Podcasts about Canto

We've finished the giant conversation between the pilgrim Dante and Forese Donati, complete with its interruption by the shade of the poet Bonagiunta of Lucca.Let's look back over the entire scope of the conversation to discover its construction, its architecture, and the way meaning is made and moves through the words.We'll start by reading the entire thing in my English language translation. Then we'll move on to a couple of small points, followed by some much larger implications of the construction and imaginative landscape of this interchange.If you'd like to help support this podcast, please consider giving a one-time donation or a very small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[02:06] Reading the entire conversation between Forese Donati and the pilgrim Dante in PURGATORIO, Canto XXIII, line 40, to Canto XXIV, line 99.[13:27] The conversation starts and ends with references to shores.[14:51] The pilgrim Dante is not cleansing his sins in this walk up Mount Purgatory.[17:08] There are three balanced prophecies in this conversation.[20:54] The conversation is constructed from friendship to poetic craft to chivalric exaltation.[24:55] This conversation may represent Dante's attempt at political and personal reconciliation.

Neste episódio encerramos a nossa série especial sobre a Segunda Guerra Mundial, com um último episódio sobre um dos assuntos mais dramático deste conflito: o Holocausto. Para isso, falamos com Cláudia Ninhos, investigadora do Instituto de História Contemporânea da FCSH - Universidade Nova de Lisboa. Tentamos compreender quais as causas, como foi organizado, que impactos teve e como se relembra este genocídio, entre outras questões.Sugestões de leitura:Ian Kershaw - Hitler - Uma Biografia. Dom Quixote, 2009.Nikolaus Wachsmann - KL: A História dos Campos de Concentração Nazis. Dom Quixote, 2015.Wendy Lower - As Fúrias de Hitler - Mulheres Nazis nos Campos do Holocausto. Casa das Letras, 2024.Sugestões de filmes:O filho de Saul (Saul fia), r. László Nemes, 2015.A Zona de Interesse (The Zone of Interest), r. Jonathan Glazer, 2023.A Conferência (Die Wannseekonferenz), r. Matti Geschonneck, 2022.Negação (Denial), r. Mick Jackson, 2005.-----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, Miguel Rosa, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Miguel Vidal, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Gonçalo Pedro, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joel José Ginga, José Santos, Luis Colaço, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Parte Cóccix, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.Apoio técnico: 366 Ideias (366ideias@gmail.com).

[20250711] Crónicas de San Borondón Alerta OVNI 2025 | Príode con Pedro. P. Canto

We've come to the end of the long conversation between Forese Donati and Dante (as well as others) on the sixth terrace of Mount Purgatory among the penance of the gluttons.Dante the pilgrim hedges the question of when he will die, then Forese leaps into an apocalyptic vision of the ruin of someone closely connected to Florence--that is, his own brother, Corso Donati.Join me, Mark Scarbrough, as we work through this apocalyptic prophecy about Corso's ruin, fit it into its historical context, and finally are left with the pilgrim, Virgil, and Statius on the terrace, all caught in a host of military images.If you'd like to help defray the many fees associated with this podcast, including hosting, editing, domain registrations, and my subscriptions to a host of academic journals, please consider offering a one-time donation or a very small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:29] My English translation of the passage: PURGATORIO, Canto XXIV, lines 76 - 99. If you'd like to read along or continue the conversation with me, please find the entry for this episode of the podcast on my website, markscarbrough.com.[03:43] A couple of problems with what the pilgrim Dante could know and the beginning of the military images in the passage.[08:53] Forese Donati's apocalyptic prophecy of the very near future.[13:28] The story of Corso Donati, Forese's brother and a key leader of the Black Guelphs in Florence.[19:25] The military imagery for Forese's triumph (which reminds us of Brunetto's exit in INFERNO XV), as well as that imagery for Virgil and Statius, standing near the pilgrim on the terrace.[23:56] Rereading the passage: PURGATORIO, Canto XXIV, lines 76 - 99.

Informativo IBCCGNeste grupo postaremos as Reflexões diárias, informativos e links dos cultos.https://chat.whatsapp.com/IngAncsjrmnBCsjaqyNgPV

Mayra Andrade subiu este sábado, 12 de Julho, ao palco do Palácio dos Papas, no festival de Avignon, num concerto marcado por beleza, urgência e consciência social. A cantora cabo-verdiana evocou temas como justiça, identidade e herança cabo-verdiana. ReEncanto celebrou os 50 anos da independência de Cabo Verde e reflectiu sobre o papel da arte como escuta e resistência. Num concerto intimista no pátio de honra do Palácio dos Papas, no festival Avignon, Mayra Andrade levou o coração de Cabo Verde, a voz das entranhas e a consciência do mundo a ecoar entre as pedras. Entre a sua filha na plateia e o grito por justiça em palco, a cantora cabo-verdiana ofereceu um momento de beleza e urgência: “Se não a cantar, não contribuo para o diálogo”, confessou. O pátio de honra do Palácio dos Papas tem o peso das coisas eternas, mas este sábado foi o presente que se fez ouvir. Mayra Andrade subiu ao palco com a simplicidade de quem não tem nada a provar, mas tudo a oferecer: “Antes de subir ao palco, alinho-me com o porquê de eu cantar. Agradeço ao universo pela oportunidade de partilhar quem eu sou, de contar o tempo no qual estamos”. Havia beleza e sombra no ar, como se cada nota tivesse de atravessar a consciência antes de tocar o ouvido. “Teria sido mais bonito se esta canção já não fizesse sentido. Mas se não a canto, não estou a contribuir para o diálogo. Um diálogo que é não fechar os olhos à injustiça, ao genocídio, ao absurdo”, afirma em palco antes de cantar "Konsiénsia", do álbum Stória, Stória de 2009. “A consciência que dorme não muda o mundo”, defende Mayra Andrade, num murmúrio que se espalhou pelo pátio. Cantar é, para ela, uma forma de escuta. “Sim, sem dúvida. Cantar é dar eco à vida. É ser antena. É captar o que acontece à nossa volta, o que vem no ar, o que a gente observa, o que a gente quer denunciar, o que se quer partilhar”, partilha. Na sua voz, há uma memória antiga e um apelo novo: “Canto sempre das minhas entranhas. A minha voz vem do meu útero, das minhas vísceras. É uma ponte entre o céu e a terra. E eu, no meio, sou atravessada por esse espírito criativo que me usa como vetor de mensagens, emoções e histórias”, descreve. “Quero acreditar que quando somos genuínos, conseguimos tocar as pessoas. A minha música é feita numa língua que 99,99% das pessoas no mundo não entendem. O crioulo é falado por poucos, mas traz uma musicalidade, um ritmo, uma herança muito antiga. É um idioma do mundo”, acrescenta a cantora cabo-verdiana. Quando canta em crioulo, não é apenas identidade, é chão. “Cantar em crioulo é cantar com todo o meu ser. Tem uma coisa muito raiz. Depois posso cantar em francês, inglês, espanhol, português, que também é a minha língua, mas o crioulo vem da terra de onde eu venho”, lembra. A sua participação no festival coincide com os 50 anos da independência de Cabo Verde, poucos dias depois de Marlène Monteiro Freitas ter aberto o festival com dança, com NÔT. “Estamos todos a celebrar. Eu faço parte de uma constelação de artistas cabo-verdianos muito orgulhosos de o ser e sedentos de partilhar a nossa cultura com o mundo”, defende. O concerto reEncanto é também autobiográfico. Um gesto artístico e íntimo: "É o fechar de um ciclo, a abertura de um novo. É redescobrir a minha voz. Algumas canções foram compostas há mais de vinte anos, outras são recentes. E é tremendo perceber como ainda fazem sentido. Talvez mais do que nunca”. Essa permanência do sentido revela outra inquietação, “muitas foram escritas em contextos políticos e sociais diferentes, mas hoje continuam a ecoar. A violência, a injustiça, o absurdo, o genocídio, a apatia, a indiferença... Tudo isso me preocupa”, sublinha. No fim do concerto, o agradecimento foi dirigido ao festival de Avignon e ao seu director, Tiago Rodrigues: “Vivi catorze anos em França. Já não vivo aqui há dez. Voltar para cantar neste espaço, neste festival, é algo que nunca vou esquecer". Cabo Verde esteve presente em cada sílaba, como ponto de partida de uma voz que canta o mundo. “Sou uma cabo-verdiana no mundo. E como a Marlène Monteiro Freitas, é difícil pôr-me numa caixinha. Porque nós somos isso: movimento, mistura, herança e futuro”.

Con Roberto Moro, de robertomoro.com y Jorge del Canto, asesor financiero en delcanto.es

“Habla el agua” es una cápsula sonora que rescata las voces, paisajes y memorias de las comunidades Indígenas de la cuenca de Laguna de Guayatayoc y Salinas Grandes, Jujuy, Argentina. Narra la relación sagrada entre el agua y la vida, la amenaza del extractivismo del litio y la organización colectiva para resistir y defender el equilibrio natural. Puedes escuchar, descargar y compartir este programa de forma gratuita. Música de introducción: - Burn Your Village to the Ground” de The Halluci Nation. Derechos de autor, propiedad de The Halluci Nation. Usada bajo su permiso. Música de fondo: - Paisajes sonoros grabados en la comunidad de Alfarcito y Tusaquillas, Jujuy, Argentina, mayo 2025. Narración: - Marta Carrillo, Comunidad de Alfarcito, Jujuy, Argentina. Canto de coplas: - Ernestina Alejo, Comunidad de Alfarcito, Jujuy, Argentina. Producción, guión y edición: - Iber Sarapura, Red de Comunicadores de Cuenca de Salinas Grandes y Laguna de Guayatayoc. Grabación de ambientes sonoros: - Iber Sarapura, Red de Comunicadores de Cuenca de Salinas Grandes y Laguna de Guayatayoc. Imagen: - Red de Comunicadores de Cuenca de Salinas Grandes y Laguna de Guayatayoc. Enlaces: - Red de Comunicadores de Cuenca de Salinas Grandes y Laguna de Guayatayoc. https://www.facebook.com/CuencaDeSalinasGrandesYLagunaDeGuayatayoc Esta es una producción de Radio de Derechos Indígenas. Nuestros programas son gratuitos para escuchar, descargar y difundir.

Con Roberto Moro, de robertomoro.com y Jorge del Canto, asesor financiero en delcanto.es

Vistazo al comportamiento general del mercado con Jorge del Canto, asesor financiero en delcanto.es

Con Jorge del Canto, asesor financiero en delcanto.es

Obradoiros, concertos, gastronomía e festas populares protagonizan a intensa programación dos vindeiros fins de semana baixo o lema "Para un pouco!" A vila de Redes, no Concello de Ares, prepárase para vivir un verán repleto de actividade cultural, social e lúdica grazas á completa programación impulsada pola Asociación Instrutiva de Caamouco, presidida por Dani García. A iniciativa, que leva por lema “Para un pouco!”, propón un calendario de eventos que abrangue desde mediados de xullo ata finais de agosto, con propostas para todas as idades e gustos. O programa arranca este venres 12 de xullo, cun obradoiro de pintura en pedras ás 11:00h, unha actividade creativa aberta a público de todas as idades (inscricións no 604 00 77 27). O sábado 13 será a quenda da música coa actuación da Banda de Xábrega ás 20:00h, que porá banda sonora ao serán de verán na vila. O día 16 de xullo, ás 18:00h, desenvolverase a visita guiada "Descubre con nós o Porto de Redes", unha oportunidade para coñecer a historia e os recunchos máis singulares do enclave mariñeiro (inscricións no 676 72 52 01). Un dos pratos fortes da programación será sen dúbida a celebración das xornadas “Días de Mar”, que terán lugar entre o 26 de xullo e o 2 de agosto. Esta proposta conxunta coa colaboración do Club Marítimo de Redes combinará gastronomía e cultura mariñeira. O venres 26, pola mañá, desenvolverase un showcooking mariñeiro, mentres que pola tarde terá lugar a tradicional mexillonada popular, durante a cal se entregarán os agasallos da regata de embarcacións tradicionais organizada polo club náutico. Xa o 3 de agosto, a Asociación celebrará unha nova edición da emblemática Festa da Cabria, que chega á súa XIX edición. Desde as 11:00h, a vila vivirá unha intensa xornada festiva con actividades e música, culminando cun concerto do grupo As Pías. O calendario continúa o 9 de agosto cun obradoiro de cosmética natural (11:00h, inscricións no 626 10 72 31), seguido do obradoiro de máscaras de monstros os días 16 e 17 de agosto, pensado especialmente para os máis pequenos (inscricións no 604 00 77 27). A programación pecharase a finais de mes co ciclo Lume no Castelo, que ofrecerá dúas propostas destacadas: o 29 de agosto ás 21:00h, o espectáculo de contacontos "Canto mar conto", dirixido ao público infantil; e o 30 de agosto, tamén ás 21:00h, o concerto do grupo Simón García Latin Trío, que despedirá o verán con música e ambiente festivo. Desde a Asociación Instrutiva de Caamouco salientan o carácter aberto, participativo e familiar da programación, así como a aposta pola posta en valor da identidade cultural e mariñeira da zona. Tal e como sinala o seu presidente, Dani García, “este é un verán para parar un pouco, compartir, gozar e poñer en valor o noso patrimonio común”. A maior parte das actividades son de acceso libre, se ben as prazas para os obradoiros e visitas guiadas son limitadas e requiren inscrición previa. A programación completa pode consultarse a través das canles habituais da entidade.

Dante the pilgrim has claimed that indeed he is the one who is inspired by love, who writes what love breathes into him and then makes meaning from that.Bongiunta is not finished with that discussion. Instead, he goes on to name this inspiration the "sweet new style" (or the "dolce stil novo"), thereby igniting over seven hundred years of commentary and controversy.And Bonagiunta himself seems to throw some fuel on that fire, given his apparent satisfaction with himself. And Dante the poet may add some fuel, too, given his citation of classical sources, hardly breathed-in inspiration.Join me, Mark Scarbrough, for this most daunting passage in all of PURGATORIO, striking near the heart of what Dante the poet believes he's doing . . . and what generations of critics and thinkers believe he's doing.If you'd like to help support this podcast, please consider a very small monthly stipend or a one-time donation through this PayPal link right here. Your contribution helps me pay the many fees associated with keeping this podcast going.Here are the segments for this episode of WALKING WITH DANTE:[01:48] My English translation of the passage: PURGATORIO, Canto XXIV, lines 55 - 75. If you'd like to read along or to continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:02] Bonagiunta's imaginative landscape: brothers and knots.[07:17] Bonagiunta's peers (or perhaps his school?): Giacomo da Lentini and Giuttone d'Arezzo.[11:41] The "sweet new style" and the taproot of Italian literature.[16:27] Problems with the "sweet new style": its membership, its final relationship to Bonagiunta, and its meaning sewn into the text over generations.[24:55] Two similes that comment on or even challenge this "sweet new style."[30:00] Forese's poignant question and its link to INFERNO X.[31:56] Rereading the passage: PURGATORIO, Canto XXIV, lines 55 - 75.

El 9 de julio de 1980, fallecía en su casa del barrio de Gávea, en Río de Janeiro, el poeta, músico y diplomático Vinicius de Moraes. Recordamos a quien quiso "vivir cada segundo como nunca más" en grabaciones con Toquinho ('Marcha da quarta-feira de cinzas', 'Regra três', 'Samba da bênção', 'Carta ao Tom 74', 'Canto de Ossanha', 'Para viver um grande amor', 'Garota de Ipanema', 'Tristeza'), con María Creuza y Toquinho ('Se todos fossem iguais a você', 'Lamento do morro', 'Samba em prelúdio', 'A felicidade', 'Eu sei que vou te amar') y con Marilia Medalha y Toquinho ('Tarde em Itapoã', 'Tomara').Escuchar audio

En este episodio platico con Marilyn Chairez ella es una talentosa cantante con base en Culiacan Sinaloa.Ella nos cuenta cómo desde pequeña siempre tubo esa inclinacion por el canto, su musica favorita a la hora de estar en un escenario es musica disco, R&B, baladas pop entre otras, ademas ella nos platica de como aun despues de estar en los escenarios por un buen tiempo ella sigue tomando clases de canto y de esta manera poder manejar mejor su voz.Ella es un claro ejemplo que todos podemos hacer algo que disfrutemos y a la vez crear conecciones con otras personas.No se les olvide darse una vuelta por el perfil de Marilyn  y checar su trabajo.A ella la encuentras en Instagram:@marilynmusikbackground music credit to : Space Age Hustle - Squadda B#latinopodcasters #latinopodcast #chingona #chingon #podcastenespañol #podcastenespanol #creandojuntospodcast #sisepuede #mentecreativa #creadordecontenido  #talentolatino  #siguesoñando #siguecreando #disco #R&B #cantante #iwillsurvive

List of verses: https://vedabase.io/en/library/sb/10/1/4/ https://vedabase.io/en/library/sb/10/1/13/ https://vedabase.io/en/library/sb/10/1/16/ https://vedabase.io/en/library/sb/10/2/30/ https://vedabase.io/en/library/sb/10/2/32/ https://vedabase.io/en/library/sb/10/2/36/ https://vedabase.io/en/library/sb/10/2/37/ https://vedabase.io/en/library/sb/10/8/4/ https://vedabase.io/en/library/sb/10/9/21/ https://vedabase.io/en/library/sb/10/12/11/ https://vedabase.io/en/library/sb/10/14/3/ https://vedabase.io/en/library/sb/10/14/4/ https://vedabase.io/en/library/sb/10/14/8/ https://vedabase.io/en/library/sb/10/14/29/ https://vedabase.io/en/library/sb/10/14/58/ https://vedabase.io/en/library/sb/10/22/35/ https://vedabase.io/en/library/sb/10/29/15/ https://vedabase.io/en/library/sb/10/31/9/ https://vedabase.io/en/library/sb/10/33/29/ https://vedabase.io/en/library/sb/10/33/39/ https://vedabase.io/en/library/sb/10/52/43/ https://vedabase.io/en/library/sb/10/81/16/ https://vedabase.io/en/library/sb/10/82/44/ https://vedabase.io/en/library/sb/10/82/48/ https://vedabase.io/en/library/sb/10/84/13/ https://vedabase.io/en/library/sb/10/88/8/ https://vedabase.io/en/library/sb/10/90/48/ ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Esta semana falamos do maior roubo de carros da História, protagonizado pela Coreia do Norte, e da origem do nome de família Panelas de Pólvora no Estado da Índia do séc. XVI-XVII.Sugestões da semana:1. Documentário O Mundo do Imperador Romano com Mary Beard (RTP Play): https://www.rtp.pt/play/p14949/e849786/meet-the-roman-emperor-with-mary-beard2. Disco “Sombras” de Tiago Matias, 2025.----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, Miguel Rosa, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Gonçalo Pedro, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa; Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, João Pedro Mourão, Joel José Ginga, José Santos, Luis Colaço, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0Edição de Marco António.

After Forese Donati has pointed out five of the gluttons on the sixth terrace of Mount Purgatory, one of them, the first mentioned and a poet of the previous generation, keeps muttering something almost unintelligible under his breath.Our pilgrim asks him for more information. He then offers the pilgrim an oblique prophecy that has troubled Dante scholars for hundreds of years. He also asks if this pilgrim is the same guy who wrote a poem found in the VITA NUOVA.Dante replies that he is indeed that poet . . . and goes on to claim that his poetry is inspired by love itself.Join me, Mark Scarbrough, as we take on the first half of the single most annotated passage in all of Dante's COMEDY. We are getting to the heart of what Dante thinks he's doing with his poetry . . . but what exactly that is remains something of a mystery, or at least a scholarly debate.Here are the segments for this episode of WALKING WITH DANTE:[02:00] My English translation of the passage: PURGATORIO, Canto XXIV, Lines 34 - 54. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[05:08] The value of paying attention: the pilgrim to Bonagiunta and Bonagiunta to Dante's poetry.[08:54] Bonagiunta's shifty murmurs of "gentucca."[11:51] An opaque prophecy about Lucca from an older poet who should know how to be clear.[17:13] Bonagiunta's refernce to a canzone (or long poetic song) from Dante's VITA NUOVA.[20:37] The pilgrim's wild claims for direct inspiration from . . . love (or maybe God).[27:02] Rereading the passage: PURGATORIO, Canto XXIV, lines 34 - 54.

Respondemos a dudas de oyentes con Roberto Moro, de robertomoro.com y Jorge del Canto, asesor financiero en delcanto.es

Consultorio de bolsa en Mercado Abierto con Roberto Moro, de robertomoro.com y Jorge del Canto, asesor financiero en delcanto.es

Análisis de Mercados: Impacto de la Política de Trump y Tendencias en Índices Globales

When the Grim Reaper shows up wearing a peacock feather and playing a flute, you know it's time to rethink your priorities. This episode of Wisdom of the Sages dives into the 10th Canto of the Śrīmad-Bhāgavatam, where Time itself — in the form of Krishna — comes calling, leaving tyrants like Kamsa in panic. Live from Italy, Raghunath explores how fear, loss, and even death can awaken us to life's deeper purpose, with a mix of timeless wisdom, vivid storytelling, and plenty of laughs.

When the Grim Reaper shows up wearing a peacock feather and playing a flute, you know it's time to rethink your priorities. This episode of Wisdom of the Sages dives into the 10th Canto of the Śrīmad-Bhāgavatam, where Time itself — in the form of Krishna — comes calling, leaving tyrants like Kamsa in panic. Live from Italy, Raghunath explores how fear, loss, and even death can awaken us to life's deeper purpose, with a mix of timeless wisdom, vivid storytelling, and plenty of laughs.

Forese Donati continues to answer Dante the pilgrim's questions by naming five penitent gluttons surrounding them on the sixth terrace of Mount Purgatory.As he points them out, Forese (and Dante the poet behind him) use culinary and gastronomical imagery to reinforce the themes of the terrace and perhaps to further fuel that long-standing feud between French and Italian cuisine.Join me, Mark Scarbrough, as we pick through the historical and cultural details in the second part of Forese's answer to the pilgrim.Here are the segments for this episode of WALKING WITH DANTE:[01:52] My English translation of the passage: PURGATORIO, Canto XXIV, lines 16 - 33. If you'd like to read along or continue the conversation with me, please find the entry for this podcast episode on my website, markscarbrough.com.[03:17] The deft use of culinary and gastronomic imagery in this passage.[06:40] Five penitent gluttons: Bonagiunta of Lucca, Pope Martin IV, Ubaldino della Pila, Boniface, and Master Marchese degli Orgogliosi.[17:12] A curiosity: It's not forbidden to name them?[19:16] Is this passage a false lead?[22:54] Rereading the passage: PURGATORIO, Canto XXIV, lines 16 - 33.

Quarta-feira, 2 de julho de 2025.

List of verses: https://vedabase.io/en/library/sb/10/1/4/ https://vedabase.io/en/library/sb/10/1/13/ https://vedabase.io/en/library/sb/10/1/16/ https://vedabase.io/en/library/sb/10/2/30/ https://vedabase.io/en/library/sb/10/2/32/ https://vedabase.io/en/library/sb/10/2/36/ https://vedabase.io/en/library/sb/10/2/37/ https://vedabase.io/en/library/sb/10/8/4/ https://vedabase.io/en/library/sb/10/9/21/ https://vedabase.io/en/library/sb/10/12/11/ https://vedabase.io/en/library/sb/10/14/3/ https://vedabase.io/en/library/sb/10/14/4/ https://vedabase.io/en/library/sb/10/14/8/ https://vedabase.io/en/library/sb/10/14/29/ https://vedabase.io/en/library/sb/10/14/58/ https://vedabase.io/en/library/sb/10/22/35/ https://vedabase.io/en/library/sb/10/29/15/ https://vedabase.io/en/library/sb/10/31/9/ https://vedabase.io/en/library/sb/10/33/29/ https://vedabase.io/en/library/sb/10/33/39/ https://vedabase.io/en/library/sb/10/52/43/ https://vedabase.io/en/library/sb/10/81/16/ https://vedabase.io/en/library/sb/10/82/44/ https://vedabase.io/en/library/sb/10/82/48/ https://vedabase.io/en/library/sb/10/84/13/ https://vedabase.io/en/library/sb/10/88/8/ https://vedabase.io/en/library/sb/10/90/48/ ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Cerramos el mes de junio seleccionando algunas de las novedades favoritas que hemos presentado a lo largo del mes.Playlist; (sintonía) LOS FRENÉTICOS “Cinerama” GRINGO STAR “Blood moon” VIV and THE SECT “Wake up” ROBERT FORSTER “Good to cry” EZEZEZ “Puntofinal” ASTEROID B-612 “Park bench Gods” MFC CHICKEN “What’d the chicken say” THE FIVE CANNONS “Barkin’” THE UNTAMED YOUTH “What do I get” KEITH STRENG “How pretty is pretty” KID GULLIVER “24 hours” LOS SUMMERS feat ADOLFO AIRBAG “Casi vacaciones” LES GREENE “Not so lonely island” MIKE MOK and THE EM-TONES “What a girl” LOS ETERNOS “Canto eu te amei” VAN MORRISON “Remembering now”Escuchar audio

Neste episódio continuamos a nossa série sobre a Segunda Guerra Mundial, e procuramos compreender as suas consequências, sensivelmente entre 1945 e 1953. Analisamos a devastação provocada por esse conflito, a reconstrução e a mudança da ordem política mundial no pós-guerra através da formação de dois blocos antagónicos nos inícios da Guerra Fria.Sugestões de leitura1. Tony Judt - Pós-Guerra. História da Europa desde 1945. Edições 70, 20072. Jeremy Black - The Cold War. A Military History. Bloomsbury, 2015.3. Robert McMahon - Cold War. A Very Short Introduction. Oxford University Press, 2003.-----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, Miguel Rosa, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Miguel Vidal, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, João Pedro Mourão, Joel José Ginga, José Santos, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.

PURGATORIO, Canto XXIV, is set as a direct continuation from Canto XXIII. The poet Dante cues us to the continuation but there nevertheless are a couple of subtle disruptions.For one thing, Virgil has been silence for most of Canto XXIII and will indeed remain silent throughout Canto XXIV, his longest silence yet in COMEDY. We won't hear anything from him until well into Canto XXV.And in this on-going conversation with Forese Donati, we get our first glimpse of Paradise, after curiously understanding that the human will is strong enough to slow down its progress even to that place, its ultimate goal.Join me, Mark Scarbrough, as we work through the opening lines of our on-going time among the gluttons on the sixth terrace of Mount Purgatory.Here are the segments for this episode of WALKING WITH DANTE:[01:49] My English translation of the passage: PURGATORIO, Canto XXIV, lines 1 - 15. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[03:12] Canto XXIV is a continuation of Canto XXIII--and Virgil remains silent.[06:33] The "redead" is a reference to Jude 12 in the New Testament.[10:49] Does Ulysses enter into this passage?[11:50] The human will can even slow down its ultimate desire, the central motivation of the universe.[14:15] Mentioning Piccarda Donati gives us a fuller glimpse of Paradise ahead . . . and a classical glimpse.[16:48] Pain and solace are the core of the prophetic voice.[21:39] Rereading the passage: PURGATORIO, Canto XXIV, lines 1 - 15.

El pasado sábado, 21 de junio, a pleno calor del mediodía, grabamos en la Plaza del Mercado, de El Pobo (Teruel), el programa que emitimos hoy. Estábamos en plena celebración de la vigesimoquinta edición de mítico festival POBORINA FOLK, y durante la grabación del programa fueron pasando algunos de los artistas que participaron en el festival. Todo lo que suena hoy, gracias también el técnico de sonido Adrián Barenca, se grabó in situ de seguido y sin cortes, y hemos dejado una pequeña sorpresa añadida al final con Fetén Fetén (que no pudieron estar en la grabación pues en ese momento les tocaba prueba de sonido en otro escenario) extraída de su concierto y con las dulzainas invitadas de Mila Dolz y Pancho Sánchez.Así quedó La Tarataña en directo y así lo emitimos hoy:1.- Pep Gimeno `Botifarra’, “Jota del Tío Piquirri, el Tío Trabuc y el Tío Cagalló” y “La parva ja está feta - Canto de siega del matquesat de la Marina Alta”Charla con el Botifarra2.- La Ronda de Motilleja, “Van por el aire-Seguidillas corridas”, “Fandango con trovos improvisados sobre la UCO” y “Si me quieres escribir”Charla con Jesus Tejas Junco de La Ronda de Motilleja.3.- Entrevista con Sonia Frías (Entrelares-Radio Círculo), Carlos Ripo (Mañana Más-RNE) y Jordi Gayoso (Lord Sassafras)Charla con Mila Dolz4.- Mila Dolz, “Aragón”5.- Entrevista con Juan Pablo Marco, fundador del Poborina Folk, y Sergio Zaera, del equipo organizador actual.Charla con Ismael Clemente de Ursaria.7.- Ursaria, “Siete bueyes”Coda final:8.- Fetén Fetén con Mila Dolz y Pancho Sánchez: “Rumba del Topo”, extraído del concierto que ofrecieron por la tarde después de la grabación de este programa.Escuchar audio

And of course, Kṛṣṇa is bound in love to the gopīs, as described by Kārbhājana Muni in the 11th Canto of the Śrīmad Bhāgavatam: 'māyā-mṛgaṁ dayitayepsitam anvadhāvad,' which is a verse describing Rāmacandra, Lord Caitanya, and Kṛṣṇa in the matter of the description of Kṛṣṇa, he says māyāmṛgam means he becomes like a toy—one of those play toys that children have—in the hands of the gopīs of Vrindavan, because they love him so deeply. Kṛṣṇa is Ajita; he is unconquerable, but he is conquered by the love of his devotees. That's one of the realizations that Lord Brahmā had after he saw Kṛṣṇa in Vrindavan: “jñāne prayāsam udapāsya namanta eva īvanti san-mukharitāṁ bhavadīya-vārtām sthāne sthitāḥ śruti-gatāṁ tanu-vāṅ manobhir ye prāyaśo 'jita jito 'py asi tais tri-lokyām” (SB 10.14.3). That if one takes this method of worshiping the Lord, following in footsteps the residents of Vrindavan, he recommends that. "ñāne prayāsam udapāsya namanta eva īvanti san-mukharitāṁ bhavadīya-vārtām" - when he hears about the interaction with Kṛṣṇa and his devotees in Vrindavan,“Vikrīḍitaṁ vraja-vadhūbhir idaṁ ca viṣṇoḥ śraddhānvito 'nuśṛṇuyād atha varṇayed yaḥ bhaktiṁ parāṁ bhagavati pratilabhya kāmaṁ hṛd-rogam āśv apahinoty acireṇa dhīraḥ” (SB 10.33.39). So, Śukadeva Gosvāmī says that by just hearing about the playful pastimes Kṛṣṇa has with his most intimate devotees in Vrindavan—especially the gopīs—their hearts then become bound to Kṛṣṇa, and Kṛṣṇa also becomes bound to them. And although Kṛṣṇa is unconquerable, he's conquered by the love of his devotees. This is the greatest quality of Kṛṣṇa: he becomes conquered by the love of his devotees. In Vrindavan, there's no life without Kṛṣṇa. And after Kṛṣṇa leaves Vrindavan—apparently, although mysteriously or very esoterically at least—he's there in his bhava feature. The surroundings of Vrindavan are important, because the backdrop of Vrindavan is the way that Kṛṣṇa dresses in Vrindavan, the way he interacts with everybody. That's the mood of Vrindavan, where we say God is at home. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #rathyatra #jagannath #vrindavan #bhakti #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Podcast de Mercado Abierto

Roberto Moro, de robertomoro.com, y Jorge del Canto, de delcanto.es, analizan los títulos de Indra, Enel, HEICO Corporation, Ferrari, Nike o Santander

Roberto Moro, de robertomoro.com, y Jorge del Canto, de delcanto.es, analizan los títulos de Indra, Enel, HEICO Corporation, Ferrari, Nike o Santander

Forese Donati has finished his diatribe about Florentine women and is now ready to hear Dante the pilgrim's story. Who did the pilgrim get here in the flesh?The pilgrim retells the journey, renegotiating its opening and reconfiguring its theology, even this high up on the mountain, as we near the apocalyptic climax of PURGATORIO.Join me, Mark Scarbrough, as we walk slowly through this last passage in Canto XXIII.If you'd like to help support this podcast and underwrite its many fees, please consider a small stipend or a one-time donation at this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:27] My English translation of the passage: PURGATORIO, Canto XXIII, lines 112 - 133. If you'd like to read along or continue the conversation with a comment, please find this episode on my website, markscarbrough.com.[04:09] A V-shaped structure reinforced for Canto XXIII.[06:17] A question of what Forese should remember and how the opening of COMEDY should be understood.[10:20] Further negotiations about the plot of COMEDY.[14:22] The first time the pilgrim Dante names Beatrice and the first time he acknowledges the loss of Virgil.[16:09] A curious moment: Virgil named and Statius unnamed.[18:29] Two larger questions. One, COMEDY is a poem in process.[20:03] Two, PURGATORIO replicates the structure of the New Testament.[23:16] Rereading the passage: PURGATORIO, Canto XXIII, lines 112 - 133.

Menú de novedades que comienza con Neil Young y su "Talking to the trees", el álbum que el canadiense ha grabado al frente de su nueva banda, The Chrome Hearts. Suena una buena andanada de curiosas y dispares versiones localizadas en discos recientes, y te presentamos los últimos trabajos de dos interesantes bandas de Nueva York, Mike Mok and The Em-Tones y The Mooks, que harán gira conjunta por España en los próximos días.Playlist;NEIL YOUNG and THE CHROME HEARTS “Dark mirage” (Talking to the trees)VAN MORRISON “If it wasn’t for Ray” (Remembering now)ROBERT FORSTER “Strawberries” (Strawberries)GRINGO STAR “Little Red Riding Hood” (Sweetheart)KEITH STRENG “I’m a boy, I’m a girl” (The king of queens)PAUL WELLER “I started a joke” (Find El Dorado)THE UNTAMED YOUTH “I’m on fire” (Git up and go)THE BREADMAKERS “Mojo Hannah” (Lonesome sundown)Versión y Original; HENRY LUMPKIN “Mojo Hannah” (1962)EZEZEZ “New York” (Kabakriba)MIKE MOK and THE EM-TONES “What a girl” (What a girl)THE MOOKS “Never go back home” (Just a couple of Mooks)LOS ETERNOS “Canto eu te amei” (San Antonio)Escuchar audio

Esta semana falamos de duas fontes históricas: uma provisão do vice-rei Matias de Albuquerque, de 1593, obrigando ao uso do papel como material de suporte de escrita, e as cartas de aposentação tardo-medievais.Sugestões da semana1. Victor Correia - História da Homossexualidade em Portugal. Desde o Século XIII até ao Século XX. Âncora Editora, 2025.2. José Luís Cardoso - Portugal e Brasil em Mudança (1808-1822). Imprensa de Ciências Sociais, 2025.----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, Miguel Rosa, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, João Pedro Mourão, Joel José Ginga, José Santos, Luis Colaço, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0Edição de Marco António.

La Pena Cultural Center, Bululu, SF Flor y Canto Literary Festival by Cronicas de la Raza

Having praised his wife, Nella, Forese Donati launches into the prophetic voice, the new "high style" that Dante has developed, a screed with a lyrical undertow.This complicated poetic act can only be accomplished with the vernacular, with medieval Florentine (in Dante's case).And although it fuses with misogyny and xenophobia, it nonetheless demonstrates the Dante's new style beyond love sonnets: the lyrical, prophetic voice.Join me, Mark Scarbrough, as we explore Forese Donati's condemnation of Florentine women and his wild launch into Isaiah's prophetic vision.If you'd like to help support this podcast, consider a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:40] My English translation of the passage: PURGATORIO, Canto XXIII, lines 91 - 111. If you'd like to read along or continue the conversation via a comment on this episode, please find its entry on my website: markscarbrough.com.[03:50] As Forese launches into his misogynistic condemnation of Florentine women, he reaffirms his love for his wife, Nella, the "little widow."[08:42] Forese's prophetic discourse takes flight from a misogynistic and xenophobic platform.[11:29] Rising sumptuary laws indicate an increasingly fluid social structure, particularly for women.[15:02] Forese ends his screed at a high-style moment infused with Isaiah's prophecy (from Isaiah 7).[18:03] The prophetic discourse ends at a lyrical moment somehow still in this high style.[20:03] The vernacular is able to handle a greater emotional range than Latin in Dante's day.[23:40] Forese's prophecy never comes true--and incorporates a curious shadow of doubt.[26:23] Rereading the passage: PURGATORIO, Canto XXIII, lines 91 - 111.

2025-06-16 morning lecture / wykład poranny Banino/Gdańsk (Poland)

Dante the pilgrim and his rival/friend/fellow poet Forese Donati continue to talk about their concerns: suffering, placement on the mountain, and the role of the living in the service of the dead.Along the way, they seem to be coming closer and closer to the Christian idea of redemptive suffering, a complex stance in the face of the nihilism that almost overwhelms the suffering in INFERNO behind us.Join me, Mark Scarbrough, as we explore these problems, plus talk about Forese's wife, Nella, and the role of the vernacular in exploring and explaining the deepest truths.Here are the segments for this episode of WALKING WITH DANTE:[01:37] My English translation of the passage: PURGATORIO, Canto XXIII, Lines 76 - 90. If you'd like to read along or continue the conversation with me, please find the entry for the episode of the podcast on my website, markscarbrough.com.[03:17] The changing notion of suffering--yes, in COMEDY, but even in this small passage.[07:20] Accounting for time, souls, and their ascents on Mount Purgatory.[13:32] Nella Donati and two interpretive stances toward her place in the poem: 1) correcting the record or 2) hoping for a full record of a poet's works.[17:36] Vernacular language and its uncomfortable relationship with "higher" truths.[24:03] Rereading the passage: PURGATORIO, Canto XXIII, lines 76 - 90.

Sights + Sounds brings you a peek into the upcoming Flor Y Canto Literary Festival in San Francisco' Mission District.

This weekend The Mission will be alive with spoken word and stories. It's the return of the Flor Y Canto Literary Festival! Then, a poem about taking the bold step… to be vulnerable. 

Having met his poetic rival, Forese Donati, Dante the pilgrim must make sense of the clear and present pain he sees in friend's face.This passage is a curious example of felix culpa, the fortunate fall, in which suffering must be reinterpreted for the greater good. Except the pain doesn't stop being the pain. Suffering remains the central metaphysical question of the human condition, the experiential crux underneath our high-minded notions of ontology.Join me, Mark Scarbrough, as we work through this conversation between two poetic rivals on the sixth terrace of Mount Purgatory among the emaciated gluttons.Here are the segments for this episode of WALKING WITH DANTE:[01:42] My English translation of the passage: PURGATORIO, Canto XXIII, lines 49 - 75. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:08] Best friends, still perhaps vain, still perhaps rivals.[10:39] A power in the water and the tree--and an intense interpretive knot.[14:56] The problem of hunger and thirst among disembodied souls.[18:50] The interpretation of suffering as the crux of being human.[26:15] Rereading the passage: PURGATORIO, Canto XXIII, lines 49 - 75.

P. Juan Manuel (Argentina)Esperanza de alcanzar el Cielo: participar de la vida íntima de Dios, de esa vida intratrinitaria. La visión beatífica: ver a Dios Uno y Trino, cara a cara. Toda nuestra vida, un canto de alabanza a Dios. Se le pedimos a la Virgen María. Ella es Hija de Dios Padre, Madre de Dios Hijo y Esposa de Dios Espíritu Santo. En su predicación, el Señor invita a todos a la transparencia, a ser sencillos, a quitarnos las caretas que nos encubren, a rehuir de la mentira: que vuestro modo de hablar sea “sí, sí”; “no, no”. Lo que exceda de esto, viene del Maligno (Mt 5, 37). Pidamos su gracia para tener siempre un corazón preparado para amar a Dios y al prójimo, libre de las ataduras del pecado.[Ver Meditación Escrita] https://www.hablarconjesus.com/meditacion_escrita/un-acto-alabanza/

Dante now walks with the skeletal gluttons who have God's writing on their faces.Along the way, there are increasingly complex and almost gaming literary references that litter the text until Dante the pilgrim suddenly is recognized by a fellow, contemporary, vernacular poet who is not known for any high style but is instead a champion of a low, vulgar poetry in this hip, new form of the sonnet.Join me, Mark Scarbrough, as we look into the mirror of an increasingly complex meta reality in COMEDY as Dante the pilgrim meets his friend and rival Forese Donati on the sixth terrace of Mount Purgatory.Here are the segments for this episode of WALKING WITH DANTE:[01:22] My English translation of the passage: PURGATORIO, Canto XXIII, lines 28 - 48. If you'd like to read along or continue the conversation with me in the comment section at the bottom of the page, please find the entry for this episode on my website, markscarbrough.com.[03:23] Internal thoughts--less revelatory than just rehearsed--about the siege of Jerusalem in 70 CE.[09:27] The potential blasphemy of the pelican in her piety.[12:50] Three references to other texts in increasing opacity: from Dante's VITA NUOVA, from Ovid's METAMORPHOSES, and from Josephus' history (sort of).[15:30] Starved enough to see God's writing in the human face: a felix culpa?[21:31] A misplaced tercet in COMEDY?[22:52] Forese Donati and Dante v. Statius and Virgil.[31:18] Rereading the passage: PURGATORIO, Canto XXIII, lines 28 - 48.

In the verse today, by context, boy met girl, they got married, and then, at some point, the husband went away to the forest to hunt, which means he left his wife for some time. Obviously, he wasn't satisfied, so he went away and tried to enjoy separately. Now he's come back to his wife and to his kingdom. And this verse, after he's been away hunting in the forest, describes him feeling hungry and thirsty. So, he eats, he takes a bath, he puts on sandalwood pulp, and now he's feeling relieved. So, Prabhupāda turns this into a metaphor. In his purport, he describes this as analogous to a person becoming refreshed by finding a saintly person. In this verse, we have a very straightforward understanding of how one can improve one's life: that is by attaining the association of saintly persons. Everything we are now is because of our previous association. "Puruṣaḥ prakṛti-stho hi bhuṅkte prakṛti-jān guṇān kāraṇaṁ guṇa-saṅgo 'sya sad-asad-yoni-janmasu." Kṛṣṇa says in Bhagavad Gītā 13.22 that whatever good or bad we have in our life, or whatever kind of body we have now, it has come about because of our association. And the means by which one can come to the perfection of life is by getting the association of the pure devotee. This is a theme throughout The Bhāgavatam, The Śrī Caitanya Caritāmṛta, and The Bhagavad Gītā. Bhāgavatam 5th Canto: 'rahūgaṇaitat tapasā na yāti na cejyayā nirvapaṇād gṛhād vā na cchandasā naiva jalāgni-sūryair vinā mahat-pāda-rajo-'bhiṣekam.' This is a verse that, when Jaḍa Bharata meets Rahūgaṇa, he realizes that he has been transformed by the association of the pure devotee. So he says you cannot achieve perfection by tapasya -'na cchandasā naiva jalāgni-sūryair' means that you may go in the summertime and sit next to hot fire just to detach yourself from the body or same thing with cold water. Or you may perform your duties properly in the grihasta ashrama or the sanyasa ashrama, but none of these things will bring you to the perfection of life... ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Our pilgrim must move beyond the mystical tree on the sixth terrace of Mount Purgatory. So he sets off behind Virgil and Statius, only to overtaken by a group of cadaverous, skeletal penitents, whose hollow eyes watch the pilgrim's slower journey.This passage is an interesting set of problems: low stylists which end up with Ovidian references, all tied up in the very real medieval problem of starvation.Join me, Mark Scarbrough, as we work through this passage of camaraderie, mentorship, and growing affection on the terrace of gluttony.Here are the segments for this episode of WALKING WITH DANTE:[01:13] My English translation of the passage: PURGATORIO, Canto XXIII, lines 1 - 27. If you'd like to read along or start a conversation with me and others about this passage, please find the entry for this episode on my website, markscarbrough.com.[03:19] Camaraderie and mentorship in a lower style with a final salvo at avarice.[11:34] A psalm fragment in Latin and a possible quibble about Virgil's character.[16:26] Pensive pilgrims, right out of the VITA NUOVA, Dante's earlier work.[20:05] Ovid's METAMORPHOSES as a source for hunger: cited thoroughly and then overwritten beyond its ending.[25:04] Rereading the passage: PURGATORIO, Canto XXIII, lines 1 - 27.

'Bhejire munayo 'thāgre bhagavantam adhokṣajam sattvaṁ viśuddhaṁ kṣemāya kalpante ye 'nu tān iha.' Suta Goswami says in the Srimad Bhagavatam, First Canto, Second Chapter, that previously - agre, all the great sages worshiped Lord Narayan because He's beyond the modes of material nature. Therefore, they attained the highest benefit. Anyone who follows in their footsteps, even if they're not great sages, is eligible for the same result. So, this point that Ranchor Prabhu is making is very important: if we follow the pathway of the great acharyas—mahājano yena gataḥ sa panthāḥ—however insignificant we may be, we'll attain the same result because of following in their footsteps. And Krishna gives us this encouragement, as He spoke to Uddhava in the Bhagavatam, 11th Canto (11.21.2): 'sve sve 'dhikāre yā niṣṭhā sa guṇaḥ parikīrtitaḥ,' that if you follow according to your capacity, that's a good quality. 'Viparyayas tu doṣaḥ syād'—it's the opposite if you try to do more than you're qualified for. Then, He said, it's a fault. Stay within your limit and do the best you can with what you have right now, and you'll be able to attain everything by the mercy of the process, which is also mentioned: 'tvat-pada-potena mahat-kṛtena, kurvanti, govatsa-padam bhavābdhim.' This means it's a process left behind by the great acharyas. And if we embrace the process that has been given to us by the great acharyas, 'tvat-pada-potena mahat-kṛtena,' then the material world, which is like a dangerous ocean, shrinks to the size of the water contained within the hoof print of a calf, and then one can easily step over by the mercy of the acharyas' process that they have left for us. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose