Podcasts about The Byrds

Dan Sindel is truly a “unique” and “one of a kind” artist like no other out there in music land. Dan's songwriting features a multi-layered approach to recording guitars and vocals that integrates myriads of styles and genres into a hard rocking experience streamlined for mass appeal. Unpopular Music for Popular People Vol.1 is Dan's debut (5 song) EP and features the radio friendly tracks; STEPPING STONE, RULE THE WORLD and ALL DUE REPSECT as well as two “6 minute deep cut” tracks; EDGE OF ETERNITY and SAY GOODBYE which would satisfy anyone with a love for classic rock /progressive hard rock/heavy metal with their technical rhythmic changes, orchestrated guitars and solid vocal production.The Los Angeles based singer/songwriter/guitarist takes his musical upbringing of 60's and 70's pop songs and classic rock, 80's-90's metal and all things current and mixes up slightly atypical artists (think: Alice in Chains meet The Byrds or perhaps the aggression of Metallica infused with Blue Oyster Cult, The BEATLES or ELO) to create those unique melodies and harmonies. Dan says, “To me, the best parts of a song are the hooks and melodies, whether vocal or instrumental they have to catch the listener's ear and be extraordinarily memorable.”As a survivor of the legendary 80's LA Heavy Metal scene, Dan has shared the stage with some of the biggest names in the rock and metal music world (ACCEPT, SAXON, KING DIAMOND, RACER X, WENDY O. WILLIAMS, ARMORED SAINT, METAL CHURCH, FLOTSAM & JETSAM, GRIM REAPER, HED-PE, MUSHROOMHEAD and HELMET being but a few) but he'd rather not be looked at as “just a metal guy” as he refuses to be typecast and limited by musical genre.“Dan states: “It is the responsibility of a true artist to find his own voice and represent the thoughts and feelings that one has and to share it in a way that hopefully does not simply mirror someone else's work, to capture the spirit and intent of the artists vision is the essence of art itself.”Unpopular Music for Popular People Vol.1 is absolute proof that bringing influences from several different musical genres can co-exist in one finely tuned package and is available on all popular streaming platforms as well as his accompaniment videos on Youtube.APPLE MUSIC: https://music.apple.com/us/artist/dan-sindel/261257155SPOTIFY: https://open.spotify.com/artist/12JOM4gAm4nuaXD8GXLW3xAMAZON: https://www.amazon.com/music/player/artists/B0019DMEM4/dan-sindelYOUTUBE: https://www.youtube.com/@halipinoWWW: http://dansindel.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

John Hall has been CEO of the family-run Rickenbacker guitar company since 1984, right around when R.E.M.'s Peter Buck was inspiring a generation of jangly bands with his Rick riffs. The Beatles had led a Rickenbacker surge 20 years earlier as John Lennon and George Harrison played Ricks in A Hard Day's Night and prompted the Byrds' Roger McGuinn to get a 12-string Rickenbacker and basically to invent folk rock. Hall tells a hell of a story about meeting the Beatles and McGuinn, and he reflects on company's history, which dates back to 1931. He explains why Rickenbacker still makes all of its guitars at one California factory instead of expanding its production; discusses the company's fierce trademark protection; weighs distinctions among hollow-bodied, solid-bodied, 6-string and 12-string models; addresses whether pricey vintage Ricks are actually better than new ones; and, once and for all, clears up the pronunciation of “Rickenbacker.”

Text us about this show.Steve March-Tormé and Michael Murphy return to Into The Music to introduce you to the title character of their new album, Dalton Diamond. This is an album just over four decades in the making having originated in a West Los Angeles bedroom as the idea of Steve along with his friend, Craig Copeland. In the mid 1980s, nine of the album's were written by Steve and Craig and two additional songs that round out the narrative were written forty years later by Steve and Michael. The feel of the album harkens back to the 1970s southern California country rock of the Eagles, J.D. Souther, Jackson Browne, and The Flying Burrito Brothers to name a handful of Dalton's influences. This episode serves as a preview of the album and Steve and Michael throw in a live performance for good measure. Enjoy!"Only Passing Through" and "I'm In Love With You" performed by Steve March-Tormé & Michael Murphywritten by Steve March-Tormé and Craig Copeland℗ 2025 Living Room Records, LLC. Used with permission of Steve March-Tormé & Michael Murphy"Aurelia" and "Bullseye On The Run" performed by Steve March-Tormé & Michael Murphywritten by Steve March-Tormé and Michael Murphy℗ 2025 Living Room Records, LLC. Used with permission of Steve March-Tormé & Michael MurphyMelody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

It's Poe Time! Join us as we venture out into the daylight and visit “The Tomb of Ligeia”. A film in which Captain Peacock serves the tea, whilst Slartibartfast and Doctor Who's Nero have dinner; meanwhile Vincent Price auditions as frontman of The Byrds, and attempts to convince us that he could hurt a cat. The last of the Roger Corman / Edgar Allan Poe films finally sees the series move out of the studio for some beautiful location shooting in the English Countryside. A wonderfully distressed and melancholy Price is matched by two excellent performances from Elizabeth Shepherd as both feisty and romantic Rowena, and the foreboding, electrifying will of Ligeia. With support by an excellent cast of familiar British character actors, the film still ties in with the others in the series, with woozy dream (and dream-like) sequences, and the inevitable conflagration of the main setting. Watch (or re-watch) to avoid spoilers and join us.

Especial mensual dedicado a recordar singles que alcanzaron su puesto más alto en las listas de pop de EEUU en este mismo mes de hace 60 años.Playlist;(sintonía) BERT KAEMPFTER and HIS ORCHESTRA “Three o’clock in the morning” (top 33)THE SUPREMES “Back in my arms again” (top 1)THE FOUR TOPS “I Can't Help Myself (Sugar Pie Honey Bunch)” (top 1)THE BYRDS “Mr Tambourine man” (top 1)SAM THE SHAM and THE PHARAOHS “Wooly Bully” (top 2)TOM and JERRIO “Boo-ga-loo” (top 57)THE ANIMALS “Bring it all home to me” (top 32)FREDDIE and THE DREAMERS “Do the Freddie” (top 18)ESTHER PHILLIPS “And I love him” (top 54)THE BEAU BRUMMELS “Just a little” (top 8)BOBBY GOLDSBORO “Voodoo woman” (top 27)THE O’JAYS “Lipstick Traces (On A Cigarette)” (top 48)CHUCK JACKSON and MAXINE BROWN “Something you got” (top 55)FONTELLA BASS and BOBBY McCLURE “You'll Miss Me (When I'm Gone)” (top 91)GENE PITNEY “Last chance to turn around” (top 13)GENE CHANDLER “Nothing can stop me” (top 18)ROGER MILLER “Engine engine #9” (top 7)THE OVATIONS (featuring Louis Williams) “It’s wonderful to be in love” (top 61)THE RONETTES “Is this What I Get For Loving You?” (top 75)Escuchar audio

In this episode I welcomed Greg Yows to The Survival Podcast.  Greg is a great friend to both the show and me personally.  Together we wrote “The Revolution is You” our show theme. When asked about himself Greg says, “I am a simple songwriter. The hippies in the 60s had their “protest” bards in the form of Bob Dylan, The Byrds, Janice Joplin, John Lennon, Joan Baez…the list goes on. Now, I ain't claimin' to have their skill. But I have just as much passion for my cause. And that cause is making sure my kids enjoy freedom from the … Continue reading →

