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In this episode of the Platemark, I interview Mike Stark, the co-founder and owner of Stark Press Company. The New Jersey-based company, run by Mike and his brother Tom, builds new presses, services old presses, and aids in moving them. They often collaborate with Perry Tymeson, a legendary press repairman. Mike shares insights into designing new presses, managing a small business, and balancing creative work. We talk about studying print media at SAIC in Chicago and establishing Stark Press. We talk about his experiences in moving heavy presses, sometimes in challenging conditions, and the special bonds within the printmaking ecosystem. www.starkpressco.com @iammikestark @pinklinepress @starkpressco Mike Stark and Tom Stark, Stark Press Company. Perry Tymeson, Suitcase Press. Keegan Mills Cooke and Daniel Gardiner Morris helping with a move. Mike Stark printing. Stark Press Company's 1224 etching press. Mike Stark. Perry Tymeson. Laser cut relief. Pink Line Press. Mike Stark. Laser-cut relief. Pink Line Press. Tom Stark, Mike Stark, and Kevin McGauran. Keegan Mills Cooke and Daniel Gardiner Morris helping with a move. Moving a Vandercook press in 2017. Moving a Vandercook press in 2025. Sending a Vandercook Press out a window. Praga Press flying high above. Moving a Vandercook Press using a crane. Mike Stark. The Beatings Will Continue Until Morale Improves. Laser-cut letterpress. Pink Line Press. Mike Stark's laser-cut letterpress plate inked up and ready for printing. Paper beater.
In this Episode 0:08 I struggle with smart casual dressing and I want to have more confidence and feel good. 5:18 I find prints tricky, I'm not sure about finding my preferred shapes and colours when current trends don't reflect them. My daughter says I should just wear solid colours and neutrals, but I like…
Gerald Sparrow says he's positive on the markets because of inflation prints, saying that the current bull run could run through the end of 2025. He adds that tax cuts could be another catalyst for investors. Gerald does say a reverse of any tariff gains or returned uncertainty on policy could be an impediment to any upward move. He discusses stock picks including Booking (BKNG), Okta (OKTA) and Docusign (DOCU).======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/About Schwab Network - https://schwabnetwork.com/about
ORDER TODAY Also available on throw blankets, pillows, tops, tees, iPhone cases, and much more! *Redbubble has discounts when purchasing multiple items and also gives 10%-20% discounts on a regular Continue Reading Read more on this topic: Gifts: A bee gathering on purple coneflower Products from Douglas E. Welch Design and Photography [Shopping] New Design: Trichocereus Cactus Flower Products [Shopping] New Design: Vintage Blue Passion-flower Prints and other products [Shopping] In The Neighboood: Trichocereus Catus Flower, North Hollywood, California [Prints and More Available] Flowering Now: Azaleas 6 [Photography]
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Episode 126 - Inside the BFI National Archives - Film on Film Festival - Special EpisodeFor this early release of the podcast, I'm taking you behind the scenes at the BFI National Archive in Berkhamsted. The reason for the early drop? Tickets for the BFI's excellent Film on Film Festival go on sale to the public tomorrow, 9th May 2025, and I wanted to give you a bit of insight into what makes this event so special. The Film on Film Festival runs from the 12th to the 15th of June and is dedicated entirely to screenings on physical film – from 35mm to 16mm, and even nitrate. It's a rare opportunity to experience films as they were originally shown, in all their analogue glory. While at the archive, I spoke with several of the experts who help make the festival possible and who work daily to preserve the history of cinema. You'll hear from:James Bell – Senior Curator of Fiction and Programme Director, Film on Film FestivalChris Stenner – Film Laboratory LeadSonia Genaitay – Curatorial ArchivistMartin Coffill – Projectionist and QCDavid Jones – Film Scanning LeadA huge thanks to Kieron Webb and Sarah Bemand for organising the day. It was a real privilege to explore the archive, meet the people who keep the machines running and the prints in circulation, and to share it all with you here. If you're attending the festival on the 12th, please do let me know and be sure to say "hi".BFI Film on FilmAll my links
100 years ago this week, the New York Public Library opened a special collection at its 135th Street branch in Harlem called the Division of Negro Literature, History and Prints, now known as the Schomburg Center for Research in Black Culture. On May 8, the Schomburg Center opens a new exhibition, "100: A Century of Collections, Community, and Creativity." Director Joy Bivins discusses the history of the Center, Arturo Schomburg's legacy, and plans for the centennial celebration.
In this episode of Platemark, I talk with Mae Shore, a collaborative printer and owner of Shore Publishing in Tuxedo Park, New York. Mae shares her experiences working at Pace Editions with notable artists like Jim Dine and Chuck Close. She discusses the history and evolution of her gallery and print shop, which she established to merge her love for printmaking and curating exhibitions. Mae touches upon specific projects, such as her collaborations with artists like Amy Bennett, Kamrooz Aram, and Katia Santibañez and James Siena, detailing the unique processes and challenges in creating prints. The conversation also highlights the importance of print fairs, the nuances of printmaking, and Mae's backstory growing up in New York City's SOHO and Tribeca neighborhoods. Mae's reflections offer a compelling glimpse into the meticulous, collaborative, and often experimental world of printmaking. Episode image: Greg Dohler Amy Bennett (American, born 1977). Clearing, 2022. Linocut and pochoir on Magnani paper. Image: 3 3/4 x 5 in.; sheet: 12 1/4 x 12 1/2 in. Printed and published by Shore Publishing. Amy Bennett (American, born 1977). Site, 2025. Linocut. Sheet: 22 x 27 in.; image: 16 1/2 x 22 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #21, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #2, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #3, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #4, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #5, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Katia Santibañez (American, born France, 1964). Sailing Alone, 2014. Reduction linocut in 6 colors on Rives BFK. Image: 20 x 16 in.; sheet: 27 x 22 in. Printed and published by Shore Publishing. Katia Santibañez (American, born France, 1964). Floating In My Mind, 2015. Reduction linocut in 6 colors on Hosho. Image: 14 x 11 in.; sheet: 19 1/2 x 16 in. Printed and published by Shore Publishing. Glenn Goldberg (American, born 1953). There (1-3), 2014. Suite of three prints, photo relief, collagraph, linocut and pochoir on Rives BFK paper. Sheet (each): 12 1/2 x 16 ¾ in.; image (each): 6 x 12 in. Printed and published by Shore Publishing. Katia Santibañez (American, born France, 1964) and James Siena (American, born 1957). Triplebarb Whirler, 2022. Reduction woodcut in 6 colors on Rives BFK paper. Image: 22 1/2 x 18 in.; sheet: 28 3/4 x 23 1/2 in. Printed and published by Shore Publishing. William Villalongo (American, born 1975). Vitruvian's Daughter, 2014. Woodcut, linocut, and pochoir on Hosho white paper. Sheet: 22 x 22 in. Printed and published by Shore Publishing. Yasu Shibata (American, born Japan, 1968). 4 Squares Within a Square, 2022. Japanese woodcut on Kizuki paper mounted on Western paper. Sheet: 30 x 30 in. Printed and published by Shore Publishing. Mae Shore and Brad Ewing in their booth at the Baltimore Fine Art Print Fair, March 2022.
