Podcasts about sculptors

Artist and educator Hae Won Sohn returns for a reflective conversation on process, adaptability, and making art that holds up—materially and conceptually.Now based in Queens, Hae Won shares what's evolved since her 2021 Sondheim Prize win and how her process-first approach has deepened through teaching, repurposing materials, and balancing art with life. Recorded after her Surface Tension exhibition in Baltimore, this episode covers the intersections of sculpture, craft, and creative discipline.From plaster scraps to sculptures: why her grandfather's resourcefulness still shapes her practiceBalancing artistic growth between Baltimore and New YorkHow she teaches sculptural thinking by modeling failure and experimentationHer thoughts on anti-branding, creative integrity, and resisting aesthetic stagnationWhy Surface Tension challenged her to rethink scale, space, and drawing as sculpture

The Irish-born Augustus Saint-Gaudens came to this country as a small child and over the course of his career and life, reaching into the early years of the 20th century, became an artist that truly defined a look for America in sculpture.  His extraordinary natural talent grew into a master artist who was able to create lifelike depictions in marble and bronze that brought a realism never before seen in American sculpture. Saint-Gauden's style combines realistic imagery, allegory and architectural elements to create unique and very modern experiences for viewers. He's perhaps best known for his monumental casts of Civil War heroes from Admiral Daniel Farragut, General William Tecumseh Sherman and President Abraham Lincoln.Joining The Gilded Gentleman for this episode is Thayer Tolles, the Marica F. Vilcek Curator of American Painting and Sculpture at New York's Metropolitan Museum of Art.  Thayer is a noted historian, writer and specialist in Saint-Gaudens life and work. This episode offers a full view of Saint-Gaudens extraordinary life and a detailed look at some of his most famous works. Listeners can also visit the Saint Gaudens National Historical Park in Cornish, New Hampshire. 

Fiona Campbell creates sculptures and installations that she reappropriates from found and discarded materials. In this episode, she talks about how her concern for the environment is at the heart of her practice, the types of materials she looks for, how she interprets environmental issues in a visual way, her upbringing in Kenya, the mixture... Continue Reading →

Artists Julia Canon and Rachel Wells join Trevor, Paul, and David to discuss Scott McDonald's graphic novel The Sculptor in an all-new Comic Book Club. Music: Andre Jetson - Bipolar (Original Mix)

Chris visits a new artist friend, Anchorball, who recently moved to his Saint Pete neighborhood!Ken is a monumental pop sculptor, painter, digital artist and child at heart with a lot of knowledge to offer about how to succeed at this creative career, the growing technologies (specifically AI), and his spiritual process.About the Artist:Ken Kelleher, also known as Anchorball™, is renowned for his large-scale sculptures and digital art, with works featured globally. His creative approach transcends traditional sculpture, integrating digital techniques to explore forms and objects, often devoid of utilitarian use. His art, ranging from playful to profound, challenges viewers to rethink the ordinary.Website: https://anchorball.shopSocial Media (IG): @anchorballThis episode is sponsored by YAK SNACKSFollow on IG: @yak.snacks

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily features artist Laurel Roth Hope. Laurel discusses her journey from a conservation worker to a full-time artist, emphasizing her use of recycled materials in her sculptures. She shares her creative process, influences, and collaborations with her husband, artist Andy Diaz Hope. The episode highlights her current residency at Recology, San Francisco, where she creates art from landfill materials. Laurel's work often reflects themes of ecological impact and human interaction with the natural world. About Artist Laurel Roth Hope:Laurel Roth Hope lives and works in Northern California. Prior to becoming a full-time, self-taught artist she worked as a park ranger and in natural resource conservation. These professional experiences influenced her current work, which centers on the human manipulation of and intervention into the natural world and the choices we must make everyday between our individual desires and the well being of the world at large. Hope was a 2025 SF Recology AIR Artist in Residence, a 2020 Space Program SF Resident Artist, a 2017 Smithsonian Artist Research Fellow, and a 2016 Resident Artist with the Kohler Arts and Industry program in Wisconsin. In 2013 she and her sometime collaborator, Andy Diaz Hope, completed a year-long Fellowship at the de Young Museum of San Francisco examining the history of human cooperation through architecture. Her work is included in the permanent collections of the Smithsonian, the Museum of Art and Design in New York, the Mint Museum, Crystal Bridges Museum of American Art, 21C Museum, the Zabludowics Collection, the Progressive Collection, and the Ripley's Museum of Hollywood, among others. She is represented by Catharine Clark Gallery of San Francisco.Visit Laurel's Website:  LoLoRo.comFollow Laurel on Instagram, CLICK HERE. Learn about the Recology exhibit, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

#OzWatch: Gaius & Germanicus Discuss the Celebration of Suetonius's Work, "Twelve Caesars," by Renaissance Artists and Sculptors. Jeremy Zakis, New South Wales. #FriendsOfHistoryDebatingSociety 1575 itian's painting depicting Doge Antonio Grimani kneeling before the personification of Faith.

Listen as Tim interviews Makeup FX Artist / Sculptor Mikey Rotella about his relationship with the Horror genre growing up, easter eggs from reworked practical effects, working on the reboots of Hellraiser and The Thing, the surprise success of Smile, his favorite recent Horror flicks, and much more on this week's episode!Nightmare Force Masks : https://www.nightmareforce.com/mask-storeTo Support the Podcast : https://www.patreon.com/HorrorflicksguitarpicksToxic Coffin Website : https://toxiccoffin.com/

This week we revisit Kerry's two prior interviews with Arkansan painter and sculptor, Kevin Kresse. Kevin has exhibited his work around Arkansas, New York, Washington DC, Memphis, and Atlanta. His work has been featured in the Arkansas Democrat-Gazette, the Arkansas Times, Soiree magazine, and more, and he has been featured in pieces produced by local affiliates of ABC, CBS, and PBS television, as well as a short film by Garret Lakin. The journey toward a career in art began with Kresse and his wife Bridget's decision to pare down their lives financially. Both of the Kresses had “job-jobs,” as Bridget calls them. She was a financial planner, Kevin a newspaper art director. Work and money had been “all about accumulation.” The Kresses opted for a different road. They gave their employers a year's notice, lived cheaply, and saved money. Then they took a four-month trip to Europe. The trip to Europe was priceless. It laid the foundation for their marriage, they say. It gave them time to reflect — something Kevin points out is growing increasingly scarce for workaholic Americans — and it pointed the way toward their future. It was on that trip, Bridget says, that “Kevin decided to do his art." "It's a kick knowing that my public work will still be there long after I'm gone," he said. "I never thought about that aspect too much until after my father died. It is also great hearing people interpret what they see in some of the work. It makes me realize that everyone sees art through their filter of life and that every interpretation is just as valid as the reason I did it."

Miranda Rumfelt is a trailblazer in the automotive world, proudly standing as the only female owner of a custom vehicle design business in metro Detroit. Born and raised in The Motor City, her passion for American Muscle cars was ignited at a young age by her family of "wrenchers." From tagging along with her father Kevin, to car shows and racetracks as his "mini me," to rebuilding engines and painting her own minibike, her life has revolved around automobiles. Her journey took a pivotal turn at age 13 when she enrolled in the DRIVE One Detroit program, where she discovered automotive design and clay sculpting under the guidance of industry mentors. where this early exposure set the foundation for a remarkable career leading her to become a full-time clay sculptor at General Motors Design and the founder of MR Design LLC, where she creates stunning vehicle designs and custom parts. Connect with Miranda here: https://www.instagram.com/mirandarumfelt https://www.youtube.com/@mirandarumfelt https://www.tiktok.com/@mirandarumfelt https://www.facebook.com/people/Miranda-Rumfelt/100090457860344/ Connect with Red Line Oil: www.redline.com Connect with Mecum Auctions: www.Mecum.com Connect with JP Emerson: www.jpemerson.comFor more podcasts on cars check out Ford Mustang The Early Years Podcast at www.TheMustangPodcast.com, at Apple Podcasts or anywhere you get your podcastsFor more information about sponsorship or advertising on The JP Emerson Show or podcast launch services, contact Doug Sandler at doug@turnkeypodcast.com or visit www.turnkeypodcast.com

We cover some amusing, humorous Easter memories and some slightly unusual crimes that occured on Easter. A lot of laughter in this episode!Become a supporter of this podcast: https://www.spreaker.com/podcast/murder-mischief-moscato--5466986/support.

