Podcasts about American Beauty

In this episode, we break down why 1999 is often called the best year for movies. From huge box office hits like The Phantom Menace, Toy Story 2, and The Sixth Sense to era-defining cult classics and critical darlings like Fight Club, Magnolia, Office Space, The Blair Witch Project, and The Talented Mr. Ripley. We look at what made the late-90s Hollywood pipeline so bold, how these films shaped modern filmmaking, and whether any year since has matched the sheer variety, risk-taking, and cultural impact of movies released in 1999.Chapters:00:00 Intro: why 1999 was an insane time00:46 Episode roadmap01:28 Biggest blockbusters list + what it says about the era04:23 Star Wars Episode I: The Phantom Menace07:18 The Sixth Sense 09:01 Toy Story 210:50 Quick hits: Tarzan / The Mummy / Notting Hill / Austin Powers12:37 Oscars & award talk (American Beauty, Boys Don't Cry, The Green Mile)14:39 Magnolia18:05 The Blair Witch Project20:58 Office Space24:15 Fight Club25:41 The Talented Mr. Ripley27:46 Cruel Intentions + American Pie29:06 Election29:37 Editor note: Why Eyes Wide Shut isn't here30:00 Audition (Japan)31:33 Bollywood picks 36:51 Wrap-up + outroFollow us on Instagram:https://instagram.com/twopleasepodFollow us on X:https://x.com/TwoPleasePodFight Club:https://www.youtube.com/watch?v=LOFvzFHQ9hI&t=705s&pp=ygUdZmlnaHQgY2x1YiB0d28gcGxlYXNlIHBvZGNhc3Q%3DThe Matrix:https://www.youtube.com/watch?v=zK5jDv4G2eU&t=238s&pp=ygUddGhlIG1hdHJpeCB0d28gcGxlYXNlIHBvZGNhc3Q%3D

Guest Michael Finch, author "A Time to Stand", joins to discuss the best ways to advocate for Making America Great Again. Discussion of upcoming 250th birthday of the nation, bringing in a Golden Age under President Trump, and preparing for upcoming midterm elections.  President Trump addresses the nation this week, and helps us refocus on the priorities of the admin, and the big wins of the year. Have we strayed from the goal with distractions and drama? Discussion of progress and productivity in the nation, and setting ourselves up for success in the new year. 

Es uno de los grandes autores de la ficción televisiva contemporánea, uno de esos guionistas que formó parte de la revolución de HBO a principios de los 2000. Alan Ball es el creador de 'A dos metros bajo tierra' y de 'True blood', pero también el guionista de una película cómo 'American Beauty'. En esta charla durante el Serielizados reflexiona acerca de su carrera, la situación de la ficción y los retos de la sociedad americana en la era Trump. 

In this episode, we break down why 1999 is often called the best year for movies. From huge box office hits like The Phantom Menace, Toy Story 2, and The Sixth Sense to era-defining cult classics and critical darlings like Fight Club, Magnolia, Office Space, The Blair Witch Project, and The Talented Mr. Ripley. We look at what made the late-90s Hollywood pipeline so bold, how these films shaped modern filmmaking, and whether any year since has matched the sheer variety, risk-taking, and cultural impact of movies released in 1999.Chapters:00:00 Intro: why 1999 was an insane time00:46 Episode roadmap01:28 Biggest blockbusters list + what it says about the era04:23 Star Wars Episode I: The Phantom Menace07:18 The Sixth Sense 09:01 Toy Story 210:50 Quick hits: Tarzan / The Mummy / Notting Hill / Austin Powers12:37 Oscars & award talk (American Beauty, Boys Don't Cry, The Green Mile)14:39 Magnolia18:05 The Blair Witch Project20:58 Office Space24:15 Fight Club25:41 The Talented Mr. Ripley27:46 Cruel Intentions + American Pie29:06 Election29:37 Editor note: Why Eyes Wide Shut isn't here30:00 Audition (Japan)31:33 Bollywood picks 36:51 Wrap-up + outroFollow us on Instagram:https://instagram.com/twopleasepodFollow us on X:https://x.com/TwoPleasePodFight Club:https://www.youtube.com/watch?v=LOFvzFHQ9hI&t=705s&pp=ygUdZmlnaHQgY2x1YiB0d28gcGxlYXNlIHBvZGNhc3Q%3DThe Matrix:https://www.youtube.com/watch?v=zK5jDv4G2eU&t=238s&pp=ygUddGhlIG1hdHJpeCB0d28gcGxlYXNlIHBvZGNhc3Q%3D

The radical Left has been working to undermine America at every level in an effort to bring it down and usher in utopia, and without action the effort may succeed, explained author and non-profit executive Michael Finch in this interview on Conversations That Matter with The New American magazine’s Alex Newman. America and American culture ... The post A Time to Stand: The Dire Hour to Defend American Beauty: Michael Finch appeared first on The New American.

