Podcasts about Trier

In this solo episode, I reflect on Lars von Trier's Melancholia—a film often described as dark or depressing, yet one I found strangely clarifying and alive.After briefly situating the film within von Trier's long career, I offer a grounded overview of its structure and themes before moving into deeper psychological and philosophical territory. Drawing on psychoanalysis and existential therapy, I explore how Melancholia portrays depression not simply as pathology, but as a slowing down—a descent into depth in a culture addicted to speed, optimism, and surface meaning.Using the work of James Hillman, Freud, Lacan, and existential thinkers like Kierkegaard and Heidegger, I reflect on melancholia as a confrontation with truth rather than something to be rushed past or fixed. The episode considers what the film can teach us about despair, authenticity, and what remains when familiar structures of meaning fall away.This is an episode about staying with difficult emotions long enough to listen—about refusing easy reassurance in favor of depth, honesty, and presence.

In der neuen Episode von Porta, dem History-Podcast von volksfreund.de: Nach dem Ersten Weltkrieg ist Deutschland politisch und wirtschaftlich zerrüttet und das Rheinland besetzt. Ein Ereignis aus dem Jahr 925 sorgt in diesen Zeiten für nationalbetonte Festlichkeiten - auch in Trier. Denn dort fand ein besonderes Schauspiel statt.

Ref.: Prof. Dr. Marco Benini, Leiter des Deutschen Liturgischen Instituts und Prof. für Liturgiewissenschaft, Trier

1935 verlässt Carola Trier Deutschland und zieht nach Paris, um den Traum ihrer Bühnenkarriere zu verwirklichen. Doch auch in Frankreich holen sie Armut, Antisemitismus und der Krieg ein. Sie flieht in die USA und findet dort ihre neue Leidenschaft: Pilates. Mehr Informationen: bpb.de/543131

Hope Hopkinson talks to filmmaker Joachim Trier about his new film, Sentimental Value.  Two adult sisters navigate their emotional wounds and futures when their absentee father returns following the death of their mother. Trier tackles the journey of his characters with the gentle humour and a lived-in reality we've come to expect from his cinema. Featuring sumptuous technical credits and sharp scripting, Trier once again excels in conveying the profound with the lightest of touch. Starring: Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, Elle Fanning and Anders Danielsen Lie.  Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

“Ik ben van kleins af aan geobsedeerd door verhalen”, vertelt actrice Ruth Becquart. “Het helpt me om mijn leven te leiden en om inzicht te krijgen in mezelf en anderen.” Becquart vertelt over een juicy Frans boek, de speelse seksscènes uit de film Breaking the Waves van regisseur Lars von Trier en welke klassieke muziek ze luistert op haar roeimachine. In onze cultuurpodcast Bar Miroir brengen bekende gasten elke week drie dingen mee die hen raken, inspireren of een impact hebben op hun denken of leven. Je kan de aflevering ook bekijken op het Youtubekanaal van De Standaard. Gast Ruth Becquart | Presentatie Lise Bonduelle | Redactie Fien Dillen, Lise Bonduelle | Eindredactie Fien Dillen | Audioproductie Brecht Plasschaert | Muziek Azertyklavierwerke | Chef podcast Alexander Lippeveld See omnystudio.com/listener for privacy information.

SAMEDI 20 DÉCEMBRE 2025Julie Pitoiset - Château des Jacques (Bourgogne)Établi sur les crus de Moulin-à-Vent, Morgon, Chénas et Fleurie, le Château des Jacques est un pionnier des grands vins de garde du Beaujolais. Avec 70 ha travaillés dans le respect du vivant, le domaine allie rigueur, innovation et fidélité à ses terroirs. Complexes, profonds et lumineux, ses vins reflètent un héritage centenaire porté par une nouvelle génération engagée face aux défis contemporains.Laure Ménétrier - Musée du Vin de Champagne et d'Archéologie régionale (Champagne)Au cœur d'Épernay, le Musée du Vin de Champagne et d'Archéologie régionale s'épanouit dans le Château Perrier, joyau du XIXᵉ siècle.bSous la direction de Laure Ménétrier, le musée propose un parcours immersif où archéologie, culture du vin et nature se rencontrent.Avec une scénographie interactive et moderne, il offre aux visiteurs une expérience vivante et sensorielle, révélant l'histoire et l'art de vivre champenois.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

“Ik ben van kleins af aan geobsedeerd door verhalen”, vertelt actrice Ruth Becquart. “Het helpt me om mijn leven te leiden en om inzicht te krijgen in mezelf en anderen.” Becquart vertelt over een juicy Frans boek, de speelse seksscènes uit de film Breaking the Waves van regisseur Lars von Trier en welke klassieke muziek ze luistert op haar roeimachine. In onze cultuurpodcast Bar Miroir brengen bekende gasten elke week drie dingen mee die hen raken, inspireren of een impact hebben op hun denken of leven. Je kan de aflevering ook bekijken op het Youtubekanaal van De Standaard. Gast Ruth Becquart | Presentatie Lise Bonduelle | Redactie Fien Dillen, Lise Bonduelle | Eindredactie Fien Dillen | Audioproductie Brecht Plasschaert | Muziek Azertyklavierwerke | Chef podcast Alexander Lippeveld See omnystudio.com/listener for privacy information.

2025 has seen the Chinese government act with increasing confidence in its own power and agency on the international stage. Is this confidence mirrored in Chinese self-perceptions? MERICS Analyst Alexander Davey and professor for sinology at the University of Trier Kristin Shi-Kupfer join Johannes Heller-John to cast a spotlight on domestic debates in China.Together with Christina Sadeler from MERICS and Wutao Wen from the University of Trier they are the co-authors of the report “China's domestic debates under the shadow of geopolitics: How views about the economy, commercial culture, and trending topics reveal self-perceptions”.The report and this podcast are part of the China Spektrum, a joint project of the China institute of the University of Trier (CIUT) and MERICS, supported by the Friedrich Naumann Foundation for Freedom.

