Podcasts about Canto

And of course, Kṛṣṇa is bound in love to the gopīs, as described by Kārbhājana Muni in the 11th Canto of the Śrīmad Bhāgavatam: 'māyā-mṛgaṁ dayitayepsitam anvadhāvad,' which is a verse describing Rāmacandra, Lord Caitanya, and Kṛṣṇa in the matter of the description of Kṛṣṇa, he says māyāmṛgam means he becomes like a toy—one of those play toys that children have—in the hands of the gopīs of Vrindavan, because they love him so deeply. Kṛṣṇa is Ajita; he is unconquerable, but he is conquered by the love of his devotees. That's one of the realizations that Lord Brahmā had after he saw Kṛṣṇa in Vrindavan: “jñāne prayāsam udapāsya namanta eva īvanti san-mukharitāṁ bhavadīya-vārtām sthāne sthitāḥ śruti-gatāṁ tanu-vāṅ manobhir ye prāyaśo 'jita jito 'py asi tais tri-lokyām” (SB 10.14.3). That if one takes this method of worshiping the Lord, following in footsteps the residents of Vrindavan, he recommends that. "ñāne prayāsam udapāsya namanta eva īvanti san-mukharitāṁ bhavadīya-vārtām" - when he hears about the interaction with Kṛṣṇa and his devotees in Vrindavan,“Vikrīḍitaṁ vraja-vadhūbhir idaṁ ca viṣṇoḥ śraddhānvito 'nuśṛṇuyād atha varṇayed yaḥ bhaktiṁ parāṁ bhagavati pratilabhya kāmaṁ hṛd-rogam āśv apahinoty acireṇa dhīraḥ” (SB 10.33.39). So, Śukadeva Gosvāmī says that by just hearing about the playful pastimes Kṛṣṇa has with his most intimate devotees in Vrindavan—especially the gopīs—their hearts then become bound to Kṛṣṇa, and Kṛṣṇa also becomes bound to them. And although Kṛṣṇa is unconquerable, he's conquered by the love of his devotees. This is the greatest quality of Kṛṣṇa: he becomes conquered by the love of his devotees. In Vrindavan, there's no life without Kṛṣṇa. And after Kṛṣṇa leaves Vrindavan—apparently, although mysteriously or very esoterically at least—he's there in his bhava feature. The surroundings of Vrindavan are important, because the backdrop of Vrindavan is the way that Kṛṣṇa dresses in Vrindavan, the way he interacts with everybody. That's the mood of Vrindavan, where we say God is at home. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #rathyatra #jagannath #vrindavan #bhakti #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Podcast de Mercado Abierto

Roberto Moro, de robertomoro.com, y Jorge del Canto, de delcanto.es, analizan los títulos de Indra, Enel, HEICO Corporation, Ferrari, Nike o Santander

Roberto Moro, de robertomoro.com, y Jorge del Canto, de delcanto.es, analizan los títulos de Indra, Enel, HEICO Corporation, Ferrari, Nike o Santander

Firma e sciarpa sono giunti ieri a margine dell'incontro in via Schio, dopo che Fabio Gallo ha ottenuto la risoluzione del contratto che lo legava al club ligure. Anche mister Vecchi, ora ex, trova l'accordo e saluta Vicenza dopo un anno e mezzo. In via di definizione il nuovo staff tecnico biancorosso in vista della stagione 2025/2026, ancora una volta in serie C.

Forese Donati has finished his diatribe about Florentine women and is now ready to hear Dante the pilgrim's story. Who did the pilgrim get here in the flesh?The pilgrim retells the journey, renegotiating its opening and reconfiguring its theology, even this high up on the mountain, as we near the apocalyptic climax of PURGATORIO.Join me, Mark Scarbrough, as we walk slowly through this last passage in Canto XXIII.If you'd like to help support this podcast and underwrite its many fees, please consider a small stipend or a one-time donation at this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:27] My English translation of the passage: PURGATORIO, Canto XXIII, lines 112 - 133. If you'd like to read along or continue the conversation with a comment, please find this episode on my website, markscarbrough.com.[04:09] A V-shaped structure reinforced for Canto XXIII.[06:17] A question of what Forese should remember and how the opening of COMEDY should be understood.[10:20] Further negotiations about the plot of COMEDY.[14:22] The first time the pilgrim Dante names Beatrice and the first time he acknowledges the loss of Virgil.[16:09] A curious moment: Virgil named and Statius unnamed.[18:29] Two larger questions. One, COMEDY is a poem in process.[20:03] Two, PURGATORIO replicates the structure of the New Testament.[23:16] Rereading the passage: PURGATORIO, Canto XXIII, lines 112 - 133.

