Podcasts about haight ashbury

The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Retail is a challenging business sector due to on line retailers like Amazon for instance. But in San Francisco a unique retail chain located in two iconic and globally famous neighborhoods - the Castro and Haight Ashbury - is successfully showcasing local artists and artisans. It's a business strategy that is paying dividends to its owner and founder Robert Emmons.

Register your feedback here. Always good to hear from you!Turns out, there's not quite enough weeks in the year for me to say everything I have to say about San Francisco. So this week we'll put all the leftovers into a pot and see what comes out -- what if anything was really wrong with hippies; what businesses on the waterfront are closed and whether I care; whether the sound of sea lions is charming, annoying, or both; and whether going to Chinatown is worth yet another mile of walking.Check out Hal on YouTube at https://www.youtube.com/@halhammons9705Hal Hammons serves as preacher and shepherd for the Lakewoods Drive church of Christ in Georgetown, Texas. He is the host of the Citizen of Heaven podcast. You are encouraged to seek him and the Lakewoods Drive church through Facebook and other social media. Lakewoods Drive is an autonomous group of Christians dedicated to praising God, teaching the gospel to all who will hear, training Christians in righteousness, and serving our God and one another faithfully. We believe the Bible is God's word, that Jesus died on the cross for our sins, that heaven is our home, and that we have work to do here while we wait. Regular topics of discussion and conversation include: Christians, Jesus, obedience, faith, grace, baptism, New Testament, Old Testament, authority, gospel, fellowship, justice, mercy, faithfulness, forgiveness, Twenty Pages a Week, Bible reading, heaven, hell, virtues, character, denominations, submission, service, character, COVID-19, assembly, Lord's Supper, online, social media, YouTube, Facebook.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comDavid is a journalist and novelist. He's been at the Washington Post since 1986, serving as editor of the Sunday Outlook section, foreign editor, assistant managing editor for business, and now a foreign affairs columnist. He's also written 12 espionage thrillers — including Body of Lies, which became an A-list movie.For two clips of our convo — on the extrajudicial killings in the Caribbean, and calling out the Biden coverup — head to our YouTube page.Other topics: his dad a WWII vet who became Secretary of the Navy; leaving Harvard to live in Haight Ashbury; covering steel workers for the WSJ; covering the Mideast in the early ‘80s; witnessing the bombing in Beirut; espionage; his first novel turned down by every US publisher; Graham Greene a mentor as writer; his long friendship with Tom Friedman; the US as a unipolar power; the Clinton decade of coasting; the trauma of 9/11; Saddam's torture regime; the Iraq invasion; US torture and black sites; international law waning today; personality cults on the rise; Erdoğan; Trump's “emergencies”; going to war with Venezuela; Hegseth vs. the rules of engagement; the execrable Eddie Gallagher; IDF strikes and AI; Europe reclaiming its security; Putin's covert war against NATO; China and the tariff war; the abdication of Congress; Vought; when democracies become dictatorships; razing the East Wing; the media bubble; Dems unable to call out their failures; lawfare under Biden and Trump; and watching Slow Horses and The Diplomat.Browse the Dishcast archive for an episode you might enjoy. Coming up: Cory Clark on feminized culture, Mark Halperin on US politics, Michel Paradis on Eisenhower, Fiona Hill on Putin's war, and Arthur Brooks on the science of happiness. As always, please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What happens when a psychedelic rock powerhouse trades its counterculture roots for corporate synth-pop glory? We unpack the wild transformation from Jefferson Airplane to Starship—and how “We Built This City” became both a hit and a punchline. This Week's Breakdown: iPhone vs. Android – The eternal war rages on; AC/DC Live – Are the critics right? Groo joins the NY Mets at camp; Way too much Hilaria Baldwin; The Rock's box office slump; Is Endeavor screwing WWE legends? Top 10 most dumped-on car brands; The Vision turns on Seth Rollins and Massive Billy Joel tribute show. Main Event: Birth of Jefferson Airplane; Haight-Ashbury & the counterculture scene; From Airplane to Starship; Yes, we like “Miracles”; The rise (and fall?) of “We Built This City” and Where is Starship now? Plus: John Candy's “I Like Me” and Peacemaker S2 & Superman chatter. Next Time on NWW:

Vrede in het Midden-Oosten: het klinkt als een droom uit de flowerpowerjaren van San Francisco. Maar deze week kwam die droom niet uit de Haight-Ashbury, maar uit Egypte. Donald Trump presenteerde daar zijn vredesakkoord voor Gaza. Maar is Trump wel echt de vredespresident die hij denkt te zijn? Misschien kan hij nog iets leren van San Francisco waar peace and love ooit écht iets betekende. Jan is deze week in de stad die ooit het epicentrum was van de peace and love-beweging, maar nu het domein is van techmiljardairs uit Silicon Valley. De Amerika Podcast is voorgedragen voor de Publieksprijs op de Dutch Podcast Awards. De prijs, dus, waarover alleen de luisteraars beslissen. Breng snel je stem uit. Dat kan hier: https://podcastawards.nl/stemmen/See omnystudio.com/listener for privacy information.

Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is a Grave Talks CLASSIC EPISODE! San Francisco's Haight-Ashbury is famous for tie-dye, flower power, and the iconic Summer of Love, but behind the psychedelic haze of the 1960s lies a darker history few talk about. Author and tour guide Tommy Netzband shares stories from his book Haunted Haight: Ghosts and True Crime Tales from Haight-Ashbury and Beyond. The Victorian houses that once sheltered hippies, musicians, and dreamers have their own secrets — and some of their former residents never truly left. We explore the ghostly legends that linger in these historic streets, where the scent of incense once masked the scent of tragedy. From unsettling murders tied to the counterculture era to the restless spirits still spotted in candle-lit windows, these tales prove that Haight-Ashbury's past isn't all peace, love, and good vibes. Step back into a time of rebellion, music, and unrest — and meet the spirits still keeping watch over the birthplace of a cultural revolution. You can get Haunted Haight: Ghosts and True Crime Tales from Haight-Ashbury and Beyond through Amazon. You can also get the book on his website as well as information about the Haunted Haight Ghost Hunting Tour and Haunted Haight Pub Crawl at hauntedhaight.com. This is Part Two of our conversation. #HauntedHaight #HaightAshburyGhosts #HauntedSanFrancisco #TrueCrimeAndGhosts #Ghosts #HauntedVictorians #SummerOfLoveGhosts #HauntedCalifornia #RealGhostStories #HistoricHauntings #GhostToursSF #ParanormalPodcast Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

This is a Grave Talks CLASSIC EPISODE! San Francisco's Haight-Ashbury is famous for tie-dye, flower power, and the iconic Summer of Love, but behind the psychedelic haze of the 1960s lies a darker history few talk about. Author and tour guide Tommy Netzband shares stories from his book Haunted Haight: Ghosts and True Crime Tales from Haight-Ashbury and Beyond. The Victorian houses that once sheltered hippies, musicians, and dreamers have their own secrets — and some of their former residents never truly left. We explore the ghostly legends that linger in these historic streets, where the scent of incense once masked the scent of tragedy. From unsettling murders tied to the counterculture era to the restless spirits still spotted in candle-lit windows, these tales prove that Haight-Ashbury's past isn't all peace, love, and good vibes. Step back into a time of rebellion, music, and unrest — and meet the spirits still keeping watch over the birthplace of a cultural revolution. You can get Haunted Haight: Ghosts and True Crime Tales from Haight-Ashbury and Beyond through Amazon. You can also get the book on his website as well as information about the Haunted Haight Ghost Hunting Tour and Haunted Haight Pub Crawl at hauntedhaight.com. #HauntedHaight #HaightAshburyGhosts #HauntedSanFrancisco #TrueCrimeAndGhosts #Ghosts #HauntedVictorians #SummerOfLoveGhosts #HauntedCalifornia #RealGhostStories #HistoricHauntings #GhostToursSF #ParanormalPodcast Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

It's a City (with a capital ‘C' to locals) whose cultural history practically hums with musical possibilities. This is due in large part to how the city has always been a meeting point for restless ideas and diverse communities. From the Gold Rush boomtown that lured fortune-seekers from every continent, to the Beat poets of North Beach and the psychedelic counterculture that turned Haight-Ashbury into a world stage, it's been an easy mark for songwriters. This week's show will visit that blend of beauty, grit and idealism with performances for and about San Francisco. Join us for a whole batch of vintage sounds covering any old genre we care to share with the likes of Harry “The Hipster” Gibson, Little Walter, Charlie Musselwhite, Linda Martell, and, of course, Tony Bennett. We'll celebrate from a short distance away with memories of Broadway, the fog rolling through the Golden Gate, and that endless palette of imagery and mood that is a living chorus always ready to be set to music.

The Great Disarmament Part 11: Fallout & Flower Powers. As nuclear fire darkened the sky, a global peace movement took root. This episode explores the cultural birth of The Great Disarmament—from Hiroshima to Haight-Ashbury, from anti-war protests to international arms control treaties, from monks on fire to flowers in rifles. We mark the year 1963—the year of the Limited Nuclear Test Ban Treaty—as the beginning of The Great Disarmament. Not the beginning of bombs. But the beginning of refusal. This turning point in Cold War history reminds us that resistance is not the opposite of despair. It is the antidote. Featuring the words of Dr. Martin Luther King Jr. and the voice of Kurt Vonnegut through Slaughterhouse-Five, we trace how conscience, courage, and creative protest began to build a counterweight to destruction—and a new peace culture began to rise. Download the Peace Resource Guide: AvisKalfsbeek.com/PeaceGuide Follow my Kickstarter: AvisKalfsbeek.com/Kickstarter Get the books: aviskalfsbeek.com

The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On August 9, 1995, Jerry Garcia — the guitarist, singer, and spiritual leader of the Grateful Dead — died of a heart attack at the age of 53 in a California rehab facility. In a career that spanned three decades, Garcia became one of the most iconic figures of the counterculture, guiding the Dead from the psychedelic streets of Haight-Ashbury to stadiums packed with devoted Deadheads. With his warm voice, improvisational guitar work, and unassuming presence, Garcia helped define the sound of an era while creating a community that stretched far beyond music. Hosts: Jason Beckerman & Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Deadcast examines how Franklin's Tower bucked every trend on Blues For Allah to become one of the Dead's all-time classics, including a tape of its studio creation, a look into the multi-tracks, & a rare line-by-line breakdown by lyricist Robert Hunter himself.Guests: David Lemieux, Geoff Gould, Jürgen Fauth, Shaugn O'Donnell, Chadwick Jenkins, Will Backstrom, Max Ritchie, Hannah GrabbensteinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It might not be Halloweentown yet, but it's never too early to visit St. Helens! This week, our hosts Game and FiG are heading to Oregon. It's August 23rd, 1969 and The Grateful Dead are playing at Pelletier Farm as part of the Bullfrog 3 Festival. Along the way, discussions abound about 710 Haight Ashbury, Tom Constanten's GoFundMe, and the Bullfrog 3 Festival. Hard To Handle Mama Tried >  High Time Casey Jones Easy Wind Sittin On Top Of The World Dark Star >  St. Stephen >  The Eleven > Turn On Your Love Light And We Bid You Good Night

The Deadcast uses Blues For Allah's complicated instrumental Slipknot! to explore the musical and creative ambiguity the Grateful Dead pursued in early 1975, when there both was and wasn't a Grateful Dead, & their public reemergence at Bill Graham's S.N.A.C.K. benefit that March.Guests: David Lemieux, Ned Lagin, Ron Rakow, Steve Brown, Gary Lambert, Joan Miller, Jay Kerley, Chadwick Jenkins, Shaugn O'Donnell, Melvin BackstromSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textWhat a Long Strange Trip It's Been. A Return to Amoeba Records brought together the Love & Haight for Vinyl....The Vinyl Tour Bus Makes all The Stops:Tales Of A Rock-A-RollaMusical History ToursRock Music TriviaGeneral MayhemTune In, Turn On & Rock Out

The Grateful Deadcast points itself towards 1975 to begin a song-by-song celebration of Blues For Allah's 50th anniversary, loaded with raw session tapes, early lyric drafts, & the story of how the Dead built a new studio, musical language, batch of songs, & LP from the ground up. Guests: David Lemieux, Donna Jean Godchaux-MacKay, Ron Rakow, Stephen Barncard, Ned Lagin, Steve Brown, Gary Lambert, Keith Eaton, Shaugn O'Donnell, Chadwick Jenkins, Matt CampbellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Grateful Deadcast visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended. This bonus episode is a re-run of the 2nd half of Deadcast Season 9, episode 8.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, , Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, Brian AndersonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Good Ol' Grateful Deadcast is thrilled beyond all audible frequencies to begin its 12th season by welcoming Dan Healy, the Grateful Dead's in-house sound wizard for most of their career, for tales from three decades in pursuit of high and higher fidelity.Guest: Dan HealySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bilal Mahmood became the first Muslim American elected to the San Francisco Board of Supervisors last year. Now, Mahmood is proposing controversial legislation to put homeless shelters in each supervisorial district throughout the city. Scott is joined in studio by Mahmood, who represents the city's fifth district including the Haight-Ashbury, Fillmore, Western Addition and Tenderloin neighborhoods.     Learn more about your ad choices. Visit megaphone.fm/adchoices

Four years out of law school, and she's taking on the entire U.S. Department of Justice? Meet Cindy Cohn, the attorney who turned a Haight-Ashbury party connection into one of the most pivotal legal victories in internet history. As Executive Director of the Electronic Frontier Foundation—the world's leading digital rights organization—Cindy commands a team of 125 lawyers, technologists, and activists fighting the surveillance state daily. She spills the brutal truth about encryption backdoors threatening global security, why the "nothing to hide" argument crumbles in 2025's political reality, and how well-intentioned laws become authoritarian weapons. From tactical Signal advice to border crossing strategies, Cindy shares the security practices she actually uses while exposing how the UK's encryption demands could destroy privacy worldwide. This conversation will shatter your assumptions about online privacy and arm you with the knowledge to fight back against the surveillance state while revealing EFF's urgent mission to reclaim our digital democracy.---Guy Kawasaki is on a mission to make you remarkable. His Remarkable People podcast features interviews with remarkable people such as Jane Goodall, Marc Benioff, Woz, Kristi Yamaguchi, and Bob Cialdini. Every episode will make you more remarkable.With his decades of experience in Silicon Valley as a Venture Capitalist and advisor to the top entrepreneurs in the world, Guy's questions come from a place of curiosity and passion for technology, start-ups, entrepreneurship, and marketing. If you love society and culture, documentaries, and business podcasts, take a second to follow Remarkable People.Listeners of the Remarkable People podcast will learn from some of the most successful people in the world with practical tips and inspiring stories that will help you be more remarkable.Episodes of Remarkable People organized by topic: https://bit.ly/rptopologyListen to Remarkable People here: **https://podcasts.apple.com/us/podcast/guy-kawasakis-remarkable-people/id1483081827**Like this show? Please leave us a review -- even one sentence helps! Consider including your Twitter handle so we can thank you personally!Thank you for your support; it helps the show!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Author and long-time Grateful Dead publicist, Dennis McNally, joins us to discuss the iconic San Francisco Haight-Ashbury counterculture movement of the 60s. How it began, the many whose belief built it, and its lasting impact almost six decades later.Purchase a copy of The Last Great Dream: How Bohemians Became Hippies and Created the Sixties Visit Dennis McNally's website ---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Psych-Out (1968)  AIP Production # 6719 / 6802Jeff and Cheryl drop into the Haight-Ashbury scene and Psych-Out.  Directed by Richard Rush Screenplay by E. Hunter Willett and Betty Ulius Story by E. Hunter Willett Produced by Dick Clark  Starring: Susan Strasberg as Jenny Davis Dean Stockwell as Dave Jack Nicholson as Stoney Bruce Dern as Steve Davis Max Julien as Elwood Adam Roarke as Ben Henry Jaglom as Warren Linda G. Scott as Lynn I.J. Jefferson as Pandora Tommy Foanders as Wesley Ken Scott as Preacher Gary Marshall as Plainclothesman John Cardos as Thug Gary Kent as Thug Leader The Seeds as Themselves Strawberry Alarm Clock as Themselves A Dick Clark ProductionAn American International Release View the Psych-Out trailer here.You can stream Psych-Out on YouTube, for now...   Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store.Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