Send us a text and chime in!It sits in the center of the gallery. A pile of discarded bricks, and on each brick, a word: Equity, Activist, Community, and many more. Those surveying the pile consider the weight of each word, the role it plays in a free society, and the cost of casting them aside. Words Have Power: Use Them, a stunning exploration of free speech, is a featured sculpture at Yavapai College's Faculty Art Exhibition, now running through May 9 at the YC Prescott Gallery in the Jim & Linda Lee Performing Arts Center. “Words are building blocks.” Sculptor and YC Faculty member Rita... For the written story, read here >> https://www.signalsaz.com/articles/prescott-sculptor-examines-the-weight-of-free-speech/Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

‘The Sculptor of Ultima Thule’ is an exhibition celebrating the 110th anniversary of Finnish designer Tapio Wirkkala’s birth. Co-produced by the Espoo Museum of Modern Art, the Tapio Wirkkala Rut Bryk Foundation and Blue Sheep, it features more than 300 of Wirkkala’s works. It is also headlined by the exhibition’s namesake collection, created in partnership with Finnish glassware specialist Iittala. We’re joined by Petra Wirkkala, Janni Vepsäläinen and Tsuchida Takahiro to discuss Wirrkala’s legacy in Finland and Japan.See omnystudio.com/listener for privacy information.

Fluent Fiction - Norwegian: The Secret Sculptor: An Unveiling in Vigelandsparken Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-04-15-22-34-02-no Story Transcript:No: Påsken hadde ankommet Oslo, og Vigelandsparken våknet til liv.En: Easter had arrived in Oslo, and Vigelandsparken awakened to life.No: Trærne sto i full blomst, og lukten av friske blomster fylte luften.En: The trees were in full bloom, and the scent of fresh flowers filled the air.No: Folk spaserte gjennom parken, beundret Gustav Vigelands majestetiske skulpturer.En: People strolled through the park, admiring Gustav Vigeland's majestic sculptures.No: Men denne morgenen var det noe nytt å se på.En: But this morning, there was something new to look at.No: En mystisk skulptur hadde dukket opp over natten.En: A mysterious sculpture had appeared overnight.No: Ingen visste hvor den kom fra, eller hvem som hadde laget den.En: No one knew where it came from or who had made it.No: Astrid, en nysgjerrig kunststudent, sto foran den nye skulpturen.En: Astrid, a curious art student, stood in front of the new sculpture.No: Den skilte seg ut blant Vigelands verker.En: It stood out among Vigeland's works.No: Astrid kjente et sug av spenning i magen.En: Astrid felt a thrill of excitement in her stomach.No: Hun visste at dette måtte undersøkes.En: She knew this needed to be investigated.No: Mens de fleste bare nøt synet, bestemte Astrid seg for å finne ut hvem kunstneren var.En: While most just enjoyed the sight, Astrid decided to find out who the artist was.No: "Jeg må finne sannheten," hvisket hun til seg selv.En: "I must find the truth," she whispered to herself.No: Som alle andre dager var Leif, parkens trofaste vedlikeholdsarbeider, i nærheten.En: As on any other day, Leif, the park's faithful maintenance worker, was nearby.No: Han kjente hver krik og krok i parken.En: He knew every nook and cranny of the park.No: Men denne gangen skjulte han en hemmelighet, og han håpet ingen ville oppdage den.En: But this time, he was hiding a secret, and he hoped no one would discover it.No: Han hadde brukt mange nattetimer på å lage skulpturen i hemmelighet, og nå sto den der, i all sin prakt.En: He had spent many night hours creating the sculpture in secret, and now it stood there, in all its glory.No: Mens dagene gikk, snakket stadig flere om den mystiske skulpturen.En: As the days passed, more and more people talked about the mysterious sculpture.No: Ryktene om hvem kunstneren kunne være, spredte seg som ild i tørt gress.En: The rumors about who the artist could be spread like wildfire.No: Noen sa det var en kjent kunstner som ønsket å forbli anonym.En: Some said it was a famous artist who wished to remain anonymous.No: Andre trodde det var Astrid selv som hadde gjort det.En: Others thought it was Astrid herself who had done it.No: Men Astrid visste bedre, og hun la merke til Leifs nervøse blikk hver gang hun spurte noen om skulpturen.En: But Astrid knew better, and she noticed Leif's nervous glances every time she asked someone about the sculpture.No: Astrid begynte å samle spor.En: Astrid began to gather clues.No: Hun fant små biter av leire og verktøyrester nær der skulpturen sto.En: She found small pieces of clay and tool remnants near where the sculpture stood.No: Alt pekte mot Leifs hender.En: Everything pointed to Leif's hands.No: Hun bestemte seg for å konfrontere ham.En: She decided to confront him.No: En stille natt, da parken var tom og månen hang lavt på himmelen, fant Astrid Leif ved skulpturen.En: A quiet night, when the park was empty and the moon hung low in the sky, Astrid found Leif by the sculpture.No: "Leif," ropte hun mykt.En: "Leif," she called softly.No: "Jeg vet at det er du som har laget den.En: "I know it's you who made it."No: "Leif snudde seg sakte.En: Leif turned slowly.No: Øynene hans var store, men han trakk pusten dypt.En: His eyes were wide, but he took a deep breath.No: "Jeg kunne ikke hjelpe det," sa han og så på skulpturen med stolthet.En: "I couldn't help it," he said, looking at the sculpture with pride.No: "Jeg har alltid drømt om å skape noe som dette.En: "I've always dreamed of creating something like this."No: "Astrid smilte, lettet over at mysteriet endelig var løst.En: Astrid smiled, relieved that the mystery was finally solved.No: "Den er vakker, Leif," svarte hun.En: "It's beautiful, Leif," she replied.No: "Hvorfor holder du det hemmelig?En: "Why keep it a secret?"No: "Leif ristet på hodet.En: Leif shook his head.No: "Jeg visste ikke hvordan folk ville reagere.En: "I didn't know how people would react.No: Jeg er bare en enkel arbeider.En: I'm just a simple worker."No: ""Du er en kunstner," sa Astrid bestemt.En: "You are an artist," Astrid said firmly.No: "Vi kan samarbeide.En: "We can collaborate.No: Skape noe enda større.En: Create something even bigger."No: "Og slik ble det.En: And so it was.No: Astrid og Leif ble et lag, forent i lidenskapen for skulpturer.En: Astrid and Leif became a team, united in their passion for sculptures.No: Leif fikk tillit til sitt talent, og Astrid lærte at kunst var best når den ble delt.En: Leif gained confidence in his talent, and Astrid learned that art was best when shared.No: Våren i Vigelandsparken ble lovende, med to hjerter som skapte historie sammen blant de blomstrende trærne.En: The spring in Vigelandsparken became promising, with two hearts making history together among the blooming trees. Vocabulary Words:bloom: blomstscent: luktstrolled: spasertemajestic: majestetiskemysterious: mystiskappeared: dukket oppinvestigated: undersøkestruth: sannhetennook: krikcranny: krokfaithful: trofastemaintenance: vedlikeholdsarbeiderhidden: skjultesecret: hemmelighetrumors: rykteneanonymous: anonymnervous: nervøseglances: blikkclues: sporremnants: resterconfront: konfronterequiet: stillerelieved: lettetsolved: løstpride: stolthetreact: reagerecollaborate: samarbeidetalent: talentpromising: lovendeshared: delt

In this episode of The Truth in This Art, I welcome back Baltimore-based sculptor Sebastian Martorana. We discuss the evolution of his career over the past few years, including his work on notable projects like the Vietnam Veterans Memorial Wall in DC and carvings at St. Patrick's Cathedral in New York City. Sebastian shares how these experiences have shaped his artistic process and the tools and techniques he uses. We also explore the challenges of balancing personal and professional life, the impact of social media, and the importance of real-life connections in the art world.Be sure to listen to Sebastian Martorana's episode here. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Meet Sabin Howard, the master sculptor behind the breathtaking World War I Memorial in Washington D.C. In this Daily Signal interview, Howard shares his remarkable journey from a 19-year-old who had never drawn before to becoming the creator of a monumental 60-foot bronze sculpture featuring 38 figures. Howard reveals the challenges he faced creating this national monument—from battling bureaucracy and modernist opposition to sculpting through a global pandemic. He explains his vision for art that elevates the human spirit and unites Americans around their shared history. "It's a sculpture for We the People," says Howard, describing how he captured the energy of real veterans in his work. The memorial honors not just WWI soldiers but speaks to all who have served, creating a universal tribute to the human journey through conflict. Howard also discusses his next ambitious project—a monument celebrating American freedom for the nation's 250th birthday, and why he's moved from the East Coast to Utah to pursue this vision. Our interview explores the intersection of art, culture, and national identity, offering a glimpse into the mind of an artist determined to create work that brings communities together and restores pride in American history. Follow Sabin Howard: SabinHoward.com X/Twitter: @SabinHoward Instagram: @SabinHowardSculpture #WorldWarIMemorial #SabinHoward #WashingtonDC #AmericanSculptor #BronzeSculpture #VeteransMemorial #DailySignal The Daily Signal cannot continue to tell stories, like this one, without the support of our viewers: https://secured.dailysignal.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Kuntz, Executive Director of NAMI Montana, and Cassie Wick of Ability Montana provided a thorough update on the major mental wellness bills tracking through the 69th Montana Legislature. Then, Montana's Sculptor, Jim Dolan, joined the program to discuss the […] The post Mental Health Movement in Montana first appeared on Voices of Montana.

"I suggest to you that it is because God loves us that he gives us the gift of suffering. Pain is God's megaphone to rouse a deaf world. You see, we are like blocks of stone out of which the Sculptor carves the forms of men. The blows of his chisel, which hurt us so much are what make us perfect."C.S. Lewis' thoughts on the purpose of suffering are incredibly true, and still, naturally, we want to avoid suffering at all costs, because, well, it hurts!Today on Rinse and Repeat we begin a new series on the topic of suffering, and today's message explores 2 Corinthians 4:16Therefore we do not lose heart. Even though our outward man is perishing, yet the inward man is being renewed day by day. Join me today as we TAKE HEART even in dark hours of suffering, and begin to see God's purpose in pain.(RAR2025EP12)

As I've mentioned before, one of the great things about doing a show like this is the fascinating people I get to talk to who are coming at experience design from many different approaches, perspectives, and backgrounds. One of the groups that I perhaps enjoy talking to the most (no offense to anyone else) is artists. I've always admired the ability to turn imagination and passion into something that expresses one's soul in a way that can move others. Talking to artists about their work kind of creates a sense of purity of work in terms of representing an authentic self. I don't want to overly dramatize or prematurely canonize them. But artists can do really cool stuff that brings life and light into the world.And it feels like every day more and more, we need some life and light brought into the world. While art changes, our need for art never changes.My guest today is artist Will Owen. Looking at Will's website, it lists his primary mediums as sound, sculpture, and food. That's right. Food. Without that is a larger preoccupation of culture and the world in which we live, seeking to represent it in ways that stimulate thought, expose us to its beauty, and contemplate its possibilities. Growing up in Appalachia provided an opportunity to explore how to have fun and create with whatever was available. Before we had the concept of a ‘maker space,' his childhood was a maker space in which risks could be take in the pursuit of having fun and filling time. Out of that comes a creative spark and fundamental appreciation for the natural world. He describes himself as being ‘obsessively curious' and being promiscuous with materials, which he owes to his childhood and the collaborative explorations with his friends.Today he is part of many different collectives around the world. He is part of the Flux Factory in New York, and has worked with artists in Russia and Taipei,We talk about making something loud with no budget, the indelible reciprocity of making together, the porousness needed to engage with performative audiences, and his obsession with supertemporary communities. We also talk about the bus experiment, a traveling exhibit from Manhattan to Philly. Will Owen - https://willowen.netFlux Factory - https://www.fluxfactory.org/

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week on 'Art is Awesome,' host Emily Wilson chats with Stephanie Robison, a sculptor living in Oakland and the chair of City College of San Francisco's Art Department. The episode delves into Stephanie's background, from growing up in Oregon and being encouraged by a high school counselor to attend college, to falling in love with sculpture, particularly stone. Stephanie discusses her creative process, the resistance she enjoys from materials like marble, and how her grandmother inspired her love for making things. She also shares her experiences with exhibitions and her thoughts on teaching. About Artist Stephanie Robison:Originally from Oregon, Stephanie currently resides in California teaching sculpture and serving as Art Department Chair at the City College of San Francisco. Robison holds a Bachelor of Fine Arts from Marylhurst University and a Master of Fine Arts in Sculpture from the University of Oregon. Her work has been exhibited at Marrow Gallery, Marin Museum of Contemporary Art and Orange County Center for Contemporary Art in California, Robischon Gallery in Denver, Colorado, Houston Center for Contemporary Craft, Joseph A Cain Memorial Art Gallery and Greater Denton Arts Council in Texas, Yeiser Art Center in Kentucky, Site:Brooklyn Gallery in New York, Foster/White Gallery, Whatcom Museum and Tacoma Art Museum in Washington, and Peter Robertson Gallery in Alberta Canada.Stephanie is represented by Marrow Gallery in San Francisco, California and Foster/White Gallery in Seattle, Washington. Her work can also be found at Robischon Gallery in Denver, Colorado.The sculptures of Stephanie Robison plays with multiple oppositional relationships. Working with industrial fabrics and wood, she creates large-scale installations that examine relationships between culture, nature and the built environment. Her latest series of work combines traditional stone carving and the process of needle felting wool. By merging incongruous materials such as wool and marble, she works to synthesize and fuse: organic and geometric, natural and architectural, handmade and the uniform industrial. Focusing on materiality and color with this new work, Robison creates charming, often humorous or awkward forms referencing aspects of the body, relationships and the environment. Visit Stephanie's Website:  StephanieRobison.comFollow Stephanie on Instagram:  @SquishyStoneFor more about Stephanie's Exhibit, "Incantations for the Average Person" CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Mike kicks off a fresh month of Patreon picks alongside Cullen Gallagher and Rob St. Mary to unpack the satirical brilliance of Tomás Gutiérrez Alea's 1966 gem, Death of a Bureaucrat. When a revered Cuban sculptor invents a revolutionary bust-making machine only to meet his untimely demise at its mechanical hands, bureaucratic absurdity kicks into high gear. Buried proudly with his labor card, the sculptor inadvertently sparks a Kafkaesque quest as his widow and nephew wrestle hilariously with red tape, relentless officials, and ridiculous obstacles—all in pursuit of the one document standing between them and survival. Special thanks to Patreon supporter John Redford for this sharp, comedic dive into the madness of bureaucracy.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Mike kicks off a fresh month of Patreon picks alongside Cullen Gallagher and Rob St. Mary to unpack the satirical brilliance of Tomás Gutiérrez Alea's 1966 gem, Death of a Bureaucrat. When a revered Cuban sculptor invents a revolutionary bust-making machine only to meet his untimely demise at its mechanical hands, bureaucratic absurdity kicks into high gear. Buried proudly with his labor card, the sculptor inadvertently sparks a Kafkaesque quest as his widow and nephew wrestle hilariously with red tape, relentless officials, and ridiculous obstacles—all in pursuit of the one document standing between them and survival. Special thanks to Patreon supporter John Redford for this sharp, comedic dive into the madness of bureaucracy.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

The Sculptor***Written by: Lewis Brett Smiler***Flies***Written by: Dr. Noche and Narrated by: Heather Thomas***The Previous Owners***Written by Paul Blinov and Narrated by: JV Hampton-VanSant***Support the show at patreon.com/creepypod***Sound design by: Pacific Obadiah***Title music by: Alex Aldea

Ryan & Becca are back with another Q&A episode! They answer a range of questions from wedging tables to storing your inventory efficiently to developing new product lines. Thanks to everyone who continues to send us questions on Instagram and by email!Maker of the MomentSara Tolbert - @saratolbertceramicsPreston Tolbert - @preston.tolbertEric Beavers - @ericbeaverspotteryResourcesThe Complete Guide to Low-Fire Glazes for Potters and Sculptors by Ben CarterSponsorsL&L Kilns - The durable kiln that potters trust to fire evenly & consistently. Find your L&L kiln at hotkilns.comSupport the show on Patreon for as little as $3 per month: https://patreon.com/WheeltalkpodcastFollow us on Instagram:@wheeltalkpodcast@rdceramics@5linespotteryVisit our website:www.wheeltalkpotcast.comWheel Talk YouTube Channel

Nathan Murray creates groupings of figure sculptures that explore the intersection of race, class, and culture in America. In our interview we talk about his recent portrait of Malcolm X, which is now installed at the Nebraska state capital, his Color Theory series, and using non ceramic materials to create realistic skin tones. We also discuss his connection to Lincoln, Nebraska where he was raised and has now come back to set down roots. You can read more about Nathan in my book The Complete Guide to Low-Fire Glazes for Potters and Sculptors or visit www.nathanmurraystudios.com.   I'll be teaching two workshops this summer on ceramic surface design. The first will be at UNR Lake Tahoe June 16th-20th. I'll also be at Snow Farm in Williamsburg, MA August 14 - 17, 2025. If you are interested in building layers through mark making and pattern, join me on either coast for a week full of experimentation and community. To register visit UNR.edu or www.snowfarm.org.   Today's episode is brought to you by the following sponsors: The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com Cornell Studio Supply www.cornellstudiosupply.com Bray Clay www.archiebrayclay.com

We've been hunkering down for the last few months now on the traveling side of our Backyard Green Films universe.  2024 was a doozy of a year for us in many respects, so we had to take a few moments to catch our breath this winter. Enrique Guerra, also known as “Kiko,” is our guest today, and he's pretty much royalty in Texas Longhorn Cattle circles.  Kiko is the son of another Enrique Guerra – who was always known as Enrique, and he was the man who was responsible for saving a huge chunk of the pure genetics of the original Texas Longhorn, among other lifetime accomplishments.  The senior of the two Enrique's did that by running around the mountains of Mexico and collecting up what animals he could find that had not been diluted yet by the different breeds arriving on the shores of North America.  He was quite a man to live up to, I think, and is still spoken of with reverence and admiration. But history can be preserved in many ways, and Kiko's way of practicing preservation, yet keeping it relatable, is one of my favorites. He's an artist. Aside from the accomplishments of his famous parent, and family, Kikko is royalty in his own right.  He is a world-renowned artist, and his sculptures and paintings depict incredibly simple scenes of the basics of life, and yet they resonate with complexity.  So yes, he paints a man leading a burro or farmers tilling their land.  He sculpts scenes from the trails of old Texas and Mexico.  And they resonate.  The Brisco Western Art Museum thought so, and there you can see his famous piece, “The Vaquero.”  It's a sculpture of a man driving two Longhorn cattle along the trail, yoked by ropes and bobbins.  Historically correct, of course.  And you can also find one of his sculptures at the famous site known as the Alamo, in San Antonio.  And his art is not just one thing.  He very much believes in the importance of preserving the original Longhorn cattle breed at San Vicente Ranch.  History, beauty and practicality all built into the genes of that one animal. Links:https://texashighways.com/culture/an-interwoven-legacy-guerra-family/https://sanvicenteranch.com/https://enriqueguerraart.com/?page_id=252https://banderafiberandarts.com/https://youtu.be/Ghekozq7lUE?si=T2lOqzlyZ04s5FQ3From the Pasture with Hired HandExpert advice on breeding, marketing & technology for livestock breeders & ranchers.Listen on: Apple Podcasts SpotifySupport the show

The American painter and sculptor René Romero Schuler creates powerful images that speak to the complexities of the human condition and the spirit that connects all human beings. René did not have any formal art training but since a small child felt that she was always meant to be an artist. She endured a difficult childhood and those real life challenges are imbued in her work illustrating her appreciation for the struggles and triumphs of humanity. René was born in Chicago in 1968 to parents Maryanne, a retired nurse and Rocky, who René describes as a bit of an enigma, though always in sales. René and her siblings grew up in Chicago, though she spent a year and a half in Quito with her grandparents. By time she reached her teenage years her home life was becoming difficult with a troubled relationship with her mother and an intrusive fear of her father. At the age of 14 René ran away from home and lived rough pulling on all her resources and determination. She eventually found work as an artist, painting murals in commercial properties. When she was 17 René moved into her own apartment and worked a variety of jobs from waitressing to bartending. By collaborating with a variety of artists around Chicago, René was gradually becoming a full-time artist with her own studio and plenty of commissions. In 1999 she met her future husband and for a while the couple lived in New York before René was drawn back to Chicago to focus on her art. It was here that she was able to reconnect with her contacts in art galleries and establish herself as a professional artist. René is represented by galleries across the U.S., Canada and Europe, She has had major exhibitions throughout the U.S., Europe and Asia, and has work included in the permanent collections of numerous museums and institutions. René now lives in Monterrey, CA with her husband Rick and two sons Ian and Owen.Rene's links: https://www.reneromeroschuler.com/ https://www.instagram.com/reneromeroschuler/Some favorite female artists:Maryann KolbKelly ReemstenBisa ButlerJoan BrownAnnie LeibovitzTamara de LempickaHelen FrankenthalerLouise BourgeoisTracey Emin Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.com Become a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

The American painter and sculptor René Romero Schuler creates powerful images that speak to the complexities of the human condition and the spirit that connects all human beings. René did not have any formal art training but since a small child felt that she was always meant to be an artist. She endured a difficult childhood and those real life challenges are imbued in her work illustrating her appreciation for the struggles and triumphs of humanity. René was born in Chicago in 1968 to parents Maryanne, a retired nurse and Rocky, who René describes as a bit of an enigma, though always in sales. René and her siblings grew up in Chicago, though she spent a year and a half in Quito with her grandparents. By time she reached her teenage years her home life was becoming difficult with a troubled relationship with her mother and an intrusive fear of her father. At the age of 14 René ran away from home and lived rough pulling on all her resources and determination. She eventually found work as an artist, painting murals in commercial properties. When she was 17 René moved into her own apartment and worked a variety of jobs from waitressing to bartending. By collaborating with a variety of artists around Chicago, René was gradually becoming a full-time artist with her own studio and plenty of commissions. In 1999 she met her future husband and for a while the couple lived in New York before René was drawn back to Chicago to focus on her art. It was here that she was able to reconnect with her contacts in art galleries and establish herself as a professional artist. René is represented by galleries across the U.S., Canada and Europe, She has had major exhibitions throughout the U.S., Europe and Asia, and has work included in the permanent collections of numerous museums and institutions. René now lives in Monterrey, CA with her husband Rick and two sons Ian and Owen.Rene's links: https://www.reneromeroschuler.com/ https://www.instagram.com/reneromeroschuler/Some favorite female artists:Maryann KolbKelly ReemstenBisa ButlerJoan BrownAnnie LeibovitzTamara de LempickaHelen FrankenthalerLouise BourgeoisTracey Emin Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.com Become a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Ryan and Noah sit down again with Kevin stoneShout out and huge thanks to our sponsorswww.ameribrade.comwww.maritimeknifesupply.comwww.pheonixabrasives.comwww.bakerforge.comwww.evenheat-kiln.comwww.texasfarriersupply.comCheck out our small business spotlight membersKHDAILY KNIVESROCK SOLID SCALESPELICAN PASTETIMBER TIGER FORGE Thanks to our monthly supporters Walker Knife Co. Kris Modisette Daniel Smith Jason Posey Evan Dudley Bryan Kohn Grant Ball Todd Newton-Twin Oaks Forge Coulter Moulton www.treeswiftgoods.com Waltrip knives Waltrip Knives Baker Forge & Tool Bald Man Knife & Tool Clint Long Fingal Greg Nuckols micah dunn Chaz Belongie Ben Cutts Just Brad @brads_customs David Burke Donovan Shelton Miller Knife Works ( CJ Miller ) BOB GORE ... METALSTORM FORGE James Buck Brent Dignam AmeriBrade Travis Haines (@birdforge) Collin of Hayworth Handmade Jeremy of 419 Forging Wood By Mohler BryanHunt.hiddenroseforge Will From Maine @sprucehillstudio Jerod Weaver at Weaver's Custom Metalworks Instagram Masterofmetalmanipulation Neil@Maximus Knives Ira Houseweart Timber Tiger Forge, Chris Magnus Echo Blades - Jerid Brian Hinnenkamp - Tortuga Bladeworks KraftyMan Forge Noah “can't be arsed” Bloomberg Driver Defense Knives - Dustin Driver MaritimeKnifeSupply.COM Troxclair Custom Cutlery Triple-T Podcast! Todd Harrington TH Blades Marc Leblanc papa_hache_axe Brigham Kindell AROO Bladeworks Knifematerial.at Donny Dulevich ★ Support this podcast on Patreon ★

Rebecca Faria aka Detox By Rebecca is on speed-dial for some of Hollywood's most elite talents. Everyone from Jennifer Aniston to Jessica Alba and Sofia Richie Grainge rely on Rebecca's lymphatic drainage skills to cut a sleek red carpet silhouette. But the certified therapist's authentic Brazilian technique goes far beyond eliminating excess water weight. Regular practice is said to help detoxify the body, stimulate sluggish circulation and boost the immune system. Tune in to learn how we, too can get stagnant lymph moving – without the Beverly Hills price tag.You'll hear about: Jill's review of her lymphatic drainage massage treatment at the Detox By Rebecca LA Spa – from belly massage to cupping to an infrared bed – is it worth the $$? PS - You can find a therapist that's been trained by Rebecca in your area here Is the lymphatic drainage “flu” a real phenomenon? At-home diet and lifestyle tricks to keep your lymphatic system moving and help beat the bloatThe reason Rebecca isn't a big fan of dry body brushingWhy we'll be buying a tongue scraper, statAre those lymphatic drainage “pants” seen on Jennifer Aniston actually worth it? Disclaimer: This information is for general knowledge and entertainment purposes only and does not constitute medical advice. Consult with a qualified healthcare professional for any health concerns or before making any significant lifestyle changes. Subscribe and watch this episode on our YouTube channel Get social with us and let us know what you think of the episode! Find us on Instagram, Tiktok, Twitter. Join our private Facebook group, or give us a call and leave us a voicemail at 1-844-227-0302. Sign up for our newsletter For any products or links mentioned in this episode, check out our website: https://breakingbeautypodcast.com/episode-recaps/ Related episodes like this: Meet Lord Gavin, The Facial Masseur Making A-List Stars Look Snatched! Celeb Facialist Shani Darden On The 3 Treatments That Will Transform Your SkinSkincare Guru May Lindstrom: From Living in Her Car to Creating a Cult-Favourite "Blue Cocoon" BalmPROMO CODES: When you support our sponsors, you support the creation of Breaking Beauty Podcast! First Aid BeautySee the difference First Aid Beauty's Facial Radiance Pads make for your complexion. Right now, we have a special offer just for our listeners. Get 20% off when you visit FirstAidBeauty.com/BEAUTY and use our promo code BEAUTY Deinde DEINDE is a clean clinical skincare brand powered by biotech, to support skin health and longevity. DEINDE's offering 15% off to Breaking Beauty listeners at DEINDE.com by using code BEAUTYQuip The new quip 360 oscillating toothbrush literally revolves around you. Just for listeners of Breaking Beauty Podcast, get 20% off sitewide and a FREE travel case and countertop stand at GetQUIP.com/beauty. HersCurious about GLP-1 medications? Start your initial free online visit today at forhers.com/BREAKINGBEAUTY for your personalized weight loss treatment options. ***Hers Weight Loss is not available everywhere. Compounded products are not FDA-approved or verified for safety, effectiveness, or quality. Prescription required. Restrictions apply. Wegovy® and Ozempic® are not compounded. Actual price depends on product and plan purchased.****Disclaimer: Unless otherwise stated, all products reviewed are gratis media samples submitted for editorial consideration.* Hosts: Carlene Higgins and Jill Dunn Theme song, used with permission: Cherry Bomb by Saya
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Send us a textIn this inspiring episode, Kevin English sits down with Wayne Lehrer, author of The Art of Conscious Aging, to explore what it truly means to thrive in life's third act. Wayne shares his transformative journey from feeling "bulletproof" in his youth to facing the undeniable realities of aging - and how this shift became the catalyst for profound personal growth. About Today's Guest:At 73 years old, Wayne Lehrer is living an inspired Third Act, but that wasn't true a decade ago. Having been a World's Fair & Theme Park Designer, IMAX Filmmaker, Master Yoga & Meditation Teacher, Health Advocate, International Workshop Leader, Sculptor, and Author, it all changed at 62 when the reality of aging forced him to question everything he'd ever thought about himself - health, identity, longevity, purpose, and what “really matters” in our later years. Through 10 years of research, coaching, and soul-searching, Wayne distilled The Art of Conscious Aging, an Operating Manual for the Third Act. His work offers a road map, role models, and a vision of the extraordinary possibilities available to each of us as we become the hero of our Third Act, resurrecting as the best version of ourselves. Key Topics Discussed:·      Wayne's personal awakening to the realities of aging and how it shaped his life's mission·      What is conscious aging and why it matters·      The “Third Act Identity Crisis” and how to navigate it with grace·      Shifting from independence to interdependence and the value of community·      Why your best years can still be ahead of you—and how to make them count·      The importance of purpose, curiosity, and contribution in later life·      Embracing elderhood as a time of wisdom, giving back, and authentic happiness Connect with Wayne Lehrer:·      Website: https://waynelehrer.com·      Wayne Lehrer's book: The Art of Conscious Aging - https://www.amazon.com/Art-Conscious-Aging-Happiness-Purpose/dp/2186028905/·      YouTube: https://www.youtube.com/user/waynelehrer·      Instagram: @lehrerwayne·      Email: wayne@waynelehrer.com   Connect with Kevin English & The Silver Edge:- Website: https://silveredgefitness.com- Instagram: @thesilver_edge- Join the Over 50 Lean Body Blueprint Facebook Group: https://www.facebook.com/groups/silveredgefitness Loved This Episode?If you enjoyed this conversation, please consider leaving a review on Apple Podcasts or your favorite podcast platform. Your feedback helps us reach more people who are ready to thrive in the second half of life!Want to rewrite the narrative of your life and health? Visit the link below to see if our 1:1 coaching services are a perfect fit for your long term goals: https://calendly.com/thesilveredge/coaching-inquiry Want more over 50 health and wellness goodness? Check out our private Facebook group: https://www.facebook.com/groups/silveredgefitness

Renowned Montana sculptor Jim Dolan has left his metal-mark across the state. You'll most surely recognize his work if you travel on Hwy 287 north of Three Forks and see the set of 39 blue horse sculptures dotting the hillside. […] The post Sculptor Jim Dolan Creates a Calling for Better Mental Health first appeared on Voices of Montana.

We meet security guard Armia Khalil, whose kindness to a visitor led to his sculpture being exhibited at New York's Met Museum. Also: new hope for Parkinson's; beer that's good for you; and Bhutan welcomes Ed Sheeran.

What's poppin' con-gregation? This week, JB Smoove joins us to discuss an Italian artist who sold an invisible statue for thousands of dollars. Plus, a Florida man is charged with impersonating a doctor while injecting botox into patients while drinking. Stay schemin'! (Originally Released 07/05/2021) CON-gregation, make sure to catch Laci's new TV Show Scam Goddess, now on Freeform and Hulu! Follow on Instagram:Scam Goddess Pod: @scamgoddesspodLaci Mosley: @divalaciJB Smoove: @ohsnapjbsmoove  Research by Kaelyn Brandt.  Sources:https://www.republicworld.com/entertainment-news/whats-viral/artist-sells-invisible-sculpture-for-over-rs-13-lakh-says-the-vacuum-is-nothing.htmlhttps://www.forbes.com/sites/augustinefou/2021/06/04/artist-sells-invisible-sculpture-adtech-sells-the-same-thing/?sh=1676ed0b67a0https://hypebeast.com/2021/6/salvatore-garau-lo-sono-invisible-sculpture-18k-usd-sale Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/scam.

Can a statue change American history?How do we decide who gets a statue? What happens when you realize how many people deserve a statue but never got one? What's the difference between a “forensic sculpture” for an interpretive exhibition, and one you'd put in a fine art show? Why are some museums just not complete without a bronze statue of the main characters? Are there “statues of limitations”?Ivan Schwartz (Founder and Director of StudioEIS), joins MtM host Jonathan Alger (Managing Partner, C&G Partners) to discuss “Sculpting History.” Along the way: hagiography, phalanges, and ketchup bottles made of bronze. Talking Points:1. What is a “Forensic” Sculpture?2. Sculptor as Visual Storyteller3. How to Sculpt a President4. A Phone Call from the Archives5. Telling History Like It Is6. Statues of LImitation How to Listen:  Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1GListen at Making the Museum, the Website:https://www.makingthemuseum.com/podcastLinks to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/  Guest Bio:Ivan Schwartz is the founder and director of StudioEIS. He is a sculptor, painter, and designer, with a keen interest in American history and the use of sculpture in the development of our national symbols. With a degree in sculpture from The College of Fine Arts at Boston University, he packed up and spent a year working in Pietrasanta, Italy in the early 1970s. He was the recipient of a distinguished alumni award from Boston University in 2003, and has shown his work in New York since 1981. Ivan was a member of the Dean's Advisory Board at Boston University's College of Fine Arts until the end of 2009 and was also a founding board member of Art Omi, an international arts workshop. He was also President of Innovators in America, 2009-2011, working closely with Sir Harold Evans. The StudioEIS archive was acquired by the Briscoe Center for American History at the University of Texas, Austin, in 2014 in association with a new area of study on American symbols.StudioEIS has created hundreds of projects in its 50-year history; most notably for: The National Constitution Center, The New York Historical Society, The John F. Kennedy Center for the Performing Arts, The Virginia Women's Monument, and The National Museums of African American History and Natural History. The studio has explored the American Presidency, Military History and Civil Rights history extensively. Current Projects include the Clara Luper Memorial that will be unveiled in May in Oklahoma City and Theodore Roosevelt & Barack Obama Presidential Libraries. Ivan has been seen recently on the CBS Sunday Morning program and at the Lyndon Johnson Library in conversation with Doris Kearns Goodwin on the subject of Abraham Lincoln. His film: “Lest We Forget, Statues of Limitation,” can be seen on Vimeo.  About Making the Museum: Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. This podcast is a project of C&G Partners | Design for Culture. Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode: Ivan by Email:ivan@studioeis.com  StudioEIS Online:https://www.studioeis.com “Lest We Forget: Statues of Limitation” on Vimeo:https://vimeo.com/211595498 Links for Making the Museum, the Podcast: Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn: https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com  C&G Partners | Design for Culture:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter: Liked the show? You might enjoy the newsletter. Making the Museum is also a free weekly professional development email for exhibition practitioners, museum leaders, and visitor experience professionals. (And newsletter subscribers are the first to hear about new episodes of this podcast.) Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management. Subscribe to the newsletter:https://www.makingthemuseum.com/

In this episode of The Zac Clark Show, Zac sits down with renowned tattoo artist and sculptor Julius Margulies, a.k.a. Snuffy, to explore his powerful story of recovery and artistic transformation. Snuffy, who has inked celebrities like Pete Davidson and Machine Gun Kelly, shares how his creative explosion post-recovery helped him break free from past struggles.  With his unique approach to tattoo design, requiring clients to submit personal stories or essays before he creates custom, meaningful artwork, Zac and Julius dive deep into the role of art in healing, mental health, the importance of self-expression, and how recovery and the creative process can go hand-in-hand. For more info on Snuffy and his work: https://www.instagram.com/SNUFFY.NYC/ https://www.snuffy.us/#snuffy500 Connect with Zac https://www.instagram.com/zwclark/ https://www.linkedin.com/in/zac-c-746b96254/ https://www.tiktok.com/@zacwclark https://www.strava.com/athletes/55697553 https://twitter.com/zacwclark If you or anyone you know is struggling, please do not hesitate to contact Release: (914) 588-6564 releaserecovery.com @releaserecovery

Kimberly Kelly Santini says it all in her tagline for her bio: Painter, Dreamer, Instigator. When I composed her bio for our podcast introduction, I learned that Kimberly is an artist that creates her environment not only for inspiration but for a springboard that propels her curiosity into new territories of nature. In this episode, she bullet points exactly how she does that and we feel our audience may be inclined to put some of those points in their own practice. I for one plan to pay more attention to my daily journal after hearing Kimberly talk about the how, when and why of her journaling process. I'm anxious to check out her YouTube videos on that topic, too. I'll put those links in the show notes for sure . Here is a formal bio for you to learn more about Kimberly:  Kimberly Santini  is formally educated as a painter, with a BFA in Painting and a BA in Art History, but worked a traditional career path for over a decade. She set up a home studio in 2001 and began with commissioned portraiture. In 2006 she committed to daily painting, a creative practice she continues today. Santini brings her unique voice to the easel with an unparalleled sense of color and spontaneity. She was honored as the official artist of the 2015 Kentucky Derby, has worked with the AKC on poster artwork, designed a wine label, and hung solo shows across the country.  A firm believer in community involvement, Santini is also in leadership roles with the Romeo Guild of Art and The Detroit Society of Women Painters & Sculptors.  Show Notes: Kimberly's Website Instagram Link Patreon for Kimberly Santini Kimberly's YouTube Channel Interview with Kimberly on CanvasRebel

PJ Anderson's figurative sculptures and vessels have rich patinas created through multi-day smoke firings. In our interview we talk about her making process, the influence of sci-fi futurism, and how she teaches students to understand the difference between cultural transmission and appropriation. We also discuss her work in community engagement for the National Centre for Truth and Reconciliation, and how maintaining archives address the realities of the past. You can read more about PJ in my book The Complete Guide to Low-Fire Glazes for Potters and Sculptors or visit www.pjandersonceramics.com.   Today's episode is brought to you by the following sponsors: The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com Cornell Studio Supply www.cornellstudiosupply.com Archie Bray www.archiebray.org

In this Barrel-Aged Classic, artist and sculptor Em Adler joins Andy to talk about dealing with impostor syndrome, breakfast shots, Art Week, and sneaking into a bar to draw. Intro music is "String Anticipation" by Cory Gray.

Juan Diaz is a much loved miniature sculptor who worked at Games Workshop for 16 years producing countless amazing minis for Citadel and Forge World. Amongst his many classic sculpts are the first daemon prince Be'Lakor and the infamous Daemonettes of Slaanesh.In conversation with Jordan Sorcery Juan talks about the culture and people he worked with, the materials and processes, and his wonderful career as a model maker.Juan Diaz interview.[TINY TALES INSTAGRAM]https://www.instagram.com/tinytalesstudio_____________________________ [ ELEMENT GAMES AFFILIATE LINK ]https://elementgames.co.uk/?d=11216[ PATREON ]https://www.patreon.com/jordansorcery[ KO-FI ]https://ko-fi.com/jordansorcery[ YOUTUBE CHANNELS ]History & Editorial: https://youtube.com/ @jordansorceryLongform Conversation: https://youtube.com/ @JordanSorceryPods  [ WEBSITE ]https://jordansorcery.com/#Warhammer #40k #Warhammer40000 #GamesWorkshop #tabletop #boardgames #RPG #wargames_____________________________ References, Sources, and Links: [TINY TALES WEBSITE]https://www.tinytalesstudio.es/[TINY TALES INSTAGRAM]https://www.instagram.com/tinytalesstudio_____________________________ Art, Music, and Copyright: Images used belong to their respective copyright owners Jordan Sorcery Theme by Joylin Music Jordan Sorcery Heraldry by Becka Moor Jordan Sorcery Heraldry and Theme copyright @jordansorcerySupport the show

This episode is going to be unique in topic and perspective. I was so inspired in my conversation with my guest.You will love listening to this episode!!Today, I am introducing to you, the highly respected, Dr. Azita Madjidi.Dr. Azita is a Board-Certified Plastic Surgeon. She has a rather unusual path in life that has brought her to this place, to who she is today and how she does her practice.Born in Tehran, Iran, Dr. Azita was raised by a loving family. Her mother was the first woman Sculptor in Iran, graduating from Tehran University in Fine Arts.When her mother became ill, Azita being only 17, took her mother to Paris for treatment.  While there, the war between Iran and Iraq broke out, the borders were closed which prevented she and her mother from returning to Tehran, leaving them with little money, a suitcase, and no place to live.Dr. Azita's story is riveting, filled with so many obstacles, yet she chose to persevere, overcome and her practice has changed the lives of so many hurting people around the world. It was during this challenging season in her life, that Azita received a letter from her grandmother.“My dear granddaughter, I know how hard you are working and learning.   Don't worry.  You are digging a well with a needle.   One day, you'll reach the water which will spring out and benefit others.”Dr. Azita shares that once she became a plastic surgeon, she started going on mission trips around the world in 1991 helping children and adults with cleft lip and palate, burns etc. “I always remember what my grandmother told me.”Dr. Azita has a practice in Houston, Texas where she offers a wide range of surgical and non-surgical procedures. Check out her website to find out more about her services. CONNECT WITH Dr. Azitawww.DrAzitaMadjidi.com CONNECT WITH DEBIDo you feel stuck?  Do you sense its time for a change but unsure where to start or how to move forward?  Schedule a clarity call!Free Clarity Call: https://calendly.com/debironca/free-clarity-callWebsite – https://www.debironca.comInstagram - @debironcaEmail – info@debironca.comCheck out my online course!                                                                                                                                                                                                                                                                                    Your Story's Changing, finding Purpose in Life's Transitionshttps://course.sequoiatransitioncoaching.com/8-week-programThe Family Letter by Debi Ronca – International Best Sellerhttps://www.amazon.com/dp/B07SSJFXBD

On the season finale of Season 2 our guest is the Chinese Ceramic Sculptor Lirong Luo.  Lirong says: "Most important for me is to create my artwork freely and show people what I am ready to show and what is interesting for me to show the world.”  Lirong's sculptural work is influenced by Renaissance and Baroque techniques, an interest she developed while studying art in Beijing under the tutelage of sculptor Wang Du. This influence is evident in the life-like quality and grace of her figures, often women, captured in motion. Their poses are elegant, elongating their bodies, and Lirong's attention to detail in skin folds and garment drapery imbues them with a sense of vitality. The dresses and garments of her sculptures often appear windswept, creating a compelling dichotomy between realism and a fantastical element. But her early life was not easy. Growing up in a small village in China, Lirong's path was filled with hard work and a determination to prove without anyone to show her the way that a Chinese woman could become a successful international artist. In this episode, she shares her story of resilience, her vision and artistic process, and how she created her own path in the art world. Lirong was born in the Hunan Province in 1980. Her parents, Huaifu Luo and Aiyu Guo are both farmers. She has a brother, Liping Luo. In 1998, Lirong entered the Changsha Academy of Arts in Changsha, Hunan, and from 2000-2005 she studied sculpture at the Central Academy of Fine Arts in Beijing graduating with honors. Lirong met her future husband the Belgian sculptor Arnaud Laroche while they were students together and once Lirong graduated the couple decided to move to Europe. They first lived in Paris where Lirong worked in a chocolate factory before moving to Belgium. It was here that she established a studio and in 2014 held her first exhibition. By 2017 Lirong had hit the big time and now her work can be seen in galleries in France and Belgium. Lirong lives in Beersel, Belgium with her husband Arnaud Laroche and their daughters Olivia and Maya.Lirong's links: Instagram: @luo_li_rong_arthttps://www.instagram.com/luo_li_rong_art/?hl=enFacebook:  LUO Li Ronghttps://www.facebook.com/p/LUO-LI-RONG-100044201991035/ Lirong's favorite female artists:Camille ClaudelKiki SmithBeth Cavener Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

On the season finale of Season 2 our guest is the Chinese Sculptor Lirong Luo.  Lirong says: "Most important for me is to create my artwork freely and show people what I am ready to show and what is interesting for me to show the world.”  Lirong's sculptural work is influenced by Renaissance and Baroque techniques, an interest she developed while studying art in Beijing under the tutelage of sculptor Wang Du. This influence is evident in the life-like quality and grace of her figures, often women, captured in motion. Their poses are elegant, elongating their bodies, and Lirong's attention to detail in skin folds and garment drapery imbues them with a sense of vitality. The dresses and garments of her sculptures often appear windswept, creating a compelling dichotomy between realism and a fantastical element. But her early life was not easy. Growing up in a small village in China, Lirong's path was filled with hard work and a determination to prove without anyone to show her the way that a Chinese woman could become a successful international artist. In this episode, she shares her story of resilience, her vision and artistic process, and how she created her own path in the art world. Lirong was born in the Hunan Province in 1980. Her parents, Huaifu Luo and Aiyu Guo are both farmers. She has a brother, Liping Luo. In 1998, Lirong entered the Changsha Academy of Arts in Changsha, Hunan, and from 2000-2005 she studied sculpture at the Central Academy of Fine Arts in Beijing graduating with honors. Lirong met her future husband the Belgian sculptor Arnaud Laroche while they were students together and once Lirong graduated the couple decided to move to Europe. They first lived in Paris where Lirong worked in a chocolate factory before moving to Belgium. It was here that she established a studio and in 2014 held her first exhibition. By 2017 Lirong had hit the big time and now her work can be seen in galleries in France and Belgium. Lirong lives in Beersel, Belgium with her husband Arnaud Laroche and their daughters Olivia and Maya. Lirong's links:Instagram: @luo_li_rong_art https://www.instagram.com/luo_li_rong_art/?hl=enFacebook:  LUO Li Ronghttps://www.facebook.com/p/LUO-LI-RONG-100044201991035/Lirong's favorite female artists:Camille ClaudelKiki SmithBeth Cavener Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Send us a textJoining us on this episode is Kevin Vanhentenryck from the cult classic film Basketcase! Kevin talks about working with Frank Henenlotter, experiences filming with a skeleton crew, and his passion for sculpting. Kevin shares some great memories from the filming process and the experience of how this film has impacted others years later.Follow us on Social Media: @pvdhorror Instagram, Twitter, TikTok, FacebookWatch us on YouTube: https://www.youtube.com/channel/UCOyloOb0puVCXDjJ_ZiPYqgVisit our website: https://pvdhorror.com/Special thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

Michelle Im uses low-fire tin glaze to make both vibrant patterned pottery and figurative sculpture. In our interview we talk about her approach and technique for majolica, developing her RatxChicks brand, and her portrayal of familial identity in her sculptural work. You can read more about Michelle in my book The Complete Guide to Low-Fire Glazes for Potters and Sculptors or visit www.ratxchicks.club.   My annual holiday sale is now live with over fifty new pots. They make great gifts for your loved ones for the holidays and I'm happy to offer listeners free shipping. To receive this special offer, make a purchase before December 16th at www.carterpottery.com and use the offer code PODCAST at checkout. This offer is good for the listeners in the continental United States. You can shop now at www.carterpottery.com. Happy Holidays!   Today's episode is brought to you by the following sponsors: The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com Cornell Studio Supply www.cornellstudiosupply.com Archie Bray Residencies www.archiebray.org

Greg Daly is a master of the luster genre using a reduction kiln to create rich surfaces that depict the Australian landscape. In our interview we talk about how subtle differences in reduction affect luster surfaces, teaching as an act of problem solving, and why collecting other artists work has been important to his development. Greg has had over 100 solo exhibitions, so we also discuss staying motivated over a 50-year career. You can read more about Greg's work in my book The Complete Guide to Low-Fire Glazes for Potters and Sculptors. A big thank you to him for writing about his process and for freely sharing his research. The book is now available where fine books are sold.   My annual holiday sale is now live with over fifty new pots. They make great gifts for your loved ones for the holidays and I'm happy to offer listeners free shipping. To receive this special offer, make a purchase before December 16th at www.carterpottery.com and use the offer code PODCAST at checkout. This offer is good for the listeners in the continental United States. You can shop now at www.carterpottery.com. Happy Holidays!   Today's episode is brought to you by the following sponsors: The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com Cornell Studio Supply www.cornellstudiosupply.com Archie Bray Residencies www.archiebray.org

In this episode, host Katie Burke sits down with acclaimed wildlife artist and carver Jett Brunet. Jett shares insights into his early life, growing up under the influence of his equally renowned father, a master carver. He reflects on the pressures and inspirations of living up to such a legacy, discussing how his artistic journey has evolved over the years. From his initial motivations to his current creative process, Jett offers a candid look at what has shaped him as an artist and how his passion for the craft has transformed.www.ducks.org/DUPodcast

We talk about why going to a reunion can give us such a big happiness boost. We also discuss research about the “dinner-party problem,” and what to do about it, and we explore a question about attitudes towards parenting. Get in touch: podcast@gretchenrubin.com Follow on social media: @GretchenRubin on YouTube @GretchenRubin on TikTok @GretchenRubin on Instagram @GretchenRubin on Threads @LizCraft on Instagram @LizCraft on Threads @GretchenRubin on ThreadsGet the podcast show notes by email every week: happiercast.com/shownotes Get the resources and all links related to this episode here: http://happiercast.com/502 Get Gretchen Rubin's newest New York Times bestselling book Life in Five Senses to see how she discovered a surprising path to a life of more energy, creativity, luck, and love: by tuning in to the five senses. Now available wherever books are sold. Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On the afternoon of March 28, 1937, Easter Sunday, Joseph Gedeon and his daughter, Ethel, arrived at the home of Gedeon's wife, Mary, for a planned Easter dinner. The Gedeon's had been separated for some time but had agreed to have dinner together as a family, which included their other daughter, Veronica, a moderately successful pulp magazine model. When they entered the apartment, it appeared as though no one was home; however, upon checking the bedroom where his daughter slept, Joseph Gedeon found the nude body of his daughter lying lifeless on the bed and immediately called the police.During an initial search of the apartment, investigators found the body of Mary Gedeon stuffed under her bed; like her daughter, she had been strangled to death. In a third bedroom, police also found the body of Mary's boarder, Frank Byrnes, who'd been stabbed several times in the head and neck with a long, thin implement. There was no sign of a forced entry, no sign of a struggle, and nothing appeared to be missing from the apartment. Given that Veronica had been found nude, and Mary was clothed but her underwear had been torn away, investigators assumed the murders were a sex crime.Still caught in the grip of the Great Depression, New Yorkers welcomed anything that could distract from the unpleasant realities of daily life and the salacious murder of a pulp magazine model—a sex crime, no less—was exactly what they were looking for. The story dominated the press, as reporters and tabloid journalists dug into Veronica's personal life and dating history and published lurid photos from her past. But when the killer was finally caught and the motive revealed, the story was far stranger and tragic than anyone had imagined.Thank you to the wonderful David White of the Bring Me the Axe Podcast for research!ReferencesBrooklyn Daily Eagle. 1937. "Cops question ex-lodger in triple murder." Brooklyn Daily Eagle, March 29: 1.—. 1937. "Doubts student is killer." Brooklyn Daily Eagle, April 6: 1.—. 1938. "Irwin's guilty plea." Brooklyn Daily Eagle, November 15: 10.Buffalo Evening News. 1938. "Irwin, ruled insane, sent to Dannemora." Buffalo Evening News, December 10: 1.2015. A Crime to Remember. Directed by Jeremiah Crowell. Performed by Jeremiah Crowell.New York Daily News. 1937. "3 murdered in model's flat." New York Daily News, March 29: 1.—. 1937. "Gray hair in model's hand chief clue in triple murder." New York Daily News, March 30: 1.—. 1937. "Willful Ronnie 'made fools of men,' dad says." New York Daily News, March 30: 3.New York Times. 1938. "139-year sentence imposed on Irwin." New York Times, November 29: 48.—. 1937. "Fingerprint clues found at scene of triple murder." New York Times, March 31: 1.—. 1937. "Gedeon gets bail." New York Times, April 3: 1.—. 1937. "Gedeon questioned again in murders; solution held near." New York Times, April 1: 1.—. 1937. "Irwin flown here; boasts of killings." New York Times, June 28: 1.—. 1937. "Irwin, wild-eyed, meets reporters." New York Times, September 1: 20.—. 1937. "Women jam court to glimpse Irwin." New York Times, Jukly 1: 56.People v. Robert Irwin. 1938. 166 Misc. 751 (Court of General Sessions of the County of New York, March 24).Schechter, Harold. 2014. The Mad Sculptor: The Maniac, the Model, and the Murder That Shook the Nation. Boston, MA: New Harvest.United Press. 1937. "Sculptor hunted as triple killer in Gedeon cases." Buffalo Evening News, April 5: 1.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On the afternoon of March 28, 1937, Easter Sunday, Joseph Gedeon and his daughter, Ethel, arrived at the home of Gedeon's wife, Mary, for a planned Easter dinner. The Gedeon's had been separated for some time but had agreed to have dinner together as a family, which included their other daughter, Veronica, a moderately successful pulp magazine model. When they entered the apartment, it appeared as though no one was home; however, upon checking the bedroom where his daughter slept, Joseph Gedeon found the nude body of his daughter lying lifeless on the bed and immediately called the police.During an initial search of the apartment, investigators found the body of Mary Gedeon stuffed under her bed; like her daughter, she had been strangled to death. In a third bedroom, police also found the body of Mary's boarder, Frank Byrnes, who'd been stabbed several times in the head and neck with a long, thin implement. There was no sign of a forced entry, no sign of a struggle, and nothing appeared to be missing from the apartment. Given that Veronica had been found nude, and Mary was clothed but her underwear had been torn away, investigators assumed the murders were a sex crime.Still caught in the grip of the Great Depression, New Yorkers welcomed anything that could distract from the unpleasant realities of daily life and the salacious murder of a pulp magazine model—a sex crime, no less—was exactly what they were looking for. The story dominated the press, as reporters and tabloid journalists dug into Veronica's personal life and dating history and published lurid photos from her past. But when the killer was finally caught and the motive revealed, the story was far stranger and tragic than anyone had imagined.Thank you to the wonderful David White of the Bring Me the Axe Podcast for research!ReferencesBrooklyn Daily Eagle. 1937. "Cops question ex-lodger in triple murder." Brooklyn Daily Eagle, March 29: 1.—. 1937. "Doubts student is killer." Brooklyn Daily Eagle, April 6: 1.—. 1938. "Irwin's guilty plea." Brooklyn Daily Eagle, November 15: 10.Buffalo Evening News. 1938. "Irwin, ruled insane, sent to Dannemora." Buffalo Evening News, December 10: 1.2015. A Crime to Remember. Directed by Jeremiah Crowell. Performed by Jeremiah Crowell.New York Daily News. 1937. "3 murdered in model's flat." New York Daily News, March 29: 1.—. 1937. "Gray hair in model's hand chief clue in triple murder." New York Daily News, March 30: 1.—. 1937. "Willful Ronnie 'made fools of men,' dad says." New York Daily News, March 30: 3.New York Times. 1938. "139-year sentence imposed on Irwin." New York Times, November 29: 48.—. 1937. "Fingerprint clues found at scene of triple murder." New York Times, March 31: 1.—. 1937. "Gedeon gets bail." New York Times, April 3: 1.—. 1937. "Gedeon questioned again in murders; solution held near." New York Times, April 1: 1.—. 1937. "Irwin flown here; boasts of killings." New York Times, June 28: 1.—. 1937. "Irwin, wild-eyed, meets reporters." New York Times, September 1: 20.—. 1937. "Women jam court to glimpse Irwin." New York Times, Jukly 1: 56.People v. Robert Irwin. 1938. 166 Misc. 751 (Court of General Sessions of the County of New York, March 24).Schechter, Harold. 2014. The Mad Sculptor: The Maniac, the Model, and the Murder That Shook the Nation. Boston, MA: New Harvest.United Press. 1937. "Sculptor hunted as triple killer in Gedeon cases." Buffalo Evening News, April 5: 1.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.