Menú de novedades que comienza con Neil Young y su "Talking to the trees", el álbum que el canadiense ha grabado al frente de su nueva banda, The Chrome Hearts. Suena una buena andanada de curiosas y dispares versiones localizadas en discos recientes, y te presentamos los últimos trabajos de dos interesantes bandas de Nueva York, Mike Mok and The Em-Tones y The Mooks, que harán gira conjunta por España en los próximos días.Playlist;NEIL YOUNG and THE CHROME HEARTS “Dark mirage” (Talking to the trees)VAN MORRISON “If it wasn’t for Ray” (Remembering now)ROBERT FORSTER “Strawberries” (Strawberries)GRINGO STAR “Little Red Riding Hood” (Sweetheart)KEITH STRENG “I’m a boy, I’m a girl” (The king of queens)PAUL WELLER “I started a joke” (Find El Dorado)THE UNTAMED YOUTH “I’m on fire” (Git up and go)THE BREADMAKERS “Mojo Hannah” (Lonesome sundown)Versión y Original; HENRY LUMPKIN “Mojo Hannah” (1962)EZEZEZ “New York” (Kabakriba)MIKE MOK and THE EM-TONES “What a girl” (What a girl)THE MOOKS “Never go back home” (Just a couple of Mooks)LOS ETERNOS “Canto eu te amei” (San Antonio)Escuchar audio

Having praised his wife, Nella, Forese Donati launches into the prophetic voice, the new "high style" that Dante has developed, a screed with a lyrical undertow.This complicated poetic act can only be accomplished with the vernacular, with medieval Florentine (in Dante's case).And although it fuses with misogyny and xenophobia, it nonetheless demonstrates the Dante's new style beyond love sonnets: the lyrical, prophetic voice.Join me, Mark Scarbrough, as we explore Forese Donati's condemnation of Florentine women and his wild launch into Isaiah's prophetic vision.If you'd like to help support this podcast, consider a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:40] My English translation of the passage: PURGATORIO, Canto XXIII, lines 91 - 111. If you'd like to read along or continue the conversation via a comment on this episode, please find its entry on my website: markscarbrough.com.[03:50] As Forese launches into his misogynistic condemnation of Florentine women, he reaffirms his love for his wife, Nella, the "little widow."[08:42] Forese's prophetic discourse takes flight from a misogynistic and xenophobic platform.[11:29] Rising sumptuary laws indicate an increasingly fluid social structure, particularly for women.[15:02] Forese ends his screed at a high-style moment infused with Isaiah's prophecy (from Isaiah 7).[18:03] The prophetic discourse ends at a lyrical moment somehow still in this high style.[20:03] The vernacular is able to handle a greater emotional range than Latin in Dante's day.[23:40] Forese's prophecy never comes true--and incorporates a curious shadow of doubt.[26:23] Rereading the passage: PURGATORIO, Canto XXIII, lines 91 - 111.

2025-06-16 morning lecture / wykład poranny Banino/Gdańsk (Poland)

Estrenamos estudio en La Tarataña, y por tanto hoy la cosa va de estrenos, o casi. A excepción de la canción de Cuerdas y Teclas –que además hoy están tocando en Madrid-, que ya conocíamos aquí, todo lo demás es absolutamente estreno de discos recién publicados, como el caso de los estupendos Acetre, o adelantos de venideros, como el de Lorena Álvarez. Descubrimos un nuevo grupo burgalés, Castumba, que une tradición castellana y balcánica, además de alzar la voz contra la violencia de género con Mosquera Celtic Band y recordar a Lluis Llach a través del nuevo disco de Xavier Carlés.Así se han ido escuchando en La Tarataña estas canciones: 1.- Castumba, “Jota burgalesa” 3:14, “El maravillosos circo de Castumba” 3:15 y “Popurrí de comba” 4:352.- Lorena Álvarez, “Increíble” (con Soleá Morente) 4:423.- Cuerdas y Teclas, “Non quero madre” 4:034.- Mosquera Celtic Band, “No soy de nadie” 4:435.- Acetre, “Canto de la manzana” 4:14, “Cantinera” 3:37, “Verbena rayana” 3:28 y “El maquinista” 2:426.- Xavier Carlés, “Cançó de amor” 2:42 y “Vida” 4:15Escuchar audio

Vistazo a lo que está moviendo ahora a los mercados con Jorge del Canto, de delcanto.es.

Consultorio de viernes con Roberto Moro y Jorge del Canto.

Con Roberto Moro y Jorge del Canto

Dante the pilgrim and his rival/friend/fellow poet Forese Donati continue to talk about their concerns: suffering, placement on the mountain, and the role of the living in the service of the dead.Along the way, they seem to be coming closer and closer to the Christian idea of redemptive suffering, a complex stance in the face of the nihilism that almost overwhelms the suffering in INFERNO behind us.Join me, Mark Scarbrough, as we explore these problems, plus talk about Forese's wife, Nella, and the role of the vernacular in exploring and explaining the deepest truths.Here are the segments for this episode of WALKING WITH DANTE:[01:37] My English translation of the passage: PURGATORIO, Canto XXIII, Lines 76 - 90. If you'd like to read along or continue the conversation with me, please find the entry for the episode of the podcast on my website, markscarbrough.com.[03:17] The changing notion of suffering--yes, in COMEDY, but even in this small passage.[07:20] Accounting for time, souls, and their ascents on Mount Purgatory.[13:32] Nella Donati and two interpretive stances toward her place in the poem: 1) correcting the record or 2) hoping for a full record of a poet's works.[17:36] Vernacular language and its uncomfortable relationship with "higher" truths.[24:03] Rereading the passage: PURGATORIO, Canto XXIII, lines 76 - 90.

