Podcast appearances and mentions of David Grisman

We're celebrating 50 years of the David Grisman Quintet with a special set of 3 episodes. This week is part 3, featuring the man himself, David Grisman.I chat to David about how the Quintet came together and developed over those early years, how it built on the work he'd already done with The Great American Music Band, how Tony Rice joined the band and what he brought and how, through continuous rehearsal, the Quintet learned to craft and build the arrangements that are such a key part of their sound.This was a fascinating conversation with one of the true legends of modern string band music.For more on David Grisman, and to buy copies of the Quintet's music (including the wonderful David Grisman Quintet - First Recordings Live in Dawg's Living Room) visit acousticdisc.comDon't forget to check out parts 1 and 2 of the series too, featuring Darol Anger, Mike Marshall and Todd Phillips.Happy picking,MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

We're celebrating 50 years of the David Grisman Quintet with a special set of 3 episodes. This week is part 2, featuring Todd Phillips, who was in the band before it was even a band!We chat about how he got to know David Grisman and how, through taking mandolin lessons from him, they started developing a duet that eventually grew into the Quintet. We also talk about his transition from the mandolin role to playing bass in that band, and subsequently with Tony Rice, both in The Tony Rice Unit and The Bluegrass Album Band (not to mention his own fantastic projects, including Phillips, Grier and Flinner).For more on Todd and his incredible career visit toddphillipsmusic.comFor more on David Grisman, and to buy copies of the Quintet's music (including the wonderful David Grisman Quintet - First Recordings Live in Dawg's Living Room) visit acousticdisc.comDon't forget to check out part 1 of the series too, featuring Darol Anger and Mike Marshall. Next week I'll be bringing you a special conversation with David Grisman.Happy picking,MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Enjoying the Ride: On TourThe Deadcast season finale hits shows at 3 legendary venues, exploring Dick Latvala's transformative experience at Red Rocks ‘79, Hollie Rose's tour journal, the wonders of the Alpine Valley parking lot, & when Shakedown Street got its name.Guests: David Lemieux, Jay Kerley, Hollie Rose, Rebecca Adams, Bill Lemke, Phil Garfinkel, Jim Jonze, Tom Ryan, Art Moss, Lisa Hitchcock, David Van Divier, Scott Bauer, Julie Dock, Mobile SteeleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

2025 marks 50 years since The David Grisman Quintet first got together, an event that changed string band music forever. The DGQ played a huge part in the careers of some incredible musicians, including Tony Rice, Mike Marshall, Darol Anger and Todd Phillips, as well as including collaborations with Stéphane Grappelli. Their first record, The David Grisman Quintet, remains one of the most important records in string band history.To celebrate the early years of the quintet, and the amazing music they created, I've been speaking to some of the people who were right at the heart of it.First up is a wonderful conversation I had with Mike Marshall and Darol Anger. We talk about how they both came to be in that band, how the sound developed, what working with David taught them and what Tony Rice brought to the group.Next week I'll be sharing an interview with Todd Phillips, followed by an interview with the man himself, David Grisman.For more on David, and to buy copies of his music (including the wonderful David Grisman Quintet - First Recordings Live in Dawg's Living Room) visit acousticdisc.comHappy picking!MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Sintonía: "Sourwood Mountain" - Allen Shelton."The Old Home Place" - J.D. Crowe & The New South; "Barrel of Fun" - Country Cooking; "The Old Swinging Bridge" - Ted Lundy; "The Last Old Shovel" - Phyllis Boyens; "Home Is Where The Hurt Is" - Connie and Babe & The Backwoods Boys; "When Someone Wants To Leave" - The Allen Brothers; "I´ll Be On That Good Road Someday" - Butch Robins; "Crazy Creek" - Bill Keith; "Old Train" - Tony Rice; "Ragtime Annie" - Byron Berline; "Blue Days, Black Nights" - Tasty Licks; "Things In Life" - Don Stover; "I Ain´t Broke (But I´m Badly Bent)" - David Grisman; "Montana Cowboy" - Hazel and Alice; "You Tried To Ruin My Name" - Wilma Lee Cooper; "Hard Hearted" - Jim and Jesse; "Second Wind" - Claire Lynch; "New York Chimes" - Tony Trischka; "Cold OnThe Shoulder" - Tony Rice.Todas las músicas extraídas de la recopilación (2xCD) "Hand-Picked: Twenty-Five Years of Rounder Bluegrass" (Rounder Records, 1995).Escuchar audio

The Deadcast cruises down the eastern seaboard, including stops in Hartford, Hampton, Philadelphia, and Landover, featuring touring tips, another police chase, & a visit to the White House.Guests: David Lemieux, Sam Cutler, Dennis Alpert, Tyler Roy-Hart, David Leopold, John Leopold, Rebecca Adams, Brian Schiff, Gary Lambert, Chris Goodspace, Winslow Colwell, Scott Jones, Chad EylerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast makes a beeline for the northeast, focusing on shows from legendary venues in the Manhattan and Boston areas included on the new Enjoying the Ride box, including ESP experiments, weed smuggling, free jazz titans, multiple police chases, and more.Guests: David Lemieux, Ron Rakow, Sam Cutler, Richie Pechner, Allan Arkush, Ned Lagin, Gary Lambert, Blair Jackson, Stanley Krippner, Rebecca Adams, Johnny Dwork, John Scher, Michael Simmons, Tyler Roy-Hart, Henry K, Howie Levine, Kenny Schiff, Debbie RondeauSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast's tour of Enjoying the Ride trucks all the way to the East Bay, exploring beloved venues including the Greek Theater & Kaiser Auditorium, with tales of the Hog Farm's Skeleton Crew & vintage field recordings from Oakland Coliseum Arena's parking lot. Guests: David Lemieux, Ron Rakow, Kevin Schmevin, Mark Pinkus, Blair Jackson, Steve Silberman, Rebecca Adams, David Gans, Johnny Dwork, Tyler Roy-Hart, Steven Bernstein, Robert Nyberg, Chad KroegerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast begins our virtual tour of the new Enjoying the Ride box, visiting the cradle of the Dead in Palo Alto/Menlo Park (with a detour to visit the Warlocks' earliest shows) before heading to San Francisco with stops at the Fillmore West and Winterland.Guests: Connie Bonner Mosley, Ron Rakow, Ned Lagin, Ron Pietrowski, Tyler Roy-Hart, Les Earnest, Doug Oade, Eric Schwartz, Blair Jackson, Michael Parrish, Dominic Stefano, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For the 50th anniversary reissue of Tiger Rose, we explore the lost story of Robert Hunter & Jerry Garcia's only full-length studio collaboration, the Dead lyricist's 2nd solo album, produced by Garcia & performed by an all-star cast including Garcia, Mickey Hart, & Donna Jean Godchaux.Guests: Kathy Veda Vaughan Bogert, Mickey Hart, Barry Melton, Ron Rakow, Howie LevineSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the 2nd part of the Deadcast's Phil Lesh tribute, we get deep into his singular bass playing with Phil's son & bandmate Grahame, Phish's Mike Gordon, & musicologist Rob Collier, while touring Phil's high adventures with Ned Lagin, radio co-host Gary Lambert, & other friends.Guests: Grahame Lesh, Mike Gordon, Ned Lagin, David Crosby, David Lemieux, Gary Lambert, Rob CollierSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast begins its 11th season with a celebration of the Grateful Dead's Phil Lesh, drawing on archival interviews to explore his unusual trajectory from jazz trumpet to avant-garde composition to rock and roll bass, and welcoming special guest Mike Gordon of Phish.Guests: Mike Gordon, Oteil Burbridge, Sam Cutler, David Lemieux, Gary LambertSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

My guest this week is a legend of American string band music.When David Grisman raised his middle finger to MCA Records, after being  dropped for failing to meet arbitrary sales targets, he couldn't have known it would spark a 35-year musical revolution. As one of America's foremost, and best loved, mandolin virtuosos turns 80 this year, he offers a fascinating glimpse into the birth, evolution, and future of Acoustic Disc, the independent label he founded in 1990 that became a vital archive of American string band traditions, as well as home to over three decades of his own music.Grisman's journey from frustrated artist to label founder came at a pivotal moment in music history, as CDs were eclipsing vinyl and the digital revolution loomed on the horizon. He built his own studio, using gear he bought from the iconic 1750 Arch Studios, and Acoustic Disc was born. The label's early success—including Grammy nominations for its first two releases—established a blueprint combining Grisman's new compositions, collaborations with luminaries like Jerry Garcia and Tony Rice, and carefully chosen historical recordings.The switch from physical media to digital distribution liberated both Grisman's creative vision and business model."It's just too beautiful a concept to make one product and sell an infinite number without manufacturing anything," he explains. This shift allows him to release an album every month, including expanded versions of classic recordings with Tony Rice, Jerry Garcia, and others. These "deluxe editions" offer fascinating insights into the creative process behind influential albums like Tone Poems, capturing not just the music but the conversations between master musicians at work.Whether you're a huge Grisman fan, dedicated bluegrass lover or just a fan of acoustic music at its best, Acoustic Disc's extraordinary catalog offers a gateway into America's rich string band traditions. Find out more at acousticdisc.com and, while you're there, sign up for their weekly newsletter to receive a free "Treat of the Week".For updates, follow David on Instagram and FacebookHappy picking.MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

We remember the night Joe Dobbs wandered into The Flood band room a couple of decades ago and said, “Hey, do you know the song ‘Satin Doll'?”Boy, was he asking the right guy. Charlie Bowen grew up in a home full of his dad's jazz records by Ella Fitzgerald and Duke Ellington and Count Basie and his mom's Harry James and The Mills Brothers.In BowenWorld, “Satin Doll” was as much a part of the household soundtrack as anything on the radio right then.Joe didn't really know any of the tune's honored status in the jazz world. However, he was tickled by a folksy jazz rendition of it that was recorded live by fiddler Stephane Grappelli and David Grisman in 1981 and he was ready to tackle it himself.With that, the tune trotted into The Flood repertoire. Click the button below to transport back to 2011 and hear Joe with Flood Lite (Doug Chaffin on bass, Charlie on guitar) sampling the song at the start of a jam session at the Bowen House.About the SongIn 1953, Duke Ellington interrupted his long-time association with Columbia Records to sign with Capitol, thinking the upstart recording company might more effectively promote his music.Among the tunes waxed in the first Capitol session that spring was “Satin Doll,” a song Ellington had just written with his favorite collaborator, Billy Strayhorn. Duke wrote the riff sketch and Strayhorn fleshed it out with harmony and lyrics.Billy's lyrics, though, were not were not considered commercially viable, so Duke's 1953 recording was an instrumental. It was five years later when lyricist Johnny Mercer — a Capitol Records cofounder — wrote sassy new words that resulted in the song we know today.But Who WAS the Satin Doll?Strayhorn biographer David Hajdu famously advanced the notion that Billy named the song after his mother, Lillian, saying that the composer's pet name for his mom was “Satin Doll.”That's a charming story, but the Ellington family has a different take on the tale. Duke's son Mercer wrote in his 1978 memoir that he suspected the mystery woman was his dad's long-time companion, Beatrice “Evie” Ellis.Writing in Duke Ellington In Person: An Intimate Memoir, Mercer said Evie continued to believe the song was written for her. “Pop would always be leaving notes in the house addressing her affectionately as ‘Dearest Doll,' ‘Darling Doll' and so on.”Today's Flood Take on the Tune“Satin Doll” lately has started visiting the Flood band room again. It was the first tune of the evening at last week's rehearsal. Listen as Randy, Jack and Charlie start outlining the tune, laying down the rhythm and those cool chords while Danny is still setting up.You'll hear Charlie sing the first verse. By the second verse in comes Dan's beautiful guitar. In a minute, he's in full gear, and then he's soloing on two idea-filled choruses that define the entire outing.Got That SwingFinally, if you'd like to put a little more swing in your Friday thing, remember that the free Radio Floodango music streaming feature's gotcha cover. Click here to tune in the Swingin' Channel for a randomized playlist of some of The Flood's jazzier moments over the years. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Episode Notes To Order my new album “Around the Clock” Click HERE! (Digitial, Limited CD or Limited Edition Vinyl) My guest this week is an absolute legend in the acoustic instrument world. His instruments have graced the cover of David Grisman's Quintet ‘80 and been displayed in the New York Metropolitan Museum of Art. John Monteleone has been pushing the luthiery envelope for more than forty years with his refreshing passion for new and elegant designs. Producing instruments of great tonal expression is also one of Monteleone's missions in life. A dedication to the refined harmonic balances of tone and playability is always the central nucleus of structural foundation around which he often introduces the more interesting design accents and playful nature of his original and beautiful works.  Be sure to check out Jim Richter's wonderful Monteleone page HERE.  Special thanks to Davey Harrison for sending along a track and a free PDF from the Boston Imposter's upcoming music book which you can back HERE! Get the free PDF HERE.  Songs featured in this episode: Dawgma by David Grisman (Grisman Quintet ‘80)  Mighty Rock River by The Boston Imposters (Insiders) As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Peghead Nation promo code mandolinbeer Northfiled Mandolins Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer

To mark the rare convergence of Christmas and Chanukah, we're revisiting a conversation with one of the nation's most extraordinary musicians 2012 National Heritage Fellow Andy Statman. A virtuoso clarinetist, mandolin player, and composer, Statman has defied musical boundaries throughout his career. Starting with his early love for bluegrass and mentorship under David Grisman, Statman later embraced jazz before diving into the klezmer music of his Jewish heritage.This podcast weaves together the strands of Statman's multifaceted career. He reflects on his journey from bluegrass jams in Washington Square Park to collaborations with jazz legends like Richard Grando. Statman shares how he revived klezmer music with the guidance of 1984 National Heritage Fellow Dave Tarras, his inspirations across genres, and his passion for creating music that connects deeply to tradition while pushing artistic boundaries.  Featuring excerpts from his rich discography, including Jewish Klezmer Music and Old Brooklyn, this episode is a celebration of music's ability to unite cultures and generations. We are taking a two week break for the holidays. But we'll back on January 7.  We wish all of you the happiest of holidays. 

To mark the rare convergence of Christmas and Chanukah, we're revisiting a conversation with one of the nation's most extraordinary musicians 2012 National Heritage Fellow Andy Statman. A virtuoso clarinetist, mandolin player, and composer, Statman has defied musical boundaries throughout his career. Starting with his early love for bluegrass and mentorship under David Grisman, Statman later embraced jazz before diving into the klezmer music of his Jewish heritage.This podcast weaves together the strands of Statman's multifaceted career. He reflects on his journey from bluegrass jams in Washington Square Park to collaborations with jazz legends like Richard Grando. Statman shares how he revived klezmer music with the guidance of 1984 National Heritage Fellow Dave Tarras, his inspirations across genres, and his passion for creating music that connects deeply to tradition while pushing artistic boundaries.  Featuring excerpts from his rich discography, including Jewish Klezmer Music and Old Brooklyn, this episode is a celebration of music's ability to unite cultures and generations. We are taking a two week break for the holidays. But we'll back on January 7.  We wish all of you the happiest of holidays. 

Show Notes In this episode of Backstage Bay Area, host Steven Roby interviews Miles and Teo Quale, the talented brothers behind the Crying Uncle Bluegrass Band. Known for their electrifying fusion of bluegrass, jazz, and modern acoustic styles, Crying Uncle has become a rising force in the acoustic music scene. They recently signed with Engelhardt Music Group, solidifying their place as emerging stars in the genre. Miles and Teo share their journey, from starting the band in 2016 to performing with legends like David Grisman and Marty Stuart. They discuss the inspiration behind their heartfelt single "I'll Be Here Either Way" and the instrumental brilliance of their track "Roland." Please tune in to discover their creative process, musical evolution, and what fans can look forward to at their upcoming Hop Monk Novato show. Guest Information: Crying Uncle Bluegrass Band Website: cryingunclebg.com Facebook: facebook.com/cryinguncle Instagram: instagram.com/cryinguncle   About the Guests:Miles and Teo Quale are accomplished young musicians at the forefront of modern bluegrass. Their innovative blend of traditional and contemporary influences has captivated audiences and garnered praise from industry icons. Call-To-Action: Like the episode? Don't miss Crying Uncle live at Hop Monk Novato on Friday, December 20, at 8 p.m. Get your tickets here. Subscribe to Backstage Bay Area for more intimate conversations with artists shaping today's music scene. Please find us on YouTube and Apple Podcasts. Podcast Playlist: 1.    “BABA Black Sheep” - Crying Uncle Bluegrass Band 2.   “I'll Be Here Either Way” - Crying Uncle Bluegrass Band 3.   “Roland” - Crying Uncle Bluegrass Band Essential Episode Takeaways: Crying Uncle combines bluegrass roots with jazz and modern acoustic influences. The band's recent signing with Engelhardt Music Group marks a pivotal step in their career. Don't miss their upcoming show at Hop Monk Novato on December 20, 2024. Hashtags: #BackstageBayArea #CryingUncle #BluegrassMusic #LiveMusic #HopMonkNovato #MusicPodcast

The Deadcast concludes its dive into Robert Hunter's 1962 book, The Silver Snarling Trumpet (and its 10th season), exploring teenage Jerry Garcia's adventures with his friends Alan Trist and Brigid Meier in Palo Alto, and how this early scene gave way to the Grateful Dead.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Happy Thanksgiving As is the custom here on the Deadpod, this Thanksgiving we feature an acoustic set and I think we are especially fortunate this year as this set is one of the very best such sets from 1970. From September 20, 1970 this set from the Fillmore East features both David Grisman and David Nelson on mandolin for much of the set, including a very unusual 'Big Railroad Blues' and an acoustic 'Truckin'. Jerry is in particular fine voice throughout, especially on 'To Lay Me Down'.  If you are a fan of acoustic Dead this is a set to savor  .. I hope you enjoy..      Grateful Dead Fillmore East New York, NY 9/20/1970 - Sunday One   Uncle John's Band [6:47] Deep Elem Blues [5:51] Friend Of The Devil [3:32] Big Railroad Blues [3:14] Dark Hollow [2:56] Ripple [4:20] To Lay Me Down [5:12] Truckin' [5:35][0:12] Rosalie McFall [2:24] Cumberland Blues [5:04] New Speedway Boogie [9:31] Brokedown Palace [5:13]    You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod112824.mp3    I have far more to be thankful for than I can express here.. first of all to all of you who reached out with your well wishes and concern during my recent surgery and recovery.. to my doctors and nurses who did such a wonderful job helping to get me back home.. and of course to my beautiful wife without which I never would have been able to see this through...   

To celebrate the Deadcast's 100th episode, we begin a 2-part special joined by the co-stars of Robert Hunter's newly-published 1962 book, the Silver Snarling Trumpet, a startling in-the-moment account of his and Jerry Garcia's formative years in Palo Alto.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast uncovers the long-lost tape of the Dead & San Francisco's Sufi Choir at Winterland in 1971, telling its untold story with composer Allaudin Mathieu, finding hidden connections to big band jazz, longform improv comedy, & spirituality, plus an appearance by Wavy Gravy.Guests: Allaudin Mathieu, Wavy Gravy, Michael Parrish, John “Tex” Coate, Erik Davis, Christopher CoffmanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast crosses the Blue Ridge Mountains for the Dead's only show in Huntington, West Virginia, including close looks at the innovative fashion and LSD scenes then emerging in Dead parking lots, and the conclusion of a rare 1978 interview with Jerry Garcia.Guests: Kathy Sublette, Rob Bleetstein, Bob Wagner, Bob Minkin, Jay Blakesberg, David Lemieux, Steve Silberman, Erik Davis, Annabelle WalshSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast cruises into two April ‘78 shows on Virginia college campuses alongside a pair of chartered buses from New York filled with seething Dead freaks and gets into Jerry Garcia's favorite music and guitar tips from rare interviews.Guests: Sanjay Mishra, Kathy Sublette, Rob Bleetstein, Bob Minkin, Del Ward, Bob Wagner, Nick Morgan, Jon Lerner, John Wehrle, Scott White, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast tells the story of the legendary Duke ‘78 show, the unexplored history of the Dead in North Carolina, the first campout at Cameron Indoor Stadium, the mysterious guest percussionist, & the student-run cable station that filmed it.Guests: Peter Coyle, Fred Goldring, Nick Morgan, Joe DiMona, Bob Wagner, Jim Enright, Steve Maizner, Charly Mann, Eric Mlyn, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast pulls into Atlanta's Fox Theatre to explore the Dead's two April ‘78 shows, delving into the local underground music scene with Glenn Phillips of the Hampton Grease Band, as well as rare Jerry Garcia interviews.Guests: Donna Jean Godchaux-MacKay, Glenn Phillips, Steve Maizner, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Joe K. Walsh is an acclaimed master of bluegrass mandolin and a professor at Berklee College, and in this episode you'll hear about many of his inspiring collaborations including with Darol Anger, Mike Block, Grant Gordy, Alex Hargreaves and Mike Marshall. We are also featuring some music from some of his albums inluding “If Not Now, Who?” We talked about Joe's approach as an educator, the challenges and joys of the touring life, the importance of innovation and taking chances musically. Joe's love of music and the mandolin shines brightly in this candid conversation. Like all my episodes, you can also watch this on my YouTube channel, and I've also linked the transcript to my website: https://www.leahroseman.com/episodes/joe-k-walsh Albums featured in this episode: https://garrisongordyhargreaveswalsh.bandcamp.com/album/bluegrass-and-the-abstract-truth https://joewalsh.bandcamp.com/album/if-not-now-who https://joewalsh.bandcamp.com/album/borderland Joe K. Walsh website: ⁠ https://joekwalsh.com/⁠ Buy me a coffee? https://ko-fi.com/leahroseman Thanks! Merch store: https://www.leahroseman.com/beautiful-shirts-and-more Newsletter: https://mailchi.mp/ebed4a237788/podcast-newsletter Timestamps (00:00) Intro (02:28) Aaron Weinstein, Joe's search for a different approach, “If Not Now, Who?” album (07:23) Tom from “If Not Now, Who?” (11:48) recording the album, Joe's student days at Berklee, teaching approach (19:01) songwriting (20:41) Innisfree from “Borderland” (24:10) Gibson Brothers, experience of touring (28:40) mandolin family, David Grisman, Daryl Anger, Mr. Sun, Ger Mandolin Ensemble Mike Marshall (36:12) Joy Kills Sorrow, maturing and working with different generations in the music business (39:20) Daryl Anger, dangers of perfectionism in recordings (41:43) please support this independent podcast (42:35) healthy mindsets, Adam Hurt, creativity, teaching (50:42) decision to pursue music professionally, early influences (53:09) Grant Gordy, Mike Block, the value of music for community (57:31) practicing the mandolin, transcribing, dealing with injuries (01:02:07) mandolin demo Chinkapin Hunting (01:04:02) Steve Gilchrist luthier, Bluegrass and mandolin community worldwide (01:09:47) “Bluegrass and the Abstract Truth”, Alex Hargreaves, memorizing music (01:15:07) Mahjong from “Bluegrass and the Abstract Truth” (01:18:03) meeting Joe Walsh story (01:19:18) reflecting on the mental game

The Deadcast launches its 10th season, hitting the road for the April 1978 tour documented on the new FRIEND OF THE DEVILS box, exploring the band's new sound for ‘78 & the birth of drums/space, featuring taper tales & rare archival interviews with Jerry Garcia.Guests: Richard Loren, Bob Wagner, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

While Jerry Garcia collaborated with dozens of artists beyond fronting the Grateful Dead and The Jerry Garcia Band, few are as recognizable in name as David “Dawg” Grisman. As you'll soon hear, their relationship was initially happenstance but as time wore on, it was inevitable that these two geniuses would meet and collaborate in both live and studio settings. David Grisman, roots music guru, multi-instrumentalist who is probably most famous for his masterful mandolin playing has released a series of “bare bone” acoustic Garcia and Grisman recordings dubbed Bare Bones. Two of these volumes have already released, the first on Jerry Garcia's 82nd birthday just a few weeks back. A third will be released August 30th by Acoustic Disc. First song: Dreadful Wind and Rain  Second song: End of the World  See omnystudio.com/listener for privacy information.

Great banjo playing from Jim Mills, wonderful mandolin playing from David Grisman & Sam Bush, with a generous helping of fine picking & singing from the Stanley Brothers, Alison Krauss and lots of others. Pure delight!

Social Media Links:https://linktr.ee/turnonthemusicBilly Strings - YoutubeBilly Strings | Spotify‎Billy Strings - Apple MusicBilly Strings WebsiteIn this episode of the "Turn on the Music Podcast," we take a deep dive into the extraordinary life and musical journey of Billy Strings, one of today's most influential bluegrass artists.Episode Highlights:Early Life and Challenges: Born on October 3, 1992, in Lansing, Michigan, Billy Strings, born William Apostol, faced significant challenges early in life. His father passed away from a heroin overdose, and his mother remarried bluegrass musician Terry Barber. The family moved to Morehead, Kentucky, and later to Muir, Michigan. Despite the stable bluegrass influence from his stepfather, Billy's childhood was tumultuous, with his parents becoming addicted to methamphetamine. By age 13, Billy left home and entered a period marked by hard drug use.Musical Influences and Inspirations: Billy's stepfather, Terry Barber, played a crucial role in shaping his musical taste, introducing him to bluegrass legends like Doc Watson, Del McCoury, David Grisman, Bill Monroe, John Hartford, Ralph Stanley, Earl Scruggs, and Larry Sparks. However, Billy's musical palette extended beyond bluegrass. He was heavily influenced by rock icons such as Jimi Hendrix, Johnny Winter, Widespread Panic, Phish, Grateful Dead, Def Leppard, Between the Buried and Me, and Black Sabbath. During his teenage years, he played in hard rock and indie rock bands, showcasing his versatility.Transformation and Stage Name: After a turbulent period, Billy embraced a lifestyle known as "California Sober," abstaining from alcohol and only using light drugs. His immense talent across various traditional bluegrass instruments earned him the nickname "Billy Strings," a moniker given by his aunt.Rise to Stardom and Acclaim: Billy Strings' dedication and talent have earned him widespread recognition in the music industry. He won a Grammy Award for Best Bluegrass Album for his album "Home" in 2021 and has garnered six Grammy nominations. His unique blend of traditional bluegrass and contemporary influences has captivated audiences worldwide.Join us as we explore the life and career of Billy Strings, from his early struggles and influences to his rise as a modern bluegrass virtuoso. Whether you're a long-time fan or new to his music, this episode offers an in-depth look at the man behind the strings.Tune in to "Turn on the Music Podcast" and discover the captivating story of Billy Strings. Don't forget to subscribe and leave a review!Listen Now on Apple Podcasts, Spotify, and all major podcasting platforms.