Podcasts about Canto

Canto dei pellegrinaggi.

Neste episódio do Sons da Terra os repórteres do Terra daGente e o biólogo Luciano Lima conversam sobre uma ave pequena, com coloração discreta e que possui um canto marcante: a corruíra (Troglodytes musculus).A espécie que é da mesma família do uirapuru possui ampladistribuição pelo Brasil. Mas, diferente do seu parente, a corruíra não é encontrada em áreas florestais, na realidade ela vive em bordas de matas e áreas abertas. Ela é considerada uma ave popular, sendo comum em ambientes urbanos.Por ser uma espécie insetívora, a corruíra é vista como umagrande aliada nos jardins, eliminando insetos e pequenas pragas. Na natureza essa avezinha se reproduz em ocos e pequenas cavidades. Já nas cidades ela possui uma grande habilidade em utilizar locais inusitados para colocar osovos, como caixa de correio, buracos em muros e até sapatos.Quer saber mais sobre essa espécie tão carismática? Confiratodos os detalhes no episódio completo!(Foto: Rudimar Narciso Cipriani)

Dante wakes back up from his unexpected sleep to find that the grand parade is heading off into the forest (or maybe the skies). He's in a panic that Beatrice has left, too, although the young woman of Eden comforts him and shows her now humble place under the renewed tree.Meanwhile, we readers are equally panicked . . . or at least de-centered, as we try to make sense of complicated similes and oblique symbolic meanings. COMEDY is getting more complex by the line. It's a game of interpretation we've been preparing to play since INFERNO, Canto I.Join me, Mark Scarbrough, as we look at the passage just before the giant apocalyptic vision of PURGATORIO, Canto XXXII.To underwrite the many fees for this work, consider a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:21] My English translation of PURGATORIO, Canto XXXII, Lines 70 - 108. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:53] Four (or maybe five) interwoven Biblical references in the opening twelve lines of this passage (or the opening four tercets).[13:25] The interweaving of textuality to de-center the reader by pushing meaning further into mystery.[15:52] Dante's awakening to panic and then obeisance.[19:43] The complex meaning of Beatrice's changed position under the tree.[25:10] Dante's Roman hopes for heaven.[26:47] A flourish of the medieval high rhetorical style at the end of the passage.[28:53] Writing as awakening and return.[31:23] Rereading this passage: PURGATORIO, Canto XXXII, lines 70 - 108.

Raghunath and Kaustubha enter the sacred poetry of Canto 10, Chapter 21—The Gopīs Glorify the Song of Kṛṣṇa's Flute. This is the theological summit of bhakti yoga, where love is defined, refined, and elevated beyond ritual, beyond liberation, beyond even the reverence of the gods. This is not ordinary romance. This is gopī-prema—the highest expression of divine love. When divine sound penetrates the heart, nothing remains the same. ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

Today on Ascend: The Great Books Podcast, Dcn. Harrison Garlick and Dr. Jessica Hooten Wilson of Pepperdine University discuss cantos 13-17 of Dante's Purgatorio--the purging of envy and wrath. Check out our 51 question and answer guide (35 pages!) to the Purgatorio. Check out our YOUTUBE page which has our episodes in playlists!Dr. Jessica Hooten Wilson joins Deacon Harrison Garlick to discuss Cantos 13–17, covering the terraces of envy (Canto 13) and wrath (Cantos 14–17), with a strong focus on the central discourses in the middle of the Comedy. In Canto 13, the envious have their eyelids sewn shut with iron wire, a contrapasso that forces them to rely on others and recognize interdependence. Wilson explains: “envy is to look cross-eyed on another's blessings... to look askance,” and the disembodied voices proclaim examples of generosity (Cana, “I am Orestes,” “Love them from whom you've suffered evil”), teaching a mindset of abundance over scarcity (Dr. Jessica Hooten Wilson). Sapia humbly confesses her envy and malice, contrasting with the divisive souls in Inferno.Cantos 14–15 transition to wrath, with visions of meekness (Mary and Joseph seeking Jesus, a tyrant sparing a youth, Stephen forgiving his stoners) and Virgil's discourse on goods: exhaustible earthly goods versus inexhaustible spiritual ones. Wilson notes: “envy stems from a mindset of scarcity versus Mary's mindset of abundance... able to supply where it looks like there's not enough in the world” (Dr. Jessica Hooten Wilson). The pivotal Canto 16 (the exact midpoint of the Comedy) features Marco Lombardo's sermon on free will: “If the present world has gone astray, the cause is in you, look at yourselves” (Marco via transcript). Wilson calls it “the clearest sermon that Dante has about what's wrong with the world,” emphasizing that sin arises from misused free will, not fate or stars, and critiques the separation of temporal and spiritual powers.Canto 17 concludes the wrath terrace with Virgil's discourse on love as the root of all action (“Neither Creator nor creature was ever without love... natural or of the mind” – Virgil via transcript), which can be misdirected, deficient, or excessive. Wilson highlights the shift from reason to grace: “reason can't do it alone... you need this other kind of intervention” (Dr. Jessica Hooten Wilson). The cantos underscore Purgatorio's hopeful pedagogy: purgation reorders love through grace, habituation, and contemplation, moving from misdirected to deficient love in preparation for the excessive attachments above. Wilson stresses the urgency: “the Purgatorio shows humanity in motion, dynamic humanity... it has the immediacy... that is an urgency to it” (Dr. Jessica Hooten Wilson).Chapters00:00 Introduction to the Great Books Podcast04:06 Exploring Dante's Purgatorio07:20 The Great Books Program at Pepperdine University10:18 The Significance of Purgatorio13:27 Understanding Envy in Purgatorio16:17 Contrary Virtues: Generosity and Kindness19:22 The Role of Sight and Blindness in Envy22:15 Dante's Moral Lessons on Envy25:14 Comparative Analysis with Inferno30:33 Dante's Poetic Structure and Contrapasso32:15 Comparative Analysis of Characters in Inferno and Purgatorio33:54 The Role of Good and Bad Examples in Moral Education34:14 The Shift from Temporal to Eternal Mindsets34:20 Understanding Canto 14: The Importance of Examples39:35 Canto 15: The Inquiry into Goods and Wrath49:58 Canto 16: The Purging of Wrath and Examples of Virtue51:35 Ecstatic Visions and Penitent Souls52:19 The Tyrant's Moment of Virtue53:28 Humanity in Purgatorio54:38 The Role of Mary in Purgatory56:02 Saint Stephen's Example of Forgiveness57:12 Virgil's Limitations as a Guide59:12 The Nature of Freedom in Purgatory01:03:07 The Importance of Canto 1601:04:37 Understanding Freedom in Dante's Context01:07:32 The Role of Law and Governance01:14:39 Self-Reflection and the State of the World01:23:48 Exploring Wrath in Purgatory01:30:57 Understanding the Structure of PurgatoryKeywords: Dante's Purgatorio, Cantos 13-17, spiritual growth, virtues and vices, education, great books, Dante analysis Dante's Divine Comedy, Purgatory, Virtues and Vices, Free Will, Theology, Morality, Literature, Catholic Teaching, Spiritual Journey

