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Super-creative, virtuoso pianist, Holly Bowling joins the show in the first-ever podcast recorded in The Green Room at Garcia's Chicago. Holly shares the etiology of her genre-crossing and improvisational style in between her two incredible debut appearances at this spectacular venue - playing the music of Phish and The Grateful Dead on solo piano! The episode delves into Holly's classical training, influences, and balancing the dual aspects of meticulous arrangement and spontaneous performance in her work, highlighting her diverse approaches to both solo and collaborative concerts.Holly fondly recalls with the hosts her time learning under Phil Lesh at Terrapin Crossroads and the impact it had on her musical career and relationships. The conversation takes listeners behind the scenes of Holly's musical endeavors during the pandemic, uniquely recording while immersed in spectacular national landscapes (The Wilderness Sessions), and how she cleverly lured GreenSky Bluegrass into her world. Holly also provides a glimpse into her personal life, including her experiences as a mother and the musical talent of her young son, Ryland.HIGHLIGHTSThe whole point of playing music for other people is to connect emotionally. It's the sameness of the human experience… we're all human doing this life thing together. My favorite shows I've ever attended are the ones where there is that kind of emotional range and depth, whether it's total joy and ecstasy to shows where I have wept in public. -Holly Bowling on how she uses the piano to evoke the emotions and feelings of an audience, much in the same way Jerry Garcia did with his guitar.I'm really excited about it. Everyone's like, “you're doing a solo piano show, a quiet listening thing at Cervantes?” I'm like, yes. It's going to be amazing. We're gonna totally turn the expectations upside down. It's also a party. My shows are a much more inward experience, so we're going to drop a grand piano in there, put seats in, and transform it in a way that most people have never seen Cervantes. -Holly Bowling on playing a show at the Cervantes Masterpiece Ballroom in Denver on July 2, 2025, the night before Phish's run in Boulder.LINKShttps://www.hollybowling.com/https://www.youtube.com/@HollyBowlingHolly Bowling Live Shows on nugs.nethttps://garciaschicago.live/ HOLLY BOWLING SUMMER SHOWS (2025)June 13-26: Northlands Music & Arts Festival, Swanzey, NHJune 22: Tower Theatre, Bend, ORJune 30: Alpenglow Concert Series, Crested Butte, COJuly 2: Cervantes' Masterpiece Ballroom, Denver, COJuly 3-6: High Sierra Music Festival, Quincy, CAJuly 17-18: SFJAZZ Center, San Francisco, CAJuly 20, 2025: Terrapin Road Show, San Rafael, CAAugust 1-3: Kaslo Jazz Etc. Festival, Kaslo, BCAugust 9: (with Greensky Bluegrass), Grand Targhee Bluegrass Fest, Alta, WYAugust 10: Re/Evolution Summerjam, Darrington, WASeptember 20-21: Annapolis Baygrass Music Festival, Annapolis, MDMUSICHolly Bowling – The Wilderness Sessions, Live From The Salt Flats
June 5, 2025 The hourglass is filling with sand. I've been working on this one over the past couple weeks and got the word that Phil Lesh passed, I knew that I needed to finish up and get the salutes ready. These four had unique lives and affected millions around the world, like many of the artists from the 60s & 70s did. This hour is a major tease. Do you have a story or memory of any of these artists that you might want to share? A Dead concert maybe? Or some piece of trivia? My email is TalesVinylTells@gmail.com. In case you've let it slip your mind, you can hear the initial radio show Wednesdays at 5 PM central time on RadioFreeNashville.org or on an actual radio at 103.7 in Nashville. The stream is more dependable and worldwide. If you'd like to help pay this program's bills, I welcome your sustaining monthly support. $5, 10, 25 a month helps so much. The details are at Patron.podbean.com/talesvinyltellssupport. Thank you! All TVT episodes are available FREE to listen to and FREE to download on your favorite podcast app except Spotify (their loss) and at StudioMillsWellness.com/tales-vinyl-tells, our first host. Thank you, Linda! And thanks for listening today. My email is talesvinyltells@gmail.com. If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, iHeart podcasts, Player FM podcasts, Listen Notes podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.
