American mandolinist, composer, and record label owner
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The Deadcast cruises down the eastern seaboard, including stops in Hartford, Hampton, Philadelphia, and Landover, featuring touring tips, another police chase, & a visit to the White House.Guests: David Lemieux, Sam Cutler, Dennis Alpert, Tyler Roy-Hart, David Leopold, John Leopold, Rebecca Adams, Brian Schiff, Gary Lambert, Chris Goodspace, Winslow Colwell, Scott Jones, Chad EylerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast makes a beeline for the northeast, focusing on shows from legendary venues in the Manhattan and Boston areas included on the new Enjoying the Ride box, including ESP experiments, weed smuggling, free jazz titans, multiple police chases, and more.Guests: David Lemieux, Ron Rakow, Sam Cutler, Richie Pechner, Allan Arkush, Ned Lagin, Gary Lambert, Blair Jackson, Stanley Krippner, Rebecca Adams, Johnny Dwork, John Scher, Michael Simmons, Tyler Roy-Hart, Henry K, Howie Levine, Kenny Schiff, Debbie RondeauSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast's tour of Enjoying the Ride trucks all the way to the East Bay, exploring beloved venues including the Greek Theater & Kaiser Auditorium, with tales of the Hog Farm's Skeleton Crew & vintage field recordings from Oakland Coliseum Arena's parking lot. Guests: David Lemieux, Ron Rakow, Kevin Schmevin, Mark Pinkus, Blair Jackson, Steve Silberman, Rebecca Adams, David Gans, Johnny Dwork, Tyler Roy-Hart, Steven Bernstein, Robert Nyberg, Chad KroegerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast begins our virtual tour of the new Enjoying the Ride box, visiting the cradle of the Dead in Palo Alto/Menlo Park (with a detour to visit the Warlocks' earliest shows) before heading to San Francisco with stops at the Fillmore West and Winterland.Guests: Connie Bonner Mosley, Ron Rakow, Ned Lagin, Ron Pietrowski, Tyler Roy-Hart, Les Earnest, Doug Oade, Eric Schwartz, Blair Jackson, Michael Parrish, Dominic Stefano, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
For the 50th anniversary reissue of Tiger Rose, we explore the lost story of Robert Hunter & Jerry Garcia's only full-length studio collaboration, the Dead lyricist's 2nd solo album, produced by Garcia & performed by an all-star cast including Garcia, Mickey Hart, & Donna Jean Godchaux.Guests: Kathy Veda Vaughan Bogert, Mickey Hart, Barry Melton, Ron Rakow, Howie LevineSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the 2nd part of the Deadcast's Phil Lesh tribute, we get deep into his singular bass playing with Phil's son & bandmate Grahame, Phish's Mike Gordon, & musicologist Rob Collier, while touring Phil's high adventures with Ned Lagin, radio co-host Gary Lambert, & other friends.Guests: Grahame Lesh, Mike Gordon, Ned Lagin, David Crosby, David Lemieux, Gary Lambert, Rob CollierSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast begins its 11th season with a celebration of the Grateful Dead's Phil Lesh, drawing on archival interviews to explore his unusual trajectory from jazz trumpet to avant-garde composition to rock and roll bass, and welcoming special guest Mike Gordon of Phish.Guests: Mike Gordon, Oteil Burbridge, Sam Cutler, David Lemieux, Gary LambertSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
My guest this week is a legend of American string band music.When David Grisman raised his middle finger to MCA Records, after being dropped for failing to meet arbitrary sales targets, he couldn't have known it would spark a 35-year musical revolution. As one of America's foremost, and best loved, mandolin virtuosos turns 80 this year, he offers a fascinating glimpse into the birth, evolution, and future of Acoustic Disc, the independent label he founded in 1990 that became a vital archive of American string band traditions, as well as home to over three decades of his own music.Grisman's journey from frustrated artist to label founder came at a pivotal moment in music history, as CDs were eclipsing vinyl and the digital revolution loomed on the horizon. He built his own studio, using gear he bought from the iconic 1750 Arch Studios, and Acoustic Disc was born. The label's early success—including Grammy nominations for its first two releases—established a blueprint combining Grisman's new compositions, collaborations with luminaries like Jerry Garcia and Tony Rice, and carefully chosen historical recordings.The switch from physical media to digital distribution liberated both Grisman's creative vision and business model."It's just too beautiful a concept to make one product and sell an infinite number without manufacturing anything," he explains. This shift allows him to release an album every month, including expanded versions of classic recordings with Tony Rice, Jerry Garcia, and others. These "deluxe editions" offer fascinating insights into the creative process behind influential albums like Tone Poems, capturing not just the music but the conversations between master musicians at work.Whether you're a huge Grisman fan, dedicated bluegrass lover or just a fan of acoustic music at its best, Acoustic Disc's extraordinary catalog offers a gateway into America's rich string band traditions. Find out more at acousticdisc.com and, while you're there, sign up for their weekly newsletter to receive a free "Treat of the Week".For updates, follow David on Instagram and FacebookHappy picking.MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts
We remember the night Joe Dobbs wandered into The Flood band room a couple of decades ago and said, “Hey, do you know the song ‘Satin Doll'?”Boy, was he asking the right guy. Charlie Bowen grew up in a home full of his dad's jazz records by Ella Fitzgerald and Duke Ellington and Count Basie and his mom's Harry James and The Mills Brothers.In BowenWorld, “Satin Doll” was as much a part of the household soundtrack as anything on the radio right then.Joe didn't really know any of the tune's honored status in the jazz world. However, he was tickled by a folksy jazz rendition of it that was recorded live by fiddler Stephane Grappelli and David Grisman in 1981 and he was ready to tackle it himself.With that, the tune trotted into The Flood repertoire. Click the button below to transport back to 2011 and hear Joe with Flood Lite (Doug Chaffin on bass, Charlie on guitar) sampling the song at the start of a jam session at the Bowen House.About the SongIn 1953, Duke Ellington interrupted his long-time association with Columbia Records to sign with Capitol, thinking the upstart recording company might more effectively promote his music.Among the tunes waxed in the first Capitol session that spring was “Satin Doll,” a song Ellington had just written with his favorite collaborator, Billy Strayhorn. Duke wrote the riff sketch and Strayhorn fleshed it out with harmony and lyrics.Billy's lyrics, though, were not were not considered commercially viable, so Duke's 1953 recording was an instrumental. It was five years later when lyricist Johnny Mercer — a Capitol Records cofounder — wrote sassy new words that resulted in the song we know today.But Who WAS the Satin Doll?Strayhorn biographer David Hajdu famously advanced the notion that Billy named the song after his mother, Lillian, saying that the composer's pet name for his mom was “Satin Doll.”That's a charming story, but the Ellington family has a different take on the tale. Duke's son Mercer wrote in his 1978 memoir that he suspected the mystery woman was his dad's long-time companion, Beatrice “Evie” Ellis.Writing in Duke Ellington In Person: An Intimate Memoir, Mercer said Evie continued to believe the song was written for her. “Pop would always be leaving notes in the house addressing her affectionately as ‘Dearest Doll,' ‘Darling Doll' and so on.”Today's Flood Take on the Tune“Satin Doll” lately has started visiting the Flood band room again. It was the first tune of the evening at last week's rehearsal. Listen as Randy, Jack and Charlie start outlining the tune, laying down the rhythm and those cool chords while Danny is still setting up.You'll hear Charlie sing the first verse. By the second verse in comes Dan's beautiful guitar. In a minute, he's in full gear, and then he's soloing on two idea-filled choruses that define the entire outing.Got That SwingFinally, if you'd like to put a little more swing in your Friday thing, remember that the free Radio Floodango music streaming feature's gotcha cover. Click here to tune in the Swingin' Channel for a randomized playlist of some of The Flood's jazzier moments over the years. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com
