones de Anders Danielsen Lie y Renate Reinsve para dar vida a un relato donde la memoria emocional —más poderosa que cualquier hecho objetivo— condiciona la manera en que los personajes aman, recuerdan y se equivocan; la película sigue a un protagonista atrapado entre el peso de lo que fue y el vértigo de lo que podría ser, y Trier filma ese vaivén con una elegancia que combina silencios elocuentes, miradas que delatan fracturas internas y una puesta en escena que convierte lo cotidiano en terreno sísmico, logrando un retrato profundamente humano sobre cómo el afecto, idealizado o real, puede convertirse tanto en refugio como en prisión. Min 10. ETERNITY (3 estrellas) En “Eternity”, comedia romántica fantástica dirigida por David Freyne y protagonizada por Elizabeth Olsen, Miles Teller y Callum Turner, el más allá se convierte en un “hub” de tránsito donde las almas disponen de una semana para elegir en qué tipo de eternidad quieren instalarse, y Joan (Olsen) debe tomar la decisión imposible de pasar el resto del tiempo con el hombre con el que ha compartido toda una vida (Teller) o con su primer gran amor caído en la guerra (Turner), que la ha esperado durante décadas. Min 14. ME HAS ROBADO EL CORAZÓN (2,5 estrellas) En “Me has robado el corazón”, dirigida por Chus Gutiérrez y protagonizada por Óscar Casas y Ana Jara, la película combina comedia romántica y road-movie para seguir la escapada improvisada de un joven ingeniero frustrado que decide robar un banco y huir con la ayuda de una desconocida que conoce por una app, un punto de partida que Gutiérrez aborda con un tono ligero, ritmo ágil y una química sincera entre sus intérpretes Min 18. FIVE NIGHTS AT FREDDY'S 2 (3 estrellas) En “Five Nights at Freddy's 2”, dirigida de nuevo por Emma Tammi y protagonizada por Josh Hutcherson junto a Elizabeth Lail, la secuela amplía el universo del primer filme con un tono más oscuro y un enfoque que combina terror atmosférico y nostalgia gamer, siguiendo a un Mike Schmidt emocionalmente exhausto que regresa al círculo de pesadillas abierto por los animatrónicos mientras nuevos indicios sobre el pasado de su familia y del propio local revelan una trama más amplia y retorcida. Min. 22. PLAYA DE LOBOS (3 estrellas) En Playa de Lobos, dirigida por Javier Veiga y protagonizada por Dani Rovira y Guillermo Francella, lo que empieza como un encuentro casual entre un camarero de chiringuito y un turista que no quiere moverse de su tumbona se convierte poco a poco en un thriller psicológico cargado de tensión y desconfianza. Manu (Rovira) atiende un chiringuito en una playa tranquila; Klaus (Francella), un cliente que parece inofensivo, se niega a dejar la última hamaca — algo ridículo al principio —, pero Manu empieza a sospechar que hay algo extraño detrás de su actitud, y esa sospecha desemboca en una propuesta perturbadora que cambia el tono de la historia. Min 26: GOLPES ( 2,5 estrellas) En “Golpes”, la ópera prima del guionista convertido en director Rafael Cobos, protagonizada por Luis Tosar y Jesús Carroza (con participación de Teresa Garzón), la película retrata una Sevilla de los años 80 marcada por la precariedad, la memoria y las heridas de una España en transición: Carroza interpreta a Migueli, un ex-preso que, al salir de la cárcel, planea una serie de atracos junto a su antigua banda para obtener el dinero que necesita ?una vía de escape desesperada para cerrar cuentas con su pasado? mientras su hermano Sabino (Tosar), policía en plena reforma moral, se convierte en su perseguido obligado. Min 35: LA PELÍCULA DE TU VIDA, CON ÓSCAR TORIBIO El flamante vencedor de la edición 2025 de la sección Hecho en CLM en Abycine gracias a “Conexiones inesperadas”, el director manchego Óscar Toribio, rompe una lanza por la comedia y nos cuenta porqué “Sopa de Ganso”, de los Hermanos Marx, es la película de su vida. Min 37: BSO NUREMBERG (3,5 estrellas) En la banda sonora de “Nuremberg”, compuesta por Brian Tyler, la música se convierte en una pieza clave para sostener la tensión moral y emocional del juicio, con una partitura que combina pulsos graves, cuerdas inquietas y un diseño sonoro casi quirúrgico que envuelve cada interrogatorio como si fuera una cuenta atrás.