Raghunath and Kaustubha enter the sacred poetry of Canto 10, Chapter 21—The Gopīs Glorify the Song of Kṛṣṇa's Flute. This is the theological summit of bhakti yoga, where love is defined, refined, and elevated beyond ritual, beyond liberation, beyond even the reverence of the gods. This is not ordinary romance. This is gopī-prema—the highest expression of divine love. When divine sound penetrates the heart, nothing remains the same. ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

"Los Bellos Pasatiempos de Krishna" é uma bela oferenda de Srila BhaktiKavi Atulananda Maharaj ao seu amado Mestre, Srila A.C. Bhaktivedanta Swami Prabhupada, inspirada no Décimo Canto do Srimad Bhagavatam.ORIGINAL EM VÍDEO: https://www.youtube.com/c/Congregaci%C3%B3nSarasvatGaudiyaInscreva-se para ficar por dentro de cada capítulo!Realização: Equipe Sarasvat StudioGravaçãoem video: Madhurya Krti dasiAudio: Arjuna Sakha Yugau dasMúsica: Madhava Dasi, Kamala das, Mangal das, Raghava das, Bhakta Sergio. Edição: Madhurya Krti dasiAnimação: Karuna Lochani dasi. Localização Finca Ecológica Eka Chakra Dham (Catemu - Chile)Sobre Sarasvat Gaudiya: Buscamos promover uma vida simples com pensamento elevado, baseada no conhecimento sagrado da Filosofia Védica.Gostaria de saber mais sobre nós?Visite www.sarasvat.org

Esta semana falamos do presidente do EUA que tinha medo da electricidade e da febre ou peste da dança de 1518.Sugestões da semana1. Lesley Downer - A Mais Breve História do Japão. Das origens míticas ao poder da cultura pop. Presença, 2026.2. Morgane Delaunay - Os Retornados. Edições 70, 2026.----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, Miguel Pinheiro, NBisme, Oliver Doerfler, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, João Cancela, João Carreiro, Luís André Agostinho, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Cláudia Brandão, Diogo Freitas, Fábio Videira Santos, Gn, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, José Santos, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, João Pedro, Luis Colaço, Mafalda Trindade, Manuel Bernardo, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Ruivo, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Curado Silva, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0. Music by Jerome Chauvel from Pixabay.Edição de Marco António.

Un'altra bellissima scoperta di WebRadioScout: Stella in Alto Mare con VilliBirilli a.k.a. Marmotta Sagace per il progetto musicale 30 anni 6 Corde - Vol. 1: Canto a Squarciagola! che potete trovare in Scoutmusic - Le Band e i Solisti (collegamento) oltre che su Spotify (collegamento) e su YouTube (collegamento)Oggi presentiamo una raccolta di brani originali, nati dal 1993 ad oggi, per le vacanze di branco i campi scout e i fuochi di bivacco; sono pezzi 'd'annata' rinnovati e confezionati con arrangiamenti moderni grazie all'uso dell'Intelligenza Artificiale, mantenendo però intatta la loro natura; sono tutti brani nati sulla chitarra, immediati e fatti per essere cantati insieme.L'obiettivo del progetto (tre volumi, tutti pronti, ma con rilascio distanziato di qualche mese) è di dare nuova vita a questi brani, di farli uscire dalla loro nicchia per poter fornire così a capi ed a educatori una colonna sonora carica di energia e di messaggi positivi fatta per 'cantare a squarciagola'Buon ascolto sulle onde dello Scautismo! ---Canale Spotify di VilliBirilli: collegamentoLanding page di VilliBirilli: collegamento"30Anni-6Corde - Vol. 1: Canto a Squarciagola"! Disponibile su Spotify, YouTube Music, Apple Music e tutte le altre piattaformeTracklist: Il Mago di Oz, Nell'isola di Robinson, Mi Chiederanno, Canto a squarciagola, I misteri di Fenilon Hill, Nuntallargax, CercaGuai, Corri Corri In 8 Giorni, Buon Natale A Te.

