Podcasts about Fletcher Henderson

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On tonight's show: Fletcher Henderson, Hot and Anxious Benny Goodman, Moon Glow  Laurindo Almeida - Jazz West Coast, Speak Low Benny Carter, June in January Gigi Gryce Quartet, It Don't Mean A Thing Buddy Greco, Something's Gotta Give Tiny Grimes, Frankie and Johnny (feat. Jerome Richardson) Charlie Barnet and His Orchestra & Dodo Marmarosa, The Moose Chet Baker, It Never Entered My Mind Ella Fitzgerald, You're My Thrill Erroll Garner, That Amsterdam Swing Chris Barber, I Wish I Could Shimmy Like My Sister Kate Cornell Dupree, 'Round Midnight Diane Lines, Is You Is or Is You Ain't My Baby Dick Wellstood, Red Sails in the Sunset  

Music: "Wrappin' It Up" (1934); "Wha-Cha-Call 'em Blues" (1925); "D Natural Blues" (1928); "An American in Paris" (1928) (excerpt); “Radio Rhythm” (1931); “Tidal Wave” (1934); "Happy As The Day Is Long" (1934); "Hotter Than 'Ell" (1934); “Wrappin' It Up” (1935); "Down South Camp Meeting” (1934, 1936); "King Porter Stomp" (1932, 1935); "Stealin' Apples" (1936, 1937); "Can You Take It" (1933); "The Stampede" (1937).Composers/Arrangers: Don Redman, Fletcher Henderson, Bill Challis, Horace Henderson, Benny Carter, Nat Leslie, Russ Morgan, Harold Arlen, Fats Waller, George Gershwin, Jelly Roll Morton.

Ahí dejamos los apartados y las piezas que han sonado hoy. Como cada tres semanas aprox. viene Carlos Esteve a explicarnos la Música en los Videojuegos. ADIVINA LA PELÍCULA. Meter Edelman y Roberto Sacá. ARIA de La Flauta Mágica SAN TORAL. Fletcher Henderson & His Orchestra – WRAPPIN' IT UP Conchita Velasco. LA CHICA YE-YÉ. Diana Damrau […] The post Los Tres Tenores 01/10/2025 first appeared on Ripollet Ràdio.

The last time legendary Wheeling-born saxophonist Chu Berry was in the recording studio, he gave some jazz love to a song written by a fellow West Virginian.The date was Aug. 28, 1941, and the tune — one of the four sides that Berry and his jazz ensemble would record that day for Milt Gabler's Commodore label in New York City's Reeves Sound Studios on East 44th Street — was “Gee, Baby, Ain't I Good to You.”The song was still relatively unknown. No one else had recorded it in the dozen years since Piedmont, WV, native Don Redmond wrote it for McKinney's Cotton Pickers to wax in 1929.As discussed here in an earlier article, the Roarin' Twenties has been good for Don Redman. He was responsible for integrating the rhythmic approach of Louis Armstrong's playing into arrangements for Fletcher Henderson's Orchestra. In 1927 Redman was wooed away from Henderson to join McKinney's Cotton Pickers, the house band at the celebrated Greystone Ballroom in Detroit.When Chu Berry revisited the song in 1941 (to be on the flip side of his version of "Sunny Side of the Street”), it featured ex-Bennie Moten/Count Basie trumpeter Oran “Hot Lips” Page, whose bluesy singing and plunger mute work capped the session.Incidentally, Page recorded it again in 1944, but even more importantly for the song's legacy (and to Don Redmond's checkbook) a year earlier the song was also recorded by an up-and-comer named Nat “King” Cole, who took it to No. 1 on the Billboard Harlem Hit Parade where stayed for four weeks.Losing ChuChu Berry would not live to know any of that. Almost exactly two months after the August 1941 recording date, he was on his way to Toronto for a gig with the Cab Calloway Orchestra, with which he had played for four years. Heavy fog made visibility poor, and the car in which Chu was a passenger skidded and crashed into a bridge abutment near Conneaut, Ohio, 70 miles northeast of Cleveland.Berry died three days later from his injuries just a few weeks after his 33rd birthday.Chu Berry was brought back to Wheeling for his funeral. More than a thousand mourners attended, including Cab Calloway and the members of his band who ordered a massive floral arrangement in the shape of a heart.At the funeral, Calloway told mourners Chu had been like a brother to him. The big man had charmed the world, he said, with advanced harmonies and smoothly flowing solos that would influence musicians for generations to come. “Chu will always be a member of our band,” Cab said. “He was the greatest.”Berry's RootsBorn in Wheeling in 1908, Leon Brown Berry took up the saxophone as a youngster after being inspired by the great tenor man Coleman Hawkins. Berry went on to model his own playing after Hawkins, who would later be quoted as saying, “Chu was about the best.” By the time of his 27th birthday, Chu had moved to New York where he worked with Bessie Smith, Lionel Hampton, Count Basie and others.Eventually, he became the featured sax player with the hottest jazz band of the day, Cab Calloway's legendary Cotton Club Orchestra. In 1937 and 1938, he was named to Metronome Magazine's All-Star Band. Younger contemporaries — notably Charlie Parker and Dizzy Gillespie — almost certainly heard Berry up close and personal at the now-legendary Monday night jam sessions at Minton's Playhouse in New York City, gatherings widely credited for the development of the bebop in the mid-1940s.Famously, in 1938 Parker — 14 years younger than Chu — named his first child Leon in tribute to Berry.And the Nickname?Multiple explanations have been given as to how Leon Berry got his nickname. Music critic Gary Giddins has said Berry was called “Chu” by his fellow musicians either because of his tendency to chew on his mouthpiece or because at one time he had a Fu Manchu-style mustache. Both stories work; take your pick.Our Take on the TuneJoining The Flood repertoire, some songs fit in right away, while others, like this one, need a little time to settle in, but when they do, wow — they're as comfortable as an old shoe. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

John Hammond was a visionary jazz producer and talent scout who discovered or championed Billie Holiday, Count Basie, Benny Goodman, Fletcher Henderson, and Lester Young. A tireless advocate for integration, he helped break racial barriers in jazz, produced historic recordings, and brought Black artists to wider audiences through concerts and radio.Music: Count Basie: "One O'Clock Jump" (1937), Bessie Smith: "Downhearted Blues" (1923); Garland Wilson: "St. James Infirmary/ When Your Lover Has Gone" (1931); Billie Holiday: “Your Mother's Son-in-Law” (1933); Billie Holiday: "What a Little Moonlight Can Do" (1935); Benny Goodman: "After You've Gone" (1935); From Spirituals to Swing, 1938.

John Hammond was a visionary jazz producer and talent scout who discovered or championed Billie Holiday, Count Basie, Benny Goodman, Fletcher Henderson, and Lester Young. A tireless advocate for integration, he helped break racial barriers in jazz, produced historic recordings, and brought Black artists to wider audiences through concerts and radio.Music: Count Basie: "One O'Clock Jump" (1937), Bessie Smith: "Downhearted Blues" (1923); Garland Wilson: "St. James Infirmary/ When Your Lover Has Gone" (1931); Billie Holiday: “Your Mother's Son-in-Law” (1933); Billie Holiday: "What a Little Moonlight Can Do" (1935); Benny Goodman: "After You've Gone" (1935); From Spirituals to Swing, 1938.

FLETCHER HENDERSON'S ORCHESTRA New York, March 11, 1927Shuffling Sadie , Fidgety feet “Joe Smith, Tommy Ladnier (tp) prob Benny Morton (tb) Buster Bailey (cl,as) Don Redman (cl,as,arr) Coleman Hawkins (cl,ts,bar) Fletcher Henderson (p) Charlie Dixon (bj,g) Kaiser Marshall (d) Russell Smith (tp) Jimmy Harrison (tb) June Cole (tu) added, Don Redman (vcl) New York, March 23, 1927Wabash blues, The Wang-Wang blues, St. Louis shuffleRussell Smith, Buster Bailey out, prob replaced by Carmello Jejo (cl) JABBO SMITH'S RHYTHM ACES Chicago, 1929Little Willie blues (1)(3), Sleepy time blues (js vcl,1), Take your time (1) Aces of rhythm (1)Jabbo Smith (cnt,vcl) Omer Simeon (cl-1,as-2) Cassino Simpson (p) Ikey Robinson (bj) Hayes Alvis (tu) LESTER YOUNG & NAT KING COLE TRIO Hollywood, CA, July 15, 1942Indiana, I can't get started (with you), Tea for two, Body and soul Lester Young (ts) Nat King Cole (p) Red Callender (b) Los Angeles, c. Continue reading Puro Jazz 15 de julio, 2025 at PuroJazz.

FLETCHER HENDERSON'S ORCHESTRA New York, March 11, 1927Shuffling Sadie , Fidgety feet “Joe Smith, Tommy Ladnier (tp) prob Benny Morton (tb) Buster Bailey (cl,as) Don Redman (cl,as,arr) Coleman Hawkins (cl,ts,bar) Fletcher Henderson (p) Charlie Dixon (bj,g) Kaiser Marshall (d) Russell Smith (tp) Jimmy Harrison (tb) June Cole (tu) added, Don Redman (vcl) New York, March 23, 1927Wabash blues, The Wang-Wang blues, St. Louis shuffleRussell Smith, Buster Bailey out, prob replaced by Carmello Jejo (cl) JABBO SMITH'S RHYTHM ACES Chicago, 1929Little Willie blues (1)(3), Sleepy time blues (js vcl,1), Take your time (1) Aces of rhythm (1)Jabbo Smith (cnt,vcl) Omer Simeon (cl-1,as-2) Cassino Simpson (p) Ikey Robinson (bj) Hayes Alvis (tu) LESTER YOUNG & NAT KING COLE TRIO Hollywood, CA, July 15, 1942Indiana, I can't get started (with you), Tea for two, Body and soul Lester Young (ts) Nat King Cole (p) Red Callender (b) Los Angeles, c. Continue reading Puro Jazz 15 de julio, 2025 at PuroJazz.

En 1940, artistas como Artie Shaw tenían sus singles en cerca de cuatrocientas mil rockolas en todo el país. Durante un par de años, la Federación Norteamericana de Sindicatos de Músicos había observado con recelo el auge de la "música enlatada" y consideraba el avance de las máquinas de discos, las gramolas, las rockolas, una seria amenaza para la música en vivo. Con José Manuel Corrales.

En 1926, Jelly Roll Morton approche la quarantaine. Il est au sommet de son art. C'est l'époque de Chicago, des gangsters et de ses premiers disques importants pour la firme Victor avec son groupe, les Red Hot Peppers. Avec lui, l'improvisation collective et foutraque de la Nouvelle Orléans se discipline. Lorsqu'il compose un morceau, il ne le pense plus pour le piano, mais pour tout son orchestre. Il réfléchit à des riffs, des contrepoints, des cadences, des breaks, des prises de paroles réparties entre les différents membres du groupe. Bref, tout ce qu'emploieront après lui Fletcher Henderson et Duke Ellington.  Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Un triple CD como banda sonora del libro del pianista, crítico de jazz y musicólogo francés Laurent Cugny, antiguo director de la Orquesta Nacional de Jazz y profesor emérito de la Sorbona, 'Une histoire du jazz': Original Dixieland Jazz Band ('Tiger rag'), King Oliver´s Creole Jazz Band ('Canal street blues'), Jelly Roll Morton Red Hot Peppers ('Black bottom stomp'), Louis Armstrong & His Hot Five ('Hotter than that'), Bix Beiderbecke Wolverine Orchestra ('Jazz me blues'), Fletcher Henderson ('New king porter stomp'), Lester Young ('These foolish things'), Count Basie and His Orchestra ('Jumpin´at the woodside'), Duke Ellington and His Orchestra ('Echoes of Harlem'), Benny Goodman Orchestra ('Clarinet a la king'), Dizzy Gillespie and His All Stars ('Hot house'), Charlie Parker Ribop Boys ('Roko'), Bud Powell ('Tempus fugit'), Miles Davis Nonet ('Boplicity'), The Stan Getz Quintet ('Thou swell'), Chet Baker Quartet ('I fall in love') y Dave Brubeck ('Take five').Escuchar audio

46:05 – Bessie Smith’s first five recording sessions for Columbia Records, which made her a star and got her dubbed the Empress of the Blues. These sessions cover the first half of 1923, and also feature (at the piano) Clarence Williams on the first two sessions and Fletcher Henderson on the latter three. This show […]

Today's show features music performed by Fletcher Henderson and Howlin' Wolf

Un especial dedicado a ese género tan popular entre los aficionados al baile y a las actividades de ocio... Con sultanes y sultanas del swing como Fletcher Henderson, Ina Ray Hutton, Louis Prima, Blanche Calloway, The Harlem Hamfats y Three Peppers. A partir de las ocho de la mañana del sábado en la sintonía de Radio 3.Escuchar audio

Holiday jazz featuring: Peggy Lee, Ella Logan, Victoria Spivey, Lonnie Johnson, Bessie Smith, Ella Fitzgerald, Julia Lee, Fletcher Henderson, Claude Thornhill, John Kirby, Putney Dandridge, and Fats Waller.Songs include: Jingle Bells, Winter Weather, Santa Claus Came in the Spring, There's Frost on the Moon, Every Day's a Holiday, Snowy Morning Blues, Snowfall, Arab Dance, Bounce of the Sugar Plum Fairy, Christmas Spirits, Chistmas Without Santa Claus.

Features vintage music by Jack Teagarden, Fletcher Henderson and Boyd Raeburn.  We also listen to some old Public Service Announcements about the importance of voting. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

Arthur Lee Simpkins was an African-American singer with a unique talent. He was born in South Carolina in 1907, where he became known as the "Black Caruso" in reference to the legendary opera singer Enrico Caruso. In 1936, Simpkins recorded a hit version of "Sing, Sing, Sing" with Fletcher Henderson and His Orchestra. That record jump started Simpkins career, allowing him to perform a wide variety of music ranging from classic standards to operatic renditions, and not just different genres, but in many different languages and dialects. Simpkins performed on television regularly during the medium's early days, and also appeared in movies, like the film Why Men Leave Home in 1951. He was last remembered for singing at the memorial for legendary R&B legend Sam Cooke in 1964. Tragically, Simpkins died from a routine bladder operation in 1972 and was largely forgotten. You will hear Arthur Lee Simpkins sing three songs on the David Rose Show on CBS Radio in 1950. More at KrobCollection.com

FLETCHER HENDERSON AND HIS ORCHESTRA New York, May 14, 1926 The stampede, Jackass bluesRussell Smith, Joe Smith (tp) prob Luke Smith (tp) Rex Stewart (cnt) Benny Morton (tb) Buster Bailey (cl,as) Don Redman (cl,as,gfs,arr) Coleman Hawkins (cl,ts,bassax) Fletcher Henderson (p) Charlie Dixon (bj) Ralph Escudero (tu) Kaiser Marshall (d) New York, November 3, 1926 The Henderson stomp, The chantRussell Smith, Joe Smith, Tommy Ladnier (tp) Benny Morton (tb) Buster Bailey (cl,sop,as) Don Redman (cl,as,arr) Coleman Hawkins (cl,ts,bar) Fats Waller (p,org-1) Charlie Dixon (bj) June Cole (tu,vcl) Kaiser Marshall (d) Fletcher Henderson (cond) New York, March 19, 1931 Clarinet marmaladeBenny Morton (tb) Russell Procope (cl,as) Horace Henderson (p-1) replace Jimmy Harrison, Benny Carter, Fletcher Henderson, Coleman Hawkins (cl,ts,bar) Horace Henderson, Fletcher Henderson, Bill Challis (arr) CHICK WEBB “THE JUNGLE BAND” New York, June, 1929 Dog bottom (wp vcl), Jungle mamaWard Pinkett (tp,vcl) Edwin Swayzee (tp) Bob Horton (tb) Hilton Jefferson, Louis Jordan (as,cl) Elmer Williams (bt,cl) Don Kirkpatrick (p) John Trueheart (bj,g) Elmer James (tu) Chick Webb (d) New York, March 30, 1931 Heebie jeebiesShelton Hemphill, Louis Hunt (tp) Louis Bacon (tp,vcl) Jimmy Harrison (tb) Benny Carter (cl,as,arr) Hilton Jefferson (cl,as) Elmer Williams (cl,ts) Don Kirkpatrick (p) John Trueheart (bj,g) Elmer James (tu,b) Chick Webb (d,celeste,bells) New York, June 12, 1935 I'll chase the blues away (ef vcl)Mario Bauza, Bobby Stark, Taft Jordan (tp) poss. Continue reading Puro Jazz 07 de octubre, 2024 at PuroJazz.

Support Breaking Walls at https://www.patreon.com/thewallbreakers Jubilee first took to the air on October 9th, 1942 transcribed by the Special Services Division of the War Department, then by the Armed Forces Radio Service. It featured Jazz and Swing bands and filled an important gap in the musical history of radio, gearing itself towards African American men stationed overseas. Jubilee luminaries included Fletcher Henderson, Duke Ellington, Count Basie, Lena Horne, Ethel Waters, and Ella Fitzgerald. Most of the shows were recorded before live audiences in Los Angeles. This particular episode featured bandleaders known for their New York flavor, like Claude Hopkins. Songstress Ida James was emcee. Mel Allen, later the famed voice of the New York Yankees, announced.

Features vintage music by Freddy Martin, Fletcher Henderson and Bunny Berigan.  We also learn more about the magic behind Boxer Ben.  Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

BESSIE SMITH New York, February 16, 1923 Downhearted blues, Tain't nobody's business if I do Bessie Smith (vcl) acc by Clarence Williams (p) New York, January 14, 1925 The St. Louis bluesBessie Smith (vcl) acc by Louis Armstrong (cnt) Fred Longshaw (p-1,org-2) New York, May 5-6, 1925 Cake walkin' babies from home, The yellow dog bluesBessie Smith (vcl) acc by Joe Smith (cnt) Charlie Green (tb) Buster Bailey (cl) Coleman Hawkins (ts) Fletcher Henderson (p) Charlie Dixon (bj) Bob Escudero (tu) New York, May 15, 1929 Nobody Knows You When You're Down And OutBessie Smith (vcl) acc by Ed Allen (cnt) Garvin Bushell (as) Greely Walton (ts) Clarence Williams (p) Cyrus St. Continue reading Puro Jazz 27 de agosto, 2024 at PuroJazz.

Great big band led by the pioneer arranger Redman following his tenures with Fletcher Henderson and McKinney's Cotton Pickers. This band features Sidney DeParis, Benny Morton, Ed Inge, Robert Carroll, Horace Henderson, Talcott Reeves, Bob Ysaguirre, Manzie Johnson and Harlan Lattimore in addition to good sax playing and novelty singing by the leader --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

We're going to hear two major forces that shaped the world of jazz. Fletcher Hamilton Henderson was a pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. Henderson was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential bandleaders in jazz history. He helped bridge the gap between the Dixieland and the swing eras, attracting new young talent to the genre. Fletcher Henderson and his band perform on the radio show Jubilee in 1945. "Dizzy" Gillespie was a jazz trumpeter, bandleader, composer, educator and singer. Gillespie became a major figure in the development of bebop and modern jazz in the 1940s and 1950s, becoming one of the greatest jazz trumpeters of all time". You will hear him perform on the show, This Is Jazz in 1960. Details at http://krobcollection.com

SOPHIE TUCKER New York Some of these daysSophie Tucker (vcl) unknown cnt, tb, cl, 2 p, bj, tu and d, Leonard Joy (dir) Long Island City, N.Y., c. October, 1922 Oh Joe, play that tromboneEthel Waters (vcl) acc by unknown tp, tb, cl , prob. Fletcher Henderson (p) unknown (tu) LIL HARDIN ARMSTRONG LIL'S HOT SHOTS Chicago, IL, May 28, 1926Georgia bo bo (la vcl), Drop that sackLouis Armstrong (cnt) Kid Ory (tb) Johnny Dodds (cl) Lil Armstrong (p) Johnny St. Continue reading Puro Jazz 04 marzo 2024 at PuroJazz.

In 1921, a man named Harry Pace started the first major Black-owned record company in the United States. He called it Black Swan Records. In an era when few Black musicians were recorded, the company was revolutionary. It launched the careers of Ethel Waters, Fletcher Henderson, William Grant Still, and Alberta Hunter, artists who transformed American music. But Black Swan's success would be short-lived. Just a couple years after Pace founded the company, larger, wealthier, white competitors started to take an interest in the artists whose careers Pace had propelled. Then, Pace's own life took a mysterious turn. This episode was originally published in 2021.

Happy Birthday Fletcher Henderson (12/18/1897) WIKI:  ⁠⁠⁠⁠⁠https://en.wikipedia.org/wiki/Fletcher_Henderson Track List: 1.  Baltimore 2. King Porter Stomp 3. Bye & Bye 4. Carless Love (Bessie Smith/Louie Armstrong) 5. Charley, My Boy 6. Chicago 7. Clap Hands! Here comes Charley 8. Clarinet Marmalade 9. Cornfed 10. Do That Thing 11. Don't Forget, You'll Regret Day By Day. Subscribe to SOMETHING came from Baltimore (It's a music interview podcast about Jazz/Blues/R&B and not really about Baltimore) Also, Subscribe to The Beatles Come To America (limited-run with Brooke Halpin, we review all the Beatles US Albums) To Subscribe go to:  Youtube, Itunes, Anchor, Spotify, Amazon Podcasts, Google Podcast, Overcast, Breaker, Castbox, Radio Public, Podbay, Stitcher....and more! Contacts: Email:  somethingcamefrombaltimore@gmail.com Twitter: something came from baltimore (@tom_gouker) / Twitter Instagram: Something Came From Baltimore (@something.came.from.baltimore) TheBocX.com - SOMETHING came from Baltimore THE SHOW INFO: Something came from Baltimore is a Podcast and a 30-minute radio show and can be heard weekly (Thursday's at 7pm EST) it's called, SOMETHING came from Baltimore THE SHOW.  Check out the Station: Jazz Music Radio - The BocX Streaming Jazzy Music Support SOMETHING came from Baltimore: TIPS! Tom Gouker's Cash App Account: $ThomasGouker Tom Gouker's Venmo Account:  Thomas-Gouker FRIENDS OF THIS PODCAST: Adult Music: https://adultmusic.podbean.com/ Neon Jazz: https://podcasts.apple.com/us/podcast/famous-interviews-neon-jazz/id546432639 The Same Difference 2 Jazz Fans - 1 Jazz Standard:  https://podcasts.apple.com/us/podcast/same-difference-2-jazz-fans-1-jazz-standard/id1456627254 The Top 60 Jazz Podcast List including SOMETHING came from Baltimore is right here:  ⁠⁠⁠https://blog.feedspot.com/jazz_podcasts/⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/message Support this podcast: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/support

Features vintage recordings by Jerry Gray, Jan Savitt and Fletcher Henderson.  We also learn a little bit about vocalist Russ Columbo and listen to an old radio ad from Pall Mall Cigarettes. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Chicago jazz and night clubs, from mob-protected speakeasies to the Dreamland Ballroom. Featuring: Joe King Oliver, Jelly Roll Morton, Fats Waller, Fletcher Henderson, and Anita O'Day.

Series of recordings by Harlem-based big bands, all featuring Ben Webster's emerging tenor sax. . .Benny Carter, Willie Bryant, Fletcher Henderson, Cab Calloway, Teddy Wilson and Duke Ellington all prized Webster . . recordings also feature Shad Collins, Irving Randolph, Emmett Berry, Jerry Blake, Keg Johnson, Jake Wiley, Glyn Paque, Garvin Bushell, Leroy Maxey, Shorty Baker, Karl George, Joe Nanton, Barney Bigard and Ivy Anderson . . . --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Continuamos con algunos clásicos de New Orleans/Chicago. High society/Clarinet marmalade son dos de ellos que escuchamos en versiones de, entre otros: Morton, Louis, King Olver, Bechet, Bix, Fletcher Henderson etc. Hosted on Acast. See acast.com/privacy for more information.

Shellac Stack No. 322 stomps up a storm with the Firehouse Five Plus Two, Lucky Millinder, Boyd Senter, Fletcher Henderson, Don Ewell, Georgie Auld, Jelly Roll Morton, and many others. Hot weather calls for hot music, and we've got it on this installment of the Shellac Stack!

Great 1933 sessions by the Fletcher Henderson Orchestra featuring Red Allen, Bobby Stark, Dicky Wells, Hilton Jefferson, Russell Procope, Coleman Hawkins, John Kirby, Horace Henderson and Walter Johnson. Great arrangements by both Hendersons and Will Hudson and some of Hawkins' first ballad performances. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

The "pre-Louis" band . . records done before Louis Armstrong joined the Roseland Ballroom orchestra led by Fletcher Henderson . .this group was still a force to be reckoned with in Harlem music circles . . featuring Elmer Chambers, Howard Scott, Teddy Nixon, Don Redman, Charlie Dixon, Billy Fowler, Ralph Escudero, Kaiser Marshall and Allie Ross, these records also have the first recorded solos of Charlie Green and Coleman Hawkins. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Spike Hughes was a white British music critic and bass player who had a successful series of recordings for British Decca in the early 1930's. He came to the US in 1933 to record some of his own compositions and arrangements with an all-star band put together by Benny Carter, who used mostly his own band and soloists from Fletcher Henderson and Luis Russell's orchestras. Red Allen, Shad Collins, Dickie Wells, Wayman Carver, Coleman Hawkins, Chu Berry, Red Rodriguez, Sid Catlett and others. Also, the last date Coleman Hawkins recorded with the Henderson band in March, 1934 - Buster Bailey, Red Allen, etc.! --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Shellac Stack No. 316 stumbles with Yank Lawson and sings in the rain with Lud Gluskin. We hear from Isabella Patricola and Peggy Lee, and dance along with George Olsen, Fletcher Henderson, Charles Dornberger, and Jimmie Lunceford. More too — including a trip to Buenos Aires for a delightful disc by Raul Sanchez Reynoso with … Continue reading »

This week, the Fletcher Henderson Band, led by one of the more unlikely and reluctant leaders in jazz, but easily one of the most talented. Fletcher Henderson, nicknamed "Smack," for the way he smacked his lips, apparently even in his sleep, was born in Cuthbert, Georgia, in 1897 to a middle-class African American family. In 1922 he formed his own band. His first steady gig with his band was at the Club Alabam on Broadway in 1924, but only after the band's players—not Henderson—talked their way into auditioning for their first long-term engagement.

Shellac Stack No. 311 oogel oogel oos with the Yacht Club Boys, doodle doos with Busse's Buzzards, and aba dabas with Arthur Collins and Byron Harlan. We dance along with Fats Waller, Jack Hylton, Al Lynn's Music Masters, Earl Oliver's Jazz Babies, and Fletcher Henderson, and enjoy some stomping ragtime piano from Charles Thompson too!

  I have been looking forward to this one because I love music. I love all kinds of music, and today we are going to talk about Jazz. Jazz is one of the earliest forms of pop music in The United States and Jazz is a distinctively American style of music originating in the early decades of the 20th century. Its roots include Afro-American folk music traditions, such as spirituals, work songs, and blues. Jazz music is much more lively and upbeat than blues music. Jazz is often associated with swinging and swaying movements, lively atmospheres and improv. Lots of modern musicians will say they are greatly influenced by Jazz. Some of the great Jazz musicians include Louis Armstrong, Duke Ellington, John Coltrane, Bessie Smith, Fletcher Henderson, and Billie Holiday.  In fact, Performers like Elvis Pressley, Chuck Berry, The Rolling Stones, The Doors, The Grateful Dead, and Aerosmith all talk about their Jazz influences. Music styles like Rock, R&B, Hip-hop, Latin, and others that produce a swaying rhythm have been influenced by Jazz.  In today's podcast we have a very special guest, the very accomplished Loren Schoenberg. He is the Founding Director at The National Jazz Museum in Harlem, a published author, and teaches Jazz History at The Julliard School in NYC.   Always more to learn. Talk to you soon. 

Jimmy Bryant and Speedy West "Stratosphere Boogie"Elvis Costello & The Attractions "Love For Tender"Martha Davis "Kitchen Blues"Freakwater "Bolshevik and Bollweevil"The Light Crust Doughboys "Dirty Dish Rag Blues"Adia Victoria "Mortimer's Blues"The Carter Family "Bear Creek Blues"Memphis Jug Band "Papa's Got Your Bath Water On"Chris Whitley "Dust Radio"Billie Holiday "Long Gone Blues"Homesick James "Lonesome Road"Ray Wylie Hubbard "Bad Trick"Wynonie Harris "Quiet Whiskey"Roger Miller "Private John Q"Fletcher Henderson "Sing, Sing, Sing"Viola James "On That Rock"Angel Olsen "Lights Out"Stack Waddy "Willie the Pimp"Clem Snide "Moment in the Sun"Andrew Bird "Railroad Bill"Duke Ellington and His Orchestra "Love Is Like a Cigarette"Bob Corritore - Valerie June "Crawdad Hole"Kansas City Kitty & Georgia Tom "Gym's Too Much For Me"Loretta Lynn "Blue Steel"Rebirth Brass Band "Leave That Pipe Alone"Tom Waits "I Wish I Was In New Orleans [in The Ninth Ward]"The Nite Owls "Married Man Blues"S.G. Goodman "Dead Soldiers"Bukka White "Aberdeen Mississippi Blues"Hank Williams "Nobody's Lonesome For Me"Blue Lu Barker "That's How I Got My Man (10-25-49)"Trapper Schoepp "Eliza"Jimmie Rodgers "Let Me Be Your Side Track"Hound Dog Taylor & The HouseRockers "Give Me Back My Wig"Bessie Jones "So Glad I'm Here"The Breeders "When I Was a Painter"R.L. Burnside "Peaches"Dead Meadow "Sleepy Silver Door"Billy Bragg "Greetings To The New Brunette"Drag The River "Fire & Flood"Willie Humphrey "Oh How I Miss You Tonight"Howlin' Wolf "Ridin' In the Moonlight"The Yardbirds "Respectable (Live)"Gang of Four "Armalite Rifle"Jimmy Smith "Got My Mojo Workin'"John Lee Hooker "Boogie Chillen  (1949 Original Version)"Lucero "San Francisco"

Shellac Stack No. 306 rides tall in the saddle with Wild Bill Hiccup (courtesy of Spike Jones). We enjoy dance records by Sam Lanin, Edwin J. McEnelly, Fletcher Henderson, Phil Romano, and others, and share a few smiles with the Happiness Boys, Red Ingle, Homer and Jethro, and Monte Hunter. Plenty more too, including a … Continue reading »

Sun Ra (born Herman Blount) was a talented pianist and composer who played and arranged for one of Fletcher Henderson's last bands. He began collecting a company of musicians around him in the 1950's including tenor saxophonist John Gilmore, baritone saxist Pat Patrick, altoist Marshall Allan and others. They created a music that began as hard bop, moved through soul and then became something quite extraordinary! Here are examples (issued as singles on Ra's label Saturn) from all those periods --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

In 1921, a man named Harry Pace started the first major Black-owned record company in the United States. He called it Black Swan Records. In an era when few Black musicians were recorded, the company was revolutionary. It launched the careers of Ethel Waters, Fletcher Henderson, William Grant Still, Alberta Hunter, and other influential artists who transformed American music. But Black Swan's success would be short-lived. Just a couple years after Pace founded the company, larger, wealthier, white competitors started to take an interest in the artists whose careers Pace had propelled. Then, Pace's own life took a mysterious turn. This episode originally aired on NPR's All Things Considered in 2021.

The 1925 version of the Henderson band from the last recordings with Louis Armstrong to the first one with Rex Stewart - well played and crisp stock arrangements with great solos --- Support this podcast: https://anchor.fm/john-clark49/support

Shellac Stack No. 288 “rags the rag” with the Ballyhooligans. We hear from Andy Kirk, Fletcher Henderson, the Casa Loma Orchestra, Chauncey Gray, Luisa Rostand, Jay Wilbur, Prince's Band, and many more this hour. Thanks for supporting the Shellac Stack on Patreon: patreon.com/shellacstack

Shellac Stack No. 280 trucks with Fats Waller and poses with Fletcher Henderson. We hear Billy Mayerl's marvelous “Four Aces Suite” with Raie Da Costa at the piano, sample some fake “Bobs,” and hear from the NORK, Louis Armstrong, Van Alexander, and many more. Fun times on this Shellac Stack! Thanks for your support on … Continue reading »

The heroes battle soldiers in the streets of Gela, tussle with airplanes overhead in the skies, and diffuse anti-tank mines along the beach. As the invasion of Sicily continues according to plan, little do the heroes know that tragedy is speeding toward them. Join our Discord: https://discord.gg/PxbfcpTJu2 Support us on Patreon: https://www.patreon.com/mistconceptionspod Cast: David (he/him; @MrBananaSocks) as the Editor in Chief, Mitch (he/they; @mitchbustillos) as Omission (he/him), Marlo (she/her; @boggwitch) as Crystal Gazer (she/her), Phil (he/them; @BMCPHILANTHROPY) as Torchbearer (he/him), Kari (she/her) as Sister Solstice (she/her) Music in this episode: C Jam Blues by Brocksi Quarter, Copenhagen by Fletcher Henderson & His Orchestra, Jumpin' At The Woodside by Count Basie, Volcano by Count Basie, Cherokee by Charlie Barnet, Die Walkure, Act 1: Prelude by Wilhelm Furtwängler Attachments

Puerto Rico Jazz con Wilbert Sostre.8am y 3pm (New York) @ Brave New Radio WPSC 88.7 FM, William Paterson University, New Jersey.@TuneIn Radio! http://tun.in/seoPJMúsica de Charlie Sepulveda, Conrad Herwig, Fletcher Henderson con Ralph Escudero, Clarence Williams con Carmelo Jari, Eguie Castrillo, Ralph Irizarry, Sabu Martínez, Aldemar Valentín y Jonathan Suazo.Puerto Rico Jazz con Wilbert Sostre.Todos los Domingos 8am (Puerto Rico) @ Brave New Radio WPSC 88.7 William Paterson University, New Jersey@TuneIn Radio! http://tun.in/seoPJ Domingos 6pm @ Radio Prócer 1380AM, 98.5FM, Barranquitas, Puerto Rico. www.radioprocer1380.como en TuneIn http://tun.in/seoKu*Diseño de logo de Puerto Rico Jazz por @Shaney LaraPara enviarnos su música; jazzinmagazine@gmail.com

Features vintage recordings by Peggy Lee, Fletcher Henderson and Bunny Berigan.  Ronnaldo plays a fact-filled, classic ad by Dash Soap. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Shellac Stack No. 268 finesses the ivories with Muriel Pollock, Vee Lawnhurst, and Art Tatum. We take a stroll along Blue Sky Avenue with Orville Knapp and dance to the bands of Claude Hopkins, Fletcher Henderson, Jimmie Lunceford, and Chick Webb. Stirring vocals from Ethel Waters, Bing Crosby, and more. Join us for an hour … Continue reading »