Sentimental Value should contend for big nominations at the Golden Globes, Critics Choice Awards and many upcoming precursors as well as major Oscar Nominations, and we have to study it in this loaded film study Oscars Profile review show. NON-SPOILER REVIEW OF SENTIMENTAL VALUE: Reception Thus Far. Critical, Audience & Box Office - 2:55 Our Theater-Going Experience - 4:50 The Awards Profile Thus Far + Golden Globes Predictions - 7:58 Enjoying the film much more on 2nd viewing, more so than at the festivals - 11:04 A Huge Stellan Skarsgard Discussion and a Dissection of Supporting Actor - 13:23 Having Fun with a Film about Filmmakers - 22:41 Trier makes personal films hiding behind fictions, much like Gustav in this story - 25:10 Renate Reinsve and THREE! Tremendous Supporting Actress Performances - 27:32 Review of the Production Values including praise for the Score & Cinematography - 32:21 Our Oscar Nom Predictions, a Lead Actress Breakdown & Over/Under - 35:23 SPOILER WARNING - 40:39 SPOILER SECTION FOR SENTIMENTAL VALUE: Two Big Nitpicks - 41:29 Big Performance Moments for Renate Reinsve - 45:00 Inga Ibsdotter Lilleaas Big Performance Takeaways - 49:33 Stellan Skarsgard's Gustav Motivations & Performance Takes - 55:03 The Themes Played Out in the Ending - 1:03:43 How A Worst Scene Becomes A Best Scene on Rethink - 1:08:06 Final Grades - 1:11:01 OUTRO: We have more Oscar Race Checkpoints and Oscar Profile film studies coming soon, maybe, kinda, sorta… or not. We won't say. But thank you as always for listening. Please follow us on social media and rate/review our show to pledge your support. And thanks again for doing that as well. https://linktr.ee/mikemikeandoscar
Im Konzentrationslager Buchenwald in Thüringen, nahe der Stadt Weimar, waren zur Zeit der NS-Diktatur Juden, politische Gegner, Sinti und Roma und sowjetische Kriegsgefangene inhaftiert. Mehr als 50.000 Menschen starben in diesem KZ. Einer der Überlebenden war ein Trierer Kommunist: Hans Eiden. Über ihn, sein Leben und sein Überleben berichtet uns Christoph Herrig, Gästebegleiter und Mitarbeiter der Arbeitsgemeinschaft Frieden in Trier.
Der FC Bayern ist also schlagbar. Und Jonas Friedrich (Sky) geht mit Philipp Schneider (SZ) die Gründe dafür durch. Was den BVB trotz einigermaßen passabler Ergebnisse angreifbar macht, weiß wiederum Sebastian Weßling (Funke). Wie auch Michael Körner (Magentasport), der den Producer Jens Huiber aber auch auf eine gefühlt dreitägige Reise mitnimmt.
durée : 00:04:12 - Le Grand reportage de France Inter - Le tir sportif est une discipline qui enregistre chaque année 5 à 6% de licenciés en plus, depuis une dizaine d'années. Mais ce succès demande de la vigilance. Trier entre les vrais amoureux du tir sportif et les adeptes de l'autodéfense est un défi pour les clubs. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Sean and Amanda begin the show by discussing the imminent sale of Warner Brothers Discovery, consider the potential implications of a merger with one of Paramount, Comcast, or Netflix, and debate which scenario is the most likely outcome (1:22). Then, they cover the new Colleen Hoover adaptation ‘Regretting You' starring Allison Williams and Dave Franco, which they found absolutely baffling (17:28). Next, they have an extensive conversation around Joachim Trier's ‘Sentimental Value,' starring Renate Reinsve and Stellan Skarsgard, where they explore why some people are connecting to the film so strongly, while for others it doesn't seem to resonate (47:15). Finally, Trier joins the show to explain how much of himself is actually mapped onto Skarsgard's character, how being a good listener and observant of the world around you translates to strong characterization, and the story of shooting in a house that was down the street he grew up on (1:33:54). Hosts: Sean Fennessey and Amanda Dobbins Guest: Joachim Trier Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices
Norwegian actress Renate Reinsve earned international recognition for her performance in the Joachim Trier film The Worst Person in the World. After roles in Hollywood in Presumed Innocent and A Different Man, Reinsve and Trier have reunited in their new film Sentimental Value about a theater actress and her estranged film director father in Oslo. Larry Mantle speaks with Renate Reinsve about her approach to acting and her latest film. You can see Sentimental Value in select theaters now. It will expand to more theaters Friday. Nov. 28. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency
Kelsi and Trey talk Joachim Trier's Sentimental Value through its themes of trauma, lineage, forgiveness, and family wounds. Featuring breakdowns of Renate Reinsve, Stellan Skarsgård, and Elle Fanning's performances, plus an exploration of the house as memory, the film's meta filmmaking layers, and why this might be Trier's most powerful drama yet with some minor issues along the way.The Extra Credits YouTube ChannelBecome a member of The Extra Credits+ on Patreon hereLetterboxd: The Extra CreditsTikTok: The Extra CreditsReddit: r/TheExtraCreditsInstagram: @theextracreditsTwitter: @theextracreditsSend requests, questions, and thoughts to our email: extracreditspod@gmail.com
THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture For this week's third podcast review, Ema Sasic, Josh Parham, and Giovanni Lago join me to review and discuss the latest film from Joachim Trier, "Sentimental Value," starring Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, and Elle Fanning. The film had its world premiere at the main competition of the 2025 Cannes Film Festival, where it received widespread acclaim and won the Grand Prix. It has been selected as the Norwegian entry for Best International Feature Film at the 98th Academy Awards. What did we think of it? Please tune in as we discuss the performances, writing, and direction from Trier (co-written with Eskil Vogt), the themes, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we're excited to present a special conversation from the 63rd New York Film Festival between filmmakers Joachim Trier and Noah Baumbach, moderated by Film at Lincoln Center programmer Maddie Whittle. This Talk is sponsored by Deadline. NYFF veterans Noah Baumbach and Joachim Trier returned to the festival this year with a pair of films that explore how artistry, authenticity, and artifice collide in the public and private lives of star actors and famed filmmakers. In Baumbach's charmingly reflexive Jay Kelly, an aging megastar—played, fittingly, by George Clooney—arrives at a crisis point in his career; haunted by the past and uninspired by the present, he embarks on a somewhat reckless screwball adventure with his entourage (featuring Adam Sandler and Laura Dern) in tow. Meanwhile, Trier's Sentimental Value finds an acclaimed stage actress (Renate Reinsve) and her estranged movie-director father (Stellan Skarsgård) clashing, connecting, and introspecting over a film project that draws from their complicated lives. Dramatizing the dimensions of modern-day, larger-than-life celebrity with deft humor, both films hone in on the relationships—familial, professional, transactional—that undergird the creative process and industrial artmaking. Baumbach and Trier joined NYFF63 for a lively, probing discussion of their approaches to writing grounded, lived-in characters, and the collaborations that have shaped their own illustrious bodies of work. The 63rd New York Film Festival is presented in partnership with Rolex.