Podcasts about Trier

The 98th Academy Awards are finally less than a week away, so I've got an in-depth analysis of the major nominees. It's more wide open than it's been in a very long time, with seemingly only PTA (Best Director), Jessie Buckley (Best Actress) and a few of the technical awards feeling like they're locks. And maybe THEY aren't either! It wasn't an incredible year at the movies, yet these are mostly good candidates. Although much like last year, the Academy seemed to nominate just 6 or 8 movies in nearly every category! In any case, the race between One Battle After Another and Sinners (with its record-breaking number of nominations) will be settled on the 15th, so find out where I stand before we get there this 724th edition of Have you Ever Seen. Well, Actually: oops, it's pronounced "Yo-kim" Trier and "Vog-nuhr" Moura...and Moura plays THREE roles in The Secret Agent, not just two. Also, this was recorded before the WGA awards (Sinners and One Battle After Another both won) and, yes, the SAG wins for Michael B. Jordan and Amy Madigan DO feel like potential up-enders in the Oscar races.  Subscribe to Have You Ever Seen in your app. Rate and review the podcast as well. And if you like what I do here, look for my written reviews and ratings and such on Letterboxd: RyanHYES. Deal out some feedback on social media ("@moviefiend51" on Twi-X or "ryan-ellis" on Bluesky) and emails are always nice (haveyoueverseenpodcast@gmail.com).

Möhren sind eigentlich ein perfektes Familiengemüse. Kinder lieben ihre natürliche Süße – und Erwachsene können mit ihnen unglaublich raffinierte Gerichte kochen. Trotzdem haben viele von uns irgendwann den Spaß an Möhren verloren. Schuld daran könnten die legendären „Erbsen und Möhrchen aus der Dose“ sein, die früher auf vielen Tellern gelandet sind. In dieser Folge von Null Sterne Deluxe – Kochen, aber lecker! erzähle ich euch eine kleine Geschichte aus meiner Kindheit in Trier. Dort gab es in einem Hotelrestaurant einen Kinderteller mit Erbsen und Möhrchen, die von einer geheimnisvollen gelben Soße begleitet wurden. Erst viele Jahre später habe ich verstanden, dass es sich schlicht um Sauce Hollandaise handelte – und dass genau solche kleinen Ideen aus einfachem Gemüse etwas Besonderes machen können. Heute bauen wir darauf auf und kochen eine erwachsene Version eines Möhrengerichts, das trotzdem familientauglich bleibt: Ofenmöhren mit marinierten Kichererbsen und einem würzigen Curry-Joghurt-Dip. Die Möhren bringen natürliche Süße, die Kichererbsen sorgen für Substanz, Säure und Knoblauch geben Tiefe – und der Joghurt-Dip hebt das Ganze auf ein neues Niveau. Ein vegetarisches Gericht, das schnell gemacht ist, wunderbar sättigt und zeigt, dass Möhren definitiv mehr können als nur Beilage zu sein.

Victoria ska vara med i Svenska kyrkans podd och Christer är inte mycket till hjälp. Sedan blir det mys om sossar från 90-talet. Och om Lars von Trier! Hosted on Acast. See acast.com/privacy for more information.

Neue Folge des History-Podcasts von volksfreund.de: Wer krank ist, muss gepflegt werden - das gilt auch im Jahre 1850, als ein junger Mann den Orden der barmherzigen Brüder gründet. Der betreibt heute große Krankenhäuser. Wer dieser Peter Friedhofen war, haben zwei Historiker aus Trier erforscht.

