Podcasts about The Byrds

One FM presenter Josh Revens and Steve Dowers present 'Whatever Happened To?' This week's topic is The Byrds. This program originally aired on Monday the 2nd of March, 2026. Contact the station on admin@fm985.com.au or (+613) 58313131 The ONE FM 98.5 Community Radio podcast page operates under the license of Goulburn Valley Community Radio Inc. (ONE FM) Number 1385226/1. PRA AMCOS (Australasian Performing Right Association Limited and Australasian Mechanical Copyright Owners Society) that covers Simulcasting and Online content including podcasts with musical content, that we pay every year. This licence number is 1385226/1.

Goose vs. Geese | The Battle of the Waterfowl! In this episode of Derringer Discoveries, we are officially “winging it” as we dive into the avian-obsessed world of rock and roll. Join Paul, Laura, Alton, and our newly minted co-host, Rob Derringer, as we settle a debate over two of the most talked-about bands in the current scene: Connecticut's jam-band kings, Goose, and Brooklyn's post-punk provocateurs, Geese. In This Episode, We Discuss: The "Apex Predators" of Bird Bands: We look at the industry's obsession with our feathered friends, from The Eagles and The Black Crowes to The Yardbirds, The Byrds, and Wings. We break down two very different modern rock stories: Geese, the Brooklyn post‑punk critical darlings who exploded after an SNL appearance and now boast millions of monthly listeners; and Goose, the Connecticut‑born jam‑band phenomenon whose marathon live shows and festival breakout turned them into a touring powerhouse. Geese – The Post-Punk Anarchists: How a group of friends from Stuyvesant High School went from a basement studio called “The Nest” to a bidding war over their demos. The fallout from their polarizing Saturday Night Live performance that split the internet between "rock saviors" and "derivative impostors". Their meteoric rise to over 2 million monthly listeners and critical acclaim for albums like 3D Country and Getting Killed. Goose – The Indie-Groove Torchbearers: The band's "Big Bang" moment at the 2019 Peach Music Festival that transformed them into a national sensation overnight. Why they are considered the new leaders of the jam-band scene, blending the spirit of the Grateful Dead and Phish with a Vampire Weekend sensibility. Their impressive resume of sold-out shows at Madison Square Garden and Red Rocks.  The Final Vote The team steps off the fence to choose their winner in the Battle of the Waterfowl. Who takes the crown: the singular Goose or the plural Geese? Connect with Derringer Discoveries We want to hear from you! Is "jam band" a badge of honor or a warning label? Are you Team Goose or Team Geese? Email us: feedback@derringerdiscoveries.com  WHERE TO LISTEN & CONNECT More info & show notes: www.derringerdiscoveries.com/095 Spotify Playlist: Stevie Wonder Inspired Website: www.derringerdiscoveries.com Theme Song: Your Sister's Room by Ho Jo Fro. Episodes: www.derringerdiscoveries.com/episodes. Social Media: Instagram, Facebook, Threads, X, and BlueSky. Newsletter: Stay up to date by signing up for our newsletter.  Thank you for listening to Derringer Discoveries! 

De pardillo no tiene un pelo. A sus 80 años, y solo siete meses después de su anterior entrega, Van Morrison lanza “Somebody tried to sell me a bridge”, su 48º disco de estudio en solitario. Apostando por las versiones, apuntando hacia el viejo blues e invitando a gigantes como Buddy Guy o Taj Mahal, el norirlandés hace, canta y compra exactamente lo que le apetece.Playlist;VAN MORRISON “Kidney stew blues”VAN MORRISON “Snatch it back and hold it”VAN MORRISON feat BUDDY GUY “I’m ready”VAN MORRISON feat TAJ MAHAL “Can’t help myself”VAN MORRISON “Somebody tried to sell me a bridge”VAN MORRISON “Delia’s gone”Versión y Original; BLIND BLAKE and THE ROYAL VICTORIA HOTEL CALYPSOS “Delia gone” (1952)TITO RAMÍREZ “Qué será, qué será”LA PERRA BLANCO “Supersonic lover”THE JAMES HUNTER SIX “Gun shy”JESSE ROPER “Georgia train”THE NUDE PARTY “Sweetheart of the radio”THE BYRDS “You ain’t goin’ nowhere”Escuchar audio

Goose vs. Geese | The Battle of the Waterfowl! In this episode of Derringer Discoveries, we are officially “winging it” as we dive into the avian-obsessed world of rock and roll. Join Paul, Laura, Alton, and our newly minted co-host, Rob Derringer, as we settle a debate over two of the most talked-about bands in the current scene: Connecticut's jam-band kings, Goose, and Brooklyn's post-punk provocateurs, Geese. In This Episode, We Discuss: The "Apex Predators" of Bird Bands: We look at the industry's obsession with our feathered friends, from The Eagles and The Black Crowes to The Yardbirds, The Byrds, and Wings. We break down two very different modern rock stories: Geese, the Brooklyn post‑punk critical darlings who exploded after an SNL appearance and now boast millions of monthly listeners; and Goose, the Connecticut‑born jam‑band phenomenon whose marathon live shows and festival breakout turned them into a touring powerhouse. Geese – The Post-Punk Anarchists: How a group of friends from Stuyvesant High School went from a basement studio called “The Nest” to a bidding war over their demos. The fallout from their polarizing Saturday Night Live performance that split the internet between "rock saviors" and "derivative impostors". Their meteoric rise to over 2 million monthly listeners and critical acclaim for albums like 3D Country and Getting Killed. Goose – The Indie-Groove Torchbearers: The band's "Big Bang" moment at the 2019 Peach Music Festival that transformed them into a national sensation overnight. Why they are considered the new leaders of the jam-band scene, blending the spirit of the Grateful Dead and Phish with a Vampire Weekend sensibility. Their impressive resume of sold-out shows at Madison Square Garden and Red Rocks.  The Final Vote The team steps off the fence to choose their winner in the Battle of the Waterfowl. Who takes the crown: the singular Goose or the plural Geese? Connect with Derringer Discoveries We want to hear from you! Is "jam band" a badge of honor or a warning label? Are you Team Goose or Team Geese? Email us: feedback@derringerdiscoveries.com  WHERE TO LISTEN & CONNECT More info & show notes: www.derringerdiscoveries.com/095 Spotify Playlist: Stevie Wonder Inspired Website: www.derringerdiscoveries.com Theme Song: Your Sister's Room by Ho Jo Fro. Episodes: www.derringerdiscoveries.com/episodes. Social Media: Instagram, Facebook, Threads, X, and BlueSky. Newsletter: Stay up to date by signing up for our newsletter.  Thank you for listening to Derringer Discoveries! 

Hoy en La Gran Travesía podréis escuchar a Sixteen Horsepower, Wovenhand, Johnny Cash, Chris Isaak, Ricochets, Byrds, King Gizzard and the Lizard Wizard, Bluetones, Ash, Nirvana.... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Eduardo Gutiérrez, Belén B, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Tole, Raquel, Poncho C, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

De kom fra 3 forskellige orkestre, Hollies, Byrds og Buffalo Springfield. Deres fælles historie starter i 68, hvor Crosby, Stills & Nash mødes om deres fælles kærlighed til musik og vokal harmonier, og året efter kommer Neil Young til.  De nyder deres samspil, men deres egoer er for store til, at indgå i en gruppe over længere tid. I 1970 udgiver de Lp'en ”Deja Vu”, den definerede en tid og et håb efter Woodstock, På grund af den er de for altid forbundet. 

For our february episode we finally complete the 70s by discussing our favourite songs of 1974! You can expect lots of prog, much more krautrock than expected (particularly from Tracey), some funk classics, sparkly glam bangers, and most of the members of The Byrds.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order. She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - Kevin Ayers, Big Star, David Bowie, James Brown, Captain Beefheart & The Magic Band, Gene Clark, Cluster, Deep Purple, Brian Eno, Focus, Fred Frith, Harmonia, Keith Hudson, King Crimson, Kiss, Kraftwerk, Lynyrd Skynyrd, Curtis Mayfield, Roger McGuinn, Mike Oldfield, Parliament, Gram Parsons, Pilot, Queen, Roxy Music, The Sensational Alex Harvey Band, Sparks, Steely Dan, Tangerine Dream, & Rick Wakeman.Find all songs in alphabetical order here - https://open.spotify.com/playlist/5DIrU8fLeTxerh4wHJTWDq?si=6e2bfca9066b44e2Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next few months or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the very special next entry in The Chuck Granata Pet Sounds Interview Series: it's Chuck's chat with legendary producer, songwriter, musician, and self-described “rock and roll creep” and Lord of Garbage Kim Fowley. He has been described as "one of the most colorful characters in the annals of rock & roll", and that is truly putting it mildly. Although admittedly he is always in rare form (I can confirm, having had a relationship with him toward the end of his life), he is in the rarest of rare forms in this interview, barely allowing Chuck to get a word in edgewise. The dynamic is delightful right from the off.  He is the single common denominator that links “Alley Oop”, Cat Stevens, The Soft Machine, Bruce Johnston, Kiss, Helen Reddy, John Lennon, Ariel Pink, The Byrds, Motley Crue, Frank Zappa, The Modern Lovers, Alice Cooper, Warren Zevon, The Runaways, and the idea of raising a lighter at a concert. Although this chat careens maniacally off the rails, the main topic of conversation centers on Kim's plan to pave the way for Pet Sounds to make a huge splash amongst the British press and pop star aristocracy. Kim passed away a few years later in 2015, which makes this posthumously released “Chuck Chat” yet another priceless buried treasure.   There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe. Sneak Peek: linktr.ee/discograffiti For the full, ad-free, 67-minute bonus podcast, either subscribe to Discograffiti's Patreon at the Major Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti No Show Notes available at a separate link for Lieutenants & up.

