Podcast appearances and mentions of theresa andersson

The master drummer and percussionist with Anders Osborne, Karl Denson, and Pimps of Joytime cut his teeth in the Bay Area drum corps scene as a member of the World Champion Santa Clara Vanguard Drumline. That discipline and precision has served him over a career traveling the globe with rock gods, jazz legends, funk royalty, and punk revolutionaries. Eric has flourished in spite of life-threatening health challenges. Tonight he weathers a sit-down with the Troubled Men. Topics include a Christmas concert, a family gathering, pandemic envy, a carjacking, bow and arrow stick-ups, a gift idea, a female president, a musical family, the dot-com boom, an NYC relocation, the Bomb Squad, Radio Mundial, Theresa Andersson, fast food, Kirk Joseph, Bonerama, label nightmares, John Papa Gros, juggling bands, mystery symptoms, the N.O. Musicians Clinic, a shocking diagnosis, bus tours, dialysis, lost time, MusicCares, movie and TV work, “Belushi,” “Green Book,” and much more. Intro music: Styler/Coman Break music: “Azurcan Pa Tu Alma” from “Momento Eterno” by Radio Mundial Outro music: “My Old Heart” from “Coming Down” by Anders Osborne Support the podcast here. Join the Patreon page here. Shop for Troubled Men’s Wear here. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podacst Instagram Eric Bolivar Homepage Eric Bolivar Facebook

In this episode of The Working Artist Project we discuss the importance of culture and relationships in the non profit space. Bio: Ashley Shabankareh (she/her/hers) is a musician, music educator, arts administrator, and music education and creative economy advocate. She received her M.M. and B.M.E. from Loyola University, New Orleans, with a concentration on conducting and brass instruments. Ashley is a certified K-12 music educator and spent her early years in New Orleans teaching PK4 through 8th grade students. She transitioned from full time music instruction to assist in the creation the curriculum and program guidelines for the Tulane University Music Rising Program. In addition, for the past 13 years, Ashley served as the Director of Programs for Preservation Hall Foundation, working with culture bearers and serving over 35,000 per year in programming in schools, detention centers, and community centers. In 2016, she was named a Top Female Achiever by New Orleans Magazine, a New Orleans Hero by the Times-Picayune, and a Woman of the Year by New Orleans City Business. In 2017, she was named a Top Millennial in Music by the Spears Group and I Heart Media. Today, Ashley currently serves as the Collaborative Action Strategist for Artist Corps New Orleans, and also works with the New Orleans Jazz Museum and Upbeat Academy. She also serves as the Vice President for the Jazz Education Network, Board Chair for the Music and Culture Coalition of New Orleans (MaCCNO), and Board Member for Elan Academy Charter School. By night, Ashley performs as both a trombonist and vocalist, performing with notable musicians including Aretha Franklin, Allen Toussaint, Theresa Andersson, Big Sam's Funky Nation, the Preservation Hall Jazz Band, and in her own projects, Marina Orchestra and the Asylum Chorus.  Support this podcast

In the United States, land ownership is dishonorable no matter how you frame it. For example, 60% of land in the U.S. is owned privately and 30% is owned by the federal government, comparatively tribal nations own about 2.5% of their land. Meanwhile, the Gates family recently became the largest owners of American farmland, owning a total of 260,000 acres of land across 19 states, with 242,000 acres being characterized as “farmland.” In today’s episode, we are joined by guest Dr. Cutcha Risling Baldy to explore what land ownership means across the United States, how to begin seeding the concept of land return in mainstream consciousness, and the grave injustices we perpetuate when we continue to draw upon Traditional Ecological Knowledge for climate mitigation and adaptation without working towards land rematration simultaneously. Dr. Cutcha Risling Baldy is an Associate Professor and Department Chair of Native American Studies at Humboldt State University. Her research focuses on California Indians, Indigenous feminisms, social & environmental justice, and decolonization. Dr. Risling Baldy is Hupa, Yurok, and Karuk and an enrolled member of the Hoopa Valley Tribe in Northern California. In 2007, she co-founded the Native Women's Collective, a nonprofit organization that supports the continued revitalization of Native American arts and culture. Music by Aisha Badru, Holy River, and Theresa Andersson. Visit our website at forthewild.world for the full episode description, references, and action points.

The Roaring 20s are back!!! …….. During the last century, the “Roaring Twenties” was a decade in which nothing big happened—there were no major catastrophes or large events—at least until the stock market crash of 1929—yet it is one of the most significant decades in U.S. history because of the great changes that came about in American society. They were raucous; they were rambunctious; they were “The Roaring Twenties”. We are due for a rebound. Let’s make this decade more raucous and more rambunctious. Welcome to the NEW Roaring 20s. Enjoy the ride. ****** Join the conversation on Facebook at *** https://www.facebook.com/profile.php?id=100008232395712 ****** or by email at ***** dannymemorylane@gmail.com ******** ---- In this edition you’ll hear: 1) Cotton Club Stomp by The London Swing Orchestra (with Graham Dalby) 2) Crazy Words, Crazy Tune by Dorothy Provine with The Dixieland Band, & Pinky and Her Playboys 3) Ain't She Sweet by Harry James & His Orchestra 4) Swing, Mister Charlie by Cal Abbot and Carla Normand (with Don Neely's Royal Society Jazz Orchestra) 5) Tea For Two by The London Pops Orchestra (with Lord Nelson Corbin, conducting) 6) By The Beautiful Sea by Firehouse Five Plus Two 7) Japanese Sandman by The French Orchestra Charleston 8) You're The Cream In My Coffee by The London Swing Orchestra (with Graham Dalby) 9) Whisper Song by Dorothy Provine with The Dixieland Band, & Pinky and Her Playboys 10) Mandy, Make Up Your Mind by The French Orchestra Charleston 11) Black Bottom by Bob Crosby And His Orchestra (Bob Crosby, vocal) 12) I Wish I Could Shimmy Like My Sister Kate by Dutch Swing College Band 13) When The Saints Go Marching In by The Preservation Hall Jazz Band (with Walter "Wolfman" Washington & Theresa Andersson) 14) Carolina Shout by Fats Waller 15) Sugar by Teddy Wilson & His Orchestra (with Billie Holiday, vocal) 16) The Charleston by Luis Arcaraz and His Orchestra 17) Makin' Whoopee by The London Swing Orchestra (with Graham Dalby) 18) Sugar Foot Stomp by Fletcher Henderson & His Orchestra 19) On The Sunny Side Of The Street by The Benny Goodman Sextet (with Peggy Lee, vocal) 20) Snake Rag by Turk Murphy

Un montón de vueltas para armar este monstruo de #rulos. Hablamos de loops, profundizando en músicas de Theresa Andersson, Juana Molina, Colonia de Vacaciones y Hungría. También hicimos un tour introductorio al mundo de Dr. Who. En Pixar Libre, analizamos Valiente y discutimos sobre los grandes clichés de ser una princesa. Y en este Vicente, nuestro monstruo se lleva un corazón libre que sacamos del Increíble Mundo de Gumball. ¿Con qué #rulos armarías tu monstruo?

New Orleans has so much to offer and we'll introduce a few more of the city's treasures including indie soul singer/songwriter Theresa Andersson who stops by to talk about how life in New Orleans has influenced her music and how she merged the culture of New Orleans with that of her home country of Sweden within her music. Then, learn about a national treasure—The New Orleans Jazz National Historical Park from Park Ranger Bruce Barnes. Finally, meet Dawn Logsdon, Director of the PBS documentary Faubourg Treme: The Untold Story of Black New Orleans. Dawn will discuss how this historic suburb that was an integral part of the fabric of New Orleans and the HBO series that will be modeled after her documentary.

Absolute Best of Happy Hour. One-woman sensation [Theresa Andersson][link1] blows the roof off the hotel, virtuoso clarinet player [Evan Christopher][link2] joins in, gourmet vegan [O'Shea Cleveland][link3] sparkles. An extraordinary hour. [link1]: http://www.theresaandersson.com [link2]: http://www.clarinetroad.net [link3]: https://www.facebook.com/dreamalittlegreen See omnystudio.com/listener for privacy information.

Thomas Nordegren verkar inte gilla att äta tårta, ändå gör han det....... Hör hans utskällning av tårta som belöningssystem. Före detta socialdemokratiska ministern Bengt Lindqvist har skrivit boken "Blindstyre" om hur hans synskada påverkat hans liv. Har hans funktionshinder i vissa sammanhang till och med varit en förklaring till hans framgång? Enmansorkestern tillika multiinstrumentalisten Theresa Andersson, född och uppvuxen på Gotland men sen drygt 20 år boende i New Orleans, spelar barfota bland annat med hjälp av sina loop-pedaler. Bisittare: Louise Epstein Producent: Anders Diamant anders.diamant@sverigesradio.se

P3 Kultur möter konstnärerna som inte låter sig styras av marknadens regler eller publikens förväntningar! Multi-instrumentalisten och youtubeklickmiljonären Theresa Andersson gör en exklusiv spelning här i studion, vi möter dom kvinnliga graffitti-aktivisterna som tar fighten för gatukonsten och så ringer vi regissören som dokumenterat barska finska män i sitt allra mest ärliga och nakna tillstånd - i bastun. Theresa Andersson spelade in sin senaste platta i sitt kök i New Orleans och fått mer än en miljon visningar på YouTube. Hon kommer till studion och pratar bland annat om New Orleans efter Katrina-orkanen, och vikten av att göra det man själv tror på. Det blev mediestorm och politisk pajkastning kring det internationella Art of the Streets-konventet som arrangerades i Stockholm i helgen. Men vad var det egentligen som var så upprörande? Arrangören Ceylan Holago och den tyska graffitiaktivisten Jolie kommer till studion och snackar om skillnaderna i gatukonstens förutsättningar i Sverige och ute i världen. I veckan får den finska dokumentären Den nakna mannen svensk premiär. En film där myten om den inbundne och känslomässigt hämmade finske mannan avlivas för alltid. Nakna i bastun berättar de om livets svåraste stunder. Vi ringer upp regissören Mika Hotakainen som promotar sin rulle i USA för att kolla in vad som händer samtidigt i....Los Angeles. Dessutom samlas Boxcirkeln för näst sista gången för att prata om The Wire. Och så sommartwittrar författaren Eli Levén.

TEKNISKA PROBLEM: Andra halvan av onsdagens P3 Kultur tillhörde fel program, för att höra rätt version - använd länkarna nedan: Ena halvan av bandet Korallreven - journalisten Marcus Joons - besöker oss i studion för att berätta hur musikkritikers användning av termen balearic är på gränsen till maktmissbruk. Vi spelar en ny omgång av sällskapsspelet "Är det baleariskt" och möts av en helt ny twist - möjligheten att INGET ÄR BALEARISKT! Även Håkan Lidbo och Mats Almegård från radioprogrammet Ström i P2 kommer förbi för att berätta om sitt homoseparatistiska DJ-set If it aint gay, we dont play som försiggår på Pride på fredagskvällen. Där ska de nämligen lyfta fram electron som en idealisk musikgenre där kön eller sexualitet inte spelar någon roll - genom att endast spela electro som är skapad av icke-straighta artister. Dessutom åker vi till Malmö och bevittnar en repetition av den splatterstänkande gialloskräckteaterspjäsen Figlia della Morte - dödens dotter, som spelas i vardagsrummet i ett alldeles vanligt radhus. Där lyssnar vi på en tortyrscen och pratar med Rikard Lekander, som förutom föreställningens manusförfattare och regissör också är grundare av skräckteatern Farozonen och Sveriges ledande expert på blodeffekter på scen. Märta Myrstener sommarklassikerserie fortsätter med en djupdykning in i engångsgrillens frustrerande och fascinerande värld. Sommartwittrar gör den New Orleans-baserade svenska multi-instrumentalisten Theresa Andersson, vars YouTube-filmer har fått över en miljon hits.

Theresa Andersson on IndieFeed Indie Pop