Podcasts about Buffalo Springfield

The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.Guests: Ron Rakow, Steve Brown, Terry Haggerty, John Scher, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast uncovers the secrets of Steal Your Face, the Dead's 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley. Guests: Ron Rakow, Al Teller, John Scher, Ned Lagin, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

ReferencesFront. Oncol.2017. 24 Sept. vol7. 211.Circ Res. 2023 Feb 17;132(6):723–740EMBO J. 2023 Jan 13;42(4):e110620.Guerra, DJ. 2026. Unpublished LecturesNash, G. 1968. Teach Your Children CSNYhttps://music.youtube.com/watch?v=r72QF7JOQvw&si=FANpHvTEzozHjDe2Stills, S. 1967. Bluebird. Buffalo Springfield.https://music.youtube.com/watch?v=yKHY8MXgiz0&si=-GcugFbzT8oUwqAM

El verano de 1964 cambió la escena ‘folk' para siempre. Aislado en Woodstock, Bob Dylan dio vida a 'Bringing It All Back Home', publicado en abril de 1965. Fue el primer trabajo de Dylan que incorporó instrumentos eléctricos y abandonó la canción protesta de discos anteriores. El equilibrio entre lo eléctrico y lo acústico fue fundamental en el nacimiento del ‘folk rock' y una influencia para artistas como Buffalo Springfield, Simon & Garfunkel, los Beatles y Rolling Stones, pero dividió a los fans de Dylan y a la escena 'folk' contemporánea. ¿Traición o genialidad? La historia ya dictó sentencia.

The Deadcast concludes its extended 2-part tribute to Bobby Weir, ranging into the evolution of his songwriting, stage persona, guitar playing, and unexpected career beyond the Grateful Dead.Guests: Bobby Weir, David Lemieux, Jeff Chimenti, Scott Metzger, Don Was, Gary Lambert, Tim Stevens, Tony Italiano, William Keats, Bretty PauleySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

El poder del mal no es algo que podamos explicar ni comprender, manejar o destruir por nosotros mismos. Es algo misterioso. sobrecogedor e inexplicable. En el relato de Hechos, capítulo 19, el demonio dice que conoce a Jesús y que sabe de Pablo, lo que es más que saber de ello. Es enfrentarse a ellos, conocer su poder. Jesús se enfrentó a las poderosas fuerzas del mal y acabó venciéndolas. Aunque se continúen manifestando, han sido finalmente destruidas, porque Él ha triunfado en la Cruz sobre ellas. Por la victoria de su Resurrección sabemos que sus días están contados. Como dice el viejo himno, "hay poder en Jesús". Y esa está "en la Cruz". El ahora pastor Richie Furay, fundó el mítico grupo Buffalo Springfield en California con Neil Young y Stephen Stills, luego la banda Poco con Jim Messina y su última formación con el Byrd, Chris Hilman y J. D. Souther, antes de su conversión al cristianismo evangélico en la Capilla Calvario de la Revolución por Jesús. Llegó a publicar cuatro álbumes entre 1976 y 1982, inspirados por su nueva fe, antes de entrar en el ministerio de esta iglesia a tiempo completo. En el primero descubre que "el diablo es un mentiroso / el peor que existe / tan sutil, siempre disfrazado / pero al final no se lleva el premio" ( Still Rollling Stones 1976). Sobre "El engañador" (The Deceiver 1984) habla también Mike Peters con The Alarm. El músico galés se enfrentó a él en una lucha continua contra el dolor y la enfermedad hasta ser "promovido a la Gloria", el pasado 2025. Su fe le llenó de esperanza hasta el final. Escuchamos esta vez una versión en vivo de este impresionante tema. Maria Muldaur fue una de las cantautoras de folk y blues que estaba en el Village de Nueva York con Bob Dylan en los años 60. Tras cantar con los Grateful Dead de San Francisco en los 70, se convirtió al cristianismo en los 80. Hizo algunos discos inspirados por su fe, como "Sweet and Slow" de 1983, donde asegura en esta maravillosa canción que "El diablo va a pagar por ello" (There´s Going To Be The Devil To Pay). Los últimos años el cine comercial de Hollywood ha encontrado en el mundo del cómic, su principal inspiración para atraer al público más joven a la gran pantalla. "Constantine" (2005) está basado en una serie de DC que se llama "Hellblazer". Habla de la guerra entre Dios y Lucifer por las almas de la humanidad. El personaje de Keanu Reeves se enfrenta a unos demonios que no pueden manifestarse abiertamente, pero poseen e influyen a los seres humanos. Escuchamos varios diálogos de la versión doblada al castellano de la película con los comentarios de José de Segovia sobre la banda sonora original de Brian Tyler y Klaus Badelt. Aunque en este programa no somos muy aficionados al "metal", no ha habido en su versión "blanca" un grupo con letras tan explícitamente cristianas y de enfrentamiento al Maligno como Stryper. Formada en 1983 en el contexto de la Capilla Calvario, la banda de Michael Sweet se hizo famosa por tirar biblias desde el escenario y proclamar con la cita que acompaña su nombre, que "por sus llagas somos curados" (Isaías 53:7), Mandamos con ellos "¡Al diablo al infierno!" (To Hell With The Devil 1986). El diseño sonoro y la realización técnica de estos programas es obra de Daniel Panduro.

Show #2658 Show Notes: Amy Acton: https://actonforgovernor.com/ For What It’s Worth – Buffalo Springfield: https://www.youtube.com/watch?v=YVhn1edWaDA 2 Thessalonians 2: https://www.biblegateway.com/passage/?search=2%20thess%202&version=KJV Matthew 10: https://www.biblegateway.com/passage/?search=Mathew%2010&version=KJV John 10: https://www.biblegateway.com/passage/?search=John%2010&version=KJV ‘Thief’: https://webstersdictionary1828.com/Dictionary/Thief

Along with the Buffalo Springfield song, the Pastords find a way to talk about audiobooks, listening to God...and Medicare. Boy, are they getting old!

The Grateful Deadcast returns for its 13th season, beginning with a 2-part tribute to the great Bobby Weir, mixing interviews with archival audio to tell the story of how a teenage Atherton folkie found his singular jazz-informed musical voice (dropping a few water balloons en route).Guests: Bobby Weir, David Lemieux, David Nelson, Gary Lambert, Rhoney Stanley, Graeme BooneSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is a panel discussion. The participants on the panel are:Ryan Cooper, Laura Jedeed, Aaron Rosenthal.The Topics we covered are:- Tax policy in most states in the US is designed to protect the very rich, at the cost of those at the bottom of the income rates.- Iran is being destroyed, and rebuilding is going to take time and money- Iran currently controls the Strait of Hormuz, with no real power by the US to change the situation. Western allies are reluctant, as a result of previous Trump rhetoric.- Hegseth is invoking Christ as a reason to go to war, using apocalyptic language.- The World Health Organization appears to be preparing to treat radiation exposure, perhaps as a result of nuclear actions.We discuss Platner, who is running in Maine to replace Susan Collins. We discuss his antisemitic sentiments. What does this imply for Democrats who have endorsed him?- What is the role of Israel in this war?WNHNFM.ORG productionMusic: "Hey, What's that Sound?" Buffalo Springfield, 2015

Esta semana, en nuestras Islas de Noche, nos movemos entre 1968 y 1969, entre grandes clásicos en busca de raíces y honestidad, también de refugio y evasión.Suenan:  CREEDENCE CLEARWATER REVIVAL - "Porterville" ("CREEDENCE CLEARWATER REVIVAL", 1968) / STEPPENWOLF - "Take What You Need" ("STEPPENWOLF", 1968) / QUICKSILVER MESSENGER SERVICE - "Light Your Windows" ("QUICKSILVER MESSENGER SERVICE", 1968) / KALEIDOSCOPE - "I Found Out" ("A BEACON FROM MARS", 1968) / BUFFALO SPRINGFIELD - "Four Days Gone" ("LAST TIME AROUND", 1968) / BEAU BRUMMELS - "Lift Me" ("BRADLEY'S BARN", 1968) / SPIRIT - "Darlin' If" (THE FAMILY THAT PLAYS TOGETHER", 1968) / JOE COCKER - "Do I Still Figure in Your Life" ("WITH A LITTLE HELP FROM MY FRIENDS", 1969) / THE BAND - "Chest Fever" ("MUSIC FROM BIG PINK", 1968) / PROCOL HARUM - "Wish Me Well" ("SHINE ON BRIGHTLY", 1968) / TRAFFIC - "Don't Be Sad" ("TRAFFIC", 1968) / HUMBLE PIE - "Growing Closer" ("AS SAFE AS YESTERDAY IS", 1969) / ROLLING STONES - "Salt of the Earth" ("BEGGAR'S BANQUET", 1968) /Escuchar audio

Neil Young's otherworldly ability to morph between raging metalhead to the most sentimental of romantics never fails to astound. Always uncompromising, this cranky Canadian has been inflexible in his stance to be unencumbered - and, prolific - recording over 45 solo albums, not to mention those classics created with Buffalo Springfield and CSN&Y. Surviving polio as a child, and a brain aneurysm in middle age, he kept coming back stronger than ever.  I've seen him live twice: at the Greek Theater during the Greendale tour, then again a couple of years back when my son and I flew to Tucson to celebrate the slower, less blazing, but still mesmerizing octogenarian troubadour. His music has been a touchstone throughout my life, starting with the iconic Reprise album “Everybody Knows This is Nowhere” which contained Down by the River - a dorm room sing along. His vast catalogue makes it difficult to pick only ten covers, but the range here is evident, swinging from Pearl Jam's live version of Keep on Rockin' in the Free World to Emmylou Harris's wistful floatation on Daniel Lanois's diaphanous Wrecking Ball. Neil's own vocal style is so distinctive that it's tempting to disregard how beautiful some of his melodies are. I think you'll find that this line up does them justice.HEART OF GOLD (JOHNNY CASH)MR. SOUL (THE EVERLY BROTHERS)ON THE BEACH (BOZ SCAGGS)KEEP ON ROCKING IN THE FREE WORLD (PEARL JAM)A MAN NEEDS A MAID (DALA)BIRDS (THE METERS)LOTTA LOVE (NICOLETTE LARSON)WRECKING BALL (EMMYLOU HARRIS)BROKEN ARROW (WILCO)HELPLESS (NICK CAVE)

Today's episode is about a song that was written just up the hill from where I was born and in the same town where my wife and and I were wed. So it most definitely “strikes close to home.” Neil Young had emerged from the great north woods of Canada into the public limelight in the mid–1960s. He joined up with Stephen Stills and Richie Furay to create the Buffalo Springfield, an LA-based band that asked the musical question “Stop, hey, what's that sound” before disintegrating – but not before Young himself had quit and rejoined the band several times. Then, in 1969, he made a self-titled solo album that had great songs, including “The Loner,” (one of my personal favorites) but which didn't sell well. And then Young really came into his own. His second solo album got him some much needed publicity, and he hit a creative chord with an ensemble of garage musicians that he dubbed Crazy Horse. His next stop was to sign on with Crosby, Stills, and Nash (wherein he added his own last name to the group) and played the Woodstock festival with them. His participation in the CSNY album Deja Vu brought him both acclaim and paychecks, which he used to purchase a sprawling ranch in the mountains of the San Francisco Bay Area.  One day, Young took a ride around his newly purchased estate with the property's caretaker, who was at least forty years older than Young at the time. The two men had a long conversation, and the result of that little open-air chat became the basis of one of Young's most enduring acoustic songs. Let's find out how the song came together, who played on it, and how the listening public took to it.

Ahead of his March 14 concert at the Fairfield Theatre Company, Allan Lamberti chats with Jim Messina about his new tour, his career and music from Buffalo Springfield to Poco to Loggins and Messina, to what it's like when someone covers your song - everyone from Elvis to Poison.

Esmeralda Ruiz repasa la trayectoria del grupo con el experto musical Felipe Couselo.

De kom fra 3 forskellige orkestre, Hollies, Byrds og Buffalo Springfield. Deres fælles historie starter i 68, hvor Crosby, Stills & Nash mødes om deres fælles kærlighed til musik og vokal harmonier, og året efter kommer Neil Young til.  De nyder deres samspil, men deres egoer er for store til, at indgå i en gruppe over længere tid. I 1970 udgiver de Lp'en ”Deja Vu”, den definerede en tid og et håb efter Woodstock, På grund af den er de for altid forbundet. 

We look at Bruce Springsteen's rapid response to deaths at the hands of federal agents in Minnesota — and the long history of other fast-turnaround protest songs, from Woody Guthrie to Nina Simone to Buffalo Springfield to Lil' Baby. Andy Greene joins host Brian Hiatt for the discussion. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is a pane discussion, dealing with many issues currently in play.The panelists are: LIncoln MitchellStephen PimpareAaron RosenthalJamie RowenIssues and topics:- Renee Good's death in Minnesota-The character assassination of Renee Good: -charges of domestic terrorism, intent to harm, etc.-Murder by ICE agent while he videoed the interactions, including the shooting= Trump's morality-ICE is not law enforcement, no training, no guardrails-FBI takeover of investigation, excluding local law enforcement- delay in medical treatment for the victim, Renee Good-The closing of Minnesota schools in wake of events- Silence from Schumer and JeffriesPart 2:-Renewed threats to Venezuela-The administration's strategy of short youtube clips pushing their policy, with no explanations-focus on spectacle-resources are being extracted from US citizens to support Trump's friends and himself-criminal mob behavior- US regime change is in place: kleptocracyWNHNFM.ORG  productionMusic: "What's that Sound" by Buffalo Springfield, 1966

This line from a popular Buffalo Springfield song sums up well the life of King Herod the Great. His insecurity and fear drove him to rule with a cruel hand, killing members of his own family and slaughtering the innocents in Bethlehem. This is not just First Century history; it is also a tale of our times. The worrisome rise of uncertainty and paranoia is causing many to look for scapegoats (anti-Semitism) and to demand an immediate fix for our problems. But it's the expanding rule and reign of King Jesus that is the best response to such recklessness, which, if left unchecked, will bring disaster upon us all.

Jason Fraley celebrates the 10th anniversary of Crosby, Stills & Nash performing “Silent Night” to light the National Christmas Tree on the White House Ellipse alongside President Barack Obama on Dec. 3rd, 2015. He spoke with David Crosby, Stephen Stills and Graham Nash just before the ceremony, exploring Crosby's history with The Byrds, Stills with Buffalo Springfield, and Nash with The Hollies, before uniting to form the legendary folk supergroup. (Theme Music: Scott Buckley's "Clarion")

The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When you hear the names Buffalo Springfield, Poco, or Loggins & Messina, you can't help but think of Jim Messina. Today, we chatted with Jim about his upcoming show at Rams Head On Stage on November 25th for a single show! Jim's band, The Roadrunners, will take the stage playing some favorites as well as some new material from the band's new album Here, There & Everywhere. In our conversation, Jim's humility shone through — from his praise for the talent in his band to a great story about Anthony Perkins (Hello, Clarice) to his appreciation for Chris Stapleton and a small club in New Hampshire called the Flying Monkey Movie House! We talked about all that and much more! Have a listen! LINKS: Jim Messina (Website) Jim Messina (Facebook) Jim Messina (Instagram) Jim Messina (YouTube) Jim Messina (X) Jim Messina (Spotify) Jim Messina (TICKETS)

Este 12 de noviembre Neil Young cumple 80 años de vida, de los que más de 60 ha dedicado en cuerpo y alma a la música. Antes de conseguir reconocimiento y proyección comercial el canadiense pasó unos años formativos, buscando su identidad. Repasamos aquí sus primeros pasos, su camino desde que en 1963 lanza su primer single con el grupo de surf The Squires y hasta que en 1968 una de sus canciones entra por fin en las listas de éxitos y comienza a escribirse la leyenda.Playlist;(sintonía) THE SQUIRES “The Sultan” (1963)THE SQUIRES “Mustang” (inédito, 1963)THE SQUIRES “I’l love you forever” (inédito, 1964)NEIL YOUNG “Sugar mountain” (demo, 1965)NEIL YOUNG “Don’t cry no tears” (1975)THE SQUIRES “I wonder” (inédito, 1964)NEIL YOUNG and COMRIE SMITH “Hello lonely woman” (1965)NEIL YOUNG “Flyin’ on the ground is wrong” (demo, 1966)THE MYNAH BIRDS “It’s my time” (inédito, 1966)BUFFALO SPRINGFIELD “Burned” (1966)BUFFALO SPRINGFIELD “Kahuna sunset” (inédito, 1966)BUFFALO SPRINGFIELD “Down down down” (inédito, 1966)NEIL YOUNG “Down to the wire” (demo, 1967)NEIL YOUNG “Everybody knows this is nowhere” (demo, 1967)NEIL YOUNG “One more sign” (demo, 1967)BUFFALO SPRINGFIELD “Expecting to fly” (1968)NEIL YOUNG “Slowly burning” (1968)Escuchar audio

Today's program features tuneage from Warren Zevon, Buffalo Springfield, Crosby, Stills, Nash & Young, Jimmy Buffett,  Radiohead, Dire Straits, Led Zeppelin, Procol Harum, Jimi Hendrix Experience, Genesis, Hall & Oates, King Crimson, Jefferson Airplane, Bob Dylan, Linda Ronstadt and Bruce Springsteen.

The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast examines how Franklin's Tower bucked every trend on Blues For Allah to become one of the Dead's all-time classics, including a tape of its studio creation, a look into the multi-tracks, & a rare line-by-line breakdown by lyricist Robert Hunter himself.Guests: David Lemieux, Geoff Gould, Jürgen Fauth, Shaugn O'Donnell, Chadwick Jenkins, Will Backstrom, Max Ritchie, Hannah GrabbensteinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast uses Blues For Allah's complicated instrumental Slipknot! to explore the musical and creative ambiguity the Grateful Dead pursued in early 1975, when there both was and wasn't a Grateful Dead, & their public reemergence at Bill Graham's S.N.A.C.K. benefit that March.Guests: David Lemieux, Ned Lagin, Ron Rakow, Steve Brown, Gary Lambert, Joan Miller, Jay Kerley, Chadwick Jenkins, Shaugn O'Donnell, Melvin BackstromSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mary welcomes guest Richie Furay for our first Testimony Tuesday, as we look at his full and storied life as a member of pioneering bands Buffalo Springfield and Poco.  With all that success, what drove him to his knees? How does a person reconcile or intersect the unique life of the spotlight, in the definitive 1960s no less, with the calling of a pastor and troubadour for Jesus? When he returned to Ohio for his Hall of Fame induction, he had a moment of clarity, that those two lives, and all the craziness, were both him, and God was in every moment. Sometimes we have a hard time reconciling our "two lives" as believers, we run from who we were in shame. But God. We talk to him about the early years, the fame years, and the ministry years. Richie and Nancy have been married since 1967, and as the family has grown up, their seasoning and maturity in Christ has had an impact for eternity.  Keeping up with his energy level is always a great way to spend an hour.   Stand Up For The Truth Videos: https://rumble.com/user/CTRNOnline & https://www.youtube.com/channel/UCgQQSvKiMcglId7oGc5c46A

Mary welcomes guest Richie Furay for our first Testimony Tuesday, as we look at his full and storied life as a member of pioneering bands Buffalo Springfield and Poco.  With all that success, what drove him to his knees? How does a person reconcile or intersect the unique life of the spotlight, in the definitive 1960s no less, with the calling of a pastor and troubadour for Jesus? When he returned to Ohio for his Hall of Fame induction, he had a moment of clarity, that those two lives, and all the craziness, were both him, and God was in every moment. Sometimes we have a hard time reconciling our "two lives" as believers, we run from who we were in shame. But God. We talk to him about the early years, the fame years, and the ministry years. Richie and Nancy have been married since 1967, and as the family has grown up, their seasoning and maturity in Christ has had an impact for eternity.  Keeping up with his energy level is always a great way to spend an hour.   Stand Up For The Truth Videos: https://rumble.com/user/CTRNOnline & https://www.youtube.com/channel/UCgQQSvKiMcglId7oGc5c46A

The Grateful Deadcast points itself towards 1975 to begin a song-by-song celebration of Blues For Allah's 50th anniversary, loaded with raw session tapes, early lyric drafts, & the story of how the Dead built a new studio, musical language, batch of songs, & LP from the ground up. Guests: David Lemieux, Donna Jean Godchaux-MacKay, Ron Rakow, Stephen Barncard, Ned Lagin, Steve Brown, Gary Lambert, Keith Eaton, Shaugn O'Donnell, Chadwick Jenkins, Matt CampbellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Grateful Deadcast visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended. This bonus episode is a re-run of the 2nd half of Deadcast Season 9, episode 8.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, , Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, Brian AndersonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Good Ol' Grateful Deadcast is thrilled beyond all audible frequencies to begin its 12th season by welcoming Dan Healy, the Grateful Dead's in-house sound wizard for most of their career, for tales from three decades in pursuit of high and higher fidelity.Guest: Dan HealySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nos agarramos a esa vieja, conocida e infalible receta que consiste en echar a la marmita solo grandes canciones, algunas más conocidas, otras quizás no tanto, pero todas brillantes, llenas de sabor y con efecto positivo para el espíritu del oyente.Playlist;(sintonía) THE CLASH “Rebel Waltz”LOU REED “Ooooh baby”MINK DEVILLE “Venus of Avenue D”KEVIN AYERS “Stranger in blue suede shoes”BILL CALLAHAN “SMOG” “Cold blooded all times”BUFFALO SPRINGFIELD “Four days gone”RONNIE LANE and RONNIE WOOD “From the late to the early”THE DEL FUEGOS “Fade to blue”TOM PETTY “Wildflowers”RODRIGUEZ “I’ll slip away”TED HAWKINS “Green eyed girl”JEREMY GLUCK “Gone free”NIKKI SUDDEN “Pin your heart”NICK LOWE “Tonight”DION “Only you know”Escuchar audio

If you've ever turned up the radio and belted out Footloose at the top of your lungs — or strutted around the house pretending you're Maverick flying a fighter jet to Danger Zone — then you already know the magic of Kenny Loggins, the undisputed king of the ‘80s movie soundtrack and a bonafide soft rock legend. But there's way more to Kenny Loggins than just toe-tapping anthems and blockbuster film credits. His story is pure classic rock gold, filled with sun-soaked California beginnings, powerhouse collaborations, and an uncanny knack for writing hits that stand the test of time.Born Kenneth Clark Loggins in Washington, Kenny grew up in the golden haze of Southern California's music boom. While his friends were trying to score surfboards, young Kenny was writing songs in his bedroom and dreaming up hooks that would one day echo through stadiums. He cut his teeth as a songwriter for hire, landing cuts with the Nitty Gritty Dirt Band.Kenny's story really kicks in when he teams up with ex-Poco and Buffalo Springfield member Jim Messina. Enter Loggins & Messina, the folk-rock duo that ruled the early ‘70s with feel-good harmonies and radio-friendly hits.These guys were the ultimate laid-back rock bros — they sold millions of records, filled arenas, and gave Kenny the confidence to step out on his own when the partnership ended in '76.When he did go solo, he doubled down. He scored a huge hit with “Whenever I Call You ‘Friend',” a dreamy duet with Stevie Nicks He co-write with Michael McDonald, “What a Fool Believes” — a song that scooped up the Grammy for Song of the Year in 1980.Then came the era that made Kenny a household name: the Soundtrack King phase. First up, Caddyshack. Next, Footloose — released in 1984, it shot straight to No. 1 and never left the pop culture dance floor. But Kenny Loggins wasn't done. Not even close. Two years later, the Top Gun soundtrack landed in his lap — and he strapped in for one of the most turbo-charged hits of his career: Danger Zone. But here's the thing — the Soundtrack King crown didn't box Kenny in. He's always been more than a hit machine. Albums like High Adventure and Vox Humana show his softer, more introspective side. Songs like “Heart to Heart” and “This Is It” gave us smooth sax solos and heartfelt lyrics. Kenny could be funky, he could be breezy, he could make you want to dance — or just chill on the porch.Through it all, Kenny stayed a collaborator at heart. He's jammed with Michael McDonald, Steve Perry, Stevie Nicks.He even dipped into children's music with Return to Pooh Corner. He's done Christmas albums, live records and acoustic sets. His catalogue is a masterclass in versatility.Today, Kenny Loggins is still out there, doing what he does best — playing sold-out shows for die-hard fans who never get tired of that big, warm, unmistakable voice. His book Still Alright: A Memoir tells the stories behind Kenny's legendary five-decade career and shares behind the scenes tales. The celebrated songwriter and chart-topping collaborator shares an entertaining perspective on his life and career as one of the most noteworthy musicians of the ‘70s and '80s and addresses his personal challenges and obstacles of his life and work -- including two failed marriages, a difficult but motivating relationship with the older brother for which “Danny's Song” is named, struggles with hisaddiction to benzodiazepines, and the revelations of turning seventy and looking back at everything that has shaped his music - as well as coming to terms with his rock-star persona and his true self.I hope you enjoy Kenny Loggins' candid conversation with me during this episode.To learn more about Kenny head ot his website: https://kennyloggins.com/

On this powerful new episode of Friends Talking Nerdy, Professor Aubrey and Tim the Nerd dive into the timeless and timely world of protest music. Together, they explore a curated list of some of the most iconic protest songs in music history—songs that have given voice to social movements, challenged injustice, and inspired generations to stand up and speak out. Tracks discussed include Bob Dylan's rallying cry The Times They Are A-Changin', the haunting reflection of Ohio by Crosby, Stills, Nash & Young, and Sam Cooke's soulful anthem of hope, A Change Is Gonna Come. They also dig into For What It's Worth by Buffalo Springfield, Which Side Are You On by Florence Reece, and Killing In The Name by Rage Against The Machine, among others, exploring the historical and political contexts that shaped each song and the emotional weight they still carry today. Listen to the playlist on YouTube.In the second half of the episode, Professor Aubrey shares a heartfelt and firsthand account of attending the No Kings protest in Portland, Oregon, on June 14th, 2025. She reflects on the power of peaceful demonstration, the courage of everyday people taking to the streets to demand justice, and why exercising our First Amendment rights is more important than ever. In a time of political unrest and deep uncertainty, this episode is a tribute to resistance, resilience, and the enduring impact of collective action.As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online.

This week's show, after Jim sings some Sloan: brand new Lemonheads, Ron Sexsmith, Reds, Pinks & Purples, Eater, DoubleVee, Black Watch, and Kingston Lions, plus The Koobas, Bee Gees, Buffalo Springfield, Ray Price, Sandy Denny, Tom Paxton, and Rolling ...