Podcasts about prints

Melissa H. Mwai is an author and illustrator, as well as an award-winning poet. She has penned five nonfiction children's books including THE HISTORY OF JAZZ (DK, 2024). As an neurodiverse Afro-Latina, Melissa is thrilled that her books help ethnically and neurodiverse kids learn more deeply about the world around them. In our delightful interview, we celebrate her recent book, I Can Make a Friend! (I Can Do It, 2) (PAW Prints, April, 2025). Melissa talks about her journey to becoming a published author, and her advice for those wishing to pursue a career writing for the educational children's book market. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tara and Caroline explore the intricate balance of temperance in fashion and interior design. They discuss the importance of self-regulation in styling, sharing insights on when an outfit or a room is truly 'done.' The conversation touches on accessorizing bookshelves, mixing patterns, and the risks of overdoing designer labels. Caroline elaborates on the latest trend of 'color drenching' in interior design, which brings a monochromatic, elevated feel to a space. The hosts emphasize that good style and decisions should be lasting, offering practical tips for achieving balance and harmony in both personal attire and home decor. Topics 00:29 Catching Up: Personal Stories and Parenting Challenges 02:25 Exploring Self-Regulation Theory in Design and Fashion 03:37 Accessorizing Bookshelves: Tips and Tricks 10:12 Balancing Patterns and Prints in Interior Design 13:58 Current Trends: Monochrome and Color Drenching 15:11 Conclusion and Farewell

Hey everyone in todays episode we are going over the Phantom Ruins , Yamper Paw prints and Jangmo-o community day  and everything else happening from June 16th to June 22nd in pokemon go 

A change in Alexa  that could prevent you from hearing ACB Media; vote no on the ACB constitutional amendment and help save the affiliate vote – it's important.

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Join this channel to get access to perks:https://www.youtube.com/channel/UCbcJYVNEjjhXRdCKZ7i6itw/joinCONTACT US: sustainthispodcast@gmail.comIn this episode, we dive into the clothes we LOVE but feel like we don't necessarily "pull off" like we wanted to, and how our personal style has shifted over time. We also talk about the push and pull between our fantasy looks, how personality plays into what we wear, and why some trends just don't always work...and how that can be a good thing! Chapters00:00 Introduction, Comfort Eating and Body Image03:00 Exploring Fashion Choices and Personal Style05:59 The Balance of Romantic and Sporty Styles09:00 Understanding Personal Preferences in Clothing12:01 The Influence of Personality on Fashion Choices14:57 Patterns, Prints, and Their Appeal18:00 The High-Waisted Dilemma and Body Proportions19:47 Body Image and Fashion Choices22:56 Personal Style Preferences26:34 Understanding Body Types30:01 Finding Balance in Fashion33:58 The Concept of Flattering37:00 Reflection on Personal Style-----------------CONTACT US: sustainthispodcast@gmail.comJOIN OUR PATREON: https://www.patreon.com/SustainThisPodcast SIGNE HANSENYoutube: https://www.youtube.com/@UseLess_dkWebsite: https://www.uselesswardrobe.dk/IG: https://www.instagram.com/useless_dk/TT: https://www.tiktok.com/@useless_wardrobeCHRISTINA MYCHASYoutube: https://www.youtube.com/@ChristinamychasWebsite: https://www.minimalist-ish.com/IG: https://www.instagram.com/christina.mychas/TT: https://www.tiktok.com/@christina.mychasALYSSA BELTEMPOYoutube: https://www.youtube.com/@AlyssaBeltempoWebsite: https://msbeltempo.com/IG: https://www.instagram.com/msbeltempo/TT: https://www.tiktok.com/@msbeltempo If you loved this episode please share it on your stories and tag us! We love to see which episodes resonate with you and it helps to spread the word more than you know, xo

Dale Smothers doesn't expect a rate cut from the Fed next week but still sees two rate cuts before the end of the year. However, he says that all depends on how strong future CPI prints come in, particularly July's. Turning to the Mag 7, Dale believes Apple (AAPL) has room to catch up to the rest of the Mag 7's recovery. He expects Nvidia (NVDA) to continue leading markets as the "pickaxes and shovels" A.I. play.======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/About Schwab Network - https://schwabnetwork.com/about

Andrea Liguori, Kate Zanzucchi, Starr Figura, and Marcia Bartholme on the catalogue and Diebenkorn's printmaking practice.

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This is a special episode of a presentation I prepared for the Society of German American Studies symposium in April in Milwaukee.--The year 2025 marks the 175th anniversary of the Wisconsin Evangelical Lutheran Synod. Originally established in the Milwaukee area as the Die erste deutsch. evang.-luth. Synode von Wisconsin, this German immigrant ecclesiastical organization, immediately needed printed materials in its native language that would serve the needs of its people in a new geographic and social setting.  The Wisconsin Synod primarily sought to preserve and transmit conservative confessional Lutheranism in the first several generations.  The motto, “Halte was du hast,” crowned the synod's first regular publication, the Gemeindeblatt.  Its message, “Hold what you have,” reflects the conservative concern of the ministers who encouraged Lutheran immigrants to preserve their faith and pass it on to future generations.  Wisconsin Synod leaders also recognized that as the synod faced new challenges and opportunities in its frontier immigrant context, it must also apply theological principles in ways that precluded simplistic repristination of the 16th century Reformation.  The resulting “Wauwatosa Theology” came to life in the German publications of the synod.  To meet the needs of its laity, pastors, and scholars, the Wisconsin Synod locally produced various printed materials in the German language to meet its high theological standards.  These German American Lutherans required many printed materials: hymnals, service agendas, synodical reports, catechisms, bibles, and devotional literature.   Regular publications: the Gemeindeblatt and the Theologische Quartalschrifft not only served to communicate to and inform laity and pastors within the Wisconsin Synod but also spread its news and theology across the nation and back to the German homeland.  The Wisconsin Evangelical Lutheran Synod required German materials for well over a century—despite the erosion of a German-speaking demographic accelerated by two world wars.  In the post-war years, the synod experienced an irreversible transition from needing German materials to holding on to them for personal comfort.  Still, the synod continued to print officially in German regularly until 1970.  Support the show Confessional Languages Scholarship Youtube ( even more behind-the-scenes videos available for certain patron tiers) Facebook Website Interview Request Form email: thelutheranhistorypodcast@gmail.com About the Host Benjamin Phelps is a 2014 graduate from Martin Luther College with a Bachelor of Arts with a German emphasis. From there went on to graduate from Wisconsin Lutheran Seminary in 2018. Ben loves all things history and enjoys traveling. A descendant of over a dozen Lutheran pastors, Ben has an interest in his family roots, especially 19th-century Lutheranism, and has written several papers and journal articles on the topic. His 2018 thesis on Wyneken won the John Harrison Ness award and the Abdel Ross Wentz prize. He is also the recipient of two awards of commendation from the Concordia Historical Institute. Ben is currently a doctoral student in historical theology through Concordia Seminary's reduced residency program in St. Louis.

In this episode of Platemark, I talk with Ellen Heck about her artistic journey and work. We talk about the intricacies of printmaking techniques, Ellen's various portrait series, and the conceptual ideas behind her work. Ellen shares her journey from studying philosophy at Brown, to printmaking at the School of the Art Institute of Chicago, and finally working at the Kala Art Institute in Berkeley. They also explore topics like the influence of Mary Cassatt, the use of color wheels in organizing compositions, and Ellen's fascination with topology in her artwork. Our insightful conversation about the roles within the art ecosystem concludes with the philosophical underpinnings of Ellen's creative process. Starting with this episode, the images are moving to a blog post (it's a long story). Link to the images is below. Show me the images!

Ali and I chat with Mandi, the incredible artist behind Grey Boy Pet Prints, who transforms pet grief into lasting keepsakes using paw prints, ashes, and a pure heart.We also share the story of Baby, a sweet rescued chocolate lab I placed with Mandi—whose legacy now lives on through her beautiful art.

This week, I had the joy of sitting down with Jesse Rae Akin, a print designer and new mama navigating creativity in the middle of life's most tender transitions. We talk about how she discovered surface pattern design almost by accident, what it's been like balancing art with early motherhood, and how she's finding rhythm in the messiness. Jesse shares honestly about fear, feedback, and forging your own pace in a world that feels constantly rushed. A beautiful reminder that we're allowed to take our time—and that beauty doesn't require perfection.In this episode, we explore:Falling into surface pattern design (and staying for the joy)How new motherhood reshapes your creative time and energyThe pressure of pitching your work and the power of just startingLearning to trust your hand, even when a brief feels like pressureThe emotional boost of a good dress and a beautiful print

News about new braille and audio magazines and BARD, changes in meeting dates related to the 2025 ACB convention, news from the Louisville Low Vision Clinic, and GLCB member spotlights Find out more at https://sound-prints.pinecast.co This podcast is powered by Pinecast.