The griffin pulls the chariot or cart up to the denuded tree--the "widowed" tree--and the tree regenerates into a color reminiscent of other moments in PURGATORIO. But which one exactly?We're descending into the murk of mystery with new songs that can't be defined, with allegories that are becoming increasingly opaque, and even with classical references that seem somehow out of place in the overall arch of the glorious parade.Join me, Mark Scarbrough, as we begin to approach the strange and incomprehensible mysteries that lie at the end of the second canticle of COMEDY.To support this work, consider a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:24] My English translation of PURGATORIO, Canto XXXII, Lines 49 - 69. If you'd like to read along or continue the conversation with me with a comment on this episode, please find its entry on my website, markscarbrough.com.[03:32] A correction perhaps: "Adam" may have been a murmured reassessment of the misogyny in the text.[04:55] The pole, the chariot, and the tree: complicated translation problems.[07:15] The pole as the cross or perhaps the ties of good human governance.[11:49] The changing seasons as the tree regenerates.[13:26] The ambiguous symbolism of purple.[15:41] The unknown new song, a further mystery in the passage.[18:48] A tense and perhaps off-pitch reference to Ovid.[22:27] A knock against representative art before the apocalyptic vision just ahead.[24:18] Rereading the text: PURGATORIO, Canto XXXII, lines 49 - 69.

Shuka completes the account given by Saarana.Recitation: 00:00 - 07:12Translation: 07:15 - 15:58

Dispatched by Ravana to ascertain the strength of the simian army, the ogre Shardula acquaints his master with the topmost leaders of the monkeys.Recitation: 00:00 - 05:52Translation: 05:55 - 14:00

Snubbing Shuka and Saarana, Ravana expels them from his court and dispatches Shardoola and other ogres for espionage. Captured by the monkeys, the ogres are thrashed by them and get released by Sri Rama. Returning to Lanka, they too speak to Ravana about the army of monkeys.Recitation: 00:00 - 05:12Translation: 05:16 - 11:57

Sarama reassures Sita by telling her that the head brought before her was not of Sri Rama, who was alive and would soon be able to see her, and asked her not to be afraid.Recitation: 00:00 - 06:43Translation: 06:48 - 15:13

Mentioning the names of other monkey-generals, Saarana proceeds to describe their individual valour.Recitation: 00:00 - 08:13Translation:08:17 - 17:55

Climbing up the roof of his palace on hearing the submissionof Saarana and surveying the entire army of monkeys, Ravana inquires about the monkey leaders and Saarana shows to him Hanuman and others along with their distinguishing marks.Recitation: 00:00 - 08:03Translation: 08:07 - 17:33

Sita bursts into a wail at the sight of Sri Rama's head and bow, when Ravana is abruptly called away by an emissary and after consultation with his ministers prepares his forces for action against the army of Sri Rama.Recitation: 00:00 - 07:40Translation: 07:44 - 17:59

Perturbed to find from the spies sent to him that Sri Rama had taken up his position near the Suvela mountain, Ravana takes counsel with his ministers and, after dismissing them, approaches Sita with Vidyujjihva, who was a past master in conjuring tricks. Telling her how her husband had been killed by him with his entire army, he produces before her as an evidence the counterfeit head of Sri Rama brought by Vidyujjihva.Recitation: 00:00 - 07:33Translation: 07:38 - 17:58

#Bitcoin #DTV #DontTrustVerifyO podcast focado em Bitcoin falado em língua portuguesa. Neste episódio temos um convidado muito especial, Canto do Kant.Maxfy (Compre sats sem KYC)https://maxfy.app/Medusa Wallet (Obtenha a sua carteira lightning)https://medusa.bzLotoMaxi (Apostas no preço da Bitcoin)https://lotomaxi.maximacitadel.org/APOIA O NOSSO PODCASTdtv@medusa.bz (Lightning Address)bc1qwfq446hu4vs7lw79guqqq2kzxv0ls90a6jylpu (Bitcoin Layer1)LINKSWebsite: https://fyoumoneypod.com/Rumble: https://rumble.com/FYouMoneyPTFountain: https://fountain.fm/show/K8Y5JQruNp7cAjpUuDi3Spotify: https://open.spotify.com/show/7atJjju3NGCtONJTZez2zzApple Podcasts: https://podcasts.apple.com/us/podcast/f-you-money-em-portugues/id1606626713Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy83ZjM2MGM5OC9wb2RjYXN0L3JzcwTelegram group (English): https://t.me/FYouMoneyTelegram group (português): https://t.me/FYouMoneyPTTwitter: @_Hugo_Ramos_ | @FYouMoneyPodInstagram: ssurfer_tugaFacebook group: https://www.facebook.com/groups/bitcoinfyoumoneyLINKS DO CONVIDADOhttps://x.com/CantodoKanthttps://www.youtube.com/@golpelibertariohttps://www.partidolibertario.pt/*O conteúdo deste canal não é informação financeira! Todos os nossos conteúdos são apenas para entretenimento.