Episode Notes To Order my new album “Around the Clock” Click HERE! (Digitial, Limited CD or Limited Edition Vinyl) My guest this week is an absolute legend in the acoustic instrument world. His instruments have graced the cover of David Grisman's Quintet ‘80 and been displayed in the New York Metropolitan Museum of Art. John Monteleone has been pushing the luthiery envelope for more than forty years with his refreshing passion for new and elegant designs. Producing instruments of great tonal expression is also one of Monteleone's missions in life. A dedication to the refined harmonic balances of tone and playability is always the central nucleus of structural foundation around which he often introduces the more interesting design accents and playful nature of his original and beautiful works. Be sure to check out Jim Richter's wonderful Monteleone page HERE. Special thanks to Davey Harrison for sending along a track and a free PDF from the Boston Imposter's upcoming music book which you can back HERE! Get the free PDF HERE. Songs featured in this episode: Dawgma by David Grisman (Grisman Quintet ‘80) Mighty Rock River by The Boston Imposters (Insiders) As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Peghead Nation promo code mandolinbeer Northfiled Mandolins Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer
To mark the rare convergence of Christmas and Chanukah, we're revisiting a conversation with one of the nation's most extraordinary musicians 2012 National Heritage Fellow Andy Statman. A virtuoso clarinetist, mandolin player, and composer, Statman has defied musical boundaries throughout his career. Starting with his early love for bluegrass and mentorship under David Grisman, Statman later embraced jazz before diving into the klezmer music of his Jewish heritage.This podcast weaves together the strands of Statman's multifaceted career. He reflects on his journey from bluegrass jams in Washington Square Park to collaborations with jazz legends like Richard Grando. Statman shares how he revived klezmer music with the guidance of 1984 National Heritage Fellow Dave Tarras, his inspirations across genres, and his passion for creating music that connects deeply to tradition while pushing artistic boundaries. Featuring excerpts from his rich discography, including Jewish Klezmer Music and Old Brooklyn, this episode is a celebration of music's ability to unite cultures and generations. We are taking a two week break for the holidays. But we'll back on January 7. We wish all of you the happiest of holidays.
To mark the rare convergence of Christmas and Chanukah, we're revisiting a conversation with one of the nation's most extraordinary musicians 2012 National Heritage Fellow Andy Statman. A virtuoso clarinetist, mandolin player, and composer, Statman has defied musical boundaries throughout his career. Starting with his early love for bluegrass and mentorship under David Grisman, Statman later embraced jazz before diving into the klezmer music of his Jewish heritage.This podcast weaves together the strands of Statman's multifaceted career. He reflects on his journey from bluegrass jams in Washington Square Park to collaborations with jazz legends like Richard Grando. Statman shares how he revived klezmer music with the guidance of 1984 National Heritage Fellow Dave Tarras, his inspirations across genres, and his passion for creating music that connects deeply to tradition while pushing artistic boundaries. Featuring excerpts from his rich discography, including Jewish Klezmer Music and Old Brooklyn, this episode is a celebration of music's ability to unite cultures and generations. We are taking a two week break for the holidays. But we'll back on January 7. We wish all of you the happiest of holidays.
Show Notes In this episode of Backstage Bay Area, host Steven Roby interviews Miles and Teo Quale, the talented brothers behind the Crying Uncle Bluegrass Band. Known for their electrifying fusion of bluegrass, jazz, and modern acoustic styles, Crying Uncle has become a rising force in the acoustic music scene. They recently signed with Engelhardt Music Group, solidifying their place as emerging stars in the genre. Miles and Teo share their journey, from starting the band in 2016 to performing with legends like David Grisman and Marty Stuart. They discuss the inspiration behind their heartfelt single "I'll Be Here Either Way" and the instrumental brilliance of their track "Roland." Please tune in to discover their creative process, musical evolution, and what fans can look forward to at their upcoming Hop Monk Novato show. Guest Information: Crying Uncle Bluegrass Band Website: cryingunclebg.com Facebook: facebook.com/cryinguncle Instagram: instagram.com/cryinguncle About the Guests:Miles and Teo Quale are accomplished young musicians at the forefront of modern bluegrass. Their innovative blend of traditional and contemporary influences has captivated audiences and garnered praise from industry icons. Call-To-Action: Like the episode? Don't miss Crying Uncle live at Hop Monk Novato on Friday, December 20, at 8 p.m. Get your tickets here. Subscribe to Backstage Bay Area for more intimate conversations with artists shaping today's music scene. Please find us on YouTube and Apple Podcasts. Podcast Playlist: 1. “BABA Black Sheep” - Crying Uncle Bluegrass Band 2. “I'll Be Here Either Way” - Crying Uncle Bluegrass Band 3. “Roland” - Crying Uncle Bluegrass Band Essential Episode Takeaways: Crying Uncle combines bluegrass roots with jazz and modern acoustic influences. The band's recent signing with Engelhardt Music Group marks a pivotal step in their career. Don't miss their upcoming show at Hop Monk Novato on December 20, 2024. Hashtags: #BackstageBayArea #CryingUncle #BluegrassMusic #LiveMusic #HopMonkNovato #MusicPodcast
The Deadcast concludes its dive into Robert Hunter's 1962 book, The Silver Snarling Trumpet (and its 10th season), exploring teenage Jerry Garcia's adventures with his friends Alan Trist and Brigid Meier in Palo Alto, and how this early scene gave way to the Grateful Dead.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Happy Thanksgiving As is the custom here on the Deadpod, this Thanksgiving we feature an acoustic set and I think we are especially fortunate this year as this set is one of the very best such sets from 1970. From September 20, 1970 this set from the Fillmore East features both David Grisman and David Nelson on mandolin for much of the set, including a very unusual 'Big Railroad Blues' and an acoustic 'Truckin'. Jerry is in particular fine voice throughout, especially on 'To Lay Me Down'. If you are a fan of acoustic Dead this is a set to savor .. I hope you enjoy.. Grateful Dead Fillmore East New York, NY 9/20/1970 - Sunday One Uncle John's Band [6:47] Deep Elem Blues [5:51] Friend Of The Devil [3:32] Big Railroad Blues [3:14] Dark Hollow [2:56] Ripple [4:20] To Lay Me Down [5:12] Truckin' [5:35][0:12] Rosalie McFall [2:24] Cumberland Blues [5:04] New Speedway Boogie [9:31] Brokedown Palace [5:13] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod112824.mp3 I have far more to be thankful for than I can express here.. first of all to all of you who reached out with your well wishes and concern during my recent surgery and recovery.. to my doctors and nurses who did such a wonderful job helping to get me back home.. and of course to my beautiful wife without which I never would have been able to see this through...
To celebrate the Deadcast's 100th episode, we begin a 2-part special joined by the co-stars of Robert Hunter's newly-published 1962 book, the Silver Snarling Trumpet, a startling in-the-moment account of his and Jerry Garcia's formative years in Palo Alto.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast uncovers the long-lost tape of the Dead & San Francisco's Sufi Choir at Winterland in 1971, telling its untold story with composer Allaudin Mathieu, finding hidden connections to big band jazz, longform improv comedy, & spirituality, plus an appearance by Wavy Gravy.Guests: Allaudin Mathieu, Wavy Gravy, Michael Parrish, John “Tex” Coate, Erik Davis, Christopher CoffmanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast crosses the Blue Ridge Mountains for the Dead's only show in Huntington, West Virginia, including close looks at the innovative fashion and LSD scenes then emerging in Dead parking lots, and the conclusion of a rare 1978 interview with Jerry Garcia.Guests: Kathy Sublette, Rob Bleetstein, Bob Wagner, Bob Minkin, Jay Blakesberg, David Lemieux, Steve Silberman, Erik Davis, Annabelle WalshSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast cruises into two April ‘78 shows on Virginia college campuses alongside a pair of chartered buses from New York filled with seething Dead freaks and gets into Jerry Garcia's favorite music and guitar tips from rare interviews.Guests: Sanjay Mishra, Kathy Sublette, Rob Bleetstein, Bob Minkin, Del Ward, Bob Wagner, Nick Morgan, Jon Lerner, John Wehrle, Scott White, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast tells the story of the legendary Duke ‘78 show, the unexplored history of the Dead in North Carolina, the first campout at Cameron Indoor Stadium, the mysterious guest percussionist, & the student-run cable station that filmed it.Guests: Peter Coyle, Fred Goldring, Nick Morgan, Joe DiMona, Bob Wagner, Jim Enright, Steve Maizner, Charly Mann, Eric Mlyn, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast pulls into Atlanta's Fox Theatre to explore the Dead's two April ‘78 shows, delving into the local underground music scene with Glenn Phillips of the Hampton Grease Band, as well as rare Jerry Garcia interviews.Guests: Donna Jean Godchaux-MacKay, Glenn Phillips, Steve Maizner, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Joe K. Walsh is an acclaimed master of bluegrass mandolin and a professor at Berklee College, and in this episode you'll hear about many of his inspiring collaborations including with Darol Anger, Mike Block, Grant Gordy, Alex Hargreaves and Mike Marshall. We are also featuring some music from some of his albums inluding “If Not Now, Who?” We talked about Joe's approach as an educator, the challenges and joys of the touring life, the importance of innovation and taking chances musically. Joe's love of music and the mandolin shines brightly in this candid conversation. Like all my episodes, you can also watch this on my YouTube channel, and I've also linked the transcript to my website: https://www.leahroseman.com/episodes/joe-k-walsh Albums featured in this episode: https://garrisongordyhargreaveswalsh.bandcamp.com/album/bluegrass-and-the-abstract-truth https://joewalsh.bandcamp.com/album/if-not-now-who https://joewalsh.bandcamp.com/album/borderland Joe K. Walsh website: https://joekwalsh.com/ Buy me a coffee? https://ko-fi.com/leahroseman Thanks! Merch store: https://www.leahroseman.com/beautiful-shirts-and-more Newsletter: https://mailchi.mp/ebed4a237788/podcast-newsletter Timestamps (00:00) Intro (02:28) Aaron Weinstein, Joe's search for a different approach, “If Not Now, Who?” album (07:23) Tom from “If Not Now, Who?” (11:48) recording the album, Joe's student days at Berklee, teaching approach (19:01) songwriting (20:41) Innisfree from “Borderland” (24:10) Gibson Brothers, experience of touring (28:40) mandolin family, David Grisman, Daryl Anger, Mr. Sun, Ger Mandolin Ensemble Mike Marshall (36:12) Joy Kills Sorrow, maturing and working with different generations in the music business (39:20) Daryl Anger, dangers of perfectionism in recordings (41:43) please support this independent podcast (42:35) healthy mindsets, Adam Hurt, creativity, teaching (50:42) decision to pursue music professionally, early influences (53:09) Grant Gordy, Mike Block, the value of music for community (57:31) practicing the mandolin, transcribing, dealing with injuries (01:02:07) mandolin demo Chinkapin Hunting (01:04:02) Steve Gilchrist luthier, Bluegrass and mandolin community worldwide (01:09:47) “Bluegrass and the Abstract Truth”, Alex Hargreaves, memorizing music (01:15:07) Mahjong from “Bluegrass and the Abstract Truth” (01:18:03) meeting Joe Walsh story (01:19:18) reflecting on the mental game
The Deadcast launches its 10th season, hitting the road for the April 1978 tour documented on the new FRIEND OF THE DEVILS box, exploring the band's new sound for ‘78 & the birth of drums/space, featuring taper tales & rare archival interviews with Jerry Garcia.Guests: Richard Loren, Bob Wagner, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
While Jerry Garcia collaborated with dozens of artists beyond fronting the Grateful Dead and The Jerry Garcia Band, few are as recognizable in name as David “Dawg” Grisman. As you'll soon hear, their relationship was initially happenstance but as time wore on, it was inevitable that these two geniuses would meet and collaborate in both live and studio settings. David Grisman, roots music guru, multi-instrumentalist who is probably most famous for his masterful mandolin playing has released a series of “bare bone” acoustic Garcia and Grisman recordings dubbed Bare Bones. Two of these volumes have already released, the first on Jerry Garcia's 82nd birthday just a few weeks back. A third will be released August 30th by Acoustic Disc. First song: Dreadful Wind and Rain Second song: End of the World See omnystudio.com/listener for privacy information.
Great banjo playing from Jim Mills, wonderful mandolin playing from David Grisman & Sam Bush, with a generous helping of fine picking & singing from the Stanley Brothers, Alison Krauss and lots of others. Pure delight!
Social Media Links:https://linktr.ee/turnonthemusicBilly Strings - YoutubeBilly Strings | SpotifyBilly Strings - Apple MusicBilly Strings WebsiteIn this episode of the "Turn on the Music Podcast," we take a deep dive into the extraordinary life and musical journey of Billy Strings, one of today's most influential bluegrass artists.Episode Highlights:Early Life and Challenges: Born on October 3, 1992, in Lansing, Michigan, Billy Strings, born William Apostol, faced significant challenges early in life. His father passed away from a heroin overdose, and his mother remarried bluegrass musician Terry Barber. The family moved to Morehead, Kentucky, and later to Muir, Michigan. Despite the stable bluegrass influence from his stepfather, Billy's childhood was tumultuous, with his parents becoming addicted to methamphetamine. By age 13, Billy left home and entered a period marked by hard drug use.Musical Influences and Inspirations: Billy's stepfather, Terry Barber, played a crucial role in shaping his musical taste, introducing him to bluegrass legends like Doc Watson, Del McCoury, David Grisman, Bill Monroe, John Hartford, Ralph Stanley, Earl Scruggs, and Larry Sparks. However, Billy's musical palette extended beyond bluegrass. He was heavily influenced by rock icons such as Jimi Hendrix, Johnny Winter, Widespread Panic, Phish, Grateful Dead, Def Leppard, Between the Buried and Me, and Black Sabbath. During his teenage years, he played in hard rock and indie rock bands, showcasing his versatility.Transformation and Stage Name: After a turbulent period, Billy embraced a lifestyle known as "California Sober," abstaining from alcohol and only using light drugs. His immense talent across various traditional bluegrass instruments earned him the nickname "Billy Strings," a moniker given by his aunt.Rise to Stardom and Acclaim: Billy Strings' dedication and talent have earned him widespread recognition in the music industry. He won a Grammy Award for Best Bluegrass Album for his album "Home" in 2021 and has garnered six Grammy nominations. His unique blend of traditional bluegrass and contemporary influences has captivated audiences worldwide.Join us as we explore the life and career of Billy Strings, from his early struggles and influences to his rise as a modern bluegrass virtuoso. Whether you're a long-time fan or new to his music, this episode offers an in-depth look at the man behind the strings.Tune in to "Turn on the Music Podcast" and discover the captivating story of Billy Strings. Don't forget to subscribe and leave a review!Listen Now on Apple Podcasts, Spotify, and all major podcasting platforms.
This week we feature multi-instrumentalist and singer Keith Little. We talk with Keith about his long career in bluegrass starting on the west coast playing with Vern and Ray and various other California bands, then working with the Country Gentlemen, going to Nashville to work with Ricky Skaggs and Dolly Parton and then back out west to work with David Grisman and Peter Rowan.
Beppe Gambetta/Terra Madre/Terra MadreBeppe Gambetta/Mis Amour/Terra MadreBeppe Gambetta/ Un Panino/Terra MadreBeppe Gambetta/Sit And Pick With You (Featuring Tim O'Brien, David Grisman, Dan Crary & Travis Book)/Terra MadreBeppe Gambetta/Per Poco O Per Niente/Terra MadreBeppe Gambetta/Dark Yellow Thread/Terra MadreBeppe Gambetta/Season Of Suspension/Terra MadreBeppe Gambetta/Saint James Hospital/Terra MadreSupport the Show.
This episode of BPBg features an interview with Dr Des Walsh, of the Dublin, Ireland-based band ‘Whistle'. I visited with the band during my recent visit to Ireland, and enjoyed a great evening of their music, as well as some jamming with them. Of course, we've got a few ‘regulars' on the show like High Fidelity, Blue Highway, David Grisman and even some HCBB.
The Grateful Deadcast welcomes back Donna Jean Godchaux-MacKay for the season finale, digs into “Ship of Fools,” and visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, Elvis Costello, Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, John Perry, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, David Lemieux, Brian Anderson, Shaugn O'Donnell, Brian KehewSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Nichole Wagner/Beauty Where You Find It /Plastic FlowersNichole Wagner/Monsters/Plastic FlowersBeppe Gambetta/Sit And Pick With You (Featuring Tim O'Brien, David Grisman, Dan Crary & Travis Book)/Terra MadreAlisa Amador /Extrano (feat. Gaby Moreno) /Multitudes/Ryan David Green/ Off and Running/Off and RunningJubal Lee Young/Carmelita/Wild Birds WarbleThe Gringo Pistoleros/That's How I Got To Memphis/The Rise And Subsequent Fall Of The Texas AlienRobert LaRoche/Forevermore/ForevermoreAmy Hopwood/River and fish /SingleAndy Antipin/All Mixed Up/All Mixed UpJackson Hollow/Nothing But Sky/Nothing But SkyMara Levine with Gathering Time/By My Silence /Facets of FolkRyan David Green/Looking Back (Featuring Abbie Gardner & Ben Plotnick)/Off and RunningTim Grimm/Pray For Rain/Farm SongsPhoebe Rees/Peace Will Rise/Bring in the LightSloan Wainwright/First Time Ever I Saw Your Fac/ 2022 February Folk Singles Hudson Harding Support the Show.
The Deadcast explores the Mars Hotel obscurity “Money Money” & goes on the Dead's mayhem-filled Europe ‘74 tour, including a long look at the extended jams & Seastones sets performed with Ned Lagin.Guests: Ned Lagin, Elvis Costello, Andy Leonard, Richard Loren, Steve Brown, John Perry, Ben Haller, Andy Childs, Uli Teute, Paul Matulic, David Lemieux, Brian Kehew, Rebecca Adams, Shaugn O'Donnell, Brian Anderson, Michael KalerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast joyously welcomes the 50th anniversary reissue of Robert Hunter's solo debut Tales of the Great Rum Runners, uncovering stories of two early drafts of the album, a mostly-lost book of poetry, and Hunter's secret performing career as Lefty Banks.Guests: Mickey Hart, Barry Melton, John Perry, Ted Claire, Ron Rakow, Steve Brown, Robbie Stokes, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast explores Phil Lesh & Bobby Petersen's “Pride of Cucamonga” (featuring lost lyrics & session pedal steel player John McFee), the Dead's August ‘74 east coast trip (with Ned Lagin & an extended stop at Roosevelt Stadium), & the band's decision to take a road hiatus.Guests: Ron Rakow, Ned Lagin, Alan Trist, Richard Loren, Richie Pechner, Andy Leonard, Steve Brown, John McFee, Ira Kaplan, Gary Lambert, Steve Silberman, Ihor Slabicky, Todd Ellenberg, John Potenza, David Lemieux, Brian Kehew, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
It's the music and pizza special! Three music experts are tasked with combining music and pizza.Steven Hyden is the author of 2018's "Twilight Of The Gods" and 2016's "Your Favorite Band Is Killing Me." He co-wrote 2019's “Hard to Handle: the Life and Death of the Black Crowes” along with past guest, Steve Gorman. His writing has appeared in the New York Times Magazine, Pitchfork, Rolling Stone, Grantland, The A.V. Club, The Ringer, and more. He is currently the cultural critic at UPROXX. His brand new book is titled, “There Was Nothing You Could Do: Bruce Springsteen's “Born In The U.S.A.” and the End of the Heartland”. Melissa Locker is a writer and podcaster. She has written for Vanity Fair, Time, the Guardian, Vogue and others. She's the founder of Nevermind Media, a music podcast company. Check out their new podcast, True Story of the Fake Zombies coming soon. Justin Richmond is a producer and podcast host. Along with Malcolm Gladwell, Bruce Headlum, and Rick Rubin, Justin co-hosts the music podcast “Broken Record” for iHeartMedia and Puschkin Industries.They all discuss; Jimmy Buffett, Chance the Rapper, Drive-By Truckers, Bruce Springsteen, Chuck E. Cheese's Munch's Make Believe Band, and so much more!Check out the Spotify playlist for this week's episode: "The Pizza Pod Party Pizza Playlist". This podcast is brought to you by Ooni Pizza Ovens. Go to Ooni.com for more information.Follow us for more information!Instagram: @pizzapodparty @NYCBestPizza @AlfredSchulz4Twitter: @PizzaPodParty @ArthurBovino @AlfredSchulzTikTok: @thepizzapodpartyThreads: @pizzapodparty @NYCBestPizza @AlfredSchulz4
From the Mars Hotel 50: Scarlet BegoniasExplore “Scarlet Begonias,” from its trans-Atlantic origins (including the Dead's surprising Bob Marley connection) to Cornell '77 & beyond, featuring the Wall of Sound's stop at the Hollywood Bowl (with more unheard Owsley Stanley) & a visit from Vampire Weekend's Chris Tomson.Guests: Chris Tomson, Donna Jean Godchaux MacKay, Trey Anastasio, Alan Trist, Ron Rakow, Lee Jaffe, Courtenay Pollack, Andy Leonard, Steve Brown, Richie Pechner, Jim Sullivan, Geoff Gould, David Lemieux, Brian Kehew, Nicholas Meriwether, Steve Silberman, Nick Paumgarten, Brian Anderson, Shaugn O'Donnell, Michael Kaler, Steve Hurlburt, Andrew Shields, Nick RubinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Twisted Sister's founding guitarist and manager, Jay Jay French is the guest. There's pizza headlines, and the pizza topic is: "Jerry Garcia and 'The Pizza Tapes'". Jay Jay French is a guitarist and manager of the multi platinum selling band, Twisted Sister. He hosts the The Jay Jay French Connection: Beyond the Music podcast. He has been a columnist for Inc.com and is the author of 2021's “Twisted Business: Lessons from My Life in Rock 'n Roll”.Hear Jay Jay discuss his Pac-Man addiction, life as a bar band, New York history, and the pizza perks that come from being in Twisted Sister. This podcast is brought to you by Ooni Pizza Ovens. Go to Ooni.com for more information.Follow us for more information!Instagram: @pizzapodparty @NYCBestPizza @AlfredSchulz4Twitter: @PizzaPodParty @ArthurBovino @AlfredSchulzTikTok: @thepizzapodpartyThreads: @pizzapodparty @NYCBestPizza @AlfredSchulz4
From “Loose Lucy,” the Deadcast jumps onto Dead tour in June ‘74, going under the hood of Phil Lesh's new quad bass, behind the scenes at the tie-dye information booth, a private lunch at the Bank of Boston, & on a Mars Hotel-soundtracked summer road trip with Sonic Youth's Lee Ranaldo.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
"Behind the Scenes with Rob Bleetstein: Archiving the Legacy of the NRPS"Larry's guest, Rob Bleetstein, is known for his role as the host of the live concerts on the Sirius XM Grateful Dead station and as the voice of Pearl Jam Radio. In today's episode, he discusses the recently released live album "Hempsteader" by the New Riders Of The Purple Sage (NRPS), where he serves as the archivist and producer.The New Riders of the Purple Sage is an American country rock band that emerged from the psychedelic rock scene in San Francisco in 1969, with original members including some from the Grateful Dead. Their roots trace back to the early 1960s folk and beatnik scene around Stanford University, where Jerry Garcia and David Nelson played gigs together. Influenced by American folk music and rock and roll, the band formed, including Garcia on pedal steel guitar initially.The discussion delves into the background of the NRPS, their albums, and notable tracks like "Panama Red," written by Peter Rowan and popularized by the band. The album "New Riders of the Purple Sage" features Garcia on pedal steel guitar and includes tracks like "Henry," a humorous tale of marijuana smuggling.Throughout the show, various NRPS tracks are highlighted, showcasing the band's eclectic style and songwriting. Additionally, news segments cover topics such as the DEA's agreement to reschedule marijuana and updates from the music industry, including rare concert appearances and tour plans.Overall, the episode provides insights into the NRPS's music, their influence on the country rock genre, and relevant news in the marijuana and music industries. Larry's Notes Rob Bleetstein who many folks know as the host of the three live concerts played every day on the Sirius XM Grateful Dead station. Also the voice of Pearl Jam Radio. And, most importantly for today's episode, the archivist for the New Riders Of The Purple Sage and the producer of the Hempsteader album. Today, featuring recently released NRPS live album, “Hempsteader” from the band's performance at the Calderone Concert Hall in Hempstead, NY on June 25, 1976, just shy of 48 years ago.New Riders of the Purple Sage is an American country rock band. The group emerged from the psychedelic rock scene in San Francisco in 1969 and its original lineup included several members of the Grateful Dead.[2] The band is sometimes referred to as the New Riders or as NRPS.The roots of the New Riders can be traced back to the early 1960s Peninsulafolk/beatnikscene centered on Stanford University's now-defunct Perry Lane housing complex in Menlo Park, California where future Grateful Dead guitarist Jerry Garcia often played gigs with like-minded guitarist David Nelson. The young John Dawson (also known as "Marmaduke") also played some concerts with Garcia, Nelson, and their compatriots while visiting relatives on summer vacation. Enamored of the sounds of Bakersfield-style country music, Dawson would turn his older friends on to the work of Merle Haggard and Buck Owens and provided a vital link between Timothy Leary's International Federation for Internal Freedom in Millbrook, New York (Dawson having boarded at the Millbrook School) and the Menlo Park bohemian coterie nurtured by Ken Kesey.Inspired by American folk music, rock and roll, and blues, Garcia formed the Grateful Dead (initially known as The Warlocks) with blues singer Ron "Pigpen" McKernan, while Nelson joined the similarly inclined New Delhi River Band (which would eventually come to include bassist Dave Torbert) shortly thereafter. The group came to enjoy a cult following in Santa Clara and Santa Cruz Counties through the Summer of Love until their dissolution in early 1968.In 1969, Nelson contributed to the Dead's Aoxomoxoa album in 1969. During this period Nelson and Garcia played intermittently in an early iteration of High Country, a traditional bluegrass ensemble formed by the remnants of the Peninsula folk scene.By early 1969, Dawson had returned to Los Altos Hills and also contributed to Aoxomoxoa. After a mescaline experience at Pinnacles National Park with Torbert and Matthew Kelly, he began to compose songs on a regular basis working in a psychedelic country fusion genre not unlike Gram Parsons' Flying Burrito Brothers.Dawson's vision was prescient, as 1969 marked the emergence of country rock via Bob Dylan, The Band, The Flying Burrito Brothers, Poco, the Dillard & Clark Band, and the Clarence White-era Byrds. Around this time, Garcia was similarly inspired to take up the pedal steel guitar, and an informal line-up including Dawson, Garcia, and Peninsula folk veteran Peter Grant (on banjo) began playing coffeehouse and hofbrau concerts together when the Grateful Dead were not touring. Their repertoire included country standards, traditional bluegrass, Dawson originals, and a few Dylan covers ("Lay Lady Lay", "You Ain't Goin' Nowhere", "Mighty Quinn"). By the summer of 1969 it was decided that a full band would be formed and David Nelson was recruited to play lead guitar.In addition to Nelson, Dawson (on acoustic guitar), and Garcia (continuing to play pedal steel), the original line-up of the band that came to be known as the New Riders of the Purple Sage (a nod to the Foy Willing-led Western swing combo from the 1940s, Riders of the Purple Sage, which borrowed its name from the Zane Grey novel) consisted of Alembic Studio engineer Bob Matthews on electric bass and Mickey Hart of the Grateful Dead on drums; bassist Phil Lesh also played sporadically with the ensemble in lieu of Matthews through the end of the year, as documented by the late 1969 demos later included on the Before Time Began archival release. Lyricist Robert Hunter briefly rehearsed with the band on bass in early 1970 before the permanent hiring of Torbert in April of that year.[8] The most commercially successful configuration of the New Riders would come to encompass Dawson, Nelson, Torbert, Spencer Dryden (of Jefferson Airplane fame), and Buddy Cage.After a few warmup gigs throughout the Bay Area in 1969, Dawson, Nelson, and Torbert began to tour in May 1970 as part of a tripartite bill advertised as "An Evening with the Grateful Dead". An acoustic Grateful Dead set that often included contributions from Dawson and Nelson would then segue into New Riders and electric Dead sets, obviating the need to hire external opening acts. With the New Riders desiring to become more of a self-sufficient group and Garcia needing to focus on his other responsibilities, the musician parted ways with the group in November 1971. Seasoned pedal steel player Buddy Cage was recruited from Ian and Sylvia's Great Speckled Bird to replace Garcia. In 1977 and 1978, NRPS did open several Dead and JGB shows, including the final concert preceding the closure of Winterland on December 31, 1978.In 1974, Torbert left NRPS; he and Matthew Kelly co-founded the band Kingfish (best known for Bob Weir's membership during the Grateful Dead's late-1974 to mid-1976 touring hiatus) the year before. In 1997, the New Riders of the Purple Sage split up. Dawson retired from music and moved to Mexico to become an English teacher. By this time, Nelson had started his own David Nelson Band. There was a reunion performance in 2001. In 2002, the New Riders accepted a Lifetime Achievement Award from High Times magazine. Allen Kemp died on June 25, 2009.[13][14] John "Marmaduke" Dawson died in Mexico on July 21, 2009, at the age of 64.[15][16]Pedal steel guitarist Buddy Cage died on February 5, 2020, at age 73. (Rob – this is mostly notes for me today so I can sound like I know what I'm talking about. I'll go through some of it to set some background for the band, but feel free to take the lead on talking about those aspects of the band, and its musicians, that you enjoy most or find most interesting – keeping in mind that our target audience presumably are fans of marijuana and the Dead.) INTRO: Panama Red Track #1 Start – 1:49 Written by Peter Rowan “Panama Red” is well known in the jam-grass scene, but it's perhaps not as widely known that Peter Rowan wrote the song.It was originally a 1973 hit for the New Riders of the Purple Sage, and the first popular version with Rowan singing and playing it came when the supergroup Old & In the Way, released their eponymous album in 1975, two years after their seminal time, in 1973, and a year after they disbanded. Jerry Garcia was the connective tissue between the two projects, playing pedal steel in the early New Riders and banjo in Old & In the Way. “I wrote ‘Panama Red' after leaving my first project with David Grisman, Earth Opera, around the summer of the Woodstock music festival [1969],” Rowan explains. “It's a fun song because it captures the vibe of the time. I was from the East Coast, but I found there to be more creativity on the West Coast during that time period.“Nobody wanted to do ‘Panama Red' on the East Coast. I took it to Seatrain [the roots fusion band in which Rowan played from 1969 to 1972], and when it eventually became a hit, the manager of Seatrain claimed it. I never saw any money, even though it became the title of an album for the New Riders of the Purple Sage [1973's The Adventures of Panama Red]. “The subject was "taboo" in those days. You did jail time for pot. So that might have scared commercial interests. But Garcia was a green light all the way! "Oh sure" was his motto, both ironically and straight but always with a twinkle in his eye! After Seatrain management kept all the money, Jerry suggested I bring the song to Marmaduke and Nelson!" “When David Grisman and I got back together for Old & In the Way in 1973 with Jerry Garcia, Vassar Clements and John Khan, we started playing it.”From the NRPS album “The Adventures of Panama Red”, their fourth country rock album released in October 1973. It is widely regarded as one of the group's best efforts, and reached number 55 on the Billboard charts.The album includes two songs written by Peter Rowan — "Panama Red", which became a radio hit, and "Lonesome L.A. Cowboy". Another song, "Kick in the Head", was written by Robert Hunter. Donna Jean Godchaux and Buffy Sainte-Marie contribute background vocals on several tracks. SHOW No. 1: Fifteen Days Under The Hood Track #41:55 – 3:13 Written by Jack Tempchin and Warren Hughey. Jack Tempchin is an American musician and singer-songwriter who wrote the Eagles song "Peaceful Easy Feeling"[1] and co-wrote "Already Gone",[2] "The Girl from Yesterday",[3]"Somebody"[4]and "It's Your World Now".[5] Released as the opening song on the NRPS album, “New Riders”, their seventh studio album, released in 1976 SHOW No. 2: Henry Track #6 1:19 – 3:05 "Henry", written by John Dawson, a traditional shuffle with contemporary lyrics about marijuana smuggling. From the band's debut album, “New Riders of the Purple Sage”, released by Columbia Records in August, 1971. New Riders of the Purple Sage is the only studio album by the New Riders to feature co-founder Jerry Garcia of the Grateful Dead on pedal steel guitar. He is also featured on the live albums Vintage NRPS and Bear's Sonic Journals: Dawn of the New Riders of the Purple Sage.Mickey Hart and Commander Cody play drums and piano, respectively, on two tracks—"Dirty Business" and "Last Lonely Eagle".Then, there's a swerving left turn away from romance tunes on this album with ‘Henry‘, whose titular hero has stepped right out of a Gilbert Shelton underground comic. At a frenetic pace the story of Henry's run to Mexico to fetch twenty kilos of (Acapulco?) gold unravels, with Henry driving home after sampling the wares “Henry tasted, he got wasted couldn't even see – how he's going to drive like that is not too clear to me.” It's a joke, but a joke that sounds pretty good even after repeat listens.SHOW No. 3: Portland Woman Track #9 :34 – 2:00 Another Marmaduke tune from the NRPS album released in August, 1971.A bittersweet love song progressing from touring boredom to be relieved by a casual hook-up with the pay-off with the realization that the Portland Woman who “treats you right” has actually made a deeper connection “I'm going back to my Portland woman, I don't want to be alone tonight.” SHOW No. 4: You Never Can Tell Track #15 :51 – 2:26 You Never Can Tell", also known as "C'est La Vie" or "Teenage Wedding", is a song written by Chuck Berry. It was composed in the early 1960s while Berry was in federal prison for violating the Mann Act.[2] Released in 1964 on the album St. Louis to Liverpool and the follow-up single to Berry's final Top Ten hit of the 1960s: "No Particular Place to Go", "You Never Can Tell" reached number 14, becoming Berry's final Top 40 hit until "My Ding-a-Ling", a number 1 in October 1972. Berry's recording features an iconic piano hook played by Johnnie Johnson. The piano melody was influenced by Mitchell Torok's 1953 hit "Caribbean". The song has also been recorded or performed by Chely Wright, New Riders of the Purple Sage, the Jerry Garcia Band, Bruce Springsteen, the Mavericks, and Buster Shuffle. JGB performed it almost 40 times in the early ‘90's. The song became popular again after the 1994 release of the film Pulp Fiction, directed and co-written by Quentin Tarantino. The music was played for a "Twist contest" in which Vincent Vega (John Travolta) and Mia Wallace (Uma Thurman) competed (and were the only contestants shown in the film). The music added an evocative element of sound to the narrative and Tarantino said that the song's lyrics of "Pierre" and "Mademoiselle" gave the scene a "uniquely '50s French New Wave dance sequence feel". OUTRO: Glendale Train Track #17 1:30 – 3:14 Still another Marmaduke tune from the “New Riders of the Purple Sage” album released in late summer 1971. MJ News:Just one MJ News story today important enough to take a few minutes to talk MJ: DEA's agreement to reschedule MJ to Schedule 3 from Schedule 1.DEA Agrees To Reschedule Marijuana Under Federal Law In Historic Move Following Biden-Directed Health Agency's Recommendation - Marijuana Moment Benefits: banking services, no 280(e) restrictions on what expenses retailers can deduct and allows for full medical research of MJ. Negatives: Still illegal, all drugs on Schedules I, II and III must be prescribed by a licensed health care provider with prescription privileges and can only be dispenses by licensed pharmacists. Music News:A few quick hits re Music (no real need to get into any of these but I like to see what's going on so I don't miss anything interesting, these are the first things that get cut when we decide we want to keep talking): Jaimoe makes rare public concert appearance with Friends of the Brothers in Fairfield CN, plays ABB hitsJaimoe Takes Part in Rare Public Concert Appearance, Revisits Allman Brothers Band Classics (relix.com) Mike Gordon sits in at the Dodd's Dead Residency at Nectar's in Burlingtron, VT as part of “Grateful Dead Tuesday”. Plays He's Gone and Scarlet (we have some Phish fans as listeners so try to toss a few bones to them)Listen: Mike Gordon Offers Grateful Dead Classics at Nectar's (A Gallery + Recap) (relix.com) David Gilmour may be planning first tour since 2016, won't play any Pink Floyd songs from the ‘70's – like the old Doonesbury strip where Elvis comes back from the Dead, Trump hires him to play in one of his casinos and at the start of the show, Elvis announces that he is only playing the songs of the late great John Denver.David Gilmour Plots First Tour Since 2016 (relix.com) Roy Carter, founder of High Sierra Music Festival passes away.Roy Carter, High Sierra Music Festival Founder, Passes Away at 68 (relix.com) .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
The Deadcast explores Phil Lesh's masterpiece “Unbroken Chain,” its mysterious lyricist Bobby Petersen, & digs into the luminous synth with Ned Lagin himself; plus, the story of the album title & art with the Grateful Dead Records crew & a visit from Animal Collective's Avey Tare.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast explores “China Doll,” perhaps the most delicate Dead song, the innovative studio techniques pioneered for From The Mars Hotel, the formation of Round Records (& the making of Jerry Garcia's sophomore solo album), & the infamous Wall of Sound test at the Cow Palace.Guests: Elvis Costello, Ron Rakow, Richard Loren, Andy Leonard, Richie Pechner, Steve Brown, Michael Parrish, David Gans, Steve Beck, David Lemieux, Brian Kehew, Shaugn O'Donnell, Brian Anderson See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Grateful Deadcast begins the epic story of the Dead in 1974 with the writing of From the Mars Hotel's album-opening “U.S. Blues” & the multiple debuts of the innovative Wall of Sound, featuring new interviews & never-heard archival audio. Guests: Ron Rakow, Richie Pechner, Sam Cutler, Steve Brown, Sally Mann Romano, David Lemieux, Brian Kehew, David Gans, Michael Parrish, Brian Anderson See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Good Ol' Grateful Deadcast is back for its 9th season of high adventure and historical storytelling, unlocking the secrets of From the Mars Hotel and going on tour with the Wall of Sound. Tune in starting March 28th wherever you get your podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Episode Notes To support this podcast you can follow me on Patreon where there is a bunch of video content and tabs available! My guest this week on the podcast is Adrian Bagale of Northfield Mandolins! On July 9th of 2023, the 100th anniversary of legendary Lloyd Loar signed mandolins, Northfield released to the world and new batch of instruments. We talk about that and more this episode. Head over to the Northfiled website and check out the new instruments and more HERE! Songs featured in this episode: “Danilo Boone” by David Grisman and Danilo Brito (Dawgnilo) Get your tickets for the Charleston Bluegrass Festival Here!! As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Acoustic Disc Peghead Nation promo code mandolinbeer Northfiled Mandolins Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer
Episode Notes To support this podcast you can follow me on Patreon where there is a bunch of video content and tabs avail! My guest this week is Teo Quale. Teo plays with the award winning Crying Uncle Bluegrass Band. Widely recognized as one of the most exciting young bands in acoustic music, Crying Uncle Bluegrass plays a unique mix of bluegrass, Dawg (David Grisman music), jazz, and modern originals. Brothers Miles and Teo Quale are joined by bassist Andrew Osborn and 2023 National Flat Pick Guitar Champion Ian Ly, all outstanding young musicians of the vibrant California bluegrass scene. Founded in 2016 as a Duo band, Miles and Teo formed the bluegrass band in 2017 and since then, they have continued to make waves in the world of bluegrass and acoustic music. The bluegrass band was the recipient of the 2023 International Bluegrass Music Association's Momentum Band of the Year award. The band was also honored to perform for the Bluegrass Music Hall of Fame's induction of their hero, David Grisman. Keep up with the band here! Also, be sure to follow Teo on his Instagram! Songs featured in this episode: Hartford's Real by Crying Uncle Bluegrass Band (Monroe Bridge) Baba, Black Sheep by Crying Uncle Bluegrass Band (The Thing of Dreams) Song for Mother by Crying Uncle Bluegrass Band (The Thing of Dreams) Roaming with Homer by Crying Uncle Bluegrass Band (The Thing of Dreams) Pupville by Crying Uncle Bluegrass Band (Monroe Bridge) Red Prairie Dawn by Garry Harrison (Youtube) James by Pat Metheny (Offramp) Get your tickets for the Charleston Bluegrass Festival Here!! As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Acoustic Disc Peghead Nation promo code mandolinbeer Northfiled Mandolins Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer
The Deadcast finishes its season by examining Bob Weir's ambitious Weather Report Suite with collaborator Eric Andersen & following the launch of Wake of the Flood on the band's own label with company president Ron Rakow, plus Yo La Tengo's Ira Kaplan, Erik Davis, & more.Guests: Eric Andersen, Ron Rakow, Steve Brown, Ira Kaplan, Gary Lambert, Michael Parrish, David Lemieux, Brian Kehew, Erik Davis, Scott Metzger, Shaugn O'Donnell, Carey ColesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast uncovers a most unusual lost studio session by Robert Hunter & the Grateful Dead, recorded at the Record Plant in November 1973, which we listen to in its entirety & annotate with the help of Donna Jean Godchaux-MacKay & others.Guests: Donna Jean Godchaux-MacKay, Bob Matthews, Alan Trist, Nicholas Meriwether, Brian Kehew, Michael Parrish, Mike DolgushkinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Explore “Eyes of the World” inside & out with the studio multi-tracks, lost lyrics, archival audio of Robert Hunter, a meditation by Erik Davis, & a tour of the song's evolution (yes, including that cool 7/8 ending).GUESTS: Ron Rakow, Ned Lagin, David Lemieux, Brian Kehew, Holly Bowling, Erik Davis, Shaugn O'Donnell, Brian Schiff, Jay Kerley, Mike Dolgushkin, Danno Henklein, Lippy, Peter Egart, Davis Schneiderman, Mike Ruggieri, Charlie FrazierSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Wake Of The Flood 50: Here Comes SunshineWe explore the Beatlesque optimism of “Here Comes Sunshine,” its roots in the Vanport flood of 1948, & the story of the brand-new custom Doug Irwin guitar Jerry Garcia debuted on Wake of the Flood. GUESTS: Donna Jean Godchaux-MacKay, Bruce Hornsby, Steve Parish, David Lemieux, Alex Bleeker, Scott Metzger, Shaugn O'Donnell, Bill Polits See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
A personal favorite of both Jerry Garcia & Robert Hunter, we explore how “Stella Blue” grew from New York's fertile Chelsea Hotel into one of the great American songs, plus Bruce Hornsby on how Wake of the Flood made him a Dead fan.GUESTS: Elvis Costello, Bruce Hornsby, David Lemieux, Nick Paumgarten, Scott Metzger, Shaugn O'Donnell, Nick BushSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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