Podcasts about Canto

If we can touch that region of absorption and experience, just for one second, then the controlling of senses is not an issue—because it's a higher taste. And it takes a lot of practice, because the mind has been controlling us since time immemorial—not just this lifetime, but previous lifetimes as well. It keeps forcing us to do things. It's like an overlord. Kṛṣṇa tells that to Uddhava in the 11th Canto of the Śrīmad Bhāgavatam, that we've been under no other master except for the mind since time immemorial, and it has fearsome, god-like powers over us—as in, practically nobody can do this. We can only do it with the help of Kṛṣṇa. So, the chanting of Kṛṣṇa's names—calling out to Him for help—and the ways that He has extended Himself to us The Holy Name, if we extend back.. Attention, It has the word ten in it. It's the same root as in the word tendon, which comes from Latin tendere, “to stretch.” It means to hold on to something, just like a tendon holds muscle and bone together. So that's our attention: we have to extend ourselves back to Kṛṣṇa. And just from this one process—there is no other process: "harer nāma harer nāma harer nāmaiva kevalam," eva kevalam --nothing else. It's only one thing. So don't think you have to go shopping anywhere else for some other process. That's just another trick of the mind—to say, “This is too hard,” or “I'll go find something easier,” or “There must be something fancier or more rasika.” No—the rasika is in The Holy Name, and the real rasikas are the ones who do the hard work. They try it every day. That's why I called you stalwarts: you show up with your lunch box, and you sit down, and you do your work—and that's sādhana-bhakti. No excuses. No cutting class. You show up for your japa, and you make sure that you extend yourself as much as possible and keep practicing. And at some point, the mind becomes attracted to The Holy Name. It starts to sound sweet. Even before that, in nāmābhāsa, there's this radiation from The Holy Name that is described in the Harināma cintāmaṇi—that is bringing us unlimited benefits and preparing us for continuance in the process of chanting The Holy Names. So, nothing is lost in the process. And then, if we can really try to avoid the offenses—especially being inattentive—don't be lazy. Really try to work at it. Do the heavy lifting that nobody else wants to do. Everyone wants to scroll. "Just let the mind do it and maybe figure it out at the time of death." It won't work. You have to do it now. You have to do it when you're young. And you've gotta get really strong now. Then everything else becomes easy. The only thing that makes it hard is the mind. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------

Today, Josh and Nicole are joined by Smosh's very own Amanda Lehan-Canto, and all three are talking pregnancy cravings! Well, Josh is eating, not experiencing. Nicole and Amanda have a spread of the pregnancy food cravings they've been having, while Josh tries them all and decides whose cravings are best. For more Amanda, check out her Instagram @filmingamanda! Leave us a voicemail at (833) DOG-POD1 Check out the video version of this podcast: http://youtube.com/@mythicalkitchen To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Dante the pilgrim, Virgil, and Statius begin the ever-quickening ascent to the final terrace of Mount Purgatory. As he climbs, the pilgrim has a question about the gluttons on the previous terrace . . . but it's really a question that's been brewing since almost the opening of COMEDY itself.Join me, Mark Scarbrough, as we look at the opening lines of PURGATORIO, Canto XXV, a canto that was often treated as a scientific treatise in the late Middle Ages and early Renaissance but that is now too often dismissed as a medieval curiosity: Statius's wild discussion of embryology.If you'd like to support this work, please consider a one-time donation or a very small monthly stipend to underwrite the many hosting, licensing, editing, streaming, and royalty fees by using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:29] My English translation of the passage: PURGATORIO, Canto XXV, lines 1 - 21. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[03:33] PURGATORIO's Canto XXV is a bridge between gluttony and lust, as well as a bridge between two important discussions of poetry.[07:04] We get a brief glimpse of Jerusalem as we hurry up the stairs.[09:42] Is there symbolism or even allegory in the notion that the narrow stairs "unpairs" the travelers?[11:48] The pilgrim is a baby stork--he wants to fly but still needs parental protection.[15:30] The pilgrim Dante finally asks the central problem of corporeality that has troubled COMEDY almost since its beginning.[18:43] Rereading the passage: PURGATORIO, Canto XXV, lines 1 - 21.

'Vinicius & Os Maestros' es un disco del arreglista y guitarrista Mario Adnet, publicado en 2001, con obras de compositores brasileños a los que puso letra el poeta carioca como Claudio Santoro ('Em algum lugar' con la voz de Tatiana Parra), Moacir Santos ('Triste de quem' con la voz de Joyce Moreno, 'Lembre-se' con la de Dori Caymmi, 'Se você disser que sim' con Joyce Moreno y Sergio Santos) o Baden Powell ('Consolação' cantada por Sergio Santos, 'Samba em prelúdio' -compartida por Dori Caymmi con Tatiana Parra) y dos de las contadas canciones para las que Vinicius escribió la música y la letra ('Medo de amar' que canta Joyce Moreno y 'Valsa de Eurídice' con las voces de Mario Adnet y Tatiana Parra). Con el hijo mayor de Baden Powell, el pianista Philippe Baden Powell, Mario Adnet había firmado unos años antes 'Afrosamba jazz. A música de Baden Powell' con grabaciones instrumentales de 'Canto de Ossanha', 'Ritmo afro', 'Caxangá de Oxalá', 'Canto de Xangô' o 'Berimbau'. Escuchar audio

