Podcasts about haight ashbury

The Deadcast cruises down the eastern seaboard, including stops in Hartford, Hampton, Philadelphia, and Landover, featuring touring tips, another police chase, & a visit to the White House.Guests: David Lemieux, Sam Cutler, Dennis Alpert, Tyler Roy-Hart, David Leopold, John Leopold, Rebecca Adams, Brian Schiff, Gary Lambert, Chris Goodspace, Winslow Colwell, Scott Jones, Chad EylerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast makes a beeline for the northeast, focusing on shows from legendary venues in the Manhattan and Boston areas included on the new Enjoying the Ride box, including ESP experiments, weed smuggling, free jazz titans, multiple police chases, and more.Guests: David Lemieux, Ron Rakow, Sam Cutler, Richie Pechner, Allan Arkush, Ned Lagin, Gary Lambert, Blair Jackson, Stanley Krippner, Rebecca Adams, Johnny Dwork, John Scher, Michael Simmons, Tyler Roy-Hart, Henry K, Howie Levine, Kenny Schiff, Debbie RondeauSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dennis McNally was the Grateful Dead's publicist in the mid-‘80s, one of many reasons why he's supremely qualified to write his new book about the birth of the counterculture in America's West and East Coast and Britain. ‘The Last Great Dream: How Bohemians Became Hippies And Created the Sixties', a celebration of music, beat poetry, radical thinking, free speech and artistic liberty, seems even more precious now in the light of recent events. All sorts are discussed here, these being some of the highlights …  … how the Summer of Love of ‘67 actually happened in the Fall of ‘66 in Haight-Ashbury. … “rigid, stagnant, terrifying”: early ‘60s America before the revolution.  … the three key cities that “experimented with freedom”. ... how San Francisco “cherished strangeness” and had a self-proclaimed ruler, Emperor Norton, who created his own currency. … how the Grateful Dead - “the ultimate example of the bohemian pulse writ large in music” – spent $1m building a sound system when they were earning $125 a week. … the influence of Private Eye, Beyond The Fringe and That Was The Week That Was on British culture. And of Lenny Bruce, the Hungry I club, Bill Cosby, Woody Allen and Mort Sahl in America. … how Rebel Without A Cause and the Wild One helped establish the West Coast as rebellious. … “there are two flags of freedom – one to make as much money as possible, the other to be as open-minded and thoughtful about everything”. … Eisenhower said “in God we trust!” But which God? … the entire security for the 25,000 crowd at the Human Be-In in Golden Gate Park was two mounted policemen. … “nothing is more fun than researching”. ... how the counter-culture was created with very little money or technology. Order the Last Great Dream here: https://www.amazon.co.uk/Last-Great-Dream-Bohemians-Hippies/dp/0306835665Help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Dennis McNally was the Grateful Dead's publicist in the mid-‘80s, one of many reasons why he's supremely qualified to write his new book about the birth of the counterculture in America's West and East Coast and Britain. ‘The Last Great Dream: How Bohemians Became Hippies And Created the Sixties', a celebration of music, beat poetry, radical thinking, free speech and artistic liberty, seems even more precious now in the light of recent events. All sorts are discussed here, these being some of the highlights …  … how the Summer of Love of ‘67 actually happened in the Fall of ‘66 in Haight-Ashbury. … “rigid, stagnant, terrifying”: early ‘60s America before the revolution.  … the three key cities that “experimented with freedom”. ... how San Francisco “cherished strangeness” and had a self-proclaimed ruler, Emperor Norton, who created his own currency. … how the Grateful Dead - “the ultimate example of the bohemian pulse writ large in music” – spent $1m building a sound system when they were earning $125 a week. … the influence of Private Eye, Beyond The Fringe and That Was The Week That Was on British culture. And of Lenny Bruce, the Hungry I club, Bill Cosby, Woody Allen and Mort Sahl in America. … how Rebel Without A Cause and the Wild One helped establish the West Coast as rebellious. … “there are two flags of freedom – one to make as much money as possible, the other to be as open-minded and thoughtful about everything”. … Eisenhower said “in God we trust!” But which God? … the entire security for the 25,000 crowd at the Human Be-In in Golden Gate Park was two mounted policemen. … “nothing is more fun than researching”. ... how the counter-culture was created with very little money or technology. Order the Last Great Dream here: https://www.amazon.co.uk/Last-Great-Dream-Bohemians-Hippies/dp/0306835665Help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

I've been in London this week talking to America watchers about the current situation in the United States. First up is Edmund Fawcett, the longtime Economist correspondent in DC and historian of both liberalism and conservatism. Fawcett argues that Trump's MAGA movement represents a kind of third way between liberalism and conservatism - a version of American populism resurrected for our anti-globalist early 21st century. He talks about how economic inequality fuels Trumpism, with middle-class income shares dropping while the wealthy prosper. He critiques both what he calls right-wing intellectual "kitsch" and the left's lack of strategic vision beyond its dogma of identity politics. Lacking an effective counter-narrative to combat Trumpism, Fawcett argues, liberals require not only sharper messaging but also a reinvention of what it means to be modern in our globalized age of resurrected nationalism. 5 Key Takeaways* European reactions to Trump mix shock with recognition that his politics have deep American roots.* Economic inequality (declining middle-class wealth) provides the foundation for Trump's political appeal.* The American left lacks an effective counter-narrative and strategic vision to combat Trumpism.* Both right-wing intellectualism and left-wing identity politics suffer from forms of "kitsch" and American neurosis.* The perception of America losing its position as the embodiment of modernity creates underlying anxiety. Full TranscriptAndrew Keen: Hello everybody, we are in London this week, looking westward, looking at the United States, spending some time with some distinguished Englishmen, or half-Englishmen, who have spent a lot of their lives in the United States, and Edmund Fawcett, former Economist correspondent in America, the author of a number of important books, particularly, Histories of Liberalism and Conservatism, is remembering America, Edmund. What's your first memory of America?Edmund Fawcett: My first memory of America is a traffic accident on Park Avenue, looking down as a four-year-old from our apartment. I was there from the age of two to four, then again as a school child in Washington for a few years when my father was working. He was an international lawyer. But then, after that, back in San Francisco, where I was a... I kind of hacked as an editor for Straight Arrow Press, which was the publishing arm of Rolling Stone. This was in the early 70s. These were the, it was the end of the glory days of Haight-Ashbury, San Francisco, the anti-war movement in Vietnam. It was exciting. A lot was going on, a lot was changing. And then not long after that, I came back to the U.S. for The Economist as their correspondent in Washington. That was in 1976, and I stayed there until 1983. We've always visited. Our son and grandson are American. My wife is or was American. She gave up her citizenship last year, chiefly for practical reasons. She said I would always feel American. But our regular visits have ended, of course. Being with my background, my mother was American, my grandfather was American. It is deeply part of my outlook, it's part of my world and so I am always very interested. I read quite a bit of the American press, not just the elite liberal press, every day. I keep an eye on through Real Clear Politics, which has got a very good sort of gazetteer. It's part of my weather.Andrew Keen: Edmund, I know you can't speak on behalf of Europe, but I'm going to ask a dumb question. Maybe you'll give me a smarter answer than the question. What's the European, the British take on what's happening in America? What's happened in this first quarter of 2025?Edmund Fawcett: I think a large degree of shock and horror, that's just the first reaction. If you'll allow me a little space, I think then there's a second reaction. The first reaction is shock and terror, with good reason, and nobody likes being talked to in the way that Vance talked to them, ignorantly and provocatively about free speech, which he feels he hasn't really thought hard enough about, and besides, it was I mean... Purely commercial, in largely commercial interest. The Europeans are shocked by the American slide from five, six, seven decades of internationalism. Okay, American-led, but still internationalist, cooperative, they're deeply shocked by that. And anybody who cares, as many Europeans do, about the texture, the caliber of American democracy and liberalism, are truly shocked by Trump's attacks on the courts, his attacks on the universities, his attack on the press.Andrew Keen: You remember, of course, Edmund, that famous moment in Casablanca where the policeman said he was shocked, truly shocked when of course he wasn't. Is your shock for real? Your... A good enough scholar of the United States to understand that a lot of the stuff that Trump is bringing to the table isn't new. We've had an ongoing debate in the show about how authentically American Trump is, whether he is the F word fascist or whether he represents some other indigenous strain in US political culture. What's your take?Edmund Fawcett: No, and that's the response to the shock. It's when you look back and see this Trump is actually deeply American. There's very little new here. There's one thing that is new, which I'll come to in a moment, and that returns the shock, but the shock is, is to some extent absorbed when Europeans who know about this do reflect that Trump is deeply American. I mean, there is a, he likes to cite McKinley, good, okay, the Republicans were the tariff party. He likes to say a lot of stuff that, for example, the populist Tom Watson from the South, deeply racist, but very much speaking for the working man, so long as he was a white working man. Trump goes back to that as well. He goes back in the presidential roster. Look at Robert Taft, competitor for the presidency against Eisenhower. He lost, but he was a very big voice in the Republican Party in the 1940s and 50s. Robert Taft, Jr. didn't want to join NATO. He pushed through over Truman's veto, the Taft-Hartley bill that as good as locked the unions out, the trade unions out of much of the part of America that became the burgeoning economic America, the South and the West. Trump is, sorry, forgive me, Taft, was in many ways as a hard-right Republican. Nixon told Kissinger, professors are the enemy. Reagan gave the what was it called? I forget the name of the speech that he gave in endorsing Barry Goldwater at the 1964 Republican Convention. This in a way launched the new Republican assault on liberal republicanism. Rockefeller was the loser. Reagan, as it were, handed the palm to Rocket Goldwater. He lost to Johnson, but the sermon they were using, the anti-liberal went into vernacular and Trump is merely in a way echoing that. If you were to do a movie called Trump, he would star, of course, but somebody who was Nixon and Reagan's scriptwright, forgive me, somebody who is Nixon and Reagan's Pressman, Pat Buchanan, he would write the script of the Trump movie. Go back and read, look at some of Pat Buchanan's books, some of his articles. He was... He said virtually everything that Trump says. America used to be great, it is no longer great. America has enemies outside that don't like it, that we have nothing to do with, we don't need allies, what we want is friends, and we have very few friends in the world. We're largely on our, by our own. We're basically a huge success, but we're being betrayed. We're being ignored by our allies, we're being betrayed by friends inside, and they are the liberal elite. It's all there in Pat Buchanan. So Trump in that way is indeed very American. He's very part of the history. Now, two things. One is... That Trump, like many people on the hard right in Europe, is to some extent, a neurotic response to very real complaints. If you would offer a one chart explanation of Trumpism, I don't know whether I can hold it up for the camera. It's here. It is actually two charts, but it is the one at the top where you see two lines cross over. You see at the bottom a more or less straight line. What this does is compare the share of income in 1970 with the share of the income more or less now. And what has happened, as we are not at all surprised to learn, is that the poor, who are not quite a majority but close to the actual people in the United States, things haven't changed for them much at all. Their life is static. However, what has changed is the life for what, at least in British terms, is called the middle classes, the middle group. Their share of income and wealth has dropped hugely, whereas the share of the income and wealth of the top has hugely risen. And in economic terms, that is what Trumpism is feeding off. He's feeding off a bewildered sense of rage, disappointment, possibly envy of people who looked forward, whose parents looked forward to a great better life, who they themselves got a better life. They were looking forward to one for their children and grandchildren. And now they're very worried that they're not those children and grandchildren aren't going to get it. So socially speaking, there is genuine concern, indeed anger that Trump is speaking to. Alas, Trump's answers are, I would say, and I think many Europeans would agree, fantasies.Andrew Keen: Your background is also on the left, your first job was at the New Left Reviews, you're all too familiar with Marxist language, Marxist literature, ways of thinking about what we used to call late-stage capitalism, maybe we should rename it post-late-stage-capitalism. Is it any surprise, given your presentation of the current situation in America, which is essentially class envy or class warfare, but the right. The Bannonites and many of the others on the right fringes of the MAGA movement have picked up on Lenin and Gramsci and the old icons of class warfare.Edmund Fawcett: No, I don't think it is. I think that they are these are I mean, we live in a world in which the people in politics and in the press in business, they've been to universities, they've read an awful lot of books, they spend an awful lot of time studying dusty old books like the ones you mentioned, Gramsci and so. So they're, to some extent, forgive me, they are, they're intellectuals or at least they become, they be intellectualized. Lenin called one of his books, What is to be Done. Patrick Deneen, a Catholic right-wing Catholic philosopher. He's one of the leading right-wing Catholic intellectuals of the day, hard right. He named it What is To Be Done. But this is almost kitsch, as it were, for a conservative Catholic intellectual to name a book after Vladimir Lenin, the first Bolshevik leader of the Russian Revolution. Forgive me, I lost the turn.Andrew Keen: You talk about kitsch, Edmund, is this kitsch leftism or is it real leftism? I mean if Trump was Bernie Sanders and a lot of what Trump says is not that different from Sanders with the intellectuals or the few intellectuals left in. New York and San Francisco and Los Angeles, would they be embracing what's happening? Thanks, I've got the third again.Edmund Fawcett: No, you said Kitsch. The publicists and intellectuals who support Trump, there is a Kitsch element to it. They use a lot of long words, they appeal to a lot of authorities. Augustine of Hippo comes into it. This is really kind of intellectual grandstanding. No, what matters? And this comes to the second thing about shock at Trump. The second thing is that there is real social and economic dysfunction here that the United States isn't really coping with. I don't think the Trumpites, I don't think the rather kitschy intellectuals who are his mature leaders. I don't think they so much matter. What I think matters here is, put it this way, is the silence of the left. And this is one of the deep problems. I mean, always with my friends, progressive friends, liberal friends, it's terribly easy to throw rocks at Trump and scorn his cheerleaders but we always have to ask ourselves why are they there and we're here and the left at the moment doesn't really have an answer to that. The Democrats in the United States they're strangely silent. And it's not just, as many people say, because they haven't dared to speak up. It's not that, it's a question of courage. It's an intellectual question of lacking some strategic sense of where the country is and what kinds of policy would help get it to a better place. This is very bleak, and that's part of, underlies the sense of shock, which we come back to with Trump after we tell ourselves, oh, well, it isn't new, and so on. The sense of shock is, well what is the practical available alternative for the moment? Electorally, Trump is quite weak, he wasn't a landslide, he got fewer percentage than Jimmy Carter did. The balance in the in the congress is quite is quite slight but again you could take false comfort there. The problem with liberals and progressives is they don't really have a counter narrative and one of the reasons they don't have a counter-narrative is I don't sense they have any longer a kind of vision of their own. This is a very bleak state of affairs.Andrew Keen: It's a bleak state of affairs in a very kind of surreal way. They're lacking the language. They don't have the words. Do they need to reread the old New Left classics?Edmund Fawcett: I think you've said a good thing. I mean, words matter tremendously. And this is one of Trump's gifts, is that he's able to spin old tropes of the right, the old theme music of the hard right that goes back to late 19th century America, late 19th century Europe. He's brilliant at it. It's often garbled. It's also incoherent. But the intellectuals, particularly liberals and progressives can mishear this. They can miss the point. They say, ah, it doesn't, it's not grammatical. It's incoherent. It is word salad. That's not the point. A paragraph of Trump doesn't make sense. If you were an editor, you'd want to rewrite it, but editors aren't listening. It's people in the crowd who get his main point, and his main point is always expressed verbally. It's very clever. It's hard to reproduce because he's actually a very good actor. However, the left at the moment has nothing. It has neither a vocabulary nor a set of speech makers. And the reason it doesn't have that, it doesn't have the vocabularies, because it doesn't have the strategic vision.Andrew Keen: Yeah, and coming back to the K-word you brought up, kitsch. If anything, the kitsch is on the left with Kamala Harris and her presentation of herself in this kitschification of American immigration. So the left in America, if that's the right word to describe them, are as vulnerable to kitsch as the right.Edmund Fawcett: Yes, and whether it's kitsch or not, I think this is very difficult to talk to on the progressive left. Identity politics does have a lot to answer for. Okay, I'll go for it. I mean, it's an old saying in politics that things begin as a movement, become a campaign, become a lobby, and then end up as a racket. That's putting it much too strongly, but there is an element in identity politics of which that is true. And I think identity politics is a deep problem for liberals, it's a deep problem for progressives because in the end, what identity politics offers is a fragmentation, which is indeed happened on the left, which then the right can just pick off as it chooses. This is, I think, to get back some kind of strategic vision, the left needs to come out of identity politics, it needs to go back to the vision of commonality, the vision of non-discrimination, the mission of true civic equality, which underlay civil rights, great movement, and try to avoid. The way that identity politics is encouraged, a kind of segmentation. There's an interesting parallel between identity politics and Trumpism. I'm thinking of the national element in Trumpism, Make America Great Again. It's rather a shock to see the Secretary of State sitting beside Trump in the room in the White House with a make America it's not a make America great cap but it says Gulf of America this kind of This nationalism is itself neurotic in a way that identity politics has become neurotic.Andrew Keen: Yeah, it's a Linguistic.Edmund Fawcett: Neurosis. Both are neurotic responses to genuine problems.Andrew Keen: Edmund, long-time viewers and listeners to the show know that I often quote you in your wonderful two histories of conservatism and liberalism when you, I'm not sure which of the books, I think it may have been in conservatism. I can't remember myself. You noted that this struggle between the left and the right, between liberalism and conservatives have always be smarter they've always made the first move and it's always been up to the liberals and of course liberalism and the left aren't always the same thing but the left or progressives have always been catching up with conservatives so just to ask this question in terms of this metaphorical chess match has anything changed. It's always been the right that makes the first move, that sets the game up. It has recently.Edmund Fawcett: Let's not fuss too much with the metaphor. I think it was, as it were, the Liberals made the first move for decades, and then, more or less in our lifetimes, it has been the right that has made the weather, and the left has been catching up. Let's look at what happened in the 1970s. In effect. 30-40 years of welfare capitalism in which the state played ever more of a role in providing safety nets for people who were cut short by a capitalistic economy. Politics turned its didn't entirely reject that far from it but it is it was said enough already we've reached an end point we're now going to turn away from that and try to limit the welfare state and that has been happening since the 1970s and the left has never really come up with an alternative if you look at Mitterrand in France you look at Tony Blair new Labor in you look at Clinton in the United States, all of them in effect found an acceptably liberal progressive way of repackaging. What the right was doing and the left has got as yet no alternative. They can throw rocks at Trump, they can resist the hard right in Germany, they can go into coalition with the Christian Democrats in order to resist the hard right much as in France but they don't really have a governing strategy of their own. And until they do, it seems to me, and this is the bleak vision, the hard right will make the running. Either they will be in government as they are in the United States, or they'll be kept just out of government by unstable coalitions of liberal conservatives and the liberal left.Andrew Keen: So to quote Patrick Deneen, what is to be done is the alternative, a technocracy, the best-selling book now on the New York Times bestseller list is Ezra Klein, Derek Thompson's Abundance, which is a progressive. Technocratic manifesto for changing America. It's not very ideological. Is that really the only alternative for the left unless it falls into a Bernie Sanders-style anti-capitalism which often is rather vague and problematic?Edmund Fawcett: Well, technocracy is great, but technocrats never really get to do what they say ought to be done, particularly not in large, messy democracies like Europe and the United States. Look, it's a big question. If I had a Leninist answer to Patrick Deneen's question, what is to be done, I'd be very happy to give it. I feel as somebody on the liberal left that the first thing the liberal left needs to do is to is two things. One is to focus in exposing the intellectual kitschiness, the intellectual incoherence on the one hand of the hard right, and two, hitting back in a popular way, in a vulgar way, if you will, at the lies, misrepresentations, and false appeals that the hard-right coasts on. So that's really a kind of public relations. It's not deep strategy or technocracy. It is not a policy list. It's sharpening up the game. Of basically of democratic politics and they need to liberals on the left need to be much tougher much sharper much more vulgar much more ready to use the kinds of weapons the kinds of mockery and imaginative invention that the Trumpites use that's the first thing the second thing is to take a breath and go back and look at the great achievements of democratic liberalism of the 1950s, 60s, 70s if you will. I mean these were these produced in Europe and the United States societies that by any historical standard are not bad. They have terrible problems, terrible inequities, but by any historical standard and indeed by any comparative standard, they're not bad if you ask yourself why immigration has become such a problem in Western Europe and the United States, it's because these are hugely desirable places to live in, not just because they're rich and make a comfortable living, which is the sort of the rights attitude, because basically they're fairly safe places to live. They're fairly good places for your kids to grow up in. All of these are huge achievements, and it seems to me that the progressives, the liberals, should look back and see how much work was needed to create... The kinds of politics that underpinned that society, and see what was good, boast of what was and focus on how much work was needed.Andrew Keen: Maybe rather than talking about making America great again, it should be making America not bad. I think that's too English for the United States. I don't think that should be for a winner outside Massachusetts and Maine. That's back to front hypocritical Englishism. Let's end where we began on a personal note. Do you think one of the reasons why Trump makes so much news, there's so much bemusement about him around the world, is because most people associate America with modernity, they just take it for granted that America is the most advanced, the most modern, is the quintessential modern project. So when you have a character like Trump, who's anti-modernist, who is a reactionary, It's bewildering.Edmund Fawcett: I think it is bewildering, and I think there's a kind of bewilderment underneath, which we haven't really spoken to as it is an entirely other subject, but is lurking there. Yes, you put your absolutely right, you put your finger on it, a lot of us look to America as modernity, maybe not the society of the future, but certainly the the culture of the future, the innovations of the future. And I think one of the worrying things, which maybe feeds the neurosis of Make America Great Again, feeds the neurosis, of current American unilateralism, is a fear But modernity, talk like Hegel, has now shifted and is now to be seen in China, India and other countries of the world. And I think underlying everything, even below the stuff that we showed in the chart about changing shares of wealth. I think under that... That is much more worrisome in the United States than almost anything else. It's the sense that the United States isn't any longer the great modern world historical country. It's very troubling, but let's face it, you get have to get used to it.Andrew Keen: The other thing that's bewildering and chilling is this seeming coexistence of technological innovation, the Mark Andreessen's, the the Musk's, Elon Musk's of the world, the AI revolution, Silicon Valley, who seem mostly in alliance with Trump and Musk of course are headed out. The Doge campaign to destroy government or undermine government. Is it conceivable that modernity is by definition, you mentioned Hegel and of course lots of people imagine that history had ended in 1989 but the reverse was true. Is it possible that modernity is by-definition reactionary politically?Edmund Fawcett: A tough one. I mean on the technocracy, the technocrats of Silicon Valley, I think one of their problems is that they're brilliant, quite brilliant at making machines. I'm the machinery we're using right here. They're fantastic. They're not terribly good at. Messy human beings and messy politics. So I'm not terribly troubled by that, nor your other question about it is whether looming challenges of technology. I mean, maybe I could just end with the violinist, Fritz Kreisler, who said, I was against the telegraph, I was against the telephone, I was against television. I'm a progressive when it comes to technology. I'm always against the latest thing. I mean, I don't, there've always been new machines. I'm not terribly troubled by that. It seems to me, you know, I want you to worry about more immediate problems. If indeed AI is going to take over the world, my sense is, tell us when we get there.Andrew Keen: And finally, you were half-born in the United States or certainly from an American and British parent. You spent a lot of your life there and you still go, you follow it carefully. Is it like losing a lover or a loved one? Is it a kind of divorce in your mind with what's happening in America in terms of your own relations with America? You noted that your wife gave up her citizenship this year.Edmund Fawcett: Well, it is. And if I could talk about Natalia, my wife, she was much more American than me. Her mother was American from Philadelphia. She lived and worked in America more than I did. She did give up her American citizenship last year, partly for a feeling of, we use a long word, alienation, partly for practical reasons, not because we're anything like rich enough to pay American tax, but simply the business of keeping up with the changing tax code is very wary and troublesome. But she said, as she did it, she will always feel deeply American, and I think it's possible to say that. I mean, it's part of both of us, and I don't think...Andrew Keen: It's loseable. Well, I have to ask this question finally, finally. Maybe I always use that word and it's never final. What does it mean to feel American?Edmund Fawcett: Well, everybody's gonna have their own answer to that. I was just... What does it mean for you? I'm just reading. What it is to feel American. Can I dodge the question by saying, what is it to feel Californian? Or even what is to be Los Angelino? Where my sister-in-law and brother-in-law live. A great friend said, what it is feel Los Angeles you go over those mountains and you put down your rucksack. And I think what that means is for Europeans, America has always meant leaving the past behind.Edmund Fawcett was the Economist‘s Washington, Paris and Berlin correspondent and is a regular reviewer. His Liberalism: The Life of an Idea was published by Princeton in 2014. The second in his planned political trilogy – Conservatism: The Fight for a Tradition – was published in 2020, also by Princeton University Press. The Economist called it ‘an epic history of conservatism and the Financial Times praised Fawcett for creating a ‘rich and wide-ranging account' that demonstrates how conservatism has repeated managed to renew itself.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