Prints, proof and a pair of killers: how fingerprints left their mark
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Why are dogs considered man’s best friend? To find the answer, we tell some stories about how dogs have entered our lives…and the paw prints they’ve left behind.Support the show: https://redpilledamerica.com/support/See omnystudio.com/listener for privacy information.
Formula 1 engineer Gabe Elias got bored designing cars for Mercedes. Using his experience on the championship team he's created a manufacturing method to 3D print batteries of any size, shape, and chemistry. Will the investors be charged for this innovation or will Gabe get sent back to the paddock? This is The Pitch for Material. Featuring investors Mark Phillips, Paige Doherty, and Will Weisman. ... Watch Gabe's pitch on YouTube (@thepitchshow) and Patreon (@ThePitch) Subscribe to our public email newsletter: insider.thepitch.show Join our private investor community on Substack: thepitch.fund Register for the Season 13 Finale Watch Party: pitch.show/party *Disclaimer: No offer to invest in Material is being made to or solicited from the listening audience on today's show. The information provided on this show is not intended to be investment advice and should not be relied upon as such. The investors on today's episode are providing their opinions based on their own assessment of the business presented. Those opinions should not be considered professional investment advice. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Whip was in the room with a local Chicago celeb and didn't know it, we heard an insane story about a woman who thought she'd be maid of honor but wasn't even invited to the wedding, and Whip takes the Office Space bat to...something for today's Whip's Hot Take. Plus, we're back doubling paychecks tomorrow so make sure you get signed up at the link below! Catch up on everything you missed from today's show on The Morning Mix Podcast!Follow The Mix: The MixstagramGet Your Paycheck Doubled: Sign Up Today!Get the Free MIX App: Stream The MixSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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HT2240 - Prints Throughout the Day As the sun crosses the sky, the light in our house changes dramatically. This is one of the primary reasons why I like to live with a print for a while before I am done with it. On many occasions as the light has changed I realized the print is slightly too dark or slightly too light. Art should live well over time, but the only way we'll know that is if we observe it over time. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!
HT2237 - Art-sized Prints How large does a print need to be in order to be considered artwork? Snapshots are usually pretty small, 4x6" or so. If we make a 5x7" is that big enough to be considered artwork? 8x10"? Why do photographers so readily consider size of function of the seriousness of artwork? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!
On this week's show: A profile of artist Ian Cozzens. Cozzens moved to Providence in 1999, and quickly started making screen prints for bands, art gallery shows, and community events. He also documented the buildings of Providence, using his architectural training to depict a half-demolished mill in Eagle Square and the three smokestacks of a power station on the Providence River. Since then, he moved on to screen prints depicting a single word, including “dissonance” and “QUEERS!” His latest installation at Angell Street Galleries is called “Reality.” Also, Barnaby Evans and Emily Gray from WaterFire Providence remember the life and work of Rhode Island painter Gretchen Dow Simpson. On this week's show: A profile of artist Ian Cozzens. Cozzens moved to Providence in 1999, and quickly started making screen prints for bands, art gallery shows, and community events. He also documented the buildings of Providence, using his architectural training to depict a half-demolished mill in Eagle Square and the three smokestacks of a power station on the Providence River. Since then, he moved on to screen prints depicting a single word, including “dissonance” and “QUEERS!” His latest installation at Angell Street Galleries is called “Reality.” Also, Barnaby Evans and Emily Gray from WaterFire Providence remember the life and work of Rhode Island painter Gretchen Dow Simpson.
Hour 3 of A&G features... Andrew "Art" Arthur talks to Joe Getty! Did JD Vance kill the Pope? A new level of anger & Harvard Hysteria! Market dip & Trump is not firing Jerome Powell See omnystudio.com/listener for privacy information.
Hour 3 of A&G features... Andrew "Art" Arthur talks to Joe Getty! Did JD Vance kill the Pope? A new level of anger & Harvard Hysteria! Market dip & Trump is not firing Jerome Powell See omnystudio.com/listener for privacy information.
In this episode of Platemark, I talk with Michael Verne, the owner of the Verne Collection in Cleveland, Ohio. Mike's gallery specializes in contemporary Japanese art and works by American artists residing in Japan. We talk about the challenges and rewards of running a small gallery amid larger competitors, and the importance of finding and promoting new artists. Mike shares insights about his journey in the art world, from his childhood surrounded by art to becoming a successful gallerist without a formal art education. He recounts various personal anecdotes, including his experiences at art fairs and his unorthodox methods for discovering and showcasing artists. Mike also highlights the significance of personal relationships and passion in his business. Listeners are encouraged to visit the Verne Collection and explore the fascinating world of contemporary Japanese art. Daniel Kelly (American, born 1947). Crackpot, 2022. Woodblock print and gold leaf with chine collé. 64 x 88 cm. Courtesy of the Artist. Sarah Brayer (American, born 1957). Luminous Moon. Aquatint and chine collé with phosphorescent pigment on indigo-dyed Mulberry paper. 24 x 33 in. The Verne Collection. Yuko Kimura (Japanese, born 1968). Map of the World: Yochishiriyaku. Etching, monotype, thread, antique Japanese geography textbook pages (Yochishiriyaku) from the Meiji period. 8 ¾ x 6 3/4 in. The Verne Collection. Photo: Will Slabaugh. Katsunori Haminishi (Japanese, born 1949). Canola Flowers Field, 2022. Mezzotint triptych. Sheet: 30 x 59 in.; image: 27 x 53 in. Verne Collection. Joel Stewart (American, born 1959). Inside Out, 2003. Aquatint. Sheet: 42 ½ x 34 ½ in. Tolman Collection.
This week is the 250th anniversary of the birth of JMW Turner, so we are playing back our show on one of the greatest landscape artists of all time.Joining Patrick is Charlotte Topsfield, Prints & Drawings Curator, National Galleries of Scotland; Anne Hodge, Curator of Prints & Drawings, National Gallery of Ireland; and Niamh McGuinne, Paper Conservator, National Gallery of Ireland.
Good Friday- Footsteps and Nail Prints- Andrew Fulton by Oneida Gospel Church
What if your next collection didn't require starting from scratch?In this episode, we're exploring a mindset shift that could change the way you approach your portfolio, your pitch, and even your creative process.Instead of chasing new ideas, Leslie invites you to look inward—to revisit the sketches, motifs, and half-finished prints that may already hold the clarity, connection, and style you've been looking for.You'll learn:Why constantly creating new art can become a form of avoidanceHow to recognize the value in work you've already madeA simple way to organize and re-engage with your “creative backlog”What buyers actually respond to—and why your existing work might already be readyHow to refine, recolor, and reposition your prints to make them pitch-readyThis episode is your reminder that you don't always need more art—just more intention.
Andrew Breen, CEO of Prints of Love and Partner at Buy Build Fund, a seasoned entrepreneur and educator, believes in the power of observing user interactions to uncover the subconscious value people place on products, thereby driving strategic decisions beyond mere spreadsheet analysis. His experience reflects advocacy for addressing often-overlooked value risk and emphasizes the necessity of understanding both emotional and social values in product management. By challenging assumptions and focusing on customer needs, he highlights the importance of understanding both functional and emotional aspects of products, demonstrating how emotional benefits can strongly appeal to consumers and influence behavior. Resources Visit Buy Build Fund where Andy partners with investors and business owners Explore Prints of Love, where he serves as Board Member & CEO Connect with Andrew Breen on LinkedIn Follow Andy Breen on X Follow Holly on LinkedIn Visit the Product Science Group website Explore Product Science Workshops and Courses Quotes from Andy Breen: (00:05:57) "It's not about the technology. Just because you build it, they will not come. And you really do need to be solving problems for people and offering them something that changes them and their life and their abilities." - Andy Breen (00:08:57) "...these days especially every product gets about 30 seconds of consideration, you know, at the top. And so you have to have a clear value proposition." - Andy Breen (00:26:19) "There are a lot of stay-at-home moms or like people like engineers doing little SAS side projects and stuff that were turning into real businesses, real revenue, real profits, you know, something that's not often talked about in the venture world." - Andy Breen Lab Notes Lab Note 606.1: Too many product managers underestimate the importance of assessing value risk. Lab Note 606.2: Conducting value research often means holding uncomfortable tensions. Lab Note 606.3: When qualitative and quantitative are telling you the same thing, you're on your way to product market fit. Lab Note 606.4: Continuous Product Discovery has been useful since the 90's, even if it looks different today. Lab Note 606.5: Deciding which customer use cases to replace with AI requires evidence-based product strategy. View the transcript and the full episode description on the Product Science Podcast website here. Podcast video editing & management provided by podcastabundance.com
In this week’s Throwback Thursday feature, discover how pivoting from digital art prints to creating mockups for Etsy and Shopify turned an underperforming side hustle into a high-demand service. Side Hustle School features a new episode EVERY DAY, featuring detailed case studies of people who earn extra money without quitting their job. This year, the show includes free guided lessons and listener Q&A several days each week. Show notes: SideHustleSchool.com Email: team@sidehustleschool.com Be on the show: SideHustleSchool.com/questions Connect on Instagram: @193countries Visit Chris's main site: ChrisGuillebeau.com Read A Year of Mental Health: yearofmentalhealth.com If you're enjoying the show, please pass it along! It's free and has been published every single day since January 1, 2017. We're also very grateful for your five-star ratings—it shows that people are listening and looking forward to new episodes.
In this episode of Platemark, Myles Calvert, a printmaker and professor, shares his extensive journey from growing up in Ontario, Canada, to studying and working in the UK, and eventually returning to Alfred University in New York, to become director of the Institute of Electronic Arts. Myles discusses his experiences working at prestigious galleries in London, giving up a tenure-track position, and the pivotal moments that shaped his career. He delves into his role as the Director of IEA at Alfred, including the intricacies of managing residencies, the use of technology in printmaking, and the importance of community engagement. Myles also reflects on the challenges of academia, the value of traditional and new media in art, and his approach to student critiques. The conversation highlights Myles' passion for printmaking, his commitment to education, and his vision for the future of the IEA. https://blog.alfred.edu/iea/ https://blog.alfred.edu/iea/2024/07/01/new-director-appointed-myles-calvert/ https://www.instagram.com/alfred_iea/ https://www.instagram.com/squirrelpigeonfish/ Myles Calvert at the China Exhibition AIPA, Xi'an Academy of Art. Myles Calvert with IEA interns Veronica, Gigi, and Mary. Institute of Electronic Arts, Alfred University. Jessica Reisch and Tyson Houseman check out Sandin new media equipment. Institute of Electronic Arts, Alfred University. Visiting artist Kathryn Polk with students. Institute of Electronic Arts, Alfred University. Rita MacDonald at the offset press with a laser-cut woodblock. Institute of Electronic Arts, Alfred University.