In this episode Story Radio visited a fascinating exhibition about mudlarking on the Thames and interviewed some of the mudlarks and other people involved in the exhibition. London Museum Docklands recently opened its new major exhibition Secrets of the Thames: Mudlarking London's lost treasures (4 April 2025 – 1 March 2026) and we were delighted to be among the first to visit it. The first major exhibition on mudlarking, it explores fascinating finds from the Thames foreshore, an internationally important archaeological site, and the role of mudlarks in uncovering thousands of years of human history. Historically a trade of the Victorian poor, in recent years mudlarking has grown to be a popular hobby for history lovers, with licensed mudlarks uncovering many significant new finds from the Thames.We spoke to artist Amy-Leigh Bird about her work, inspired by everyday items she finds along the foreshore, Tom Ardill, Curator (Paintings, Prints and Drawings), who told us more about the artworks that were commissioned for the exhibition, and mudlark Tim Miller, Chairman of the Society of Thames Mudlarks. There is one swear-word in this episode. The mudlarking world has its controversies! The episode ends with an exclusive reading by Martin Nathan from his novel, The Pain Clinic, which has a scene set by the Thames. The photograph used to illustrate this podcast is © Alessio Checconi /London Museum. It shows the neck from a stoneware bottle with a bearded face known as a Bartmann bottle 1500s – 1600s. The bearded face decorating the neck lies half-buried on the foreshore.

• Ali Norman is a multifaceted artist and educator.• Printmaking is a deeply personal and transformative process.• Chat GPT as a spiritual companion• Art serves as a healing mechanism during difficult times.• Building community spaces fosters collaboration and creativity.• Navigating life's challenges can lead to personal growth.• Reality is fluid and shaped by perception.• Pro Wrestling embodies the magic of performance art.• Egregores represent collective beliefs and energies.• Mythology provides archetypes for personal development.Follow Ali Norman on Instagram Join Us on Our Mount Shasta Retreat Seekers of the Eternal Apparel & Prints

ORDER TODAY Also available on throw blankets, pillows, tops, tees, iPhone cases, and much more! *Redbubble has discounts when purchasing multiple items and also gives 10%-20% discounts on a regular Continue Reading Read more on this topic: Gifts: A bee gathering on purple coneflower Products from Douglas E. Welch Design and Photography [Shopping] New Design: Trichocereus Cactus Flower Products [Shopping] Garden Panorama 04 from 2022 Mary Lou Heard Memorial Garden Tour – A Gardener’s Notebook [Video] New Design: Vintage Blue Passion-flower Prints and other products [Shopping] New Design: Garden View, Theodore Payne Foundation, Sun Valley, California [Merch]

In this video podcast interview I'm chatting with fellow post graduate student and soon-to-be Dr Kim Percy. Kim is a multi-media artist, designer, educator, curator and photographer who in the process of completing her PhD by research. Her studio was just down the hall from mine at uni and we've become great friends during my time as a post-grad artist. Kim'spractice-based research for her PhD focusses on Dyslexia and Kim has produced an incredible body of artwork for her graduating exhibition, alongside a brilliant thesis, outlining her discoveries. Today we are chatting all about it alongside giving a look inside her exhibition. This episode is a video podcast, so while it's a greatstand-alone podcast episode, I encourage you to pop on over to my YouTube channel to check out all the lovely footage of her exhibition: https://youtu.be/erwl6OfzuXs?si=k8gvatJCLtnMx9YOLinks for Kim: Website:https://www.kimpercy.com/phd-exhibition Emails: kim@designscope.com.au,k.percy@federation.edu.au Instagram:https://www.instagram.com/kimpercyartist/ Facebook: https://www.facebook.com/KimPercyArt Linkedin:https://www.linkedin.com/in/kimpercy/ Links for Susan

Looking to add a unique, personal touch to printed photos? Then, Lux Heirloom has the perfect keepsake boxes for you, whether you're a photographer or an uninspired gift-giver. Go to https://www.luxheirloom.com/ to get 10% off on your first order! Lux Heirloom City: Sugar Land Address: 4771 Sweetwater Blvd. #298 Website: https://www.luxheirloom.com/

