Podcasts about anglo caribbean

By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean.  Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean.  Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean.  Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean.  Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean.  Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean.  Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean.  Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices

Central America, a narrow, mountainous, and largely impoverished stretch of land spanning seven countries, is a surprising and underexposed Latin American musical hot zone. The region’s bizarre and tumultuous history has led to a fascinating mix of cultural influences – Spanish conquistadors, British pirates, and American banana companies have at one time or another vied for power. Add to this mix the presence of large indigenous enclaves, Anglo-Caribbean migrants, the Afro-Arawak Garifuna and Miskito peoples, and the many musical influences of the Caribbean, and you have the makings of a very interesting musical tapestry. Salsa and merengue, soca and calypso, reggae and reggaeton—it all comes together in Central America. In our program, we visit Panama, a little-known musical treasure trove. Here on the isthmus, music from around the Americas mixed together in a unique stew: American, Cuban, Colombian and Jamaican influences combine to form a highly complex and unique musical culture. We’ll hear interviews from Spanish reggae star Kafu Banton, Afro-Spanish linguist John Lipski, traditional Afro-Latino princess Marcia Rodriguez, the dancehall duo Los Rakas, and many more. APWW #596 Produced by Marlon Bishop

Comenzamos repasando los tres discos favoritos de Mundofonías del mes de septiembre del 2020, a cargo de los franceses L’Attirail, los chipriota-británicos Trio Tekke y los mongoles Khusugtun. Continuamos con novedades discográficas y la reedición de un clásico del bugalú, a cargo de Pete Rodríguez. Suenan conexiones malienses, haitiano-belgas, colombiano-japonesas, argentino-neomexicanas, argentino-inglesas, boricuo-neoyorkinas y anglo-caribeñas. We start by reviewing the three Mundofonías September 2020 favourite albums, by the French combo L’Attirail, the Cypriot-British Trio Tekke and the Mongolian band Khusugtun. We continue with new releases and the reissue of a boogaloo classic, by Pete Rodríguez. We listen to some Malian, Haitian-Belgian, Colombian-Japanese, Argentine-New-Mexican, Argentine-English, Puerto Rican-New Yorker and Anglo-Caribbean connections. Favoritos de septiembre / September favorites · L’Attirail – Full pockets’ dream – Footsteps in the snow · Trio Tekke · I proti mera – Strovilos · Khusugtun – Jangar – Jangar Conexiones afro-américo-globales / Afro-American-Global connections · Afel Bocoum – Avion – Lindé · Chouk Bwa & The Ångstromers – Move tan – Vodou alé · Minyo Crusaders & Frente Cumbiero – Tora Joe – Minyo Cumbiero · Sol y Canto – Tonada de luna llena – ¡En vivo, en familia! · Chancha Via Circuito & El Búho – Murga del viento – Pleamar · Pete Rodríguez – I like it (I like It like that) – I like It like that (A mí me gusta así) · Charanga del Norte – Mack the Knife – Pachanga time Imagen / Image: L’Attirail (E.Botrel)

After the devastating raid at Fort Mystic, the Pequot nation is left without allies as the English and their indigenous allies continue their campaign of collective punishment. Far to the south, the English colonies of Montserrat and Barbados establish their unique characteristics; Montserrat, an Irish island in an English Atlantic world; and Barbados, an economic engine powered by the enslavement of Africans. Check out Intelligent Speech here: https://www.intelligentspeechconference.com Check out the podcast website: https://www.paxbritannica.info Facebook: https://www.facebook.com/PodBritannica/ Twitter: https://twitter.com/BritannicaPax For this episode, I found the following publications particularly useful: Richard Middleton, Colonial America Lipman, Andrew, 'Murder on the Saltwater Frontier', Early American Studies Winthrop, John, A History of New England Karr, Ronald Dale, "Why should you be so furious?": The Violence of the Pequot War', Journal of American History Katz, Steven T., 'The Pequot War Reconsidered', The New England Quarterly Grant, Daragh, 'The Treaty of Hartford: Reconsidering Jurisdiction in Southern New England', The William and Mary Quarterly Beckles, Hilary McD, A History of Barbados: From Amerindian Settlement to Caribbean Single Market Block, Kristen and Shaw, Jenny, 'Subjects without an Empire: The Irish in the Early Modern Caribbean', Past and Present Hogan, Liam, McAtackney, Laura, and Reilly, Matthew C.,'The Irish in the Anglo-Caribbean: servants or slaves?', History Ireland Learn more about your ad choices. Visit megaphone.fm/adchoices

Today in our show, we will talk about Guayana. The official name is the Co-operative Republic of Guyana, is located in the northern part of South America. It is often considered part of the Caribbean region because of its strong cultural, historical, and political ties with other Anglo-Caribbean countries and the Caribbean Community... More at afrosaya.com

Candace Ward’s Crossing the Line: Early Creole Novels and Anglophone Caribbean Culture in the Age of Emancipation (University of Virginia Press, 2017) foregrounds an understudied group of writers: white creole novelists in Britain’s Caribbean colonies. White creoles in the Caribbean were characterized as lazy, depraved, and provincial by their contemporaries in Britain, particularly amid early nineteenth-century political and social campaigns to end the institution of slavery in the Caribbean. Ward analyzes novels by white creoles to show the complex ways these writers melded fact and fiction to support the planter class’s ultimately misguided attempts to sustain slavery. Examining novels such as Cynric Williams’s Hamel, the Obeah Man (1827) and E.L. Joseph’s Warner Arundell (1838), Ward’s work highlights how writers from the so-called periphery contributed to the development of the novel through the troubling yet innovative ways they mobilize fiction for political aims. Candace Ward is an Associate Professor of English at Florida State University, where she teaches classes on early Anglo-Caribbean literature and culture, eighteenth-century British literature, and early women’s fiction. Kathleen DeGuzman is an Assistant Professor of English at San Francisco State University. Her teaching and research focus on Caribbean literature, Caribbean and British cultural entanglements, and the novel. She is completing Small Places: The Anglophone Caribbean, Victorian Britain, and the Forms of Atlantic Archipelagoes, a book project that aligns the Caribbean and Britain through their shared geographical reality as archipelagoes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Candace Ward’s Crossing the Line: Early Creole Novels and Anglophone Caribbean Culture in the Age of Emancipation (University of Virginia Press, 2017) foregrounds an understudied group of writers: white creole novelists in Britain’s Caribbean colonies. White creoles in the Caribbean were characterized as lazy, depraved, and provincial by their contemporaries in Britain, particularly amid early nineteenth-century political and social campaigns to end the institution of slavery in the Caribbean. Ward analyzes novels by white creoles to show the complex ways these writers melded fact and fiction to support the planter class’s ultimately misguided attempts to sustain slavery. Examining novels such as Cynric Williams’s Hamel, the Obeah Man (1827) and E.L. Joseph’s Warner Arundell (1838), Ward’s work highlights how writers from the so-called periphery contributed to the development of the novel through the troubling yet innovative ways they mobilize fiction for political aims. Candace Ward is an Associate Professor of English at Florida State University, where she teaches classes on early Anglo-Caribbean literature and culture, eighteenth-century British literature, and early women’s fiction. Kathleen DeGuzman is an Assistant Professor of English at San Francisco State University. Her teaching and research focus on Caribbean literature, Caribbean and British cultural entanglements, and the novel. She is completing Small Places: The Anglophone Caribbean, Victorian Britain, and the Forms of Atlantic Archipelagoes, a book project that aligns the Caribbean and Britain through their shared geographical reality as archipelagoes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Candace Ward’s Crossing the Line: Early Creole Novels and Anglophone Caribbean Culture in the Age of Emancipation (University of Virginia Press, 2017) foregrounds an understudied group of writers: white creole novelists in Britain’s Caribbean colonies. White creoles in the Caribbean were characterized as lazy, depraved, and provincial by their contemporaries in Britain, particularly amid early nineteenth-century political and social campaigns to end the institution of slavery in the Caribbean. Ward analyzes novels by white creoles to show the complex ways these writers melded fact and fiction to support the planter class’s ultimately misguided attempts to sustain slavery. Examining novels such as Cynric Williams’s Hamel, the Obeah Man (1827) and E.L. Joseph’s Warner Arundell (1838), Ward’s work highlights how writers from the so-called periphery contributed to the development of the novel through the troubling yet innovative ways they mobilize fiction for political aims. Candace Ward is an Associate Professor of English at Florida State University, where she teaches classes on early Anglo-Caribbean literature and culture, eighteenth-century British literature, and early women’s fiction. Kathleen DeGuzman is an Assistant Professor of English at San Francisco State University. Her teaching and research focus on Caribbean literature, Caribbean and British cultural entanglements, and the novel. She is completing Small Places: The Anglophone Caribbean, Victorian Britain, and the Forms of Atlantic Archipelagoes, a book project that aligns the Caribbean and Britain through their shared geographical reality as archipelagoes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Candace Ward’s Crossing the Line: Early Creole Novels and Anglophone Caribbean Culture in the Age of Emancipation (University of Virginia Press, 2017) foregrounds an understudied group of writers: white creole novelists in Britain’s Caribbean colonies. White creoles in the Caribbean were characterized as lazy, depraved, and provincial by their contemporaries in Britain, particularly amid early nineteenth-century political and social campaigns to end the institution of slavery in the Caribbean. Ward analyzes novels by white creoles to show the complex ways these writers melded fact and fiction to support the planter class’s ultimately misguided attempts to sustain slavery. Examining novels such as Cynric Williams’s Hamel, the Obeah Man (1827) and E.L. Joseph’s Warner Arundell (1838), Ward’s work highlights how writers from the so-called periphery contributed to the development of the novel through the troubling yet innovative ways they mobilize fiction for political aims. Candace Ward is an Associate Professor of English at Florida State University, where she teaches classes on early Anglo-Caribbean literature and culture, eighteenth-century British literature, and early women’s fiction. Kathleen DeGuzman is an Assistant Professor of English at San Francisco State University. Her teaching and research focus on Caribbean literature, Caribbean and British cultural entanglements, and the novel. She is completing Small Places: The Anglophone Caribbean, Victorian Britain, and the Forms of Atlantic Archipelagoes, a book project that aligns the Caribbean and Britain through their shared geographical reality as archipelagoes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Edward Philip George Seaga was born on May 28, 1930,  in Boston'.His 18-year-old Jamaican mother, Erna Alleta Maxwell,His father, 29-year-old salesman Phillip George Seaga (who could sell snow to an Eskimo) was a second-generation Lebanese-Jamaican. He graduated from Harvard in 1952 with a Bachelor of Arts in social relations.He had by then broadened his academic interest in rural folk life to include recording and producing its evolved urban musical form.Seaga's Gleaner writings brought him to the attention of founder and president of the opposition Jamaica Labour Party, Alexander Bustamante, whose emergence on the national scene owed much to his own strident letter writing (in the 1920s) against Jamaica's ruling colonial order.In 1959 Bustamante appointed Seaga to sit in the upper house of the Jamaican Legislative Assembly.In 1960 he was elected assistant secretary of the party, and two years later he was elevated to the post of secretary.Seaga served at the finance and planning post until the JLP lost power - after two successive terms .Seaga led the JLP to a massive electoral victory over Michael Manley and the PNP - and their "democratic socialist" experiment. Seaga became independent Jamaica's fifth prime minister. Seaga and his government also undertook a pro-Western and particularly pro-US foreign policy stance. Seaga led other Anglo-Caribbean states in opposing the left-wing Maurice Bishop regime in Grenada, enthusiastically backing, after Bishop's demise, the October 1983 US invasion of the island. adapted from By Bernard Headley article Sunday, January 16, 2005    

Central America, a narrow, mountainous, and largely impoverished stretch of land spanning seven countries, is a surprising and under-exposed Latin American musical hot zone. The region’s bizarre and tumultuous history has led to a fascinating mix of cultural influences – Spanish conquistadors, British pirates, and American banana companies have at one time or another vied for power. Add to this mix presence of large indigenous enclaves, Anglo-Caribbean migrants, the Afro-Arawak Garifuna and Mosquito peoples, and the many musical influences of the Caribbean, and you have the makings of a very interesting musical tapestry. Salsa and merengue, soca and calypso, reggae and reggaeton – it all comes together in Central America. In our program, we visit Panama, a little known musical treasure trove. Here on the ithmus, music from around the Americas mixed together in a unique stew: American, Cuban, Colombian,Jamaican influences combine to form a highly complex and unique musical culture. We’ll hear interviews from Spanish reggae star Kafu Banton, Afro-Spanish linguist John Lipski, traditional Afro-Latino princess Marcia Rodriguez, dancehall youngbloods Los Rakas, and many more.

Jenny Shaw‘s recent book Everyday Life in the Early English Caribbean: Irish, Africans, and the Construction of Difference (University of Georgia Press, 2013) analyzes how social, religious, and ethnic categories operated in Barbados and the Leeward Islands. She documents the arrival of Irish migrants into the Caribbean who came in some cases involuntarily, and in other cases with dreams to make their own fortunes in the islands’ booming sugar trade. Their Catholicism and social standing long kept them from joining the ruling class. But, Shaw traces how the simultaneous arrival of enslaved Africans complicated those social standings, while also helping to simplify them at a later date. In the process, her study injects new life into the question of racial ideology in the British Americas, as well as the role and influence of religion in the Anglo-Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jenny Shaw‘s recent book Everyday Life in the Early English Caribbean: Irish, Africans, and the Construction of Difference (University of Georgia Press, 2013) analyzes how social, religious, and ethnic categories operated in Barbados and the Leeward Islands. She documents the arrival of Irish migrants into the Caribbean who came in some cases involuntarily, and in other cases with dreams to make their own fortunes in the islands’ booming sugar trade. Their Catholicism and social standing long kept them from joining the ruling class. But, Shaw traces how the simultaneous arrival of enslaved Africans complicated those social standings, while also helping to simplify them at a later date. In the process, her study injects new life into the question of racial ideology in the British Americas, as well as the role and influence of religion in the Anglo-Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jenny Shaw‘s recent book Everyday Life in the Early English Caribbean: Irish, Africans, and the Construction of Difference (University of Georgia Press, 2013) analyzes how social, religious, and ethnic categories operated in Barbados and the Leeward Islands. She documents the arrival of Irish migrants into the Caribbean who came in some cases involuntarily, and in other cases with dreams to make their own fortunes in the islands’ booming sugar trade. Their Catholicism and social standing long kept them from joining the ruling class. But, Shaw traces how the simultaneous arrival of enslaved Africans complicated those social standings, while also helping to simplify them at a later date. In the process, her study injects new life into the question of racial ideology in the British Americas, as well as the role and influence of religion in the Anglo-Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jenny Shaw‘s recent book Everyday Life in the Early English Caribbean: Irish, Africans, and the Construction of Difference (University of Georgia Press, 2013) analyzes how social, religious, and ethnic categories operated in Barbados and the Leeward Islands. She documents the arrival of Irish migrants into the Caribbean who came in some cases involuntarily, and in other cases with dreams to make their own fortunes in the islands’ booming sugar trade. Their Catholicism and social standing long kept them from joining the ruling class. But, Shaw traces how the simultaneous arrival of enslaved Africans complicated those social standings, while also helping to simplify them at a later date. In the process, her study injects new life into the question of racial ideology in the British Americas, as well as the role and influence of religion in the Anglo-Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices