Podcasts about prints

Andrew Breen, CEO of Prints of Love and Partner at Buy Build Fund, a seasoned entrepreneur and educator, believes in the power of observing user interactions to uncover the subconscious value people place on products, thereby driving strategic decisions beyond mere spreadsheet analysis. His experience reflects advocacy for addressing often-overlooked value risk and emphasizes the necessity of understanding both emotional and social values in product management. By challenging assumptions and focusing on customer needs, he highlights the importance of understanding both functional and emotional aspects of products, demonstrating how emotional benefits can strongly appeal to consumers and influence behavior. Resources Visit Buy Build Fund where Andy partners with investors and business owners Explore Prints of Love, where he serves as Board Member & CEO Connect with Andrew Breen on LinkedIn Follow Andy Breen on X  Follow Holly on LinkedIn Visit the Product Science Group website Explore Product Science Workshops and Courses Quotes from Andy Breen:  (00:05:57) "It's not about the technology. Just because you build it, they will not come. And you really do need to be solving problems for people and offering them something that changes them and their life and their abilities." - Andy Breen (00:08:57) "...these days especially every product gets about 30 seconds of consideration, you know, at the top. And so you have to have a clear value proposition." - Andy Breen (00:26:19) "There are a lot of stay-at-home moms or like people like engineers doing little SAS side projects and stuff that were turning into real businesses, real revenue, real profits, you know, something that's not often talked about in the venture world." - Andy Breen Lab Notes Lab Note 606.1: Too many product managers underestimate the importance of assessing value risk. Lab Note 606.2: Conducting value research often means holding uncomfortable tensions. Lab Note 606.3: When qualitative and quantitative are telling you the same thing, you're on your way to product market fit. Lab Note 606.4: Continuous Product Discovery has been useful since the 90's, even if it looks different today.  Lab Note 606.5: Deciding which customer use cases to replace with AI requires evidence-based product strategy. View the transcript and the full episode description on the Product Science Podcast website here.  Podcast video editing & management provided by podcastabundance.com

In this week’s Throwback Thursday feature, discover how pivoting from digital art prints to creating mockups for Etsy and Shopify turned an underperforming side hustle into a high-demand service. Side Hustle School features a new episode EVERY DAY, featuring detailed case studies of people who earn extra money without quitting their job. This year, the show includes free guided lessons and listener Q&A several days each week. Show notes: SideHustleSchool.com Email: team@sidehustleschool.com Be on the show: SideHustleSchool.com/questions Connect on Instagram: @193countries Visit Chris's main site: ChrisGuillebeau.com Read A Year of Mental Health: yearofmentalhealth.com If you're enjoying the show, please pass it along! It's free and has been published every single day since January 1, 2017. We're also very grateful for your five-star ratings—it shows that people are listening and looking forward to new episodes.

In this episode of Platemark, Myles Calvert, a printmaker and professor, shares his extensive journey from growing up in Ontario, Canada, to studying and working in the UK, and eventually returning to Alfred University in New York, to become director of the Institute of Electronic Arts. Myles discusses his experiences working at prestigious galleries in London, giving up a tenure-track position, and the pivotal moments that shaped his career. He delves into his role as the Director of IEA at Alfred, including the intricacies of managing residencies, the use of technology in printmaking, and the importance of community engagement. Myles also reflects on the challenges of academia, the value of traditional and new media in art, and his approach to student critiques. The conversation highlights Myles' passion for printmaking, his commitment to education, and his vision for the future of the IEA. https://blog.alfred.edu/iea/ https://blog.alfred.edu/iea/2024/07/01/new-director-appointed-myles-calvert/ https://www.instagram.com/alfred_iea/ https://www.instagram.com/squirrelpigeonfish/   Myles Calvert at the China Exhibition AIPA, Xi'an Academy of Art. Myles Calvert with IEA interns Veronica, Gigi, and Mary. Institute of Electronic Arts, Alfred University. Jessica Reisch and Tyson Houseman check out Sandin new media equipment. Institute of Electronic Arts, Alfred University. Visiting artist Kathryn Polk with students. Institute of Electronic Arts, Alfred University. Rita MacDonald at the offset press with a laser-cut woodblock. Institute of Electronic Arts, Alfred University.  

Send me a message here with feedback or topics you'd like to see covered on upcoming episodes! Or just say hello!Selling prints of your photography is a big task, and some of the difficulties might not be apparent from the start. In this episode, I'm brutally honest with you about some of the trials and tribulations of selling prints as a photographer, including both realizations and advice to help you be more successful. Whether you plan to sell prints online or in person at art shows, markets, and other events, this episode is a must-hear to set your expectations for print sales.Links from this episode:Resizing Images for PrintIf you're serious about becoming better at photography, the fastest way to do so is by joining me for an in-person workshop. Check my current workshop listings here.Find FREE photography tutorials on my YouTube channel.10 Landscape Photography Tips in 10 Minutes - FREE Video

A beautiful conversation with Leica user Calvin Leonard about his journey into photography [ instagram : https://www.instagram.com/clphotosla_/ ] where we talk about Life, Love, and Leica's (C) [The IXVI Network].The Pod: 0:01 : Intro ; 04:30 : Photographer ; 08:30 : When I started Photography ; 18:15 : Zines ; 21:00 : Exhibitions ; 27:00 : Current Photo Journey ; 29:00 : Prints ; 33:00 : Competition ; 40:00 : Socials ; 41:00 : Projects ; 45:00 : Advice to myself ; 49:00 : My recommendations ; 52:00 : The Final Question.Calvin's recommendations : Danny Vasquez [ instagram : https://www.instagram.com/x3flix/ ] ; Solo B [ instagram : https://www.instagram.com/sololobo213/ ] ; Paulo Freire Lopez [ instagram : https://www.instagram.com/paulofreirelopez/ ]Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ]Podcast Artwork belongs to respective owner and is not the intellectual property of LSPC Podcast. (Copyright image @Cavin Leonard)

I sit down with comedian Matteo Lane. We talk about being bilingual, vocal ranges, fluffing, cooking, and much more!  Check out his special “The Al Dente Special” on Hulu on May 16th Order his book “Your Pasta Sucks: A "Cookbook": https://amzn.to/42eHidi   My new special “Lucky” is streaming now on Netflix! Follow Matteo YT: https://www.youtube.com/@matteolanecomedy  IG: https://www.instagram.com/matteolane  --------------------------------------------------- Sponsors: Bluechew - Try your first month of BlueChew FREE when you use promo code BERTCAST at https://bluechew.com-- just pay $5 shipping. Robinhood - To receive your 3% boost on annual IRA contributions, sign up at https://robinhood.com/gold  --------------------------------------------------- SUBSCRIBE so you never miss a video https://bit.ly/3DC1ICg  For all TOUR DATES: http://www.bertbertbert.com  For Fully Loaded: https://fullyloadedfestival.com   For Merch: https://store.bertbertbert.com  YouTube▶ http://www.YouTube.com/user/Akreischer  X▶ http://www.Twitter.com/bertkreischer   Facebook▶ http://www.Facebook.com/BertKreischer   Instagram▶ http://www.Instagram.com/bertkreischer   TikTok▶ http://www.TikTok.com/@bertkreischer  Text Me▶ https://my.community.com/bertkreischer  Learn more about your ad choices. Visit megaphone.fm/adchoices

Hong Kong University of Science and Technology researchers have developed a 3D printing food solution that combines the use of graphene heaters and starch-based printing material with generative AI, all in a single 3D printer. Traditional 3D printing food technologies typically require postprocessing steps that lead to imperfect shapes, use unappealing ingredients or even face microbial contamination. Using graphene heaters surrounding the extrusion head, the researchers cook the food as it is printed at a constant, controlled temperature. By heating the material as it is printed, the foods keep their intended quality and shape.

