Podcasts about Stills

Summer is unofficially upon us. Hot boy summer, some say.Two hot boys and one hot girlie summer, even. Lickers Jay & Deon check in with Super-Secret-Special-Friend Jess to see (and hear) what she has been f#@%ing with, sonically speaking. It's good clean fun in the sun, ya dang bums! Check out Jess's production of Mr. Burns: A Post Electric PlaySonic contributions to this bonus episode twenty-nine of Lightnin' Licks Radio were made by: Prince Paul, De La Soul, Brothers Johnson, Zack Braff, Natilie Portman, POSPOTUS. Rashan Roland Kirk, L.L. Cool J, R.E.M., Jay Dilla, The Pharcyde, Main Source, Boogie Down Productions, Vince Guaraldi. The 45 King, DJ Kool, Kool & the Gang, Newcleus, Kevin McCaffrey. Space. Jewel, Mackeeper. Hole, Coutney Love, Melissa Auf De Mor, Billy Corgan, Smashing Pumpkins, Yoko Ono, David Porter, Puff and Big, Blind Melon, Young Marvel Giants. Helado Negro. Peaches and Herb, Charles Fox, Jessica McQuarter, Anne Washburn, Michael Friedman, Bernard Herrmann & Elmer Bernstein. Halsey, Lido. Hemlocke Springs, Doechii, Ian James, Joey Hamhock, Banser. Starship, Jefferson Starship, Jefferson Airplane, Grace Slick, Elvin Bishop. Some spacey smooth Japanese psych loops courtesy of Portal Records, XTC, Exile. National Wake, N.W.A., Slick Rick, Wilson Picket, Funkadelic, The Winstons, Vampire Weekend, Dan Deacon, Aldo Nova, Elvis Costello, Deon's wife Shannon, Jan Hammer. The Police. Nas, Large Professor, 3rd Bass, MC Search, N.O.R.E., Pete Rock, DJ Premier, James Brown & The J.B.'s. More Japanese psych loops, Sting, The Isley Brothers, Ice Cube, DJ Pooh. Crosby, Stills & Nash, The Staple Singers, Parliament, LBJ, good brother Abraham (Jefferson), and AI Steve Inskeep.Get your vinyl records and vintage wares here. Freedom. Know it while you have it. Get involved.SPOTIFY PLAYLIST OF FEATURED ARTISTSHEAR THE FULL MIXTAPE ON SOUNDCLOUD

Episode 676 also includes an E.W. Poetic Piece titled, “Sky Gazer.” Our music this go round is provided by these wonderful artists: Thelonious Monk, Crosby, Stills, Nash & Young, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

La conviv

Quan diuen que moltes vegades

Send us Fan Mail

Summer is now unofficially upon us. Hot boy summer, some may say. Two hot old boys and one hot girlie summer, even. Lightning Lickers Jay & Deon check in with Super-Special-Secret-Friend Jess to see (and hear) what she has been f#@%ing with, sonically speaking. It's good clean fun in the sun, ya dang bums! Check out Jess's production of Mr. Burns: A Post Electric PlaySonic contributions to this bonus episode number twenty-nine of Lightnin' Licks Radio podcast were made by: Prince Paul, De La Soul, Brothers Johnson, Zach Braff, Natalie Portman, POSPOTUS. R.E.M., Jay Dilla, The Pharcyde, Vince Guaraldi. The 45 King, DJ Kool, Kool & the Gang, Newcleus, Kevin McCaffrey. Space. Jewel, Mackeeper. Hole, Coutney Love, Melissa Auf Dee Mor and Billy Corgan on The Magnificent Others podcast, Smashing Pumpkins, Yoko Ono, David Porter, Puff & Big, Blind Melon, Young Marvel Giants. Helado Negro. Peaches & Herb, Charles Fox, Jessica McQuarter, Anne Washburn, Michael Friedman, Bernard Herrmann & Elmer Bernstein. Halsey, Lido. Hemlocke Springs, Doechii, Ian James, Joey Hamhock, Banser. Starship, Jefferson Starship, Jefferson Airplane, Grace Slick, Elvin Bishop. Some spacey smooth Japanese psych loops courtesy of Portal Records, XTC, Exile. National Wake, N.W.A., Wilson Picket, Funkadelic, The Winstons, Vampire Weekend, Dan Deacon, Aldo Nova, Elvis Costello, Deon's wife Shannon, Jan Hammer. The Police. NAS, Large Professor, 3rd Bass, MC Search and N.O.R.E. on Drink Champs podcast, Pete Rock, DJ Premier. James Brown, more Japanese psych loops, Sting, The Isley Brothers, Ice Cube, DJ Pooh. Crosby, Stills & Nash, The Staple Singers, Parliament, Cheech & Chong, Rakim, Aphex Twin, LBJ & good brother Abraham (Jefferson).You can't make then share mixtapes anymore. It's totally cool that artificial intellegence has been fed all music ever recorded to train itself to suck the life out of all art everwhere. Sharing mixtapes, though...very bad. Very, very bad.Hear the uninterrupted Jay-curated mixtape here. Stream a playlist of featured artists on Spotify here. Get your vinyl records and vintage wares here. Freedom. Know it while you have it. Get involved.JAY is f#@%ing with Space, Hole, XTC, and The Police.DEON has been into Mackeeper, Helado Negro, National Wake, and Nas.JESS has Halsey, Hemlocke Springs, and Jefferson Starship in heavy rotation.

Read beyond the headlines! Support Local Journalism  https://www.spokesman.com/podcastoffer

MyMusic Podcast – Graham Coath Talks To Kelli BlanchettIn this deeply honest and thoughtful episode of MyMusic, Graham Coath sits down with singer-songwriter Kelli Blanchett for a conversation that moves far beyond music itself.From singing karaoke in her grandparents' pub as a child to becoming part of Self Esteem's live and recording world, Kelli shares the winding, emotional and often unpredictable journey that shaped her as both a musician and a person.The conversation explores creativity, neurodiversity, emotional processing, chronic illness, touring, songwriting and the changing realities of trying to build a music career in 2026.Kelli talks candidly about:Growing up in a musical familyLearning guitar and discovering her own voiceWhy singing and playing guitar came naturally to herThe emotional intensity of her twentiesHow ADHD and emotional processing influence the way she experiences life and writes songsBecoming part of Self Esteem's musical worldLiving with chronic illness and how it changed her relationship with musicCreating her melancholic, folk-tinged new EPThe realities of algorithms, streaming and modern music promotionWhy building genuine community matters more than shouting into the void onlineThe difference between London audiences and audiences in smaller towns and coastal venuesHer love of artists like Laura Marling, Waxahatchee, Gillian Welch and Crosby, Stills, Nash & YoungThere are also brilliant side conversations about:Tiny Desk sessionsWhy harmony singing creates goosebumpsWhy emotional people often cope calmly in crisesFolk venues by the seaThe death of grassroots venuesWhy music discovery feels so strange in the streaming eraAt the heart of the episode is a bigger discussion about connection.Not just how artists find audiences, but how people find meaning, belonging and spaces where their work actually lands with people who genuinely care.Kelli's warmth, humour and openness make this one of the most emotionally rich MyMusic conversations to date.Listeners can also hear tracks from Kelli's latest EP directly through Spotify alongside the episode.A conversation about music, vulnerability, community and finding your place creatively in a noisy world.

Playlist : YEH YEH > GEORGIE FAME / THE WAY IT IS > BRUCE HORNSBY & THE RANGE / OUR HOUSE > CROSBY, STILLS, NASH & YOUNG / OUR HOUSE > MADNESS / PIECE OF THE ROCK > MOTHER'S FINEST / SWEET CAROLINE > NEIL DIAMOND / TUBULAR BELLS > MIKE OLDFIELD / MORE MORE MORE > ANDREA TRUE CONNECTION / LOST IN MUSIC > SISTER SLEDGE / I DON'T LIKE MONDAYS > BOOMTOWN RATS / JESAMINE > CASUALS / UNDER THE BOARDWALK > DRIFTERS / SHARP DRESSED MAN > ZZ TOP /

Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Promoter 101 Podcast featuring Iconic Booking Agent Jonny Podell who has working with a with a legendary talent line up that includes: Allman Brothers Band, Cyndi Lauper, Erasure, Peter Gabriel, Rosie O'Donnell, Yaz, Teddy Pendergrass, George Harrison, Crosby, Stills, Nash & Young and David Blaine. Hosted By: Works Entertainments' Luke Pierce + Emporium Presents' Dan Steinberg Direct Link: https://tinyurl.com/5n94myyy Email Dan + Luke: steiny@promoter101.net Amazon: https://is.gd/cgLbBp Facebook: https://www.facebook.com/promoter101 Google Music: https://is.gd/onEmSt iHeartRadio: https://www.iheart.com/podcast/promoter101-29260148/ Instagram: https://www.instagram.com/steinypromoter101/ itunes: https://itunes.apple.com/us/podcast/promoter101/id1163910658?mt=2 LinkedIn‬: https://www.linkedin.com/company/promoter101 Soundcloud: https://soundcloud.com/promoter101 Spotify: https://is.gd/T5SPEC‬ Spreaker: https://www.spreaker.com/user/promoter101 Website: http://www.promoter101.net/ YouTube: https://www.youtube.com/promoter101

Im April 1970 haben Crosby, Stills, Nash & Young ihr zweites gemeinsames Album "4 Way Street" rausgebracht. Dass Crosby, Stills, Nash & Young unbedingt ein Livealbum brauchten, war spätestens seit ihrem viel umjubelten Gig beim Woodstock Festival im August 1969 klar. 1971 war es soweit: "4 Way Street" kam raus – das Live-Doppelalbum der Supergroup. Ein Album voller Gegensätze: rau, weich, akustisch, elektrisch und psychedelisch zugleich. Auf der Bühne und vor dem Publikum hat das Quartett immer gut funktioniert. Die Stimmen passten super zusammen, haben im Satzgesang toll funktioniert und auch instrumental hat die Gruppe für das Publikum das meiste aus sich herausgeholt. Hinter den Kulissen allerdings hat es immer geknirscht, erzählt der ehemalige Musikredakteur Christian Pfarr im Podcast. Da haben sich Crosby, Stills, Nash und Young überhaupt nicht verstanden. Was an vielen verschiedenen Faktoren und internen Konkurrenzkämpfen gelegen hat. Darüber hinaus war vor allem Neil Young oft einer der Streithähne, der zu dieser Zeit mit Depressionen zu kämpfen hatte. Auch wenn Crosby, Stills, Nash und Young gemeinsam ins Studio und auf die Bühnen gegangen sind, stammen die Songs jeweils eigentlich nur immer von einem der Songwriter der Gruppe. Jeder durfte für die Shows und die Alben Musik beisteuern, aber geschrieben wurden sie immer nur von einem der Bandmitglieder, was bei der eben erwähnten Stimmung untereinander kaum verwunderlich ist. Auch wenn wir dem Album den Stempel "Meilenstein" geben, darf man dennoch Kritik an dem Album und an der Produktion äußern, und die ist doch durchaus angebracht, findet Musikredakteur Stephan Fahrig: "Wir müssen das Album ein bisschen vom Podest herunterheben, weil ich finde, es ist relativ bescheiden produziert." Und auch wenn bei der Produktion des Livealbums und auch in der Qualität der Performance noch "Luft nach oben" gewesen wäre, trifft das Album den Zeitgeist, sagt  Moderator Frank König. Der ehemalige Musikredakteur Christian Pfarr ergänzt das noch, denn auf eine High-End-Produktion und Performance kommt es seiner Meinung nach gar nicht an, bei einem Album wie diesem und Künstlern wie Crosby, Stills, Nash und Young: "Es lebt nicht von der Perfektion, sondern es lebt von der Lebendigkeit." Auch wenn die Musik des Quartetts sich oftmals anfühlt wie romantische Lagerfeuermusik, wie zum Beispiel bei "Cowgirl In The Sand", so sind auf dem Album auch viele politische Botschaften enthalten. Es geht um Rassismus in den Südstaaten im Song "Southern Man" oder im Song "Ohio" auch um den Vorfall an der Kent State University, wo bei Studentenprotesten gegen den Vietnamkrieg vier Menschen von der Nationalgarde erschossen worden sind. __________ Über diese Songs vom Album "4 Way Street" sprechen wir im Podcast (03:13) – "Suite: Judy Blue Eyes"(10:06) – "Teach Your Children"(14:50) – "Carry On"(21:02) – "Cowgirl In The Sand"(25:34) – "Southern Man"(34:13) – "Ohio"(39:09) – "Love The One You're With" __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

The Wonderful World of Wine (WWW) Episode 314 Hosts Kim Simone and Mark Lenzi exploring all things wine with you! From Prescriptions to Stills with GlenPharmer Distillery In this episode of The Wonderful World of Wine (WWW), hosts Kim and Mark sit down with Beth and Patrick Downing, the visionary owners of Franklin, Massachusetts' own GlenPharmer Distillery. It's a fascinating look at how a professional background in pharmacy provided the perfect scientific foundation for transitioning into the world of craft spirits and hospitality. We dive deep into their incredible journey, from the initial concept to navigating the unprecedented challenge of launching a distillery and restaurant just as a global pandemic was beginning. Patrick and Beth share how they managed to make such a monumental feat sound easy. Inside the Episode: A Nod to Franklin History: We explore the storied past of the building that GlenPharmer calls home and its unique historical connection to the town's hat-making industry. Science in the Glass: Learn about the distillery's seasonal focus on both its restaurant menu and its innovative cocktail program. Patrick shares some "science of the cocktail" tips that you can use at home. Award-Winning Spirits: We discuss their lineup of acclaimed products and reveal the surprising production capacity of this local powerhouse. The Business of Spirits: From the nuances of serving laws in the distillery versus their event space to the complexities of distribution and shipping. The "Geeky" Details: We get into the nitty-gritty of the industry, discussing everything from distillery taxes to the mystery of the "Angel's Share." Whether you are a Franklin local or a spirits enthusiast, you will love the story of grit, science, and community behind GlenPharmer. Learn More: GlenPharmer Distillery: www.glenpharmer.com The Wonderful World of Wine: www.thewww.wine Cheers, Kim and Mark

Mark 4:35-41 - James Choi

Send us Fan MailCraig Fort stops by the show to discuss, music sobriety, inspiration and more. ***Lightning Stills isn't an album detailing the evils of alcohol. Instead, it's life stories while still in the moment. “I started this project as a way to keep me occupied and help me through getting sober,” vocalist/guitarist Craig Fort of Omaha's reigning outlaw country band explains.Aside from the obvious health benefits of quitting the sauce, his reason for quitting was far more personal. “Ultimately, I got sober for my family,” he confesses. “Once I had my first son, I started trying to stay away from the bar except for playing shows. My drinking stuck with me though and eventually took over. I realized I needed to get some help or my boys weren't gonna have a father anymore.”Though he has sworn off alcohol, the offending substance flows freely figuratively throughout the band's makeup. “The band name ‘Lightning Stills' is a character I created - a reference to white lightning moonshine stills,” Craig explains, about the eponymously named alter-ego, a rhinestone cowboy in the vein of Waylon Jennings and Johnny Paycheck. “Lightning Stills” alludes to the clear high proof, unaged corn whiskey that is made in a ‘moonshine' still. “When I first started, the ‘Lightning Stills' character was a bootlegger. I have some history of that in my family and that lifestyle appealed to me I guess. Even off the sauce I feel like I'm still trying to find the right potency for my brew,” he laughs.Lightning Stills is a venerated cast of Omaha musicians - a who's who of local artists of varying genres, all unified in a love for pure and unadulterated Outlaw Country. Originating in 2020, Craig (a hardcore, metal, and garage mainstay whose leads the post-rock mainstays Leafblower) first formulated the band with Omaha music icon and multi-instrumentalist Mike Friedman who had been playing country for decades. Pulling into their magnetic orbit a “good-timing odd bunch” that features guitarist Tom May, bassist Dan Maxwell, and drummer Javid Thunders, Lightning Stills was born. “We're a real sundry assortment,” he says. “Dan and I have been playing together in various projects for 15 years. The other fellas have played in folk, indie, garage, metal, etc. That's one thing that's always been nice in my experience about Omaha. You can have a bill with hip hop/metal/country, and everyone that comes out are friends and possibly play in other projects with each other as well.”Deciding it was time to record a full record after releasing a handful of tracks in 2020 and 2021, the self-titled debut started taking shape, and a caboodle of punk-infused Outlaw Country was born. “Coming from a small town, I grew up with the outlaws and ‘90s popular country that I couldn't escape,” he concludes. “My grandpa played in a country band. So in a sense, Lightning Stills is still just me playing music with my buds. We just aren't playing as loud.”****If you would like to contact the show Dauna@betertopodcast.comFollow us on Social MediaYouTube: https://www.youtube.com/channel/UCX0ETs2wpOHbCuhUNr0XFTw?view_as=subscriberInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomSupport the podcast here: https://www.patreon.com/bettertopodcastwithdmneedom©2026 Better To...Podcast with D. M.NeeSupport the show