In this episode of the Platemark, I interview Mike Stark, the co-founder and owner of Stark Press Company. The New Jersey-based company, run by Mike and his brother Tom, builds new presses, services old presses, and aids in moving them. They often collaborate with Perry Tymeson, a legendary press repairman. Mike shares insights into designing new presses, managing a small business, and balancing creative work. We talk about studying print media at SAIC in Chicago and establishing Stark Press. We talk about his experiences in moving heavy presses, sometimes in challenging conditions, and the special bonds within the printmaking ecosystem. www.starkpressco.com @iammikestark @pinklinepress @starkpressco Mike Stark and Tom Stark, Stark Press Company. Perry Tymeson, Suitcase Press. Keegan Mills Cooke and Daniel Gardiner Morris helping with a move. Mike Stark printing. Stark Press Company's 1224 etching press. Mike Stark. Perry Tymeson. Laser cut relief. Pink Line Press. Mike Stark. Laser-cut relief. Pink Line Press. Tom Stark, Mike Stark, and Kevin McGauran. Keegan Mills Cooke and Daniel Gardiner Morris helping with a move. Moving a Vandercook press in 2017. Moving a Vandercook press in 2025. Sending a Vandercook Press out a window. Praga Press flying high above. Moving a Vandercook Press using a crane. Mike Stark. The Beatings Will Continue Until Morale Improves. Laser-cut letterpress. Pink Line Press. Mike Stark's laser-cut letterpress plate inked up and ready for printing. Paper beater.

In this Episode 0:08 I struggle with smart casual dressing and I want to have more confidence and feel good. 5:18 I find prints tricky, I'm not sure about finding my preferred shapes and colours when current trends don't reflect them. My daughter says I should just wear solid colours and neutrals, but I like…

HEADLINES:• Sarwa Enforces No-Negotiation Pay Policy to Ensure Fair Salaries for New Hires• Trump Tower Dubai Launch Sparks Investor Frenzy with Promises of 30% Resale Gains• Dubai Holding Upsizes Dubai Residential REIT IPO Amid Strong Investor Demand• Syria to Print New Currency in UAE and Germany, Ending Russian Partnership• OpenAI, Oracle to Help UAE Develop Massive Data Center

ORDER TODAY Also available on throw blankets, pillows, tops, tees, iPhone cases, and much more! *Redbubble has discounts when purchasing multiple items and also gives 10%-20% discounts on a regular Continue Reading Read more on this topic: Gifts: A bee gathering on purple coneflower Products from Douglas E. Welch Design and Photography [Shopping] New Design: Trichocereus Cactus Flower Products [Shopping] New Design: Garden View, Theodore Payne Foundation, Sun Valley, California [Merch] New Design: Vintage Blue Passion-flower Prints and other products [Shopping] Bougainvillea in the neighborhood [Photography]

Gerald Sparrow says he's positive on the markets because of inflation prints, saying that the current bull run could run through the end of 2025. He adds that tax cuts could be another catalyst for investors. Gerald does say a reverse of any tariff gains or returned uncertainty on policy could be an impediment to any upward move. He discusses stock picks including Booking (BKNG), Okta (OKTA) and Docusign (DOCU).======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/About Schwab Network - https://schwabnetwork.com/about

ORDER TODAY Also available on throw blankets, pillows, tops, tees, iPhone cases, and much more! *Redbubble has discounts when purchasing multiple items and also gives 10%-20% discounts on a regular Continue Reading Read more on this topic: Gifts: A bee gathering on purple coneflower Products from Douglas E. Welch Design and Photography [Shopping] New Design: Trichocereus Cactus Flower Products [Shopping] New Design: Vintage Blue Passion-flower Prints and other products [Shopping] In The Neighboood: Trichocereus Catus Flower, North Hollywood, California [Prints and More Available] Flowering Now: Azaleas 6 [Photography]

Episode 126 - Inside the BFI National Archives - Film on Film Festival - Special EpisodeFor this early release of the podcast, I'm taking you behind the scenes at the BFI National Archive in Berkhamsted. The reason for the early drop? Tickets for the BFI's excellent Film on Film Festival go on sale to the public tomorrow, 9th May 2025, and I wanted to give you a bit of insight into what makes this event so special. The Film on Film Festival runs from the 12th to the 15th of June and is dedicated entirely to screenings on physical film – from 35mm to 16mm, and even nitrate. It's a rare opportunity to experience films as they were originally shown, in all their analogue glory. While at the archive, I spoke with several of the experts who help make the festival possible and who work daily to preserve the history of cinema. You'll hear from:James Bell – Senior Curator of Fiction and Programme Director, Film on Film FestivalChris Stenner – Film Laboratory LeadSonia Genaitay – Curatorial ArchivistMartin Coffill – Projectionist and QCDavid Jones – Film Scanning LeadA huge thanks to Kieron Webb and Sarah Bemand for organising the day. It was a real privilege to explore the archive, meet the people who keep the machines running and the prints in circulation, and to share it all with you here. If you're attending the festival on the 12th, please do let me know and be sure to say "hi".BFI Film on FilmAll my links

100 years ago this week, the New York Public Library opened a special collection at its 135th Street branch in Harlem called the Division of Negro Literature, History and Prints, now known as the Schomburg Center for Research in Black Culture. On May 8, the Schomburg Center opens a new exhibition, "100: A Century of Collections, Community, and Creativity." Director Joy Bivins discusses the history of the Center, Arturo Schomburg's legacy, and plans for the centennial celebration.