Enjoying the Ride: On TourThe Deadcast season finale hits shows at 3 legendary venues, exploring Dick Latvala's transformative experience at Red Rocks ‘79, Hollie Rose's tour journal, the wonders of the Alpine Valley parking lot, & when Shakedown Street got its name.Guests: David Lemieux, Jay Kerley, Hollie Rose, Rebecca Adams, Bill Lemke, Phil Garfinkel, Jim Jonze, Tom Ryan, Art Moss, Lisa Hitchcock, David Van Divier, Scott Bauer, Julie Dock, Mobile SteeleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, I talk with pioneering psychiatrist Dr. Bernard Beitman to explore his powerful new book Life-Changing Synchronicities: A Doctor's Journey of Coincidence and Serendipity. Together, we dive into the mysterious territory where chance meets meaning, and where the fabric of reality seems to momentarily rearrange itself to deliver meaningful messages.Dr. Beitman shares deeply personal stories of uncanny coincidences that shaped his life, from football field premonitions in Delaware to mind-expanding moments in 1960s Haight-Ashbury. We talk about his time in San Francisco during a cultural revolution, how psychedelic experiences opened his perception, and how those early glimpses of connection and mystery evolved into a lifelong exploration of synchronicity.We also explore the Mandela Effect, and consider whether these might represent a kind of collective synchronicity… or something even stranger. Is reality shifting beneath our feet, or are we catching glimpses of a deeper, interconnected consciousness at work?Synchronicity, serendipity, purpose, and the invisible threads that shape a life, and more!An incredible episode.. Drop in!www.coincider.comDr. Bernard Beitman Bio:Bernard Beitman, M.D., a graduate of Yale Medical School, did his psychiatric residency at Stanford University. The former chair of psychiatry of the University of Missouri-Columbia Medical School for seventeen years, he writes a blog for Psychology Today and is the author of Meaningful Coincidences. The founder of The Coincidence Project, he lives in Charlottesville, Virginia. Hosted on Acast. See acast.com/privacy for more information.

The day has come. Fifteen and a half years, over 200,000 images came into Pixels from around the world. We published 34,000 of them. We had a moment in the sun. It was like the Haight-Ashbury the year BEFORE the Summer of Love. The terrible iPhone camera, the buggy apps. But what a community! All the experimentation; we were making up as we went along. I'm grateful to all the artists from all over the world. You can find the book, PIXELS AT AN EXHIBITION at: LULU HARDCOVER https://www.lulu.com/account/projects/p6y4y78 APPLE BOOKS: https://books.apple.com/us/book/the-rise-fall-of-the-honeybun-empire/id6737652788     

The Deadcast cruises down the eastern seaboard, including stops in Hartford, Hampton, Philadelphia, and Landover, featuring touring tips, another police chase, & a visit to the White House.Guests: David Lemieux, Sam Cutler, Dennis Alpert, Tyler Roy-Hart, David Leopold, John Leopold, Rebecca Adams, Brian Schiff, Gary Lambert, Chris Goodspace, Winslow Colwell, Scott Jones, Chad EylerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast makes a beeline for the northeast, focusing on shows from legendary venues in the Manhattan and Boston areas included on the new Enjoying the Ride box, including ESP experiments, weed smuggling, free jazz titans, multiple police chases, and more.Guests: David Lemieux, Ron Rakow, Sam Cutler, Richie Pechner, Allan Arkush, Ned Lagin, Gary Lambert, Blair Jackson, Stanley Krippner, Rebecca Adams, Johnny Dwork, John Scher, Michael Simmons, Tyler Roy-Hart, Henry K, Howie Levine, Kenny Schiff, Debbie RondeauSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dennis McNally was the Grateful Dead's publicist in the mid-‘80s, one of many reasons why he's supremely qualified to write his new book about the birth of the counterculture in America's West and East Coast and Britain. ‘The Last Great Dream: How Bohemians Became Hippies And Created the Sixties', a celebration of music, beat poetry, radical thinking, free speech and artistic liberty, seems even more precious now in the light of recent events. All sorts are discussed here, these being some of the highlights …  … how the Summer of Love of ‘67 actually happened in the Fall of ‘66 in Haight-Ashbury. … “rigid, stagnant, terrifying”: early ‘60s America before the revolution.  … the three key cities that “experimented with freedom”. ... how San Francisco “cherished strangeness” and had a self-proclaimed ruler, Emperor Norton, who created his own currency. … how the Grateful Dead - “the ultimate example of the bohemian pulse writ large in music” – spent $1m building a sound system when they were earning $125 a week. … the influence of Private Eye, Beyond The Fringe and That Was The Week That Was on British culture. And of Lenny Bruce, the Hungry I club, Bill Cosby, Woody Allen and Mort Sahl in America. … how Rebel Without A Cause and the Wild One helped establish the West Coast as rebellious. … “there are two flags of freedom – one to make as much money as possible, the other to be as open-minded and thoughtful about everything”. … Eisenhower said “in God we trust!” But which God? … the entire security for the 25,000 crowd at the Human Be-In in Golden Gate Park was two mounted policemen. … “nothing is more fun than researching”. ... how the counter-culture was created with very little money or technology. Order the Last Great Dream here: https://www.amazon.co.uk/Last-Great-Dream-Bohemians-Hippies/dp/0306835665Help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Dennis McNally was the Grateful Dead's publicist in the mid-‘80s, one of many reasons why he's supremely qualified to write his new book about the birth of the counterculture in America's West and East Coast and Britain. ‘The Last Great Dream: How Bohemians Became Hippies And Created the Sixties', a celebration of music, beat poetry, radical thinking, free speech and artistic liberty, seems even more precious now in the light of recent events. All sorts are discussed here, these being some of the highlights …  … how the Summer of Love of ‘67 actually happened in the Fall of ‘66 in Haight-Ashbury. … “rigid, stagnant, terrifying”: early ‘60s America before the revolution.  … the three key cities that “experimented with freedom”. ... how San Francisco “cherished strangeness” and had a self-proclaimed ruler, Emperor Norton, who created his own currency. … how the Grateful Dead - “the ultimate example of the bohemian pulse writ large in music” – spent $1m building a sound system when they were earning $125 a week. … the influence of Private Eye, Beyond The Fringe and That Was The Week That Was on British culture. And of Lenny Bruce, the Hungry I club, Bill Cosby, Woody Allen and Mort Sahl in America. … how Rebel Without A Cause and the Wild One helped establish the West Coast as rebellious. … “there are two flags of freedom – one to make as much money as possible, the other to be as open-minded and thoughtful about everything”. … Eisenhower said “in God we trust!” But which God? … the entire security for the 25,000 crowd at the Human Be-In in Golden Gate Park was two mounted policemen. … “nothing is more fun than researching”. ... how the counter-culture was created with very little money or technology. Order the Last Great Dream here: https://www.amazon.co.uk/Last-Great-Dream-Bohemians-Hippies/dp/0306835665Help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Dennis McNally was the Grateful Dead's publicist in the mid-‘80s, one of many reasons why he's supremely qualified to write his new book about the birth of the counterculture in America's West and East Coast and Britain. ‘The Last Great Dream: How Bohemians Became Hippies And Created the Sixties', a celebration of music, beat poetry, radical thinking, free speech and artistic liberty, seems even more precious now in the light of recent events. All sorts are discussed here, these being some of the highlights …  … how the Summer of Love of ‘67 actually happened in the Fall of ‘66 in Haight-Ashbury. … “rigid, stagnant, terrifying”: early ‘60s America before the revolution.  … the three key cities that “experimented with freedom”. ... how San Francisco “cherished strangeness” and had a self-proclaimed ruler, Emperor Norton, who created his own currency. … how the Grateful Dead - “the ultimate example of the bohemian pulse writ large in music” – spent $1m building a sound system when they were earning $125 a week. … the influence of Private Eye, Beyond The Fringe and That Was The Week That Was on British culture. And of Lenny Bruce, the Hungry I club, Bill Cosby, Woody Allen and Mort Sahl in America. … how Rebel Without A Cause and the Wild One helped establish the West Coast as rebellious. … “there are two flags of freedom – one to make as much money as possible, the other to be as open-minded and thoughtful about everything”. … Eisenhower said “in God we trust!” But which God? … the entire security for the 25,000 crowd at the Human Be-In in Golden Gate Park was two mounted policemen. … “nothing is more fun than researching”. ... how the counter-culture was created with very little money or technology. Order the Last Great Dream here: https://www.amazon.co.uk/Last-Great-Dream-Bohemians-Hippies/dp/0306835665Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

I've been in London this week talking to America watchers about the current situation in the United States. First up is Edmund Fawcett, the longtime Economist correspondent in DC and historian of both liberalism and conservatism. Fawcett argues that Trump's MAGA movement represents a kind of third way between liberalism and conservatism - a version of American populism resurrected for our anti-globalist early 21st century. He talks about how economic inequality fuels Trumpism, with middle-class income shares dropping while the wealthy prosper. He critiques both what he calls right-wing intellectual "kitsch" and the left's lack of strategic vision beyond its dogma of identity politics. Lacking an effective counter-narrative to combat Trumpism, Fawcett argues, liberals require not only sharper messaging but also a reinvention of what it means to be modern in our globalized age of resurrected nationalism. 5 Key Takeaways* European reactions to Trump mix shock with recognition that his politics have deep American roots.* Economic inequality (declining middle-class wealth) provides the foundation for Trump's political appeal.* The American left lacks an effective counter-narrative and strategic vision to combat Trumpism.* Both right-wing intellectualism and left-wing identity politics suffer from forms of "kitsch" and American neurosis.* The perception of America losing its position as the embodiment of modernity creates underlying anxiety. Full TranscriptAndrew Keen: Hello everybody, we are in London this week, looking westward, looking at the United States, spending some time with some distinguished Englishmen, or half-Englishmen, who have spent a lot of their lives in the United States, and Edmund Fawcett, former Economist correspondent in America, the author of a number of important books, particularly, Histories of Liberalism and Conservatism, is remembering America, Edmund. What's your first memory of America?Edmund Fawcett: My first memory of America is a traffic accident on Park Avenue, looking down as a four-year-old from our apartment. I was there from the age of two to four, then again as a school child in Washington for a few years when my father was working. He was an international lawyer. But then, after that, back in San Francisco, where I was a... I kind of hacked as an editor for Straight Arrow Press, which was the publishing arm of Rolling Stone. This was in the early 70s. These were the, it was the end of the glory days of Haight-Ashbury, San Francisco, the anti-war movement in Vietnam. It was exciting. A lot was going on, a lot was changing. And then not long after that, I came back to the U.S. for The Economist as their correspondent in Washington. That was in 1976, and I stayed there until 1983. We've always visited. Our son and grandson are American. My wife is or was American. She gave up her citizenship last year, chiefly for practical reasons. She said I would always feel American. But our regular visits have ended, of course. Being with my background, my mother was American, my grandfather was American. It is deeply part of my outlook, it's part of my world and so I am always very interested. I read quite a bit of the American press, not just the elite liberal press, every day. I keep an eye on through Real Clear Politics, which has got a very good sort of gazetteer. It's part of my weather.Andrew Keen: Edmund, I know you can't speak on behalf of Europe, but I'm going to ask a dumb question. Maybe you'll give me a smarter answer than the question. What's the European, the British take on what's happening in America? What's happened in this first quarter of 2025?Edmund Fawcett: I think a large degree of shock and horror, that's just the first reaction. If you'll allow me a little space, I think then there's a second reaction. The first reaction is shock and terror, with good reason, and nobody likes being talked to in the way that Vance talked to them, ignorantly and provocatively about free speech, which he feels he hasn't really thought hard enough about, and besides, it was I mean... Purely commercial, in largely commercial interest. The Europeans are shocked by the American slide from five, six, seven decades of internationalism. Okay, American-led, but still internationalist, cooperative, they're deeply shocked by that. And anybody who cares, as many Europeans do, about the texture, the caliber of American democracy and liberalism, are truly shocked by Trump's attacks on the courts, his attacks on the universities, his attack on the press.Andrew Keen: You remember, of course, Edmund, that famous moment in Casablanca where the policeman said he was shocked, truly shocked when of course he wasn't. Is your shock for real? Your... A good enough scholar of the United States to understand that a lot of the stuff that Trump is bringing to the table isn't new. We've had an ongoing debate in the show about how authentically American Trump is, whether he is the F word fascist or whether he represents some other indigenous strain in US political culture. What's your take?Edmund Fawcett: No, and that's the response to the shock. It's when you look back and see this Trump is actually deeply American. There's very little new here. There's one thing that is new, which I'll come to in a moment, and that returns the shock, but the shock is, is to some extent absorbed when Europeans who know about this do reflect that Trump is deeply American. I mean, there is a, he likes to cite McKinley, good, okay, the Republicans were the tariff party. He likes to say a lot of stuff that, for example, the populist Tom Watson from the South, deeply racist, but very much speaking for the working man, so long as he was a white working man. Trump goes back to that as well. He goes back in the presidential roster. Look at Robert Taft, competitor for the presidency against Eisenhower. He lost, but he was a very big voice in the Republican Party in the 1940s and 50s. Robert Taft, Jr. didn't want to join NATO. He pushed through over Truman's veto, the Taft-Hartley bill that as good as locked the unions out, the trade unions out of much of the part of America that became the burgeoning economic America, the South and the West. Trump is, sorry, forgive me, Taft, was in many ways as a hard-right Republican. Nixon told Kissinger, professors are the enemy. Reagan gave the what was it called? I forget the name of the speech that he gave in endorsing Barry Goldwater at the 1964 Republican Convention. This in a way launched the new Republican assault on liberal republicanism. Rockefeller was the loser. Reagan, as it were, handed the palm to Rocket Goldwater. He lost to Johnson, but the sermon they were using, the anti-liberal went into vernacular and Trump is merely in a way echoing that. If you were to do a movie called Trump, he would star, of course, but somebody who was Nixon and Reagan's scriptwright, forgive me, somebody who is Nixon and Reagan's Pressman, Pat Buchanan, he would write the script of the Trump movie. Go back and read, look at some of Pat Buchanan's books, some of his articles. He was... He said virtually everything that Trump says. America used to be great, it is no longer great. America has enemies outside that don't like it, that we have nothing to do with, we don't need allies, what we want is friends, and we have very few friends in the world. We're largely on our, by our own. We're basically a huge success, but we're being betrayed. We're being ignored by our allies, we're being betrayed by friends inside, and they are the liberal elite. It's all there in Pat Buchanan. So Trump in that way is indeed very American. He's very part of the history. Now, two things. One is... That Trump, like many people on the hard right in Europe, is to some extent, a neurotic response to very real complaints. If you would offer a one chart explanation of Trumpism, I don't know whether I can hold it up for the camera. It's here. It is actually two charts, but it is the one at the top where you see two lines cross over. You see at the bottom a more or less straight line. What this does is compare the share of income in 1970 with the share of the income more or less now. And what has happened, as we are not at all surprised to learn, is that the poor, who are not quite a majority but close to the actual people in the United States, things haven't changed for them much at all. Their life is static. However, what has changed is the life for what, at least in British terms, is called the middle classes, the middle group. Their share of income and wealth has dropped hugely, whereas the share of the income and wealth of the top has hugely risen. And in economic terms, that is what Trumpism is feeding off. He's feeding off a bewildered sense of rage, disappointment, possibly envy of people who looked forward, whose parents looked forward to a great better life, who they themselves got a better life. They were looking forward to one for their children and grandchildren. And now they're very worried that they're not those children and grandchildren aren't going to get it. So socially speaking, there is genuine concern, indeed anger that Trump is speaking to. Alas, Trump's answers are, I would say, and I think many Europeans would agree, fantasies.Andrew Keen: Your background is also on the left, your first job was at the New Left Reviews, you're all too familiar with Marxist language, Marxist literature, ways of thinking about what we used to call late-stage capitalism, maybe we should rename it post-late-stage-capitalism. Is it any surprise, given your presentation of the current situation in America, which is essentially class envy or class warfare, but the right. The Bannonites and many of the others on the right fringes of the MAGA movement have picked up on Lenin and Gramsci and the old icons of class warfare.Edmund Fawcett: No, I don't think it is. I think that they are these are I mean, we live in a world in which the people in politics and in the press in business, they've been to universities, they've read an awful lot of books, they spend an awful lot of time studying dusty old books like the ones you mentioned, Gramsci and so. So they're, to some extent, forgive me, they are, they're intellectuals or at least they become, they be intellectualized. Lenin called one of his books, What is to be Done. Patrick Deneen, a Catholic right-wing Catholic philosopher. He's one of the leading right-wing Catholic intellectuals of the day, hard right. He named it What is To Be Done. But this is almost kitsch, as it were, for a conservative Catholic intellectual to name a book after Vladimir Lenin, the first Bolshevik leader of the Russian Revolution. Forgive me, I lost the turn.Andrew Keen: You talk about kitsch, Edmund, is this kitsch leftism or is it real leftism? I mean if Trump was Bernie Sanders and a lot of what Trump says is not that different from Sanders with the intellectuals or the few intellectuals left in. New York and San Francisco and Los Angeles, would they be embracing what's happening? Thanks, I've got the third again.Edmund Fawcett: No, you said Kitsch. The publicists and intellectuals who support Trump, there is a Kitsch element to it. They use a lot of long words, they appeal to a lot of authorities. Augustine of Hippo comes into it. This is really kind of intellectual grandstanding. No, what matters? And this comes to the second thing about shock at Trump. The second thing is that there is real social and economic dysfunction here that the United States isn't really coping with. I don't think the Trumpites, I don't think the rather kitschy intellectuals who are his mature leaders. I don't think they so much matter. What I think matters here is, put it this way, is the silence of the left. And this is one of the deep problems. I mean, always with my friends, progressive friends, liberal friends, it's terribly easy to throw rocks at Trump and scorn his cheerleaders but we always have to ask ourselves why are they there and we're here and the left at the moment doesn't really have an answer to that. The Democrats in the United States they're strangely silent. And it's not just, as many people say, because they haven't dared to speak up. It's not that, it's a question of courage. It's an intellectual question of lacking some strategic sense of where the country is and what kinds of policy would help get it to a better place. This is very bleak, and that's part of, underlies the sense of shock, which we come back to with Trump after we tell ourselves, oh, well, it isn't new, and so on. The sense of shock is, well what is the practical available alternative for the moment? Electorally, Trump is quite weak, he wasn't a landslide, he got fewer percentage than Jimmy Carter did. The balance in the in the congress is quite is quite slight but again you could take false comfort there. The problem with liberals and progressives is they don't really have a counter narrative and one of the reasons they don't have a counter-narrative is I don't sense they have any longer a kind of vision of their own. This is a very bleak state of affairs.Andrew Keen: It's a bleak state of affairs in a very kind of surreal way. They're lacking the language. They don't have the words. Do they need to reread the old New Left classics?Edmund Fawcett: I think you've said a good thing. I mean, words matter tremendously. And this is one of Trump's gifts, is that he's able to spin old tropes of the right, the old theme music of the hard right that goes back to late 19th century America, late 19th century Europe. He's brilliant at it. It's often garbled. It's also incoherent. But the intellectuals, particularly liberals and progressives can mishear this. They can miss the point. They say, ah, it doesn't, it's not grammatical. It's incoherent. It is word salad. That's not the point. A paragraph of Trump doesn't make sense. If you were an editor, you'd want to rewrite it, but editors aren't listening. It's people in the crowd who get his main point, and his main point is always expressed verbally. It's very clever. It's hard to reproduce because he's actually a very good actor. However, the left at the moment has nothing. It has neither a vocabulary nor a set of speech makers. And the reason it doesn't have that, it doesn't have the vocabularies, because it doesn't have the strategic vision.Andrew Keen: Yeah, and coming back to the K-word you brought up, kitsch. If anything, the kitsch is on the left with Kamala Harris and her presentation of herself in this kitschification of American immigration. So the left in America, if that's the right word to describe them, are as vulnerable to kitsch as the right.Edmund Fawcett: Yes, and whether it's kitsch or not, I think this is very difficult to talk to on the progressive left. Identity politics does have a lot to answer for. Okay, I'll go for it. I mean, it's an old saying in politics that things begin as a movement, become a campaign, become a lobby, and then end up as a racket. That's putting it much too strongly, but there is an element in identity politics of which that is true. And I think identity politics is a deep problem for liberals, it's a deep problem for progressives because in the end, what identity politics offers is a fragmentation, which is indeed happened on the left, which then the right can just pick off as it chooses. This is, I think, to get back some kind of strategic vision, the left needs to come out of identity politics, it needs to go back to the vision of commonality, the vision of non-discrimination, the mission of true civic equality, which underlay civil rights, great movement, and try to avoid. The way that identity politics is encouraged, a kind of segmentation. There's an interesting parallel between identity politics and Trumpism. I'm thinking of the national element in Trumpism, Make America Great Again. It's rather a shock to see the Secretary of State sitting beside Trump in the room in the White House with a make America it's not a make America great cap but it says Gulf of America this kind of This nationalism is itself neurotic in a way that identity politics has become neurotic.Andrew Keen: Yeah, it's a Linguistic.Edmund Fawcett: Neurosis. Both are neurotic responses to genuine problems.Andrew Keen: Edmund, long-time viewers and listeners to the show know that I often quote you in your wonderful two histories of conservatism and liberalism when you, I'm not sure which of the books, I think it may have been in conservatism. I can't remember myself. You noted that this struggle between the left and the right, between liberalism and conservatives have always be smarter they've always made the first move and it's always been up to the liberals and of course liberalism and the left aren't always the same thing but the left or progressives have always been catching up with conservatives so just to ask this question in terms of this metaphorical chess match has anything changed. It's always been the right that makes the first move, that sets the game up. It has recently.Edmund Fawcett: Let's not fuss too much with the metaphor. I think it was, as it were, the Liberals made the first move for decades, and then, more or less in our lifetimes, it has been the right that has made the weather, and the left has been catching up. Let's look at what happened in the 1970s. In effect. 30-40 years of welfare capitalism in which the state played ever more of a role in providing safety nets for people who were cut short by a capitalistic economy. Politics turned its didn't entirely reject that far from it but it is it was said enough already we've reached an end point we're now going to turn away from that and try to limit the welfare state and that has been happening since the 1970s and the left has never really come up with an alternative if you look at Mitterrand in France you look at Tony Blair new Labor in you look at Clinton in the United States, all of them in effect found an acceptably liberal progressive way of repackaging. What the right was doing and the left has got as yet no alternative. They can throw rocks at Trump, they can resist the hard right in Germany, they can go into coalition with the Christian Democrats in order to resist the hard right much as in France but they don't really have a governing strategy of their own. And until they do, it seems to me, and this is the bleak vision, the hard right will make the running. Either they will be in government as they are in the United States, or they'll be kept just out of government by unstable coalitions of liberal conservatives and the liberal left.Andrew Keen: So to quote Patrick Deneen, what is to be done is the alternative, a technocracy, the best-selling book now on the New York Times bestseller list is Ezra Klein, Derek Thompson's Abundance, which is a progressive. Technocratic manifesto for changing America. It's not very ideological. Is that really the only alternative for the left unless it falls into a Bernie Sanders-style anti-capitalism which often is rather vague and problematic?Edmund Fawcett: Well, technocracy is great, but technocrats never really get to do what they say ought to be done, particularly not in large, messy democracies like Europe and the United States. Look, it's a big question. If I had a Leninist answer to Patrick Deneen's question, what is to be done, I'd be very happy to give it. I feel as somebody on the liberal left that the first thing the liberal left needs to do is to is two things. One is to focus in exposing the intellectual kitschiness, the intellectual incoherence on the one hand of the hard right, and two, hitting back in a popular way, in a vulgar way, if you will, at the lies, misrepresentations, and false appeals that the hard-right coasts on. So that's really a kind of public relations. It's not deep strategy or technocracy. It is not a policy list. It's sharpening up the game. Of basically of democratic politics and they need to liberals on the left need to be much tougher much sharper much more vulgar much more ready to use the kinds of weapons the kinds of mockery and imaginative invention that the Trumpites use that's the first thing the second thing is to take a breath and go back and look at the great achievements of democratic liberalism of the 1950s, 60s, 70s if you will. I mean these were these produced in Europe and the United States societies that by any historical standard are not bad. They have terrible problems, terrible inequities, but by any historical standard and indeed by any comparative standard, they're not bad if you ask yourself why immigration has become such a problem in Western Europe and the United States, it's because these are hugely desirable places to live in, not just because they're rich and make a comfortable living, which is the sort of the rights attitude, because basically they're fairly safe places to live. They're fairly good places for your kids to grow up in. All of these are huge achievements, and it seems to me that the progressives, the liberals, should look back and see how much work was needed to create... The kinds of politics that underpinned that society, and see what was good, boast of what was and focus on how much work was needed.Andrew Keen: Maybe rather than talking about making America great again, it should be making America not bad. I think that's too English for the United States. I don't think that should be for a winner outside Massachusetts and Maine. That's back to front hypocritical Englishism. Let's end where we began on a personal note. Do you think one of the reasons why Trump makes so much news, there's so much bemusement about him around the world, is because most people associate America with modernity, they just take it for granted that America is the most advanced, the most modern, is the quintessential modern project. So when you have a character like Trump, who's anti-modernist, who is a reactionary, It's bewildering.Edmund Fawcett: I think it is bewildering, and I think there's a kind of bewilderment underneath, which we haven't really spoken to as it is an entirely other subject, but is lurking there. Yes, you put your absolutely right, you put your finger on it, a lot of us look to America as modernity, maybe not the society of the future, but certainly the the culture of the future, the innovations of the future. And I think one of the worrying things, which maybe feeds the neurosis of Make America Great Again, feeds the neurosis, of current American unilateralism, is a fear But modernity, talk like Hegel, has now shifted and is now to be seen in China, India and other countries of the world. And I think underlying everything, even below the stuff that we showed in the chart about changing shares of wealth. I think under that... That is much more worrisome in the United States than almost anything else. It's the sense that the United States isn't any longer the great modern world historical country. It's very troubling, but let's face it, you get have to get used to it.Andrew Keen: The other thing that's bewildering and chilling is this seeming coexistence of technological innovation, the Mark Andreessen's, the the Musk's, Elon Musk's of the world, the AI revolution, Silicon Valley, who seem mostly in alliance with Trump and Musk of course are headed out. The Doge campaign to destroy government or undermine government. Is it conceivable that modernity is by definition, you mentioned Hegel and of course lots of people imagine that history had ended in 1989 but the reverse was true. Is it possible that modernity is by-definition reactionary politically?Edmund Fawcett: A tough one. I mean on the technocracy, the technocrats of Silicon Valley, I think one of their problems is that they're brilliant, quite brilliant at making machines. I'm the machinery we're using right here. They're fantastic. They're not terribly good at. Messy human beings and messy politics. So I'm not terribly troubled by that, nor your other question about it is whether looming challenges of technology. I mean, maybe I could just end with the violinist, Fritz Kreisler, who said, I was against the telegraph, I was against the telephone, I was against television. I'm a progressive when it comes to technology. I'm always against the latest thing. I mean, I don't, there've always been new machines. I'm not terribly troubled by that. It seems to me, you know, I want you to worry about more immediate problems. If indeed AI is going to take over the world, my sense is, tell us when we get there.Andrew Keen: And finally, you were half-born in the United States or certainly from an American and British parent. You spent a lot of your life there and you still go, you follow it carefully. Is it like losing a lover or a loved one? Is it a kind of divorce in your mind with what's happening in America in terms of your own relations with America? You noted that your wife gave up her citizenship this year.Edmund Fawcett: Well, it is. And if I could talk about Natalia, my wife, she was much more American than me. Her mother was American from Philadelphia. She lived and worked in America more than I did. She did give up her American citizenship last year, partly for a feeling of, we use a long word, alienation, partly for practical reasons, not because we're anything like rich enough to pay American tax, but simply the business of keeping up with the changing tax code is very wary and troublesome. But she said, as she did it, she will always feel deeply American, and I think it's possible to say that. I mean, it's part of both of us, and I don't think...Andrew Keen: It's loseable. Well, I have to ask this question finally, finally. Maybe I always use that word and it's never final. What does it mean to feel American?Edmund Fawcett: Well, everybody's gonna have their own answer to that. I was just... What does it mean for you? I'm just reading. What it is to feel American. Can I dodge the question by saying, what is it to feel Californian? Or even what is to be Los Angelino? Where my sister-in-law and brother-in-law live. A great friend said, what it is feel Los Angeles you go over those mountains and you put down your rucksack. And I think what that means is for Europeans, America has always meant leaving the past behind.Edmund Fawcett was the Economist‘s Washington, Paris and Berlin correspondent and is a regular reviewer. His Liberalism: The Life of an Idea was published by Princeton in 2014. The second in his planned political trilogy – Conservatism: The Fight for a Tradition – was published in 2020, also by Princeton University Press. The Economist called it ‘an epic history of conservatism and the Financial Times praised Fawcett for creating a ‘rich and wide-ranging account' that demonstrates how conservatism has repeated managed to renew itself.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

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