Michael Finch on his new book - A Time to Stand - The Dire Hour to Defend American Beauty.  Plus grassroots warrior Cody LeBlanc takes the fight to save the CO GOP to the Supreme Court.

A year before American Beauty offered its Oscar-ready glimpse beneath the placid surface of suburbia, Todd Solondz offered a truly unsparing depiction of same with HAPPINESS (1998). We discuss this legendary succès de scandale, and how it makes laughter indistinguishable from horror. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/144566731

Trey and Blaine are asked to imagine Kevin Spacey in an inappropriate relationship. Can they do it?Support this show http://supporter.acast.com/99-years-100-films. Hosted on Acast. See acast.com/privacy for more information.

I took the opportunity during my third time at Sitges Film Festival to chat with some fine people who came to this gargantuan annual celebration of horror. You'll hear from film professor Alison Peirse and film journalist Daniela Urzola who were on Sitges juries (different juries, there are quite a few at this fest), genre filmmakers Arianne Hinz and Avalon Fast as well as film programmers Sabina Pujol and Sara Neidorf, who is also the co-director of Final Girls Berlin with me. I hope this gives you a glimpse of what being at the largest genre film festival in the world is like and that it motivates you to go in the future!Show Notes:Alison Pierse's WebsiteAlison Pierse's InstagramDoing Women's Global Horror Film HistoryDaniela Urzola's InstagramDaniela Urzola's LetterboxdArianne Hinz's WebsiteArianne Hinz's InstagramAvalon Fast's WebsiteAvalon Fast's InstagramSabina Pujol's InstagramB-Retina Film FestivalFilmetsCryptshow FestSara Neidorf's WebsiteSara Neidorf's InstagramMellowdeath BandcampWeapons (2025)The Monkey (2025)Barbarian (2022)House of Psychotic Women Kier-La Janisse1000 Women in Horror (2025)Zodiac Killer Project (2025)Catherine GrantBeyond Clueless (2014)Doing Women's Film HistoryThe ‘Burbs (1989)Piranha (1978)The Fog (1980)Nancy LoomisJoe DantePicnic At Hanging Rock (1975)Melies D'OrFilm Madrid FestivalCAMP (2025)Fucktoys(2025)Queens of the Dead (2025)Alice Maio MackayVera DrewJane SchoenbrunWoman in Fan The Plague (2025)Arianne Hinz's new film MarionettesSystem Crasher (2019)E.T. the Extraterrestrial (1982)Rabbit Trap (2025)Tornado (2025)Lesbian Space Princess (2024)Honeycomb (2022)Slamdance FestivalThe Virgin Suicides (1999)American Beauty (1999)Bram Stoker's Dracula (1992)Anything That Moves (2025)Lucid (2025)Mother of Flies (2025)Hellbender (2021)Castration Movie I (2024)The Texas Chainsaw Massacre (1974)Fuck My Son! (2025)Alpha (2025)Buffet Infinity (2025)Dead Lover (2025)Frauen Film FestivalJennifer ReederToby PoserSadie LunePorn Film Festival BerlinMiranda July – All FoursDollhouse (2025)Touch Me (2025)Gregg Araki But Film FestivalThe Degenerate: The Life and Films of Andy Milligan (2025)Seeds (1968)Fleshpot on 42nd Street (1972)The Python Hunt (2025)Occupy Cannes! (2025)Mag Mag (2025)Mary HarronI Shot Andy Warhol (1996)American Psycho (2000)Follow Somebody's Watching here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @somebodyspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @somebodyswatchingpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: somebodywatchingpod@gmail.com

Send us a textIn this raw shadow-soaked episode, Justine Lemos and Emily McConnell descend into the basement-level truths of a wild Scorpio stellium and the New Moon in Anuradha Nakshatra. With Mercury retrograde, Mars and Moon in Scorpio, and Venus smoldering in Libra, this is a conversation about secrecy, devotion, power, obsession, and the thin line between concealment and revelation.From underground raves and lotus flowers growing out of the muck, to global politics, taboo topics, and cultural shadow, the duo explores the archetypal terrain of Scorpio: sex, power, death, trauma, secrets—and transformation. Film references like Black Swan and American Beauty, along with dark, magnetic music picks (Billie Eilish, underground hip-hop), amplify the episode's sultry, dissonant, and entrancing vibe.A powerful Vedic myth of Brahma, Agni, Indra, and Vayu delivers the spiritual message of the episode: true power is not in domination, but in humility and curiosity. The blade of grass becomes the symbol of divine intelligence, reminding listeners that knowledge, not conquest, is the ultimate victory.This episode is a ritual in itself — part astrology lesson, part cultural critique, part devotional meditation, and part shadow dance.Themes: Scorpio secrets • Anuradha devotion • Power + concealment • Shadow integration • Erotic mysticism • Truth behind illusion • Knowledge as liberationSupport the show