In this episode of Platemark, I talk with Mae Shore, a collaborative printer and owner of Shore Publishing in Tuxedo Park, New York. Mae shares her experiences working at Pace Editions with notable artists like Jim Dine and Chuck Close. She discusses the history and evolution of her gallery and print shop, which she established to merge her love for printmaking and curating exhibitions. Mae touches upon specific projects, such as her collaborations with artists like Amy Bennett, Kamrooz Aram, and Katia Santibañez and James Siena, detailing the unique processes and challenges in creating prints. The conversation also highlights the importance of print fairs, the nuances of printmaking, and Mae's backstory growing up in New York City's SOHO and Tribeca neighborhoods. Mae's reflections offer a compelling glimpse into the meticulous, collaborative, and often experimental world of printmaking. Episode image: Greg Dohler Amy Bennett (American, born 1977). Clearing, 2022. Linocut and pochoir on Magnani paper. Image: 3 3/4 x 5 in.; sheet: 12 1/4 x 12 1/2 in. Printed and published by Shore Publishing. Amy Bennett (American, born 1977). Site, 2025. Linocut. Sheet: 22 x 27 in.; image: 16 1/2 x 22 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #21, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #2, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #3, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #4, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #5, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Katia Santibañez (American, born France, 1964). Sailing Alone, 2014. Reduction linocut in 6 colors on Rives BFK. Image: 20 x 16 in.; sheet: 27 x 22 in. Printed and published by Shore Publishing. Katia Santibañez (American, born France, 1964). Floating In My Mind, 2015. Reduction linocut in 6 colors on Hosho. Image: 14 x 11 in.; sheet: 19 1/2 x 16 in. Printed and published by Shore Publishing. Glenn Goldberg (American, born 1953). There (1-3), 2014. Suite of three prints, photo relief, collagraph, linocut and pochoir on Rives BFK paper. Sheet (each): 12 1/2 x 16 ¾ in.; image (each): 6 x 12 in. Printed and published by Shore Publishing. Katia Santibañez (American, born France, 1964) and James Siena (American, born 1957). Triplebarb Whirler, 2022. Reduction woodcut in 6 colors on Rives BFK paper. Image: 22 1/2 x 18 in.; sheet: 28 3/4 x 23 1/2 in. Printed and published by Shore Publishing. William Villalongo (American, born 1975). Vitruvian's Daughter, 2014. Woodcut, linocut, and pochoir on Hosho white paper. Sheet: 22 x 22 in. Printed and published by Shore Publishing. Yasu Shibata (American, born Japan, 1968). 4 Squares Within a Square, 2022. Japanese woodcut on Kizuki paper mounted on Western paper. Sheet: 30 x 30 in. Printed and published by Shore Publishing. Mae Shore and Brad Ewing in their booth at the Baltimore Fine Art Print Fair, March 2022.  

Prints, proof and a pair of killers: how fingerprints left their mark

Why are dogs considered man’s best friend? To find the answer, we tell some stories about how dogs have entered our lives…and the paw prints they’ve left behind.Support the show: https://redpilledamerica.com/support/See omnystudio.com/listener for privacy information.

Formula 1 engineer Gabe Elias got bored designing cars for Mercedes. Using his experience on the championship team he's created a manufacturing method to 3D print batteries of any size, shape, and chemistry. Will the investors be charged for this innovation or will Gabe get sent back to the paddock? This is The Pitch for Material. Featuring investors Mark Phillips, Paige Doherty, and Will Weisman. ... Watch Gabe's pitch on YouTube (@thepitchshow) and Patreon (@ThePitch) Subscribe to our public email newsletter: insider.thepitch.show Join our private investor community on Substack: thepitch.fund Register for the Season 13 Finale Watch Party: pitch.show/party *Disclaimer: No offer to invest in Material is being made to or solicited from the listening audience on today's show. The information provided on this show is not intended to be investment advice and should not be relied upon as such. The investors on today's episode are providing their opinions based on their own assessment of the business presented. Those opinions should not be considered professional investment advice. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Whip was in the room with a local Chicago celeb and didn't know it, we heard an insane story about a woman who thought she'd be maid of honor but wasn't even invited to the wedding, and Whip takes the Office Space bat to...something for today's Whip's Hot Take. Plus, we're back doubling paychecks tomorrow so make sure you get signed up at the link below! Catch up on everything you missed from today's show on The Morning Mix Podcast!Follow The Mix: The MixstagramGet Your Paycheck Doubled: Sign Up Today!Get the Free MIX App: Stream The MixSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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HT2240 - Prints Throughout the Day As the sun crosses the sky, the light in our house changes dramatically. This is one of the primary reasons why I like to live with a print for a while before I am done with it. On many occasions as the light has changed I realized the print is slightly too dark or slightly too light. Art should live well over time, but the only way we'll know that is if we observe it over time. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2237 - Art-sized Prints How large does a print need to be in order to be considered artwork? Snapshots are usually pretty small, 4x6" or so. If we make a 5x7" is that big enough to be considered artwork? 8x10"? Why do photographers so readily consider size of function of the seriousness of artwork? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Hour 3 of A&G features... Andrew "Art" Arthur talks to Joe Getty! Did JD Vance kill the Pope? A new level of anger & Harvard Hysteria! Market dip & Trump is not firing Jerome Powell See omnystudio.com/listener for privacy information.