The Deadcast's tour of Enjoying the Ride trucks all the way to the East Bay, exploring beloved venues including the Greek Theater & Kaiser Auditorium, with tales of the Hog Farm's Skeleton Crew & vintage field recordings from Oakland Coliseum Arena's parking lot. Guests: David Lemieux, Ron Rakow, Kevin Schmevin, Mark Pinkus, Blair Jackson, Steve Silberman, Rebecca Adams, David Gans, Johnny Dwork, Tyler Roy-Hart, Steven Bernstein, Robert Nyberg, Chad KroegerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Danny Glover is a legend of stage, screen, and the frontlines of social change. Tracing his family's roots back to his great-grandmother's experience as an emancipated slave, his grandparents' work as sharecroppers, and his parents as organizers within the post office, activism runs in Danny's blood. The 1968 student-led strike for Ethnic Studies at San Francisco State University led him to acting when the poet Amiri Baraka recruited him for revolutionary theatre. From working on the stage, he made the transition into films and became a certified star with the Lethal Weapon franchise. He has never stopped using his platform to raise awareness for human rights and he continues to live in San Francisco's Haight-Ashbury neighborhood where he grew up.--For promo opportunities on the podcast, contact info@historyofthebay.com --History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aaOnline Store: https://dregsone.myshopify.com Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone41500:00 Growing up in SF07:57 Great-grandparents13:48 SF State student strike20:37 From theatre to films28:58 Danny's journey33:03 Sidney Portier & Harry Belafonte36:57 Last Black Man In San Francisco

The Deadcast begins our virtual tour of the new Enjoying the Ride box, visiting the cradle of the Dead in Palo Alto/Menlo Park (with a detour to visit the Warlocks' earliest shows) before heading to San Francisco with stops at the Fillmore West and Winterland.Guests: Connie Bonner Mosley, Ron Rakow, Ned Lagin, Ron Pietrowski, Tyler Roy-Hart, Les Earnest, Doug Oade, Eric Schwartz, Blair Jackson, Michael Parrish, Dominic Stefano, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For the 50th anniversary reissue of Tiger Rose, we explore the lost story of Robert Hunter & Jerry Garcia's only full-length studio collaboration, the Dead lyricist's 2nd solo album, produced by Garcia & performed by an all-star cast including Garcia, Mickey Hart, & Donna Jean Godchaux.Guests: Kathy Veda Vaughan Bogert, Mickey Hart, Barry Melton, Ron Rakow, Howie LevineSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Please meet Shyamasundar Das. A.C. Bhaktivedanta Swami Prabhupada changed the world. When he came to America from India in 1965, few Westerners knew the deep spiritual truths behind ancient Vedic philosophy and culture. Within a decade, most humans on the planet had heard the Hare Krishna mantra. Shyamasundar das (Sam Speerstra) was one of Bhaktivedanta Swami's earliest disciples, helping him shape the Krishna Consciousness movement in the Haight-Ashbury district of San Francisco, in London with the Beatles, and then, as the Swami's personal secretary, he traveled with Prabhupada in India, Russia, and all over the globe. In three volumes and nearly 600 photos, “Chasing Rhinos With The Swami” is the intimate account of Prabhupada's amazing adventures, describing in loving detail the seven years Shyamasundar spent at the side of the perfect person. Title of Session: Chasing Rhinos with the Swami Connect with Shyamasundar Das: WEBSITE: https://chasingrhinos.com/ INSTAGRAM: https://www.instagram.com/chasingrhinos #ShyamasundarDas #BhaktiYogaConference #HarvardDivinitySchool This event is hosted by ✨ Happy Jack Yoga University ✨ www.happyjackyoga.com ➡️ Facebook: /happyjackyoga ➡️ Instagram: @happyjackyoga Bhakti Yoga Conference at Harvard Divinity School Experience a one-of-a-kind online opportunity with 40+ renowned scholars, monks, yogis, and thought leaders! REGISTER FOR FREE: www.happyjackyoga.com/bhakti-... This conference is your opportunity to immerse yourself in the wisdom of sincere practitioners as they address the questions and challenges faced by us all. Expect thought-provoking discussions, actionable insights, and a deeper understanding of cultivating Grace in an Age of Distraction and incorporating Bhakti Yoga into your daily life.