Send me a message here with feedback or topics you'd like to see covered on upcoming episodes! Or just say hello!Selling prints of your photography is a big task, and some of the difficulties might not be apparent from the start. In this episode, I'm brutally honest with you about some of the trials and tribulations of selling prints as a photographer, including both realizations and advice to help you be more successful. Whether you plan to sell prints online or in person at art shows, markets, and other events, this episode is a must-hear to set your expectations for print sales.Links from this episode:Resizing Images for PrintIf you're serious about becoming better at photography, the fastest way to do so is by joining me for an in-person workshop. Check my current workshop listings here.Find FREE photography tutorials on my YouTube channel.10 Landscape Photography Tips in 10 Minutes - FREE Video
A beautiful conversation with Leica user Calvin Leonard about his journey into photography [ instagram : https://www.instagram.com/clphotosla_/ ] where we talk about Life, Love, and Leica's (C) [The IXVI Network].The Pod: 0:01 : Intro ; 04:30 : Photographer ; 08:30 : When I started Photography ; 18:15 : Zines ; 21:00 : Exhibitions ; 27:00 : Current Photo Journey ; 29:00 : Prints ; 33:00 : Competition ; 40:00 : Socials ; 41:00 : Projects ; 45:00 : Advice to myself ; 49:00 : My recommendations ; 52:00 : The Final Question.Calvin's recommendations : Danny Vasquez [ instagram : https://www.instagram.com/x3flix/ ] ; Solo B [ instagram : https://www.instagram.com/sololobo213/ ] ; Paulo Freire Lopez [ instagram : https://www.instagram.com/paulofreirelopez/ ]Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ]Podcast Artwork belongs to respective owner and is not the intellectual property of LSPC Podcast. (Copyright image @Cavin Leonard)
I sit down with comedian Matteo Lane. We talk about being bilingual, vocal ranges, fluffing, cooking, and much more! Check out his special “The Al Dente Special” on Hulu on May 16th Order his book “Your Pasta Sucks: A "Cookbook": https://amzn.to/42eHidi My new special “Lucky” is streaming now on Netflix! Follow Matteo YT: https://www.youtube.com/@matteolanecomedy IG: https://www.instagram.com/matteolane --------------------------------------------------- Sponsors: Bluechew - Try your first month of BlueChew FREE when you use promo code BERTCAST at https://bluechew.com-- just pay $5 shipping. Robinhood - To receive your 3% boost on annual IRA contributions, sign up at https://robinhood.com/gold --------------------------------------------------- SUBSCRIBE so you never miss a video https://bit.ly/3DC1ICg For all TOUR DATES: http://www.bertbertbert.com For Fully Loaded: https://fullyloadedfestival.com For Merch: https://store.bertbertbert.com YouTube▶ http://www.YouTube.com/user/Akreischer X▶ http://www.Twitter.com/bertkreischer Facebook▶ http://www.Facebook.com/BertKreischer Instagram▶ http://www.Instagram.com/bertkreischer TikTok▶ http://www.TikTok.com/@bertkreischer Text Me▶ https://my.community.com/bertkreischer Learn more about your ad choices. Visit megaphone.fm/adchoices
Hong Kong University of Science and Technology researchers have developed a 3D printing food solution that combines the use of graphene heaters and starch-based printing material with generative AI, all in a single 3D printer. Traditional 3D printing food technologies typically require postprocessing steps that lead to imperfect shapes, use unappealing ingredients or even face microbial contamination. Using graphene heaters surrounding the extrusion head, the researchers cook the food as it is printed at a constant, controlled temperature. By heating the material as it is printed, the foods keep their intended quality and shape.
#550 In Today's Episode of the podcast I chat with YOU as I discuss important topics about photography that are essential for both beginners and experienced photographers. This episode's key themes revolve around the pricing of prints, motivation in photography, understanding lenses, managing photography business logistics, and addressing technical shooting challenges. KEY TOPICS COVEREDPricing Prints - Raymond addresses pricing framed prints by explaining that the photographer's value comes from capturing moments and connections, not merely selling paper and ink. He stresses that pricing should reflect the photographer's time and expertise, with a guideline from the Professional Photographers of America suggesting a minimum charge of $50 for profitability.Motivation in Photography - Raymond discusses how lack of motivation often stems from not having a specific idea rather than a lack of interest. He advises photographers to set constraints and avoid self-editing during shoots to reignite creativity. He shares methods for photographers to overcome creative blocks by exploring new subjects or projects.Understanding Lenses - The episode provides a detailed explanation of different focal lengths, clarifying the role of lens compression, depth of field, and the effects of lens choice on photographic outcomes. Raymond suggests using specific lenses depending on the shooting scenario, like wide lenses for landscapes and telephoto for portraits.IMPORTANT DEFINITIONS & CONCEPTSCompression: Refers to the perceived distance between the subject and the background, which varies with lens focal length.Circular Polarizer Filter: A tool used to reduce reflections and glare, enhancing image quality by altering the light entering the camera.DISCUSSION & REFLECTION QUESTIONSHow can photographers better assess their work's value beyond material costs?What are some creative strategies to overcome a lack of motivation in photography?Download your free copy of 46 Creative Photo Ideas to Get You Out of a Rutat https://creativeimageideas.com/Connect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!
ORDER TODAY Also available on throw blankets, pillows, tops, tees, iPhone cases, and much more! *Redbubble has discounts when purchasing multiple items and also gives 10%-20% discounts on a regular Continue Reading Read more on this topic: Gifts: A bee gathering on purple coneflower Products from Douglas E. Welch Design and Photography [Shopping] New Design: Trichocereus Cactus Flower Products [Shopping] New Design: Vintage Blue Passion-flower Prints and other products [Shopping] Daffodil Closeup via Instagram [Photography] Make a bouquet with ginkgo leaves Via Flower Supplies on Instagram [Shared]
ORDER TODAY Also available on throw blankets, pillows, tops, tees, iPhone cases, and much more! *Redbubble has discounts when purchasing multiple items and also gives 10%-20% discounts on a regular Continue Reading Read more on this topic: New Design: Trichocereus Cactus Flower Products [Shopping] Gifts: A bee gathering on purple coneflower Products from Douglas E. Welch Design and Photography [Shopping] In The Neighboood: Trichocereus Catus Flower, North Hollywood, California [Prints and More Available] Bougainvillea in the neighborhood [Photography] Begonia grandis via Instagram [Photography]
For more than three decades, trailblazing artist and activist Joyce J. Scott has elevated the creative potential of beadwork as a relevant contemporary art form. Scott uses off-loom, hand-threaded glass beads to create striking figurative sculptures, wall hangings, and jewelry informed by her African American ancestry, the craft traditions of her family (including her mother, renowned quilter Elizabeth T. Scott), and traditional Native American techniques, such as the peyote stitch. Each object that Scott creates is a unique, vibrant, and challenging work of art developed with imagination, wit, and sly humor. Born to sharecroppers in North Carolina who were descendants of enslaved people, Scott's family migrated to Baltimore, Maryland, where the artist was born and raised. Scott hales from a long line of makers with extraordinary craftsmanship adept at pottery, knitting, metalwork, basketry, storytelling, and quilting. It was from her family that the young artist cultivated the astonishing skills and expertise for which she is now renowned, and where she learned to upcycle all materials, repositioning craft as a forceful stage for social commentary and activism. In the 1990s, Scott began working with glass artisans to create blown, pressed, and cast glass that she incorporated into her beaded sculptures. This not only allowed her to increase the scale of her work, but also satisfied her desire to collaborate. In 1992, she was invited to the Pilchuck Glass School, Stanwood, Washington. Continuing her interest in glass, Scott has worked with local Baltimore glassblowers as well as with flameworking pioneer Paul Stankard and other celebrated glass fabricators. In 2012, Goya Contemporary Gallery arranged to have Scott work at Adriano Berengo's celebrated glass studio on the island of Murano in Italy, creating works that were part of the exhibition Glasstress through the Venice Biennale. Scott has worn many hats during her illustrious career: quilter, performance artist, printmaker, sculptor, singer, teacher, textile artist, recording artist, painter, writer, installation artist, and bead artist. Her wide-ranging body of work has crossed styles and mediums, from the most intricate beaded form to large-scale outdoor installation. Whether social or political, the artist's subject matter reflects her narrative of what it means to be Black in America. Scott continues to live and work in Baltimore, Maryland. She received a BFA from the Maryland Institute College of Art and an MFA from Instituto Allende in San Miguel de Allende, Mexico. Selected solo museum exhibitions include The Baltimore Museum of Art (2024); Seattle Art Museum (2024 – 2025); and Grounds for Sculpture (2018), Trenton, NJ. She is the recipient of myriad commissions, grants, awards, residencies, and prestigious honors including from the National Endowment for the Arts, Louis Comfort Tiffany Foundation, Anonymous Was a Woman, American Craft Council, National Living Treasure Award, Lifetime Achievement Award from the Women's Caucus for the Arts, Mary Sawyers Imboden Baker Award, MacArthur Foundation Fellowship (2016), Smithsonian Visionary Artist Award, National Academy of Design Induction, and Moore College Visionary Woman Award, among others. In March of 2024, Scott opened a major 50-year traveling Museum retrospective titled Joyce J. Scott: Walk a Mile in My Dreams co-organized by the Baltimore Museum of Art and Seattle Art Museum. Also in 2024, Scott opened Bearing Witness: A History of Prints by Joyce J Scott at Goya Contemporary Gallery. Her latest exhibition, Joyce J. Scott: Messages, opened at The Chrysler Museum of Art on February 6, 2025 and will run through August 17, 2025 at the Glass Projects Space. This exhibition is organized by Mobilia Gallery, Cambridge, MA. Says Carolyn Swan Needell, the Chrysler Museum's Barry Curator of Glass: “We are thrilled to host this focused traveling exhibition here in Norfolk at the very moment when Scott's brilliant career is being recognized more widely, through a retrospective of her work that is co-organized by the Baltimore Museum of Art and the Seattle Museum of Art.” In Messages, 34 remarkable beaded works of art spanning the artist's career express contemporary issues and concepts. Included in the show is Scott's recent beaded neckpiece, War, What is it Good For, Absolutely Nothin', Say it Again (2022). A technical feat in peyote stitch, infused with color and texture, this multilayered and intricate beadwork comments on violence in America. Embedding cultural critique within the pleasurable experience of viewing a pristinely crafted object, Scott's work mines history to better understand the present moment. The visual richness of Scott's objects starkly contrasts with the weight of the subject matter that they explore. She says: “I am very interested in raising issues…I skirt the borders between comedy, pathos, delight, and horror. I believe in messing with stereotypes, prodding the viewer to reassess, inciting people to look and then carry something home – even if it's subliminal – that might make a change in them.”
If you're curious, confused or overwhelmed when it comes to making prints of your art- we've got you! In this mini episode we get into your different options, our favorite resources and tips to getting prints made with as much ease and success as possible.Also: we made you a digital artist statement writing guide! You'll not only receive a full start-to-finish process on how to start crafting your statement, but how you can break it down and understand it better, too. You can buy that guide for 10 little dollars right here. Anddd if you want to snag a snazzy pricing calculator + guide for all of your art pricing needs (prints! licensing! digital work! you name it!) Devon went ahead and made one for you right hereSupport the show:@heywhatareyouworking on IGFollow the hosts:@andreaguzzetta on IG@speaking_in_rainbows on IG@devonwalzart on IG
Welcome to Monsters on the Edge, a show exploring creatures at the edge of our reality in forests, cities, skies, and waters. We examine these creatures and talk to the researchers studying them.Joining us on this week's show:Squatch America is the Bigfoot-researching, husband and wife team, Scot and Hannah Violette, combining Scot's and Hannah's expertise in anthropology and sociology research and communication. They are "investigating the unexplained, not explaining the uninvestigated." Their mission is to construct a cultural-behavioral narrative of the hominid species known as "Bigfoot." Scot, a Native American cultural anthropologist, was led into Bigfoot research through his pictograph-analysis work with the Miwok tribe of Northern California. Hannah, a master social worker and human behavioral researcher, supports this research by identifying behavior patterns common to both Bigfoot and humans. Together they've made unique discoveries, had sightings, and are actively teaching the broader community to conduct field research. They travel nationwide and host community town hall meetings to collect encounter reports which are building their pursued