This week on Reelin' In The Years... The Featured Five Theme is The "Silver Spoon"... Plus, a song David Bowie wrote about actress, model, and Warhol superstar - Cyrinda Foxe... A hit by Badfinger that was first recorded at a slower tempo and was nearly not released... A song inspired by an awkward relationship between a father and his son... John Fogerty shares the story behind the 1969 CCR hit, "Fortunate Son"... That time when Roger McGuinn reunited with a few of his former Byrds bandmates... New music from The Black Crowes, and folk-pop singer/songwriter Noah Kahan... Deep cuts from Jimi Hendrix, Mavis Staples, The Rolling Stones, The Barenaked Ladies, Spin Doctors, Koko Taylor, Patti Smith, Bruce Cockburn, and more! For more info on the show, visit reelinwithryan.com

***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** Comedian and cultural obsessive Wayne Federman returns to The 500 to dig into Sweetheart of the Rodeo by The Byrds, unpacking how a rock band's leap into country music reshaped American songwriting, sparked controversy, and quietly changed the future of popular music. Follow Wayne on Instagram: ⁠https://www.instagram.com/instafederman/⁠ Distrokid Artist of the Week: Samantha Fish https://www.youtube.com/watch?v=FNsGGAhP5xw Follow Josh on Instagram: ⁠https://www.instagram.com/joshadammeyers/⁠ Follow Josh on TikTok: ⁠https://www.tiktok.com/@joshadammeyers⁠ Follow Josh on Twitter: ⁠https://twitter.com/JoshAdamMeyers⁠ Follow Josh on Facebook: ⁠https://www.facebook.com/joshameyers⁠ Josh's Website: ⁠https://www.joshadammeyers.com/⁠ Follow DJ Morty Coyle on Instagram: ⁠https://www.instagram.com/djmortycoyle/⁠ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: ⁠https://www.instagram.com/the500podcast/⁠ Follow The 500 on Twitter: ⁠https://twitter.com/the500podcast⁠ Follow The 500 on Facebook: ⁠https://www.facebook.com/The500PodcastWithJAM/⁠ Email the show: ⁠500podcast@gmail.com⁠ Check the show's website:⁠ ⁠⁠http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

“Look who’s back” es la nueva entrega de The Nude Party. Los siete mismos amigos que se juntaron en una universidad de Carolina del Norte siguen unidos tras cuatro álbumes, asentados en una casa comunal en el estado de Nueva York. Su receta sonora mezcla a los Rolling Stones con Lou Reed pasando por los Byrds, T-Rex, los Kinks, Gram Parsons o Grateful Dead. De su alquimia salen canciones que llegan para quedarse. Es un placer que hayan vuelto.Playlist;THE NUDE PARTY “Look who’s back” (Look who’s back, 2026)THE NUDE PARTY Juarez” (Look who’s back, 2026)THE NUDE PARTY “Love is electric” (Look who’s back, 2026)DANIEL ROMANO’S OUTFIT feat CARSON McHONE “Cardinal star” (Preservers of the Pearl, 2026)JE’TEXAS “Love is teasin” (Suit yourself, 2025)THE SHEEPDOGS “I do” (Keep out of the storm, 2026)FAST KIDS “Too busy hatin’ to understand love” (Fast Kids forever, 2026)ADAM AMRAM “Locked in” (To the end, 2025)AWEFUL KANAWFUL “A horse with no name” (Endless pleasure, 2025)RATBOYS “Anywhere” (Singin’ to an empty chair, 2026)THE PARANOID STYLE “Known associates” (Known associates, 2026)SNÜFF “Luciana” (2026)OLD LADY “Giggle” (Kissing creek, 2023)JEFF CLARKE “Sparrow” (Miracle after miracle after…, 2025)JACUZZI BOYS “Ozone” (Too cold to Tango, 2025)PROGRAM “Sparks” (It’s a sign, 2024)Escuchar audio

In this video from the channel Conversations with Strangers, host Micah Loughman interviews Ryan Daniels, the lead singer and multi-instrumentalist behind the Brooklyn-based indie rock project Inland Years.Ryan's Musical Background• Early Years: Originally from Boston, Ryan has been writing and performing music since he was a kid. Before his current indie rock focus, he was heavily involved in the emo, screamo, and hardcore scenes throughout high school and his early twenties.• Inland Years: This project began around the pandemic as a "sanity project." Ryan writes the songs and performs all the instruments (drums, bass, guitar, and vocals) on the recordings.• Past Bands: He was previously in a "skramz" (underground/DIY screamo) band called Hassan I Sabbah. He also mentioned playing a small show with Saves the Day in the mid-90s before they became famous.Musical Influences and Comparisons• The Sound: Listeners and reviewers have compared his music to Dinosaur Jr. and Lou Barlow.• Inspirations: Ryan cites a wide range of influences, from Jangle Pop (Orange Juice, The Pastels) to the 60s folk-rock of The Byrds (specifically Gene Clark).• Current Favorites: He mentioned being a fan of modern artists like MJ Lenderman, Wednesday, and Water From Your Eyes.The Modern Music Scene• The "Skramz" Revival: Ryan discusses the surprising resurgence of the underground screamo scene, noting that younger fans are reaching out to him about his old music and releasing new work on physical formats like cassette tapes.• Streaming Issues: He shares a story about his music being temporarily removed from Spotify due to "botting" (artificial stream inflation) from an AI-generated playlist he didn't authorize, leading him to value physical media and platforms like Bandcamp even more.Personal Interests and Future Plans• Live Shows: Ryan performs live with a rotating group of friends from other bands. At the time of recording, he had upcoming shows in Brooklyn and Jersey City.• Hobbies: Outside of music, Ryan admits to being a Marvel nerd and recently enjoyed the series Wonderman on Disney+You can also watch the full video here: http://www.youtube.com/watch?v=ldMPeiGlWoU

"But February made me shiverWith every paper I'd deliverBad news on the doorstepI couldn't take one more step"Please join me on an unseasonably warm day in SoCal as we begin the shortest month, February. Joining us are The Flying Burrito Brothers, Steely Dan, Moody Blues, Doobie Brothers, Joe Walsh, Little River Band, America, Rod Stewart, Supertramp, The Who, Beatles, Ten Years After, Tim Buckley, Ben Sidran, The Byrds, Doors, Allman Brothers Band, Little Feat, Grateful Dead, Janis Joplin and a tribute to the Three Princes Of Rock & Roll who were lost in a Plane crash on February 3rd, 1959, Buddy Holly, Richie Valens and The Big Bopper.

This week's show, after a 1967 The Move move: brand new Sugar, Bevis Frond, Young Fresh Fellows (with Neko Case), New Pornographers, Cut Worms, Savages, Snail Mail, and Tombstones in Their Eyes, plus The Attack, Byrds, Big Three, Ray Charles, Coleman O...

Rafa Panadero repasa canciones que triunfaron de la mano de otros artistas. Hoy, el amigo secreto arranca con los primeros acordes de "Mr. Tambourine Man", de Dylan a The Byrds, nacida tras un Mardi Gras en Nueva Orleans y convertida en un clásico de la electrónica gracias a un productor inspirado en los Beach Boys. 

Las versiones musicales del amigo secreto de Javier del Pino y (un poco menos) de Rafa Panadero.

Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On today's show, music played a part in Presidential Inaugurations, The Byrds record a classic, & Def Leppard released one of the biggest albums of the 1980sFor more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday Chapters: 00:00 Intro 00:32 What happened on this date in music history07:01 Music award ceremonies that were held on this date in music history07:18 Albums released on this date in music history 08:26 Singles released on this date in music history 08:47 Podcast advertisement 09:20 Birthdays of music artists on this date in music history 10:46 Passings of music artists on this date in music history 12:01 What's on tomorrow's episode

A tie-dyed-in-the-wool rock & roll space odyssey to infinity and beyond which stops off this week at … … why the Dead's music was “like lighting a match in the wind” … Ha Ha Harlem! Rebels Without Applause! – Morrissey song or Lenny Bruce comic routine? … Sting v Sumner & Copeland and what Every Breath You Take makes daily just from streaming … is Oasis “the biggest exchange of money for old rope in the history of commerce?” … rock stars in shorts … John Hartford and his Willie Nelson Sliding Doors moment … how Mother McCree's Uptown Jug Champions became the most hi-tech band on the planet … Rock ‘babes' in the Bob Weir mould – eg Michael Clarke of the Byrds, Evan Dando and Mark Gardener from Ride … has anyone made more by doing less than JJ Burnel on Golden Brown? ... plus Warren Zevon song titles, Mary Coughlan in a coracle and the first records we reviewed for money.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A tie-dyed-in-the-wool rock & roll space odyssey to infinity and beyond which stops off this week at … … why the Dead's music was “like lighting a match in the wind” … Ha Ha Harlem! Rebels Without Applause! – Morrissey song or Lenny Bruce comic routine? … Sting v Sumner & Copeland and what Every Breath You Take makes daily just from streaming … is Oasis “the biggest exchange of money for old rope in the history of commerce?” … rock stars in shorts … John Hartford and his Willie Nelson Sliding Doors moment … how Mother McCree's Uptown Jug Champions became the most hi-tech band on the planet … Rock ‘babes' in the Bob Weir mould – eg Michael Clarke of the Byrds, Evan Dando and Mark Gardener from Ride … has anyone made more by doing less than JJ Burnel on Golden Brown? ... plus Warren Zevon song titles, Mary Coughlan in a coracle and the first records we reviewed for money.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A tie-dyed-in-the-wool rock & roll space odyssey to infinity and beyond which stops off this week at … … why the Dead's music was “like lighting a match in the wind” … Ha Ha Harlem! Rebels Without Applause! – Morrissey song or Lenny Bruce comic routine? … Sting v Sumner & Copeland and what Every Breath You Take makes daily just from streaming … is Oasis “the biggest exchange of money for old rope in the history of commerce?” … rock stars in shorts … John Hartford and his Willie Nelson Sliding Doors moment … how Mother McCree's Uptown Jug Champions became the most hi-tech band on the planet … Rock ‘babes' in the Bob Weir mould – eg Michael Clarke of the Byrds, Evan Dando and Mark Gardener from Ride … has anyone made more by doing less than JJ Burnel on Golden Brown? ... plus Warren Zevon song titles, Mary Coughlan in a coracle and the first records we reviewed for money.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