Benvenuti nel nostro canale, amici di YouTube! Oggi siamo entusiasti di presentarvi il terzo atto epico della Divina Commedia di Dante Alighieri: il Paradiso! Ma non temete, non saremo guide noiose e altezzose, bensì tre amici divertenti e un po' dissacranti che vi condurranno attraverso questo viaggio di penitenza e redenzione.Preparatevi a immergervi in un'avventura letteraria senza precedenti, mentre ci imbarcheremo in un viaggio nel mondo intermedio tra Inferno e Paradiso. Qui, le anime dei peccatori pentiti cercano la purificazione e l'assoluzione dai loro trascorsi peccaminosi, con la speranza di ascendere verso la beatitudine celestiale.Ma non abbiate timore, perché il nostro approccio sarà un mix di verità storica e momenti di leggera irriverenza. In fondo, il Purgatorio di Dante è così ricco di dettagli e simbolismi che ci sentiamo in dovere di intrattenerci a modo nostro, con qualche scherzetto lungo la strada!Esploreremo le molteplici cornici narrative, incontrando personaggi affascinanti, impareremo da episodi di vita vissuta e affronteremo i tormenti e le sfide delle diverse cornici dell'Antipurgatorio, del Purgatorio stesso e della vetta del monte del Paradiso Terrestre. Non mancheranno momenti esilaranti mentre ci scherniamo reciprocamente sulla nostra condizione umana e sulle bizze delle anime in penitenza!Tuttavia, ci prenderemo anche il tempo di apprezzare l'arte e la grandezza poetica di Dante, esplorando i temi eterni della redenzione, della fede e dell'amore, che rendono la Divina Commedia un capolavoro senza tempo.Siamo certi che vi divertirete, riderete e imparerete un sacco di curiosità sulla vita dell'epoca di Dante e sulle sue visioni del Purgatorio! Non vediamo l'ora di condividere questa avventura con voi, e se siete fan del nostro modo unico di raccontare le storie, assicuratevi di cliccare il pulsante "Iscriviti" e di attivare le notifiche!Ricordate, amici, che mentre viaggiamo tra le cornici dell'aldilà, l'importante è godersi il viaggio e trovare il giusto equilibrio tra il serio e il divertente! Allora, cosa state aspettando? Iniziamo questo entusiasmante viaggio nel Purgatorio di Dante Alighieri insieme! Ci vediamo sul nostro canale!se hai voglia di farti quattro risate con amici, parlare di attualità, ascoltare cicli interessanti, farci domande e passare un po di tempo in modo spensierato seguici. siamo anche su podcast seguici suhttps://www.youtube.com/@ioluielaltro www.ioluielaltro.it telegramhttps://t.me/ioluielaltro #ioluielaltro #umorismo #risate

Se cumplen 55 años, en este mes de julio, de la grabación del disco de Vinicius de Moraes con María Creuza y Toquinho en La Fusa de la ciudad de Buenos Aires ('Copa do mundo', 'A felicidade', 'Tomara', 'Qué maravilha', 'Irene', 'Canto de Ossanha', 'Samba em preludio', 'Catendé', 'Valsa de Tunisia', 'Eu sei que vou te amar', 'Se todos fossem iguais a você', 'Minha namorada', 'Lamento no morro'). Y unos meses más tarde, en enero de 1971, se grabó el de Vinicius con María Bethânia y Toquinho ('De manhã', 'Viramundo', 'Apelo', 'Tarde em Itapoã').Escuchar audio

Neste episódio falamos das famosas viagens marítimas chinesas de Zheng He, entre 1405-1433. Tentamos compreender o contexto político da China Ming, os objectivos destas navegações, por onde passaram e que impacto tiveram no espaço do Índico-Pacífico.Sugestões de leitura1. José Manuel Malhão Pereira e Jin Guo Ping - Navegações Chinesas no Século XV. Realidade e Ficção. Academia de Marinha, 2006, disponível online: https://tinyurl.com/AdM-ZhengHe;2. Geoff Wade - “Engaging the South: Ming China and Southeast Asia in the Fifteenth Century”, Journal of the Economic and Social History of the Orient, Vol. 51, No. 4 (2008), pp. 578-638.-----Obrigado aos patronos do podcast:André Silva, Cláudio Batista, Joana Figueira, Bruno Ricardo Neves Figueira, Isabel Yglesias de Oliveira, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carla Pinelas, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Manuel Prates, Miguel Vidal, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Civiforum, Lda., Diogo Camoes, Diogo Freitas, Eugenia Capela, Fábio Videira Santos, Francisco Fernandes, Gn, Gonçalo Pedro, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, João Pedro Mourão, Joel José Ginga, José Beleza, José Santos, Luis Colaço, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Parte Cóccix, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vanessa Alexandra Pereira, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.Apoio técnico: 366 Ideias (366ideias@gmail.com)

Biografia, poesie brevi e opere di Walt Whitman, poeta e scrittore statunitense. Tra i suoi libri ci sono Foglie d'erba, Canto di me stesso, O capitano! Mio capitano!

Nos fijamos hoy con Jorge del Canto, asesor financiero en delcanto.es, en Deutsche Bank, Deutsche Telekom, T Mobile, ST Micro, Total Energies y LVMH.

Virgil, Statius, and our pilgrim, Dante, walk along in contemplation, together but also alone with their thoughts.They're interrupted by the angel at the stairs who shows them the way up to the final terrace of Mount Purgatory.Our pilgrim loses his sight but gains precision in his other sense. And our poet gains the daring to rewrite one of Jesus's beatitudes.If you'd like to help underwrite the many costs of this podcast, including, hosting, licensing, streaming, and research fees, please consider a one-time donation or even a very small monthly stipend at this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:31] My English translation of the passage: PURGATORIO, Canto XXIV, lines 130 - 154. If you'd like to read along or continue the conversation about this passage, please find its entry on my website, markscarbrough.com.[03:48] The growing importance of the contemplative life.[07:46] The color in the holy glare (red) and the point of this journey (peace).[11:07] The "blind" simile of the May breeze at dawn.[16:11] The rewritten and tricky beatitude that ends Canto XXIV.[21:22] Rereading the passage: PURGATORIO, Canto XXIV, lines 130 - 154.