durée : 00:02:20 - Un nouveau centre de tri du SMD3 Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Tell me if this makes sense… We live in a world today characterized by a fetishized pornographic addiction to rape. If it were not so, Law & Order: SVU wouldn’t have made it past a single season – let alone, into SYNdication for nearly 30 years…! I loathe Adorno and the CULTural Marxists who SYNthesized (read: weaponized) Marx and Freud to the general detriment of mankind, beginning with the ‘West’. But, he raised some legit points, as often the baddies do. It’s their SOLUTIONS we all need be wary of. For nigh on 100 years, we’ve basked in the jaundiced glow of the Frankfurt School, as legions of university students continue having their minds and spirits poisoned in the name of ‘Progress’. See also the ancient Roman Collegium, a concept dating back to (at least) the days of Plato – who, incidentally, literally wrote the book on The Republic. I digress… In Adorno’s “Fetish-character” essay, he states, a fetish is a substitute object of desire.[1] I would submit that in the latent undercurrent of this Nietzschean ‘power-evolving universe’ of today’s America; men and women, by and large, secretly harbor a craven desire for rape. It sounds crazy! Until one considers the popularity of Law & Order: SVU for the last 27 years. America is Kung-Fu LARPing, with each new iteration of the ‘fetish substitute object of desire’ further blurring the lines between fantasy and reality (schizoaffective disorder) as we creep ever closer to the Chaos Magick of bringing these secret desires to life. But, beware; LARPing has consequences.[2] The Epstein Saga has been publicly ongoing for 2+ decades. More than a thousand witnesses have come forward – including dozens who’ve accused Trump (E. Jean Carroll) – and yet, only Epstein and Maxwell have been ‘brought to justice’. Speaking of ‘justice’, Thomas Massie probably said it best:[3] Congress created the Department of Justice, Congress funds the Department of Justice, and Congress is responsible for the oversight of the Department of Justice. When will we see justice? I’ll tell you what I’ve not seen. I’ve not seen any arrests from the revelations in the Epstein Files – over 3 million documents describing horrible things, describing unspeakable things, much of it redacted. Over two dozen people have resigned; CEOS, members of government, worldwide. But, I haven’t seen any arrests or investigations here in the United States, from this Department of Justice. Prince Andrew, Duke of York, who has since been stripped of his royalty, his royal titles, due to his affiliation with Jeffrey Epstein, has been arrested. Peter Mandelson, who previously served as UK’s Ambassador to the United States, resigned in disgrace from United Kingdom’s House of Lords and the Labor Party, and he’s been arrested. Former Prime Minister of Norway Thorbjorn Jagland has been charged. But, we don’t see any charges, arrests, or investigations in the United States. What do we see? We see our FBI Director celebrating in the locker room at the Olympics overseas. It’s fine to be proud of this country. But, we should be proud of this country because we have a system of justice that works. And yet we do not. … We need justice. We want the Department of Justice to get to work, and that’s what they need to do – now. The Trump (45/47) DOJ is unwilling to rat itself out – and so are the other 77+ million co-conspirators… And then there’s the 77 million co-conspirators who voted for Epstein’s best friend Trump as many as three times, knowing he’d been accused of sexual assault by dozens of women, and even after he was found liable for sexually assaulting E. Jean Carroll. For 77 million men and women it was not a dealbreaker! He rapes, but he saves. He saves more than he rapes … but he probably does rape.[4] Considering the aforementioned, what would be crazy is not acknowledging America’s fetishized pornographic addiction to rape – which is precisely what we’re doing. We are gaslighting ourselves at this point, as we turn a blind eye to our own culpability. After all – on the eve of America’s 250th Anniversary of Independence – wasn’t this always to be a government of, by, and for The People…? 18 For the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men, who hold the truth in unrighteousness; …21 Because that, when they knew God, they glorified [him] not as God, neither were thankful; but became vain in their imaginations, and their foolish heart was darkened.22 Professing themselves to be wise, they became fools, …24 Wherefore God also gave them up to uncleanness through the lusts of their own hearts, to dishonour their own bodies between themselves: …26 For this cause God gave them up unto vile affections: for even their women did change the natural use into that which is against nature:27 And likewise also the men, leaving the natural use of the woman, burned in their lust one toward another; men with men working that which is unseemly, and receiving in themselves that recompence of their error which was meet.28 And even as they did not like to retain God in [their] knowledge, God gave them over to a reprobate mind, to do those things which are not convenient;29 Being filled with all unrighteousness, fornication, wickedness, covetousness, maliciousness; full of envy, murder, debate, deceit, malignity; whisperers,30 Backbiters, haters of God, despiteful, proud, boasters, inventors of evil things, disobedient to parents,31 Without understanding, covenantbreakers, without natural affection, implacable, unmerciful:32 Who knowing the judgment of God, that they which commit such things are worthy of death, not only do the same, but have pleasure in them that do them. — Romans 1:18, 21–22, 24, 26–32 KJV 4 Rejoice in the Lord alway: [and] again I say, Rejoice.5 Let your moderation be known unto all men. The Lord [is] at hand.6 Be careful for nothing; but in every thing by prayer and supplication with thanksgiving let your requests be made known unto God.7 And the peace of God, which passeth all understanding, shall keep your hearts and minds through Christ Jesus. 8 Finally, brethren, whatsoever things are true, whatsoever things [are] honest, whatsoever things [are] just, whatsoever things [are] pure, whatsoever things [are] lovely, whatsoever things [are] of good report; if [there be] any virtue, and if [there be] any praise, think on these things. — Philippians 4:4–8 KJV #Links Clips [1:58] Etymology (the origins of words) was taken out of schools in the early 1900’s for a reason. (See also entry below) [5:39] Demons in the Headlines EXPOSED: The War for Power and Souls in D.C. | Strange Encounters | Ep 29 – YouTube (See also Blaze Media article below) [3:15] Rep. Massie Asks, “When Will We See Justice” Following Latest Epstein Files Revelations (See also C-SPAN Congressional Chronicle entry below[3:1]) Previous RWR broadcasts referenced 2026-02-25 2026-02-26 Proof of America’s fetishized pornographic addiction to rape Amanda Seyfried Wore A “Prosthetic [redacted]” For ‘Testament Of Ann Lee’ Amanda Seyfried will go to extreme lengths for a film role — especially when it comes to feeling comfortable during a nude scene. The actor wore what she described as a “prosthetic [redacted]” in her recent movie The Testament of Ann Lee, as she revealed in a Feb. 25 interview with BBC’s The Scott Mills Breakfast Show. “This movie, it needed to be graphic, so, like, I had a prosthetic [redacted],” she said in a clip posted to Instagram, which understandably perplexed Mills himself. When pressed for more details, she surprisingly had a rave review about the experience. “It was cool. It was exciting.” Seyfried plays the real-life Ann Lee, a Christian woman in 18th-century Great Britain who viewed herself as a representative of God and eventually founded a religious sect called Shakers, with the film capturing her group’s move across the pond to New York during the Colonial era. Son of megachurch pastor sentenced after horrific materials found at home ‘among worst investigators have seen’ An Indiana megachurch once known for preaching purity and sexual morality has found itself at the center of a scandal that has shaken a congregation, rattled political allies, and ended with a six-year prison sentence. Jonathan Peternel, 24, of Pendleton, was sentenced Friday after pleading guilty in January to one Level 4 felony count of child exploitation and three felony counts of possession of child sexual abuse material. The case drew intense public scrutiny not only because of the disturbing evidence uncovered by investigators, but because his father, Nathan Peternel, remains listed as lead pastor at Life Church and is a longtime mentor and close associate of Indiana Lt. Gov. Micah Beckwith. Why Viewers Say You Should Watch ‘Nymphomaniac’ Alone Due to Its Graphic Scenes Both volumes of Lars von Trier’s Nymphomaniac are streaming on Netflix in the U.S., and its return to an easy, familiar platform has revived a warning that has followed the film since 2013: ‘Watch this one by yourself.‘ … So why does this movie come with a warning like that? The movie’s name actually answers that on its own. The term nymphomania is used to classify someone who has an uncontrollable compulsion toward sex, and that is exactly what the film follows across 2 volumes and 8 chapters. It opens with a woman named Joe, found beaten in an alley. A man named Seligman brings her home, and she begins telling him the story of her life from her earliest sexual memories through decades of escalating need. Von Trier was telling the story of a woman whose entire life is shaped by a compulsion she cannot control. … The discomfort the audience feels isn’t incidental. It’s the mechanism. Von Trier built the film so that watching it puts you closer to Joe’s experience than any non-explicit version ever could. The surface reading is addiction… What Joe is actually chasing is not sex but connection. Every encounter she describes to Seligman moves her further from other people rather than closer to them. Sex becomes the thing she reaches for because the thing she actually needs keeps slipping out of range. That distance between the act and the need behind it is where von Trier plants the real story. The compulsion is real, but the loneliness underneath it is what he keeps circling back to. He called this technique “Digressionism,” a term he coined to describe a storytelling style that deliberately wanders away from its own plot. He cited Marcel Proust as an influence. Nymphomaniac is the final film in what von Trier and critics call the Depression Trilogy. Following Antichrist in 2009 and Melancholia in 2011. After years infiltrating child exploitation rings, expert reveals an even DARKER American underworld | Blaze Media Demons in the Headlines EXPOSED: The War for Power and Souls in D.C. | Strange Encounters | Ep 29 – YouTube [31:30–33:26] Back to the politics piece; everybody within politics – even if they disagree with exploitation or whatever – they show partiality. And, I believe it’s, is it second Peter? … It says, ‘where partiality exists, exists every form of deceit and evil’. We can look it up … but I think that’s it. But, where partiality exists, exists all forms of evil. ***[Did he mean this passage?]For where envying and strife [is], there [is] confusion and every evil work. But the wisdom that is from above is first pure, then peaceable, gentle, [and] easy to be intreated, full of mercy and good fruits, without partiality, and without hypocrisy. – James 3:16–17 KJV*** And, what is happening in our political world that I’ve that I’ve seen now is; you have career politicians – even if they claim to be Christians – they sell access. And, it might be access to conservative organizations. But, they sell access – and they’re partial to donors. … they’re unbelievably partial. And, they’re partial to their ‘club’, as opposed to the people they’re elected to represent. And, you have a bureaucracy that’s in place, and you have these elitists that are in place, that think that they can buy – because they have been able to buy your position – buy you, buy access to you, or buy access to somebody else, and ‘own’ – in this case, a US Senator, what I’m running for. But, it’s across the board for everything; Congressmen, even the President … Everything’s for sale. And, it’s ‘access’ that they’re selling, right? And, that’s the thing that stood out to me the most; partiality. More proof / Trump-Epstein Saga DOJ’s Epstein Files Screwups Get Worse With Unredacted Nudes and Images of Kids The Justice Department is under fire after newly released Jeffrey Epstein case materials reportedly included unredacted nude images and photos involving minors. Analysis by CNN uncovered nearly 100 explicit pictures of two naked young women on a beach, the news outlet reported. The materials also included photos showing a young girl kissing Epstein on the cheek. At least one unredacted image depicted Epstein alongside a nude female, and additional selfie-style nude photos of at least two other unidentified females were also published, with their ages unclear, according to CNN. Under the Epstein Files Transparency Act, which Congress passed and President Trump signed in late November, the DOJ is obligated to omit sexually explicit imagery and anything that might identify victims. The images have now been redacted. DOJ Gives Shameless Reason for Hiding Photo of Howard Lutnick and Jeffrey Epstein Donald Trump’s White House Chief of Staff Susie Wiles is ‘Shocked’ the FBI Dared to Come for Her ‘Uncle Jeff’ shifts focus on Erika Kirk grooming allegations post-Epstein file release – We Got This Covered Most Americans in new survey dispute Donald Trump’s economic boom claim CBS’s new hire appeared 1,700 times in Epstein’s files, and John Oliver just exposed his disturbing emails – We Got This Covered Epstein Had Close Ties to Prosecutor Behind Key Provision of Plea Deal | The New Republic Turns out ICE is just a bunch of scared widdle guys Fear as senator discovers staggering true amount Trump spent on arming ICE – Raw Story Congressional Chronicle – Members of Congress, Hearings and More | C-SPAN.org[3:2] [standalone clip] Rep. Massie Asks, "When Will We See Justice" Following Latest Epstein Files Revelations | Video | C-SPAN.org The Purpose Of the System Is What It Does (POSIWID) Millions at Risk as Android Mental Health Apps Expose Sensitive Data US defense secrets sold to Russians for millions in crypto – Newsweek Tucker Carlson pushes DNA tests for Jews, ‘Khazar’ theory | The Jerusalem Post The largely discredited theory states that Ashkenazi Jews are genetically descended from a Turkic minority that converted to Judaism in the Middle Ages rather than from the 12 tribes of Israel. During Tucker Carlson’s interview last week with Mike Huckabee, the US ambassador to Israel, both men made considerable waves with their takes on history and theology. Anthropic says it will not accede to Pentagon demands as deadline looms | AP News Anthropic said it sought narrow assurances from the Pentagon that Claude won’t be used for mass surveillance of Americans or in fully autonomous weapons. But after months of private talks exploded into public debate, it said in a Thursday statement that new contract language “framed as compromise was paired with legalese that would allow those safeguards to be disregarded at will.” From the Wayback. Why – and why now – is Daily Mail breaking these stories out of the dust bin…? Secret mind-control techniques using TVs revealed in disturbing patent | Daily Mail Online Declassified CIA memo reveals plan to turn citizens into unwitting assassins | Daily Mail Online On the lighter / brighter side… Why age is an advantage for starting a business – Fast Company Sardonic levity, as Rome burns… Images That Might Indicate Society is in Decline | eBaum’s World Caller Dialogue David – WI Feminism dating back to early 1800s (CH: Owenism – Wikipedia) Valerie Solanas, SCUM Manifesto – Wikipedia Friedrich Nietzsche, Beyond Good and Evil (1886)[5] Insanity in individuals is something rare–but in groups, parties, nations, and epochs it is the rule. Bitchute: Etymology (the origins of words) was taken out of schools in the early 1900’s for a reason. Also on YouTube: Etymology ~ The Origins Of Words Was Taken Out Of Schools In The Early 1900s For A Reason – YouTube James – Vancouver The Scribner-Bantam English dictionary : Williams, Edwin B. (Edwin Bucher), 1891-1975 : Free Download, Borrow, and Streaming : Internet Archive #Footnotes Clowney, David W. “On the Fetish-Character in Music and the Regression of Listening” Reading Notes for the 1938 Essay by Theodor Adorno. 3 Nov. 2005, p. 6, users.rowan.edu/~clowney/aesthetics/ReadingGuides/Adorno.ppt. Accessed 26 Feb. 2026. More (e.g., “course guides” at Clowney’s aesthetics page: users.rowan.edu/~clowney/aesthetics/. ︎ Berenson, Alex. “On the Dangers of Cosplay.” Substack.com, Unreported Truths, 11 Jan. 2026, alexberenson.substack.com/p/on-the-dangers-of-cosplay. Accessed 26 Feb. 2026. ︎ C-SPAN. “Congressional Chronicle – Members of Congress, Hearings and More.” C-SPAN.org, C-SPAN, 24 Feb. 2026, www.c-span.org/congress/?chamber=house&date=2026-02-24. Accessed 26 Feb. 2026. Click on “Speakers” tab, select Thomas Massie in “Speakers” dropdown menu, and see timestamp (10:45:03 AM) and transcript of Massie’s remarks. ︎ ︎ ︎ [Massie:] Congress created the Department of Justice, Congress funds the Department of Justice, and Congress is responsible for the oversight of the Department of Justice. When will we see justice? I’ll tell you what I’ve not seen. I’ve not seen any arrests from the revelations in the Epstein Files – over 3 million documents describing horrible things, describing unspeakable things – much of it redacted. Over two dozen people have resigned; CEOs, members of government, worldwide. But, I haven’t seen any arrests or investigations here in the United States, from this Department of Justice. Prince Andrew, Duke of York, who has since been stripped of his royalty, his royal titles, due to his affiliation with Jeffrey Epstein, has been arrested. Peter Mandelson, Who previously served as UK’s Ambassador to the United States, resigned in disgrace from United Kingdom’S House of Lords and the Labor Party, and he’s been arrested. Former Prime Minister of Norway, Thorbjorn Jagland has been charged. But, we don’t see any charges, arrests, or investigations in the United States. What do we see? We see our FBI Director celebrating in the locker room at the Olympics overseas. It’s fine to be proud of this country. But, we should be proud of this country because we have a system of justice that works. And yet we do not. Who are the men that should be investigated? I’ll name them right here. Leon Black; you don’t even have to see past the redactions to see that this man needs to be investigated. Jess Staley; accused of terrible things, it’s right there in the files. Why is he not being investigated? And, Leslie Wexner; why did the FBI list him as a co-conspirator in their own documents in a child sex trafficking case, and then tell him, according to him, that they had no questions for him? Why is that? Well, the Epstein Files Transparency Act requires the DOJ and the FBI to disclose to us their internal memos and emails about how they made those decisions, whether to prosecute or not prosecute. Yet, they have not delivered those memos. And, we still don’t have the memos and documents and emails from 2008, to explain why Jeffrey Epstein was given such a light sentence in what would have been an open and shut case of child sex trafficking, which allowed him to go back and recommit these terrible crimes, create hundreds of more victims, and ensnare so many other people in his conspiracy. Where are those documents that describe those decisions? We need justice. We want the Department of Justice to get to work, and that’s what they need to do – now! Jones, Marcie. “Gee, Look at All These Co-Conspirators in the Epstein Files That Pam Bondi and Kash Patel Say Never Existed.” Wonkette.com, Wonkette, 25 Feb. 2026, www.wonkette.com/p/gee-look-at-all-these-co-conspirators. Accessed 26 Feb. 2026. ︎ Nietzsche, Friedrich. Beyond Good and Evil. 1886. Gutenberg.org, Chapter IV. Apophthegms And Interludes, ln. 156, 4 Feb. 2013, gutenberg.org/files/4363/4363-h/4363-h.htm. Accessed 28 Feb. 2026. from The Complete Works of Friedrich Nietzsche (1909-1913). ︎