"Elect another jerk to the White HouseGracie Slick is losing her DormouseTake her off the streets and keep her warmOr make a better world from the old oneMake yourself a baby and hold oneHold her in your arms and keep her warm"Joining us on an unusually warm Sunday in January are The Raspberries, Beatles, Paul Butterfield's Better Days, Traffic, Joe Walsh, Yes, The Alan Parsons Project, Thunderclap Newman, Joe Cocker, Todd Rundgren, The Band, Steve Miller Band, Moody Blues, Bob Dylan, The Jimi Hendrix Experience ,The Rascals, Taj Mahal, The Byrds, Delaney & Bonnie & Friends and Flo & Eddie.

Here is my music podcast of Bluesland January 8, 2026. Included is the music of Muddy Waters, The Isley Brothers, Elvis Presley, Pat Travers, The Paul Butterfield Blues Band and more. Also is a set of songs that concern current events with Bob Dylan, The Byrds, Crosby, Stills, Nash and young. Click on the link and enjoy. Thank you for supporting community radio.

 The Byrds-The Notorious Byrd Brothers  (Columbia Records)  Release Date: January 15, 1968 (U.S.)Released in January 1968, The Notorious Byrd Brothers captures the Byrds at a moment of collapse and creative peak. Recorded amid firings, walkouts, and heavy reliance on session musicians, the album paradoxically emerges as one of their most unified statements. It fuses folk-rock roots with psychedelia, country textures, baroque pop, and early electronic experimentation, including one of rock's first Moog synthesizer appearances. Despite its brief runtime, the record feels dense and adventurous, featuring complex time signatures, inventive studio effects, and luminous harmonies. Songs like “Draft Morning,” “Wasn't Born to Follow,” and “Space Odyssey” balance introspection, social unease, and cosmic curiosity. Initially modest in commercial impact, the album's reputation has grown steadily, now widely regarded as a defining work that documents a band transforming instability into lasting artistic innovation. (S5-Ep2)

Watch The X22 Report On Video No videos found (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:17532056201798502,size:[0, 0],id:"ld-9437-3289"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="https://cdn2.decide.dev/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs");pt> Click On Picture To See Larger PictureTrump placed tariffs on many nations, the Asian nation exports are surging, even with the tariffs. More money for the people. Fuel prices are below $2 in many states. Trump has cut 646 regulations.Trump is using the Jacksonian Pivot to bring down the [CB] and go back to the constitution. The [DS] is losing it money laundering system. They are having a difficult time funding their operations. Trump is continually putting the squeeze on the [DS] and each nation run by dictators is going to fall one by one. Trump gave the [DS] 8 months to comply with his EO. He brought the NG into their states, they forced them out. He gave them a chance but they decided to escalate the situation. Next move is POTUS. Economy (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:18510697282300316,size:[0, 0],id:"ld-8599-9832"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="https://cdn2.decide.dev/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs"); https://twitter.com/KobeissiLetter/status/2008258196322856968?s=20   all-time high. This is despite US tariffs which were initially set at to 49%, but later negotiated down to ~20%. At the same time, Chinese exports to the US plunged -40% YoY in Q3 2025. This comes as the region has a massive cost advantage over US and European manufacturing, which ranges from 20% to 100%, even after tariffs. Companies use Southeast Asian economies as alternative export bases to avoid China’s 37% reciprocal tariff. As a result, the amount of trade rerouting from China hit a record $23.7 billion in September. US trade flows are shifting sharply amid tariffs. https://twitter.com/TrumpWarRoom/status/2008327708200104042?s=20 https://twitter.com/profstonge/status/2008516399564509382?s=20  https://twitter.com/DrJStrategy/status/2008306299235189133?s=20   and a decisive shift of policy emphasis toward productive capital and economic sovereignty rather than financial engineering, Trump has reoriented the engines of growth toward productive capital, investment, industry, and national capacity. Anchored by the Trump Corollary, asserting a sovereign, American‑led Western Hemisphere and demonstrated in both the flawless military operation in Venezuela and the broader regime‑pressure strategy, this doctrine is not theater but an integrated fusion of economic, security, and hemispheric power. These changes are as profound in their structural implications as the original Jacksonian pivot, and those who assume Trump is a merely performative politician and strategist are therefore sorely mistaken, confusing a disruptive style with a coherent focused project to realign America's coalition, its economic model, and its role in the world. Political/Rights https://twitter.com/KatieMiller/status/2008286018722562351?s=20 https://twitter.com/seanmdav/status/2008263492030349618?s=20 Hilton Axes Hotel From Their Systems After Video Shows Them Continuing to Ban DHS and ICE Agents  https://twitter.com/nicksortor/status/2008497245826556404?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E2008497245826556404%7Ctwgr%5E65c50b3797a2e502ba8c026a05c290955554706a%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fredstate.com%2Frusty-weiss%2F2026%2F01%2F06%2Fhilton-axes-hotel-from-their-systems-after-video-shows-them-continuing-to-ban-dhs-and-ice-agents-n2197811 Less than two hours after the video had been uploaded to X, Hilton issued another statement saying they were dropping that particular hotel from their list of franchisees and accusing ownership of lying to them about making corrections to their policy. https://twitter.com/HiltonNewsroom/status/2008522493171298503?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E2008522493171298503%7Ctwgr%5E65c50b3797a2e502ba8c026a05c290955554706a%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fredstate.com%2Frusty-weiss%2F2026%2F01%2F06%2Fhilton-axes-hotel-from-their-systems-after-video-shows-them-continuing-to-ban-dhs-and-ice-agents-n2197811 Source: redstate.com https://twitter.com/amuse/status/2008256013162410201?s=20   mandatory detention without bond hearings. Judges opposing the move admitted the goal is to promote self-deportation rather than extended courtroom battles. Conservatives say the numbers reveal a coordinated judicial campaign to override Trump’s immigration policy. SCOTUS has yet to rule on the matter. DOGE Corporation for Public Broadcasting Board Votes to Dissolve Organization in Act of Responsible Stewardship to Protect the Future of Public Media   The Corporation for Public Broadcasting (CPB), the private, nonprofit corporation created by Congress to steward the federal government's investment in public broadcasting, announced today that its Board of Directors has voted to dissolve the organization after 58 years of service to the American public. The decision follows Congress's rescission of all of CPB's federal funding and comes after sustained political attacks that made it impossible for CPB to continue operating as the Public Broadcasting Act intended. Source:  cpb.org Geopolitical https://twitter.com/Object_Zero_/status/2008524560891588691?s=20   flight path (ballistic or powered) from Kola to anywhere on the lower 48, then everything goes over Greenland. Greenland is the theatre where any strategic exchange between Washington and Moscow is contested. If you want to intercept a ballistic missile, the best point to do so is at the apogee, at the top of the flight path. The shortest route for an interceptor to get to an apogee is from directly below the apogee. That's where Greenland is. So, without stating what should happen here, this is **why** the Trump administration says they **need** Greenland for national security. The other thing that is happening is that the Northern Passage through the Arctic is opening up, and soon there will be Chinese cargo ships sailing through the Arctic to Rotterdam. It's faster than the Suez and the ships aren't limited to Suezmax size so China and EU trade is going to accelerate a lot. This means Chinese submarines will also be venturing under the Arctic into the Northern Atlantic, IF THEY AREN'T ALREADY DOING SO. Hence, the North East coast of Greenland serves not 1 but 2 critical strategic security objectives of US national security. If this wasn't clear to you, please understand that the Mercator global map projection is for children and journalists only. It is not a useful guide to where any countries or territories actually are in the real world that we live in. No self respecting adult should be using Mercator for their worldview. Anyone saying “there must be some other secret reason for Trump being interested in Greenland” is a certified ignoramus. https://twitter.com/sentdefender/status/2008414070425206927?s=20  permission from the Ministry of Defense. “We want to clarify that what happened in downtown Caracas was because some drones flew over without permission and the police fired dissuasive shots. No confrontation took place. The whole country is in total tranquility,” said a Spokesman for the Information Ministry. https://twitter.com/sentdefender/status/2008420269480694261?s=20  Miraflores Presidential Palace.   Seems like a failed coup attempt https://twitter.com/jackprandelli/status/2008298246675021881?s=20   offshore oil, creating a massive geopolitical risk. The most immediate outcome in capture of Maduro is to neutralize this threat and secure the operating companies stakes in Guyana, as well as Western Hemisphere’s energy security. By stabilizing Guyana’s production, which is set to hit 1.7 million barrels per day, the intervention guarantees way more oil flow in near term than reviving Venezuela’s aged infrastructure and heavy sour oil. This move protects billions in U.S. investment and positions Guyana producers as the ultimate winners. https://twitter.com/Rasmussen_Poll/status/2008448254095012088?s=20 https://twitter.com/profstonge/status/2008591197728813564?s=20  Mass Protests Enter 9th Straight Day in Iran — Regime Accused of Killing Young Woman and Multiple Peaceful Protesters as Officials Deny Responsibility — Brave 11-Year-Old Iranian Boy Calls on Nation: “Take to the Streets! We Have Nothing to Lose!” (VIDEO)  Protests against Iran's murderous Islamic regime continued across the country for a ninth straight day over the weekend, as nationwide unrest intensifies and the government struggles to maintain control. Demonstrations have now spread to multiple cities throughout Iran, with citizens openly defying the Islamic Republic and targeting its symbols of power. The latest wave of protests was initially sparked by the collapse of Iran's currency, further devastating an already-crippled economy and pushing ordinary Iranians to the brink. Source: thegatewaypundit.com https://twitter.com/ElectionWiz/status/2008537318035173629?s=20 https://twitter.com/ElectionWiz/status/2008532051331526713?s=20 https://twitter.com/infantrydort/status/2008501122902774238?s=20   when reminded that teeth still exist. They insist the world runs on rules now and that borders are sacred. Also that true power has been replaced by paperwork. This belief is not moral in the least. It's f*****g archaeological. They live inside institutions built by violence, defended by men they no longer understand, and guaranteed by forces they refuse to acknowledge. Like tourists wandering a fortress, they admire the stonework while mocking the idea of a siege. They confuse order with nature. EVERY. SINGLE. TIME. Then blame the person that reminds them of this. Civilization is not the default state of humanity. It is an achievement that is temporary, fragile, and expensive. It exists only where force once cleared the ground and still quietly patrols the perimeter. A lion does not debate the ethics of hunger. Neither does a starving empire. History is not a morality play, it is a pressure test. When pressure rises, abstractions collapse first. Laws follow power; they do NOT precede it. Property exists only where someone can prevent it from being taken. Sovereignty is not declared, it is enforced. The modern West outsourced this enforcement, then forgot the invoice existed. So when someone points out uncomfortable realities (whether about Greenland, Venezuela, or the broader balance of power) they respond with ritual incantations: “You can't do that.” “That's wrong.” “That's against the rules.” As if the rules themselves are armed. As if history paused because we asked nicely. This is how empires fall. Not from invasion alone, but from conceptual rot. From mistaking a long season of safety for a permanent condition. From believing lethality is immoral instead of foundational. Every civilization that forgot how violence works eventually relearned it the hard way. The conquerors did not arrive because they were monsters; they arrived because their victims could no longer imagine them. The tragedy is not that power still exists. The tragedy is that so many have forgotten it does. Idk who needs to hear this but civilization is a garden grown atop a graveyard. Ignore the soil, and someone else will plant something far less gentle. Hate me for being the messenger and asking the hard questions about conquest if you want. You're just wasting your time. War/Peace Zelenskyy Announces the Appointment of Former Canadian Deputy Prime Minister, Chrystia Freeland as Economic Advisor  Chrystia Freeland was the former lead of the Canadian trade delegation when Trudeau realized he needed to try and offset the economic damage within the renegotiated NAFTA agreement known as the USMCA. Freeland was also the lead attack agent behind the debanking effort against Canadian truckers who opposed the vaccine mandate. In addition to holding Ukraine roots, the ideology of Chrystia Freeland as a multinational globalist and promoter for the World Economic Forum's ‘new world order' is well documented.    given the recent revelations about billions of laundered aid funds being skimmed by corrupt members of the Ukraine government, we can only imagine how much of the recovery funds would be apportioned to maintaining the life of indulgence the political leaders expect. In response to the lucrative “voluntary” appointment, Chrystia Freeland has announced her resignation from Canadian government in order to avoid any conflict of interest as the skimming is organized. Source: theconservativetreehouse.com https://twitter.com/disclosetv/status/2008618653500273072?s=20 https://twitter.com/visegrad24/status/2008610869924757613?s=20 this aligns with Trump’s stated approach, where Europe takes a leading role in postwar security but with American support to ensure durability—such as the proposed 15-year (or potentially longer) guarantees discussed in recent talks. The “Coalition of the Willing” (including the UK, France, Germany, and others) is coordinating these pledges to reassure Kyiv, but the framework explicitly ties into U.S.-backed elements like ceasefire verification and long-term armaments.  Russia has not yet shown willingness to compromise on core demands, so the deal’s success remains uncertain, but this step advances the security pillar of the overall plan. Medical/False Flags https://twitter.com/DerrickEvans4WV/status/2008435766742179996?s=20    dangerous diseases. Parents can still choose to give their children all of the Vaccinations, if they wish, and they will still be covered by insurance. However, this updated Schedule finally aligns the United States with other Developed Nations around the World. Congratulations to HHS Secretary Bobby Kennedy, CDC Acting Director Jim O'Neil, FDA Commissioner Marty Makary, CMS Administrator Dr. Oz, NIH Director Jay Bhattacharya, and all of the Medical Experts and Professionals who worked very hard to make this happen. Many Americans, especially the “MAHA Moms,” have been praying for these COMMON SENSE reforms for many years. Thank you for your attention to this matter! DONALD J. TRUMP PRESIDENT OF THE UNITED STATES OF AMERICA [DS] Agenda https://twitter.com/elonmusk/status/2008416829404746084?s=20  https://twitter.com/WeTheMedia17/status/2008558203077095579?s=20 President Trump's Plan https://twitter.com/MrAndyNgo/status/2008278499153637883?s=20   who tried to kill Justice Kavanaugh at his family home in Maryland. Read: https://twitter.com/mirandadevine/status/2008312587197497804?s=20 https://twitter.com/PubliusDefectus/status/2008542355838955625?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E2008542355838955625%7Ctwgr%5E08a8ea4b3726984aaeb1e460fafe90ec5a25b84f%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fwww.thegatewaypundit.com%2F2026%2F01%2Fhillary-clinton-launches-attack-trump-january-6%2F Developing: Lt. Michael Byrd Who Shot Ashli Babbitt Dead on Jan. 6, 2021 in Cold Blood, Runs an ‘Unaccredited' Day-Care Center in Maryland at His Home and Has Pocketed $190 Million in HHS Funds   Captain Michael Byrd and his home daycare in Maryland. In one of his autopen's last acts before Joe Biden left office was to pardon Capt. Mike Byrd, the DC officer who shot and killed January 6 protester Ashli Babbitt in cold blood during the protests on Capitol Hill on January 6, 2021.  Paul Sperry discovered recently and posted on Tuesday that Former Lt., now Captain Mike Byrd, has been running an unaccredited day-care center with his wife in their Maryland home since 2008. That is nearly 17 years! The Byrds have received $190 million in this HHS day-care scheme. Via Paul Sperry. Via Karli Bonne at Midnight Rider: https://twitter.com/PattieRose20/status/2008547480431218991?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E2008547480431218991%7Ctwgr%5Ec607b3d9ed0b3fbdb6e390fdfadc416d9a45a379%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fwww.thegatewaypundit.com%2F%3Fp%3D1506321 Source: thegatewaypundit.com The White House has published a page revealing the full TRUE story of January 6 — before, during, and after. It includes: – Video and evidence showing Nancy Pelosi's involvement – A complete, detailed timeline of events – A tribute to those who died on or because of J6 A full investigation into Nancy Pelosi and everyone involved is now essential. You can view the page here: https://whitehouse.gov/j6/  https://twitter.com/TrumpWarRoom/status/2008569594550895005?s=20 EKO Put This Out April 28, 2025. President Trump signs Executive Order 14287 in the Oval Office. The title reads like standard bureaucracy: “Protecting American Communities from Criminal Aliens.” But in the third paragraph, a single phrase changes everything: Sanctuary jurisdictions are engaging in “a lawless insurrection against the supremacy of Federal law.” Insurrection. The exact statutory term from 10 U.S.C. §§ 332-333 . The language that unlocks the Insurrection Act of 1807. Georgetown Law professor Martin Lederman publishes analysis within days. The executive order mirrors Section 334 requirements. The formal proclamation to disperse before military deployment. It designates unlawful actors, issues formal warning, establishes consequences. Governors dismiss it as political theater. Constitutional attorneys recognize something else. The proclamation was already issued. Trump just didn't announce it as such. THE LEGAL FRAMEWORK January 20, 2025. Inauguration Day. Hours after taking the oath, Trump issues Proclamation 10886 declaring a national emergency at the southern border. Section 6(b) requires a joint report within 90 days on whether to invoke the Insurrection Act. The deadline falls April 20, 2025. Eight days later comes Executive Order 14287 . National emergency declaration establishes crisis conditions. The 90-day clock forces formal evaluation. The executive order provides the legal predicate. Section 334 of the Insurrection Act mandates the president issue a proclamation ordering insurgents to disperse before deploying military force. April 28 order satisfies every requirement. It names the actors. Describes their unlawful conduct. Warns of consequences. Grants opportunity to comply. Governors treated it as negotiation leverage. It was legal notification. The trap locked in April 2025. Everything since has been documentation. THE TESTING PHASE Throughout 2025, the administration attempts standard enforcement. National Guard deployments under existing authority. October 4, 2025 . Trump federalizes 300 Illinois National Guard members to protect ICE personnel in Chicago. Governor J.B. Pritzker files immediate legal challenge. Federal courts block the deployment. Posse Comitatus restricts military involvement in domestic law enforcement. November 2025 . Portland judge issues permanent injunction against Guard deployment in Oregon. December 23, 2025 . The Supreme Court denies emergency relief in Trump v. Illinois. Justice Kavanaugh files a brief concurrence with a consequential footnote: “One apparent ramification of the Court's opinion is that it could cause the President to use the U.S. military more than the National Guard.” Northwestern Law professor Paul Gowder decodes the signal : “This is basically an invitation for Trump to go straight to the Insurrection Act next time.” The courts established ordinary measures cannot succeed when states organize systematic resistance. They certified that regular law enforcement has become impracticable. They documented the exact threshold Section 332 requires. The founders designed a system that assumed conflict between federal and state authority. For decades, that friction was suppressed. Emergency powers normalized after 9/11, federal agencies expanded into state domains, courts deferred to administrative expertise. The Guard deployment battles weren't system failure. They were constitutional gravity reasserting itself. Courts blocking deployments under Posse Comitatus didn't weaken Trump's position. They certified that ordinary measures had become impracticable, crossing Section 332's threshold. December 31, 2025 . Trump announces Guard withdrawal from Chicago, Los Angeles, and Portland via Truth Social. Governor Newsom celebrates: “President Trump has finally admitted defeat.” But the machine's interpretation misreads strategic repositioning as retreat. You cannot claim ordinary measures have been exhausted if contested forces remain deployed. Pull back. Let obstruction resume unchecked. Document the refusal. Then demonstrate what unilateral executive action looks like when constitutional authority aligns. THE DEMONSTRATION Trump v. United States . THE HIDDEN NETWORKS Intelligence sources describe what the roundups since fall 2025 actually target. Embedded cartel operatives running fentanyl distribution chains under state-level protection. The riots following military arrests aren't organic resistance. They're funded backlash from criminal enterprises losing billions. Pre-staged materials appear at protest sites. Simultaneous actions coordinate across jurisdictions. The coordination runs deeper. Federal employee networks across multiple agencies held Zoom training sessions in early 2025. Officials with verified government IDs discussed “non-cooperation as non-violent direct action,” the 3.5% rule for governmental collapse, and infrastructure sabotage through coordinated sick calls. They planned to make federal law enforcement impracticable. The exact language Section 332 requires. Sanctuary policies exist because cartel operations generate billions flowing through state systems. Governors sit on nonprofit boards receiving federal grants. Those nonprofits contract back to state agencies, cycling federal dollars through “charitable” organizations. Cartel cash launders through these same construction and real estate networks. When Trump's operations extract high-value targets, they disrupt the business model. The Machine defends itself through coordinated obstruction designed to make federal enforcement impracticable. This transcends immigration policy. This tests whether states can capture governance for criminal enterprises and nullify federal supremacy. THE LINCOLN PARALLEL Lincoln's Emancipation Proclamation confounded supporters and critics alike. Abolitionists expected moral thunder. Instead they received dry legalese about “military necessity” and “war powers.” The document deliberately avoided the word “freedom.” It specified which states, parishes, counties. It exempted border states still in the Union. Constitutional historians recognize the genius. Lincoln wasn't making a moral proclamation. He was establishing irreversible legal predicate under war powers. Once issued, even Northern defeat couldn't fully restore slavery. The proclamation made restoration of the old order structurally impossible. Trump's April 28 order follows identical construction. Critics expected immigration rhetoric. Instead: technical language about “unlawful insurrection” and “federal supremacy.” Specified sanctuary jurisdictions, formal notification procedures, funding suspensions. Avoided inflammatory language. Constitutional attorneys recognize the structure. Irreversible legal predicate under insurrection powers. Even political defeat cannot fully restore sanctuary authority. States would have to prove they're not in systematic insurrection. Both presidents disguised constitutional warfare as administrative procedure. THE COMPLETE RECORD When you review the eight-month timeline you recognize what most ‘experts' miss. The April 28 EO satisfied every Section 334 requirement. It designated sanctuary conduct as insurrection. It provided formal notification. It established consequences. It granted eight months to comply. Compliance never arrived. California and New York passed laws shielding criminal networks. Illinois officials threatened to prosecute ICE agents. Multiple states coordinated legal defenses against federal authority. Courts blocked every standard enforcement attempt. They certified that ordinary measures have become impracticable. Every statutory requirement checks complete: Formal proclamation warning insurgents to disperse: April 28, 2025 Executive Order 14287 Extended opportunity to comply: Eight months from April to December 2025 Documented systematic multi-state obstruction: Sanctuary laws, prosecution threats, coordinated resistance Exhausted ordinary enforcement measures: Guard deployments blocked by federal courts Judicial certification of impracticability: Supreme Court ruling with Kavanaugh footnote The legal architecture stands finished. The predicate has been established. Only the final triggering event remains. Thomas Jefferson signed the Insurrection Act into law on March 3, 1807 . He understood executive authority: forge the instrument ahead of the storm, then await the conditions that justify its use. Abraham Lincoln used it to preserve the Union when eleven states organized systematic resistance. Ulysses S. Grant invoked it to shatter the Ku Klux Klan when Southern governments refused to protect Black citizens. Dwight Eisenhower deployed federal troops to enforce Brown v. Board when Arkansas chose defiance. Each invocation followed the same pattern. Local authorities refuse to enforce federal law. The president issues formal proclamation. Forces deploy when resistance continues. The current situation exceeds every historical precedent in scale and coordination. Multiple state governments coordinating systematic obstruction. Sanctuary jurisdictions spanning dozens of cities. Criminal enterprises funding the resistance through captured state institutions. The April proclamation gave them eight months to stand down. They chose escalation. THE COUNTDOWN The January 4 statement confirms what the legal timeline already established. Prerequisites met. Constitutional threshold crossed and judicially certified. The operational timeline is active. The next escalation triggers the formal dispersal order. Section 334 requires the president issue proclamation ordering insurgents to “disperse and retire peaceably to their abodes” before deploying military force. That's the legal tripwire. Once issued, if obstruction persists after the compliance window closes, federal troops can enforce federal law. Active duty forces under the Insurrection Act. Constitutional. Unreviewable. The forces won't conduct door-to-door immigration raids. They'll provide security perimeters while federal law enforcement executes targeted operations against high-value assets. Operatives. Trafficking nodes. Criminal infrastructure. Targeting oath-bound officials elected and appointed, as well as federal employees who swore to uphold federal law and chose insurrection instead. THE RESTORATION Sanctuary jurisdictions received explicit insurrection warnings last spring. More than half a year to comply. Every olive branch rejected. Courts blocked ordinary enforcement repeatedly, certifying impracticability. The Venezuela op demonstrated unilateral resolve. Yesterday's statement activated the operational sequence. Pattern recognized. Machine is exposed. Evidence is complete. What remains is execution. They're just waiting to hear it tick. The most powerful weapon restrains until every prerequisite aligns. Until mercy extends fully and meets systematic rejection. Until the constitutional framework demands its use. Every prerequisite has aligned. Mercy has been extended and rejected. The framework demands its use. Revolution destroys. Reversion restores. The Emancipation Proclamation freed slaves. The Insurrection Proclamation frees a republic.  https://twitter.com/EkoLovesYou/status/2008304655156342936?s=20 https://twitter.com/EricLDaugh/status/2008597603412308341?s=20 (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:13499335648425062,size:[0, 0],id:"ld-7164-1323"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="//cdn2.customads.co/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs");

At this point in The Byrds' career, they were already established as pioneers of folk rock through earlier hits like “Mr. Tambourine Man” and “Turn! Turn! Turn!”, but they were hungry to push their sound further. On this album, they blended folk rock with elements of psychedelia, country rock and used studio experimentation like brass accents and reverse tape effects to color their music. Craig Shoemaker discusses the album and career with Josh.  Follow Craig on Instagram: https://www.instagram.com/officialcraigshoemaker/ Distrokid Artist of the Week: The Long Ryders https://www.youtube.com/watch?v=H3dNZi3ESLc Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow DJ Morty Coyle on Instagram: https://www.instagram.com/djmortycoyle/ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time to enjoy several cuts featuring the music of The Grateful Dead, Bob Dylan, Leon Russell, The Byrds, Bright Eyes, Jackson Brown and more. Thanks for tuning in and I hope you have a wonderful New Years Eve celebration. 

The turn of the year is a natural time to step outside the usual stream of events, and that's what we do today. We asked three previous guests of Davisville to each offer an observation about Davis as 2026 begins — something they like about the town, or would change, or think is misunderstood or overlooked. Their choices could be serious, light or anything in between.  On today's program you'll hear from Tim Keller, who started Inventopia, a business incubator in Davis, who says Davis should plan to be much larger than it is; Sonora Slater, a recent graduate of UC Davis and former editor of the campus news publication, the California Aggie, about young adults moving from Davis to midtown Sacramento; and Andy Jones, a former poet laureate of Davis, an academic technologist, and a UC Davis lecturer in writing and other subjects, who first appeared on Davisville more than 15 years ago. He talks up downtown's quirky public art. We interviewed each separately by Zoom. Each has seen Davis from different perspectives, and we hope this audio snapshot offers some homegrown food for thought. (The music between the segments comes from the Byrds' 1968 record, The Notorious Byrd Brothers)

ReferencesAlcohol Clin Exp Res . 2002 Sep;26(9):1420-9Brain Struct Funct. 2017 Jul;222(5):2017-2029Alcohol Res. 2017;38(2):255–276Neuropharmacology2014 Volume79, Apr Pages 1-9Psychiatry Research1995. Volume 56, Issue 1, 31 JanuaryPages 81-95Dylan, B 1965 It's All Over r Now, Baby Blue. Byrdshttps://music.youtube.com/watch?v=n_CtmeMx8Qg&si=5Tz6gPB1tG3lDpiNHayward, J. R. Thomas. 1968. Visions of Paradise. Moody Blueshttps://music.youtube.com/watch?v=lGfuNPMSpBI&si=lHMld0Fq6AUtYyVyMcQuinn, R. 1971. Pale Blue. Byrds. https://music.youtube.com/watch?v=Mh3J7GqrdzY&si=g8eOrtKF1hE07YR-Morrison, J. 1970. Blue Sunday Doorshttps://music.youtube.com/watch?v=ENIbGONsdUg&si=bM424eN5U57Rl_AxMozart, WA. 1791. Der Zauberflöte Act II. Duet K.620https://music.youtube.com/watch?v=lP9V7_fevgQ&si=SG4OxN0VO7l2cf2x

Filmmaker Amy Scott joins Dystopia Tonight for a thoughtful conversation about music, identity, and the emotional weight of being seen. Amy Scott is an acclaimed documentary director known for intimate, artist-focused films that explore creativity, vulnerability, and legacy. She directed Hal, the Sundance-premiered documentary about influential filmmaker Hal Ashby, and Sheryl, her revealing portrait of Grammy-winning musician Sheryl Crow. Her latest film, Have You Seen Me Lately?, is part of HBO's Music Box series and focuses on Adam Duritz and Counting Crows. The documentary examines the band's rise, the pressure of sudden fame, and the deeply personal stories behind some of the most enduring songs of the 1990s, offering an honest look at mental health, self-reflection, and survival in the public eye. In this episode, Amy discusses earning an artist's trust, telling stories without nostalgia or mythmaking, and why the most compelling documentaries live in emotional truth rather than mythology.

Read transcriptGrab your custom jutsu hand seals and prepare to feel a crushing sense of inadequacy when comparing your reaction time to a ninja's because we're diving shadow clone deep into the first Naruto Ultimate Ninja game on PlayStation 2! This week we're channeling our inner shinobi to explore how Bandai Namco took Masashi Kishimoto's legendary manga about a determined orange-suited underdog and transformed it into a frantic button-mashing tournament fighter that somehow convinced an entire generation of fans that they could recreate iconic Naruto moments if they just hit the attack button fast enough and screamed at their TV harder than Naruto himself. Released during the golden age of anime-to-console adaptations, the Naruto Ultimate Ninja games became the de facto way fans could live out their ninja fantasies—assuming your ninja fantasy involves janky camera angles, occasionally unresponsive inputs, and the kind of special effect visual soup that makes you wonder if you're actually watching a jutsu or if your PS2 is just having a mild aneurysm. With fighters pulled straight from the Hidden Leaf Village and beyond, these games proved that sometimes the best way to honor a beloved manga is to give players the chance to make Naruto fight characters he had absolutely no reason to fight (looking at you, random filler villains). This episode, we're absolutely stoked to welcome Cory Byrd from Byrds Eye View Comics—a fellow enthusiast of all things sequential art and gaming who can probably explain why Naruto's popularity transcended manga, anime, AND video games with the kind of clarity that makes marketing departments weep with envy. Together, we'll investigate whether these games managed to capture the heart, humor, and hyperkinetic energy of Kishimoto's creation, or if they just left us face-first in the dirt like Naruto at the beginning of the series. So synchronize your chakra, practice your most devastating combo, and prepare for an episode that's guaranteed to be more chaotic than a Sand Village invasion and infinitely more entertaining than watching filler arcs about onigiri eating contests. Learn such things as: Can a game truly capture the experience of having ninjas solve political problems through friendship when there's no friendship stat on the screen? How many ninja village headbands would it take to actually run an economy, or is that question unanswerable because the series never bothered explaining it? Is it more important for characters in a fighter to be balanced or accurate? And so much more! You can find Cory on Instagram @ByrdsEyeOfficial, the Byrds Eye View Comics Facebook page, and of course his website Byrds Eyes View Comics. If you want to be a guest on the show please check out the Be a A Guest on the Show page and let me know what you're interested in. If you want to help support the show check out the Play Comics Patreon page or head over to the Support page if you want to go another route. You can also check out the Play Comics Merch Store. Play Comics is part of the Gonna Geek Network, which is a wonderful collection of geeky podcasts. Be sure to check out the other shows on Gonna Geek if you need more of a nerd fix. You can find Play Comics @playcomics.bsky.social on Bluesky, @playcomicspodcast on Threads,  @playcomics on YouTube or the Play Comics website. A big thanks to Gender Pop and the Glitterjaw Queer Podcast Collective for the promos today. Intro/Outro Music by Backing Track, who did something really cool but nobody saw it. You know, because of the whole being a ninja thing. Support Play Comics by contributing to their tip jar: https://tips.pinecast.com/jar/playcomics Check out our podcast host, Pinecast. Start your own podcast for free with no credit card required. If you decide to upgrade, use coupon code r-89f00a for 40% off for 4 months, and support Play Comics.

Oakland power pop band The Goods return with Don't Spoil the Fun, their first full-length album, arriving October 24th, 2025 via Dandy Boy Records. Written and produced by frontman Rob Good (Ryli) in his Oakland studio, the record captures the band's signature mix of jangling guitars, big melodic hooks, and heartfelt songwriting. Joined by bassist Cherron Arens and guitarist Gabriel Monnot, Good channels the classic shimmer of The Byrds and Big Star with the energy of Teenage Fanclub and Matthew Sweet – crafting songs that feel both familiar and fresh. The album's focus track and accompanying video, “Sunday Morning Out of the Blue,” also arrives October 24. It's about the push and pull of trying to make a relationship work – the kind of argument that leaves you both worn out and closer at the same time. Built around bright guitars and melodic basslines, the song captures that uneasy calm after a fight, when things finally start to make sense again. Across its eleven tracks, Don't Spoil the Fun explores the search for love, connection, and meaning with warmth and empathy. “These songs were written over the last five years – some of them even pre-date our first EP,” says Good. “We recorded several versions before finally landing on something that felt right. This album is us leveling up our sound and finding our own style.” From the chiming immediacy of lead single “April Fools” to the wistful reflection of “Remember,” the album moves fluidly between exuberant and introspective moods. “Photograph” memorializes a lost Oakland venue, The Golden Bull, where The Goods played their first show, while “Aurora” celebrates staying rooted instead of chasing dreams elsewhere. “Me and My Ghost” turns a song written for a friend into a self-reflection on solitude, and “Keep It Safe” closes the album with a gentle reminder to protect one's mental health amid chaos. With their blend of bright guitars, fuzz-drenched hooks, and honest storytelling, The Goods craft a record that balances classic influences with a distinctly modern heart. Don't Spoil the Fun arrives October 24, 2025 on Dandy Boy Records. D I S C O V E R Bandcamp: https://dandyboyrecords.bandcamp.com/album/dont-spoil-the-funInstagram: https://www.instagram.com/the_goods_musicYoutube:https://www.youtube.com/channel/UCpoBK9seWqis1TndDBjI4vQSpotify: https://open.spotify.com/artist/2MPqTq6PBP2ZEWnNQEhVqB Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Ready Teddy by Little Richard (1956)Song 1: Dixie Chicken by Little Feat (1973)Song 2: It's a Wonderful Life by Sparklehorse (2001)Song 3: Could Have Been Me by The Struts (2013)Song 4: A Milli by Lil Wayne (2008)Song 5: I Am a Pilgrim by The Byrds (1968)Song 6: Rag Mop by The Ames Brothers (1950)Song 7 : Travelin' Alone by Lil' Son Jackson (1951)Song 8: Where Do Broken Hearts Go by Whitney Houston (1987)Song 9: Before You Go by Lewis Capaldi (2019)Song 10: North Carolina by Little Chief (2013)

The Santa Cruz, California-based band carries on the tradition of roots rock and California folk with nods to The Beatles, Tom Petty, The Byrds, and The Mother Hips.

La serie mensual dedicada a recordar singles que alcanzaron su puesto más alto en listas pop de EEUU hace 60 años llega a diciembre de 1965. El folk rock de The Byrds ocupó el número 1 durante tres semanas dejando la última del año a los británicos The Dave Clark Five. James Brown -en la foto- al frente de The Famous Flames consiguió aquel mes el mayor éxito de toda su trayectoria.Playlist;(sintonía) THE PACKERS “Hole in the wall” (top 43)THE BYRDS “Turn turn turn” (top 1)THE DAVE CLARK FIVE “Over and over” (top 1)JAMES BROWN and THE FAMOUS FLAMES “I got you (I feel good)” (top 3)THE McCOYS “Fever” (top 7)THEM “Mystic eyes” (top 33)THE YARDBIRDS “I’m a man” (top 17)THE GANTS “Roadruner” (top 46)THE WONDER WHO? “Don’t think twice” (top 12)THE BEAU BRUMMELS “Good time music” (top 97)WILSON PICKETT “Don’t fight it” (top 53)SOLOMON BURKE “Only love can save me now” (top 94)EDWIN STARR “Back street” (top 95)ROY HEAD and THE TRAITS “Apple of my eye” (top 32)DON COVAY and THE GOODTIMERS “Seesaw” (top 44)THE MOJO MEN “Dance with me” (top 61)THE SHANGRI-LAS “I can never go home anymore” (top 6)JAMES BROWN at the ORGAN “Try me” (top 63)Escuchar audio

Im Dezember 1965 haben die Beatles mit "Rubber Soul" ihr sechstes Studioalbum herausgebracht. In der Geschichte der Band ist das besonders wichtig, weil es einen Wendepunkt markiert. "Rubber Soul" von den Beatles gilt als die Erfindung des Rockalbums, erklärt Frank König. So etwas hatte es vorher noch nicht gegeben: Vor dem Album gab es keine einzige Single. Im Dezember 1965 ist einfach das Album erschienen und hat damit die Musikwelt und die Beatles für immer verändert. 1965 sind die Beatles von einer großen Tour durch die USA zurückgekommen, auf der sie auch Elvis Presley, Bob Dylan und The Byrds getroffen hatten. Die Beatles hatten auf dieser Reise unglaublich viele neue Eindrücke gesammelt. Nach ihrer Rückkehr nach England stand für die Gruppe nicht viel an, abgesehen von vier Wochen Zeit im Studio, um neue Musik zu machen. Ein perfekter Zeitpunkt, um alle Eindrücke richtig zu verarbeiten und zu neuer Musik werden zu lassen. Und mit "Rubber Soul" hatten die Beatles dann wieder so viel Inspirationskraft freigesetzt, dass daraufhin neue (legendäre) Musik entstanden ist. Beach-Boys-Mastermind Brian Wilson hat die Platte zu ihrem eigenen Meilenstein "Pet Sounds" inspiriert. Neue Eindrücke verarbeiten und neue Dinge ausprobieren – beides machen die Beatles auf ihrem Album "Rubber Soul". Das hören wir zum Beispiel auch sehr eindrücklich beim Song "Norwegian Wood" an einem Instrument. Es ist das erste Mal in der westlichen Musik, dass ein Pop- bzw. Folk-Song veröffentlicht wird, auf dem eine indische Sitar zu hören ist. Die hatte George Harrison mit zu den Beatles gebracht. Entdeckt hatte er sie bei den Dreharbeiten zum Film "Help!". In der Zeit bevor die Band für "Rubber Soul" in die EMI-Studios, die späteren Abbey Road Studios, gegangen ist, hatte sich bei den Bandmitgliedern vieles verändert, erzählt Katharina Heinius. Es gab Hochzeiten, Umzüge, Hauskäufe, Nachwuchs und Ähnliches. Dinge, die oft im Leben den persönlichen Blickwinkel verändern und auch bereichern können. "Ich finde, man kann an diesem Album sehr gut ablesen, dass etwas Neues beginnt. [...] Es ist ganz viel Neues zu spüren, aber eben auch noch ein bisschen Tradition, so wie sie eben in den Alben vorher Musik gemacht haben und auch gedacht haben", sagt Podcaster und Musikjournalist Ocke Bandixen über "Rubber Soul". __________ Über diese Songs vom Album "Rubber Soul" sprechen wir im Podcast (13:28) – "Drive My Car" (28:33) – "Norwegian Wood" (46:02) – "Nowhere Man" (56:08) – "In My Life" (01:06:03) – "If I Needed Someone" __________ Alle Shownotes und weiterführenden Links zur Folge "Rubber Soul" findet ihr hier: https://1.ard.de/the_beatles_rubber_soul __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Jason Fraley celebrates the 10th anniversary of Crosby, Stills & Nash performing “Silent Night” to light the National Christmas Tree on the White House Ellipse alongside President Barack Obama on Dec. 3rd, 2015. He spoke with David Crosby, Stephen Stills and Graham Nash just before the ceremony, exploring Crosby's history with The Byrds, Stills with Buffalo Springfield, and Nash with The Hollies, before uniting to form the legendary folk supergroup. (Theme Music: Scott Buckley's "Clarion")

What do a groundbreaking song, a pivotal moment in civil rights, and a name change have in common? Join Buzz Knight and Harry Jacobs, the "Master of Music Mayhem," as they take you on a captivating journey through music history in this week's episode of takin' a walk. This music history podcast is not just about the notes and lyrics; it’s about the stories that shaped our world. Buzz Knight, your engaging host, dives deep into significant events that occurred from December 1st to December 7th, exploring the rich tapestry of sound and social change. Harry Jacobs, full of energy and humor, shares his plans to officially change his name to Harry Mayhem Jacobs, setting a playful tone that resonates throughout the episode. Together, they unravel the controversial release of "Eight Miles High" by The Byrds in 1966, a song that not only defined a genre but also sparked debates about its psychedelic sound and the misconceptions surrounding its meaning. This is just one of the many inside music stories that make takin' a walk a must-listen for music lovers. The conversation takes a poignant turn as they reflect on Rosa Parks' courageous act in 1955, connecting her pivotal moment in the civil rights movement to the powerful influence of music during that era. Buzz and Harry explore how these historical events intertwine with the melodies that echo through time, reminding us of the profound impact music has on social change. As the episode unfolds, they also celebrate the release of iconic albums like "Four Way Street" by Crosby, Stills, Nash & Young, and discuss the remarkable story of Bob Marley surviving an assassination attempt in 1976. With each anecdote and piece of trivia, listeners are invited to appreciate the deep connection between music and history, making this episode an enriching experience. Throughout the episode, Buzz Knight and Harry Jacobs encourage us to be present in the moment, emphasizing the importance of disconnecting from modern distractions to truly enjoy the music that has shaped our lives. Whether you’re a casual listener or a dedicated fan, this episode of takin' a walk offers a unique glimpse behind the music that has defined generations. Don't miss out on this engaging discussion filled with laughter, insights, and a reminder of the power of music to inspire change. Join us on takin' a walk—where music history comes alive and every episode is a new adventure! Tune in on iHeartPodcasts and immerse yourself in the stories that resonate beyond the notes! Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Why is Dylan hanging out with Sonny and Cher while complaining to the Byrds about them? All they really wanna do (Bob) is baby be friends with you. Streisand, and Elvis EP and some grep Soul as well. Support this podcast at the $6/month level on patreon to get extra content! Also, Create your own podcast today! #madeonzencastr

What do a groundbreaking song, a pivotal moment in civil rights, and a name change have in common? Join Buzz Knight and Harry Jacobs, the "Master of Music Mayhem," as they take you on a captivating journey through music history in this week's episode of takin' a walk. This music history podcast is not just about the notes and lyrics; it’s about the stories that shaped our world. Buzz Knight, your engaging host, dives deep into significant events that occurred from December 1st to December 7th, exploring the rich tapestry of sound and social change. Harry Jacobs, full of energy and humor, shares his plans to officially change his name to Harry Mayhem Jacobs, setting a playful tone that resonates throughout the episode. Together, they unravel the controversial release of "Eight Miles High" by The Byrds in 1966, a song that not only defined a genre but also sparked debates about its psychedelic sound and the misconceptions surrounding its meaning. This is just one of the many inside music stories that make takin' a walk a must-listen for music lovers. The conversation takes a poignant turn as they reflect on Rosa Parks' courageous act in 1955, connecting her pivotal moment in the civil rights movement to the powerful influence of music during that era. Buzz and Harry explore how these historical events intertwine with the melodies that echo through time, reminding us of the profound impact music has on social change. As the episode unfolds, they also celebrate the release of iconic albums like "Four Way Street" by Crosby, Stills, Nash & Young, and discuss the remarkable story of Bob Marley surviving an assassination attempt in 1976. With each anecdote and piece of trivia, listeners are invited to appreciate the deep connection between music and history, making this episode an enriching experience. Throughout the episode, Buzz Knight and Harry Jacobs encourage us to be present in the moment, emphasizing the importance of disconnecting from modern distractions to truly enjoy the music that has shaped our lives. Whether you’re a casual listener or a dedicated fan, this episode of takin' a walk offers a unique glimpse behind the music that has defined generations. Don't miss out on this engaging discussion filled with laughter, insights, and a reminder of the power of music to inspire change. Join us on takin' a walk—where music history comes alive and every episode is a new adventure! Tune in on iHeartPodcasts and immerse yourself in the stories that resonate beyond the notes! Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

The Wolf & Action Jackson will admit they aren't the world's biggest Beatles fans. Though we appreciate their influence to help create the music we love through generations, we generally don't gravitate towards their albums. However, in researching Rubber Soul as it turns 60 on December 3, we gained new appreciation and respect for the Lads from Liverpool. They had grown up quite a bit in the last few years and found themselves writing more mature lyrics while experimenting with different sounds. The Beatles had met and befriended Bob Dylan and in their second trip to the US had met Elvis and formed mutual admiration societies with The Byrds, Motown and Stax. They experimented with LSD and the boys used to call Rubber Soul the pot album as they partook during the recording. So as they wove all those influencers into their own music, they also started to write more personal songs. Paul exchanged sweet nothings for standoffish goodbyes in songs like You Won't See Me and I'm Looking Through You. A contemplative John Lennon reminisces about growing up (In My Life) and the eternal search for that special someone (Girl). Young George Harrison was ready to step up to the plate with his own mature offerings like Think For Yourself and If I Needed Someone. The album was well received by peers and critics and is considered the point where the album became more than just a larger collection of songs but one statement from a moment in time. Norwegian Wood (This Bird Has Flown) was an international hit about an affair John had. Michelle seems like a sweet ode to a French girl when it was the boys making fun of Paul for trying to speak French at parties to meet girls. Even the big hit Drive My Car is very tongue in cheek about the silliness and pitfalls of fame. Though the oldest of them were 25, The Beatles proved they were more than just cute mop tops with guitars. They were artists pushing the envelope in the studio of what rock music could be. Rubber Soul was that next step in the evolution of the band and rock. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Wolf & Action Jackson will admit they aren't the world's biggest Beatles fans. Though we appreciate their influence to help create the music we love through generations, we generally don't gravitate towards their albums. However, in researching Rubber Soul as it turns 60 on December 3, we gained new appreciation and respect for the Lads from Liverpool. They had grown up quite a bit in the last few years and found themselves writing more mature lyrics while experimenting with different sounds. The Beatles had met and befriended Bob Dylan and in their second trip to the US had met Elvis and formed mutual admiration societies with The Byrds, Motown and Stax. They experimented with LSD and the boys used to call Rubber Soul the pot album as they partook during the recording. So as they wove all those influencers into their own music, they also started to write more personal songs. Paul exchanged sweet nothings for standoffish goodbyes in songs like You Won't See Me and I'm Looking Through You. A contemplative John Lennon reminisces about growing up (In My Life) and the eternal search for that special someone (Girl). Young George Harrison was ready to step up to the plate with his own mature offerings like Think For Yourself and If I Needed Someone. The album was well received by peers and critics and is considered the point where the album became more than just a larger collection of songs but one statement from a moment in time. Norwegian Wood (This Bird Has Flown) was an international hit about an affair John had. Michelle seems like a sweet ode to a French girl when it was the boys making fun of Paul for trying to speak French at parties to meet girls. Even the big hit Drive My Car is very tongue in cheek about the silliness and pitfalls of fame. Though the oldest of them were 25, The Beatles proved they were more than just cute mop tops with guitars. They were artists pushing the envelope in the studio of what rock music could be. Rubber Soul was that next step in the evolution of the band and rock. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is David Grier, who joins me to celebrate the classic album 'The White Brothers - Live in Sweden' (recently remastered and reissued in an expanded form as 'The New Kentucky Colonels - Live in Sweden').We talk about what makes this recording special, including the fact it was recorded live and never intended for release, and why Clarence and Roland had such a unique approach to music, particularly when it comes to their joint sense of timing.David also shares his thoughts about why bluegrass picking should be about more than just playing licks over chords and why true artistry often gets lost, as well as calling out some of the current players he loves.This was a fascinating conversation that started as a celebration of a classic album but widened out to being about what making music is really all about.If you want to hear my previous interview with David, which came from a two episode special to commemorate the 50th anniversary of Clarence White's death, you'll find it here.To buy the reissued CD, and for lots more info on Clarence and Roland, visit rolandwhite.comDon't forget to check out www.davidgrier.com for more info on David and to buy his CDs. Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Bob Merlis ran the Warner Bros. publicity department for much of his 29 years at the label, and he has tales to tell. He recalls his adventures as a Columbia University student presenting concerts by the Byrds and others, as well as his rock journalist stint, his encounter with “supernova” Little Richard and a classic misunderstanding with the Carpenters. Soon he was working with Dion DiMucci, ZZ Top, Debbie Gibson, Talking Heads, Devo, the B-52's, the BoDeans, Madonna, R.E.M. and many others. Which act was the beneficiary of “the cheapest promo in the history of Warner Bros”? Who reacted hostilely to his publicity ideas? Who was especially cool? How did the label vibe change? After Merlis left Warner Brothers, what was Chris Isaak's valuable advice? And what role did late Rolling Stones/Beatles manager Allen Klein play in Merlis's next act?

Send us a textOn this Episode Tom and Bert discuss the "Famous" California Session Musicians known as "The Wrecking Crew"!During the infancy years of Rock n Roll Music way back in the 1950's and 1960's many of the major Recording Labels like Columbia, Capital and Warner Brothers were trying to record great music tracks at their sound studios. Since many of the U.S.A. Acts were out west in Los Angeles the Label Managers wanted to enhance the recordings of many of the groups and bands so they decided to hire session musicians or as we would say "Real Pro's".... to lay down the "Music" and record with the artists.That's where the "Wrecking Crew" created their magic and excelled!  It shows the impact that this group of pro's had on such artists as The Beach Boys, The Mama's and Papa's, Sonny and Cher, The Byrds, The 5th Dimension, John Denver, Elvis, The 4 Tops, The Supremes, Simon and Garfunkel and Stevie Wonder and many, many more.Here is their Story!CHAPTERS:(:55) Intro - The Music behind the "Hits"(1:12) Here are the Wrecking Crew!(14:15) Notable Songs recorded with the "Crew"(21:23) 100 MORE songs and our comments(34:14) Netflix' 2014 Movie Documentary ---MUST see TV!(37:51) Billboard Magazine's Top Artists Charts, Music Facts and Trivia and that's a Wrap!!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It's Chuck's chat with re-issue genius Bob Irwin. Bob and his wife Mary started the Sundazed Music label in 1989. The first Sundazed releases were The Great Lost Knickerbockers Album! by The Knickerbockers and Western Union by The Five Americans, and reflected Irwin's personal preference for garage rock and surf music. His skill at restoring old vinyl records for the (then new) CD format attracted the attention of major labels, who increasingly solicited him to help them re-issue material from their back catalogs. He also helped Sony Music release their archival Legacy Records label. Later, his restoration work included early material by the likes of Bob Dylan, Nancy Sinatra, & The Byrds. In this episode, Bob discusses his relationship with Pet Sounds, its standing in the pantheon no matter how many times you've heard it, its importance and influence on music in general, and the wonders of a technology with inherent, imposed limitations. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 400 Patreon episodes.

On Sunday night at a Market Basket in West Bridgewater two sisters attempted to shoplift, some of the finer things from the EBT list. Lobster and truffle butter were amongst those items.  Visit the Howie Carr Radio Network website to access columns, podcasts, and other exclusive content.

223 - Matt Piucci (Rain Parade) In episode 223 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist Matt Piucci from the band “Rain Parade” In their conversation Matt tells us about his Gretsch Tennessean that he's used for over 40 years. Matt tells us about moving from upstate New York to Chicago and going to school in Minnesota and living in Oakland for the past 40 years and being a fan of the Oakland (soon to be Las Vegas) A's. Matt talks about his side career as a forensic DNA analyst and the small connection that led to his music world. Matt tells us about getting signed by Enigma records in the 80's and his bands Rain Parade's successes. Matt discusses his musical upbringing having older brothers that would take him to shows in Chicago and his love of the Byrds. Matt takes us through how he ended up in LA becoming friends with what would become members of the Bangles and Green on Red and the rest of the Paisley scene that Rain Parade was apart of. Matt describes the band's adventures in the SF Bay Area and how the band ended up based there since its reformation. Matt tells us about his encounters with Country Joe and Neil Young's band, Crazy Horse. Matt discusses his other gear apart from his Gretsch that he's used throughout the years and the one that got away. Matt tells us where he gets his gear repaired. Matt discusses what the bands up too… recordings for record store day and shows in the future and he reflects on the band's successes. To find out more about Matt you can go to his website: rainparadeofficial.com or the bands bandcamp: rainparade.bandcamp.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #MattPiucci #RainParade #GretschGuitars #GretschTennessean #JamesPatrickRegan #PaisleyMusicScene #theDeadlies #OaklandAs #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

James is on tour at the moment so we thought we'd take a Wednesday off and drop what is known as an IWOL "all timer". It is somewhat relevant though as we have been discussing The Byrds. Even though this episode is called "The Notorious Byrd Brothers" it's really just us trying to figure out who the hell is in The Byrds for an hour. A sweet side note is that my (Johnny) grandfather died the day this was recorded and the hilarity of this episode really lifted my spirits on a very sad day. Back to your regularly scheduled programming come Sunday. 

The guitarist and vocalist Roger McGuinn is among the most critically acclaimed and influential American musicians. He was inducted into the Rock and Roll Hall of Fame in 1991 and in 2023 he was named one of the “250 Greatest Guitarist” by Rolling Stone magazine.   McGuinn is a co-founder of The Byrds and he's often associated with the West Coast rock scene of the 1960s. But McGuinn is a native of the Midwest and he grew up immersed in the vibrant folk music scene of Chicago during the 1950s. McGuinn began his career recording and performing with folk groups like The Limelighters and Chad Mitchell Trio.  McGuinn rose to national prominence in 1964 when he co-founded The Byrds with David Crosby and Gene Clark. McGuinn's 12 string Rickenbacker guitar was a defining element of the group's sound. The Byrds' 1965 version of Bob Dylan's “Mr. Tambourine Man” hit #1 on the American charts. That same year, their recording of Pete Seeger's “Turn, Turn, Turn” also hit #1, ushering in the folk-rock movement of the mid 1960s.   Over the next few years McGuinn continued to set new trends in rock music. The Byrds' 1966 single “Eight Miles High” brought psychedelic music to the pop charts, and their1968 album “Sweetheart of the Rodeo” sparked the development of country rock. The Byrds broke up in 1973, but McGuinn has continued to record and tour as a solo artist. McGuinn will bring his “Storied and Songs” tour to Carmel, Indiana's Tarkington Theatre on September 13.  In this conversation with WFYI's Kyle Long, McGuinn reflects on his roots in the Chicago folk scene.