The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Michael Mann's The Insider is easily the most glaring omission from the our initial 18, universally regarded as one of the best – if not THE best – movie of 1999. Finishing in 69th place, sandwiched between two previous entries, Girl Interrupted at 70th and Mystery Men at 68th, The Insider stars Russell Crowe, in an Oscar-nominated performance, and Al Pacino alongside an incredibly deep supporting class (including the greatest character actor alive, Stephen Tobolowsky) Directed by Michael Mann and adapted from the 1996 Vanity Fair article "The Man Who Knew Too Much" by Marie Brenner, The Insider received rave reviews, wound up on countless year-end top 10 lists, and was nominated for a slew of Oscars, including Mann for directing and screenwriting, but was shut out by the juggernaut that was American Beauty. Since it's widely regarded as one of Mann's best films and one the best films ever made about journalism, we invited investigative journalist Lindsay Beyerstein to tell us how well the movie mirrors real life and to dig into what it's like to watch a movie about CBS News struggling to maintain its integrity as a journalistic entity in the bleak future of 26 years later. Lindsay is on Bluesky @beyerstein

The lights drop in Atlanta and Paul McCartney steps into a room full of memory—and invention. We unpack how an icon in his eighties still delivers a two-hour-forty marathon by leaning on tight harmonies, a punchy horn section, and the kind of live tech that lets Being for the Benefit of Mr. Kite explode off a modern stage. The show's emotional peak arrives when Paul sings I've Got a Feeling with John via Get Back footage, a moment that proves technology can connect past and present without cheapening either one.From there we chase the thread of discovery. Remember when The Doors felt brand new again in 1980? A radio deep dive, Apocalypse Now, and a greatest hits record turned Hello, I Love You and Riders on the Storm into fresh obsessions for a new generation. We map that rush forward and backward: how L.A. Woman and Morrison Hotel still punch, how Mr. Mojo Risin' became every teenager's riddle. Along the way, we decode the stories behind The Rolling Stones' Get Off of My Cloud and Neil Diamond's Cracklin' Rosie, and how fame, loneliness, and late-night singalongs sneak into pop myth.Then we give American Beauty the close listen it deserves. From Box of Rain's tenderness to Ripple's campfire wisdom and Truckin's road-scarred grin, we talk sequencing, sunshine daydream codas, and the tradition behind I Know You Rider. We round out the tour with U2's Boy—lean, urgent, and still startling—and a Ramones reappraisal that finds great songs beneath Phil Spector's glossy wall. Through it all, one idea keeps returning: artists adapt, listeners evolve, and the best songs keep meeting us where we are.If that resonates, hit play, follow the show, and share it with a friend who loves live music and music history. Leave a review to tell us which song hit you differently this time—we'll feature our favorite takes on a future episode.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

ReferencesGuerra, DJ. 2025. Unpublished lecturesAm J Physiol Endocrinol Metab.2016 Jul 1; 311(1): E42–E55Front Physiol. 2025 Feb 21;16:1537231.Hunter /Garcia/ et al. 1970. American Beauty full lp.https://music.youtube.com/playlist?list=OLAK5uy_nc3dHmM6xdsySO1SSxYLYzlm82rVZ1pfM&si=iDqjow4NZB320m7dBach, JS. 1730's Ariashttps://music.youtube.com/watch?v=hPWBbvUDMPQ&si=P_-_T4Uy5SsgW9aZ

The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We start off with a bit of a satirical interview where Banes and Tantz attempt to interrogate me over the slowness of the updates to the site. Banes asks the easy questions and Tantz hits me with a far more adversarial approach, I counter with all sorts of deflections like an annoying modern politician in order to show how people handle conflict. Here's Banes' explanation for his idea for the topic: I'll just say that the original idea was more standard conversation about how characters handle issues and how it shows their personalities and their nature - It would also go into how the way they handle conflict or problems changes in some stories as characters develop (if they develop), or as their hidden selves come out. American Beauty is all about that, with every character putting up a false front or performance to get through life, before all that stuff underneath comes out. Cast Away has a more subtle thing to it, where Tom Hanks can't handle his discomfort about his coworker's sick wife at the beginning, and is kind but sort of guarded – but at the end of the movie, he is able to connect and be more open with the guy. We also use our own comic characters to explore the idea and examine how THEY cope with conflict. How do your characters cope with conflict? This week Gunwallace has given us a featured theme to - Lavender - A chill, reflective, and somewhat triumphant piano heavy tune that slowly builds up and up into a positive resolve, like an explosion of water in a beautiful fountain. Topics and shownotes Links Featured comic: OCEANOGRONAUTS - https://www.theduckwebcomics.com/news/2025/oct/14/featured-comic-oceanogronauts/ Featured music: Lavender - https://www.theduckwebcomics.com/LAVENDER/ - by DanG, rated T. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ Comics mentioned: Brave Resistance - https://www.theduckwebcomics.com/Brave_Resistance/ Wolf - https://www.theduckwebcomics.com/Wolf/ Typical Strange - https://www.theduckwebcomics.com/Typical_Strange/ Kaiju Valentine - https://www.theduckwebcomics.com/Kaiju_Valentine/ Bottomless Waitress - https://www.theduckwebcomics.com/Bottomless_Waitress/ Pinky TA - https://www.theduckwebcomics.com/Pinky_TA/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

Bob and Brad revisit Sam Mendes' American Beauty, a film once hailed as a masterpiece and now one of Hollywood's most divisive Best Picture winners. With guest critic Noah Gittell, they unpack Kevin Spacey's complicated legacy, late-'90s suburbia, and whether the movie's satire still works in 2025. The pour: Crown Royal, a whiskey as polarizing as the film itself.(01:04) Brad's Big News (and chaotic baby-dad energy)(07:11) Brad Explains – a one-minute recap of American Beauty(12:53) Satire, sincerity, and the tonal tightrope(17:14) Performances: Spacey, Bening, Suvari, Bentley, and Cooper(50:26) Whiskey Review – Crown Royal Blended Canadian Whisky(1:02:20) Two Facts and a Falsehood – “Does Brad even know about silk?”(1:17:12) Let's Make It a Double – pairing picks and final scoresListen to Noah's album here!Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

How do we tell stories that bring people together when everything else is pushing us apart?Oscar and Tony-winning producer Bruce Cohen, whose credits include American Beauty, Milk, Silver Linings Playbook, and Big Fish, joins The Caring Economy to talk about storytelling as an act of public service.In conversation with Toby Usnik, Bruce reflects on his life's work — from mentorship under Steven Spielberg to receiving the National Medal of Arts from President Biden — and why he believes the arts are essential to democracy.Cohen shares lessons from decades in Hollywood and on Broadway about collaboration, empathy, and the courage it takes to create something that matters. He also warns of what's at stake as the arts face renewed political scrutiny and funding threats.Tune in for a rare conversation on leadership, creativity, and how culture can still connect us in an increasingly divided world.

Workingman's Dead (1970) is one of the Grateful Dead's most celebrated and influential albums, marking a sharp turn from their earlier, more experimental psychedelic sound toward a rootsier, song-focused approach. Recorded quickly and on a tight budget after years of heavy touring and debt, the record draws heavily from folk, country, and Americana traditions. Its stripped-down arrangements, warm harmonies, and storytelling lyrics show the band's deepening connection to American roots music and their desire to create something more accessible than their previous sprawling jams.The album features some of the Dead's most enduring songs, including “Uncle John's Band,” “Casey Jones,” “Dire Wolf,” and “High Time.” These tracks showcase the group's evolving focus on vocal harmonies (inspired by contemporaries like Crosby, Stills & Nash) and narrative songwriting rooted in rural imagery, cautionary tales, and mythical Americana. The shift reflected both a practical need—simpler songs worked better on the road—and an artistic choice, capturing the spirit of early 1970s back-to-the-land culture.Critically, Workingman's Dead was a turning point that brought the band new recognition and commercial success. It helped redefine their identity from a purely psychedelic San Francisco jam band into a cornerstone of Americana rock. Along with its companion album, American Beauty (released later the same year), it remains a fan favorite and a landmark in the fusion of rock with folk and country traditions.Listen to the album on Apple MusicListen to the album on SpotifyWhat did you think of this album? Send us a text! Support the showWebsiteContact

Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Min 5: UNA BATALLA TRAS OTRA Una batalla tras otra, la nueva película de Paul Thomas Anderson, nos mete de lleno en un drama intenso y sin concesiones. Al frente del reparto brilla Leonardo DiCaprio, acompañado por dos pesos pesados como Benicio del Toro y Sean Penn, que aquí firman interpretaciones cargadas de tensión y carisma.La historia sigue a un hombre atrapado en una espiral de violencia y lealtades rotas, obligado a tomar partido en una guerra que no entiende del todo pero que le arrastra sin remedio. Entre alianzas frágiles, traiciones y momentos de gran fuerza visual, la cinta construye un retrato crudo y realista de la supervivencia en tiempos oscuros.Anderson juega con la cámara para hacernos sentir dentro del conflicto, con escenas que alternan la brutalidad más descarnada y la intimidad de sus personajes. Un filme potente, con aroma de clásico moderno, donde el talento interpretativo de DiCaprio, Del Toro y Penn sostiene cada giro de la trama. CALIFICACIÓN EDC: 3 ESTRELLAS Min 14: MASPALOMAS: ¿LO MEJOR DE LOS MORIARTY" “Maspalomas†, dirigida por José Mari Goenaga y Aitor Arregi (Moriarti), sigue a Vicente (José Ramón Soroiz), un hombre de 70 y tantos que, tras vivir abiertamente su sexualidad en el paraíso canario de Maspalomas, sufre un revés y regresa a San Sebastián, donde acaba en una residencia. Ese cambio de entorno —y de miradas— le empuja a replantearse lo conquistado y a coquetear con volver al armario, en una historia que aborda la vejez queer con una sensibilidad poco vista en nuestro cine. Junto a Soroiz, destacan Nagore Aranburu, Kandido Uranga, Zorion Eguileor y Kepa Errasti. CALIFICACIÓN EDC: 4 estrellas Min 21: YA NO QUEDAN JUNGLAS "Ya no quedan junglas†es el debut como director del reconocido director de fotografía Luis Gabriel Beristáin, que adapta la novela negra Ya no quedan junglas adonde regresar de Carlos Augusto Casas al cine. En clave de thriller urbano, la película sitúa su acción en la Parte Vieja de San Sebastián, donde Ron Perlman interpreta a Theo, alias "el Gentleman", un exmilitar estadounidense envejecido cuya existencia monótona gira en torno a sus encuentros los jueves con Olga, interpretada por Megan Montaner. Cuando Olga aparece brutalmente asesinada, Theo encarna una venganza implacable que trastoca las reglas del orden legal, chocando con la inspectora Iborra (Megan Montaner) y el sicario Herodes (Hovik Keuchkerian) en un entramado moral con capas grises. CALIFICACIÓN EDC: 2,5 estrellas Min 25: RELAY “Relay†, dirigida por David Mackenzie y protagonizada por Riz Ahmed y Lily James, narra la historia de Ash, un “fixer†anónimo que actúa como intermediario entre denunciantes y corporaciones corruptas. Usando un sistema de comunicaciones para personas sordas como coartada, Ash acepta el encargo de proteger a Sarah Grant, una científica que posee documentos comprometedores sobre los efectos tóxicos de un cultivo manipulado genéticamente. Pero lo que parecía una operación de entrega controlada se convierte en una espiral de vigilancia, traiciones y dilemas morales, especialmente cuando la identidad de Sarah y su implicación real no son lo que parecían. CALIFICACIÓN EDC: 3' 5 estrellas Min 28: EL VENGADOR TÓXICO "El vengador tóxico", dirigida por Macon Blair, recupera con humor gamberro y un punto de nostalgia el espíritu del clásico de culto de los 80 de Lloyd Kaufman. Protagonizada por Peter Dinklage junto a Jacob Tremblay, Taylour Paige, Elijah Wood y Kevin Bacon, la película cuenta la transformación de Winston Gooze, un hombre corriente y enfermo terminal que, tras un accidente químico, se convierte en un anti héroe mutante de fuerza descomunal. Armado con un mocho de fregona radiactivo, Winston inicia una cruzada sangrienta y cómica contra una corporación corrupta que amenaza a su familia y a la comunidad. CALIFICACIÓN EDC: 1 estrella Min 40: LA PELÍCULA DE TU VIDA: CON ANTONIO RESINES La sección La película de tu vida tiene como protagonista a uno de los grandes nombres de nuestro cine: Antonio Resines. El actor cántabro, rostro imprescindible de la comedia y el drama español, nos desvela el título que ha marcado su amor por el cine.Un viaje cinéfilo en primera persona con la cercanía, el humor y la memoria de un intérprete que ha sido testigo y parte esencial de la historia reciente del cine español. Una colaboración de lujo que convierte este episodio en una cita especial. ¿Será una peli española de las que nutren su filmografía? ¿Será un clásico americano o europeo? Min 44: BSO EL CLUB DEL CRÍMEN DE LOS JUEVES En “Estamos de Cine†dedicamos esta semana un espacio especial a la banda sonora de El crimen de los jueves (Netflix), de la mano de nuestro crítico musical de cabecera, Ángel Luque. Una partitura firmada por Thomas Newman, uno de los grandes compositores de Hollywood, autor de músicas inolvidables como American Beauty, Camino a la perdición o 1917. Analizamos cómo su estilo, lleno de sutilezas y atmósferas emocionales, potencia la intriga y los matices de esta producción española. CALIFICACIÓN EDC: 3 estrellas

The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

119. epizóda Vertiga bola nahrávaná na 20. ročníku MFF Cinematik v Piešťanoch. Rozprávali sme sa o téme tzv. iniciačných filmov, ktoré oslovili nielen kritiku, ale aj bežných divákov. Zoznam filmov z epizódy: Vertigo / 1958 Casablanca / 1942 Amarcord / 1973 Siedma pečať / Det sjunde inseglet / 1957 Lola beží o život / Lola rennt / 1998 Firefly / 2002 Twin Peaks / 1990 Americká krása / American Beauty / 1999 Kdo chce zabít Jessii? / 1966 Sladké starosti / 1984 Utekajme, už ide! / 1987 Fitzcarraldo / 1982 Noc na Zemi / Night on Earth / 1991 Heat / 1995 Anjelský podiel / The Angels' Share / 2012 See omnystudio.com/listener for privacy information.

The Deadcast examines how Franklin's Tower bucked every trend on Blues For Allah to become one of the Dead's all-time classics, including a tape of its studio creation, a look into the multi-tracks, & a rare line-by-line breakdown by lyricist Robert Hunter himself.Guests: David Lemieux, Geoff Gould, Jürgen Fauth, Shaugn O'Donnell, Chadwick Jenkins, Will Backstrom, Max Ritchie, Hannah GrabbensteinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In 2002, a graphic novel about fathers and sons in Depression-era Chicago became Sam Mendes' haunting follow-up to American Beauty. Road to Perdition transformed Max Allan Collins' crime saga into a meditation on legacy, violence, and the impossible task of protecting your children from the world you've created - all while delivering one of cinema's most visually stunning tales of revenge.We're exploring two intertwined stories behind this masterpiece: First, the remarkable creative journey - from the source material to David Self's screenplay that captured the essence whilst reimagining the structure, to Mendes' decision to follow his Oscar-winning debut with a genre film that nobody expected. Second, we dive into the technical revolution that brought 1930s Chicago to life - Conrad L. Hall's final, Oscar-winning cinematography that painted every frame like an Edward Hopper illustration dipped in blood, Thomas Newman's melancholic score, and the production design that created a world both beautiful and brutal.Through segments like The Director, The Cast, and The Crew, we examine how a story about a mob enforcer's one last job became a profound exploration of American mythology, the weight of legacy, and whether redemption is possible when your hands are stained with blood - proving that sometimes the most personal films emerge from the most unlikely genres, and that true artistry can transform pulp into poetry.Telling the story of Hollywood, one movie at a time.Connect with ATRM: To support what we do, access our archive and listen to exclusive episodes, become an ATRM patron:Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter/X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠⁠⁠

The Deadcast uses Blues For Allah's complicated instrumental Slipknot! to explore the musical and creative ambiguity the Grateful Dead pursued in early 1975, when there both was and wasn't a Grateful Dead, & their public reemergence at Bill Graham's S.N.A.C.K. benefit that March.Guests: David Lemieux, Ned Lagin, Ron Rakow, Steve Brown, Gary Lambert, Joan Miller, Jay Kerley, Chadwick Jenkins, Shaugn O'Donnell, Melvin BackstromSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cracker Barrel just released its new logo which is plain, sterile, and totally stripped of its heritage. They even removed the old man, erasing the story and charm that once gave the brand its soul. In this episode, we talk about how this isn't just about a restaurant chain, it's about the cultural war between beauty and ugliness, truth and lies, order and chaos.God is a God of beauty, truth, and order. Satan thrives in ugliness, lies, and chaos. What we're seeing in design, culture, and politics today is a Marxist-driven push toward minimalism, modernism, and brutalism—an aesthetic that reflects their worldview. But we don't have to accept this. We can choose a God-honoring path that preserves heritage, values beauty, and treats America as a homeland to be protected, not a business venture to exploit others (even its own people) for monetary advantage.--https://policecoffee.com/collections/coffee

That girl from American Beauty. Lincoln's heirs. The League of Nations. Quinn comes to you LIVE to discuss people, places, and things that have disappeared, plus dog surgery, geographic realignment, and Marshmallow Treasures.

Phil and Emily continue their miniseries on Oscar winning Best Director follow ups from the 2000s with Road to Perdition, Sam Mendes' ambitious second feature after American Beauty. Joining them is film journalist and podcaster Blake Howard (One Heat Minute Productions), who helps unpack the film's technical brilliance, subdued emotional core, and unique place in early 2000s cinema.Together, they dive into Mendes' leap from stage to screen, the film's striking cinematography from Conrad Hall, and how Tom Hanks' against type performance reshaped audience expectations. The conversation explores Paul Newman's final live action role, Jude Law's scene stealing menace, and Daniel Craig's early career turn as one of cinema's most dangerous nepo babies. They also debate Thomas Newman's Oscar nominated score, the film's release strategy, and how it stands among Mendes' eclectic career from Jarhead to Skyfall and beyond.With insights ranging from Jude Law's underrated presence to the legacy of Paul Newman and Tom Hanks' evolving star persona, this episode is both a reconsideration of a Depression era gangster story and a reflection on the pressures of following up an Oscar winning debut. Hosted on Acast. See acast.com/privacy for more information.

ReferencesAging Cell. 2024 Jan;23(1):e13920.Guerra, DJ. 2025. Unpublished Neurobiochemistry LecturesAutonomic Neuroscience: Basic and Clinical. 2015. Volume 192, NOV. 21Lesh/Hunter. 1970. Box of Rain. Grateful Dead. American Beauty.https://music.youtube.com/watch?v=S4sAp9mLaHQ&si=JJzWNwo0A-dPGvNSMason, D.1967. Hole in my Shoe. Traffichttps://music.youtube.com/watch?v=MPPe8-1G2s0&si=CsIkjStt_cjHy0r0Mason, D.. 1968. "Crying to be Heard" Traffic.https://music.youtube.com/watch?v=4rZZudSiJAs&si=ymeja1e0kiASidJJLennon/MCartney.1966."Eleanor Rigby" Revolver. Beatles.https://music.youtube.com/watch?v=wbxTlxuECJA&si=EzKT49wNhxVbv6g1Mozart, WA. 1791. "The Magic Flute" Overture K 620.https://music.youtube.com/watch?v=99VWYcapgq4&si=lMkCf3FHefloImbI

American Eagle Ad- https://youtu.be/AK8s3iqL99c?si=09-CqbQTc5lPn-_h https://youtu.be/QjNWC3w-224?si=KRAKTjKFl6HUVotPWhy did jeans become controversial?- [ ] https://www.vanityfair.com/hollywood/story/sydney-sweeney-american-eagle-jeans-controversy?srsltid=AfmBOooNc63WqojH5xyHxX22iR0mpZeL2RwpdrTYqZOvjjxuWqIzwxn_- [ ] American Eagle faces backlash over Sydney Sweeney 'great genes' adYouTube · NBC News1 week ago- [ ] https://x.com/complex/status/1953309446123188544?s=46American Eagle Response The White House gets involved - [ ] https://youtu.be/mxpj79PYDpA?si=zwNjgn2MCrpnrjd_- [ ] https://x.com/whitehouse/status/1952885899093586368?s=46The Right now claiming Sweeney and sororities #AMerican Beauty- [ ] https://x.com/acyn/status/1952482499764101244?s=46- [ ] Sydney Sweeney's Connection to MAGA and Right-Wing Politics: TimelineSororities being used for political propaganda - [ ] https://x.com/foxnews/status/1954594716927848836?s=46- [ ] https://x.com/oldrowofficial/status/1953856493125558468?s=46- [ ] https://x.com/thepatriotoasis/status/1954004144962027675?s=46- [ ] https://x.com/oldrowofficial/status/1953169046582772114?s=46

The Grateful Deadcast points itself towards 1975 to begin a song-by-song celebration of Blues For Allah's 50th anniversary, loaded with raw session tapes, early lyric drafts, & the story of how the Dead built a new studio, musical language, batch of songs, & LP from the ground up. Guests: David Lemieux, Donna Jean Godchaux-MacKay, Ron Rakow, Stephen Barncard, Ned Lagin, Steve Brown, Gary Lambert, Keith Eaton, Shaugn O'Donnell, Chadwick Jenkins, Matt CampbellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Grateful Deadcast visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended. This bonus episode is a re-run of the 2nd half of Deadcast Season 9, episode 8.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, , Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, Brian AndersonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-23:21) Today would have been Coolio's birthday. Are Doug and Martin going ball striking? Tales from the gym with Martin. Cold plunging. Control your breathing, Doug. Audio of Ken Rosenthal talking trade deadline activity. Too Fat To Kayak on the lines with a shoutout to Doug. CPAP questions. International Friendlies. Where's the nearest pirana? General Shrubs. Tim's wing consumption. Doug's smash factor on the gong.(23:29-52:43) Blues broadcaster Joey Vitale checks in with us. Joey made it through his live read. Astronauts. Tom Collins. Cheap Cheap, Dirt Dirt. Chickens on the loose. Turkey hunting. Blues offseason work. Apple cores are affecting the hawk population. Float trippin' the Huzzah. A new rivalry between Joey and The Chairman has been born. Joey Vitale Bingo.(52:53-1:04:36) American Beauty. We have like 5 hours of content left to go. Congrats to our winner of the July Listner of the Month: Lil Beercats. The first father/son LOTM combo. The Costas thing did a number on the 101 YouTube chat yesterday. Tim delivering pizzas. Drops of the Week.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Good Ol' Grateful Deadcast is thrilled beyond all audible frequencies to begin its 12th season by welcoming Dan Healy, the Grateful Dead's in-house sound wizard for most of their career, for tales from three decades in pursuit of high and higher fidelity.Guest: Dan HealySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week, we're doing something a little different in honour of Cris's birthday – and what better way to celebrate than by diving into a handpicked selection of actors whose careers, films, or sheer star quality connect (tenuously or not) to our resident birthday boy. There's no Top 5 this time around – instead, it's all about Helen Mirren, Kate Beckinsale, Kevin Spacey, Jason Statham, and Sandra Bullock, with a war film classic anchoring the episode: Full Metal Jacket.

ANA MARIA QUINTANA is a Script Supervisor with over 70 credits, working with world-class directors: ten with Steven Spielberg, four with Cameron Crowe, BLADE RUNNER with Ridley Scott. Credits include three HUNGER GAMES movies, two JURASSIC PARK movies, ANT-MAN AND THE WASP, THE REVENANT, AVATAR, INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL, WAR OF THE WORLDS, THE TERMINAL, CATCH ME IF YOU CAN, MINORITY REPORT, A.I. ARTIFICIAL INTELLIGENCE, AMOST FAMOUS, AMERICAN BEAUTY, SAVING PRIVATE RYAN and THE NATURAL. Host Jason E. Squire is Editor of The Movie Business Book and Professor Emeritus, USC School of Cinematic Arts. Music: “The Day it All Began and it All Ended” by Pawel Feszczuk (License: CC by 4.0).

(00:00-24:53) Songs for Doug continues. Paying off a big tease. A big name in the NHL crosshairs. If he just didn't hit that post. Evander Kane skipped the handshake line. The original "So What'd Your Grandma Think?" Mr. Lix checks in with us and he's not happy about flying public. Warm socks. The trash can wars of Ladue and Clayton. Talkin' to AI bots on the Fan Page. Mark sounds tall. Sheath that tootsie.(25:01-39:42) American Beauty. Kevin Spacey. Michael Kay is upset with the Yankees offense. Shutout three games in a row. Rafael Devers says he'll play wherever the Giants want him to play. Audio of Johnathan Papelbon weighing in on the situation. Bartolo Colon's pants. Tim's REM sleep. Jackson's face down sleeping. Roll call.(39:52-56:02) Happy Birthday Paul McCartney. Jackson's Harrison Mevis update brought into question. Steven Matz joins us. Logistics question to start things off. Feeling good after getting back on track last night. Not panicking after a rough stretch. Big series coming up against the Cubs. Thoughts on playing everyone versus having more games against division opponents. Embracing his role with this year's team. His name being mentioned in trade conversations. Big League Impact.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What a surreal moment - getting to chat with Thomas Newman and Julia Newman! Whether you're a big film music fan or a casual film goer, I'll guess that you're familiar with Tom, having been nominated for fifteen Academy Awards (I accidentally say fourteen...) and scoring projects like The Shawshank Redemption, American Beauty, Finding Nemo & Finding Dory, 1917, and loads more. Now, Julia is picking up the family's film and tv scoring mantle, and the two of them recently co-scored Monsters: The Lyle and Erik Menendez Story, a dramatization of the Menendez brothers crimes. We use the series as a jumping off point for the conversation, regularly referring to and discussing it while also pivoting into broader conversations about collaboration, improvisation and working quickly, the use of theme and repetition, and plenty more. Monsters: The Lyle and Erik Menendez Story is currently on Netflix, and Tom and Julia's score (as well as much of their other work) is available on all major platforms. 

Enjoying the Ride: On TourThe Deadcast season finale hits shows at 3 legendary venues, exploring Dick Latvala's transformative experience at Red Rocks ‘79, Hollie Rose's tour journal, the wonders of the Alpine Valley parking lot, & when Shakedown Street got its name.Guests: David Lemieux, Jay Kerley, Hollie Rose, Rebecca Adams, Bill Lemke, Phil Garfinkel, Jim Jonze, Tom Ryan, Art Moss, Lisa Hitchcock, David Van Divier, Scott Bauer, Julie Dock, Mobile SteeleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast cruises down the eastern seaboard, including stops in Hartford, Hampton, Philadelphia, and Landover, featuring touring tips, another police chase, & a visit to the White House.Guests: David Lemieux, Sam Cutler, Dennis Alpert, Tyler Roy-Hart, David Leopold, John Leopold, Rebecca Adams, Brian Schiff, Gary Lambert, Chris Goodspace, Winslow Colwell, Scott Jones, Chad EylerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast makes a beeline for the northeast, focusing on shows from legendary venues in the Manhattan and Boston areas included on the new Enjoying the Ride box, including ESP experiments, weed smuggling, free jazz titans, multiple police chases, and more.Guests: David Lemieux, Ron Rakow, Sam Cutler, Richie Pechner, Allan Arkush, Ned Lagin, Gary Lambert, Blair Jackson, Stanley Krippner, Rebecca Adams, Johnny Dwork, John Scher, Michael Simmons, Tyler Roy-Hart, Henry K, Howie Levine, Kenny Schiff, Debbie RondeauSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.