Hour 3 of A&G features... Andrew "Art" Arthur talks to Joe Getty! Did JD Vance kill the Pope? A new level of anger & Harvard Hysteria! Market dip & Trump is not firing Jerome Powell See omnystudio.com/listener for privacy information.

In this episode of Platemark, I talk with Michael Verne, the owner of the Verne Collection in Cleveland, Ohio. Mike's gallery specializes in contemporary Japanese art and works by American artists residing in Japan. We talk about the challenges and rewards of running a small gallery amid larger competitors, and the importance of finding and promoting new artists. Mike shares insights about his journey in the art world, from his childhood surrounded by art to becoming a successful gallerist without a formal art education. He recounts various personal anecdotes, including his experiences at art fairs and his unorthodox methods for discovering and showcasing artists. Mike also highlights the significance of personal relationships and passion in his business. Listeners are encouraged to visit the Verne Collection and explore the fascinating world of contemporary Japanese art. Daniel Kelly (American, born 1947). Crackpot, 2022. Woodblock print and gold leaf with chine collé. 64 x 88 cm. Courtesy of the Artist. Sarah Brayer (American, born 1957). Luminous Moon. Aquatint and chine collé with phosphorescent pigment on indigo-dyed Mulberry paper. 24 x 33 in. The Verne Collection. Yuko Kimura (Japanese, born 1968). Map of the World: Yochishiriyaku. Etching, monotype, thread, antique Japanese geography textbook pages (Yochishiriyaku) from the Meiji period. 8 ¾ x 6 3/4 in. The Verne Collection. Photo: Will Slabaugh. Katsunori Haminishi (Japanese, born 1949). Canola Flowers Field, 2022. Mezzotint triptych. Sheet: 30 x 59 in.; image: 27 x 53 in. Verne Collection. Joel Stewart (American, born 1959). Inside Out, 2003. Aquatint. Sheet: 42 ½ x 34 ½ in. Tolman Collection.

This week is the 250th anniversary of the birth of JMW Turner, so we are playing back our show on one of the greatest landscape artists of all time.Joining Patrick is Charlotte Topsfield, Prints & Drawings Curator, National Galleries of Scotland; Anne Hodge, Curator of Prints & Drawings, National Gallery of Ireland; and Niamh McGuinne, Paper Conservator, National Gallery of Ireland.

Good Friday- Footsteps and Nail Prints- Andrew Fulton by Oneida Gospel Church

What if your next collection didn't require starting from scratch?In this episode, we're exploring a mindset shift that could change the way you approach your portfolio, your pitch, and even your creative process.Instead of chasing new ideas, Leslie invites you to look inward—to revisit the sketches, motifs, and half-finished prints that may already hold the clarity, connection, and style you've been looking for.You'll learn:Why constantly creating new art can become a form of avoidanceHow to recognize the value in work you've already madeA simple way to organize and re-engage with your “creative backlog”What buyers actually respond to—and why your existing work might already be readyHow to refine, recolor, and reposition your prints to make them pitch-readyThis episode is your reminder that you don't always need more art—just more intention. 