cultural-behavioral narrative.Squatch Americahttps://squatchamerica.com/Squatch America Youtubehttps://www.youtube.com/squatchamericaCryptids, Anomalies, and the Paranormal Convetionhttps://www.ticketleap.events/tickets/cryptids-anomalies-and-the-paranormal-society/wisconsin-cryptids-anomalies-and-paranormal-convetionClick that play button, and let's unravel the mysteries of the UNTOLD! Remember to like, share, and subscribe to our channel to stay updated on all the latest discoveries and adventures. See you there!Join Barnaby Jones each Monday on the Untold Radio Network Live at 12pm Central – 10am Pacific and 1pm Eastern. Come and Join the live discussion next week. Please subscribe.We have ten different Professional Podcasts on all the things you like. New favorite shows drop each day only on the UNTOLD RADIO NETWORKTo find out more about Barnaby Jones and his team, (Cryptids, Anomalies, and the Paranormal Society) visit their website www.WisconsinCAPS.comMake sure you share and Subscribe to the CAPS YouTube Channel as wellhttps://www.youtube.com/channel/UCs7ifB9Ur7x2C3VqTzVmjNQ
In this interview with the director and founder of Lily Press and the Printmaking Legacy Project, Susan Goldman shares her passion for printmaking and documentary film making. Susan discusses her journey from discovering printmaking at Indiana University, Bloomington, to founding Lily Press and creating impactful documentaries like Midwest Matrix. She highlights her educational experiences, mentors, and the vibrant printmaking community she's built over time. Goldman also delves into her personal work, her love for screenprinting, and the balance of managing a studio while collaborating with renowned artists like Sam Gilliam. Her current projects include documentaries on Lloyd Menard and Rochelle Toner and exploring the evolution and impact of digital printmaking. Susan's reflections on the importance of documenting printmaking history and incorporating community and teaching into her work provide a comprehensive view of her dedication to the art form. Episode image: Erwin Thamm Midwest Matrix film: https://www.midwestmatrix.info/index.html Printmaking Legacy Project: https://printmakinglegacyproject.org/index.html IG: lily_press_studio IG: goldmansusan Spread from Journal of the Print World on Midwest Matrix. Rudy Pozzatti. Tracey Templeton, Wendy Calman, and Susan Goldman at Indiana University, Bloomington. John Whitesell. Circus, 1981. Three-color lithograph. 19 x 25 in. Published by Normal Editions. Susan Goldman. Squaring the Flower II, #15. Screenprint. 30 x 30 in. Printed and published by Lily Press, Rockville, MD. Installation shot of Susan Goldman's Squaring the Flower, McLean Project for the Arts, McLean, VA. Cory Oberndorfer inspects proofs of Six Frozen Treats (after Dine) at Lily Press, Rockville, MD. Elizabeth Martin Brown working on a Sam Gilliam edition at Lily Press, Rockville, MD. Renee Stout. The Secret Keeper, 2010. Etching. Plate: 7 x 5 in.; sheet: 15 x 11 in. Printed and published by Lily Press, Rockville, MD. Renee Stout working at Lily Press, Rockville, MD. Viktor Ekpuk. Hip Sista, 2027. Screenprint. 30 x 22 in. Printed and published by Lily Press, Rockville, MD. Victor Ekpuk and Susan Goldman at Lily Press, Rockville, MD. Susan Goldman and Sam Gilliam at Lily Press, Rockville, MD. Dennis O'Neill in the shop at the Corcoran College of Art and Design, Washington, D.C. Lily Press booth at the Baltimore Fine Art Print Fair, 2023. Cory Oberndorfer. Six Frozen Treats (after Dine), 2023. Intaglio. Plate: 10 ¼ x 14 ½ in.; sheet: 21 x 15 in. Printed and published by Lily Press, Rockville, MD. Eve Stockton. Woodland Skyscape. Woodcut with watercolor. Sheet: 36 x 36 in. Printed and published by Lily Press, Rockville, MD. Eve Stockton working at Lily Press, Rockville, MD. Percy B. Martin at Lily Press, Rockville, MD. Photo: Duane Winfield. Lloyd Menard, founder of Frogman's Print Workshops. Rochelle Toner. Boost, 2009. Etching. 12 x 16. Courtesy of the Artist. Rochelle Toner and Susan Goldman filming their interview. Enrique Chagoya. Life at the Border of Language, 2023. Color lithograph. 21 ½ x 36 in. Published by Sharks Ink. Garo Antreasian. Y'es Em, 1991. Four-color lithograph. Sheet: 30 1/8 x 26 ¼ in. Published by Tamarind Institute, University of New Mexico. Leonard Lehrer. Powis, 1972. Lithograph. Sheet: 24 x 18 in. ArtworkArchive.com. Sam Gilliam (American, 1933–2022). 3 PM School Bus, 2018. Screenprint. 18 ½ x 51 ½. Published by Lily Press, Rockville, MD. Sam Gilliam (American, 1933–2022). 4 PM School Bus, 2018. Screenprint. 18 ½ x 51 ½. Printed and published by Lily Press, Rockville, MD. Sangmi Yoo. Common Ground, 2025. Aluminum etching. 20 x 15 in. Courtesy of the Artist. Keiko O'Hara at Lily Press, Rockville, MD.
On this episode we start things off talking about the Snow White remake and the Disney controversy. We then moved along to M Knight Shyamalan and if he's overrated. Big U's RICO case and violence in hip-hop. Jess Hilarious and The Breakfast Club... can two women co-exist without everyone else comparing them? Then we closed the show out with a discussion on R&B being more critical than rap... we've got that and much more. This is Views From The 7!!
A beautiful conversation with Leica user Thibault Gerbaldi about his journey into photography [ instagram : https://www.instagram.com/tg_crossroads/ ] where we talk about Life, Love, and Leica's (C) [The IXVI Network].The Pod: 0:01 : Intro ; 02:35 : France ; 05:30 : When I started Photography ; 17:30 : Emotions ; 25:30 : Prints ; 27:30 : Traveling ; 40:30 : Socials ; 43:00 : Projects ; 58:00 : My recommendations & The importance of LFI ; 1:00:XX : The Final Question.Thibault's recommendations : James Bridges [ instagram : https://www.instagram.com/james.w.bridges/ ]Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ]Podcast Artwork belongs to respective owner and is not the intellectual property of LSPC Podcast. (Copyright image @Thibault Gerbaldi)
Episode No. 698 features artist Alex Da Corte and curator Mark Castro. The Modern Art Museum of Fort Worth is presenting "Alex Da Corte: The Whale," a survey of Da Corte's relationship with painting. Featuring more than 40 works, the exhibition examines Da Corte's interest in consumerism, persona, sex, invisible labor, taste, power, and desire. Curated by Alison Hearst, "Da Corte" will be on view through Sept. 7. A catalogue from MAMFW and DelMonico Books is forthcoming. Amazon and Bookshop offer it for $50-55. Da Corte's work has been the subject of solo exhibitions at MOCA Toronto, the Louisiana Museum of Modern Art outside Copenhagen, MASS MoCA, North Adams, and the Metropolitan Museum of Art, New York. Castro is the curator of "Oaxaca Central: Contemporary Mexican Printmaking" at the Chrysler Museum of Art, Norfolk, Va. Across 100 works, the exhibition surveys recent printmaking practice in Oaxaca, home to a vibrant, activist printmaking community. Artists in the exhibition include Ricardo Pinto, Mercedes López, Dr. Lakra, Colectivo Subterráneos, and Emi Winter. "Oaxaca Central is on view through May 11.