Norwegian-Danish filmmaker Joachim Trier joins the Filmmaker Toolkit to discuss his follow up to Worst Person in the World, the filmmaker family drama Sentimental Value. Trier broke down the details of that incredible house, and dove deep into the personal intricacies of his script. Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298 Learn more about your ad choices. Visit megaphone.fm/adchoices

Die Themen von Minh Thu und Flo am 17.12.25: (00:00:00) Döner-Stopp: Wie eine Busfahrerin in Trier eine ungeplante Pause eingelegt hat, um sich einen Döner zu holen. (00:01:36) Nach Anschlag am Bondi Beach: Was über die Attentäter und ihr mutmaßliches Motiv bekannt geworden ist. (00:05:57) Verbrenner-Aus: Warum die EU-Kommission jetzt doch vom Verbrenner-Aus zurückrudert. (00:11:35) Apotheken-Proteste: Warum es heute in vielen Apotheken dunkel bleiben wird. (00:16:37) 🎁 Unser Adventskalender: Hinter Türchen Nummer 17 versteckt sich Journalistin und Podcasterin Yasmine M'Barek. Habt ihr Fragen oder Feedback? Schickt uns gerne eine Sprachnachricht an 0151 15071635 oder schreibt uns an 0630@wdr.de – kommt auch gern in unseren WhatsApp-Channel: https://1.ard.de/0630-bei-Whatsapp Von 0630.

In this episode of Editors on Editing, Glenn is joined by Olivier Bugge Coutté.  Olivier, an editor based in Denmark is a graduate of the National Film and Television School where he studied alongside his longtime collaborator, Joachim Trier. While some of his other credits include Thelma, The Apprentice, The Promised Land, Beginners and Copenhagen Does Not Exist, Olivier has cut all of Trier's films, including The Worst Person in The World which was nominated for the Academy Award for Best International feature, and the most recent film, Sentimental Value, which won the grand prize at the Cannes Film Festival this year.Thanks again to ACE for partnering with us on this podcast, check out their website for more.Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!  

"Wie wir andere behandeln zeigt, wer wir selbst sind". Auf die Einladung durch Chris Schmidt und Marc Konrad aus dem Podcast "Portcast" aus Trier, folgt natürlich eine Gegeneinladung. Die beiden Podcaster aus Trier erklären, warum es in Trier einfach läuft, wie weit es gehen kann, warum Bonn trotzdem alle Chancen hat und wie geil es ist vor 19.000 Menschen ein Basketballspiel für Dyn zu moderieren. Rheinhören hat sich selten mehr gelohnt. Wir werden weich!

"Porta", der Geschichts-Podcast von volksfreund.de, mit einer neuen Folge -> Nur einen Gott und kein anderer? Von wegen: Die Römer beteten eine Vielzahl an Göttern an, auch die der unterworfenen Völker. Zum Beispiel die der Treverer, dem gallischen Stamm, der unserer Stadt Trier den Namen gab. Lothar Schwinden, Historiker aus Trier, erklärt, wer die Götter der Treverer waren - vor allem deren wichtigster: Lenus Mars.

2025 war ein Jahr voller Bewegung – im wörtlichen wie im übertragenen Sinn. Im großen Jahresrückblick sprechen Marc und Jil über das, was Grenzgänger und Luxemburger beschäftigt hat: die Weststrecke in Trier, weitere Grenzkontrollen, das 40-jährige Schengen-Jubiläum und den festlichen Thronwechsel. Dazu kommt ein Kulturjahr voller Highlights – von Nina Chuba und Ikkimel bis zu den großen Shows im Jahr 2026. ­ Auch der Alltag hat Fragen aufgeworfen: Homeoffice, Renten, Steuern, steigende Kosten und kritisch zu betrachtende Bewerbungsgespräche. Die heutige Folge bietet einen kompakten Überblick über das letzte Jahr und zeigt, wie unterschiedlich Menschen an der Grenze leben, arbeiten und Zukunft planen. ­ Die erwähnten Folgen zum Nachhören: So hadern Pendler mit ihrer Work-Life-Balance Der Luxembourg Times Podcast: The future of Luxembourg's royals Kurios, rechtswidrig, toxisch? Was in Bewerbungsgesprächen passiert Grenzgänger und Homeoffice: Ein Modell mit Ablaufdatum? Krank in Luxemburg? Das müssen Pendler bei der Krankmeldung wissen Warum Luxemburger nach Deutschland ziehen ­ Das erwähnte Dossier zur Rentendebatte ist hier verlinkt. Hier geht's zum letzten Pendler-Update. ­ Schreibt uns eure Fragen und Anregungen gerne an pendler@wort.lu! ­ Der Pendler Club ist ein Podcast vom Luxemburger Wort. Mediahuis Luxembourg sind Teil des internationalen Trust Project, das für transparenten und vertrauenswürdigen Journalismus steht. Weitere Informationen dazu finden Sie hier. ­ Moderation und Produktion: Marc Blasius und Jil Reale Redaktion: Luxemburger Wort Grafik: Marc BlasiusSee omnystudio.com/listener for privacy information.