#550 In Today's Episode of the podcast I chat with YOU as I discuss important topics about photography that are essential for both beginners and experienced photographers. This episode's key themes revolve around the pricing of prints, motivation in photography, understanding lenses, managing photography business logistics, and addressing technical shooting challenges. KEY TOPICS COVEREDPricing Prints - Raymond addresses pricing framed prints by explaining that the photographer's value comes from capturing moments and connections, not merely selling paper and ink. He stresses that pricing should reflect the photographer's time and expertise, with a guideline from the Professional Photographers of America suggesting a minimum charge of $50 for profitability.Motivation in Photography - Raymond discusses how lack of motivation often stems from not having a specific idea rather than a lack of interest. He advises photographers to set constraints and avoid self-editing during shoots to reignite creativity. He shares methods for photographers to overcome creative blocks by exploring new subjects or projects.Understanding Lenses - The episode provides a detailed explanation of different focal lengths, clarifying the role of lens compression, depth of field, and the effects of lens choice on photographic outcomes. Raymond suggests using specific lenses depending on the shooting scenario, like wide lenses for landscapes and telephoto for portraits.IMPORTANT DEFINITIONS & CONCEPTSCompression: Refers to the perceived distance between the subject and the background, which varies with lens focal length.Circular Polarizer Filter: A tool used to reduce reflections and glare, enhancing image quality by altering the light entering the camera.DISCUSSION & REFLECTION QUESTIONSHow can photographers better assess their work's value beyond material costs?What are some creative strategies to overcome a lack of motivation in photography?Download your free copy of 46 Creative Photo Ideas to Get You Out of a Rutat https://creativeimageideas.com/Connect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

KCB Representatives who attended the 2025 DC Leadership Conference in Alexandria VA describe their experiences attending the NLS tour, ACB Board Meeting, President's Meeting, Legislative Seminar and Hill Visits. Find out more at https://sound-prints.pinecast.co This podcast is powered by Pinecast.

ORDER TODAY Also available on throw blankets, pillows, tops, tees, iPhone cases, and much more! *Redbubble has discounts when purchasing multiple items and also gives 10%-20% discounts on a regular Continue Reading Read more on this topic: Gifts: A bee gathering on purple coneflower Products from Douglas E. Welch Design and Photography [Shopping] New Design: Trichocereus Cactus Flower Products [Shopping] New Design: Vintage Blue Passion-flower Prints and other products [Shopping] Daffodil Closeup via Instagram [Photography] Make a bouquet with ginkgo leaves Via Flower Supplies on Instagram [Shared]

ORDER TODAY Also available on throw blankets, pillows, tops, tees, iPhone cases, and much more! *Redbubble has discounts when purchasing multiple items and also gives 10%-20% discounts on a regular Continue Reading Read more on this topic: New Design: Trichocereus Cactus Flower Products [Shopping] Gifts: A bee gathering on purple coneflower Products from Douglas E. Welch Design and Photography [Shopping] In The Neighboood: Trichocereus Catus Flower, North Hollywood, California [Prints and More Available] Bougainvillea in the neighborhood [Photography] Begonia grandis via Instagram [Photography]

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For more than three decades, trailblazing artist and activist Joyce J. Scott has elevated the creative potential of beadwork as a relevant contemporary art form. Scott uses off-loom, hand-threaded glass beads to create striking figurative sculptures, wall hangings, and jewelry informed by her African American ancestry, the craft traditions of her family (including her mother, renowned quilter Elizabeth T. Scott), and traditional Native American techniques, such as the peyote stitch. Each object that Scott creates is a unique, vibrant, and challenging work of art developed with imagination, wit, and sly humor. Born to sharecroppers in North Carolina who were descendants of enslaved people, Scott's family migrated to Baltimore, Maryland, where the artist was born and raised. Scott hales from a long line of makers with extraordinary craftsmanship adept at pottery, knitting, metalwork, basketry, storytelling, and quilting. It was from her family that the young artist cultivated the astonishing skills and expertise for which she is now renowned, and where she learned to upcycle all materials, repositioning craft as a forceful stage for social commentary and activism. In the 1990s, Scott began working with glass artisans to create blown, pressed, and cast glass that she incorporated into her beaded sculptures. This not only allowed her to increase the scale of her work, but also satisfied her desire to collaborate. In 1992, she was invited to the Pilchuck Glass School, Stanwood, Washington. Continuing her interest in glass, Scott has worked with local Baltimore glassblowers as well as with flameworking pioneer Paul Stankard and other celebrated glass fabricators. In 2012, Goya Contemporary Gallery arranged to have Scott work at Adriano Berengo's celebrated glass studio on the island of Murano in Italy, creating works that were part of the exhibition Glasstress through the Venice Biennale. Scott has worn many hats during her illustrious career: quilter, performance artist, printmaker, sculptor, singer, teacher, textile artist, recording artist, painter, writer, installation artist, and bead artist. Her wide-ranging body of work has crossed styles and mediums, from the most intricate beaded form to large-scale outdoor installation. Whether social or political, the artist's subject matter reflects her narrative of what it means to be Black in America.  Scott continues to live and work in Baltimore, Maryland. She received a BFA from the Maryland Institute College of Art and an MFA from Instituto Allende in San Miguel de Allende, Mexico. Selected solo museum exhibitions include The Baltimore Museum of Art (2024); Seattle Art Museum (2024 – 2025); and Grounds for Sculpture (2018), Trenton, NJ. She is the recipient of myriad commissions, grants, awards, residencies, and prestigious honors including from the National Endowment for the Arts, Louis Comfort Tiffany Foundation, Anonymous Was a Woman, American Craft Council, National Living Treasure Award, Lifetime Achievement Award from the Women's Caucus for the Arts, Mary Sawyers Imboden Baker Award, MacArthur Foundation Fellowship (2016), Smithsonian Visionary Artist Award, National Academy of Design Induction, and Moore College Visionary Woman Award, among others. In March of 2024, Scott opened a major 50-year traveling Museum retrospective titled Joyce J. Scott: Walk a Mile in My Dreams co-organized by the Baltimore Museum of Art and Seattle Art Museum. Also in 2024, Scott opened Bearing Witness: A History of Prints by Joyce J Scott at Goya Contemporary Gallery. Her latest exhibition, Joyce J. Scott: Messages, opened at The Chrysler Museum of Art on February 6, 2025 and will run through August 17, 2025 at the Glass Projects Space. This exhibition is organized by Mobilia Gallery, Cambridge, MA. Says Carolyn Swan Needell, the Chrysler Museum's Barry Curator of Glass: “We are thrilled to host this focused traveling exhibition here in Norfolk at the very moment when Scott's brilliant career is being recognized more widely, through a retrospective of her work that is co-organized by the Baltimore Museum of Art and the Seattle Museum of Art.”  In Messages, 34 remarkable beaded works of art spanning the artist's career express contemporary issues and concepts. Included in the show is Scott's recent beaded neckpiece, War, What is it Good For, Absolutely Nothin', Say it Again (2022). A technical feat in peyote stitch, infused with color and texture, this multilayered and intricate beadwork comments on violence in America. Embedding cultural critique within the pleasurable experience of viewing a pristinely crafted object, Scott's work mines history to better understand the present moment. The visual richness of Scott's objects starkly contrasts with the weight of the subject matter that they explore. She says: “I am very interested in raising issues…I skirt the borders between comedy, pathos, delight, and horror. I believe in messing with stereotypes, prodding the viewer to reassess, inciting people to look and then carry something home – even if it's subliminal – that might make a change in them.”   

If you're curious, confused or overwhelmed when it comes to making prints of your art- we've got you! In this mini episode we get into your different options, our favorite resources and tips to getting prints made with as much ease and success as possible.Also: we made you a digital artist statement writing guide! You'll not only receive a full start-to-finish process on how to start crafting your statement, but how you can break it down and understand it better, too. You can buy that guide for 10 little dollars right ⁠here. ⁠Anddd if you want to snag a snazzy pricing calculator + guide for all of your art pricing needs (prints! licensing! digital work! you name it!) Devon went ahead and made one for you right ⁠⁠here⁠⁠Support the show:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@heywhatareyouworking⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IGFollow the hosts:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@andreaguzzetta⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@speaking_in_rainbows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@devonwalzart⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG

Welcome to Monsters on the Edge, a show exploring creatures at the edge of our reality in forests, cities, skies, and waters. We examine these creatures and talk to the researchers studying them.Joining us on this week's show:Squatch America is the Bigfoot-researching, husband and wife team, Scot and Hannah Violette, combining Scot's and Hannah's expertise in anthropology and sociology research and communication. They are "investigating the unexplained, not explaining the uninvestigated." Their mission is to construct a cultural-behavioral narrative of the hominid species known as "Bigfoot." Scot, a Native American cultural anthropologist, was led into Bigfoot research through his pictograph-analysis work with the Miwok tribe of Northern California. Hannah, a master social worker and human behavioral researcher, supports this research by identifying behavior patterns common to both Bigfoot and humans. Together they've made unique discoveries, had sightings, and are actively teaching the broader community to conduct field research. They travel nationwide and host community town hall meetings to collect encounter reports which are building their pursued cultural-behavioral narrative.Squatch Americahttps://squatchamerica.com/Squatch America Youtubehttps://www.youtube.com/squatchamericaCryptids, Anomalies, and the Paranormal Convetionhttps://www.ticketleap.events/tickets/cryptids-anomalies-and-the-paranormal-society/wisconsin-cryptids-anomalies-and-paranormal-convetionClick that play button, and let's unravel the mysteries of the UNTOLD! Remember to like, share, and subscribe to our channel to stay updated on all the latest discoveries and adventures. See you there!Join Barnaby Jones each Monday on the Untold Radio Network Live at 12pm Central – 10am Pacific and 1pm Eastern. Come and Join the live discussion next week. Please subscribe.We have ten different Professional Podcasts on all the things you like. New favorite shows drop each day only on the UNTOLD RADIO NETWORKTo find out more about Barnaby Jones and his team, (Cryptids, Anomalies, and the Paranormal Society) visit their website www.WisconsinCAPS.comMake sure you share and Subscribe to the CAPS YouTube Channel as wellhttps://www.youtube.com/channel/UCs7ifB9Ur7x2C3VqTzVmjNQ

In this interview with the director and founder of Lily Press and the Printmaking Legacy Project, Susan Goldman shares her passion for printmaking and documentary film making. Susan discusses her journey from discovering printmaking at Indiana University, Bloomington, to founding Lily Press and creating impactful documentaries like Midwest Matrix. She highlights her educational experiences, mentors, and the vibrant printmaking community she's built over time. Goldman also delves into her personal work, her love for screenprinting, and the balance of managing a studio while collaborating with renowned artists like Sam Gilliam. Her current projects include documentaries on Lloyd Menard and Rochelle Toner and exploring the evolution and impact of digital printmaking. Susan's reflections on the importance of documenting printmaking history and incorporating community and teaching into her work provide a comprehensive view of her dedication to the art form. Episode image: Erwin Thamm Midwest Matrix film: https://www.midwestmatrix.info/index.html Printmaking Legacy Project: https://printmakinglegacyproject.org/index.html IG: lily_press_studio IG: goldmansusan Spread from Journal of the Print World on Midwest Matrix. Rudy Pozzatti. Tracey Templeton, Wendy Calman, and Susan Goldman at Indiana University, Bloomington. John Whitesell. Circus, 1981. Three-color lithograph. 19 x 25 in. Published by Normal Editions. Susan Goldman. Squaring the Flower II, #15. Screenprint. 30 x 30 in. Printed and published by Lily Press, Rockville, MD. Installation shot of Susan Goldman's Squaring the Flower, McLean Project for the Arts, McLean, VA. Cory Oberndorfer inspects proofs of Six Frozen Treats (after Dine) at Lily Press, Rockville, MD. Elizabeth Martin Brown working on a Sam Gilliam edition at Lily Press, Rockville, MD. Renee Stout. The Secret Keeper, 2010. Etching. Plate: 7 x 5 in.; sheet: 15 x 11 in. Printed and published by Lily Press, Rockville, MD. Renee Stout working at Lily Press, Rockville, MD.  Viktor Ekpuk. Hip Sista, 2027. Screenprint. 30 x 22 in. Printed and published by Lily Press, Rockville, MD. Victor Ekpuk and Susan Goldman at Lily Press, Rockville, MD. Susan Goldman and Sam Gilliam at Lily Press, Rockville, MD. Dennis O'Neill in the shop at the Corcoran College of Art and Design, Washington, D.C. Lily Press booth at the Baltimore Fine Art Print Fair, 2023. Cory Oberndorfer. Six Frozen Treats (after Dine), 2023. Intaglio. Plate: 10 ¼ x 14 ½ in.; sheet: 21 x 15 in. Printed and published by Lily Press, Rockville, MD. Eve Stockton. Woodland Skyscape. Woodcut with watercolor. Sheet: 36 x 36 in. Printed and published by Lily Press, Rockville, MD. Eve Stockton working at Lily Press, Rockville, MD. Percy B. Martin at Lily Press, Rockville, MD. Photo: Duane Winfield. Lloyd Menard, founder of Frogman's Print Workshops. Rochelle Toner. Boost, 2009. Etching. 12 x 16. Courtesy of the Artist. Rochelle Toner and Susan Goldman filming their interview. Enrique Chagoya. Life at the Border of Language, 2023. Color lithograph. 21 ½ x 36 in. Published by Sharks Ink. Garo Antreasian. Y'es Em, 1991. Four-color lithograph. Sheet: 30 1/8 x 26 ¼ in. Published by Tamarind Institute, University of New Mexico. Leonard Lehrer. Powis, 1972. Lithograph. Sheet: 24 x 18 in. ArtworkArchive.com. Sam Gilliam (American, 1933–2022). 3 PM School Bus, 2018. Screenprint. 18 ½ x 51 ½. Published by Lily Press, Rockville, MD. Sam Gilliam (American, 1933–2022). 4 PM School Bus, 2018. Screenprint. 18 ½ x 51 ½. Printed and published by Lily Press, Rockville, MD. Sangmi Yoo. Common Ground, 2025. Aluminum etching. 20 x 15 in. Courtesy of the Artist. Keiko O'Hara at Lily Press, Rockville, MD.

On this episode we start things off talking about the Snow White remake and the Disney controversy. We then moved along to M Knight Shyamalan and if he's overrated. Big U's RICO case and violence in hip-hop. Jess Hilarious and The Breakfast Club... can two women co-exist without everyone else comparing them? Then we closed the show out with a discussion on R&B being more critical than rap... we've got that and much more. This is Views From The 7!!

A beautiful conversation with Leica user Thibault Gerbaldi about his journey into photography [ instagram : https://www.instagram.com/tg_crossroads/ ] where we talk about Life, Love, and Leica's (C) [The IXVI Network].The Pod: 0:01 : Intro ; 02:35 : France ; 05:30 : When I started Photography ; 17:30 : Emotions ; 25:30 : Prints ; 27:30 : Traveling ; 40:30 : Socials ; 43:00 : Projects ; 58:00 : My recommendations & The importance of LFI ; 1:00:XX : The Final Question.Thibault's recommendations : James Bridges [ instagram : https://www.instagram.com/james.w.bridges/ ]Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ]Podcast Artwork belongs to respective owner and is not the intellectual property of LSPC Podcast. (Copyright image @Thibault Gerbaldi)

Episode No. 698 features artist Alex Da Corte and curator Mark Castro. The Modern Art Museum of Fort Worth is presenting "Alex Da Corte: The Whale," a survey of Da Corte's relationship with painting. Featuring more than 40 works, the exhibition examines Da Corte's interest in consumerism, persona, sex, invisible labor, taste, power, and desire. Curated by Alison Hearst, "Da Corte" will be on view through Sept. 7. A catalogue from MAMFW and DelMonico Books is forthcoming. Amazon and Bookshop offer it for $50-55. Da Corte's work has been the subject of solo exhibitions at MOCA Toronto, the Louisiana Museum of Modern Art outside Copenhagen, MASS MoCA, North Adams, and the Metropolitan Museum of Art, New York. Castro is the curator of "Oaxaca Central: Contemporary Mexican Printmaking" at the Chrysler Museum of Art, Norfolk, Va. Across 100 works, the exhibition surveys recent printmaking practice in Oaxaca, home to a vibrant, activist printmaking community. Artists in the exhibition include Ricardo Pinto, Mercedes López, Dr. Lakra, Colectivo Subterráneos, and Emi Winter. "Oaxaca Central is on view through May 11.

Running a fitness business can feel like a constant challenge, and it's easy to fall into the trap of thinking success should come quickly and effortlessly. I dive into five key factors that can help make your fitness business more profitable, while also offering a refreshing perspective on what real success looks like.I stress the importance of having a strong sense of mission, especially when you're fighting burnout and facing the harsh realities of entrepreneurship. In a world where social media often portrays success as instant, I set the record straight, reminding you that building something meaningful takes time, hard work, and the courage to take risks.If you're ready to build a business that stands out and thrives without losing your mind in the process, these insights are ones you won't want to miss. Be sure to check out the full summary for all the practical tips and key takeaways.

This dual feature episode explores the legacy of Susan Kare, the designer behind the original Mac icons, with guests Amy and Jennifer Hood, the twin creatives behind Hoodzpah, known for their bold branding and empowering creative business strategies._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources / Links:Susan Kare's Prints: kareprints.comSmithsonian ArticleAmy and Jen's Book: Freelance and Business and Stuff by Amy Hood and Jennifer HoodAbout SusanSusan Kare is a graphic designer and pioneering iconographer best known for her work on the original Apple Macintosh in the early 1980s. With a background in fine arts, she had no prior experience in computer graphics when she was hired to design the first digital icons and typefaces for the Mac. Using graph paper and pixel constraints, she created some of the most enduring symbols in tech history, including the Happy Mac, the Command key symbol, and the original Mac fonts like Chicago and Geneva. Her designs humanized technology, making computers intuitive and accessible to non-technical users. After Apple, she continued shaping digital interfaces at NeXT, Microsoft, Facebook, and Pinterest, and today, she serves as a Design Architect at Niantic Labs while selling limited-edition prints of her iconic designs.About Amy & Jen HoodAmy and Jen Hood are the twin sister duo behind Hoodzpah, a Southern California-based branding agency known for its bold, strategic, and personality-driven design work. Since founding Hoodzpah in 2011, they have worked with major brands like Disney, Nike, and 20th Century Fox, creating memorable identities and custom typefaces. Beyond client work, they are passionate about helping creatives build successful careers—they wrote Freelance, and Business, and Stuff, a practical and empowering guide to running a creative business, and have launched resources for designers, including brand identity courses and custom fonts. With a fearless approach to branding and a deep understanding of creative entrepreneurship, Amy and Jen have carved out a distinctive place in the design world while uplifting the next generation of creatives.Amy and Jen's Book: Freelance and Business and Stuff by Amy Hood and Jennifer HoodFollow Amy & Jen:Amy's Instagram: @amyhoodlumJen's Instagram: @thegoodhoodStudio Instagram: @hoodzpahdesignWebsite: hoodzpahdesign.com ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

On this week's episode of the Tiger Bloc Podcast, we're diving deep in the crazy and awesome world of 3D printing firearms with YZY Prints. For those unfamiliar, YZY Prints is a designer of 3D printed firearms, a competitive shooter, and leftist digital content creator. YZY and YPT discuss the history behind 3D printing firearms, the technological advancements made, the current state of the 3D printing community, the impact of this technology, and the value of competition shooting.Host: Soju Operator, John ChinamanGuests: YZY Prints Follow us on Instagram: https://www.instagram.com/yellow_peril_tactical Follow us on Twitter: https://twitter.com/yptactual  Follow YZY Prints on Instagram: https://www.instagram.com/yzy_printsSubscribe to YZY Prints' YouTube channel: https://www.youtube.com/@yzyprintsJoin the 3D Gun Community on Discord: chat.deterrencedispensed.com Resources for 3D printing guns: https://thegatalog.com/  Music credit:Palm Tree Jam by Ronin SaediListen to more: https://viennaundergroundtraxx.bandcamp.com/album/cosmic-conscious https://open.spotify.com/artist/1BxaGq5S5A6Bck2DquttJM 

There's been a lot of buzz about the “death of prints” in photography. But frankly? Prints aren't going anywhere. They may become less popular over time as digital technology continues to proliferate, but there will always be a demand for prints. Why is that? Well, some people argue that prints are the only way to preserve photographs forever—though I would argue that the exact opposite is true. That's because prints degrade with time. No matter what papers, printing methods and archival techniques you choose, there will come a day when your ancient print just isn't salvageable anymore. Digital image files, I would say, will always be around so long as we take care to back them up in multiple places. Particularly images that we make public. Perhaps all of our cloud drives will go by the wayside, and private data there will be deleted, but once it's on Facebook? Podcast Notes: https://www.moneymakerphotography.com/prints-arent-going-anywhere/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Follow me: https://www.facebook.com/Will.Moneymaker https://www.instagram.com/willmoneymaker https://www.youtube.com/@willmoneymaker https://www.flickr.com/photos/willmoneymaker #PhotographyClips #WillMoneymaker #Photography

In this episode, Ann talks with Bryan Raymundo, owner of the Black Fragment Press. They discuss their meeting at the Mid America Print Council conference and Bryan's background, from growing up in Mexico and Kansas to his love for Black Sabbath and printmaking. Bryan reveals his journey into art, inspired by comforting his sick grandmother with drawings, and his challenges in balancing his family's immigrant expectations with his artistic aspirations. They delve deeply into his evolving art practice, the importance of mentors like Marco Hernandez and Jason Scuilla, and his passion for printmaking. Bryan shares his pedagogical philosophy, experiences teaching at the University of Nebraska at Omaha, and future plans to establish a collaborative art studio. The episode encompasses Bryan's personal anecdotes, his admiration for influential artists, and the profound impact printmaking has had on his life and career.   Episode image by Ann Shafer www.bryanraymundo.com IG @raymundo_printmaker Bryan Raymundo (American, born 1993). Home Ain't Home, 2024. Woodcut. 14 x 16 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). The Hare that Met God, 2024. Woodcut. 14 x 16 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). X Sin Nombre, 2023. Etching. 12 x 18 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). My Manic and I, 2023. Etching. 12 x 18 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Only the Strong, 2023. Etching. 12 x 18 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Cold Heavens, 2023. Etching. 12 x 18 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Russian Roulette, 2021. Etching. 12 x 18 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Snuffed, 2017. Etching. 9 x 12 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Birds Calling, 2024. Woodcut. 22 x 30 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Beware of the Rhino Throne, 2024. Woodcut. 18 x 24 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Barking, 2022. Woodcut. 24 x 24 in. Courtesy of the Artist.

Frank adds adds his impression of Visconti Il Magnifico Calacatta Gold at the CA Pen show, discuss reasons causing written ink to fade, reasons for someone's pen decoration to deteriorate, his new machined none-Fountain Pen, and a few new products. Goods discussed:Visconti Il Magnifico Calacatta GoldDocument / Permanent inkRotoSelect: modular EDC storage and display systemNahvalur (Narwhal) Nautilus Fountain Pen - Dreamy NightEdison Collier Fountain Pen - Mermaid's Whisper

In This Episode 0.08 – The thing that holds me back from working on my style is time! Five years of being a full-time caregiver have just ended and I am trying to put my life back together. By necessity, I fell into lots of bad personal care habits and now I would like to…

When building out your manga library, it's important you remember this one piece of advice: nothing is sentimental, so sell it for a profit. What? What, you thought I would give you some uplifting wisdom about how best to collect series or where to spot deals? No no no. Building out your manga collection isn't about enjoying the series you love or anything of the sort. It's about profiting off of series that go out-of-print or are rare to find, forcing those who desperately want to enjoy them to take a second mortgage on someone else's home just to afford them. A monster, you say? Well, if you want the entire Monster series it'll be $750! Satire aside, Frankfurtter and MagicallyAverage talk about those hard-to-find manga series and debate which ones deserve a reprinting. With series coming back as Omnibuses, Perfect editions, and Deluxe editions, its only a matter of time until the scalpers' lose on their bets. I'm looking at you, guy who's selling the complete Mushishi manga set for $1,100...Article in Podcast:https://animecollective.com/how-to-tell-if-a-manga-is-going-out-of-print/---------------------------------------------------------------------------------------------------------------------------Twitch: BakacopodcastTikTok: @bakacopodcastInstagram: @bakacopodcastBlueSky: @bakaco.bsky.socialYouTube: @bakacopodcast---------------------------------------------------------------------------------------------------------------------------#anime #animepodcast #podcast #manga #animenews #animereviews #animepreviews #animerecommendations #mangacollectionSupport this show http://supporter.acast.com/bakacompany-podcast. Hosted on Acast. See acast.com/privacy for more information.

David and Katherine time travel 50 years ago to 1975 in our first Hirschfeld Century Podcast episode of 2025! In a year where Hirschfeld received little work from the New York Times, find out what he was doing throughout the year in films, books, and television, plus a special trip to Japan! For the first time ever, we're simultaneously releasing the Visual Companion to the Hirschfeld Century Podcast! Watch the podcast with all of the drawings and images as we discuss them, exclusively on YouTube! The Al Hirschfeld Foundation is now on Bluesky! Follow us here! Follow along with the show notes to view the works mentioned in this episode: All Over Town, 1975 The Constant Wife, 1975 Chicago, 1975 A Chorus Line, 1975 Represented on Broadway, 1975 The Wiz (Film), 1978 The Rocky Horror Show (Revival), 2000 The Ritz (Film), 1976 Funny Lady, 1975 (Three Versions) The Sunshine Boys (Film), 1975 The Sunshine Boys (Stage), 1972 The Prisoner of Second Avenue (Film), 1975 The Prisoner of Second Avenue (Stage), 1971  Chico and the Man, 1975 Rhoda, 1975 Howard Cosell, 1975 Masterpiece Theatre Drawings Mrs. Warren's Profession, 1975 She Stoops to Conquer, 1975 Macbeth, 1975 IBM Movies to Remember (1977 and 1979) Harlem as seen by Hirschfeld, 1941 For more on Prints, check out Episode 41 - Prints for more information on Hirschfeld's Prints "Rhythm" Print Series, 1970 Lucille Ball with Fur Stole and Purse, 1975 Charlie Chaplin, 1975 W.C. Fields Print, 1975 Jackie Gleason, 1975 Laurel and Hardy, 1975 Buster Keaton, 1975 Marilyn Monroe in Some Like it Hot, Print from 1959 Drawing Mae West, 1975 George and Ira Gershwin, 1990 World Premiere, 1975 Self-Portrait, 1975 Richard Anobile Books: Drat! W.C. Fields Book Cover, 1975 Why a Duck, 1971 "Godfrey Daniels" W.C. Fields in the Barber Shop, 1975 A Fine Mess, 1975 Hooray for Captain Spaulding, 1975 Charlie Award, 1975 Steve Allen Kitty Carlisle Hart Kitty Carlisle Hart USO Woman of the Year, 1975 S.J. Perelman's Eastward Ha!, 1975 Sardi's (with Warner Bros Characters), 1994 Kabuki Series of Prints, 1976 Pacific Overtures, 1976 Sweet Bye and Bye and Westward, Ha! are the focus of Episode 49, Hirschfeld and Perelman Visit our website Visit our shop Like us on Facebook Subscribe to our Youtube Channel   Watch Hirschfeld Moments: Ep.4 - Hirschfeld Draws a Star! Follow us on Twitter Follow us on Instagram HirschfeldHomestyle.com The Hirschfeld Package at The Algonquin Hotel

Welcome to Monsters on the Edge, a show exploring creatures at the edge of our reality in forests, cities, skies, and waters. We examine these creatures and talk to the researchers studying them.Joining us on this week's show:Daniel Lee Barnett is just 15 years old and is a Bigfoot Researcher, Podcaster, Author, Director and Conference Organizer. Daniel, is an autistic teenager with a profound love for cryptozoology, from Bigfoot to the Exmoor Beast, Daniel's passion drives him to explore the outdoors, interview global experts, and delve into the mysteries of cryptids. Supported by his family and professional researchers, Daniel's journey offers a unique lens into the world of cryptozoology. He currently has a documentary that will be released on popular formats in a couple of weeks called My Bigfoot Life and it's about his Bigfoot journey and encouraging people and families to get out into nature. This documentary is being featured at Cannes Film Festival this year as well as the American Film Market and European Film Market. Daniel will also be appearing on upcoming television show “Legend Seekers”.My Bigfoot Life BOOK:https://www.amazon.com/Bigfoot-Life-Daniel-Lee-Barnett/dp/1909488712Mythical Legends Podcasthttps://mythical-legends.yolasite.com/Click that play button, and let's unravel the mysteries of the UNTOLD! Remember to like, share, and subscribe to our channel to stay updated on all the latest discoveries and adventures. See you there!Join Barnaby Jones each Monday on the Untold Radio Network Live at 12pm Central – 10am Pacific and 1pm Eastern. Come and Join the live discussion next week. Please subscribe.We have ten different Professional Podcasts on all the things you like. New favorite shows drop each day only on the UNTOLD RADIO NETWORKTo find out more about Barnaby Jones and his team, (Cryptids, Anomalies, and the Paranormal Society) visit their website www.WisconsinCAPS.comMake sure you share and Subscribe to the CAPS YouTube Channel as wellhttps://www.youtube.com/channel/UCs7ifB9Ur7x2C3VqTzVmjNQ

In this episode with Larry Lepard we discuss: Getting his X account hacked and recent social engineering schemes His cinema-worthy moment standig up in front of centrals bankers at HBS How money printing destroyed the fabric of America His new book, The Big Print and how many more 'prints' our nation can survive Why most people are wrong about politics on both sides The future of Bitcoin as sound money Buy The Big Print: https://www.amazon.com/dp/B0DWKLX9J7?linkCode=ssc&tag=onamzameri07b-20&creativeASIN=B0DWKLX9J7&asc_item-id=amzn1.ideas.3Q6CKLCXBKGSV&ref_=aip_sf_list_spv_ons_mixed_d_asin  ---- Guest Bio: Larry Lepard is the author of the new book, The Big Print. He founded Equity Management Associates in 2006. EMA is an equity investment management firm investing in growing private and public companies around the world. The competitive CrossFit Masters Athlete and former pilot earned his MBA from Harvard and BA in economics from Colgate. Follow Larry on X https://twitter.com/lawrencelepard  ---- Coin Stories is powered by Genius Group (NYSE American $GNS). Genius is a Bitcoin-first business delivering AI-powered education and acceleration solutions for the future of work. Learn more and enter for a chance to win a whale pass to Bitcoin 2025 in Las Vegas: https://www.geniusgroup.ai/coinstories ---- Natalie's Promotional Links:  Bitdeer Technologies Group (NASDAQ: BTDR) is a publicly-traded leader in Bitcoin mining and high-performance computing. Learn more at www.bitdeer.com  Secure your Bitcoin with collaborative custody and set up your inheritance plan with Casa: https://www.casa.io/natalie  For easy, low-cost, instant Bitcoin payments, I use Speed Lightning Wallet. Get 5000 sats when you download using this link and promo code COINSTORIES10: https://www.speed.app/sweepstakes-promocode/ River is where I DCA weekly and buy Bitcoin with the lowest fees in the industry: https://partner.river.com/natalie  Safely self-custody your Bitcoin with Coinkite and the ColdCard Wallet. Get 5% off: https://store.coinkite.com/promo/COINSTORIES Master your Bitcoin self-custody with 1-on-1 help and gain peace of mind with the help of The Bitcoin Way: https://www.thebitcoinway.com/natalie Bitcoin 2025 is heading to Las Vegas May 27-29th! Join me for my 4th Annual Women of Bitcoin Brunch! Get 10% off Early Bird passes using the code HODL: https://tickets.b.tc/affiliate/hodl/event/bitcoin-2025   Protect yourself from SIM Swaps that can hack your accounts and steal your Bitcoin. Join America's most secure mobile service, trusted by CEOs, VIPs and top corporations: https://www.efani.com/natalie  Connect with Bitcoiners and Bitcoin merchants wherever you live and travel on the Orange Pill App: https://signup.theorangepillapp.com/opa/natbrunell ---- This podcast is for educational purposes and should not be construed as official investment advice. ---- VALUE FOR VALUE — SUPPORT NATALIE'S SHOWS Strike ID https://strike.me/coinstoriesnat/ Cash App $CoinStories

In this episode of Platemark, Ann sits down with Angelina Lippert, a poster historian and the curator and director of Poster House, to discuss the inception and growth of the first museum in the U.S. dedicated exclusively to the art and history of posters. They talk about what makes posters and fine art prints the same and different. And they discuss the challenges and processes of acquiring, preserving, and showcasing posters, the historical and cultural significance of early advertising posters, and the often-overlooked artistry involved in their creation.  Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook Poster House website https://posterhouse.org/ Poster House IG @posterhousenyc   Poster House façade on 23rd Street. Courtesy of Poster House. Poster House's lobby/café. Photo by Elizabeth Berger. Max Beckmann (German, 1884–1950). Actors, 1941–42. Oil on canvas. Overall: 207.3 × 341.9 × 6.4 cm. (81 5/8 × 134 5/8 × 2 1/2 in.). Harvard Art Museums, Cambridge. Henri de Toulouse Lautrec (French, 1864–1901). The Jockey, 1899. Lithograph. Sheet: 51.7 × 36.3 cm. (20 3/8 × 14 5/16 in.). National Gallery of Art, Washington, D.C. Posters from Maîtres de l'Affiche, 1895–1900. Lithographs. Inter-Antiquariaat Mefferdt & De Jonge, Amsterdam. Pierre Bonnard (French, 1867–1947). L'Estampe et l'affiche, 1897. Lithograph. Sheet: 32 11/16 × 24 3/16 in. (83 × 61.5 cm.). Metropolitan Museum of Art, New York. Pierre Bonnard (French, 1867–1947). France-Champagne, 1891. Lithograph. Image 78 x 57.8 cm.; sheet 79.4 x 58.8 cm. National Gallery of Australia, Canberra. Dawn Baillie (American, born 1964). Movie poster for The Silence of the Lambs, 1991. Lithograph. Poster House, New York. Henri de Toulouse Lautrec (French, 1864–1901). Moulin Rouge: La Goulue, 1891. Lithograph. sheet: 74 13/16 x 45 7/8 in. (190 x 116.5 cm.). Metropolitan Museum of Art, New York. A.M. Cassandre (French, born Ukraine, 1901–1968). Nord Express, 1927. Lithograph. 41 3/8 x 29 1/2 in. (105.09 x 74.93 cm.). Minneapolis Institute of Arts, Minneapolis. Paula Scher (American, born 1948). The Diva is Dismissed, 1994. Lithograph. 46 x 30 1/8 in. (116.8 x 76.5 cm.). Museum of Modern Art, New York. Dafi Kühne (Swiss, born 1982). Tunnel III, 2023. Letterpress and linocut. 70 x 100 cm. Typographic Posters. Winston Tseng. Kamala, 2024. Lithograph. Courtesy of Winston Tseng's IG account. Nike. The Best on Earth/The Best on Mars, 1989. Lithograph. Courtesy of Poster House. Boris Bućan (Croatian, born Yugoslavia, born 1947). Voltaire: Candide, 1983. Lithograph. Courtesy of Poster House. Lester Beall (American, 1903–1969). Light/Rural Electrification Administration, 1937. Lithograph. Courtesy of Poster House.

A beautiful conversation with Mark Fearnley about his journey into photography [ instagram : https://www.instagram.com/mark.fearnley/ ] where we talk about Life, Love, and Photography (C) [The IXVI Network].The Pod: 0:01 : Intro ; 03:30 : Art & Photography ; 18:00 : Workshops ; 21:00 : Prints ; 33:00 : My Process ; 36:00 : Projects ; 45:00 : Advice to students ; 1:02:XX : Inspiration ; 1:04:XX : My recommendations ; 1:05:XX : The Final Question.Mark's recommendations : Matt Hall [ instagram : https://www.instagram.com/the13thsecond/ ] ; Craig Whitehead [ instagram : https://www.instagram.com/sixstreetunder/ ] ; Josh Jack [ instagram : https://www.instagram.com/joshkjack/ ] Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ]Podcast Artwork belongs to respective owner and is not the intellectual property of LSPC Podcast. (Copyright image @mark.fearnley)

HT2173 - Pens, Pencils, and Signing Your Prints Here's a topic I'll bet 99% of photographers have not thought much about. What instrument do you use to sign your prints? Pen? Pencil? Does it make a difference? Actually, I think it does.

Want to steal my Objection Handling Cheat Sheet? ⁠⁠⁠Click here. ⁠⁠⁠Key points from my sales script that works... guaranteed: Bring up the most common concerns before they do - “You probably already have a company… “ When to Name Drop - the sooner the better. “I know every home is different, but for you… “ Bug confessions - get a couple and drill into it a little before getting into your service/offer “That's exactly why I'm here” “Ya know how…” - create engagement during your service monologue Get all your normal pricing out of the way first.. Then end on the discount.  Close with - “And I didn't ask, my name is Tyler what is yours?” “Adding ancillary services to your pitch” - unless you bill monthly pitch these after they've signed their general pest agreementHope you enjoy. Connect with Tyler Evertsen: ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠tryd2dsales.com⁠

This podcast covers episodes 11,489 to 11,494. Leanne is released from custody but finds herself strangely alone. While Carla prepares for her kidney transplant, Swain discovers that Rob and his prison guard are in cahoots. Mason gets a funeral after all, with Tim realizing that he and Sally were one of a small number of people who cared. Kev mollycoddles Abi as he prepares to receive the results of his testicular cancer tests. Bethany gets one last dig in at Daniel before heading back to That London. Gemma makes a new friend but unbeknownst to Chesney, she and her husband are already known to him. With David the prime suspect for deliberately burning down number eight for the insurance money, the actual culprit is revealed. Shona regrets buying that hoodie. Dev disappears to India. No one throws anything at Toyah.

Intuitive artist Heather Eck shares her journey of connecting spirituality with art. From her early curiosity about the universe to her transformative experiences in a corporate job, Heather discusses how spirit guided her to embrace her artistic gifts. She explains her unique process of creating spirit portraits, which involve channeling colors and energies to provide healing and insight. The discussion also delves into the significance of colors in personal growth and healing, emphasizing the importance of love and self-acceptance. Heather encourages listeners to pay attention to the colors they are drawn to, as they can reveal deeper messages about their emotional and spiritual needs. HEATHER ECK is a multimedia abstract artist and writer. An intuitive artist and painter, Heather interprets people, places, and experiences through color, a condition known as synesthesia. Like an enormous box of crayons, her gift operates by categorizing through intricate but specific shades of color.  While this condition enables her to experience color, she responds to these encounters with people, things, emotions, and spaces by understanding the particular shade of experience that a person dwells in. She uses her gift to detect the most healing color for them to remedy their wounds. Guided by the chakra system and inspired by spirituality and the mysteries of the universe, Heather transforms these vibrant energies into captivating paintings that uplift, inspire and, ultimately, heal.  Each canvas becomes a symphony of color and emotion, a visual representation of the unseen connections that weave through our lives. Heather's work is more than art; it's a medium of healing, a testament to the profound influence of color on our well-being. Connect with Heather  Instagram www.instagram.com/heathereckartist Facebook: www.facebook.com/heathereckartist Youtube: www.youtube.com/@heathereckartist  Prints & Products: www.heathereckstudios.com Web: www.heathereck.com Show Offer: For Heather's freebies, a complimentary 15-minute color consultation, and 25% off Spirit Portraits, go to:https://heathereck.com/thankyou She'd love to connect with you on LinkedIn:https://www.linkedin.com/in/heathereck/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Proxies and Prints and Podiums oh my!Support the show

#SPACEX: Starlink prints cash. Bob Zimmerman BehindtheBlack.com 1958

The Ruiz brothers are back this week @adafruit Checking out Pedro's toddler timer learn guide. Prototyping new enclosures for new fans in the shop to make DIY fume extractors. More SLA resin cases in the works! Highlighting projects from the community. Timelapses this week feature two models celebrating Valentine's Day. Learn Guide https://learn.adafruit.com/toddler-timer Toddler Timer Video https://youtu.be/kSelspd75w0 QT Py RP2040 https://www.adafruit.com/product/4900 OLED Display https://www.adafruit.com/product/938 Rotary Encoder STEMMA QT https://www.adafruit.com/product/5880 Timelapse Tuesday Flexy T-Rex Heart Remix By Ethanmake thingiverse.com/thing:5823370 https://youtu.be/tYKmQoDbTf0 Kawaii Cat Valentine By Salvadori https://makerworld.com/en/models/1005325 https://youtu.be/oMWQ5ggYZTw Community Makes https://www.printables.com/model/1180677-emitterspommelshilts-for-rp2040-lightsaber https://www.instagram.com/reel/DFgjLVZx88T/?igsh=MWg4eDhmY2d2dWRnYw== https://www.printables.com/model/1172586-weller-wlir3012a-soldering-iron-heat-set-insert-pr https://www.printables.com/model/1173100-heat-set-insert-tool-for-model-3-drill-press

In this episode, Arianna Ray joins me in conversation about the history of representations of Africans in early modern prints within the Dutch Atlantic. Arianna is a PhD candidate in art history at Northwestern University and a current Fulbright Fellow based in the Netherlands. She specializes in early modern Northern European prints in a global context with a particular interest in materiality. Her dissertation, “Paper Skin: Printing Blackness and Materializing Race in the Early Modern Dutch Atlantic,” investigates how the color binary inherent to printmaking epidermalized race in engravings, etchings, and mezzotints of African Diasporic peoples. 

In this episode of Platemark, Ann talks with Susan Dackerman, a curator and art historian specializing in Northern European print culture. They discuss Susan's recent book, Dürer's Knots: Early European Print and the Islamic East, which looks at the artist's relationship to the Islamic world, revealing groundbreaking insights about the intersection of early modern printmaking and contemporary history.  Susan's book covers three of Dürer's prints or print series. The first section looks at The Sea Monster (Das Meerwunder), c. 1498, and postulates that it chronicles the return to Venice of Caterina Cornado following her forced abdication as the last queen of Cyprus in 1489. Susan pieces together the narrative, which often claims to be about the abduction of a woman on the fins of Neptune. The second section looks at a series of six woodcuts Dürer made to mimic the designs of silver inlay found in Mamluk brass bowls. Susan has an intriguing theory about the Knots's connection to a set of engravings by none other than Leonardo da Vinci. The final section looks at the iron etching Landscape with a Cannon, 1518, and answers the question why make this image as an etching rather than an engraving. The book challenges traditional narratives and recasts Dürer's prints that reference the Islamic East as much more nuanced and reflective of contemporaneous history. Susan's book is clear, concise, and thoughtful, and well worth the read. Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook Susan's IG https://www.instagram.com/susanmdackerman/ Susan Dackerman. Dürer's Knots: Early European Print and the Islamic East. Princeton, NJ: Princeton University Press, 2024. https://press.princeton.edu/books/hardcover/9780691250441/durers-knots?srsltid=AfmBOoo2o2yjJJeOlkdsXIURAOdx595jWpEKkUllE8jpzXRidPeYLEG8 Susan Dackerman. The Painted Print: The Revelation of Color. University Park, PA: Penn State University Press, 2002. https://www.psupress.org/books/titles/0-271-02234-5.html Albrecht Dürer (German, 1471–1528). Sea Monster (Das Meerwunder), c. 1498. Engraving. Sheet (trimmed to platemark): 24.7 x 18.8 cm. (9 3/4 x 7 3/8 in.). National Gallery of Art, Washington, D.C. Albrecht Dürer (German, 1471–1528). The First Knot (with a heart-shaped shield), probably 1506/1507. Woodcut. National Gallery of Art, Washington, D.C. Albrecht Dürer (German, 1471–1528). The Third Knot (with a black circle on a white medallion), probably 1506/1507. Woodcut. National Gallery of Art, Washington, D.C. Albrecht Dürer (German, 1471–1528). The Sixth Knot (combining seven small systems of knots with black centers), probably 1506/1507. Woodcut. National Gallery of Art, Washington, D.C. Attributed to Leonardo da Vinci (Italian 1452–1519). The Fifth Knot (Interlaced Roundel with Seven Six-pointed Stars), c. 1498. Engraving. Plate: 10 3/8 × 7 13/16 in. (26.4 × 19.8 cm.). Metropolitan Museum of Art, New York. Albrecht Dürer (German, 1471–1528). Landscape with the Cannon, 1518. Etching (iron). Sheet (trimmed to image): 21.9 × 32.2 cm. (8 5/8 × 12 11/16 in.). National Gallery of Art, Washington, D.C.  

Have you ever seen strange footprints in the snow? Ones made from a long, large foot and having three bulky, square-ish toes? If not, you may have known someone who has seen such a phenomenon. Known to be particularly active on snowy days, "Leaping Devils" or "Winter Bigfeet" make their visits known by leaving these strange tracks. They are a type of bigfoot only found in West Virginia.CREDITSThis public broadcast is made possible thanks to these BCWPA Agents: Brandon Ruch, Colten Williams, Daniel Berry, Donovan Scherer, Kimberly Nichols, Layla Leutwyler, Madelynn ODell, Matthew Schang, Pyper Wilson, Lenin Roman, Ronald Miller, PHouseGames, Anthony Ferries, Dandan, Fox & Brambles, Jim Walke, Claire, Hallesy, Heather, HELGA, Kris Mitchell, Kylie Reed, Rick Belcher, Cryptid Clyde, T. Carter Ross, Agus Mercado, Ead Daniels, Elizabeth Lukjanczuk, Shelby Fulton, Veronica Mulvaney, Zodiac Gaming Industry, Mr. Blue Sky  NOTEIn the Field and its free, public broadcasting are fictional and for entertainment only. Real life stories and events have been altered for storytelling; real life stories, myths, and legends are well-researched for each episode. Send the BCWPA a message!This is a notification from the BCWPA Agent Opportunity System. The Ballyraven Outpost will be conducting research on MARCH FIRST AND SECOND..... The Ballyraven and assistant will be at the... HILTON GARDEN INN CONVENTION CENTER in LOVELAND OHIO to conduct research on the OHIO SPECIMENS: LOVELAND FROGMAN, THE WILDMAN OF ENON, THE INCREDIBLE OCTOMAN, and the OHIO GRASSMAN. They will also be teaching local humans how to better prevent cryptid emergencies and peacefully coexist. Support the showDo you have a story, sighting, or piece of folklore to share? Visit our office.Grab a cryptid study, visit the Ballyraven store.

What started as a creative outlet, became a safe place to turn to as life became tumultuous. Needing more control of their lives, Angie and her husband Jeff dove head first into getting High Desert up to altitude, and they haven't looked back. Topics of discussion include: An unusually busy January, finding business mentors, tracking your AOV, used equipment issues, visiting other shops, hiring family members, the Misogi challenge, treadmill trucks, and handwritten letters.

Originally Aired January 13, 2025: Dr. P Jesus answers health questions. Sober surfing. Everything you've ever wanted to know about French kissing Brad Ruiter. Listen & subscribe to the show on Apple Podcasts, Spotify or Amazon Music. For more, visit https://www.93x.com/half-assed-morning-show/Follow the Half-Assed Morning Show:Twitter/X: @93XHAMSFacebook: @93XHAMSInstagram: @93XHAMSEmail the show: HAMS93X@gmail.com See omnystudio.com/listener for privacy information.

“He's a master of disguise, okay?” - Steve on our New Year's killer On our final episode of 2024, we welcome Stuart Wellington of The Flophouse podcast on the show to chat about the fairly fun holiday slasher, New Year's Evil! How great are these long-forgotten bands playing on stage? Would you watch this sleazy, locally broadcast New Year's Eve special? How funny is this killer trying to juggle all his audio equipment in that phone booth? Could our Mr. Evil have looked around for a more believable fake mustache? Was there ever a more handsome 80s slasher than this fella? And when did this guy become an elevator expert? PLUS: Hey, Happy New Year!  New Year's Evil stars Roz Kelly, Kip Niven, Chris Wallace, Grant Cramer, Louisas Moritz, Jed Mills, Anita Crane, and Taaffe O'Connell as Jane; directed by Emmett Alston. This holiday season, make the Official WHM Merch Store your one-stop shop for all your holiday needs! T-shirts? Prints? Phone cases? Stickers? We got it all! Head over to our Tee Public shop and check it out today! From December 1, through the entirety of 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Original cover art by Felipe Sobreiro.

“The answer to almost all questions we're gonna ask here is: it's Florida” - Chris, on the Ernest-related insanity in this movie On this special Christmas Eve episode, we're chatting about the silly Christmas cult fave, Ernest Saves Christmas! Why did this old Santa wait so long to give up his Santa power? What's with Ernest hiding that “Keep the CHRIST in Christmas” bumper sticker in his glove box? Should Ernest even have a driver's license? Is Santa sad over the fact his home country of Prussia dissolved in the late 1940s? And should this teen girl really be sleeping over at Ernest's bungalow? PLUS: Ernest criticizes the Jedi's bad human trafficking habits!  Ernest Saves Christmas stars Jim Varney, Oliver Clark, Noelle Parker, Gailard Sartain, Billie Bird, Bill Byrge, Robert Lesser, and Douglas Seale as Santa; directed by John Cherry. This holiday season, make the Official WHM Merch Store your one-stop shop for all your holiday needs! T-shirts? Prints? Phone cases? Stickers? We got it all! Head over to our Tee Public shop and check it out today! From December 1, through the entirety of 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Original cover art by Felipe Sobreiro.

Darkness Syndicate members get the ad-free version. https://weirddarkness.com/syndicateInfo on the next LIVE SCREAM event. https://weirddarkness.com/LiveScreamInfo on the next WEIRDO WATCH PARTY event. https://weirddarkness.com/TVEpisode 10 of 12 in the #12NightmaresOfXmas series!In this episode: “Mrs Pickman's Ghost”, “Haunts of Hartland”, “The Things We Do For Love”, “The Christmas Rosebush”, “Please Help”, “Footprints In The Snow”, “The Chicken Ghost”SOURCES AND ESSENTIAL WEB LINKS…All stories in this episode are from the book, “The Spirits of Christmas: The Dark Side of the Holidays” by Sylvia Shults: https://amzn.to/3uT2vMA= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness theme by Alibi Music Library. Background music provided by Alibi Music Library, EpidemicSound and/or StoryBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ) Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and Nicolas Gasparini (https://tinyurl.com/lnqpfs8) is used with permission of the artists.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =WeirdDarkness® is a registered trademark. Copyright ©2023, Weird Darkness.https://weirddarkness.com/barefoot-prints-in-snow/

“This is gooning for people who like nice stuff.” - Chris  On this week's holiday episode, we're chatting about the Christmas snooze, The Holiday! Is this considered a Christmas classic? Why couldn't we just have one of these storylines instead of both of them vying for movie supremacy? How little romantic chemistry do Kate Winslet and Jack Black have with one another? Besides The Talented Mr. Ripley, has Jude Law been any more handsome than this movie? Why did Nancy Meyers put so little detail and conflict in this screenplay? How humiliating is it when they make Kate Winslet do all that Jack Black-style scatting? PLUS: The guys wish to party with the great Hans Zimmer after one of his big-ass rock concerts!  The Holiday stars Cameron Diaz, Kate Winslet, Jude Law, Jack Black, Edward Burns, Rufus Sewell, Shannyn Sossamon, Bill Macy, Shelley Berman, Kathryn Hahn, John Krasinski, and Eli Wallach as Arthur; directed by Nancy Meyers. This episode is sponsored in part by Rocket Money! Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to RocketMoney dot com slash WHM today. That's RocketMoney dot com slash WHM. RocketMoney dot com slash WHM! This holiday season, make the Official WHM Merch Store your one-stop shop for all your holiday needs! T-shirts? Prints? Phone cases? Stickers? We got it all! Head over to our Tee Public shop and check it out today! From December 1, through the entirety of 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Original cover art by Felipe Sobreiro.