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The Panda's choice, here, was a nice album. Kingcow enjoyed listening to this side. We're sure there is a Deadhead or two out there. Sit back, relax and do what the Dead would do.
DESCRIPTION: In our packed season finale, we explore how “Casey Jones” combined folk traditions and became an underground hit too risque for pop radio, hear a break down of the multi-track, discuss the infamous sniff and other Workingman’s Dead’s finishing touches with co-producer Bob Matthews, figure out the location and date of the cover photo, and more.GUESTS: Bob Matthews, Brian Kehew, Billy Strings, Bob Egan, Gary Lambert, David Lemieux, Michael Parrish
DESCRIPTION: We explore how “Easy Wind” was the only song on Workingman’s Dead sung by Pigpen and the first Dead tune solely written by lyricist Robert Hunter, featuring rarely heard radio promo spots recorded by Hunter.GUESTS: Bob Matthews, Rhoney Stanley, Eric Schwartz, Gary Lambert, David Lemieux, Mike Johnson, Brian Kehew
DESCRIPTION: We flip sides on the Grateful Dead’s Workingman’s Dead and explore why “Cumberland Blues” is a much stranger song than it might seem, chart the transformation into the so-called Bakersfield Dead, and--in an extended interview--hear how new tour manager Sam Cutler helped the band turn themselves into a real-life workingman’s Dead during one of the most tumultuous and pivotal moments in their history.GUESTS: Sam Cutler, Shaugn O’Donnell, Bob Matthews, David Nelson, Gary Lambert, Mike Johnson
With the economy falling into a recession, cannabis states are thankful for the flow of cannabis tax revenue. Jim Marty and Larry Mishkin review the state's monthly sales totals and compare the size of the industries annual sales to other industries. On the music front the discuss Workingman's Dead and look back on past concerts including Feb. 2nd 1971 in Port Chester, NY.Produced By MJBulls
The Grateful Dead’s masterpiece Workingman’s Dead song by song. For “High Time,” we look behind the purple door of Pacific High Recording with co-producer Bob Matthews and tour manager Sam Cutler, examine session outtakes and tape mysteries with Brian Kehew and Mike Johnson, and explore how “High Time” was a songwriting breakthrough for Jerry Garcia and his new housemate, lyricist Robert Hunter.
haimaherim Tue, 07 Jul 2020 20:00:00 GMT no 3386
haimaherim Tue, 07 Jul 2020 20:00:00 GMT no 3386
On June 14th we marked the official 50th anniversary of the release of the Grateful Dead's fifth album, Workingman's Dead. In this episode, author Buzz Poole and I continue to break down the record just has he did in his terrific book. Part of the Bloomsbury 33&⅓ series, Poole's book examines the whole history of The Grateful Dead through the lens of this one album. We flip the album over and explore side two before spinning a mix of live performances of the songs.Please check in with your local, independent bookseller for Buzz's book, Grateful Dead's Workingman's Dead or head over to 333Sound.com for a list of retailers and to learn more about the series. (You can also cop it at Amazon, if you must.)Allow me to remind you that the Brokedown Podcast is part of the Osiris Media. Osiris is creating a community that connects people like you with podcasts and live experiences about artists and topics you love. Sign up for the newsletter at OsirisPod.com to stay in the loop. Also, Osiris Media works in partnership with JamBase, which connects music fans with the music they love and empowers them to go see live music. Check them out at JamBase.com.Don't forget to follow the @BrokedownPod twitter account for regular news, live tweetstorms of shows as I listen, and other minutiae. I also have an Instagram account with the same handle. If you like pictures of things, you can find that here: BrokedownPod Instagram. Also, if you use Apple Podcasts, please consider posting a review as it really help get the word out.Lastly, please keep sending your metaphorical cards and letters. Leave a comment on the blog or hit me up on any of the above social media. Let me know what I'm doing right, wrong, or horribly wrong.
In this episode, we kick off our two-part celebration of the 50th anniversary of the release of Workingman's Dead. To mark the moment, author Buzz Poole joins the show to break down the record just as he did in his recent book. Part of the Bloomsbury 33&⅓ series, Poole's book examines the whole history of The Grateful Dead through the lens of this one album. This being part one of our talk, we break down the songs on side one and wrap the episode with a mix of live versions of those tunes.Check your local bookseller for Buzz's book, Grateful Dead's Workingman's Dead or head over to 333Sound.com for a list of retailers and to learn more about the series. (You can also cop it at Amazon, if you must.)Allow me to remind you that the Brokedown Podcast is part of the Osiris Media. Osiris is creating a community that connects people like you with podcasts and live experiences about artists and topics you love. Sign up for the newsletter at OsirisPod.com to stay in the loop. Also, Osiris Media works in partnership with JamBase, which connects music fans with the music they love and empowers them to go see live music. Check them out at JamBase.com. Don't forget to follow the @BrokedownPod twitter account for regular news, live tweetstorms of shows as I listen, and other minutiae. We also have an Instagram account with the same handle. If you like pictures of things, you can find that here: BrokedownPod Instagram. Also, if you use iTunes, please consider posting a review as it really help get the word out.Also, please keep sending your metaphorical cards and letters. Leave a comment on the blog or hit me up on any of the above social media. Let me know what I'm doing right, wrong, or horribly wrong.
The Grateful Dead had a topsy-turvy 1969, the year the countercultural underground became a global youth phenomenon. There was the bum set at Woodstock. There was the nightmare of Altamont. And there was major financial stress, with large sums owed to Warner Brothers. Making matters worse, Mickey Hart’s father, Lenny—who the Dead brought on to manage their money—made off with all their cash, ultimately leading to Mickey’s self-imposed exile from the band. After two experimental albums and profound lysergic enmeshment, by 1970, the Dead were due for a refocus. Workingman’s Dead is the result of the blossoming songwriting partnership of Robert Hunter and Jerry Garcia, which produced timeless tunes of ragged glory. Newfound attention was paid to the group’s vocal blend, in part inspired by the Boys’ friendship with Crosby, Stills and Nash. All of this came together in a collection of songs that helped shape what we now call Americana music. But as with all things Dead, words cannot capture the true essence, although it’s always fun to try. So hitch your ride and pull up a seat in the cosmic country saloon that is Workingman’s Dead.We’re part of the Osiris podcast network. Osiris is creating a community that connects people like you with podcasts and live experiences about artists and topics you love. To stay up to date on what we’re up to, visit our site and sign up for our newsletter. Osiris works in partnership with JamBase, which connects music fans with the music they love and empowers them to go see live music. See acast.com/privacy for privacy and opt-out information.
I'm joined by guest Phil Stacey as we discuss the Grateful Dead's album American Beauty. Show notes: - Recorded at CompCon world HQ - Cover art could also be read as "American Reality" - Also released in 1970; recorded a few months after Workingman's Dead came out - Even more countrified, Americana-sounding - Mickey Hart was on his way out, less involvement - Featured on Freaks and Geeks episode where Lindsay gets into the Dead - Half the album features "hits": Box of Rain, Friend of the Devil, Sugar Magnolia, Ripple, Truckin' - Very low-key record - Play Ripple at Phil's funeral - On 50th birthday playlists - Phil's idea for a playlist: 5 songs from every year of his life, no repeat artists - Around this time, the Dead started really growing their fanbase - Dead fans started following them on tour - A lot of guests, including David Grisman - This album isn't as dark as the previous one - Another fairly concise record - The Dead played the old Boston Tea Party club (now House of Blues) on New Year's Eve 1969 - The sound on this album is more timeless than the original acid-rock - Jay: Just say no to DMB - Phil: More into the Dead's music than the scene - Truckin' is autobiographical, all about touring and getting hassled by the Man - Ends the album on an upbeat note, with some ripping lead guitar - Next up: Europe '72 Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.
I'm joined by guest Phil Stacey as we discuss the Grateful Dead's 1970 album Workingman's Dead. Show notes: - Recorded at CompCon world HQ - First show of the new year - Workingman's Dead is the band's 4th studio album - First of two releases in '70 - Recorded in nine days - Stripped down sound, less psychedelic - Garcia and Robert Hunter wrote the whole album - Folk, country, Americana elements - Rock was moving away from psychedelia, toward singer-songwriters and acoustic sounds - Bookended by two of the band's biggest songs - More of an emphasis on vocals like Crosby, Stills and Nash - "Suite Judy Blue Eyes" as a torture device - Phil: Prefer live Dead, but still break out the studio albums on occasion - Warm sounding record - "New Speedway Boogie" is about Altamont - Recently covered by Courtney Barnett - Hunter's solo releases are all over the place - Jay: Only heard two songs before - Fairly concise album; not much jamming - Moved away from acid blues into a new direction - "Easy Wind," sung by Pigpen, was the outlier - Like the Entwistle song on a Who album - "Casey Jones" evolved in an interesting way over the years - Talking about cocaine - Next up: American Beauty Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.
Listen closely (or not that closely if that’s how you prefer to listen) to the beginning of this episode and I clearly state that I expect everyone to stick to a discussion of Workingman’s Dead and to try and stay away from those all too iconic Grateful Dead live show images…What follows is an hour of hackey-sack jokes, sad attempts to noodle dance in the garage, and goofs on the chaos of a Dead live show in general (these are all things we assumed happened, cause we never actually attended a Grateful Dead show and hung out in the parking lot making burritos)… In between, we did get in a little discussion of this album, and how different the studio albums were from the live shows. So yeah, nailed it YET AGAIN!