Podcasts about Canto

Flor Y Canto, translates to “flower and song.” This weekend San Francisco's Mission District will be home again to the weekend-long literary festival known as Flor Y Canto. The streets of the City's Latino Cultural District will be filled with vibrant events, decorations, and music. All centered around the works by Latine writers, with readings happening all throughout the neighborhood. KALW's Jenee Darden spoke with two organizers of the festival for “The Sights + Sounds Show," poets Lourdes Figueroa and Josiah Luis Alderete, host of KALW's “Bay Poets.” Here's an excerpt of their interview.

Canto llano romano e hispano y polifonía y versos de órgano de varios autores se alternarán con la audición de los himnos eucarísticos Pange lingua y Sacris solemniis para la solemnidad del Corpus que completaremos con las músicas del Proprium Missæ de la celebración y con el Kyrie de misa Pange lingua de Josquin,Escuchar audio

Con Jorge del Canto, asesor financiero en delcanto.es

Con Jorge del Canto, analista financiero en delcanto.es

Por Jorge del Canto, asesor financiero en delcanto.es

On today's show, an upcoming literary festival honors writers in the San Francisco Mission. Then, a writing center celebrates 10 years of teaching Oakland youth the joys of writing, and publishing kids too.

Geekscapists! Let's talk COMICS! Our good friends David Booher and Winston Gambro arrive on the podcast this week to talk about their current indie comic 'Malloch the Damned'! Along the way, David talks about some of the other books he writes (like Ghostbusters, Dungeons & Dragons, Canto, and more!), and Winston discusses working on a million projects at once (including Geekscape's own books)! Obviously, while we're geeking out, we'll be discussing the video games we're playing, how good Spider-Man Noir is, what movies we're looking forward to this summer, and LOTS MORE! It's a classic Geekscape, so don't miss it! Support 'Malloch the Damned' 1 & 2 on Kickstarter! You can also subscribe to the Geekscape podcast on Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://spoti.fi/3H27uMH⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apple.co/3BVrnkW Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Maine and Miranda take a look back at Brazilian Jiu-jitsu history and discuss every single move named after a guy or person in the sport of BJJ. This is a special one off show that we put together while Maine is out of the country on his honeymoon regular shows will return next week.This week we take a look and do a historical deep dive, going through some of the history and notable matches behind every single move in the port that we call by a person's name. We run through the history of moves like the Aoki lock, Mir lock, Von Flu choke, Estima lock, Williams guard, Darce choke, Choi bar, Canto choke, Rau drag, the Iminari roll and many more on this special episode of the Grappling Rewind Podcast. Recorded 5-13-2026

El análisis de bolsa del asesor financiero, Jorge del Canto.

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ABANDON ALL HOPE, YE WHO ENTER HERE: We've made it at last to the gates of hell, and we're on our way to the river of Acheron. On the way, we'll meet the "neutrals" and the cowards—those who never lived and have no names. From here on out, the poem becomes a horror movie. But in this episode, I want to show you just how deep the horror goes. Worms and flames are just the beginning: it's the spiritual deformities that the torments represent that make them truly chilling. Then, Dante goes off the chain in a set piece that establishes him as one of the all-time epic greats, as souls like fallen leaves come streaming down to the river of death. Check out my book, Light of the Mind, Light of the World: https://amzn.to/4tKWACP Sign up for Hebrew, Greek, or Latin courses at the Ancient Language Institute: https://ancientlanguage.com/heretics/ Get the Anthony Esolen translation: https://amzn.to/4sgKLTj Get the Dorothy L. Sayers translation: https://amzn.to/4djdh2s Read the Allen Mandelbaum translation: https://amzn.to/4dG6izR 00:00 Introduction  01:05 Canto 3: Hell's Vestibule  24:25 Appetites and Inhabitants of Hell  44:22 Tragedies of Futility and Fate  56:28 Mailbag: Meditations on Suffering  1:09:56 Closing Remarks 

Segunda parte del consultorio de bolsa con Jorge del Canto y Roberto Moro.

Primera parte del consultorio de bolsa con Jorge del Canto y Roberto Moro.

Jorge del Canto, asesor financiero en delcanto.es y Roberto Moro, de robertomoro.com

La cantante californiana de origen italiano Gabrielle Cavassa acaba de publicar 'Diavolo' un disco con canciones como 'Raindrops keep falling on my head' de Burt Bacharach y Hal David, 'Bossy nova' de su autoría, 'To say goodbye' de los brasileños Edu Lobo y Torquato Neto o 'Be my love' de Brodsky y Sammy Kahn. Del disco de Seu Jorge 'The other side', con producción de Mario Caldato Jr. y orquestaciones de Miguel Atwood Ferguson, 'Girl you move me', 'Flor de laranjeira', 'Far from the sea' -con Zap Mama- y 'River man' -con Beck-. Abre el clarinetista y saxofonista cubano Paquito D´Rivera con la Madrid New York Connection Band y el armonicista Antonio Serrano como invitado tocando 'Miriam' de Bebo Valdés y 'Cinema Paradiso' de Ennio Morricone y cierra O Kwarteto, cuarteto de cuerdas femenino, tocando 'Parima' y 'Canto de Ossanha'.Escuchar audio

