Podcast appearances and mentions of David Grisman

The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.Guests: Ron Rakow, Steve Brown, Terry Haggerty, John Scher, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast uncovers the secrets of Steal Your Face, the Dead's 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley. Guests: Ron Rakow, Al Teller, John Scher, Ned Lagin, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast concludes its extended 2-part tribute to Bobby Weir, ranging into the evolution of his songwriting, stage persona, guitar playing, and unexpected career beyond the Grateful Dead.Guests: Bobby Weir, David Lemieux, Jeff Chimenti, Scott Metzger, Don Was, Gary Lambert, Tim Stevens, Tony Italiano, William Keats, Bretty PauleySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Grateful Deadcast returns for its 13th season, beginning with a 2-part tribute to the great Bobby Weir, mixing interviews with archival audio to tell the story of how a teenage Atherton folkie found his singular jazz-informed musical voice (dropping a few water balloons en route).Guests: Bobby Weir, David Lemieux, David Nelson, Gary Lambert, Rhoney Stanley, Graeme BooneSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join Magnus Zetterlund as he sits down with Swedish mandolin player, bandleader, and composer Karl Tirén to discuss his innovative Atlas project—a unique trio featuring mandolin, trombone, and double bass. Karl shares his compositional process, the journey from injury to inspiration with the tune "At Last," and how he practices through playing rather than drilling scales.Links:Visit our website for more episodes:https://mandolinsecrets.com/podcastConnect with Karl Tirén: Instagram: @karltiren.music https://www.instagram.com/karltiren.musicBandcamp - Karl Tirenhttps://karltiren.bandcamp.com/album/atlasMusic available on Spotify, Apple Music, and all streaming platforms Physical CDs available by contacting Karl directlySpotify:https://open.spotify.com/artist/1rlnxnGG3xgGMG16lRIh7D?si=VxT_r2iJRQ-OoaEf0x8YbgMandolin Secrets Academyhttps://www.mandolinsecrets.com/academyTopics Covered:The Atlas ProjectUnique instrumentation: mandolin, trombone (Magnus Grumer), and double bass (Johan Lindblom)Released as three EPs, now available as a complete albumBlending American mandolin traditions with Scandinavian sensibilitiesModern approach to releasing music in the streaming eraComposition & Creative ProcessKarl's workflow: starting with instrumental phrases that "stick"Voice memos and long-form development (some tunes take years)Writing specifically for ensemble voices (like "Tromb" for trombone)Balancing melody and rhythm on the mandolinPractice Philosophy"Practice listening" as the foundationDesire-driven rather than strictly disciplined approachLearning through playing tunes instead of isolated exercisesInfluences from David Grisman, Chris Thile, and Brazilian mandolinist Hamilton de HolandaOvercoming InjuryKarl's tendonitis story and years away from playingHow Atlas bandmates share a history of performance injuriesThe importance of listening to your body"At Last" as a turning point in regaining inspirationBand LeadershipSelf-releasing music without a record labelBuilding a touring quartet (adding trumpet player Karl Valmyr)Balancing music with day jobsPlanning and sustaining a long-term projectInstrumentsKarl's Bouvier F-style mandolin (refinished from purple!)Also plays a Nordic flat-top mandola by Mats NordvallDiscussion of American vs. Nordic mandolin traditionsFeatured Music:Åre Polskan (Swedish traditional, mandolin duo with Magnus)"At Last" (original composition that launched the Atlas project)"Tromb" (written specifically for trombone)Bridal march (Scandinavian-influenced original)Bach Menuet in G Major (duo arrangement)Mentioned in This Episode:Johan Lindblom (double bass)Magnus Grumer (trombone)Karl Valmyr (trumpet)Former band: Primus MotorHamilton de Holanda (Brazilian mandolinist)Mats Nordvall (Nordic mandolin builder)Resources:Full video version available in Mandolin Secrets AcademyBach Menuet and Åre Polskan arrangements available in the Academy

On this episode of The Bandwich Tapes, I sit down with singer, songwriter, and multi-instrumentalist Sarah Jarosz at a remarkable moment in her career, fresh off multiple Grammy wins, including recent recognition with I'm With Her. We talk about what it actually feels like to experience that kind of validation after years of nominations, and why the support she receives from her hometown of Wimberley, Texas, still means so much, especially with music that reflects on family, time, and staying connected to where you come from.Sarah shares how I'm With Her, her trio with Aoife O'Donovan and Sara Watkins, became a creative counterbalance to the pressures of solo work. What stands out is how naturally the collaboration works: three distinct musical voices, no ego battles, and an instinctive approach to arranging harmonies and deciding who carries each musical moment. It's a reminder of how powerful true musical trust can be.We also explore how her perspective on collaboration has evolved over the years. Early in her career, Sarah felt a strong need to protect her artistic voice. But as she gained experience, she realized that once you truly understand what you bring to the table, collaboration becomes less risky and far more rewarding.One of my favorite parts of the conversation is a deep dive into the next generation of acoustic musicians, artists with deep bluegrass roots who aren't confined by genre boundaries. Sarah traces that lineage through musicians like Chris Thile, Punch Brothers, David Grisman, Mike Marshall, Béla Fleck, and Edgar Meyer, framing today's scene not as a sudden movement but as a continuation of a long and evolving acoustic tradition.We also nerd out about her time at the New England Conservatory, why she chose it over Berklee, and how her early Kodály training gave her a powerful foundation in ear training and musical intuition. We wrap by talking about what's next: an upcoming I'm With Her live album, summer touring, and a rare pause in her solo career as she finds herself between record contracts for the first time. In a music industry constantly shifting, from streaming economics to AI, the grounded takeaway is simple: the real thing still matters, and people continue to show up for honest music played by real humans.Key TakeawaysWhat it actually feels like to win Grammys after years of nominations.Why Sarah Jarosz still feels deeply connected to her hometown of Wimberley, Texas.How I'm With Her works creatively—three voices collaborating without ego.Why collaboration becomes easier once artists understand their own musical identity.The lineage of modern acoustic music through artists like Chris Thile, David Grisman, Béla Fleck, Edgar Meyer, and Mike Marshall.How Kodály training and ear development shaped Sarah's musicianship early on.Why the “real thing”—human voices and acoustic instruments—still resonates in a rapidly changing music industry.Music from the EpisodeJealous Moon — Sarah JaroszWhen the Lights Go Out — Sarah JaroszRunaway Train — Sarah JaroszAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

My guest this week is sound engineer Dave Sinko, who returns to chat about The David Grisman Quintet.We've talked about that record a lot on the podcast, but this is less about the story behind the album and more about how it influenced Dave and informed the way he approaches recording. In his words 'it changed my life.'We chat about his subsequent work with members of the DGQ, including Grisman himself, and recording Tony Rice for a project with Alison Brown. We also discuss how that first DGQ record set the standard for what acoustic instruments could and should sound like, the contributions Bill Wolf and Bob Shumaker made to recording acoustic music and how Dave approaches miking instruments, based on what he learned from the first DGQ album, including on Chris Thile's latest Bach album, an extraordinary and challenging project to work on.I hope you enjoy this one as much as I did. Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

My guest this week is Tony Trischka, who returns to chat about the New York bluegrass scene in the early 1970s.New York and the surrounding area played a huge role in the development of bluegrass and in the genesis of what would become known as New Acoustic music. Tony talks about the early days of his career, including the bands Country Cooking and Breakfast Special and the overlap between that scene and the birth of Rounder Records. We also chat about some of the musicians who came out of the New York scene in the 1960s and 70s, including David Grisman, Andy Statman, Stacy Phillips, Russ Barenberg and Bela Fleck, and how those players began to collaborate with the musicians emerging from the San Francisco Bay Area and Nashville scenes.Tony also talks about his early solo albums, including Banjoland, Hill Country and (a personal favourite of mine) A Robot Plane Flies over Arkansas.It was, as always, a treat chatting with Tony. I hope you enjoy this one.If you missed the David Grisman Quintet episodes we mention, you'll find them here:Part 1 (Darol & Mike) - https://podcasts.apple.com/gb/podcast/celebrating-50-years-of-the-david-grisman-quintet-part/id1556697198?i=1000711133817Part 2 (Todd) - https://podcasts.apple.com/gb/podcast/celebrating-50-years-of-the-david-grisman-quintet-part/id1556697198?i=1000712407689Part 3 (David) - https://podcasts.apple.com/gb/podcast/celebrating-50-years-of-the-david-grisman-quintet-part/id1556697198?i=1000713402530 Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Hey Now! Here is some fine tunes for including The Grateful Dead, Jerry Garcia & David Grisman, Jimmy Cliff, David Crosby, Leo Russell and more Dead! Click on the picture/link and enjoy. I'll be back next Monday on KMRE 88.3 FM. 

The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hey Now! Here is my Grateful Dead Hour music podcast from October 13, 2025. The Grateful Dead, Jerry Garcia and David Grisman, Los Lobos and more Grateful Dead. Also an interview with Hawk of The Owsley Foundation. Learned so much about Owsley Bear Stanley and look forward to the new releases. Go to www.owsleystanleyfoundation.org for more informationl See you next Monday on KMRE 88.3 FM.

Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hey Now! Here is my music podcast of The Grateful Dead Hour with Leo Schumaker from Monday September 22, 2025. Included is the music of The Grateful Dead, David Grisman & Jerry Garcia, It's a Beautiful Day, The Electric Flag, Tim Hardin and more Dead. I'll be live again Monday's 7-8 PM on KMRE 88.3 FM. 

Legendary Massachusetts-born, California-based musician Peter Rowan is best known for his bluegrass roots. A practicing Buddhist, he did time in Bill Monroe's Blue Grass Boys as well as in the short-lived and epically important Old & In the Way with Jerry Garcia and David Grisman. However, his latest album 'Tales of the Free Mexican Airforce' celebrates the music of the Southwest and draws a throughline from Tex-Mex to bluegrass. Rowan has a long history with this music from his very first solo record, which includes the original recording of "The Free Mexican Airforce" as well as "Midnight-Moonlight." Both of those classic Rowan compositions got re-recorded for the new record and feature the late great Flaco Jiménez (as did the original 1978 recordings), who just passed away in July of 2025.In our Basic Folk conversation, we talk about Flaco's enthusiasm for Peter's music, the many collaborations they recorded. and why he included a recording of Flaco speaking on the album. Peter speaks about how immigrants and musical culture from Latin America are constantly inspiring him and keeping him patriotic. He also spoke about what keeps him aging well, what his energy and enthusiasm look like at 83 years old, and, of course, Bill Monroe's baseball team.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

The Deadcast examines how Franklin's Tower bucked every trend on Blues For Allah to become one of the Dead's all-time classics, including a tape of its studio creation, a look into the multi-tracks, & a rare line-by-line breakdown by lyricist Robert Hunter himself.Guests: David Lemieux, Geoff Gould, Jürgen Fauth, Shaugn O'Donnell, Chadwick Jenkins, Will Backstrom, Max Ritchie, Hannah GrabbensteinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast uses Blues For Allah's complicated instrumental Slipknot! to explore the musical and creative ambiguity the Grateful Dead pursued in early 1975, when there both was and wasn't a Grateful Dead, & their public reemergence at Bill Graham's S.N.A.C.K. benefit that March.Guests: David Lemieux, Ned Lagin, Ron Rakow, Steve Brown, Gary Lambert, Joan Miller, Jay Kerley, Chadwick Jenkins, Shaugn O'Donnell, Melvin BackstromSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Grateful Deadcast points itself towards 1975 to begin a song-by-song celebration of Blues For Allah's 50th anniversary, loaded with raw session tapes, early lyric drafts, & the story of how the Dead built a new studio, musical language, batch of songs, & LP from the ground up. Guests: David Lemieux, Donna Jean Godchaux-MacKay, Ron Rakow, Stephen Barncard, Ned Lagin, Steve Brown, Gary Lambert, Keith Eaton, Shaugn O'Donnell, Chadwick Jenkins, Matt CampbellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Originally from northern Minnesota, Joe K. Walsh grew up in Duluth and became enthralled with the mandolin (his primary focus, currently) after hearing the first David Grisman Quintet record. His dad got the young Joe his own mando. He ended up getting very serious about the instrument and found himself studying at Berklee College of Music in Boston (where he is now on faculty in the string department). Joe, in fact, was THE FIRST mandolin student at Berklee in a town that is now flooded with amazing mandolin players. His already strong sense of community and collaboration led him to becoming a main player in the Boston scene with his string band Joy Kills Sorrow and the Gibson Brothers. He now resides in Portland, Maine and plays solo as well as with Mr. Sun, a group led by fiddler Darol Anger.In our conversation, we talk about taking over at Berklee after the death of professor John McGann, a beloved Boston trad player who recorded with David Grisman, Mark O'Connor, Tim O'Brien, and the Boston Pops, among others. Joe addresses the question of whether bringing folk music into a college setting is "academizing" it or perhaps “folking” music academia. Also he gets into hot button issues like improv, simplicity, and restraint. And, of course, he finally reveals his true feelings about the "other" Joe Walsh. Joe's new instrumental album, 'Trust and Love,' is a peaceful listen in these wild times. I'm happy to know Joe and have already benefited from his friendship! He and his wife gave my family a TON of baby hand-me-downs that have proved SO useful. Everyone has a friend in Joe. K Walsh.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

The Grateful Deadcast visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended. This bonus episode is a re-run of the 2nd half of Deadcast Season 9, episode 8.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, , Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, Brian AndersonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Good Ol' Grateful Deadcast is thrilled beyond all audible frequencies to begin its 12th season by welcoming Dan Healy, the Grateful Dead's in-house sound wizard for most of their career, for tales from three decades in pursuit of high and higher fidelity.Guest: Dan HealySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're celebrating 50 years of the David Grisman Quintet with a special set of 3 episodes. This week is part 3, featuring the man himself, David Grisman.I chat to David about how the Quintet came together and developed over those early years, how it built on the work he'd already done with The Great American Music Band, how Tony Rice joined the band and what he brought and how, through continuous rehearsal, the Quintet learned to craft and build the arrangements that are such a key part of their sound.This was a fascinating conversation with one of the true legends of modern string band music.For more on David Grisman, and to buy copies of the Quintet's music (including the wonderful David Grisman Quintet - First Recordings Live in Dawg's Living Room) visit acousticdisc.comDon't forget to check out parts 1 and 2 of the series too, featuring Darol Anger, Mike Marshall and Todd Phillips.Happy picking,MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

We're celebrating 50 years of the David Grisman Quintet with a special set of 3 episodes. This week is part 2, featuring Todd Phillips, who was in the band before it was even a band!We chat about how he got to know David Grisman and how, through taking mandolin lessons from him, they started developing a duet that eventually grew into the Quintet. We also talk about his transition from the mandolin role to playing bass in that band, and subsequently with Tony Rice, both in The Tony Rice Unit and The Bluegrass Album Band (not to mention his own fantastic projects, including Phillips, Grier and Flinner).For more on Todd and his incredible career visit toddphillipsmusic.comFor more on David Grisman, and to buy copies of the Quintet's music (including the wonderful David Grisman Quintet - First Recordings Live in Dawg's Living Room) visit acousticdisc.comDon't forget to check out part 1 of the series too, featuring Darol Anger and Mike Marshall. Next week I'll be bringing you a special conversation with David Grisman.Happy picking,MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Enjoying the Ride: On TourThe Deadcast season finale hits shows at 3 legendary venues, exploring Dick Latvala's transformative experience at Red Rocks ‘79, Hollie Rose's tour journal, the wonders of the Alpine Valley parking lot, & when Shakedown Street got its name.Guests: David Lemieux, Jay Kerley, Hollie Rose, Rebecca Adams, Bill Lemke, Phil Garfinkel, Jim Jonze, Tom Ryan, Art Moss, Lisa Hitchcock, David Van Divier, Scott Bauer, Julie Dock, Mobile SteeleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

2025 marks 50 years since The David Grisman Quintet first got together, an event that changed string band music forever. The DGQ played a huge part in the careers of some incredible musicians, including Tony Rice, Mike Marshall, Darol Anger and Todd Phillips, as well as including collaborations with Stéphane Grappelli. Their first record, The David Grisman Quintet, remains one of the most important records in string band history.To celebrate the early years of the quintet, and the amazing music they created, I've been speaking to some of the people who were right at the heart of it.First up is a wonderful conversation I had with Mike Marshall and Darol Anger. We talk about how they both came to be in that band, how the sound developed, what working with David taught them and what Tony Rice brought to the group.Next week I'll be sharing an interview with Todd Phillips, followed by an interview with the man himself, David Grisman.For more on David, and to buy copies of his music (including the wonderful David Grisman Quintet - First Recordings Live in Dawg's Living Room) visit acousticdisc.comHappy picking!MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

The Deadcast cruises down the eastern seaboard, including stops in Hartford, Hampton, Philadelphia, and Landover, featuring touring tips, another police chase, & a visit to the White House.Guests: David Lemieux, Sam Cutler, Dennis Alpert, Tyler Roy-Hart, David Leopold, John Leopold, Rebecca Adams, Brian Schiff, Gary Lambert, Chris Goodspace, Winslow Colwell, Scott Jones, Chad EylerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast makes a beeline for the northeast, focusing on shows from legendary venues in the Manhattan and Boston areas included on the new Enjoying the Ride box, including ESP experiments, weed smuggling, free jazz titans, multiple police chases, and more.Guests: David Lemieux, Ron Rakow, Sam Cutler, Richie Pechner, Allan Arkush, Ned Lagin, Gary Lambert, Blair Jackson, Stanley Krippner, Rebecca Adams, Johnny Dwork, John Scher, Michael Simmons, Tyler Roy-Hart, Henry K, Howie Levine, Kenny Schiff, Debbie RondeauSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.