Un'esplosiva Elettra Lamborghini è passata a trovarci sul nostro truck in Corso Imperatrice per raccontarci tutta la sua musica e svelarci il segreto del duetto con le Las Ketchup!

Con Roberto Moro y Jorge del Canto.

Analizamos el contexto de mercado y respondemos a dudas de bolsa e inversión de nuestros oyentes con Roberto Moro y Jorge del Canto.

Podcast de Mercado Abierto

Un viaje a la India motivó las nuevas canciones y todo el universo conceptual de 'The Mountain' el disco que Gorillaz publican hoy. En nanana de Radio 3 hemos tenido el privilegio de charlar con sus creadores sobre el contexto en el que surgieron, sobre las grandes colaboraciones que encontramos en ese disco (Johnny Marr, Paul Simonon, Bobby Womack, Tony Allen, Anoushka Shankar...) y sobre la parte audiovisual, tan característica, que siempre acompaña a la música. Escuchar audio

"Los Bellos Pasatiempos de Krishna" é uma bela oferenda de Srila BhaktiKavi Atulananda Maharaj ao seu amado Mestre, Srila A.C. Bhaktivedanta Swami Prabhupada, inspirada no Décimo Canto do Srimad Bhagavatam.ORIGINAL EM VÍDEO: https://www.youtube.com/c/Congregaci%C3%B3nSarasvatGaudiyaInscreva-se para ficar por dentro de cada capítulo!Realização: Equipe Sarasvat StudioGravaçãoem video: Madhurya Krti dasiAudio: Arjuna Sakha Yugau dasMúsica: Madhava Dasi, Kamala das, Mangal das, Raghava das, Bhakta Sergio. Edição: Madhurya Krti dasiAnimação: Karuna Lochani dasi. Localização Finca Ecológica Eka Chakra Dham (Catemu - Chile)Sobre Sarasvat Gaudiya: Buscamos promover uma vida simples com pensamento elevado, baseada no conhecimento sagrado da Filosofia Védica.Gostaria de saber mais sobre nós?Visite www.sarasvat.org

The griffin rolls his chariot up to the foot of a denuded tree as Beatrice descends out of her ride. The symbolism (the allegories, in fact) become increasingly murky, difficult to parse, especially when the griffin says his one and only line in COMEDY.Dante's Garden of Eden is a place where the games of interpretation kick into high gear. Nothing is what it seems . . . yet what it is is a matter of much debate.Join me, Mark Scarbrough, as we work through this increasingly complex passage on our way to the final apocalyptic vision of PURGATORIO.To help support this work with a one-time donation or a very small on-going stipend, please consider using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:04] My English translation of PURGATORIO, Canto XXXII, Lines 28 - 48. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[03:04] Statius, both physically and thematically in the passage.[05:55] Adam and Eve, with notes toward the theological fall of mankind.[09:19] The stripped tree in the Garden of Eden . . . but which tree?[14:49] The griffin, becoming a more difficult allegory with his one and only line in COMEDY.[21:06] Beatrice and her (complex) descent from the chariot/cart.[25:57] Rereading the passage: PURGATORIO, Canto XXXII, lines 28 - 48.

Voci che galleggiano sull'acqua. Un mare improvvisamente piatto come olio. Un silenzio che non dovrebbe esistere. E poi il canto. Quello che conosce il tuo nome. Che ti promette tutto quello che vorresti sapere. Che ti dice che basta fermarsi, scendere, ascoltare. Solo che nessun mortale è mai tornato da quel prato fiorito.  Ma Odisseo… beh, Odisseo è un'altra storia… Una storia antica. Una lezione eterna. .-.-. Vuoi saperne di più sull'episodio? Vai qui e leggi gli approfondimenti: https://it.tipeee.com/mitologia-le-meravigliose-storie-del-mondo-antico/news .-.-. Per avere informazioni su come puoi supportare questo podcast vai qui: https://it.tipeee.com/mitologia-le-meravigliose-storie-del-mondo-antico/ Se ti va di dare un'occhiata al libro “Il Re degli Dei”, ecco qui un link (affiliato: a te non costa nulla a me dà un piccolissimo aiuto): https://amzn.to/3Q50uFR Se ti va di dare un'occhiata al libro “Eracle, la via dell'eroe”, ecco qui un link: https://amzn.to/46dAFYZ Altri link affiliati: Lista dei libri che consiglio (lista in continuo aggiornamento): https://amzn.to/3Q3ZYI9 Lista dei film che consiglio (lista in continuo aggiornamento): https://amzn.to/3DoqTa7 Lista hardware che consiglio per chi è curioso del mondo per podcast (lista in continuo aggiornamento): https://amzn.to/44TYKTW Uso plugin audio da questa Software House: Waves. Se vuoi dare un'occhiata, anche questo è un link affiliato: https://www.waves.com/r/1196474 Ami musiche rilassanti e i suoni della natura? Iscriviti a questo meraviglioso canale  https://www.youtube.com/channel/UCbRZLgwT37437fYK4YYKhXQ?sub_confirmation=1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Neste episódio especial falamos com Leonardo Aboim Pires, investigador no ISEG Research in Economics and Management, sobre a história da agricultura no Portugal dos séculos XIX e XX. Analisamos as políticas agrícolas do Estado português sensivelmente entre 1850 e 2000, com particular foco no cultivo da batata de Trás-os-Montes e a laranja do Algarve.Sugestões de leitura:1. Leonor Freire Costa, Pedro Lains e Susana Munch Miranda - História Económica de Portugal, 1143-2010. Esfera dos Livros, 2011.2. Dulce Freire e Pedro Lains (orgs) - Uma História Agrária de Portugal, 1000-2000. Desenvolvimento económico na fronteira da Europa. Imprensa de Ciências Sociais, 2024.-----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, Miguel Pinheiro, NBisme, Oliver Doerfler, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, João Cancela, João Carreiro, Luís André Agostinho, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Cláudia Brandão, Diogo Freitas, Fábio Videira Santos, Gn, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, José Santos, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, João Pedro, Luis Colaço, Mafalda Trindade, Manuel Bernardo, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Ruivo, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Curado Silva, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.

Face to face with Beatrice, the pilgrim Dante is ready for more revelation. Problem is, even after Lethe he's still doing things wrong and must be corrected by the women around the griffin's chariot.But what is he doing wrong? And why does the entire parade of revelation go into retreat? What indeed does that griffin symbolize? And how did we get from the intensely personal experience of Dante's confession and contrition to this much more global view of the allegories on the march?Join me, Mark Scarbrough, as we begin to walk slowly through one of the most complex cantos (and certainly the longest canto) in all of COMEDY.Here are the segments for this episode of WALKING WITH DANTE:[01:17] My English translation of PURGATORIO, Canto XXXII, Lines 1 - 27. If you'd like to read along or continue the conversation with me about this canto, please find the entry for this podcast episode on my website, markscarbrough.com.[03:31] A brief introduction to PURGATORIO, Canto XXXII.[05:19] Notes for the first nine lines (or three tercets) of the canto.[10:40] Dante's forgotten failings and Beatrice's on-going attraction.[12:04] Dante's intense gaze . . . but for or at what?[16:23] Beatrice and the problem of the "lesser thing" of revelation.[21:28] The parade of revelation (or of the church militant) in retreat with its "precious cargo."[25:01] The griffin's feathers, which prompt further questions about the griffin's allegorical meaning.[28:08] Bridging the personal and the universal.[31:04] Rereading the passage: PURGATORIO, Canto XXXII, lines 1- 27.

Esta semana, en nuestras Islas de Noche, entre 1971 y 1975, clásicos en búsqueda de luz en tiempos de penumbra. Suenan: SISA - "El Fill Dell Mestre" ("QUALSEVOL NIT POT SORTIR EL SOL", 1975) / PAU RIBA - "Lluna Robada" ("ELECTROCCID ACCID ALQUIMISTIC XOC", 1975) / IA-BATISTE - "Un Gran Día" ("UN GRAN DÍA", 1973) / DUG DUG'S - "No te Asustes (Es Sólo Vivir)" ("CAMBIA CAMBIA", 1975) / ARCO IRIS - "Abran los ojos" ("INTI-RAYMI", 1973) / AQUELARRE - "Canto, desde el fondo de las ruinas" ("AQUELARRE", 1972) / DÍAS DE BLUES - "Vuela" ("DÍAS DE BLUES", 1972) / PSIGLO - "Gente sin camino" (1972) / CONGRESO - "Has Visto Caer Una Lágrima" ("EL CONGRESO", 1971) / PESCADO RABIOSO - "Bajan" ("ARTAUD", 1973) / SUI GENERIS - "Canción para mi muerte" ("VIDA", 1973) / SOLERA - "Tierra Mojada" ("SOLERA", 1973) /Escuchar audio

Sri Rama speaks of evil portents to Lakshmana.Recitation: 00:00 - 02:53Translation: 02:55 - 06:38

Beholding Lanka and applauding it, nay, drawing up his army in battle array, Sri Rama orders the release of Shuka (a spy of Ravana), who was captured earlier and kept under detention by the monkeys. Going back to Ravana, the ogre speaks to him about the military strength of Sri Rama. Infuriated by this report, Ravana vauntingly harps on his own prowess.Recitation: 00: 00 - 07:34Translation: 07:38 - 18:30

On Sri Rama having crossed over to the other side of the sea, Ravana commands his ministers, Shuka and Shaarana, to enter the enemy's ranks and tell him everything about them. Detected while doing the work of a spy, they are captured by Vibhishana, but let go by Sri Rama. Going back to Ravana, they exhort the latter to hand over Sita to Sri Rama.Recitation: 00:00 - 05:45Translation: 05:48 - 13:36

Seized with terror to see a missile presided over by Brahma (the creator) fitted to his bow by Sri Rama in fury, the sea-god undertakes to sustain on his bosom a bridge to be constructed by Nala, and goes out of sight. Nala accordingly builds a bridge across the sea.Recitation: 00:00 - 14:22Translation: 14:26 - 34:05

Körülbelül egy év után február 20-án jelenik meg Golden Runes címmel a Palo Canto, azaz Kedves Péter és Tóth Bertalan alkotta elektronikus zenei duó második nagylemeze, amelyet egy héttel később, február 27-én követ a zenekar lemezbemutató koncertje a Turbinában. Hogy hogyan alkot két igazán tudatos, a zeneiparban is igen ismert és sikeres fiatalember, hogyan kerültek a zeneiparba, hogyan konvertálták a covidos leállást a Belauból, illetve a Cloud 9+-ból a Palo Cantóba, milyen volt a Viva/MTV-ben dolgozni, milyen tanulságokat szűrtek le előző zenekaraik működése kapcsán, hogyan építették a nemzetközi kapcsolati hálót, mennyire spiri a Palo Canto, milyen a kapcsolatuk a szaúd-arábiai sivataggal vagy éppen Mexikóval, hogyan viszonyulnak az organikus jelzőhöz, mindről szó esik.Műsorvezető: Bihari BalázsA Wanted podcast adása az NKA Hangfoglaló program támogatásával készült.

Esta semana falamos de um cavaleiro da Dinamarca em Portugal, no séc. XV, e da popularização do ski por um famoso escritor inglês, nos finais do séc. XIX.Sugestões da semana1. Ricardo Noronha - A Ordem Reina Sobre Lisboa. Uma história do 25 de Novembro. Tigre de Papel, 2025.2. Patrick Gautrat - Pétain, Salazar, de Gaulle. Afinidades, Ambiguidades, Ilusões. As Relações Franco-Portuguesas (1940-1944). Imprensa Nacional-Casa da Moeda, 2025.----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, Miguel Pinheiro, NBisme, Oliver Doerfler, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, João Cancela, João Carreiro, Jorge Filipe, José Beleza, Luís André Agostinho, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Cláudia Brandão, Diogo Freitas, Fábio Videira Santos, Gn, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joao Godinho, João Mendes, João Pedro, Joel José Ginga, Johnniedee, José Santos, Luis Colaço, Mafalda Trindade, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Ruivo, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Curado Silva, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0Edição de Marco António.

We finally come to the face-to-face meeting of Beatrice and Dante. We've waited for this moment since INFERNO, Canto II, when Beatrice first stepped into COMEDY.Neither Dante nor Beatrice speak at their close meeting. Instead, the women around the chariot beg Beatrice to reveal her second, hidden beauty: her mouth.Join me, Mark Scarbrough, as we explore the complex symbolism in this passage. We'll also take on its textual difficulties: a Biblical allusion that has been muddled in commentary, a lost word that's hard to translate, and a question of quotation marks in a medieval manuscript.To support this work, consider a one-time donation or a small monthly stipend by using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:26] My English translation of PURGATORIO, Canto XXXI, lines 127 - 145. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[03:11] Textual problems in the first six lines (XXXI: 127 - 132)--a muddled Biblical reference, a moral question of virtues, and a word that's hard to translate.[07:49] Beatrice's turning and the coming revelation of her mouth.[10:57] A difficult conclusion to Canto XXXI: Who says these complicated lines that use the informal "you"?[16:59] Forgetting and remembering your former works to create something new.[23:10] Rereading the passage: PURGATORIO, Canto XXXI, lines 127 - 145.

When the sea did not, even when requested, allow a passage to Sri Rama, who was keen to cross it, nor did the sea-god care to appear in person before him. Sri Rama discharges fierce arrows which cause a stir among the creatures inhabiting the sea , and make the sea water overflow.Recitation: 00:00 - 05:55Translation: 06:01 - 14:42

El coro de monjas benedictinas de Kellenreid (Alemania) nos ofrece los cantos de la liturgia de su santa fundadora Escolástica cuya fiesta celebrábamos el pasado martes día 10. Y seguimos escuchando a la organista Susi Ferfoglia esta vez al frente de la Schola Cantorum Minorum Chosoviensis con versos de órgano de Guillaume-Gabriel Nivers alternando con canto llano neo galicano compuesto o arreglado por el propio Nivers en una reconstrucción de la Misa de la Trinidad.Escuchar audio

What if dating didn't have to feel confusing, rushed, or disconnected from who you really are?In Part 2 of our conversation with Rachel Hoover Canto—author of Pretty Good Catholic—we move into the places many Christian dating conversations avoid: physical boundaries, online dating, healing, and how to date without turning every encounter into a high-stakes interview.Rachel offers practical, grounded wisdom rooted in faith and real-life experience—guidance that honors both your humanity and your desire for a holy, life-giving relationship.✨ In Part 2, we explore:Physical affection as a reflection—not the foundation—of a relationshipNavigating boundaries with clarity, courage, and communicationOnline meeting vs. online dating (and how to use apps well)When it's wise to pause dating and tend to healingDating with intention without the pressure or performanceThis episode is for the woman who wants to date well, stay open, and move at a pace that feels honest, embodied, and aligned with her values.✨✨✨ Stay connected to TIS

durée : 01:28:01 - En pistes ! du vendredi 13 février 2026 - par : Rodolphe Bruneau Boulmier - Grand vainqueur du concours Chopin en 2025, Eric Lu chante les chefs-d'œuvre compositeur franco-polonais au piano, et le baryton Ludovic Tézier chante Verdi avec Simon Boccanegra. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:01 - En pistes ! du vendredi 13 février 2026 - par : Rodolphe Bruneau Boulmier - Grand vainqueur du concours Chopin en 2025, Eric Lu chante les chefs-d'œuvre compositeur franco-polonais au piano, et le baryton Ludovic Tézier chante Verdi avec Simon Boccanegra. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Dante has now crossed Lethe and is ready to face Beatrice head on. She has moved to get ready for this eye-to-eye conversation. She's positioned nearer the griffin, a complicated symbol that may have more than one interpretation.Join me, Mark Scarbrough, as we explore both Beatrice (particularly her emerald eyes) and this dual-natured beast that seems to become more difficult to interpret with its every move in the poem.To support this podcast, consider a one-time donation or a small monthly stipend through this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:19] My English translation of PURGATORIO, Canto XXXI, Lines 112 - 126. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[02:44] Beatrice has moved . . . but where?[05:09] With her emerald eyes, Beatrice and Dante finally escape the Francesca episode.[09:15] Dante is the Orpheus who can look into the eyes of his Eurydice.[10:49] Here are at least two additional interpretations for the griffin.[13:58] Beatrice's eyes are the methodology of revelation (and mystery).[16:41] The passage drops the first hint about Jesus' transfiguration.[18:50] Reflection is transfiguring, as in the craft of poetry.[19:34] Rereading the passage: PURGATORIO, Canto XXXI, lines 112 - 126.

Dante wakes up in the arms of the young woman who first welcomed him to the Garden of Eden. She's dragging him through Lethe before she forcefully pushes him underwater.This scene is deeply symbolic and allegorical . . . although it raises many more questions than it answers. In fact, it seems to want to leave many things open-ended, a cue that Dante wants us in the poem, working on solutions to the many puzzles he has set.Join me, Mark Scarbrough, as we see the pilgrim Dante cleansed and ready to dance with the seven virtues around Beatrice's chariot.To support this work, consider a one-time donation or a small monthly stipend. You can make either contribution at this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:29] My English translation of PURGATORIO, Canto XXXI, Lines 91 - 111. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website: markscarbrough.com.[03:43] Two notes on the first nine lines: the heart and the shuttle.[06:33] Is this a baptism?[09:46] Three questions that surround the Latin line from the Psalms.[13:43] Why is the dunking so forceful?[15:45] What sign do the four women make over Dante?[17:41] The seven women fill in the details from PURGATORIO, Cantos I and VIII.[19:56] The four women are linked to the classical world; the three women, to the contemplative life.[22:43] Does everything happen to Statius, too? And to other penitent souls?[26:23] How do you express the inexpressible?[28:28] Must our poet forget the CONVIVIO in Lethe?[29:39] Rereading the passage: PURGATORIO, Canto XXXI, lines 91 - 111.

What if the problem isn't you—but the dating advice you were given?In this episode, we welcome Rachel Canto, author of Pretty Good Catholic, for an honest conversation about singleness, longing, and the dating wisdom many Christian women were never taught.Rachel shares her story of desiring marriage, navigating heartbreak and discernment, and how God met her in the ache—eventually leading her to write the book she wishes she'd had years earlier.✨ In Part 1, we explore:Rachel's personal journey and call to write Pretty Good CatholicWhy so much faith-based dating advice feels incompleteThe need for practical, embodied guidanceHow hope can stay alive in the waitingPart 2 continues the conversation with tangible tools for boundaries, physical affection, and modern dating.✨✨✨ Stay connected to TIS

Beatrice has finished her case against the pilgim Dante. All that's left is for him to find his way beyond confession and into confession . . . which he does with a major crack-up that leads him to faint for the third time in COMEDY.Before he collapses, the poem begins a series of inversions or reversals that both increase the ironic valences of the passage and give its reader an almost vertigo-inducing sense of Dante's emotional landscape.A difficult passage in the Garden of Eden, here Beatrice accomplishes what she came for. Join me, Mark Scarbrough, as we explore the slow build-up to the final moment of contrition . . . which mimics the moment when Dante gives way in front of Francesca, back in INFERNO's circle of lust.Here are the segments for this episode of WALKING WITH DANTE:[01:20] My English translation of PURGATORIO, Canto XXXI, Lines 64 - 90. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:15] Dante, from boy to man.[07:26] Recognition, the key to the passage, to contrition, and a possible node of irony.[10:38] The "unbearded" oak and the final crack-up.[13:49] Iarbas and Dido v. Dante and the new Dido.[16:28] Beatrice's venom.[17:27] Dante's beard.[20:00] The angels' departure?[21:16] The meaning of the beast's two natures.[23:53] Glossing the end of the passage: lines 82 - 90.[27:57] Francesca and her physical seduction v. Beatrice and her physical-theological seduction.[33:01] Rereading the passage: PURGATORIO, Canto XXXI, lines 64 - 90.

Fernando Martín de CADENA 100 vuelve con una nueva llamada de la Encuesta Absurda. Esta vez, ha llamado a Cristina para preguntarle que si busca a su amigo Ander en Bilbao ¿debe mirar 'Ander the table'? Además, a Cristina le ha hecho mucha gracia la pregunta de si los teclados de Navidad son de 'San Teclaus'. ¡Escucha la Encuesta Absura en Buenos Días Javi y Mar!

KEXP and BIME present Live on KEXP in Bilbao with Roy Borland performing at Iglesia de la Encarnación. Recorded October 28, 2025. Considérame Mundo Azul Ramblin' Rose Aleluya Soldados Subacuáticos Canto a la Luna Roy Borland - Guitar, VocalsCarlos Clerencia - CelloDavid Sanz - SaxophoneNuria Martinez - KeysPatricia Colado - Cello Live on KEXP in Bilbao is a partnership with BIME. Recorded at Iglesia de la Encarnación in Bilbao, Spain. Host: Albina CabreraAudio Engineer: Kevin SuggsGuest Audio Engineer: BIME Audio Team & Mario CaballeroAudio Mixer: Roy BorlandMastering Engineer: Matt OgazSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Beatrice continues to lead Dante toward contrition, pointing out both the purposes of her body (or corpse) and the ways he has failed to followed her lofty beauty.She finishes her second salvo at the pilgrim with a rhetorical flourish, showing the reader (and Dante) that she is a master of rhetoric, someone who commands a high, elevated style of poetry--that is, a fusion of the literal and the metaphoric that will become increasingly necessary to describe the PARADISO experience.Join me, Mark Scarbrough, as we look at the conclusion of Beatrice's second run at the pilgrim Dante and find the ways that she is directing both him and his poetry.To support the work of this podcast with a small monthly stipend or a one-time gift, please visit this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:09] My English translation of PURGATORIO, Canto XXXI, Lines 49 - 63. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[03:19] Glossing the full passage: "beauty" three times, high rhetorical style, low vulgar vocabulary, and an aphoristic ending.[13:15] Rereading Beatrice's second salvo at Dante: PURGATORIO, Canto XXXI, lines 22 - 63.[15:22] The uneasy but crucial balance between allegorical/metaphorical language and literal/realistic language.[18:57] Beatrice: negative space made flesh.[23:38] Renegotiating COMEDY v. intending these revelations all along.[28:06] High rhetorical style in Dante's vernacular mouth.

In the 11th Canto of the Śrīmad-Bhāgavatam (11.5.36), Karabhājana Muni gives us the essence of advice about yajña. He says: kalim sabhājayanty āryā guṇa-jñā sāra-bhāginaḥ yatra saṅkīrtanenaiva sarva-svārtho 'bhilapyate He says, in the Kali-yuga age, people who are intelligent understand the purpose of life. Kalim—in Kali (check your watch and see if it's Kali-yuga; they have that on the new Apple Watch, you can push a button and see what yuga it is!). Kalim sabhājayanti āryāḥ—the āryas, those who are high thinkers, they understand a principle that you can apply today. They are sāra-bhāginaḥ. They know what the nectar, or the essence of life, is; they know how to extract the value of this life. Don't be tricked by false promises in the material world. We cannot be successful by material adjustment; it only creates more anxiety. But we can be successful through spiritual knowledge and technology. So, in Kali-yuga—check and see—kalim sabhājayanti sāra-bhāginaḥ yatra saṅkīrtanena sarva-svārtho 'bhilapyate. Sarva means "all" and artha means "all your necessities, all your desires." Abhilapyate—they can all be perfectly fulfilled. Lord Caitanya Mahāprabhu showed by example how to have a successful life. And He was here recently in geological time; He was here only "five seconds" ago. "Here" means right here in Madurai. He came here twice, and He showed how to be a successful human being, a sukhi nara. Everyone say: sukhi nara. It sounds Japanese, but actually it is sanskrit! Sukhi nara means "happy human." Who wants to be a sukhi nara? Okay, only half said yes! Then Karabhājana Muni reveals Lord Caitanya's purpose in the Śrīmad-Bhāgavatam even before Lord Caitanya appeared, and that is to use this life for sacrifice (yajña). Someone may say, "Well, how should I perform the sacrifice? Should I get lots of ghee and grains and build a yajña-śālā that will light up the sky and pour all the ghee and grains into the fire? Shall I go to the Himalayas and find a cave in which I can meditate? Shall I build a gigantic temple made of stone with 400 spires on top?" Karabhājana Muni says, "Perform this sacrifice." Check and see: is it still Kali-yuga? If it is Kali-yuga, then he says: perform saṅkīrtana. It means to congregationally chant the names of God. Caitanya Mahāprabhu learned this from His spiritual master: harer nāma harer nāma harer nāmaiva kevalam kalau nāsty eva nāsty eva nāsty eva gatir anyathā Just take shelter of the process of saṅkīrtana, and give everyone else an opportunity to take this process. Chant Hare Kṛṣṇa and teach it to everybody. By way of spreading the saṅkīrtana, we should also distribute transcendental literature, because it is "written kīrtana" that will transform the world. When we are engaged in the yajña for the age fully, we can overcome the inconveniences and the troubles of the Kali-yuga age. We can also attain the goal of life .------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://www.bbtacademic.com/books/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://thefourquestionsbook.com/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #