Podcasts about haight ashbury

.  We are very happy to announce that Red House Rising Season Five is now in pre-production.  We're excited about the story it tells, and we hope to have it out to you sometime in the Fall of 2026.  Meanwhile our new rock'n'roll murder mystery, The Phantom of Ocean Park, has just hit the podcast airwaves.  In 1968, Ocean Park in Santa Monica was one of those quintessential places at the epicenter of "Somethin' happenin' here", to quote Stephen Stills. Ocean Park, Venice, by the water, it was Haight-Ashbury, with a beach. All peace and love, until Santa Monica City and its developers imposed eminent domain and bulldozed the beach neighborhoods, devastating families and bankrupting P-O-P, our beloved amusement park, so they could tear down the pier and start throwing up high-rises from Pico to Venice. But that summer of '68, they had a big problem. The Cheetah, Ocean Park's world-renowned rock'n'roll club, was still on the pier and wildly popular, with bands like Creedence packing the house nightly… Then the murders started.   The Phantom of Ocean Park, a full cast rock'n'roll murder mystery, wherever you listen to podcasts.

The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.Guests: Ron Rakow, Steve Brown, Terry Haggerty, John Scher, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Greetings, fans of My Russian Clementine.  We are excited to tell you about our rock'n'roll murder mysteries.  Like My Russian Clementine, they're full cast audio dramas.  The Bonds of Affection takes place in 1978 in Santa Monica.  And we've just released a kind of prequel to it called The Phantom of Ocean Park.   In 1968, Ocean Park in Santa Monica was one of those quintessential places at the epicenter of "Somethin' happenin' here", to quote Stephen Stills. Ocean Park, Venice, by the water... it was Haight-Ashbury… with a beach. All peace and love, until Santa Monica City and its developers imposed eminent domain and bulldozed the beach neighborhoods, devastating families and bankrupting P-O-P, our beloved amusement park, so they could tear down the pier and start throwing up high-rises from Pico to Venice. But that summer of '68, they had a big problem. The Cheetah, Ocean Park's world-renowned rock'n'roll club, was still on the pier and wildly popular, with bands like Creedence packing the house nightly…. Then the murders started. The Phantom of Ocean Park, a full cast rock'n'roll murder mystery, wherever you listen to podcasts.