This dual feature episode explores the legacy of Susan Kare, the designer behind the original Mac icons, with guests Amy and Jennifer Hood, the twin creatives behind Hoodzpah, known for their bold branding and empowering creative business strategies._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources / Links:Susan Kare's Prints: kareprints.comSmithsonian ArticleAmy and Jen's Book: Freelance and Business and Stuff by Amy Hood and Jennifer HoodAbout SusanSusan Kare is a graphic designer and pioneering iconographer best known for her work on the original Apple Macintosh in the early 1980s. With a background in fine arts, she had no prior experience in computer graphics when she was hired to design the first digital icons and typefaces for the Mac. Using graph paper and pixel constraints, she created some of the most enduring symbols in tech history, including the Happy Mac, the Command key symbol, and the original Mac fonts like Chicago and Geneva. Her designs humanized technology, making computers intuitive and accessible to non-technical users. After Apple, she continued shaping digital interfaces at NeXT, Microsoft, Facebook, and Pinterest, and today, she serves as a Design Architect at Niantic Labs while selling limited-edition prints of her iconic designs.About Amy & Jen HoodAmy and Jen Hood are the twin sister duo behind Hoodzpah, a Southern California-based branding agency known for its bold, strategic, and personality-driven design work. Since founding Hoodzpah in 2011, they have worked with major brands like Disney, Nike, and 20th Century Fox, creating memorable identities and custom typefaces. Beyond client work, they are passionate about helping creatives build successful careers—they wrote Freelance, and Business, and Stuff, a practical and empowering guide to running a creative business, and have launched resources for designers, including brand identity courses and custom fonts. With a fearless approach to branding and a deep understanding of creative entrepreneurship, Amy and Jen have carved out a distinctive place in the design world while uplifting the next generation of creatives.Amy and Jen's Book: Freelance and Business and Stuff by Amy Hood and Jennifer HoodFollow Amy & Jen:Amy's Instagram: @amyhoodlumJen's Instagram: @thegoodhoodStudio Instagram: @hoodzpahdesignWebsite: hoodzpahdesign.com ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod
On this week's episode of the Tiger Bloc Podcast, we're diving deep in the crazy and awesome world of 3D printing firearms with YZY Prints. For those unfamiliar, YZY Prints is a designer of 3D printed firearms, a competitive shooter, and leftist digital content creator. YZY and YPT discuss the history behind 3D printing firearms, the technological advancements made, the current state of the 3D printing community, the impact of this technology, and the value of competition shooting.Host: Soju Operator, John ChinamanGuests: YZY Prints Follow us on Instagram: https://www.instagram.com/yellow_peril_tactical Follow us on Twitter: https://twitter.com/yptactual Follow YZY Prints on Instagram: https://www.instagram.com/yzy_printsSubscribe to YZY Prints' YouTube channel: https://www.youtube.com/@yzyprintsJoin the 3D Gun Community on Discord: chat.deterrencedispensed.com Resources for 3D printing guns: https://thegatalog.com/ Music credit:Palm Tree Jam by Ronin SaediListen to more: https://viennaundergroundtraxx.bandcamp.com/album/cosmic-conscious https://open.spotify.com/artist/1BxaGq5S5A6Bck2DquttJM
In this episode, Ann talks with Bryan Raymundo, owner of the Black Fragment Press. They discuss their meeting at the Mid America Print Council conference and Bryan's background, from growing up in Mexico and Kansas to his love for Black Sabbath and printmaking. Bryan reveals his journey into art, inspired by comforting his sick grandmother with drawings, and his challenges in balancing his family's immigrant expectations with his artistic aspirations. They delve deeply into his evolving art practice, the importance of mentors like Marco Hernandez and Jason Scuilla, and his passion for printmaking. Bryan shares his pedagogical philosophy, experiences teaching at the University of Nebraska at Omaha, and future plans to establish a collaborative art studio. The episode encompasses Bryan's personal anecdotes, his admiration for influential artists, and the profound impact printmaking has had on his life and career. Episode image by Ann Shafer www.bryanraymundo.com IG @raymundo_printmaker Bryan Raymundo (American, born 1993). Home Ain't Home, 2024. Woodcut. 14 x 16 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). The Hare that Met God, 2024. Woodcut. 14 x 16 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). X Sin Nombre, 2023. Etching. 12 x 18 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). My Manic and I, 2023. Etching. 12 x 18 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Only the Strong, 2023. Etching. 12 x 18 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Cold Heavens, 2023. Etching. 12 x 18 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Russian Roulette, 2021. Etching. 12 x 18 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Snuffed, 2017. Etching. 9 x 12 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Birds Calling, 2024. Woodcut. 22 x 30 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Beware of the Rhino Throne, 2024. Woodcut. 18 x 24 in. Courtesy of the Artist. Bryan Raymundo (American, born 1993). Barking, 2022. Woodcut. 24 x 24 in. Courtesy of the Artist.
David and Katherine time travel 50 years ago to 1975 in our first Hirschfeld Century Podcast episode of 2025! In a year where Hirschfeld received little work from the New York Times, find out what he was doing throughout the year in films, books, and television, plus a special trip to Japan! For the first time ever, we're simultaneously releasing the Visual Companion to the Hirschfeld Century Podcast! Watch the podcast with all of the drawings and images as we discuss them, exclusively on YouTube! The Al Hirschfeld Foundation is now on Bluesky! Follow us here! Follow along with the show notes to view the works mentioned in this episode: All Over Town, 1975 The Constant Wife, 1975 Chicago, 1975 A Chorus Line, 1975 Represented on Broadway, 1975 The Wiz (Film), 1978 The Rocky Horror Show (Revival), 2000 The Ritz (Film), 1976 Funny Lady, 1975 (Three Versions) The Sunshine Boys (Film), 1975 The Sunshine Boys (Stage), 1972 The Prisoner of Second Avenue (Film), 1975 The Prisoner of Second Avenue (Stage), 1971 Chico and the Man, 1975 Rhoda, 1975 Howard Cosell, 1975 Masterpiece Theatre Drawings Mrs. Warren's Profession, 1975 She Stoops to Conquer, 1975 Macbeth, 1975 IBM Movies to Remember (1977 and 1979) Harlem as seen by Hirschfeld, 1941 For more on Prints, check out Episode 41 - Prints for more information on Hirschfeld's Prints "Rhythm" Print Series, 1970 Lucille Ball with Fur Stole and Purse, 1975 Charlie Chaplin, 1975 W.C. Fields Print, 1975 Jackie Gleason, 1975 Laurel and Hardy, 1975 Buster Keaton, 1975 Marilyn Monroe in Some Like it Hot, Print from 1959 Drawing Mae West, 1975 George and Ira Gershwin, 1990 World Premiere, 1975 Self-Portrait, 1975 Richard Anobile Books: Drat! W.C. Fields Book Cover, 1975 Why a Duck, 1971 "Godfrey Daniels" W.C. Fields in the Barber Shop, 1975 A Fine Mess, 1975 Hooray for Captain Spaulding, 1975 Charlie Award, 1975 Steve Allen Kitty Carlisle Hart Kitty Carlisle Hart USO Woman of the Year, 1975 S.J. Perelman's Eastward Ha!, 1975 Sardi's (with Warner Bros Characters), 1994 Kabuki Series of Prints, 1976 Pacific Overtures, 1976 Sweet Bye and Bye and Westward, Ha! are the focus of Episode 49, Hirschfeld and Perelman Visit our website Visit our shop Like us on Facebook Subscribe to our Youtube Channel Watch Hirschfeld Moments: Ep.4 - Hirschfeld Draws a Star! Follow us on Twitter Follow us on Instagram HirschfeldHomestyle.com The Hirschfeld Package at The Algonquin Hotel
Welcome to Monsters on the Edge, a show exploring creatures at the edge of our reality in forests, cities, skies, and waters. We examine these creatures and talk to the researchers studying them.Joining us on this week's show:Daniel Lee Barnett is just 15 years old and is a Bigfoot Researcher, Podcaster, Author, Director and Conference Organizer. Daniel, is an autistic teenager with a profound love for cryptozoology, from Bigfoot to the Exmoor Beast, Daniel's passion drives him to explore the outdoors, interview global experts, and delve into the mysteries of cryptids. Supported by his family and professional researchers, Daniel's journey offers a unique lens into the world of cryptozoology. He currently has a documentary that will be released on popular formats in a couple of weeks called My Bigfoot Life and it's about his Bigfoot journey and encouraging people and families to get out into nature. This documentary is being featured at Cannes Film Festival this year as well as the American Film Market and European Film Market. Daniel will also be appearing on upcoming television show “Legend Seekers”.My Bigfoot Life BOOK:https://www.amazon.com/Bigfoot-Life-Daniel-Lee-Barnett/dp/1909488712Mythical Legends Podcasthttps://mythical-legends.yolasite.com/Click that play button, and let's unravel the mysteries of the UNTOLD! Remember to like, share, and subscribe to our channel to stay updated on all the latest discoveries and adventures. See you there!Join Barnaby Jones each Monday on the Untold Radio Network Live at 12pm Central – 10am Pacific and 1pm Eastern. Come and Join the live discussion next week. Please subscribe.We have ten different Professional Podcasts on all the things you like. New favorite shows drop each day only on the UNTOLD RADIO NETWORKTo find out more about Barnaby Jones and his team, (Cryptids, Anomalies, and the Paranormal Society) visit their website www.WisconsinCAPS.comMake sure you share and Subscribe to the CAPS YouTube Channel as wellhttps://www.youtube.com/channel/UCs7ifB9Ur7x2C3VqTzVmjNQ
In this episode with Larry Lepard we discuss: Getting his X account hacked and recent social engineering schemes His cinema-worthy moment standig up in front of centrals bankers at HBS How money printing destroyed the fabric of America His new book, The Big Print and how many more 'prints' our nation can survive Why most people are wrong about politics on both sides The future of Bitcoin as sound money Buy The Big Print: https://www.amazon.com/dp/B0DWKLX9J7?linkCode=ssc&tag=onamzameri07b-20&creativeASIN=B0DWKLX9J7&asc_item-id=amzn1.ideas.3Q6CKLCXBKGSV&ref_=aip_sf_list_spv_ons_mixed_d_asin ---- Guest Bio: Larry Lepard is the author of the new book, The Big Print. He founded Equity Management Associates in 2006. EMA is an equity investment management firm investing in growing private and public companies around the world. The competitive CrossFit Masters Athlete and former pilot earned his MBA from Harvard and BA in economics from Colgate. Follow Larry on X https://twitter.com/lawrencelepard ---- Coin Stories is powered by Genius Group (NYSE American $GNS). Genius is a Bitcoin-first business delivering AI-powered education and acceleration solutions for the future of work. Learn more and enter for a chance to win a whale pass to Bitcoin 2025 in Las Vegas: https://www.geniusgroup.ai/coinstories ---- Natalie's Promotional Links: Bitdeer Technologies Group (NASDAQ: BTDR) is a publicly-traded leader in Bitcoin mining and high-performance computing. Learn more at www.bitdeer.com Secure your Bitcoin with collaborative custody and set up your inheritance plan with Casa: https://www.casa.io/natalie For easy, low-cost, instant Bitcoin payments, I use Speed Lightning Wallet. Get 5000 sats when you download using this link and promo code COINSTORIES10: https://www.speed.app/sweepstakes-promocode/ River is where I DCA weekly and buy Bitcoin with the lowest fees in the industry: https://partner.river.com/natalie Safely self-custody your Bitcoin with Coinkite and the ColdCard Wallet. Get 5% off: https://store.coinkite.com/promo/COINSTORIES Master your Bitcoin self-custody with 1-on-1 help and gain peace of mind with the help of The Bitcoin Way: https://www.thebitcoinway.com/natalie Bitcoin 2025 is heading to Las Vegas May 27-29th! Join me for my 4th Annual Women of Bitcoin Brunch! Get 10% off Early Bird passes using the code HODL: https://tickets.b.tc/affiliate/hodl/event/bitcoin-2025 Protect yourself from SIM Swaps that can hack your accounts and steal your Bitcoin. Join America's most secure mobile service, trusted by CEOs, VIPs and top corporations: https://www.efani.com/natalie Connect with Bitcoiners and Bitcoin merchants wherever you live and travel on the Orange Pill App: https://signup.theorangepillapp.com/opa/natbrunell ---- This podcast is for educational purposes and should not be construed as official investment advice. ---- VALUE FOR VALUE — SUPPORT NATALIE'S SHOWS Strike ID https://strike.me/coinstoriesnat/ Cash App $CoinStories
HT2173 - Pens, Pencils, and Signing Your Prints Here's a topic I'll bet 99% of photographers have not thought much about. What instrument do you use to sign your prints? Pen? Pencil? Does it make a difference? Actually, I think it does.
#SPACEX: Starlink prints cash. Bob Zimmerman BehindtheBlack.com 1958
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