Podcasts about Altamont

The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.Guests: Ron Rakow, Steve Brown, Terry Haggerty, John Scher, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bom dia Junho! Para este mês meio do ano trazemos Little Wide Open, fresquinho de Kevin Morby, Ser Solidário de José Mário Branco e, por fim, o mítico Unplugged dos Nirvana. Kevin, Kurt e Zé Mário, três tipos porreiros de diferentes eras, com quem certamente teríamos todo o gosto de tomar um chá - eis o Rádio Clube Altamont da vez. Rádio Clube Altamont, uma parceria Altamont.pt e Futura - Rádio de Autor.

L'info du matin - La fin de la guerre des transats ? Le winner du jour - Il organise un blind test avec les passagers d'un train bloqué 12 heures en Côte-d'Or. - Faute de qualification de l'Irlande, un bar d'Édimbourg invite ses clients à supporter la Côte d'Ivoire. Le flashback du jour - Février 1996 : Découverte de nouveaux talents avec l'émission "Graines de star". À la même époque, le single numéro 1 des ventes était "Gangsta's Paradise" de Coolio, la bande originale du film "Esprits rebelles". Les savoirs inutiles - Une école permet de suivre les cours même si l'on vit au beau milieu du désert. La chanson du jour - The Offspring "You're Gonna Go Far, Kid" 3 choses à savoir sur Marilyn Monroe Qu'est-ce qu'on lit ? - Le livre "Altamont 69 - Les Rolling Stones, les Hells Angels et la fin d'un rêve", écrit par Joel Selvin aux éditions Rivages (9,50€), revient sur un festival qui s'est transformé en énorme fiasco en 1969. - L'ouvrage "Punk Rock Blitzkrieg : Ma vie chez les Ramones" est disponible au prix de 10€ aux éditions Rivages. Le jeu surprise (le cinéphile) - Céline de Brunoy dans l'Essonne gagne un séjour de 2 jours pour 4 personnes au Parc Astérix. La Banque RTL2 - Jérémie de La Ferté-Saint-Aubin vers Orléans gagne 300€. - Coralie de Châtel-Guyon vers Clermont-Ferrand gagne un séjour Miléade d'une semaine en pension complète pour 2 adultes et 2 enfants de moins de 14 ans dans l'un des Villages Clubs Miléade. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Every genre has a shadow canon — the writers who don't make the syllabus, don't sell out on Amazon, and rarely get the Netflix series. In science fiction, that shadow canon is where some of the most intellectually adventurous, politically serious and formally daring work of the twentieth century was done. Having opened the series with the big names — Wells, Verne, Poe, the Mount Rushmore of the genre — John and Ezri jump forward to the late 1960s and 1970s and turn to five authors most listeners won't know: Kate Wilhelm, Joanna Russ, John Sladek, John Brunner and Christopher Priest. Feminist SF, satirical SF, dystopian SF set in a Britain going to the dogs. The thread that connects them is "prescience", a word that keeps coming up. Were these writers really predicting the future – or just paying close enough attention to the present? In this episode: Why 1969 makes such a strange hinge point — Apollo 11 and the realisation of Goddard's cherry-tree dream, set against the assassinations of 1968, Vietnam, Prague, Altamont, and the first wave of environmental science Kingsley Amis, New Maps of Hell, and the New Wave: Moorcock's New Worlds, Ballard's "inner space", and SF's discovery that it could not avoid politics Kate Wilhelm — Hugo, Nebula and Locus winner for Where Late the Sweet Birds Sang, a co-founder of the Clarion Writers' Workshop who is now better known as a mystery writer Joanna Russ — The Female Man, written in 1970 but unpublished until 1975, and How to Suppress Women's Writing; a Westinghouse Science Talent Search finalist who chose literature as her weapon John Sladek — the satirist whose robot in Tik-Tok has had its "asimov circuits" go on the blink, and whose hoax book on a thirteenth sign of the zodiac proved people will believe anything stated with enough confidence John Brunner — the "Club of Rome Quartet", the novel that coined "worm" for self-replicating code, and Stand on Zanzibar, set in 2010 and unsettlingly familiar by the time we got there Christopher Priest — Fugue for a Darkening Island and A Dream of Wessex, the racial framing Priest himself later grappled with, and The Prestige (with David Bowie as Tesla) The big question under all of it: what is the difference between prescience and prediction — and is it significant that "prescience" contains the word "science"? Links and resources: Website: techimaginarium.co.uk Instagram: @tech.imaginarium Watch on YouTube: https://www.youtube.com/@JohnHelmerConsulting Music by Nick Dwyer recording as Flintet. The Tech Imaginarium is a Learning Hack podcast, produced and hosted by John Helmer and written by John Helmer and Ezri Carlebach.

On today's episode, we discuss the dark side of the 1960s counterculture by zooming in on the disastrous 1969 Altamont Free Concert and the shadowy forces that may have shaped it. James, Charlotte, and the crew first sketch why 1969 was such a “pivot year”—from Woodstock, Manson, Chappaquiddick, and the moon landing to Haight‑Ashbury, MK‑Ultra, and the birth of the commercial internet—arguing that none of this cultural chaos was completely organic. They then reconstruct Altamont in vivid detail: the last‑minute venue switch, hiring drunken Hells Angels as “security” for beer, disastrous stage placement, multiple accidental deaths, and the on‑camera killing of Meredith Hunter, a meth‑fueled concertgoer in a lime‑green suit who pulled a gun near the stage and was fatally stabbed. Alongside the event play‑by‑play, Charlotte lays out how Haight‑Ashbury free clinics, CIA‑linked psychiatrists, and the children of high‑ranking military officers in bands like The Doors and others suggest state‑sponsored social engineering of the hippie and anti‑war movements. The conversation closes by tying those patterns to today's media environment—mass emotional manipulation, AI‑amplified narratives, and “assigned opinions”—and wondering whether our current moment may be another 1969‑level inflection point that future generations will see as the start of a much larger psychological operation. Don't miss it!

The Deadcast uncovers the secrets of Steal Your Face, the Dead's 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley. Guests: Ron Rakow, Al Teller, John Scher, Ned Lagin, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast concludes its extended 2-part tribute to Bobby Weir, ranging into the evolution of his songwriting, stage persona, guitar playing, and unexpected career beyond the Grateful Dead.Guests: Bobby Weir, David Lemieux, Jeff Chimenti, Scott Metzger, Don Was, Gary Lambert, Tim Stevens, Tony Italiano, William Keats, Bretty PauleySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For the full, ad-free, 94-minute podcast, either subscribe to Discograffiti's Patreon at the Major Tier or higher, or just grab the episode as a one-off at the same link: https://www.patreon.com/discograffiti Purchase the 32-episode Jefferson Airplane series at a 33% discount (hear as they appear): https://www.patreon.com/discograffiti   New to the show? Start at Jefferson Airplane Part 1. Apple Podcasts: https://podcasts.apple.com/us/podcast/discograffiti/id1592182331?i=1000765230378 Spotify: https://open.spotify.com/episode/5l7O6r4JMTfH7FsGT3EXj3?si=AE4HUYPKSs2Ymc1I8TdSKQ The Full Version: https://www.patreon.com/posts/full-episode-1-1-156815363     Discograffiti is the deep-dive podcast for music obsessives. Host Dave Gebroe talks with legendary Jefferson Airplane bassist Jack Casady about the classic psych band's entire recorded output (for over a dozen hours total), with commentary on their history, wild stories, and star ratings for every release. Feed Your Head: The Great Jefferson Airplane Deep Dive was consciously crafted to act as the ultimate repository of fact and opinion on one of the greatest bands to ever walk the face of the earth, the almighty Jefferson Airplane. As a celebration of the kick-off to what is going to be one hell of a wild ride, THIS ENTIRE EPISODE WILL BE AVAILABLE FREE OF CHARGE ON DISCOGRAFFITI'S PUBLIC STREAM! (...with the implied agreement that, in return, you'll subscribe to our Patreon to tune in to the rest of the series!)  Going in to this interview, I was under the impression that this might be the only time I'd ever get with Jack. However, after he experienced the legendary “Discograffiti effect,” Jack generously afforded me carte blanche to talk at great length about each of the Airplane's records. Part 2 is from my first interview with Jack, in which we cover his life story from the Summer of Love up to the late 1980s Airplane reunion. Here are just a few of the many things that Jack discusses with Discograffiti in this podcast: Monterey Pop, Woodstock, & Altamont; How he rolled with Paul Kantner's more revolutionary material; The details behind how Jack wound up playing on Jimi Hendrix's “Voodoo Chile”; How speed skating may have saved his life during the dissolution of Jefferson Airplane; The wilderness years, during which Jack did some of his most vital work as bassist for the San Francisco punk band SVT; His true feelings on the 1989 Airplane reunion; And making After Bathing At Baxter's, Crown Of Creation, Bless Its Pointed Little Head, Volunteers, Bark, Long John Silver, and Jefferson Airplane. Dave's Show Notes are available at a separate link for Lieutenants & up.   CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon:  https://www.patreon.com/discograffiti Podfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠ YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): https://www.patreon.com/discograffiti/shop/197404 Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzak Order the METAL MACHINE MUZAK Double Vinyl + Digital package: https://www.patreon.com/discograffiti/shop/169954 Merch Shop: https://discograffitipod.myspreadshop.com/all Venmo Dave A Tip: @David-Gebroe Web site: http://discograffiti.com/   CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe There is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.   If you're already a member, please comment below about your experience.   https://www.patreon.com/discograffiti  

Para o mês de Maio temos três caminhos improváveis que se cruzam como se sempre tivessem sido vizinhos de balcão: abrimos com o fresquíssimo sopro dos My New Band Believe (ainda a cheirar a estúdio e a promessas), depois mergulhamos no clássico de estimação Automatic for the People, aquele disco dos R.E.M. que parece saber exatamente onde nos dói (e onde nos salva), e terminamos com o brinde cinematográfico "Pote de Ouro: nos copos com Shane MacGowan", de Julien Temple, uma ode agridoce ao caos, à poesia e à resistência. Três formas de acreditar — na música nova, na música que nos formou e na vida vivida sem rede. Sirvam-se de um copo, aumentem o volume e fiquem por aí. Rádio Clube Altamont, uma parceria Altamont.pt e Futura - Rádio de Autor.

Comenzamos con la que posiblemente sea la mejor banda de punk rock que ha dado la ciudad de Seattle en el siglo XXI. Nos referimos a The Briefs, que este jueves arrancan gira por España. También nos visita el incandescente combo californiano The Lords of Altamont, la banda de Jake Cavaliere regresa con su nuevo álbum “Forever loaded”.Playlist;THE BRIEFS “Poor and weird” (Hit after hit, 2000)THE BRIEFS “Sex objects” (Sex objects, 2004)THE BRIEFS “Hospital elevator” (2025)THE BRIEFS “Come dancing” (2001)Versión y Original; THE KINKS “Come dancing” (State of confusion, 1983)THE WAVE PICTURES “You’re my patient now” (You’re my patient now, 2026)PETE MOLINARI “The love that dare not speak its name” (2026)THE BLACK KEYS “She does it right” (Peaches!, 2026)THE BEVIS FROND “Draining the bad blood” (Horrorful heights, 2026) (3’50’’)BLACK MARKED HEART “Don’t fit anywhere” (What Happens in the Dark, 2026)THE LORDS OF ALTAMONT “What’s your bag” (Forever loaded, 2026)BRAD MARINO “Between planets” (Agent of chaos, 2026)TAXI GIRLS “Say it!” (Static, 2026)MARION RAW “Ghost in the machine” (Ghost in the machine, 2022)PETER CASE “Oldest story in the world” (Live at McCabe’s, 2026)Escuchar audio

Labette County boys track, basketball and football coach Bradley Argabright gives the latest update on athletics in Altamont. 

The Grateful Deadcast returns for its 13th season, beginning with a 2-part tribute to the great Bobby Weir, mixing interviews with archival audio to tell the story of how a teenage Atherton folkie found his singular jazz-informed musical voice (dropping a few water balloons en route).Guests: Bobby Weir, David Lemieux, David Nelson, Gary Lambert, Rhoney Stanley, Graeme BooneSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode Info Joe Zuk is an Operating Partner for Altamont Capital Partners, bringing a dedicated focus to corporate and business development across existing ACP portfolio companies within the Property & Casualty insurance vertical. Most recently, Joe served as Managing Director of Corporate Development & Strategy for Orchid Underwriters, a private equity-backed catastrophic personal and commercial lines property managing general underwriter. During his tenure he successfully executed upon the stated strategy for the firm including formation and launch of a proprietary segregated cell captive reinsurance facility, sourcing additional carrier partners, development of operational strategy, recruitment of human capital, and sourcing of M&A opportunities. Prior to Orchid, Joe served as Board Manager at Atlas General Holdings. At Atlas, he led the organic development and growth of Atlas's commercial property & casualty divisions as well as directing its corporate development initiatives. Prior to Atlas, Joe was an accomplished reinsurance broker and underwriter with over a decade of experience in treaty and facultative property and casualty reinsurance. During that time, he developed an extensive network of relationships across the industry landscape in both domestic and international markets. Joe is a graduate of New York University, earning a Bachelor of Arts with concentrations in finance, history and cinema. Joe enjoys dedicating his time to mentoring and encouraging young professionals to enter and advance within the broader insurance industry. Episode Overview: Talent Shortage: The industry faces an aging workforce and difficulty attracting new talent, impacting core functions like claims and underwriting. Solutions involve structured knowledge transfer and mentorship. AI Transformation: AI is not replacing jobs but changing them. It offers tools to enhance efficiency, improve risk assessment, and personalize customer interactions. Evolving Distribution: AI may automate simpler insurance sales, shifting the focus for human agents towards complex advisory roles. Navigating Risks: While AI offers significant benefits, challenges like inaccuracies and potential liability must be managed. The insurance sector is adapting, emphasizing the need for continuous learning and strategic adoption of new technologies. The conversation concluded by stressing the importance of a collaborative, monitored approach to AI implementation, ensuring it serves to enhance both efficiency and the human element in the insurance claims process. This episode is brought to you by The Future of Insurance book series (future-of-insurance.com) from Bryan Falchuk. Follow the podcast at future-of-insurance.com/podcast for more details and other episodes. Music courtesy of Hyperbeat Music, available to stream or download on Spotify, Apple Music, and Amazon Music and more.

Ro dives into a hazy mix of psych rock, dark alternative, and underground indie—featuring The Lords of Altamont, Magic Wands, and rising cult favourites.From gritty garage vibes to atmospheric soundscapes, this episode blends attitude, mood, and discovery in one immersive ride. Magic Wands – Moonshadow The Lords of Altamont – Whats Your Bag? Ten East – First Light Elusive Thugs – Hell’ Ya Splendidula – Absentia Worship The Sacrifice – Show Them The Light Lazer – Go On Naria – Archeaon Softsun – Emotional Overdrive Playlist Available here – https://www.tunemymusic.com/share/BWroSdx5fT DC1308

This week on Fresh Hop Cinema: Beer From: Altamont (Livermore, CA) Beer 1: Burp Hops // WCIPA // 6.5% J:6.6 M:6 Beer 2: Hop Bombed and Baked // WCDIPA // 8% J:7.2 M:6 Film : “Project Hail Mary" (2026) Phil Lord, Chris Miller Ratings: Jonny - 8.1 , Max - 8 Inside Hot & Bothered: - Max: - Jonny: Headwaters, MTG 0:00 - Intro and Notes 4:39 - Beer 1 13:30 - Film 32:03 - Danger Zone 39:20 - Beer 2 53:03 - Hot and Bothered

From haunting melodies to fuzz-drenched grooves, this episode dives deep into the raw edge of today's alternative scene—perfect for fans craving something loud, unpredictable, and unapologetically heavy. Finnegan’s Hell – Embrace The Glorious Mess You’re In As Everything Unfolds – Denial Worship The Sacrifice – Indigo Eyes Self Deception – The Wedding Witch Ripper – The Clock Queen Belzebitch – Black Magic and Weed Bongs Jah Wobble & Jon Klein – Who Wins The Lords of Altamont – Got a Hold on Me Askemåne – Syv Aser Of En Elv Teksuo – Let (Me) Go Monsternaut – Black Blizzard DC1307 Get Playlist via Tune My Music

No menu do mês, preparado pelos excelsos chefs Altamont, temos como entrada Mitski e o seu novo álbum "Nothing's About to Happen to Me", prato principal "Alligator" dos The National e sobremesa o filme Garden State e sua respectiva banda-sonora. Degustem a seu bel-prazer. Rádio Clube Altamont, uma parceria Altamont.pt e Futura - Rádio de Autor.

Hi, everybody. Rich and George are here this week to talk about comics! Plus, podcast recommendations and a new pet for the Gollhofers. COMIC SPOILERS: 20:26 - MUPPETS NOIR #1 22:52 - DUCK TALES VALENTINE'S DAY SPECIAL 2026 25:27 - ARCHIE x THE ARMY OF DARKNESS #1 28:52 - STITCH #4 30:47 - GREENBERG THE VAMPIRE OGN 45:27 - SPIDER-MAN: MEALS TO ASTONISH #1 55:20 - ALTAMONT OGN Check out Kristin's new Etsy shop for gift boxes for newborns at https://www.etsy.com/shop/BabyDragonsBreath?ref=shop_sugg_market Don't forget you can get Rodney's designs on tshirts, including our show logo, at https://artnerrd.myspreadshop.com As mentioned on the show, listen to the Rebel Base Card Podcast and That Card Collectors Podcast for the latest and greatest on trading cards and so much more! Did you know the Grateful Dead were supposed to perform at Altamont but refused to play due to the escalating violence? New Speedway Boogie is one of the songs they wrote with references to the event. Thank you for listening. Connect with Meanwhile At The Podcast on social media. Don't forget to #livetweet (we're still calling it that)! Share the show, subscribe so you don't miss an episode, and rate us on your podcast apps. Those much coveted five stars are always appreciated. Stay safe out there. NOW ON BLUESKY @MeanwhileATP https://x.com/meanwhileatp https://www.meanwhileatthepodcast.libsyn.com Rodney (AKA Art Nerrd): https://x.com/artnerrd https://www.instagram.com/theartnerrd/ https://facebook.com/artnerrd https://shop.spreadshirt.com/artnerrd Kristin: https://www.facebook.com/kristing616 https://www.instagram.com/kristing616 https://www.etsy.com/shop/BabyDragonsBreath?ref=shop_sugg_market Rich: https://x.com/doctorstaypuft  

Un peu plus de deux ans se sont écoulés depuis notre dernière interview avec le grand Charlie Adlard. À ce moment, le dessinateur célèbre de The Walking Dead évoquait justement la vie après la conclusion de la série et nous contait les coulisses de son album Altamont sur lequel il s'essayait à faire ses propres couleurs. Désormais, l'artiste reste prolifique et n'a visiblement aucunement l'intention de s'arrêter de dessiner. Il était de passage en France tout récemment pour défendre la sortie de sa dernière création en VF, Hérétique, à retrouver chez Delcourt. N'ayant pas pu le retrouver sur place, c'est malgré tout à distance que nous avons pu nous entretenir avec l'intéressé !Dans les coulisses d'Hérétique avec Charlie AdlardAu terme d'une bonne heure d'interview, Charlie Adlard nous a parlé de son travail sur Hérétique et de son retour à une forme de travail en numérique total, ainsi que de la façon dont ce projet s'est intercalé dans les autres, nombreux, qu'il mène dans ce qu'il considère désormais comme la dernière grande ligne droite de sa carrière. Un podcast à savourer sans modération !Et vous pouvez commander Hérétique à ce lien !Si le podcast vous plaît, alors ne manquez pas de soutenir notre travail ! Vous pouvez partager l'émission où bon vous semble, poursuivre la discussion sur l'interview sur notre site et notre Discord et contribuer à notre avenir avec notre page Tipeee ! Merci à toutes et tous de votre écoute et à bientôt pour le prochain podcast !Soutenez First Print - Votre podcast comics (& BD) préféré sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Paul and Zach welcome Nick Goode back to the show to discuss what they've been reading lately. They also talk about Nick's comic Sussex, a WWII espionage thriller that explores mental health and depression. Chapter 3 and 4 of Sussex are currently looking for support on Kickstarter!  Timestamps: 00:00:00 - Start/Last Week in Comics 00:02:10 - Endeavour #1 00:07:34 - Altamont 00:15:23 - Outer Lands 00:20:46 - A Star Called the Sun 00:23:16 - Gideon Falls 00:2600 - Batman/Green Arrow/Question: Arcadia #3 00:29:47 - Sussex 00:54:04 - Wrap Producer: Kait Lamphere & Danny MartinezProoflistener: Nick WhiteEditor: Zander Riggs Music provided by Infinity Shred. Find them on Bandcamp.IRCB Avatars by @ICELEVELIRCB Logo by Kyle RoseSupport us on Patreon to get access to our Patreon-only series: IRCB Movie Club, Saga of Saga, Giant Days of Our Lives, A Better Batmobile, and more! patreon.com/ircbpodcastBuy a copy of our anniversary zine Totally Not A Cult: https://ircbpodcast.com/shop/p/totally-not-a-cult-zine-1Email: ircbpodcast@gmail.comTwitter: @ircbpodcastInstagram: @ircbpodcastDiscord: discordapp.com/invite/E8JUB9sReddit: ireadcomicbooks.reddit.comIRCB GoodreadsMerch: ircbpodcast.com/shop

Join Travis & Eric on the show today a recap of last night sectional semi final action, Altamont and Teutopolis on the sectional championships, Illini with a get right performance against Oregon, and the rest of college basketball, Nascar recap at COTA and Pick'em  

Poucos acreditariam que iríamos chegar ao quinquagésimo episódio de Rádio Clube Altamont, mas eis que aqui estamos! Para começar o mês de Março, temos para apresentar o disco "Blood & Honey", dos portugueses Summer of Hate, uma centrifugadora pop de seu nome "Odelay", de Beck, e um documentário que nos mostra um dos grandes da rádio, António Sérgio, de seu nome "Uivo". Rádio Clube Altamont, uma parceria Altamont.pt e Futura - Rádio de Autor.

*Did He Jam With Jim Morrison & Witness Altamont?

Vi lägger lupp på satanister i skräckfilmen med visst avstamp i "The Satanic Screen: An Illustrated Guide to the Devil in Cinema" av Nikolas Schreck samt "The Satanic Panic of the Warrens – The Conjuring: The Devil Made Me Do It and the Satanic Cult Horror Film" (kandidatuppsats i filmvetenskap) av Robert Wettersten. Filmerna vi pratar om i ordinarie flödet är The Black Cat från 1934 och The Seventh Victim från 1943. Vi pratar också bland annat om: Rosemary's Baby, The Exorcist, The Omen, Le manoir du diable, Church of Satan, The Satanic Panic, Satan Wants You, Mansonmorden, Altamont, The Satanic Temple, QAnon, Hail Satan?, Der Golem, Metropolis, M, Dr. Caligaris kabinett, Edgar Allan Poes "The Black Cat", Bela Lugosi, Boris Karloff, "Pre-code"-film, The Hayes Code, Universal Pictures, Art deco, första världskriget, svarta mässor, ritualer, motivbilder, gotiska skräcktroper, psykologisk skräck, musikläggning, tysk expressionism, Aleister Crowley, PTSD, Val Lewton, RKO Pictures, I Walked with a Zombie, Cat People, film noir, självmord, Léo Taxil, frimurare, urban wyrd, folk horror, magi, David Lynch, Twin Peaks, Mulholland Drive, ritualmord, häxerier, runor, hicksplotation, goa gubbar, biljakter, Texas Chain Saw Massacre, Easy Rider, Kill List, The Empty Man, The Wicker Man, See No Evil, Don't Look Now, The Devil Rides Out, Dennis Wheatley, Hammer Horror, Christopher Lee och cash-in-film. Patrons avnjuter också ett samtal om 70-talsrullarna Race with the Devil och To the Devil a Daughter. Mycket nöje!

Richard Houghton — author of Is Everybody Ready For The Next Band?: The Rolling Stones 1969 US Tour — revisits the tragedy of the Rolling Stones' Altamont show and the moment that forever changed the landscape of live rock music. This short clip explores how one night became a turning point in rock history.Listen to Episode 355 - Stones '69: The Tour That Changed Rock Forever

CGS welcomes comic book artist and illustrator Charlie Adlard to the podcast for the very first time! It's a wonderful conversation ranging from Charlie's personal geekdom and early comic book discoveries, to LEGO, horror in comics and the UK comic convention scene, and to the craft and working methods on a number of projects including the recently released Altamont hardcover by Charlie and Herik Hanna from Image Comics. Enjoy! (1:56:38)

Artist Charlie Adlard joins the show to talk about post-Walking Dead living and his new Image Comics graphic novel, Altamont. Adlard discusses a recent signing, becoming a different Charlie, figuring out which projects to take on, the constant drumbeat of deadlines, leaning in different directions, the story of the Altamont Free Concert, what made that story a draw, how Altamont came together as a graphic novel, coloring the book, how he thinks about art, its journey from France to America, Altamont's commentary, what's guiding him these days, verisimilitude, his love of Lego, and more.

We dive deep into the Rolling Stones' explosive 1969 U.S. Tour—a run of shows that cemented their status as the world's most dangerous rock band and marked the beginning of the end of the 1960s dream. I'm joined by Richard Houghton, author of Is 'Everybody Ready For The Next Band?: The Rolling Stones 1969 US Tour', for an in-depth trip through the tour. From the electric performances and cultural impact to the tension, violence, and chaos that followed the band across America, we explore what really happened on the road. The episode also examines the infamous Altamont Speedway Free Festival—how it unfolded, why it went wrong, and how it forever altered the legacy of the tour and an entire era of rock music.Purchase a copy of Everybody Ready For The Next Band?: The Rolling Stones 1969 US Tour----------

Join Travis & Eric on the show today a recap of the epic NTC Tournament championship Game between St. Anthony & Altamont, a recap of the tournament as a whole and other basketball, Another day and another Illinois big road win for the Illini!!

SPONSORS: 1) RAG & BONE: Upgrade your denim game with Rag & Bone—get 20% off sitewide with code JULIAN at www.rag-bone.com #ragandbonepod 2) JUVENON: Take care of your heart – Visit https://bloodflow7.com/JULIAN and Get 30% OFF BloodFlow-7 today. JOIN PATREON FOR EARLY UNCENSORED EPISODE RELEASES: https://www.patreon.com/JulianDorey (***TIMESTAMPS in description below) ~ George Christie Jr. is an American author and former outlaw biker who served as president of the Ventura, California charter of the Hells Angels Motorcycle Club between 1978 and 2011. He is the longest-serving charter president in the club's history. Christie was also a national spokesman for the Hells Angels. GEORGE's LINKS: X: https://x.com/georgeFPC FB: https://www.facebook.com/p/George-Christie-100063588966258/ WEBSITE: https://www.georgechristie.com/ FOLLOW JULIAN DOREY INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/ INSTAGRAM (Personal): https://www.instagram.com/julianddorey/ X: https://twitter.com/julianddorey JULIAN YT CHANNELS - SUBSCRIBE to Julian Dorey Clips YT: https://www.youtube.com/@juliandoreyclips - SUBSCRIBE to Julian Dorey Daily YT: https://www.youtube.com/@JulianDoreyDaily - SUBSCRIBE to Best of JDP: https://www.youtube.com/@bestofJDP ****TIMESTAMPS**** 0:00 – Intro 01:26 – Federal surveillance, informants, firebombing allegation, shock plea deal 11:58 – Prison gangs, street taxes, FBI recordings, murder-for-hire case 23:27 – Poverty, outlaw influence, power, money as protection, mother testifies 36:05 – “Bad but loved,” Greek grandfather, discipline, Marines decision 46:48 – Cheating accusation, leaving polite society, parallels to plea deals 56:43 – Hells Angels ties, Altamont, cultural shift, doors opening 01:06:03 –George's Top Secret DoD job, Cold War surveillance, outlaw identity 01:16:00 – ATF infiltrators, informants, outlaw vs criminal philosophy 01:25:07 – Entrapment plot, bugged meetings, war vs restraint 01:37:10 – Taco Bowman hit, prison call, biker violence vs idealism 01:46:31 – Walking in alone, biker roots, quitting the club, banishment 01:55:53 – Media strategy, 60 Minutes ambush, trademark fight, patch moment 02:07:45 – Joining vow, Satans Slaves Party, armory setup, charges collapse 02:16:24 – Hunter S. Thompson, book tone shift, media backlash 02:25:37 – Betrayals, club wars, decline, assassination attempts 02:37:11 – Fatherhood conflict, intimidation tactics, patch taken 02:47:09 – Taser incident, FBI wedding irony, Ventura launch, Mueller 02:57:52 – Jaywalking case, Olympic torch, media spectacle 03:07:55 – Grenade attack, ATF coverup, CIA NOC allegation 03:19:07 – Nordic peace talks, visas, truce, post-club life reset 03:33:21 – George's Work CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef - https://www.instagram.com/joeydeef/ Julian Dorey Podcast Episode 378 - George Christie Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join Travis & Eric on the show today a recap of local basketball from last night at the guys experiences at the NTC Tournament, Travis & Eric give their perspectives of the events that transpired in the Altamont and Cumberland game, other games elsewhere, Illini Basketball win the trap game against Washington, Nascar Pick'Em Returns as well!!! 

Ray Russell in conversation with David Eastaugh  http://tartaruspress.com/ray/fifty-forgotten-records.html Ray Russell was not at the crossroads when Robert Johnson met the devil, and he didn't see Elvis Presley perform live. He wasn't at Woodstock, or Altamont, or on the roof of the Apple Building. To his enduring frustration, he didn't get to see The Sex Pistols in Manchester at the Lesser Free Trade Hall in June 1976, because he was only ten years old. There will be many others who are just as passionate about music as Russell, who also failed to be in the audience at seminal moments in music history. But, like him, they own records that mean the world to them, and have seen bands play who blew them away. The point is, we all treasure our own personal musical histories because they enrich our lives. This book is a celebration of being a committed music fan. He formed a band at seventeen and discovered he couldn't sing. Close friends released a record which used his lyrics, but John Peel played another of their songs. He ran a record label for a month, worked in a record shop and has released a few records of his own music.

Sam Gaynor is a Managing Director at Altamont Capital Partners where he oversees their Financial Services practice.  Sam evaluates and underwrites deals in the insurance, asset / wealth management, and specialty finance sectors, working closely with management teams to help maximize the value of their businesses.  In particular, Sam has overseen Altamont's efforts to incubate new Financial Services businesses, having launched eight new companies over the last decade. 

I'm so excited to kick off Season 6 of Roadcase with Grammy winner, Rock and Roll Hall of Famer and founding member of Jefferson Airplane and Hot Tuna, the one and only Jorma Kaukonen!!  Jorma was a true pioneer of the counter-culture era of psychedelic rock in the late 60s San Francisco music scene, and having him on the show is particularly relevant as we sadly just lost another music icon, Bob Weir of the Grateful Dead. I spoke to Jorma in November, thus prior to recent events, and he talked to me about his time in the early days in Palo Alto and Haight Asbury in San Francisco, the founding of Jefferson Airplane and his deep love of blues guitar. Jorma also spoke to me about his reflections on touring, and the historic shows of that period in music, having been one of the few artists to play all three landmark festivals, Monterey Pop, Woodstock and Altamont.Jorma is intellectually curious — a lifelong learner — with a diverse cultural background of both Jewish and Finnish heritage, and having grown up in Pakistan, didn't really learn of the burgeoning modern rock music wave, as it were, until his arrival in the States in 1955. This is a fascinating conversation with a true musical icon of amazing sensibility with a deep historical perspective and tons of mind-blowing stories!! =======================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Today on the show, I'm joined by one of the most influential visual storytellers in modern comics, Charlie Adlard. Best known as the co-architect of The Walking Dead, Charlie helped redefine what long-form horror could look like on the page, grounding the apocalypse in raw humanity, brutal choices, and unforgettable imagery that fueled a global phenomenon across comics, television, and pop culture.Now Charlie is turning the page with a powerful new graphic novel, Altamont, a deeply personal and atmospheric work that strips everything down to essentials: memory, loss, place, and the quiet weight of time. Altamont was the location for the infamous tragic 1969 concert that claimed the life of a fan, by the hands of a security person. We'll talk about the origins of Altamont,and how it reflects where he is creatively today. We'll also look back at The Walking Dead itself: how lightning struck, why it connected so deeply with readers, what surprised him most about its rise, and how he views the legacy of the series now that the dust has settled.

Mark and Tommy Radio talk a ton of Steelers and Ravens ahead of the big game Sunday, Mark and Tom talk a little Penguins and olympic roster as well. See omnystudio.com/listener for privacy information.

Mark and Tommy Radio talk a ton of Steelers and Ravens ahead of the big game Sunday, Mark and Tom talk a little Penguins and olympic roster as well.

Charlie Adlard has been a veteran of the comics industry for over 25 years. From 2003 to 2019 he spent the majority of his time drawing The Walking Dead through the conclusion of its run as a comic book series. He received many industry awards for his work on the series, culminating in winning the 2019 Sergio Aragonés International Award for Excellence in Comic Art.In his time as a cartoonist, Charlie has worked on many other projects as far-reaching as Mars Attacks, the X-Files, Judge Dredd, Savage, Batman, X-Men, and Superman.He's also drawn many creator-owned projects closer to his heart, like Astronauts In Trouble, Breath Of The Wendigo, Codeflesh, Rock Bottom, Vampire State Building, White Death, Damn Them All, Heretic, and Altamont. 

The deal is done. Netflix will purchase Warner Bros. Discovery for $82 billion. Yet another corporate monopoly drives a nail through Hollywood's coffin. It was bad enough when Disney bought Fox, Star Wars, and Marvel. Now, Netflix will be among the most powerful corporate monopolies, replacing what Hollywood used to be.America gave up on Hollywood because Hollywood gave up on America. The result is empty movie theaters all over the country—one bomb after another. Of course, Warner Bros. knew. You'd have to be an idiot not to know. Does anyone think Netflix is sweating the online memes accusing it of being too woke? No, they aren't. They are making too much money to care. With streaming, there is no free market pressure, no quality control. You don't have to motivate people to leave their homes. You don't need big stars to drive box office, and best of all, you can ignore the silent majority that has tuned you out long ago. Hate the trans agenda being shoved down everyone's throat? Too bad. Your boycotts are a drop in the bucket at Netflix. It's the perfect solution to Hollywood's problem. They can have everything they want — a virtue signaling paradise — and never have to worry about big budgets or low box office ever again. That's the easy way out. The truth is harder to swallow. They destroyed themselves. They wrecked their brand and alienated their audience. Hollywood built a ship of failure when it split into two divergent paths around 2003, after the Harry Potter and Lord of the Rings franchises brought in ungodly profits not just here but around the world. The branding was the key, the IPs. For years, they dominated the global box office and brought people to movie theaters across the country.Meanwhile, in the other Hollywood, in the “prestige” niche lane where the Oscars live, things began to get smaller, more isolated, more aligned with politics, especially under Barack Obama. His win influenced almost everything, as he loves to put out his top-ten lists every year and even has a deal with Netflix. These two Hollywoods existed side by side like the First Class section of the airplane vs. Coach, where they “let them eat Marvel.” You can see the rise and fall in one image, from Box Office Mojo:This year might mean that, for the first time since 2020, China will dominate the Worldwide box office rather than Hollywood, unless Jim Cameron can bring Avatar: Fire and Ash over the 2 billion mark.In 2019, Hollywood put out over 900 movies. Last year, just 624, and many of them bombed. So what happened? 2020 happened. The one-two punch of COVID and the Great Awokening brought Hollywood to its knees. The Oscar race this year is loaded with unwatchable movies that swirl around things almost no one outside the bubble of Hollywood cares about, identity mainly. Mothers' caterwauling their oppression, like Die, My Love, If I had Legs I'd Kick You, and even One Battle After Another feature women who seem to hate their children. The people who run Hollywood are still mostly rich white men, but they must always genuflect, with women or people of color as shields to protect them from accusations of sexism or racism by the mob online. The rise of female directors who get these jobs for no other reason except that they're female has transformed a once-great industry into a DEI film school. Every couple is interracial. Every movie must have significant actors of color. The GLAAD lobby demands representation everywhere. Why would anyone want to pay money to have them shove their ideology down our throats?Success doesn't even matter to them. That they project “goodness” is all they care about now, their status inside utopia. The EndAs I drive across this country, I sometimes see a multiplex in a mall. It looks as deserted to me as the old drive-ins once did, and I can't help but think this really is the end for movie theaters. They'll go the way of the record store, limited to enthusiasts in the big cities. Everyone else will numbly scroll through Netflix for whatever they can find, but it will never have the same cultural impact as a great movie when we're all under one roof, sharing a story.It's yet more separation, more isolation, more internet, more social media, less of what we all need as a society.“The Future is Coming, and You Aren't In It”After COVID ended for rational Americans, we all wondered whether people would return to the movies. The paranoid mask-wearing Liberals did not. Even Peggy Noonan noticed.In 2022, a miracle arrived in the form of Tom Cruise starring in Top Gun: Maverick. It made so much money that it wiped clean the argument that Hollywood was over and movie theaters were dying. Although it was nominated for Best Picture, it lost to the woke screed, Everything Everywhere All At Once. That was a sign that Hollywood was not ready for the iceberg right ahead.The following year showed promise, with “Barbenheimer,” “Oppenheimer,” and “Barbie” becoming cultural sensations on TikTok. The Oscars did the right thing and gave their awards to Oppenheimer. Though things seem to be moving in the right direction, it's too little, too late. Audiences don't trust Hollywood anymore, and I can't blame them. Of all the Warner Bros. movies that were successful this year, the Oscar will likely go to the anti-ICE, pro-ANTIFA, anti-Trump rallying cry, One Battle After Another. No film in recent memory has better captured the singular worldview of the progressive Left.As Curtis Yarvin wrote for The Spectator:Fundamentally, One Battle is a religious film. It is entirely set in the fantasy landscape of the great American religion, progressivism, the 20th-century evolution of our ancient Puritan tradition. If you are a true believer, imagine watching Battlefield Earth without being a Scientologist. For non-progressives, One Battle may be necessary viewing. It displays the interior landscape of the narcissistic narrative of our world's dominant cult of power. We seldom get to strap a GoPro to the inside of a lib's forehead. And he continues:So this film is out there – recruiting damaged people by presenting them as romantic heroes in a propaganda fantasy. Few will kill. But many will clap. When bad movies succeed, as One Battle will, they diagnose something bad in the audiences they entertain. Corrupt art is the pathognomonic mark of a corrupt society. Shitty people will watch this shitty film, and love it. Shitty journalists have already given it a standing ovation – the politics makes them hard, like Lockjaw. This evil is at the very heart of our culture.As Leonard Cohen noted: “I have seen the future, brother. It is murder.” Murder is as old as Cain. The anonymous internet is young. Nobody asked for the combination. But they'll get it.So, of course, the critics have gone nuts for it. It IS religious for them. It's already won many awards and is on track to win Best Picture. Trust me, Hollywood has no desire to save itself. One Battle After Another cost upwards of $140 million and only made $70 million in the US, with the bulk of its profits made overseas on Leonardo DiCaprio's name, which is why it's assumed he demanded his usual fee of $20 million. Old Hollywood understood that you don't reward failure with film awards. New Hollywood cares less about the money and more about the message. The public used to matter because the box office did. No wonder WB is selling out after watching one bomb after another this past year. Why wait for bankruptcy? Why not cash out now on a high note?This is the kind of thing Hollywood pumps out now:And therein lies the problem. They forgot it wasn't about them. They believed their own publicity. They fell in love with their own image, like Narcissus. They began to believe they were important. We loved movies and celebrities for what they gave us, not for who they are. We don't care. We don't need them to fix us. Or teach us. Or lecture us. Or scold us. We just need them to entertain us. Well, now the billionaires have arrived to prove to them how little they matter when it comes to the bottom line. And if you think that's bad, wait until the AI tsunami wipes out half the industry. The audience was always their best hope for survival. As long as we showed up, Hollywood and its stars had power. Now that audiences have vanished, well, the ship is made of iron, and it will sink.Who knows, maybe Congress or Trump can stop the merger. That still won't fix the fundamental problem of what Hollywood has become and why the public turned away. On the upside, the giant hole Hollywood leaves behind, like the asteroid that killed the dinosaurs, might open up movie theaters to a new breed of filmmaker. Maybe they can make movies Hollywood or Netflix never would - trashy comedies, cheap horror, romantic comedies, Dirty Harry movies. Who knows, maybe we can Make Hollywood Great Again. What better way to rebuild a counterculture?Altamont, Illinois, 8:42AM. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Jimmy speaks with Alex Gill, Cider-maker at Indian Ladder Farms in Altamont, NY (Albany County). Alex shares how he got his start at Indian Ladder, falling in love with cider/cider-making, the history of the farm, and the latest batches he's hyped on. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast examines how Franklin's Tower bucked every trend on Blues For Allah to become one of the Dead's all-time classics, including a tape of its studio creation, a look into the multi-tracks, & a rare line-by-line breakdown by lyricist Robert Hunter himself.Guests: David Lemieux, Geoff Gould, Jürgen Fauth, Shaugn O'Donnell, Chadwick Jenkins, Will Backstrom, Max Ritchie, Hannah GrabbensteinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast uses Blues For Allah's complicated instrumental Slipknot! to explore the musical and creative ambiguity the Grateful Dead pursued in early 1975, when there both was and wasn't a Grateful Dead, & their public reemergence at Bill Graham's S.N.A.C.K. benefit that March.Guests: David Lemieux, Ned Lagin, Ron Rakow, Steve Brown, Gary Lambert, Joan Miller, Jay Kerley, Chadwick Jenkins, Shaugn O'Donnell, Melvin BackstromSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Grateful Deadcast points itself towards 1975 to begin a song-by-song celebration of Blues For Allah's 50th anniversary, loaded with raw session tapes, early lyric drafts, & the story of how the Dead built a new studio, musical language, batch of songs, & LP from the ground up. Guests: David Lemieux, Donna Jean Godchaux-MacKay, Ron Rakow, Stephen Barncard, Ned Lagin, Steve Brown, Gary Lambert, Keith Eaton, Shaugn O'Donnell, Chadwick Jenkins, Matt CampbellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.