This week MC Lars returns to the podcast to discuss the song MISSION STATEMENT which is Al's send up to the folk sounds of Crosby, Stills and Nash (but definitively NOT Young) ⁠⁠⁠⁠⁠⁠⁠⁠Join Our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy some Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check our Website for Our Rankings⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow our Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Facebook Group Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's episode of The Rizzuto Show is what happens when a funny podcast tries to stay on topic and immediately fails in the most entertaining way possible.We kick things off with one of the coolest human achievements ever—NASA's Artemis II crew traveling farther than anyone in history and giving us a real-life “dark side of the moon” moment that sounds like it belongs on a Pink Floyd album cover. It's emotional, it's historic… and naturally, we ruin the moment within minutes because that's what we do.From there, we launch directly into chaos. Howard Stern's household is apparently being described as a workplace nightmare involving a massive cat rescue operation—which raises the important question: how many cats is too many cats? (Spoiler: probably fewer than 900.)Then it's a full sprint through celebrity madness: Offset gets shot but survives, Brian Cox decides he's done being polite and starts verbally swinging at everyone in Hollywood, and a documentary lineup reminds us that Hulk Hogan somehow still has layers we haven't unpacked.We also get into music nostalgia with Crosby, Stills & Nash (and whether you can actually work out to it without your knees giving up), a $13,000 Pink Floyd vinyl that makes everyone question their life choices, and the rise of an AI-generated country singer who is somehow more productive than most humans.Somewhere in the middle of all this, we question the future of entertainment, the relevance of late-night TV, and whether podcasts are now the only way anyone becomes famous anymore—which is great news for us and terrible news for everyone else.It's a funny podcast episode packed with space, celebrity chaos, weird news, and just enough sarcasm to keep things grounded… barely.If you like your daily comedy show unpredictable, slightly unhinged, and full of “did they really just say that?” moments—welcome home. This funny podcast is exactly what your brain didn't ask for but absolutely needed.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

SHELAGH MCDONALD - "Mirage" ("SHELAGH MCDONALD", 1970) / KEITH CHRISTMAS - "Travelling Down" ("STIMULUS", 1969) / BRIDGET ST. JOHN - "Curl Your Toes" ("ASK ME NO QUESTIONS", 1969) / JOHN & BEVERLEY MARTYN - "Auntie Aviator" ("ROAD TO RUIN", 1970) / TIM BUCKLEY - "Sing a Song For You" ("HAPPY SAD", 1969) / JUDY HENSKE & JERRY YESTER - "Raider" ("FAREWELL ALDEBARAN", 1969) / STEELEYE SPAN - "Fisherman's Wife" ("HARK! THE VILLAGE WAIT", 1970) / FAIRPORT CONVENTION - "Autopsy" ("UNHALFBRICKING", 1969) / JONI MITCHELL - "I Don't Know Where I Stand" ("CLOUDS", 1969) / CROSBY, STILLS & NASH - "Lady Of The Island" ("CROSBY, STILLS & NASH", 1969) / NEIL YOUNG - "Only Love Can Break Your Heart" ("AFTER THE GOLD RUSH", 1970) / IAN MATTHEWS - "If you Saw Thro' my Eyes" ("IF YOU SAW THRO' MY EYES", 1971) /Escuchar audio

Drop Dead, Gorgeous is back and better than ever! Danny Stillman joins the show to talk about crafting their music videos, war movies, Star Wars, expectations vs reality, and much more!EARGASM Use the code METALCORENERDS to save 10% off your order. Protect your hearing while still enjoying the music you love.Support Drop Dead, Gorgeous!Instagram | Facebook | Merch Store | Tickets for Upcoming Shows!Song of the Week: Of Virtue "The Art of Love"Check out the Metalcore Nerds Pull List Spotify PlaylistJoin the Metalcore Nerds Community:Discord | FB GroupFollow Metalcore Nerds on Social Media:Facebook | Instagram | Twitter | YouTube | TikTok

Lundi 30 mars, Pop-Rock Station mêle classiques rock, pop et nouveautés. Ouverture avec The Steve Miller Band et "The Joker", avant d'installer une programmation éclectique entre Linkin Park, The Stranglers, Led Zeppelin côté rock, et Jamiroquai ou Cocteau Twins côté pop. La soirée revient sur une date clé avec Prince et la sortie en 1987 de "Sign O' The Times", dont sont extraits "If I Was Your Girlfriend" et "U Got The Look". L'album de la semaine est signé The Twilight Sad avec "It's The Long Goodbye", illustré par "Designed To Lose". Une œuvre marquée par des thèmes de résilience et un son entre indie rock, shoegaze et pop mélancolique. Côté nouveautés, on retrouve aussi Aldous Harding avec "One Stop", extrait de son futur album "Train On An Island", ainsi que The Black Keys avec "You Got To Lose", annonçant "Peaches" attendu le 1er mai. La reprise du soir revisite Depeche Mode avec "Enjoy The Silence", repris par Lacuna Coil. Steve Miller Band - The Joker Aldous Harding - One Stop Prince-U Got The Look Jamiroquai - Deeper Underground Cypress Hill - Superstar AC/DC - Girls Got Rythm Linkin Park - Heavy Is The Crown Twighlight Sad- Designed To Lose The Romantics - Talking In Your Sleep Cocteau Twins - Fifty-Fifty Clown The Stranglers - No More Heroes Rob Zombie - (I'm A) Rock "N" Roller Lacuna Coil - Enjoy The Silence Kasabian - Fire The Kills - Cheap And Cheerful Son Mieux - Dark Before The Dawn Led Zeppelin - Dazed And Confused Rammstein - Rammstein The Black Keys - You Got To Lose Ultravox - Dancing With Tears In My Eyes The Prodigy - Smack My Bitch Up Judy Bloom - Hope The Mamas And The Papas - California Dreaming Radiohead - House Of Cards Crosby, Stills & Nash - Teach Your Children Tash Sultana - BlackbirdHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Join as Pastor John challenges us on storms in our lives. 

Signs of Life - Personal Experiences hosted by Dr. Betty Kovacs, Janet Mayer and Kimberly Saavedra Everyone Has A Story To Share. We Invite You To Share YOURS! Many Of Us Have Personal Experiences That Defy Mainstream Thinking. Join Us As We Explore The Types Of Experiences That People Have, What They Mean, And How We Can Integrate Them Into Our Daily Lives. (Although Mediums Provide A Valuable Connection To The Deceased, This Show Centers Around YOUR Direct Experiences Which Do Not Involve A Medium.) Collect Your Stories and Join Us This episode of Signs of Life Radio features hosts Janet Mayer and Kimberly Saavedra exploring the profound ways deceased loved ones communicate with the living. Through personal anecdotes and caller testimonies, the program highlights how acknowledging "signs" can transform the grieving process into a journey of spiritual connection and healing. The episode begins with host Janet Mayer sharing a personal account of electronic interference, a common medium for spirit communication. She recounts her computer crashing immediately after she mentally addressed her late uncle, whom she described as a "jokester." This event, coupled with her work in Electronic Voice Phenomenon (EVP), underscores the theme that spirits often manipulate energy to provide playful or urgent validation of their presence. Janet specifically references an EVP recording where a spirit stated, "We are in your world," emphasizing that the deceased remain intimately connected to our daily reality rather than residing in a distant, unreachable location. Callers Carol and Christine provide vivid examples of how these signs manifest in specific, personal ways. Carol describes receiving comfort from her 11-year-old grandson, Ivan, through the repeated appearance of ladybugs and references to the game Minecraft. Christine shares a unique "morning song" phenomenon where specific lyrics—such as Crosby, Stills & Nash's "Southern Cross"—pop into her head upon waking, often correlating directly with her life decisions or travel plans. The hosts suggest that these musical messages are not random but are tailored to the recipient's personality and shared history with the deceased. The dialogue also addresses the emotional complexity of grief, particularly when it involves difficult relationships. Caller Lisa, who is visually impaired, discusses her late mother's communication through flickering lights. Despite a complicated past, Lisa felt her mother's support when a stranger unexpectedly helped her with difficult paperwork. The hosts reflect on the "surprising creativity of grief," noting that while sorrow and joy are intertwined, remaining open to signs can help move an individual from a "frozen" state of anger or pain into a more "transcendent" space of peace. The episode concludes with a story about a young girl named Marie, whose father, after a tragic passing, played "Mary Had a Little Lamb" on a basement piano to comfort her. This narrative serves as a final testament to the idea that the bond between loved ones is not severed by death, but merely changes form. The hosts encourage listeners to foster their own "spirit practice" by maintaining an internal dialogue with those who have passed. This discussion reaffirms that the survival of consciousness is evidenced through a variety of personal, often playful, communications. By staying open, practicing gratitude, and acknowledging the presence of the deceased in our physical world, individuals can find a path through grief toward a continued relationship with those they have lost. Bringing You Evidence of An Afterlife Since 2004 Forever Family Foundation is a global 100%volunteer non-profit, non-sectarian organization that supports the premise that life does not end with physical death, furthers the understanding of Afterlife Science and survival of consciousness, and offers support to the bereaved. Among the active members of the organization and the executive board are scientists, researchers, medical doctors, philosophers and educators who have devoted substantial parts of their careers to the investigation of the survival hypothesis - an existence beyond this physical world

Grab your zines, dust off your stencils and customise your jackets because Jeremy and Tim are continuing our mini-series on post-punk with a healthy dollop of DIY culture. They discuss the infamous Sniffin' Glue magazine, visit Dial House to ponder the ultimate UK DIY heroes Crass, and spin some of the most out-there No Wave cuts NYC had to offer. Elsewhere in the episode they dedicate time to outré post punk pioneers Devo, shout out the pipes on Lydia Lunch, dwell on punk's dub and hip hop influences as expressed through a classic Clash track, and unpick the aesthetics of uptightness. Plus Glen Branca, Epping Forest and… Crosby Stills Nash & Young. Produced by Matt Huxley.Patreon.com/LoveMessagePodwww.loveisthemessagepod.co.ukTracklist:Crosby, Stills, Nash & Young - OhioDevo - Satisfaction Theoretical Girls - You Got Me Alternative TV - Action Time Vision The Clash - White Man in Hammersmith Palais Teenage Jesus and the Jerks - Orphans Crass - Sucks

"'Cause the free wind is blowin' through your hairAnd the days surround your daylight thereSeasons crying no despairAlligator lizards in the air, in the airVentura Highway in the sunshine"Let's spend this first Sunday of Spring together, joining us are Bonnie Raitt, The Doobie Brothers, Paul Siebel, The Flying Burrito Brothers, Bob Dylan, The Ramones, Smithereens, Squeeze, Talking Heads, Byrds, Paul Butterfield's Better Days, Lou Reed, Queen, Patti Smith, Bruce Springsteen, Badfinger, Buzzy Linhart, T. Rex, Elton John, Steely Dan, Crosby, Stills, Nash and America.

Graham Nash's incredible career spans over 60 years. He's a two-time Rock & Roll Hall of Fame inductee, with Crosby, Stills & Nash and the Hollies. He's a Grammy Award winner and two-time inductee to the Songwriters Hall of Fame—as a solo artist and with CSN. With CSN and CSNY he has written and performed some of the greatest songs ever including “Marrakesh Express,” “Teach Your Children” and “Our House”. His solo career yielded two albums which include “Chicago/We Can Change the World,” and “Military Madness.” He's been a passionate advocate for peace and social and environmental justice, and created . The No Nukes/Musicians United for Safe Energy (MUSE) concerts with Jackson Browne and Bonnie Raitt in 1979. Graham is also the author of the NY Times bestselling memoir Wild Tales, and he's a renowned photographer and visual artist whose work has been shown in galleries and museums worldwide. Most recently he released A Life In Focus: The Photography Of Graham Nash. And his most recent album is 2023's “Now”. Graham takes us back to his early years and musical influences; the genesis of Crosby, Stills & Nash and the timeless music they created together and with Neil Young; his poignant memories of David Crosby; reflections on Woodstock, Joni Mitchell, and the 60's/70's; the importance of protest songs, especially today; and more. And in one of my favorite stories, Graham describes a recent emotional visit back to the Laurel Canyon home he shared with Joni for two years, and where he wrote "Our House" in one hour on a cold, rainy day. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

"You're on stage. You're playing shows. You're going on tours, and they're like, you haven't paid your dues. It's like, I'm doing it right now. This is the dues."   Drop Dead, Gorgeous is back. After a 15-year hiatus, frontman Daniel "Stills" Stillman joins Brian and Lizzie to talk about their highly anticipated return, dropping the new EP Sink Your Teeth, and gearing up for Warped Tour.   Stills takes us back to 2006, explaining the raw, meticulous production behind In Vogue and what it was actually like blowing up on Myspace as teenagers. We talk about the very real pushback they got from traditional hardcore bands for wearing tight pants, why they skipped the "paying your dues" phase, and a wild story about a lost Skrillex remix that never saw the light of day. We also get into the current state of songwriting and the uncomfortable reality of AI tools pushing pop artists to either innovate or be replaced. "We were in that phase of wearing tight jeans, girl pants... we were kind of in a heavier scene, and so there was still hardcore bands that weren't really into that at all. We got a lot of pushback and hate because of that." "AI highlighted to me how formulated pop music actually is. And I think what it's forcing actual big pop artists to do now is to push the boundaries and mix it up more, because if they don't, they will be replaced by AI." "You're on stage, you're playing shows, you're going on tours, and they're like, you haven't paid your dues. It's like, I'm doing it right now. This is the dues. I'm here today to do that." JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hazel Mills is a incredibly versatile keyboard player, vocalist, and songwriter whose impressive resume includes touring the globe with artists like Kylie Minogue, Florence + The Machine, Goldfrapp, Birdy, and The Will Gregory Moog Ensemble. We delve into everything from Hazel’s early classical roots and passion for 1960s minimalism, to her transition into the pop genre and her deep love for analogue synthesis. Hazel provides some great insights into her creative process, including recreating studio sounds for massive live pop tours, her go-to gear, and lots more. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Hazel’s past 12 months The differences in energy / stamina for a large versus more intimate gig Steve Anderson Joining Kylie Minogue’s band Hazel in action with Kylie Minogue 2025 Eventide H90 UDO Super 6 Hazel’s own look at the Super 6 Mainstage and side-chain setup Hazel in action with Christine and the Queens in 2023 Hannah Peel and Hazel Mills at King’s Place Working with Dave Rowntree Joining the Will Gregory Moog Ensemble Hazel’s solo creative output Hazel’s Patreon channel A discussion on musique concrete Joining Florence + The Machine as a touring member  Auditioning process for Florence Hazel performing with Florence + The Machine, 2018 Working with Birdy Hazel performing live with Birdy 2016 Joining Goldfrapp Hazel performing with The Paper Cinema Joining Goldfrapp  Hazel performing live with Alison Goldfrapp, 2022 The intricacies of playing a Goldfrapp show Hazel in action with Goldfrapp at Glastonbury 2014 Adding Machine – Ships to Sink Desert Island Discs: Thriller – Michael Jackson, Self-Titled – Crosby, Stills & Nash, DEACON – serpentwithfeet, Diviner – Hayden Thorpe, Ambient 1: Music for Airports – Brian Eno. For those watching on video: apologies for the gridlines, it was a glitch not picked up by us at time of recording. Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Hazel Mills, Kylie Minogue / Florence + The Machine / Goldfrapp appeared first on The Keyboard Chronicles.

Host Jesse Jackson welcomes back college professor Maryanne Janosik to discuss Bruce Springsteen's newly released protest song, its rapid creative turnaround, and how it fits Springsteen's history of politically charged music and themes of Catholic social justice. They compare the song's naming of names to Crosby, Stills, Nash & Young's “Ohio,” speculate about political expression at the Grammys, and reflect on concerns about free speech, polarization, and the shrinking space for teaching controversial art and history. The conversation shifts to film awards, including disappointment that “Deliver Me From Nowhere” received no Oscar nominations, debate about biopic fatigue, and Maryanne's recommended under-the-radar films such as “Train Dreams,” Linklater's “Blue Moon” and “Nouvelle Vague,” “Sorry, Baby,” and the baseball film “Eefus,” plus praise for “Sinners” and “Fruitvale Station.” https://www.mjthemovies.com/ 00:00 Welcome Back Maryanne 00:33 Meet Maryanne Janosik 01:50 Bruce Drops New Protest Song 02:55 How Artists Create Fast 05:26 Protest Music Context 07:38 Catholic Imagination Social Justice 08:45 Teaching Songs of Protest 11:07 Grammys Politics and Censorship 13:30 Academic Freedom Under Pressure 17:13 Reviewing the New Song 20:36 Super Bowl Halftime Culture 23:44 Oscars and Springsteen Films 24:37 Box Office vs Oscars 25:35 Deliver Me From Nowhere 28:36 Biopic Fatigue Debate 30:26 Good vs Great Movies 32:24 Why Sinners Works 36:48 Michael B Jordan Rise 39:23 Under the Radar Picks 45:08 Catherine OHara Tribute 47:02 Wrap Up and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Jesse Jackson welcomes back college professor Maryanne Janosik to discuss Bruce Springsteen's newly released protest song, its rapid creative turnaround, and how it fits Springsteen's history of politically charged music and themes of Catholic social justice. They compare the song's naming of names to Crosby, Stills, Nash & Young's “Ohio,” speculate about political expression at the Grammys, and reflect on concerns about free speech, polarization, and the shrinking space for teaching controversial art and history. The conversation shifts to film awards, including disappointment that “Deliver Me From Nowhere” received no Oscar nominations, debate about biopic fatigue, and Maryanne's recommended under-the-radar films such as “Train Dreams,” Linklater's “Blue Moon” and “Nouvelle Vague,” “Sorry, Baby,” and the baseball film “Eefus,” plus praise for “Sinners” and “Fruitvale Station.” https://www.mjthemovies.com/ 00:00 Welcome Back Maryanne 00:33 Meet Maryanne Janosik 01:50 Bruce Drops New Protest Song 02:55 How Artists Create Fast 05:26 Protest Music Context 07:38 Catholic Imagination Social Justice 08:45 Teaching Songs of Protest 11:07 Grammys Politics and Censorship 13:30 Academic Freedom Under Pressure 17:13 Reviewing the New Song 20:36 Super Bowl Halftime Culture 23:44 Oscars and Springsteen Films 24:37 Box Office vs Oscars 25:35 Deliver Me From Nowhere 28:36 Biopic Fatigue Debate 30:26 Good vs Great Movies 32:24 Why Sinners Works 36:48 Michael B Jordan Rise 39:23 Under the Radar Picks 45:08 Catherine O'Hara Tribute 47:02 Wrap Up and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's episode is about a song that was written just up the hill from where I was born and in the same town where my wife and and I were wed. So it most definitely “strikes close to home.” Neil Young had emerged from the great north woods of Canada into the public limelight in the mid–1960s. He joined up with Stephen Stills and Richie Furay to create the Buffalo Springfield, an LA-based band that asked the musical question “Stop, hey, what's that sound” before disintegrating – but not before Young himself had quit and rejoined the band several times. Then, in 1969, he made a self-titled solo album that had great songs, including “The Loner,” (one of my personal favorites) but which didn't sell well. And then Young really came into his own. His second solo album got him some much needed publicity, and he hit a creative chord with an ensemble of garage musicians that he dubbed Crazy Horse. His next stop was to sign on with Crosby, Stills, and Nash (wherein he added his own last name to the group) and played the Woodstock festival with them. His participation in the CSNY album Deja Vu brought him both acclaim and paychecks, which he used to purchase a sprawling ranch in the mountains of the San Francisco Bay Area.  One day, Young took a ride around his newly purchased estate with the property's caretaker, who was at least forty years older than Young at the time. The two men had a long conversation, and the result of that little open-air chat became the basis of one of Young's most enduring acoustic songs. Let's find out how the song came together, who played on it, and how the listening public took to it.

This week, one of the most decorated defensive linemen in WVU history, Darius Stills, joins the Touchdown City crew. A Consensus All-American and Big 12 Defensive Lineman of the Year, Darius opens up about the journey that took him from being an "under-recruited" local prospect to a Mountaineer legend.

Send a textIn this episode our nerdburgers with cheese de-evolve as they take on Devo's wild and wonky 1980 classic "Whip It". From the infamous Kent State shootings to Pee-wee's Playhouse, our whip smart music historians resist many an uncontrollable urge as they scrutinize the very thin line that separates the revolutionary from dorkdom. Demand your freedom of choice, or freedom FROM choice...with TnT!Songs:The Reverb Syndicate - Better Dancing Through TechnologySatellite Birdhouse - OctoberGraven - Lake HeadCan - SprayVíctor Monge "Serranito" - Nostalgia FlamencaDevo - Whip ItCrosby, Stills, Nash & Young - OhioBob Dylan - Subterranean Homesick BluesDevo - Freedom of ChoiceDevo - (I Can't Get No) SatisfactionDevo - Uncontrollable UrgeDevo - Girl U WantThe Chipmunks - Whip ItToni Basil - MickeyToni Basil - Shoppin' From A to ZHeart - What About LoveConnect with us:Instagram

Travel, Landscape, and Bird Photography with Deborah Sandidge.Deborah Sandidge is an American Travel, Landscape, and Wildlife Photographer, a Nikon USA Ambassador, and KelbyOne Instructor. Deborah is the author of Digital Infrared Photography and has collaborated with the Nikon Learn and Explore site demonstrating star and star trail photography, along with long exposure photography.In this episode, Deborah and Richard explore the creative tension between still photography and video, how to find emotional resonance in birds as a photography subject, why technical mastery is the price of admission for genuine creative freedom, and what does it take to be a professional photographer in 2026. Deborah also shares how she reads animal behavior to anticipate moments before they happen and what it really takes to become a brand ambassador.Notable Links:Deborah Sandidge WebsiteDeborah Sandidge Instagram*****This episode is brought to you by Luminar Neo, an AI powered photo editor.Try Luminar Neo today at skylum.com, and use promo code "RICHARD" for a 15% discount, just for my listeners.*****This episode is brought to you by Kase Revolution Plus Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, Ultra-Low Reflectivity, zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit. beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.Follow Richard Bernabe: Substack: https://richardbernabe.substack.com Instagram: https://www.instagram.com/bernabephoto/ Twitter/X: https://x.com/bernabephoto Facebook: https://www.facebook.com/bernabephoto

On this episode of Good Noise Podcast, I'm joined by Daniel Stillman (aka Stills) of Drop Dead, Gorgeous to talk about their single Sink Your Teeth. We dig into the inspiration behind the track, its aggressive energy, and what this release represents for the band creatively.Daniel shares insight into the writing process, the mindset behind revisiting this era of the band, and how Sink Your Teeth balances nostalgia with forward momentum. We also talk about evolution, intention, and what it means to reconnect with music that still resonates deeply years later.This episode was broadcast live on idobi Radio on Wednesday, 3/4 at 9pm ET.Tune in next week for more exclusive station takeovers at idobi.com or on the free Idobi Radio app.Drop Dead, Gorgeous Socials:Instagram: https://www.instagram.com/dropdead_gorgeousofficial/Facebook: https://www.facebook.com/p/Drop-Dead-Gorgeous-100050550186621/TikTok: https://www.tiktok.com/@dropdeadgorgeousofficialApple Music: https://music.apple.com/us/artist/drop-dead-gorgeous/160948160Spotify: https://open.spotify.com/artist/7ib9jRPvGJ6VPCTg35G2L9?si=f9916e8cddf3407f

Recorded live at the 2026 Sundance Film Festival in Park City, this annual Director of Photography Roundtable features No Film School's GG Hawkins in conversation with cinematographers Lidia Nikonova, Sam Levy, and Maria Herrera. The group discusses their unconventional paths into cinematography—from orchestras and photojournalism to weddings and radio DJing—how they landed their Sundance projects, and why connection, rhythm, and trust matter more than flashy lookbooks. They also break down the tools they used to communicate vision, navigate long dialogue scenes, and adapt to technical and emotional challenges on set. In this episode, No Film School's GG Hawkins and guests discuss… Shooting at the 2026 Sundance Film Festival and hosting at the BraveMaker house Maria Herrera's transition from music to cinematography and operating handheld for emotionally intense performances Sam Levy's mentorship under Harris Savides and how that shaped his approach to narrative filmmaking Lidia Nikonova's journey from photojournalism and the Canon EOS 5D Mark II to AFI and shooting narrative features How each DP landed their Sundance projects through relationships, cold emails, and creative chemistry When to bring visual references to a director meeting—and when to just listen Using tools like Figma to build collaborative lookbooks and visual worlds Why dialogue rhythm and musicality influence cinematography choices Shooting on 35mm with an Arricam ST versus digital on the ARRI Alexa 35 Working with vintage Super Baltar lenses (famously used on The Godfather) for a modern crime thriller Referencing L'Argent by Robert Bresson for insert shots and cinematic economy How to approach 10+ page dialogue scenes without losing visual intention The value of shooting weddings and low-budget projects to build craft and confidence Advice for emerging cinematographers: show up early, trust your vision, and get your reps in Memorable Quotes: “This child will never play a musical instrument ever in her life.” “If you have good dialogues, it's like, okay, here's something.” “Just connect with her.” “Show up at least one hour early… and do not use your phone on set.” Guests: Lidia Nikonova Sam Levy Maria Herrera Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Send a textWe share how Whiskey Thief keeps its farm soul while growing in Louisville and nationwide through direct-to-consumer shipping. We taste a nine-year rye, dig into pot still craft, and map the rising whiskey hub shaping the city's scene.• why grow and stay the same is the goal• how the urban tasting room mirrors the farm vibe• what pot distilling demands from a skilled team• where collaboration beats constant instruction• how maturation, storage, and weather shape flavor• why DTC unlocks access in 46 states• what legal compliance and taxes mean for shipping• how small-batch blending preserves identity• where Louisville's whiskey neighborhood is booming• what we taste in the nine-year ryeListen, like, leave good feedback and subscribeWhiskeythief.comThe first thing you notice is the feel. Gravel under tires at the farm, guitars on the wall in Louisville, and that instant sense you've walked into a place that treats whiskey like a craft and a community. We sat down with owner-operator Walter Zausch, director of distilling Lisa Wicker, head of experiences Amy, and Philip from Kentucky Bourbon Direct to unpack how Whiskey Thief scales without losing its single barrel soul—and why fans across 46 states can finally get bottles shipped legally to their door.We start where their story lives: pot stills, sharp palates, and a team that can make precise cuts without babysitting. Lisa explains how collaboration speeds quality, from early peach brandy iterations to doubling yields while tightening flavor. Then we go deeper into maturation: the moment when the barrel becomes the hero around eight to ten years, how ricked versus palletized storage bends outcomes, and why Kentucky's wild winter swings can turn vanilla, mint, and dry cocoa into surprising notes in a nine-year rye. If you love rye whiskey, this tasting will light up your curiosity—minty lift, caramel undertow, and a clean finish at 121 proof.Access is the other revolution. Philip breaks down the direct-to-consumer engine that handles compliance, taxes, and shipping so craft producers can focus on making great juice. The result is real: Whiskey Thief ships to 46 states, fans no longer leave empty-handed, and brands gain data and margins that keep the lights on without surrendering independence. With Louisville's whiskey hub booming—Heaven's Door, Chicken Cock, WhistlePig, and more within walking distance—the city offers a concentrated tour of American whiskey culture while the farm preserves the barrel-thieving experience you can't get anywhere else.We close with the future: small, intentional blends that mirror the five-barrel magic of on-site tastings, a boutique approach that respects terroir, weather, and the patience great spirits demand. If you're here for craft, character, and smarter access to bottles you actually want, you'll feel at home with us. Subscribe, share with a whiskey friend, and leave a review to help more bourbon lovers find the show. Cheers to good barrels, good people, and getting the right bottles into your hands.voice over Whiskey Thief Add for SOFLSupport the showhttps://www.scotchybourbonboys.com The Scotchy bourbon Boys are #3 in Feedspots Top 60 whiskey podcasts in the world https://podcast.feedspot.com/whiskey_podcasts/

Angelina finishes a photo shoot on Mission Beach at sunset. A scene of engagement from my feature screenplay “Stills”Music by:  Damma Beatz - “Night Crave”Copyrighthttps://jemorin.com/ All Musical Soundtracks and Sound Effects provided by Epidemic Sound

Boston : Don't Look Back La Reprise L'originale Stephen Wilson Jr : Tonight, Tonight Smashing Pumpkins : Tonight, Tonight Yungblud & Smashing Pumpkins : Zombie Metallica : Wherever I May Roam Brutus : Dust (Live In Brussels) Sleep Token : The Summoning Steely Dan : The Royal Scam Karnivool : Aozora Paul Simon : 50 Ways To Leave Your Lover La Reprise L'original Ask Carol : Ohio Crosby, Stills, Nash & Young : Ohio The Brian Scott Musical Experience : Gonna Be Alright Andrew Gold : Genevieve Best Of Rock Albums 1967 The Doors "The Doors" The Beatles "Sgt Peppers Lonely Heart's Club Band" The Kinks "Something Else By The Kinks" : Jimi Hendrix Experience "Are You Experienced" The Velvet Underground & Nico "The Velvet Underground & Nico": Pink Floyd "The Piper at the Gates of Dawn" Kanadia : I'm Falling Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Start Artist Song Time Album Year 0:00:15 Chicago Beginnings 7:39 Chicago Transit Authority 1969 0:09:10 Three Dog Night Eli’s Coming 2:37 Suitable For Framing 1969 0:11:47 Aphrodite’s Child It’s Five O’clock 3:26 It’s Five O’clock 1969 0:15:13 Banchee The Night is Calling 3:20 Banchee 1969 0:18:32 It’s a Beautiful Day Bombay Calling 4:00 It’s A Beautiful Day 1969 0:23:35 The Youngbloods Darkness, Darkness 3:45 Elephant Mountain (Expanded Edition) 1969 0:27:20 The Young Rascals People Got To Be Free 2:54 Freedom Suite 1969 0:30:14 The Grass Roots Midnight Confessions 2:39 Lovin’ Things (Japanese Edition) 1969 0:32:54 The Lovin’ Spoonful Revelation: Revolution ’69 2:17 Revelation: Revolution ’69 1969 0:35:58 King Crimson Epitaph 8:38 In The Court Of The Crimson King 1969 0:44:43 The Moody Blues Gypsy 3:31 To Our Children’s Children’s Children 1969 0:48:14 Guess Who No Time 3:17 Canned Heat 1969 0:51:34 Jethro Tull Bouree 3:40 Stand Up (2017 Steven Wilson Remix) 1969 0:56:35 Bert Jansch Poison 3:09 Birthday Blues (Remastered 2001) 1969 0:59:44 Fairport Convention Mr. Lacey 2:50 What We Did On Our Holidays (2003 Remaster) 1969 1:02:34 Pentangle Light Flight 3:10 Basket Of Light (Reissue 2010) 1969 1:05:44 Pearls Before Swine Sail Away 3:01 These Things Too 1969 1:09:50 Amon Duul Kanaan 3:56 Phallus Dei [Deluxe Edition] 1969 1:13:46 Clouds The Carpenter 3:25 Scrapbook (1996 Remaster) 1968 1:17:10 The Advancement Moorish Mode 5:56 The Advancement 1969 1:23:06 Frank Zappa King Kong II 1:19 Uncle Meat (Disc II) 1969 1:25:26 Renaissance Innocence 7:01 Renaissance 1969 1:32:30 Strawbs The Battle 6:25 Strawbs (2008 Remaster) 1969 1:38:54 Crosby, Stills & Nash Marrakesh Express [Remastered LP Version] 2:28 Crosby, Stills & Nash [with Bonus Tracks] 1969 1:41:23 Beatles It’s All Too Much 6:08 Yellow Submarine 1969 1:49:01 Pink Floyd Careful with That Axe, Eugene (Live) 8:42 Ummagumma (2011 Discovery Remaster) 1969 1:57:42 Who Christmas 4:30 Tommy 1969 2:02:25 Neil Young Cowgirl in the Sand 9:55 Everybody Knows This Is Nowhere 1969 2:13:18 The Doors Touch Me 3:34 The Soft Parade (2003 Remaster) 1969 2:16:32 Led Zeppelin Your Time Is Gonna Come 4:35 Led Zeppelin (2014 Remaster) 1969 2:21:07 Traffic Medicated Goo 3:29 Last Exit 1969 2:24:36 Joe Cocker Bye Bye Blackbird 3:25 With A Little Help From My Friends 1969 2:28:01 Kinks Mr. Churchill Says 4:37 Arthur (or The Decline and Fall of the British Empire) 1969 2:32:38 Jefferson Airplane Good Shepherd 4:16 Volunteers 1969 2:38:11 Kaleidoscope (UK) (Love Song) For Annie 2:28 Faintly Blowing (Vinyl) 1969 2:40:38 Fleetwood Mac Coming Your Way 3:47 Then Play On 1969 2:44:25 Creedence Clearwater Revival Born On The Bayou 5:06 Bayou Country 1969 2:50:59 Neil Diamond Brother Love’s Traveling Salvation Show 3:23 Brother Love’s Traveling Salvation Show 1969 2:54:22 Bread It Don’t Matter To Me 2:38 Bread 1969 2:58:00 The Rolling Stones You Can’t Always Get What You Want 7:21 Let It Bleed 1969

Simon & Garfunkel-A Hazy Shade Of Winter INXS-What You Need Zach Top-Guitar Lou Rawls-Dead End Street Bruce Springsteen-Streets Of Minneapolis Crosby, Stills, Nash & Young-Ohio Marvin Gaye-What's Going On Billy Strings-In The Clear Bruno Mars-I Just Might Bob Dylan-Blowin' In The Wind Buffalo Springfield-For What It's Worth Bob Marley-Get Up, Stand Up The Chicks-I Believe In You The Doors-Roadhouse Blues James Brown-Down And Out In New York City Rage Against The Machine-Killing In The Name

Hello Basementeers....This is a replay from 2016 playing some hits from the 1970's. We picked out some old songs that yes were hits, but not played to death over and over for 50 years, or at least not everyday.....We picked songs that were not all number 1's on the billboards, most are lower hits on the charts.You will hear songs from: Andy Kim / Sammy Johns / Kenny Nolan and even The Who....So let's HIT it...Intro: Machine Gun-Commodores 1. Once A Fool-Kiki Dee2. Back When My Hair Was Short-Gunhill Road3. Pick Up The Pieces-Average White Band4. Part Time Love-Elton John5. Just A Song Before I Go-Crosby, Stills & Nash6. Honey Don't Leave L.A.-James Taylor7. Hot Line-The Sylvers8. Be My Baby-Andy Kim9. Shake It-Ian Mathews 10. California Wine-Bobby Goldsboro11. Show & Tell-Al Wilson12. Feel Like Making Love-Roberta Flack 13. Feel Like A Bullet-Elton John14. Squeeze Box-The Who15. Girl Of My Dreams-Bram Tchaikovsky16. Chicago-Graham Nash17. Hey Virginia-Bill Amesbury18. Chevy Van-Sammy Johns19. I Do-I Do-I Do-Abba20. Poor Pitiful Me-Linda Ronstadt 21. Anybody Wanna Party-Gloria Gaynor22. Little Darling-Doobie Brothers23. Love Grows Deep-Kenny Nolan24. Jeans On-David Dundas 25. Juniors Farm-Wings26. Hold On-Triumph 27. Hold On-Ian Gomm28. I Play & Sing-Dawn29. When Julie Comes Around-The Cuff Links30. Plain Jane-Sammy Hagar 31. Hard Luck Woman-KISSOutro: Just Enough Room For Storage-James Brown  

Understanding "Streets of Minneapolis"With Springsteen's latest single reaching #1 in 19 countries, we're witnessing a significant cultural moment. I'm proposing an exploration of the controversial, "Streets of Minneapolis"—examining it within a powerful American musical tradition that stretches back over eight decades.A Tradition of Musical CommentaryThis story begins in 1944, when Woody Guthrie (not Arlo—Woody was his father) wrote "This Land Is Your Land" as a response to Irving Berlin's "God Bless America." What seemed like competing patriotic songs represented something deeper: different visions of what it means to love your country. Berlin offered celebration; Guthrie offered reflection—including verses about inequality and hardship that rarely get sung today.Guthrie embraced a form of patriotism rooted in the Declaration of Independence—one that believes loving your country includes acknowledging where it falls short of its ideals. Writing during World War II and the aftermath of the Depression, Guthrie demonstrated how music could both honor and challenge the nation simultaneously.How Music Reaches Us DifferentlyThat approach influenced Pete Seeger, Joan Baez, and Bob Dylan—artists who discovered that songs could communicate social commentary to audiences who might not engage with traditional political discourse. A three-minute song on the radio could spark reflection in ways other media couldn't.Consider "Born in the U.S.A." How many of us have heard it as a celebration when Springsteen wrote it, in Guthrie's tradition, as a pointed critique of how America treats its veterans? Forty years later, it's still frequently misunderstood—even used at political rallies in ways that contradict its message. This pattern raises important questions about how we engage with art.When Music Captures a MomentIn 1970, after the Ohio National Guard killed four students at Kent State University, Neil Young wrote "Ohio" almost immediately. Released by Crosby, Stills, Nash & Young within weeks, the radio-friendly song brought that tragedy into millions of homes, forcing a national conversation.What "Streets of Minneapolis" Asks of Us"Streets of Minneapolis" follows in this tradition—echoing "Ohio" across five decades. Like those earlier songs, it's not primarily about comfort; it's about bearing witness and prompting reflection.The question worth considering: Will we engage with what the song is actually saying, or will it become another anthem whose meaning gets lost over time?An Invitation to Listen Thoughtfully. An opportunity to make your own decisions. This isn't about taking political sides. It's about recognizing a form of patriotism that asks something of us—the kind that believes loving your country includes honest examination of difficult moments.Hosts: Rick Galusha & Mike OlsonKate Smith / God Bless America (1939)Woody Guthrie / This Land is Your Land (1940) Carter Family / The World's On Fire (1925) Bruce Springsteen / Born in the USA (1984) [Nebraska] Neil Young / Ohio (1970) Bruce Springsteen / Streets of Minneapolis (2026) Norah Jones / American Anthem 

ER Jurken returns to discuss his wonderful new album, To Be Continued, topical and timeless songwriting, political satire and comedy on late night tv talk shows, the band Wilco playing Ed's song “Let Go the Coat” through the P.A. at their shows after they've left the stage, getting over a prolonged bout of writers' block, why several of his new songs invoke travelling, key inspirations like Neil Young, Crosby, Stills, and Nash, the Grateful Dead, and Steely Dan, what it could mean to become continued, working with the band Junegrass, future plans, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #989: Bundy K. Brown, Glenn Kotche, and Jim O'Rourke on Tim BarnesEp. #958: Nels ClineEp. #934: Rebecca Clay ColeEp. #914: American FootballEp. #692: WilcoEp. #629: E.R. JurkenEp. #586: Spencer TweedyEp. #481: David BermanEp. #450: Jeff TweedySupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Protest music is taking over TikTok. This hour we look at what's going on, and we hear from an artist about why she writes and performs protest songs. Plus, a discussion about what counts as a protest song and a brief look through the history of the genre, from "Strange Fruit" and "This Land is Your Land" to today. GUESTS: Renee Koma: A musician who goes by Renee Christine. Her latest album is “Appalachia" Isabella Gomez Sarmiento: A reporter with NPR Music Dorian Lynskey: Journalist and author of multiple books, including "33 Revolutions Per Minute: A History of Protest Songs, from Billie Holiday to Green Day". His most recent is “Everything Must Go: The Stories We Tell About the End of the World”. He is also co-host of the "Origin Story" podcast MUSIC FEATURED (in order): Tudo O Que Você Podia Se – Milton Nascimento Lehigh Valley – Renee Christine The Bomb – Renee Christine Turtle Island – Renee Christine No Kings – Earth to Eve Heavy Foot – Mon Rovia War isn’t Murder – Jesse Welles Tonada Por Ella – Rawayana Kalaallit Nunaat, Kalaallit Pigaat – Kalaallit Strange Fruit – Nina Simone Ohio – Crosby, Stills, Nash, & Young This Land Is Your Land – Sharon Jones and the Dap-Kings Say Her Name (Hell You Talmbout) – Janelle Monae Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

PLAYLIST: | 00:00 | DJ | DICKIE LEE AND THE ICEMAN | 00:28 | WHAT I'D SAY | BRYMERS | 00:28 | DO YOU THINK YOU LOVE ME | BRYMERS | 03:15 | AT THE HOP | SHA NA NA | 04:10 | WHY DO FOOLS FALL IN LOVE | SHA NA NA | 05:14 | IN THE STILL OF THE NIGHT | SHA NA NA | 06:26 | R-N-R IS HERE TO STAY | SHA NA NA | 07:42 | EVIL WAYS | SANTANA | 11:15 | NEED SOMEBODY TO LOVE | JEFFERSON AIRPLANE | 15:37 | ON THE ROAD AGAIN | CANNED HEAT | 18:55 | JUMPIN JACK FLASH | JOHNNY WINTER | 22:55 | TEACH YOUR CHILDREN WELL | CROSBY, STILLS, NASH, AND YOUNG | 28:28 | I'M GOING HOME | 10 YEARS AFTER | 31:29 | BORN IN CHICAGO | PAUL BUTTERFILED BLUES BAND | 35:04 | BORN ON THE BAYOU | CCR | 38:52 | BLACK MAGIC WOMAN | SANTANA | 42:50 | TRUCKIN | GREATFUL DEAD | 47:09 | FOXY LADY | JIMI HENDRIX | 50:34 | THE WEIGHT | THE BAND | 53:46 | PINBALL WIZARD | THE WHO | 57:29 | IMAGINE | JOHN LENNON | 59:06 | HOLD ON I'M COMING | BRYMERS

Send us a textIn tribute to the late Bob Weir, our venerable gentlemen put on their specs and take a closer look at the Grateful Dead classic "Touch of Grey". As they amble down the road they rip a Page off of Jimmy, find themselves in a Bitches Brew, and come to the realization that aging is a Fact of Life and nothing WEIRd after all.  Join the lads as they commemorate their 50th episode and marvel as to what a long strange trip it's been...Songs:The Reverb Syndicate - Better Dancing Through TechnologyCate Le Bon - Always the SameGrateful Dead - Touch of GreyBob Weir and Wolf Bros. - RippleCrosby, Stills, and Nash - Teach Your ChildrenJim Bryson - Traveled by LandMiles Davis - John McLaughlinMary Lattimore and William Tyler - @ Le Guess Who 2019Led Zeppelin - That's the WayLeonard Cohen - I Can't ForgetConnect with us:Instagram

Craig and Danny are musicians from the Omaha, NE area. The conversation revolves around their music history, new records (Leafblower and Lightning Stills) and MaxTraxRecords.www.maxtraxrecords.com Subscribe, rate, and review the show! Thanks!Support this podcast at — https://redcircle.com/porch-talk/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

David Geffen is the money man behind Crosby, Stills and Nash, Guns N' Roses, Cher, Shrek, Gladiator, and even Cats the musical. Journalist Zing Tsjeng and BBC business editor Simon Jack tell the remarkable story of the Brooklyn boy who conquered Hollywood and became an entertainment mogul. From starting in a New York agency mailroom to the heart of Laurel Canyon's hippie-rock scene, David Geffen rubbed shoulders with almost every major cultural figure of the 20th century. Joni Mitchel wrote a song about him, and Cher dated him. Then he moved from the music industry to movies, founding DreamWorks with Steven Spielberg and building one of the world's most valuable art collections. Good Bad Billionaire is the podcast that explores the lives of the super-rich and famous, tracking their wealth, philanthropy, business ethics and success. There are leaders who made their money in Silicon Valley, on Wall Street and in high street fashion. From iconic celebrities and CEOs to titans of technology, the podcast unravels tales of fortune, power, economics, ambition and moral responsibility. Simon and Zing put their subjects to the test with a playful, totally unscientific scorecard — then hand the verdict over to you: are they good, bad, or simply billionaires? Here's how to contact the team: email goodbadbillionaire@bbc.com or send a text or WhatsApp to +1 (917) 686-1176. Find out more about the show and read our privacy notice at www.bbcworldservice.com/goodbadbillionaire

What do a groundbreaking song, a pivotal moment in civil rights, and a name change have in common? Join Buzz Knight and Harry Jacobs, the "Master of Music Mayhem," as they take you on a captivating journey through music history in this week's episode of takin' a walk. This music history podcast is not just about the notes and lyrics; it’s about the stories that shaped our world. Buzz Knight, your engaging host, dives deep into significant events that occurred from December 1st to December 7th, exploring the rich tapestry of sound and social change. Harry Jacobs, full of energy and humor, shares his plans to officially change his name to Harry Mayhem Jacobs, setting a playful tone that resonates throughout the episode. Together, they unravel the controversial release of "Eight Miles High" by The Byrds in 1966, a song that not only defined a genre but also sparked debates about its psychedelic sound and the misconceptions surrounding its meaning. This is just one of the many inside music stories that make takin' a walk a must-listen for music lovers. The conversation takes a poignant turn as they reflect on Rosa Parks' courageous act in 1955, connecting her pivotal moment in the civil rights movement to the powerful influence of music during that era. Buzz and Harry explore how these historical events intertwine with the melodies that echo through time, reminding us of the profound impact music has on social change. As the episode unfolds, they also celebrate the release of iconic albums like "Four Way Street" by Crosby, Stills, Nash & Young, and discuss the remarkable story of Bob Marley surviving an assassination attempt in 1976. With each anecdote and piece of trivia, listeners are invited to appreciate the deep connection between music and history, making this episode an enriching experience. Throughout the episode, Buzz Knight and Harry Jacobs encourage us to be present in the moment, emphasizing the importance of disconnecting from modern distractions to truly enjoy the music that has shaped our lives. Whether you’re a casual listener or a dedicated fan, this episode of takin' a walk offers a unique glimpse behind the music that has defined generations. Don't miss out on this engaging discussion filled with laughter, insights, and a reminder of the power of music to inspire change. Join us on takin' a walk—where music history comes alive and every episode is a new adventure! Tune in on iHeartPodcasts and immerse yourself in the stories that resonate beyond the notes! Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.