Podcasts about Ken Kesey

Wake Of The Flood 50: Row JimmyThe Deadcast explores the strange not-quite-reggae of “Row Jimmy,” featuring a long never-heard interview with lyricist Robert Hunter from 1977. GUESTS: Donna Jean Godchaux-MacKay, Robert Hunter, David Lemieux, Brian Kehew, Scott Metzger, Shaugn O'DonnellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The panel struggles to not give a inch while watching Sometimes a Great Notion, the under-seen 1970s Paul Newman drama adapted from the Ken Kesey novel. Strap tight.Panelists: Jimmy, Jack

The Deadcast explores Keith Godchaux's only song for the Grateful Dead, the unassuming but complex “Let Me Sing Your Blues Away,” the debut single from Wake of the Flood & Grateful Dead Records, co-starring Donna Jean, company president Ron Rakow, & a gaggle of early Dead tapers.GUESTS: Donna Jean Godchaux-MacKay, Ron Rakow, Steve Brown, Howard Wales, Marty Weinberg, Les Kippel, Harvey Lubar, Howie Levine, Jim Cooper, David Lemieux, Brian Kehew, Scott Metzger, Shaugn O'Donnell, Marc Masters, Dave MandlSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast begins our deep dive into Wake of the Flood, including multi-track breakdowns for Mississippi Half-Step, never-heard outtakes, studio memories from Donna Jean Godchaux-MacKay, & the origins of Grateful Dead Records with co-founder Ron Rakow.GUESTS: Donna Jean Godchaux-MacKay, Ron Rakow, Alan Trist, Steve Brown, David Lemieux, Brian Kehew, Nick Paumgarten, Shaugn O'DonnellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Check out the Ed Hotchkiss has traveled to 128 countries Hey now, I am your host, Ric Gazarian. Checking in with our new guest, Ed Hotchkiss.  As I note in my conversation, Ed and I have shared a lot of face time in less than a year, whether it was in the Extraordinary Travel Festival in Armenia or on trips with ITC Sudan to Sudan and a visit to Djibouti.  Ed is also one of those people you hear mentioned every episode since he is a patron.           As I traveled with Ed for a couple of weeks, I always had a keen ear for his travels.  One of the interesting attributes he brings is a window of travel over several decades.  I won't spoil the plot, but Ed has been traveling for years whether it is hitchhiking across America, for work, with his great buddy Phil, and his lovely wife Khadija.  He is a passionate photographer and has published a massive passion project, a photo book of the people of the NYC subway.  OK, if you have been online, you might have noted that things are heating up for the Extraordinary Travel Festival.  This is a reminder, save the date!  November 15, 2024, so plenty of time to start planning for the second ETF.  What about the location?  Great question.  Tune in to Every Passport Stamp for the live announcement at 9am EST or GMT -5, and you will learn where this amazing event will take place.  I would like to thank everyone for their support of Counting Countries, especially my Patrons: Justine Kirby, Marc Jorgensen, Sonia Zimmerman, Lori Pastorelli, Carole Southam, Sunir Joshi, Philippe Izedian, Gin, Simen Flotvik Mathisen, Ted Nims, Bisa Myles, Thor Pedersen, Adam Hickman, Katelyn Jarvis, Ed Hotchkiss, and Barry Hoffner for supporting this podcast.  And new patron, Per Flisberg.  Welcome aboard!  You can support this podcast by going to .  My patrons hear extra content with Ed that you will not hear.  I was in Boston for this recording while Ed was in NYC.  Go Red Sox.  Please listen in and enjoy.    Thank you to my …. Per, Flisberg, Justine Kirby, Marc Jorgensen, Sonia Zimmermann, Lori Pastorelli, Gintaute Liutkeviciute, Barry Hoffner, Ed Hotchkiss, Katelyn Jarvis, Carole Southam, Thor Pedersen, Simen Flotvik Mathisen, Adam Hickman, Bisa Myles, Ted Nims, Sunir Joshi, Gintaute Liutkeviciute, Philippe Izedian & Dale Wursten.       And now you can listen to ! And Alexa! And write a review! More About Ed Hotchkiss Counting Countries       Where were you born?                            Denver, Colorado.       What passport (s) do you hold                            USA       Favorite travel book                           Endurance: Shackleton's Incredible Voyage (1959) by Alfred Lansing                  Special Mention:                          Into the Wild (1996) by Jon Krakauer                          On the Grand Trunk Road: A Journey Into South Asia (1993) by                          On The Road (1957) by Jack Kerouac.                          The Motorcycle Diaries (written 1952, published posthumously) by Che Guevara.                          The Electric Kool-Aid Acid Test (1968) by Tom Wolfe about Ken Kesey and the “Merry Band of Pranksters" cross-country,                                    psychedelic bus trip.                          Stanley: An adventurer explored (1975) by Richard Hall       Favorite travel film                           Seven Years in Tibet (1997) starring Brad Pitt based on 1952 memoir Austrian Heinrich Harrer.                Special Mention:                           The Man Who Would Be King (1975) with Sean Connery and Michael Caine.                           The Secret Life of Walter Mitty (2013) with Ben Stiller.                           Sullivan's Travels (1941) by Preston Sturges.                           Zentropa (1991) An American takes a railway job in Germany just after WWII.                           Open Water (2003) fiction, based on real story1991) of an American couple who go scuba diving in the Great Barrier Reef and                             were accidentally left behind.                           Night on Earth (1991) 5 different cab drivers adventures in one in 5 American and European cities, directed by .       Favorite travel app or website                           NomadMania.com                 Special Mention:                         TheCrazyTourist.com                          AtlasObscura.com                        Every Passport Stamp on Facebook                       All the individual travel blogs        Must carry item when traveling (like flashlight, Kindle, deck of cards etc.)                           Nikon Camera        Favorite food                          Fresh fruits and nuts       Favorite drink                         Smoothies, lassis and Ayran Turkish yogurt drink.        Favorite airline                        Fiji Airways, staff is always polite and considerate, planes are relatively new and 24-hour telephone service where you can                                   speak to an actual person.  However, they impose a 7kg weigh limit on carry-ons.       Favorite hotel                         Baber Mahal in Kathmandu, a heritage hotel in Nepal. I like this type of sprawling hotel which have various types of                                               architectural styles and are an integral part of a region's or country's history.       Do you have a travel map you would like to share?                       About Counting Countries Counting Countries is the only podcast to bring you the stories from the dedicated few who've spent their lives on the singular quest of traveling to every country in the world. Less people have traveled to every country in the world than have been to outer space. Theme music for this podcast is Demeter's Dance, written, performed, and provided by .  About GlobalGaz Ric Gazarian is the host of Counting Countries. He is the author of three books: , , and .  He is the producer of two travel documentaries: and .   Ric is also on his own quest to visit every country in the world. You can see where he has and keep up with his journey at How Many Countries Are There? Well… that depends on who you ask!  The United Nations states that there are . The British Foreign and Commonwealth office states that there are . The Traveler's Century Club states that there are . The Nomad Mania The Most Traveled Person states that there are 1500 . SISO says there are .     Me? My goal is the 193 countries that are recognized by the UN, but I am sure I will visit some other places along the way. Disclaimer: There are affiliates in this post.  Ed Hotchkiss Counting Countries

Podcast 357: Stories from the 60s, Part 1 Today's podcast will be a little different. I had the good fortune to be alive in Palo Alto, California during the late 1960s. For me, it was a magical era of happenings, the Haight-Ashbury District in San Francisco, psychedelics, war protests, civil rights activity, cool music, learning about life, and cutting an awful lot of medical school classes! But what I learned on the streets was far more valuable in my later career as a psychiatrist, working with real people with real problems, than anything I learned in medical school. It was an era of magic, to be honest. In fact, to me, California has always had the feel of magic. And that magic is still alive and well, happening every day, at least in my life. Let me know if you like these stories. I shared them at my weekly Stanford training group, and publish the recording of that evening's training session here, with trepidation. Some of the stories are pretty far out. If you like them, and want more, I have a lot more, which I've listed below. Just let me know, and I'll gladly start babbling again. . .  IF I haven't been arrested! If you'd like to see one of the R-rated but gorgeous Larry Keenan photos taken at my “Uptightness” happening, you can see it at this link: Look for the photo called “The Kiss.” https://www.larrykeenan.com/prints Larry Keenan, a brilliant young commercial photographer at the time, attended my “uptightness” happening and took many fantastic photos that day. Larry became a famed photographer of many of the greats of the “Hippy Era,” like Bob Dylan, Neil Cassady, Lawrence Ferlinghetti, and a host of others. Sadly, Larry passed away several years ago, but I will always be grateful to him for the gorgeous and now-famous photos he created that day in the infamous but glorious 60's! Warmly, david Part 1 (in this podcast) Psychodrama / encounter David gets put down: Rob Krist's encounter group The return of tears: My first psychodrama marathon The pompous professor: False front / tragic surprise Spiritual Desert experience: Sadness as celebration Dating / Relationships / R-Rated Having fun and making a movie: "Uptightness”   Part 2 (not yet recorded: let me  know if you'd like a Part 2!) More Stanford stories not yet covered: let me know if interested! Husain Chung and the crazy teen from LA: When a stallion wants to run A frightening encounter with Vic Lovell: And a mentor's advice Threats from unwanted guests: Fighting back with paradox Bar next to the Free University Coffee House: Outrageous works, even with Hell's Angels Inside the Free University Coffee House: How I met my wife The day we bombed Cambodia: Triggering a riot at Stanford, beaten by police, motorcycle smashed to bits, handcuffed, arrest announced on the campus radio station, escaped The bearded man on the quad near the Stanford student union—Telling me to “sit with open hands” Ken Kesey and his merry pranksters in the Stanford student union—they were dressed in pajamas or clown outfits and Neil Cassady was juggling hammers) The tape recorder experiment: Bizarre week, unexpected conclusion Medical School Stanford medical school interview: Unexpected outcome The day that Gene Altman and I attended class: Totally weird Broken jaw: Anger, fear, and intense pain that suddenly vanished Getting kicked out of neuropathology class Encounter at the Medical School: Psychiatry and Psychotherapy—Are they Relevant or Obsolete? Featuring Hussain Chung Missing graduation ceremony: Didn't pick up my diploma until years later Homeless in Carmel Valley: Saved by Ramadan, Subud Re-entry: The Highland Hospital Emergency Room Dr. Allen Barbour's Medical Outpatient Clinic Hidden emotion 1: One of Stanford's first coronary artery bypass patients Hidden emotion 2: Doc, what happened? I'm not dizzy anymore! Hidden emotion 3: Help! I need emergency surgery NOW!   Here's the Stanford group feedback from group after telling stories 1 – 5 Positive Feelings about the Training   Not at all true Somewhat true Moderately true Very true Completely true N/A 1. I felt I could trust my trainer. 0 0 0 0 17 1 My trainer paid careful attention to what I said 0 0 0 0 7 11 My trainer critiqued my work in a sensitive manner. 0 0 0 0 7 11 I felt good about the training I received. 0 0 0 0 17 1 Overall, I was satisfied with my most recent training session. 0 0 0 0 17 1 Negative Feelings during Training   Not at all true Somewhat true Moderately true Very true Completely true Sometimes I felt uncomfortable during the training. 18 0 0 0 0 Sometimes I felt defensive during the training. 18 0 0 0 0 Sometimes I felt frustrated during the training. 18 0 0 0 0 Sometimes I felt anxious during the training. 18 0 0 0 0 Sometimes I felt insecure during the training. 16 2 0 0 0 Helpfulness of the Training   Not at all true Somewhat true Moderately true Very true Completely true N/A I expect to use these ideas with patients I am now treating 0 0 2 1 11 4 What I am learning seems useful in my clinical training. 0 0 1 2 13 2 My trainer and I are working together effectively. 0 0 0 2 10 6 The training was helpful to me. 0 0 0 1 16 1 I felt I was learning and growing during the training session. 0 0 0 1 16 1 Respectfulness and Safety of the Training   Not at all True Somewhat true Moderately true Very true Completely true N/A My trainer was sensitive to potentially relevant cultural, racial, religious, age, gender, or sexual identity issues that might impact the therapy. 1 0 2 0 13 2 My trainer created a safe and warm space for all identities. 1 0 1 0 14 2 Difficulties with the Questionnaire   Not at all true Somewhat true Moderately true Very true Completely true It was hard to be completely honest answering some questions. 16 1 0 0 1 My answers weren't always completely honest. 16 1 0 0 1 Sometimes I did not answer the way I really felt inside. 16 1 0 0 1   Please describe what you specifically disliked about the training? What could have been improved? Were there some things you disagreed with or did not understand? Nothing N/A Was too short na I'm starting to catch on to the fact that David has read more than 3 books... Nerd. :) It is funny coming from David and I believe he used it affectionally... most of use won't get away with the term "Chainaman" perhaps Asian American Loved the group tonight n/a Nothing I disliked. My answer of "somewhat insecure" from above was about my comments and whether they were helpful or "good enough." Please describe what you specifically liked about the training? What was the most helpful? Were there some things you learned? I really enjoyed learning from David's stories. Thank you for sharing these personal stories with us. I had been looking forward to the evening's stories but I didn't know emotional and impactful they would be. I was especially touched by David's & Cai's tears and appreciate how much they both shared. It had to be especially difficult to share over Zoom because sometimes it can sound flat. With most people muted it can be hard to hear the feedback from the audience but the connection still felt very powerful. I truly appreciate your openness and willingness to show your vulnerable side. Just like many others, I was deeply moved by your heartfelt tears as you shared stories about the woman you believed would succumb to cancer, your beautiful encounter with your wife Sara, and the journey of creating "Uptightness." You didn't have to let us into those deeply intimate and personal experiences, and for that, I am genuinely grateful. This was absolutely amazing! It couldn't have been more special. Thank you Dr Burns! You are a national treasure and gift to us all. Can't wait for the podcast so that I can re-live it exposure and being uncomfortable with adult stuff so silly but real for me I was touched by the depth of emotion David manifested in telling some of the stories, his deep compassion and humility, and the reality of celebration of sadness. I liked feeling closer to David both from his sharing deep feelings and by his telling about life events like how he met Melanie. It was cool to have stories illustrating powerful lessons and even some that illustrate the mundane (e.g. mostly not a lot happened when David spent a week disclosing every feeling). What a wonderful night. These stories brought that time period alive for me, and having not lived through that era, that was a real treat. The only thing I was surprised about, and a bit sad, was seeing that David appeared to be a little self-conscious or something. David, I hope I can reassure you that even though I was silent and didn't have any questions, you had my full attention. It was like watching a profound and entertaining movie. - Ed W I really loved hearing about the spiritual connections with others that you had, David. I also loved seeing the photos afterward and you showing us who you were talking about in your stories. What a beautiful, magical time! Some very interesting and very touching stories. Made me feel closer to the group and gave some insights into the 60s and the development of TEAM CBT That was beautiful. More and more I'm convinced therapy is art verified by science. This very human tradition of telling stories is so important to our work as therapists/people. I enjoyed this greatly. A two hour work of art I was fortunate enough to have experienced. Thank you, much love. It was mesmerizing and holy God listening to the stories now I understand how he could have come up with such an amazing Tool It was lovely to travel back in time and get snap shots of David's live in the 60s. I appreciated the tender moments of sadness and also the spiritual mystical moments. I like David even more knowing that his calling was to council people, and the journey he has taken to become a conventional healer. It is an honor to be part of this training, almost feels like a type of lineage. I mostly found it just very enjoyable and fun and salacious. But I also liked the tears and the parts about people hiding their suffering and how we all really suffer but often have a hard time showing it. That was beautiful. Fabulous! How wonderful to learn more about David, learn about his "weird" past and shadow side, and share in his authentic expression of intense feelings. He really opened up and it did make me feel closer to him! The desert story was inspirational to me, and Cai's story as well...I, too, love the book Siddartha. Interesting to learn of the origins of techniques such as Externalization of Voices and Downward Arrow. Really contextualizes it for me. Not to mention bringing the "magic" of California in the 60s back to life. Thank you! Left me yearning for more! It was a spellbinding evening, and it felt to me like we were right there with you, David, in the desert seeing the multicolored clouds with our tears flowing, or at the psychodrama marathon crying for the woman who was dying, or on in a field with you and lots of naked ladies at the "Uptightness" event. And now it makes so much sense to me how your methods like EoV and the Downward Arrow all grew out of these experiences you shared with us tonight of tapping deeply into that River of Emotions that you talk about. Thank you, David, for sharing this with us! Seeing David's tears. Love him even more. Learned so much from the stories I liked this evening very much. I felt very close to you, David, and to the others who shared, and I felt honored to be a part of it. There were so many good stories. I think your story of being in the desert and the woman suddenly giving up drinking might be an example of a powerful prayer-- I know it sounds pretty goofy and I would have thought so too when I was an atheist not long ago, but I've had some experiences that have really led me to believe some seemingly goofy things. Please describe what you learned in today's group12 responses It was such a moving & emotional evening filled with incredible stories, some of which seem too wild to be true but you certainly had the pictures to back it up! Even though I'd been working with the pictures they really came to life after hearing the context and learning more about the people in them. Thank you! It was terrific to hear the origin story of the greatest psychotherapy approach ever developed the founding go team cbt I learned it is unnecessary to be uptight except for cinematic purposes. We are all connected and affect each other on an energetic level

The thrilling conclusion of our visit to the record-breaking Watkins Glen Summer Jam, featuring John Belushi crashing the backstage, a super jam onstage, a teen-run pirate radio station, & the birth of a new generation of Dead Heads.GUESTS: Sam Cutler, Donna Jean Godchaux-MacKay, Bunky Odom, Chuck Leavell, Jim Koplik, Buddy Thornton, Sepp Donahower, Lee Ranaldo, Steve Silberman, Rebecca Adams, Gary Lambert, John Ramsey, Tim Meehan, Michael Simmons, Dan Henklein, Erik Nelson, Bob Student, Jim Cooper, Harvey Lubar, Todd Ellenberg, Ihor Slabicky, Jay Kerley, Brian Schiff, Eric Alden, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Watkins Glen Summer Jam ‘73, Part 1Musicians, organizers, & fans tell the epic story of how the Watkins Glen Summer Jam started as a giant rock show & turned into history when more than a half-million came to see the Grateful Dead, the Allman Brothers, & The Band.GUESTS: Sam Cutler, Donna Jean Godchaux-MacKay, Bunky Odom, Chuck Leavell, Jim Koplik, Buddy Thornton, Susan Wickersham, Janet Furman, Sepp Donahower, Lee Ranaldo, Steve Silberman, John Ramsey, Tim Meehan, Michael Simmons, Dan Henklein, Erik Nelson, Bob Student, Jim Cooper, Todd Ellenberg, Ihor Slabicky, Jay Kerley, Joe Gauthier, Eric Alden, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The tenth episode of our season on the awesome movie year of 1975 features the Academy Awards Best Picture winner, Milos Forman's One Flew Over the Cuckoo's Nest. Directed by Milos Forman, based on the novel by Ken Kesey and starring Jack Nicholson, Louise Fletcher, Will Sampson, William Redfield, Brad Dourif and Sydney Lassick, One Flew Over the Cuckoo's Nest was nominated for nine Oscars and won five, including Best Picture.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/one-flew-over-the-cuckoos-nest-1975), Vincent Canby in The New York Times (https://archive.nytimes.com/www.nytimes.com/packages/html/movies/bestpictures/cuckoo-re.html), and A.D. Murphy in Variety (https://variety.com/1975/film/reviews/one-flew-over-the-cuckoo-s-nest-2-1200423518/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1975 installment, featuring our producer David Rosen's pick, Blaxploitation classic Dolemite.

Mark Brandi is an award-winning crime novelist whose fifth book. Southern Aurora - as one reviewer noted, “takes hold of your heart. Breaks it a little, as well as fills it with childlike hope and compassion.” Hi there. I'm your host, Jenny Wheeler. And on Binge Reading today, author Mark Brandi talks about how his own experience as an Italian-born Australian has attracted him to write stories about young boys coming of age in hard times, Like Jimmy his lead in Southern Aurora, a character who as one critic said was “impossible not to fall in love with. There's a Mark Twain innocence and inner wisdom to Jimmy one far beyond most adults as he skirts his underprivileged life, seeking meaning and dreaming of a larger existence.” That's coming up with Mark in a moment or two Links mentioned in this episode Wimmera, Mark's award-winning debut novel: https://www.hachette.com.au/mark-brandi/wimmera-the-bestselling-australian-debut-from-the-crime-writers-association-dagger-winner The Rip: https://www.hachette.com.au/mark-brandi/the-rip-from-the-award-winning-author-of-wimmera The Others: https://www.hachette.com.au/mark-brandi/the-others Jane Harper's The Dry:  https://janeharper.com.au/ Willy Vlautin: https://www.willyvlautin.com/ Sofie Laguna:  http://sofielaguna.com/ Tony Birch:  https://www.harpercollins.com/blogs/authors/tony-birch-202213710733 The Overland train: https://www.journeybeyondrail.com.au/journeys/overland/ Mark's Writing teacher: Ania Walwicz: https://en.wikipedia.org/wiki/Ania_Walwicz The Southern Aurora: https://en.wikipedia.org/wiki/Southern_Aurora ‘Grief Invites This Kind Of Magical Thinking.” https://www.theage.com.au/culture/books/mark-brandi-grief-invites-this-kind-of-magical-thinking-20211109-p597eo.html The Anniversary, Stephanie Bishop:  https://www.amazon.com/Anniversary-Stephanie-Bishop/dp/0802161677 One Flew Over the Cuckoo's Nest, Ken Kesey: https://en.wikipedia.org/wiki/One_Flew_Over_the_Cuckoo%27s_Nest_(novel) Where to find Mark Brandi online Website: www.markbrandi.com Facebook:  https://www.facebook.com/markbrandiwriter/ Instagram: https://www.instagram.com/mb_randi/ Twitter: @mb_randi/ Ultimate Murder She Wrote Booksweeps Draw For our giveaway this week, we've got the BookSweeps, Ultimate Murder She Wrote Swag Pack and Book Basket Draw. For mystery fans, what a prize! $550 worth in full value. A library of mysteries and Murder She Wrote Swag, including an adorable Angela Lansbury t-shirt and tote bag. Included is my Of Gold & Blood Book Bundle 2 - a full length historical mystery - Poisoned Legacy - and a New York Christmas novella, Tangled Destiny. Enter the draw in the show notes for this episode on the website, the joys of binge reading.com. enter ultimate murder she wrote draw https://www.booksweeps.com/giveaway/july2023-win-the-ultimate-murder-she-wrote/ And remember if you enjoy the show, leave us a review, so others will find us too.  Word of mouth is the best way for others to discover the show and great books they will love to read. Introducing award winning author Mark Brandi Australian literary crime author Mark Brandi Jenny Wheeler: But now here's Mark. Hello there, Mark, and welcome to the show. It's great to have you with us. Mark Brandi: Hi, Jenny. It's great to be with you. Thanks for inviting me on. Jenny Wheeler: Southern Aurora is the book we're talking about particularly today. It's your fifth novel, but it's set in similar locations to the first books that you've written. They're all small town, rural Australia, with characters who generally live on the wrong side of town. They're seen as literary crime novels. That's how they're defined. But the crime aspect in Southern Aurora is slightly downplayed. It's more of a coming of age novel. Would you agree with that? Mark Brandi: Yes, I think that's a fair assessment. Jenny.

Best selling Australian author of “rural noir”, Garry Disher hopes to be seen as novelist first and crime writer second. American Academic Saar Shahar discusses what sets literary journalism apart from the pack. Paul Gough shares the books that first made him fall for sci-fi .  Three great minds in this week's episode, determined to rise above the throng and give us something worth reading. Guests: Garry Disher, author of “Days End”, the fourth book in his fabulous Hirsch series. Saar Shahar, author of “Among the Anti-vaxxers” recently published in the “North American Review” and American academic with the University of Southern California. Paul Gough, ABC radio producer, sci-fi devotee and music aficionado www.pimpod.com Other books that get a mention: Saar mentions Tom Wolfe's “The Electric Kool-Aid Acid Test”, “The Right Stuff” and “Bonfire of the Vanities”. Also, “One flew Over the Cuckoo's Nest” by Ken Kesey. And, literary journalists Joan Didion and Hunter S Thompson. (“The American Review” was the first literary magazine to be published in the USA, in Boston in 1815.) https://northamericanreview.org https://www.instagram.com/sarshahar Paul mentions “Ringworld” by Larry Niven, “Turtle Diary” & “Riddley Walker' by Russel Hoban and “To Sleep in a Sea of Stars” by Christopher Paolini. INSTA https://www.instagram.com/textpublishing https://www.instagram.com/1234_pimpod        See omnystudio.com/listener for privacy information.

Best selling Australian author of “rural noir”, Garry Disher hopes to be seen as novelist first and crime writer second. American Academic Saar Shahar discusses what sets literary journalism apart from the pack. Paul Gough shares the books that first made him fall for sci-fi .  Three great minds in this week's episode, determined to rise above the throng and give us something worth reading. Guests: Garry Disher, author of “Days End”, the fourth book in his fabulous Hirsch series. Saar Shahar, author of “Among the Anti-vaxxers” recently published in the “North American Review” and American academic with the University of Southern California. Paul Gough, ABC radio producer, sci-fi devotee and music aficionado www.pimpod.com Other books that get a mention: Saar mentions Tom Wolfe's “The Electric Kool-Aid Acid Test”, “The Right Stuff” and “Bonfire of the Vanities”. Also, “One flew Over the Cuckoo's Nest” by Ken Kesey. And, literary journalists Joan Didion and Hunter S Thompson. (“The American Review” was the first literary magazine to be published in the USA, in Boston in 1815.) https://northamericanreview.org https://www.instagram.com/sarshahar Paul mentions “Ringworld” by Larry Niven, “Turtle Diary” & “Riddley Walker' by Russel Hoban and “To Sleep in a Sea of Stars” by Christopher Paolini. INSTA https://www.instagram.com/textpublishing https://www.instagram.com/1234_pimpod        See omnystudio.com/listener for privacy information.

Greg received a very special Christmas present this past year, two tickets to King Gizzard & the Lizard Wizard. This was his first time seeing the Gizz & they did not disappointed. The actual show garnered some press as they played a 3 hour set and, by all accounts (Greg's included) crushed it. They are quite an impressive group of musicians!Songs:King Gizzard and the Lizard Wizard - “Magenta Mountain”King Gizzard and the Lizard Wizard - “Gila”King Gizzard and the Lizard Wizard - “Shanghai”Reported in a fascinating story by SF Gate, it turns out the CIA tested LSD on unsuspecting Johns at a San Francisco brothel (also owned and run by the CIA) in the 1950s. Named Operation Midnight Climax, the operation meant to test how LSD could be used in obtaining information from Soviet spies…they were basically checking to see if it was a truth serum. Every element of the story spoke to Jay, so he had to cover it. That being said, there's an interesting connection back to music. In the late 1950's, Ken Kesey participated in government studies of hallucinogenic drugs to supplement his income. When, in the early 1960s, he & Neal Cassady formed the Merry Pranksters and hosted Acid Tests in their La Honda house, they mentored a young band called the Grateful Dead, which served as the house band for the parties. Song: Beck & Phoenix - “Odyssey”Earlier this year, a podcast called Trax by Avenged Sevenfold released an episode that contained audio of the band's singer M. Shadows saying they wouldn't be playing two at shows at festivals later this summer. When the episode aired, the singer took to Twitter to deny the information, claiming the podcast had been hacked and that A.I. was used to create the audio of his voice. Flash forward, turns out it was just a hoax by M. Shadows himself. While he claims it was meant to ‘make a point,' Nick's decided the only point it made is that he's an idiot.Song: Squid - “Green Light”

Nghe trọn nội dung sách nói Bay Trên Tổ Chim Cúc Cu trên ứng dụng Voiz FM: https://voiz.vn/play/2421 Mọi chuyện ở một trại tâm thần đầy quy tắc dường như đảo lộn khi McMurphy xuất hiện. Bất trị như một chú ngựa hoang, hắn vào viện để trốn án lao động khổ sai và không hề có ý định cứu thế. Nhưng trong những ngày ở đó, cái phần tốt đẹp yêu tự do, thích tung hoành của hắn đã làm nên một cuộc cách mạng, tạo ra mối liên kết giữa những thân xác yếu ớt, những trí não bị tổn thương, nhắc họ nhớ về cá tính, về chính mình hoặc về những kẻ đã-từng-là-mình. Sự nổi loạn đó thách thức trật tự đạo đức giả mà Liên hợp áp đặt.. Cuộc chiến bất cân sức bắt đầu. Và rồi đúng như cuộc đời, kẻ yếu đã không thể thắng. McMurphy đã chết dữ dội như cách hắn sống, nhưng Liên hợp không giết được hắn, cũng không thể bắt hắn sống theo cách nó đặt ra. Bay trên tổ chim cúc cu đã chạm tới những câu hỏi phức tạp nhất về tự do và khuôn khổ, cá nhân và hệ thống, bình thường và bất thường, sự tỉnh táo và điên loạn... Tại ứng dụng sách nói Voiz FM, sách nói Bay Trên Tổ Chim Cúc Cu được đầu tư chất lượng âm thanh và thu âm chuyên nghiệp, tốt nhất để mang lại trải nghiệm nghe tuyệt vời cho bạn. --- Về Voiz FM: Voiz FM là ứng dụng sách nói podcast ra mắt thị trường công nghệ từ năm 2019. Với gần 2000 tựa sách độc quyền, Voiz FM hiện đang là nền tảng sách nói podcast bản quyền hàng đầu Việt Nam. Bạn có thể trải nghiệm miễn phí đa dạng nội dung tại Voiz FM từ sách nói, podcast đến truyện nói, sách tóm tắt và nội dung dành cho thiếu nhi. --- Voiz FM website: https://voiz.vn/ Theo dõi Facebook Voiz FM: https://www.facebook.com/VoizFM Tham khảo thêm các bài viết review, tổng hợp, gợi ý sách để lựa chọn sách nói dễ dàng hơn tại trang Blog Voiz FM: http://blog.voiz.vn/ --- Cảm ơn bạn đã ủng hộ Voiz FM. Nếu bạn yêu thích sách nói Bay Trên Tổ Chim Cúc Cu và các nội dung sách nói podcast khác, hãy đăng ký kênh để nhận thông báo về những nội dung mới nhất của Voiz FM channel nhé. Ngoài ra, bạn có thể nghe BẢN FULL ĐỘC QUYỀN hàng chục ngàn nội dung Chất lượng cao khác tại ứng dụng Voiz FM. Tải ứng dụng Voiz FM: voiz.vn/download #voizfm #sáchnói #podcast #sáchnóiBayTrênTổChimCúcCu #KenKesey

This person died in 2018 at age 88. When he graduated college in 1951 he had enough skill as a baseball player to earn a tryout with the New York Giants. He earned his PhD in American Studies from Yale in 1957. Beginning in the 1960s he helped create the enormously influential hybrid of fiction techniques into non-fiction known as the New Journalism. He was instantly recognizable as he strolled down Madison Avenue — a tall, slender, blue-eyed, boyish-looking man in his spotless three-piece white bespoke suit. He authored The Electric Kool Aid Acid Test, The Right Stuff, and Bonfire of the Vanities. Today's dead celebrity is Tom Wolfe Famous & Gravy is created and co-hosted by Amit Kapoor and Michael Osborne. This episode was produced by Jacob Weiss. Sign up for our newsletter at famousandgravy.com for news and updates on the show. Also, enjoy our mobile quiz game at deadoraliveapp.com If you enjoyed this episode, you may also like Episode 41 “Viva Bojangles” (Jerry Jeff Walker) and Episode 23 “Book Rancher” (Larry McMurtry).   Transcript of this episode New York Times Obituary for Tom Wolfe Famous & Gravy official website Famous & Gravy on Twitter, Facebook, LinkedIn Article by Michael Lewis on Tom Wolfe in Vanity Fair “The Making of Tom Wolfe's Radical Chic” in Vulture Trailer for ‘The Right Stuff' movie Trailer for The ‘Bonfire of the Vanities' movie Tom Wolfe's guest appearance on The Simpsons HPB.com Dead or Alive Quiz Game

Our stadium-sized season finale visits the Dead's June 1973 mega-gigs with the Allman Brothers Band in Washington DC, featuring the Allmans family, legendary tapers, searing heat, super jams, backstage brawls, & the manifestation of the Ouroboros. Guests: Bunky Odom, Buddy Thornton, Ron Wickersham, Alan Trist, Ben Haller, Peter Rowan, Richard Loren, Allan Arkush, Merl Saunders Jr., Steve White, Jim Cooper, Laurie Oliver, Dan Henklein, Howie Levine, Ihor Slabicky, Jay Kerley, Brian Schiff, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast visits one of the Dead's most legendary hometown shows with the band, crew, & Bay Area Dead freaks, featuring 3 sets in the Golden Gate Park sunshine, technological innovations, & an important paper by the Haight Street Free Medical Clinic.Guests: Donna Jean Godchaux-MacKay, Dave Smith, Bob Barsotti, Ron Wickersham, Jerry Pompili, Steve Brown, Sally Mann Romano, Mike Dolgushkin, David Gans, Strider Brown, Bob Student, Mike Crater, David Lemieux, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode 165 of A History of Rock Music in Five Hundred Songs looks at “Dark Stat” and the career of the Grateful Dead. This is a long one, even longer than the previous episode, but don't worry, that won't be the norm. There's a reason these two were much longer than average. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on "Codine" by the Charlatans. Errata I mispronounce Brent Mydland's name as Myland a couple of times, and in the introduction I say "Touch of Grey" came out in 1988 -- I later, correctly, say 1987. (I seem to have had a real problem with dates in the intro -- I also originally talked about "Blue Suede Shoes" being in 1954 before fixing it in the edit to be 1956) Resources No Mixcloud this week, as there are too many songs by the Grateful Dead, and Grayfolded runs to two hours. I referred to a lot of books for this episode, partly because almost everything about the Grateful Dead is written from a fannish perspective that already assumes background knowledge, rather than to provide that background knowledge. Of the various books I used, Dennis McNally's biography of the band and This Is All a Dream We Dreamed: An Oral History of the Grateful Dead by Blair Jackson and David Gans are probably most useful for the casually interested. Other books on the Dead I used included McNally's Jerry on Jerry, a collection of interviews with Garcia; Deal, Bill Kreutzmann's autobiography; The Grateful Dead FAQ by Tony Sclafani; So Many Roads by David Browne; Deadology by Howard F. Weiner; Fare Thee Well by Joel Selvin and Pamela Turley; and Skeleton Key: A Dictionary for Deadheads by David Shenk and Steve Silberman. Tom Wolfe's The Electric Kool-Aid Acid Test is the classic account of the Pranksters, though not always reliable. I reference Slaughterhouse Five a lot. As well as the novel itself, which everyone should read, I also read this rather excellent graphic novel adaptation, and The Writer's Crusade, a book about the writing of the novel. I also reference Ted Sturgeon's More Than Human. For background on the scene around Astounding Science Fiction which included Sturgeon, John W. Campbell, L. Ron Hubbard, and many other science fiction writers, I recommend Alec Nevala-Lee's Astounding. 1,000 True Fans can be read online, as can the essay on the Californian ideology, and John Perry Barlow's "Declaration of the Independence of Cyberspace". The best collection of Grateful Dead material is the box set The Golden Road, which contains all the albums released in Pigpen's lifetime along with a lot of bonus material, but which appears currently out of print. Live/Dead contains both the live version of "Dark Star" which made it well known and, as a CD bonus track, the original single version. And archive.org has more live recordings of the group than you can possibly ever listen to. Grayfolded can be bought from John Oswald's Bandcamp Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript [Excerpt: Tuning from "Grayfolded", under the warnings Before we begin -- as we're tuning up, as it were, I should mention that this episode contains discussions of alcoholism, drug addiction, racism, nonconsensual drugging of other people, and deaths from drug abuse, suicide, and car accidents. As always, I try to deal with these subjects as carefully as possible, but if you find any of those things upsetting you may wish to read the transcript rather than listen to this episode, or skip it altogether. Also, I should note that the members of the Grateful Dead were much freer with their use of swearing in interviews than any other band we've covered so far, and that makes using quotes from them rather more difficult than with other bands, given the limitations of the rules imposed to stop the podcast being marked as adult. If I quote anything with a word I can't use here, I'll give a brief pause in the audio, and in the transcript I'll have the word in square brackets. [tuning ends] All this happened, more or less. In 1910, T. S. Eliot started work on "The Love Song of J. Alfred Prufrock", which at the time was deemed barely poetry, with one reviewer imagining Eliot saying "I'll just put down the first thing that comes into my head, and call it 'The Love Song of J. Alfred Prufrock.'" It is now considered one of the great classics of modernist literature. In 1969, Kurt Vonnegut wrote "Slaughterhouse-Five, or, The Children's Crusade: A Duty-Dance with Death", a book in which the protagonist, Billy Pilgrim, comes unstuck in time, and starts living a nonlinear life, hopping around between times reliving his experiences in the Second World War, and future experiences up to 1976 after being kidnapped by beings from the planet Tralfamadore. Or perhaps he has flashbacks and hallucinations after having a breakdown from PTSD. It is now considered one of the great classics of modernist literature or of science fiction, depending on how you look at it. In 1953, Theodore Sturgeon wrote More Than Human. It is now considered one of the great classics of science fiction. In 1950, L. Ron Hubbard wrote Dianetics: The Modern Science of Mental Health. It is now considered either a bad piece of science fiction or one of the great revelatory works of religious history, depending on how you look at it. In 1994, 1995, and 1996 the composer John Oswald released, first as two individual CDs and then as a double-CD, an album called Grayfolded, which the composer says in the liner notes he thinks of as existing in Tralfamadorian time. The Tralfamadorians in Vonnegut's novels don't see time as a linear thing with a beginning and end, but as a continuum that they can move between at will. When someone dies, they just think that at this particular point in time they're not doing so good, but at other points in time they're fine, so why focus on the bad time? In the book, when told of someone dying, the Tralfamadorians just say "so it goes". In between the first CD's release and the release of the double-CD version, Jerry Garcia died. From August 1942 through August 1995, Jerry Garcia was alive. So it goes. Shall we go, you and I? [Excerpt: The Grateful Dead, "Dark Star (Omni 3/30/94)"] "One principle has become clear. Since motives are so frequently found in combination, it is essential that the complex types be analyzed and arranged, with an eye kept single nevertheless to the master-theme under discussion. Collectors, both primary and subsidiary, have done such valiant service that the treasures at our command are amply sufficient for such studies, so extensive, indeed, that the task of going through them thoroughly has become too great for the unassisted student. It cannot be too strongly urged that a single theme in its various types and compounds must be made predominant in any useful comparative study. This is true when the sources and analogues of any literary work are treated; it is even truer when the bare motive is discussed. The Grateful Dead furnishes an apt illustration of the necessity of such handling. It appears in a variety of different combinations, almost never alone. Indeed, it is so widespread a tale, and its combinations are so various, that there is the utmost difficulty in determining just what may properly be regarded the original kernel of it, the simple theme to which other motives were joined. Various opinions, as we shall see, have been held with reference to this matter, most of them justified perhaps by the materials in the hands of the scholars holding them, but none quite adequate in view of later evidence." That's a quote from The Grateful Dead: The History of a Folk Story, by Gordon Hall Gerould, published in 1908. Kurt Vonnegut's novel Slaughterhouse-Five opens with a chapter about the process of writing the novel itself, and how difficult it was. He says "I would hate to tell you what this lousy little book cost me in money and anxiety and time. When I got home from the Second World War twenty-three years ago, I thought it would be easy for me to write about the destruction of Dresden, since all I would have to do would be to report what I had seen. And I thought, too, that it would be a masterpiece or at least make me a lot of money, since the subject was so big." This is an episode several of my listeners have been looking forward to, but it's one I've been dreading writing, because this is an episode -- I think the only one in the series -- where the format of the podcast simply *will not* work. Were the Grateful Dead not such an important band, I would skip this episode altogether, but they're a band that simply can't be ignored, and that's a real problem here. Because my intent, always, with this podcast, is to present the recordings of the artists in question, put them in context, and explain why they were important, what their music meant to its listeners. To put, as far as is possible, the positive case for why the music mattered *in the context of its time*. Not why it matters now, or why it matters to me, but why it matters *in its historical context*. Whether I like the music or not isn't the point. Whether it stands up now isn't the point. I play the music, explain what it was they were doing, why they were doing it, what people saw in it. If I do my job well, you come away listening to "Blue Suede Shoes" the way people heard it in 1956, or "Good Vibrations" the way people heard it in 1966, and understanding why people were so impressed by those records. That is simply *not possible* for the Grateful Dead. I can present a case for them as musicians, and hope to do so. I can explain the appeal as best I understand it, and talk about things I like in their music, and things I've noticed. But what I can't do is present their recordings the way they were received in the sixties and explain why they were popular. Because every other act I have covered or will cover in this podcast has been a *recording* act, and their success was based on records. They may also have been exceptional live performers, but James Brown or Ike and Tina Turner are remembered for great *records*, like "Papa's Got a Brand New Bag" or "River Deep, Mountain High". Their great moments were captured on vinyl, to be listened back to, and susceptible of analysis. That is not the case for the Grateful Dead, and what is worse *they explicitly said, publicly, on multiple occasions* that it is not possible for me to understand their art, and thus that it is not possible for me to explain it. The Grateful Dead did make studio records, some of them very good. But they always said, consistently, over a thirty year period, that their records didn't capture what they did, and that the only way -- the *only* way, they were very clear about this -- that one could actually understand and appreciate their music, was to see them live, and furthermore to see them live while on psychedelic drugs. [Excerpt: Grateful Dead crowd noise] I never saw the Grateful Dead live -- their last UK performance was a couple of years before I went to my first ever gig -- and I have never taken a psychedelic substance. So by the Grateful Dead's own criteria, it is literally impossible for me to understand or explain their music the way that it should be understood or explained. In a way I'm in a similar position to the one I was in with La Monte Young in the last episode, whose music it's mostly impossible to experience without being in his presence. This is one reason of several why I placed these two episodes back to back. Of course, there is a difference between Young and the Grateful Dead. The Grateful Dead allowed -- even encouraged -- the recording of their live performances. There are literally thousands of concert recordings in circulation, many of them of professional quality. I have listened to many of those, and I can hear what they were doing. I can tell you what *I* think is interesting about their music, and about their musicianship. And I think I can build up a good case for why they were important, and why they're interesting, and why those recordings are worth listening to. And I can certainly explain the cultural phenomenon that was the Grateful Dead. But just know that while I may have found *a* point, *an* explanation for why the Grateful Dead were important, by the band's own lights and those of their fans, no matter how good a job I do in this episode, I *cannot* get it right. And that is, in itself, enough of a reason for this episode to exist, and for me to try, even harder than I normally do, to get it right *anyway*. Because no matter how well I do my job this episode will stand as an example of why this series is called "*A* History", not *the* history. Because parts of the past are ephemeral. There are things about which it's true to say "You had to be there". I cannot know what it was like to have been an American the day Kennedy was shot, I cannot know what it was like to be alive when a man walked on the Moon. Those are things nobody my age or younger can ever experience. And since August the ninth, 1995, the experience of hearing the Grateful Dead's music the way they wanted it heard has been in that category. And that is by design. Jerry Garcia once said "if you work really hard as an artist, you may be able to build something they can't tear down, you know, after you're gone... What I want to do is I want it here. I want it now, in this lifetime. I want what I enjoy to last as long as I do and not last any longer. You know, I don't want something that ends up being as much a nuisance as it is a work of art, you know?" And there's another difficulty. There are only two points in time where it makes sense to do a podcast episode on the Grateful Dead -- late 1967 and early 1968, when the San Francisco scene they were part of was at its most culturally relevant, and 1988 when they had their only top ten hit and gained their largest audience. I can't realistically leave them out of the story until 1988, so it has to be 1968. But the songs they are most remembered for are those they wrote between 1970 and 1972, and those songs are influenced by artists and events we haven't yet covered in the podcast, who will be getting their own episodes in the future. I can't explain those things in this episode, because they need whole episodes of their own. I can't not explain them without leaving out important context for the Grateful Dead. So the best I can do is treat the story I'm telling as if it were in Tralfamadorian time. All of it's happening all at once, and some of it is happening in different episodes that haven't been recorded yet. The podcast as a whole travels linearly from 1938 through to 1999, but this episode is happening in 1968 and 1972 and 1988 and 1995 and other times, all at once. Sometimes I'll talk about things as if you're already familiar with them, but they haven't happened yet in the story. Feel free to come unstuck in time and revisit this time after episode 167, and 172, and 176, and 192, and experience it again. So this has to be an experimental episode. It may well be an experiment that you think fails. If so, the next episode is likely to be far more to your taste, and much shorter than this or the last episode, two episodes that between them have to create a scaffolding on which will hang much of the rest of this podcast's narrative. I've finished my Grateful Dead script now. The next one I write is going to be fun: [Excerpt: Grateful Dead, "Dark Star"] Infrastructure means everything. How we get from place to place, how we transport goods, information, and ourselves, makes a big difference in how society is structured, and in the music we hear. For many centuries, the prime means of long-distance transport was by water -- sailing ships on the ocean, canal boats and steamboats for inland navigation -- and so folk songs talked about the ship as both means of escape, means of making a living, and in some senses as a trap. You'd go out to sea for adventure, or to escape your problems, but you'd find that the sea itself brought its own problems. Because of this we have a long, long tradition of sea shanties which are known throughout the world: [Excerpt: A. L. Lloyd, "Off to Sea Once More"] But in the nineteenth century, the railway was invented and, at least as far as travel within a landmass goes, it replaced the steamboat in the popular imaginary. Now the railway was how you got from place to place, and how you moved freight from one place to another. The railway brought freedom, and was an opportunity for outlaws, whether train robbers or a romanticised version of the hobo hopping onto a freight train and making his way to new lands and new opportunity. It