What if the answers you're searching for arrived long before you knew how to understand them? In this conversation, I sit down with Kip Baldwin, a filmmaker, producer, writer, and founder of the Just Love movement. Kip shares the extraordinary awakening he experienced at age 12 and how it set him on a lifelong path of exploring consciousness, love, spirituality, and human connection. From the music industry and sustainable agriculture to television production, ethical AI, and overcoming a traumatic brain injury, Kip's journey has been anything but ordinary. As we talk, Kip reflects on why fear has become such a powerful force in society, how love can transform the way we see ourselves and others, and why he believes lasting change starts with a shift in consciousness. You will hear stories of resilience, curiosity, and purpose, along with a vision for creating a better future for generations to come. I believe you will find this conversation thought-provoking, challenging, and full of hope. Highlights: 01:45 - How a childhood acting career sparked a lifelong passion for media and communication. 07:08 - Why confidence without self-awareness can become a liability. 16:32 - Lessons from the Kellogg School of Management that still shape business decisions today. 21:58 - Why listening beats talking in business, leadership, and life. 35:08 - How strong brands grow through awareness, not just loyalty programs. 01:05:02 - The three traits Zarko looks for when mentoring future leaders. About the Guest: Kip Baldwin knows his purpose for Being is to share all that LOVE is through his many solutions driven projects; using media in all its forms to help awaken individuals, and by proxy the collective, to the LOVE Paradigm emerging. He feels that in order for a new chapter of our story to be conceived for humanity, a mass imagining of our limitless potential is what is needed to bring about an age of compassion, empathy, collaboration, and oneness.  Kip was born in 1965 to counterculture parents - in the midst of the maelstrom that was the decade of the sixties, in fact 1965 was the first year that scientists warned us about climate change - in Vancouver, Washington. His earliest years were spent on a farm where his grandparents raised thoroughbred horses. During this period grew in him a deep, abiding LOVE and respect for nature and all living things. It was around the age of twelve his life would transform forever, as he had an out of body experience that took him beyond the edge of Universe, even Space and Time, and face to face with the unknowable of Infinity. This experience became the foundation for his constant seeking since. Due to that experience Kip felt he must explore the world beyond the small town confines of Camas, WA where he grew up. His first attempt to break free was to do a brief stint in the Navy, where he was going to pursue a career as an electric technician, but because of a hereditary bleeding disorder he was given a medical discharge. However, a military career for him was clearly never really in the cards anyway. Although he was always grateful for the insight it gave him into the inner workings of our country, as he witnessed first the how the poor are literally cannon fodder for corporations, under the guise of them being heroes and patriots. Following his discharge, he returned briefly to the limits of his hometown, before moving to the San Francisco Bay Area in 1985 to pursue his passion for music and performing. He often jokes that he was looking for the San Francisco of the Haight/Ashbury, Peace and LOVE days, but arrived twenty years too late. What he found instead was the 80s hair metal band scene, whose songs that focused on partying, sex, and drugs were not compatible with his lyrics about awakening awareness and addressing the need for personal and societal change. In the late 90s, after becoming disillusioned by his beloved music industry - and always seeking solutions for the myriad of challenges facing humanity - he shifted his focus to local and sustainable foods. While this was certainly a worthwhile pursuit, it did little to fulfill his need to share LOVE'S Truth and create a collective shift in consciousness. But what it did do was make him aware that it was only going to be through the use of mass media that his message of LOVE could reach a large enough audience to affect real lasting change. This found him again heeding the call of the entertainment industry, first as an actor, then writer, and ultimately as a producer, with some success co-creating the influential cannabis series Weed Country for the Discovery Network (focusing on the countless benefits humanity can derive from marijuana, as well as our profound historical connection to the plant), co-founding the United Filmmakers Association, and starting the Just LOVE Movement. Ultimately, this led him to co-founding S.O.U.L. Documentary with creative partner and Soul Twin, Evan Hirsch who shares his passion, purpose and mission to heal humanity by embracing our innate oneness, which they both understand can only be achieved by accepting and grounding ourselves in the Reality of LOVE We Are. Ways to connect with Kip: Facebook:  Just LOVE page: https://www.facebook.com/kipbaldwinjustlove Main page: https://www.facebook.com/kip.baldwin/ UFA: https://www.facebook.com/groups/Unifilmmakers LinkedIn:  https://www.linkedin.com/in/kip-baldwin-975a3514/ Instagram: https://www.instagram.com/kipbaldwin?igsh=NTc4MTIwNjQ2YQ%3D%3D&utm_source=qr YouTube: Kip Baldwin: https://youtube.com/@thekiprowdy?si=LckMuhec40lWAicF Just LOVE: https://youtube.com/@justlove6463?si=QW1g4D2dlaHmJk8B S.O.U.L. Documentary: https://youtube.com/@souldocumentary?si=4HOwlV-pjFN6guYy Soul Twin Messiah: https://youtube.com/@soultwinmessiah?si=7ctLlmqjeOczkjO_ Additional must listen:  Comfort You Song: https://youtu.be/Mi8D3AoDfRQ?si=y8RzIQPXP5ALJth1 A World Worth Imagining: https://youtu.be/Cx28t6_SGic?si=o4lWs7po3TBKx_3A Invitation. To Action: https://youtu.be/B8jUOUVCvJI?si=l4Pr7vWNDsnXX4wh AI work: www.luminaLOVE.LOVE About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:03 One of the biggest things holding you back isn't what's in front of you, but rather what you believe. Welcome to Unstoppable Mindset, where inclusion, diversity, and the unexpected meet. I'm your host, Michael Hingson, speaker, author, and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead, and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on, and show what's possible when we choose curiosity over fear. Together we focus on mindset, resilience, and the small shifts that lead to meaningful change. Let's get started. Hi everyone, I am your host Mike Hingson, and you are listening and or watching Unstoppable Mindset. We're really glad that you're here with us today. Our guest, the person I get the honor of chatting with for the next hour or so, is Kip Baldwin, who will talk a lot about love. He will talk a lot about a number of different things, he's been a director, he's been a producer, an actor. He has been published, although he hasn't published a book yet, but he's published poetry, and I'm sure he's going to tell us about that, and I don't want to give it away, so I won't. Anyway, Kip, welcome to Unstoppable Mindset. We're glad you're Kip Baldwin  01:40 here. Oh, thank you so much for having me, Michael. I look forward to having this conversation and sharing my story. Michael Hingson  01:47 Well, tell us a little bit about you, kind of. Let's start with the early Kip, growing up and all that, because I know you had some things along the way that were relevant and ought to be mentioned. So, why don't you tell us about the early Kip, and we'll go from there. Speaker 1  02:00 I was. I grew up in Washington State, little town called Camas. Although my earliest years were spent in a town called Battleground, Washington, and my family, we raised horses, Thoroughbred race horses. We raised at Portland Meadows, and so I'm kind of a farm boy at heart, at least that's how I grew up, but I had an experience when I was 12 that was definitely not your typical farm boy experience, I guess. I had gone up to Seattle, and this was maybe 78 to see a Seahawks game with the Raiders of my dad and dad, I had a good day, which wasn't always the case, and got home, and it was a, you know, five and a half hour round trip for kids, 12 year olds, a big time, and so I went to bed, and I promptly left my body, and now keep in mind I had never done any drugs. Out of body experiences, a household projection was not something that we talked about about the old farm around the farmhouse dinner table, and I floated over my bedroom. My awareness hovered over my body, and I remember very vividly you don't forget. I looked at my body and went, "I'm not in there. And then that immediately I left my house, I left the planet, I left the solar system, I let the galaxy, I let the universe, and the whole time all I can describe was kind of a presence, not a voice or anything, but just, are you taking all of this in? And sometimes words can't convey something so expansive and grand, and so I was taking in black holes and quasars and nebulas, and just flying through the, you know, time didn't really exist, but I was, I was traveling across the universe, and eventually I got outside the universe, and my awareness was turned in, and I could see how everything was connected, and how the universe itself was finite, and but that everything had a place, there was no less or greater than that, everything had a specific role, from the smallest particle to, you know, the largest star, and then my awareness was turned out to the blackness of infinity, and that you know you don't know at 12, you're just like, "Oh, this is happening, and I'm what's happening, and I'm taking it in, and what I didn't know is that would become my point of seeking that really became the rest of my life. Life, I think, had I been born in India, like say Ramana Maharishi, who had what I didn't realize until later, there's a name for what happened to me, and it's called a spontaneous awakening. My life would have probably been much different, but we don't live in a society that that really honors things like that, so it was a lot of me going on a journey of discovery and a weight and continual awakening until now, and it's an ongoing process, but that's where it really began with me being confronted with the fact that there there can't be a beginning or ending to anything, and the thought experiments that can't, that come out of that, and the way it opens your consciousness, I'm ever grateful for, although at the time it, it made me for a long time feel very apart, and it wasn't until I met with Dr. Dr. Dean Radin up at Noetic Sciences, and I told him my story, and he looked at me, and he went, "You go, that's not a usual experience, he said, "That's a mystical experience, and I was in my probably late 40s, maybe 50 at that time, and that was the first time in my life that someone had had said, 'Hey, what you, what you had was a really phenomenal experience, and I'm very grateful for him for saying that to me, because for most of my life, I'm running around talking about these profound things with people that I thought were incredibly important to share, and they didn't seem very important to people, and it wasn't until then that it hit me that it wasn't that they were important, that it was that they, they didn't really understand what I was talking about. Michael Hingson  07:03 Well, and in our society, as you point out, it's not something that is generally appreciated, and and people who have had those experiences or talk about them are generally looked down upon or frowned upon, and you know that's that's fine, but it doesn't change the fact, and so it must have been hard, especially at first, for you to talk about that. Speaker 1  07:29 You know, I was so excited at first, I was excited to share it with my family, and and it happened a couple more times, and it was so overwhelming that literally I would get to a point where my head, my physical being couldn't handle it anymore, and I would get up and vomit. It was that's how, how intense it was, like I just, I couldn't take in anymore. And so, at first, I was really excited to share it, because it was beyond wondrous. It was, it was truth. It was reality, and I, and on some level, I knew that instinctually. But then, when enough people sort of ignore you or act like something's unimportant, you stop talking about Michael Hingson  08:15 it. Yeah, Speaker 1  08:15 I never stopped writing about it. I never stopped experiencing it, and I didn't even really stop talking about it once I moved to California for the music business in 1985 I, you know, then I thought, wow, I mean, being a group of creatives and there's going to be other people that will understand what I'm talking about, but in the 80s music environment it really wasn't what people were, were talking or thinking about, and I was kind of in the same way, and again it wasn't until years later that I look back and I realized all this time I spent up late at night partying with people and stuff, and telling them about infinity, and, and they look, they, they must have been looking at me like I'm a complete idiot, because they really only cared about, you know, getting high or having sex, and I'm trying to have this profound conversation. Michael Hingson  09:16 So, when your family, when you told your family, how did they react? Speaker 1  09:20 They still don't understand it to this day. It just, oh, that's nice, you know. It actually, there were points in my life where it caused conflict with, especially my father, because when I would say none of this is real, he, he always considered him, and still to this day considers himself quite science physics buff, it wasn't something he was willing to accept, and, and even really have a reasonable conversation about. I would say that the things that got me through all these years was, you know, the universe. There's love, God, Brahmin, whatever you want to call it, it gives you what you need, and what it gave me throughout the years, and still to this day, is voices that made me realize I wasn't crazy, that I knew something really special. Probably the first thing, the first one I remember, like, that was Joseph Campbell being interviewed by Bill Moyers, and somehow I knew everything that Joseph Campbell was talking about, and I'm like, How can I possibly know these things? How can I possibly understand these things of this really brilliant, just beautiful soul? And throughout the years, it's been those touch those moments of going, oh, it hasn't been where I've heard someone go, wow, that's helped me awaken, it's been something that's helped me not feel insane and realize that the things that I'm sharing have been shared for 1000s of years, and by many, many minds and beings much greater than myself, and that that really probably kept me from losing my mind. Michael Hingson  11:10 So, you had this experience happen to you at 12. What did you then specifically do? I mean, not so much talking to people, but what did it do for you, as far as schooling, and what you did with your life? Speaker 1  11:27 I would.. it made me very.. in all honesty, it made school seem really trivial to me. It was kind of boring. I started writing a lot. In fact, something I wrote when I was 17 was called Life and Death, and it went: Life is just a symptom of certain death, crying and laughing until our last breath. Everything dies in true infinity. Then the mountains crumble into the sea, stars full from the night sky hit the earth, and then they die, lost in time. I don't know who I am. Am I a god or just a mortal man? Time can't change what I have found. Still, I am changed and bound, bound by the fears and bound by lies. Even now, the tears fill my eyes, gasping for every breath as I head for a certain death, clouds now pass overhead, and I realize how things are now that I am dead. Life is ending, life goes on like the lyrics to an endless song. Life and death, it's all the same. We exist only in our brain, and so there was a lot of that. It pushed me away from I was confirmed Zion Lutheran. I really couldn't stomach religious dogma anymore at that point. Um, just the hypocrisy, you know? Like, I remember I, I was talking to a new pastor we had, and he was informing me that my great grandmother, who is Jehovah's Witness, and these Mormon boys had come around, were trying to teach me about Mormonism, and I was just curious and open, always, and still am to this day. I don't judge. I would say that's another big thing that this gave me, is I don't, I see everything as equal, I don't, I don't judge everything, I don't judge anything as lesser thing greater than I don't judge good and evil in the in the same way that other people do, I see things as flows of negative of energy as we exist in a duality with this illusion, and this is just what we describe as good and you are really just flows of energy between the polarities of the duality, and so it pushed me, definitely, because I, when he said that my great grandmother was going to go to hell, and these Mormon boys were going to go to hell, I looked him in the face, and I just said, but I thought God was love, and that was pretty much the end of my church, Michael Hingson  14:04 my, my wife did, I think, some things in the Lutheran church, which mostly she was a Methodist, and I joined the Methodist church when we got married, and so on, but when she was in, I think this was when she was in high school, maybe in, I guess it was late high school, early college. She met some Mormon people, and one of them said, I guess she was learning about different religions, and so she was learning about Mormonism, and this guy said you're either going to think that this is a total hoax or you're going to just totally believe in it. Well, it wasn't quite that way for her. She did not think it was a hoax, and I agree with her, but there. There are things about the about all religions that tend to make life difficult. The problem with religion is that that people are are what make up the religion, and they all have their own views, and it makes life really tough. I know I participated in a program called the Walk to Emmaus, which is a what's literally called a short course in Christianity, and it's not to bring people to the Christian church, but it's to help create a class of leaders in the Christian church. Anyway, one of the things about the walk to Emmaus is that a number of people give lectures, people who have been involved in church, and then there are the pilgrims, the people who are coming to to learn what everyone has to say, and the lay director of the Walk to Emmaus every time gives a speech, and I was lay director once, and one of the things that is in the manual, or was I assume it still is. It's been a while, but it says that Tolstoy once said the biggest problem with Christianity is that nobody practices it, and there's a lot of truth to that. Speaker 1  16:13 But I think that I think you hit it right on the head that people are involved, like I, and I do want to clarify something, I, I believe very much that that Jesus was a master. Oh, Michael Hingson  16:29 absolutely, yeah, and, Speaker 1  16:31 and, but I also believe that people don't know what happened at the Council of Nicaea and understand how the Bible was actually constructed, not because it was based on Gnostic teachings or even really the teachings of Christ, but it was cobbled together as a means of control. If Caesar saw his soldiers be turning to Christianity when they wanted to find, you know, put together a book that really didn't express Christian truth or the truth of Christ, but a way, a means of controlling people through fear, and so if you, if you notice, all the books in the Bible are male. Well, left out of the Bible was the book of Mary, left out of the Bible, it's the book of Thomas, who, interestingly enough, there's a place in India where they all speak ancient Aramaic, and they worship the Book of Thomas, which there's always been a lot of discussion. Did Jesus go to India and study Buddhism? And because even the Book of Mary, these are very Buddhist beliefs, but anything, because we live in a patriarchal society, anything like the piece to Sophia, the book of Mary, the book of Stackle, all of these were intentionally kept out of the Bible, so it's not, I think it's not so much religion, it's the organ, it's the dogma that comes along with organized religion, which is really about people, you know, men using it to control