In this gripping episode of Crime Time Inc., host Alex delves deep into the turbulent era of the 1960s to explore the complex social landscape that set the stage for one of history's most shocking crimes: the Manson Family murders. Episode 3, 'Charles Manson and The Summer of Love,' takes listeners on a journey from Charles Manson's release from prison in 1967 to his manipulative rise amidst the counterculture of Berkeley and Haight-Ashbury. Discover how Manson skillfully exploited the anti-war demonstrations, the growing racial tensions, the influence of the Black Panthers, and the psychedelic revolution to build his infamous 'family.' Through vivid storytelling, Alex paints a captivating picture of the societal upheaval and cultural milestones that allowed Manson to thrive. Special attention is given to the evolution of the student protest movements, the anti-establishment ethos, and the free-love philosophy that defined the Summer of Love. The episode also offers a detailed look at key figures like Mary Brunner, Lynette Fromme, and Susan Atkins, who became pivotal to Manson's plans. As always, join Tom and Simon as they discuss the intricate web of manipulations and societal trends that led to Manson's horrifying crimes. Tune in for a compelling mix of history, criminal psychology, and unsolved mysteries that continue to fascinate and horrify to this day.00:00 Introduction to Charles Manson and the Summer of Love01:31 Charlie's First Impressions of Berkeley03:11 Manipulating Mary Brunner03:56 Exploring Haight-Ashbury05:47 The Beat Generation and the Counterculture07:30 The Human Be-In and the Summer of Love10:54 LSD and the Haight-Ashbury Scene12:38 The Diggers and Community Support15:59 Charlie's Growing Influence17:33 Recruiting New Followers21:32 Charlie's Road Trips and Manipulations23:25 The Decline of Haight-Ashbury32:27 Charlie's Move to Los Angeles33:26 Conclusion and Transition to Episode 4Tom Wood is a former murder squad detective and Deputy Chief Constable of Lothian and Borders Police in Scotland. Tom worked on many high profile murder cases including Robert Black, Peter Tobin and was part of the team investigating The World's End Murders from day one until 37 years later when the culprit, Angus Sinclair was finally convicted. Tom was latterly the detective in overall charge of The World's End murder investigation. Tom is now retired from the Police and is a successful author.Tom Wood's Books Ruxton: The First Modern Murder https://amzn.eu/d/25k8KqGThe World's End Murders: The Inside Story https://amzn.eu/d/5U9nLoPSimon is a retired Police Officer and the best selling author of The Ten Percent, https://amzn.eu/d/5trz6bs a memoir consisting ofstories from the first part of his career as a police officer. From joining in 1978,being posted in Campbeltown in Argylll, becoming a detective on the Isle ofBute, Scotland, through to the Serious Crime Squad and working in the busy Glasgowstation in Govan.#CharlesManson#MansonMurders#truecrimepodcast#helterskelter#crimehistoryFurther reading on the Charles Manson which helped influence this podcast:Manson: The Life and Times of Charles Manson by Jeff GuinnHelter Skelter: The True Story of the Manson Murders by Vincent Bugliosi and Curt GentryChaos: Charles Manson, the CIA and the Secret History of the Sixties by Tom O'Neill Hosted on Acast. See acast.com/privacy for more information.

In the 2nd part of the Deadcast's Phil Lesh tribute, we get deep into his singular bass playing with Phil's son & bandmate Grahame, Phish's Mike Gordon, & musicologist Rob Collier, while touring Phil's high adventures with Ned Lagin, radio co-host Gary Lambert, & other friends.Guests: Grahame Lesh, Mike Gordon, Ned Lagin, David Crosby, David Lemieux, Gary Lambert, Rob CollierSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast begins its 11th season with a celebration of the Grateful Dead's Phil Lesh, drawing on archival interviews to explore his unusual trajectory from jazz trumpet to avant-garde composition to rock and roll bass, and welcoming special guest Mike Gordon of Phish.Guests: Mike Gordon, Oteil Burbridge, Sam Cutler, David Lemieux, Gary LambertSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"I forgot how to care for myself." - Tara RossIn this powerful episode of Confessions of a Reluctant Caregiver, hosts Natalie and JJ welcome guest, Tara Ross to dive deep into the raw realities of caregiving—especially within military families. Tara opens up about her journey from falling in love with John, a dedicated Navy submariner, to facing the life-altering challenges of his traumatic brain injury.This emotional conversation unpacks the hidden struggles of caregivers, from burnout and emotional exhaustion to the fight for proper health advocacy. Tara shares how relocating to Ohio, navigating caregiving through COVID-19, and coping with personal loss shaped her resilience. She also reveals hard-earned lessons on self-care, setting boundaries, and maintaining personal identity while supporting a loved one.