Hoy en La Gran Travesía viajamos hasta nuestra década fetiche, la de los años 60. En Radio Free Rock podréis escuchar a Creedence Clearwater Revival, Bob Dylan, Bobby Blue Bland, Ike and Tina Turner, Beatles, Rolling Stones, Sonny and Cher, Etta James, Mary Hopkins, Byrds... También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs, en todostuslibros.com Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Gin1975, Alberto Velasco, Poncho C, Don T, Francisco Quintana, Gastón Nicora, Con,, Dotakon, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Poncho C, Nacho, Javito, Alberto, Pilar Escudero, Blas, Moy, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Flor, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

No episódio de hoje, embarcamos em uma viagem pelas melodias cristalinas e guitarras cintilantes de Grand Prix, o aclamado álbum do Teenage Fanclub, lançado em 29 de maio de 1995. Considerado por muitos como o ponto alto da carreira da banda escocesa, esse disco é um verdadeiro tratado de power pop, combinando influências de Big Star, The Byrds e Neil Young com uma sensibilidade noventista única. Vamos explorar as faixas, as histórias por trás da produção e entender por que esse álbum continua sendo um tesouro cult para fãs de rock alternativo e guitarras bem trabalhadas.See omnystudio.com/listener for privacy information.

Send us a textOn this episode, we discuss Grievous Angel, the last album recorded by one of the most interesting, tragic, and influential people in modern music: Gram Parsons.   In just six short years, from 1967 until his death in the fall of 1973, Gram Parson help pioneer what would become known as country rock, or what he preferred to call  "Cosmic American Music." In those six years, he made several landmark albums with the International Submarine Band, the Byrds, and the Flying Burrito Brothers, as well recording two solo albums. None were commercially successful at the time of their release, but they cast a long shadow on the music of the later half of the 20th Century, and continue to do so today. Its difficult for modern listeners to understand how unique and innovative Parsons vision of blending elements of country, rock, folk, and (most importantly) soul was at the time because it has influenced so much that came after that its uniqueness gets lost crowd.For Grievous Angel, Parsons was able to get some of the best musicians in the business backing him. He also could recognize talent when he saw it and knew having Emmy Lou Harris as his duet partner would create magic, which it most certainly did. Released just months after Parsons untimely death, and containing some of his most beautiful, songs Grievous Angel is a remarkable and poignant album that chronicles Parsons influences and his devotion to traditional country music, while showcasing his ability to blend those influences with other genres into something entirely original.  Visit us at www.tappingvinyl.com.

I'm reading and talking about Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics.Reading a familiar text in a bigger reading list like this offers its own special challenges. I start with a little insight about what to do when that happens.I think the best way to talk about these very familiar books is to take them one at a time. Then I have some thoughts about translations (again) and reading in general. Genesis: This is a much longer book than you think! The story starts out very broad and then narrows to tell how God decides to work through a man named Abram. We then see how God continues to work through now-Abraham's family, through Isaac, Jacob and Joseph. None of these men are perfect, or even very heroic except possibly Joseph, but God uses them anyway. Genesis is different than the other very old texts (religious and otherwise) we've read in this schedule, and it's certainly quite different than the Greek philosophy. We see a God who is personal and emotional, capable of anger and also great love, and who is both all-powerful and yet interested in every individual in the entire world.Ecclesiastes: This is a poem of sorts, and you definitely know part of it because of the Byrds' “Turn Turn Turn.” The main character, the Preacher (likely King Solomon), reflects at the end of his days on “What's it all for?” He never settles on a real answer but reflects on how to live, so in its themes it is a lot more like Plato or Aristotle. It's not didactic like Confucius' Analects. It feels a lot more like the Dhammapada, but less fatalistic and actually lovelier in its construction. I think the weariness of Ecclesiastes speaks to the human condition, common across time and geography.Matthew: The first Gospel opens with Jesus' genealogy through Joseph, and I think Matthew's emphasis as he relates the story of Jesus' life is on the fact that the very people who should have been most willing to hear the message did not. Matthew is rooted in Jewish scripture, continually quoting prophets as he relates Jesus' ministry. The book starts with three chapters known as the Sermon on the Mount, which is harder to read straight through than I expected. It is a lot of sayings and aphorisms, not a lot of story, and you know by now how I feel about that. The book then moves into more narrative as the miracles increase in type and scope, leading to the crucifixion. The teachings from Jesus and Matthew's own writing are aimed squarely at the Jewish leaders here, pointing out what they are missing and their refusal to see Jesus for who he is.Mark: This is the shortest Gospel, and I also think of it as the “immediately” Gospel. Mark uses that word at almost every transition from one scene to another, and it makes the book feel very action-oriented. I felt like Mark was sitting with me saying, “Let me tell you what happened!”Luke: Luke is not an eyewitness at all, and even opens the book up saying he has talked to lots of people so he can get an accurate history put down. Luke's always been my favorite for a variety of reasons...John: But I was wrong. John is the single best piece of writing I have read so far in this program. It is amazing. The entire book is crafted beautifully, and it's now my favorite Gospel. Also, it has the very best ending you could hope for. Read it.Romans: Okay, full disclosure, my Bible study group is doing Romans this year, walking slowly through Paul's longest letter. Coming to Romans after the previous readings, I was absolutely struck by the vigor of Paul's writing. It's energetic, masculine, wide-ranging and urgent. It is deeply personal in a way that none of the previous readings were. I loved reading it in one big chunk and offer reflections on how...

Dan Sindel is truly a “unique” and “one of a kind” artist like no other out there in music land. Dan's songwriting features a multi-layered approach to recording guitars and vocals that integrates myriads of styles and genres into a hard rocking experience streamlined for mass appeal. Unpopular Music for Popular People Vol.1 is Dan's debut (5 song) EP and features the radio friendly tracks; STEPPING STONE, RULE THE WORLD and ALL DUE REPSECT as well as two “6 minute deep cut” tracks; EDGE OF ETERNITY and SAY GOODBYE which would satisfy anyone with a love for classic rock /progressive hard rock/heavy metal with their technical rhythmic changes, orchestrated guitars and solid vocal production.The Los Angeles based singer/songwriter/guitarist takes his musical upbringing of 60's and 70's pop songs and classic rock, 80's-90's metal and all things current and mixes up slightly atypical artists (think: Alice in Chains meet The Byrds or perhaps the aggression of Metallica infused with Blue Oyster Cult, The BEATLES or ELO) to create those unique melodies and harmonies. Dan says, “To me, the best parts of a song are the hooks and melodies, whether vocal or instrumental they have to catch the listener's ear and be extraordinarily memorable.”As a survivor of the legendary 80's LA Heavy Metal scene, Dan has shared the stage with some of the biggest names in the rock and metal music world (ACCEPT, SAXON, KING DIAMOND, RACER X, WENDY O. WILLIAMS, ARMORED SAINT, METAL CHURCH, FLOTSAM & JETSAM, GRIM REAPER, HED-PE, MUSHROOMHEAD and HELMET being but a few) but he'd rather not be looked at as “just a metal guy” as he refuses to be typecast and limited by musical genre.“Dan states: “It is the responsibility of a true artist to find his own voice and represent the thoughts and feelings that one has and to share it in a way that hopefully does not simply mirror someone else's work, to capture the spirit and intent of the artists vision is the essence of art itself.”Unpopular Music for Popular People Vol.1 is absolute proof that bringing influences from several different musical genres can co-exist in one finely tuned package and is available on all popular streaming platforms as well as his accompaniment videos on Youtube.APPLE MUSIC: https://music.apple.com/us/artist/dan-sindel/261257155SPOTIFY: https://open.spotify.com/artist/12JOM4gAm4nuaXD8GXLW3xAMAZON: https://www.amazon.com/music/player/artists/B0019DMEM4/dan-sindelYOUTUBE: https://www.youtube.com/@halipinoWWW: http://dansindel.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

"There's battle lines being drawnNobody's right if everybody's wrongYoung people speaking' their mindsGetting so much resistance from behindIt's time we stopHey, what's that sound?Everybody look - what's going down?"I know what that Sound is, please join me and I'll share it with you on this week's Whole 'Nuther Thing on KXFM 104.7. Joining us are Warren Zevon, XTC, T Bone Burnette, The Doors, Jean Luc Ponty, Van Morrison, Bob Dylan, Tears For Fears, Jeff Beck, Gordon Lightfoot, Janis Ian, The Byrds, Crosby Stills, Nash & Young, Fleetwood Mac, Eric Burdon & The Animals, Simon & Garfunkel, Joni Mitchell, Jefferson Airplane, Led Zeppelin, John Prine, Buffalo Springfield and others.

"Zen in Our Time" and "Connecting the Dots" are themes that I have hit upon for 2025, forming the thread running through (one meaning of "sutra") all of my DharmaByte newsletter columns and online UnMind podcasts this year. Contextualizing the teachings and legacy of Zen in modern times — without throwing the baby out with the bathwater — is key to transmitting Zen's legacy. Connecting the dots in the vast matrix of Dharma — while bridging the gap between 500 BC to 2025 CE in terms of the cultures, causes and conditions — is necessary to foster the evolution of Shakyamuni's Great Vow, from the closing verse of the Lotus Sutra's Lifespan Chapter: I am always thinking: by what means can I cause sentient beings to be able to enter the highest path and quickly attain the Dharma? As in so many aspects of our overloaded society, when contemplating the next column or podcast, the question always arises, "Where do I begin?" I turn to my collaborators — Hokai Jeff Harper, publisher of the newsletter, and Shinjin Larry Little, producer of the podcast — for clarity and inspiration. Jeff responded to my call for suggested topics with an intriguing trio: • To everything there is a season• The wax and wane of householder zazen practice• What we are feeling right now IS impermanence manifesting itself Instead of choosing one over the others, it occurred to me that all three are important. And they are interrelated, in a kind of fish-trap narrowing of focus, from the universal span of spacetime as a causal nexus for humankind; then homing in on the social level, considering the modern householder's vacillation in attempting to pursue what began long ago as a monastic lifestyle; and finally zeroing in on the personal: the intimacy of realization within the immediate flow of reality. I will attempt to treat them in succession over the next three installments, in the context of transmission of Zen's Original Mind. TO EVERYTHING THERE IS A SEASONIf you find the 1960s Pete Seeger song popularized by the Byrds running through your brain, you are not alone. If you recollect the poem from Ecclesiastes — which I studied in a unique, small-town high school literature course — you may be hearing echoes of: To every thing there is a season, and a time to every purpose under the heaven: A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted; A time to kill, and a time to heal; a time to break down, and a time to build up; A time to weep, and a time to laugh; a time to mourn, and a time to dance; A time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing; A time to get, and a time to lose; a time to keep, and a time to cast away; A time to rend, and a time to sew; a time to keep silence, and a time to speak; A time to love, and a time to hate; a time of war, and a time of peace. Or from Tozan Ryokai: Within causes and conditions, time and season, IT is serene and illuminating And finally, from Dogen Zenji: Firewood becomes ash and it does not become firewood again.Yet do not suppose that the ash is future and the firewood past. You should understand that firewood abides in the phenomenal expression of firewood, which fully includes past and future, and is independent of past and future. Ash abides in the phenomenal expression of ash, which fully includes future and past.
 Just as firewood does not become firewood again after it is ash, you do not return to birth after death... Birth is an expression complete this moment; death is an expression complete this moment. They are like winter and spring; you do not call winter the "beginning" of spring, nor summer the "end" of spring. There are many more such incisive and insightful references to time in the literature of Zen, as well as Western thinking, of course, most notably Master Dogen's fascicle titled "Uji," which translates as something like "Being-time," "Existence-time," or "Living time," as Uchiyama-roshi renders it. This 13th Century writing is said to have anticipated the theory of Relativity, Einsteins' prodigious accomplishment, perhaps the most important scientific breakthrough of the 20th Century. But these few recollections from the rich legacy of Zen's written record will suffice for our purposes of connecting some of the dots in Indra's Net, or the modern components of the "Matrix of the Thus-Come One" as described in the Surangama Sutra. Scanning the Biblical poem, it is striking to see so many various activities and reactions to the obligations and behaviors of daily human life listed in equally dispassionate terms, not implying false equivalencies, but for example to blithely assert that there is "a time to kill" and "a time to heal"; "a time of war" and "a time of peace" — in the same breath — is in itself breathtaking, considering the admonition against killing, or murder, found in the Ten Commandments as well as the first Five Grave Precepts of Buddhism. Jumping to Master Tozan, or Dongshan, the founder of Soto Zen in 9th Century China, we find a hint of some resolution of the "whole catastrophe" in his reference to "IT" being "serene and illuminating," regardless of time and season, causes and conditions. This "it" appears in various Buddhist sayings and teachings, as tathata in Sanskrit — the inexpressible; or inmo in Japanese — the ineffable, the essential. These all point to what I analogize as a "singularity of consciouness" that emerges in zazen, where we pass the event horizon of conventional perception — the mind collapsing inward of its own mass — returning to and revealing our Original Mind, merging subject and object, duality and nonduality, in mokurai — the resolution of all apparent dichotomies. Earlier in Tozan's Precious Mirror Samadhi, or Hokyo Zammai, from which the above quote is taken, he magnifies the central place of this "it" in the experiential realm of Zen realization: Although IT is not constructed, IT is not beyond wordsLike facing a precious mirror, form and reflection behold each otherYou are not IT but in truth IT is you Master Dogen's coinage of "the backward step" captures this 180-degree attitude adjustment in the way we usually approach learning, self-improvement, and general development as human beings on the learning curve of reality. "From the very beginning all beings are buddhas," as Hakuin Zenji, 18th Century Rinzai Zen master, poet and artist states in the first line of his famous poem, "Song of Zazen." For every thing there may be a season, but when it comes to the most important thing in Buddhism, there is fundamentally no change — from beginning to middle to end — of this "poor player," life, strutting and fretting his/her hour upon the stage. In another line from Chinese Zen, the third Ancestor in 6th Century China captures this succinctly: Change appearing to occur in the empty world we call realonly because of our ignorance. So, somehow, once again, we are getting it all wrong, backwards. Our recourse is, of course, to get our butts back to the cushion; trust the original mind; take the backward step; and embrace the revolutionary notion that WE are not IT, but in truth IT is US. I cannot resist the urge to close this segment with one of my favorite quotes from the great Master Pogo: We have met the enemy and he is us. It may be a comfort to realize that "mine enemy grows older" as we age. We just have to outlive our enemies, including our own ignorance. Next month we will take up the second suggestion, the waxing and waning of householder zazen practice. Been there, done that.

"In ev'ry day that passes us byI can't help the feelin' that you and IWe won't get to see another day together.Looks like bad weather.Yes it does,And I believe it's gonna rain"Yes a Rainy Spring Sunday in SoCal so please allow me to be your  musical umbrella, Joining us on this weeks Super Sounds Of The 70's are Dire Straits, David Bowie, Little Feat, Aerosmith, Bob Dylan, Neil Young, Mountain, Joe Walsh, Rod Stewart, The Byrds,, Flying Burrito Brothers, Procol Harum, The Doobie Brothers, Steely Dan, Jimi Hendrix, Stephen Stills, The Moody Blues, Alan Parsons Project, Supertramp, Derek & The Dominos and Poco.

"Strange days have found usStrange days have tracked us downThey're going to destroyOur casual joysWe shall go on playingOr find a new town"Let's escape the darkness together this afternoon on this week's Whole 'Nuther Thing on KXFM 104.7 Joining us are Tim Buckley, John Coltrane, Malo, Jimi Hendrix, Bob Dylan, The Byrds, Jefferson Airplane, The Youngbloods, Santana, The Tradewinds, Thunderclap Newman, Steppenwolf, Stan Getz w Astrud Gilberto, Lynyrd Skynyrd, Stevie Wonder, Phoebe Snow, Trevor Gordon Hall, Warren Zevon, 38 Special, Jose Feliciano and The Doors. I'll be showcasing a timely track from James Lee Stanley's latest CD "The Day Today during Hour 1.

If you've listened to Roots Music Rambler much at all you know Frank and Falls are suckers for the new wave of retro-sounding Americana and Country artists. (See our previous episode with Kimmi Bitter.) When we first heard Logan Ledger, the same fascination kicked in.  With sounds reminiscent of Marty Robbins, Jim Croce and The Byrds, it was easy to see why this Bay Area product was reclaiming the title of purveyor of California Country in early album reviews. His debut record in 2020 was produced by T. Bone Burnett. His sophomore effort, “Golden State,” was produced by none other than Shooter Jennings. And it's magnificent.  Ledger joined Roots Music Rambler this week to talk about his albums, his sound and how a long-time Nashville singer-songwriter found his way into the professional musician space by finding and amplifying his own style.  Falls shares his thoughts on a weird Jim Morrison documentary and he and Frank offer up their normal pickin' the grinnin' picks for the week as well. Download the episode and subscribe at rootsmusicrambler.com or wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  Logan Ledger online Logan Ledger on Spotify Logan Ledger on Instagram Beyond the End documentary on AppleTV+ The Roots Music Rambler Store Roots Music Rambler on Instagram Roots Music Rambler on TikTok  Roots Music Rambler on Facebook Jason Falls on Instagram Francesca Folinazzo on Instagram Pickin' the Grinnin' Recommendations Humble Pie  First Aid Kit Subscribe to Roots Music Rambler on Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Audio production by Resonate Recordings. Copyright 2025 - Falls+Partners. Learn more about your ad choices. Visit megaphone.fm/adchoices

Find David at @iamdavidlynam

ReferencesActa Pharm Sin B. 2022 Dec;12(12):4390-4406Cell Death Discov . 2023 Dec 12;9:451.JBC 1997. Volume 272, Issue 36p22432-22437SeptemberCell Metab. 2012 Jun 6;15(6):813–826.Int J Mol Sci. 2022 May 26;23(11):5978Hayward, J. 1967. "The Afternoon " from: Days of future Passed lp.https://open.spotify.com/track/4uCFK6Lm1gA3MaIbSRhIfS?si=48ccbe6f079e469fMcQuinn, R. 1970. "Pale Blue" Byrds lp :Byrdmaniax.https://open.spotify.com/track/46D9uj48T6E8xlSKLv4cEU?si=495da777c73c4929Mozart, WA. 1788. Divertimento in E flat Major. K 563https://open.spotify.com/album/5yxpvtJJTlKUMtUtl9nBcm?si=zc_K0IlzRqOzVVatZs_Pkw

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 28ú lá de mí Aibreán, liomsa Lauren Ní Loingsigh. I 1978 tháinig an nuacht amach go mbeadh praghas de thí ag dul suas 20 fán gcéad an bhliain sin tar éis a chuala An Dáil gur chuaigh siad suas 20 fán gcéad an bhliain roimhe. I 1995 tháinig sé amach go raibh Prince Charles chun an bheannacht ríoga a thabhairt don phróiseas síochána nuair a bhí sé chun teacht chuig an tír sa samhradh. I 1978 rinne an fhoireann Chláir cosaint shibhialta léiriú iontach ag an chraobh in Inis. I 1989 d'oscail Mary O'Rourke Coláiste St Anne's ag Clarisford an tseachtain sin. Sin Take That le Back For Good – an t-amhrán is mó ar an lá seo I 1995. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1976 chan Bruce Springsteen agus The E Street Band ag an Grand Ole Opry I Nashville. Bhí sé seo an chéad uair ó 1968 a chan banna ceoil rac is roll ag an áit. I 1990 phós Axl Rose ó Guns N' Roses Erin Everly, iníon ó cheann de na Everly Brothers. Phós siad ag Cupid's Wedding Chapel Las Vegas. Scar siad I mí Eanáir an bhliain tar éis mar ní raibh an caidreamh go maith. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh amhránaí Melaine Martinez I Meiriceá I 1995 agus rugadh aisteoir Penélope Cruz sa Spáinn ar an lá seo I 1974 agus seo chuid de na rudaí a rinne sí. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 28th of April, with me Lauren Ní Loingsigh 1978: housing prices were due to rocket by another 20 per cent this year, after the dail had heard that prices already increased by an alarming 20 percent last year 1995: prince charles was to give the peace process britians royal seal of approval when he was due to visit ireland in the summer. 1978: Clare civil defence team put up a very creditable performace in the regional finals in ennis on sunday last. 1989: Education minister mary o rourke performed the offical opening of st annes community college at clarisford on monday. That was Take That with Back For Good – the biggest song on this day in 1995. Onto music news on this day In 1976 Bruce Springsteen and the E Street Band appeared at the Grand Ole Opry at the Opryland USA theme park in Nashville, the first time a rock band has played the Opry since The Byrds in 1968. 1990 Guns N' Roses leader Axl Rose married Erin Everly, daughter of The Everly Brothers Don at Cupid's Wedding Chapel in Las Vegas. They divorced in January 1991 after a stormy nine months of marriage. And finally celebrity birthdays on this day – singer Melanie Martinez was born in America in 1995 and actress Penélope Cruz was born in Spain on this day in 1974 and this is some of the stuff she has done. I'll be back with you tomorrow with another edition of Ar An Lá Seo.

Today's program features tuneage from XTC, Tim Buckley, It's A Beautiful Day, Lovin' Spoonful, John Mayall, Crosby Stills & Nash, Spirit, Beatles, Small Faces, Youngbloods, Randy Newman, The Left Banke, Cyrkle, Zombies, Seatrain, Rascals, Jean Luc Ponty, Doors, Tears For Fears, Byrds, Led Zeppelin, Simon & Garfunkel, Judy Collins, Quicksilver Messenger Service .and Loggins && Messina

Episode 168 Chapter 28, Moog Analog Synthesizers, Part 1. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 1 from my book Electronic and Experimental music.   Playlist: EARLY MOOG RECORDINGS (BEFORE 1970)   Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1.     Emil Richards and the New Sound Element, “Sapphire (September)” from Stones (1967). Paul Beaver played Moog and Clavinet on this album by jazz-pop mallet player Richards, who also contributed some synthesizer sounds. 02:21 01:44 2.     Mort Garson, “Scorpio” (1967) from Zodiac Cosmic Sounds (1967). Mort Garson and Paul Beaver. Incorporated Moog sounds among it menagerie of instruments. Garson went on to produce many solo Moog projects. 02:53 04:04 3.     Hal Blaine, “Kaleidoscope (March)” from Psychedelic Percussion(1967). Hal Blaine and Paul Beaver. Beaver provided Moog and other electronic treatments for this jazzy percussion album by drummer Blaine. 02:20 06:58 4.     The Electric Flag, “Flash, Bam, Pow” from The Trip soundtrack (1967). Rock group The Electric Flag. Moog by Paul Beaver. 01:27 09:18 5.     The Byrds, “Space Odyssey” (1968) from The Notorious Byrd Brothers (1968).  Produced by Gary Usher who was acknowledged for having included the Moog on this rock album, with tracks such as, “Goin' Back” (played by Paul Beaver), “Natural Harmony,” and unreleased track “Moog Raga.” 03:47 10:48 6.     The Monkees, “Daily Nightly” from Pisces, Aquarius, Capricorn, and Jones Ltd. (1967). Moog effects provided by Micky Dolenz of the Monkees and Paul Beaver. 02:29 14:40 7.     Jean Jacques Perrey and Gershon Kingsley, “The Savers,” a single taken from Kaleidoscopic Vibrations (1967). The first Moog album by this duo known for their electro-pop songs. 01:48 17:08 8.     Wendy Carlos, “Chorale Prelude "Wachet Auf" from Switched-On Bach (1968). The most celebrated Moog album of all time and still the gold standard for Moog Modular performances. 03:34 18:54 9.     Mike Melvoin, “Born to be Wild” from The Plastic Cow Goes Moooooog (1969). Moog programming by Paul Beaver and Bernie Krause. 03:03 22:28 10.   Sagittarius, “Lend Me a Smile” from The Blue Marble (1969). This was a studio group headed by Gary Usher, producer of The Byrds, who used the Moog extensively on this rock album. 03:09 25:30 11.   The Zeet Band, “Moogie Woogie” from the album Moogie Woogie(1969). Electronic boogie and blues by an ensemble including Paul Beaver, Erwin Helfer, Mark Naftalin, “Fastfingers” Finkelstein, and Norman Dayron. 02:43 28:40   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

This week, we received our annual audit visit from corporate! That's right, The Chairman not only graced us with his presence, but he demanded we deliver to you this episode: “Grave Mistake: BÖC Shoulda Been Huge!!!”. One could argue that selling 24M albums would negate “Shoulda Been Huge” treatment. However, when most folks can only name 3 songs by this band, and one of them is due to an SNL skit, we think they fit the bill.This episode is rooted in our Should Have Been category; however, there is a strong case to be made that they've been largely forgotten as innovators and architects of what we know as heavy metal. We think they should be remembered as titans of hard rock and metal! Hope ya dig!Songs this week include:Blue Öyster Cult - “Transmaniacon MC” from Blue Öyster Cult(1972)Blue Öyster Cult - “The Red & The Black” from Tyranny And Mutation (1973)Blue Öyster Cult - “Flaming Telepaths” from Secret Treaties (1974)Blue Öyster Cult - “Tenderloin” from Agents Of Fortune (1976)Blue Öyster Cult - “R.U. Ready 2 Rock” from Spectres (1977)Blue Öyster Cult - “The Vigil” from Mirrors (1979)Blue Öyster Cult - “Monsters” from Cultosaurus Erectus (1980)Blue Öyster Cult - “Joan Crawford” from Fire Of Unknown Origin (1981)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

I was born ready and invite you to delve into the first of two parts featuring some of rock's most celebrated artists who had a penchant for the rich traditions of the corner stone of rock and roll music that leans to the country, including Tom Petty (who inspired this mini-series), Neil Young, Beatles and Stones, Dylan, The Band, The Byrds, and Led Zeppelin. It's as much as lesson as it is a celebration. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode 187: A Few Years Ago, Bob Dylan Sold An Estimated $300 Million Worth Of His Work April 15, 2025 He signed with Columbia in 1961 and the deal included around 600 pieces. More details in this episode, which includes Dylan himself and lots of great copies of his songs. The Byrds really favored Dylan's works and recorded around 18 of his songs. The Turtles did one. It's here on the original episode, #30. It's here too and so is the re-recorded and current program broadcast on air and in the apps. Hope you really enjoy the master's music. I want to say thank you to all the financial supporters of Tales Vinyl Tells. Whether a small amount monthly or a very generous donation, each of you listeners is very appreciated and if you can and do give monthly, my deepest gratitude goes to you. If you're not a patron yet and want to know more about becoming a patron of this music program you can go Patron.podbean.com/talesvinyltellssupport. Thank you and rock on! And thanks for listening today.  My email is talesvinyltells@gmail.com.  If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, iHeart podcasts, Player FM podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

"You never give me your moneyYou only give me your funny paperAnd in the middle of negotiationsYou break down"This is only partially true, many of you do but we still need more to keep bringing you the Music you deserve. Please join me this afternoon as I seek your support for the SoCal Sound and Super Sounds Of The 70's. Joining us are  David Bowie, The Moody Blues, Free, Pink Floyd, Jeff Beck, Humble Pie, The Byrds, Robin  Trower, The Grateful Dead, Motels, Talking Heads, Ted Nugent & The Amboy Dukes, Roxy Music, Steve Miller Band, Emerson Lake & Palmer, Ten Years After, Fleetwood Mac, Savoy Brown, Traffic and The Beatles.

Stan Lynch is widely known as one of rock's most tasteful timekeepers, and a founding member of Tom Petty and the Heartbreakers. The Rock and Roll Hall of Fame drummer, singer-songwriter and producer has written songs for Don Henley, Ringo, Toto, The Byrds, Rita Coolidge, Meredith Brooks, Tim McGraw, Eagles, Sister Hazel, Eddie Money, The Mavericks, and The Knack. He's also played on and produced some of the most critically acclaimed and commercially successful records in the industry.

ReferencesCells. 2020 Feb 18;9(2):471.Mol Neurobiol. 2019. Volume 56. 5436–5455.Glia. 2023 Nov;71(11):2679-2695Goffin and King. 1966. "Goin' Back" Byrds 1967 coverhttps://music.youtube.com/watch?v=i849OKrpPms&si=Gjmsjp0rQpLbmwxCKing, C. 1971. "Tapestry" lphttps://music.youtube.com/watch?v=SyQ-TgA6bQk&si=7L23vJZolSbkZMR1Mozart, WA . 1782-85'. "The Six Haydn Quartets"https://music.youtube.com/watch?v=dzzOzaWia90&si=QfDkHMP8Kzz_mtpW

In 1970 Roger McGuinn and Jacques Levy were planning a musical, but it never came to be. Instead the songs they wrote got sprinkled throughout Byrds albums, and one became a single, the narrative-leaning "Chestnut Mare," backed with the classic Byrdsian melody of "Just a Season." In this deep dive—which explores the way the band influenced Television, The Meat Puppets, and even The Allman Brothers, John and Marc dig into this era of the Byrds, which produced the great half-live/half-studio album (Untitled). Drop the needle, it's time for The Spindle. When you're done, revisit the Spindle episode featuring Hüsker Dü's cover of “Eight Miles High”And check out Marc and John on The Byrds in a special Spindle Sidebar.Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.

"Laughing on the busPlaying games with the facesShe said the man in the gabardine suitWas a spy, I said, "Be carefulHis bow tie is really a camera"Counting the cars on the New Jersey TurnpikeThey've all come To look for America"It's here, please join me this afternoon as we reveal it's existence through a wondrous thing we call music. Joining us on are journey are Red Hot Chili Peppers, Lou Reed, Radiohead. U2, The Hollies, Beatles, Byrds, Los Bravos, RE.M. Velvet Underground, Bob James, Steely Dan, Tom Petty & The Heartbreakers, Harry Chapin, Pat Metheny, The Wallflowers, The Mark-Almond Band, Patti Smith, The Grass Roots, Mamas & Papas and Simon & Garfunkel...

"There you stood on the edge of your feather, expecting to fly.While I laughed, I wondered whether I could wave goodbye,"As we waved goodbye to Winter, Spring and its promise of renewal arrived Thursday. Please join me on this first weekend of Spring on this week's Whole 'Nuther Thing. Joining us are Earth Opera, Warren Zevon, The Hooters, Tim Buckley, Dr. John, Nilsson, Little Feat, Cream, ZZ Top, Deodato, Orleans, The Beatles, Beach Boys, Led Zeppelin, The Byrds, Bob Dylan, Tears For Fears, Traffic, Deodato, Tom Petty, Simon & Garfunkel, Peter Paul & Mary, Graham Parker and Buffalo Springfield...

"Come down off your throne and leave your body aloneSomebody must changeYou are the reason I've been waiting so longSomebody holds the keyAnd I Can't Find My Way Home"No worries, I have a musical compass that will guide us this afternoon on "Super Sounds Of The 70's". Joining us are Carly Simon, Traffic, Dire Straits, Todd Rundgren, Humble Pie, T. Rex, The Byrds, Eagles, Doors, Faces, Bob Dylan, Savoy Brown, Steve Winwood, Little Feat, Led Zeppelin, Mountain, Frank Zappa, Tom  Petty & The Heartbreakers, The Marshall Tucker Band, Jeff Beck Group, Jethro Tull, Talking Heads, Rolling Stones and Blind Faith.

Antonio Zapatero, que dirigió el Hospital de Ifema en las primeras semanas de la pandemia y luego fue viceconsejero de Salud en Madrid, visita EPQSA. ¿Por qué el Gobierno no reaccionó antes? ¿Qué hubiera sucedido si se hubiera decretado el Estado de Alarma en los primeros días de marzo? Y luego, ¿fue necesario alargarlo tanto? Antonio Zapatero, que dirigió el Hospital de Ifema en las primeras semanas de la pandemia y luego fue viceconsejero de Salud en Madrid, visita EPQSA.Música Esta semana, el protagonista de nuestra selección musical es el grupo californiano The Byrds. Y estos son los temas que hemos escuchado: "Eight miles high" "Turn turn turn" "Mr Tambourine man" "You ain't goin' nowhere"

Unser heutiger Gast hat ohne Zweifel Musikgeschichte (und haufenweise ikonische Songs) geschrieben: Den von Bob Mould 1979 als Sänger und Gitarrist mitbegründeten Hüsker Dü gelang bis zu ihrer Auflösung 1988 das beeindruckende Kunststück, einerseits komplett einzigartig zu klingen und andererseits für (mindestens) ein ganzes Genre prägend zu sein. Ihre Mischung aus grandiosem Lärm, zu Herzen gehenden Melodien und nicht selten halsbrecherischer Geschwindigkeit definierte und transzendierte zugleich den US-amerikanischen Hardcore Punk. "Wie eine Mischung aus Black Flag und The Byrds", staunte einst ein euphorischer Dave Grohl; wohl wissend, dass ohne Hüsker Dü weder seine Foo Fighters, noch zuvor Nirvana, deren Vorbilder die Pixies oder überhaupt "Alternative Rock" an sich so geklungen hätten, wie wir es kennen. Doch genug der Vergangenheitsschau, wenngleich Bob Moulds Post-Hüsker-Band Sugar nicht unerwähnt bleiben darf, die in den Neunzigern zwei formidable Alben und diverse Singles veröffentlichte – und auch bei seinem neuesten Album ein gewisser "Zurück zu den Wurzeln"-Geist zu spüren ist. "Here We Go Crazy" heißt es, und ist das 15. unter eigenem Namen. Seine Solo-Karriere begann Mould rasch nach dem Ende von Hüsker Dü mit der 1989er "Workbook"-LP, deren überwiegend ruhig und akustisch gehaltener Sound im krassen Gegensatz zu dem der einstigen Band stand. Im Laufe der folgenden dreieinhalb Dekaden experimentierte der heute 64-Jährige unter anderem mit technoiden Beats und anderen elektronischen Methoden der Klangerzeugung, veröffentlichte aber immer wieder auch überzeugende Alben die auf sechs Saiten und seinem Melodietalent fußten. Dazu gehört auch das bereits erwähnte "Here We Go Crazy", das am morgigen Freitag erscheint und über das der Künstler sagt: "Ich habe das wieder freigelegt, was ich als junger Gitarrist so aufregend fand. Die Energie, die Elektrizität." Mehr erfahren wir von Bob Mould selbst im Interview, außerdem freuen wir uns natürlich darauf, dass er auch den ein oder anderen Song live auf der kleinen Bühne des studioeins spielen wird.

ReferencesJ of Neurochemistry. 2019. 151, Issue6 December: 676-688Journal of Neuroinflammation. 2020. volume 17,Article number: 15Guerra, DJ.2025. Nascent Lectures :Neuroimmune Diaventome.Nash,J.1972. "I Can See Clearly Now"https://open.spotify.com/track/30SCXVFyQGOFMdKnbgJS18?si=1ff0a57c16e94956Pinder, M. 1967 "Dawn is a Feeling" on DOFP(lp) Moody Blueshttps://open.spotify.com/track/5ukhn8xpLGRoPPMxbMuDOu?si=0ec04906ebd94bbcSeeger&Davies.1958."Bells of Rhymmy" Byrds https://open.spotify.com/track/1mpv6hIbfG75txI9zJGcf4?si=832538f153134d02Mozart. WA. 1791. Requiem Mass in D minor. K.626Performed by the Academy of St Martin of the Fields w/ Neville Mariner conductinghttps://open.spotify.com/album/2mAq4V9WfnKBIMmKGLS653?si=PJ3mysXATBSti1vfSPSP3A

Podcast #729 is for the cool kids thanks to Cheekface, The Tubs, Brad Marino, Rich Kids, Sorrows, Fullbloods, The Byrds, Pauline Murray and the Invisible Girls.

-The duo of DJ Morty Coyle & Wayne Federman return to talk about one of the more overlooked bands from the British Invasion era, The Byrds.   Long Description ***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** This album is the most eclectic and experimental in the Byrds' catalog. The album's content ranged from folk and country music to psychedelic and electronic music.  DJ Morty Coyle & Wayne Federman go through the tracks with Josh and discuss the end of David Crosby's time with the band.  Follow Morty on Instagram: https://www.instagram.com/djmortycoyle https://www.instagram.com/alldaysucker/ Follow Wayne on Instagram: https://www.instagram.com/instafederman/ Follow Wayne on X: https://x.com/federman DistroKid Artist Of The Week: Cory Marks https://www.youtube.com/watch?v=ImeIxL2PyDo Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Label: Columbia 45259 djYear: 1970Condition: M-Last Price: $40.00. Not currently available for sale.One of the group's last singles, this is a neglected classic. Great melodic story with an unforgettable hook on the A side, and a sea of shimmering guitars on the B side. This promo copy grades close to Mint across the board (Labels, Vinyl, Audio). (This scan is a representative image from our archives; this copy doesn't have the stamp shown.)

Show #2353 Show Notes: Turn! Turn! Turn! – The Byrds https://www.youtube.com/watch?v=pKP4cfU28vM https://en.wikipedia.org/wiki/Turn!_Turn!_Turn! Ecclesiastes 3: https://www.biblegateway.com/passage/?search=Ecclesiastes%203&version=KJV Isaac Newton: https://en.wikipedia.org/wiki/Isaac_Newton Vatican Search: https://search.brave.com/search?q=when+was+the+vatican+built&source=desktop&summary=1&conversation=6094175d543b6a82668e6c The Worlds Fairs: https://www.facebook.com/reel/570542639225391 AI Destroying the Human Spirit: https://www.lewrockwell.com/political-theatre/whitney-webb-the-elites-are-using-ai-to-destroy-the-human-spirit/ Bye Bye […]

Lennon and McCartney eloquently recited an affirmation stating that In My Life I Loved Them All.The affection for certain artists and the melodic poetry they injected into our souls has remained in our wiring through the good, the bad and the uncertain times of our lives.One beloved gentleman we cherish was known as Arthur Alexander. Known as June to his closest companions, he was a one of a kind country-soul songwriter and singer. It can easily be said that he invented the genre.The fifth American studio album by  the Rolling Stones, released in December 1965, contained the Alexander classic "You Better Move On". From that moment on I was hooked on his intimate honesty and at times, the violent dillemas created within the stories he told.From "Anna" to "Rainbow Road" he took us into a world of hurt, light and truth."Anna" was first made familiar to us all through the Beatles cover version of this classic.On June 17, 1963, they performed the tune for the BBC radio show Pop Go the Beatles and was included on their Vee Jay LP Introducing The Beatles.In 1994, "Adios Amigo: A Tribute to Arthur Alexander" was released with industry legends engaging their versions of some of his classics.Roger McQuinn, the man whose voice elevated the Byrds to historic heights recorded "Anna" for the occasion.His reading of this tear stained composition is dealt a tender touch and inspires the notion that when the very best translate the very best, we are often rewarded beyond emotion.On that same tribute recording, another  unexpected performance is revealed.Robert Plant, known for his howling , screeching and a jet plane vocal roar illustrated in the metal blues ventures of Led Zeppelin offered up a remarkable surprise. Plant's ability to take Arthur's haunting chant' "If It Really Has To Be This Way" down a road of interrpretation few of us knew he could travel,  is a revelation which should inspire every singer to better worlds.Once again, proof of emotive genius is discovered when a vocalist of Plant's caliber is sworn to the oath of conveying the inner depth of the heart as written by a master of song craft.And so we enter this new realm of Double Trouble with the talent and awe of three pioneers of popular music.We double down on the voices of Robert and Roger as the giant shadow of Arthur Alexanderconducts a human orchestra of words, urges and the need to confess that which few are capable of expressing with such passionate poise.Robert remains with us at 82 and Roger at 76.Arthur Alexander boarded The Mystery Train on June 9, 1993 at 54.Ladies and gentleman. Welcome To Double Trouble.Rich Buckland

There is a time for everything, and a season for every activity under heaven: a time to be born and a time to die, a time to plant and a time to uproot, a time to kill and a time to heal, a time to tear down and a time to build.

Direct from the Government Yard in Trenchtown where, over cornmeal porridge by a log wood fire, the events of the week are gently appraised, among them … … how Bob Marley, the Walker Brothers, the Byrds, Hendrix, Ramones, Blondie and Nirvana “got the dust of England on their boots”. … Chappell Roan's demands for “a living wage” in a business built on inequity. … why audio books surprise you in ways the print edition can't. … Beyonce? Best Country album? You sure? … “separate immediately”: Marsha Hunt and the secret of a successful marriage. … Bowie, Queen, the Velvet Underground: how the most streamed songs are rarely what you'd expect. … when London, New York and LA were the centres of the universe. … Bookends, Randy Newman's Good Old Boys and other albums with a narrative. … when the Police, Pistols and Clash tried to conquer America. … Miles Copeland Senior in Ben Macintyre's A Spy Among Friends. … “the film world is constructed around 100 actors, eight of whom are celebrated every year”. … plus birthday guest Keith Adsley turns the lights out for Pitchblack Playback – albums you should hear in the dark.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Direct from the Government Yard in Trenchtown where, over cornmeal porridge by a log wood fire, the events of the week are gently appraised, among them … … how Bob Marley, the Walker Brothers, the Byrds, Hendrix, Ramones, Blondie and Nirvana “got the dust of England on their boots”. … Chappell Roan's demands for “a living wage” in a business built on inequity. … why audio books surprise you in ways the print edition can't. … Beyonce? Best Country album? You sure? … “separate immediately”: Marsha Hunt and the secret of a successful marriage. … Bowie, Queen, the Velvet Underground: how the most streamed songs are rarely what you'd expect. … when London, New York and LA were the centres of the universe. … Bookends, Randy Newman's Good Old Boys and other albums with a narrative. … when the Police, Pistols and Clash tried to conquer America. … Miles Copeland Senior in Ben Macintyre's A Spy Among Friends. … “the film world is constructed around 100 actors, eight of whom are celebrated every year”. … plus birthday guest Keith Adsley turns the lights out for Pitchblack Playback – albums you should hear in the dark.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Direct from the Government Yard in Trenchtown where, over cornmeal porridge by a log wood fire, the events of the week are gently appraised, among them … … how Bob Marley, the Walker Brothers, the Byrds, Hendrix, Ramones, Blondie and Nirvana “got the dust of England on their boots”. … Chappell Roan's demands for “a living wage” in a business built on inequity. … why audio books surprise you in ways the print edition can't. … Beyonce? Best Country album? You sure? … “separate immediately”: Marsha Hunt and the secret of a successful marriage. … Bowie, Queen, the Velvet Underground: how the most streamed songs are rarely what you'd expect. … when London, New York and LA were the centres of the universe. … Bookends, Randy Newman's Good Old Boys and other albums with a narrative. … when the Police, Pistols and Clash tried to conquer America. … Miles Copeland Senior in Ben Macintyre's A Spy Among Friends. … “the film world is constructed around 100 actors, eight of whom are celebrated every year”. … plus birthday guest Keith Adsley turns the lights out for Pitchblack Playback – albums you should hear in the dark.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

BoomplayYoutubeAmazonBio“We Were Golden,” written and recorded this year, is classic, as-good-as-it-gets 1960s California beach rock. It is many other things, also, including a yet-to-be golden oldie.It is oldie gold alright, but melted down, re-refined and crafted into something brand new. Mike Mahoney, a California native, lived that time and, with his co-writer and producer David Blackburn, wrote it into the song. The track was released under Mike's band name, Mikey's In The Mustang. “I wanted to write a tribute song to Brian Wilson for all the inspiration gave us,” he said. “Not so much the cars and the surf songs but for the romanticism of being young – the true ‘California Sound.'” But that wasn't actually the start. Back in the day, before the Army, before he went to Vietnam, he played in a group and wrote songs. Fifty-five years later, age 75, after success as an entrepreneur and real estate developer, he returned to his music. “Some of my family and an old friend suggested to me that I record some of the songs I wrote back then. I never got to record them, and it was a lifelong dream to go into the studio and see what could happen. So, that is what led to the release of my album On The Road.” It was to be a vanity album, one and done.“But then, I thought as a final project I would write a tribute song to Brian. His music has been a soundtrack for my life.” For youngsters, that would be Brian Wilson of the Beach Boys, back when rock was not yet even a teenager. “It was several months of us reworking it and trying to make it tell a story, to make sense. My concept was to do it in a sort of ‘Good Vibrations' fashion, with three movements.”First movement, the place — told in surf, sand and highway rock:We were golden, in endless summer sandWe were golden, we thought we had it plannedSunset Strip's alive at night, the Byrds are on the stageSpringfield's in the canyon — man, they're all the rageSecond movement, the soft, slow, romantic middle — nighttime on the beach:On that summer night, with your tender touch and kissI am falling in love…with you.Finally, “the reprise,” he calls it — the music back on the road, barreling down the highway, but this time the vibe is the time, the era:Can't we just stay free and young, playing our guitars?'Cuz at the battle of the bands tonight, we're taking off for MarsThe YouTube video tells the story visually. The tribute extends to the instrumentation. He wanted '60s-period instruments to produce '60s-period sound.“One of the problems nowadays is it's recorded digitally, and digital doesn't let you get some of the sounds that you could get if you were doing it reel-to-reel like in 1967. So, what we used were all vintage instruments.”Working with David as arranger and musician as well as co-writer and producer, the song became a reality.  “I'm the lyricist and the concept guy who started this project, but I decided not to sing on it because it wasn't going to come out the way I wanted.” What he wanted was authenticity, which is why he recruited as vocalists the Croome brothers, Patch and Liam, from their band, Daring Greatly.“I wanted younger voices who are brothers to get the harmony that only siblings can do, like the Wilson brothers did back then,” said Mike. He said that people who previewed the song told him it sounded like a “1967 hit that never got released.”“That encouraged us to create a video and a Netflix-series type script, and that led to a soundtrack album to go along with the script.” “We Were Golden” has evolved from tribute song to story to a full-blown project involving not only music but television — a streaming series or movie telling the story of “a group of college kids in 1967 who also were in a band,” to quote the elevator pitch for the script.The key parts of the story are the band members, the innocence of their lives in Orange County in the '60s, and the effect of the Vietnam War on them and their generation. The storyline moves to 2017 when the band reunites for “one of the concerts that they never got to do — a true homecoming.” A Mikey's In The Mustang concert will be filmed this spring.Mikey's In The Mustang is on a roll. They are not trying to turn back some cosmic clock. They are bringing something precious from that time into this one.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

This Sid Podcast celebrates the music of Los Angeles via usual suspects like the Beach Boys but also via Sids own generation of musicians artistic contributions.

This week, we are joined by Paisley Underground legend MATT PIUCCI (Rain Parade, Crazy Horse) to discuss the TODD HAYNES' documentary, THE VELVET UNDERGROUND. We also talk about Haynes' body of work including Velvet Goldmine & Safe, the perfect run of Velvet Underground records, Chris' emotional breakdown after seeing the film in the theater, Roky Music & The Doors, does a biopic need to be truthful, how being on stage is similar to Matt's forensic courtroom work (and would any member of The Velvets been good forensic scientists), the multiple screen and sound work within the film, how so much of art is because of chance encounters, how Andy Warhol's prescence allowed the Velvets to get through the gatekeepers of a label, honoring Warhol's visual identiy in the the film, the NYC underground filmmaking scene, how they edited this film, Lou Reed scrambling the narrative of his life, drones in music, Miles Davis, the mid 60s L.A. rock scene vs the NYC rock scene, seeing John Cale live, Chris hearing the first Velvet's record as a 7 year old & Matt seeing The Byrds live as a child, Mick Ronson & Transformer, Jeff Beck playing with Ziggy Stardust, how without Mo Tucker the Velvets were never the same, the Grateful Dead comparisons that confuses us, Can, Jonathan Richman's presence in the film, The Velvet's love of Neil Young, Matt talks about recording with Billy Talbot of Crazy Horse and smoking bowls with Neil Young, how Haynes' struggled making the film because of lack of archival footage of the band, John Cale's departure from the band and the pain of band lineup changes, Songs For Drella and the vilification of Doug Yule.So let's have The Velvet Underground hypnotize us once again on this episode of Revolutions Per Movie!!!MATT PIUCCI:@mattpiuccihttps://rainparade.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

It's perishing cold in our frostbitten London HQ but we warmed our toes around a blazing conversational fire and roasted the following chestnuts … … “the job of pop records is to be better than the year before”. … the real reason new music tends to sound the same. … Johnnie Walker – “his voice was his instrument”. … The Kinks, The Shangri-Las, the Beach Boys, the Supremes, the Four Tops, the Righteous Brothers and the relentless change and variety of “the annus mirabilis” of the pop single. … “Netflix rock documentaries are just there to stop the male member of the family cancelling their subscription”. … the Byrds' Mr Tambourine Man, a cornerstone of psychedelia and indie rock. … the drum sound that “kicked open the door to your mind”. … when novelty was 70 per cent of the appeal. … the key moment in the career of Peter Waters Dingley was the day he changed his name. … making records defensively. … the only current match for the thrill and daily drama of the mid-‘60s pop charts is the Premiere League. … plus a Lego record-player and birthday guest Andrew Slattery.Tickets for Word In Your Ear live here: https://www.eventbrite.co.uk/e/bowie-in-london-and-hollywood-tickets-1118845138929?aff=oddtdtcreatorFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon's colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon's colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

In 1968, singer and songwriter Graham Nash joined David Crosby and Stephen Stills to form the supergroup Crosby, Stills & Nash. All of them had already been in successful bands: Graham Nash had been in The Hollies; David Crosby was in The Byrds; and Stephen Stills was in Buffalo Springfield. The next year, Neil Young joined them, to make Crosby, Stills, Nash & Young. The four of them released Deja Vu in 1970, and that album was a huge success. It sold over 8 million copies. It includes the song “Our House,” and for this episode, I spoke to Graham Nash about the making of that song, and the relationship that led to the song.For more, visit songexploder.net/crosby-stills-nash-and-young.