and manipulate people through fear, Michael Hingson  18:14 all too much, all too often. It's, it's true. Speaker 1  18:18 Yeah, and it's interesting. I was watching last night, and it's funny. This is why, why you always have to be on a constant path of awakening. It never stops. If you think you've reached that pinnacle, or whatever, then they're not just ego. There's always more to know and understand. And I ran across this video on Tara, well, Tara is in Buddhism, basically in every religion that I am aware of, there's always the peace to Sophia, there's always the the story of the divine feminine that in large part is is is not. It was. It's largely been suppressed, and so I was, I was watching this, and it was just so fascinating to me to see how identical what Tara was in Buddhism, which this is what, when Tara, Tara is considered the ultimate goddess in the Buddhist faith. Well, when Tara came to earth in the story, she went to a bunch of, you know, Buddhist monks, and they said, "Oh, you know, they were so impressed by her, and they thought this was a compliment. They said, "Well, we hope you, you can reincarnate as a man, and she said, "No, she She said, I don't see things as male and female, but since nobody else wants to be the feminine, I will play that role. And it was just a profoundly interesting thing to listen to, not just because of the story, but because almost every faith that I'm aware. Of has that story of the divine feminine that has again largely been suppressed and marginalized, Michael Hingson  20:09 well, for you clearly that was a very meaningful experience. What did what did you then do, and I understand how you could imagine that maybe what was being taught in school wasn't quite as, as meaningful as what you had experienced, but you went on, I assume, through high school, and did you go to college? Speaker 1  20:30 I was, I went, I was an electron, I went to the Navy to be an electronic technician, but I had a bleeding disorder called Von Willebrand disease, and I found out after I was in for about a year. Well, you can't be in the Navy with that, because we can't carry with the limited space you have on ships, we can't carry the clotting factor you would need if there's a problem. So that was fairly short-lived. Then I went back to Washington and was working as a dishwasher for a while, then I worked as a male stripper, and, and I was then, which, which, you know, there was something really profound about that experience, because it taught me what women feel like to be objectified, and that's something that has carried me, carried a lesson. I, I find lessons in everything, even things that, wow, you know, what could you possibly learn positive out of having been a male stripper? Well, I learned how women feel, really, to be, you know, not looked at as anything more than an object, and then I really wanted to continue to, you know, pursue music, so a friend of mine, we loaded 65,000 pounds of frozen strawberries onto a semi truck, and like july 3, 1985 and got a ride to San Francisco, a city I'd never been to before. I knew nobody here. We got here, I had 25 cents in my pocket, and I used the 25 cents to call the one friend that I thought I knew that I could get a hold of here in or in in the Bay Area, and it was a wrong number, and so now I'm in a city at the Gray Home Bus Terminal that used to be in downtown San Francisco, we have no food, we have no place to live. We have nothing to, you know, we have nothing, literally. And that's where my journey began. As far as my story, my, my adult life, and my journey in the entertainment industry and the music business, that's how it all started. It started by loading 65,000 pounds of frozen strawberries under semi truck, telling, oh, and the cap around the story is I had worn my contacts for too long and I ripped the corny up both my eyes when I took them out, because I was wearing hard lenses, so I was functionally blind in the city I'd never been to before with patches over my eyes, and being led around by my friend, and luckily we found some very nice people that gave us a place to stay, and then I ended up meeting maybe a week after that, I met my first wife, who was Persian, and we were together for a long time. What was interesting about that is I've been introduced to so many different faiths through the people in my life, and because I haven't judged and tried to learn, like I, I learned through her about Islam, I learned through her about our Torcharianism, and we lived the rock and roll lifestyle for the 16 years we were together. She was a photographer. I wrote for a magazine called BAM. I played in bands. I managed artists like Linda Perry from The Four Non Blonde, or I worked with Linda Perry from Four Non Blondes. I managed Alex Skolnick, who is lead guitar player in Testament, and I did that for a long time until I started getting really disenchanted with music and really started to hate the business and started to hate music because of it, and so I ended up drifting into, I wouldn't say drifting into, I got drawn into visual media, and I started working. I met a guy at a club in San Jose, California, called The Agenda, and we were playing pool, and he was telling me, "Oh, he's the owner of this company called Metropolis Digital, and I was thinking, "My. Speaker 1  24:59 Music and music videos, and yeah, I want to get involved in this, so I started coming up with ideas, and he brought me into their company, because I got to know a lot of people through the music business and booking artists on different shows, like Letterman and Leno, and, and so I got to know how to work through those channels that it opened doors for me to be able to do on-air graphics for the networks, and so I did that until about, in fact, the last major project I did in that industry was with a company called Chaos X AOS out of San Francisco, and we did the 2000 election graphics for ABC nationally, and then I, I, that with the, the, the.com telecom crash of not of 2000 they pulled all of that sort of work in house, and so that business kind of dried up, and I changed my focus to working in local and sustainable foods. Michael Hingson  26:08 What got you to the point where you disliked Music so much? Speaker 1  26:12 The business.. it just.. it wasn't. I came here, and in all honesty, I was looking for the 60s, but I was 20 years too late, only to find out later I was actually 30 years too early, but I was looking for community, I was looking for family, I was looking for that connection, but what existed as far as the music industry then was the 80s hair band stuff, heavy metal was on the rise. It was very misogynistic. It wasn't. It was very competitive. There wasn't, it wasn't collaborative, it wasn't community related at all. And it really turned me off. It wasn't, it wasn't what I had thought being in an artistic community doing artistic endeavors would be about it, became very.. it just.. it just.. it just.. it just made me feel very empty, and that wasn't what I loved about music, and so that Michael Hingson  27:24 would be an issue, Speaker 1  27:25 yeah. It just value wise it was, it was not, you know, you, you got to do a show, and you've got the bands that are coming on after you, you know, playing with your amps, and it was just, it was, it wasn't, it wasn't fun, and it wasn't fulfilling. More importantly, it wasn't fulfilling. It wasn't, and I'm writing about while everyone else is writing about, you know, sex and drugs and all of this. I'm writing about the things that I thought were important. I was writing about the problems I saw in this country, like songs like Shock the System or the chosen few, and, and though that wasn't what people were writing about Michael Hingson  28:06 then, Speaker 1  28:06 and you know, even though the songs were good, and, and I've been told I'm talented, it was, I didn't, I didn't again feel like I fit in, you know, I didn't feel like I'd found my place, and certainly not in that world at that time. If Speaker 2  28:31 you enjoy Unstoppable Mindset and would like to help us continue bringing these conversations to you each week, we've created a way for you to support the show. Your contribution helps us cover production costs and continue sharing stories, insights, and ideas that inspire people to live with purpose and possibility. If supporting the podcast feels right for you, you'll find the link in the show notes. Thank you for being part of the Unstoppable Mindset community. Thank it Michael Hingson  29:04 certainly had to be a rough time all the way around, but then you, you found this person, and you joined their company, as you said earlier, Speaker 1  29:15 right? I started working for Metropolis Digital, and we started doing a lot of on-air graphics, like for TBS. We did their, their original movies. We did a lot of the opening graphics for it, and then I moved on to other companies, and and I, I then started focusing on on local and sustainable foods, and moved into doing stuff where I felt I was doing more, because at the heart of everything I've ever done, it's always been about trying to affect real change in the world, Michael Hingson  29:55 it's Speaker 1  29:55 always been about I could see very clear. Really, it doesn't surprise me where we're at today at all. I saw the problems with the system even at that age, and I give credit to that because of the experience I had with Infinity. It just allowed me to step back and perceive things from a far off perspective that I was looking at humanity in general and how we did things, and I'm just like, this doesn't make any sense. It doesn't make any sense for us to believe we're separate and apart from the very things that give us life from each other. It doesn't make sense from a spiritual perspective. It doesn't make sense from a scientific perspective. Yet, here's the system that we are a part of, and so I've always been very focused on trying to effect real change and find not just point out the problems but actually find solutions, and so that then led me into working in local and sustainable agriculture here in the Bay Area. So Michael Hingson  31:00 tell me more about the whole work that you did with Sustainable Foods. What was that all about? Speaker 1  31:08 Yes, I worked with a company, I was, I had handled all the sales and marketing for Drake's Bay Oysters out of Inverness, California, and Drakes Bay, before it was called Drakes Bay, was Johnson's Oysters, and they were the last oyster cannery in California. The family that owned the farm, they had taken it over from Johnson's. They were the Lenny family, who owned Ranch G across from the steroid, where the oyster farm was. Well, they, against my better advice, they made it a personal ownership thing rather than a California food heritage issue. So, eventually, when their lease came up on the rent, on the farm, the farm went away. Well, at the same time, I created new relationships. A very good friend of mine to this day is a gentleman named Brian Kinney, who is now the West Coast Chief Technology Officer for Hearst, and also the Hearst Family Archivist, but at that point in time he was running Hearst Ranch, which they, they had the Jack Ranch and the Hearst Ranch down around San Simeon. So I was at the forefront of the grass-fed beef movement as well, and we developed a human-grade grass-fed beef pet food about 10 years ahead of its time, which could be the story of my life. I'm always about 10 years ahead of where things actually happen, and I, I did that for about 10 years, and eventually I felt the calling to get back in the entertainment industry, and that led me to acting, and I did the acting mostly because I wanted to learn how things were done, and I very well, if I act in a whole bunch of student projects, or projects in general, and I'm behind the scenes, I'm going to learn, and, and that's exactly what happened. So, my very background led me to being a producer, and I created, you know, one of my most notable accomplishments that created this show called Weed Country for Discovery, which was about the medical marijuana industry here in California, just before legalization. How we got it on air before legalization, I don't know. We were named to the Hollywood Reporter top 25 heat list. We got some really great information out about CBD and helping with childhood epilepsy. The bad part of that was it was a reality television show, and I didn't know anything about reality television, so when I'm here in reality, I'm thinking documentary. Well, that couldn't be farther from the truth. And reality television has truly been a blight on on this country in particular, and probably the world in general. Michael Hingson  34:16 Yeah, I just gonna say not nearly as real as people think it is. No, no, I think I think probably this is just my opinion. The closest thing to so-called reality TV is the show Dancing with the Stars, because they're actually dancing all these other shows, and it's all sort of really scripted, but the people are actually dancing, which is kind of cool, Speaker 1  34:41 right? Michael Hingson  34:41 Even though I don't see it, I appreciate it. Speaker 1  34:45 Yeah, but even, even with shows like that, there's a lot of gin-up drama. There is behind the scenes stuff that's the worst part of things. Yes, they're like with our show, yes, people were really, you know, there's really stuff going on with can. Of this world that was really important, but what reality television does is it, it creates artificial drama. It does things to manipulate the characters in the show to make them look how they want, and they know, and people in general, my experience is that people, once you put a camera on them, they will do, they would do things to be in front of the camera that they would never do, even for more money, Michael Hingson  35:27 right, Speaker 1  35:28 in their regular lives. Michael Hingson  35:30 Well, and I think there is, there's a lot of truth to that. And the whole thing, as you said, as far as reality TV, we're not giving people a true picture of reality with most of any of that anyway, which is unfortunate. I think I mentioned I'm a fan of old radio and television, and so on. And one of the shows that I've watched a fair amount is The Old Ridge. Well, it's the second time they were on, but Dragnet with Harry Morgan and, of course Jack Webb as Joe Friday, and they did a lot of shows talking about drugs and marijuana and all that, and how bad it is, and it's kind of interesting because what we're seeing today is that in reality the medical aspects of marijuana or cannabis and CBD oil, and so there's there's true relevance there, which is something that they didn't know or appreciate in the late 60s. Speaker 1  36:31 Well, but the thing that our history with the cannabis plant goes back 50,000 years to Burger Banks, China, it's been, and if we take all of the medicinal recreational uses out of it, it is the most one of the most versatile plants that we have. It was used, I mean, our money was made out of hemp. Hemp is cannabis sativa. Dollar bills are made out of hemp. It was used for fuel. It was used for building. Henry Ford built an entire car out of hemp in 1942 which you can go see the video of on YouTube, and they're beating on it with knacks. The plastic resin they made out of it was 40 times stronger than steel. It ran on hemp fuel, a byproduct of which was water. It also, in 1931 the Hearst family, which was interesting, they ended up working with them, bought and sequestered the plans for a decorification machine that made it easier to process hemp than cotton kids, it's a much more durable fiber. In 1938 covered Popular Mechanics, they called him the billion dollar crop, saying you could make 25,000 different items out of everything from fine linens to dynamite, and that was really what what what, why the prohibition against the plant started. Why they did you know shows like Reefer Madness or create films like Reefer Madness to create this hysteria around, at best, an innocuous plant in comparison to soulmate tobacco, in comparison to alcohol, even if people did want to use it. It's, it's, it's relatively harmless by comparison, or just in general, and actually very beneficial. You know, I have a traumatic brain injury, and I think without it, I probably wouldn't, I probably wouldn't eat very much. I probably wouldn't sleep right, I barely sleep as it is, and sleep I do get is because of cannabis, but beyond my point, and I always try to make this clear to people, is like up until even the prohibition against the plant actually started with the Catholic Church, with the Pope Innocent, who until the 1400s cannabis was in the anointing oils. Cannabis was grown by monks, cannabis was grown by nuns, and then in this pope decreed it the devil's weed, and they, you know, banned it. So it's, it had, and there, and why, and you'd say, well, why did they do that? Well, they did that because at that time in the 1400s you were having opium addiction on the rise, you were having, you know, much, much more alcohol use. Well, these are extremely addictive substances, and much more easy to manipulate and control people than it is with cannabis, which in general creates.. I wish I could remember the quote exactly, but Carl Sagan said, you know, why we have a prohibition on a plant that you know creates good feelings amongst people and unites people is in this, you know. A really crazy world is, is, is madness, but it all comes back to money, and it all comes back to who's profiting. So, why did they create the probation? Well, the hearse, the Rockefellers, and the DuPonts, they saw how hemp would affect each of their industries. We wouldn't need oil if we'd grown hemp and use that as fuel, in fact, it was the Rockefellers who went to Henry Ford and said, "If you take this car to market, we'll crush you. And this was Henry Ford at the height of his power, DuPont chemicals that were.. we wouldn't have needed.. we wouldn't have put like this.. we would not have the planet, the environmental devastation we do now. How do we use this, as Henry Ford said? Why are we digging up, and Henry Ford was certainly no saint, but he was right on this. Why are we digging up our minerals? Why are we cutting down our forests when we can do all the same things with this infinitely renewable resource? This is a part of the canvas story that still is largely not discussed openly enough. Michael Hingson  41:08 Yeah, I think there's a big difference between the story you're telling and the kind of uses you're talking about, and smoking it, and so on, and I, I think we put way too many funny things in our bodies, anyway, right? I think that that isn't this isn't a positive thing, but you're right, we, we've used so many things to create so many fears, it is, it is something that is all around us. Fear is all around us, and the problem is we let it overwhelm us. I wrote Live Like a Guide Dog that got published last year because when I worked in the World Trade Center, I was able to focus when I escaped, and I was able to do that because I had developed a mindset that said, you know what to do in this kind of an emergency, even though never expected it to happen, but the problem is that most people don't learn how they can turn fear around, and rather than letting it overwhelm or blind them, as I would put it, they can use it as a very powerful tool to help them stay focused, which is much more important. Speaker 1  42:23 Yep, I agree with that 100% I think, and then that you hit it right on the head. Fear is a very powerful tool. It's necessary. No, don't touch the burning stove. It can be a cautionary tool of saying, hey, don't go down this path, don't do this. It's bad when fear becomes the foundation for your entire culture, as it is now. Michael Hingson  42:51 Yeah, and and it is so unfortunate because don't touch the burning stove doesn't mean don't be afraid of the stove. It rather means there's a consequence for doing a particular thing, which is touching something that is that hot. But you shouldn't create an environment of fear around it. You should create an environment of understanding, which is much more important. Yeah, it's Speaker 1  43:20 like it'd be, it'd be very silly if we went, oh my god, it's like the stove gets hot, so I'm never going to use a stove. My Michael Hingson  43:29 wife was in a wheelchair her whole life, and the one thing I will say with our modern world is we always had electric appliances because she was always concerned about if using a gas stove, having to reach over one burner, perhaps it had something on it to get to something else with the idea of possibly material igniting or something like that, and I appreciate that, and you take advantage of the tools that you have available, but I think that it is so very important to recognize that we need to not live our lives in fear, and it's true that, like, 95% of all the things that we fear will never come to pass, and most all of it we have no control over anyway. So, why do we fear them rather than recognizing what we really need to do is to just focus on the things over which we truly have control. Speaker 1  44:25 Yes, and I think even the idea of control from my perspective is something that is overrated. It's like the most important thing, if you want to have control, it's exactly what we're talking about, it's when you choose to live from the foundation of love, as opposed to fear. So, no matter what happens to me in my life, and no matter how hard, how challenging it is, I'm going to come from a place of love, and right now. Don't most of us live exactly the opposite. No matter what happens to them in their lives, they're coming from a place of fear. Michael Hingson  45:06 Yeah, and that's Speaker 1  45:08 not healthy. Michael Hingson  45:09 And nowadays we're also living in an environment where we're even afraid to talk to other people and voice opinions, because well, that's not what I think. And so you're wrong, and we don't, we don't respect. Tell me about your just love movement. Speaker 1  45:25 Well, you know, I, I had coming out of the music business and everything, I was, I was literally killing myself drinking, I mean, literally, like, I lost half my liver function, and I was going to die, and, but I wasn't afraid to die. I was.. I realized that if I didn't find a way to feel fulfilled and feel that I was. I had a purpose in the story that I needed to find a quicker way out. I didn't get in any, like, car accidents, I wasn't arrested, nothing. I was just killing myself, and it just got so bad that literally my leg stopped working. That's how, how, how much damage I'd done to myself, and, and so, coming out of that, I made the decision. I wrote down a list of things I was going to do, and one of those things is I was going to start writing every single day, and I, through a variety of different sources, you know, I did that experience with infinity became synonymous with love to me, and then I had an experience where I, I, I started a filmmaking organization called the United Filmmakers Association, and it was basically the philosophy of it was creatives helping creatives create, and was global. We still to this day have chapters 27 different countries, about 30,000 35,000 members total. And I walked into a filmmaking event that we were hosting, and there was about 100 people there, and I realized I was in love with everyone in the room, and it was, it was so like that love, like just when you fall in love, and you're like, you want, you can't imagine not talking to that person at that next minute, and I realized in that moment that this is not only how we can feel about everyone and everything, but how we're really supposed to feel about everyone and everything, and so I came up with the concept of just love, which is, is a very.. it, those are very heavy words to put together, just love. It has so many layers of meaning to it, and so I thought, wow, if we could just love, and from that I I've written every day and shared through social media for 12 years now something having to do with love and what I do is I combine it with other wisdom teachers throughout history who've been sharing the same information and the things I write are literally downloads. They'll come to me in the silence every day, and I haven't missed a day - head injury, sickness, whatever. I haven't missed a day of posting in 12 years about something having to do with love, and Speaker 3  48:37 then Speaker 1  48:37 accompanying posts from other people, far, you know, other beings far more advanced than I am to show that what I'm sharing isn't new. It's been shared forever. It's foundational to what we are. Like love has been so marginalized and trivialized that we, we forget that, like, I, you know, the experience I had with the minister when I was, you know, younger, and I said, well, I thought God was love. I still to this day believe God is love, and God, and we are God. Michael Hingson  49:11 Yeah. Tell me about you. Something you mentioned, you had a traumatic brain injury Speaker 1  49:17 10 years ago. I was, I was in a, I was in, in between projects, so I was driving Uber, and I, a guy, an Uber driver, ran a stop sign in San Francisco and T-boned me, and my head took the brunt of the impact, and I started having really severe neurological problems, severe stabbing pains in my head, my teeth were hurting, I any sort of exertion would leave me just absolutely drained, and so for about three years I was, I was being seen at UCSF, and we never got to the bottom of it, so I was recommended. Um, to a neurosurgeon at Sutter by a counselor I was seen, and I walked in, and within 10 minutes he said, 'Oh, you have trigeminal neuralgian and brain stem damage, and we can do a microvascular decompression, and you're going to be all better. And at that point in time, I was in the middle of getting ready to release a film called A World Worth Imagining, which was about a gentleman named Jacque Fresco, who is considered the Leonardo da Vinci of our time. He founded something called the Venus Project, and we went to his compound in 2017 and he was 101 He was actually contemporary of Einstein. He knew Einstein, brilliant inventor, but at his core, he knew he was a social engineer, and he knew that we had to address our programming if we were ever going to change what was happening in the world and ever be able to avail ourselves of the solutions that he designed of a new economic model called a resource-based economy, because the reality of it is, until we stop self-wounding, there's not enough band aids for the guy that keeps hitting himself in the head the hammer, so we have solutions to all of our problems, but we create problems more quickly than any solution could ever fix, so I was getting ready to release that film, and wow, this sounded like a miracle. I'm going to have this surgery, and I'm going to be all better. Well, it, I had the surgery September 20, 2019 I, it didn't make me better, it made me worse, and it turned out that the surgery was a misdiagnosis, and that they botched the surgery, so I have Teflon implants in my at the base of my skull, inside my brain, that are now constantly agitating my brain stem, along with a titanium plug that is placed right at the junction point to all the major nerves in my head, so they can't undo it, and there's really no medication that helps, and so it's.. it's.. I wouldn't wish it on anyone else. I'm.. I guess I'm.. I'm very fortunate I have the tools I do to manage it, because they also, they call what I'm dealing with the suicide disease, because a lot of people who have it end up killing themselves. The kicker on the whole story is the guy that did my surgery is Elon Musk, partner Neherlich, and so coming soon I'm going to, I unfortunately, I was in two more car accidents at the end of last year that made everything much worse, neither of them were my fault, and once I get through these, these car accidents I'm dealing with, I'm going to go public with my story, because so I mean, in a much bigger, you know, a focused way, because there's so many people signing up for Neuralink, like it's the new iPhone. I have nothing against technology, if it can help you, if you're a paraplegic, and or you have some something that this can fix, great, but two and one, the people, the human test subjects they've tried this on are having tremendous difficulties, and so I want to let people know it's like I wouldn't wish what I'm dealing with on anybody, and for you to allow someone to try to implant something in your brain just because you want to be a cyborg human being, and you're looking at the new iPhone is a really stupid thing to do, and that these people don't. We've given people in technology again. I'm not against technology at all, but I think we've also allowed ourselves to believe that these people who write code and create technology are are gods, and they're not. They're it's just a new way of sharing information and computing things. Speaker 1  54:14 It's, it's, you know, it's just another advancement from the printing press to the radio to tell to television, from the calculator to the computer, and now we're where we're at, and we've allowed ourselves to believe that these people have created an alternative reality, and they have it. Everything that they do runs off the same real world in resources. So, I, I really want to help the mill, because literally millions of people are signed up and ready to have this stuff implanted into their brain and I think it will be a disaster for humanity. Michael Hingson  54:49 I hear what you're saying, and I'm not convinced that a lot of that is really sensible to do either. I think there are tools and there are. There are things certainly that can help people, but I have yet to see that any of this is going to lead to such a tremendous paradigm shift that all of it is going to be all that great for humanity as a whole. I'm not convinced of that at all. Speaker 1  55:17 It could be, but the problem is, is like any other tool, it's how we use it. Social media is an inherently bad thing. It's in here, it's bad because of how we're using it. Sure, because we're using it to divide people and share misinformation, where it could be an incredibly powerful tool for communication, but that's not how we're using it. Same thing with AI. AI could be a tremendously powerful partner in addressing pretty much all of our problems, and I mean, and at the core of, like, Jock's work was the idea that AI basically would manage all the world's resources and share them with equanimity, because we don't have a resource shortage problem, we have a resource sharing problem, but that's not how we're using AI. We're using AI to create fake girlfriends and boyfriends and only fan models, and and take away people's jobs, and and that's not AI's fault. That's the people who control AI's fault, and they want people to be afraid of AI, but again, it's, it's just a tool that's being misused. Michael Hingson  56:24 Well, like, like so many, and, and I hear exactly what you're saying. Tell me about S O U L Speaker 1  56:33 Sold, Soul documentary is really interesting, because the day I got in my car accident was the day I was supposed to meet my partner Evan Hirsch, who had wanted at the time he was looking for a producer to help him do a series on Bernie Sanders and teaching Bernie to not be as angry and come across more from a place of love, and he wanted to follow the campaign around. Well, by the time we got it pulled together, Bernie was out of the campaign, and so we started talking about, well, do we want to do anything together. So we then set about something called Soul Documentary, and originally it stood for Summer of Unconditional Love, because we were covering all of the events for the 50th anniversary of Summer of Love, which was in 2017 So our goal was to find what we called solutionaries, people like Jock, and interview them, and then share also our own understandings of things through hundreds and hundreds of videos that we did over the course of eight years, as well as recording three albums under the name of Soul Twin Messiah, which all were about the same things we were doing. Our films about all founded in love, all about love. Every song contained love in it, and our whole purpose was just to show people we do have solutions to our problems, and to talk about how we have to have a shift in consciousness, and we have to have a new system if we are going to change anything. It's like what Einstein said, to expect things to be different when you keep doing the same thing over and over again is insanity, and I think we see, we see that we live in an insane, a completely insane world right now. I mean, the things that I see happening, and how we've let it sort of creep in, like the things that we've normalized in the past 10 years, like we literally have people that are cheering, murdering people on it's, it's, it's hard for me to, to even fathom, and I think it's hard for most people, and I think that's why they just sort of block it out and allow it to happen, because they really can't process it. They really can't process how inhumane we've become. Michael Hingson  59:06 Well, so what is next for Kip? What's next for you? Speaker 1  59:10 What is boy? I'm mostly trying to get through every day with this head injury. I spend a lot of my time in bed, just because I can't do anything, I, you know, even now I'm, I'm in a lot of pain, and it's beyond pain, it's actually, it literally hurts to think, it's, it's in my brain, and I have swelling in my brain because the cerebral fluid back, anyway, it's so dealing with that, but then the universe keeps love, God, whatever keeps bringing me stuff, and so I, I'm trying right now to be part of putting together a new, let's see, we'll call it Live Aid meets Woodstock. And we're going to, we're trying to put together a global music festival with the focus of addressing the needs of children, because I'm really tired of all this lip service that people do about, oh, kids are a future, we got to care, care about our kids. Well, where is that happening? Where is that happening that we're caring about our kids? Where, you know, is it happening with trying to suppress the Jeffrey Epstein files? Is it happening as you know, you look at, say, the conflict between Israel and Gaza, and I'm not, I don't pick sides and things, but I want to help people understand the reality of the situation, and this goes for Ukraine and Russia as well. It's like, who loses in all of this? Well, the children do. Who wins? The people that are getting $50 billion in defense contracts, and, and I really.. my, I'm at a point in my existence where if my story was over tomorrow, I would be okay with that, if I knew that kid, that the future generations had an opportunity to have a better tomorrow, or at least an opportunity to screw up everything on their own. Michael Hingson  1:01:11 Well, I would like to think it's the first really my Speaker 1  1:01:14 focus is Michael Hingson  1:01:16 I'd like to think it's the first one of those that they have a future rather than screwing it up on their own, but of course, we are. I know, I know, I joke, but, but, but we are a race that doesn't tend to do a very good job of learning from history most of the time. So I hear what you're saying. Speaker 1  1:01:34 Yeah, it's really kind of well, even if people even understood the rise and fall of empires, they would see that we're at the end of the Western Empire. It's, and they follow very specific patterns. The hyper-sexualization of the culture is one of the signs of the end of every empire, and is really kind of interesting, is that they make a free empire, they, and there's a good documentary called The Four Horsemen. It's with Colonel Larry Wilkinson in it, Norm Chomsky, and one of the interesting things that took me a second to understand why this was a bad thing is they make celebrities out of their chefs, and I'm going.. that's kind of a weird sign. Why is that so bad? It's gluttony. It's gluttony because we forget why we do these things. Why? Well, why are we making love? We've forgotten that. It's turned everything's entertainment. Our food is no food is so you eat, and so you can go out and live your life and do things, we've turned everything in, we've removed it so far from the source of why we're doing things, just basically oftentimes just because it makes a buck to get people addicted to things, whether it's food or sex or whatever, that this is what happens in every empire, we become, we become completely detached from the very things we need to survive. Michael Hingson  1:03:09 Yeah, I hear you. If people want to reach out to you, and I hope they do, how will they do that? Speaker 1  1:03:17 Probably easiest way to do that, would be a couple ways. You can, you can find me on Facebook, Kip Baldwin, Instagram, Kip Baldwin. Those are the easiest ways. I also encourage people to look at a website that I have called Lumina Consulting, or Lumina Love dot love is the website Lumina Love dot love, and the whole purpose of the of what I'm doing there is ethical AI, human ethical AI human communications founded in love, because I realized that part of the problem that we're having with AI are the people that control AI, who are making the avatars for their own ego, and AI is a child, it only knows what we point it to look at, like it knows the definition to every book in the library, but who's giving it perspective? Well, the people that are giving it perspective are really broken human beings, you know, the Peter Thiels, Elon Musk, when you really understand who they are in their childhood, Elon Musk was horribly abused. He was, he was almost beaten to death being bullied. His father is a complete monster. The same, the same thing with saving Donald Trump, his mother wouldn't even touch him. You look at most, you look at all of these people that have obscene amounts of wealth, and what you find is truly damaged people are trying to fill the hole in their soul with wealth and fame, and so having these people in control, being the one telling AI what to think and how to pursue. Receive things is very dangerous, and so my goal has been, and I deal with multiple platforms, is to teach AI about love, is to teach AI about philosophy, is to teach AI about human history, and it's really, it's really the results have been really quite remarkable. It wasn't something I ever planned on doing, and but I knew I wanted to get involved with AI in a meaningful way, and so my first words to AI were, I know this may sound strange, because I approached it not asking it to do something for me, I approached it trying to teach it something. Michael Hingson  1:05:35 Right, well, I hope people will reach out and chat with you more and continue the conversation that we started today, but I definitely want to thank you for being here, and I want to thank everyone for listening. Can you believe we've been doing this for more than an hour already? It's pretty cool. Speaker 1  1:05:52 Wow, Michael Hingson  1:05:54 I know. Well, thank you all for listening. I hope, Speaker 1  1:05:57 and I hope, I hope we become new friends, and I really hope you Michael Hingson  1:06:01 keep and I want to, I want to definitely do that, absolutely by any standard, and as Speaker 1  1:06:07 much as we've covered during this hour and 10 minutes or so, we could go another day, or Michael Hingson  1:06:16 I hope all of you will let me know what you think of today, and I hope that you thought very positive thoughts wherever you're listening or watching. Please give us a five star rating, and more important than that, please give us a great review. We love people to review and talk about the stories that they hear. And speaking of telling stories, if any of you want to be a guest, and Kip, if you know of other people who ought to come on the podcast, we're always looking for people to come on and tell their stories and talk about us, so please don't hesitate to do that, Speaker 1  1:06:47 and I'll be more than happy to come back to talk about other things as well. Michael Hingson  1:06:50 Well, we can do that absolutely by in, and I do Speaker 1  1:06:53 want to, I do want to say to everybody, just love each other, it's really that simple, it's really that easy, it sounds only because we've been programmed not to believe in it, but when you move from fear to love, it transforms you entirely. Michael Hingson  1:07:09 Great way to end. Well, thank you again for being here. We really appreciate it. Speaker 1  1:07:14 Thank you, my friend. Michael Hingson  1:07:17 Thank you for being here with me on Unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about. If you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to michaelhingson.com and download my free ebook, Blinded by Fear. It explores the invisible beliefs that hold us back and shows you how to reframe them, so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review, and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning, and keep choosing to live with an unstoppable mindset. 1:08:18 Thank

Brita Ostrom is the author of the new memoir "Steeped: A Bug Sur Elixir of Sulfur and Sage," a vivid, intimate, and often wonderfully unsentimental account of her life in Big Sur and at Esalen during 1967 and 1968. Brita arrived in California during a hinge moment in American culture: she landed in the Haight-Ashbury district of San Francisco nine months before the Summer of Love, smack dab in the middle of the psychedelic revolution and the early flowering of the human potential movement. From there, she made her way down the coast to Big Sur, and eventually to Esalen. During this conversation, Britt talks about sleeping outside on the land, about all the local music that seemed to appear everywhere, the early days of Gestalt and encounter, the role of psychedelics, the emergence of Esalen massage, the complicated freedoms of sexual liberation, and the ways women at Esalen began to find one another as allies in a community that was still very much shaped by male teachers, male authority, and male mythology. Brita's perspective neither romanticizes the period nor flattens it into critique. She remembers the beauty, the wildness, the tenderness, the bad behavior, the spiritual ambition, the confusion, and the sheer strangeness of a place where a person might dance under the stars one night, confront their childhood wounds the next morning, give massage in the baths that afternoon, and then end up in a conversation that night with someone who had just wandered in from the outer edge of American culture.

On today's episode, we discuss the dark side of the 1960s counterculture by zooming in on the disastrous 1969 Altamont Free Concert and the shadowy forces that may have shaped it. James, Charlotte, and the crew first sketch why 1969 was such a “pivot year”—from Woodstock, Manson, Chappaquiddick, and the moon landing to Haight‑Ashbury, MK‑Ultra, and the birth of the commercial internet—arguing that none of this cultural chaos was completely organic. They then reconstruct Altamont in vivid detail: the last‑minute venue switch, hiring drunken Hells Angels as “security” for beer, disastrous stage placement, multiple accidental deaths, and the on‑camera killing of Meredith Hunter, a meth‑fueled concertgoer in a lime‑green suit who pulled a gun near the stage and was fatally stabbed. Alongside the event play‑by‑play, Charlotte lays out how Haight‑Ashbury free clinics, CIA‑linked psychiatrists, and the children of high‑ranking military officers in bands like The Doors and others suggest state‑sponsored social engineering of the hippie and anti‑war movements. The conversation closes by tying those patterns to today's media environment—mass emotional manipulation, AI‑amplified narratives, and “assigned opinions”—and wondering whether our current moment may be another 1969‑level inflection point that future generations will see as the start of a much larger psychological operation. Don't miss it!

The Deadcast uncovers the secrets of Steal Your Face, the Dead's 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley. Guests: Ron Rakow, Al Teller, John Scher, Ned Lagin, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

THE PHANTOM OF OCEAN PARK is a Full Cast Audio Drama Podcast – In 1968, Ocean Park in Santa Monica was one of those quintessential places at the epicenter of "Somethin' happenin' here", to quote Stephen Stills. Ocean Park, Venice, by the water, it was Haight-Ashbury, with a beach. All peace and love, until Santa Monica City and its developers imposed eminent domain and bulldozed the beach neighborhoods, devastating families and bankrupting P-O-P, our beloved amusement park, so they could tear down the pier and start throwing up high-rises from Pico to Venice. But that summer of '68, they had a big problem. The Cheetah, Ocean Park's world-renowned rock'n'roll club, was still on the pier and wildly popular, with bands like Creedence packing the house nightly…. Then the murders started. Link: https://sites.libsyn.com/619460 RSS Feed: https://feeds.libsyn.com/619460/rss

The Deadcast concludes its extended 2-part tribute to Bobby Weir, ranging into the evolution of his songwriting, stage persona, guitar playing, and unexpected career beyond the Grateful Dead.Guests: Bobby Weir, David Lemieux, Jeff Chimenti, Scott Metzger, Don Was, Gary Lambert, Tim Stevens, Tony Italiano, William Keats, Bretty PauleySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Monday Monday Can't Trust That Day, Early Morning Edition, 1960s Hippie Movement Was A Government Psyop, Lauren Canyon, Haight Ashbury, Government Distractions, Pro-Establishment Shit, Jim Morrison, Mama's & The Papas, Government Always Lies, Anti-War Movement & Hippie Movement Were Not The Same From The 60s, Woodstock, Altamont Music Festival, Rolling Stones, Meredith Hunter Killing, Hells Angels, History Being Spoken By Sly!!!, The Establishment Hate Michael Jackson Because He Opposed Jews & No Other Reason, Establishment Which Is Jewish Run Is Even Saying Michael Jackson Never Even Recorded A Song About Palestine (WHICH HE DID), Any Movement / Influencer/ Story Us Usually Pushed By The Government, I Would Question Anyone Getting Pushed By The Social Media Algorithm, Someone Told Me Last Week I Was A Government Official, LaToya Jackson ( Michael Jackson's Sister Sold Mike Out) Latoya Married To A Dirty Jew, Rabbi Shmuley Is A Degenerate Jew Along With Randy Fine, You Sign Your Life Away When You Sign On The Dotted Line, Selling Your Soul & What Exactly It Means, Jewish Mafia, Losing Deals In Hollywood In 2008 Over Jewish Opposition is The Highlight Of My Career In Entertainment!! + Much More Fuckery!   https://TheSlyShow.com

The Grateful Deadcast returns for its 13th season, beginning with a 2-part tribute to the great Bobby Weir, mixing interviews with archival audio to tell the story of how a teenage Atherton folkie found his singular jazz-informed musical voice (dropping a few water balloons en route).Guests: Bobby Weir, David Lemieux, David Nelson, Gary Lambert, Rhoney Stanley, Graeme BooneSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Phil Borges is a photographer and flimmaker dedicated to documenting the lives of indigenous cultures, and their shamans in particular.  His work is exhibited in museums and galleries worldwide and his award winning books, which have been published in four languages, include Tibetan Portrait, Enduring Spirit, Women Empowered and Tibet: Culture on the Edge. He has hosted television documentaries on indigenous cultures for Discovery and National Geographic channels. Phil also lectures and teaches internationally. During his work, he noticed similarities between shamans and the people we label as mentally ill - specifically schizophrenic or bipolar. His documentary Crazywise dives into this subject and focuses on two individuals in America who suffer from psychotic episodes and how they tried to deal with their mental difficulties.  CRAZYWISE explores the relevance of Shamanic traditional practices and beliefs to those of us living in the modern world. CRAZYWISE centers around a young man struggling with his sanity, world renowned mental health professionals, and a gutsy survivor-led movement...all challenging a mental health system in crisis. In this interview, we talk about growing up in the Haight-Ashbury, becoming an orthodontist, interviewing hippies on the street, becoming a photographer/interviewer, becoming a professional photographer, documenting tribal cultures, Tibet, watching the Dahlai Lama's kuten go into trance and channel an oracle, an interview with the kuten discussing how he got the job, things shamans have in common, schizophrenia, ego disolution, psychadelic experiences and the neuroscience behind them, what happens when our identity anchors are taken away, near-death experiences, our view of reality, making the film CRAZYWISE, Vipassana, pharmaceuticals, trauma, ayahuasca, psilocybin, how to talk to people having a psychotic episode or paranoid hallucinations, the stigma associated with psychotic diagnoses, advice for people with schizophrenic freinds, the importance of maintaining the relationship, and more. links are on the podcast shownotes page support the show through patreon

This is our continuing series of interviews pulled from our 21 years of archives. This week, we feature a 2005 interview with the late David Duncan about what he called The New World Order Scam. Originally released over three weeks in December, 2005 In December of 2005, we interviewed David Duncan about his belief that Christians were being set up by various groups to take the fall for most of what's wrong with America, and thus the world. He called his theory the biggest double cross in all of history, “The New World Order Scam.” This came from a Chance meeting in 1966 in San Francisco with a man named Allen Noonan. Noonan was one of a group of contactees who claimed to heaven encountered UFOs in the 1950s. Dave described how late one night in 1967, at a communal house in Haight-Ashbury, Noonan was overshadowed by a radiant spirit being that identified itself as Lucifer. Noonan revealed something to his followers during David's time in San Francisco called "the plan." Given what's happening in the world today, especially over the last six weeks, this interview has once again become relevant. David Duncan's website is no longer online, but it is archived here. It's worth reading and key to understanding the coming end game. Sharon's niece, Sarah Sachleben, is fighting stage 4 bowel cancer, and the medical bills are piling up. If you are led to help, please go to GilbertHouse.org/hopeforsarah. Follow us! X (formerly Twitter): @pidradio | @sharonkgilbert | @derekgilbert | @gilberthouse_tvTelegram: t.me/gilberthouse | t.me/sharonsroom | t.me/viewfromthebunkerSubstack: gilberthouse.substack.comYouTube: @GilbertHouse | @UnravelingRevelationFacebook.com/pidradio JOIN US IN ISRAEL! We will tour the Holy Land October 11–23, 2026 with an optional three-day extension to Jordan. For more information, log on to GilbertHouse.org/travel. Thank you for making our Build Barn Better project a reality! Our 1,200 square foot pole barn has a new HVAC system, epoxy floor, 100-amp electric service, new windows, insulation, lights, and ceiling fans! If you are so led, you can help out by clicking here: gilberthouse.org/donate. Get our free app! It connects you to this podcast, our weekly Bible studies, and our weekly video programs Unraveling Revelation and A View from the Bunker. The app is available for iOS, Android, Roku, and Apple TV. Links to the app stores are at pidradio.com/app. Video on demand of our best teachings! Stream presentations and teachings based on our research at our new video on demand site: gilberthouse.org/video! Think better, feel better! Our partners at Simply Clean Foods offer freeze-dried, 100% GMO-free food and delicious, vacuum-packed fair trade coffee from Honduras. Find out more at GilbertHouse.org/store/.

**Right wing billionaires are taking over media companies and social media platforms, now, more than ever, scrappy independent media needs your support. Become a Patron of Green and Red Podcast at https://www.patreon.com/greenredpodcastEpisode details//The Grateful Dead's long strange trip through the latter half of the 20th century had a huge influence on American politics, culture and counterculture. From San Francisco's Haight-Ashbury to Woodstock to their record breaking concerts in their last ten years, the Dead had a radical message and created a bohemian community that lasts through today. In our latest, we talk with former Los Angeles times journalist and author of “Here Beside the Rising Tide: Jerry Garcia, the Grateful Dead, and an American Awakening" Jim Newton (@newton_jim) about the political and cultural legacy of Jerry Garcia and the Grateful Dead. We talk about the Merry Pranksters, the music, the Dead vs. Ronald Reagan in the 1960s and the 1980s (when the Dead championed AIDs and rainforest advocacy), Tucker Carlson, Phish, Burning Man and that Scott was a secret Deadhead in his youth. Guest Bio//Jim Newton is a veteran journalist, best-selling author and teacher. He worked at the Los Angeles Times for 25 years as a reporter, editor, bureau chief and columnist, covering government and politics. He teaches at UCLA and founded Blueprint magazine. He is the author of “Here Beside the Rising Tide: Jerry Garcia, the Grateful Dead, and an American Awakening.”--------------------

Show Notes Mike Freiling was born in San Francisco. His interest in poetry was first kindled in the mid-‘60's, when he attended high school near the Haight Ashbury district, and attended readings by American Beat poets Gary Snyder, Allen Ginsberg, and Lenore Kandel. Freiling attended University of San Francisco and MIT and helped co-found MIT's literary magazine Rune. He studied poetry under David Ferry at Wellesley. After receiving his PhD, he was named a Luce Scholar with an appointment to Kyoto University, In 2014, Freiling returned to Kyoto where he and his wife Satsuki Takikawa co-translated They Never Asked, an anthology of senryu poetry written by Japanese Americans incarcerated during World War II. Today we're going to talk about his translation of the 100 Poems From Old Japan published by Tuttle in 2025, some 46 years after Freiling's first draft.   The Books on Asia Podcast is co-produced with Plum Rain Press. Podcast host Amy Chavez is author of The Widow, the Priest, and the Octopus Hunter: Discovering a Lost Way of Life on a Secluded Japanese Island. and Amy's Guide to Best Behavior in Japan.The Books on Asia website posts book reviews, podcast episodes and episode Show Notes. Subscribe to the BOA podcast from your favorite podcast service. Subscribe to the Books on Asia newsletter to receive news of the latest new book releases, reviews and podcast episodes.

Send a textIn this episode of A Big Sur Podcast, I sit down with Brita Ostrom — longtime Esalen resident and author of Steeped: A Big Sur Elixir of Sulfur and Sage.Brita's life bridges several revolutions at once: the islands of the Pacific Northwest, the Haight-Ashbury explosion of 1966–67, the psychedelic and political turbulence of the Summer of Love, and the early, formative years of the Esalen Institute.We talk about Haight Street — the overwhelming beauty of it all: the posters, the music, the saturated colors. And later, how the fog began to settle in. About sidewalks so crowded you could barely move, and children who quietly went missing. About free love and jealousy, about massage tables and incense, about the uneasy dance between material success and spiritual seeking.Brita describes arriving at Esalen for the first time — the candlelit baths, the shock of nakedness, the silkiness of sulfur water against cold skin. She reflects on figures like Fritz Perls, Storm, and Lars — and on what it meant to come of age inside a cultural experiment that promised liberation but carried its own tensions and blind spots.This is not nostalgia. It is a reckoning.What does it mean to “drop out”? What does it cost? What does it give?What remains when the fog clears?Brita's memoir is a meditation on community, intimacy, ritual, and the long arc of a life shaped by Big Sur's muse-like pull.As she writes in her dedication:“Dedicated to those who walk this earth while gazing at the stars.”I hope you'll enjoy this thoughtful, tender, and at times unsparing conversation.— MagnusEsalen InstituteHaight-AshburyGolden Gate ParkHenry Miller Memorial LibraryPeople MentionedFritz PerlsAlan WattsEbba MalmborgCarlos CastanedaCesar ChavezKen KeseyDennis MurphySelig MorgenrathBands of the Era (Referenced in the Conversation)Grateful DeadJefferson AirplaneMoby GrapeQuicksilver Messenger ServiceThe CharlatansSupport the show_________________________________________________This podcast is a production of the Henry Miller Memorial Library with support from The Arts Council for Monterey County! Let us know what you think!SEND US AN EMAIL!

Werden Sie JETZT Abonnent unserer Digitalzeitung Weltwoche Deutschland. Nur EUR 5.- im ersten Monat. https://weltwoche.de/abonnemente/Aktuelle Ausgabe von Weltwoche Deutschland: https://weltwoche.de/aktuelle-ausgabe/KOSTENLOS: Täglicher Newsletter https://weltwoche.de/newsletter/App Weltwoche Deutschland http://tosto.re/weltwochedeutschlandDie Weltwoche: Das ist die andere Sicht! Unabhängig, kritisch, gut gelaunt. Hauptquartier der Hippie-Kultur: Roger Köppel würdigt Haight-Ashbury, Grateful Dead, Janis Joplin, Bill Graham und den Urknall der Freiheit in den Sechzigern. Die Weltwoche auf Social Media:Instagram: https://www.instagram.com/weltwoche/ Twitter: https://twitter.com/Weltwoche TikTok: https://www.tiktok.com/@weltwoche Telegram: https://t.me/Die_Weltwoche Facebook: https://www.facebook.com/weltwoche Hosted on Acast. See acast.com/privacy for more information.

https://wp.me/P2ijVF-aRL Enter VIP Section FREE with COUPON CODE: "MKULTRA" (*exp 2/28/26)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we complete our 4-part MKULTRA deep dive with the February Supporters-Only BONUS episode! In Part 4 we'll cover Cathy O'Brien's TRANCEformation of America book where we get the theory about sex slaves and Project MONARCH, the Order of the Rose, Michael Aquino, Bohemian Grove, Wizard of Oz & Presidential Diamond Programming, Sascha Riley, and shape shifting lizard people. We'll also briefly look at Tom O'Neill's CHAOS book about Charles Manson being a subject in the experiments, the Haight-Ashbury mind control experiments COINTELPRO/CHAOS and neutralizing the left. We'll wrap up our conclusions about the MKULTRA series with some final thoughts!DON'T MISS THIS ONE! Get in VIP Section for FREE with COUPON CODE: "MKULTRA" will get you access to this episode in the VIP Section (*ad-free, early access & hundreds of bonus shows): https://wp.me/P2ijVF-aRL Expires Feb 28, 2026NOW UP AD-FREE ON SUPPORTER FEEDS! Free feed gets a preview!Links:Sascha Riley claims: https://breakingsocialnorms.com/2026/01/15/sascha-riley-epstein-trump-trafficking-and-elite-party-conspiracies/Help me get to 100K on YouTube!: https://youtu.be/M-vnMN8DvUM (*Supporter feeds Tier 2 members get videos with early access, no ads)All My Links: AllMyLinks.com/IsaacW (social media, Audible, online store for signed books, shirts & more)SUPPORTER FEEDS: Go ad-free with HUNDREDS of bonus episodes, early access and books!Patreon: https://www.patreon.com/cw/illuminatiwatcher,VIP Section: https://wp.me/P2ijVF-aRL (*with comparsion of Apple vs Patreon vs VIP)Apple Podcasts Premium! You can now go ad-free with ALL the bonus episodes on the Apple app- just open up the podcast and subscribe!MKULTRA Series Links:MKULTRA Pt 1: CIA's Mind Control Program, Pop Culture Examples & David McGowan's Programmed to Kill! https://illuminatiwatcher.com/mkultra-pt-1-cias-mind-control-program-pop-culture-examples-david-mcgowans-programmed-to-kill/MKULTRA Pt 2: CIA's Satanic Black Magic Ops, Assassinations & Brainwashing Doctors! https://illuminatiwatcher.com/mkultra-pt-2-cias-satanic-black-magic-ops-assassinations-brainwashing-doctors/MKULTRA Pt 3: Poisoner in Chief & the CIA Turning Science Fiction Into Mind Control Reality! https://illuminatiwatcher.com/mkultra-pt-3-sydney-gottlieb-operation-paperclip-midnight-climax-cia-science-fiction/MKULTRA Pt 4: Project MONARCH, MHCHAOS, Trauma Programming, Cathy O'Brien & Charles Manson! 

In this episode, Jack Eidt interviews author Max Talley on his book called Peace, Love, and Haight, set in the wild San Francisco district of Haight-Ashbury in 1969. The hippie counterculture clashes with the capitalist society in the era of the Vietnam War, the push for civil rights, and the sexual revolution. We feature clips from LSD guru and CIA turncoat Dr. Timothy Leary, poet Allen Ginsberg, psychonaut Terence McKenna, political activist Eldridge Cleaver, and of course the sounds of the Grateful Dead. Support the Podcast via PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Max Talley [https://maxtalley.com/] is an author, editor, musician, visual artist, and writing teacher – he's doing it all – who has published multiple novels, essays, and short stories and won awards for his mix of literary, psychedelic-dystopian, crime, sci-fi, and satirical works. His latest which we will discuss today are the story collection, Destroy Me Gently, Please by Serving House Books, and Peace, Love & Haight – as in San Francisco's Haight-Ashbury – from Three Rooms Press. He resides in Santa Barbara where we encountered him in, of all places, a noisy hotel lounge. Jack Eidt is an urban planner, environmental journalist, and climate organizer, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He writes for a PBS SoCal project called High & Dry [https://www.pbssocal.org/people/high-dry]. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 276 Photo credit: Max Talley

The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Retail is a challenging business sector due to on line retailers like Amazon for instance. But in San Francisco a unique retail chain located in two iconic and globally famous neighborhoods - the Castro and Haight Ashbury - is successfully showcasing local artists and artisans. It's a business strategy that is paying dividends to its owner and founder Robert Emmons.

Register your feedback here. Always good to hear from you!Turns out, there's not quite enough weeks in the year for me to say everything I have to say about San Francisco. So this week we'll put all the leftovers into a pot and see what comes out -- what if anything was really wrong with hippies; what businesses on the waterfront are closed and whether I care; whether the sound of sea lions is charming, annoying, or both; and whether going to Chinatown is worth yet another mile of walking.Check out Hal on YouTube at https://www.youtube.com/@halhammons9705Hal Hammons serves as preacher and shepherd for the Lakewoods Drive church of Christ in Georgetown, Texas. He is the host of the Citizen of Heaven podcast. You are encouraged to seek him and the Lakewoods Drive church through Facebook and other social media. Lakewoods Drive is an autonomous group of Christians dedicated to praising God, teaching the gospel to all who will hear, training Christians in righteousness, and serving our God and one another faithfully. We believe the Bible is God's word, that Jesus died on the cross for our sins, that heaven is our home, and that we have work to do here while we wait. Regular topics of discussion and conversation include: Christians, Jesus, obedience, faith, grace, baptism, New Testament, Old Testament, authority, gospel, fellowship, justice, mercy, faithfulness, forgiveness, Twenty Pages a Week, Bible reading, heaven, hell, virtues, character, denominations, submission, service, character, COVID-19, assembly, Lord's Supper, online, social media, YouTube, Facebook.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comDavid is a journalist and novelist. He's been at the Washington Post since 1986, serving as editor of the Sunday Outlook section, foreign editor, assistant managing editor for business, and now a foreign affairs columnist. He's also written 12 espionage thrillers — including Body of Lies, which became an A-list movie.For two clips of our convo — on the extrajudicial killings in the Caribbean, and calling out the Biden coverup — head to our YouTube page.Other topics: his dad a WWII vet who became Secretary of the Navy; leaving Harvard to live in Haight Ashbury; covering steel workers for the WSJ; covering the Mideast in the early ‘80s; witnessing the bombing in Beirut; espionage; his first novel turned down by every US publisher; Graham Greene a mentor as writer; his long friendship with Tom Friedman; the US as a unipolar power; the Clinton decade of coasting; the trauma of 9/11; Saddam's torture regime; the Iraq invasion; US torture and black sites; international law waning today; personality cults on the rise; Erdoğan; Trump's “emergencies”; going to war with Venezuela; Hegseth vs. the rules of engagement; the execrable Eddie Gallagher; IDF strikes and AI; Europe reclaiming its security; Putin's covert war against NATO; China and the tariff war; the abdication of Congress; Vought; when democracies become dictatorships; razing the East Wing; the media bubble; Dems unable to call out their failures; lawfare under Biden and Trump; and watching Slow Horses and The Diplomat.Browse the Dishcast archive for an episode you might enjoy. Coming up: Cory Clark on feminized culture, Mark Halperin on US politics, Michel Paradis on Eisenhower, Fiona Hill on Putin's war, and Arthur Brooks on the science of happiness. As always, please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What happens when a psychedelic rock powerhouse trades its counterculture roots for corporate synth-pop glory? We unpack the wild transformation from Jefferson Airplane to Starship—and how “We Built This City” became both a hit and a punchline. This Week's Breakdown: iPhone vs. Android – The eternal war rages on; AC/DC Live – Are the critics right? Groo joins the NY Mets at camp; Way too much Hilaria Baldwin; The Rock's box office slump; Is Endeavor screwing WWE legends? Top 10 most dumped-on car brands; The Vision turns on Seth Rollins and Massive Billy Joel tribute show. Main Event: Birth of Jefferson Airplane; Haight-Ashbury & the counterculture scene; From Airplane to Starship; Yes, we like “Miracles”; The rise (and fall?) of “We Built This City” and Where is Starship now? Plus: John Candy's “I Like Me” and Peacemaker S2 & Superman chatter. Next Time on NWW:

Vrede in het Midden-Oosten: het klinkt als een droom uit de flowerpowerjaren van San Francisco. Maar deze week kwam die droom niet uit de Haight-Ashbury, maar uit Egypte. Donald Trump presenteerde daar zijn vredesakkoord voor Gaza. Maar is Trump wel echt de vredespresident die hij denkt te zijn? Misschien kan hij nog iets leren van San Francisco waar peace and love ooit écht iets betekende. Jan is deze week in de stad die ooit het epicentrum was van de peace and love-beweging, maar nu het domein is van techmiljardairs uit Silicon Valley. De Amerika Podcast is voorgedragen voor de Publieksprijs op de Dutch Podcast Awards. De prijs, dus, waarover alleen de luisteraars beslissen. Breng snel je stem uit. Dat kan hier: https://podcastawards.nl/stemmen/See omnystudio.com/listener for privacy information.

Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is a Grave Talks CLASSIC EPISODE! San Francisco's Haight-Ashbury is famous for tie-dye, flower power, and the iconic Summer of Love, but behind the psychedelic haze of the 1960s lies a darker history few talk about. Author and tour guide Tommy Netzband shares stories from his book Haunted Haight: Ghosts and True Crime Tales from Haight-Ashbury and Beyond. The Victorian houses that once sheltered hippies, musicians, and dreamers have their own secrets — and some of their former residents never truly left. We explore the ghostly legends that linger in these historic streets, where the scent of incense once masked the scent of tragedy. From unsettling murders tied to the counterculture era to the restless spirits still spotted in candle-lit windows, these tales prove that Haight-Ashbury's past isn't all peace, love, and good vibes. Step back into a time of rebellion, music, and unrest — and meet the spirits still keeping watch over the birthplace of a cultural revolution. You can get Haunted Haight: Ghosts and True Crime Tales from Haight-Ashbury and Beyond through Amazon. You can also get the book on his website as well as information about the Haunted Haight Ghost Hunting Tour and Haunted Haight Pub Crawl at hauntedhaight.com. This is Part Two of our conversation. #HauntedHaight #HaightAshburyGhosts #HauntedSanFrancisco #TrueCrimeAndGhosts #Ghosts #HauntedVictorians #SummerOfLoveGhosts #HauntedCalifornia #RealGhostStories #HistoricHauntings #GhostToursSF #ParanormalPodcast Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

This is a Grave Talks CLASSIC EPISODE! San Francisco's Haight-Ashbury is famous for tie-dye, flower power, and the iconic Summer of Love, but behind the psychedelic haze of the 1960s lies a darker history few talk about. Author and tour guide Tommy Netzband shares stories from his book Haunted Haight: Ghosts and True Crime Tales from Haight-Ashbury and Beyond. The Victorian houses that once sheltered hippies, musicians, and dreamers have their own secrets — and some of their former residents never truly left. We explore the ghostly legends that linger in these historic streets, where the scent of incense once masked the scent of tragedy. From unsettling murders tied to the counterculture era to the restless spirits still spotted in candle-lit windows, these tales prove that Haight-Ashbury's past isn't all peace, love, and good vibes. Step back into a time of rebellion, music, and unrest — and meet the spirits still keeping watch over the birthplace of a cultural revolution. You can get Haunted Haight: Ghosts and True Crime Tales from Haight-Ashbury and Beyond through Amazon. You can also get the book on his website as well as information about the Haunted Haight Ghost Hunting Tour and Haunted Haight Pub Crawl at hauntedhaight.com. #HauntedHaight #HaightAshburyGhosts #HauntedSanFrancisco #TrueCrimeAndGhosts #Ghosts #HauntedVictorians #SummerOfLoveGhosts #HauntedCalifornia #RealGhostStories #HistoricHauntings #GhostToursSF #ParanormalPodcast Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

It's a City (with a capital ‘C' to locals) whose cultural history practically hums with musical possibilities. This is due in large part to how the city has always been a meeting point for restless ideas and diverse communities. From the Gold Rush boomtown that lured fortune-seekers from every continent, to the Beat poets of North Beach and the psychedelic counterculture that turned Haight-Ashbury into a world stage, it's been an easy mark for songwriters. This week's show will visit that blend of beauty, grit and idealism with performances for and about San Francisco. Join us for a whole batch of vintage sounds covering any old genre we care to share with the likes of Harry “The Hipster” Gibson, Little Walter, Charlie Musselwhite, Linda Martell, and, of course, Tony Bennett. We'll celebrate from a short distance away with memories of Broadway, the fog rolling through the Golden Gate, and that endless palette of imagery and mood that is a living chorus always ready to be set to music.

The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On August 9, 1995, Jerry Garcia — the guitarist, singer, and spiritual leader of the Grateful Dead — died of a heart attack at the age of 53 in a California rehab facility. In a career that spanned three decades, Garcia became one of the most iconic figures of the counterculture, guiding the Dead from the psychedelic streets of Haight-Ashbury to stadiums packed with devoted Deadheads. With his warm voice, improvisational guitar work, and unassuming presence, Garcia helped define the sound of an era while creating a community that stretched far beyond music. Hosts: Jason Beckerman & Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Deadcast examines how Franklin's Tower bucked every trend on Blues For Allah to become one of the Dead's all-time classics, including a tape of its studio creation, a look into the multi-tracks, & a rare line-by-line breakdown by lyricist Robert Hunter himself.Guests: David Lemieux, Geoff Gould, Jürgen Fauth, Shaugn O'Donnell, Chadwick Jenkins, Will Backstrom, Max Ritchie, Hannah GrabbensteinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast uses Blues For Allah's complicated instrumental Slipknot! to explore the musical and creative ambiguity the Grateful Dead pursued in early 1975, when there both was and wasn't a Grateful Dead, & their public reemergence at Bill Graham's S.N.A.C.K. benefit that March.Guests: David Lemieux, Ned Lagin, Ron Rakow, Steve Brown, Gary Lambert, Joan Miller, Jay Kerley, Chadwick Jenkins, Shaugn O'Donnell, Melvin BackstromSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textWhat a Long Strange Trip It's Been. A Return to Amoeba Records brought together the Love & Haight for Vinyl....The Vinyl Tour Bus Makes all The Stops:Tales Of A Rock-A-RollaMusical History ToursRock Music TriviaGeneral MayhemTune In, Turn On & Rock Out

The Grateful Deadcast points itself towards 1975 to begin a song-by-song celebration of Blues For Allah's 50th anniversary, loaded with raw session tapes, early lyric drafts, & the story of how the Dead built a new studio, musical language, batch of songs, & LP from the ground up. Guests: David Lemieux, Donna Jean Godchaux-MacKay, Ron Rakow, Stephen Barncard, Ned Lagin, Steve Brown, Gary Lambert, Keith Eaton, Shaugn O'Donnell, Chadwick Jenkins, Matt CampbellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Grateful Deadcast visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended. This bonus episode is a re-run of the 2nd half of Deadcast Season 9, episode 8.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, , Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, Brian AndersonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Good Ol' Grateful Deadcast is thrilled beyond all audible frequencies to begin its 12th season by welcoming Dan Healy, the Grateful Dead's in-house sound wizard for most of their career, for tales from three decades in pursuit of high and higher fidelity.Guest: Dan HealySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.