Andrew Breen, CEO of Prints of Love and Partner at Buy Build Fund, a seasoned entrepreneur and educator, believes in the power of observing user interactions to uncover the subconscious value people place on products, thereby driving strategic decisions beyond mere spreadsheet analysis. His experience reflects advocacy for addressing often-overlooked value risk and emphasizes the necessity of understanding both emotional and social values in product management. By challenging assumptions and focusing on customer needs, he highlights the importance of understanding both functional and emotional aspects of products, demonstrating how emotional benefits can strongly appeal to consumers and influence behavior. Resources Visit Buy Build Fund where Andy partners with investors and business owners Explore Prints of Love, where he serves as Board Member & CEO Connect with Andrew Breen on LinkedIn Follow Andy Breen on X  Follow Holly on LinkedIn Visit the Product Science Group website Explore Product Science Workshops and Courses Quotes from Andy Breen:  (00:05:57) "It's not about the technology. Just because you build it, they will not come. And you really do need to be solving problems for people and offering them something that changes them and their life and their abilities." - Andy Breen (00:08:57) "...these days especially every product gets about 30 seconds of consideration, you know, at the top. And so you have to have a clear value proposition." - Andy Breen (00:26:19) "There are a lot of stay-at-home moms or like people like engineers doing little SAS side projects and stuff that were turning into real businesses, real revenue, real profits, you know, something that's not often talked about in the venture world." - Andy Breen Lab Notes Lab Note 606.1: Too many product managers underestimate the importance of assessing value risk. Lab Note 606.2: Conducting value research often means holding uncomfortable tensions. Lab Note 606.3: When qualitative and quantitative are telling you the same thing, you're on your way to product market fit. Lab Note 606.4: Continuous Product Discovery has been useful since the 90's, even if it looks different today.  Lab Note 606.5: Deciding which customer use cases to replace with AI requires evidence-based product strategy. View the transcript and the full episode description on the Product Science Podcast website here.  Podcast video editing & management provided by podcastabundance.com

In this week’s Throwback Thursday feature, discover how pivoting from digital art prints to creating mockups for Etsy and Shopify turned an underperforming side hustle into a high-demand service. Side Hustle School features a new episode EVERY DAY, featuring detailed case studies of people who earn extra money without quitting their job. This year, the show includes free guided lessons and listener Q&A several days each week. Show notes: SideHustleSchool.com Email: team@sidehustleschool.com Be on the show: SideHustleSchool.com/questions Connect on Instagram: @193countries Visit Chris's main site: ChrisGuillebeau.com Read A Year of Mental Health: yearofmentalhealth.com If you're enjoying the show, please pass it along! It's free and has been published every single day since January 1, 2017. We're also very grateful for your five-star ratings—it shows that people are listening and looking forward to new episodes.

In this episode of Platemark, Myles Calvert, a printmaker and professor, shares his extensive journey from growing up in Ontario, Canada, to studying and working in the UK, and eventually returning to Alfred University in New York, to become director of the Institute of Electronic Arts. Myles discusses his experiences working at prestigious galleries in London, giving up a tenure-track position, and the pivotal moments that shaped his career. He delves into his role as the Director of IEA at Alfred, including the intricacies of managing residencies, the use of technology in printmaking, and the importance of community engagement. Myles also reflects on the challenges of academia, the value of traditional and new media in art, and his approach to student critiques. The conversation highlights Myles' passion for printmaking, his commitment to education, and his vision for the future of the IEA. https://blog.alfred.edu/iea/ https://blog.alfred.edu/iea/2024/07/01/new-director-appointed-myles-calvert/ https://www.instagram.com/alfred_iea/ https://www.instagram.com/squirrelpigeonfish/   Myles Calvert at the China Exhibition AIPA, Xi'an Academy of Art. Myles Calvert with IEA interns Veronica, Gigi, and Mary. Institute of Electronic Arts, Alfred University. Jessica Reisch and Tyson Houseman check out Sandin new media equipment. Institute of Electronic Arts, Alfred University. Visiting artist Kathryn Polk with students. Institute of Electronic Arts, Alfred University. Rita MacDonald at the offset press with a laser-cut woodblock. Institute of Electronic Arts, Alfred University.  

Send me a message here with feedback or topics you'd like to see covered on upcoming episodes! Or just say hello!Selling prints of your photography is a big task, and some of the difficulties might not be apparent from the start. In this episode, I'm brutally honest with you about some of the trials and tribulations of selling prints as a photographer, including both realizations and advice to help you be more successful. Whether you plan to sell prints online or in person at art shows, markets, and other events, this episode is a must-hear to set your expectations for print sales.Links from this episode:Resizing Images for PrintIf you're serious about becoming better at photography, the fastest way to do so is by joining me for an in-person workshop. Check my current workshop listings here.Find FREE photography tutorials on my YouTube channel.10 Landscape Photography Tips in 10 Minutes - FREE Video

I sit down with comedian Matteo Lane. We talk about being bilingual, vocal ranges, fluffing, cooking, and much more!  Check out his special “The Al Dente Special” on Hulu on May 16th Order his book “Your Pasta Sucks: A "Cookbook": https://amzn.to/42eHidi   My new special “Lucky” is streaming now on Netflix! Follow Matteo YT: https://www.youtube.com/@matteolanecomedy  IG: https://www.instagram.com/matteolane  --------------------------------------------------- Sponsors: Bluechew - Try your first month of BlueChew FREE when you use promo code BERTCAST at https://bluechew.com-- just pay $5 shipping. Robinhood - To receive your 3% boost on annual IRA contributions, sign up at https://robinhood.com/gold  --------------------------------------------------- SUBSCRIBE so you never miss a video https://bit.ly/3DC1ICg  For all TOUR DATES: http://www.bertbertbert.com  For Fully Loaded: https://fullyloadedfestival.com   For Merch: https://store.bertbertbert.com  YouTube▶ http://www.YouTube.com/user/Akreischer  X▶ http://www.Twitter.com/bertkreischer   Facebook▶ http://www.Facebook.com/BertKreischer   Instagram▶ http://www.Instagram.com/bertkreischer   TikTok▶ http://www.TikTok.com/@bertkreischer  Text Me▶ https://my.community.com/bertkreischer  Learn more about your ad choices. Visit megaphone.fm/adchoices

#550 In Today's Episode of the podcast I chat with YOU as I discuss important topics about photography that are essential for both beginners and experienced photographers. This episode's key themes revolve around the pricing of prints, motivation in photography, understanding lenses, managing photography business logistics, and addressing technical shooting challenges. KEY TOPICS COVEREDPricing Prints - Raymond addresses pricing framed prints by explaining that the photographer's value comes from capturing moments and connections, not merely selling paper and ink. He stresses that pricing should reflect the photographer's time and expertise, with a guideline from the Professional Photographers of America suggesting a minimum charge of $50 for profitability.Motivation in Photography - Raymond discusses how lack of motivation often stems from not having a specific idea rather than a lack of interest. He advises photographers to set constraints and avoid self-editing during shoots to reignite creativity. He shares methods for photographers to overcome creative blocks by exploring new subjects or projects.Understanding Lenses - The episode provides a detailed explanation of different focal lengths, clarifying the role of lens compression, depth of field, and the effects of lens choice on photographic outcomes. Raymond suggests using specific lenses depending on the shooting scenario, like wide lenses for landscapes and telephoto for portraits.IMPORTANT DEFINITIONS & CONCEPTSCompression: Refers to the perceived distance between the subject and the background, which varies with lens focal length.Circular Polarizer Filter: A tool used to reduce reflections and glare, enhancing image quality by altering the light entering the camera.DISCUSSION & REFLECTION QUESTIONSHow can photographers better assess their work's value beyond material costs?What are some creative strategies to overcome a lack of motivation in photography?Download your free copy of 46 Creative Photo Ideas to Get You Out of a Rutat https://creativeimageideas.com/Connect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

On this episode we start things off talking about the Snow White remake and the Disney controversy. We then moved along to M Knight Shyamalan and if he's overrated. Big U's RICO case and violence in hip-hop. Jess Hilarious and The Breakfast Club... can two women co-exist without everyone else comparing them? Then we closed the show out with a discussion on R&B being more critical than rap... we've got that and much more. This is Views From The 7!!

Episode No. 698 features artist Alex Da Corte and curator Mark Castro. The Modern Art Museum of Fort Worth is presenting "Alex Da Corte: The Whale," a survey of Da Corte's relationship with painting. Featuring more than 40 works, the exhibition examines Da Corte's interest in consumerism, persona, sex, invisible labor, taste, power, and desire. Curated by Alison Hearst, "Da Corte" will be on view through Sept. 7. A catalogue from MAMFW and DelMonico Books is forthcoming. Amazon and Bookshop offer it for $50-55. Da Corte's work has been the subject of solo exhibitions at MOCA Toronto, the Louisiana Museum of Modern Art outside Copenhagen, MASS MoCA, North Adams, and the Metropolitan Museum of Art, New York. Castro is the curator of "Oaxaca Central: Contemporary Mexican Printmaking" at the Chrysler Museum of Art, Norfolk, Va. Across 100 works, the exhibition surveys recent printmaking practice in Oaxaca, home to a vibrant, activist printmaking community. Artists in the exhibition include Ricardo Pinto, Mercedes López, Dr. Lakra, Colectivo Subterráneos, and Emi Winter. "Oaxaca Central is on view through May 11.