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=PBQFRsfpd90 Diferentes tradiciones ancestrales aludieron a este presente. Aspectos como la deriva materialista, la inercia y el culto a la velocidad, desembocarían en un momento complejo. Momento que presenta enormes posibilidades respecto a discernimiento y profundización; pero que nos puede conducir al abismo. Javier Fernández Doctor en Bellas Artes, Músico y Profesor de Canto. Estudiante de Sanación holística y tradiciones ancestrales junto a Roberto Torcello (Nahuán) del centro Inti Waka (Argentina). Tiene su propio canal de Youtube. Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. -----------INFORMACIÓN SOBRE MINDALIA--------- Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

Breakups suck—but they don't get to steal your glow.In this heart-to-heart episode of Tea with D, host Diane O'Canto dives into what it really means to reclaim your spark after heartbreak. From honoring your emotions and rediscovering your identity to rebuilding confidence, setting boundaries, and even reconnecting with your sensuality—this episode is your post-breakup blueprint for healing, growth, and thriving.Expect raw truths, empowering tips, and the ultimate reminder: your power was never lost, it just needed a gentle nudge.✨ Whether you're freshly single or still mending, this one's for you.What's inside:How to feel your feels without getting stuckWays to rediscover your passions and joyConfidence-boosting habits that actually workHow to set boundaries without guiltReclaiming your power and radianceSo grab your tea, tune in, and let's get that sparkle back—on your terms.Interested in following my curated life where I post my adventures?!Instagram: diane.christine.ocanto

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=PBQFRsfpd90 Diferentes tradiciones ancestrales aludieron a este presente. Aspectos como la deriva materialista, la inercia y el culto a la velocidad, desembocarían en un momento complejo. Momento que presenta enormes posibilidades respecto a discernimiento y profundización; pero que nos puede conducir al abismo. Javier Fernández Doctor en Bellas Artes, Músico y Profesor de Canto. Estudiante de Sanación holística y tradiciones ancestrales junto a Roberto Torcello (Nahuán) del centro Inti Waka (Argentina). Tiene su propio canal de Youtube. Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. -----------INFORMACIÓN SOBRE MINDALIA--------- Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

Benvenuti nel nostro canale, amici di YouTube! Oggi siamo entusiasti di presentarvi il terzo atto epico della Divina Commedia di Dante Alighieri: il Paradiso! Ma non temete, non saremo guide noiose e altezzose, bensì tre amici divertenti e un po' dissacranti che vi condurranno attraverso questo viaggio di penitenza e redenzione.Preparatevi a immergervi in un'avventura letteraria senza precedenti, mentre ci imbarcheremo in un viaggio nel mondo intermedio tra Inferno e Paradiso. Qui, le anime dei peccatori pentiti cercano la purificazione e l'assoluzione dai loro trascorsi peccaminosi, con la speranza di ascendere verso la beatitudine celestiale.Ma non abbiate timore, perché il nostro approccio sarà un mix di verità storica e momenti di leggera irriverenza. In fondo, il Purgatorio di Dante è così ricco di dettagli e simbolismi che ci sentiamo in dovere di intrattenerci a modo nostro, con qualche scherzetto lungo la strada!Esploreremo le molteplici cornici narrative, incontrando personaggi affascinanti, impareremo da episodi di vita vissuta e affronteremo i tormenti e le sfide delle diverse cornici dell'Antipurgatorio, del Purgatorio stesso e della vetta del monte del Paradiso Terrestre. Non mancheranno momenti esilaranti mentre ci scherniamo reciprocamente sulla nostra condizione umana e sulle bizze delle anime in penitenza!Tuttavia, ci prenderemo anche il tempo di apprezzare l'arte e la grandezza poetica di Dante, esplorando i temi eterni della redenzione, della fede e dell'amore, che rendono la Divina Commedia un capolavoro senza tempo.Siamo certi che vi divertirete, riderete e imparerete un sacco di curiosità sulla vita dell'epoca di Dante e sulle sue visioni del Purgatorio! Non vediamo l'ora di condividere questa avventura con voi, e se siete fan del nostro modo unico di raccontare le storie, assicuratevi di cliccare il pulsante "Iscriviti" e di attivare le notifiche!Ricordate, amici, che mentre viaggiamo tra le cornici dell'aldilà, l'importante è godersi il viaggio e trovare il giusto equilibrio tra il serio e il divertente! Allora, cosa state aspettando? Iniziamo questo entusiasmante viaggio nel Purgatorio di Dante Alighieri insieme! Ci vediamo sul nostro canale!se hai voglia di farti quattro risate con amici, parlare di attualità, ascoltare cicli interessanti, farci domande e passare un po di tempo in modo spensierato seguici. siamo anche su podcast seguici suhttps://www.youtube.com/@ioluielaltro www.ioluielaltro.it telegramhttps://t.me/ioluielaltro #ioluielaltro #umorismo #risate

Nesta edição do podcast do Caixa, Weslley Fonseca recebe o Quarteto Novo Canto. Confere aí!

Esta semana falamos do iluminista Luís António Verney, por altura do seu 312.º aniversário, a 23 de Julho de 1713, e do Motim do Dia de Santa Escolástica, ocorrido na cidade de Oxford, em Inglaterra, a 10 de Fevereiro de 1355.Sugestões da semana1. Pedro Correia Silva - Escavar o Passado. Uma breve história da arqueologia. Gradiva, 2025.2. Sharon Vilches - Breve História da Gestapo. Guerra e Paz, 2025.----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, Manuel Prates, Miguel Vidal, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carla Pinelas, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Civiforum, Lda., Diogo Camoes, Diogo Freitas, Eugenia Capela, Fábio Videira Santos, Francisco Fernandes, Gn, Gonçalo Pedro, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, João Pedro Mourão, Joel José Ginga, José Beleza, José Santos, Luis Colaço, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Parte Cóccix, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vanessa Alexandra Pereira, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0Edição de Marco António.

Forese Donati has passed on ahead of our pilgrim Dante and his two guides, Virgil and Statius. They now need to walk on along the sixth terrace of Mount Purgatory to find the stairs up to the last level.They soon come across the second tree on the terrace (or perhaps just the second tree that they've seen!). This tree proclaims itself a seedling from the tree of the knowledge of good and evil in the Garden of Eden.Dante and his companions appear a bit shook up as the tree offers them a classical and a Biblical example of gluttony.Join me, Mark Scarbrough, as we begin our exit from the sixth terrace of Purgatory and talk about the solace of ceremonial repetition.If you'd like to donate to help support the many hosting, licensing, streaming, and editing fees associated with this podcast, please consider giving a one-time contribution or a small monthly stipend using this PayPal link right here. Here are the segments for this episode of WALKING WITH DANTE:[01:34] My English translation of the passage: PURGATORIO, Canto XXIV, lines 100 - 129. If you'd like to read along or drop a comment about this episode, please find the entry for it on my website, markscarbrough.com.[04:47] Unpacking the first four tercets (ll. 100 - 111) and asking five questions about the second tree on Purgatory's sixth terrace of gluttony.[12:30] The possible regression to childish desire as a form of penance on this terrace.[16:05] The second tree on the terrace, a seedling from the tree of the knowledge of good and evil in the Garden of Eden.[24:29] The classical and Biblical examples of gluttony: centaurs and Gideon's army.[28:53] Ceremonial repetition as solace.[33:38] Rereading the passage: PURGATORIO, Canto XXIV, lines 100 - 129

Canto de Ossanha — Toquinho — Os Primeiros AnosEste Seu Olhar / Cor3covado / Se Todos Fossem Iguais Á Você - Ao Vivo No Rio De Janeiro / 2001 — Toquinho — Um Barzinho Um Violão Sem Limite (Ao Vivo)Insensatez — Toquinho, Vinícius de Moraes — O Melhor da ParceriaTomara — Toquinho, Vinícius de Moraes, María Creuza La Fusa — (Disco no especificado)Tristeza — Toquinho, Vinícius de Moraes — O Poeta e o ViolãoLa voglia la pazzia — Ornella Vanoni, Toquinho, Vinícius de Moraes — La voglia la pazzia l'incoscienza l'allegriaAquarela — Toquinho — AquarelaTarde en Itapoã - Live — Vinícius de Moraes, María Bethânia, Toquinho — Vinicius de3 Moraes en Argentina (Edición 50 Aniversario)A Sombra de um Jatobá — Toquinho — A Sombra de um JatobáAo Que Vai Chegar — Toquinho — Toquinho Sem LimiteTestamento — Toquinho, Vinícius de Moraes — O Melhor da ParceriaA Tonga da Mironga Do Kabuletê — Vinícius de Moraes, Maria Bethânia, Toquinho — La Fusa (Mar del Plata)Samba De Orly (Samba De Fiumicino) — Toquinho, Chico Buarque — 10 Anos De Toquinho ViniciusSignorina — Toquinho — AcquarelloAquarela — Toquinho, Carlinhos Brown — Novas Cores Eternas CançõesA Bençao Bahia — Toquinho, Vinícius de Moraes Sua Bençao, Saravá — *(Disco no especificado)*Escuchar audio

Analizamos el contexto de mercado y respondemos a dudas de oyentes en este consultorio con Roberto Moro, de robertomoro.com, y Jorge del Canto, asesor financiero en Delcanto.es.

Analizamos el mercado y respondemos a dudas de oyentes en este consultorio con Roberto Moro, de robertomoro.com, y Jorge del Canto, asesor financiero en delcanto.es

We've finished the giant conversation between the pilgrim Dante and Forese Donati, complete with its interruption by the shade of the poet Bonagiunta of Lucca.Let's look back over the entire scope of the conversation to discover its construction, its architecture, and the way meaning is made and moves through the words.We'll start by reading the entire thing in my English language translation. Then we'll move on to a couple of small points, followed by some much larger implications of the construction and imaginative landscape of this interchange.If you'd like to help support this podcast, please consider giving a one-time donation or a very small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[02:06] Reading the entire conversation between Forese Donati and the pilgrim Dante in PURGATORIO, Canto XXIII, line 40, to Canto XXIV, line 99.[13:27] The conversation starts and ends with references to shores.[14:51] The pilgrim Dante is not cleansing his sins in this walk up Mount Purgatory.[17:08] There are three balanced prophecies in this conversation.[20:54] The conversation is constructed from friendship to poetic craft to chivalric exaltation.[24:55] This conversation may represent Dante's attempt at political and personal reconciliation.

Neste episódio encerramos a nossa série especial sobre a Segunda Guerra Mundial, com um último episódio sobre um dos assuntos mais dramático deste conflito: o Holocausto. Para isso, falamos com Cláudia Ninhos, investigadora do Instituto de História Contemporânea da FCSH - Universidade Nova de Lisboa. Tentamos compreender quais as causas, como foi organizado, que impactos teve e como se relembra este genocídio, entre outras questões.Sugestões de leitura:Ian Kershaw - Hitler - Uma Biografia. Dom Quixote, 2009.Nikolaus Wachsmann - KL: A História dos Campos de Concentração Nazis. Dom Quixote, 2015.Wendy Lower - As Fúrias de Hitler - Mulheres Nazis nos Campos do Holocausto. Casa das Letras, 2024.Sugestões de filmes:O filho de Saul (Saul fia), r. László Nemes, 2015.A Zona de Interesse (The Zone of Interest), r. Jonathan Glazer, 2023.A Conferência (Die Wannseekonferenz), r. Matti Geschonneck, 2022.Negação (Denial), r. Mick Jackson, 2005.-----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, Miguel Rosa, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Miguel Vidal, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Gonçalo Pedro, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joel José Ginga, José Santos, Luis Colaço, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Parte Cóccix, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.Apoio técnico: 366 Ideias (366ideias@gmail.com).

We've come to the end of the long conversation between Forese Donati and Dante (as well as others) on the sixth terrace of Mount Purgatory among the penance of the gluttons.Dante the pilgrim hedges the question of when he will die, then Forese leaps into an apocalyptic vision of the ruin of someone closely connected to Florence--that is, his own brother, Corso Donati.Join me, Mark Scarbrough, as we work through this apocalyptic prophecy about Corso's ruin, fit it into its historical context, and finally are left with the pilgrim, Virgil, and Statius on the terrace, all caught in a host of military images.If you'd like to help defray the many fees associated with this podcast, including hosting, editing, domain registrations, and my subscriptions to a host of academic journals, please consider offering a one-time donation or a very small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:29] My English translation of the passage: PURGATORIO, Canto XXIV, lines 76 - 99. If you'd like to read along or continue the conversation with me, please find the entry for this episode of the podcast on my website, markscarbrough.com.[03:43] A couple of problems with what the pilgrim Dante could know and the beginning of the military images in the passage.[08:53] Forese Donati's apocalyptic prophecy of the very near future.[13:28] The story of Corso Donati, Forese's brother and a key leader of the Black Guelphs in Florence.[19:25] The military imagery for Forese's triumph (which reminds us of Brunetto's exit in INFERNO XV), as well as that imagery for Virgil and Statius, standing near the pilgrim on the terrace.[23:56] Rereading the passage: PURGATORIO, Canto XXIV, lines 76 - 99.

Con Roberto Moro, de robertomoro.com y Jorge del Canto, asesor financiero en delcanto.es

“Habla el agua” es una cápsula sonora que rescata las voces, paisajes y memorias de las comunidades Indígenas de la cuenca de Laguna de Guayatayoc y Salinas Grandes, Jujuy, Argentina. Narra la relación sagrada entre el agua y la vida, la amenaza del extractivismo del litio y la organización colectiva para resistir y defender el equilibrio natural. Puedes escuchar, descargar y compartir este programa de forma gratuita. Música de introducción: - Burn Your Village to the Ground” de The Halluci Nation. Derechos de autor, propiedad de The Halluci Nation. Usada bajo su permiso. Música de fondo: - Paisajes sonoros grabados en la comunidad de Alfarcito y Tusaquillas, Jujuy, Argentina, mayo 2025. Narración: - Marta Carrillo, Comunidad de Alfarcito, Jujuy, Argentina. Canto de coplas: - Ernestina Alejo, Comunidad de Alfarcito, Jujuy, Argentina. Producción, guión y edición: - Iber Sarapura, Red de Comunicadores de Cuenca de Salinas Grandes y Laguna de Guayatayoc. Grabación de ambientes sonoros: - Iber Sarapura, Red de Comunicadores de Cuenca de Salinas Grandes y Laguna de Guayatayoc. Imagen: - Red de Comunicadores de Cuenca de Salinas Grandes y Laguna de Guayatayoc. Enlaces: - Red de Comunicadores de Cuenca de Salinas Grandes y Laguna de Guayatayoc. https://www.facebook.com/CuencaDeSalinasGrandesYLagunaDeGuayatayoc Esta es una producción de Radio de Derechos Indígenas. Nuestros programas son gratuitos para escuchar, descargar y difundir.

Vistazo al comportamiento general del mercado con Jorge del Canto, asesor financiero en delcanto.es

Con Jorge del Canto, asesor financiero en delcanto.es

Con Roberto Moro, de robertomoro.com y Jorge del Canto, asesor financiero en delcanto.es

Dante the pilgrim has claimed that indeed he is the one who is inspired by love, who writes what love breathes into him and then makes meaning from that.Bongiunta is not finished with that discussion. Instead, he goes on to name this inspiration the "sweet new style" (or the "dolce stil novo"), thereby igniting over seven hundred years of commentary and controversy.And Bonagiunta himself seems to throw some fuel on that fire, given his apparent satisfaction with himself. And Dante the poet may add some fuel, too, given his citation of classical sources, hardly breathed-in inspiration.Join me, Mark Scarbrough, for this most daunting passage in all of PURGATORIO, striking near the heart of what Dante the poet believes he's doing . . . and what generations of critics and thinkers believe he's doing.If you'd like to help support this podcast, please consider a very small monthly stipend or a one-time donation through this PayPal link right here. Your contribution helps me pay the many fees associated with keeping this podcast going.Here are the segments for this episode of WALKING WITH DANTE:[01:48] My English translation of the passage: PURGATORIO, Canto XXIV, lines 55 - 75. If you'd like to read along or to continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:02] Bonagiunta's imaginative landscape: brothers and knots.[07:17] Bonagiunta's peers (or perhaps his school?): Giacomo da Lentini and Giuttone d'Arezzo.[11:41] The "sweet new style" and the taproot of Italian literature.[16:27] Problems with the "sweet new style": its membership, its final relationship to Bonagiunta, and its meaning sewn into the text over generations.[24:55] Two similes that comment on or even challenge this "sweet new style."[30:00] Forese's poignant question and its link to INFERNO X.[31:56] Rereading the passage: PURGATORIO, Canto XXIV, lines 55 - 75.

El 9 de julio de 1980, fallecía en su casa del barrio de Gávea, en Río de Janeiro, el poeta, músico y diplomático Vinicius de Moraes. Recordamos a quien quiso "vivir cada segundo como nunca más" en grabaciones con Toquinho ('Marcha da quarta-feira de cinzas', 'Regra três', 'Samba da bênção', 'Carta ao Tom 74', 'Canto de Ossanha', 'Para viver um grande amor', 'Garota de Ipanema', 'Tristeza'), con María Creuza y Toquinho ('Se todos fossem iguais a você', 'Lamento do morro', 'Samba em prelúdio', 'A felicidade', 'Eu sei que vou te amar') y con Marilia Medalha y Toquinho ('Tarde em Itapoã', 'Tomara').Escuchar audio

En este episodio platico con Marilyn Chairez ella es una talentosa cantante con base en Culiacan Sinaloa.Ella nos cuenta cómo desde pequeña siempre tubo esa inclinacion por el canto, su musica favorita a la hora de estar en un escenario es musica disco, R&B, baladas pop entre otras, ademas ella nos platica de como aun despues de estar en los escenarios por un buen tiempo ella sigue tomando clases de canto y de esta manera poder manejar mejor su voz.Ella es un claro ejemplo que todos podemos hacer algo que disfrutemos y a la vez crear conecciones con otras personas.No se les olvide darse una vuelta por el perfil de Marilyn  y checar su trabajo.A ella la encuentras en Instagram:@marilynmusikbackground music credit to : Space Age Hustle - Squadda B#latinopodcasters #latinopodcast #chingona #chingon #podcastenespañol #podcastenespanol #creandojuntospodcast #sisepuede #mentecreativa #creadordecontenido  #talentolatino  #siguesoñando #siguecreando #disco #R&B #cantante #iwillsurvive

List of verses: https://vedabase.io/en/library/sb/10/1/4/ https://vedabase.io/en/library/sb/10/1/13/ https://vedabase.io/en/library/sb/10/1/16/ https://vedabase.io/en/library/sb/10/2/30/ https://vedabase.io/en/library/sb/10/2/32/ https://vedabase.io/en/library/sb/10/2/36/ https://vedabase.io/en/library/sb/10/2/37/ https://vedabase.io/en/library/sb/10/8/4/ https://vedabase.io/en/library/sb/10/9/21/ https://vedabase.io/en/library/sb/10/12/11/ https://vedabase.io/en/library/sb/10/14/3/ https://vedabase.io/en/library/sb/10/14/4/ https://vedabase.io/en/library/sb/10/14/8/ https://vedabase.io/en/library/sb/10/14/29/ https://vedabase.io/en/library/sb/10/14/58/ https://vedabase.io/en/library/sb/10/22/35/ https://vedabase.io/en/library/sb/10/29/15/ https://vedabase.io/en/library/sb/10/31/9/ https://vedabase.io/en/library/sb/10/33/29/ https://vedabase.io/en/library/sb/10/33/39/ https://vedabase.io/en/library/sb/10/52/43/ https://vedabase.io/en/library/sb/10/81/16/ https://vedabase.io/en/library/sb/10/82/44/ https://vedabase.io/en/library/sb/10/82/48/ https://vedabase.io/en/library/sb/10/84/13/ https://vedabase.io/en/library/sb/10/88/8/ https://vedabase.io/en/library/sb/10/90/48/ ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Esta semana falamos do maior roubo de carros da História, protagonizado pela Coreia do Norte, e da origem do nome de família Panelas de Pólvora no Estado da Índia do séc. XVI-XVII.Sugestões da semana:1. Documentário O Mundo do Imperador Romano com Mary Beard (RTP Play): https://www.rtp.pt/play/p14949/e849786/meet-the-roman-emperor-with-mary-beard2. Disco “Sombras” de Tiago Matias, 2025.----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, Miguel Rosa, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Gonçalo Pedro, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa; Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, João Pedro Mourão, Joel José Ginga, José Santos, Luis Colaço, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0Edição de Marco António.

After Forese Donati has pointed out five of the gluttons on the sixth terrace of Mount Purgatory, one of them, the first mentioned and a poet of the previous generation, keeps muttering something almost unintelligible under his breath.Our pilgrim asks him for more information. He then offers the pilgrim an oblique prophecy that has troubled Dante scholars for hundreds of years. He also asks if this pilgrim is the same guy who wrote a poem found in the VITA NUOVA.Dante replies that he is indeed that poet . . . and goes on to claim that his poetry is inspired by love itself.Join me, Mark Scarbrough, as we take on the first half of the single most annotated passage in all of Dante's COMEDY. We are getting to the heart of what Dante thinks he's doing with his poetry . . . but what exactly that is remains something of a mystery, or at least a scholarly debate.Here are the segments for this episode of WALKING WITH DANTE:[02:00] My English translation of the passage: PURGATORIO, Canto XXIV, Lines 34 - 54. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[05:08] The value of paying attention: the pilgrim to Bonagiunta and Bonagiunta to Dante's poetry.[08:54] Bonagiunta's shifty murmurs of "gentucca."[11:51] An opaque prophecy about Lucca from an older poet who should know how to be clear.[17:13] Bonagiunta's refernce to a canzone (or long poetic song) from Dante's VITA NUOVA.[20:37] The pilgrim's wild claims for direct inspiration from . . . love (or maybe God).[27:02] Rereading the passage: PURGATORIO, Canto XXIV, lines 34 - 54.

Respondemos a dudas de oyentes con Roberto Moro, de robertomoro.com y Jorge del Canto, asesor financiero en delcanto.es

When the Grim Reaper shows up wearing a peacock feather and playing a flute, you know it's time to rethink your priorities. This episode of Wisdom of the Sages dives into the 10th Canto of the Śrīmad-Bhāgavatam, where Time itself — in the form of Krishna — comes calling, leaving tyrants like Kamsa in panic. Live from Italy, Raghunath explores how fear, loss, and even death can awaken us to life's deeper purpose, with a mix of timeless wisdom, vivid storytelling, and plenty of laughs.

When the Grim Reaper shows up wearing a peacock feather and playing a flute, you know it's time to rethink your priorities. This episode of Wisdom of the Sages dives into the 10th Canto of the Śrīmad-Bhāgavatam, where Time itself — in the form of Krishna — comes calling, leaving tyrants like Kamsa in panic. Live from Italy, Raghunath explores how fear, loss, and even death can awaken us to life's deeper purpose, with a mix of timeless wisdom, vivid storytelling, and plenty of laughs.

Forese Donati continues to answer Dante the pilgrim's questions by naming five penitent gluttons surrounding them on the sixth terrace of Mount Purgatory.As he points them out, Forese (and Dante the poet behind him) use culinary and gastronomical imagery to reinforce the themes of the terrace and perhaps to further fuel that long-standing feud between French and Italian cuisine.Join me, Mark Scarbrough, as we pick through the historical and cultural details in the second part of Forese's answer to the pilgrim.Here are the segments for this episode of WALKING WITH DANTE:[01:52] My English translation of the passage: PURGATORIO, Canto XXIV, lines 16 - 33. If you'd like to read along or continue the conversation with me, please find the entry for this podcast episode on my website, markscarbrough.com.[03:17] The deft use of culinary and gastronomic imagery in this passage.[06:40] Five penitent gluttons: Bonagiunta of Lucca, Pope Martin IV, Ubaldino della Pila, Boniface, and Master Marchese degli Orgogliosi.[17:12] A curiosity: It's not forbidden to name them?[19:16] Is this passage a false lead?[22:54] Rereading the passage: PURGATORIO, Canto XXIV, lines 16 - 33.

Quarta-feira, 2 de julho de 2025.

List of verses: https://vedabase.io/en/library/sb/10/1/4/ https://vedabase.io/en/library/sb/10/1/13/ https://vedabase.io/en/library/sb/10/1/16/ https://vedabase.io/en/library/sb/10/2/30/ https://vedabase.io/en/library/sb/10/2/32/ https://vedabase.io/en/library/sb/10/2/36/ https://vedabase.io/en/library/sb/10/2/37/ https://vedabase.io/en/library/sb/10/8/4/ https://vedabase.io/en/library/sb/10/9/21/ https://vedabase.io/en/library/sb/10/12/11/ https://vedabase.io/en/library/sb/10/14/3/ https://vedabase.io/en/library/sb/10/14/4/ https://vedabase.io/en/library/sb/10/14/8/ https://vedabase.io/en/library/sb/10/14/29/ https://vedabase.io/en/library/sb/10/14/58/ https://vedabase.io/en/library/sb/10/22/35/ https://vedabase.io/en/library/sb/10/29/15/ https://vedabase.io/en/library/sb/10/31/9/ https://vedabase.io/en/library/sb/10/33/29/ https://vedabase.io/en/library/sb/10/33/39/ https://vedabase.io/en/library/sb/10/52/43/ https://vedabase.io/en/library/sb/10/81/16/ https://vedabase.io/en/library/sb/10/82/44/ https://vedabase.io/en/library/sb/10/82/48/ https://vedabase.io/en/library/sb/10/84/13/ https://vedabase.io/en/library/sb/10/88/8/ https://vedabase.io/en/library/sb/10/90/48/ ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Cerramos el mes de junio seleccionando algunas de las novedades favoritas que hemos presentado a lo largo del mes.Playlist; (sintonía) LOS FRENÉTICOS “Cinerama” GRINGO STAR “Blood moon” VIV and THE SECT “Wake up” ROBERT FORSTER “Good to cry” EZEZEZ “Puntofinal” ASTEROID B-612 “Park bench Gods” MFC CHICKEN “What’d the chicken say” THE FIVE CANNONS “Barkin’” THE UNTAMED YOUTH “What do I get” KEITH STRENG “How pretty is pretty” KID GULLIVER “24 hours” LOS SUMMERS feat ADOLFO AIRBAG “Casi vacaciones” LES GREENE “Not so lonely island” MIKE MOK and THE EM-TONES “What a girl” LOS ETERNOS “Canto eu te amei” VAN MORRISON “Remembering now”Escuchar audio

Neste episódio continuamos a nossa série sobre a Segunda Guerra Mundial, e procuramos compreender as suas consequências, sensivelmente entre 1945 e 1953. Analisamos a devastação provocada por esse conflito, a reconstrução e a mudança da ordem política mundial no pós-guerra através da formação de dois blocos antagónicos nos inícios da Guerra Fria.Sugestões de leitura1. Tony Judt - Pós-Guerra. História da Europa desde 1945. Edições 70, 20072. Jeremy Black - The Cold War. A Military History. Bloomsbury, 2015.3. Robert McMahon - Cold War. A Very Short Introduction. Oxford University Press, 2003.-----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, Miguel Rosa, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Miguel Vidal, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, João Pedro Mourão, Joel José Ginga, José Santos, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.

PURGATORIO, Canto XXIV, is set as a direct continuation from Canto XXIII. The poet Dante cues us to the continuation but there nevertheless are a couple of subtle disruptions.For one thing, Virgil has been silence for most of Canto XXIII and will indeed remain silent throughout Canto XXIV, his longest silence yet in COMEDY. We won't hear anything from him until well into Canto XXV.And in this on-going conversation with Forese Donati, we get our first glimpse of Paradise, after curiously understanding that the human will is strong enough to slow down its progress even to that place, its ultimate goal.Join me, Mark Scarbrough, as we work through the opening lines of our on-going time among the gluttons on the sixth terrace of Mount Purgatory.Here are the segments for this episode of WALKING WITH DANTE:[01:49] My English translation of the passage: PURGATORIO, Canto XXIV, lines 1 - 15. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[03:12] Canto XXIV is a continuation of Canto XXIII--and Virgil remains silent.[06:33] The "redead" is a reference to Jude 12 in the New Testament.[10:49] Does Ulysses enter into this passage?[11:50] The human will can even slow down its ultimate desire, the central motivation of the universe.[14:15] Mentioning Piccarda Donati gives us a fuller glimpse of Paradise ahead . . . and a classical glimpse.[16:48] Pain and solace are the core of the prophetic voice.[21:39] Rereading the passage: PURGATORIO, Canto XXIV, lines 1 - 15.

And of course, Kṛṣṇa is bound in love to the gopīs, as described by Kārbhājana Muni in the 11th Canto of the Śrīmad Bhāgavatam: 'māyā-mṛgaṁ dayitayepsitam anvadhāvad,' which is a verse describing Rāmacandra, Lord Caitanya, and Kṛṣṇa in the matter of the description of Kṛṣṇa, he says māyāmṛgam means he becomes like a toy—one of those play toys that children have—in the hands of the gopīs of Vrindavan, because they love him so deeply. Kṛṣṇa is Ajita; he is unconquerable, but he is conquered by the love of his devotees. That's one of the realizations that Lord Brahmā had after he saw Kṛṣṇa in Vrindavan: “jñāne prayāsam udapāsya namanta eva īvanti san-mukharitāṁ bhavadīya-vārtām sthāne sthitāḥ śruti-gatāṁ tanu-vāṅ manobhir ye prāyaśo 'jita jito 'py asi tais tri-lokyām” (SB 10.14.3). That if one takes this method of worshiping the Lord, following in footsteps the residents of Vrindavan, he recommends that. "ñāne prayāsam udapāsya namanta eva īvanti san-mukharitāṁ bhavadīya-vārtām" - when he hears about the interaction with Kṛṣṇa and his devotees in Vrindavan,“Vikrīḍitaṁ vraja-vadhūbhir idaṁ ca viṣṇoḥ śraddhānvito 'nuśṛṇuyād atha varṇayed yaḥ bhaktiṁ parāṁ bhagavati pratilabhya kāmaṁ hṛd-rogam āśv apahinoty acireṇa dhīraḥ” (SB 10.33.39). So, Śukadeva Gosvāmī says that by just hearing about the playful pastimes Kṛṣṇa has with his most intimate devotees in Vrindavan—especially the gopīs—their hearts then become bound to Kṛṣṇa, and Kṛṣṇa also becomes bound to them. And although Kṛṣṇa is unconquerable, he's conquered by the love of his devotees. This is the greatest quality of Kṛṣṇa: he becomes conquered by the love of his devotees. In Vrindavan, there's no life without Kṛṣṇa. And after Kṛṣṇa leaves Vrindavan—apparently, although mysteriously or very esoterically at least—he's there in his bhava feature. The surroundings of Vrindavan are important, because the backdrop of Vrindavan is the way that Kṛṣṇa dresses in Vrindavan, the way he interacts with everybody. That's the mood of Vrindavan, where we say God is at home. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #rathyatra #jagannath #vrindavan #bhakti #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Forese Donati has finished his diatribe about Florentine women and is now ready to hear Dante the pilgrim's story. Who did the pilgrim get here in the flesh?The pilgrim retells the journey, renegotiating its opening and reconfiguring its theology, even this high up on the mountain, as we near the apocalyptic climax of PURGATORIO.Join me, Mark Scarbrough, as we walk slowly through this last passage in Canto XXIII.If you'd like to help support this podcast and underwrite its many fees, please consider a small stipend or a one-time donation at this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:27] My English translation of the passage: PURGATORIO, Canto XXIII, lines 112 - 133. If you'd like to read along or continue the conversation with a comment, please find this episode on my website, markscarbrough.com.[04:09] A V-shaped structure reinforced for Canto XXIII.[06:17] A question of what Forese should remember and how the opening of COMEDY should be understood.[10:20] Further negotiations about the plot of COMEDY.[14:22] The first time the pilgrim Dante names Beatrice and the first time he acknowledges the loss of Virgil.[16:09] A curious moment: Virgil named and Statius unnamed.[18:29] Two larger questions. One, COMEDY is a poem in process.[20:03] Two, PURGATORIO replicates the structure of the New Testament.[23:16] Rereading the passage: PURGATORIO, Canto XXIII, lines 112 - 133.

Menú de novedades que comienza con Neil Young y su "Talking to the trees", el álbum que el canadiense ha grabado al frente de su nueva banda, The Chrome Hearts. Suena una buena andanada de curiosas y dispares versiones localizadas en discos recientes, y te presentamos los últimos trabajos de dos interesantes bandas de Nueva York, Mike Mok and The Em-Tones y The Mooks, que harán gira conjunta por España en los próximos días.Playlist;NEIL YOUNG and THE CHROME HEARTS “Dark mirage” (Talking to the trees)VAN MORRISON “If it wasn’t for Ray” (Remembering now)ROBERT FORSTER “Strawberries” (Strawberries)GRINGO STAR “Little Red Riding Hood” (Sweetheart)KEITH STRENG “I’m a boy, I’m a girl” (The king of queens)PAUL WELLER “I started a joke” (Find El Dorado)THE UNTAMED YOUTH “I’m on fire” (Git up and go)THE BREADMAKERS “Mojo Hannah” (Lonesome sundown)Versión y Original; HENRY LUMPKIN “Mojo Hannah” (1962)EZEZEZ “New York” (Kabakriba)MIKE MOK and THE EM-TONES “What a girl” (What a girl)THE MOOKS “Never go back home” (Just a couple of Mooks)LOS ETERNOS “Canto eu te amei” (San Antonio)Escuchar audio

Having praised his wife, Nella, Forese Donati launches into the prophetic voice, the new "high style" that Dante has developed, a screed with a lyrical undertow.This complicated poetic act can only be accomplished with the vernacular, with medieval Florentine (in Dante's case).And although it fuses with misogyny and xenophobia, it nonetheless demonstrates the Dante's new style beyond love sonnets: the lyrical, prophetic voice.Join me, Mark Scarbrough, as we explore Forese Donati's condemnation of Florentine women and his wild launch into Isaiah's prophetic vision.If you'd like to help support this podcast, consider a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:40] My English translation of the passage: PURGATORIO, Canto XXIII, lines 91 - 111. If you'd like to read along or continue the conversation via a comment on this episode, please find its entry on my website: markscarbrough.com.[03:50] As Forese launches into his misogynistic condemnation of Florentine women, he reaffirms his love for his wife, Nella, the "little widow."[08:42] Forese's prophetic discourse takes flight from a misogynistic and xenophobic platform.[11:29] Rising sumptuary laws indicate an increasingly fluid social structure, particularly for women.[15:02] Forese ends his screed at a high-style moment infused with Isaiah's prophecy (from Isaiah 7).[18:03] The prophetic discourse ends at a lyrical moment somehow still in this high style.[20:03] The vernacular is able to handle a greater emotional range than Latin in Dante's day.[23:40] Forese's prophecy never comes true--and incorporates a curious shadow of doubt.[26:23] Rereading the passage: PURGATORIO, Canto XXIII, lines 91 - 111.

Dante the pilgrim and his rival/friend/fellow poet Forese Donati continue to talk about their concerns: suffering, placement on the mountain, and the role of the living in the service of the dead.Along the way, they seem to be coming closer and closer to the Christian idea of redemptive suffering, a complex stance in the face of the nihilism that almost overwhelms the suffering in INFERNO behind us.Join me, Mark Scarbrough, as we explore these problems, plus talk about Forese's wife, Nella, and the role of the vernacular in exploring and explaining the deepest truths.Here are the segments for this episode of WALKING WITH DANTE:[01:37] My English translation of the passage: PURGATORIO, Canto XXIII, Lines 76 - 90. If you'd like to read along or continue the conversation with me, please find the entry for the episode of the podcast on my website, markscarbrough.com.[03:17] The changing notion of suffering--yes, in COMEDY, but even in this small passage.[07:20] Accounting for time, souls, and their ascents on Mount Purgatory.[13:32] Nella Donati and two interpretive stances toward her place in the poem: 1) correcting the record or 2) hoping for a full record of a poet's works.[17:36] Vernacular language and its uncomfortable relationship with "higher" truths.[24:03] Rereading the passage: PURGATORIO, Canto XXIII, lines 76 - 90.

Having met his poetic rival, Forese Donati, Dante the pilgrim must make sense of the clear and present pain he sees in friend's face.This passage is a curious example of felix culpa, the fortunate fall, in which suffering must be reinterpreted for the greater good. Except the pain doesn't stop being the pain. Suffering remains the central metaphysical question of the human condition, the experiential crux underneath our high-minded notions of ontology.Join me, Mark Scarbrough, as we work through this conversation between two poetic rivals on the sixth terrace of Mount Purgatory among the emaciated gluttons.Here are the segments for this episode of WALKING WITH DANTE:[01:42] My English translation of the passage: PURGATORIO, Canto XXIII, lines 49 - 75. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:08] Best friends, still perhaps vain, still perhaps rivals.[10:39] A power in the water and the tree--and an intense interpretive knot.[14:56] The problem of hunger and thirst among disembodied souls.[18:50] The interpretation of suffering as the crux of being human.[26:15] Rereading the passage: PURGATORIO, Canto XXIII, lines 49 - 75.