Stellan Skarsgård is a celebrated Swedish actor whose career spans more than five decades across European and Hollywood cinema. He first gained attention in Scandinavia before becoming an international screen presence in films such as "Breaking the Waves" and "Good Will Hunting." He went on to deliver acclaimed performances in movies like "The Girl with the Dragon Tattoo," "Dune," "Dune Part 2," and television series like "Andor" and "Chernobyl." In his latest, Joachim Trier's "Sentimental Value," Skarsgård gifts us with perhaps his most robust and richest work in the form of Gustav, a once-prominent filmmaker struggling to mend fractured ties with his daughters. On this episode, he details the environment Trier created, through love, attention, and enthusiasm, that laid the tracks for that work to travel. He talks about the importance of "sabotaging your tools," why he's careful not to infect a director's vision, the emotional agility necessary for working with David Fincher, why relief from being an "acting addict" doesn't interest him, and much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Substack and  Instagram

Altfried G. Rempe, Trier, Katholische Kirche: Das Leben bietet viel Anlass zum Klagen; eigentlich könntest du aber dankbar sein!?

Was passiert, wenn Küchen immer digitaler werden – aber keiner mehr drunter sauber macht? Wenn Fritteusen Software-Updates brauchen, aber hinten mehr Pommes liegen als jemals frittiert wurden? Und wenn ein Küchentechniker plötzlich mit einer Schaufel aus dem Baumarkt statt mit Werkzeug anrückt?In dieser Folge ist Christoph Steffes zum zweiten Mal zu Gast – Küchentechniker, Unternehmer, Instagram-Phänomen, Knipex-Fanboy und einer der ehrlichsten Stimmen aus dem Maschinenraum der Gastronomie.Endlich sitzen wir uns vis-à-vis gegenüber – in Trier. Und es hat sich einiges getan.Darum geht's unter anderem:

Um die Grenzen zu sichern, eroberte Kaiser Valentinian mit seinen Truppen halb Süd-Germanien. Schließlich regierte er von Trier aus sein Römisches Reich.

Altfried G. Rempe, Trier, Katholische Kirche: Mehr als ein cooler Spruch: Eigentlich bin ich ganz anders, komme nur so selten dazu…

Bereits in seiner sechsten Spielzeit trägt Kilian Dietz das Trikot der VfL SparkassenStars Bochum. Seine Bilanz ist bewegt: ProA-Aufstieg, der theoretische Abstieg und die historische erste Playoff-Teilnahme. Die Treue zum Verein ist für den Center Ehrensache – eine Tugend, die ihn bereits an seiner vorherigen Station in Trier auszeichnete. Im aktuellen Podcast gibt der Routinier tiefe Einblicke in sein Profi-Leben, spricht über seinen härtesten Trainer, veränderte Gameday-Routinen und erklärt, warum er als Sommelier des Basketballs betitelt wurde. 

Altfried G. Rempe, Trier, Katholische Kirche: Viel zu lange schon dauert Putins Krieg gegen die Ukraine – und Ausdauer braucht auch das Gebet um Frieden.