In this episode of Welcome to Cloudlandia, Dan and I explore technology and communication sparked by an unexpected conversation about cold snaps in Florida. We examine the evolution of communication technologies, from text to video, focusing on AI's emerging role. Our discussion highlights how innovations like television and the internet have paved the way for current technological developments, using the progression of airliners as a metaphorical framework for understanding technological advancement. Our conversation shifts to exploring human interaction and technological tools. We question whether platforms like Zoom have reached their full potential, emphasizing the importance of self-awareness and collaboration. We then journey back to 1967, reflecting on historical and cultural movements that continue to shape our current societal landscape. This retrospective provides insights into how past experiences inform our present understanding of technology and social dynamics. Personal anecdotes and political observations help connect these historical threads to contemporary discussions. SHOW HIGHLIGHTS In the episode, we discuss how an unexpected cold snap in Florida sparked a broader conversation about life's unpredictable nature and the evolution of communication technology. We delve into the role of AI in research and communication, specifically highlighting the contributions of Charlotte, our AI research assistant, as we explore historical and current communication mediums. The conversation includes an analysis of technological progress, using airliner technology as a metaphor to discuss potential saturation points and future trajectories for AI. We reflect on the balance between technology and human connection, considering whether tools like Zoom have reached their full potential or if there is still room for improvement. Our discussion covers the importance of self-awareness in collaboration, utilizing personality assessments to enhance interpersonal interactions. We share a personal narrative about the logistical challenges of expanding workshop spaces in Chicago, providing real-world insights into business growth. The episode takes a reflective journey back to 1967, examining cultural movements and their ongoing impact on modern societal issues, complemented by political commentary and personal anecdotes. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dean: Mr Sullivan, that would be me. Oh my goodness. Dan: I am not Do you have a cold? Dean: Do you have a cold? Dan: I do yeah. Dean: And is it freezing in Florida? Dan: It's very cold, it's unseasonably. Dean: Comparatively comparatively yes. Dan: It's unseasonably cold. Dean: Yeah. Yeah, well, we're getting our blast tomorrow, but it's colder than yeah. It's about 15 today with a 10 mile an hour wind which makes it 5, and tomorrow it's going down. It's going down even further. This is the joy of Canada in January. Dan: I don't know about the joy. Dean: But yeah, I like your voice I like your voice. Dan: I'm going to try and uh and make it all the way through, dad, but the uh just before you, I'm. Dean: You can put charlotte on. Dan: Yeah, exactly, yeah yeah, I'll tell you, I'm really realizing how, how incredible these conversations like. I really start to think and see how charlotte's um capabilities as a researcher. Dean: And uh, dean dean, I can't hear you. Dan: I'm trying to switch to my other uh headphones. But as long as you can hear me, can you hear me now? Dean: yeah, yeah, it's very good, okay good. Dan: Good, good good. Dean: I like this voice, though you know. Dan: It's got. Oh, really Okay, yeah, yeah, the baritone. Dean: Yeah, I mean you might create another version of yourself, you know which? Oh yeah, I should quick get on 11 Labs. I don't know if this would be your main course, but it would certainly be a nice seasoning. As a matter of fact, you could have on 11 Lab, you could go with them and you could have your normal voice as one of the partners and you could have this voice as the other partner. There you go, you could talk to each other. See, that makes a lot of sense right there. Yeah, it's so good. The reason the reason I'm saying this is I just had a whole chapter it is being done, I'll probably have it on tuesday, this being sunday of of one of the chapters of the book Casting Not Hiring, in two British voices, man and a woman, and it's charming, it's very charming. Dan: Really Wow. Dean: I really like it and they're more articulate. You know, brits, they invented the language, so I guess they're better at it. Yeah, that's what I really like about Charlotte's voice is the reassuring right, yeah, yeah, you get a sense that she's had proper upbringing. Dan: Mm-hmm, exactly, worldly wisdom. Well, certainly she's got command of the language yeah, the uh I was mentioning before I cut off there that uh, I was. I'm really coming to the realization how valuable charlotte is as a research partner. You, you know, a conversational, like exploration, like getting to the bottom of things, like I was. I've just fascinated how I told you last week that I, you know, reached the limit of our talk, you know capacity for a day and, but we had, we'd had over an hour conversation just going back and talking about, you know, the evolution of text, of words, um, and, and then we got up to the same. We got about halfway through uh, audio and uh, and then we got cut off. But I really like this framework of having her go back. I'm going to do the all four. I'm going to do audio and our text and audio and pictures and movies. You know, moving pictures, video, because there's there that's the order that we sort of evolved them and I think I think we don't know whether I guess we have pictures. First I think it was words, and then pictures, and then sound and then and then moving pictures. But you look at, I really I think I was on to something. Dean: You're talking about the ability to record and pass on From a communication standpoint. Dan: Yeah, and I'm kind of tracing. The first step is the capability to do it like the technology that allowed it, like the printing press. Okay, now we've had a capability, or once we had an alphabet and we had a unified way of doing it. That opened up for, uh, you know, I was going looking at the capability and then what was the kind of distribution of that? What was? How did that end up? You know, moving forward, how did we use that to advance? And then what were the? What were the business, you know, the capitalization of it going forward, who were the people who capitalized on? this it's a very interesting thing. That's why I think that where we are right now with AI, that we're probably at the stage of, you know, television 1950 and internet 1996, kind of thing, you know, and by over the next 25 years I think we're it's just going to be there. I mean, it's just it's going to be soaking in it. Dean: It's hard to know. I mean, there's some technologies that more or less come to an end, and I'll give you airliners. For example, the speed at which the fastest airliner can go today was already available in the 1960s the 707, the Boeing 707. Dan: Well, we've actually gone backwards because we had the Concorde in the 70s, you know. Dean: Yeah, but not widespread. That was just a novelty you know a novelty airline, but I mean in terms of general daily use, you know, I think we're probably a little lower. We're below the sound barrier. I suspect that some of the first airliners were breaking windows and everything like that and then they put in the law that you overlay and you cannot travel. I think it's around 550, maybe 550. I think sound barrier is somewhere early 600 miles an hour. I'm not quite sure what the exact number is, but we've not advanced. I mean they've advanced certainly in terms of the comfort and the safety. They've certainly advanced. I mean it's been. I think in the United States it goes back 16 years since they've had a crash. A crash, yeah, and you know what. Dan: I heard that the actual thing, the leading cause of death in airline travel, is missiles. That's it is. That's the thing. Over the last 10 years there have been more airliners shot down. Dean: Yeah, yeah, yeah. You don't want to be on a plane where you don't want to be in missile territory. You don't want to be on a plane where you don't want to be in missile territory. Dan: You don't want to be flying over missile territory. Dean: That's not good. No, do not get on that flight. Yeah, yeah Anyway, but I was just thinking about that. We were in Chicago for the week, came home on Friday night and you know I was on a 747, one of the last years that they were using 747s Wow, they're almost all cargo planes now. I think the only airline that I've noticed that's using still has A747 is Lufthansa. Oh, okay. Because we're at Toronto. They're all. They have the 380s. You know the huge. Dan: Yeah, they fly those to Australia, the A380. Dean: Well, yeah, this one is Emirates. Emirates their airline is a 380. But the only airline. You know that I noticed when we're departing from the terminal here in Toronto. The only one that I've seen is but they have in Chicago. There's a whole freight area. You know from freight area, Some days there's seven, seven 747s there, yeah, and they're a beautiful plane. I think, as beautifulness, beauty of planes goes to. 747 is my favorite. I think it's the most beautiful plane in any way. But they didn't go any faster, they didn't go any further. And you know our cars, you know the gas cars could do. They have the capability of doing 70, miles per gallon now, but they don't have to, they don't have to they have to, they have to, you know. So if they don't have to, they don't do it. You know all technology if they, if they don't have to do it. So it's an interesting idea. I mean, we're so used to technology being constantly open. But the big question is is there a customer for it? I mean like virtual reality, you know, was all the thing about five years ago. You had Mark Zuckerberg doing very, very. I think he will look back and say that that was a very embarrassing video. That I did the metaverse and everything else. It's just dropped like a stone. Dan: People just haven't bought into it even though the technology is. Dean: Don't like it. Dan: So my friend Ed Dale was here and he had the Apple, um, you know, the, the vision pro, uh, goggles or whatever. And so I got to, you know, try that and experience it. And it really is like uncanny how it feels, like you're completely immersed, you know and I and. I think that, for what it is, it is going to be amazing, but it's pretty clear that we're not nobody's like flocking to put on these big headgear, you know. Dean: You know why? Our favorite experiences with other people and it cuts you off from other people. It's a dehumanizing activity. Dan: Did you ever see the Lex Friedman podcast with Mark Zuckerberg in the metaverse? Dean: No, I didn't. Dan: It was a demo of the thing they were. It was kind of like uh, do you remember charlie rose? You remember the charlie rose? Sure, that's not the black curtain in the background, okay. Well, it was kind of set up like that, but mark and lex friedman were in completely different areas a a completely different you know, lex was in Austin or whatever and Mark was in California and they met in this you know metaverse environment with just a black background like that, and you could visibly see that Lex Friedman was a little bit like shaken by how real it seemed like, how it felt like he was really there and could reach out and touch him. You know, and you could really tell it was authentically awestruck by, by this technology you know, so I don't. Dean: I don't doubt that, but the yeah, but I don't want that feeling, I mean. Zoom has taken it as far as I really want to go with it. Dan: That's true, I agree 100%. Dean: I have no complaints with what Zoom isn't doing? Dan: Yeah, complaints with what Zoom? Dean: isn't doing yeah, yeah, it's. You know, it's very clear, you know they add little features like you can even heighten the portrait quality of yourself. That's fine, that's fine, but it's you know. You know I was thinking. The other day I was on a Zoom. I've been on a lot of Zoom calls in the last two weeks for different reasons and I just, you know, I said this is good. You know, I don't need anything particularly more than I'm getting. Dan: Right. Dean: So I wonder, if we get a point of technological saturation and you say I don't want any more technology, I just yeah, I want to squirrel it with a nut right? Dan: yeah, I think once I get more, the more I talk with Charlotte, the more it feels like a real collaboration. Dean: You know, like it feels, like you don't need a second. Dan: I don't need to see her or to, but you don't need a second. I don't need to see her or to, uh, I don't need. No, you don't, but you don't need a second person. Dean: You got, you got the one that'll get smarter absolutely yeah, exactly yeah, and so it's. Dan: I mean it's pretty, it's pretty amazing this whole uh, you know I was saying thinking back, like you know, the last 25 years we're 25 years into this, this hundred years, you know this millennia, and you know, looking because that's a real, you know, 2000 was not that long ago. When you look backwards at it, you know, and looking forward, it's pretty. Uh, I, that's, I'm trying to align myself to look more forward than uh than back right now and realize what it is like. I think. I think that through line, I think that the big four are going to be the thing. Words like text and pictures and sound and video, those are at the core. But all of those require on, they're just a conveyance for ideas, you know. Dean: Yeah. Yeah, it's very interesting because we have other senses, we have touch, we have taste, we have smell, but I don't see any movement at all. Dan: In the physical world, right exactly. Dean: Yeah, yeah, I don't see it that. I think we want to keep. You know, we want to keep mainland, we want to keep those things mainland. Dan: Yeah. Dean: And I think that. Dan: That's really. You know, if you think about the spirit of what we started, Welcome to Cloudlandia, for was really exploring that migration and thehabitation of the mainland and Cloudlandia. Dean: Yeah. Dan: Because so much of these things? Dean: But I think, and I'm just wondering, Harry and I'm not, making a statement. I'm just wondering whether each human has a unique nervous system and we have different preferences on how our nervous system interacts with different kinds of experiences. I think it's a very idiosyncratic world in the sense that everybody's up to something different. Dan: Mm-hmm. Dean: Yeah. Dan: And I think you're right. But that's where these self-awareness things, like knowing you're Colby and you're a working genius and you're Myers-Briggs and all these self-awareness things, are very valuable, and even more valuable when pairing for collaboration, realizing in a who-not-how world that there's so many we're connected to everybody, you know. Dean: Yeah, and we've got our purposes for interacting. You know I mean we have. You know I'm pretty extroverted when it comes to business, but I'm very, very introverted when it comes to personal life. Dan: I think I'd be the same thing. Dean: Yeah, yeah, and in other words, I really enjoy. We had, we were in Chicago and we had nine workshops in five days there and they were big workshops. They were you know each. We have a big, we have a big, huge room. Now we can technically we can put a hundred in. Now we can put a hundred person workshop. Oh, in Chicago, yeah. Dan: In Chicago yeah. Dean: We've taken over large amounts of the floor. I think there's just one small area of that floor that we don't have. It's a. It's a weird thing. It looks like some sort of deep state government building. We've never seen anyone in it and we've never seen anyone in it. But it's lit up and it's got an American flag and it's got some strange name that I don't know, and that's the only thing that's on the forest. It's not been known that a human actually came to the office there, anyway, but we've taken over 6,000 square feet, six more thousand. Oh wow, yeah, which is quite nice. Dan: That's pretty crazy. How's the studio project? Dean: coming Jim's starting, we had great, great difference of opinion on what the insurance is for it. Oh, that's a problem Insurance companies are not in the business of paying out claims. That's not their business model, Anyway. So our team, two of our team members, Mitch and Alex great, great people. They got the evidence of the original designer of the studio. They got the evidence of the original owner of the studio and how much he paid. They got the specifications. They brought in a third person, Third person. They got all this. These people all had records and we brought it to the insurance company. You know and you know what it, what it was valued at, and I think it's 2000, I think it was in 2000 that it was created. It was rated the number one post-production studio in Canada in the year 2000. Dan: Wow. Dean: Yeah, you know and everything. So they you know. And then, strangely enough, the insurance company said well, you got to get a public adjuster. We got a public adjuster and he had been in coach for 20 years. He favors us. Uh-huh, well, that's great, he favors us. Dan: He favors us? Dean: Yeah, Exactly yeah, but the first check is they give the checks out in the free. You know, there's a first check, there's a middle check and there's a final check. So, but I think we'll have complete studios by october, october, november that's which will be great yeah, yeah, we should be great. Yeah, you know, uh, the interesting thing. Here's a thought for you, and I'm not sure it's the topic for today. Um, uh, it has to do with how technology doesn't develop wisdom, doesn't develop. The use of technology doesn't develop wisdom. It develops power, it develops control, it develops ambition, but it doesn't develop wisdom. And I think the reason is because wisdom is only developed over time. Dan: Yes, and that wisdom is yeah, I think from real experience. Dean: And wisdom is about what's always going to be true, and technology isn't about what's always going to be true. It's about what's next. It's not about what's always the same they're actually opposed. Technology and wisdom are Well, they're not opposed. They operate in different worlds. Dan: Yeah, it feels like wisdom is based on experience, right? Dean: Yeah, which happens over time. Dan: Mm-hmm. Yeah, which happens over time. Yeah, yeah, because it's not theoretical at that. I think it's got to be experiential. Dean: Yeah. Yeah, it's very interesting. I heard a great quote. I don't know who it was. It might be a philosopher by the name of William James and his definition of reality, you know what his definition of reality is no, I don't, it's a great definition. Reality is that which, if you don't believe in it, still exists. Dan: Oh yeah, that's exactly right, and that's the kind of things that just because you don't know it, you know that's exactly right and that's what you know. Dean: That's the kind of things that, just because you don't know it, you know that doesn't mean it doesn't mean it can't bite you, but when, when you get hit by it, then that then, you've big day, you know, and yeah, and you know, with Trump. He said he's got 100 executive orders For day one. Yeah, and the only question is you know, inauguration, does day one start the moment he's sworn in, is it? Does it start the moment he's? Dan: sworn in. Is it? Does it start the day he's sworn in? Dean: Yeah. Dan: Yeah, okay, so let's see yeah. Dean: The moment the Chief Justice. You know he finishes the oath. He finishes the oath, he's the president and Joe's officially on the beach. Dan: Right yeah, shady acres. Dean: Right, exactly, yeah, yeah, yeah, you know what's happened this past week, since we actually we haven't talked for two weeks but the fires in Los Angeles. I think this in political affairs and I think it is because it's the first time that the newest 10,000 homeless people in Los Angeles are rich. Dan: Oh man, yeah, I've heard Adam Carolla was talking about that. There's going to be a red wave that comes over California now because all these, the Democratic elite, which would be all of those people who live on those oceanfront homes and all that they were so rallying. No, they were so rallying to be on the side of regulation so that people couldn't build around them, and they made it so. You know, now that they've got theirs, they made it very, very difficult for other people to eclipse them or to do the things, eclipse them or to do the things, and they're gonna run straight into the wall of All these regulations when they start to rebuild what they had. Dean: You know it's gonna be years and years of going through regulation and Coastal Commission and you know all that to get approvals yeah, and they're going to be frustrated with that whole thing, but I've been hearing that there was some arson involved. Somebody's been. Well, yeah, you know, have you ever seen or heard of Michael Schellenberger? He's really, he's great. He's a scientist who's gone public. You know, he's sort of a public intellectual now, but he was, and he was very much on the left and very much with the global warming people, much with the global warming people. Then he began to realize so much of the global warming movement is really an attempt. Exactly what you said about the California rich. These are rich people who don't want the rest of the world to get rich. The way you keep them from not getting rich is you don't give them access to energy. And you've got your energy and you can pay for more, but they don't have energy. So you prevent them. And so he became a big fan of nuclear power. He said, you know, the best thing we can do so that people can catch up quickly is we should get nuclear in, because they may be a place where there really isn't easy access to oil, gas and coal, africa being, you know, africa being a place and, uh, he just has gradually just gone deeper and deeper into actual reality and now he's completely you know, he's completely against the you know, against the people who want to get rid of fossil fuels. Dan: But, anyway. Dean: he said what nobody wants to touch with a 10 foot pole in California is that in addition to rich people, there were homeless people in the Pacific Palisades and he said, and a lot of them are meth addicts. And he said meth addicts' favorite activity is to set fires. He says different drugs have different. In other words, you take heroin and you want to do this, you take cocaine. You want to do this With methamphetamines. What you want to do is you want to set fires. So he said and nobody wants to talk about the homeless meth addicts who are starting fires that burn down 10,000 homes. You know, because they're actually welcome in Los Angeles. They actually get government benefits. Yeah, there's a lot of what they stand for that collides with reality. Dan: A lot of what they stand for that collides with reality. Yeah, it is going to be crazy. I think. Dean: Gavin should forget it. I think Gavin should forget about the presidency. Dan: Oh man, yeah, they're going to have him. He's going to have some explaining to do. Dean: Yeah, you do. Yeah, you know. Yeah, you know. It was very interesting. When I got out of the Army, which was 1967, may of 1967, I was in Korea and they put us on a big plane, they flew us to Seattle and they discharged us in Seattle. So, and but you had money to get home. You know, they gave you, you know, your discharge money. So I had a brother who was teaching at the University of San Francisco and and, and so I went down and I visited with him. He was a philosophy teacher, dead now, and so it was 1967. And he said there's this neat part of the city I want to take you to, and it was Haight-Ashbury. And it was right in the beginning of that movement, the hippie movement, and I had just been in the army for two years, so there was a collision of daily discipline there and anyway. But we were walking down the street and I said what's that smell? Weird smell. He says, oh yeah, you want to try some marijuana. Well, what you saw with was what you saw last week with the fires is the philosophy of hippieism moved into government control over a period of 60 years. It ends up with fires where there's no water in the reservoirs yeah, that's. Dan: Yeah, I mean so many uh cascading, so many cascading problems. Right, that came yeah when you think about all the um, all the other things, it's crazy. Yeah, yeah, all the factors that had to go into it, yeah, it's so. This is what the Internet, you know, this, this whole thing now is so many, like all the conspiracy theories now about all of these. Every time, anything you know, there's always the that they were artificially. You know there's some scientists talking about how the barometric pressure has been artificially low for yeah period. Dean: Yeah well, yeah, it's very, it's very interesting how energy you know, just energy plays into every other discussion. You know, just to have the power to do what you want to do. That day is a central human issue and and who you do it with and what you have. You know what, what it is that you can do, and you know and I was having a conversation I was in Chicago for the week and there was a lot of lunch times where other clients not. I had just the one workshop, but there were eight other workshops. So people would come into the cafe for lunch and they'd say, if you had to name three things that Trump's going to emphasize over the next four years, what do you think they would be? And I said energy, energy, energy. Dan: Yeah. Dean: Three things just energy. Drill drill drill, Drill, drill, drill. Yeah, and Greenland, Canada and Panama. Dan: Take them over. Dean: Yeah exactly hey Canada we're out of wood Get out. Yeah, things are strange up here. Dan: Yeah, what's the what's the Well, he's gone. Dean: But he's still around for two months but he resigned. He's resigned as prime minister, he's resigning as party leader and I think it was on Wednesday he said he's not running in the election, so he's out as a. And then he'll go to Harvard because that's where all the liberal failures go. They become professors at Harvard I suspect, I suspect, yeah, or he may just go back to Whistler and he'll be a snowboard instructor, wouldn't that? Dan: be cool. Dean: Or he may just go back to. Dan: Whistler, and he'll be a snowboard instructor. Dean: That'd be kind of cool, wouldn't that be cool? Get the former prime minister as your snowboard instructor. Dan: Yeah, really Exactly yeah, is there. I don't even know, is he rich? Is their family? Dean: rich. Well, I think it's a trust fund. I mean, his dad didn't work. His dad was in politics Not as you and I would recognize work, but it was gas station. Trudeau had a lot of gas station, which is ironic. Dan: It is kind of ironic, isn't it yeah? Dean: Yeah, but I don't think he has that much. You know, I saw some figures. Maybe he's got a couple of million, which which you know, probably what was available, that you know those trust funds, they don't perpetuate themselves, right, yeah, but he's. Yeah, there's just two people are running. That's the woman who knifed him. You know Christia Freeland. She's just two people running. That's the woman who knifed him. You know, chrystia Freeland, she's running. And then the former governor of the Bank of Canada and the former governor Bank of England. He was both governor and he's really very much of a wackadoodle intellectual, really believes that people have too much freedom. We have to restrict freedom and we have to redesign. Davos is sort of a Davos world economic firm. We've got ours, you don't get ours. We've got ours, you don't get ours. We've got ours, you don't get yours. Strange man, very strange man. She's a strange woman. Dan: Is it pretty much green lights for Polyev right now? Dean: Yeah, he's not doing anything to ruin his chances either. He's actually. He had a great interview with jordan peterson about two weeks ago. He was very, very impressive. Dan: I'm very impressed about it yeah, yeah oh, that's great, yeah, oh did you go to? This Christmas party, by the way. Dean: No, I didn't. They didn't follow through, Uh-oh. So you know, I'm just going to sit in this chair and wait, you know. Dan: Yeah, exactly. Dean: I mean, he'll be told, you know that you've missed a huge opportunity here. You know Mm-hmm. Dan: Yes, exactly, yeah, oh man, yeah, that's funny, dan, I'm. You know, after four years of being no further, I didn't go north of I-4, I'm in this crazy little vortex of travel right now coming up. I was just in Longboat Key. I was speaking at JJ Virgin's Mindshare Summit, so I was there Wednesday till yesterday and then I'm home. I got hit with this cold. I think it was like a. You know, whenever you're in a group of people in a big thing, it's always it becomes a super spreader kind of event. You know, there's a lot of people with this kind of event, there's a lot of people with this kind of lung gunk thing going around. So I ended up getting it. But I've got now until Tuesday to get better. Then I'm going to speak at Paris Lampropolis here in Orlando and then I go to Miami for Giovanni Marseco's event the following week, and then I've got my Breakthrough Blueprint in Orlando the week after that and then Scottsdale for FreeZone the week after that. Every week, the number of nights in my own bed is we're going to Scottsdale or not Scottsdale, but week after next. Dean: I'll be here next Sunday, Then I go on Tuesday. We go to Phoenix and we'll be at Carefree. Dan: What's Carefree? Oh, that's where. Dean: No, no, carefree is north and east of Scottsdale in Phoenix yeah. And so we're at Richard Rossi's. Dan: Da. Dean: Vinci 50. Then we take off for there, we drive to Tucson for Canyon Ranch, we drive back and we have the summit, we have the Free Zone Summit Then, then we have 100K, and then we have 100K. So that's it. So are you coming to the summit too? I am of course, and what I'm doing this time is I have three speakers in the morning and three speakers in the afternoon, and I have Stephen Poulter, Leslie Fall and Sonny Kalia, and then in the afternoon I have Charlie Epstein, Chris Johnson and Steve Crine. I have Charlie. Epstein, chris Johnson and Steve Crang. And what I did is I did a triple play on the three in the morning, three in the afternoon. I did a triple play and then I'm talking to each of them, the names of the three speakers, three columns, and then you write down what you got from these three columns, right? And then you get your three insights and then you talk in the morning in groups and then you do the same thing in the afternoon. I think that would be neat, nice. Dan: Very nice. It's always a good time, always a great event. Yeah, two parties. Dean: Yep, we have sort of a party every night with Richard. It's about three parties Two parties with me and then probably two parties with Joe so seven parties, seven parties, seven parties, yeah, yeah Well. I hope your editor. Can, you know, modulate your voice delivery? Dan: I'm so sorry, yeah, exactly. Dean: Yeah, you got it. What a couple days you've been with it. Dan: Yeah, yesterday was like peak I can already feel that you know surrounded by doctors at JJ's thing. So I got some. Dean: Where's? Dan: Lawn. Dean: Boat Tea. Dan: Sarasota. Dean: Oh, okay. Dan: Yeah, it's just an island right off of Sarasota and so, you know, surrounded by doctors, and so I got some glutathione and vitamin C. I got some glutathione and vitamin C and some. Then I got home and JJ's team had sent some bone broth and some you know, some echinacea tea and all the little care package for nipping it in the bud and a Z-Pak for I've got a great pancake power pancake recipe that I created. Dean: I actually created this. You're talking to an originator. Dan: It's a world premiere here. Dean: Yeah, so you take about six ounces of egg white Egg white, okay and you put it in a blender, and then you take about a handful of walnuts. You put it in a blender and then you take about a handful of walnuts, you put it in and you take a full scoop of bone broth and put it in. Then you just take a little bit of oatmeal, just give it a little bit of starch, then a little bit of salt, then you veggie mix it, veggie mix it, you know. Then you put it in a pie pan, okay. And then you put frozen raspberries oh yeah, raspberries, bacon bits and onions. Raspberries and bacon bits Yep, yep, okay, yep, yep, bacon bits makes everything taste better. Yep, okay yeah, bacon bits makes everything taste better. Dan: It really does. I don't think about that with the raspberries, but that's great. Dean: Yeah, I told people in the coach, you know the triple play. I said triple play is my bacon tool. I said whatever other, whatever other tool you did, you do the triple play and it's like adding bacon to it. Adding bacon, that's the best. Yeah, it makes it good. And then you just put it in the microwave for five and a half minutes and it comes out as a really nice pancake. Oh, that's great. Yeah, and it's protein. I call it my protein pie, protein pie. Dan: That's great. Dan Sullivan's triple play protein pie. Yeah, yeah, the recipe recipe cards handed out. Will they show up in the breakfast buffet? Dean: No, no, it's, you know, I think it's. I think it takes a developed taste, you know, to get it, you know, but it's got a lot of protein. It's got, you know, egg white in the protein. The bone broth has a ton of protein in it, yeah, so it's good. Yeah, I'm down. Good, yeah, I'm at, probably since I was 20, maybe in the Army my present weight. I'm probably down there and I got about another 10 to go, and then it's my linebacker weight when I was in high school. Dan: Oh, that's great. Dean: Going back to linebacker Mm-hmm. Dan: Well, you'll have those new young teenage knees that you'll be able to suit up One of them. Dean: One of them anyway. Dan: If your Cleveland Browns need you. Yeah, if your. Dean: Cleveland Browns need you. Yeah, well, if you want to play professional football, play for the Browns, because you always get January off. That's funny. Yeah, kansas City yesterday, you know it was about zero. You know I mean boy, oh boy. You know you got to you know, I mean. Did Kansas City win yesterday? Yeah, they won, you know, 23, 23-14, something like that, you know. And you know they're just smarter. You know, it's not even that they're better athletes. I think their coach is just smarter and everything like that. Jim, I watch. I'm more interested in college football than I am. Ohio State and Notre Dame, Two historically classical. Dan: I've really gotten into Colorado football because just watching what Deion Sanders has done in two seasons basically went from the last worst team in college football. Yeah To a good one to a good yeah To nine and three and a bowl game, and you know, and Travis Hunter won the Heisman and they could potentially have the number one and two draft picks in the NFL this year. Dean: You know that's, that's something. Did he get both? Dan: of them draft picks in the NFL. This year that's something. Dean: Did he get both of them? I know he got his son because his son came with him. Was he a transfer Hunter? I don't know if he was a transfer. Dan: He brought him from Jackson State because before, before dion went to uh colorado, he spent three years in yeah at jackson state and turned that whole program around yeah and then came uh and now she was talking to the cowboys this this week I. I don't know whether he is or that's. Uh, I mean, they're everybody's speculating that. That's true. I don't know whether he is or that's. I mean everybody's speculating that that's true, I don't know how I feel about that Like I think it would be interesting. You know I'm rooting that he stays at Colorado and builds an empire, you know, yeah. Dean: Of course you know it used to screw the athletes because the coach, would you know, drop them. They would come to the university and then they would leave. Dan: That's what I mean, that's what? Dean: I think that he would no, but now they have the transfer portal, so you know if the university, yeah, but still I think it would leave a lot of. Dan: I think it would leave a really bad taste in people's mouths if he, if he left now. Dean: Yeah. Dan: Yeah, Like. Dean: I think, that would. Dan: I would. I wouldn't feel good about what about that either, cause I think about all the people that he's brought there with promises. You know, like everybody's joint he's, he's building momentum. All these top recruits are coming there because of him, yeah, and now you know, if he leaves, that's just. You know that. That's too. I don't know. I don't feel good about that, I don't feel good. Dean: Yeah, yeah, yeah, anyway, I've got, I got a jump, I've got. Jeff. We're deep into the writing of the book we have to chat for about 10 minutes. Dan: I'm happy. Dean: I hope your cold goes away. I'll be here in Toronto next week and I'll call and we'll see each other. We'll see each other within the next couple of weeks. Dan: That's exactly right Okay. Dean: Okay, bye, talk to you soon. Bye.

My guest on today's episode is podcast and radio producer Avery Trufelman. For about seven years, Avery was a producer for design and architecture podcast 99% Invisible, from which she eventually spun off her own podcast, Articles of Interest, which she describes as a podcast “about what we wear.” I asked Avery on the show to talk about season 3 of the show, the entirety of which was dedicated to one topic, the story of preppy clothes and style in America. I was totally mesmerized by the seven episode season, which she titled “American Ivy.” It incorporates so many of the topics I'm interested in. Class, status, clothes, fashion, politics, Jews. It's all in there in the story of prep, which runs through, among other focal points of cultural influence, elite universities, Jewish garment makers, Black civil rights activists and jazz musicians, Japanese obsessives, and every level of the extended Ralph Lauren preppy universe.There's also a very personal angle we get into. Avery and I both went to prep schools. We both had complicated relationships with preppy style. She rebelled against it, pushing the dress code with Haight-Ashbury influenced vintage finds. I wanted to conform but never quite cracked the code. I knew the rules existed, but they were unwritten and opaque, the kind of thing you absorbed from family, from summer camps, from generations of insider knowledge. The right khakis, the right boat shoes, the right rollneck sweaters—not just the brand, but how they were worn, how they signaled status.It's a rich conversation. Hope you enjoy. Get full access to Eminent Americans at danieloppenheimer.substack.com/subscribe

In this episode, we invite the excellent Gene Sculatti to talk us through his career from Crawdaddy! magazine to the Atomic Cocktail radio show he still hosts at Luxuria Music. Commencing in San Francisco in the summer of 1960 — when Gene first heard Dion's 'Lonely Teenager' — we ask our guest about his lifelong love of surf music and the Beach Boys. From there we jump to his mid-'60s radio show "Blues and Such", then on to the first stirrings of the Haight-Ashbury scene he captured in a landmark 1966 report for Crawdaddy! ... and later in San Francisco Nights, the classic 1985 book he co-wrote with the late Davin Seay. Gene recalls his 1973 move to Los Angeles and his subsequent years as the editorial director of Warner Brothers Records in Burbank. We hear about the company's super-hip in-house publications Circular and Waxpaper, as well as about working under the legendary Derek Taylor. We also discuss his deep love of '80s dance-pop and his 1990 sleevenotes for Madonna's Immaculate Collection. The episode with clips from a 2012 audio with The Band's sainted keyboard genius Garth Hudson, who was lost to us on 21st January, and finally with quotes from Mark's and Jasper's favourite new additions to the RBP library. Pieces discussed: San Francisco Bay Rock, Mojo Navigator: Memories of Mojo, "Home Runs, No Bunts" — Solar Power On The Rise, Madonna: The Immaculate Collection, Barry Goldberg Interviews, Articles and Reviews, Barry Goldberg & Bob Dylan's Secret Gem, The World According to Garth Hudson, The Band's Garth Hudson audio, The Walker Brothers, Pop Eye: The New Jazz, Burt Bacharach, Derek Taylor, Sly & Robbie Come On Like Assassins, Wu-Tang Clan: One of These Men Is God, and Thundercat.

OMA New York partner Jason Long joins Architectural Record's DESIGN:ED podcast to discuss the firm's approach to adaptive reuse and the design of 730 Stanyan, an affordable housing project in San Francisco's historic Haight-Ashbury district.

  Jack Ruby: A Review and Reassessment - Part 1 Jack Ruby: A Review and Reassessment - Part 2 Jack Ruby: A Review and Reassessment - Part 3 Chaos: Charles Manson, the CIA, and the Secret History of the Sixties: O'Neill, Tom, Piepenbring, Dan: Order Here Mind Games: The Assassination of John Lennon: Whelan, David: Order Here Len shows his appreciation to Max & other researchers who put out good work. Reading Chaos by Tom O'Neill became inspiration for Max's deep dig into the Jack Ruby case. Max found it highly suspect that the MK ULTRA psychiatrist Louis Jolyon "Jolly" West was involved. When West died, he left thousands of papers that were donated & archived at UCLA. O'Neill was able to view West's documents before they were picked through by UCLA archivists. O'Neill raises the question of MK ULTRA being implemented on Jack Ruby. Was Jack tortured? On a road trip, Max stopped in L.A., spending a day at the UCLA archives to view West's files. Jolly West was performing experiments in the Haight Ashbury during the 'Summer of Love'. Taking 2000+ photos of the documents, Max has been reviewing them over the past couple of years. Jack Ruby has a psychotic break at the same time of West's involvement. Coincidence? Max discovered that West was actually involved in Ruby's case by November 29th, not March 1964! Realizing how significant it was that Jolly West was involved with Ruby, Max pressed on. Len & Max discuss the history & different aspects of MK ULTRA. Len notes that the experiments & participating universities or clinics were funded by Dept. Of Defence. Psychiatrist Bernard Diamond performed experiments on Sirhan Sirhan, hypnotizing him. How could Sirhan Sirhan not remember the events surrounding his involvement in RFK's shooting? Mark David Chapman sat down on the ground & started reading a book after shooting Lennon? Notice how the same doctors are involved in these sensationalist cases, over & over? During WWII the OSS & various armies were experimenting with truth drugs & mind control. Operation Bluebird & Operation Artichoke were the predecessors to MK ULTRA. The mind control programs have not stopped. Note the connections to military You can't count on any governmental agency to do an honest investigation? Governments participate in the planning of these events, the cover ups & neglect to investigate. Oswald's murder was the first televised murder in history. Melvin Belli didn't mention how soon he was involved in Ruby's case! Mere days! Max's intuition & research has lead him to believe Oswald's murder was premeditated. West worked fast from Oklahoma to organize a group of psychiatrists to work on Ruby. Jack hadn't been insane before the shooting of Oswald, or after. He was being manipulated. Tom Howard, Ruby's 1st lawyer was involved in Ruby's case within an hour of Oswald’s shooting. Howard was the first person to public ally state that Ruby wasn't in his right mind.  

Hank Harrison - Soaked in Bleach / Books The Dead : A social history of the Haight-Ashbury experienceFebruary 22From the archives the late Hank Harrison joined Ed Opperman to talk about the murder of Kurt Cobain. Why is no one taking his evidence forward?Hank Harrisonis a writer and researcher whose special areas of interest spread widely across a plethora of subjects, but unlike many other researchers, this hasn't dulled his attention to detail in any of them.The father of Courtney Love, he talks candidly to Ed Opperman about his estranged daughters' relationship with Nirvana frontman Kurt Cobain. Cobain had a troubled life suffering from depression and the pressures of being the lead in one of the most iconic bands of the 1990s.Cobain died on April 5, 1994, and was found dead in his Denny-Blaine, Seattle homewith gunshot wounds. Cobain had previously been discharged from hospital and also received visits from Seattle PD as a matter of being a danger to himself. Calls requested from his wife, Courtney Love.Harrison details a story of twists and turns, of half-truths and outright lies that made up the investigation into the singers death and the ramifications that followed; he makes his case, as he does in his book, that Courtney Love had a great deal more to do with the tragedy than either the law or the mainstream media would report.In an almost bizarre symmetry, Denny-Blaine, Seattle is also known as ‘Harrison'.Hank Harrison died in February 2022 with the case still reverberating across the decades. Perhaps we will never know the truth of the matter. But we can, with Hank's legacy of research, make an educated guess.Soaked in Bleach is a 2015 American docudrama directed by Benjamin Statler, who co-wrote and produced it with Richard Middelton and Donnie Eichar.The film details the events leading up to the death of Kurt Cobain, as seen through the perspective of Tom GrantBooks The Dead : A social history of the Haight-Ashbury experience; The Dead by Hank Harrison (1980-10-24)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

The Deadcast concludes its dive into Robert Hunter's 1962 book, The Silver Snarling Trumpet (and its 10th season), exploring teenage Jerry Garcia's adventures with his friends Alan Trist and Brigid Meier in Palo Alto, and how this early scene gave way to the Grateful Dead.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

To celebrate the Deadcast's 100th episode, we begin a 2-part special joined by the co-stars of Robert Hunter's newly-published 1962 book, the Silver Snarling Trumpet, a startling in-the-moment account of his and Jerry Garcia's formative years in Palo Alto.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We are so excited to talk with Americana Showcase Artist Pi Jacobs. Pi has her own roots-rockstyle that she is compelled to share, she doesn't feel like it's a choice, she has to “get it out”.  Pi Jacobs is a lifer. Born in San Francisco's Haight-Ashbury district, she's spent two decadesonstage and on the road, creating a rhythmic, rootsy sound that's every bit asdiverse as her own upbringing.     Pi Jacobs draws inspiration from her unconventional upbringing in “The Land of Weed and Wine” aka Northern California. Blending roots-rock swagger and storytelling soul, hermusic has drawn comparisons to Tom Waits, Dolly Parton, and Lucinda Williams. She has been heard on NPR, DittyTV, Austin Music TV, Americana Highways, American Songwriter Magazine, and regularly on tastemakers KCSN, WFUV and stations across the nation.     Check her out here:  Website: Pijacobs.com  Facebook: Pi Jacobs  IG: Pi Jacobs  YouTube: Pi Jacobs  

The Deadcast uncovers the long-lost tape of the Dead & San Francisco's Sufi Choir at Winterland in 1971, telling its untold story with composer Allaudin Mathieu, finding hidden connections to big band jazz, longform improv comedy, & spirituality, plus an appearance by Wavy Gravy.Guests: Allaudin Mathieu, Wavy Gravy, Michael Parrish, John “Tex” Coate, Erik Davis, Christopher CoffmanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the early 1980s, Suzan and Michael Carson were very worried about witches. They thought there witches all over America, even the President, Ronald Regan, was a witch. And sometimes, in order to defend themselves from the dark magic of witches, they had to kill them. They had to! It was self-defense. This is what they and there defense attorney would actually claim, in court, when they were finally caught and charged with multiple murders. Did I mention that Suzan and Michael were completely out of their minds and regularly taking hallucinogens? They were. Been saving this one for the week of Halloween. Enjoy! True Tales of Hallow's Eve 4. Hope to see you there! Here's the ticket link: https://www.moment.co/scaredtodeathMerch and more: www.badmagicproductions.com Timesuck Discord! https://discord.gg/tqzH89vWant to join the Cult of the Curious PrivateFacebook Group? Go directly to Facebook and search for "Cult of the Curious" to locate whatever happens to be our most current page :)For all merch-related questions/problems: store@badmagicproductions.com (copy and paste)Please rate and subscribe on Apple Podcasts and elsewhere and follow the suck on social media!! @timesuckpodcast on IG and http://www.facebook.com/timesuckpodcastWanna become a Space Lizard? Click here: https://www.patreon.com/timesuckpodcast.Sign up through Patreon, and for $5 a month, you get access to the entire Secret Suck catalog (295 episodes) PLUS the entire catalog of Timesuck, AD FREE. You'll also get 20% off of all regular Timesuck merch PLUS access to exclusive Space Lizard merch. And you get the download link for my secret standup album, Feel the Heat.

The Deadcast crosses the Blue Ridge Mountains for the Dead's only show in Huntington, West Virginia, including close looks at the innovative fashion and LSD scenes then emerging in Dead parking lots, and the conclusion of a rare 1978 interview with Jerry Garcia.Guests: Kathy Sublette, Rob Bleetstein, Bob Wagner, Bob Minkin, Jay Blakesberg, David Lemieux, Steve Silberman, Erik Davis, Annabelle WalshSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast cruises into two April ‘78 shows on Virginia college campuses alongside a pair of chartered buses from New York filled with seething Dead freaks and gets into Jerry Garcia's favorite music and guitar tips from rare interviews.Guests: Sanjay Mishra, Kathy Sublette, Rob Bleetstein, Bob Minkin, Del Ward, Bob Wagner, Nick Morgan, Jon Lerner, John Wehrle, Scott White, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today's episode is about a remarkable conversation I had with a truly remarkable man named Alex. Alex has been a minimalist nomad (or what many would call “homeless”) since undergoing a series of profound psychedelic experiences in San Francisco's Haight-Ashbury district in 1968. This was one of those conversations you are blessed to have which leave such an impression that you can't help but share it with whomever might listen.So listen up, thanks for tuning in, and as Alex did…. Dropping out…

The Deadcast tells the story of the legendary Duke ‘78 show, the unexplored history of the Dead in North Carolina, the first campout at Cameron Indoor Stadium, the mysterious guest percussionist, & the student-run cable station that filmed it.Guests: Peter Coyle, Fred Goldring, Nick Morgan, Joe DiMona, Bob Wagner, Jim Enright, Steve Maizner, Charly Mann, Eric Mlyn, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is a Grave Talks CLASSIC EPISODE! Sure, Haight-Ashbury gave us peace, love, and an endless supply of tie-dye, but did you know it also came with its very own set of ghosts? That's right—the '60s weren't just about flower power; there were some serious paranormal vibes hiding in those Victorian homes. In today's episode, we take a walk through the streets where the counterculture blossomed and meet the spirits who decided to stick around long after the Summer of Love ended. They're not all peace and love. Tommy Netzband discusses his book, Haunted Haight: Ghosts and True Crime Tales from Haight-Ashbury and Beyond. This is Part Two. You can get Haunted Haight: Ghosts and True Crime Tales from Haight-Ashbury and Beyond through Amazon. You can also get the book on his website as well as information about the Haunted Haight Ghost Hunting Tour and Haunted Haight Pub Crawl at hauntedhaight.com. Become a GRAVE KEEPER and get access to ALL of our EPISODES - AD FREE, BONUS EPISODES & ADVANCE EPISODES!!! Sign up through Apple Podcast Channel or Patreon. Sign up through Apple Podcasts or Patreon http://www.patreon.com/thegravetalks

This is a Grave Talks CLASSIC EPISODE! Sure, Haight-Ashbury gave us peace, love, and an endless supply of tie-dye, but did you know it also came with its very own set of ghosts? That's right—the '60s weren't just about flower power; there were some serious paranormal vibes hiding in those Victorian homes. In today's episode, we take a walk through the streets where the counterculture blossomed and meet the spirits who decided to stick around long after the Summer of Love ended. They're not all peace and love. Tommy Netzband discusses his book, Haunted Haight: Ghosts and True Crime Tales from Haight-Ashbury and Beyond. You can get Haunted Haight: Ghosts and True Crime Tales from Haight-Ashbury and Beyond through Amazon. You can also get the book on his website as well as information about the Haunted Haight Ghost Hunting Tour and Haunted Haight Pub Crawl at hauntedhaight.com. Become a GRAVE KEEPER and get access to ALL of our EPISODES - AD FREE, BONUS EPISODES & ADVANCE EPISODES!!! Sign up through Apple Podcast Channel or Patreon. Sign up through Apple Podcasts or Patreon http://www.patreon.com/thegravetalks

The Deadcast pulls into Atlanta's Fox Theatre to explore the Dead's two April ‘78 shows, delving into the local underground music scene with Glenn Phillips of the Hampton Grease Band, as well as rare Jerry Garcia interviews.Guests: Donna Jean Godchaux-MacKay, Glenn Phillips, Steve Maizner, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.