Enjoying the Ride: On TourThe Deadcast season finale hits shows at 3 legendary venues, exploring Dick Latvala's transformative experience at Red Rocks ‘79, Hollie Rose's tour journal, the wonders of the Alpine Valley parking lot, & when Shakedown Street got its name.Guests: David Lemieux, Jay Kerley, Hollie Rose, Rebecca Adams, Bill Lemke, Phil Garfinkel, Jim Jonze, Tom Ryan, Art Moss, Lisa Hitchcock, David Van Divier, Scott Bauer, Julie Dock, Mobile SteeleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this engaging episode restaurateur, music promoter, and local legend Chris 'Shaggy' Davis welcomes Tales From The Green Room and listeners to Day 2 of the 10th annual NOLA Crawfish Festival, a celebration that marries New Orleans' rich musical heritage with its vibrant culinary culture held at The Broadside New Orleans. The episode features an interview with rising star keyboard player/vocalist/singer song-writer, and band leader, 15-year-old River Eckert and his father, Jake Eckert. Father and son reflect on their musical journeys, from River's early days learning jazz and blues to Jake's extensive experience with the Dirty Dozen Brass Band and his current gig with The New Orleans Suspects. The conversation, recorded after River's appearance at the NOLA Crawfish Festival and an hour before his next gig playing with George Porter, Jr., delves into the significance of familial legacy in New Orleans music, personal anecdotes about growing up around legendary musicians, and the impact of the city's supportive musical community. A special guest appearance by Luther Dickinson (North Mississippi All-Stars and Crawfish Fest stalwart) adds to the rich tapestry of stories, illustrating the unique cultural ecosystem of New Orleans, with Luther revealing the secret to his improvisational skills. Additionally, Shaggy shares his personal history, from boiling crawfish in his backyard to founding Crawfish King (the episode's presenting sponsor along with Cochon King BBQ), and offers insight into the festival's evolution and his friendship with Dave Matthews.Episode Photo Gallery by Chris Applebaum Images – 4/29/25 at The Crawfish Festival, Including Photos from Episode 33 with The Rumble and an upcoming episode with Joe Marcinek and Rick King (NOLA Dead Funk Summit)HIGHLIGHTS To be honest, what I do, what I really get paid to do at the highest level and what I did with Phil Lesh, or what I did with the Black Crowes, or whatever, like high end, high octane stuff, fearless improvisation, I learned at The Maple Leaf. . Johnny (Vidacovich) and George (Porter) taught me how to roll…I'd show up with songs and set lists, but they didn't want that man. They didn't even want songs. They just wanted to improvise for two full sets. And it would scare me to death. But I learned how to do it, man. And that's the real juice.I have a huge debt to the New Orleans culture. -Luther Dickinson on his relationship with New Orleans It's not ever annoying to hang out with older people because they're the ones with the knowledge. I'm my age and my generation's the one who's learning in the present moment. So when I'm around all those guys, it's just I soak up any information that I can possibly get. -River Eckert on being 15 and hanging out with older guys in the music sceneThere's a lot of music in the family.My great-grandmother and great grandfather.My great grandmother was a well-known vaudeville musician, And they were really menstrual types and well known at the time, Goldie Green and Bart Green and that was way back, silent movies, you know. Every department store, every function. That was before sound and movies. So they kind of got going like that. I tracked my grandmother all around and learned that lifestyle. My grandmother said to me before she passed, she said, you know, you got the blessing and the curse!-Jake Eckert on growing up in a musical family.I started just having backyard boils outside of the fairgrounds. I was close with all the New Orleans musicians. I'm lucky to call 'em friends. So I used to say, hey,come play in this backyard…do a cheap ticket, all you can eat, crawfish kind of thing. And we'd get anyone from Anders Osborne to George Porter. It was just always cool. Put food and music together. It's kind of my jam.-Chris “Shaggy” Davis on the origins of the NOLA Crawfish FestivalLINKShttps://www.rivereckert.com/River Eckert YouTube Playlisthttps://neworleanssuspects.com/https://www.facebook.com/nolacrawfishfestivalhttps://www.lutherdickinson.com/https://broadsidenola.com/https://www.mapleleafbar.com/MUSICStack-A-Lee | River Eckert - with George Porter Jr, Terence Higgins, and John FohlRiver Eckert Music YouTube ChannelThe Black Crowes LIVE: Luther Dickinson's 'Ozone Mama' Solo on a Dubreuille Classic livedownloads YouTube Channel Polytoxic w Jake Eckert "Do What You Gotta Do" 4/14/2012 @ Quixotes 400 Watt Room, DenverWspanicbrad YouTube ChannelSPONSOR LINKSNOLA Crawfish King – Seafood & CateringCochon King BBQSpecial thanks to Luther Dickinson, Nick Burlison & Chris Applebaum/Applebaum Images
Allman Brothers Band w/Phil Lesh and Bob Weir I Know You Rider 20:11 The Beacon NYC 03/28/2009 Allman Brothers Band w/ Phil Lesh and Bob Weir Sugaree 16:33 The Beacon NYC 3/28/2009 Grateful Dead w/Gregg and Duane Allman Dark Star 16:18 Fillmore East NYC 02/11/1970 Grateful Dead w/Gregg and Duane Allman Spanish Jam 9:40 Fillmore […]