Altfried G. Rempe, Trier, Katholische Kirche: Früher war das ganz selbstverständlich: dass Kirchen-Leute in Staatsgeschäften mitmischen.

Avec : Daniel Riolo, journaliste. Pierre Rondeau, économiste. Et Yael Mellul, ancienne avocate. - Accompagnée de Charles Magnien et sa bande, Estelle Denis s'invite à la table des français pour traiter des sujets qui font leur quotidien. Société, conso, actualité, débats, coup de gueule, coups de cœurs… En simultané sur RMC Story.

Social Media bringt junge Menschen in die KircheDazu ein Gespräch mit Marco Benini, Professor für Liturgiewissenschaft an der Universität Trier.Moderation: Frank Hofmann

„Aber ich möchte Klarnamen im Internet sehen. Ich möchte wissen, wer da sich zu Wort meldet“ – das sagte Friedrich Merz am politischen Aschermittwoch in Trier. Auf schwerste Grundrechtseingriffe während der Coronazeit und der Unterstützung des EU-„Desinformationssanktionsregimes“ folgt nun also ein weiterer Angriff auf die Demokratie. Klarnamenpflicht im Internet: Das ist so, als müssteWeiterlesen

In this episode, we welcome Oscar-nominated writer/director Joachim Trier and Oscar-nominated editor Olivier Bugge Coutté, the longtime collaborators behind Sentimental Value. The film has earned nine Academy Award nominations, including recognition for both of their work. Trier and Coutté have also collaborated on films such as The Worst Person in the World, Reprise, Oslo, August 31st, Louder Than Bombs, and Thelma. In our chat, Joachim shares on developing the story and writing the screenplay, while both dive deep into their creative partnership. They also offer practical advice for emerging writers, directors, and editors navigating their own creative paths.The Making Of is presented by AJA:From cinema to proAV: gaining a competitive edge with streaming knowledgeThe worlds of cinema production and proAV are converging. Cinema-grade equipment is making its way into more stadiums, houses of worship, and concert venues. Because of this, professionals that understand the tools and disciplines powering both will stand out. Get ahead of the curve with the latest streaming insights and gear from AJA.‘The 2026 Oscar Nominated Short Films' Review: Major Themes, Minor LengthsThree critics briefly consider the short films nominated for the 98th Academy Awards.From dive-bar patrons to Regency paramours, cross-generational friendship to same-sex longing, and chilly science fiction to Middle Eastern politics, this year's live action category of Oscar nominated shorts is refreshingly varied.Read more hereNow with Massive 8TB Capacity—Thunderbolt 5 SpeedThe OWC Envoy Pro Ultra now comes in a new 8TB capacity, pairing enormous space with next‑generation Thunderbolt 5 performance. With real‑world speeds over 6000 MB/s and a rugged, bus‑powered design, it's perfect for 4K/8K workflows, on‑location shoots, and fast media offloads. High‑speed, high‑capacity, and ready for serious creative work.Browse hereShowcase Your Brand: Feature your products or services in this newsletter and reach 250K film, TV and broadcast industry pros each week. To learn more, please email mvalinsky@me.comZEISS Aatma – Contemporary Full Frame Primes with a Soulful Legacy LookZEISS introduces the new Aatma, set of nine high-end full frame T1.5 cinema primes (18mm, 25mm, 35mm, 40mm, 50mm, 65mm, 85mm, 100mm, and 135mm) designed to marry the benefits of modern optical design with the nostalgic image characteristics that are popular today. Drawing inspiration from some of the most beloved ZEISS lenses of the 20th century, Aatma combines an emotion-driven look with the mechanical reliability, data integration, and workflow compatibility that's expected for current production. Read more hereA New Solution from Atomos: The Atomos Shogun AV-19 Rack-Mounted 4K HDR Monitor/Recorder/Switcher is your all-in-one solution for professional live production, combining a stunning 19” 4K HDR DCI-P3 display with quad-channel switching, real-time ISO recording of up to four camera feeds plus program out, and support for 10-bit Apple ProRes, ProRes RAW, and Avid DNx recording to CFexpress or USB-C media. Perfect for studios, video village, and broadcast environments, it delivers the monitoring accuracy and workflow efficiency your production demands. The Atomos Shogun AV-19 is available for pre-order now for $2,099.00. Learn more at Videoguys.com or call our production experts at 800-323-2325 today!OWC Exclusive Listener Offer:Enjoy 10% off your next order as a thank-you for tuning in to The Making Of! Whether you're upgrading your workflow or adding pro-level gear, OWC has you covered. Use your exclusive listener link below and save on the tools that help bring your creative vision to life. Explore herePodcast Rewind:Feb. 2026 - Ep. 119. Get full access to The Making Of at themakingof.substack.com/subscribe

Chinesen besichtigen das alte Europa in 12 Tagen - Rom, Paris, Wien, München, Kölner Dom und Amsterdam. Zum Beispiel Hu der Tiger, Feng der Heuhüpfer, Lan die Orchidee und Cheng der Glorreiche. Für 15 Euro extra gibt es das Super-Famous-Paket: Einen Abstecher nach Trier ins Karl-Marx-Haus. Von Anja Kempe. Regie und Produktion Anja Kempe. WDR 5 / BR2 radioReportage / SWR Kultur - Reportage FOLGE 'HÖR MAL DEUTSCHLAND' IN SPOTIFY

Jugendorganisationen sind keine Anhängsel ihrer Mutterparteien, sondern zentrale Orte politischer Sozialisation, Rekrutierung und strategischer Positionierung. In dieser Folge des Politischen Pausen Podcasts spricht PD Dr. Julia Schwanholz mit der Politikwissenschaftlerin Dr. Anna-Sophie Heinze von der Universität Trier über die Funktionen, Dynamiken und politischen Wirkungen parteinaher Jugendorganisationen. Im Mittelpunkt stehen sie als Rekrutierungs- und Revitalisierungsorte für das politische Spitzenpersonal und Parteien in Zeiten sinkender Mitgliedszahlen. Inwiefern setzen sie eigenständige Akzente und treten ideologisch radikaler auf als ihre Mutterparteien? Was sind die professionellen Karriereanreize, soziale Motivationen und politische Überzeugungen junger Mitglieder? Ein besonderer Fokus im Gespräch liegt auf rechtsextremen Jugendorganisationen und der Jungen Alternative bzw. neu gegründeten Generation Deutschland. Dazu wird der Blick auf Geschlechterverhältnisse, Professionalisierung und internationale Vergleichsfälle gerichtet. Ein Gespräch über politische Sozialisation, demokratische Nachwuchsförderung und die Bedeutung junger Parteiorganisationen für die Zukunft des Parteiensystems.

+++Hinweis: AKTENZEICHEN LIVEGEFLÜSTER am 23.05.2026 im Stadttheater Aschaffenburg | Geschichten aus der Community und offenes Mic für eure Erlebnisse -> Tickets unter Reservix.de +++Der Aufhocker. Klingt wie ein Möbelstück zum Zusammenbauen. Ist aber alles andere als harmlos. (Wobei so Möbel zusammenbauen auch nie harmlos ist, oder!?)

Samboll, Thomas www.deutschlandfunk.de, Sonntagsspaziergang

Cette semaine on s'est fait malmener par mais par un invité de qualité donc c'est ok. On est avec MATHIAS AVERTY ouais ouais !! Documentariste français œuvrant au sein du collectif Les Furtifs (https://www.les-furtifs.com/home), Mathias nous parle un peu de son premier long métrage Que Ton Règne Vienne avant de passer à sa sélection "feel good" : - 31'30" The Act of Killing [Joshua Oppenheimer]- 60'17" The Witch [Robert Eggers]- 85'01" Breaking the Waves [Lars von Trier]- 111'50" J'ai rencontré le Diable [Kim Jee-woon]Quelques recos (135'58")- Caniba, film documentaire un peu "horreur du réel" réalisé par Véréna Paravel et Lucien Castaing-Taylor. Décidément Mathias...- La chaine twitch de Moufette_- Le jeu vidéo Cult of the Lamb (Léo fait du slow gaming)- Le dossier Maldoror ou Maldoror (jsp) et les films de Fabrice du Welz en général- Double reco de Camille : le documentaire The Devil Is Busy (Christalyn Hampton, Geeta Gandbhir) et Les Echos du passé (Mascha Schilinski)Encore merci à Mathias Averty. On vous recommande évidemment d'aller découvrir son travail.⚠️ Attention aux spoilers ⚠️Réalisation et musique : Brice ThierionIdentité visuelle : Noah BallulPour nous aider n'hésitez pas à nous suivre @lhorreurdudimanche, à vous abonner et à mettre des étoiles sur Apple Podcasts, Spotify, Deezer, Podcast Addict, ...

 EP 677 Josh Smith – MKC What’s up! This week on the Rich Outdoors Podcast, I’m sitting down with Josh Smith—founder of Montana Knife Company and honestly one of the most inspiring entrepreneurs in the outdoor space right now. This is a podcast I’ve been wanting to do for a long time, and we did not disappoint. Josh went from being a lineman for the power company, making knives on the side in a 200 square foot shop in his horse pasture, to building one of the most beloved brands in the hunting industry from the ground up. No investors, no conglomerates, no selling out. Just a guy who refused to quit and built something that hunters actually care about. We talk about the origin story of MKC, why he saw a massive hole in the hunting knife market, and how he quietly infiltrated the hunting community like a Green Beret special ops team before anyone even knew he was there. We get into the Benchmade lawsuit and why his entire team cheered when they found out they were getting sued. We dive deep into building company culture at scale, hiring the right people, why listening to your customer beats watching your competitor every single time, and why most people have no idea how many hunters have never even heard of a brand they think everyone knows about. But this one goes way beyond knives. We talk about Bridger Watch, building a product in a category dominated by giants, the parallels between what Josh built and what we’re trying to build, and the advice he gave me that I’m going to be thinking about for a long time. We also talk about legacy—knives that get passed down, stories behind the blades, and why sometimes the most important tool isn’t the most impressive one, it’s the one that means something. This is one of those conversations that reminds you why you started. Whether you’re a hunter, an entrepreneur, or both—this episode is for you. Let’s get into it. Interested in the Bridger Watch? If you heard us talk about the smartwatch we’re building for hunters and want to be the first to know what we’re up to—head over to bridgerwatch.com and get on the list. Three years in the making and we’re just getting started. Go check it out. Episode Sponsors Tricer Tripods – They make gear that’s fast, light, and simple, from amazing tripods to bino mounts, panhead truck mounts, and now even bipods. Trier just dropped their new updated AD and BC tripods, and I got to test the new Tritech technology this year. The center post is now a T-post, which makes it pack down smaller and cleaner—Drew is a mad scientist and he just keeps innovating. If you want to use code TRO, it’ll save you 10% at checkout. Go support a great company. Head over to tricer.com. Stone Glacier – If you’re in the market for a new pack, I ran the Sky Archer 6400 this year and packed out a lot of animals with it including a couple of elk. What I love about Stone Glacier packs is they work great whether you’re on a 10-day backpacking trip or day hunting from the side-by-side. Minimalist, tough, and they work. You don’t need to own multiple packs—this thing does it all. Check it out at stoneglacier.com and use code TRO for a discount. Chapter Timestamps 0:00 – Intro & Sponsors 3:45 – Welcome Josh Smith: Driving Across Montana for a Podcast 6:30 – Why Josh Started Montana Knife Company 10:15 – Seeing the Gap: What Was Missing in the Hunting Knife Market 14:00 – Authenticity from Day One: Building Community Without Money 18:30 – Sending Knives Out with No Ask: How Word Spread 22:00 – From the Horse Pasture to 11 Employees: The Growth Timeline 26:15 – The Green Beret Strategy: Quietly Taking Over the Hunting Space 30:00 – Getting Sued by Benchmade (And Why the Team Cheered) 34:30 – Don’t Watch Your Competitor, Listen to Your Customer 38:15 – Scaling Fast Without Losing Culture 42:00 – Hiring Doers: What Josh Looks for in Employees 46:30 – The Pizza Rule: Why You Can’t Manage Too Many People 50:15 – How MKC Uses Transparency to Build Employee Buy-In 54:00 – Taking on Giants: Parallels Between MKC and Bridger Watch 58:30 – Most Hunters Have Never Heard of You (And Why That’s Exciting) 1:02:15 – The Legacy of a Knife: Stories Behind the Blades 1:07:00 – Building a Family Heirloom vs. Building a Gadget 1:11:30 – Josh’s Advice for Bridger Watch 1:15:00 – Don’t Quit Your Day Job Yet: How to Chase a Dream Responsibly 1:18:30 – The People You Surround Yourself With Matter Everything 1:21:00 – Final Thoughts & What Josh is Most Excited About Three Key Takeaways Listen to Your Customer, Not Your Competitor – One of Josh’s most powerful pieces of advice: don’t open your competitor’s website every day and react to what they’re doing. Your product roadmap should be driven entirely by what your customer is telling you they need—not by what the big brand is doing. By the time you react to a competitor, you’re already behind. The companies that win are the ones so locked into their customer’s needs that by the time the big guy realizes what happened, it’s too late. Most People Don’t Know You Exist—And That’s the Opportunity – MKC ran surveys recently and the percentage of hunters who had heard of them was shockingly low. Most companies would find that depressing. Josh and Brandon found it energizing. If you’ve built something great and most of your target market still doesn’t know you exist, you have an enormous runway in front of you. Stop assuming everyone knows your story. Tell it again. Tell it to the 3,000 people in that gymnasium down the road who’ve never heard it. Culture Is Built Intentionally or It Isn’t Built at All – From bringing employees to trade shows as a reward, to reading the Attaboy box out loud at company meetings, to bringing in bankers and health insurance reps to teach employees about life—Josh has built a company where people feel cared about. That doesn’t happen by accident. It requires intentional decisions every single day to treat your people the way you’d want your own kids to be treated. And when people feel that, they go the extra mile and they keep the culture alive even when you can’t be in every room.

Lars von Trier gehört zweifellos zu den größten Filmemachern der Gegenwart. Er setzt sich nicht nur mit intrikaten Fragen mit ungeheurer Radikalität auseinander, sondern auch mit dem Medium Film an sich. Während das Dogma-Manifest das Kino revolutionieren sollte, ist „Dogville“ aus dem Jahr 2003 trotz der experimentellen Form in erster Linie eine Verneigung vor Hollywood und seinen Stars – wie Lauren Bacall, Nicole Kidman und James Caan. „Dogville“ knüpft an die #Filmnoir-Tradition der 1940er-Jahre an, doch zugleich verunreinigt Lars von Trier diese produktiv, indem er sich dezidiert auf #BertoltBrecht, dessen Theatertheorie und das Lied der Seeräuber-Jenny aus der „Dreigroschenoper“ bezieht. Keineswegs haben wir es bei diesem Film nur mit abgefilmtem Theater zu tun – was viele Theaterregisseure offenbar nicht begreifen wollen, wenn sie diesen Film wiederum für die Bühne adaptieren. Vielmehr ist „Dogville“ ein Film, der uns anzeigt, wo wir als Zuschauer stehen, wenn wir das Kino genießen und uns einer Illusion hingegeben, an die wir nicht glauben können, aber glauben wollen. Mehr dazu von Wolfgang M. Schmitt im Video!Literatur:Bertolt Brecht: Die Dreigroschenoper, Suhrkamp.Bertolt Brecht: Schriften zum Theater 3, Suhrkamp. Die Filmanalyse +ABO gibt es bei Steady als Monats- und vergünstigtes Jahresabo. Der RSS-Feed ist automatisch mit Spotify verknüpft, kann aber auch in alle Podcatcher eingefügt werden:https://steady.page/de/die-filmanalyse-abo/aboutBei Steady kann man die Filmanalyse für ein Jahr verschenken:https://steady.page/de/die-filmanalyse-abo/gift_plansDie Filmanalyse +ABO gibt es bei Apple-Podcast als Monats- und vergünstigtes Jahresabo:https://podcasts.apple.com/de/podcast/die-filmanalyse/id1586115282Außerdem gibt es die Möglichkeit, ein Abo via Patreon abzuschließen, jedoch ist hier der RSS-Feed nicht mit Spotify verknüpft:https://www.patreon.com/c/wolfgangmschmitt/home