Sights + Sounds brings you a peek into the upcoming Flor Y Canto Literary Festival in San Francisco' Mission District.

This weekend The Mission will be alive with spoken word and stories. It's the return of the Flor Y Canto Literary Festival! Then, a poem about taking the bold step… to be vulnerable. 

Conheça a exposição Em Cada Canto, que reúne mais de 300 obras de 100 artistas entre esculturas, pinturas e objetos. See omnystudio.com/listener for privacy information.

Esta semana falamos das Wunderwaffen ou Armas Milagrosas alemãs da Segunda Guerra Mundial, e da prisão e internamento de 110.000 japoneses e seus descendentes, nos EUA, durante este mesmo conflito.Sugestões da semana1. José María Moreno Madrid e Henrique Leitão - A Longitude do Mundo. Viagens oceânicas, cosmografia matemática e a construção de uma Terra global. INCM, 2025.2. João Nisa e Paulo M. Dias (orgs) - Aljubarrota: A batalha que derrotou os castelhanos e mudou o curso da história de Portugal. Desassossego, 2025.----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, João Pedro Mourão, Joel José Ginga, José Santos, Luis Colaço, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0Edição de Marco António.

Having met his poetic rival, Forese Donati, Dante the pilgrim must make sense of the clear and present pain he sees in friend's face.This passage is a curious example of felix culpa, the fortunate fall, in which suffering must be reinterpreted for the greater good. Except the pain doesn't stop being the pain. Suffering remains the central metaphysical question of the human condition, the experiential crux underneath our high-minded notions of ontology.Join me, Mark Scarbrough, as we work through this conversation between two poetic rivals on the sixth terrace of Mount Purgatory among the emaciated gluttons.Here are the segments for this episode of WALKING WITH DANTE:[01:42] My English translation of the passage: PURGATORIO, Canto XXIII, lines 49 - 75. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:08] Best friends, still perhaps vain, still perhaps rivals.[10:39] A power in the water and the tree--and an intense interpretive knot.[14:56] The problem of hunger and thirst among disembodied souls.[18:50] The interpretation of suffering as the crux of being human.[26:15] Rereading the passage: PURGATORIO, Canto XXIII, lines 49 - 75.

P. Juan Manuel (Argentina)Esperanza de alcanzar el Cielo: participar de la vida íntima de Dios, de esa vida intratrinitaria. La visión beatífica: ver a Dios Uno y Trino, cara a cara. Toda nuestra vida, un canto de alabanza a Dios. Se le pedimos a la Virgen María. Ella es Hija de Dios Padre, Madre de Dios Hijo y Esposa de Dios Espíritu Santo. En su predicación, el Señor invita a todos a la transparencia, a ser sencillos, a quitarnos las caretas que nos encubren, a rehuir de la mentira: que vuestro modo de hablar sea “sí, sí”; “no, no”. Lo que exceda de esto, viene del Maligno (Mt 5, 37). Pidamos su gracia para tener siempre un corazón preparado para amar a Dios y al prójimo, libre de las ataduras del pecado.[Ver Meditación Escrita] https://www.hablarconjesus.com/meditacion_escrita/un-acto-alabanza/

In February of 1300, Pope Boniface VIII, in the papal bull Antiquorum Habet Fida Relatio, declared the first-ever Catholic Jubilee Year. Anyone who made a pilgrimage to the tombs of the Apostles Peter and Paul in Rome, and who repented and confessed, would receive “the fullest and broadest pardon for all sins committed,” Boniface proclaimed. One of the thousands of pilgrims who journeyed to Rome that year was the painter Giotto, who created a fresco commemorating the event. Another was the poet Dante Alighieri, who references the Jubilee in his Divine Comedy—ironically, this appears in Canto 18 of Inferno, where he compares the movement of the damned along the eighth circle of hell to the Roman method of traffic control during the Jubilee.  The jubilee tradition goes back far further, however, originating in Judaism, before Christianity had even begun. In the Israelite tradition, the jubilee was associated with things like forgiving debts, freeing enslaved people, and other concrete gestures of material justice. In the Catholic tradition, however, the Jubilee focuses not on debt forgiveness but on forgiveness of sins.  On this episode of Glad You Asked, the hosts talk with scholar Dean Dettloff about the origins of the Jubilee Year, its significance in the Catholic tradition, and whether there is any likelihood that the Catholic Jubilee will recover its ancient tradition of concrete liberation. Dettloff is the Research and Advocacy Officer for Development and Peace–Caritas Canada. He holds a PhD in philosophy from the Institute for Christian Studies in Toronto and the Vrije Universiteit Amsterdam, where he also teaches as sessional faculty. You can learn more about this topic, and read some of Dettloff's work, in these links.  What Is a Holy Year? HISTORY “This Jubilee year, be open to the gift of hope,” by Alice Camille This Jubilee year, be open to the gift of hope - U.S. Catholic “Take action against mass incarceration this Jubilee year,” by Alessandra Harris Take action against mass incarceration this Jubilee year - U.S. Catholic “Canada must lead global debt cancellation, like it did 25 years ago,” by Dean Detloff Canada must lead global debt cancellation, like it did 25 years ago - The Hill Times “Mourning a Pope We Often Ignored,” by Dean Detloff Mourning a Pope We Often Ignored | Sojourners “A May Day Saint,” by Dean Detloff A May Day Saint | Commonweal Magazine Glad You Asked is sponsored by the Claretian Missionaries.  

On today's show: We give you a peek into the upcoming Flor Y Canto Literary Festival in the San Francisco Mission.

Natascia Chiarlo"XXXV Rassegna Internazionale di Canto Corale"Cinquant'anni di musica, di memoria e di impegno culturale: nel 2025 il Coro Milanollo di Savigliano raggiunge un traguardo importante della propria storia. Nato nel 1975 per volontà del Maestro Sergio Chiarlo, il coro ha attraversato cinque decenni mantenendo saldo il legame con il territorio e aprendo la pratica corale a generazioni di cantori e cittadine. Oggi, guidato dalla figlia Natascia Chiarlo, il Coro Milanollo è riconosciuto a livello nazionale per la qualità del suo repertorio, la continuità della sua attività e la sua capacità di coniugare tradizione, educazione e innovazione culturale.Per celebrare l'anniversario, l'Associazione Corale Milanollo promuove un ampio programma musicale e formativo, diffuso tra i Comuni di Savigliano, Villafalletto, Marene, Cavallermaggiore e Moretta. Il momento culminante sarà la tre giorni centrale della XXXV Rassegna Internazionale di Canto Corale “Sergio Chiarlo”, in programma dal 13 al 15 giugno 2025, che porterà in Piemonte cori italiani e stranieri, offrendo al pubblico un'esperienza musicale ricca, gratuita e profondamente condivisa.Il programma si apre venerdì 13 giugno alle ore 21:00 a Villafalletto, in Piazza Giuseppe Mazzini, con un concerto corale internazionale all'aperto: un momento di festa e di incontro tra culture, nel segno della musica come linguaggio universale.Sabato 14 giugno alle 21:15, l'Ala Polifunzionale “Lorenzo Morello” di Savigliano ospiterà il concerto inaugurale della Rassegna. In un'atmosfera suggestiva e raccolta, si esibiranno ensemble selezionati con repertori polifonici e contemporanei, rappresentando al meglio la varietà e la qualità della coralità europea.Domenica 15 giugno si concluderà con due appuntamenti significativi:alle ore 11:00, la Santa Messa nella Chiesa di San Filippo Neri, con interventi musicali liturgici;
alle ore 12:00, la cerimonia ufficiale presso il Palazzo Comunale di Savigliano, con la partecipazione delle autorità e lo scambio di doni tra i cori partecipanti.
 Una rassegna che prosegue fino all'autunnoLa Rassegna Internazionale non si esaurisce nel mese di giugno. Dopo la pausa estiva, il programma continuerà nell'autunno 2025 con nuovi concerti e appuntamenti musicali nei Comuni di Marene, Cavallermaggiore e Moretta, allargando ulteriormente il coinvolgimento territoriale e il dialogo tra realtà corali italiane ed europee. La prosecuzione della rassegna sottolinea la volontà di rendere questo progetto non solo un evento celebrativo, ma un percorso stabile e diffuso di valorizzazione culturale.Il valore della memoria e della coralitàNel corso dei suoi cinquant'anni di attività, il Coro Milanollo ha assunto un ruolo centrale nella vita culturale di Savigliano e non solo. Le fotografie d'archivio che accompagnano questo comunicato ne testimoniano l'evoluzione: dai primi concerti con le voci bianche, fino alla maturità artistica dell'attuale formazione femminile. In ogni epoca, la coralità è stata intesa come spazio di educazione, di relazione e di crescita personale.La XXXV Rassegna Internazionale di Canto Corale, intitolata alla memoria del fondatore Sergio Chiarlo, si inserisce in una storia che è anche quella della città: una storia collettiva fatta di prove, incontri, concerti, viaggi e relazioni umane, portata avanti con passione, spirito volontario e amore per la musica.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Podcast de Mercado Abierto

Podcast de Mercado Abierto

Jorge del Canto, asesor financiero en delcanto.es, repasa los títulos de Faes Farma, Laboratorios Rovi, Motorola Solutions, Airbus o Elevance Health

Dante now walks with the skeletal gluttons who have God's writing on their faces.Along the way, there are increasingly complex and almost gaming literary references that litter the text until Dante the pilgrim suddenly is recognized by a fellow, contemporary, vernacular poet who is not known for any high style but is instead a champion of a low, vulgar poetry in this hip, new form of the sonnet.Join me, Mark Scarbrough, as we look into the mirror of an increasingly complex meta reality in COMEDY as Dante the pilgrim meets his friend and rival Forese Donati on the sixth terrace of Mount Purgatory.Here are the segments for this episode of WALKING WITH DANTE:[01:22] My English translation of the passage: PURGATORIO, Canto XXIII, lines 28 - 48. If you'd like to read along or continue the conversation with me in the comment section at the bottom of the page, please find the entry for this episode on my website, markscarbrough.com.[03:23] Internal thoughts--less revelatory than just rehearsed--about the siege of Jerusalem in 70 CE.[09:27] The potential blasphemy of the pelican in her piety.[12:50] Three references to other texts in increasing opacity: from Dante's VITA NUOVA, from Ovid's METAMORPHOSES, and from Josephus' history (sort of).[15:30] Starved enough to see God's writing in the human face: a felix culpa?[21:31] A misplaced tercet in COMEDY?[22:52] Forese Donati and Dante v. Statius and Virgil.[31:18] Rereading the passage: PURGATORIO, Canto XXIII, lines 28 - 48.

In the verse today, by context, boy met girl, they got married, and then, at some point, the husband went away to the forest to hunt, which means he left his wife for some time. Obviously, he wasn't satisfied, so he went away and tried to enjoy separately. Now he's come back to his wife and to his kingdom. And this verse, after he's been away hunting in the forest, describes him feeling hungry and thirsty. So, he eats, he takes a bath, he puts on sandalwood pulp, and now he's feeling relieved. So, Prabhupāda turns this into a metaphor. In his purport, he describes this as analogous to a person becoming refreshed by finding a saintly person. In this verse, we have a very straightforward understanding of how one can improve one's life: that is by attaining the association of saintly persons. Everything we are now is because of our previous association. "Puruṣaḥ prakṛti-stho hi bhuṅkte prakṛti-jān guṇān kāraṇaṁ guṇa-saṅgo 'sya sad-asad-yoni-janmasu." Kṛṣṇa says in Bhagavad Gītā 13.22 that whatever good or bad we have in our life, or whatever kind of body we have now, it has come about because of our association. And the means by which one can come to the perfection of life is by getting the association of the pure devotee. This is a theme throughout The Bhāgavatam, The Śrī Caitanya Caritāmṛta, and The Bhagavad Gītā. Bhāgavatam 5th Canto: 'rahūgaṇaitat tapasā na yāti na cejyayā nirvapaṇād gṛhād vā na cchandasā naiva jalāgni-sūryair vinā mahat-pāda-rajo-'bhiṣekam.' This is a verse that, when Jaḍa Bharata meets Rahūgaṇa, he realizes that he has been transformed by the association of the pure devotee. So he says you cannot achieve perfection by tapasya -'na cchandasā naiva jalāgni-sūryair' means that you may go in the summertime and sit next to hot fire just to detach yourself from the body or same thing with cold water. Or you may perform your duties properly in the grihasta ashrama or the sanyasa ashrama, but none of these things will bring you to the perfection of life... ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Esta semana encerramos a 2ª Guerra Mundial no teatro europeu. Abordamos a invasão alemã da União Soviética, as invasões de Itália e França pelos Aliados e a capitulação incondicional da Alemanha nazi em Maio de 1945.Sugestões de leitura1. Olivier Wieviorka – História Total da Segunda Guerra Mundial. Lisboa: Crítica, 2024.2. Martin Gilbert – A Segunda Guerra Mundial. Alfragide: D. Quixote, 2009.3. Antony Beevor – A Segunda Guerra Mundial. Lisboa: Betrand Editora, 2018.4. Martin Gilbert - Atlas Histórico da Segunda Guerra Mundial. Clube do Autor, 2025.-----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joel José Ginga, José Santos, Luis Colaço, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.Apoio técnico: 366 Ideias (366ideias@gmail.com)

Our pilgrim must move beyond the mystical tree on the sixth terrace of Mount Purgatory. So he sets off behind Virgil and Statius, only to overtaken by a group of cadaverous, skeletal penitents, whose hollow eyes watch the pilgrim's slower journey.This passage is an interesting set of problems: low stylists which end up with Ovidian references, all tied up in the very real medieval problem of starvation.Join me, Mark Scarbrough, as we work through this passage of camaraderie, mentorship, and growing affection on the terrace of gluttony.Here are the segments for this episode of WALKING WITH DANTE:[01:13] My English translation of the passage: PURGATORIO, Canto XXIII, lines 1 - 27. If you'd like to read along or start a conversation with me and others about this passage, please find the entry for this episode on my website, markscarbrough.com.[03:19] Camaraderie and mentorship in a lower style with a final salvo at avarice.[11:34] A psalm fragment in Latin and a possible quibble about Virgil's character.[16:26] Pensive pilgrims, right out of the VITA NUOVA, Dante's earlier work.[20:05] Ovid's METAMORPHOSES as a source for hunger: cited thoroughly and then overwritten beyond its ending.[25:04] Rereading the passage: PURGATORIO, Canto XXIII, lines 1 - 27.

Podcast de Mercado Abierto

Podcast de Mercado Abierto

Roberto Moro, de robertomoro.com, y Jorge del Canto, de delcanto.es, repasan los títulos de Solaria, Acciona, Banco Santander o McKesson

Roberto Moro, de robertomoro.com, y Jorge del Canto, de delcanto.es, repasan los títulos de Solaria, Acciona, Banco Santander o McKesson

'Bhejire munayo 'thāgre bhagavantam adhokṣajam sattvaṁ viśuddhaṁ kṣemāya kalpante ye 'nu tān iha.' Suta Goswami says in the Srimad Bhagavatam, First Canto, Second Chapter, that previously - agre, all the great sages worshiped Lord Narayan because He's beyond the modes of material nature. Therefore, they attained the highest benefit. Anyone who follows in their footsteps, even if they're not great sages, is eligible for the same result. So, this point that Ranchor Prabhu is making is very important: if we follow the pathway of the great acharyas—mahājano yena gataḥ sa panthāḥ—however insignificant we may be, we'll attain the same result because of following in their footsteps. And Krishna gives us this encouragement, as He spoke to Uddhava in the Bhagavatam, 11th Canto (11.21.2): 'sve sve 'dhikāre yā niṣṭhā sa guṇaḥ parikīrtitaḥ,' that if you follow according to your capacity, that's a good quality. 'Viparyayas tu doṣaḥ syād'—it's the opposite if you try to do more than you're qualified for. Then, He said, it's a fault. Stay within your limit and do the best you can with what you have right now, and you'll be able to attain everything by the mercy of the process, which is also mentioned: 'tvat-pada-potena mahat-kṛtena, kurvanti, govatsa-padam bhavābdhim.' This means it's a process left behind by the great acharyas. And if we embrace the process that has been given to us by the great acharyas, 'tvat-pada-potena mahat-kṛtena,' then the material world, which is like a dangerous ocean, shrinks to the size of the water contained within the hoof print of a calf, and then one can easily step over by the mercy of the acharyas' process that they have left for us. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

La banda sonora de la película sobre Vinicius de Moraes, 'Vinicius', de Miguel Faria Jr. estrenada en 2005: con lecturas de un par de textos del poeta y las grabaciones de Ricardo Blatt (texto de Rubem Braga), Renato Braz ('Se todos fossem iguais a você'), Mônica Salmaso ('Insensatez'), Camila Morgado ('Soneto da fidelidade'), Yamandu Costa ('Valsa de Eurídice'), Chico Buarque ('Medo de amar'), Caetano Veloso ('Poema dos olhos da amada'), María Bethânia ('Soneto do amor total'), Adriana Calcanhotto ('Eu sei que vou te amar'), Carlos Lyra ('Você e eu'), Mart´nália ('Sei là a vida tem sempre razão'), Toquinho ('Tarde em Itapoã'), Edu lobo ('Berimbau'), Zeca Pagodinho ('Pra que chorar'), Gilberto Gil ('Formosa'), Mariana de Moraes ('Coisa mais linda'), Renato Braz ('Por toda minha vida'), Olivia Byington ('Modinha'), María Bethânia ('O que tinha de ser'), Francis Hime ('Sem mais adeus'), Sérgio Cassiano ('Pau de arara') y Mônica Salmaso ('Canto triste').Escuchar audio

Esta semana falamos da relação entre Portugal e o Dia Nacional das Maldivas, e sobre um caso de possessão demoníaca em Évora, nos finais da Idade Média.Sugestões da semana1. João Nisa e Paulo M. Dias - Aljubarrota: A batalha que derrotou os castelhanos e mudou o curso da história de Portugal. Desassossego, 2025.2. Katja Hoyer - Para Lá do Muro. Uma história da Alemanha de Leste. Vogais, 2025.----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joel José Ginga, José Santos, Luis Colaço, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0Edição de Marco António.

Virgil and Statius begin to trek around the sixth terrace of Mount Purgatory but are stopped by an upside-down tree . . . that causes more questions than it provides answers.A voice in the tree warns them off and offers examples of temperance, of moderate appetites, all of which are strange interpretations of Biblical stories that don't necessarily have to do with gluttony.Join me, Mark Scarbrough, as we look at some of the final misreadings and misinterpretations in PURGATORIO, Canto XXII. It's a wild end to one of the most profound cantos of the second canticle of COMEDY.If you'd like to help underwrite this podcast, either with a one-time donation or a small monthly stipend, you can do so at this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:31] My English translation of the passage: PURGATORIO, Canto XXII, lines 130 - 145. If you'd like to read along or if you'd like to talk more about this passage or this episode, please find the entry for this episode on my website, markscarbrough.com.[04:02] The first temptation among the penances: ripe, tasty fruit.[05:41] Questions about this upside-down tree: how does it grow, what does the dripping liquid do for it, and what does it all mean?[11:47] This tree and the two trees in the Garden of Eden.[14:25] Three examplars against gluttony: the Virgin Mary, Roman women, and the prophet Daniel.[19:00] The classical age in the Christian age, with its precursor, John the Baptist (or perhaps Virgil).[25:03] Rereading the passage: PURGATORIO, Canto XXII, lines 130 - 145.

Recentissimamente in Ticino, protagonista di un concerto memorabile nella cattedrale luganese , la Cappella Pratensis.Cappella Pratensis (nella foto) ci restituisce il clima di una Confraternita rinascimentale, un Banchetto e tanta musica. È l'ultima fatica discografica del, celebre ensemble vocale dei Paesi Bassi. Pubblicato per l'etichetta Challengerecords, il cd offre una plausibile ricostruzione della Festa del Cigno ovvero il banchetto che la Confraternita di Nostra Signora della città di Hertogenbosch nella regione del Brabante organizzava per la festa dei Santi Innocenti. Il Cigno è emblema di purezza e nel Medioevo, il nome, lo si voleva derivato dal latino canere ovvero cantare, in relazione al canto dell'animale dal lungo e flessibile collo. Brani sacri e profani si alternano in un contesto che in quel momento storico non aveva confini e testimoniato dai molti manoscritti di proprietà della Confraternita, gli stessi manoscritti da cui Cappella Pratensis ha attinto per realizzare la registrazione. Di questo e di altro Giovanni Conti ne parla con una delle storiche voci dell'ensemble, Peter De Laurentiis.

No non siamo impazziti, ma oggi parliamo del Napoli, della sua ultima vittoria e di un segreto, un segreto che ha a che fare con temperature, viaggi e lavoro. Trascrizione interattiva e Vocab Helper Support Easy Italian and get interactive transcripts, live vocabulary and bonus content: easyitalian.fm/membership Note dell'episodio 6 Italian TV Series You'll Love - https://www.youtube.com/watch?v=DFKHM8oCo7s Ebbene sì, il Napoli (la squadra di calcio della città di Napoli) ha vinto il quarto scudetto in ben 100 (cento) anni di storia! E anche questa volta Matteo e Raffaele ne hanno parlato a cosa fatta. Scaramantici? Sì, ovviamnete molto ahahahaha. Ma come sono andati i festeggiamenti? E continuiamo poi parlando delle differenza tra i due scudetti (campionati di Serie A) vinti negli ultimi 3 anni. Ma oggi parliamo anche di segreto! Un segreto? Bèh qualunque cosa sia non possiamo sverarlo qui nelle note, dovete ascoltare la puntata. Un indizio? "Arriva il caldo". Trascrizione Raffaele: [0:10] Siamo noi, siamo noi... Hai visto, Matteo? Canto oggi. Matteo: [0:26] Buongiorno. Un ottimo giorno. Come va? Tanti auguri! Raffaele: [0:30] Buongiorno, auguri. Ma perché auguri? Matteo: [0:35] Auguri perché c'è stato un evento eccezionale: per la quarta volta il Napoli ha vinto il campionato. Raffaele: [0:51] Ma davvero, Matteo, io non mi sono accorto di niente. Matteo: [0:55] Immagino. Proprio niente. Silenzio... un giorno come un altro. ... Support Easy Italian and get interactive transcripts, live vocabulary and bonus content: easyitalian.fm/membership

Hace 5 años que el saxofonista y compositor Paul Winter publicó su disco 'Light of the sun' con temas como 'Sun singer', 'Primavera' de Carlos Lyra', 'Canto triste' de Edu Lobo, 'Canyon chaconne' o 'The well-tempered wood trush'. Del disco que grabó hace tres años en el granero de su casa, 'Concert in the barn', escuchamos 'Air', 'Lamento de Aiocá', 'The silence of a candle', 'Icarus' de Ralph Towner, 'Chora coração' de Jobim y 'Moro na roça'/'Lapinha' de Baden Powell. Y para terminar, del homenaje a David Darling, 'River run'.Escuchar audio

Our pilgrim, Virgil, and Statius arrive on the otherwise empty sixth terrace of Mount Purgatory. Virgil seems more hesitant. And our pilgrim, Dante, more passive, as he listens to the two older, wiser poets discuss the craft of poetry.This passage represents the paradox of circularity and linearity, of stasis and advancement, that is the major structural (and thematic!) tension in COMEDY.Join me, Mark Scarbrough, as we work through a seemingy easy passage while the pilgrim learns the craft of poetry.Here are the segments for this episode of WALKING WITH DANTE:[02:01] My English translation of the passage: PURGATORIO, Canto XXII, lines 115 - 129. If you'd like to read along or continue the conversation with me, find this episode on my website and drop down the page to see the translation and a place to start a conversation with a comment: markscarbrough.com.[03:23] Circularity and linearity: the crux paradox of COMEDY.[08:37] Marking the temporal as a reality claim in COMEDY.[13:25] A possible change in Virgil's characterization.[16:25] Learning the craft of poetry (to engage the play of quotation and interpretation).[21:12] Rereading the passage: PURGATORIO, Canto XXII, lines 115 - 129.

Podcast Eli Suli SHOFETIM SHIRAT (Canto) DEBORA, YAEL Y SISERA Conferencia

In the tenth Canto of the Śrīmad Bhāgavatam, we find a verse left for all of us here today by Śukadeva Goswāmī. All of those who feel left behind, who feel hopeless in life, who are striving for the spiritual world, find that it's like reaching for the moon. He wrote: 'Jayanti jana-nivāso devakī-janma-vādo yadu-vara-pariṣat svair dorbhir asyann adharmam sthira-cara-vṛjina-ghnaḥ su-smita-śrī-mukhena vraja-pura-vanitānāṁ vardhayan kāma-devam (SB 10.90.48).' The verse starts with the word Jayati, which means victory, but it is written in the present tense because Śukadeva understood that people after Krishna's disappearance would feel separation from Him and wonder, "Why couldn't His pastimes have gone on even to the present day?" And here he's saying they are going on right now for us, right here in this room. 'Jayanti jana-nivāso devakī-janma-vādo' - He's the Lord who is jayanti jana-nivāsaḥ. He walks among us. He gives His association to all human beings, and for those who enter deeply within the sādhana given to us by Śrīla Rūpa Goswāmī, He is perfectly present in our lives. We need never fear separation from Him by continuing the transcendental vibration in our lives, and the transcendental vibration is the clarion call for everyone to go back home, back to Godhead. Anyone who wants to go back to Godhead, say, "Hare Krishna!" We're going to be singing the Hare Krishna mahā-mantra. This is the most famous song in the world. It's not only sweeping the nation here, but all over the world: Russia, Australia, China, Mexico, Japan. In the Śrīmad Bhāgavatam it is mentioned that in the spiritual world, every devotee of Krishna has a unique rāga or a melody for which he or she sings to Krishna from his or her heart. Then it goes on to say that actually, every species of life has a unique rāga to express their deep yearning for Krishna. This next rāga is called Haṃsadhvani, and it is the rāga of the swan. The gracefulness, the aesthetic beauty of the spiritual world, once captured in one's mind, it never leaves. And the song brings us to the swan swimming back to its home. So let's all take Haṃsadhvani into our heart and go back home, back to Godhead. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

At the end of their first conversation, Virgil and Statius reconstruct limbo. They transform it into a neighborhood where all the lost, classical writers live.They also transfer limbo's sighs from the damned to the poet Dante and potentially to his reader. Where have these great authors gone?And if their texts are one way to God, how many ways to redemption have then been lost with them?Join me, Mark Scarbrough, for the ironic and complex conclusion to Virgil and Statius' conversation in PURGATORIO, Canto XXII. We end at a place of the final misreading and misquotation: that of COMEDY itself.If you'd like to help underwrite the many fees and costs of this podcast, please consider making a one-time contribution or setting up a very small monthly stipend with this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[02:25] My English translation of the passage: PURGATORIO, Canto XXII, lines 94 - 114. If you'd like to read along or continue the conversation with me, please find the comment section for this episode on my website, markscarbrough.com.[04:31] The reconception of limbo over the course of COMEDY.[09:56] The Roman authors in the list of those lost.[17:48] The Greek authors in the list of those lost;.[21:02] The characters from Statius' poems who are apparently in limbo.[24:55] The displacement of Manto in COMEDY: the final misreading and misquotation in a canto full of them.[27:57] Rereading the passage: PURGATORIO, Canto XXII, lines 94 - 114.

Statius finally tells Virgil what we all want to know: the story of his conversion. How did this Latin poet who dedicated his great epic to a Roman emperor become a Christian.Through a long process and by subterfuge. Statius was a closeted or hidden (or to use the medieval Florentine term, "closed") Christian.Join me, Mark Scarbrough, as we look through this passage in which Dante the poet attempts to justify putting this pagan Roman poet in Purgatory and on his way to Paradise.If you'd like to help out with the costs of this podcast, please consider a one-time donation or a small monthly stipend, using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:20] My English translation of the passage: PURGATORIO, Canto XXII, lines 76 - 93. If you'd like to read along or continue the conversation with me, find the entry for this episode on my website, markscarbrough.com.[03:27] Two minor issues: Who converted Statius? And was Dante the poet rethinking his position toward the neutrals in INFERNO?[08:08] Statius' journey in the afterlife to the fourth circle of Mount Purgatory . . . and where else?[08:40] Statius' improvised backstory and the inclusion of a historical figure: Emperor Domitian.[13:13] Dante's concept of conversion (v. modern conceptions).[16:36] Statius' words and the problem of the "above" text.[20:01] Texts in texts and the inevitable overlay of irony.[24:50] Rereading the passage: PURGATORIO, Canto XXII, lines 76 - 93.