Join hosts Tami Larson and Dennis Strazulo as they dive into the vibrant atmosphere of JazzFest 2025, with this episode recorded at The Broadside in New Orleans during the 10th Annual Crawfish Festival. In this episode, the first of several generated from JazzFest, the focus is on the experiences of the captivating, modern New Orleans funk band, The Rumble, authors of a sound they dub "New Orleans Mardi Gras Funk!" Special guest co-host, Wally Ingram, joins the first part of the episode, engaging with The Rumble's co-founder and soulful guitarist, Ari Teitel and its super talented keyboard player, Andriu “Yano” Yanovski, as they reflect on their hard working paths to success as Grammy nominated musicians. The conversation flips to Ari, Andriu and the hosts delving into Wally's storied journey playing with the likes of Timbuk 3, David Lindley, Sherly Crow, Phil Lesh, Bob Weir, Bonnie Raitt, Jackson Browne, Crowded House, George Clinton, and David Nelson, making Wally a beloved percussionist/drummer across music genres. As these remarkable artists muse about their influences and mentors, Wally shares stories of his role as mentor for his bass-playing daughter Lydia's friend, Paolo Pesce and his rising band, Great Big Cow, while exuding praise and respect for the New Orleans music scene and much more!Ari and Andriu visit with Tales From The Green Room fresh off their set with The Gangsters of Love, performing the music of Johnny “Guitar” Watson on the opening day of the Crawfish Festival. When not playing with The Rumble you can catch Ari playing with Ivan Neville's Dumpstaphunk and Andriu jamming with David Shaw of The Revivalists, or sitting in with a myriad of ensembles around The Crescent City and across the USA. The duo also make up the-thirds of the sensational improv band, AX3.The backstage banter continues as the hosts chat it up with other members of The Rumble - leader and co-founder Chief Joseph Boudreaux, Jr., trumpet player Aurelien "Sunpie" Barnes, bassist TJ Norris, and inspirational drummer Trenton O'Neal - moments before they hit the stage on day two of Crawfish Fest. The artists explore the band's formation, intentional approach, and dynamic performances. The band members also delve into their cultural and musical heritage with engaging anecdotes, industry insights, and a celebration of New Orleans' rich musical tradition. This episode captures the essence of The Rumble's journey and their undeniable impact on New Orleans music and beyond!Catch The Rumble at High Sierra Music Festival 2025 July 3-6!Episode Photo Gallery by Chris Applebaum Images – 4/28/25 Episode Photo Gallery by Chris Applebaum Images – 4/29/25HighlightsThere's something about the groove here. It's different. I kind of always say I don't trust a drummer who hasn't spent some time in New Orleans. Yeah. I mean, it's just, it's in the air. You feel it, you're so spoiled down here, man. It's just amazing. It's unifying too!-Wally Ingram praising the New Orleans music scene Detroit's got such a rich musical tradition, and I had a chance to come up under a lot of the greats and people like Ralph Armstrong, who played with Mahavishnu Orchestra and got a chance to play with Allan Barnes, sax player from Donald Byrd and the Blackbyrds. I had great teachers like Rodney Whitaker, the great upright bass player in Detroit. So I got a strong foundation in blues bebop, R&B, and then played in church and also in Michigan there was a strong jam band community, so I was kind of always in and out of that.-Ari Teitel on learning from the greats in his home state of MichiganIt opens you up. You stay open for the moments, for those times when you might go off script. But that's where the magic is. That's the sauce. Those are the moments I freaking live for. You're on the edge, you don't know what's gonna happen, and then you come up. Especially if I were playing with like Wally or Andrew, I'm confident in that unknown. It will present a lot of opportunities for some great moments, and in those moments you discover some new musical ground and then everybody shares a smile.-Ari Teitel on how his jazz training opens him up to magical musical momentsWhen I was 19, I met Clyde Stubblefield. in Madison, Wisconsin. A friend of mine brought him to see me play, and I met him and I asked him if he teaches lessons. He goes, no, no man, just play. Just come down every Monday night. I'm at this club. Just come down. So I would go down there and watch him play. Just like what you guys were talking about. And he would say, oh yeah, you're that guy. A drummer, okay, you're up next set. And you'd have to just sit in with his band, which is a full R&B band with horns and they'd be like, oh shit. Clyde's got another drummer. Shit. So you'd have to sit in with his band and hold your own. He was very open to that. And we became great friends his whole life and we played together a lot.-Wally Ingram on learning from legendary James Brown drummer, Clyde StubblefieldI was at the show seeing Robert Randolph when I was 11 years old. My dad got everybody in the section to point at me…this kid, this kid! So he calls me up. I played for two minutes and then his guitar tech came to usher me off. Like, okay, that was it. Good job buddy. And then Rob Randolph waved him off, and said, no, no, no, he's staying up. So I played a whole 20 minutes with him. He lifted me up. Yeah. Put me on top of a chair. I didn't know it was happening, my legs were flailing!-Ari Teitel reflecting on his big moment on stage with Robert Randolph at age 11 I didn't really know the function of a keyboard in a band fully until I heard about Ray Charles and heard what he did for the first time. I had never played a Rhodes piano. It felt insane the first time I played one. It was Ray Charles really that opened my mind. And then it was like Art Tatum and Oscar Peterson. And that was cool with my parents 'cause they were classically proficient. But then it started to deepen. Then you, obviously, learn about Miles Davis
The Deadcast cruises down the eastern seaboard, including stops in Hartford, Hampton, Philadelphia, and Landover, featuring touring tips, another police chase, & a visit to the White House.Guests: David Lemieux, Sam Cutler, Dennis Alpert, Tyler Roy-Hart, David Leopold, John Leopold, Rebecca Adams, Brian Schiff, Gary Lambert, Chris Goodspace, Winslow Colwell, Scott Jones, Chad EylerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We're extremely excited to present part one of our talk with the Phil Lesh of Deerhoof, Greg Saunier. Deerhoof has been a favorite band of Brandon and me (Rob, the guy Greg keeps making fun of for saying dumb shit) for roughly 20 years. Although Deerhoof was an integral element of us becoming extremely cool dudes into challenging media that's far too intellectual for most people, I think we all agree with Greg's assessment of Deerhoof as a pop band. Of 90s/00s rock bands, it feels disingenuous to consider their noisiness more alienating than Sonic Youth, their lyrics more abstract than Pavement, or their overall vibe weirder than Bjork. Seeing Deerhoof in concert is nearly as accessible as seeing their greatest stylistic influence, the Rolling Stones.That said, the show opens with an attempt to recreate the original edit of their first 7”, The Return of the Wood M'Lady. But we close out with one of Ty Segall's daughter's favorite songs, Panda Panda Panda.Find more on Greg at Deerhoof's website or follow his political rants on Instagram.For more of Jennifer's discussions on polyamory, communism, and Christianity, check out The Dirtbag Christian. For more from me, the feature from my video zine with the POTUS of Noise, Bucko Crooks, is on his YouTube. And eventually Brandon's YA graphic novel on the history of skateboarding with AJ Dungo will be out on Flying Eye Books. Also, we're putting out a cassette for the 10th anniversary of the Edgar Allen Poecast and we're doing a new one this year. For more info on participating in that or other guest suggestions, email me at rob@undressingunderground.comPart two's up next week. Although we talked for two hours, we still didn't get a chance to ask about other members of Deerhoof, their new album, Greg's other projects, or how to pronounce Saunier.
This week we have a true “Smorgasbord” for you from top musicians to comedians. Event organizers to seed bank moguls we have a little bit of everything. Starting with @rob_barraco who has played with Phil Lesh and Friends, The Dead, Dark Star Orchestra, Chris Robinson & New Earth Mud, the Zen Tricksters, Red Flannel Hash, and The Dragonflys. He will be here in Colorado June 6th @mishawakaamphitheatre playing with SAGES & SPIRITS. Rob is a true legend with an amazing career hopefully coming on our show won't knock em down a peg. To have a true Smorgasbord we needed to bring our second guest back on @wallyzamwa to showcase his documentary “Mary & I” an expose on the country of Sweden's peculiar relationship with Cannabis. For an extremely Liberal country the one thing they can't seem to get a handle on is our favorite plant.Hopefully he makes this time our suggestion is more coffee less sleeping pills. Also joining meal we have our friends from @omgeventsllc in NY that are putting on the 2nd annual KUSH & SOUR Competition this Sun with lots of our friends competing or judging @rosindogs, @newterpcity, @therealtopdawgseeds , @therealgreenbodhi , @grovebags ,@bokashiearthworks just to mention a few. Finally we have our “Man on the Scene @the_real_james_bean James Bean from @shn_seed_bank coming on to announce his new updated website that includes his AI Bot called “BEANIE” that you can ask anything. This along with an updated auction feature makes getting genetics not only easier but more fun or as Dave would say Funerer. So get that @dabx GO rig charged your @jerome_baker bong Clean with some ice
The Deadcast makes a beeline for the northeast, focusing on shows from legendary venues in the Manhattan and Boston areas included on the new Enjoying the Ride box, including ESP experiments, weed smuggling, free jazz titans, multiple police chases, and more.Guests: David Lemieux, Ron Rakow, Sam Cutler, Richie Pechner, Allan Arkush, Ned Lagin, Gary Lambert, Blair Jackson, Stanley Krippner, Rebecca Adams, Johnny Dwork, John Scher, Michael Simmons, Tyler Roy-Hart, Henry K, Howie Levine, Kenny Schiff, Debbie RondeauSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
I'm super excited to welcome Bill Payne, founding member of @littlefeat_official, for this week's episode!! For over five decades, Bill has been playing music and delighting fans with his expert piano and keyboard playing, great vibes and amazing songwriting. Bill is also a legendary collaborator and has played on 100s of albums and toured with a legion of amazing bands in addition to his enduring commitment to the music of Little Feat. He's toured with The Doobie Brothers, James Taylor, Simon & Garfunkel, Jimmy Buffett and Bonnie Raitt just to name a few. Bill is also a noted photographer and author, and is currently working on a memoir documenting a life in music and his passion for collaboration.Little Feat is still going strong -- producing music full-time -- and are excited about the release of their first studio album in 15 years, Strike Up The Band, out May 9. They're hitting the road in May with tour dates throughout the remainder of the year.Bill is a stellar human with a terrific sense of humor — he's a kind soul with a firm grasp of the history of music and his place in that world — and it's truly an honor to share this interview with all of you!! Enjoy!!Show Notes:New Little Feat album, Strike Up The Band, out May 9!!More info on Little Feat and tour dates, click here For more info on Bill Payne's artistic and creative efforts, click here for Bill's website: Bill Payne CreativeDon't forget to please leave a review describing what you enjoyed most about this episode!! Thanks for listening!! =============================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email: info@roadcasepod.comRoadcase theme music: "Eugene (Instrumental)" by Waltzer
In this episode of Prisoners of Rock and Roll, we're diving into the shadows of the stage—the bass players, the four-string rebels who hold down the low end.. These aren't just rhythm keepers; they're the heartbeat of rock, the growl in the groove. We've put together a list of some of the most iconic bass players in music history. James Jamerson, the legendary Motown musician who played the slinky groove for What's Going On while laying drunk on the studio floor. Bootsy Collins and his cosmic funk. Lemmy eating lightning and crapping thunder as the bassist for Motorhead. The psychedelic jams of Phil Lesh, the jazz fire of Charles Mingus, and Les Claypool's…whatever it is that he does. Paul McCartney, The Ox, John Paul Jones, Donald Duck Dunn, and Carol Kaye. They're musicians who broke out of the background, proving the bass isn't just support—it's the pulse of the music. So turn it up, feel the rumble, and let's give these low-end legends the stage they deserve. Episode Playlist Check out our episode playlist here. Get In Touch Check us out online, on Facebook, Twitter, or YouTube. or drops us an email at show@prisonersofrockandroll.com. Or if you're in Philadelphia, come visit our home base at McCusker's Tavern. Prisoners of Rock and Roll is part of Pantheon Media. We're sponsored by Boldfoot Socks. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Prisoners of Rock and Roll, we're diving into the shadows of the stage—the bass players, the four-string rebels who hold down the low end.. These aren't just rhythm keepers; they're the heartbeat of rock, the growl in the groove. We've put together a list of some of the most iconic bass players in music history. James Jamerson, the legendary Motown musician who played the slinky groove for What's Going On while laying drunk on the studio floor. Bootsy Collins and his cosmic funk. Lemmy eating lightning and crapping thunder as the bassist for Motorhead. The psychedelic jams of Phil Lesh, the jazz fire of Charles Mingus, and Les Claypool's…whatever it is that he does. Paul McCartney, The Ox, John Paul Jones, Donald Duck Dunn, and Carol Kaye. They're musicians who broke out of the background, proving the bass isn't just support—it's the pulse of the music. So turn it up, feel the rumble, and let's give these low-end legends the stage they deserve. Episode Playlist Check out our episode playlist here. Get In Touch Check us out online, on Facebook, Twitter, or YouTube. or drops us an email at show@prisonersofrockandroll.com. Or if you're in Philadelphia, come visit our home base at McCusker's Tavern. Prisoners of Rock and Roll is part of Pantheon Media. We're sponsored by Boldfoot Socks. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Deadcast's tour of Enjoying the Ride trucks all the way to the East Bay, exploring beloved venues including the Greek Theater & Kaiser Auditorium, with tales of the Hog Farm's Skeleton Crew & vintage field recordings from Oakland Coliseum Arena's parking lot. Guests: David Lemieux, Ron Rakow, Kevin Schmevin, Mark Pinkus, Blair Jackson, Steve Silberman, Rebecca Adams, David Gans, Johnny Dwork, Tyler Roy-Hart, Steven Bernstein, Robert Nyberg, Chad KroegerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast begins our virtual tour of the new Enjoying the Ride box, visiting the cradle of the Dead in Palo Alto/Menlo Park (with a detour to visit the Warlocks' earliest shows) before heading to San Francisco with stops at the Fillmore West and Winterland.Guests: Connie Bonner Mosley, Ron Rakow, Ned Lagin, Ron Pietrowski, Tyler Roy-Hart, Les Earnest, Doug Oade, Eric Schwartz, Blair Jackson, Michael Parrish, Dominic Stefano, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Send us a textCONTENT WARNING: There are references to suicide as they relate to the lyrics of the song “China Doll.” (Discussion begins at 28:27 and ends at 31:53.)On this episode, L.A.-based singer-songwriter Dylan Rodrigue joins Al to introduce him to the Grateful Dead's 1974 album From the Mars Hotel. Dylan talks about why he selected this album to discuss, and why he thought it would be a great gateway for Al to learn more about the Grateful Dead. He talks about the progressive rock and jazz fusion influences that can be heard on the album, and he breaks down some of the album's lyrics. Dylan also talks about his Grateful Dead cover band, Smile Smile Smile, his latest album Sunshine and his upcoming album The Meaning of a Kiss.Be sure to follow Dylan and Smile Smile Smile on Instagram!@dylanrodriguemusic@smilesmilesmilebandYou can find Dylan's music on Bandcamp at dylanrodrigue.bandcamp.com.Al is on Bluesky at @almelchior. This show has an account on Instagram at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.1:18 Dylan joins the show1:59 Dylan recalls his earliest memories of listening to the Grateful Dead with his father5:43 Dylan explains why he chose From the Mars Hotel for this episode8:11 Al talks about the baggage he brought to this episode11:14 Dylan cites the various features that make From the Mars Hotel a standout album13:31 Al was surprised by some of the keyboard sounds on the album16:09 Dylan and Al talk about the album's cover art18:34 Al shares his reaction to the album21:34 Dylan and Al discuss the progginess of “Unbroken Chain”23:51 Al gives his opinion on some of the other tracks24:54 Dylan thinks the prog feel extends to several of the album's tracks27:04 Dylan focuses on the Dead's lyricists and their lyrics31:53 Dylan sees some parallels between the Grateful Dead and Steely Dan34:43 Dylan talks about Phil Lesh's approach to songwriting37:17 Dylan has plenty of experience playing the songs off of From the Mars Hotel40:06 Dylan talks about the ways that the Grateful Dead have–and haven't—been an influence on his work43:02 Al likes the Grateful Dead's louder moments45:18 Dylan and Al sum up their thoughts about From the Mars Hotel 47:21 Dylan explains why he went in a different direction with Sunshine52:38 Dylan talks about his upcoming album, The Meaning of a Kiss55:35 Dylan talks about his tour plans57:04 Al looks back on having made episodes over the last four-plus yearsOutro music is from “Ricochet” by Dylan Rodrigue.Support the show
Join host Lij Shaw as he dives into the sonic journey of audio engineering with Dave Glasser, founder of Airshow Mastering, revealing the secrets behind mastering timeless records like those of the Grateful Dead. In this episode of Recording Studio Rockstars, Dave shares his rich 35-year experience—from tape transfers using the Plangent Process to his days at NPR—while exploring the delicate balance of preserving the essence of live music and adapting to modern audio standards. Tune in for insights on the intricacies of mastering jazz records, the evolution of sound quality, and the magic of Phil Lesh's iconic bass. Whether you're a seasoned engineer or just starting out, Dave's passion and curiosity will inspire you to elevate your own audio projects. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Glasser, founder and chief engineer at Airshow Mastering. David has over 35 years of experience in audio engineering and has mastered thousands of records, including more than 80 GRAMMY nominees. He's a three-time nominee himself, earning two Grammys for mastering and restoration work on the Anthology of American Folk Music and Screamin' and Hollerin' the Blues: The Worlds of Charley Patton. David's career began with the Boston Symphony Orchestra, followed by eight years of recording and production for NPR. He founded Airshow in 1983 and transitioned to full-time mastering in 1990. In 1997, he expanded to Boulder, Colorado, and later built a new state-of-the-art facility in 2016, where he continues to lead a busy mastering practice. Special thanks to Matt Boudreau for the introduction! And this episode is dedicated to the memory of Phil Lesh. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://stealthchair.com/ Use code ROCK10 to get 10% off! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0YqgLkpCEH5Toiybhl73S4?si=6ab393990ad44695 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/500
For the 50th anniversary reissue of Tiger Rose, we explore the lost story of Robert Hunter & Jerry Garcia's only full-length studio collaboration, the Dead lyricist's 2nd solo album, produced by Garcia & performed by an all-star cast including Garcia, Mickey Hart, & Donna Jean Godchaux.Guests: Kathy Veda Vaughan Bogert, Mickey Hart, Barry Melton, Ron Rakow, Howie LevineSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the 2nd part of the Deadcast's Phil Lesh tribute, we get deep into his singular bass playing with Phil's son & bandmate Grahame, Phish's Mike Gordon, & musicologist Rob Collier, while touring Phil's high adventures with Ned Lagin, radio co-host Gary Lambert, & other friends.Guests: Grahame Lesh, Mike Gordon, Ned Lagin, David Crosby, David Lemieux, Gary Lambert, Rob CollierSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
A roaring Scarlet>Fire leads off this week's Deadpod from the second set of the band's performance at the Rainbow Theater in London England on March 20, 1981. They keep up the momentum throughout, going into a nice Sailor>Saint, then slowing things down with a beautiful He's Gone.. the transition to Drums is worthy of note, as is the transition, led by Phil Lesh, into a rousing Truckin' that leads off the post-drums segment. Wharf Rat is heartfelt and emotional, but they lead us back into some serious rockin' with Around and Around and Johnny B. Goode, not to mention a nice U.S. Blues encore. Grateful Dead Rainbow Theatre London, England 3/20/1981 - Friday Two Scarlet Begonias > Fire On The Mountain > Lost Sailor > Saint Of Circumstance > He's Gone > Drums > Space > Truckin' > Wharf Rat > Around And Around > Johnny B. Goode Encore U.S. Blues You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod031425.mp3 beware the Ides of March! :)
The Deadcast begins its 11th season with a celebration of the Grateful Dead's Phil Lesh, drawing on archival interviews to explore his unusual trajectory from jazz trumpet to avant-garde composition to rock and roll bass, and welcoming special guest Mike Gordon of Phish.Guests: Mike Gordon, Oteil Burbridge, Sam Cutler, David Lemieux, Gary LambertSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This week on SOA, we welcome master of Hill Country blues guitar and beyond, Mr. Luther Dickinson! Luther sits down for a great chat about his storied career, including his time in The Black Crowes, working with Phil Lesh and the thread that runs through it all, North Mississippi All-Stars! It's a great conversation you definitely don't want to miss!
In this episode of "Tales From The Green Room" Sam Grisman Project mainstays Max Flansburg and Chris English visit with hosts Dennis Strazulo and Tami Larson backstage at Terrapin Crossroads' Sunday Day Dream Vol. 4 in San Rafael, CA. Max Flansburg shares his experience of visiting California for the first time, his musical beginnings in the Finger Lakes region, and joins the roster of stellar guitar players marveling at the mystical encounters surrounding their playing of Jerry Garcia's iconic Alligator Stratocaster, with his own jaw-dropping story! Percussionist extraordinaire Chris English reflects on his rich musical background rooted in a family of pastors, delves into the background of the formation of SGP and describes the emotions of band leader Sam Grisman as he prepared to step in for the ailing Phil Lesh with the day's headliners moments after the interview. Both guests describe the magic moment from the night before when Billy Strings joined the band during their show at the UC Theater in Berkeley along with long-time friend and cross-genre violinist, Alex Hargreaves - adding an exciting twist to the backstage tales told by these fine musicians. It's a perfect warm up for anyone planning to catch SGP shows as they tour the country, and a chance for listeners who have already heard this must-see band to learn more about two of its extraordinary members. Listen and you'll want to hang out with them!MusicDawg FunkSam Grisman ProjectLinkshttps://www.samgrismanproject.net/ https://www.dirtyblanket.net/ https://chrishollywoodenglish.com/ https://www.sundaydaydream.com/ https://www.alexhargreaves.net/ https://www.billystrings.com/ https://peter-rowan.com/
Here at The Loudini Rock & Roll Circus podcast we love horror films and we love great rock and metal. Put the two together and it you have two great tastes that taste great together. For this years Halloween "Spook-tacular" we will take you on a haunted tour of some of our favorite horror sound tracks that feature great rock and metal bands What we did this week: Lily: Kennywood, Disney on ICe, Loudini: Azrael, Snakes on a plane Retrospective (Minty), Joe Brown on Ike & Tina (Art of Dialogue), Bands shooting themselves in the foot with YouTube (Rock Feed), The early days of MTV (polyphonic), Japanese words that Americans don't understand (Mrs Eats), Adams Family Retrospective (Minty), Joe Rogan OMG!, R.I.P. Phil Lesh & Teri Gar, A.I. and Loudini 1. Trick or Treat (1986) Synopsis: Eddie Weinbauer, a high school outcast and heavy metal fan, discovers that his favorite rock star, Sammi Curr, has died in a mysterious fire. When he plays one of Curr's unreleased albums backward, he unwittingly resurrects the rocker as a supernatural force seeking revenge. Soundtrack: The soundtrack features Fastway, a British rock band that composed most of the music for the film, giving it an authentic 80s heavy metal vibe. Background: This cult classic explores themes of rebellion and the "Satanic Panic" of the 1980s, with cameo appearances by rock icons Ozzy Osbourne (playing a conservative talk show host) and Gene Simmons. 2. Queen of the Damned (2002) Synopsis: Based on Anne Rice's novel, this film follows vampire Lestat, who awakens from slumber to become a rock star, attracting the attention of other vampires and the ancient Queen Akasha, who wishes to rule alongside him. Soundtrack: Korn's Jonathan Davis worked with composer Richard Gibbs to produce tracks, with contributions from bands like Disturbed, Deftones, and Marilyn Manson. Background: The soundtrack was a defining feature, creating a unique, moody soundscape that reflects the gothic and seductive qualities of Rice's vampire world. 3. The Crow (1994) Synopsis: Eric Draven, a musician, returns from the grave to avenge his and his fiancée's murder on the night before Halloween. Guided by a mystical crow, he confronts the killers in a stylized, gritty urban landscape. Soundtrack: The dark and atmospheric soundtrack includes Nine Inch Nails, The Cure, Rage Against the Machine, and Stone Temple Pilots. Background: The Crow became iconic, partially due to its haunting soundtrack, and remains influential for its combination of rock music with the film's themes of love, vengeance, and loss. 4. Bride of Chucky (1998) Synopsis: Killer doll Chucky is resurrected by his former lover, Tiffany. After a ritual goes awry, she's trapped in a doll's body as well. Together, the murderous dolls embark on a chaotic journey to find new bodies. Soundtrack: The edgy soundtrack features Rob Zombie, Slayer, Judas Priest, and Type O Negative. Background: Known for its dark humor, Bride of Chucky refreshed the Child's Play series, and its soundtrack added a gritty, punk-rock feel to the horror-comedy. 5. Return of the Living Dead (1985) Synopsis: When a chemical leaks at a medical supply warehouse, it causes the dead to rise and wreak havoc in a nearby town. A group of punk teens finds themselves at the center of the chaos. Soundtrack: The punk-driven soundtrack includes The Cramps, T.S.O.L., and 45 Grave. Background: Blending punk culture with zombie horror, this film is notable for its humor, gore, and punk soundtrack, which complements its rebellious, chaotic spirit. 6. Demon Knight (1995) Synopsis: A mysterious drifter named Brayker seeks refuge in a rundown hotel while being pursued by a demonic entity called The Collector, who wants a relic Brayker holds. Soundtrack: The soundtrack includes Pantera, Megadeth, and Ministry. Background: Part of the "Tales from the Crypt" film series, this movie's soundtrack and horror-action elements captured a blend of supernatural horror with hard-hitting rock. 7. Freddy vs. Jason (2003) Synopsis: Freddy Krueger and Jason Voorhees, two iconic killers from horror franchises, come face-to-face in a battle, with teens caught in the crossfire. Soundtrack: The soundtrack features Ill Nino, Slipknot, Sepultura, and Spineshank. Background: Featuring a high-energy soundtrack, this crossover slasher appealed to metal fans and is known for its adrenaline-filled music. 8. House of 1000 Corpses (2003) Synopsis: Two couples on a road trip through rural America stumble upon a bizarre museum run by a man named Captain Spaulding. Their curiosity leads them into the lair of the Firefly family, where terror and madness unfold. Soundtrack: The soundtrack, curated by director Rob Zombie, includes songs by Zombie himself along with Buck Owens and The Ramones, adding a gritty, Southern rock vibe. Background: Rob Zombie's directorial debut is heavily influenced by grindhouse films and 1970s horror. The music complements its chaotic and disturbing tone, with Zombie's own tracks amplifying the twisted atmosphere. 9. Resident Evil (2002) Synopsis: Alice, an amnesiac security operative, teams up with a group of commandos to investigate a deadly virus outbreak in a high-tech facility known as The Hive. Their mission pits them against reanimated corpses and mutated creatures. Soundtrack: The soundtrack features Slipknot, Marilyn Manson, and Coal Chamber, creating an industrial, high-energy backdrop for the action-horror elements. Background: Known for its intense action sequences and blend of horror with sci-fi, the soundtrack's industrial metal sound contributes to the futuristic, menacing feel of the film. 10. Dracula 2000 (2000) Synopsis: In this modern adaptation, Dracula is accidentally revived in New Orleans, where he targets the daughter of the man who once tried to contain him. The story intertwines classic vampire lore with contemporary themes. Soundtrack: Featuring bands like Pantera, Slayer, System of a Down, and Linkin Park, the soundtrack is heavy with rock and metal tracks. Background: This retelling of the Dracula story embraces a darker, edgier approach, with a soundtrack that enhances its themes of immortality and rebellion against tradition. New & Notable: Loudini: Trope; Planes Lily: Blacklist Union; Hey Mr. Superstar
The Deadcast concludes its dive into Robert Hunter's 1962 book, The Silver Snarling Trumpet (and its 10th season), exploring teenage Jerry Garcia's adventures with his friends Alan Trist and Brigid Meier in Palo Alto, and how this early scene gave way to the Grateful Dead.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
To celebrate the Deadcast's 100th episode, we begin a 2-part special joined by the co-stars of Robert Hunter's newly-published 1962 book, the Silver Snarling Trumpet, a startling in-the-moment account of his and Jerry Garcia's formative years in Palo Alto.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.