Podcasts about Canto

We have come to the climax of Virgil's in COMEDY: the apex of his character, the moment when he is what he should have been all along, a poignant and fitting summit for this most difficult figure in the poem.Join me, Mark Scarbrough, as we stand at the top of the final staircase on Mount Purgatory and take our first steps into the Garden of Eden with the pilgrim who is ready to continue on his own, with crown and miter in hand, thanks all to Virgil, the best guide he could have had.Please consider supporting this work by offering a one-time donation or a small monthly stipend through this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[02:11] My English translation of PURGATORIO, Canto XXVII, lines 124 - 142. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:45] The climax of Virgil's natural talent and learned skill for the soul's journey across the known universe.[14:19] Our first glimpse at the top of Mount Purgatory beyond the stairs.[17:50] The entrance to the Garden of Eden--and a theological problem about Satan.[21:27] The pilgrim, with crown and miter from Virgil.[30:24] Rereading the passage: PURGATORIO, Canto XXVII, lines 124 - 142.

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=XFrxuPsVyeM El Canto Consciente es una poderosa herramienta de Autosanación y Crecimiento Espiritual. Desde la etapa prenatal, la voz y la música favorecen el desarrollo del Ser. Al liberar nuestra voz, nos conectamos con nuestra esencia, activando vibraciones armónicas que nos ayudan a reconectar con nuestra nota de resonancia y expandirnos integralmente. Cantar moviliza cuerpo, mente y alma. Cristina Franch Terapeuta holística multidisciplinar y músico. Especialista en Canto Terapéutico, Canto Prenatal, Arpaterapia, Música Terapéutica y Naturopatía Musical. Imparte clases, cursos, formaciones y retiros desde 2018. http://www.fluirmusical.com https://ikieditorial.com/producto/la-... / fluirmusical https://www.facebook.com/profile.php?... Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. ------------INFORMACIÓN SOBRE MINDALIA----------DPM Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

We come to the climax of Virgil's character in the poem, the end of PURGATORIO, Canto XXVII. Let's take this dramatic and chilling scene in two episodes, starting with the moment our pilgrim, Dante, wakes up from his third dream on the mountain.Virgil steps forward to offer a grand and perhaps new hope. The journey is not about the need for justice. It's now about the search for peace.Join me, Mark Scarbrough, as we work through this first of two passages where Virgil's character reaches its most accurate and compelling focus.Please support this work with a one-time donation or a small monthly stipend, using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[02:26] My English translation of PURGATORIO, Canto XXVII, lines 109 -123. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[03:58] Callbacks from previous passages in PURGATORIO as this one begins to wrap up the canticle so far.[12:14] Omitting the erasure of the final "P" on the pilgrim's forehead.[13:37] The only calm awakening from a dream in PURGATORIO.[15:44] Virgil, finally and fully the father-guide the pilgrim has always needed.[23:51] Rereading the passage: PURGATORIO, Canto XXVII, lines 109 - 123.

CADENA 100 destaca que España es líder en Europa en ensayos clínicos contra el cáncer, apoyando la iniciativa "CADENA 100 por ellas", un concierto benéfico contra el cáncer de mama que se celebra el 18 de octubre en el Movistar Arena de Madrid con todas las entradas agotadas. Este evento, presentado por El Corte Inglés, recauda fondos para la Asociación Española contra el Cáncer y cuenta con artistas como Dani Fernández y Valeria Castro. CADENA 100 también informa que Alexey Molchanov ha batido el récord mundial de apnea al descender 126 metros en el mar, permaneciendo 4 minutos y 32 segundos sin respirar. Mateo & Andrea ofrecen 45 minutos de música sin interrupción. La programación de la tarde de CADENA 100, con Mateo & Andrea, incluye canciones del Canto del Loco, Backstreet Boys, Lola Yang o Pablo Alborán.

Neste episódio falamos de um membro esquecido da Dinastia de Avis: o príncipe D. Afonso, filho e herdeiro de D. João II. Abordamos o seu nascimento e criação, a estadia como refém durante as Terçarias de Moura, o seu casamento com uma princesa castelhana e as faustosas celebrações do matrimónio em Évora, até concluirmos com a sua trágica morte junto ao Tejo em 1491.Sugestões de leitura1. Paulo Drumond Braga – O Príncipe D. Afonso, filho de D. João II: uma vida entre a guerra e a paz. Edições Colibri, 20082. Luís Adão da Fonseca – D. João II. Temas e Debates, 2007.-----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carla Pinelas, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Manuel Prates, Miguel Vidal, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Civiforum, Lda., Diogo Camoes, Diogo Freitas, Eugenia Capela, Fábio Videira Santos, Francisco Fernandes, Gn, Gonçalo Pedro, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joao Godinho, João Pedro Mourão, Joel José Ginga, Johnniedee, José Beleza, José Santos, Luis Colaço, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Silva, Parte Cóccix, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.

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Our pilgrim has lain down on a step of the final staircase of Mount Purgatory, positioned between Statius below and Virgil above him.As he watches the large and bright stars, he suddenly falls asleep to dream of Leah (and her sister Rachel) in an Edenic garden, the hope for self-reflection bound up in the promise of the contemplative life.This dream may well begin to sum up Dante's notion of how a human finds the divine.Join me, Mark Scarbrough, as we walk through the final dream of PURGATORIO.Consider donating to keep this work afloat by using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:29] My English translation of PURGATORIO, Canto XXVII, lines 91 - 108. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[03:05] The players around and in the dream: Cytherea, Leah, and Rachel.[10:40] Three interpretations of the dream. One, a pre-fall Even and a post-redemption Eve in the Garden of Eden.[12:50] Two, a Biblical dream after two classical dreams, but all deeply sexual in nature.[17:26] Three, two modes for revelation: the active life and the contemplative life.[19:03] Dantean psychology: finding the divine in the beloved leads to finding the divine in the self.[23:22] Rereading the passage: PURGATORIO, Canto XXVII, lines 91 - 108.

Baden Powell nos dejó el 26 de septiembre de 2000. Nuestro recuerdo a uno de los guitarristas brasileños más influyentes de la historia con grabaciones suyas de 'Valsa de Eurídice', 'Samba triste', 'Deve ser amor', 'O astronauta', 'Jesus, alegria dos homens', 'Choro para metronome', 'My funny valentine', 'Apelo',, 'Canto de Xangô', 'Tristeza e solidão', 'Quaquaraquaqua', 'Samba em prelúdio' y 'Tristeza'. Escuchar audio

Fabio Sebastiani"Se non torna il canto"Distopie e approdi attraverso il Realismo terminaleNota introduttiva di Guido OldaniEnsemble Edizionihttps://www.edizioniensemble.it/Oggi chi si avvicina alla poesia non può non farlo senza una chiara allusione a una sorta di impegno civile. Questo ha ben poco a che vedere con la poesia civile in quanto tale, se non altro perché rispetto alle ricorrenze storiche che l'hanno vista primeggiare, a partire da Dante, abbiamo di fronte uno scenario umano – ma anche culturale ed economico – sì profondamente diverso ma ugualmente inquietante. Eppure, come tra il 1200 e il 1300 è netta la sensazione di una “ricostruzione”, che debba però contemporaneamente avere la forza di guardare avanti. E come in quel frangente, il linguaggio assume un ruolo strategico. La poesia più che i poeti, devo dire, oggi viene gettata violentemente nella realtà, costretta a subirne la nominazione, a rifare i conti, profondi, con il suo statuto, a correre in soccorso degli uomini. Sotto un profluvio di merci e simboli che ci sovrasta e ci azzera, rendendo vano il tempo per noi, l'umanità ritenta il suo viaggio come in preda al puro istinto, ma contando in salde radici, nelle sue profondità archetipe, e nella storia stessa del linguaggio che ha trasferito la “storia”, appunto, fin dentro il codice genetico della nostra specie. Il Realismo terminale sostiene fortemente questo complicato e necessario percorso della poesia perché traccia altrettanto fortemente il disincanto e la consapevolezza portando a chiederci se non sia il caso di dislocare la metafora per propiziare una crescita nella conoscenza dell'umano: dare le gambe al cambiamento se da soli ci sentiamo impotenti e offesi. Il titolo della plaquette, a suo modo, rimette al centro il perimetro entro il quale tentare di muoversi: il rovesciamento. Mentre fuori tutto appare “distopico”, ovvero fuori dal suo luogo abituale, e forse lo è strutturalmente, dentro occorre tessere approdi per evitare débacle. Un invito esplicito al lettore a guidarsi e a farsi guidare perché ciò di cui abbiamo bisogno, a mio modesto parere, è più di un semplice salvagente. Abbiamo bisogno della tessitura del canto, riconoscendo l'affidarsi. Togliamoci dalla testa che questo possa avvenire tra individui, sicuramente non nella misura che ci occorre oggi. Forse non facciamo davvero a tempo a surclassare il cambiamento antropologico in atto. O meglio, l'affidarsi è verso l'altro in tutti e due i sensi; ma senza un linguaggio svincolato dalle pastoie in cui è finito non potrà accadere nulla di rilevante. La poesia, soprattutto, può dare il suo reale contributo. Il Realismo terminale rimette al centro valori importanti nell'antropologia umana come lo scuotimento e una insuperabile lezione di autoironia. Senza scuotimento e autoironia non può esserci il riconoscersi. E la similitudine rovesciata ne è la premessa necessaria.Fabio Sebastiani vive e lavora a Roma. È giornalista, conduttore radiofonico, autore di saggi, poeta. È stato caporedattore di «Liberazione» fino al 2012 . Con Ensemble ha pubblicato Molecole semplici per rivoluzioni complesse (2018).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Con Roberto Moro y Jorge del Canto.

Podcast de Mercado Abierto

Con Roberto Moro y Jorge del Canto.

Juan Gómez de Caso, Director del Taller de Canto Gregoriano , nos habla sobre la actividad en Santa María de Riaza

Our pilgrim has entered the flames of lust. For the first time, he is not a voyeur of the torments. He experiences them on the last terrace of lust.He then hears a call to enter Paradise . . . before he falls asleep on the mountain's rocky staircase.Problem is, those flames don't burn up irony. It's thick in this passage. A goat even gets into Paradise!Join me, Mark Scarbrough, as we work through this final climb on Mount Purgatory before we enter the Garden of Eden.Consider supporting this podcast with a one-time donation or a small monthly stipend, using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:22] My English translation of PURGATORIO, Canto XXVII, lines 49 - 90. If you'd like to read along or continue the conversation with me about this passage, please find its entry on my website, markscarbrough.com.[04:09] Dante's guilt (or creative apex) and Virgil's white lie (or painful memory).[10:02] The angel in Latin and in vernacular Florentine--and perhaps Dante's homesickness.[15:02] The scope of the journey: a half revolution around Mount Purgatory.[18:14] The pastoral, idyllic, Edenic simile to (try to) summarize the moments after the flames.[21:09] The irony in the simile, full of inaccurate reference points.[25:28] Dante, the goat let loose into Paradise.[29:29] Our poet, a world-builder.[30:55] Rereading the passage: PURGATORIO, Canto XXVII, lines 49 - 90.

Welcoming one of our personal favourite's from the big apple! A positive conductor of all things deep and dreamy, NYC's @yibingg is a longtime resident on The Lot Radio with an impeccable ear for contemplative sonics, ever thoughtfully sliced and diced with a big signature smile :) Time to hit recline and let Yibing tranquilify your mind. Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in? A. I've always been drawn to uplifting sounds, but I also love deep, percussive music and melancholic minor key melodies, which I think there's a lot of in this mix. Hopefully a nice journey to drift into and daydream with :) I really wanted this mix to be a sort of homage to the sound of MDC and the AU music community (as I hear it), which I connect with deeply. I find it so playful, psychedelic and beautiful. It definitely took me a while to untangle this, especially knowing it was for one of the most goated series out there… One that's inspired me time and time again. Personally, my favorite place to test mixes is on my bike. Maybe not the safest spot to zone out, but it's become part of my post recording ritual. Q. Are there any songs in the mix that you were especially excited to share, and what is it about these tracks that resonate with you so much? A. Atone's "Lost & Found"! I became obsessed with Tonal Ocean's Atone Special after it aired on NTS last year. Atone is, of course, an Australian project from the mind of Andrew Fitzgerald. I've listened to that mix countless times. "Atonement" is really just such a perfect record to me. I played "Lost & Found" last year at a festival that Doc Tom and CZ Wang curated called In The Open. It's still one of my favorite sets I've ever played and a memory I will cherish forever... I felt people really locking in during it and I was surrounded by some of my closest friends too… Music & friendship - truly nothing better than it. Q. Tell us about the evolution of Tranquilamente Radio on The Lot Radio, you play such a wide variety of beautiful music on the show, do you approach each show with a theme of sorts or just let things flow naturally? A. It's wild to think that I've been involved with radio in one shape or another for over a decade at this point... Through so many changes, radio in its different iterations has remained the only constant. When I started the show on The Lot Radio almost five years ago, it was deep during the pandemic and I wanted to foster a space for more laidback, at-home listening music. The inspiration for the title of the show was the Pacific Ocean - thinking about oceans as connectors of all these beautiful ~music waves~ around the world. I have done some themed shows over the years - I do an indie rock special every year, as a nod to my roots and to what I was playing back at KCSB, a college radio station in California where everything started. I also did a Canto-pop special a while back with some music I grew up listening to. More recently, I did a Music From Memory special that I really enjoyed, using the opportunity to really dive deep into everything that's come out from that label. I definitely want to keep doing more of that. I find it exciting that even though the show is pretty eclectic, it's developed a sound of its own. I definitely have a predilection for weirdo, left-field music and I love that the show can be a platform where me and my guests are encouraged to explore different sounds beyond the club. I think doing the show has also taught me and motivated me over the years to bring that sound into my sets too.

Esta semana falamos de múmias dos pântanos e do homem que sobreviveu às duas bombas atómicas.Sugestões da semana1. Nora Berend - El Cid: A Vida e o Legado de um Mercenário Medieval. Saída de Emergência, 2025.2. José Manuel Garcia - Muito para além do mar - A nova história dos descobrimentos portugueses. Presença, 2025.----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, Manuel Prates, Miguel Vidal, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carla Pinelas, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Civiforum, Lda., Diogo Camoes, Diogo Freitas, Eugenia Capela, Fábio Videira Santos, Francisco Fernandes, Gn, Gonçalo Pedro, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joao Godinho, João Pedro Mourão, Joel José Ginga, Johnniedee, José Beleza, José Santos, Luis Colaço, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Parte Cóccix, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0Edição de Marco António.

Quantas vezes, ao sermos advertidos, reagimos com orgulho, resistência ou até mesmo com tristeza? Muitas vezes, enxergamos a advertência como algo negativo, quando, na verdade, ela pode ser um presente valioso da Vida, um instrumento de Deus para lapidar nosso caráter e nos ajudar a trilhar um caminho mais iluminado.Aceitar advertências com docilidade não significa passividade, mas sim humildade, coragem e sabedoria. É reconhecer que, mesmo nos apontando algo que precisa ser ajustado, a advertência pode abrir portas para mais aprendizado, mais harmonia, mais crescimento e mais prosperidade.Neste episódio, você vai se inspirar a olhar para as advertências de uma forma completamente nova: não como críticas ou barreiras, mas como expressões de amor, sabedoria e cuidado da Vida. Neste episódio, recebemos o Preletor em Grau Sênior Regis Yoshio Shimanoe, que nos conduz em uma reflexão transformadora sobre um tema muitas vezes desafiador, mas absolutamente essencial para o nosso crescimento espiritual e pessoal: “Aceitar as advertências com docilidade”.| Conheça o livro "Existe um mundo mais livre"! Para adquirir seu exemplar acesse: https://sni.org.br/existeummundo-pod/| Os livros-textos deste episódio são: A prosperidade está na mente; Canto em Louvor ao Bodisatva que Reflete os sons do Mundo; Sutras Sagradas; O Livro dos Jovens; Para adquirir e estudar ainda mais, acesse: https://snibr.org/livrariapod;| Para encontrar a Associação Local mais próxima de você, acesse: https://rebrand.ly/onde_encontrar;| Quer começar a praticar a Meditação Shinsokan, mas não sabe como? Conheça a Meditação Shinsokan guiada: https://rebrand.ly/shinsokan_7min| Acompanhe também as nossas redes sociais para mais conteúdos e novidades: https://rebrand.ly/FaceSNI (Facebook) e https://rebrand.ly/instaSNI (Instagram);

Our pilgrim stands on the brink of the flames. Virgil has to use every rhetorical trick in his bag to get Dante to move . . . and the only thing that works in Beatrice.In so doing, our poet Dante attempts his first run at defining this desire that is driving him up into the heavens. But he does so in a most curious way: by bringing up Geryon, the monster of fraud.Join me, Mark Scarbrough, as we stand with our pilgrim before the very real chance that the poem may catch on fire around us!If you'd like to help with the many fees for this podcast, please do so at this PayPal link.Here are the segments for this episode of WALKING WITH DANTE:[01:26] My English translation of PURGATORIO, Canto XXVII, lines 19 - 48. If you'd like to read along or drop a comment so we can continue the conversation, please find the entry for this episode on my website, markscarbrough.com.[04:07] Virgil's tight rhetorical argument for getting in the flames.[11:35] The beast of fraud and the problem of credence.[15:47] The final push: Beatrice.[18:12] Dante's first attempt to solve the problem of desire in his theological context.[23:19] Our pilgrim, infantilized--and ready for the flames with an apple.[26:02] Rereading the passage: PURGATORIO, Canto XXVII, lines 19 - 48.

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on September 21, 2025. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org

Thanks to ASICS for sponsoring this weekend show. Shop the ASICS Tokyo Collection, Experience Premium Running Comfort and performance with their newest models, MEGABLAST and SONICBLAST. Visit asics.com.au or visit your running speciality store. This week's rerelease guest is podiatrist and rising star of the Australian running scene, Thomas Do Canto coming off his International debut at the World Half-Marathon Championships in Valencia, Spain. Tom goes through the selection process for Commonwealth Games & subsequently the World Half, how he's dealt with the attention and preparation in the lead up and afterwards, unpacking with Brady to setting a new personal best of 64:18. They talk about the breakthrough 2:14 at Fukuoka Marathon and how it could've been very different as they discuss his newfound penchant for the longer races, recounting his marathon debut at Melbourne 2016 as a major highlight. Tom explains the expectations he sets on himself, the training and specific sessions that goes into races, gives his views and observations on the footwear industry as a podiatrist before plans for the future and advice on giving the necessary life balance.

Primera parte del Consultorio de Bolsa con Roberto Moro y Jorge del Canto.

El experto, responsable de delcanto.es, explica cuáles son los puntos de mercado destacados de esta semana.

Con Roberto Moro y Jorge del Canto

Kṛṣṇa says in the 11th Canto of the Bhāgavatam, "mat-bhaktyā pūjābhyadhikā- better than worshiping Me is worshiping My devotees." This theme is illustrated in the story of Śrutadeva and Bāhulāśva. Kṛṣṇa, along with great sages, goes on a chariot to visit these two devotees. Śrutadeva is poor, and Bāhulāśva is a wealthy king. Kṛṣṇa then expands Himself so He can go to both of their houses at the same time. Not only does He expand Himself, but He also expands all the sages as well. So they all go in different directions, but it's the same entourage and the same Kṛṣṇa. At the house of Bāhulāśva, the king gives Him a royal reception, washes His lotus feet, and he hears from Kṛṣṇa. He worships Him and performs ārati. At Śrutadeva's house, the same thing happens, but he gives Him simpler accouterments, just a small place to sit and some water. Śrutadeva, especially was glorifying Kṛṣṇa with elaborate and effusive prayers. Kṛṣṇa stopped him and said, "All these sages are here; it is better if you glorify them. You are over-glorifying Me in the presence of these sages." So this theme continues throughout the Bhāgavatam. It is based on the verse: "ārādhanānāṁ sarveṣāṁ viṣṇor ārādhanaṁ param tasmāt parataraṁ devi tadīyānāṁ samarcanam," which means, "Of all types of worship, the worship of Lord Viṣṇu is the highest. But even higher than that, O Devī, is the worship of those things that are dear to Him." As Kṛṣṇa Himself says in the Bhagavad-gītā, there is no one more dear to Him than His devotees. Śrīla Prabhupāda put it simply: "Love Me, love My dog." (excerpt from the answer) ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Our pilgrim has come to an impasse: the flames of lust. There's no way forward except to step into them. He must finally feel the sufferings that he has witnessed over the course of COMEDY to this point.This suffering comes after a discussion of the craft of poetry, after a unifying vision of the world, and after Dante's own memories of both seeing people be burned alive as capital punishment and being sentenced to the same fate if he returns from exile.Join me, Mark Scarbrough, as we begin the first lines of the most important canto in PURGATORIO.Consider supporting this podcast by offering a one-time donation or a small monthly stipend using this PayPal link.Here are the segments for this episode of WALKING WITH DANTE:[01:53] My English translation of PURGATORIO, Canto XXVII, lines 1 - 18. If you'd like to read along or continue the conversation with me, please find this episode on my website, markscarbrough.com.[03:52] The unifying, globalizing view to begin this transitional canto.[08:36] The global, totalizing perspective v. the confusion of personal references in the passage.[11:52] The difficulties of handling multiple perspectives in narratives.[16:29] The global perspective v. Dante's personal memories and experience.[24:00] The beatitude in the passage: "Blessed are the pure in heart."[25:42] The beatitudes in all of PURGATORIO . . . and the missing one of the seven from the Gospel of Matthew.[28:26] Rereading the passage: PURGATORIO, Canto XXVII, lines 1 - 18.

Canto 5 Inferno: tutto sul canto dei lussuriosi con Paolo e Francesca, tra commento, figure retoriche e significati nascosti.

Bhagavad-gītā, Caitanya-caritāmṛta, Śrīmad-Bhāgavatam—we do all the books, everything, but it's just so tidy to take care of the basics. And besides, we can see this: here we are in the Fourth Canto. If we read this 108 times, if you all cancel your tickets, and, you know, we won't come to the end of it. We'll still be entering deeper and deeper into this one Canto, what to speak of one chapter, or just the prayers, or something like that. And we conceived of this perpetual distribution chain. In the beginning, the idea of Bhadra-pūrṇimā. Not everybody accepted it, because they were afraid that it would cannibalize the end-of-year marathon, which was non-descript. It was just, ‘do as much as you can.' And actually it started off with just… it used to be 10 days or something like that. Anyway, what's the harm in having perpetual book distribution going on? Because there's unlimited people who are coming to Kṛṣṇa consciousness. They have to be engaged, and Prabhupāda gave us those books, so we might as well plan how to distribute them to the world. On the release of all of them, he gave instructions to print them in large quantities and distribute them, including the Caitanya-caritāmṛta. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #govardhanreadings #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Hay noches en las que parece que el alma solo tiene suspiros… pero justo ahí, cuando elevas un canto de fe, estás sembrando la victoria que te espera en la mañana. Porque lo que hoy lloras en secreto, mañana será celebrado en público.

Flor y Canto Poetry Fest, Yilian Canizares, MCCLA by Cronicas de la Raza

Roberto Moro y Jorge del Canto desgranan la situación técnica en la que se encuentra Indra

Primera parte del Consultorio de Bolsa con Roberto Moro y Jorge del Canto 1209

Nos fijamos en valores como FCC, Solaria, Colonial, BBVA, Repsol, Alibaba o AppLovin, entre otros.

Roberto Moro, de robertomoro.es y Jorge del Canto, asesor financiero en Delcanto.es, hacen balance de cómo está la situación en los principales mercados de renta variable tras esta semana

Guido Guinizzelli has pointed to another figure in the purifying flames of Purgatory's seventh terrace. And now he steps forward, one of the greatest troubadour poets, a model of high-brow poetry and a writer of the sort of lusty verses that led to Francesca's downfall.Arnaut Daniel breaks COMEDY in some ways. He speaks in (a version of) medieval Provençal. But he also gives the final triplicate rhyme by any penitent on the mountain--and these words sum up the action of poetry.Join me, Mark Scarbrough, as we explore the final words from any penitent in PURGATORIO.Support this work by using this PayPal link.Here are the segments for this episode of WALKING WITH DANTE:[01:32] My English translation of PURGATORIO, Canto XXVI, lines 136 - 148. If you'd like to read along or continue the conversation with me by dropping a comment on this episode, please find its entry on my website, markscarbrough.com.[02:56] Lines in Provençal--that is, French poetry, the very thing that was a catalyst for Francesca's fatal choice.[04:51] Ornate rhetoric that leads to one of the most renowned troubadour poets of the Middle Ages.[09:02] The possibility of complex irony in Arnaut's speech.[11:07] The final triplicate rhyme from any penitent in PURGATORIO: folly, power, sorrow.[14:42] Refining: the action of penance.[16:46] Rereading the passage: PURGATORIO, Canto XXVI, lines 136 - 148.

There's a story about Prabhupāda, whether it's apocryphal or not or enhanced, I'm not sure, but one devotee recounted it, I think it's in a Memories of Prabhupāda. He said that Prabhupāda was praying intensely before the Deity, and later on, his servant asked him, "Do you mind me asking what you were praying for?" Prabhupāda said, "To not fall down to material nature." Then then the devotee allegedly responded, "But a pure devotee never falls down." And Prabhupāda said, "That is why! Because the devotees is always praying like that." There's an example of that in Prahlāda Mahārāja's prayers, where he says, "trasto 'smy ahaṁ kṛpaṇa-vatsala duḥsahogra-" He's talking about how everyone was afraid of Lord Nṛsiṁhadeva. That's why they pushed Prahlāda forward and said, "You talk to him." Even Lakṣmī, his wife, thought like, "Who is this person?" And then Prahlāda said, "I'm not afraid of you. I'm afraid of your Viṣṇu Māyā, that's what I'm afraid of. I'm afraid niṣpīḍyamānam upakarṣa vibho prapannam—I'm afraid of getting reabsorbed into the material energy." He said it's like a big wheel. "You are caught in it and he said, "I'll get ground up by the wheel." So devotees should be fearful. I was just writing about that this morning because in the 10th Canto, second chapter, there's a series of purports about fear, and it's in relationship to Devakī's fear of Kaṁsa. She was constantly afraid. Viśvanātha Cakravartī Ṭhākura says this fear of material association is purifying. He says the ṣaḍ-garbha asuras represent kāma, krodha, lobha, mada, moha, and mātsarya, and that they were killed one after another, which was symbolic. It actually happened, but it's also symbolic of the way in which, when we're afraid of material nature, we burn up our last attachments to it. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

My very dear friend Lisa Beerman joins me for this episode, and we talk all things Purgatory. Since we share a deep love for this book of the Divine Comedy she's our perfect companion for this part of the journey.We have a wide ranging conversation about translations, "ways in" to the Comedy, and the usefulness of Dante in everyday life. I hope you enjoy this conversation! Links to a few of the resources we discussed are below.We left Dante and Virgil climbing down Lucifer's frozen body—and suddenly what was down is now up. They emerge at the base of Mt. Purgatory and climb past shades until reaching its gates in Canto 9, just a quarter of the way into the book. From there, the journey ascends through purgation, penance, and eventual joy. At the summit, Virgil departs, and Beatrice steps in as Dante's new guide, leading him into the spheres of Paradise and toward the Highest Heaven.Reading Purgatory quickly has given me a fresh perspective. Unlike Hell's hostility, the shades here are eager to talk with Dante, sometimes asking for prayers, sometimes simply glad to meet him. Light is everywhere—Dante's shadow a reminder of the sun, not the flames of Hell. Each sin is purged through fitting penance: the proud bowed low under heavy stones, the slothful running ceaselessly, each step of the mountain carved with examples of virtue--carvings that move!One highlight: the poet Statius meeting Virgil through Dante's introduction. One heartbreak: Virgil's final farewell.If you missed the first episode about the Divine Comedy, check out "Week 24" for a discussion of Inferno and Dante's Nuovo Vitae. Next week we finish in Paradise with another guest and Crack-the-Book frequent flyer, my son Jack!This is a year-long reading list from Ted Gioia and his Honest Broker Substack. This is Part 1 of Week 25.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Robin Fitzpatrick's Divine Comedy translation100 Days of DanteCONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Dante has found his poetic father, Guido Guinizzelli, burning in the fires of lust on the final terrace of Mount Purgatory. Our pilgrim-poet has praised his poetic father for the sweet art that will last.Then Guinizzelli takes the discussion further, morphing that sweetness into truth, offering a metaphysical meaning to a physical sensation. He then proceeds to speak exactly in this sort of poetry, which our poet Dante picks up and uses to conclude this fascinating conversation.Join me, Mark Scarbrough, as we work through this second and final conversation about the nature of the new poetry and Dante's synthesis of traditions into COMEDY.Please support this work with a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:28] My English translation of PURGATORIO, Canto XXVI, lines 115 - 135. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[05:00] Corporeal and airy manifestations of the body.[07:55] Girard de Borneil, having been praised, now dismissed.[10:25] High and low poetry v. Dante's synthesis.[12:29] Unpacking too-tight lines about poetry.[15:00] The sweet morphed into the truth.[19:44] Dante's possible hesitation over his own poetic fame and his wild invocation to the truth of it.[23:53] Guinizzelli's validation and expansion into metaphoric space.[28:01] The ending of the conversation: a great example of the sweet new style.[29:50] Rereading the passage: PURGATORIO, Canto XXVI, lines 115 - 135.

Guido Guinizzelli has named himself and our pilgrim, Dante, is aghast.He gets lost in a classical simile that almost loses its sense, only to finally find his love for this poetic father and express himself in the straightfoward, new style from which his own poetry was born.Join me, Mark Scarbrough, as we work through another complicated but ultimately satisfying passage on the seventh terrace of Mount Purgatory among the lustful penitents.Support this podcast by offering a one-time donation or a small monthly stipend through this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:22] My English translation of PURGATORIO, Canto XXVI, lines 94 - 114. If you'd like to read along or drop a comment to continue the conversation, please find this episode's entry on my website, markscarbrough.com.[03:21] Guido Guinizzelli substituted a philosophical ideal for feudal love.[07:06] A ridiculously complex simile in the midst of a discussion of the sweet new style.[11:18] Dante finds a father, perhaps one of the goals of COMEDY.[13:06] The pilgrim backs off from homoeroticism with feudal pledges.[15:50] Guinizzelli gets Dante's footprint that even Lethe won't wash away.[17:24] Poetry may ironically offer a hint of its immortality in its materiality.[21:47] Rereading PURGATORIO, Canto XXVI, lines 94 - 114.

“Prabhupada Picks” refers to a selection of verses from the 10th Canto of the Srimad Bhagavatam that Srila Prabhupada memorized himself and quoted very frequently in his teachings. List of verses: https://vedabase.io/en/library/sb/10/1/4/ https://vedabase.io/en/library/sb/10/1/13/ https://vedabase.io/en/library/sb/10/1/16/ https://vedabase.io/en/library/sb/10/2/30/ https://vedabase.io/en/library/sb/10/2/32/ https://vedabase.io/en/library/sb/10/2/36/ https://vedabase.io/en/library/sb/10/2/37/ https://vedabase.io/en/library/sb/10/8/4/ https://vedabase.io/en/library/sb/10/9/21/ https://vedabase.io/en/library/sb/10/12/11/ https://vedabase.io/en/library/sb/10/14/3/ https://vedabase.io/en/library/sb/10/14/4/ https://vedabase.io/en/library/sb/10/14/8/ https://vedabase.io/en/library/sb/10/14/29/ https://vedabase.io/en/library/sb/10/14/58/ https://vedabase.io/en/library/sb/10/22/35/ https://vedabase.io/en/library/sb/10/29/15/ https://vedabase.io/en/library/sb/10/31/9/ https://vedabase.io/en/library/sb/10/33/29/ https://vedabase.io/en/library/sb/10/33/39/ https://vedabase.io/en/library/sb/10/52/43/ https://vedabase.io/en/library/sb/10/81/16/ https://vedabase.io/en/library/sb/10/82/44/ https://vedabase.io/en/library/sb/10/82/48/ https://vedabase.io/en/library/sb/10/84/13/ https://vedabase.io/en/library/sb/10/88/8/ https://vedabase.io/en/library/sb/10/90/48/ ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

409: Sydney Marathon | Zurich Diamond League Final | Tom Do Canto & Ellie Pashley  This weeks episode is sponsored by Precision Fuel & Hydration,  their free online planner has you covered! It calculates exactly how much carb, sodium, and fluid you need to smash your goals. Listen to the show for an exclusive discount. Ellie Pashley keeps an eye on Sydney during the long run. Brad gingerly restarts his running and makes a call for the rest of the year. Brady recaps his experience on the streets of the Sydney Marathon. This week's running news is presented by Axil Coffee. Hailemaryam Kiros of Ethiopia won the Sydney Marathon in an all-comers record of 2:06:06, just holding off compatriot Addis Gobena, with Eliud Kipchoge finishing 9th place. Haftu Strintzos was the first Australian to win the National Marathon Championship in 2:11:27, ahead of Tom Do Canto second in 2:13:25 and Brett Robinson third in 2:15:00. Sifan Hassan sets the all-comers record in 2:18:22 ahead of Brigid Kosgei. Leanne Pompeani was the first Australian to cross in 2:24:47 the fastest on Australian soil, with Jessica Stenson second in 2:28:56 and Lisa Weightman third in 2:29:34. Zach Facioni and Jenny Blundell each won the 10k event. Tom Do Canto joins the show to recap his performance and the atmosphere on his way to second place to the Australian Championship. Official Results https://runnerstribe.com/latest-news/records-fall-as-sydney-marathon-steps-onto-global-stage-hassan-and-kiros-lead-the-charge/?fbclid=IwY2xjawMhBu9leHRuA2FlbQIxMQABHghqVsel0MBk6suj8kenvHbe-36kHrxwObYwQXz2avjtMAxlN7s4T7ZEb8XO_aem_m9L3-Hic6aUIt9C-XzODNQ    Jessica Hull went out hard in the 1500m final in the Zurich Diamond League but was ultimately unable to hold off winner Nelly Chepchirchir, coming second in 3:57.02 with Linden Hall finishing fast in third in 3:57.44. Sarah Billings ran 1:58.76 in the 800m, while in the women's 3000m Georgia Griffith ran 8:41.36 for fourth place with Rose Davies running 8:46.11. Niels Laros won the 1500m in a Dutch National Record of 3:29.20, while Jimmy Gressier was the surprise packet winning the 3000m in 7:36.78. Zurich Diamond League Results   Enjoy 20% off your first Axil Coffee order! Use code IRP20 at checkout. Shop now at axilcoffee.com.au Crokes on the Loose unloads on niche world records getting airtime while the Whispers wait around the official World Championships selection, as well as Andy Buchanan dealing with a significant injury in the lead up to Tokyo. This episode's Listener Q's/Training Talk segment is proudly brought to you by Precision Fuel & Hydration. This week's question is “What are your strategies for staying motivated during solo runs?” Visit precisionhydration.com for more info on hydration and fuelling products and research, and use the discount code given in the episode. Patreon Link: https://www.patreon.com/insiderunningpodcast Opening and Closing Music is Undercover of my Skin by Benny Walker. www.bennywalkermusic.com Join the conversation at: https://www.facebook.com/insiderunningpodcast/ To donate and show your support for the show: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=9K9WQCZNA2KAN

Śrīmad-Bhāgavatam Canto 10 Chapter 30 Text 28 anayārādhito nūnaṁ bhagavān harir īśvaraḥ yan no vihāya govindaḥ prīto yām anayad rahaḥ TRANSLATION Certainly this particular gopī has perfectly worshiped the all-powerful Personality of Godhead, Govinda, since He was so pleased with Her that He abandoned the rest of us and brought Her to a secluded place.

We finally come to know who has been our spokesperson for the lustful penitents: Guido Guinizzelli, perhaps the most important Italian poet working before Dante.Guinizzelli explains who the penitents are by using two classical allusions and even making up words to describe their sin, in the ways that poets always manipulate and even invent language.This passage is a shocking example of Dante's changing notion of homosexuality. Join me, Mark Scarbrough, as we work through its rather high, ornate rhetoric to discover that in fact there's more fusion that just marriage, than two become one. In fact, our poet is fusing his poetry with Guinizzelli's.Consider underwriting the many fees for this podcast with a one-time donation or a very small monthly stipend by using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:52] My English translation of PURGATORIO, Canto XXVI, lines 67 - 93. If you'd like to read along or continue the conversation with me, please find the comment section for this episode on my website, markscarbrough.com.[04:10] Why are the mountaineer penitents gawking? What makes them feel rough and rugged?[07:28] The pilgrim Dante receives a beatitude from another poet in the borderland that is Purgatory itself.[09:14] Julius Caesar is slurred as "Queen."[13:20] Heterosexuality is the fusion of male and female: "And the two shall become one."[17:04] Guido Guinizzelli identifies himself, although he's been in the words of this passage all along.[21:26] Rereading the passage: PURGATORIO, Canto XXVI, lines 67 - 93.

List of verses: https://vedabase.io/en/library/sb/10/1/4/ https://vedabase.io/en/library/sb/10/1/13/ https://vedabase.io/en/library/sb/10/1/16/ https://vedabase.io/en/library/sb/10/2/30/ https://vedabase.io/en/library/sb/10/2/32/ https://vedabase.io/en/library/sb/10/2/36/ https://vedabase.io/en/library/sb/10/2/37/ https://vedabase.io/en/library/sb/10/8/4/ https://vedabase.io/en/library/sb/10/9/21/ https://vedabase.io/en/library/sb/10/12/11/ https://vedabase.io/en/library/sb/10/14/3/ https://vedabase.io/en/library/sb/10/14/4/ https://vedabase.io/en/library/sb/10/14/8/ https://vedabase.io/en/library/sb/10/14/29/ https://vedabase.io/en/library/sb/10/14/58/ https://vedabase.io/en/library/sb/10/22/35/ https://vedabase.io/en/library/sb/10/29/15/ https://vedabase.io/en/library/sb/10/31/9/ https://vedabase.io/en/library/sb/10/33/29/ https://vedabase.io/en/library/sb/10/33/39/ https://vedabase.io/en/library/sb/10/52/43/ https://vedabase.io/en/library/sb/10/81/16/ https://vedabase.io/en/library/sb/10/82/44/ https://vedabase.io/en/library/sb/10/82/48/ https://vedabase.io/en/library/sb/10/84/13/ https://vedabase.io/en/library/sb/10/88/8/ https://vedabase.io/en/library/sb/10/90/48/ ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

We've seen the two crowds of the lustful on the seventh terrace of Mount Purgatory and we clearly identified them in the last passage (and on the last episode of this podcast).But Dante the pilgrim didn't know who they were. He's stuck, confused. He then seeks to break out his manuscript and rule his paper to find his way into the shocking revelation that love in the body can exist in more than one form.Join me, Mark Scarbrough, as we look at this small passage on the seventh terrace, sandwiched between the two big revelations and before the last major discussion of poetry on Mount Purgatory.Please help underwrite the many fees of this podcast with a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE: [01:51] My English translation of PURGATORIO, Canto XXVI, lines 49 - 66. If you'd like to read along or continue the conversation with me by dropping a comment on this episode, please find its entry on my website, markscarbrough.com.[04:34] Reading and interpreting through the passage for its metaphoric, rhetorical, and thematic knots.[14:58] One question from the passage: Why is the body so crucial to this discussion?[17:03] A second question: What about this passage brings up the mechanics of writing?[19:29] Rereading the passage: PURGATORIO, Canto XXVI, lines 49 - 66.

If you can get a leśa, a whiff, a molecule, something tiny, mercy from Kṛṣṇa, the smallest amount, a leśa—then you can understand everything about him. The whole process of Kṛṣṇa consciousness is to receive this mercy. “Prabhupada Picks” refers to a selection of verses from the 10th Canto of the Srimad Bhagavatam that Srila Prabhupada memorized himself and quoted very frequently in his teachings. List of verses in the description here: https://youtu.be/8teL06bAL1o Verse for discussion: https://vedabase.io/en/library/sb/10/14/29 ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Śukadeva Gosvāmī says in the 14th Chapter of the 10th Canto that when people have a home, if it doesn't have Kṛṣṇa Consciousness inside, then it becomes like a prison. They're locked in, can't get out. Every realm is defined by the sound vibration. So you can have a fancy house, but once you are locked in there, you're stuck with the sound vibration that's inside. If the sound vibration is mundane, then it doesn't matter how fancy the house is, you'll be in hellish consciousness. And by the same principle, if you're even in the simplest environment, if the vibration is pure, then you're not in the material world. You're in the transcendental realm, as the realm is defined by the transcendental sound vibration. I once lived in Bhuvaneśvara in a little hut, went to my god-brother, and HH Gaura Govinda Mahārāja was staying there too. We had no facility, except for we would cook on a little fire, and Mahārāja would give class in the morning sitting on just a little wooden platform. There was nothing around at that time. But we were just completely happy, just a little khichḍī. We would sleep on the dirt floor in that hut and then listen to Bhāgavatam and chant, and then go to Jagannāth Purī. And it's a blissful life. So this grandiose society, everyone's trying to find happiness by developing materially, but they don't know the principle, which is sound vibration. So it's our job to introduce the science of Kṛṣṇa consciousness so people can transform their lives by upgrading their soundtrack and making sure that they include The Hare Kṛṣṇa Mahāmantra. They could even put Gaura Nitāi in their house. What a difference that would make! You could spend $5 million on a house on the street that's on the low side. We looked it up. One house is for sale down here. It's 4.2; it's the crappiest house on the block. But if there's no Gaura Nitāi inside any of these places, then what is the use? Soft pillows and a bed? It's just the exact same thing. That's what Śukadeva Gosvāmī says in the beginning of the Second Canto of Bhāgavatam you know, just live simply and chant Hare Kṛṣṇa and be happy. Or if you live in a nice place so more people can come, it doesn't disturb us either because the main thing is the vibration—keeping the transcendental little vibration going. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Our pilgrim, Dante, may have opened his mouth to answer how he got to where he is in his corporeal body, but he's interrupted by something completely unexpected: a group of people, moving the opposite direction of everyone else on Mount Purgatory. He's witnessing the moment when love moves the fence. These are the homosexuals on the doorstep of heaven.Join me, Mark Scarbrough, as I work through the passage that was the inception of this entire podcast and is the best illustration of my thesis that love remakes the world.To support this podcast and underwrite its many fees, please consider a one-time donation or small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:38] My English translation of PURGATORIO, Canto XXVI, lines 25 - 48. If you'd like to read along or drop a comment to continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[03:32] The passage is an interruption of people (à la Cavalcante with Farinata) and of tenses: It moves consistently into the narrative present tense.[05:22] The passage begins with an emphasis on identification and novelty.[06:34] Moving to the left, rather than the right, the new penitents reenact a moment of Christian fellowship and of Francesca's downfall. [09:48] The first revolutionary simile: ants who nuzzle each other.[12:25] The penitents cry out to explain who they are.[15:34] The second revolutionary simile: cranes who migrate in opposite directions.[18:08] Dante may rewrite Jeremiah's prophecy.[20:04] Dante definitely reclassifies homosexuality--which may offer even more explosive implications than he intends.[25:28] Rereading the passage: PURGATORIO, Canto XXVI, lines 25 - 48.