Podcast appearances and mentions of Trey Anastasio

The Deadcast cruises down the eastern seaboard, including stops in Hartford, Hampton, Philadelphia, and Landover, featuring touring tips, another police chase, & a visit to the White House.Guests: David Lemieux, Sam Cutler, Dennis Alpert, Tyler Roy-Hart, David Leopold, John Leopold, Rebecca Adams, Brian Schiff, Gary Lambert, Chris Goodspace, Winslow Colwell, Scott Jones, Chad EylerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast makes a beeline for the northeast, focusing on shows from legendary venues in the Manhattan and Boston areas included on the new Enjoying the Ride box, including ESP experiments, weed smuggling, free jazz titans, multiple police chases, and more.Guests: David Lemieux, Ron Rakow, Sam Cutler, Richie Pechner, Allan Arkush, Ned Lagin, Gary Lambert, Blair Jackson, Stanley Krippner, Rebecca Adams, Johnny Dwork, John Scher, Michael Simmons, Tyler Roy-Hart, Henry K, Howie Levine, Kenny Schiff, Debbie RondeauSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast's tour of Enjoying the Ride trucks all the way to the East Bay, exploring beloved venues including the Greek Theater & Kaiser Auditorium, with tales of the Hog Farm's Skeleton Crew & vintage field recordings from Oakland Coliseum Arena's parking lot. Guests: David Lemieux, Ron Rakow, Kevin Schmevin, Mark Pinkus, Blair Jackson, Steve Silberman, Rebecca Adams, David Gans, Johnny Dwork, Tyler Roy-Hart, Steven Bernstein, Robert Nyberg, Chad KroegerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

TARRIONA "TANK" BALL, founder/frontperson/visionary of NOLA-based, GRAMMY-winning TANK AND THE BANGAS joins B.Getz for a special broadcast aboard Jam Cruise 21! Episode 087 was recorded around 12noon on Day 5, and Tank brought an insightful, jovial, reflective perspective to the table for a coloful conversation. On the hees of a pair of dynamite performances as part of their second sailing on The Boat, having first joined this floating circus a precious few weeks before the pandemic in Jan.2020, Tank talks about her JC experiences onstage and off, past and present. She also revisits her 2024 Grammy triumph, winning Best Spoken Word Poetry Album for their 3-part masterpiece The Heart, The Mind, and The Soul. Other topics include Tank's hometown of New Orleans; embryonic beginnings with SLAM Poetry; longtime friend and collaborator Norah Jones, what makes a BANGA? co-producers Iman Omari, James Poyser, Robert Glasper; the impact of their shapeshifting 2017 NPR Tiny Desk Concert, resulting in Trey Anastasio stanning her band very publicly; getting the 2025 NOLA Jazz Fest poster, and more!  Episode 087 also features an illuminating dialogue with SCOTT T. about his latest foray into a new frontier with the bold, ambitious, and groundbreaking poetry/music/visual art multimedia project TYPE RIDER. This chat was recorded a few months ago at Spirit of Suwannee Music Park in Live Oak, Florida. 0:00 - ep.087 preview 3:30 - sponsor JUST SCHWANDERING NOLA Jazz Fest Parties 6:00 - The Upful Update 10:45 - introducing TARRIONA "TANK" BALL 13:50 - interview w/ TANK [39 min] 53:00 - gratitude x Scott T x Tank SLAM Story 58:15 - introducing - TYPE RIDER 1:02:20 - interview Scott T. [35 min] 1:37:30 - afterglow + ViBE Junkie JAM Tank And The Bangas bio: Tank and the Bangas explore the most tender and true parts of life's journey. Unique and with a vibrance that could only come from New Orleans, the lead vocalist, Tank has stretched her vocals over quirky raps, poetry, and rich melodies since the release of their first album, Think Tank in 2013. Four years later, they had a viral breakthrough as the winners of the NPR Tiny Desk Contest — an eclectic performance that has since been praised by musicians like Miguel and Anthony Hamilton and has now amassed over 14 million views on YouTube. Now, Tank and the Bangas arrive with a new 3-part album The Heart, The Mind, and The Soul. With this offering, Tank opens up about the wisdom she's gained from new beginnings, endings, and in-betweens. special thanks to Cloud 9 and Jam Cruise for facilitating this interview! About TYPE RIDER: TYPE RIDER is a psychedelic multimedia project by Jacksonville-based poet Scott T. Horowitz that defies traditional literary boundaries. Released via Subtle Body Press, a Florida-based publisher, this extraordinary work combines prose, poetry, visual art, and music into a singular, immersive experience that pushes the limits of creative expression. TYPE RIDER is more than just a book—it's a multi-modal journey that engages readers through multiple sensory channels. The project brings together a diverse team of creatives, including Colombian illustrator Jorge Peña, Virginian music producer B. Helix, and mystical scholar Dr. Manuel Festamos, to create a unique interdisciplinary work.  ViBE Junkie JAM "Twice The First Time" - SAUL WILLIAMS [1999]   Buy TYPE RIDER book HERE Stream/Download TYPE RIDER on BandCamp     Please check out our generous sponsor! Just Schwandering x Fest du Void in New Orleans   Venmo B. a few dollas for makin you holla! Upful LIFE Patreon EMAIL the SHOW PLEASE LEAVE A REVIEW on Apple Podcasts Listen/Comment on Spotify Theme Song: "Mazel Tov"- CALVIN VALENTINE

The Deadcast begins our virtual tour of the new Enjoying the Ride box, visiting the cradle of the Dead in Palo Alto/Menlo Park (with a detour to visit the Warlocks' earliest shows) before heading to San Francisco with stops at the Fillmore West and Winterland.Guests: Connie Bonner Mosley, Ron Rakow, Ned Lagin, Ron Pietrowski, Tyler Roy-Hart, Les Earnest, Doug Oade, Eric Schwartz, Blair Jackson, Michael Parrish, Dominic Stefano, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For the 50th anniversary reissue of Tiger Rose, we explore the lost story of Robert Hunter & Jerry Garcia's only full-length studio collaboration, the Dead lyricist's 2nd solo album, produced by Garcia & performed by an all-star cast including Garcia, Mickey Hart, & Donna Jean Godchaux.Guests: Kathy Veda Vaughan Bogert, Mickey Hart, Barry Melton, Ron Rakow, Howie LevineSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the 2nd part of the Deadcast's Phil Lesh tribute, we get deep into his singular bass playing with Phil's son & bandmate Grahame, Phish's Mike Gordon, & musicologist Rob Collier, while touring Phil's high adventures with Ned Lagin, radio co-host Gary Lambert, & other friends.Guests: Grahame Lesh, Mike Gordon, Ned Lagin, David Crosby, David Lemieux, Gary Lambert, Rob CollierSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast begins its 11th season with a celebration of the Grateful Dead's Phil Lesh, drawing on archival interviews to explore his unusual trajectory from jazz trumpet to avant-garde composition to rock and roll bass, and welcoming special guest Mike Gordon of Phish.Guests: Mike Gordon, Oteil Burbridge, Sam Cutler, David Lemieux, Gary LambertSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Russ Lawton has spent most of his career in and around New England from Cape Cod to Boston to Burlington Vermont. For almost 25 years, he has been the drummer for the Trey Anastasio Band. He also has an organ trio project called Lamp that is about to release their second record and tour in support of it, and has played with countless other bands and artists from blues to Afro beat. In this episode, Russ talks about His early career, moving through Cape Cod, Boston, and Woodstock NY Infusing afrobeat into his mating early on   Being a lifelong “band guy” Playing with Trey Anastasio, and Trey building songs around Russ's grooves  The LaMP project and their “no chops” approach

Send us a textHi everybody and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein. Today's guest is kickass bassist, singer, songwriter, bandleader, musical omnivore and big-time Phishhead, Karina Rykman.If you've been paying attention to the jamband and jamband-adjacent scene for any time over the past 5 years or so, or maybe a bit longer than that, I imagine that you've heard of, seen the same of, or been lucky enough to hear Karina Rykman. She performs live with her guitarist and effects-man Adam November and drummer Chris Corsico as a psychedelic bass-led power trio that will blow you away. For those of you who are on a strict Phish diet and may not be familiar with Karina, you should be aware that she has played bass onstage with Mike Gordon in several different configurations and, as of this episode, is preparing to open for him in New Orleans during Jazz Fest. In addition, she has roots with Trey Anastasio and his family going all the way back to her middle school days, and Trey co-produced her debut album, Joyride.Karina and I cover a lot of topics in today's conversation, including our experiences in New York City, her influences in terms of music and life, what it was like to record her album, and her upcoming gig at Webster Hall in New York City on Saturday, May 10. But fear not: there are Phish references and chatter about the band sprinkled throughout our conversation.Also, it wouldn't be an Attendance Bias episode if the guest didn't pick out a special Phish experience, and Karina chose a doozie: October 30, 2010 at Boardwalk Hall in Atlantic City where Phish truly blew everyone's minds with a Tweezerfest that weaved bits and pieces of Led Zeppelin songs throughout.But there's so much more to it than that. Let's join Karina to talk about songwriting craft, rocks off boat cruises, and the best place in Manhattan for smoked salmon as we discuss October 30, 2010 in Atlantic City, and much more.

MUSIC Rihanna's husband and musician, A$AP Rocky was found not guilty on two felony assault charges related to a 2021 altercation with A$AP Relli. You may have some new music to hear on March 2nd at Enterprise Center, if you're going to Disturbed.   Courtney LaPlante of Spiritbox guests on a re-recording of "My House" by Pvris [Paris]. Check it out on YouTube.   Creed have added a second day to their Summer of ‘99 and Beyond Festival   The lost journals of late Alice in Chains vocalist Layne Staley will be published as a book release on November 11th.   Phish's fanbase has come out to support the band, sending Trey Anastasio and company to the top spot in the Rock & Roll Hall of Fame's fan ballot. As a of Wednesday morning, Phish leads more than 83,000 fan votes.   TV The tragic story behind Matthew Perry's sudden death — and the alleged culprits being held responsible for it is coming to the screen.   After its 50th birthday celebration, Saturday Night Live will return in March with back-to-back new episodes. Hollywood is resurrecting a classic Western saga:  "Lonesome Dove", from the book series by Larry McMurtry.    Donnie Wahlberg will return as his "Blue Bloods" character for a spin-off series called "Boston Blue".    MOVING ON INTO MOVIE NEWS: Nicole Kidman and Keith Urban's home was burglarized. Sources say, they were not home at the time, but one of their employees scared the person off.   Cynthia Erivo will play the title role in a Hollywood Bowl production of "Jesus Christ Superstar"   AND FINALLY  When Harrison Ford visited the set of "The Goonies", Steven Spielberg played a funny prank on him.   AND THAT IS YOUR CRAP ON CELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoices

MUSICRihanna's husband and musician, A$AP Rocky was found notguilty on two felony assault charges related to a 2021 altercationwith A$AP Relli. You may have some newmusic to hear on March 2nd at Enterprise Center, if you're going toDisturbed.  CourtneyLaPlante of Spiritbox guests on a re-recording of "MyHouse" by Pvris [Paris]. Check it out on YouTube. Creed have added a second day to their Summer of ‘99 andBeyond Festival The lost journals oflate Alice in Chains vocalist Layne Staley will be published as a book releaseon November 11th.  Phish's fanbase has comeout to support the band, sending Trey Anastasio and company to the top spot inthe Rock & Roll Hall of Fame's fan ballot. As a of Wednesday morning, Phishleads more than 83,000 fan votes.  TVThe tragic storybehind Matthew Perry's sudden death — and the alleged culprits beingheld responsible for it is coming to the screen. After its 50th birthdaycelebration, Saturday Night Live will return in March with back-to-back new episodes. Hollywood is resurrecting a classic Western saga:  "Lonesome Dove",from the book series by Larry McMurtry.   Donnie Wahlbergwill return as his "Blue Bloods" character for aspin-off series called "Boston Blue".  MOVING ON INTO MOVIENEWS:Nicole Kidman and Keith Urban's home was burglarized.Sources say, they were not home at the time, but one of their employees scaredthe person off.  Cynthia Erivo will play the title role in a Hollywood Bowlproduction of "Jesus Christ Superstar"  AND FINALLY When HarrisonFord visited the set of "The Goonies", StevenSpielberg played a funny prank on him.  AND THAT IS YOUR CRAP ONCELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There aren't too many artists that give off such infectious energy and joy on and off the stage that you can't help but smile. Add to that an artist that plays the bass and sings and sometimes even dives into pools to close a set. Karina Rykman is that one of a kind artist, and she was gracious enough to spend some time with us to reflect on her career as a whole, creating her debut album with Trey Anastasio, and of course opening the most recent Dave & Tim weekend down in Mexico. This was one of our favorite pods to date as Karina is just such a blast to talk to and listen to. This is truly a can't miss episode and we hope you all enjoy. Cheers! Learn more about your ad choices. Visit megaphone.fm/adchoices

JW and Skinny welcome in author Benjy Eisen for Episode 2 of Season 6, and the conversation was so extensive it had to be broken up into two parts! Benjy gets things started by discussing his relationship with Bill Kreutzmann, spending time with Trey Anastasio during Fare Thee Well, and the passing of Phil Lesh. Amazing stories, incredible energy, and kindness that shines through- part one with Benjy is like eating an oreo cookie. And find out where Skinny and JW go with song two of Theme From the Bottom! Thanks for listening, and Season's Greetings from all of us here at Stub Me Down Podcast! 

Mark Karan is best known for his extended time on the Grateful Dead scene as lead guitarist for Bob Weir & Ratdog, The Other Ones, Phil & Friends, and Planet Drum. But Mark's musical reach extends far beyond the land of the Dead. His six-string contributions have complemented recordings and tours with Delaney Bramlett, Dave Mason, Sophie B. Hawkins, the Rembrandts, and Paul Carrick. Mark has been a guest for sit-ins with the Allman Brothers, Trey Anastasio, Gov't Mule, Jackie Greene, Levon Helm, Little Feat, and many more. The San Francisco-based singer-songwriter-guitarist has recently been playing well-received live shows with the Grammy Award-winning Dave Alvin in a newly minted interpretive Americana band called “the Third Mind,” touring actively with “Live Dead & Brothers,” an interpretive “mash-up” of “Grateful Dead” & “Allman Brothers” material… touring with the David Gilmour/Pink Floyd inspired “Gilmour Project” & playing nearer to home with his own band, “Mark Karen's Buds.” Mark also recently finished recording and mixing his newest record and is embarking on what is possibly the most personal phase of his career. He joins Vivian to discuss it all.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, Tyler is joined by Vincent, a talented Business Analyst from Richmond with a creative soul that spans far beyond the corporate world. Vincent is the guitarist for Big Red and the Cowboy Killers, a psychedelic rock band with an original sound that reflects his deep passion for music. In this episode, Vincent shares the journey of forming the band, his favorite live performances, and how legendary guitarists like Trey Anastasio, Mark Speer, John Scofield, and Jimi Hendrix have influenced his style. Music remains at the heart of this episode as Vincent dives into the magic of live shows—both as a performer and a fan. He discusses the energy, connection, and creativity that comes alive on stage and the unforgettable moments from the concerts that shaped his own musical journey. The conversation turns to sports, where Vincent's die-hard loyalty to the Tennessee Volunteers, Buffalo Bills, and LA Dodgers shines. From the intricacies of NIL (Name, Image, Likeness) deals in college football to the impacts of conference realignment, his insights are both passionate and thought-provoking. Whether analyzing player performances or sharing his love for game day traditions, Vincent's enthusiasm is contagious. As a devoted fan of fantasy worlds, Vincent explores how his love for storytelling and imaginative universes—especially Warhammer 40K—inspire his creative endeavors. His insights on the richness of fantasy as a genre reflect his appreciation for its ability to transport us to places far beyond the ordinary. Video games also take center stage, as Vincent discusses some of his favorite franchises, including The Last of Us, Legend of Zelda, Pokemon, and nostalgic classics like Spyro the Dragon. These games provide not only entertainment but also avenues for connection, creativity, and escape. This episode is a vibrant tapestry of music, sports, gaming, and fantasy, showcasing Vincent's multifaceted passions and thoughtful perspectives. Don't miss this conversation—it's a journey through creativity, fandom, and the things that make life richer and more meaningful.

The Deadcast concludes its dive into Robert Hunter's 1962 book, The Silver Snarling Trumpet (and its 10th season), exploring teenage Jerry Garcia's adventures with his friends Alan Trist and Brigid Meier in Palo Alto, and how this early scene gave way to the Grateful Dead.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Episode 88, the gang breaks down the incredible night that was Soulshine, a benefit concert for hurricane relief in North Carolina and Florida. The night included Dave Matthews Band, Warren Haynes, Goose, Nathaniel Rateliff and the Nightsweats, Derek Trucks and Susan Tedeschi, Trombone Shorty, Trey Anastasio, and many, many more! It was a phenomenal night music, and PTJL was in the house to break it down for you in this special episode.  

To celebrate the Deadcast's 100th episode, we begin a 2-part special joined by the co-stars of Robert Hunter's newly-published 1962 book, the Silver Snarling Trumpet, a startling in-the-moment account of his and Jerry Garcia's formative years in Palo Alto.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast uncovers the long-lost tape of the Dead & San Francisco's Sufi Choir at Winterland in 1971, telling its untold story with composer Allaudin Mathieu, finding hidden connections to big band jazz, longform improv comedy, & spirituality, plus an appearance by Wavy Gravy.Guests: Allaudin Mathieu, Wavy Gravy, Michael Parrish, John “Tex” Coate, Erik Davis, Christopher CoffmanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Yo, ho, ho, and a bottle o' Brass Monkey," it's another new-episode Thursday, and I'm geeking out to share with you that Bill Belzer joined me for a fantastic conversation.So great catching up with Bill, and learning about our mutual love of the greatest band in American rock 'n' roll history, and it was equally fun learning a little bit about Bill's band, Miss Boating.Bill's over on the 'Gram as @billzer, and Miss Boating deets can gleaned from YouTube, Spotify, Instagram, Apple Music, and/or Bandcamp.Such good people, this Belzer kid, and he's got a Substack, here. And while you're getting to know the band, be sure to check out Jewel in the Trash, their full-length release from June of this year. Loved hearing about their process.Bill and I also chatted about a few of his favorite records through the years, and they are these:Hard Again (1977), Muddy WatersChuck Mangione's An Evening of Magic: Live at the Hollywood Bowl (1979)Entertainment! (1979), Gang of FourHüsker Dü's Candy Apple Grey (1986)Blood and Chocolate (1986), Elvis Costello & The AttractionsSuper-fun experience. Grateful for the time. Thank you to Bill and to those of you that support the program.Notes: Jon Fishman's Sirius XM satellite-radio show is called The Errant Path, not The Beaten Path.Bill hates hashtags. Just thought I'd put that here.shouts out to Bill for bringing up badass record, Houses of the HolyCandy Apple Grey previously appeared on L. Ron Drunkard's list in Episode No. 131.copyright disclaimer: I do not own the rights to the audio samples contained within this podcast episode. They are snippets from a Trey Anastasio tune called, "Push on 'Til the Day," which is a cut from his 2002, self-titled studio debut.

In this episode I am chatting with my friend Brian Grafstein, music lover, gene keys guide, massage therapist and so much more! We talked at length about the Gene Keys and Brian's study with Gate 18 and how it is serendipitously connected to his love of Les Claypool from Primus and Trey Anastasio from Phish.  We didn't actually talk much about his HD in this episode but he is a 4/6 Emotional Projector, RAX Explanation and you can check out his Gene Keys profile as well as his HD chart next to Les and Trey's on the Patreon page at www.patreon.com/musicbydesign. To learn more about Brian and what he does you can connect with him on Instagram or via his Website.  If you want to pull up your own Gene Keys profile go to https://genekeys.com/free-profile/ If you are new to Human Design or would like to pull up your chart and get some great basic descriptions of what it means, go to my new website at http://annawithintention.love  To register for my free connections meeting via WBOC follow this link: https://wboconnection.org/event-5921014 To signup for StoryLab on November 16th follow this link: http://annawithintention.love/storylab2024 Get your tickets to see Mikaela Davis in Homer on 11/20: https://www.tixr.com/groups/center4art/events/mikaela-davis-118329

The Deadcast crosses the Blue Ridge Mountains for the Dead's only show in Huntington, West Virginia, including close looks at the innovative fashion and LSD scenes then emerging in Dead parking lots, and the conclusion of a rare 1978 interview with Jerry Garcia.Guests: Kathy Sublette, Rob Bleetstein, Bob Wagner, Bob Minkin, Jay Blakesberg, David Lemieux, Steve Silberman, Erik Davis, Annabelle WalshSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast cruises into two April ‘78 shows on Virginia college campuses alongside a pair of chartered buses from New York filled with seething Dead freaks and gets into Jerry Garcia's favorite music and guitar tips from rare interviews.Guests: Sanjay Mishra, Kathy Sublette, Rob Bleetstein, Bob Minkin, Del Ward, Bob Wagner, Nick Morgan, Jon Lerner, John Wehrle, Scott White, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tonight's edition features new music from Daniel Heskerdal, Rival Consoles, Hollie Kenniff, Neil Cowley Trio, Nonkeen, Monolake, Trey Anastasio, David Cordero, and a reissue of GAS's…

Upon the news of Sting and Billy Joel playing Lucas Oil Stadium in February, Matt Pelsor dug up an interview from last year with Police drummer Stewart Copeland. They talked about his orchestral performances, showcasing the arrangements done for the album Police: Deranged for Orchestra; as well as his film score work, and the jam band project Oysterhead with Trey Anastasio and Les Claypool.

The Deadcast tells the story of the legendary Duke ‘78 show, the unexplored history of the Dead in North Carolina, the first campout at Cameron Indoor Stadium, the mysterious guest percussionist, & the student-run cable station that filmed it.Guests: Peter Coyle, Fred Goldring, Nick Morgan, Joe DiMona, Bob Wagner, Jim Enright, Steve Maizner, Charly Mann, Eric Mlyn, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Roadcase Season Five is here, and I'm please to celebrate this vital election season with my opening guest, Andy Bernstein of HeadCount.org, which Andy co-founded over 20 years ago!!  HeadCount is a crucial voter registration organization backed by a multitude of artists and touring musicians, and has register over 1.25 million voters!!  Andy's success as a leader is a testament to his belief of the power of participation, and Andy's has squarely pinned HeadCount at the intersection of music and social causes.  Andy has since stepped back from his top-dog duties at HeadCount and now oversees the Board of Directors at the Divided Sky Foundation, an addiction recovery organization founded by Trey Anastasio of Phish. Andy is a true leader and an inspirational motivation in everything he does, and I'm super psyched to share his story — both personal and professional — with all of you. This is an epic guest to kick off this epic new season, and I'm here for all of it!!  And please, if you haven't registered to vote or know someone who hasn't, please head over to HeadCount.org now to get ‘er done!!  VOTE!!For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Text us, and Rock on!What happens when you blend jazz, fusion, bluegrass, rock, and Latin rock into one album? Get ready to experience the magic of Phish's third studio album, "A Picture of Nectar." Join Chris and Tim as they embark on a musical journey, celebrating the eclectic soundscape of this 1992 release. As we explore the band's early roots at Nectar's Tavern in Burlington, Vermont, we draw fascinating parallels between Phish's unbreakable chemistry and the legendary trio, Rush. With Chris chiming in as a fair-weather fan and Tim bringing his deep Phish knowledge, we dissect the non-hit tracks like "Tweezer Reprise," "Chalk Dust Torture," "Stash," and "Llama," appreciating how the band's dynamics elevate their music.Ever wondered what it's like to be at a Phish concert? Tim takes us behind the scenes, sharing his personal experiences from multiple Phish festivals and concerts. We discuss the crowd's electrifying energy for favorites like "Cavern," "Tweezer," and "Chalk Dust Torture," and delve into the revolutionary themes of "Llama," even touching on its rare slow rendition. From catching glow sticks to sneaking in cucumbers, our concert anecdotes add a fun, personal touch to the episode. This chapter is a tribute to the vibrant and unconventional world of Phish fandom.Peek into the quirky and vibrant universe of Phish as we analyze their unique lyrics and musical genius. We tackle everything from the atmospheric, dream-like experiences their music conjures to the dedication of the 'rail riders'—Phish's most passionate fans. Special shoutouts to shorter attendees who struggle in the crowd and a nostalgic nod to iconic venues like Wetlands in New York City. Wrapping up with reflections on Trey Anastasio's brilliant compositions and the rarity of certain live tracks, this episode promises to leave listeners with a newfound appreciation for Phish's unparalleled creativity and musicianship.Support the show

Candyman and Cultural Contradictions: Grateful Dead's Egypt AdventureIn this episode of the Deadhead Cannabis Show, host Larry Mishkin highlights two key topics: a favorite Grateful Dead show and his recent experiences at Goose concerts. First, Larry talks about an iconic Grateful Dead concert that took place on September 16, 1978, at the Sun et Lumiere Theater in Giza, Egypt, near the pyramids and the Sphinx. This event is special not just for its unique location but also for featuring collaborations with Egyptian musician Hamza El Din, who joined the Dead for a jam session. The Egypt shows are remembered for their blend of American rock and ancient Egyptian culture, marking a historic moment in music history.Larry also reflects on the song "Candyman" by the Grateful Dead, exploring its themes of melancholy and contradiction within the counterculture of the 1960s. He discusses how the song portrays a sympathetic yet flawed character, and how it resonates with the complex dynamics of that era, blending elements of peace, revolution, and criminality.Switching gears, Larry shares his recent experiences attending two Goose concerts in Chicago. He highlights Goose's cover of Bob Seger's "Hollywood Nights" and talks about the band's growing popularity. Larry attended the concerts with family and friends and praises the outdoor venue in Chicago, noting its impressive atmosphere and the city's skyline as a backdrop. He fondly recalls his connections to Bob Seger's music from his youth and marvels at how younger bands like Goose continue to bring classic rock into their performances.   Grateful DeadSeptember 16, 1978  (46 years ago)Son Et Lumiere Theater (aka Sphinx Theatre)Giza, EgyptGrateful Dead Live at Sphinx Theatre on 1978-09-16 : Free Borrow & Streaming : Internet Archive Giza (/ˈɡiːzə/; sometimes spelled Gizah, Gizeh, Geeza, Jiza; Arabic: الجيزة, romanized: al-Jīzah, pronounced [ald͡ʒiːzah], Egyptian Arabic: الجيزةel-Gīza[elˈgiːzæ])[3] is the third-largest city in Egypt by area after Cairo and Alexandria; and fourth-largest city in Africa by population after Kinshasa, Lagos, and Cairo. It is the capital of Giza Governorate with a total population of 4,872,448 in the 2017 census.[4] It is located on the west bank of the Nile opposite central Cairo, and is a part of the Greater Cairo metropolis. Giza lies less than 30 km (18.64 mi) north of Memphis (Men-nefer, today the village of Mit Rahina), which was the capital city of the unified Egyptian state during the reign of pharaoh Narmer, roughly 3100 BC. Giza is most famous as the location of the Giza Plateau, the site of some of the most impressive ancient monuments in the world, including a complex of ancient Egyptian royal mortuary and sacred structures, among which are the Great Sphinx, the Great Pyramid of Giza, and a number of other large pyramids and temples. Giza has always been a focal point in Egypt's history due to its location close to Memphis, the ancient pharaonic capital of the Old Kingdom. Son et lumière (French pronunciation: [sɔ̃n e lymjɛʁ] (French, lit. "sound and light")), or a sound and light show, is a form of nighttime entertainment that is usually presented in an outdoor venue of historic significance.[1] Special lighting effects are projected onto the façade of a building or ruin and synchronized with recorded or live narration and music to dramatize the history of the place.[1] The invention of the concept is credited to Paul Robert-Houdin, who was the curator of the Château de Chambord in France, which hosted the world's first son et lumière in 1952.[1] Another was established in the early 1960s at the site of the Great Pyramid of Giza in Egypt. One of the Seven Wonders of the Ancient World and a star attraction in Egypt, the pyramids of Giza offer a completely different experience at night, when lasers, lights, and visual projections bring their history to life. Here's how to visit the pyramids after dark. The sound and light show at Giza takes place every night for 55 minutes by the Great Sphinx of king Kephren, it is a laser show with history narration of your own language.  Kyle FitzgeraldThe National Standing under a total lunar eclipse at the foot of ancient power by the Great Pyramid, the Grateful Dead were concluding the final show of their three-night run at the Sound and Light Theatre in Giza in 1978.His hair in pigtails, guitarist Jerry Garcia wove the outro of the percussive Nubian composition Olin Arageed into an extended opening of Fire on the Mountain. “There were Bedouins out on the desert dancing … It was amazing, it really was amazing,” Garcia said in a 1979 radio interview. The September 14-16 shows in Giza were the ultimate experiment for the American band – the first to play at the pyramids – known for pushing music beyond the realms of imagination. And just as the Grateful Dead were playing in the centre of ancient Egypt, a landmark peace treaty was being brokered in the US that would reshape geopolitics in the Middle East. For as the Grateful Dead arrived in Egypt as cultural ambassadors, on the other side of the world US president Jimmy Carter had gathered his Egyptian counterpart Anwar Sadat and Israeli prime minister Menachem Begin to broker the Camp David Accords that led to an Egyptian-Israeli peace settlement. “No show that they have ever done has the international significance of their three performances in Egypt,” said Richard Loren, the Grateful Dead's manager from 1974-1981. “When we left the stage on the last show, everybody was high on acid, and the first news that came on: They signed the Camp David agreement. Sadat, Begin and Carter signed the agreement in Camp David. This happened during those three days.” Loren, who produced the shows, credited his friendship with Jefferson Airplane vocalist Marty Balin, who had a keen interest in Egypt, for developing his own fascination with the country. “The lead singer for Jefferson Airplane is the seed that resulted in the Grateful Dead playing in Egypt,” he said. Loren recalled riding a camel around the pyramid site during a three-week visit in 1975. To his right were the pyramids. In front of him, the Sphinx. “And I look down and I see a stage, and a light bulb went off in my head immediately. The Grateful Dead ought to play in Egypt,” he said. Loren, associate Alan Trist and Grateful Dead bass player Phil Lesh formed a scouting committee that would be responsible for liaising with American and Egyptian officials, Secret Service members and Egyptian first lady Jehan Sadat to allow the Grateful Dead to play in front of the pyramids. After the mission to the proposed site, meetings in Washington and Egypt, discussions with government officials and a party for the consulate, the band still needed to convince officials the purpose of the show was to make music – not money. And so the Dead paid their own expenses and offered to donate all the proceeds.Half would be donated to the Faith and Hope Society – the Sadats' favourite charity – and the other to Egypt's Department of Antiquities. “It was a sales pitch by the three of us – Alan, Richard and Phil,” Loren said. A telegram was sent on March 21, 1978, confirming the Grateful Dead would perform two open-air shows at the Sound and Light in front of the Great Pyramid and Sphinx. They would go on to play three shows. Describing the planning, bassist Phil Lesh said, "It sort of became my project because I was one of the first people in the band who was on the trip of playing at places of power. You know, power that's been preserved from the ancient world. The pyramids are like the obvious number one choice because no matter what anyone thinks they might be, there is definitely some kind of mojo about the pyramids."[11]Rather than ship all of the required sound reinforcement equipment from the United States, the PA and a 24-track, mobile studio recording truck were borrowed from the Who, in the UK. The Dead crew set up their gear at the open-air theater on the east side of the Great Sphinx, for three nights of concerts. The final two, September 15 & 16, 1978, are excerpted for the album. The band referred to their stage set-up as "The Gizah Sound and Light Theater". The final night's performance coincided with a total lunar eclipse. Drummer Bill Kreutzmann played with a cast, having broken his wrist while horseback riding. The King's Chamber of the nearby Great Pyramid of Giza was rigged with a speaker and microphone in a failed attempt to live-mix acoustical echo.[12] Lesh recalled that through the shows he observed "an increasing number of shadowy figures gathering just at the edge of the illuminated area surrounding the stage and audience – not locals, as they all seem to be wearing the same garment, a dark, hooded robe. These, it turns out, are the Bedouin, the nomadic horsemen of the desert: drawn in by the music and lights... each night they have remained to dance and sway rhythmically for the duration of the show."[13] Kreutzmann recalls "Egypt instantly became the biggest, baddest, and most legendary field trip that we took during our entire thirty years as a band... It was priceless and perfect and, at half a million dollars, a bargain in the end. Albeit, a very expensive bargain."[14] The concerts weren't expected to be profitable (proceeds were donated to the Department of Antiquities and a charity chosen by Jehan Sadat). Costs were to be offset by the production of a triple-live album; however, performances did not turn out as proficient as planned, musically, and technical problems plagued the recordings.[10] The results were shelved as the band focused instead on a new studio album, Shakedown Street.   INTRO:                     Candyman                                    Track #3                                    2:54 – 4:50 From Songfacts:  the American Beauty album is infused with sadness. Jerry Garcia's mother was still seriously injured and her still fate uncertain following an automotive accident, while Phil Lesh was still grieving his father's passing. The melancholic aura comes through in "Candyman" as much as any other song on the album.The effect of the melodic sadness on the song's context is interesting, to say the least. It makes everything about the candyman character in the song seem sympathetic, when the lyrics suggest that he is anything but. Dead lyricist Robert Hunter said he certainly didn't resonate with the character's penchant for violence (more on that below).The Random House Historical Dictionary of American Slang defines the term "candyman" primarily as a drug dealer and secondarily as a man who is lucky in general and lucky with women in particular. The latter version seems to fit better with the song, as the character announces his arrival to all the women in town and tells them they ought to open their windows (presumably to let him in). While there's no evidence to suggest that Hunter was getting at anything too deep with the song, "Candyman" does provide an interesting perspective on the contradictions of the 1960s counterculture. Mixed in with all the peaceniks and flowers were hard-drug pushers, violent revolutionaries, and common criminals. By 1970, this stew had long since become so mixed-up that its attendant parts could no longer be cleanly extracted from each other. The fact that American Beauty came out in the midst of the Manson Family "hippie cult killings" trial says just about all that needs to be said about the complicated reality that had arisen out of the 1960s counterculture.Beyond all that, though, the outlaw song that romanticizes criminality is a long-held and cherished tradition in American music. With American Beauty, Jerry Garcia wanted the Dead to do something like "California country western," where they focused more on the singing than on the instrumentation.  So the sang Hunter's lyrics: Good mornin', Mr. BensonI see you're doin' wellIf I had me a shotgunI'd blow you straight to HellThis is an oddly violent line for a song by the Grateful Dead, who sought to embody the '60s peace-and-love ethos about as sincerely and stubbornly as any act to come out of the era. It always got a raucous applause from the audience, too, which seems equally incongruous with the Deadhead culture.Hunter was bothered by the cheers. In an interview published in Goin' Down the Road by Blair Jackson (p. 119), he brings this phenomenon up when asked if any of his songs has been widely misinterpreted. He mentions that he had first witnessed an audience's enthusiastic response to violence while watching the 1975 dystopian film Rollerball and "couldn't believe" the cheers.Hunter tells Jackson that he hopes fans know that the perspective in "Candyman" is from a character and not from himself. He stresses the same separation between himself and the womanizer in "Jack Straw." As far as the Mr. Benson in "Candyman," David Dodd in the Annotated Grateful Dead Lyrics makes a great case for that being Sheriff Benson from Leadbelly's "Midnight Special" (who may very well have been based on a real sheriff). If true, this might place "Candyman" in Houston, Texas (though Hunter might not have had anything so specific in mind). Almost always a first set song.  Often featured in acoustic sets, back in the day. This version features this awesome Garcia solo that we were listing to.  Maybe he was inspired by the pyramids or whatever magical spirits might have come out from within to see this American band the Grateful Dead.  Hopefully, it made those spirits grateful themselves. Played:  273First:  April 3, 1970 at Armory Fieldhouse, Cincinnati, OH, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA  SHOW No. 1:         Hamza El Din                                    Track #10                                    7:30 – 9:00 Hamza El Din (Arabicحمزة علاء الدين) (July 10, 1929 – May 22, 2006) was an Egyptian Nubian composer, oudplayer, tar player, and vocalist. He was born in southern Egypt and was an internationally known musician of his native region Nubia, situated on both sides of the Egypt–Sudan border. After musical studies in Cairo, he lived and studied in Italy, Japan and the United States. El Din collaborated with a wide variety of musical performers, including Sandy Bull, the Kronos Quartet and the Grateful Dead. His performances attracted the attention of the Grateful Dead, Joan Baez, and Bob Dylan in the 1960s, which led to a recording contract and to his eventual emigration to the United States. In 1963, El Din shared an apartment in the San Francisco Bay Area with folk musician Sandy Bull. Following his appearance at the Newport Folk Festival in 1964, he recorded two albums for Vanguard Records, released 1964–65. His 1971 recording Escalay: The Water Wheel, published by Nonesuch Records and produced by Mickey Hart, has been recognized as one of the first world music recordings to gain wide release in the West, and was claimed as an influence by some American minimalist composers, such as Steve Reich and Terry Riley, as well as by Grateful Dead percussionist Mickey Hart.[1] He also performed with the Grateful Dead, most famously during their Egypt concerts of 1978. During these three shows, Hamza El Din, performed as a guest and played his composition "Ollin Arageed" He was backed by the students of his Abu Simbel school and accompanied by the Grateful Dead.  After Egypt, hamza el din played with the dead in the U.S. On October 21st, back in 1978, the Grateful Dead were in the midst of wrapping up a fiery five-night run at San Francisco's Winterland Ballroom. This string of shows was particularly special for the band, as they marked the first shows played by the Dead following their now-legendary performances near the Great Pyramid of Giza in Egypt a month prior. n an effort to bring their experiences in Northern Africa home with them to share with their fans, the Dead's '78 Winterland run saw sit-ins by Egyptian percussionist, singer, and oud player Hamza El Din. On October 21st, El Din opened the show solo, offering his divine percussion before the Grateful Dead slowly emerged to join him for an ecstatic rendition of “Ollin Arageed”, a number based off a Nubian wedding tune, before embarking on a soaring half-acoustic, half-electric jam, that we will get to on the other side of Music News: MUSIC NEWS: Lead in music:                  Goose — "Hollywood Nights" (Bob Seger) — Fiddler's Green — 6/8/24 (youtube.com)                  0:00 – 1:10             Goose covering Bob Seeger and the Silver Bullet Band's Hollywood Nights, this version from earlier this year but Goose did play it Friday night in Chicago at the Salt Shed's Festival stage outside along the Chicago river with the Skyline in the background. Very impressive. "Hollywood Nights" is a song written and recorded by American rock artist Bob Seger. It was released in 1978 as the second single from his album, Stranger in Town. Seger said "The chorus just came into my head; I was driving around in the Hollywood Hills, and I started singing 'Hollywood nights/Hollywood hills/Above all the lights/Hollywood nights.' I went back to my rented house, and there was a Time with Cheryl Tiegs on the cover...I said 'Let's write a song about a guy from the Midwest who runs into someone like this and gets caught up in the whole bizarro thing.'" [1] Seger also said that "Hollywood Nights" was the closest he has had to a song coming to him in a dream, similar to how Keith Richards described the riff to "(I Can't Get No) Satisfaction" coming to him in a dream. Robert Clark Seger (/ˈsiːɡər/SEE-gər; born May 6, 1945) is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums. A roots rock musician with a classic raspy, powerful voice, Seger is known for his songs concerning love, women, and blue-collar themes, and is one of the best-known artists of the heartland rock genre. He has recorded many hits, including "Night Moves", "Turn the Page", "Mainstreet", "Still the Same", "Hollywood Nights", "Against the Wind", "You'll Accomp'ny Me", "Shame on the Moon", "Roll Me Away", "Like a Rock", and "Shakedown", the last of which was written for the 1987 film Beverly Hills Cop II and topped the Billboard Hot 100 chart. He also co-wrote the Eagles' number-one hit "Heartache Tonight", and his recording of "Old Time Rock and Roll" was named one of the Songs of the Century in 2001. Which leads us to: Goose plays three nights in Chicago: Wednesday, Thursday and Friday night at the Salt Shed.  I caught the Thursday and Friday show.  Went with my wife on Thursday and hung out with good friends John and Marnie, her brothers Rick and Joel, Stephan and others.  Friday with my son Daniel and good buddy Kevin who got us rock star parking and even more impressively killer seats dead center at the bottom of the grandstands in the back of the floor, a few feet off the floor and dead center so we could see everything, hear everything and have a place to sit and rest for a few minutes when needed. I have to say, I've now seen Goose five times and enjoy them more and more.  Great musical jams, great light show, lots of good energy from the band and the fans.  Rick Mitoratando is a first class guitartist and singer, Peter Anspach on keyboard and guitar and vocals, Jeff Arevalo, percussionist, Trevor Weekz on bass and newcomer, Cotter Ellis on drums, replacing original drummer, Ben Askind. Began playing in 2014 in Wilton Connecticut so this is their 10 year and they are just getting stronger.  They really love what they do and its shows in their live performances. Great set lists in Chicago: Thursday night they were joined on stage by Julian Lage, a jazz composer and guitarist for the last two songs of the first set, A Western Sun and Turned Clouds. If you have not yet seen Goose you need to see Goose.  Soon.  Jane's Addiction Concert Ends Abruptly After Perry Farrell Punches Dave Navarro Onstage 3.     Jane's Addiction Offer ‘Heartfelt Apology' for Fight, Cancel Sunday's Show Phish announce 3 night run in Albany Oct. 25 – 27 to benefit Divided Sky Foundation A residential program for people recovering from drug and alcohol abuse. The Divided Sky Foundation, a 46-bed nonprofit recovery center spearheaded by Phish frontman Trey Anastasio, will be an abstinence-based, nonmedical residence, one of the first ofits kind in Vermont. The Divided Sky Foundation is a charitable nonprofit founded by Anastasio; it purchased the Ludlow location to create a substance-use disorder treatment center back in 2021.  Anastasio, Phish's lead guitarist and vocalist, has dealt publicly with his own drug and alcohol use and later sobriety, a journey that brought him under the supervision of drug court in Washington County, New York, in the mid-2000s. There, he met Gulde, who worked in the court system at the time, and the two have stayed friends since.  Together, Gulde and Anastasio used their personal experiences with treatment facilities to implement a vision for the Ludlow space, she said.   Very cool organization, deserves everyone's support.  Trey turned it around which is why he is now 5 years older than Jerry was when he died in 1995 and Trey and Phish are just getting stronger and stronger. SHOW No. 2:         Ollin Arageed                                    Track #11                                    13:10 – 14:42 Musical composition written by Hamza El-Din.  He and members of the Abu Simbel School of Luxor choir opened the shows with his composition Olin Arageed on nights one and two, and opened set two of night three with the song as well.  Joined on stage by the band.  Fun, different and a shout out to the locals. The Dead played it a few more times with Hamza and then retired it for good.  SHOW No. 3:         Fire On The Mountain                                    Track #12                                    13:00 – end                                     INTO                                     Iko Iko                                    Track #13                                    0:00 – 1:37 This transition is one of my all time Dead favorites.  Out of a stand alone Fire (no Scarlet lead in) into a sublime and spacey Iko Iko.  Another perfect combination for the pyramids, sphinx and full lunar eclipse.A great reason to listen to this show and these two tunes. MJ NEWS: MJ Lead in Song            Still Blazin by Wiz Khalifa:  Still Blazin (feat. Alborosie) (youtube.com)                                                                        0:00 – 0:45 We talked all about Wiz Khalifa on last week's episode after I saw him headline the Miracle in Mundelein a week ago.  But did not have a chance to feature any of his tunes last week.  This one is a natural for our show. This song is from Kush & Orange Juice (stylized as Kush and OJ) is the eighth mixtape by American rapper Wiz Khalifa. It was released on April 14, 2010, by Taylor Gang Records and Rostrum Records. Kush & Orange Juice gained notoriety after its official release by making it the number-one trending topic on both Google and Twitter.[1] On the same day, a link to the mixtape was posted for download on Wiz's Twitter.[2] The hashtag#kushandorangejuice became the number-six trending topic on the microblogging service after its release and remained on the top trending items on Twitter for three days.[  1.                   Nixon Admitted Marijuana Is ‘Not Particularly Dangerous' In Newly Discovered Recording2.                  Marijuana Use By Older Americans Has Nearly Doubled In The Last Three Years, AARP-Backed Study Shows3.                  Medical Marijuana Helps People With Arthritis And Other Rheumatic Conditions Reduce Use Of Opioids And Other Medications, Study Shows4.                  U.S. Marijuana Consumers Have Spent More Than $4.1 Billion On Pre-Rolled Joints In The Past Year And A Half, Industry Report Finds   SHOW No. 4:         Sunrise                                    Track #162:08 – 3:37             Grateful dead song written, music and lyrics by Donna Jean Godchaux.  Released on Terrapin Station album, July 27, 1977             There are two accounts of the origins of this song, both of which may be true. One is that it is about Rolling Thunder, the Indian Shaman, conducting a ceremony (which certainly fits with many of the lyrics). The other is that it was written by Donna in memory of Rex Jackson, one of the Grateful Dead's crew (after whom the Rex Foundation is named). The song is about a Native American medicine man named Rolling Thunder, who spent a lot of time with the Dead."'Sunrise' is about sunrise services we attended and what Rolling Thunder would do," Godchaux said on the Songfacts Podcast. "It's very literal actually. Rolling Thunder would conduct a sunrise service, so that's how that came about."Donna Jean Godchaux wrote this song on piano after Jerry Garcia asked her to write a song for the Terrapin Station album. She said it just flowed out of her - music and lyrics - and was one of the easiest songs she ever wrote.The drumming at the end of the song was played by a real medicine man. "We cut it in Los Angeles, and he came and brought the medicine drum, so what you hear on the end is the real deal," Godchaux told Songfacts. "It was like a sanctuary in that studio when he was playing that. It was very heavy." It was played regularly by the Grateful Dead in 1977 and 1978 (Donna left the band in early 1979).This version is the last time the band ever played it. Played:  30 timesFirst:  May 1, 1977 at The Palladium, New York, NY, USALast:  September 16, 1978 at the Pyramids, Giza Egypt                                   OUTRO:                   Shakedown Street                                    Track #17                                    3:07 – 4:35                                   Title track from Shakedown Street album November 8, 1978 One of Jerry's best numbers.  A great tune that can open a show, open the second set, occasionally played as an encore, but not here.  It is dropped into the middle of the second set as the lead in to Drums.  This is only the second time the song is played by the band. Played:  164 timesFirst:  August 31, 1978 at Red Rocks Amphitheatre, Morrison, CO, USALast:  July 9, 1995 at Soldier Field, Chicago, IL – opened the second set, the final set of music ever performed by the band.  Shout outs:             Karen Shmerling's birthday                       This week my beautiful granddaughter, Ruby, is coming to town to visit.  Can't wait to see her and her parents.  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

The Deadcast pulls into Atlanta's Fox Theatre to explore the Dead's two April ‘78 shows, delving into the local underground music scene with Glenn Phillips of the Hampton Grease Band, as well as rare Jerry Garcia interviews.Guests: Donna Jean Godchaux-MacKay, Glenn Phillips, Steve Maizner, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast launches its 10th season, hitting the road for the April 1978 tour documented on the new FRIEND OF THE DEVILS box, exploring the band's new sound for ‘78 & the birth of drums/space, featuring taper tales & rare archival interviews with Jerry Garcia.Guests: Richard Loren, Bob Wagner, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.