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Concluding the Deadcast's Summer Magic 1985 run, we pull into Maryland for 2 over-the-top shows, explore the band's ‘80s gear, the Dead Heads' ‘80s pipecraft, & the enthralling scene around the Dead.Guests: David Lemieux, Peter Miller, Dennis McNally, Dan English, Nick Paumgarten, Jeffrey Alexander, Christian Crumlish, Nicholas G. Meriwether, David Leopold, Will Backstrom, Andy Perrine, Geoff Mockbee, Harry Clark, Mike SmartSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Grateful Dead made their only visit to the land of chocolate on a rainy night in summer 1985, a pivotal show for different reasons for lighting crew member Dan English and longtime Dead Head photographer Bob MinkinGuests: David Lemieux, Dennis McNally, Dan English, Bob Minkin, Hawk, Dave Leopold, John Leopold, James Williamson, DNA, Johnny Dwork, Andy Perrine, Tom Storrer, Joe Noce, Joe StevanoffSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
What if a dream changed the course of a band?Don Was joins Jay Lane and Only in the Green Room for a remarkable conversation about Bob Weir, Rob Wasserman, Wolf Bros and the music that continues to connect them all.Don shares the story of the phone call from Bob Weir that started with something extraordinary: Rob Wasserman had come to Bob in a dream — and told him why he had introduced Don and Bob decades earlier.That call helped lead to the formation of Wolf Bros.From Don locking himself in a New York hotel room for 10 days to learn six songs they never ended up playing, to Bob eventually giving him the advice that changed the way he approached the music:“Just forget about all this and be yourself.”Don and Jay also reflect on the enormous influence of Rob Wasserman, revisit Blues for Allah 50 years later, and talk about what makes this music continue to transcend generations.A backstage conversation about friendship, fearlessness, musical legacy — and the people who change the course of our lives.Watch the full conversation on Only in the Green Room.#DonWas #JayLane #BobWeir #WolfBros #RobWasserman #GratefulDead #BluesForAllah #OnlyInTheGreenRoom
Matt Combs is a composer, arranger, producer, author, educator, and Nashville-based multi-instrumentalist whose work bridges American roots music, orchestral composition, and film and television scoring. Since arriving in Nashville in 1997, Combs has worked extensively in the studio under producers including Dan Auerbach, T Bone Burnett, Don Was, Buddy Miller, John Carter Cash, John Osborne, Matt Sweeney, Butch Walker, Alison Brown, Dave Ferguson, Ian Fitchuk, Daniel Tashian, Jordan Lehning, Pat Sansone, Misa Arriaga, Beau Bedford, and Gerry Beckley. He has provided string arrangements and performances for legendary and contemporary artists including Johnny Cash, Loretta Lynn, Wynonna Judd, Kacey Musgraves, The Black Keys, Sturgill Simpson, Brothers Osborne, Yola, Marcus King, Wilco, Ashley McBryde, Stephen Sanchez, and CeeLo Green. Combs spent three seasons as a musician on ABC's Nashville, has served as a house band member for the CMA and ACM Awards, and worked in the Grand Ole Opry staff band, backing artists including Vince Gill and Charlie Pride. He has toured extensively with Reba McEntire, Ray Price, Patty Loveless, Jerry Douglas, Mike Snider, Maura O'Connell, and Wynonna Judd. A prolific contributor to film, television, and video game music, Combs' work can be heard on releases including Yellowstone, Red Dead Redemption 2, The Menu, Texas Chainsaw Massacre, The West, Old Henry, Color Out of Space, Horizon, and Famous for Killing Each Other: Music from and Inspired by Hatfields & McCoys. Combs is also a producer and curator, leading projects including Pa's Fiddle: Music from Little House on the Prairie, John Hartford Fiddle Tune Project Vol. 1, and recordings by Diana Jones and Taylor Brashears. In 2018, he co-authored John Hartford's Mammoth Collection of Fiddle Tunes, working directly with the Hartford estate to curate and transcribe 176 compositions from more than 1,000 handwritten tunes in Hartford's personal journals. Combs earned a Bachelor of Music in violin performance from the University of Michigan under Paul Kantor. Deeply committed to education, he teaches at camps, universities, and public programs, sharing both technical expertise and the history of American fiddle music. www.mattcombs.com https://combsmatt.bandcamp.com/album/fifty-years-of-clown-school https://open.spotify.com/artist/4E5CVA3tAALpUH7Zi3dAj9?si=X5FyWCaASk6alFSWYgLmqA
The Deadcast points to the Saratoga Performing Arts Center in New York, set inside the lush green of a state park & home to some of the wildest Grateful Dead shows of the mid-1980s, with a look at the 1985 parking lot scene.Guests: David Lemieux, David Leopold, Johnny Dwork, DNA, Ken Schneider, Andy Perrine, David Moran, Corry Arnold, Nicholas Meriwether, Annabelle Walsh, Donick CarrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
As we wrap up SEASON 6, we have Part 2 of 2 with Matthew Smith who writes and records more music than most people can take a breath of in a day. Between The Volebeats, Outrageous Cherry, and his solo work, Smith has outlined a career in indy sonics, world class craft, and master musicianship. He has worked with everyone under the Michigan sun, and then some. Rodriguez, Alice Cooper, Don Was, and so many more, you have to tune into hear it all. We captured Smith live at Trinosophes, a predominantly avant garde coffee/vegan friendly sandwich cafe, art, free jazz (and then some), next door to Peoples Records in Detroit. Here in Part 2 of 2, Smith dives into The Volebeats records with Dr. J, Don Was, Ben Harper, his history with Rodriguez and Andre Williams, Rob Tyner, staying healthy, The Go/Jack White, His Name Is Alive, and even a Ryan Adams bit. We wrap up a post on the show with a bit about the loss of Ozzy Osbourne, who passed that day. MORE incredible stories and song cycles--even some acoustic tunes--Turn it UP!
Set the controls for the heart of 1985 and the Dead's 20th anniversary shows at the Greek Theatre in Berkeley, with a look at the band's very busy year, plus Dead Head adventures aplenty.Guests: Dennis McNally, Len Dell'Amico, Rosie McGee, John Leopold, Dave Leopold, Johnny Dwork, David Lemieux, Nicholas Meriwether, Dave PerlisSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Matthew Smith brought a song to start the show with the MMHP. Nobody has done this yet. A new, as of yet unrecorded track, voice and piano. Smith writes and records more music than most people can take a breath of in a day. Between The Volebeats, Outrageous Cherry, and his solo work, Smith has outlined a career in indy sonics, world class craft, and master musicianship. He has worked with everyone under the Michigan sun, and then some. Rodriguez, Alice Cooper, Don Was, and so many more, you have to tune into hear it all. We captured Smith live at Trinosophes, a predominantly avant garde coffee/vegan friendly sandwich cafe, art, free jazz (and then some), next door to Peoples Records in Detroit. Smith invited us (along with and much thanks to owner Joel Peterson) to sit down for a lengthy discussion, performance, and intimate career retrospective of his many musical facets. Get to know Matthew Smith--you already have heard him! Part one NOW...
We explore the very high times of the Grateful Dead's 1966, touring Rancho Olompali with Rosie McGee, swan-diving into Owsley's magical banana box of mystery reels, and celebrating the feral young Dead heard on the new July 3rd, 1966 Fillmore Auditorium release.Guests: Rosie McGee, Ron Rakow, Bob Matthews, David Freiberg, David Lemieux, HawkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast explores Steal Your Face's iconic artwork & visits the Grateful Dead's June 1976 return to the road, including a tour of the Dead Head culture that bloomed in their absence.Guests: Richard Loren, John Scher, Ron Rakow, Eugene Dolgoff, Pat Lee, Johnny Dwork, Dave Davis, Rob Bleetstein, John Brackett, Starfinder Stanley, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Hello and welcome to Aquarium Drunkard Transmissions with Jason P. Woodbury, presented by the Talkhouse Podcast Network. We're kicking off our new season with a fantastic guest: Don Was. Was' CV is stunning. In addition to his genre-bending work with Was (Not Was), Don has collaborated with some of the most respected artists in music history: Bob Dylan, Bonnie Raitt, The Rolling Stones, The B-52s, Ringo Starr, Roy Orbison…the list could go on. These days, you can find Don with his band, The Pan-Detroit Ensemble, whose latest album is called Groove in the Face of Adversity, and behind the desk at Blue Note Records—he's been the president of the legendary jazz label since 2011. But Don has joined us today to talk about one of his very first recording projects: Ted Lucas' Impossible Love, an unheard album he cut with the cult Detroit songwriter in 1979. Impossible Love is part of Third Man Records' new collection of Lucas gold, Images of Life. Following their reissue of his stoned folk classic 1975 LP, Third Man Records has unlocked the vault, offering a comprehensive look at one of the late '60s and '70s' most dynamic Detroit talents. Spanning Lucas' career, the set includes recordings by Lucas' early regional sensations like The Spike Drivers, The Misty Wizards, and The Horny Toads, acoustic demos, and his long-lost second album, produced by Was. Don joined us to discuss his time with Ted–including a disastrous gig they played with Black Sabbath—and help us uncover this lost Motor City counter culture story. And that's not all—Don also reflected on his work with the late bandmate Bob Weir, the legacy of the Dead, and of course, his work on Garth Brooks' ill-fated 1999 Chris Gaines project. That's right: we went there. So roll up your sleeves and let's get to it, Don Was on Transmissions.
This week we sit down again with guitarist to talk about the upcoming Outlaw Country Festival dates he's playing as a member of Don Was' Pan Detroit Ensemble. Plus, we talk about Wayne's new music project, Big Tent. For more information, you can also follow Wayne on Instagram.
Six-time Grammy winner, acclaimed producer and Blue Note Records President Don Was has released his debut album with The Pan-Detroit Ensemble, a “nine-piece soul jazz group from Detroit” as he describes it. Groove in the Face of Adversity was released October 10, 2025 via Mack Avenue Records. Maggie & Don sat down to discuss his latest project and they dove into the deep musical roots, inspiration, and creative process behind The Pan-Detroit Ensemble and their debut album, Groove in the Face of Adversity. Don curated a lineup of elite, multi-generational Detroit musicians, which he discussed with Maggie and he group features longtime heavyweights like saxophonist Dave McMurray (Blue Note Records) and keyboardist Luis Resto (known for his Oscar-winning work with Eminem). The Full Nine-Piece Roster: The lineup is completed by Vincent Chandler (trombone), John Douglas (trumpet), Jeff Canaday (drums), Mahindi Masai (percussion), Wayne Gerard (guitar), and the powerhouse, "Aretha-like" vocals of Steffanie Christi'an. It's a deep dive into the music and the city and the essence of the City of Detroit. They also wrap up the interview with a sneak peak of Blue Note Records releases. Don Was (born Donald Fagenson on September 13, 1952) is an iconic American musician, six-time Grammy-winning record producer, and the President of Blue Note Records. Deeply rooted in the musical heritage of Detroit, he has spent over four decades shaping the landscape of rock, pop, funk, and jazz. This podcast is brought to you in part by Don Was & The Pan Detroit Ensemble performing live at the Lodge Room Tuesday July 7, 2026 at 7pm The Lodge Room is located at 104 N Ave 56, 2nd floor, Los Angeles 90042Don Was and the Pan-Detroit Ensemble celebrating their debut album Groove in the Face of Adversity and the 50th Anniversary of the Grateful Dead's Blues For Allah Tues July 7th at the Lodge Room in Highland Park. For more information & tickets visit lodgeroomhlp.com and https://www.kpfk.org/ click on the show banner for Don Was & the Pan Detroit Ensemble show July 7th at the Lodge Room. We'll see you there! Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Source: https://donwas.com/Source: lodgeroomhlp.comSource: https://www.jambase.com/show/don-was-the-pan-detroit-ensemble-lodge-room-20260707Send us Fan MailSupport the show@profileswithmaggielepique@maggielepique
The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.Guests: Ron Rakow, Steve Brown, Terry Haggerty, John Scher, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
How did a personal tragedy influence one of the most essential party anthems in the new wave canon? This week on One Song, Diallo & LUXXURY break down the B-52's “Love Shack” with legendary Grammy award-winning producer, director and president of Blue Note Records, Don Was. They dive into how the track began as a 10+ minute long jam, outline the influences from classic Motown and Stax records and Don shares the surprisingly emotional story behind the iconic “Tin Roof Rusted” breakdown. Songs Discussed: “Love Shack” - The B-52's “Walk The Dinosaur” - Was (Not Was) “Numbers” - Kraftwerk “Mesopotamia” - The B-52's “Tell Me That I'm Dreaming” - Was (Not Was) “Dancing In The Street” - Martha Reeves & The Vandellas “I Love a Man in Uniform” - Gang of Four “Fun House” - The Stooges “Cold Sweat (Parts 1 & 2)” - James Brown and The Famous Flames “Candy” - Iggy Pop “Cool Jerk” - The Capitols “House Of The Rising Sun” - The Animals “Hold On, I'm Comin'” - Sam & Dave “Gimme Some Lovin'” - The Spencer Davis Group “Express Yourself” - Charles Wright & The Watts 103rd Street Rhythm Band “Express Yourself” - N.W.A. “Cars” - Gary Numan Diallo & LUXXURY Talk About Music on Patreon One Song Spotify Playlist Learn more about your ad choices. Visit megaphone.fm/adchoices
The Deadcast uncovers the secrets of Steal Your Face, the Dead's 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley. Guests: Ron Rakow, Al Teller, John Scher, Ned Lagin, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
0:00 Welcome to Only In The Green Room0:45 How Dave and Tami first met at The Broadside2:00 The Bay Area–New Orleans connection explained4:30 The Grateful Dead, the Nevilles, and how it all started6:15 How the Radiators brought Dave to High Sierra8:00 The 2026 New Orleans lineup revealed10:30 The Rumble + Dumpstaphunk late night throwdown12:00 Anders Osborne, The Break, and Stanton Moore's new trio14:15 River Ecker: 16-year-old piano phenom16:30 Luther Dickinson, Jake Ecker, and The Word18:00 George Porter Jr. with Lebo and the All-Stars19:30 Don Was, Cymande, and the soul of the 2026 headliners21:00 Steely Dead, Pink Talking Fish, and the late night mashup23:00 Why musicians call High Sierra their favorite festival25:30 The artist liaison program and why artists want to be there27:00 The new Grass Valley venue and the future of High Sierra29:30 Sunrise Kickball and the magic of the full festival experience31:00 Get your tickets now — why this year is unmissableHigh Sierra Music Festival founder Dave Margulies sits down with Only In The Green Room at Jazz Fest in New Orleans — where the two festival worlds collide.Dave has attended 49 consecutive Jazz Fests, and this conversation captures exactly why the connection between New Orleans music and High Sierra runs so deep. We cover the 2026 lineup, the new Grass Valley venue, and why musicians from Luther Dickinson to George Porter Jr. call High Sierra their favorite festival in America.
The Deadcast concludes its extended 2-part tribute to Bobby Weir, ranging into the evolution of his songwriting, stage persona, guitar playing, and unexpected career beyond the Grateful Dead.Guests: Bobby Weir, David Lemieux, Jeff Chimenti, Scott Metzger, Don Was, Gary Lambert, Tim Stevens, Tony Italiano, William Keats, Bretty PauleySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Grateful Deadcast returns for its 13th season, beginning with a 2-part tribute to the great Bobby Weir, mixing interviews with archival audio to tell the story of how a teenage Atherton folkie found his singular jazz-informed musical voice (dropping a few water balloons en route).Guests: Bobby Weir, David Lemieux, David Nelson, Gary Lambert, Rhoney Stanley, Graeme BooneSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This episode was recorded on January 18th, 2026 at the Canady Creative Arts Center at West Virginia University in Morgantown, WV. The lineup includes Don Was & The Pan-Detroit Ensemble, Vienna Teng, Joe Crookston, and William Matheny. https://bit.ly/4lZrAvO
Dave McMurray, Don Was & the Pan-Detroit Ensemble. Nadia Labrie, Sahara von Hattenberger, Christopher Hoffman, Bellbird, The Dwarfs of East Agouza, Karneef, Plomberie, Kate Wyatt, Ramiro Zayas, Laura Camacho Tango Project, Michael Sarian, Amir ElSaffar and Way Ahead TrioPlaylist: Dave McMurray - I LOVE LIFE even when I am hurtingDon Was - Nubian LadyNadia Labrie - Suite for Flute and Jazz Piano: Baroque and BlueSahara von Hattenberger - Claude Bolling Suite for Cello and Jazz Piano Trio 6: Cello FanChristopher Hoffman - Snow OwlsBellbird - Soft AnimalThe Dwarfs of East Agouza - Swollen ThanklesKarneef, featuring Evan Shay - It's How You Say ItPlomberie - Pot Pourri (instrumental)Kate Wyatt - SuccessionRamiro Zayas, featuring Basel Jazz Orchestra - FamiliaRamiro Zayas - Yo También QuieroLaura Camacho Tango Project - Todo Tiempo PasadoMichael Sarian - Portrait of a PostmanAmir ElSaffar - For the Victims of Genocide (Alternate Take)Way Ahead Trio - Dover Blues
On this edition of The Arts Section, host Gary Zidek has all the details of International Jazz Day 2026. Chicago will host the global celebration of jazz this year. Illinois Govenor JB Pritzker, Chicago Mayor Brandon Johnson, and jazz legend Herbie Hancock were among the luminaries at a Jazz Day launch event. Theater Critics, Kelly Kleiman and Kathy Hey, join Gary to review Timeline Theater's EUREKA DAY. Later in the show, Gary revisits his conversation with celebrated producer and musician Don Was.
Dave Dameshek, Joe Bartnick, Mike DeFabo, Don Was, Sean Collier's Movie Reviews, and more.
The legendary Don Was calls in ahead of his band's performance tonight at the Thunderbird and Don shares with us his musical journey alongside the late, great Bob Weir. In this week's Winners and Boozers we shout out Aaron Rodgers ayahuasca guy and The Clarks, and say sorry to Rick Tocchet and John Harbaugh.
The legendary Don Was calls in ahead of his band's performance tonight at the Thunderbird and Don shares with us his musical journey alongside the late, great Bob Weir.
The legendary Don Was calls in ahead of his band's performance tonight at the Thunderbird and Don shares with us his musical journey alongside the late, great Bob Weir.See omnystudio.com/listener for privacy information.
Dave Dameshek, Joe Bartnick, Mike DeFabo, Don Was, Sean Collier's Movie Reviews, and more.See omnystudio.com/listener for privacy information.
The legendary Don Was calls in ahead of his band's performance tonight at the Thunderbird and Don shares with us his musical journey alongside the late, great Bob Weir. In this week's Winners and Boozers we shout out Aaron Rodgers ayahuasca guy and The Clarks, and say sorry to Rick Tocchet and John Harbaugh.See omnystudio.com/listener for privacy information.
The legendary Don Was calls in ahead of his band's performance tonight at the Thunderbird and Don shares with us his musical journey alongside the late, great Bob Weir.See omnystudio.com/listener for privacy information.
[REBROADCAST FROM February 18, 2022] The world mourned Grateful Dead founding member Bob Weir, who died over the weekend. We air part of our conversation about Bobby Weir & Wolf Bros: Live In Colorado, the first vinyl collection from Weirand his band, formed in 2018, of Don Was and Jay Lane.
Host Melinda Marsalis talks with Grammy winning musician, producer, and composer Don Was about his illustrious career and his upcoming show at The Princess Theater in Decatur, Alabama. Welcome to HEARD IT ON THE SHARK with your show host Melinda Marsalis and show sponsor, Mississippi Hills National Heritage Area. HEARD IT ON THE SHARK is a weekly interview show that airs every Tuesday at 11 am on the shark 102.3 FM radio station based in Ripley, MS and then is released as a podcast on all the major podcast platforms. You'll hear interviews with the movers and shakers in north Mississippi who are making things happen. Melinda talks with entrepreneurs, leaders of business, medicine, education, and the people behind all the amazing things happening in north Mississippi. When people ask you how did you know about that, you'll say, “I HEARD IT ON THE SHARK!” HEARD IT ON THE SHARK is brought to you by the Mississippi Hills National Heritage area. We want you to get out and discover the historic, cultural, natural, scenic and recreational treasures of the Mississippi Hills right in your backyard. And of course we want you to take the shark 102.3 FM along for the ride. Bounded by I-55 to the west and Highway 14 to the south, the Mississippi Hills National Heritage Area, created by the United States Congress in 2009 represents a distinctive cultural landscape shaped by the dynamic intersection of Appalachian and Delta cultures, an intersection which has produced a powerful concentration of national cultural icons from the King of Rock'n'Roll Elvis Presley, First Lady of Country Music Tammy Wynette, blues legend Howlin' Wolf, Civil Rights icons Ida B. Wells-Barnett and James Meredith, America's favorite playwright Tennessee Williams, and Nobel-Laureate William Faulkner. The stories of the Mississippi Hills are many and powerful, from music and literature, to Native American and African American heritage, to the Civil War. The Mississippi Hills National Heritage Area supports the local institutions that preserve and share North Mississippi's rich history. Begin your discovery of the historic, cultural, natural, scenic, and recreational treasures of the Mississippi Hills by visiting the Mississippi Hills National Heritage Area online at mississippihills.org. Musical Credit to: Garry Burnside - Guitar; Buddy Grisham - Guitar; Mike King - Drums/Percussion All content is copyright 2021 Sun Bear Studio Ripley MS LLC all rights reserved. No portion of this podcast may be rebroadcast or used for any other purpose without express written consent of Sun Bear Studio Ripley MS LLC
The Pan-Detroit Ensemble is the new band from native Detroiter, Grammy-winning producer and longtime Blue Note Records president Don Was. Their debut album, Groove In The Face of Adversity, was released this year and on Monday January 12 the group will perform at the Blue Note. Was joins us for a Listening Party.
Show Notes:In this episode of Backstage Bay Area, host Steve Roby sits down with Grammy-nominated saxophonist and composer Melissa Aldana. As the first female instrumentalist and first South American to win the Thelonious Monk International Jazz Saxophone Competition, Melissa shares her remarkable journey from Santiago, Chile, to the global jazz stage.Highlights:• Melissa discusses her early influences, including her family's musical legacy and the pivotal moment she switched to tenor sax after hearing Sonny Rollins.• Insights into her creative process, the importance of transcribing jazz greats, and learning to embrace her own sound.• The story behind her latest Blue Note album, Echoes of the Inner Prophet, and how it honors the late Wayne Shorter.• A preview of her upcoming album Filin, produced by Don Was, featuring Central and South American ballads and collaborations with renowned artists.• Reflections on music as a tool for personal growth and connection.• Details about her upcoming performance at SFJAZZ's Miner Auditorium as part of the Upswing series, sharing the stage with pianist Taylor Eigsti.• Featured Tracks:• “Unconscious Whispers” from Echoes of the Inner Prophet• “Echoes of the Inner Prophet” (title track) Links & Resources:• Melissa Aldana Official Website• Echoes of the Inner Prophet on Blue Note Records• SFJAZZ Tickets & Info• DownBeat Magazine• Follow Melissa Aldana on Instagram Upcoming San Francisco Show:• Date: Saturday, January 17th• Venue: Miner Auditorium, SFJAZZ Center• Double Bill: Melissa Aldana & Taylor Eigsti• Get Tickets
In a year that often felt overwhelming, music remained a place of focus and meaning. This episode of Mondo Jazz brings together the songs from the past six months that helped make sense of the noise—or at least gave us a reason to lean in and listen. The playlist features Funkwrench Blues [pictured]; Anne Drummond; Donny McCaslin; Vincent Peirani; SFJAZZ Collective; and Don Was & The Pan-Detroit Ensemble. Detailed playlist at https://spinitron.com/RFB/pl/21689299/Mondo-Jazz [from "Drowning Man" onwards]. Happy listening!
What does it really mean to grow up in a household where songwriting isn't just a passion—it's the family business? On this episode of Bringin' It Backwards, Adam Lisicky sits down with rising Nashville artist Cecilia Castleman for a raw, insightful look into her journey from Franklin, Tennessee's cow fields to the brink of her debut album release. From picking up a guitar at age six (instead of a twenty-dollar bill for the mall) to landing a publishing deal at eighteen, Cecilia Castleman and Cecilia Castleman share how a musical family, relentless work ethic, and a willingness to keep her art sacred shaped not only her sound, but the way she moves through the industry. She opens up about backseat sessions with her songwriter mom and philosophical kitchen-writing with her dad, the years-long process of choosing which "secrets and thoughts" would finally make it onto her first record, and even what it felt like to work with legendary producer Don Was after years of dreaming. In this conversation, you'll hear stories of fighting perfectionism, the struggle to stay true when comparison sneaks in, and the vulnerable process of turning personal experience into shareable art. Whether you're an aspiring musician or just a fan of great storytelling, this episode peels back the layers on what it takes to forge a musical career when "making it" means being both tough and totally yourself. Tune in to hear Cecilia Castleman's advice for artists learning to "hold your ground," her reflections on the highs and lows of chasing the dream, and why sometimes the right guitar riff and an honest lyric is all you need. Don't forget to subscribe to Bringin' It Backwards on your favorite platform and follow @BringinBackPOD for more inspiring interviews!
The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Bluesky. Enjoy! The Creative Source 6th November 2025 Artist - Track - Album - Year Irving Flores Afro-Cuban Jazz Sextet Samba con Sabor Armando Mi Conga 2025 Bobby Rozario Jingo Healer 2025 Harold López-Nussa Cerca y Lejos Nueva Timba 2025 Kelsey Mines Sitting and Not Waiting Everything Sacred, Nothing Serious 2025 Jimbo Ross Nardis So Do It 2025 Michael Wolff Quarantine Blues Sunny Day 2025 Chris Rottmayer Voyage Playing Favorites 2025 Caelen Cardello Steppin' Up Chapter One 2025 Mike Clark Midori Itai Doshin 2025 Socrates Garcia Latin Jazz Orchestra Brad's Dreamy Samará Night Shadows of Tomorrow 2025 Don Was and the Pan-Detroit Ensemble Nubian Lady Groove in the Face of Adversity 2025 Joe Elefante's Wheel of Dharma Ankara Blues Return of the Light 2025 Peter Lin AAPI Jazz Collective Alishan Girl Identity 2025 Sean Mason Unfinished Business A Breath of Fresh Air 2025 Martin Bejerano Presents Kiss The Purple Project: Reimagining the Music of Prince 2025 Rick Keller Subterraneous Heroes 2025 Shawn Purcell Primaries and Spares Oblivity 2025 Miguel Kertsman i-Clock Paradoxes 2025 Miguel Kertsman Postlude: De-clocking Paradoxes 2025 Natsuki Tamura and Satoko Fujii Hinoki Ki 2025 The post The Creative Source (#CreativeSource) – 6th November 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.
We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the Nick of Time, Phil & David are sharing take two of their jazzy, improvised, epic conversation with the legendary music producer, artist and timelessly cool cat Don Was. Don shares wonderful stories about working with the great Bonnie Raitt on albums that changed both of their lives, building "Love Shack" with The B-52's, how Don helped bring together John Mayer and Bob Weir. Then, Don tells the story of starting The Pan-Detroit Ensemble and offers a quick, fun track-by-track trip through the group's excellent new album, "Groove In The Face Of Adversity." For more on Don, go to https://donwas.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com
Don Was talks about Groove in the Face of Adversity, his new album with the Pan-Detroit Ensemble — and takes a wide-ranging look at his incredible career in an interview with host Brian Hiatt. Was goes deep on everything from opening for Black Sabbath to producing Bob Dylan and the Rolling Stones to unlikely moments like helping Garth Brooks create The Life of Chris Gaines. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast examines how Franklin's Tower bucked every trend on Blues For Allah to become one of the Dead's all-time classics, including a tape of its studio creation, a look into the multi-tracks, & a rare line-by-line breakdown by lyricist Robert Hunter himself.Guests: David Lemieux, Geoff Gould, Jürgen Fauth, Shaugn O'Donnell, Chadwick Jenkins, Will Backstrom, Max Ritchie, Hannah GrabbensteinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast uses Blues For Allah's complicated instrumental Slipknot! to explore the musical and creative ambiguity the Grateful Dead pursued in early 1975, when there both was and wasn't a Grateful Dead, & their public reemergence at Bill Graham's S.N.A.C.K. benefit that March.Guests: David Lemieux, Ned Lagin, Ron Rakow, Steve Brown, Gary Lambert, Joan Miller, Jay Kerley, Chadwick Jenkins, Shaugn O'Donnell, Melvin BackstromSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Phil & David are thrilled to welcome Don Was -- famed record producer, musician and Blue Note Records President -- for Jersey Mike's sandwiches and the first part of an epic conversation about Don's remarkable life in music and all that jazz. They start by paying tribute to the late great Brian Wilson, the subject of Don's brilliant 1995 documentary, "I Just Wasn't Made For These Times." Coming in Part 2: Don talks about working with Bonnie Raitt, The B-52s, John Mayer, Was (Not Was) and much more. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.
The Grateful Deadcast points itself towards 1975 to begin a song-by-song celebration of Blues For Allah's 50th anniversary, loaded with raw session tapes, early lyric drafts, & the story of how the Dead built a new studio, musical language, batch of songs, & LP from the ground up. Guests: David Lemieux, Donna Jean Godchaux-MacKay, Ron Rakow, Stephen Barncard, Ned Lagin, Steve Brown, Gary Lambert, Keith Eaton, Shaugn O'Donnell, Chadwick Jenkins, Matt CampbellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Grateful Deadcast visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended. This bonus episode is a re-run of the 2nd half of Deadcast Season 9, episode 8.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, , Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, Brian AndersonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Good Ol' Grateful Deadcast is thrilled beyond all audible frequencies to begin its 12th season by welcoming Dan Healy, the Grateful Dead's in-house sound wizard for most of their career, for tales from three decades in pursuit of high and higher fidelity.Guest: Dan HealySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Enjoying the Ride: On TourThe Deadcast season finale hits shows at 3 legendary venues, exploring Dick Latvala's transformative experience at Red Rocks ‘79, Hollie Rose's tour journal, the wonders of the Alpine Valley parking lot, & when Shakedown Street got its name.Guests: David Lemieux, Jay Kerley, Hollie Rose, Rebecca Adams, Bill Lemke, Phil Garfinkel, Jim Jonze, Tom Ryan, Art Moss, Lisa Hitchcock, David Van Divier, Scott Bauer, Julie Dock, Mobile SteeleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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