"Los Bellos Pasatiempos de Krishna" é uma bela oferenda de Srila BhaktiKavi Atulananda Maharaj ao seu amado Mestre, Srila A.C. Bhaktivedanta Swami Prabhupada, inspirada no Décimo Canto do Srimad Bhagavatam.ORIGINAL EM VÍDEO: https://www.youtube.com/c/Congregaci%C3%B3nSarasvatGaudiyaInscreva-se para ficar por dentro de cada capítulo!Realização: Equipe Sarasvat StudioGravaçãoem video: Madhurya Krti dasiAudio: Arjuna Sakha Yugau dasMúsica: Madhava Dasi, Kamala das, Mangal das, Raghava das, Bhakta Sergio. Edição: Madhurya Krti dasiAnimação: Karuna Lochani dasi. Localização Finca Ecológica Eka Chakra Dham (Catemu - Chile)Sobre Sarasvat Gaudiya: Buscamos promover uma vida simples com pensamento elevado, baseada no conhecimento sagrado da Filosofia Védica.Gostaria de saber mais sobre nós?Visite www.sarasvat.org

Neste episódio especial falamos com Maria Alice Samara, investigadora do Instituto de História Contemporânea da Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa, sobre a Primeira República Portuguesa. Tentamos compreender como se desenvolveu o republicanismo em Portugal, como caiu o regime monárquico, e como evoluiu o regime republicano até à sua queda, a 28 de Maio de 1926.Sugestões de leitura:1. Maria Alice Samara - 1910. Tinta da China, 20192. Fernando Rosas e Maria Fernanda Rollo (coords) - História da Primeira República Portuguesa. Tinta da China, 2021.3. Fernando Catroga - O Republicanismo em Portugal. Casa das Letras, 2010 (2º ed).-----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler, Sara Esteves, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, Luís André Agostinho, Miguel Cunha, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Ribeiro, Carlos Ribeiro, Carolina Batista, Catarina Ferreira, Cláudia Brandão, Diogo Freitas, Fábio Videira Santos, Gn, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, José Santos, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, Liam Brockey, Luis Colaço, lvlheadwrecker, Mafalda Trindade, Manuel Bernardo, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Ruivo, Paulo Silva, Pedro Cardoso, Pedro Oliveira, Pedro Sebastião, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Curado Silva, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.

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Finaliza la huelga de trabajadores en el Ayuntamiento de Almonte, tras tres días de parones. Tanto el personal laboral como los sindicatos valoran la huelga como un éxito, y continúan exigiendo al equipo de gobierno medidas contra la precariedad laboral. Y también en este informativo vamos dar cifras y una visión completa de la amenaza del narcotráfico en la costa onubense, ya que en Radio Nacional tuvimos la ocasión de conversar con Ana Laso, fiscal antidroga de Huelva. Además, informamos de una operación ayer de la Guardia Civil contra el petaqueo. Y en nuestro espacio de entrevistas, hablaremos sobre la tercera edición del Onujazz Fest, que se celebra este sábado en Huelva. En Radio Nacional, hemos charlado con el presidente de Onujazz, Carlos del Canto, que nos cuenta en qué va a consistir este encuentro cultural centrado en promover el jazz. Escuchar audio

Desde el vientre materno codificamos melodías antes que palabras; por eso, cantar no es un lujo artístico, sino una necesidad biológica de supervivencia y cohesión social. En este episodio, hackeamos la farmacia interna del cerebro para entender cómo el canto dispara endocannabinoides y aumenta la Inmunoglobulina A hasta en un 140%. Olvida la afinación: te explicamos por qué tu laringe es el instrumento más potente para masajear el nervio vago, disolver el estrés y rehabilitar tu mente, incluso si te consideras una "oveja desafinada".Enlaces a nuestras redes sociales:Instagram⁠⁠⁠⁠⁠⁠⁠⁠@brainfulness.life⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ladoctoraneuro⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠@brainfulness⁠⁠⁠⁠⁠⁠⁠Página web⁠⁠⁠⁠⁠⁠⁠www.brainfulness.life⁠⁠⁠⁠⁠⁠⏰ Secciones:(00:00) El día que me expulsaron del coro(01:36) La neurobiología del canto(02:24) Los bebés lloran con acento(05:17) El declive del canto comunitario (06:08) La farmacia: dopamina, serotonina y endorfinas(07:45) Nuestra marihuana natural se dispara al cantar (08:44) El hack del Cortisol: Cómo disolver la preocupación(09:46) Inmunoglobulina A: El escudo de defensa (11:46) La física del aerosol: Lo que el COVID nos enseñó (15:12) Masajeando el nervio vago y potenciando los pulmones(16:42) Rehabilitación : el cerebro olvida hablar pero no cantar (17:26) ¿Te dijeron que no sabes cantar? Tu cuerpo dice lo contrario El contenido de Brainfulness Podcast es educativo y no reemplaza el consejo de un profesional de la salud. Para cualquier condición médica, por favor, consulta a tu médico.

Facebook's strongest warriors grace us with their presence. For 50% off your order, head to DailyLook.com and use code SMOSHMOUTH. Right now save up to 30% on mattresses and up to 35% on everything else when you go to https://Casper.com.  #sponsored. Visit https://drinkag1.com/SMOSHMOUTH to get an AG1 FlavorSampler and a bottle of Vitamin D3+K2 FREE in your Welcome Kit with your first AG1subscription (a $72 value!).PODCAST:https://bit.ly/SmoshMouthSpotifyhttps://smo.sh/SmoshMouthiHearthttps://bit.ly/SmoshMouthApple0:00 Intro13:54 Sponsor!15:26 Sandwich meets Key West30:08 Sponsor!32:05 Indiana, Facebook, and bending50:36 Sponsor!52:24 Coming out (as a pyromaniac) and more on the roadtrip to CaliforniaSUBSCRIBE: https://smo.sh/Sub2SmoshCastWEAR OUR JOKES: https://smosh.com WHO YOU HEARSandy Topp // https://www.instagram.com/shaynetopp/Hi I'm Sandy Topp with two peas period you may have seen me in Margarita Senioritas and if you haven't you're seeing me now period xoxo Sandy period Siri send message to Dale Dale I'm only going to say this one more time dot dot dot I really don't appreciate you going around sharing my business now if we have to take care of this in person let me know and I will do not underestimate me exclamation pointTeresa Canto // https://www.instagram.com/filmingamanda/Teresa Canto, that's Canto with a c and no h in Teresa. dont get it twisted.WHO YOU DON'T HEAR (usually)Director: Selina GarciaEditor: Patrick HorbaProducer: Amanda Lehan-Canto, Shayne Topp, Selina GarciaProduction Designer: Cassie VanceArt Director: Adrian Sheen, Erin Kuschner, Josie BellerbyAssistant Art Director: Courtney ChapmanProp Master: Abigail Schmidt, Bridgette BaronStage Manager: Alex AguilarWardrobe Designer: Julia RosnerSet Decorator: Luke BrauSet Dresser: Carly HoughAudio Mixer: Scott NeffAudio Utility: Dina RamliDirector of Photography: Brennan IketaniVideographer: Eric Wann, James HullCamera Operator: Joshua VazquezPodcasts Producer: Selina GarciaAssistant Director: Jonathan HyonExecutive Vice President of Production: Amanda BarnesDirector of Production: Alexcina FigueroaProduction Manager: Jonathan Hyon, Tyler M. KennedyProduction Coordinator: Oliver Wehlander, Zianne HooverProduction Assistant: Caroline Smith, Tyrelle AnthonyDirector of Post Production: Luke BakerDIT/Lead AE: Matt DuranDIT/AE: Beni KimuenePost Production Coordinator: Ariana MartinezDirector of IT: Tim BakerIT & Equipment Coordinator: Lopati Ho CheeSound Editor: Gareth HirdDirector of Design: Ness CardanoSenior Motion & Branding Designer: Christie HauckSenior Graphic Designer: Jay TaylorGraphic Designer: Monica RavitchDirector of Channel Operations: Lizzy JonesChannel Operations Manager: Audrey CarganillaChannel Operations Coordinator: Sabrina LiebermanDirector of Social Media: Erica NoboaSocial Media Associate Producer: Peter DitzlerSocial Media Manager: Kim WilbornSocial Media Coordinator: Margaux BernalesSocial Editor: Vida RobbinsMerchandising Manager: Mallory MyersBrand Partnership Manager: Chloe MaysBrand Partnerships Coordinating Producer: Liz KummerOperations Manager: Marshall A. PeaseOperations Coordinator: Sara FaltersackFinancial Operations Specialist: Natalie LewisTalent Coordinator: Danielle MosesPeople & Culture Manager: Katie FinkPeople & Culture Coordinator: Hannah MerrittCEO: Alessandra CataneseExecutive Producers: Anthony Padilla, Ian HecoxEVP of Programming & Development: Kiana ParkerProducer, Special Projects: Rachel CollisExecutive Coordinator: Katelyn HempsteadOTHER SMOSHES:Smosh: https://smo.sh/Sub2SmoshSmosh Pit: https://smo.sh/Sub2SmoshPitSmosh Games: https://smo.sh/Sub2SmoshGamesSmosh Alike: https://bit.ly/SubToSmoshAlikeFOLLOW US:TikTok: https://smo.sh/TikTokInstagram: https://instagram.com/smoshFacebook: https://facebook.com/smosh

This week, Jodie and Red are joined by Branden to go through some Rock/Metal Music!Can a song with only 1 instrument and a bunch of mouths beat a song that's pretentious with boring vocals?? YOU be the JUDGE!Von Canto - Kings of MetalVSSully Erna + Billy Morrison - BecomingFollow Branden ⁠on Twitter. Vote via ⁠⁠⁠⁠Twitter⁠⁠⁠⁠, ⁠⁠⁠⁠Discord OR under the episode description on Spotify.Join the ⁠⁠⁠⁠Patreon⁠⁠⁠⁠Join the ⁠Discord⁠

Esta semana falamos de Rodrigo Eanes Chim, um pequeno proprietário beirão do séc. XIV, e da obra ‘Theatro heroino' de Damião de Froes Perim, do séc. XVIII.Sugestões da semana:1. Rui Manuel Loureiro (ed) - Descrição das Especiarias de Garcia de Orta. Cátedra de Estudos Sefarditas Alberto Benveniste - Faculdade de Letras da Universidade de Lisboa, 2026.2. Jorge Mateus e Paulo Caetano - A Fuga. Iguana, 2026.3. Iria Gonçalves – “Um pequeno proprietário rural de Trezentos: Rodrigo Eanes Chim, de S. Vicente da Beira”. Media Aetas: Revista de Estudos Medievais 2 (1999), pp. 49-78.4. Damião de Froies Perim - Theatro heroino, abcedario historico, e catalogo das mulheres illustres em armas, letras, acçoens heroicas, e artes liberaes. 1736-1740: https://archive.org/details/theatroheroinoab01sope e https://archive.org/details/theatroheroinoab02sope-----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler, Sara Esteves, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, João Carreiro, Luís André Agostinho, Miguel Cunha, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Cláudia Brandão, Diogo Freitas, Fábio Videira Santos, Gn, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, José Santos, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, Luis Colaço, lvlheadwrecker, Mafalda Trindade, Manuel Bernardo, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Ruivo, Paulo Silva, Pedro Cardoso, Pedro Oliveira, Pedro Sebastião, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Curado Silva, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0.Edição de Marco António.

Hoy en Mediterráneo emprendemos un viaje sonoro por un mar que une memorias, lenguas y emociones. Desde Mallorca hasta Beirut, pasando por Grecia, Sicilia, Marruecos, Palestina o Anatolia. Recorremos espacios donde la tradición dialoga con el experimento a través de voces como Maria Hein, Yasmine Hamdan, Marina Satti o Roger Mas. Cantos rituales, folclore reinventado y postales sonoras inspiradas en el libro "Motivos para comenzar el viaje" de Pilar Sampietro, para dibujar un Mediterráneo activista, vivo, mestizo y profundamente humano. Suena en Mediterráneo: Nonadas — Maria HeinAh Thalassa — Marina SattiCanto de pesca siciliano — TradicionalOnde — Maria MazzottaCantos de fiesta marroquíes — TradicionalMille risposte — Tarta RelenaHal — Yasmine HamdanCanto ritual del Egeo — Tradicional griegoMakân — Kamilya JubranNiandou — Ballaké Sissoko & Vincent SegalFado Camões — LINA_Süpürgesi Yoncadan — Altın GünEl dolor de la bellesa — Roger Mas & Cobla Sant JordiEscuchar audio

We avoid four sinful activities and especially avoid four things. Be careful about what we eat, as it directly affects your consciousness. No illicit sex, no intoxication, no gambling, no meat-eating. These are just low activities. When we're engaged in devotional service, we have to be careful because we may not see everything. So there are different kinds of aparādhas. There's vaiṣṇava-aparādha, there's nāma-aparādha, there's sevā-aparādha and there's dhāma-aparādha. For instance, when you go to the dhāma, you have to be very careful because you may not know where you're stepping. You should not develop a flippant attitude—that "Who are all these people? What's this place?" If you're around devotees, you should be very humble because you should know that they are very dear to Kṛṣṇa. When you're around the Deities, don't be a bull in a china shop. That's why there are regulations in pañcarātrika worship. You make sure there's no cross-contamination. If you touch some prasād, like if you pick up a tulsī leaf already offered, then you purify your hand before you offer a fresh tulsī leaf. You have to be careful where you step, never step over Kṛṣṇa, never put your feet on things. There are ways— like don't talk loudly before the Deities, don't cry, wail. There are all these points for avoiding aparādha. 'Rādhā' means ārādhanam, worship of Kṛṣṇa in the proper way. And there are ways that are improper. So you refine your mind and the way you act when you're around the devotees, when you're around Kṛṣṇa, when you're around the dhāma, and when you're around the Holy Name. Then you can be fully receptive to their mercy and take it all in. Pāpa are gross activities that come from our attachment to the modes of rajas and tamas, and even sattva to some degree, but it's very light. But the tamasic, we have to be very careful and purify our minds and hearts so that we can at least develop sāttvic habits. Kṛṣṇa talks about this in the 11th Canto, there is a whole chapter about it. Everything you use in your life should be sāttvic. Because otherwise, in rajas, tamas, then you're still subjected to activities that are animal-like. And we need clarity, we need sattva. Sattvaṁ yad brahma-darśanam. You have to come from the raw wood, to the smoke, to the fire. That's tamas, rajas, sattva. So we avoid the things that are obviously degrading, and then we avoid offenses so that we can be gentle and worshipful around the Holy Name, around the Vaiṣṇavas, around the Deities, etc. I'm going to read you the verse again, because this is the verse for the day. This, for those of you who are interested, it's in the.. (15:04) ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://vaisesikadasayatra.blogspot.com/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://www.bbtacademic.com/books/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://thefourquestionsbook.com/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #japajolt #mantrameditation #makejapagreatagain #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon is joined by special guests David M. Booher (Eisner Award and GLAAD nominated writer - Ghostbusters: Back in Town, Canto, Killer Queens), David Accampo (writer – Fanbase Press' The Margins, Lost Angels, Spectral: A Showcase of Fear), R. E. Nelson (executive editor - Half Evil Comics), and Shane Portman (Emmy-nominated writer/director - Tumble Leaf, Shape Island, Fanbase Press' Shrub) to participate in a thorough discussion regarding Stand by Me (1986) in light of the feature film's 40th anniversary, with topics including how the film authentically depicts pre-teen childhood, the meta-commentary that speaks directly to Stephen King's experiences as an aspiring writer, and more. (Beware: SPOILERS for Stand by Me abound in this panel discussion!)

Podcast de Mercado Abierto

Con Roberto Moro y Jorge del Canto

El guitarrista y compositor Baden Powell y el poeta Vinicius de Moraes grabaron en 1966 sus célebres Afrosambas: 'Canto de Ossanha', 'Canto de Xangô', 'Bocoché', 'Canto de Iemanjá', 'Tempo de amor', 'Canto do caboclo pedra preta', 'Tristeza de solidão' y 'Lamento de Exú'. En 1990. a los diez años de la muerte de Vinicius, Baden Powell volvió a grabar los ocho afrosambas del LP original en un disco del que escuchamos 'Lamento de Exú', 'Labareda', 'Tristeza e solidão' y 'Canto de Ossanha'.Escuchar audio

durée : 00:16:32 - Les Midis de Culture - par : Marie Labory - "Lucia di Lammermoor" de Gaetano Donizetti est adapté en français sur la scène de l'Opéra-Comique cette saison, dans une mise en scène d'Evgeny Titov et sous la direction de la cheffe italienne Speranza Scapucci. - réalisation : Laurence Malonda - invités : Anna Sigalevitch Journaliste et auteure; Emmanuelle Giuliani Journaliste à La Croix

Neste episódio falamos da famosa dinastia Tudor, que governou Inglaterra entre 1485 e 1603. Abordamos as vidas e reinados de monarcas tão distintos quanto Henrique VIII e Isabel I, bem como acontecimentos-chave para a História das ilhas britânicas, como a Reforma Anglicana e a derrota da Invencível Armada.Sugestões de leitura1. Roger Lockyer e Peter Gaunt - Tudor and Stuart Britain, 1485-1714. Routledge, 2019.2. G. R. Elton - England Under the Tudors. Routledge, 2018.3. Série Wolf Hall, BBC, 2015-2024.-----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler, Sara Esteves, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, João Cancela, Luís André Agostinho, Miguel Cunha, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Cláudia Brandão, Diogo Freitas, Fábio Videira Santos, Gn, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, José Santos, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, Liam Brockey, Luis Colaço, lvlheadwrecker, Mafalda Trindade, Manuel Bernardo, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Ruivo, Paulo Silva, Pedro Cardoso, Pedro Oliveira, Pedro Sebastião, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Curado Silva, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.

No son las sirenas de los cuentos. No cantan para enamorar. Cantan para llevarte. En este episodio de Hablemos de Terror, tres personas cuentan lo que escucharon — y lo que vieron — en el mar, en los ríos y en las profundidades donde nadie debería mirar.Un pescador de Veracruz que siguió el sonido sin poder parar.Una turista en el Lago de los Siete Colores que vio algo bajo el agua que no era un pez ni una persona.Un buzo de rescate en el río Biobío, Chile, que tocó algo en el fondo y salió corriendo. Nunca volvió a bucear.⚠️ Nombres cambiados para proteger la identidad de los testigos. 

Esta semana falamos de um soldado português que curava com palavras, no séc. XVII, e da história cómico-trágica de um fidalgo português, nos finais do séc. XV, com a alcunha de ‘o Braseiro'.Sugestões da semana:1. Luís Nuno Rodrigues - Brevíssima História da Revolução dos Cravos. Tinta da China: 2026.2. Nuno Estevão Ferreira (coord) - 50 Anos da Constituição da República Portuguesa (1976-2026). Comissão Comemorativa 50 anos 25 de Abril, 2026.-----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler, Sara Esteves, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, João Cancela, João Carreiro, Luís André Agostinho, Miguel Cunha, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Cláudia Brandão, Diogo Freitas, Fábio Videira Santos, Gn, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, José Santos, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, Luis Colaço, lvlheadwrecker, Mafalda Trindade, Manuel Bernardo, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Ruivo, Paulo Silva, Pedro Cardoso, Pedro Oliveira, Pedro Sebastião, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Curado Silva, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0.Edição de Marco António.

Con Roberto Moro y Jorge del Canto

Neste episódio falamos do Golfo Pérsico ao longo da História. Tentamos perceber qual a sua importância, que produtos por aí passavam, e como evoluiu a sua relação com o mundo nos últimos 500 anos.Sugestões de leitura1. Allen James Fromherz - The Center of the World: A Global History of the Persian Gulf from the Stone Age to the Present. University of California Press, 2024.2. Lawrence G. Potter (ed) - The Persian Gulf in History. Palgrave Macmillan, 2009.3. João Teles e Cunha - Olha da grande Pérsia o império nobre: relações entre Portugal e a Pérsia na Idade Moderna (1507-1750). Secretaria de Estado da Cultura / Arquivo Nacional da Torre do Tombo, 2014.-----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler, Sara Esteves, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, João Cancela, João Carreiro, Luís André Agostinho, Miguel Cunha, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Cláudia Brandão, Diogo Freitas, Fábio Videira Santos, Gn, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, José Santos, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, Luis Colaço, lvlheadwrecker, Mafalda Trindade, Manuel Bernardo, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Ruivo, Paulo Silva, Pedro Cardoso, Pedro Oliveira, Pedro Sebastião, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Curado Silva, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.

Ti do il benvenuto su Italiano bello, il podcast in italiano semplice pensato per chi vuole imparare l'italiano o semplicemente migliorare. Tutti gli episodi sono disponibili in formato video ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sul mio canale YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, dove puoi attivare i sottotitoli.Ecco cosa puoi fare dopo aver ascoltato l'episodio:

You should have a quota for reading.Take a number where you mark it and you make sure you finish it—even if it's one verse or one page—or if you feel like you can do more, try to do more. Because those vows that you make to read Prabhupāda's books every day in a certain amount, they'll push out of the way a lot of the frivolous other things. And for the frivolous other things, the thoughts, you can tell your mind, "We'll get to those later after I finish my quota." That's Haridāsa Ṭhākura's trick. When the prostitute came and said, "Hi,' he said, "Yeah, no problem. Just wait. I got to finish my rounds." And we should have the same fortification: that every day we have a series of things that we finish first, even to the chagrin of our whimsical friends who say, "Come on, let's do this; let's do that." Say, "Sure, after I finish my chapter, and after I finish my pages, and of course, after I finish my rounds—then we can do this thing." And next thing you know, they're going to go, 'All right, well, we'll chant the chapter with you," and then the whole environment will change. That's our daily protection, because any given day we can veer from the path and go somewhere else. So sādhana has to be serious, strict, and calculated. We should line it up at home. Get your ironing board and open it up—it's nice and long. Put down all the śāstra that you're going to read that day. Line it up: 1, 2, 3, 4, 5, 6. Put your bead bag first; put your Bhāgavatam second; put your Bhagavad-gītā third. What else you're going to put on there? Whatever it is. An ironing board is long enough; you can put it all down there. And if somebody else needs it, get another ironing board! But have it—that's how you should line up. (For the context of the ironing board, please watch https://youtu.be/vacZxESREFw?t=3475) So when you wake up in the morning, you go right for your thing. You have it set up. If you go for a drive and you're not driving—well, even if you are driving—have something lined up that you can listen to, that you're finishing. This is the method of the Goswāmīs: 'saṅkhyā-pūrvaka-nāma-gāna-natibhiḥ.' They counted everything. Everybody who counts, they make progress. In business, if you count, you make progress. What kind of business is it where they don't count anything? "What's the quarterly report?" "We don't know, we're just going along." "What's the yearly report? "We don't have one, we just do the best we can." There's no progress there.So, same thing in spiritual life. This is our time to cultivate while you're young and you're vital; make sure you invest. Invest in sādhana. It's the only investment really necessary for the human form of life. I was just reading yesterday from the 11th Canto about varṇāśrama. Whoever was in the car, we all heard it together. Is it that when I get in the car, I always have a speaker system ready so that everybody in the car can hear? Pull it out and read. And what an impression I got from that yesterday; it was talking about... ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://vaisesikadasayatra.blogspot.com/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://www.bbtacademic.com/books/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://thefourquestionsbook.com/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 ------------------------------------------------------------

We're remembering Willie Colón, the pioneering Nuyorican trombonist who was a key figure in the rise of Fania Records and New York-based salsa. Marisol Negrón, author of Made in NuYoRico: Fania Records, Latin Music, and Salsa's Nuyorican Meanings, joins Rebecca to discuss Colón's contributions, collaborations with Hector Lavoe, and his complex legacy as an artist whose politics were seemingly at odds with the persona he created, "El Malo," early on in his career.Songs played:"El Malo""Canto a Borinquen""El Cantante""El Gran Varón"Send us Fan MailSupport the showYou can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple PodcastsFind The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Amanda Lehan-Canto joins the show to take stunning calls about calling your cute coworker "baby", falling in love with your sports club nemesis, and debunking a workplace rumor about eating unpeeled bananas.Join The Patreon: https://bit.ly/PPPTRN -Weekly Bonus episodes every Friday & ad-free extended version of this episode)Buy the Coffee!! perfectpersoncoffee.comWatch on Youtube: https://bit.ly/PerfectPodYTWatch Miles' Main Channel Videos: https://bit.ly/MilesbonYTFollow On Insta To Call-In!: https://bit.ly/PPPodGramTell a friend about the show! Tweet it! Story it! Scream it!Advertise on Perfect Person via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

La cantante estadounidense Stacey Kent, acompañada por Jim Tomlinson (vientos) y Art Hirahara (teclados), firma el disco 'A time for love' con 'Lucky to be me' de Bernstein, 'The shadow of your smile' de Johnny Mandel y Paul Francis Webster, 'La javanaise' de Serge Gainsbourg, 'Carinhoso' de Pixinguinha y João de Barro y 'E la chiamano estate' de Bruno Martino. Del reciente disco del guitarrista francés Biréli Lagrène en cuarteto 'Elegant people' sus grabaciones de 'A time for love', 'Clair' de Gilbert O´Sullivan o 'Anjo de mim' de Ivan Lins. Lisa Ono canta 'Por causa de vocé', con el piano de Masaki Hayashi y el saxo de Sadao Watanabe, en su disco 'Sue Ann. Homage to Antonio Carlos Jobim. Abre O Kwarteto con 'Feira de mangaio' de Sivuca y 'Canto de Ossanha de Baden Poewll y Vinicius de Moraes y cierran Thiago de Mello y Dexter Payne con 'Kimbolian dawn' de su disco de hace veinte años 'Another feeling'.Escuchar audio

Send us Fan MailLa historia de dos búhos que parecen sostener una conversación será el punto de partida para un viaje que nos llevara desde Aristóteles hasta nuestros días. En ese recorrido revisaremos los intentos que hemos realizado por tratar de entender el canto de las aves, pasando por proyectos de ciencia ciudadana hasta el análisis de patrones complejos de sonidos usando herramientas informáticas, todo para contestar una pregunta tan antigua como el lenguaje.Support the show

We come to the end of the second canticle, of PURGATORIO . . . and it includes all the ambiguity and humanness we've come to expect, plus hopeful notes for the journey ahead into Paradise.Dante complicates his ending of PURGATORIO with notes about his own dark mind and the incomplete work of this second part of his masterpiece COMEDY.At the same time, we're ready for the stars.Join me, Mark Scarbrough, as we explore the final passage of PURGATORIO.Here are the segments for this episode of WALKING WITH DANTE:[01:22] My English translation of PURGATORIO, Canto XXXIII, Lines 124 - 145. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[03:26] Dante, ever the medieval poet, no matter how modern we try to make him.[05:28] The final address to the reader in PURGATORIO and the tricky question of the "woven bridle."[10:58] Matelda, apparently doing what she's always done . . . which only makes her character more complex.[12:49] The threat to memory, the threat to COMEDY as a whole.[15:23] Four hopeful notes that conclude PURGATORIO.[17:55] Rereading the passage: PURGATORIO, Canto XXXIII, lines 124 - 145.

The procession continues away from Lethe and farther into the Garden of Eden until they come to a dark, frigid spot that stops them . . . a curious moment in this innocent landscape.And it gets more curious as we discover rivers named and then renamed before we come to the most difficult naming of them all: Matelda, the fair lady who has been with us since PURGATORIO, Canto XXVIII.We'll talk cosmology, geography, and even poetic rhyme sequences before we turn to the thorny question of exactly who Matelda is.Join me, Mark Scarbrough, as I offer you lots of answers without giving any final solution to this most enigmatic figure.Please consider underwriting this work with a one-time contribution or a small monthly stipend which you can set up at this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:26] My English translation of PURGATORIO, Canto XXXIII, Lines 103 - 123. If you'd like to read along or continue the discussion with me, please find the entry for this episode on my website, markscarbrough.com.[03:25] Cosmological references that help set (and even bookend) PURGATORIO.[06:24] Stopping the procession at a dark, frigid spot (somehow in Eden!).[08:56] The Tigris and Euphrates rivers: how and why?[14:27] A beautiful rhyme sequence that encodes the fall into Eden.[17:10] Matelda: the difficult and long-standing interpretive questions about who this fair lady is.[31:06] Rereading the passage: PURGATORIO, Canto XXXIII, lines 103 - 123.

It's YOUR time to #EdUp with Ariana Keil, Senior Growth Marketing Manager, Canto In this episode, recorded Live from the 2026 InsightsEDU Conference in Fort Lauderdale, Florida, February 17-19,YOUR host is ⁠⁠Dr. Joe SallustioHow does a Digital Asset Management (DAM) company founded in 1990 serve 30% higher ed customers with the same pain points around finding content & version control?Why does streamlining workflows make 3 to 4 person marketing teams feel like 10 when they can't spend 90 minutes finding images?What makes DAM essential for universities needing rights management, privacy controls & multilingual search across campuses?Listen in to #EdUpThank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp!Connect with YOUR EdUp Team - ⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Elvin Freytes⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Dr. Joe Sallustio⁠⁠⁠⁠⁠● Join YOUR EdUp community at ⁠The EdUp Experience⁠We make education YOUR business!P.S. Want to get early, ad-free access & exclusive leadership content to help support the show? Become an #EdUp Premium Member today!

Nobody wants a boss — and according to a prominent atheist philosopher, that's exactly the problem. Thomas Nagel, professor of philosophy at New York University and one of the most respected philosophers of the 20th and 21st centuries, made a startling admission: "I want atheism to be true" — not because the evidence demands it, but because the idea of God makes him uneasy. In this episode Raghunath and Kaustubha unpack what Nagel called the "cosmic authority problem" — the deeply human tendency to start with the conclusion we want and work backwards. The Bhagavad Gita and the Srimad Bhagavatam, ancient Sanskrit texts on consciousness and devotion, suggest something even more striking: what we're running from is exactly what we're looking for. The God we're afraid of — the cosmic authority, the judge, the warden — turns out to be something else entirely. In the 10th Canto of the Srimad Bhagavatam, Krishna is described not as an untouchable supreme force, but as a being whose very essence is to be controlled by love — the boss who finds his happiness in serving others, who becomes vulnerable so that love can be felt. The authority we've been running from turns out to be the love we've been searching for everywhere else. Wisdom of the Sages exists to help you find it.   ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

After her final discourse in PURGATORIO, Beatrice and Dante enter into a brief conversation in which he admits he already has images stamped into his brain but he doesn't know what many of them mean, particularly those from her.She, on the other hand, launches into her final condemnation: the school he followed was too debased to capture the truths she has in hand.But she doesn't end there. She also promises greater clarity ahead. Thank goodness!Join me, Mark Scarbrough, as we work through the conclusion of her discourse and discover the ways Dante may be signaling us that the rational mind is not enough to understand theological truths.Here are the segments for this episode of WALKING WITH DANTE:[01:18] My English translation of PURGATORIO, Canto XXXIII, Lines 79 - 102. If you'd like to read along or continue the conversation with me about this passage, please find the entry for this episode on my website, markscarbrough.com.[03:15] Questions about brain impressions, perhaps derived from the figurae of Joachim da Fiore.[09:22] Beatrice's condemnation of the school Dante followed . . . and the questions about which school does she mean.[17:38] The question of whether Dante fully experiences Purgatory.[21:02] The hope of greater clarity ahead.[22:57] Rereading the passage: PURGATORIO, Canto XXXIII, lines 79 - 102.

Today on Ascend: The Great Books Podcast, Dcn. Harrison discusses the last two cantos of the Purgatorio (32-33) with Joshua Charles of Eternal Christendom and Dr. Frank Grabowski of Holy Family Classical School. We are reading the ODYSSEY NEXT! Check out our 12-week schedule.See our collection of written guides to the great books!Check out Joshua Charles' Eternal Christendom.Check out Holy Family Classical School in Tulsa, Oklahoma.They explore the symbolic significance of Beatrice's role in guiding Dante through his spiritual journey, highlighting her as a representation of divine grace and wisdom. The conversation also touches on the allegorical elements of the sacred tree and the griffin, which symbolize Christ and the intertwining of spiritual and temporal authority.The episode further examines the complex allegories of spiritual and temporal power, focusing on themes of judgment, schism, and the corruption within the church. The guests discuss Dante's critique of ecclesiastical corruption, particularly involving figures like Boniface VIII and the Avignon Papacy, and how these historical contexts are woven into the narrative. The prophetic visions of church corruption, represented by the harlot and the coming hero, the Greyhound, are analyzed for their implications on Dante's vision of divine justice and societal renewal. The discussion is enriched with references to biblical texts, especially the Book of Revelation, which heavily influences Dante's imagery.Throughout the episode, the philosophical underpinnings of Dante's work are explored, with particular attention to the influences of Platonic, Augustinian, and Thomistic thought. The conversation transitions from the individual soul's purification journey to broader societal and political reflections, emphasizing the need for harmony between spiritual and temporal powers. The episode concludes with reflections on Dante's vision for renewal and hope, encouraging listeners to consider the allegories as guides for personal sanctification and societal transformation.Chapters00:00 Introduction and Context of the Podcast03:07 Exploring Dante's Purgatorio06:02 The Role of Beatrice and Grace08:50 Imagery and Symbolism in Canto 3212:06 The Pageant of Church History15:00 The Griffin and the Tree of Knowledge17:53 Temporal vs. Spiritual Authority20:45 The Significance of the Pageant23:57 Concluding Thoughts on Dante's Vision29:18 The Role of the Church in Governance30:01 Wealth and Temptation: The Weight of Luxury32:13 Temporal Authority vs. Spiritual Purpose34:26 The Emergence of the Dragon: Schism and Violence36:05 The Transformation of the Chariot: Corruption and Power38:47 The Harlot and the Giant: The Church's Grotesque Reality42:37 Dante's Perspective on the Papacy and Authority49:35 The Need for a Temporal Leader55:41 The Prophetic Vision of the Future01:00:21 The Purifying Power of Temporal Authority01:04:21 The Role of the Tree in Justice01:06:47 Understanding the Moral and Anagogical Senses01:10:46 The Discord Between Heaven and Earth01:16:42 The Significance of the Two Rivers01:22:40 Baptism and the Renewal of the SoulGood work on reading the Purgatorio!We have a few episodes from THE ASCENT up next and then we are reading the Odyssey.

Beatrice concludes her monologue at the end of PURGATORIO with some dazzling metaphoric pyrotechnics, a slam on Dante's intellect, and a redefinition of this journey across the known universe. It's not just any old pilgrimage. It's a crusade.Join me, Mark Scarbrough, as we look at the final images of her speech and discover its larger, structural details . . . which point us directly ahead to PARADISO.Consider defraying the many costs of this podcast with a one-time donation or a small monthly stipend by using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:11] My English translation of PURGATORIO, Canto XXXIII, Lines 61 - 78. If you'd like to read along or continue the conversation about this episode, please find its entry on my website, markscarbrough.com.[03:03] Fun calculations to discover how long Adam (and Eve) stayed in Limbo.[07:52] Beatrice's assertions about the writing and reading of texts.[13:33] References to the river Elsa and to Pyramus.[17:10] A badly mixed metaphor that leads into questions of interiority.[21:14] Rereading all of Beatrice's final monologue in PURGATORIO: XXXIII: 31 - 78.[23:49] Four structural notes on this monologue.

Beatrice continues her discourse at the end of PURGATORIO by offering Dante classical examples of her own obscurity, Christian resonances for the very hope of writing, and a challenge for him to become her scribe, to take notes on her lectures.This passage falls in the middle of her long monologue in the last canto of PURGATORIO and it forms the fulcrum that turns us from the apocalyptic vision to something much closer to Dante's own concerns: the craft of writing.Join me, Mark Scarbrough, as we tease out the difficulties in this notoriously challenging passage at the end of PURGATORIO.Here are the segments for this episode of WALKING WITH DANTE:[01:59] My English translation of PURGATORIO, Canto XXXIII, Lines 46 - 60. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[03:24] The obscurity as the point.[07:02] Themis and the Sphinx, early human riddles.[10:02] Dante's well-intended mistake about the Naiads.[13:41] Beatrice's theory of Dante's craft.[15:59] The classical to the Christian: the dominant move in INFERNO and PURGATORIO.[17:35] A twice-robbed tree--but how?[19:50] The tree for God's sole use.[21:58] Rereading the passage: PURGATORIO, Canto XXXIII, lines 46 - 60.

As Beatrice and Dante continue to walk through Eden, she begins the final discourse that will end PURGATORIO: a cryptic, apocalyptic vision of the world (or maybe just the church?) set right. But by whom? Or when? And is the church destroyed? Or is it going to be rehabilitated?Beatrice's vision is the capstone of PURGATORIO and prepares us for the elliptical and stylized poetry to come in PARADISO, just ahead of us. It's a test to see whether we can make it. Don't worry: We will!Join me, Mark Scarbrough, as we begin our final walk across one of the most difficult passages in PURGATORIO. Seven hundred years of commentary hasn't come to any agreement on these lines. Why should we?To keep this podcast afloat, please consider a one-time donation or a very small monthly stipend to underwrite its many fees. You can do so at this PayPal link.Here are the segments for this episode of WALKING WITH DANTE:[01:43] My English translation of PURGATORIO, Canto XXXIII, Lines 25 - 45. If you'd like to read along or continue the conversation with me by a comment on this episode, please find it on my website: markscarbrough.com.[04:18] A reminder: the rigid and highly stylized manner code in the Middle Ages.[08:46] Beatrice's redefinition of the terms: wakefulness rather than walking, the chariot as a vessel, the dragon as a serpent (from Eden?), and the chariot's possible, full destruction.[14:18] A translation problem: the possible sop of bread. And difficult interpretations: God's vendetta and a future heir.[18:30] Seven hundred years of commentary on the tough problem of "five hundred ten and five--God's messenger."[27:42] Rereading the passage: PURGATORIO, Canto XXXIII, lines 25 - 45.