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8 episodes with shugend
2 episodes with shugend
2 episodes with shugend
2 episodes with shugend
2 episodes with shugend
2 episodes with shugend
Send us a textEpisode 49 of the podcast takes us to the smallest of Japan's main for islands, Shikoku, and onto the Shikoku Henro. Associated with the life and teachings of legendary Buddhist monk Kūkai - also known as Kōbō Daishi – the Shikoku Henro is an 88 temple, 1200km / 745 mile pilgrimage circuit that circumambulates the island. Long-known by Japanese, “the Henro” is increasingly popular for international visitors with many people traveling to Japan specifically to walk a section or the complete trail. Our guide in exploring the Henro today is guest Kōei Ervin. Kōei is an ordained priest in the Shingon tradition of Japanese Buddhism, Shugendō practitioner, and tour guide with Shikoku Tours including accompanying guests along the Henro. Kōei's depth of knowledge of the Henro and Japanese Buddhism is self-evident, and as a guide, he weaves an engaging and accessible story regarding the history of the trail, why people walk it, what to expect, traditional clothing and basic logistics of accommodation and when to do it.For more information about the Shikoku Henro, visit the Henro.org website, Shikoku Tourism website or Shikoku 88 Temple Pilgrimage website. For guided tours with Kōei, visit the Shikoku Tours website or contact him via his Scattered Blossoms blog or his Instagram. During the interview, Kōei makes several recommendations including the revised Shikoku Japan 88 Route Guide Book, Ohenro San Facebook Group, Shikoku 88 Ohenro Pilgrimage Facebook Group and Sumotoriya Asano supply store.A very big thank you to Kōei for making time to speak with me and for providing the images used in support of the episode. I hope you enjoy.Outland Japan is a bi-weekly podcast hosted by Peter Carnell - a freelance tour guide based in northern Nagano – that transports you to rural, regional and the wilds of Japan in pursuit of stories that lie outside the neon hum of Tokyo and golden trimmings of Kyoto. Stories of travel, life and culture beyond the big cities. Follow the show on Instagram, Facebook and YouTube. Please note, prior to October 2024, Outland Japan was named Snow Country Stories Japan.
Today your shamans of strangeness offers you a crash course in the understanding behind a theory and tradition spanning hundreds of years! a form of spiritual practice fathered by Mikao Usui and having roots in Shugendō, Shinto and Buddhism, is reiki pseudo-science, legitimate or one of the earliest and most powerful forms of the placebo effect! The something perplexing podcast looks at Reiki! https://www.cnbc.com/2019/02/19/budget-breakdown-of-a-37-year-old-who-makes-108000-dollars-a-year.html file:///C:/Users/citru/Downloads/dnb_vol26_no2_100.pdf file:///C:/Users/citru/Downloads/nihms-990716.pdf https://en.wikipedia.org/wiki/Reiki https://www.georgianamoncktonreiki.com/the-history-of-reiki.php https://www.reiki.org/stories/reiki-prison https://iarp.org/history-of-reiki/ https://www.medicalnewstoday.com/articles/306437 https://hms.harvard.edu/news/power-placebo#:~:text=The%20placebo%20effect%20is%20the,full%20of%20saline%2C%20for%20example. https://www.health.harvard.edu/mental-health/the-power-of-the-placebo-effect https://en.wikipedia.org/wiki/Hawayo_Takata https://en.wikipedia.org/wiki/Shinto https://en.wikipedia.org/wiki/Shugend%C5%8D
Often represented as a tradition of ancient origins, Shugendō has retained a quality of mystery and nostalgia in the public imagination and scholars as the “original” champions of mountain asceticism. In his monograph, A Path Into the Mountains: Shugendō and Mount Togakushi (U Hawaii Press, 2022), Caleb Carter challenges this conceptualization by examining historical documents of Mount Togakushi. By focusing on themes of narratives, institution, and ritual, Carter explores how the transmission of this complex religious system at Togakushi was not a natural phenomenon, but a conscious act by a practitioner from Mount Hiko. Using a variety of textual sources including origin stories (engi) and temple records, Carter demonstrates how the practitioners of Mount Togakushi utilize storytelling, institutional support, and ritual processes to not only provide legitimacy but also establish a foundation for Shugendō at Togakushi. With discussions on Shinto and women's exclusion (nyonin kekkai), staple topics in Japanese religions, A Path Into the Mountains offers something for those interested in not just Shugendō but also Buddhism, mountain religions, and religious history. Raditya Nuradi is a Phd candidate at Kyushu University. He works on religion and popular culture, particularly anime pilgrimages. His research explores pilgrims' experiences through space and materiality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Often represented as a tradition of ancient origins, Shugendō has retained a quality of mystery and nostalgia in the public imagination and scholars as the “original” champions of mountain asceticism. In his monograph, A Path Into the Mountains: Shugendō and Mount Togakushi (U Hawaii Press, 2022), Caleb Carter challenges this conceptualization by examining historical documents of Mount Togakushi. By focusing on themes of narratives, institution, and ritual, Carter explores how the transmission of this complex religious system at Togakushi was not a natural phenomenon, but a conscious act by a practitioner from Mount Hiko. Using a variety of textual sources including origin stories (engi) and temple records, Carter demonstrates how the practitioners of Mount Togakushi utilize storytelling, institutional support, and ritual processes to not only provide legitimacy but also establish a foundation for Shugendō at Togakushi. With discussions on Shinto and women's exclusion (nyonin kekkai), staple topics in Japanese religions, A Path Into the Mountains offers something for those interested in not just Shugendō but also Buddhism, mountain religions, and religious history. Raditya Nuradi is a Phd candidate at Kyushu University. He works on religion and popular culture, particularly anime pilgrimages. His research explores pilgrims' experiences through space and materiality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Often represented as a tradition of ancient origins, Shugendō has retained a quality of mystery and nostalgia in the public imagination and scholars as the “original” champions of mountain asceticism. In his monograph, A Path Into the Mountains: Shugendō and Mount Togakushi (U Hawaii Press, 2022), Caleb Carter challenges this conceptualization by examining historical documents of Mount Togakushi. By focusing on themes of narratives, institution, and ritual, Carter explores how the transmission of this complex religious system at Togakushi was not a natural phenomenon, but a conscious act by a practitioner from Mount Hiko. Using a variety of textual sources including origin stories (engi) and temple records, Carter demonstrates how the practitioners of Mount Togakushi utilize storytelling, institutional support, and ritual processes to not only provide legitimacy but also establish a foundation for Shugendō at Togakushi. With discussions on Shinto and women's exclusion (nyonin kekkai), staple topics in Japanese religions, A Path Into the Mountains offers something for those interested in not just Shugendō but also Buddhism, mountain religions, and religious history. Raditya Nuradi is a Phd candidate at Kyushu University. He works on religion and popular culture, particularly anime pilgrimages. His research explores pilgrims' experiences through space and materiality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Often represented as a tradition of ancient origins, Shugendō has retained a quality of mystery and nostalgia in the public imagination and scholars as the “original” champions of mountain asceticism. In his monograph, A Path Into the Mountains: Shugendō and Mount Togakushi (U Hawaii Press, 2022), Caleb Carter challenges this conceptualization by examining historical documents of Mount Togakushi. By focusing on themes of narratives, institution, and ritual, Carter explores how the transmission of this complex religious system at Togakushi was not a natural phenomenon, but a conscious act by a practitioner from Mount Hiko. Using a variety of textual sources including origin stories (engi) and temple records, Carter demonstrates how the practitioners of Mount Togakushi utilize storytelling, institutional support, and ritual processes to not only provide legitimacy but also establish a foundation for Shugendō at Togakushi. With discussions on Shinto and women's exclusion (nyonin kekkai), staple topics in Japanese religions, A Path Into the Mountains offers something for those interested in not just Shugendō but also Buddhism, mountain religions, and religious history. Raditya Nuradi is a Phd candidate at Kyushu University. He works on religion and popular culture, particularly anime pilgrimages. His research explores pilgrims' experiences through space and materiality. Learn more about your ad choices. Visit megaphone.fm/adchoices
Often represented as a tradition of ancient origins, Shugendō has retained a quality of mystery and nostalgia in the public imagination and scholars as the “original” champions of mountain asceticism. In his monograph, A Path Into the Mountains: Shugendō and Mount Togakushi (U Hawaii Press, 2022), Caleb Carter challenges this conceptualization by examining historical documents of Mount Togakushi. By focusing on themes of narratives, institution, and ritual, Carter explores how the transmission of this complex religious system at Togakushi was not a natural phenomenon, but a conscious act by a practitioner from Mount Hiko. Using a variety of textual sources including origin stories (engi) and temple records, Carter demonstrates how the practitioners of Mount Togakushi utilize storytelling, institutional support, and ritual processes to not only provide legitimacy but also establish a foundation for Shugendō at Togakushi. With discussions on Shinto and women's exclusion (nyonin kekkai), staple topics in Japanese religions, A Path Into the Mountains offers something for those interested in not just Shugendō but also Buddhism, mountain religions, and religious history. Raditya Nuradi is a Phd candidate at Kyushu University. He works on religion and popular culture, particularly anime pilgrimages. His research explores pilgrims' experiences through space and materiality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies
Often represented as a tradition of ancient origins, Shugendō has retained a quality of mystery and nostalgia in the public imagination and scholars as the “original” champions of mountain asceticism. In his monograph, A Path Into the Mountains: Shugendō and Mount Togakushi (U Hawaii Press, 2022), Caleb Carter challenges this conceptualization by examining historical documents of Mount Togakushi. By focusing on themes of narratives, institution, and ritual, Carter explores how the transmission of this complex religious system at Togakushi was not a natural phenomenon, but a conscious act by a practitioner from Mount Hiko. Using a variety of textual sources including origin stories (engi) and temple records, Carter demonstrates how the practitioners of Mount Togakushi utilize storytelling, institutional support, and ritual processes to not only provide legitimacy but also establish a foundation for Shugendō at Togakushi. With discussions on Shinto and women's exclusion (nyonin kekkai), staple topics in Japanese religions, A Path Into the Mountains offers something for those interested in not just Shugendō but also Buddhism, mountain religions, and religious history. Raditya Nuradi is a Phd candidate at Kyushu University. He works on religion and popular culture, particularly anime pilgrimages. His research explores pilgrims' experiences through space and materiality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Often represented as a tradition of ancient origins, Shugendō has retained a quality of mystery and nostalgia in the public imagination and scholars as the “original” champions of mountain asceticism. In his monograph, A Path Into the Mountains: Shugendō and Mount Togakushi (U Hawaii Press, 2022), Caleb Carter challenges this conceptualization by examining historical documents of Mount Togakushi. By focusing on themes of narratives, institution, and ritual, Carter explores how the transmission of this complex religious system at Togakushi was not a natural phenomenon, but a conscious act by a practitioner from Mount Hiko. Using a variety of textual sources including origin stories (engi) and temple records, Carter demonstrates how the practitioners of Mount Togakushi utilize storytelling, institutional support, and ritual processes to not only provide legitimacy but also establish a foundation for Shugendō at Togakushi. With discussions on Shinto and women's exclusion (nyonin kekkai), staple topics in Japanese religions, A Path Into the Mountains offers something for those interested in not just Shugendō but also Buddhism, mountain religions, and religious history. Raditya Nuradi is a Phd candidate at Kyushu University. He works on religion and popular culture, particularly anime pilgrimages. His research explores pilgrims' experiences through space and materiality. Learn more about your ad choices. Visit megaphone.fm/adchoices
Often represented as a tradition of ancient origins, Shugendō has retained a quality of mystery and nostalgia in the public imagination and scholars as the “original” champions of mountain asceticism. In his monograph, A Path Into the Mountains: Shugendō and Mount Togakushi (U Hawaii Press, 2022), Caleb Carter challenges this conceptualization by examining historical documents of Mount Togakushi. By focusing on themes of narratives, institution, and ritual, Carter explores how the transmission of this complex religious system at Togakushi was not a natural phenomenon, but a conscious act by a practitioner from Mount Hiko. Using a variety of textual sources including origin stories (engi) and temple records, Carter demonstrates how the practitioners of Mount Togakushi utilize storytelling, institutional support, and ritual processes to not only provide legitimacy but also establish a foundation for Shugendō at Togakushi. With discussions on Shinto and women's exclusion (nyonin kekkai), staple topics in Japanese religions, A Path Into the Mountains offers something for those interested in not just Shugendō but also Buddhism, mountain religions, and religious history. Raditya Nuradi is a Phd candidate at Kyushu University. He works on religion and popular culture, particularly anime pilgrimages. His research explores pilgrims' experiences through space and materiality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies
Sailor Noob is the podcast where a Sailor Moon superfan and a total noob go episode by episode through the original Sailor Moon series!This week, Mako pushes herself to the limit in search of power and spiritual balance! Makoto retreats to a mountain temple to train as a terrifying new daemon stalks her mentor and Usagi and friends get caught in the crossfire!In this episode, we discuss Buddhist priests and monks, the Buddha Shakyamuni, the Nihon Shoki, zasu or "head priest", zazen or "meditation", Nichiren Buddhism, the Sōhei warrior monks, yamabushi or "one who prostrates themselves on the mountain", Shugendō or the "path of training", Shinbutsu-shūgō, "temple families", shojin ryori or "devotion cooking", daruma dolls, and daruma otoshi. We also talk about mountain ninjas, a newsflashback, saying "forte" wrong, travel eating, making temples accessible, Buddhists loving American mid-century poets, Saban Moon BS, socially conscious hecklers, Eatapalooza, The Usagi Diaries, five against one, joining a tradition for the sects, ReiKoto, a Four Rooms scenario, and a little Buddha worship for a treat!Promise?We're on iTunes and your listening platform of choice! Please subscribe and give us a rating and a review! Arigato gozaimasu!https://podcasts.apple.com/us/podcast/sailor-noob/id1486204787Become a patron of the show and get access to our Pretty Guardian Sailor Moon live-action show and our Animedification podcast!http://www.patreon.com/sailornoobSailor Noob is a part of the Just Enough Trope podcast network. Check out our other shows about your favorite pop culture topics and join our Discord!http://www.twitter.com/noob_sailorhttp://www.justenoughtrope.comhttp://www.instagram.com/noob_sailorhttps://discord.gg/49bzqdpBpxBuy us a Kōhī on Ko-Fi!https://ko-fi.com/E1E01M2UA
A reading guide by Tony Scott for the 2013 article, "Participatory Filmmaking Among Contemporary Shugendō Practitioners: Representing an Esoteric Tradition in an Accessible Documentary Film" by M. P. McGuire, published in The Journal of American-East Asian Relations, 20(4), 325–339. https://doi.org/10.1163/18765610-02004001 This episode of Footnotes was produced by Tony Scott with sound editing by Jesse Whitty. The show’s music is a track called “Jinkai” produced by hip-hop artist Yakuza Beatz and licensed by Creative Commons. The Footnotes series is created at the University of Toronto in Canada with support from ecampus Ontario. Image: Shugendo Now Poster (taken from shugendonow.com)
Shugendō is a religion practiced in Japan since as early as the 7th century, and involves severe asceticism as a form of worship and spiritual development. While most of this involves mountain climbing, some of the more enterprising monks in the past 1000 years have taken to the attempt to preserve their physical form my mummifying themselves while they are still alive. Today's guest is Tony Srimongka! You can find him via his Twitter page! For more content follow me on @hikikomoripodcast on Instagram where I'll be posting photos relevant to this episode! You can also find me on Twitter @sequencepod, or you can listen to my other podcasts Final Fanservice and Not Another Film on any big podcast app. Sources: Ask a Mortician - Caitlin Dougherty Atlas Obscura - Sokushinbutsu Mummipedia - Tetsumonkai Religious Rituals in Shugendo - Miyake Hitoshi SoraNews24 - Takigyo Senshu Tourism Wikipedia - Shinbutsu Bunri Wikipedia - Sokushinbutsu Trip Advisor - Shipporyuji Review Japan Today - Sogen Kato BBC News - Sogen Kato BBC News - Fusa Furuya Wikipedia - Sogen Kato
Hosted by filmmaker Yujiro Seki, Carving the Divine TV is a series of Q&A sessions with Buddhist scholars and practitioners. These Q&A sessions explore the basic concepts of Buddhism, the history of Buddhism and of course Buddhist sculptures/sculptors (bustuzo/busshi) so that when viewers finally watch the documentary Carving the Divine - Buddhist sculptors of Japan, they will get the maximum value of the documentary.Hosted by filmmaker Yujiro Seki, Carving the Divine TV is a series of Q&A sessions with Buddhist scholars and practitioners. These Q&A sessions explore the basic concepts of Buddhism, the history of Buddhism and of course Buddhist sculptures/sculptors (bustuzo/busshi) so that when viewers finally watch the documentary Carving the Divine - Buddhist sculptors of Japan, they will get the maximum value of the documentary.Finally, we will have a special show about Busshi (Japanese Buddhist sculptors). This time we are going to talk about the history of Busshi! The art of Busshi, known as Butsuzo, has been one of the highest refined art forms in Japan for 1400 years, but it has been under the radar until now. Finally, we are ready to bring this art and tradition to the forefront through our documentary Carving the Divine. However, Carving the Divine does not recount the history of Busshi; rather, it is about the modern-day Busshi. So, we thought it would be a great idea to do a special show to specifically introduce the history and why the Busshi tradition matters. * To fully enjoy the visual presentation of the slides, please go to our YouTube video: https://youtu.be/tWld13bY1hc As always, we will take you on a true wild rollercoaster ride. Get ready! In this show, you will travel through the span of 1400 years. How crazy is that? How cool is that? This is a truly special show because we invited our hero, Art Historian Mark Schumacher, to show and tell the history of Busshi through his visual presentation. We will not only talk about the history of Busshi but we will also be showing you visually the art of Busshi. We'll be talking about Tori Busshi, Jocho, Unkei, Kaikei, Enku and so much more! So you can see the beautiful art of Busshi in your own eyes along with the history lesson! And that's not all! Mr. Schumacher is gracious enough to let us download the virtual presentation of this episode so that you can study it in your own time and at your own pace! Please go to https://www.carvingthedivine.com/study-guide and download! Wow, I'm speechless! This is the coolest gift ever! Enjoy! So what are you waiting for?! Check out our newest Carving the Divine TV episode “The History of Busshi (Japanese Buddhist sculptors)” Let's go on our incredible journey of 1400 years! Mark Schumacher is an independent researcher who moved to Kamakura (Japan) in 1993 and still lives there today. His website, The A-to-Z Photo Dictionary of Japanese Religious Statuary, has been online since 1995. It is widely referenced by universities, museums, art historians, Buddhist practitioners, and lay people from around the world. The site's focus is medieval Japanese religious art, primarily Buddhist, but it also catalogs art from Shintō, Shugendō, Taoist, and other traditions. As of August 2018, it contained 400+ deities and thousands of annotated photos of statuary from Kamakura, Nara, Kyoto, and elsewhere in Japan. The site is searchable. LINK TO A-TO-Z PHOTO DICTIONARY = http://www.onmarkproductions.com/html/buddhism.shtmlSupport the show (https://www.patreon.com/carvingthedivine)
Hosted by filmmaker Yujiro Seki, Carving the Divine TV is a series of Q&A sessions with Buddhist scholars and practitioners. These Q&A sessions explore the basic concepts of Buddhism, the history of Buddhism and of course Buddhist sculptures/sculptors (bustuzo/busshi) so that when viewers finally watch the documentary Carving the Divine - Buddhist sculptors of Japan, they will get the maximum value of the documentary.This is a special episode about categories of Butsuzo (Japanese Buddhist Statuary/Statues/sculptures). We will have an art historian/scholar Mark Schumacher to discuss the category "Ten-bu (Celestial Beings)." * To fully enjoy the visual presentation of the slides, please go to our YouTube video: https://youtu.be/vUH3msgBmZ8Mark Schumacher is an independent researcher who moved to Kamakura (Japan) in 1993 and still lives there today. His website, The A-to-Z Photo Dictionary of Japanese Religious Statuary, has been online since 1995. It is widely referenced by universities, museums, art historians, Buddhist practitioners, and lay people from around the world. The site's focus is medieval Japanese religious art, primarily Buddhist, but it also catalogs art from Shintō, Shugendō, Taoist, and other traditions. As of August 2018, it contained 400+ deities and thousands of annotated photos of statuary from Kamakura, Nara, Kyoto, and elsewhere in Japan. The site is searchable. LINK TO A-TO-Z PHOTO DICTIONARY = http://www.onmarkproductions.com/html/buddhism.shtmlSupport the show (https://www.patreon.com/carvingthedivine)
Hosted by filmmaker Yujiro Seki, Carving the Divine TV is a series of Q&A sessions with Buddhist scholars and practitioners. These Q&A sessions explore the basic concepts of Buddhism, the history of Buddhism and of course Buddhist sculptures/sculptors (bustuzo/busshi) so that when viewers finally watch the documentary Carving the Divine - Buddhist sculptors of Japan, they will get the maximum value of the documentary.This is a special episode about categories of Butsuzo (Japanese Buddhist Statuary/Statues/sculptures). We will have an art historian/scholar Mark Schumacher to discuss the category "Myo-o (Wisdom Kings)." * To fully enjoy the visual presentation of the slides, please go to our YouTube video: https://youtu.be/rctbIuhA0f8Mark Schumacher is an independent researcher who moved to Kamakura (Japan) in 1993 and still lives there today. His website, The A-to-Z Photo Dictionary of Japanese Religious Statuary, has been online since 1995. It is widely referenced by universities, museums, art historians, Buddhist practitioners, and lay people from around the world. The site's focus is medieval Japanese religious art, primarily Buddhist, but it also catalogs art from Shintō, Shugendō, Taoist, and other traditions. As of August 2018, it contained 400+ deities and thousands of annotated photos of statuary from Kamakura, Nara, Kyoto, and elsewhere in Japan. The site is searchable. LINK TO A-TO-Z PHOTO DICTIONARY = http://www.onmarkproductions.com/html/buddhism.shtmlSupport the show (https://www.patreon.com/carvingthedivine)
Hosted by filmmaker Yujiro Seki, Carving the Divine TV is a series of Q&A sessions with Buddhist scholars and practitioners. These Q&A sessions explore the basic concepts of Buddhism, the history of Buddhism and of course Buddhist sculptures/sculptors (bustuzo/busshi) so that when viewers finally watch the documentary Carving the Divine - Buddhist sculptors of Japan, they will get the maximum value of the documentary.This is a special episode about categories of Butsuzo (Japanese Buddhist Statuary/Statues/sculptures). We will have an art historian/scholar Mark Schumacher to discuss the category "Bosatsu (Bodhisattvas)." * To fully enjoy the visual presentation of the slides, please go to our YouTube video: https://youtu.be/bQYd8LkZSxsMark Schumacher is an independent researcher who moved to Kamakura (Japan) in 1993 and still lives there today. His website, The A-to-Z Photo Dictionary of Japanese Religious Statuary, has been online since 1995. It is widely referenced by universities, museums, art historians, Buddhist practitioners, and lay people from around the world. The site's focus is medieval Japanese religious art, primarily Buddhist, but it also catalogs art from Shintō, Shugendō, Taoist, and other traditions. As of August 2018, it contained 400+ deities and thousands of annotated photos of statuary from Kamakura, Nara, Kyoto, and elsewhere in Japan. The site is searchable. LINK TO A-TO-Z PHOTO DICTIONARY = http://www.onmarkproductions.com/html/buddhism.shtmlSupport the show (https://www.patreon.com/carvingthedivine)
Hosted by filmmaker Yujiro Seki, Carving the Divine TV is a series of Q&A sessions with Buddhist scholars and practitioners. These Q&A sessions explore the basic concepts of Buddhism, the history of Buddhism and of course Buddhist sculptures/sculptors (bustuzo/busshi) so that when viewers finally watch the documentary Carving the Divine - Buddhist sculptors of Japan, they will get the maximum value of the documentary.This is a special episode about categories of Butsuzo (Japanese Buddhist Statuary/Statues/sculptures). We will have an art historian/scholar Mark Schumacher to discuss the category "Nyorai (Buddhas)." * To fully enjoy the visual presentation of the slides, please go to our YouTube video: https://youtu.be/8b1q1zxLGxMMark Schumacher is an independent researcher who moved to Kamakura (Japan) in 1993 and still lives there today. His website, The A-to-Z Photo Dictionary of Japanese Religious Statuary, has been online since 1995. It is widely referenced by universities, museums, art historians, Buddhist practitioners, and lay people from around the world. The site's focus is medieval Japanese religious art, primarily Buddhist, but it also catalogs art from Shintō, Shugendō, Taoist, and other traditions. As of August 2018, it contained 400+ deities and thousands of annotated photos of statuary from Kamakura, Nara, Kyoto, and elsewhere in Japan. The site is searchable. LINK TO A-TO-Z PHOTO DICTIONARY = http://www.onmarkproductions.com/html/buddhism.shtmlSupport the show (https://www.patreon.com/carvingthedivine)
Hosted by filmmaker Yujiro Seki, Carving the Divine TV is a series of Q&A sessions with Buddhist scholars and practitioners. These Q&A sessions explore the basic concepts of Buddhism, the history of Buddhism and of course Buddhist sculptures/sculptors (bustuzo/busshi) so that when viewers finally watch the documentary Carving the Divine - Buddhist sculptors of Japan, they will get the maximum value of the documentary.In this special episode, we will have an art historian/scholar) Mark Schumacher to discuss History/transmission of Buddhism to Japan and Common Characteristics of Deity Classes, including Nyorai (Buddhas) Bosatsu (Bodhisattvas) Nyorai (Wisdom Kings) and Ten (Celestial Beings). * To fully enjoy this content, please go to our YouTube video: https://youtu.be/M2LPT5yG8fYMark Schumacher is an independent researcher who moved to Kamakura (Japan) in 1993 and still lives there today. His website, The A-to-Z Photo Dictionary of Japanese Religious Statuary, has been online since 1995. It is widely referenced by universities, museums, art historians, Buddhist practitioners, and lay people from around the world. The site's focus is medieval Japanese religious art, primarily Buddhist, but it also catalogs art from Shintō, Shugendō, Taoist, and other traditions. As of August 2018, it contained 400+ deities and thousands of annotated photos of statuary from Kamakura, Nara, Kyoto, and elsewhere in Japan. The site is searchable. LINK TO A-TO-Z PHOTO DICTIONARY = http://www.onmarkproductions.com/html/buddhism.shtmlSupport the show (https://www.patreon.com/carvingthedivine)
Hosted by filmmaker Yujiro Seki, Carving the Divine TV is a series of Q&A sessions with Buddhist scholars and practitioners. These Q&A sessions explore the basic concepts of Buddhism and the history of Buddhism so that when viewers finally watch Carving the Divine they will get the maximum value of the documentary. In this special episode, we will have a art historian/scholar) Mark Schumacher to discuss about Busshi (Japanese Buddhist sculptor). Mark Schumacher is an independent researcher who moved to Kamakura (Japan) in 1993 and still lives there today. His website, The A-to-Z Photo Dictionary of Japanese Religious Statuary, has been online since 1995. It is widely referenced by universities, museums, art historians, Buddhist practitioners, and lay people from around the world. The site's focus is medieval Japanese religious art, primarily Buddhist, but it also catalogs art from Shintō, Shugendō, Taoist, and other traditions. As of August 2018, it contained 400+ deities and thousands of annotated photos of statuary from Kamakura, Nara, Kyoto, and elsewhere in Japan. The site is searchable. LINK TO A-TO-Z PHOTO DICTIONARY = http://www.onmarkproductions.com/html/buddhism.shtmlSupport the show (https://www.patreon.com/carvingthedivine)
Hosted by filmmaker Yujiro Seki, Carving the Divine TV is a series of Q&A sessions with Buddhist scholars and practitioners. These Q&A sessions explore the basic concepts of Buddhism and the history of Buddhism so that when viewers finally watch Carving the Divine they will get the maximum value of the documentary. In this special episode, we will have a art historian/scholar) Mark Schumacher to discuss the concept of Butsuzo (Japanese Buddhist Statuary/Statues/sculptures. Mark Schumacher is an independent researcher who moved to Kamakura (Japan) in 1993 and still lives there today. His website, The A-to-Z Photo Dictionary of Japanese Religious Statuary, has been online since 1995. It is widely referenced by universities, museums, art historians, Buddhist practitioners, and lay people from around the world. The site's focus is medieval Japanese religious art, primarily Buddhist, but it also catalogs art from Shintō, Shugendō, Taoist, and other traditions. As of August 2018, it contained 400+ deities and thousands of annotated photos of statuary from Kamakura, Nara, Kyoto, and elsewhere in Japan. The site is searchable. LINK TO A-TO-Z PHOTO DICTIONARY = http://www.onmarkproductions.com/html/buddhism.shtmlSupport the show (https://www.patreon.com/carvingthedivine)
Andrea Castiglioni and Fabio Rambelli's edited volume Defining Shugendo: Critical Studies on Japanese Mountain Religion (Bloomsbury, 2020) presents the newest studies on Shugendō-related practices and traditions from both Japanese and non-Japanese scholars. Contributors in their chapters explore how Shugendō constructed topologies and invented chronologies, how their practitioners were imagined and fictionalized, as well as how the tradition was reflected through materiality and visual cultures. The book also delves into the intellectual history of Shungendō studies in Japan, at the same time reflecting on how mountain beliefs in Japan have been studied in the West. Part One of the book features a chapter by Suzuki Masataka on the formative processes of Shugendō as an institutionalized religious tradition from a historiographical perspective. Suzuki traces how different generations of scholars have presented Shugendō, taking into account the influence of concepts such as "ethnic religion" and "ethnic culture" in the Meiji period and the subsequent reinterpretations of Shugendō with nationalistic overtones in the first half of the Shōwa period. Part Two looks into premodern regional variations of Shugendō institutions and religious practices as four different cultic sites: the Kumano Sanzan area in the Kii Peninsula, Mount Togakushi in Nagano prefecture, Mount Haguro in Yamagata prefecture, and Daigoji in Kyoto. The chapters of this section show how Shugendō centers regulated complex networks based on symbiotic interactions between Shugendō professionals, Buddhist monks, lay members of religious confraternities, and lay devotees. Part Three investigates how narrative strategies were set up to support Shugendō groups and identities in the premodern period. This section examines the foundational narratives of temples and shrines (jisha engi) of the medieval period, as well as how Shugendō practitioners were depicted in Edo period literary sources such as vernacular fictions and dramas. Part Four highlights the role of material and visual culture related to Shugendō, such as copper statues, devotional paintings, stelae, mounds, and paper talisman. The chapters of this section demonstrate that Shugendō materiality allowed for a network of religious interactions between humans (Shugendō practitioners, lay devotees, artisans) and nonhuman agencies (sacred objects) for the formation and diffusion of shared Shugendō discourses in society. Daigengna Duoer is a Ph.D. student at the Religious Studies Department, University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies
Andrea Castiglioni and Fabio Rambelli's edited volume Defining Shugendo: Critical Studies on Japanese Mountain Religion (Bloomsbury, 2020) presents the newest studies on Shugendō-related practices and traditions from both Japanese and non-Japanese scholars. Contributors in their chapters explore how Shugendō constructed topologies and invented chronologies, how their practitioners were imagined and fictionalized, as well as how the tradition was reflected through materiality and visual cultures. The book also delves into the intellectual history of Shungendō studies in Japan, at the same time reflecting on how mountain beliefs in Japan have been studied in the West. Part One of the book features a chapter by Suzuki Masataka on the formative processes of Shugendō as an institutionalized religious tradition from a historiographical perspective. Suzuki traces how different generations of scholars have presented Shugendō, taking into account the influence of concepts such as "ethnic religion" and "ethnic culture" in the Meiji period and the subsequent reinterpretations of Shugendō with nationalistic overtones in the first half of the Shōwa period. Part Two looks into premodern regional variations of Shugendō institutions and religious practices as four different cultic sites: the Kumano Sanzan area in the Kii Peninsula, Mount Togakushi in Nagano prefecture, Mount Haguro in Yamagata prefecture, and Daigoji in Kyoto. The chapters of this section show how Shugendō centers regulated complex networks based on symbiotic interactions between Shugendō professionals, Buddhist monks, lay members of religious confraternities, and lay devotees. Part Three investigates how narrative strategies were set up to support Shugendō groups and identities in the premodern period. This section examines the foundational narratives of temples and shrines (jisha engi) of the medieval period, as well as how Shugendō practitioners were depicted in Edo period literary sources such as vernacular fictions and dramas. Part Four highlights the role of material and visual culture related to Shugendō, such as copper statues, devotional paintings, stelae, mounds, and paper talisman. The chapters of this section demonstrate that Shugendō materiality allowed for a network of religious interactions between humans (Shugendō practitioners, lay devotees, artisans) and nonhuman agencies (sacred objects) for the formation and diffusion of shared Shugendō discourses in society. Daigengna Duoer is a Ph.D. student at the Religious Studies Department, University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Andrea Castiglioni and Fabio Rambelli's edited volume Defining Shugendo: Critical Studies on Japanese Mountain Religion (Bloomsbury, 2020) presents the newest studies on Shugendō-related practices and traditions from both Japanese and non-Japanese scholars. Contributors in their chapters explore how Shugendō constructed topologies and invented chronologies, how their practitioners were imagined and fictionalized, as well as how the tradition was reflected through materiality and visual cultures. The book also delves into the intellectual history of Shungendō studies in Japan, at the same time reflecting on how mountain beliefs in Japan have been studied in the West. Part One of the book features a chapter by Suzuki Masataka on the formative processes of Shugendō as an institutionalized religious tradition from a historiographical perspective. Suzuki traces how different generations of scholars have presented Shugendō, taking into account the influence of concepts such as "ethnic religion" and "ethnic culture" in the Meiji period and the subsequent reinterpretations of Shugendō with nationalistic overtones in the first half of the Shōwa period. Part Two looks into premodern regional variations of Shugendō institutions and religious practices as four different cultic sites: the Kumano Sanzan area in the Kii Peninsula, Mount Togakushi in Nagano prefecture, Mount Haguro in Yamagata prefecture, and Daigoji in Kyoto. The chapters of this section show how Shugendō centers regulated complex networks based on symbiotic interactions between Shugendō professionals, Buddhist monks, lay members of religious confraternities, and lay devotees. Part Three investigates how narrative strategies were set up to support Shugendō groups and identities in the premodern period. This section examines the foundational narratives of temples and shrines (jisha engi) of the medieval period, as well as how Shugendō practitioners were depicted in Edo period literary sources such as vernacular fictions and dramas. Part Four highlights the role of material and visual culture related to Shugendō, such as copper statues, devotional paintings, stelae, mounds, and paper talisman. The chapters of this section demonstrate that Shugendō materiality allowed for a network of religious interactions between humans (Shugendō practitioners, lay devotees, artisans) and nonhuman agencies (sacred objects) for the formation and diffusion of shared Shugendō discourses in society. Daigengna Duoer is a Ph.D. student at the Religious Studies Department, University of California, Santa Barbara. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies
Andrea Castiglioni and Fabio Rambelli's edited volume Defining Shugendo: Critical Studies on Japanese Mountain Religion (Bloomsbury, 2020) presents the newest studies on Shugendō-related practices and traditions from both Japanese and non-Japanese scholars. Contributors in their chapters explore how Shugendō constructed topologies and invented chronologies, how their practitioners were imagined and fictionalized, as well as how the tradition was reflected through materiality and visual cultures. The book also delves into the intellectual history of Shungendō studies in Japan, at the same time reflecting on how mountain beliefs in Japan have been studied in the West. Part One of the book features a chapter by Suzuki Masataka on the formative processes of Shugendō as an institutionalized religious tradition from a historiographical perspective. Suzuki traces how different generations of scholars have presented Shugendō, taking into account the influence of concepts such as "ethnic religion" and "ethnic culture" in the Meiji period and the subsequent reinterpretations of Shugendō with nationalistic overtones in the first half of the Shōwa period. Part Two looks into premodern regional variations of Shugendō institutions and religious practices as four different cultic sites: the Kumano Sanzan area in the Kii Peninsula, Mount Togakushi in Nagano prefecture, Mount Haguro in Yamagata prefecture, and Daigoji in Kyoto. The chapters of this section show how Shugendō centers regulated complex networks based on symbiotic interactions between Shugendō professionals, Buddhist monks, lay members of religious confraternities, and lay devotees. Part Three investigates how narrative strategies were set up to support Shugendō groups and identities in the premodern period. This section examines the foundational narratives of temples and shrines (jisha engi) of the medieval period, as well as how Shugendō practitioners were depicted in Edo period literary sources such as vernacular fictions and dramas. Part Four highlights the role of material and visual culture related to Shugendō, such as copper statues, devotional paintings, stelae, mounds, and paper talisman. The chapters of this section demonstrate that Shugendō materiality allowed for a network of religious interactions between humans (Shugendō practitioners, lay devotees, artisans) and nonhuman agencies (sacred objects) for the formation and diffusion of shared Shugendō discourses in society. Daigengna Duoer is a Ph.D. student at the Religious Studies Department, University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Andrea Castiglioni and Fabio Rambelli's edited volume Defining Shugendo: Critical Studies on Japanese Mountain Religion (Bloomsbury, 2020) presents the newest studies on Shugendō-related practices and traditions from both Japanese and non-Japanese scholars. Contributors in their chapters explore how Shugendō constructed topologies and invented chronologies, how their practitioners were imagined and fictionalized, as well as how the tradition was reflected through materiality and visual cultures. The book also delves into the intellectual history of Shungendō studies in Japan, at the same time reflecting on how mountain beliefs in Japan have been studied in the West. Part One of the book features a chapter by Suzuki Masataka on the formative processes of Shugendō as an institutionalized religious tradition from a historiographical perspective. Suzuki traces how different generations of scholars have presented Shugendō, taking into account the influence of concepts such as "ethnic religion" and "ethnic culture" in the Meiji period and the subsequent reinterpretations of Shugendō with nationalistic overtones in the first half of the Shōwa period. Part Two looks into premodern regional variations of Shugendō institutions and religious practices as four different cultic sites: the Kumano Sanzan area in the Kii Peninsula, Mount Togakushi in Nagano prefecture, Mount Haguro in Yamagata prefecture, and Daigoji in Kyoto. The chapters of this section show how Shugendō centers regulated complex networks based on symbiotic interactions between Shugendō professionals, Buddhist monks, lay members of religious confraternities, and lay devotees. Part Three investigates how narrative strategies were set up to support Shugendō groups and identities in the premodern period. This section examines the foundational narratives of temples and shrines (jisha engi) of the medieval period, as well as how Shugendō practitioners were depicted in Edo period literary sources such as vernacular fictions and dramas. Part Four highlights the role of material and visual culture related to Shugendō, such as copper statues, devotional paintings, stelae, mounds, and paper talisman. The chapters of this section demonstrate that Shugendō materiality allowed for a network of religious interactions between humans (Shugendō practitioners, lay devotees, artisans) and nonhuman agencies (sacred objects) for the formation and diffusion of shared Shugendō discourses in society. Daigengna Duoer is a Ph.D. student at the Religious Studies Department, University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Andrea Castiglioni and Fabio Rambelli's edited volume Defining Shugendo: Critical Studies on Japanese Mountain Religion (Bloomsbury, 2020) presents the newest studies on Shugendō-related practices and traditions from both Japanese and non-Japanese scholars. Contributors in their chapters explore how Shugendō constructed topologies and invented chronologies, how their practitioners were imagined and fictionalized, as well as how the tradition was reflected through materiality and visual cultures. The book also delves into the intellectual history of Shungendō studies in Japan, at the same time reflecting on how mountain beliefs in Japan have been studied in the West. Part One of the book features a chapter by Suzuki Masataka on the formative processes of Shugendō as an institutionalized religious tradition from a historiographical perspective. Suzuki traces how different generations of scholars have presented Shugendō, taking into account the influence of concepts such as "ethnic religion" and "ethnic culture" in the Meiji period and the subsequent reinterpretations of Shugendō with nationalistic overtones in the first half of the Shōwa period. Part Two looks into premodern regional variations of Shugendō institutions and religious practices as four different cultic sites: the Kumano Sanzan area in the Kii Peninsula, Mount Togakushi in Nagano prefecture, Mount Haguro in Yamagata prefecture, and Daigoji in Kyoto. The chapters of this section show how Shugendō centers regulated complex networks based on symbiotic interactions between Shugendō professionals, Buddhist monks, lay members of religious confraternities, and lay devotees. Part Three investigates how narrative strategies were set up to support Shugendō groups and identities in the premodern period. This section examines the foundational narratives of temples and shrines (jisha engi) of the medieval period, as well as how Shugendō practitioners were depicted in Edo period literary sources such as vernacular fictions and dramas. Part Four highlights the role of material and visual culture related to Shugendō, such as copper statues, devotional paintings, stelae, mounds, and paper talisman. The chapters of this section demonstrate that Shugendō materiality allowed for a network of religious interactions between humans (Shugendō practitioners, lay devotees, artisans) and nonhuman agencies (sacred objects) for the formation and diffusion of shared Shugendō discourses in society. Daigengna Duoer is a Ph.D. student at the Religious Studies Department, University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
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