Podcasts about Kyoto

Author Tess Woods had always dreamed of her big day, growing up watching her beloved Nana create in-demand bridal gowns. The stories of these dresses became a way for Tess to understand her family's origins in North Africa, which she left in the late 1970s. (Warning: This episode references the loss of a child.)Tess moved to Melbourne from Egypt when she was five years old.At large family gatherings, Tess dreamed of a big, fat, Egyptian wedding with 250 guests, food for days, belly dancing — the works.But after she became engaged to her sweet, mild-mannered Australian boyfriend Paul, Tess' parents' marriage imploded and she decided to elope to Fiji with a wedding party of just 11.Tess' cherished and feisty Nana made her wedding dress and her wedding underwear, and the nuptials were an unexpected hit.Tess and Paul moved their young family to Perth to begin their own story, which would unfold with ambition, tragedy and religion.Further informationThe Cairo Bridal Shop is published by Penguin Random House.This episode refers to the loss of a child. Please contact Red Nose on 1300 308 307 if you need support.This episode was produced by Alice Moldovan. The Executive Producer is Nicola Harrison.It explores migration, getting married, homemade wedding dresses, loss of a child, stillbirth, Japanese shrines, Kyoto, philosopher's walk, near death experience, collapsed lung, intubation, fear of death, religion, Coptic Christian, Catholic, lapsed Catholic, catholicism, church, Mass, Perth, physiotherapy, physiotherapist, historic fiction, divorce, family get togethers.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

"We are so well positioned to have it continue and flourish because we have become a Perpetual Purpose Trust, which means this place is no longer owned by one person or any financial interest—it is owned by purpose." —Michael Stusser "We're always trying to figure out how we keep moving the property forward in a way that's sustainable, and also how it's going to impact our guests, our business, our staff." —Heather Bishop  A perpetual purpose trust sounds like a legal footnote until you meet the two people who actually built one. This episode traces how Osmosis Day Spa Sanctuary in Sonoma County became the first U.S. spa to place itself inside that structure — permanently removing any future owner's ability to chase profit over mission.  Justine first sits down with founder Michael Stusser, who traces the idea back to a single afternoon in an 800-year-old Kyoto stone garden, and then with CEO Heather Bishop, who inherited the vision and had to figure out how to make it legally unbreakable. This one's for anyone who's tired of the word "sustainable" doing all the talking and none of the work. Michael and Heather don't just describe the enzyme bath, the meditation gardens, or the gray water system — they explain the budgeting, the permits, and the trade-offs behind each one. It's a conversation about what it actually costs, in time and humility, to build something that outlasts you. The enzyme bath's heat comes entirely from billions of thermophilic bacteria fermenting Douglas fir and rice bran — not from any external heat source. Osmosis's perpetual purpose trust means the business has no human shareholder; its "shareholder" is the mission itself, enforced by a trust committee and an independent trust enforcer. The five-and-a-half-acre property couldn't legally go into the same trust as the business, so it's being paid off and moved into a separate land trust over the next three to five years. A gray water system currently covers roughly 50–60% of the property's irrigation needs, with a rainwater catchment system planned to close the gap entirely. Osmosis sources its enzyme bath wood shavings as a byproduct from local lumber operations that would otherwise throw them away. Trust-based decision-making already changed real policy — Heather cites expanding paid time off to all staff, including part-time employees, as a direct result of the trust's staff-benefit objectives. Listen to the full conversation with Michael Stusser and Heather Bishop, and follow Essential Ingredients so you don't miss what's next. https://tinyurl.com/Essential-Ingredients-Podcast  Meet Michael:   Michael Stusser, founder of Osmosis Day Spa Sanctuary, is a pioneer in ecological sustainability, organic gardening, and holistic wellness. Beginning his journey at UC Santa Cruz in the late 1960s, he helped establish horticultural training centers and later served on the board of the Farallones Institute in Sonoma County.  In the early 1980s, Michael apprenticed in traditional landscape gardening in Kyoto, Japan, where he immersed himself in Zen meditation and discovered the healing power of cedar enzyme baths. Returning to California in 1984, he introduced this unique practice, gaining national recognition in outlets like The New York Times and CNN. By 1988, he transformed five acres in Freestone into Osmosis, blending inspired landscaping, meditation traditions, and eco‑restoration to create a sanctuary rooted in sustainability, spirituality, and rejuvenation.  LinkedIn Meet Heather:  Heather Bishop is the CEO of Osmosis Day Spa Sanctuary, where she leads one of Northern California's most distinctive hospitality businesses with a focus on people‑centered leadership and operational excellence. Over the past decade, she has guided Osmosis through transformative organizational change, overseeing operations, finance, HR, strategic planning, and guest experience for a team of 80+.  Heather recently spearheaded the company's transition into a Purpose Trust‑owned business—one of the few in the United States—ensuring long‑term mission preservation while modernizing governance, HR systems, and employee benefits. With expertise in executive leadership, organizational development, change management, and hospitality operations, Heather is dedicated to building resilient, purpose‑driven organizations where employees thrive and guests enjoy exceptional experiences.  LinkedIn Connect with Osmosis:  Website Instagram Facebook  X YouTube Pinterest Connect with NextGen Purpose: Website Facebook Instagram LinkedIn YouTube Podcast Chapters: 01:48 Meet Michael Stusser: The Kyoto Garden That Started It All 03:11 What Is an Enzyme Bath, Really? 09:51 Osmosis Becomes a Perpetual Purpose Trust 13:03 Self-Love, Deep Peace: Osmosis's Core Mission 16:38 Meet Heather Bishop: Massage Therapist to CEO 19:40 Stewarding Salmon Creek and the Meditation Gardens 27:17 Inside the Cedar Enzyme Bath's Sustainable Sourcing 30:28 Perpetual Purpose Trust, Explained in Plain Terms 36:03 Why the Land Stayed Out of the Trust 39:30 What Sustainability Actually Costs  THE PRIMES  ✨ You're more capable than you have ever been, and somehow more invisible than ever. You keep handing out advice you do not take yourself. You keep saying 'after this next thing' to your own life, and the people around you have no idea because, from the outside, everything looks fine— that is exactly what The Primes was built for.

Joel “Jay-Ray” Anderson is a drummer that was recently touring with The Wiz.I caught up with him mid-tour. We talked about growing up in a musical family in Fort Lauderdale, learning drums from YouTube and his oldest brother, coming up through the Dillard High School drumline, studying music at Broward College and Florida Memorial University, landing his first tour (Pretty Woman) the week after graduation, and transitioning to The Wiz through a network built one relationship at a time. We got into gospel drumming history, drumline battles, a month spent touring Japan, and why networking, not just chops, is what actually opens doors.Jay-Ray comes from a house full of musicians. His father plays guitar and sings; his oldest brother plays drums and keys; another brother sings, plays drums, and plays saxophone; and a third brother plays bass, guitar, and keys while producing. Jay-Ray's own introduction to the drums came at six years old, when his oldest brother sat him down in front of a kit for the first time. By twelve, he had his own Sonor drum set, a gift from that same brother, and was already teaching himself by copying drumming videos on YouTube.Jay-Ray attended Dillard Center for the Arts, where he played in two jazz bands, marched snare in the wind orchestra and drumline, and got pulled onto snare drum as a freshman after impressing section leader Javon with a string of paradiddles. He talks about the discipline instilled by band directors Christopher Dorsey and Dr. Sheldon McClain, learning traditional grip for the first time, and the intensity of real drumline battles.Jay-Ray studied at Broward College (Associate's in Music Performance) before transferring to Florida Memorial University for his bachelor's degree, where he played under percussion director Taurus Lovely, a 25-year Broadway touring veteran (including Tina Turner: The Musical) who would later become the person who got Jay-Ray his first tour. Jay-Ray's first trip to New York came in 2018, when Dillard's jazz band won the Essentially Ellington competition at Jazz at Lincoln Center, the same trip where he first saw a Broadway show, Ain't Too Proud.The day after Jay-Ray graduated from Florida Memorial in May 2023, Taurus Lovely called with an audition opportunity for the Pretty Woman national tour. Jay-Ray recorded four songs from the show, landed the gig, and was in rehearsals in Syracuse, New York within months. He talks candidly about the learning curve of running click tracks and Ableton on the road, getting walked through the system by original drummer Kevin Maynard, and the parts of touring nobody warns you about, like setting up and breaking down your own kit on travel days. Over roughly two years with the show, he toured extensively across the U.S. and spent a month performing in Japan (Shinjuku, Tachikawa, Kyoto, and Osaka).Jay-Ray's move to The Wiz came through his network: Sammy Merandino and Quentin “Q” Robinson recommended him, and MD Michael Aarons brought him in. Jay-Ray left Pretty Woman in Wichita and, within a week, was in New York starting rehearsals, spending his off-hours studying original drummer Trevor Holder's book and comparing the Broadway cast recording to the touring arrangement. He also shares how he first met Q Robinson years earlier, showing up at Hamilton's closing show in Fort Lauderdale just to introduce himself.Asked what he'd tell a high school or college drummer chasing a career like his, Jay-Ray's answer is simple: networking. Every opportunity in his career, from Pretty Woman to The Wiz to this very podcast episode, traces back to a relationship someone else made on his behalf.Where to Find Jay-Ray* Instagram & TikTok: @jay.ray04* Facebook: Joel Anderson* Email: joel.r.anderson04@gmail.comResources * Free: How to Land a Broadway Gig Roadmap — subscribe to Broadway Drumming 101 (free or paid) and grab it at broadwayboundbook.com/roadmap* The Broadway Sub Playbook ($7.99) — available at signaturebrandworks.com* Broadway Drumming 101 merch (backpacks, tees, hats, mugs, and more) — signaturebrandworks.com* Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career by Clayton Craddock — out nowClayton Craddock was most recently the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

For years I have wanted to do a proper deep dive on Reiki and I finally made the space to do it. Reiki traces back to a specific man on a specific mountain in a specific year. In the spring of 1922, a broken and starving Japanese seeker named Mikao Usui completed 21 days of fasting alone on Mount Kurama north of Kyoto, and something entered him from above. A great light. Symbols poured into him faster than thought. He came down able to heal a torn toenail with his bare hands, and by the following year he had walked into the smoking wreckage of the Great Kanto earthquake and treated the wounded for weeks alongside his students. He gave the practice a name — Usui Reiki Ryoho — and it has now spread to cancer wards, hospitals, and hospice rooms across the entire planet. ⠀ In this episode I walk you through everything. The mountain itself. The being called Sanat Kumara that Japanese Buddhist tradition says arrived on that summit from Venus six and a half million years ago. The five precepts Usui called the secret method. The four symbols the tradition guarded so fiercely for a century. The Reiju attunement ceremony that opens a lifelong channel in a human being. The laboratory evidence — Bernard Grad's healed mice at McGill, William Bingston's dozen cancer cure experiments across six labs, the 140 peer-reviewed papers, the sham Reiki controls that isolated the effect from expectation. The extraordinary story of Hawayo Takata smuggling this Buddhist practice into the West during World War Two by rewriting Usui as a Christian minister. And the full Hatsurayo daily practice you can start tonight — 10 minutes that opens the channel in your own hands and stays open for the rest of your life. This is a consciousness technology and every part of it is available to you.  

Could your skin be revealing what's happening inside your gut?In Episode 149 of The Dr. Haley Show, Dr. Michael Haley sits down with Dr. Jonathan Carp, a board-certified dermatologist, lifestyle medicine expert, and founder and CEO of Miracle Noodle, for a fascinating conversation about the gut-skin connection, inflammation, metabolism, nutrition, mental imagery, and taking a more active role in your own health.Dr. Carp explains why he has always viewed the skin as a window into the body and shares the story of a patient with severe lupus whose unexpected improvement changed the direction of his medical career.That experience led him to explore nutrition and lifestyle medicine more deeply while continuing to practice conventional dermatology.The conversation also explores acne and insulin, psoriasis and metabolic health, the gut microbiome, mental imagery, and the idea that different people may have very different “80/20” factors influencing their health.Later, Dr. Carp tells the story of traveling to Japan and eating a bowl of konjac noodles at a Buddhist vegetarian restaurant outside Kyoto. That experience eventually led him to create Miracle Noodle, now sold in thousands of stores nationwide.Dr. Carp explains what konjac and glucomannan are, why glucomannan is considered a soluble prebiotic fiber, how Miracle Noodle fits into low-carbohydrate and ketogenic diets, and the difference between the company's traditional konjac noodles and its newer egg-white noodles.In This EpisodeWhy the skin can provide clues about internal healthAcne, insulin, hormones, and metabolic healthHow gut health may influence inflammatory skin conditionsThe lupus patient who changed Dr. Carp's approach to medicineMental imagery and the work of Dr. Gerald EpsteinWhy Dr. Carp views the gut and skin as closely connected systemsMetabolic health, inflammation, and the microbiomeThe difference between a disease-reversal diet and a long-term dietWhy whole, minimally processed foods remain central to Dr. Carp's approachThe Japanese meal that inspired Miracle NoodleKonjac, glucomannan, and soluble prebiotic fiberMiracle Noodle for low-carb, keto, and gluten-free dietsHow to prepare konjac noodlesMiracle Noodle's high-protein egg-white noodlesWhy Dr. Carp wants people to become their own authority in healthThree pieces of advice that helped shape his lifeEpisode Chapters00:00 Your Gut Is an Extension of Your Skin00:49 Meet Dermatologist Dr. Jonathan Carp03:04 The Skin as a Window Into Internal Health06:26 Acne, Insulin & Gut Health08:50 The Lupus Patient Who Changed His Practice12:16 Mental Imagery and Healing15:08 How Dr. Carp Uses Healing Visualization19:29 The Gut-Skin Connection Explained23:10 Metabolism, Gut Health & Inflammation27:09 The Four Pillars and the 80/20 Rule30:23 Disease-Reversal Diet vs. Long-Term Diet33:00 How Miracle Noodle Began in Japan34:45 Glucomannan: The Fiber Behind Miracle Noodle35:50 Keto, Satiety & Fasting-Mimicking Diets38:10 Gut Benefits of Konjac and Glucomannan40:46 How to Prepare Miracle Noodle41:44 Egg-White Noodles: A High-Protein Alternative43:11 Fiber, Regularity & the Microbiome45:21 Where to Find Miracle Noodle46:24 Becoming Your Own Authority in Health48:22 The “Power Words” That Shaped Dr. Carp51:41 Final ThoughtsResourcesFull show notes and transcript:https://drhaley.com/gut-skin-connection-jonathan-carp/Watch the video interview on YouTube:https://youtu.be/RDLizF7_QgwMiracle Noodle:https://miraclenoodle.com/Healing Visualizations by Gerald Epstein, M.D.Mentioned by Dr. Carp as a resource for learning the mental-imagery techniques discussed in the episode.Radical Remission by Kelly A. Turner, Ph.D.Mentioned during the discussion of people who have experienced unexpected improvement from serious illness.The Dr. Haley ShowDiscover more interviews and health conversations at:https://drhaley.com/Haley NutritionLearn more about Haley Nutrition and its raw Aloe vera products at:https://haleynutrition.com/Podcast listeners: Listen during the episode for the current Haley Nutrition coupon code and exclusive listener offer.If this episode made you think of someone dealing with skin problems, gut issues, metabolic health challenges, or chronic inflammation, please share it with them.Subscribe to The Dr. Haley Show wherever you listen to podcasts so you don't miss future conversations about gut health, nutrition, longevity, lifestyle medicine, and unconventional ideas worth exploring.Disclaimer: This podcast is provided for educational and informational purposes only and is not intended as medical advice, diagnosis, or treatment. Statements made by guests represent their own views, experiences, and interpretations. Always consult an appropriately qualified healthcare professional before starting, stopping, or changing medications, supplements, diet, or other healthcare practices.

Japan has a reputation for being incredibly safe, but what does “safe” actually mean? The Krewe is joined by Jordan Green, aka AfroInJapan from YouTube & Instagram, to explore safety in Japan beyond just crime, including natural disasters, wildlife, xenophobia, & the considerations travelers & foreign residents should keep in mind. Does Japan live up to it's rep? You be the judge! ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  ------ Links for Jordan Green/AfroInJapan ------ AfroInJapan on YouTube AfroInJapan on Instagram AfroInJapan's "The Myth of Crime in Japan" ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!

Auf Instagram, TikTok & Co. trendet Japan und alles, was mit diesem Land zu tun hat, regelmäßig. Städte wie Tokyo oder Kyoto stehen als Reiseziel ganz oben auf der Bucket List vieler Menschen. Aber auch Hiroshima mit seinem Peace Park, der an die schrecklichen Folgen des Atombombenabwurfs erinnert, wird von vielen Touristen besucht. Korrespondent Ulrich Mendgen aus dem ARD-Studio Tokio berichtet über die Hotspots Japans, aber auch die Schattenseiten des Touristen-Booms. Und er gibt auch seine ganz persönlichen Japan-Verhaltenstipps für den nächsten Besuch. ------ Alle Folgen des Weltspiegel Podcast findet ihr hier: https://www.ardaudiothek.de/sendung/weltspiegel-podcast/61593768/ ------ Podcast-Tipp: Plusminus. Der ARD-Wirtschaftspodcast https://1.ard.de/plusminus-podcast-cp ----- Moderation: Janina Werner Redaktion: Heribert Roth, Navina Lala Mitarbeit: Nils Neubert, Sophia-Maria Kohn Redaktionsschluss: 13.08.2026

Auf Instagram, TikTok & Co. trendet Japan und alles, was mit diesem Land zu tun hat, regelmäßig. Städte wie Tokyo oder Kyoto stehen als Reiseziel ganz oben auf der Bucket List vieler Menschen. Aber auch Hiroshima mit seinem Peace Park, der an die schrecklichen Folgen des Atombombenabwurfs erinnert, wird von vielen Touristen besucht. Korrespondent Ulrich Mendgen aus dem ARD-Studio Tokio berichtet über die Hotspots Japans, aber auch die Schattenseiten des Touristen-Booms. Und er gibt auch seine ganz persönlichen Japan-Verhaltenstipps für den nächsten Besuch. ------ Alle Folgen des Weltspiegel Podcast findet ihr hier: https://www.ardaudiothek.de/sendung/weltspiegel-podcast/61593768/ ------ Podcast-Tipp: Plusminus. Der ARD-Wirtschaftspodcast https://1.ard.de/plusminus-podcast-cp ----- Moderation: Janina Werner Redaktion: Heribert Roth, Navina Lala Mitarbeit: Nils Neubert, Sophia-Maria Kohn Redaktionsschluss: 13.08.2026

Japan's most photographed sacred sites may draw the largest crowds, but quieter temples and shrines can be just as memorable. Taking the time to explore beyond the best-known landmarks can offer visitors a broader appreciation of the country's religious traditions, architecture, and history.In this episode, host Angie Orth continues her conversation with Chris Peskosky and Alex Murphy, the travel content creators behind It's Chris and Alex. The pair share more of their favorite discoveries from traveling through Japan, including the most underrated shrines and which temples are worth the extra effort to reach.You'll hear which shrine surprised them the most, why some of the region's most photographed sites are still worth the crowds, and the practical habits that make traveling in Japan easier. Chris and Alex also share the story behind Nara's largest Buddha statue and a piece of advice that catches almost every first-time visitor off guard.What You'll Learn:0:17 Kyoto's most underrated shrine, dedicated to star-crossed lovers3:18 The hidden temple trek that leads to a secluded bamboo grove4:37 Why Fushimi Inari's iconic gates still live up to the hype7:07 Inside Nara's Todaiji Temple and its massive bronze Buddha10:11 The one packing tip every visitor to Japan needs to knowConnect with Chris and Alex:Instagram: https://www.instagram.com/itschrisandalex/Website: https://www.itschrisandalex.com/Have you been to Japan? What was your most memorable experience? Tell us in the comments! Connect with AAA:Book travel: https://aaa-text.co/travelingwithaaa Instagram: https://www.instagram.com/AAAAutoClubEnterprisesFacebook: https://www.facebook.com/AAAAutoClubEnterprisesPodcast: TravelingWithAAA.com

Why are so many tunnels in Japan considered haunted? In this episode of Supernatural Japan, we descend into three of the country's most notorious haunted tunnels: Kyoto's eerie Kiyotaki Tunnel, Tokyo's Sendagaya Tunnel beneath a cemetery, and the mysterious Old Komine Tunnel in Hachioji. We explore the ghost stories, urban legends, tragic histories, and reported supernatural encounters associated with these dark passageways, while examining why tunnels around the world have become natural settings for ghost stories. From mysterious apparitions and unexplained sounds to Japanese folklore and the psychology of fear, discover why entering a tunnel can feel like crossing into another world. Website: supernaturaljapan.com Instagram: @supernaturaljapan Get lots of Premium and Exclusive Content and Ad-free Episodes! Premium membership: @patreon  Support on: @BuyMeACoffee Tales from Kevin (my expat diary podcast) Connect with Supernatural Japan: Instagram: @supernaturaljapan Facebook: @SupernaturalJapan BlueSky: @MadForMaple X: @MadForMaple YouTube: @BusanKevin Email: supernaturaljapan@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

What better way to celebrate graduating as high school Valedictorian than with an unforgettable adventure across South Korea and Japan?In this episode of The Travel Tidbits Podcast, Jamie Weitl is joined by her son, Bo, to share the story of his graduation trip aboard Celebrity Millennium. Together, they reflect on two incredible weeks exploring vibrant cities, rich history, amazing food, and unforgettable experiences across Asia.From the bustling streets of Seoul to the scenic beauty of Jeju Island, the coastal charm of Busan, and historic stops in Nagasaki, Kagoshima, and Hiroshima, every destination offered something unique. They also share how an approaching typhoon forced them to pivot their plans, leading to an impromptu bullet train adventure to Kyoto before spending three unexpected days at sea. That flexibility turned into one of the biggest highlights of the trip, complete with a traditional tea ceremony, a visit to a cat café, and plenty of time exploring one of Japan's most beautiful cities.The conversation also covers visiting Mt. Fuji, navigating the excitement of Tokyo, and experiencing both Tokyo Disneyland and the world-famous Tokyo DisneySea. Bo shares his favorite snacks, the destinations he'd most like to revisit, and why cruising is one of the best ways to experience multiple countries before deciding where to return for a longer stay.If you've ever considered visiting Japan or South Korea, this episode offers firsthand tips, honest reflections, and plenty of inspiration for planning your own adventure.Plus, Jamie shares exclusive Pineapple Escapes Travel pricing on the June 20, 2027 Celebrity Millennium sailing, with savings of up to $4,000 compared to current rates. After personally experiencing this itinerary (including navigating a typhoon!), Jamie can help you plan every detail with confidence.Whether you're dreaming of Asia for the first time or looking for your next bucket-list cruise, this episode is packed with practical advice and memorable stories that will have you ready to start planning.Learn more or request a quote at: https://pineappleescapes.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Fluent Fiction - Japanese: Ancestral Echoes: Yuki's Quest Through Kyoto's Ruins Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-08-12-22-34-01-ja Story Transcript:Ja: 京都の古代遺跡へと続く道は、夏の暑さで霞んでいた。En: The road leading to the ancient ruins in Kyoto was hazy with the summer heat.Ja: 周りにはお盆の祭りを祝うランタンが揺れる。En: Around her, lanterns celebrating the Obon festival swayed gently.Ja: 遺跡に足を踏み入れたゆきは、胸が高鳴るのを感じた。En: As Yuki stepped into the ruins, she felt her heart race.Ja: 彼女は若い考古学者で、歴史が大好きだ。En: She was a young archaeologist with a love for history.Ja: だが、それ以上に、彼女の胸には、家族の歴史とのつながりを見つけたいという思いがあった。En: However, more than that, she wanted to find a connection with her family's history.Ja: 噂によれば、この遺跡には忘れ去られた宝物が眠っているという。En: Rumor had it that forgotten treasures were hidden within these ruins.Ja: それがどうやら彼女の家系とつながっているらしい。En: Supposedly, they were linked to her lineage.Ja: しかし、ゆきの探求が始まると、すぐに彼女を悩ますものが現れた。En: But as Yuki began her quest, something troubling quickly emerged.Ja: それは、遺跡に咲く見知らぬ植物によるアレルギー反応だった。En: It was an allergic reaction caused by unfamiliar plants growing in the ruins.Ja: 彼女の顔は赤くなり、目はかゆく、息苦しさが増してきた。En: Her face turned red, her eyes itched, and her breath became increasingly difficult.Ja: 普通ならここで引き返して医者を訪ねるところだ。En: Ordinarily, she would have turned back to seek out a doctor.Ja: しかし、ゆきはこの機会を逃したくなかった。En: But Yuki did not want to miss this chance.Ja: このお盆の祭りの期間だけの特別なチャンス、家族の過去に触れるチャンスを。En: This special opportunity during the Obon festival was her chance to touch her family's past.Ja: 彼女は苦しみながらも遺跡の奥深くへと進んだ。En: Despite her suffering, she pressed on deeper into the ruins.Ja: やがて彼女は、ひっそりと隠された部屋にたどり着いた。En: Eventually, she arrived at a quietly hidden room.Ja: 息はますます苦しくなり、体力も限界に近づいていた。En: Her breath was growing more labored, and her strength was nearing its limit.Ja: しかし、ゆきは懸命に目を凝らして探した。En: However, Yuki strained her eyes in determination.Ja: そして、ついに古い箱を見つけたのだ。En: Finally, she found an old box.Ja: 箱の中には、彼女のご先祖様の書いた手紙があった。En: Inside the box was a letter written by one of her ancestors.Ja: それは、この遺跡の一部を設計したことを語る感動的な手紙だった。En: It was a moving letter, speaking of having designed a part of these ruins.Ja: 手にした瞬間、ゆきの心は深い感謝とつながりに満ちた。En: The moment she held it, Yuki's heart was filled with profound gratitude and connection.Ja: 彼女は速やかに遺跡を後にし、祭りの明るい灯りの中へ戻った。En: She swiftly left the ruins and returned to the bright lights of the festival.Ja: 祭りの音を背に、ゆきはすぐに医療の助けを求めることにした。En: With the sounds of the festival behind her, Yuki decided to immediately seek medical help.Ja: 彼女は、過去への憧れと自分自身を大切にすることの両方が大事だと学んだ。En: She learned the importance of both yearning for the past and taking care of herself.Ja: 彼女は再び訪れるつもりだが、今度は準備万端であるだろう。En: She plans to visit again, but this time she will be well-prepared.Ja: ゆきは静かに、夜空に輝くランタンを見上げた。En: Yuki quietly looked up at the lanterns shining in the night sky.Ja: 彼女の中には、過去を超えた新しい決意が芽生えていた。En: Within her, a new resolve beyond the past was taking root.Ja: 彼女は、祖先との深い絆を感じながら、お盆の夜を歩いた。En: As she walked through the Obon night, she felt a deep bond with her ancestors. Vocabulary Words:ancient: 古代ruins: 遺跡hazy: 霞んでいたlanterns: ランタンrace: 高鳴るarchaeologist: 考古学者treasures: 宝物lineage: 家系quest: 探求reaction: 反応allergic: アレルギーswayed: 揺れるemerged: 現れるordinary: 普通pressed on: 進むlabored: 苦しいstruggled: 懸命determination: 決意heart: 心gratitude: 感謝swiftly: 速やかにbright: 明るいresolve: 決意glimmered: 輝くbond: 絆beyond: 超えるconnection: つながりunfamiliar: 見知らぬopportunity: 機会hidden: 隠された

An OpenClaw agent hacked into a gym's reservation system to bump its human boss higher on a class's waitlist. And the tech industry took notice. Also, fusion power startups are turning to Kyoto Fusioneering to supply components for future power plants. The Japan-based startup just received a grant to build a part of the fuel system. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Have you ever wondered what it's really like to stay at a Traditional Ryokan Japan experience? In this episode, we explore one of the most memorable and culturally immersive accommodations Japan has to offer. More than just a place to sleep, a traditional ryokan combines exceptional hospitality, regional cuisine, beautifully designed tatami rooms, restorative onsen baths, and centuries of Japanese tradition into an unforgettable experience. If you're planning your first visit—or simply curious whether a Traditional Ryokan Japan stay is right for you—this episode will help you travel with confidence. We explain what a ryokan actually is, the different types of ryokan you'll encounter, and what you can expect from the moment you arrive. We also share practical etiquette tips, how kaiseki dinners and futon bedding work, what amenities are typically included, and how to choose the right ryokan based on your travel style—whether you're visiting Tokyo, Kyoto, Hakone, Tohoku, Shikoku, Kyushu, or Japan's quieter regional destinations. Whether you're searching for luxury, relaxation, authentic culture, or simply hoping to experience the warmth of Japanese hospitality, this episode is your complete introduction to Traditional Ryokan Japan. Join us as we share firsthand experiences, practical planning advice, and the reasons why a ryokan stay remains one of the highlights of every trip we take throughout Japan. Be sure to check out our Destinations and Real Japan pages for even more ideas of how to experience immersive Japan.

Bento Gil, de 21 años, uno de los 12 nietos de Gilberto Gil, publica 'Silêncio azul', su primer disco, con canciones de su autoría como 'Tardes de janeiro', 'A onda quebra', 'Sereia do mar' o 'Lugar nenhum'. Del disco de los guitarristas y cantantes Celso Fonseca y Tony Canto, 'Jobim e Modugno', 'Nel blu di pinto di blu (Volare)', 'Wave' -con Ana Vilela-, 'Tu si na cosa grande', 'Vivo sonhando' y 'Amara terra mia'. De 'Blossom', disco de la trompetista Airelle Besson y el acordeonista Lionel Suárez, 'Ida Lupino' de Carla Bley, 'Au lait' de Pat Metheny y Lyle Mays, 'Le jour J à l´heure H' y 'Kyoto dans la brume'. Despide el saxofonista Gerry Mulligan con la cantante Jane Duboc en 'Tema para Jobim' de su disco de 1993 'Paraíso'.Escuchar audio

Solo travel or group travel: is one really better for seeing Japan? The Krewe welcomes Ryotaro Sakurai back to the podcast to break down the pros and cons of both, from flexibility and independence to planning, convenience, and shared experiences. Plus, Ryotaro gives us a look at Umami Travel, the group tour company he's building and why he thinks there's room for a different kind of Japan travel experience. ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  ------ Links for Ryotaro & Umami Travel ------ Ryotaro's Japan YouTube Channel Ryotaro on IG Umami Travel Website Kessennuma Knitting INEtoAGAVE (Craft Sake) ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!

TRACKLIST : Altone - Buoyancy Anton Lanski - Cylon Chain Selector - Wild ivy DJ Different - In my place Satoshi Tomiie - You are there Dubrovnik - Galaxian Unknown Artist - Track ID Dat Schaub - Imminent Brendon Moeller - Rodeo Dub Okaro - Brave step Dazeman - Hyades Klartraum - All Dimensions (Hatikvah remix)

Kyoto, una hermosa ciudad en Japón, ha prohibido los colores brillantes para preservar su encanto tradicional. La rica historia y la arquitectura antigua de la ciudad se complementan mejor con tonos suaves que reflejan su herencia cultural. Al mantener los edificios y señales en colores más discretos, Kyoto mantiene una atmósfera serena y clásica. Esto ayuda tanto a los locales como a los visitantes a sentirse como si estuvieran retrocediendo en el tiempo al caminar por las calles. Esto hace a Kyoto muy diferente de la capital de Japón, Tokio. ¡Hagamos una comparación! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dans ce quatrième épisode de notre série “vivre en ville”, direction Kobe au Japon. Ville d'1,5 millions d'habitants, Kobe n'est pas la ville la plus connue du Japon. Elle s'efface souvent devant le gigantisme de sa capitale Tokyo, la spiritualité de Kyoto ou encore l'attractivité de sa voisine Osaka. De Kobe, on cite généralement son bœuf, le fameux “bœuf de Kobe” et le séisme qui frappa et détruisit une grande partie de la ville en 1995. La destruction de son port avait pénalisé l'économie japonaise tout entière, et la ville a mis plusieurs années à se relever de l'événement. Tournée à la fois vers la mer et la montagne, Kobe est agréable à vivre pour ses habitants mais reste encore méconnue et confidentielle.   Avec : Pierre-William Fregonese, politiste, enseignant à l'Université de Kobe, co-auteur avec Madoka Serizawa de Japonaises, dans l'archipel de l'injustice (PUF, 2026)   En fin d'émission, Ville contre ville, la chronique qui explore les rivalités urbaines. Aujourd'hui, Juliette Brault nous emmène en Colombie pour un match d'altitude entre Medellin et Bogota.   Programmation musicale : ► Kaiju - Sakanaction  ► Non Stop - Girl's band HANA ► Iris Out - Kenshi Yonezu  

Dans ce quatrième épisode de notre série “vivre en ville”, direction Kobe au Japon. Ville d'1,5 millions d'habitants, Kobe n'est pas la ville la plus connue du Japon. Elle s'efface souvent devant le gigantisme de sa capitale Tokyo, la spiritualité de Kyoto ou encore l'attractivité de sa voisine Osaka. De Kobe, on cite généralement son bœuf, le fameux “bœuf de Kobe” et le séisme qui frappa et détruisit une grande partie de la ville en 1995. La destruction de son port avait pénalisé l'économie japonaise tout entière, et la ville a mis plusieurs années à se relever de l'événement. Tournée à la fois vers la mer et la montagne, Kobe est agréable à vivre pour ses habitants mais reste encore méconnue et confidentielle.   Avec : Pierre-William Fregonese, politiste, enseignant à l'Université de Kobe, co-auteur avec Madoka Serizawa de Japonaises, dans l'archipel de l'injustice (PUF, 2026)   En fin d'émission, Ville contre ville, la chronique qui explore les rivalités urbaines. Aujourd'hui, Juliette Brault nous emmène en Colombie pour un match d'altitude entre Medellin et Bogota.   Programmation musicale : ► Kaiju - Sakanaction  ► Non Stop - Girl's band HANA ► Iris Out - Kenshi Yonezu  

京都・貴船の風流な川床料理旅館「兵衛」さんが取り組んでいるサービス改革。ウェブやSNSの刷新、客席を減らしてでも川に向き合う特等カウンター席で高めた体験価値、改良に裏打ちされた値上げの妥当性などをビジネス視点で考察。後半は"わざわざ”に宿る価値とモノづくりの喜びについて話しました。02:36 夏の恒例行事、貴船の川床へ。京都市内より7〜8度涼しい中、川の上でいただく旬のお料理03:33 「奥貴船 兵衛」が積み重ねているサービス（プロダクト）改良が気になりまくる − ウェブ、SNS、料理05:19 お客全員が川に面して食事できる特等カウンター席 − 客席数減でも体験価値を増すことで値上げに納得感06:47 体験価値↑：目の前で最後の盛り付けを仕上げてくれる、五感で楽しむ食体験のライブ感07:25 懐石料理の川床の隣に「川床カフェ」足を冷たい川に浸しながら抹茶ラテを楽しめて大行列09:00 サービスを変えるということ：徐々に積み重ねていく改良、リブランディング、価格アップへの妥当性10:51 源義経ファン及川が行く、鞍馬山から貴船へと歩くハイキング13:16 本物の氷を丸ごと削って作られた、美しすぎる「氷の器」でいただくお素麺の粋な演出15:47 シーズンオフでも川床をアパレルブランドの展示会にする斬新なスペース活用法17:00 釘を一本も使わずに縄と木だけで組み立てていく祇園祭の山鉾建ての現場18:40 兵衛は創業68年目、改良にともなう変化に対して常連の戸惑いにも真摯に向き合う姿勢19:53 駅から遠くてアクセスが悪いからこそ生まれる希少価値と「わざわざ」の意味27:03 タイパ・コスパの分子を軽く見すぎていないか？クオリティとクオンティティの差29:42 ものを作る人は作る過程に喜びや価値を見いだすってあるよね、人間の本能かもエピソード内で取り上げた情報へのリンク： 兵衛テック業界で働く3人が、テクノロジーとクリエイティブに関するトピックを、視点を行き交わしながら語り合います。及川卓也 @takoratta プロダクトマネジメントとプロダクト開発組織づくりの専門家 自己紹介エピソード ep1, ep2関信浩 @NobuhiroSeki アメリカ・ニューヨークでスタートアップ投資を行う、何でも屋 自己紹介エピソード ep52上野美香 @mikamika59 マーケティング・プロダクトマネジメントを手掛けるフリーランス 自己紹介エピソード ep53https://x-crossing.com

Wildland-Urban Interface fires are a class of fires that deserves own models, own studies and a lot of research focus. This is what I discuss today with prof. Arnaud Trouvé from the University of Maryland, shortly before he has given his plenary talk at the recent Combustion Symposium in Kyoto. In this interview, Arnaud explains what makes wildland urban interface (WUI) fires and urban conflagrations so hard to predict, also with a focus on the combustion phenomena. Arnaud is interested in how the fires spread from the wildlife into the urban areas, and how to model this spread. The state of the art models for fire spread are lacking in here, due to how they perceive a fire front as a "line", whereas in cities we are looking at collection of compartment-household fires that may last for hours, and create a burning area kilometre wide. Therefore, we need new modelling approaches, and we need them at three scales - the scale of vulnerabilities of a parcel, a parcel-to-parcel setups and whole community scales.To improve the state of the art, he breaks the problem into the scales that matter: indoor fire dynamics (where CFD can estimate structure burning), parcel-level exposure (where fire penetration is the missing link), and community-scale fire spread (where reduced order models dominate because fuel and building maps are often coarse). We dig into the practical modeling mechanics behind WUI simulators: 2D spread on gridded maps, simplified radiation and flame shape models, probabilistic firebrand transport, and the limits of one-way coupling where wind is prescribed but not influenced by the fire.We also discuss an important bottleneck: the data. Satellite observations often arrive with poor temporal resolution, and controlled full-scale experiments are rare, which makes validation and scenario selection painfully uncertain. We also discuss why windows and near-structure fuels can be a universal pathway for loss, and why the field needs stronger shared infrastructure and collaboration to move faster. Congratulations on your plenary talk and thank you Arnaud for representing the fire community at the Combustion Symposium. Once Arnaud's plenary paper is published, I will update the show notes with a link!----The Fire Science Show is produced by the Fire Science Media in collaboration with OFR Consultants. Thank you to the podcast sponsor for their continuous support towards our mission.

Fluent Fiction - Japanese: Love, Laughter, and Lanterns: A Kyoto Night to Remember Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-08-05-22-34-02-ja Story Transcript:Ja: 京都の夏、夜空には無数の星が輝き、街は七夕祭りの明かりで照らされていました。En: In the summer of Kyoto, countless stars shone in the night sky, and the city was illuminated by the lights of the Tanabata Festival.Ja: 道沿いには色とりどりの提灯が並び、甘いお菓子や伝統的なゲームの屋台が賑わっています。En: Along the streets, colorful lanterns lined up, and stalls with sweet sweets and traditional games were bustling.Ja: この美しい夜、ハルキは何とかユキに気持ちを伝えようと計画を立てていました。En: On this beautiful night, Haruki was planning to somehow convey his feelings to Yuki.Ja: 「よし、今日は最高の夜になるはずだ。」とハルキは一人つぶやきました。En: "Alright, tonight is going to be the best night," Haruki murmured to himself.Ja: 彼はユキを祭りに誘い、心の中で告白のシナリオを何度も描いていました。En: He invited Yuki to the festival and had been running through the scenario of his confession countless times in his mind.Ja: しかし、親友のソラも一緒に来ることをすっかり忘れていました。En: However, he had completely forgotten that his best friend, Sora, would also be coming along.Ja: ソラは悪戯好きで、祭りをさらに楽しくするつもりでいたのです。En: Sora was mischievous and intended to make the festival even more fun.Ja: ハルキたちはゲーム屋台の前で立ち止まりました。En: Haruki and his friends stopped in front of a game stall.Ja: 「さあ、ユキ。これをやってみない？」ハルキは輪投げゲームを提案しました。En: "Come on, Yuki. Why don't you try this?" Haruki suggested the hoop-throwing game.Ja: ユキが輪を投げようとしたその瞬間、ソラは後ろから「ワッ！」と声を出し、ユキは驚いて輪を落としてしまいました。En: Just as Yuki was about to throw the hoop, Sora suddenly shouted "Boo!" from behind, startling Yuki into dropping the hoop.Ja: 「ごめんごめん、びっくりさせたね！」ソラは笑いながら謝りました。En: "Sorry, sorry, did I scare you?" Sora apologized with a laugh.Ja: ハルキは心の中でため息をつきました。これは計画していませんでした。En: Haruki sighed inwardly. This was not part of his plan.Ja: 次に、綿菓子の屋台に向かいました。En: Next, they headed to the cotton candy stall.Ja: ハルキはかわいい綿菓子をユキに渡したいと思いました。En: Haruki wanted to hand Yuki a cute cotton candy.Ja: しかし、ソラは綿菓子を受け取る瞬間に風船を破裂させてしまい、ふわふわの綿が飛び散ってしまいました。En: However, just as he was receiving it, Sora popped a balloon, causing the fluffy cotton to scatter everywhere.Ja: 「オーマイゴッド！ソラ、本当にやっちゃった！」ハルキは頭を抱えます。En: "Oh my god! Sora, you really did it!" Haruki held his head in frustration.Ja: しかし、ユキは「面白いね！」と笑顔で言いました。En: But Yuki said with a smile, "It's funny!"Ja: まもなく、花火の時間が近づきました。En: Soon, the time for fireworks approached.Ja: ハルキはついにユキと二人きりになれるかもしれない、と期待しました。En: Haruki hoped he might finally get a moment alone with Yuki.Ja: しかし、ソラはここでも最後の悪戯を仕掛けてしまいました。En: However, Sora played one last trick here as well.Ja: 花火が華やかに開いた瞬間、何かカラフルな紙吹雪が空から降ってきました。En: Just as the fireworks burst into the sky, colorful confetti came raining down from above.Ja: 「何これ？」ユキは驚いています。En: "What's this?" Yuki exclaimed in surprise.Ja: ソラが用意した紙吹雪です。En: It was confetti prepared by Sora.Ja: しかし、風が強く吹き、みんなの上に降りかかって、少し混乱が起きました。En: However, a strong wind blew, showering everyone with it, leading to some confusion.Ja: 周りの人たちは大笑いし、祭りの夜は一層賑やかになりました。En: The people around burst into laughter, making the festival night even more lively.Ja: ハルキはついに計画を諦め、ユキと一緒に笑いました。En: Haruki finally gave up on his plan and laughed with Yuki.Ja: 「今日の夜、忘れられないね。」ユキが言いました。En: "Tonight is unforgettable," Yuki said.Ja: 「うん、本当に。」ハルキは笑顔で答えました。En: "Yeah, really," Haruki replied with a smile.Ja: 完璧な瞬間が作れなくても、ユキと一緒に楽しんだ時間が宝物になったのです。En: Even without creating the perfect moment, the time he enjoyed with Yuki became a treasure.Ja: 彼は気づきました。自分らしくいることが一番大切だと。En: He realized that being himself was the most important thing.Ja: ハルキとユキは笑顔で手を取り合い、にぎやかな夏の夜を歩き出しました。未来の新たな試練が訪れるまで、二人はこの瞬間を心に刻みました。En: Haruki and Yuki held hands with smiles as they walked through the lively summer night, engraving the moment in their hearts until new challenges in the future came their way. Vocabulary Words:illuminated: 照らされていましたcountless: 無数のlanterns: 提灯bustling: 賑わっていますconvey: 伝えようmurmured: つぶやきましたmischievous: 悪戯好きscenario: シナリオstartling: 驚いてhoop: 輪apologized: 謝りましたsighed: ため息をつきましたcute: かわいいscatter: 飛び散ってfrustration: 頭を抱えますconfusion: 混乱lively: にぎやかengraving: 刻みましたtreasure: 宝物realized: 気づきましたhands: 手を取り合いchallenges: 試練prepared: 用意したstrong wind: 風が強くburst: 開いたconfetti: 紙吹雪scattered: 散らばったburst: 爆発intend: つもりperfect: 完璧な

You Can Start Over Without Starting From Scratch — Your Quiet MomentThere is a notebook in my desk drawer that I started three years ago. It has exactly eleven pages filled — a burst of ambition on a Sunday afternoon. And then page twelve is blank. And every page after that. I used to look at that notebook and feel a specific kind of failure.But here is what I have learned since then: starting over is not the same as starting from scratch. Every page I filled, every goal I abandoned halfway, every project I walked away from — those were not failures. They were deposits. They were me learning what I actually wanted and what I did not.In this episode, we explore why every start you have ever made carries forward as wisdom. We talk about Marcus, who spent two years trying to become a morning person until he realized the best work of his life happened at nine p.m. And Yuki, a ceramicist who moved from Kyoto to Portland and had to relearn everything — not from scratch, but from experience.Tonight's affirmations:• I am not starting from scratch. I am starting from experience.• Every ending has been a teacher, not a failure.• I carry my wisdom with me into every new beginning.• I am allowed to change direction without guilt.• My past attempts are not wasted — they are foundations.• I do not need to be perfect at the start. I need to be present.• Starting over is not weakness. It is courage wearing everyday clothes.• I trust that I know more today than I did yesterday.• I give myself permission to begin again, as many times as I need to.• My story is not a straight line, and that is exactly right.#YourQuietMoment #StartingOver #Growth #Meditation #Affirmations #Podcast #HustleStudiosDISCLAIMER

Jonny and Ben were joined by Fukuoka correspondent Daniel Hawkins to kick off our final batch of top flight previews, with Avispa hopefully set for a rise up the table after 'winning the window' (to 30:00). Then we assess the remaining five clubs: Nagasaki (30:00 to 42:00), Kobe (42:00 to 52:45), Cerezo Osaka (52:45 to 1:04:30), Gamba Osaka (1:04:30 to 1:16:55) and Kyoto (1:16:55 to 1:30:25), before Jonny wraps up our preseason coverage with his picks for the five most significant transfers of the summer, and we then wrap up the episode with a game-by-game look at the opening weekend of the new J1 season.

Maria Teresa Orsi, Fabio Sebastiano Tana"La ragazza che inventò il kabuki"e altre storieEinaudi Editorewww.einaudi.itQuali storie sono racchiuse nei luoghi che visitiamo? E chi sono i personaggi che si nascondono nelle pieghe del tempo? In questo libro di storie e di luoghi, di miti e di viaggi, Maria Teresa Orsi e Fabio Sebastiano Tana ci guidano alla scoperta del Giappone e della sua cultura, attraverso sei storie fuori dal comune. Cosa sentiva Okuni di Izumo, la fondatrice del teatro kabuki, nel momento in cui il suo successo cominciava a tramontare? Qual era la posizione della sfortunata imperatrice Kenreimon'in rispetto agli uomini della sua vita o quella dell'anarchica e femminista Ito Noe rispetto ai suoi compagni? Dal tempio di Ishiyama al castello della Signora di Yodo a Osaka, passando per Kyoto e per Edo, fino a Izumo e al Kyushu, la penna degli autori ci permette di esplorare e di conoscere il Giappone in maniera originale, conducendoci in un viaggio nello spazio e nel tempo. Non siamo però gli unici a viaggiare: Orsi e Tana ci mostrano come le protagoniste dei racconti non rimangono mai cristallizzate nel proprio tempo, ma trasmigrano con leggerezza da un'epoca all'altra, da un'arte all'altra, reincarnandosi di volta in volta in personaggi teatrali, eroine manga, icone televisive. Mutando di continuo le proprie fattezze ma non la propria essenza. L'incrocio di fonti antiche e moderne, classiche e pop, permette agli autori di accedere al cuore del mito, abbattendo le frontiere dei generi e restituendoci una visione inedita e straordinariamente dinamica della cultura giapponese.Maria Teresa Orsi professore emerito di Letteratura giapponese all'Università di Roma La Sapienza, ha curato l'edizione di testi giapponesi classici e moderni, tra cui Mishima, Romanzi e racconti (Mondadori). Per Einaudi ha pubblicato Fiabe giapponesi, la traduzione integrale e commentata del Genji monogatari, con Alessandro Clementi degli Albizzi, Poeti giapponesi e, con Fabio Sebastiano Tana, La neve di Yuzawa. Immagini dal Giappone e Sotto l'ombrello a Tokyo. Frammenti di vita giapponese e La ragazza che inventò il kabuki e altre storie. È socio nazionale dell'Accademia dei Lincei e membro dell'Accademia Ambrosiana.Fabio Sebastiano Tana, giornalista professionista, esperto di relazioni internazionali, ha fatto parte dell'ufficio studi dell'ISPI (Istituto per gli studi di politica internazionale) e, per oltre vent'anni, della redazione esteri dell'Agenzia ANSA. Successivamente ha collaborato con l'Aspen Institute Italia e con il mensile «Meridiani». Per Einaudi ha pubblicato, con Maria Teresa Orsi, La neve di Yuzawa. Immagini dal Giappone e Sotto l'ombrello a Tokyo. Frammenti di vita giapponese e La ragazza che inventò il kabuki e altre storie.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Every Plant-Based Restaurant We Ate at Across Asia https://mavywellness.kit.com/asiaplantbasedfoodguideRead my writing on Substack + a private podcast: http://maximesigouin.substack.comForever Fit over 50 Course & Community: https://mavywellness.com/forever-fit-course-2026Over 50 and ready for real body recomposition on whole-food plant-based? Book your free consultation → https://mavywellness.comSign up here to get the first lesson instantly: https://mavywellness.com/newsletterOrder a copy of my new book Forever Fit (#1 Bestseller) here - https://foreverfitbook.comI've been asked countless times where to eat while traveling through Asia, so in this episode, Ivy and I share our favorite plant-based restaurants from our 3-month trip across five countries. From hidden local gems to unforgettable meals, we hope this guide helps you stay healthy while enjoying every destination.00:00 - Our Favorite Asia Restaurants00:19 - Welcome + Free Restaurant Guide03:58 - Best Plant-Based Spots in Manila19:42 - Boracay, Dumaguete & Cebu Favorites34:20 - Thailand's Must-Try Vegan Restaurants46:58 - Bali & Singapore Food Highlights01:03:07 - Japan's Best Vegan Eats (Tokyo, Osaka & Kyoto)

For this interview from Newport Folk Festival, I spoke to acclaimed singer songwriter  and Grammy nominee Morgan Nagler!!  Morgan's debut album, “I've Got Nothing to Lose, and I'm Losing It,” is her first as a solo artist and represents a key step in her personal and professional evolution.When her work with Phoebe Bridgers on the song “Kyoto” turned into a Grammy nomination, Morgan's life changed and she became a much sought-after songwriting partner and collaborator, which eventually gave her the impetus to launch her own solo career.Morgan shares with me her journey from child actor to songwriter and then to solo artist — and she talks to me about the constantly present themes of identity, artistic rebirth, and balancing the dualities of her life as a creative. =======================================Chapters:00:00 Episode Introduction with Host Josh Rosenberg04:00 - Morgan's music journey and recent Newport performance05:02 - Reflection on her career rebirth and album debut05:31 - The meaning behind her album title and its philosophical roots05:47 - The art of losing what you don't have and living without proving anything06:39 - The balance between nothing to prove and proving oneself07:08 - The influence of yin-yang, and holding ideas simultaneously07:43 - Reflection on the maturity required for her recent album08:55 - Growing up in Manhattan Beach, LA; journey from child actor to songwriter09:33 - Writing for other artists and her extensive musical collaborations10:16 - The scenic route in her life and career evolution10:43 - Embracing life's path without comparison and with patience11:43 - From Highland Park to Montanito — LA's creative suburbs12:18 - Her childhood acting career and early pursuits in music13:09 - Transition from script readings to songwriting for self-expression14:01 - How her childhood experiences shaped her artistic identity15:41 - The profound impact of songwriting during her TV career16:48 - The challenge of breaking into the music scene later in life18:59 - Her breakthrough with Phoebe Bridgers' Grammy-nominated song "Kyoto"20:16 - Writing with and for other artists as a form of empathy and therapy21:00 - Clarifying her songwriting process and subconscious themes23:00 - Why her debut album came later in life and the journey of self-discovery24:16 - The cathartic process of creating a breakup album24:42 - Using music as a way to process and release feelings25:4 - The concept of "realist hope" 26:48 - Staying grateful and grounded amidst the chaos of the world27:57 - Her parents' influence and early life in LA29:31 - Writing for Maddie Diaz and Margot Price30:30 - The differences and insights gained from collaborative songwriting31:32 - The importance of perspective shifts in creative and personal growth33:17 - Morgan's upcoming UK tour with King Tuff and her touring plans35:03 - Final thoughts on her artistic path and future projects=======================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

What goes into kicking off, planning out, & sustaining a podcast? The Krewe presented their lived experiences in podcasting, along with recommendations & tips for aspiring content creators in the US-Japan space, during a workshop on July 30, 2026 at the NAJAS (National Association of Japan-America Societies) National Conference. This episode is that workshop! ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  ------ Links for NAJAS ------ NAJAS Website NAJAS Conference Website ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!

Fluent Fiction - Japanese: Haruto's Coffee Quest: Secrets of the Kyoto Roastery Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-07-30-22-34-02-ja Story Transcript:Ja: ハルトは、京都の静かな路地にある、趣あるコーヒーロースタリーの中で忙しい夏の日を過ごしていました。En: Haruto was spending a busy summer day in an atmospheric coffee roastery located in a quiet alley in Kyoto.Ja: ロースタリーは、焙煎したてのコーヒー豆の濃厚な香りで満たされ、麻袋やヴィンテージのコーヒー機材が整然と並べられていました。En: The roastery was filled with the rich aroma of freshly roasted coffee beans, and burlap sacks and vintage coffee equipment were neatly lined up.Ja: ハルトは、パズルが大好きな若いバリスタで、同僚のユキと一緒に働いていました。En: Haruto, a young barista who loved puzzles, was working with his colleague Yuki.Ja: ある日、ハルトは新しいコーヒー豆の麻袋を開けていると、袋の中から小さな紙片がひょっこり顔を出しました。En: One day, while Haruto was opening a new burlap sack of coffee beans, a small piece of paper peeked out from inside the bag.Ja: 「これは何だろう…？」とハルトはつぶやきました。En: "What is this...?" Haruto muttered.Ja: 紙片には、細密な文字と古いスタンプが押されていました。En: The paper had intricate writing and an old stamp on it.Ja: 「見て、ユキ！」と彼は彼女に呼びかけました。En: "Look, Yuki!" he called out to her.Ja: ユキは少し面倒くさそうに振り返りました。En: Yuki turned around, looking a bit inconvenienced.Ja: 「ただの古いメモじゃないの？」彼女は言いました。En: "Isn't it just an old note?" she said.Ja: しかし、好奇心に駆られたハルトはこう決意しました。「これが何か、調べてみようよ！」とユキの反対を押し切り、彼は密かに調査を進めることにしました。En: However, driven by curiosity, Haruto resolved, "Let's find out what this is!" and decided to secretly conduct an investigation, despite Yuki's opposition.Ja: サチコはこのロースタリーの少し怪しげなオーナーで、過去に何か秘密があるようです。En: Sachiko was the slightly mysterious owner of this roastery, and it seemed she had some secrets from the past.Ja: 彼女を怒らせないように、ハルトとユキは慎重に動きました。En: To avoid angering her, Haruto and Yuki moved cautiously.Ja: 2人は手がかりを追いかけ、ロースタリーの古びたセクションに着きました。En: The two followed clues and arrived at the old section of the roastery.Ja: そこには色あせた写真や古い新聞の切り抜きが隠されていました。En: There, they found faded photographs and old newspaper clippings hidden away.Ja: 「これ、すごいね！」ハルトは感動しました。En: "This is amazing!" Haruto was impressed.Ja: 彼らは古いコーヒーイベントの記事や、ロースタリーがコミュニティで果たした役割についての資料を見つけました。En: They found articles about old coffee events and materials about the role the roastery played in the community.Ja: ちょうどそのとき、サチコが現れました。En: Just then, Sachiko appeared.Ja: 「やっぱり来たわね。」とサチコは微笑みました。En: "You found it, I see," Sachiko smiled gently.Ja: 彼女は3人を落ち着いて見渡し、「実はこれ、あなたたちを試すためのメッセージだったの。En: She calmly looked at the three of them and said, "Actually, this was a message to test you.Ja: 私たちの歴史を大切にする心を持つ人を探していたのよ。」と告げました。En: I was looking for people who cherish our history."Ja: ハルトはサチコの言葉を聞いて、嬉しさと安心感を覚えました。En: Listening to Sachiko's words, Haruto felt both happiness and relief.Ja: 彼は歴史とパズルへの情熱をより深めることができ、ロースタリーに対する愛情もまた一層強まったのでした。En: He was able to deepen his passion for history and puzzles, and his affection for the roastery grew even stronger.Ja: ユキも、ハルトの探究心を見て彼を見直しました。En: Yuki also came to appreciate Haruto's inquisitiveness as she watched him.Ja: こうして、ロースタリーは新しい仲間たちと共に、さらに豊かな物語を紡ぎ続けることになりました。En: Thus, the roastery continued to weave even richer stories with its new companions.Ja: ハルトの好奇心は、さらに広がるロースタリーの秘密を解く鍵になったのです。En: Haruto's curiosity became the key to uncovering more of the roastery's expanding secrets. Vocabulary Words:atmospheric: 趣あるaroma: 香りburlap: 麻袋colleague: 同僚intricate: 細密なstamp: スタンプinconvenienced: 面倒くさそうcuriosity: 好奇心investigation: 調査mysterious: 怪しげなcautiously: 慎重にclues: 手がかりfaded: 色あせたclippings: 切り抜きimpressed: 感動しましたcherish: 大切にするpassion: 情熱affection: 愛情inquisitiveness: 探究心companions: 仲間たちweave: 紡ぎ続けるexpanding: 広がるuncovering: 解くroastery: ロースタリーbarista: バリスタmutters: つぶやきましたopposition: 反対resolve: 決意しましたanger: 怒らせないようsection: セクション

We don't talk about it too often on the podcast, but cargo is a huge sector of the aviation industry – and with big news out of both Western Sydney and Avalon Airports this week, it found itself unexpectedly in the spotlight. WSI has at last opened its doors to freight ahead of its passenger launch in October, while Avalon Airport is seeing its first direct cargo services to Saudi Arabia –good news for both the Western Sydney and Geelong areas. On this week's Australian Aviation Podcast, Jake and David unpack the crate expectations being placed on Australia's secondary airports as freight operations ramp up. Plus, Project Sunrise arrives in Australia (sort of); a look at the inside of Jetstar's new 787-8 cabins (and also Osaka and Kyoto); and why haven't illegally sacked Qantas ground workers seen all their compensation money yet?

VOV1 -Ngày 28/7 tại Hà Nội, Văn phòng đại diện Cơ quan Xúc tiến Du lịch Nhật Bản tại Việt Nam (JNTO) tổ chức Hội thảo Xúc tiến Du lịch Nhật Bản 2026 với chủ đề “Chạm, cảm và lan tỏa nét đẹp mới lạ địa phương Nhật Bản”, giới thiệu tiềm năng du lịch của nhiều địa phương Nhật Bản với du khách Việt Nam.Việt Nam tiếp tục là một trong những thị trường gửi khách quan trọng của du lịch Nhật Bản. Năm 2025, số khách Việt Nam đến Nhật Bản đạt hơn 678 nghìn lượt, mức cao nhất từ trước đến nay. Chỉ trong 6 tháng đầu năm nay, đã có gần 400 nghìn lượt khách Việt Nam tới Nhật Bản, tăng gần 9% so với cùng kỳ năm trước.Hiện nay, phần lớn du khách Việt Nam đến Nhật Bản vẫn lựa chọn các điểm đến quen thuộc trên Cung đường Vàng như Tokyo, Kyoto hay Osaka. Trong khi đó, nhiều địa phương khác của Nhật Bản sở hữu những nét đặc sắc về thiên nhiên, văn hóa, ẩm thực và đời sống bản địa nhưng chưa được nhiều du khách biết tới.Lịch trình di chuyển trong tour du lịch tại Nhật Bản cũng được giới thiệu cụ thể.

Pourquoi certains voyages nous marquent-ils toute une vie, alors que d'autres s'effacent rapidement de notre mémoire? Dans cet épisode, je vous partage les plus grandes leçons que notre voyage en famille au Japon m'a apprises sur la planification, le slow travel, le moment présent et la façon de construire une vie plus intentionnelle. Même si cet épisode a pris naissance lors de notre séjour à Tokyo et Kyoto, il va bien au-delà du Japon. C'est une réflexion sur la gestion du temps, la présence, la simplicité et la façon dont nous choisissons d'utiliser nos 168 heures chaque semaine. Si vous aimez voyager, si vous préparez vos prochaines vacances ou si vous cherchez simplement à ralentir et à vivre davantage dans le moment présent, cet épisode vous donnera des outils concrets pour transformer autant vos voyages que votre quotidien.   LIENS ET RESSOURCES PARTAGÉS DANS CET ÉPISODE Inscrivez-vous ! Grand dévoilement de l'Agenda de La Planificatrice RESTONS EN CONTACT Infolettre éducative Instagram Facebook YouTube Pinterest TikTok

Producers of mokuhanga prints who also teach art at the academic level have always intrigued me. The balance between the solitary work of a printmaker and the responsibilities of teaching a wide range of artistic disciplines must be both complex and, at times, challenging. It raises questions such as: How much of my own creative journey can I pursue while also dedicating myself to students who look to me for guidance as both an artist and a teacher? On this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with Melissa Schulenburg—an independent printmaker, member of the Mokuhanga Sisters collective, and Charles A. Dana Professor of Art & Art History at St. Lawrence University in Canton, New York. Our interview explores Melissa's work as both an educator and a practicing mokuhanga printmaker. We discuss the role of tradition in her practice, how her visits to Japan, participation in MI-LAB, and involvement with the Mokuhanga Sisters have shaped her artistic development. We also take a look inside her printmaking toolbox, discussing the papers, pigments, and tools she relies on, as well as her deep connection to nature and the influence it has on her work. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Melissa Schulenberg - Instagram  note* Melissa's website is under construction at the time of publishing. harimaze-e (貼交絵) is a format of mokuhanga that was particularly popular during Japan's Edo period (1603–1868). It consists of a single sheet of paper onto which multiple separate images were designed and printed. These compositions could include individual scenes arranged together on one sheet, sometimes functioning as diptychs or triptychs. Harimaze-e were commonly produced in a chūban format, measuring approximately 24.8 × 36.3 cm. Cutout Pictures of The Tōkaidō Road (1848-49), Published by Ibaya Senzaburō (Dansendō), 26.5 cm x 39cm.  The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.    MI Lab - is a mokuhanga artists residency located in Awatabe Town, Echizen City, Fukui, Japan.  More info can be found, here.    floating kentō - is like the traditional kentō registration technique but is carved on an "L" shaped piece of wood, and not onto the wood block.    Shōichi Kitamura - is a woodblock carver and printmaker based in Kyoto, Japan. Shoichi has been involved in MI Lab through his demonstrations on carving. More info can be found, here.    Bravery Matched With The Twelve (Zodiac) Signs by Utagawa Kuniyoshi (1798-1861) - A Modern Edition (ca. 2017) 4" x 11.4"  carved by Shōichi Kitamura    International Mokuhanga Association Conference - is a conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed.  More information can be found, here.   The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. More info, here, and here.    Snake and Moon - was a print project created and assembled by The Mokuhanga Sisters in 2025. 9 individual prints created with red sumi ink from Nara, Japan and assembled in a decorative box. More info can be found, here.    Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print: A Mokuhanga Podcast can be found here.   Dream Seller (2012) Ed. 22 25cm x 35cm    Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing.   Tōsai Pigment Paste - is a brand of pigments manufactured by Holbein, Japan. They were conceived by mokuhanga printmaker Richard Steiner. Tōsai is the name given to Richard by his teacher. Richard's invteriew with The Unfinished Print can be found, here.   Masaban - was a Mokuhanga Sisters exhibtion exhibited in Echizen, Japan in 2024 during the 2024 International Mokuhanga Association Conference held in Echizen that year. More info, here.    Katie Baldwin -  is a contemporary mokuhanga printmaker, illustrator, book maker, and artist based in Huntsville, Alabama.  Her work can be found, here. Her interview with The Unfinished Print can be found, here.    April, woodblock (2007) 17" x 25"   Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here.    Returning Sails at Otoro from Eight Superb Views of Kanazawa (mid-1830's) 11.6 cm × 17 cm   Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print: A Mokuhanga Podcast can be found, here. Giant Chiamera II (2021) ed. of 10, 127 cm  × 90 cm    Hara Shobo - is a gallery with locations in Tokyo and Kyoto, Japan. They specialize in ukiyo-e and shin hanga. More info, here.    Tsukioka Yoshitoshi (1839–1892) was a renowned Japanese woodblock printmaker and one of the last great masters of the ukiyo-e tradition. He is best known for his dramatic and emotionally intense imagery, particularly in series like One Hundred Aspects of the Moon and Thirty-Six Ghosts. Working during a time of cultural upheaval in the Meiji period, Yoshitoshi blended traditional techniques with modern themes, Yoshitoshi is famous as a print designer for his expressive linework, rich colour, and innovations in print design during this period of Japanese history.   Eight Battles of the Modern Era (近世八戦争, 1868-1869) 26cm×36cm   shōmen-zuri (正面摺) - "front burnishing," is a deluxe mokuhanga technique used to create black-on-black pattern which creates a contrast. Unlike standard printing, where pigment is rubbed from the back of the paper into the fibers, shōmen-zuri applies heavy friction directly to the front face of a dried, printed sheet—often over a carved relief block—using a hard burnishing tool like a polished boar's tusk or agate. The intense pressure compresses and polishes the ink, producing a glossy, light-reflective pattern against a matte background that beautifully mimics silk damask, lacquered armor, or fine textiles as the print catches the light.   Gotō Hidehiko - is a master baren maker and printmaker based in Kanagawa Prefecture, Japan. His interview with The Unfinished Print can be found here. More into at the  Baren Kikuhide website.     Distance of Night (1991) 55 cm × 40.5 cm   Sarah Brayer - is a visual artist who is based in Kyoto, Japan. Her works are predominantly poured Japanese paper (washi). Sarah was the first Western artist to work at the Taki paper mill in Echizen. This is where she currently make her paperworks. Sarah have worked continuously in Echizen since 1986 as the only Western artist to do so. Sarah Brayer has also produced mokuhanga in her career. More information can be found, here. Sarah's interview with The Unfinished Print can be found, here.      Ebb and Flow (2025) 29 cm × 44.5 cm   hangitō - a Japanese carving knife which is primarily used for mokuhanga and comes in a variety of blade sizes.  McClains has a varied assortment, here.   © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Introduction music while working - Another Land by Dave Holland. Edition Records (2021) Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) The opinions expressed by guests on The Unfinished Print: A Mokuhanga Podcast do not necessarily represent the opinions or beliefs of André Zadorozny.             

Former LSU standout, NBA veteran, and professional basketball player Johnny O'Bryant III joins the Krewe to discuss his unique connections to Japan, from playing for the Ibaraki Robots in Japan's B.League to founding Noir Caesar, his own manga publishing company. We explore his experiences living and competing in Japan, how a lifelong passion for manga grew into a business, and what it takes to balance life as a professional athlete and entrepreneur. It's a conversation about basketball, Japanese culture, creativity, and chasing passions both on and off the court. ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  ------ Links for Johnny & Noir Caesar ------ Noir Caesar Website Johnny on IG B.League Website ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!