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Studios love to hold movies back until the end of the year to sneak into awards conversations. "Song Sung Blue" with Hugh Jackman and Kate Hudson, along with "Marty Supreme" starring Timothée Chalamet and Gwyneth Paltrow, are among the films trying to catch the attention of critics. Another film that hits a similar chord is "Sentimental Value," the latest film from Joachim Trier starring Renate Reinsve, Elle Fanning and Stellan Skarsgård. In this episode, co-host Bruce Miller catches up with Trier about the film and his overall style that allows his films to "say enough, but not too much." We also talk about the first batch of episodes of "Stranger Things," which released the first half of its season in time for the Thanksgiving break. Co-host Terry Lipshetz watched the episodes with his family and shares his thoughts about the final run. About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Min 4: VALOR SENTIMENTAL (4,5 estrellas) En "Valor sentimental", Joachim Trier vuelve a explorar las fragilidades humanas con su habitual mezcla de intimidad y desgarro, apoyándose en las interpretaciones de Anders Danielsen Lie y Renate Reinsve para dar vida a un relato donde la memoria emocional —más poderosa que cualquier hecho objetivo— condiciona la manera en que los personajes aman, recuerdan y se equivocan; la película sigue a un protagonista atrapado entre el peso de lo que fue y el vértigo de lo que podría ser, y Trier filma ese vaivén con una elegancia que combina silencios elocuentes, miradas que delatan fracturas internas y una puesta en escena que convierte lo cotidiano en terreno sísmico, logrando un retrato profundamente humano sobre cómo el afecto, idealizado o real, puede convertirse tanto en refugio como en prisión. Min 10. ETERNITY (3 estrellas) En “Eternity”, comedia romántica fantástica dirigida por David Freyne y protagonizada por Elizabeth Olsen, Miles Teller y Callum Turner, el más allá se convierte en un “hub” de tránsito donde las almas disponen de una semana para elegir en qué tipo de eternidad quieren instalarse, y Joan (Olsen) debe tomar la decisión imposible de pasar el resto del tiempo con el hombre con el que ha compartido toda una vida (Teller) o con su primer gran amor caído en la guerra (Turner), que la ha esperado durante décadas. Min 14. ME HAS ROBADO EL CORAZÓN (2,5 estrellas) En “Me has robado el corazón”, dirigida por Chus Gutiérrez y protagonizada por Óscar Casas y Ana Jara, la película combina comedia romántica y road-movie para seguir la escapada improvisada de un joven ingeniero frustrado que decide robar un banco y huir con la ayuda de una desconocida que conoce por una app, un punto de partida que Gutiérrez aborda con un tono ligero, ritmo ágil y una química sincera entre sus intérpretes Min 18. FIVE NIGHTS AT FREDDY'S 2 (3 estrellas) En “Five Nights at Freddy's 2”, dirigida de nuevo por Emma Tammi y protagonizada por Josh Hutcherson junto a Elizabeth Lail, la secuela amplía el universo del primer filme con un tono más oscuro y un enfoque que combina terror atmosférico y nostalgia gamer, siguiendo a un Mike Schmidt emocionalmente exhausto que regresa al círculo de pesadillas abierto por los animatrónicos mientras nuevos indicios sobre el pasado de su familia y del propio local revelan una trama más amplia y retorcida. Min. 22. PLAYA DE LOBOS (3 estrellas) En Playa de Lobos, dirigida por Javier Veiga y protagonizada por Dani Rovira y Guillermo Francella, lo que empieza como un encuentro casual entre un camarero de chiringuito y un turista que no quiere moverse de su tumbona se convierte poco a poco en un thriller psicológico cargado de tensión y desconfianza. Manu (Rovira) atiende un chiringuito en una playa tranquila; Klaus (Francella), un cliente que parece inofensivo, se niega a dejar la última hamaca — algo ridículo al principio —, pero Manu empieza a sospechar que hay algo extraño detrás de su actitud, y esa sospecha desemboca en una propuesta perturbadora que cambia el tono de la historia. Min 26: GOLPES ( 2,5 estrellas) En “Golpes”, la ópera prima del guionista convertido en director Rafael Cobos, protagonizada por Luis Tosar y Jesús Carroza (con participación de Teresa Garzón), la película retrata una Sevilla de los años 80 marcada por la precariedad, la memoria y las heridas de una España en transición: Carroza interpreta a Migueli, un ex-preso que, al salir de la cárcel, planea una serie de atracos junto a su antigua banda para obtener el dinero que necesita ?una vía de escape desesperada para cerrar cuentas con su pasado? mientras su hermano Sabino (Tosar), policía en plena reforma moral, se convierte en su perseguido obligado. Min 35: LA PELÍCULA DE TU VIDA, CON ÓSCAR TORIBIO El flamante vencedor de la edición 2025 de la sección Hecho en CLM en Abycine gracias a “Conexiones inesperadas”, el director manchego Óscar Toribio, rompe una lanza por la comedia y nos cuenta porqué “Sopa de Ganso”, de los Hermanos Marx, es la película de su vida. Min 37: BSO NUREMBERG (3,5 estrellas) En la banda sonora de “Nuremberg”, compuesta por Brian Tyler, la música se convierte en una pieza clave para sostener la tensión moral y emocional del juicio, con una partitura que combina pulsos graves, cuerdas inquietas y un diseño sonoro casi quirúrgico que envuelve cada interrogatorio como si fuera una cuenta atrás.

In vielen Städten wollen heute Schülerinnen und Schüler gegen die Neuregelung der Wehrpflicht demonstrieren. Über die Gesetzesänderung stimmt der Bundestag heute ab. Proteste sind zum Beispiel in Tübingen, Reutlingen und Hechingen geplant – ebenso in Mainz, Koblenz, Trier und Landau. Emma Lucke von der Landesschülerinnen- und schülervertretung Rheinland-Pfalz hat heute früh im Gespräch mit SWR-Aktuell-Moderator Jonathan Hadem erklärt, was die jungen Menschen antreibt und wieso nicht alle gegen eine Wehrpflicht sind.

Felicia is joined by Peter Merriman to discuss the quiet beauty in everyday life through Kelly Reichardt's Certain Women (2016). We chat about the importance of shooting locations in Reichardt's films, as well as letting the actor's faces carry the weight of the story. This is the series opener and I'm very excited to chat about a director whose voice is so distinct and welcome in modern cinema. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episodes here: The American Friend (D.O.P. Robby Müller) Tokyo Story (Yasujirō Ozu 1953) Peter's alt Reichardt double bill: First Cow (Kelly Reichardt 2019) Cloud (Kiyoshi Kurosawa 2024) Sources: https://www.criterion.com/current/posts/4941-certain-women-trapped-under-the-big-sky https://www.anothergaze.com/review-certain-women-kelly-reichardt-sophie-mayer/ https://www.theringer.com/2025/10/03/movies/certain-women-best-movies-21st-century https://seventh-row.com/2017/02/10/kelly-reichardt-certain-women-interview/ https://www.independent.co.uk/arts-entertainment/films/features/certain-womens-kelly-reichardt-interview-michelle-williams-laura-dern-kristen-stewart-lily-gladstone-a7615271.html https://www.refinery29.com/en-gb/2017/02/142090/certain-women-kelly-reichardt-film-director-interview https://thefilmstage.com/lily-gladstone-talks-certain-women-kelly-reichardts-genius-and-native-american-roles/ https://www.nylon.com/articles/kelly-reichardt-certain-women-interview https://www.theupcoming.co.uk/2017/03/03/certain-women-an-interview-with-director-kelly-reichardt/ Outro Song: The Night They Drove Old Dixie Down by Joan Baez Films Mentioned: The American Friend (Wim Wenders 1977) Tokyo Story (Yasujirō Ozu 1953) Old Joy (Kelly Reichardt 2006) Wendy and Lucy (Kelly Reichardt 2008) Night Moves (Kelly Reichardt 2013) River of Grass (Kelly Reichardt 1994) First Cow (Kelly Reichardt 2019) The Mastermind (Kelly Reichardt 2025) Meek's Cutoff (Kelly Reichardt 2010) Elephant Man (David Lynch 1980) No Country for Old Men (Joel & Ethan Coen 2007) Chungking Express (Wong Kar-wai 1994) Paris, Texas (Wim Wender 1984) May December (Todd Haynes 2023) Carol (Todd Haynes 2015) Collateral (Michal Mann 2004) Face/Off (John Woo 1997) Cloud (Kiyoshi Kurosawa 2024) Killers of the Flower Moon (Martin Scorsese 2023) Breaking The Waves (Lars von Trier 1996) Desert Hearts (Donna Deitch 1986)

DER DÄNISCHE GODZILLABei Bohrarbeiten in Lappland wird ein gefrorenes Stück eines prähistorischen Reptils entdeckt. Wissenschaftler transportieren das Fundstück nach Kopenhagen, wo es in einem Labor untersucht wird. Durch einen Unfall regeneriert sich das Gewebe und das urzeitliche Monster Reptilicus erwacht zum Leben. Das riesige Wesen richtet in der Stadt Verwüstungen an und bedroht die Bevölkerung. Während das Militär verzweifelt versucht, die Kreatur zu stoppen, suchen die Wissenschaftler nach einer Möglichkeit, das Monster endgültig zu vernichten. (schnittberichte.com)Welche Filme kennt man aus Dänemark? Entweder witzige Sonntagsgickler wie die Olsenbande oder Depri-Mindfuck wie Lars von Trier. Aber wusstet ihr, dass die Dänen auch eine echte Kaiju-Legende erschaffen haben? Vorhang auf für REPTILICUS!Auch wenn das titelgebende Monstrum eher wie ein Cracksüchtiger Urmel-Cousin ausschaut, hat REPTILICUS definitiv ein paar Besonderheiten auf dem Kasten. Doof nur, dass sich die Dänen die Produktion mit den Amis geteilt haben und so ZWEI separate Filme unter dem gleichen Titel entstanden sind. Und auch wenn beide Fassungen ihre eigene Daseinsberechtigung besitzen, haben sie eins gemeinsam: Sie sind absoluter Kaiju-Trash!- - -Feedback, Verbesserungen, Wünsche? Gerne hier zurückmelden!Unterstützen: Join the Trash-Gang | Kaffeekasse (Ko-Fi) | Plaion Pictures Shop (Affiliate) |Auphonic-Credits spendenAbonnieren: iTunes | Spotify | Amazon Music | Google Podcasts | RSSFolgen: Youtube | InstagramIntro-/Outro: Aidan Finnegan (https://soundcloud.com/triadaudioofficial)

Ref.: Prof. Dr. Marco Benini, Leiter des Deutschen Liturgischen Instituts und Prof. für Liturgiewissenschaft, Trier

Et liv lakker mod ende. De sygdomme som har plaget Marx hele hans liv bliver være og være. Han lever et mere roligt liv præget af antropologiske undersøgelser og hans forsøg på at lære russisk. Arbejdet med de næste bind af Kapitalen går kun meget langsomt frem og Marx kæmper med sine mange noter der efterhånden beslår tusinde sider. Da Jenny Marx og kort derefter deres ældste datter Jennychen dør er Marx en knækket mand. Selv lever han kun lidt mere end et år mere og bisættes på Highgate cemetery 17. marts 1883. Historien om Marx fortæller i ni afsnit historien om den revolutionære filosof Karl Marx, fra hans fødsel i Trier i 1818 og til hans død 64 år senere i London. I den periode gik Marx fra at være indflydelsesrig redaktør til at blive en ignoreret polemikker. Fra at være en marginaliseret aktør på den politiske scene, til at lede en nærmest verdensomspændende organisation der indgød de herskende eliter med eksistentiel angst. Og i slutningen af hans liv begynder hans ord at få nærmest profetisk kraft. Vært: Reinout Bosch Skuespillere: Som Karl Kautsky: Daniel Burgaard Som Eleonor Marx: Anne Münniche Som Louis Pio: Illias Berhili Som Friederich Engels: Klaus Münster Kilder: Callesen, Gerd, Steen Bille Larsen, Niels Ole Højstrup Jensen, og Steen Bille Larsen. Marx i Danmark, historiske bidrag. 1. udgave. København: Selskabet til forskning i arbejderbevægelsens historie, 1983. Bryld, Claus: Den demokratiske socialismes gennembrudsår, København: Selskabet til forskning i arbejderbevægelsens historie, 1992. Draper, Hal. The Marx-Engels Cyclopedia. Berkeley, CA: Center for Socialist History, 1984. Gabriel, Mary. Love and Capital. Karl and Jenny Marx and the Birth of a Revolution. New York, NY: Little, Brown and Company, 2011. Jones, Gareth Stedman. Karl Marx. Greatness and Illusion. London: Penguin Books, 2017. Rasmussen, Palle. Friederich Engels og historisk materialisme. Aalborg: Aalborg Universitetsforlag, 2022. Sperber, Jonathan. Karl Marx. A Nineteenth Century Life. New York, NY: Liveright Publishing Corporation, 2014. Wheen, Francis. Marx's Das Kapital. A Biography. London: Atlantic Books, 2006. Draper, Hal. The Marx-Engels Cyclopedia. Berkeley, CA: Center for Socialist History, 1984. Gabriel, Mary. Love and Capital. Karl and Jenny Marx and the Birth of a Revolution. New York, NY: Little, Brown and Company, 2011. Jones, Gareth Stedman. Karl Marx. Greatness and Illusion. London: Penguin Books, 2017. Rasmussen, Palle. Friederich Engels og historisk materialisme. Aalborg: Aalborg Universitetsforlag, 2022. Sperber, Jonathan. Karl Marx. A Nineteenth Century Life. New York, NY: Liveright Publishing Corporation, 2014. Wheen, Francis. Marx's Das Kapital. A Biography. London: Atlantic Books, 2006. Musik og lydeffekter: Tchaikovsky - Symphony No.5, E minor, Op.64 - van Kempen - Primo movimento – Wikimedia Vivaldi - Four Seasons 1 Spring mvt 2 Largo - John Harrison violin – Wikimedia Sad Cinematic Strings - Nikita Kondrashev Sad violin - Christian Eichenauer Beautiful Piano & Flute Instrumental Inspiring Music - Denis Pavlov Händel – messiah – Wikimedia Lydeffekter: DRAGON-STUDIO, Free_sound_community, Luca Di Allesandro, Breakz Studios, Lola Joy, Rinku via. Pixabay – Egne optagelser fra Hamstead Heath.

Sentimental Value should contend for big nominations at the Golden Globes, Critics Choice Awards and many upcoming precursors as well as major Oscar Nominations, and we have to study it in this loaded film study Oscars Profile review show. NON-SPOILER REVIEW OF SENTIMENTAL VALUE: Reception Thus Far. Critical, Audience & Box Office - 2:55 Our Theater-Going Experience - 4:50 The Awards Profile Thus Far + Golden Globes Predictions - 7:58 Enjoying the film much more on 2nd viewing, more so than at the festivals - 11:04 A Huge Stellan Skarsgard Discussion and a Dissection of Supporting Actor - 13:23 Having Fun with a Film about Filmmakers - 22:41 Trier makes personal films hiding behind fictions, much like Gustav in this story - 25:10 Renate Reinsve and THREE! Tremendous Supporting Actress Performances - 27:32 Review of the Production Values including praise for the Score & Cinematography - 32:21 Our Oscar Nom Predictions, a Lead Actress Breakdown & Over/Under - 35:23 SPOILER WARNING - 40:39 SPOILER SECTION FOR SENTIMENTAL VALUE: Two Big Nitpicks - 41:29 Big Performance Moments for Renate Reinsve - 45:00 Inga Ibsdotter Lilleaas Big Performance Takeaways - 49:33 Stellan Skarsgard's Gustav Motivations & Performance Takes - 55:03 The Themes Played Out in the Ending - 1:03:43 How A Worst Scene Becomes A Best Scene on Rethink - 1:08:06 Final Grades - 1:11:01 OUTRO: We have more Oscar Race Checkpoints and Oscar Profile film studies coming soon, maybe, kinda, sorta… or not. We won't say. But thank you as always for listening. Please follow us on social media and rate/review our show to pledge your support. And thanks again for doing that as well. https://linktr.ee/mikemikeandoscar

Im Konzentrationslager Buchenwald in Thüringen, nahe der Stadt Weimar, waren zur Zeit der NS-Diktatur Juden, politische Gegner, Sinti und Roma und sowjetische Kriegsgefangene inhaftiert. Mehr als 50.000 Menschen starben in diesem KZ. Einer der Überlebenden war ein Trierer Kommunist: Hans Eiden. Über ihn, sein Leben und sein Überleben berichtet uns Christoph Herrig, Gästebegleiter und Mitarbeiter der Arbeitsgemeinschaft Frieden in Trier.

In today's Special Features episode Felicia is joined once again by the great Joey Gantner to discuss the world ending in the 80s, in Steve De Jarnatt's Miracle Mile (1988). We chat about why LA makes a great backdrop for so many memorable films, and why this story is even more relevant in today's climate. Send us your thoughts on the film and let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episodes with Joey here:To Live and Die in L.A. (D.O.P. Robby Müller 1985) Repo Man (Alex Cox 1984) Follow Joey here: Spotify: Out of the Podcast Tape Record Label: sludge-people.com IG: @sludgepeople IG: @outofthepodcast Outro Song: Teetering Scales by Tangerine Dream Sources: https://collider.com/miracle-mile-1988/ https://filmstories.co.uk/features/miracle-mile-director-steve-de-jarnatts-1988-film-is-still-one-of-the-best-nuclear-armageddon-thrillers/ https://lovehorror.co.uk/horror-reviews/55993/miracle-mile-1988-review/ https://www.denofgeek.com/movies/miracle-mile-1988-review/ https://journeysindarknessandlight.wordpress.com/2017/08/14/miracle-mile-1988-steve-de-jarnatt/ https://www.newspapers.com/article/tampa-bay-times-miracle-mile/100553558/ https://vhsrevival.com/2023/09/09/the-bomb-that-will-bring-us-together-miracle-miles-quirky-reflections-on-nuclear-holocaust/ https://itcamefromblog.com/2020/02/11/the-everlasting-impact-of-miracle-mile/ https://popdose.com/the-popdose-interview-steve-de-jarnatt/ https://www.stevedejarnatt.net/media https://www.money-into-light.com/2015/11/an-interview-with-steve-de-jarnatt-part_8.html Films Mentioned: Repo Man (Alex Cox 1984) To Live and Die in L.A. (William Friedkin 1985) Cherry 2000 (Steve De Jarnatt 1987) Twilight Zone: The Movie (John Landis, Joe Dante,George Miller, Steven Spielberg 1983) Wayne's World (Penelope Spheeris 1992) Dawn of the Dead (George A. Romero 1978) Strange Brew (Rick Moranis, Dave Thomas 1983) Over The Top (Menahem Golan 1987) Tarzana (Steve De Jarnatt 1978) Revenge of the Nerds (Jeff Kanew 1984) Top Gun (Tony Scott 1986) Peggy's Sue Got Married (Francis Ford Coppola 1986) Tarantula (Jack Arnold 1955) Revenge of the Creature (Jack Arnold 1955) The Mole People (Virgil W. Vogel 1956) Citizen Kane (Orson Welles 1941) Kiss Me Deadly (Robert Aldrich 1955) Children on Men (Alfonso Cuarón 1986) After Hours (Martin Scorsese 1985) Love Lies Bleeding (Rose Glass 2024) The Holy Mountain (Alejandro Jodorowsky 1973) Nymphomaniac (Lars von Trier 2013)

Der FC Bayern ist also schlagbar. Und Jonas Friedrich (Sky) geht mit Philipp Schneider (SZ) die Gründe dafür durch. Was den BVB trotz einigermaßen passabler Ergebnisse angreifbar macht, weiß wiederum Sebastian Weßling (Funke). Wie auch Michael Körner (Magentasport), der den Producer Jens Huiber aber auch auf eine gefühlt dreitägige Reise mitnimmt.

durée : 00:04:12 - Le Grand reportage de France Inter - Le tir sportif est une discipline qui enregistre chaque année 5 à 6% de licenciés en plus, depuis une dizaine d'années. Mais ce succès demande de la vigilance. Trier entre les vrais amoureux du tir sportif et les adeptes de l'autodéfense est un défi pour les clubs. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

pWotD Episode 3128: Udo Kier Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 297,979 views on Monday, 24 November 2025 our article of the day is Udo Kier.Udo Kierspe (14 October 1944 – 23 November 2025), known professionally as Udo Kier, was a German actor. Known primarily as a character actor who often portrayed eccentric and deviant figures, he appeared in more than 220 films in both leading and supporting roles throughout Europe and the Americas.Kier made his breakthrough playing the title characters in the cult films Flesh for Frankenstein (1973) and Blood for Dracula (1974), both directed by Paul Morrissey, which established him as an icon of the horror film genre. He became a staple figure in both mainstream genre film and art house circles, described by one obituary as a "cult icon". He collaborated with notable filmmakers such as Rainer Werner Fassbinder, Lars von Trier, Gus Van Sant, Werner Herzog, Walerian Borowczyk, Kleber Mendonça Filho, Dario Argento, Guy Maddin, Alexander Payne, E. Elias Merhige, and Barry Sonnenfeld.He received several international accolades, including an nomination for the Independent Spirit Award for Best Male Lead, for his elegiac performance in Swan Song (2021). Openly gay throughout his career, he received a Special Teddy Award at the 65th Berlin International Film Festival in 2015.This recording reflects the Wikipedia text as of 03:01 UTC on Tuesday, 25 November 2025.For the full current version of the article, see Udo Kier on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Geraint.

Sean and Amanda begin the show by discussing the imminent sale of Warner Brothers Discovery, consider the potential implications of a merger with one of Paramount, Comcast, or Netflix, and debate which scenario is the most likely outcome (1:22). Then, they cover the new Colleen Hoover adaptation ‘Regretting You' starring Allison Williams and Dave Franco, which they found absolutely baffling (17:28). Next, they have an extensive conversation around Joachim Trier's ‘Sentimental Value,' starring Renate Reinsve and Stellan Skarsgard, where they explore why some people are connecting to the film so strongly, while for others it doesn't seem to resonate (47:15). Finally, Trier joins the show to explain how much of himself is actually mapped onto Skarsgard's character, how being a good listener and observant of the world around you translates to strong characterization, and the story of shooting in a house that was down the street he grew up on (1:33:54). Hosts: Sean Fennessey and Amanda Dobbins Guest: Joachim Trier Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

Felicia is joined by Ben Turnbull to talk about the male ego in Douglas Sirk's Written on the Wind (1956). We chat about the earnest approach Sirk takes to all of his films and specifically a high tense story such as this one. This is the series finale and one of my favourite month's of the show so far. It was fascinating learning more about Sirk's life and I hope we encouraged you to seek out more of his work. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Ben Here: The Franchisees Podcast on Spotify: @TheFranchisees Letterboxd: @ben_turnbull Twitter: @FartonFink IG: @benjamin.turnbull Sources: Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing. https://www.criterion.com/current/posts/7680-written-on-the-wind-no-good-end https://www.criterion.com/current/posts/97-written-on-the-wind https://www.sensesofcinema.com/2005/feature-articles/sirk-2/ https://www.filmcomment.com/article/melodrama-and-the-new-woman/ https://www.filmcomment.com/article/sirkumstantial-evidence/ https://www.newyorker.com/culture/richard-brody/movie-of-the-week-written-on-the-wind Outro Song: Main Title from Written on the Wind by Frank Skinner Films Mentioned: Saw (Franchise) Interview With a Vampire (Neil Jordan 1994) Queen of the Damned (Michael Rymer 2002) Through a Glass Darkly (Ingmar Bergman 1961) Winter Light (Ingmar Bergman 1963) The Silence (Ingmar Bergman 1963) Dogville (Lars von Trier 2003) Manderlay (Lars von Trier  2005) Imitation of Life (Douglas Sirk 1959)  Magnificent Obsession (Douglas Sirk 1954) My Winnipeg (Guy Maddin 2007) There's Always Tomorrow (Douglas Sirk 1956) Mulholland Drive (David Lynch 2001) Rebel Without a Cause (Nicholas Ray 1955) Ali: Fear Eats the Soul (Rainer Werner Fassbinder 1974) May December (Todd Haynes 2023) The Go-Between (Joseph Losey 1971) Far From Heaven (Todd Haynes 2002) Lured (Douglas Sirk 1947) The Tarnished Angels (Douglas Sirk 1957) Battle Hymn (Douglas Sirk 1957) A Time to Love and a Time to Die (Douglas Sirk 1958) Airplane! (David Zucker, Jerry Zucker, Jim Abrahams 1980) Lust for Life (Vincente Minnelli 1956) Double Indemnity (Billy Wilder 1944) Psycho (Alfred Hitchcock 1960) The Ascent (Larisa Shepitko 1977) Peyton Place (Mark Robson 1957) Bigger Than Life (Nicholas Ray 1956) Murder By Decree (Bob Clark 1979) Lolita (Stanley Kubrick 1962) What Ever Happened to Baby Jane (Robert Aldrich 1962) What Ever Happened to Aunt Alice? (Lee H. Katzin 1969)

Norwegian actress Renate Reinsve earned international recognition for her performance in the Joachim Trier film The Worst Person in the World. After roles in Hollywood in Presumed Innocent and A Different Man, Reinsve and Trier have reunited in their new film Sentimental Value about a theater actress and her estranged film director father in Oslo. Larry Mantle speaks with Renate Reinsve about her approach to acting and her latest film. You can see Sentimental Value in select theaters now. It will expand to more theaters Friday. Nov. 28. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency

Kelsi and Trey talk Joachim Trier's Sentimental Value through its themes of trauma, lineage, forgiveness, and family wounds. Featuring breakdowns of Renate Reinsve, Stellan Skarsgård, and Elle Fanning's performances, plus an exploration of the house as memory, the film's meta filmmaking layers, and why this might be Trier's most powerful drama yet with some minor issues along the way.⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

Archivaufnahme 9.6.2017: Im zweiten Teil meines Urlaubsberichts geht es nach Trier, zu Weinproben, Geocaching-Touren, einem Besuch in einer römischen Villa, einem Treffen mit einer netten Hörerin und meiner Unterkunft in Wintrich.

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture For this week's third podcast review, Ema Sasic, Josh Parham, and Giovanni Lago join me to review and discuss the latest film from Joachim Trier, "Sentimental Value," starring Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, and Elle Fanning. The film had its world premiere at the main competition of the 2025 Cannes Film Festival, where it received widespread acclaim and won the Grand Prix. It has been selected as the Norwegian entry for Best International Feature Film at the 98th Academy Awards. What did we think of it? Please tune in as we discuss the performances, writing, and direction from Trier (co-written with Eskil Vogt), the themes, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Gleichberechtigung in der Antike? Das war nicht der Fall. Wie Frauen in der Gesellschaft des alten Roms lebten - und überlebten -, können zwei Expertinnen des Trierer Landesmuseums erklären. Im Fokus: Faustina Minor, die zur ihrer Zeit hochgeachtete und später (von Männern) kritisierte Ehefrau des römischen Kaisers Marc Aurel (regierte 161 bis 180 nach Christus).

I denne episoden presenterer vi andre del av vår samtale med Joachim Trier om Affeksjonsverdi. I første del dykket vi ned i filmens tematikk, mens vi i denne avsluttende delen snakker mer om fortellingens mange meta-nivåer. Trier deler blant annet sine tanker om hva slags regissør Gustav Borg er, betydningen av manuset-i-filmen – pluss at han forteller om sitt vennskap med Paul Thomas Anderson og gleden over å se One Battle After Another.  Etter verdenspremieren i Cannes i mai og påfølgende kinolansering denne høsten, har Affeksjonsverdi blitt årets suverent mest omtalte norske film. Hundretusenvis av publikummere har strømmet til kinosalene (også i utlandet), og langvarige diskusjoner om filmen har ledet til flere interessante debatter – inkludert kritikken i Morgenbladet og meningsutvekslingen som fulgte. Faste lyttere vil huske at Joachim Trier har vært gjest hos oss på Filmfrelst tidligere – først i episode #102 om tidenes 10 beste filmer og deretter i episode #473 om Verdens verste menneske. Deltagelsen her på Filmfrelst er Triers eneste (eksklusive) norske podkastopptreden i høst – denne samtalen begynte i forrige episode (#650, hør den her) og fortsetter altså her nedenfor. Triers store filminteresse kommer tydelig frem i dialog med Montages-redaktør Karsten Meinich, og i tillegg til at denne praten fokuserer på Trier og medmanusforfatter Eskil Vogts ideer rundt Gustav Borg som filmskaper, kommer denne episoden også inn på betydningen av bevegelse i film og på hvilken måte Yasujirō Ozus filmer har inspirert Trier. Til slutt er vi også kort innom hva som venter Affeksjonsverdi i den internasjonale lanseringen, og hva deltagelsen i årets Oscar-sesong kan bety. God lytting!

T'es tu déjà posé la question suivante: "mes amis, le sont-ils réellement"?Qui t'apporte réellement et qui te nuit subtilement.Réponse inchaAllah dans ce Podcast

I denne podkastepisoden møter vi Joachim Trier til en lang og detaljert samtale om Affeksjonsverdi, med fokus på filmens tematikk, hvordan han gir visuell form til det han ønsker å si og hvilken utvikling han ser i seg selv som regissør etter seks spillefilmer på to tiår. Etter verdenspremieren i Cannes i mai og påfølgende kinolansering denne høsten, har Affeksjonsverdi blitt årets suverent mest omtalte norske film. Hundretusenvis av publikummere har strømmet til kinosalene (også i utlandet), og langvarige diskusjoner om filmen har ledet til flere interessante debatter – inkludert kritikken i Morgenbladet og meningsutvekslingen som fulgte. Faste lyttere vil huske at Joachim Trier har vært gjest hos oss på Filmfrelst tidligere – først i episode #102 om tidenes 10 beste filmer og deretter i episode #473 om Verdens verste menneske. Deltagelsen her på Filmfrelst er Triers eneste (eksklusive) norske podkastopptreden denne høsten. I dialog med Montages-redaktør Karsten Meinich reflekterer regissøren ikke bare rundt tematikk, form og sin reise om filmskaper, men åpner også opp om konkrete scener fra Affeksjonsverdi og hvordan ideene kom til liv i skriverommet med co-manusforfatter Eskil Vogt. Praten vår med Trier er todelt, og andre del publiseres i neste Filmfrelst-episode. God lytting!

This week we're excited to present a special conversation from the 63rd New York Film Festival between filmmakers Joachim Trier and Noah Baumbach, moderated by Film at Lincoln Center programmer Maddie Whittle. This Talk is sponsored by Deadline. NYFF veterans Noah Baumbach and Joachim Trier returned to the festival this year with a pair of films that explore how artistry, authenticity, and artifice collide in the public and private lives of star actors and famed filmmakers. In Baumbach's charmingly reflexive Jay Kelly, an aging megastar—played, fittingly, by George Clooney—arrives at a crisis point in his career; haunted by the past and uninspired by the present, he embarks on a somewhat reckless screwball adventure with his entourage (featuring Adam Sandler and Laura Dern) in tow. Meanwhile, Trier's Sentimental Value finds an acclaimed stage actress (Renate Reinsve) and her estranged movie-director father (Stellan Skarsgård) clashing, connecting, and introspecting over a film project that draws from their complicated lives. Dramatizing the dimensions of modern-day, larger-than-life celebrity with deft humor, both films hone in on the relationships—familial, professional, transactional—that undergird the creative process and industrial artmaking. Baumbach and Trier joined NYFF63 for a lively, probing discussion of their approaches to writing grounded, lived-in characters, and the collaborations that have shaped their own illustrious bodies of work. The 63rd New York Film Festival is presented in partnership with Rolex.

Mertes, Nicole und Florin, Christiane www.deutschlandfunk.de, Tag für Tag

Immer wieder hat es an einem 9. November große politische Ereignisse gegeben, die für die deutsche Geschichte prägend waren: Revolution, Pogrom, Mauerfall. Wir werfen einen Blick auf diesen offenbar besonderen Tag und die damaligen Ereignisse - und was ein Zeitzeuge aus Trier im Jahre 1989/1990 nach dem Fall der Berliner Mauer erlebte.

Trier war einst Hauptstadt der westlichen römischen Provinzen. Das Trierer Transmare-Institut sucht in der Mosel mit modernsten Sonargeräten nach antiken Häfen und Brücken.

Altfried G. Rempe, Trier, Katholische Kirche: Morgen wird der Morgen eine Stunde später anbrechen...

Exploring timeless lessons from the Philosopher Emperor at Trier's State Exhibition with Dr. Viola Skiba and Helena Huber. Across the border from Luxembourg, in Germany's oldest city, two of Trier's leading museums, the Rheinisches Landesmuseum and the Stadtmuseum Simeonstift, have joined forces for an extraordinary state exhibition on Marcus Aurelius. This collaborative showcase invites visitors to explore one of Rome's most fascinating figures: the Philosopher Emperor whose reflections on Stoicism and virtue continue to inspire thinkers, leaders, and citizens nearly two thousand years later. In this episode Lisa Burke speaks with Dr. Viola Skiba, Director of the Stadtmuseum Simeonstift, and Helena Huber, Curator at the Rheinisches Landesmuseum Trier. Together, they unpack the meaning of good governance: what makes a good leader? And for whom? This is a question as urgent today as it was in the Roman Empire. “Marcus Aurelius is remembered as the ‘good emperor',” explains Huber. “But his reign was far from peaceful. His stoic philosophy guided him through wars, plague, and political turmoil — and it still offers lessons for ethical leadership today.” Dr. Skiba adds: “The question of good governance is universal and timeless. From antiquity to our modern democracies, people have always asked: what makes a good ruler, and for whom?” The exhibition is divided between the two museums. The Landesmuseum explores Marcus Aurelius: Emperor, Commander, Philosopher, combining archaeological treasures with philosophical interpretation. The Stadtmuseum complements this with What Is Good Government? Here, they examine ideals of leadership, justice, and representation through history including striking medieval imagery where kings symbolically kissed or even shared a bed to show peace and trust to their people. Beyond the exhibition's intellectual richness, visitors can immerse themselves in Trier's extraordinary Roman heritage: the Porta Nigra, vast thermal baths, and some of Europe's most important mosaics. As Huber puts it, “The Romans left us their Instagram of the time; images and monuments showing how they wanted to be remembered.” For today's audiences, Marcus Aurelius is more than a historical figure. His Meditations, a private diary of self-discipline, justice, and humility, continue to offer a mirror for leadership and citizenship in the 21st century. “Peace, justice, prosperity and the common good: these are still the foundations of what we all seek,” says Skiba. “Marcus Aurelius helps us remember that good governance begins with virtue.” https://www.trier-info.de/en/package-offers/marc-aurel-2025

Lisa Burke on Today Radio explores timeless lessons from the philosopher emperor at Trier's state exhibition with Dr Viola Skiba and Helena Huber. Across the border from Luxembourg, in Germany's oldest city, two of Trier's leading museums, the Rheinisches Landesmuseum and the Stadtmuseum Simeonstift, have joined forces for an extraordinary state exhibition on Marcus Aurelius. This collaborative showcase invites visitors to explore one of Rome's most fascinating figures: the Philosopher Emperor whose reflections on Stoicism and virtue continue to inspire thinkers, leaders, and citizens nearly two thousand years later. In this episode Lisa Burke speaks with Dr. Viola Skiba, Director of the Stadtmuseum Simeonstift, and Helena Huber, Curator at the Rheinisches Landesmuseum Trier. Together, they unpack the meaning of good governance: what makes a good leader? And for whom? This is a question as urgent today as it was in the Roman Empire. “Marcus Aurelius is remembered as the ‘good emperor',” explains Huber. “But his reign was far from peaceful. His stoic philosophy guided him through wars, plague, and political turmoil — and it still offers lessons for ethical leadership today.” Dr. Skiba adds: “The question of good governance is universal and timeless. From antiquity to our modern democracies, people have always asked: what makes a good ruler, and for whom?” The exhibition is divided between the two museums. The Landesmuseum explores Marcus Aurelius: Emperor, Commander, Philosopher, combining archaeological treasures with philosophical interpretation. The Stadtmuseum complements this with What Is Good Government? Here, they examine ideals of leadership, justice, and representation through history including striking medieval imagery where kings symbolically kissed or even shared a bed to show peace and trust to their people. Beyond the exhibition's intellectual richness, visitors can immerse themselves in Trier's extraordinary Roman heritage: the Porta Nigra, vast thermal baths, and some of Europe's most important mosaics. As Huber puts it, “The Romans left us their Instagram of the time; images and monuments showing how they wanted to be remembered.” For today's audiences, Marcus Aurelius is more than a historical figure. His Meditations, a private diary of self-discipline, justice, and humility, continue to offer a mirror for leadership and citizenship in the 21st century. “Peace, justice, prosperity and the common good: these are still the foundations of what we all seek,” says Skiba. “Marcus Aurelius helps us remember that good governance begins with virtue.” https://www.trier-info.de/en/package-offers/marc-aurel-2025

Altfried G. Rempe, Trier, Katholische Kirche: Immer weiter beten, hat Jesus vorgeschlagen – auch wenn's schwerfällt...

This week we conclude our 10-year anniversary retrospective on Night Demon's Curse of the Damned track by track, by exploring the album closer, 'Save Me Now." Although this track was covered in depth in Episodes 202-203, we revisit it now and expose new nooks and crannies, details that have never before surfaced.  Among other nuggets, you will learn how "Save Me Now" got Dusty the gig as Night Demon drummer, why Jarvis is so proud of it from a writing perspective, how the keyboard / organ sections came to be and when they were reproduced live, how it has the longest pick slide in the history of recorded music, why the track eventually faded from the live set, and why it's a tricky song to nail live, In many ways, "Save Me Now" is a "hit song" that wasn't, and the band are very fond of it.Become a subscriber today at nightdemon.net/subscriber. This week, subscribers have access to the bonus content below:Streaming Audio: Save Me Now - Live at Wacken Open Air - August 2, 2025Streaming Audio: Save Me Now - Live in Trier, Germany - September 18, 2022Streaming Audio: Save Me Now - Live in Cleveland, OH - October 1, 2022Streaming Audio: Save Me Now - Live in Dublin, Ireland - November 26, 2023Streaming Audio: Save Me Now - Live in Ventura, CA - April 26, 2015Streaming Audio: Save Me Now - Run for Your Life SessionsStreaming Audio: Save Me Now - DemoStreaming Audio: Save Me Now - Instrumental VersionStreaming Audio: Save Me Now - Live Darkness VersionStreaming Audio: Save Me Now - Rough Demo Listen at nightdemon.net/podcast or anywhere you listen to podcasts! Follow us on Instagram Like us on Facebook