En este episodio corto de Designaholic, Jorge Diego conversa con Mario Julián Gutiérrez, fundador de Dum Dum Studio, sobre una disciplina del diseño gráfico que suele pasar desapercibida: el diseño de títulos de apertura en el cine. A partir de referentes como Vértigo de Alfred Hitchcock, Seven de David Fincher, Melancholia de Lars von Trier y Poor Things de Yorgos Lanthimos, la conversación explora cómo tipografía, animación y narrativa visual construyen una antesala emocional que anticipa el tono, la atmósfera y la intención de una película. Un episodio que conecta cine, diseño y cultura visual, invitando a mirar con más atención esos primeros minutos que muchas veces decidimos saltarnos.Escucha este episodio si estás…• interesado en la relación entre cine y diseño gráfico• buscando referentes sobre tipografía en movimiento• curioso por entender cómo los opening credits construyen narrativa• explorando cruces entre diseño, animación y cultura visual• cansado de poner skip intro sin pensar qué hay detrásShow Notes y Links relacionados a este episodioMario Julián Gutierrez → (https://www.instagram.com/mariojuliang/)Dum Dum Studio → (https://dumdum.studio/)• Entrevista anterior de Mario en Designaholic → (https://www.youtube.com/watch?v=0oR-ZKsDeQo)• Saul Bass → (https://www.artofthetitle.com/designer/saul-bass/)• Vértigo → (https://www.imdb.com/es/title/tt0052357/)• Anatomy of a Murder → (https://www.imdb.com/es/title/tt0052561/?ref_=ext_shr_lnk)• Psycho → (https://www.imdb.com/es/title/tt0054215/?ref_=ext_shr_lnk)• Seven → (https://www.imdb.com/es/title/tt0114369/?ref_=ext_shr_lnk)• Kyle Cooper → (https://www.artofthetitle.com/designer/kyle-cooper/)• Melancholia → (https://www.imdb.com/es/title/tt1527186/?ref_=ext_shr_lnk)• Poor Things → (https://www.imdb.com/es/title/tt14230458/?ref_=ext_shr_lnk)No te pierdas nuestros episodios, publicamos todos los Martes.Síguenos en: Instagram https://www.instagram.com/designaholic.mxFacebook https://www.facebook.com/designaholicmx/Twitter https://twitter.com/designaholicmx Suscríbete a nuestro newsletter semanal “Las 5 de la Semana” aquí: https://embeds.beehiiv.com/b98191c1-e91e-4e8c-bf49-e4ff0603f851Nuestra página web es: http://designaholic.mxTambién te dejo mi cuenta personal donde además de publicar sobre mi estudio y los proyectos que hacemos, comparto mucho más sobre Arte, Arquitectura y Diseño. Instagram https://www.instagram.com/jd_etienneTwitter https://www.twitter.com/jd_etienne Hosted on Acast. See acast.com/privacy for more information.

Writer-director Joachim Trier makes award-winning films that strike an emotional chord with audiences. Probably best known for his previous film The Worst Person in the World (2021), starring Renate Reinsve and co-written by Eskil Voght, Trier recreates that magic with his latest work Sentimental Value, about two sisters and their relationship with their estranged director father. Trier teamed up with Voght once again to co-write the screenplay and Reinsve plays the lead, marking the third film the director and actress have worked on together. Stellan Skarsgard stars alongside Reinsve as her character's father. Sentimental Value has nine Oscar nominations, including Best Picture, Best International Feature, Best Director, and Best Original Screenplay. We speak with writer-director Joachim Trier about the film and why it has resonated so much with audiences. Sentimental Value is playing in select theaters.

Rebecca arrives in Trier and starts discovering the Germany of her grandmother – a short A2/B1 German learning story with questions.https://germanwithstories.comhttps://patreon.com/germanwithstorieshttps://germanwithstories.substack.com

Part 2 of 2. OA 1230 - Seeing all the obstacles to holding government officials accountable, Congress created Section 1983, allowing citizens to sue for money damages for violations of their civil rights. We cover how that works, the one weird trick it uses to get around state sovereign immunity, and how that accidentally created the infamous qualified immunity doctrine that has made police seemingly unaccountable. We also discuss proposed reforms that might fix issues of qualified and sovereign immunity. 42 U.S.C § 1983 Pierson v Ray, 386 U.S. 547 (1967) Graham v Conner, 490 U.S. 386 (1989) Pearson v Callahan, 555 U.S. 223 (2009) Kisela v Hughes, 584 U.S. 100 (2018) Barnes v Felix, 605 U.S. 73 (2025) Barnes v Felix, 138 Harvard L. Rev. 291 (2025). Julia Yoo, The Problem with Policing in the United States, ADVOCATE (Feb. 2021). David J. Ignall, Making Sense of Qualified Immunity: Summary Judgment and Issues for the Trier of Fact, 30 Cal. W. L. Rev. 201 (1994). (NOTE: Good review for basics, but note the date!) Bivens v. Six Unknown-Named Agents of the Federal Bureau of Narcotics, 403 U.S. 388 (1971) Egbert v Boule, 596 U.S. 482 (2022) S. 122 Qualified Immunity Act of 2025 119th Cong. (2025) S. 3186 Constitutional Accountability Act 119th Congr. (2025) H.R. 6091 Bivens Act of 2025 119th Congr. (2025) H.R. 4944 Ending Qualified Immunity for ICE Agents Act 119th Congr. (2025) Qualified Immunity Abolition Act of 2026 (no bill number assigned yet) Gelinas, S. (2026, January 18). Markey, Pressley renew push to end qualified immunity after ICE shooting death. Athol Daily News. Check out the OA Linktree for all the places to go and things to do!

På torsdag ble det klart at Joachim Triers Affeksjonsverdi har fått hele ni Oscar-nominasjoner. Hør kulturredaktør Bernhard Ellefsen og filmkritiker Aksel Kielland diskutere hva dette sier om Affeksjonsverdi og om Oscar-utdelingen. Hosted on Acast. See acast.com/privacy for more information.

CELÝ ZÁZNAM STUDIA N LIVE A VŠECHNY OSTATNÍ EPIZODY V PLNÉ VERZI NAJDETE NA HEROHERO.CO/STUDION Film může uklidňovat, ale také otevřít místa, na která nejsme připraveni. Ve Studiu N mluví Filip Titlbach s filmovým historikem a uměleckým šéfem karlovarského filmového festivalu Karlem Ochem o snímku Citová hodnota, o síle emocí v kině a o tom, proč jsou některé filmy přitažlivé právě tím, že z nich máme obavy. Film Citová hodnota režiséra Joachima Triera se stal jedním z nejdiskutovanějších evropských snímků – a to nejen kvůli devíti oscarovým nominacím nebo triumfu na Evropských filmových cenách. „Já si na Trierovi už od jeho mládí vážím jisté zralosti a moudrosti, se kterými přistupuje ke svým postavám. Snaží se být chápavý a celé je to obestřené velmi hustou melancholií,“ popsal na živém natáčení Studia N v pražském kině Přítomnost Och. Filmy rozděluje na ty, kterým věří, a na ty, které mu připadají vycucané z prstu. „Citová hodnota je film, který patří do té první kategorie. Trier tvoří neuvěřitelně komplexní mikrosvět vztahů, melancholie a věrohodných emocí, že se do něj vždycky rád nořím. Někdy z toho mám ale trochu obavy, protože při sledování jeho filmů prožívám velmi silné emoce. Je to přitažlivost a obava zároveň,“ říká. Někdy lidé podle něj prožívají ještě silnější emoce, když se na film dívají podruhé. Diváci a divačky by se podle filmového historika měli rozmýšlet, jestli na určité druhy filmů mají zrovna kapacitu. Film totiž může léčit i zraňovat. Hranice mezi tím, kdy kino pomáhá a kdy už ubližuje, je podle Ocha u každého jinde a souvisí s tím, co si do sálu neseme ze svého vlastního života. „Stalo se mi, že jsem z jednoho filmu odešel už po deseti minutách, protože se v něm odehrávalo něco, co jsem intenzivně prožíval. Představa, že se dívám na zkondenzovanou verzi téhož pro mě byla absolutně fyzicky nepřijatelná,“ přiznává. I proto je někdy legitimní z kina odejít. Ne proto, že by film selhal, ale protože se trefil až příliš přesně. „Je to lepší možnost než se u toho trápit,“ říká. Zažívá Joachim Trier svých warholovských patnáct minut slávy? Co dělá film výjimečným? A jak se vybírají snímky pro karlovarský filmový festival? Podívejte se na záznam celé debaty na herohero.co/studion

Vimos Marty Supreme (2025) de Josh Safdie y hubo una polémica de la gran siete.No menos polémica hubo con las últimas noticias del Oscar.Bien podrías ir a hoytrasnoche.com y ponerla toda.

Hvordan ligger Affeksjonsverdi an i Oscar-racet? I denne første av årets Filmfrelst-episoder om Oscar-sesongen diskuterer vi status, inkludert PGA-, DGA- og The Actor Awards-nominasjonene, og ikke minst Golden Globe-utdelingen og hva prisene der fortalte oss. I praten nedenfor er vi naturligvis ekstra oppmerksomme på Joachim Triers Affeksjonsverdi og filmens nåværende posisjon i kappløpet frem mot Oscar, og vurderer hvordan den ligger an i diverse kategorier. Panelet ser også nærmere på forskjellen mellom bransjeorganisasjonenes priser og Oscar, og deler tanker om hvordan utfallet kan bli når Akademiet offentliggjør sine priser torsdag 22. januar. Sørger den stadig mer internasjonale medlemsmassen for å skyve frem ikke-engelskspråklige festivalfavoritter, inkludert Affeksjonsverdi? Blir det plass til både Trier og Gullpalme-vinner Jafar Panahi (Bare et uhell) i kategorien for beste regissør? Kan Affeksjonsverdi stadig vekk få så mange som åtte Oscar-nominasjoner, og er Stellan Skarsgård egentlig favoritt til å vinne prisen for beste mannlige birolle? Ved mikrofonene sitter Montages-redaktørene Karsten Meinich og Lars Ole Kristiansen. God lytting!

Johann Peter Kagenbusch, geboren 1816, war ein Schwindler und Hochstapler. Im 19. Jahrhundert konnte er viele Menschen täuschen - auch ein Bankhaus, welches unter seinem Einfluss viel Geld für den Bergwerk an der Mosel, in Bernkastel-Kues, ausgab. Am Ende blieb der Ruin. Doch nicht nur dort betrieb Kagenbusch betrügerische Geschäfte ... Romanautor und Historiker Jörg Matthias Braun weiß mehr zum Mann, der verarmt 1888 starb. Zu unserem Gast: Jörg Matthias Braun stammt aus Bernkastel-Kues. Er hat zehn Bücher über die Geschichte der Stadt Bernkastel-Kues und ihrer Einwohner veröffentlicht. Er hat auch die Chroniken von Bernkastel und Cues überarbeitet und digitalisiert. In einem weiteren Schritt hat er die bisherige Geschichte der seit 1905 bestehenden Stadt Bernkastel-Kues in einem neuen Werk zusammengefasst (LINK): https://www.volksfreund.de/region/mosel-wittlich-hunsrueck/joerg-matthias-braun-hat-neue-chronik-fuer-bernkastel-kues-geschrieben_aid-109962111 Mehr zum Roman und Fakten über Kagenbusch: Jörg Matthias Braun: Kagenbusch: Eine Lebensbeichte, Paperback, 186 Seiten, ISBN-13: 9783819230721, 2025, Verlag BoD - Books on Demand https://buchshop.bod.de/kagenbusch-joerg-matthias-braun-9783819230721 Jörg Matthias Braun: "Bernkastel-Kueser Kriminalgeschichten" : https://buchshop.bod.de/bernkastel-kueser-kriminalgeschichten-joerg-matthias-braun-9783769368291 Mehr zum Thema gibt es auch in einem weiteren Buch von JörgMatthias Braun: "Bernkastel-Kueser Kriminalgeschichten" : https://buchshop.bod.de/bernkastel-kueser-kriminalgeschichten-joerg-matthias-braun-9783769368291 True Crime: Eine Familie voller Mörder Viele Morde passieren im familiären Umfeld. Doch was, wenn eine ganze Familie mordlustig zu sein scheint? Das Buch „Ein ungeheuerlicher Mord in Gonzerath“ von Jörg Matthias Braun beschreibt die blutige Geschichte der Familie Breuer. In der Folge unseres True-Crime-Podcasts "Spurensuche", die ihr auf volksfreund.de sowie allen gängigen Streaming-Portalen finden könnt, geht es um die Geschichte der Familie, die mehrfach durch Morde und tragische Schicksale in den Schlagzeilen war. Unser Podcast: "Porta - Das Tor zur Geschichte" erscheint regelmäßig auf volksfreund.de/porta mit ergänzenden Informationen und ist ein Angebot des Trierischen Volksfreunds aus Trier. Ihr habt Fragen, Anregungen oder Kritik? Schreibt uns an podcast@volksfreund.de

Emil Danielsson är en av våra främsta löpare genom tiderna. Med ett personbästa så bra som 13.13 på 5000m placerar han sig som tvåa någonsin på distansen. Efter succéåret 2023 då Emil slog pers på samtliga distanser saknar han den riktiga fullträffen men har hela tiden verkat på en väldigt hög nivå. Efter ett 2025 som började väldigt bra med 13.25 på Stockholm Stadion i maj så följde en oläglig förkylning och de riktiga topptiderna uteblev. I årets sista tävling, 5 kilometer i tyska Trier, kom dock en riktig fullträff. Vinst i ett välmeriterat fält och fina 13.38 i ett taktiklopp. Nu går Emil in med högt mod mot 2026 och hoppas på ett nytt karriärsår. I veckans avsnitt berättar Emil, som utöver elitsatsningen ockå har ett krävande jobb, om hur han nu lägger grunden för 2026 och hur man bygger för en riktigt lyckad säsong. Vi för höra om spännande starter och ny mål för 2026.  John har senaste halvårets första misslyckade vecka bakom sig och misslyckades totalt med loppet i Köpenhamn. Manne har återigen sprungit lopp med systersonen Didrik och går in i en ny spännande träningssatsning som kommer innebära mera LT-tröskel.  Veckans sponsorer: Lumonite (Koden springsnyggt25 ger 15% rabatt på samtliga pannlampor hos valostore.se). Saucony - Missa inte lanseringen av nya Ride 19, en fantastisk mängd och lätt tröskelsko. Rörligt material finns på Spring Snyggt Youtube. 

In episode 110 of The Neon Crew Podcast, Kyle and Mac discuss table tennis shenanigans, the most wholesome Lars von Trier film, and the concept of weaponized anxiety.LISTEN TO PODCAST HERE:YouTube: https://www.youtube.com/@theneoncrewpodcast/featured Spotify: https://open.spotify.com/show/3AI17IdYnujCrtSc7M5EKG?si=58d599af20514ae8 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-neon-crew-podcast/id1585795358SOCIAL MEDIA:Facebook: https://www.facebook.com/NeonCrewPodcastYouTube Community: https://www.youtube.com/@theneoncrewpodcast/community Instagram: https://www.instagram.com/neon_crew_podcast/ MERCH: https://www.etsy.com/shop/TheNeonCrewPodcast?ref=shop-header-name&listing_id=1374844203&from_page=listing Music by Gideon HunterGideon's Channel: https://www.youtube.com/@wakerisefall Logo design by Lauren HunterLauren's Instagram: https://www.instagram.com/pineandsun/?fbclid=IwAR1zgGnVTNcnK6lji2A5NhDj-NCmD3f1PLqj1ckjr220HiWvsFJisfy9n8g Timestamps:00:00 | Intro4:48 | Marty Supreme (SPOILERS)1:10:42 | Antichrist (SPOILERS)2:06:25 | Mac's recommendation for episode 111

Un afamado director de cine vuelve a su país para filmar una nueva película en su hogar familiar, para lo que debe reencontrarse con las dos hijas a las que dejó de ver tras su divorcio, una de ellas la actriz que él quiere para el rol protagónico. "Valor Sentimental" es el sexto largometraje de Joachim Trier, pero apenas el primero que se estrena comercialmente en Chile. Estrenado en Cannes, donde obtuvo el Grand Prix, este filme suena fuerte para la temporada de premios, ya con varias nominaciones a los Globos de Oro y esperando en la lista corta de los Oscar. Disponible en algunas salas de cine, pronto llegará a plataformas de streaming.

Altfried G. Rempe, Trier, Katholische Kirche: Ob das Gute wirklich überwiegt? Es braucht jedenfalls eine Chance – gerade für‘s nächste Jahr…

In this solo episode, I reflect on Lars von Trier's Melancholia—a film often described as dark or depressing, yet one I found strangely clarifying and alive.After briefly situating the film within von Trier's long career, I offer a grounded overview of its structure and themes before moving into deeper psychological and philosophical territory. Drawing on psychoanalysis and existential therapy, I explore how Melancholia portrays depression not simply as pathology, but as a slowing down—a descent into depth in a culture addicted to speed, optimism, and surface meaning.Using the work of James Hillman, Freud, Lacan, and existential thinkers like Kierkegaard and Heidegger, I reflect on melancholia as a confrontation with truth rather than something to be rushed past or fixed. The episode considers what the film can teach us about despair, authenticity, and what remains when familiar structures of meaning fall away.This is an episode about staying with difficult emotions long enough to listen—about refusing easy reassurance in favor of depth, honesty, and presence.

“Ik ben van kleins af aan geobsedeerd door verhalen”, vertelt actrice Ruth Becquart. “Het helpt me om mijn leven te leiden en om inzicht te krijgen in mezelf en anderen.” Becquart vertelt over een juicy Frans boek, de speelse seksscènes uit de film Breaking the Waves van regisseur Lars von Trier en welke klassieke muziek ze luistert op haar roeimachine. In onze cultuurpodcast Bar Miroir brengen bekende gasten elke week drie dingen mee die hen raken, inspireren of een impact hebben op hun denken of leven. Je kan de aflevering ook bekijken op het Youtubekanaal van De Standaard. Gast Ruth Becquart | Presentatie Lise Bonduelle | Redactie Fien Dillen, Lise Bonduelle | Eindredactie Fien Dillen | Audioproductie Brecht Plasschaert | Muziek Azertyklavierwerke | Chef podcast Alexander Lippeveld See omnystudio.com/listener for privacy information.

2025 has seen the Chinese government act with increasing confidence in its own power and agency on the international stage. Is this confidence mirrored in Chinese self-perceptions? MERICS Analyst Alexander Davey and professor for sinology at the University of Trier Kristin Shi-Kupfer join Johannes Heller-John to cast a spotlight on domestic debates in China.Together with Christina Sadeler from MERICS and Wutao Wen from the University of Trier they are the co-authors of the report “China's domestic debates under the shadow of geopolitics: How views about the economy, commercial culture, and trending topics reveal self-perceptions”.The report and this podcast are part of the China Spektrum, a joint project of the China institute of the University of Trier (CIUT) and MERICS, supported by the Friedrich Naumann Foundation for Freedom.

Norwegian-Danish filmmaker Joachim Trier joins the Filmmaker Toolkit to discuss his follow up to Worst Person in the World, the filmmaker family drama Sentimental Value. Trier broke down the details of that incredible house, and dove deep into the personal intricacies of his script. Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Editors on Editing, Glenn is joined by Olivier Bugge Coutté.  Olivier, an editor based in Denmark is a graduate of the National Film and Television School where he studied alongside his longtime collaborator, Joachim Trier. While some of his other credits include Thelma, The Apprentice, The Promised Land, Beginners and Copenhagen Does Not Exist, Olivier has cut all of Trier's films, including The Worst Person in The World which was nominated for the Academy Award for Best International feature, and the most recent film, Sentimental Value, which won the grand prize at the Cannes Film Festival this year.Thanks again to ACE for partnering with us on this podcast, check out their website for more.Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!  

Studios love to hold movies back until the end of the year to sneak into awards conversations. "Song Sung Blue" with Hugh Jackman and Kate Hudson, along with "Marty Supreme" starring Timothée Chalamet and Gwyneth Paltrow, are among the films trying to catch the attention of critics. Another film that hits a similar chord is "Sentimental Value," the latest film from Joachim Trier starring Renate Reinsve, Elle Fanning and Stellan Skarsgård. In this episode, co-host Bruce Miller catches up with Trier about the film and his overall style that allows his films to "say enough, but not too much." We also talk about the first batch of episodes of "Stranger Things," which released the first half of its season in time for the Thanksgiving break. Co-host Terry Lipshetz watched the episodes with his family and shares his thoughts about the final run. About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Sentimental Value should contend for big nominations at the Golden Globes, Critics Choice Awards and many upcoming precursors as well as major Oscar Nominations, and we have to study it in this loaded film study Oscars Profile review show. NON-SPOILER REVIEW OF SENTIMENTAL VALUE: Reception Thus Far. Critical, Audience & Box Office - 2:55 Our Theater-Going Experience - 4:50 The Awards Profile Thus Far + Golden Globes Predictions - 7:58 Enjoying the film much more on 2nd viewing, more so than at the festivals - 11:04 A Huge Stellan Skarsgard Discussion and a Dissection of Supporting Actor - 13:23 Having Fun with a Film about Filmmakers - 22:41 Trier makes personal films hiding behind fictions, much like Gustav in this story - 25:10 Renate Reinsve and THREE! Tremendous Supporting Actress Performances - 27:32 Review of the Production Values including praise for the Score & Cinematography - 32:21 Our Oscar Nom Predictions, a Lead Actress Breakdown & Over/Under - 35:23 SPOILER WARNING - 40:39 SPOILER SECTION FOR SENTIMENTAL VALUE: Two Big Nitpicks - 41:29 Big Performance Moments for Renate Reinsve - 45:00 Inga Ibsdotter Lilleaas Big Performance Takeaways - 49:33 Stellan Skarsgard's Gustav Motivations & Performance Takes - 55:03 The Themes Played Out in the Ending - 1:03:43 How A Worst Scene Becomes A Best Scene on Rethink - 1:08:06 Final Grades - 1:11:01 OUTRO: We have more Oscar Race Checkpoints and Oscar Profile film studies coming soon, maybe, kinda, sorta… or not. We won't say. But thank you as always for listening. Please follow us on social media and rate/review our show to pledge your support. And thanks again for doing that as well. https://linktr.ee/mikemikeandoscar

Sean and Amanda begin the show by discussing the imminent sale of Warner Brothers Discovery, consider the potential implications of a merger with one of Paramount, Comcast, or Netflix, and debate which scenario is the most likely outcome (1:22). Then, they cover the new Colleen Hoover adaptation ‘Regretting You' starring Allison Williams and Dave Franco, which they found absolutely baffling (17:28). Next, they have an extensive conversation around Joachim Trier's ‘Sentimental Value,' starring Renate Reinsve and Stellan Skarsgard, where they explore why some people are connecting to the film so strongly, while for others it doesn't seem to resonate (47:15). Finally, Trier joins the show to explain how much of himself is actually mapped onto Skarsgard's character, how being a good listener and observant of the world around you translates to strong characterization, and the story of shooting in a house that was down the street he grew up on (1:33:54). Hosts: Sean Fennessey and Amanda Dobbins Guest: Joachim Trier Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

Norwegian actress Renate Reinsve earned international recognition for her performance in the Joachim Trier film The Worst Person in the World. After roles in Hollywood in Presumed Innocent and A Different Man, Reinsve and Trier have reunited in their new film Sentimental Value about a theater actress and her estranged film director father in Oslo. Larry Mantle speaks with Renate Reinsve about her approach to acting and her latest film. You can see Sentimental Value in select theaters now. It will expand to more theaters Friday. Nov. 28. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency

Kelsi and Trey talk Joachim Trier's Sentimental Value through its themes of trauma, lineage, forgiveness, and family wounds. Featuring breakdowns of Renate Reinsve, Stellan Skarsgård, and Elle Fanning's performances, plus an exploration of the house as memory, the film's meta filmmaking layers, and why this might be Trier's most powerful drama yet with some minor issues along the way.⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture For this week's third podcast review, Ema Sasic, Josh Parham, and Giovanni Lago join me to review and discuss the latest film from Joachim Trier, "Sentimental Value," starring Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, and Elle Fanning. The film had its world premiere at the main competition of the 2025 Cannes Film Festival, where it received widespread acclaim and won the Grand Prix. It has been selected as the Norwegian entry for Best International Feature Film at the 98th Academy Awards. What did we think of it? Please tune in as we discuss the performances, writing, and direction from Trier (co-written with Eskil Vogt), the themes, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices