Podcasts about Canto

In the 87th chapter of the Bhagavatam, 10th Canto, 'Prayers by the Personified Vedas,' Prabhupada comments in the Krsna book, in his commentary on that chapter, that the most munificent of all of the Lord's pastimes—the Lord has many pastimes—the best of all of them is His rescuing the living entities from the material world. Now, if you help Him in that, what is your position? You may think, "I'm nobody." Fine, but you are now because Prabhupada said, "Kindly help me." If you take it up and you feel, "I'm fortunate, why shouldn't I make other people fortunate? I have medicine. Why shouldn't I distribute the medicine?" Then this is the heart of the Saṅkīrtana movement, and this is high sādhana. tapyante loka-tāpena sādhavaḥ prāyaśo janāḥ paramārādhanaṁ tad dhi puruṣasyākhilātmanaḥ That's a comment that Śukadeva Gosvāmī makes (SB 8.7.44) about Lord Śiva, you know, during the pastime in the Eighth Canto when Śiva sees the universe is going to be destroyed by the poison halāhala that's coming out of the churning of the milk ocean. He goes for the sake of all living beings and he drinks it so no one would be poisoned. Then Śukadeva said, "See, vaiṣṇavānāṁ yathā śambhuḥ." He's the greatest of Vaiṣṇavas. What do Vaiṣṇavas do? They try to save others. That's the whole purpose—not to go to a cave, and not to claim some exclusive right, not to sequester oneself while everyone else is suffering, but to go out to Kensington Market, and Bloor and Spadina, and Dufferin Mall, and the old beat-up county courthouse or whatever that place is, and wherever people are, that's where we want to be. (16:20) ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://vaisesikadasayatra.blogspot.com/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://www.bbtacademic.com/books/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://thefourquestionsbook.com/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Now that our pilgrim Dante is standing in the moon, he has a fundamental question: Why are there spots on the moon?And he thinks he knows the answer, right out of natural philosophy. They're caused by rare and dense material in the moon.He's asking a question for which he knows the answer, trying to play teacher's pet. But Beatrice is having none of it. She's ready to show him how he's not as smart as he thinks he is.Join me, Mark Scarbrough, as we begin our descent into some of the most complicated material in all of COMEDY.Here are the segments for this episode of WALKING WITH DANTE:[01:14] My English translation of PARADISO, Canto II, Lines 46 - 63. If you'd like to read along or drop a comment about this episode, please find its entry on my website, markscarbrough.com.[02:57] Two small thematic details: the uses of the word "body" and Beatrice's watery metaphor of "submerged."[06:02] Two of three explanations for moon spots in this canto: 1) the folkloric myth and 2) the natural philosophy deduction.[07:57] Folklore: Cain and his thorns in the moon.[09:21] Natural philosophy: rare and dense materials (and how they reflect light).[12:54] The distance Beatrice puts between her arguments (to come) and 1) sensory input and 2) reason . . . and thereby Virgil.[17:07] Diversity and a pluralistic world.[19:07] Rereading the passage: PARADISO, Canto II, lines 46 - 63.

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find themselves inside this translucent pearl in the heavens.And in so doing, Dante proves the incarnation really happened . . . at least, if you accept that his journey really happened.Join me, Mark Scarbrough, as we explore the first of several complex passages in the second canto of PARADISO.If you'd like to support this work, please consider a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:11] My English translation of PARADISO, Canto I, lines 19 - 45. If you'd like to read along or continue the conversation with me, find the entry for this episode on my website, markscarbrough.com.[03:12] Backgrounds: A brief history of "natural philosophy" in Dante's day.[07:29] Backgrounds: The incarnation, of the prime methods of redemption for Dante.[10:10] A thought experiment: the universe as a diaphanous, aesthetic object.[12:20] The journey into the universe . . . or mystery (without spoilers).[14:16] Hysteron proteron: the rhetorical flourish of PARADISO and the ultimate structure of COMEDY.[17:16] Lots of joinings here and in Canto I, all anticipating the incarnation.[18:37] The complex symbolism of the moon as a pearl.[21:27] The incarnation in the foreground of the narrative.[24:17] Dante's journey as proof of the incarnation.[26:37] Rereading the passage: PARADISO, Canto II, lines 19 - 45.

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a much more limited set of specialty readers--that opens Canto II is one of the most unusual moments in COMEDY. When does an author ever warn his readers to stay away?Join me, Mark Scarbrough, as we attempt to find a way survive with the other Argonauts as our Jason begins to plow his own field.Consider supporting this work with a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:04] My English translation of PARADISO, Canto II, lines 1 - 18. If you'd like to read along or drop a comment about this episode, please find its entry on my website, markscarbrough.com.[02:41] Introductory remarks: Don't skip this canto but don't be too optimistic.[05:10] The rhetoric of the new: PARADISO is not Virgil, not Statius, not the Apocalypse of St John, not PURGATORIO, not INFERNO, and not the CONVIVIO.[10:08] The bread of angels: the Eucharist, theological study, or something less well defined?[12:11] Jason, the Argonauts, and the rewriting of Ovid's METAMORPHOSIS.[15:25] An address to any reader or an address to a more limited audience, like fellow poets?[19:41] The grace of partial understanding with metonymies.[23:19] Rereading the passage: PARADISO, Canto II, lines 1 - 18.

"Los Bellos Pasatiempos de Krishna" é uma bela oferenda de Srila BhaktiKavi Atulananda Maharaj ao seu amado Mestre, Srila A.C. Bhaktivedanta Swami Prabhupada, inspirada no Décimo Canto do Srimad Bhagavatam.ORIGINAL EM VÍDEO: https://www.youtube.com/c/Congregaci%C3%B3nSarasvatGaudiyaInscreva-se para ficar por dentro de cada capítulo!Realização: Equipe Sarasvat StudioGravaçãoem video: Madhurya Krti dasiAudio: Arjuna Sakha Yugau dasMúsica: Madhava Dasi, Kamala das, Mangal das, Raghava das, Bhakta Sergio. Edição: Madhurya Krti dasiAnimação: Karuna Lochani dasi. Localização Finca Ecológica Eka Chakra Dham (Catemu - Chile)Sobre Sarasvat Gaudiya: Buscamos promover uma vida simples com pensamento elevado, baseada no conhecimento sagrado da Filosofia Védica.Gostaria de saber mais sobre nós?Visite www.sarasvat.org

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theology is tinted with poetic metaphors in a bold move to explain how the arrow, once shot, can deviate from its preordained track.Join me, Mark Scarbrough, for the conclusion of Beatrice's first major discourse in PARADISO.Here are the segments for this episode of WALKING WITH DANTE:[01:39] My English translation of PARADISO, Canto I, Lines 115 - 142. To read along or continue the conversation about this passage, please find the entry for this podcast episode on my website, markscarbrough.com.[03:50] Paraphrasing Beatrice's discourse on instinct, order, and ends.[06:41] Keeping the instinct to a predetermined end fuzzy.[09:29] Highlighting Beatrice's poetics in two metaphors: archery and art.[14:43] Swerving with the lightning.[16:02] Drawing further conclusions from Beatrice's first major discourse in PARADISO.[21:05] Rereading the passage: PARADISO, Canto I, lines 115 - 142.

There is no closer way you can connect with the Supreme except by saying His name: āsyenedam upāsya. Then He tells why the name is so nice, because you may be an aparādhī, but if you chant the name, āsyenedam upāsya so ‘pi hi sadānandāmbudhau majjati (Śrī Nāmāṣṭaka - 6), the name will take you and dunk you in a huge pool of ānanda. Would you like that? When you get an offer like that from the Bhagavatam, you just say yes. Majjati doesn't mean there's a little sprinkle, like you come around an āratik and get a little drop. (I got one in the eye this morning from maṅgal-āratik; woke me up.) It means the whole body, everything plunged—majjati. Say majjati. Say it again, with a little more enthusiasm! If anybody asks you, "How are you?", say, "sadānandāmbudhau majjati —I'm plunged in the ocean!" Why? Because you have the Holy Name. So, access: this is one of the characteristics of the Bhāgavatam. It's easy to follow all the way through. You can read the Bhāgavatam each Canto successively, and it will dawn upon the reader that the Bhāgavatam knows me better than I know myself. What's more, it's inviting me—of all people, it's inviting me. It's not for somebody 2,000 years ago; it's not for some great sage on the mountaintop. It's for me right now, right here. The access is open and it's direct. So highly consequential, and highly important. Of course, in the purport, Prabhupāda then says, "Now you've got such access. Don't take it lightly. Be careful when you approach." Some traditions, like in Judaism, they have this once a year—there is an opportunity. From the burning bush, Moses got the name of God, and then once a year, the high priest would say it out loud, and people would come and they would crowd the temple grounds just to hear the name one time. And then... (25:22) ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://vaisesikadasayatra.blogspot.com/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://www.bbtacademic.com/books/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://thefourquestionsbook.com/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #bhagvatamexpress #bhadrapurnima #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she has a theory of how the whole universe works.Her answers are always bigger than his questions.And in this case, she brings him out onto the great sea of "to be" as he begins to sail into port.Join me, Mark Scarbrough, as we explore the first part of her great schematic for the universe: its diverse order is a reflection of its unified creator.If you'd like to support this work, consider a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:14] My English translation of PARADISO, Canto I, Lines 94 - 114. If you'd like to read along or drop a comment about this episode, please find its entry on my website, markscarbrough.com.[03:14] Dante's agitation, Beatrice's smile.[10:00] His implicit question: my body v. all the heavenly bodies.[13:25] The first part of her answer about the orderliness of creation.[20:10] Order and disorder: Dante's and our dualities.[23:43] Rereading the passage: PARADISO, Canto I, lines 94 - 114.

One might think— "Well, how might I enter into the Śrīmad-Bhāgavatam?” That's a question Prabhupāda asked on the Jaladūta: How will people be able to receive this message? Because they are so enamored of the modes of material nature and their ways of life. Prabhupāda introduced it a step at a time, and as devotees gathered to hear, they became purified. If one can appreciate that the Śrīmad-Bhāgavatam has the power to overcome the modes of material nature—which create this sense of envy in the material world, and fear, and all the other base qualities that come from illusion—then one might take it as medicine. That is mentioned in the 10th Canto of the Śrīmad-Bhāgavatam (SB 10.1.4): nivṛtta-tarṣair upagīyamānād bhavauṣadhāc chrotra-mano-'bhirāmāt ka uttamaśloka-guṇānuvādāt pumān virajyeta vinā paśughnāt which contains the word auṣadhi. Auṣadhi means a kind of medicine. This is where we can appreciate the sādhana-bhakti of hearing Śrīmad-Bhāgavatam. One may say, “I'm not qualified. I can't enter. I'm not nirmatsarāṇām.” That's okay. You take it as medicine. And one might say, “The people I'm distributing to, they don't even know what it is.” Well, how are they going to know what it is if you don't give it to them? Prabhupāda once said that when the devotees were saying, “We're going to preach, but people are not interested,” Prabhupāda said, “That's why you preach! How would they become interested unless you tell them?” They are all open to suggestion. You just have to speak it. Therefore, we are a culture of the Bhāgavata. And very particularly, Prabhupāda brought it to America—or as he said, it brought him—and he painstakingly made sure that all the volumes were going to be available. Even after Prabhupāda left, he made sure someone else who was trained by him, who could carry the same message, would be able to translate it. Kṛṣṇa made all those arrangements. He sent Pradyumna; He sent Hṛdayānanda Mahārāja. Others who were qualified, who had heard from Prabhupāda sufficiently, were able to read through the commentaries of the ācāryas and give the summary all the way through—what to speak of the tenor of Śrīla Prabhupāda's voice, whom they had heard from for many years. Therefore, we have this greatest treasure. We have the daily process of hearing Śrīmad-Bhāgavatam in the association of devotees, and, of course, we are also distributing it. So we can be very sure of its efficacy, not only for ourselves advancing in devotional service, but also in bestowing it upon other people and helping them to come into the culture of Śrīmad-Bhāgavatam. Nothing else will solve problems. Everything else is a stopgap measure to solve the problems of the material world. But if one gets on a regular diet of hearing Śrīmad-Bhāgavatam on a daily basis—and, of course, chanting Hare Kṛṣṇa—then naturally, the impediments to one's sanity will diminish. What to speak of: one will become happy by hearing it! (31:12) ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://vaisesikadasayatra.blogspot.com/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://www.bbtacademic.com/books/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://thefourquestionsbook.com/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 ------------------------------------------------------------

En Capital Intereconomía seguimos la apertura del Ibex 35 y del resto de las bolsas europeas en una sesión en la que el selectivo español busca encadenar su quinto máximo histórico consecutivo, consolidando el excelente comportamiento mostrado durante las últimas jornadas. Analizamos la evolución de los mercados junto a Jorge del Canto, asesor de inversiones en DelCanto.es, con quien repasamos las claves que están impulsando la renta variable, el comportamiento del Ibex 35 frente al resto de índices europeos, las perspectivas para los principales sectores y los factores macroeconómicos y geopolíticos que pueden condicionar la evolución de las bolsas en las próximas semanas. Por último, el Consultorio de Bolsa cuenta con Roberto Moro, analista de Apta Negocios, que responde en directo a las consultas de los oyentes sobre valores nacionales e internacionales. Además, analiza los principales índices bursátiles desde el punto de vista técnico, identifica niveles clave de soporte y resistencia y destaca las oportunidades de inversión más interesantes en el actual entorno de mercado.

Antônio Pecci filho, conocido como Toquinho, cumplió 80 años hace un mes, Y en este 2026 se cumplen 50 de su primer disco 'A bossa do Toquinho' con grabaciones guitarrísticas de 'Valsa de Eurídice', 'Marcha da 4ª feira de cinzas/Sonho de um carnaval', 'Deixa', 'Canto de Ossanha', 'Antes e depois', 'Allemande' y 'Olê olá'. Y también exclusivamente como guitarrista, le escuchamos en 'Bachianinha nº 1' -a dos guitarras con su profesor Paulinho Nogueira- y en 'Ingênuo' de Pixinguinha y Benedito Lacerda. Además, como cantante y compositor, en 'Boca da noite', 'Que maravilha', 'Escravo da alegría'/'Ao que vai chegar', 'Aquarela', 'Carta ao Tom' y 'Como dizia o poeta/Morena flor/Samba da volta/Regra três'. Escuchar audio

Peter Gall - Glow [Compost Records]Sunwise- Get The Blessing Collective Peace-Let The Music Play.Biomania - Birds and DronesEric Lau - The Sun Beyond Jazz Chronicles - All We KnowAnthony Naples - Mad DisrespectCurio╠ü Curio╠ü - Canto de Calma [Mr Bongo]Clear Path Ensemble - Cascade d'ArsShips Of The Pharaohs - JoysScrimshire - Asleep, A Dream (Radio Edit 2).Adrian Younge - Afro Disco MakossaThe Sorcerers - Cave Of BrahmaShips Of The Pharaohs -Sun Is Rising (feat.Red Bird)Mike Casey - Space Chill (WPAA TV Session).Abigoba - Quantum Jazz Collapsing(feat. intro By Erik TruffazEYM - Liminal ( Santiago Chile)Secret Garden - Stellar VariationErik Truffaz - Les Human VoiceFour Tet -  Human VoiceOn My Mind (Streetons Brukdown) - Mariella  StreetonSkyJack -Bass Below/Let The Sky Under your FeetDollar Brand - CherrySyeda Nasim Queen & Lewis Motteram -Heaven And Hell 

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening to the music of the spheres.But Beatrice is there to set him straight and tell him that his ascent is faster than he could ever understand.She also redefines "home"--not the Italian peninsula, nor the Garden of Eden, but the highest heaven, where they're headed in this journey to the final vision.Join me, Mark Scarbrough, as we begin our flight among the planets and stars to head home.Here are the segments for this episode of WALKING WITH DANTE:[00:49] My English translation of PARADISO, Canto I, Lines 61 - 93. If you'd like to read along or drop a comment to continue the conversation, please find this episode's entry on my website, markscarbrough.com.[03:34] Glaucus, the fisherman who becomes a sea-god.[05:01] Glossing lines 61 - 72: the changing light and pilgrim.[10:14] Glossing lines 73 - 75: the mind/body problem.[13:19] Glossing lines 76 - 84: the sempiternal music of the spheres.[18:55] Glossing lines 85 - 93: Beatrice's answer to an unasked question.[21:00] How a guy transhumans--and how this guy translates some hard lines.[28:06] There is always more light.[30:06] Wonder and awe are not ends in themselves.[32:03] Life is an on-going redefinition of "home."[34:30] Rereading PARADISO, Canto I, lines 61 - 93.

Este salmo real celebra la gloria del Rey y la belleza de Su esposa, señalando más allá de una boda terrenal hacia Cristo y Su Iglesia. Al contemplar la majestad de nuestro Rey eterno, recordamos Su amor inquebrantable, Su reino justo y la gozza esperanza de pertenecerle para siempre.Time:AfternoonMinister:Rev. T. R. KernTexts:Psalm 45Series:Español

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous nature of his story is already in high gear.As is his understanding of the universe ahead of him. Join me, Mark Scarbrough, as we experience Beatrice's return to the poem and the pilgrim's new mode of reflecting her glory.If you'd like to help underwrite this work, please consider a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:19] My English translation of PARADISO, Canto I, Lines 37 - 60. If you'd like to read along or continue the conversation with me through a comment on this episode, please find its entry on my website, markscarbrough.com.[03:23] In PARADISO plot comes second.[06:06] Where are we? Cosmology and geography in the first three tercets.[12:26] Dante explains the vernal equinox by the geocentric crossings of various circles around the globe.[16:16] PARADISO is based on locations that its readers can observe in real time.[19:18] Beatrice returns to the poem and manifests her ray of light.[26:07] The pilgrim wishes to return home--but where is that?[28:21] PARADISO excels at unanswered questions.[30:24] The sparks fly from the sun . . . or from the sphere of fire.[34:00] Rereading the passage: PARADISO, Canto I, lines 37 - 60.

In this episode of Chronicles, Luca is joined by Rory to discuss Childe Harold's Pilgrimage by Lord Byron. They explore Byron's early life, and the poem's first Canto, as the eponymous hero witnesses the beauty and horror of war-torn Spain.

Con Roberto Moro y Jorge del Canto.

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse various pieces of it.But we can let those pieces stand as part of the polyvocality of the text.Join me, Mark Scarbrough, as we move back and forth from the Christian to the pagan as we walk through this second part of Dante's opening lines of PARADISO.Here are the segments for this episode of WALKING WITH DANTE:[01:11] My English translation of PARADISO, Canto I, Lines 13 - 36. If you'd like to read along or continue the conversation with me via a comment on this episode, please find its entry on my website, markscarbrough.com.[03:09] This passage embarrasses too many Dante scholars.[09:14] This passage is polyvocal, a two-part fugue or invention.[17:59] These two voices lead to dissonances in the passage.[23:36] Did Dante intend these dissonances?[25:20] Three small dissonances: Dante crowns himself, fights in an arena, and find his worth in two places at once.[28:32] Marsyas, a comedic tragedy.[32:01] The flame of the tongue, Pentecost, or maybe Ulysses.[34:48] A high-toned, perhaps red-flag reference to Cyrrha.[35:55] An inaccurate but telling reference to Parnassus.[39:07] Rereading the passage: PARADISO, Canto I, lines 13 - 36.

The Dharma Vani Podcast: Episode# 726Topic: Valmiki Ramayana | Kishkindha Kanda, Canto 22: Sugriva's Sight of Shri Rama & LakshmanaJai Shri Ram!Welcome back to The Dharma Vani Podcast. In this week's episode, we step deeper into the sacred pages of the Valmiki Ramayana, focusing on Kishkindha Kanda, Canto 22. Join us in sacred fellowship as we explore the momentous occasion when Sugriva first lays eyes upon Shri Rama and Lakshmana, a turning point marked by divine destiny, hope, and the dawn of an eternal alliance.Our session blends soul-stirring Bhajans, Kirtan, and Aarti & Chalisas with insightful Katha to illuminate the devotional and practical wisdom within this encounter.

Neste episódio falamos do famoso e infame processo dos Távoras, em meados do séc. XVIII, durante o reinado de D. José, onde a mais alta aristocracia portuguesa foi condenada à pena de morte. Tentamos compreender o que motivou o processo, como se desenrolou e as suas consequências.Sugestões de leitura:1. Nuno Gonçalo Monteiro - D. José. Na Sombra do Marquês de Pombal. Temas & Debates, 2025.2. Guilherme G. de Oliveira Santos, Leandro Correira, Roberto Carlos Reis - O processo dos Távoras. A revisão - instauração, depoimentos e sentenças. Caleidoscópio, 2017.3. Vista do Patiblo que se vio na Prasa de Belem a 13 de Janeyro de 1759, c. 1760, Biblioteca Nacional de Portugal: http://purl.pt/11565-----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler, Sara Esteves, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Andrade, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, Luís André Agostinho, Miguel Cunha, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Ribeiro, Carlos Ribeiro, Carolina  Batista, Catarina Ferreira, Clara Camacho, Cláudia Brandão, César, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Castro, Frederico Patinha, Gn, Goncalo Castro, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, Jorge Manuel, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, Liam Brockey, Luis Colaço, lvlheadwrecker, Mafalda Trindade, Marcos, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Guerreiro, Paulo Ramirez, Paulo Ruivo, Paulo Silva, Pedro Barros, Pedro Oliveira, Pedro Sebastião, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0.Edição de Marco António.

Featuring: The Odyssey, Punisher vs Spider-Man, Mischief of Magpies, Super Mondo Mega Mutts, Across the Widest Sea, 3W3M: Foundations, Kingdom of Earth, Zero Instance, Mister Nemo, Space Ghost Annual Weekly Reviews: DC Dark Knights of Steel II 1 by Tom Taylor, Otto Schmidt, Arif Prianto Marvel Punisher vs. Spider-Man 1 by Dan Abnett, Matteo Della Fonte, Rachelle Rosenberg What If…? Jessica Jones 1 by Justina Ireland, David Messina, Brian Reber Marvel Unlimited Infinity Comics: Marvel Meow 37 by Nao Fuji Dark Horse Grendel: Devil's Crucible – Sedition 1 by Matt Wagner, Brennan Wagner Kingdom of Earth 1 by David Dastmalchian, Leah Kilpatrick, Soo Lee Three Worlds/Three Moons – Foundations 1 by Jonathan Hickman, Nick Spencer, Mike Henderson, Mike Del Mundo, Jerome Opena, Matt Hollingsworth DSTLRY A Mischief of Magpies 1 by Simon Spurrier, Matias Bergara, Kike Diaz Dynamite Space Ghost Annual 1 by David Pepose, Jonathan Lau, Andrew Dalhouse IDW Sonic the Hedgehog x Godzilla 1 by Nick Marino, Jack Lawrence, Reggie Graham Teenage Mutant Ninja Turtles: The Last Ronin – Training Day 1 by Kevin Eastman, Tom Waltz, Ben Bishop, Escorza Brothers, Freddie E. Williams II, Luis Antonio Delgado Image Badrock 1 by Rob Liefeld, Seth Damoose, Pedro Estouco Mad Cave Mister Nemo 1 by Mark London, Alden Kaye, Fran Gamboa Oni Super Mondo Mega Mutts 1 by Curt Pires, Juan Gedeon ComiXology Zero Instance by Frank Barbiere, Stephen Rhodes, Vic Malhotra, Lauren Affe OGN Countdown Pip and Pals: Otter Space! by Jen de Oliveira Desmond Cole Ghost Patrol Vol 2: Beware the Werewolf by Andres Miedoso, Glass House Graphics Star Wars Visions: Tsukumo by Eiichi Shimizu, Tomohiro Shimoguchi Jazzy the Witch: Friend Fiasco by Jessixa Bagley Across the Widest Sea by Jean Cremers TV My Adventures With Superman 3.6 X-Men '97 2.5 Movies Odyssey Additional Reviews: Oblivion Song Jury Duty s2 News: new Nightmare on Elm Street in the works, Blue Beetle in Man of Tomorrow, Batman II delayed, Absolute Green Arrow extended, X-Men casting rumors, Archie vs. Terminator, Marvel EIC changes and move to Burbank, Vampirella/Darkstalkers crossover, recasting Kratos for God of War, Oni solicits, Greg Pak taking over ThunderCats, new Nova one-shot, AfterShock back on Global Comix, Princess and the Frog live-action, Pop Kill returns, Supernatural split into two books, Afterlife with Archie comes to Disney+, Blade canceled, Canto ongoing, Red Sonja/Barbarella, Omninews Trailers: Whisper Man, Batman II teaser, Doomsday Comics Countdown (15 July 2026): Assorted Crisis Events 9 by Deniz Camp, Eric Zawadzki, Jordie Bellaire Absolute Flash 17 by Jeff Lemire, Haining, Adriano Lucas Department of Truth 38 by James Tynion IV, Ben Templesmith Absolute Green Arrow 3 by Pornsak Pichetshote, Rafael Albuquerque, Marcelo Maiolo If Destruction Be Our Lot 3 by Matthew Rosenberg, Mark Elijah Rosenberg, Andy MacDonald, Francesco Segala Of the Earth 3 by Chris Condon, Andrew Ehrich, Charlie Adlard Fantastic Four 14 by Ryan North, Ramon Rosanas, Edgar Delgado Space Ghost Annual 2026 by David Pepose, Jonathan Lau, Andrew Dalhouse Ring: The Man Who Beat The Man 2 by Gail Simone, Elisa Romboli, Iolanda Zanfardino Teenage Mutant Ninja Turtles: The Last Ronin – Training Day 1 by Kevin Eastman, Tom Waltz, Ben Bishop, Escorza Brothers, Freddie E. Williams II, Luis Antonio Delgado

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new methodology for who he will proceed.These opening lines are already packed with the sort of theological and philosophical stumbling blocks that make PARADISO a challenge, not just for a modern reader, but even for a medieval one.Join me, Mark Scarbrough, as we slowly walk throug the first twelve lines of what is assuredly the most imaginative canticle, PARADISO.Here are the segments for this episode of WALKING WITH DANTE:[02:42] My English translation of PARADISO, Canto I, lines 1 - 12. If you'd like to read along, please find the entry for this episode on my website, markscarbrough.com.[03:56] The glory of the unmoved mover.[09:39] The varying illuminations of the universe.[13:27] The finite geography of heaven.[15:54] A passing glance at the highest heaven.[17:34] Dante and St. Paul, renegotiated.[19:25] The interrelations of desire, intellect, memory, and potentially Beatrice.[22:23] The memory of a memory--or knowing by not knowing, the core of the aphophatic revelation.[29:37] The key paradox of the mystical experience: the cross-currents of the material and the immaterial.[33:02] The resurrection of Brunetto Latini.[35:25] Rereading the passage: PARADISO, Canto I, Lines 1 - 12.

Con Roberto Moro y Jorge del Canto.

Con Roberto Moro y Jorge del Canto.

Podcast de Mercado Abierto

Con Roberto Moro y Jorge del Canto.

Dos guitarristas y cantantes, el brasileño Celso Fonseca y el italiano Tony Canto, firman el disco 'Jobim e Modugno' en el que alternan canciones de Antonio Carlos Jobim ('Garota de Ipanema', 'Wave', 'Meditação') y de Domenico Modugno ('Nel blu di pinto di blu (Volare), 'Meraviglioso', 'Tu si na cosa grande') fallecidos ambos en 1994. Del disco 'Maria', del bajista, compositor y director de orquesta brasileño Moyses Dos Santos, 'Boa viagem', 'Maria' 'Encontrei amor' y 'Saudade' -con Arthur Verocai, Theo Croker y Lynda Dwan-. Y Badi Assad, guitarrista y cantante, con 'Desde que o samba é samba', 'Tristeza do Jeca', 'Linha de passe' y 'Comportamento geral' de su disco '35 anos musicais'. Despiden la trompetista Airelle Besson y el acordeonista Lionel Suárez con 'Au lait' de Pat Metheny y Lyle Mays.  Escuchar audio

Esta semana falamos do envio de crianças pelos correios, nos EUA dos inícios do séc. XX, e de alcunhas medievais portuguesas.Sugestões da semana1. David Eltis - Cataclismo Atlântico. Repensar o tráfico Atlântico de escravos. Guerra e Paz, 2026.-----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler, Sara Esteves, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, Luís André Agostinho, Miguel Cunha, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Ribeiro, Carlos Ribeiro, Carolina  Batista, Catarina Ferreira, Clara Camacho, Cláudia Brandão, César, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Castro, Frederico Patinha, Gn, Goncalo Castro, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, Jorge Manuel, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, Liam Brockey, Luis Colaço, lvlheadwrecker, Mafalda Trindade, Marcos, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Guerreiro, Paulo Ramirez, Paulo Ruivo, Paulo Silva, Pedro Barros, Pedro Oliveira, Pedro Sebastião, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0.Edição de Marco António.

We're in hell for real now. Dante enters the circle of the lustful, where the sinister King Minos strips souls naked and condemns them to their proper place. What does that mean? What does it mean to be "evil-born," and what does Dante show us about the nature of lust? Not, it turns out, that its wages are physical or sexual suffering, but that it has to do with broken love and broken communities--betrayal, rebellion, and adultery. Not that Dante's off the hook himself: in one of the poem's most famous episodes, the pilgrim is brought face-to-face with his own role in tempting others. Because art's not a game, and poetry has consequences. Plus: a mailbag question! Which Greek plays should you read? Sign up for Hebrew, Greek, or Latin courses at the Ancient Language Institute: https://ancientlanguage.com/heretics/ Check out my book, Light of the Mind, Light of the World: https://amzn.to/4tKWACP Get the Henry Wadsworth Longfellow translation: https://amzn.to/4wPbiK7 Get the Anthony Esolen translation: https://amzn.to/4sgKLTj Get the Dorothy L. Sayers translation: https://amzn.to/4djdh2s Read the Allen Mandelbaum translation: https://amzn.to/4dG6izR Read my (various) reviews of Nolan's Odyssey: https://wapo.st/4wHArGy https://open.substack.com/pub/wsjfreeexpression/p/what-nolans-odyssey-leaves-out https://www.thefp.com/p/there-is-good-and-evil-christopher Bacchae: https://amzn.to/4fqwhMw Oresteia: https://amzn.to/4wdRGzI Clouds: https://amzn.to/4whfJhi Theban Plays: https://amzn.to/44ESdOX 00:00 Introduction 02:50 King Minos's Judgement – The Soul Laid Bare 20:35 Plato and the Myth of King Minos 29:43 Dante Enters the Second Circle: Lust 43:54 Doomed Lovers and Heroes, The Fallen to Lust 1:02:08 Details of the Longfellow Translation 1:04:21 Mailbag Question: Reading Recs    

Con Jorge del Canto y Roberto Moro.

Con Jorge del Canto, asesor financiero en delcanto.es.

Con Jorge del Canto, asesor financiero en delcanto.es.

Con Jorge del Canto y Roberto Moro.

Alejandro Dolina, Patricio Barton, Gillespi Introducción • 0:01:13 Apertura y chanzas sobre la siesta y el sueño de los integrantes Segmento Inicial • 0:03:13 Comentarios sobre lectura infantil, hábitos de lectura en la familia y libros para chicos Segmento Humorístico • 0:08:40 Quejas de pacientes y sátira sobre médicos, turnos, estudios, diagnósticos y trato en consultorio • 1:12:13 Profesiones insólitas ligadas a mascotas y animales Mensajes • 0:42:24 Mensajes de oyentes sobre palabras, traducciones, recuerdos del programa y pedidos • 0:50:21 Canto breve de "Vino triste" Segmento Dispositivo • 0:53:49 Historias de durmientes: los siete de Éfeso, Rip Van Winkle y Arthur Gerke • 1:05:10 "Duerme" por el Trío Argentino ♫ Sordo Gancé / Manuel Moreira • 1:29:42 Presentación del segmento musical • 1:30:46 "Adiós" ♫ • 1:33:24 "Viva Pola" ♫ • 1:38:40 "Cuando los santos vienen marchando" ♫ (Resumen generado automáticamente con IA, puede contener errores)

Hot off the presses and straight to you, it's a brand new Whisper in the Wings from Stage Whisper. On our program today, we we'r joined by the playwright George Krajca, director Peter Green, and actress/producer Penelope Deen. They stopped by to talk about their timely and powerful work Canto 250, which is part of the New York Theater Festival. This was such a great show to learn all about, and just like this conversation, you won't want to miss it. So tune in and turn out so support these fantastic artists!Canto 250Part of the New York Theater Festival July 15th, 17th, and 19th @ Teatro LATEATickets and more information are available at newyorktheaterfestival.com And be sure to follow our guests to stay up to date on all her upcoming projects and productions: @groundtruththeatrepetergreen.medeen_penelope

Alejandro Dolina, Patricio Barton, Gillespie Introducción • 0:00:00 Apertura y presentación del programa Segmento Inicial • 0:02:08 Gira de La Noche Extraviada y funciones de La Venganza en Córdoba, Avellaneda, Buenos Aires, Palomar y Montevideo • 0:03:51 Presentación de Dolina con Darío Sztajnszrajber en Junín • 0:05:11 Anuncio del doctorado Honoris Causa de la UBA y entrevista pública con Gabriel Rolón • 0:09:14 Consejos humorísticos para aspirantes a bailarín clásico • 0:47:57 Mensajes de oyentes y comentarios sobre próximas visitas • 0:52:13 Canto de “A quién le puede importar” Segmento Dispositivo • 0:58:42 Espiritismo: hermanas Fox, Alan Kardec, William Crookes y Katie King • 1:00:33 Conan Doyle, Houdini y las disputas sobre médiums • 1:02:34 Médiums y literatura: Víctor Hugo, Dickens y Patience Worth • 1:08:48 Daniel Home y la mano de Napoleón en la corte de Napoleón III • 1:10:30 “Mano Blanca” por Nelly Omar Segmento Humorístico • 1:14:59 Objetos del hogar que se rompen y nunca se arreglan Sordo Gancé / Manuel Moreira • 1:37:22 Presentación del segmento musical • 1:38:08 “Romántica incurable” ♫ • 1:40:40 “Desafinado” ♫ • 1:43:34 “Silbando” ♫ (Resumen generado automáticamente con IA, puede contener errores)

Neste episódio falamos do Império Otomano desde as suas origens no séc. XIV, até ao seu fim em 1922. Abordamos a organização interna do sultanato, o seu desenvolvimento e posterior declínio e colapso.Sugestões de leitura1. Gábor Ágoston - O Império Otomano e a Conquista da Europa. Desassossego, 2023.2. Metin Kunt (ed) - The Cambridge History of Turkey. Cambridge University Press, 2006-2012, 4 vols.-----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler, Sara Esteves, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, Luís André Agostinho, Miguel Cunha, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Ribeiro, Carlos Ribeiro, Carolina  Batista, Catarina Ferreira, Clara Camacho, Cláudia Brandão, César, Diogo Camoes, Diogo Freitas, Francisco Castro, Fábio Videira Santos, Gn, Goncalo Castro, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, Jorge Manuel, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, Liam Brockey, Luis Colaço, lvlheadwrecker, Mafalda Trindade, Marcos, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Guerreiro, Paulo Ramirez, Paulo Ruivo, Paulo Silva, Pedro Barros, Pedro Oliveira, Pedro Sebastião, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.

Conciertos en Madrid (solo guitarra y voz), A Coruña (dúo con Jorge Pardo) y O Grove (en trío con Pardo y Rubem Dantas), además de la grabación de un EP con ellos dos, están en la agenda de estos días de julio del autor de nuestra sintonía, Toninho Horta, al que escuchamos en 'Céu de Brasilia', 'Aqui oh!, 'For my children', 'Prato feito' -con Pat Metheny-, 'Manoel, o audaz' -con Metheny y Lô Borges-, 'Serenade'/'Ouro Preto', 'Viver de amor', 'Bons amigos', 'Canto do desalento', 'Durango kid' y 'Falso inglês'. Escuchar audio

En #LoncheraInformativa nos pusimos musicales y en nuestra sección #ZEMÚSICA #TEENMUSIC dijimos presente en el concurso "My Talent" de la ciudad de Maracay donde compartimos con jovencitos muy talentosos de distintos colegios.

Un 9 de julio fallecía en su casa del barrio de Gávea, zona sur de Río de Janeiro, el poeta, músico y diplomático Vinicius de Moraes. Recordamos al hombre que dijo que la vida era el arte del encuentro y que quiso "vivir cada segundo como nunca más" en grabaciones con Toquinho (y María Creuza, Marilia Medalha, Quarteto em Cy) de 'Marcha da quarta-feira de cinzas', 'Se todos fossem iguais a você', 'Onde anda você', 'A felicidade', 'Carta ao Tom 74', 'Regra três', 'Eu sei que vou te amar, 'Broto maroto', 'Samba da volta', 'Para viver um grande amor', 'Samba da bênção', 'Canto de Ossanha', 'Samba em prelúdio', 'Tomara' y 'O velho e a flor'/'Veja você'/'Mais um adeus'.Escuchar audio

A new MP3 sermon from Iglesia Biblica del Señor Jesucristo is now available on SermonAudio with the following details: Title: Un costoso canto de amor Speaker: Sugel Michelen Broadcaster: Iglesia Biblica del Señor Jesucristo Event: Sunday Service Date: 7/5/2026 Bible: Zephaniah 3:17 Length: 36 min.

Esta semana falamos da descoberta de dois sermões inéditos de Santo Agostinho, teólogo cristão, e de um manuscrito musical desconhecido do famoso compositor Wolfgang Amadeus Mozart.Sugestões da semana:1. Catulo – Os Poemas. Edições 70, 2026.2. Paulo M. Dias – Um nobre, um frade e um camponês entram numa taberna. Histórias inesperadas do Portugal Medieval. Ideias de Ler, 2026.-----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler, Sara Esteves, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, Luís André Agostinho, Miguel Cunha, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Ribeiro, Carlos Ribeiro, Carolina  Batista, Catarina Ferreira, Cláudia Brandão, César, Diogo Camoes, Diogo Freitas, Francisco Castro, Fábio Videira Santos, Gn, Goncalo Castro, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, Jorge Manuel, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, Liam Brockey, Luis Colaço, lvlheadwrecker, Mafalda Trindade, Marcos, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Guerreiro, Paulo Ramirez, Paulo Ruivo, Paulo Silva, Pedro Oliveira, Pedro Sebastião, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0.Edição de Marco António.

WATCH MAD TSAI'S MUSIC VIDEO FOR “BITE”: https://www.youtube.com/watch?v=2GevLw6cqBI&list=RD2GevLw6cqBI&start_radio=1How does a bedroom pop artist cross 200 million streams entirely on their own before signing to a major label? Today on Middle Row, we are joined by the artist Mad Tsai to break down his rise in music while finishing his degree at UCLA. From the viral, LGBTQ+ fan-edit momentum of "Boy Bi" to the 100-million-stream milestone of "Stacy's Brother," Mad Tsai explains how activating niche fandoms can activate internet subcultures to pull an artist's music into their world.We dissect the fundamental shift in listener psychology; such as, contrasting traditional, forced record label marketing with the organic power of TikTok fan edits (ex. BookTok, anime edits, and viral Love Island clips). We also look at the data behind Alex Warren's 134-post pivot for his hit "Ordinary," how Mad Tsai leaned into online friction and critics to fuel his rollouts for "DA DA DA" and "STRAYS," and the deep personal storytelling of culture and queerness that is a through line in his music. Chapters: 0:00 - Introduction 9:46 - Why his name is Mad Tsai13:32 - Why artists have alter egos15:20 - How to get 200-million+ streams before even signing to a record label16:26 - Being a UCLA student while videos are going viral17:57 - The personal challenge that made him viral19:46 - The fan edits that made his songs viral23:26 - The niche online that made his music viral24:54 - Turning online drama into massive roll-out moments25:46 - The online hate that kept him from posting music for 2+ years33:13 - Mad's ethnic background (Peruvian, Canto, Taiwanese)36:18 - Mad's queer identity39:01 - Songs that explore his sexuality41:20 - Where is the best spot to eat in LA43:46 - Mad's sun, moon and rising44:31 - Mad's upcoming tourSubscribe to get notified anytime a new podcast episode of “Middle Row w Coco Mocoe” drops every other Monday!Follow @ cocomocoe on socials: instagram.com/cocomocoetiktok.com/@cocomocoe cocomocoe.substack.com 

The determination of a man inspired by the love of a woman.His name is Roberto Ferrer, and he is the founder of Un Canto y un Cuento. La determinación de un hombre inspirada por el amor de una mujer. Se llama Roberto Ferrer y es el fundador de Un canto y un cuento.  ... #cubanstoriesonthegreenplantain #susanasbooks#cubanosporelmundo#TheGreenPlantainpodcast#TheCubanStoriesProjectpodcast #Cubanstories #cubanosporelmundo#cubanosesnespaña #cubanstoriesonthegreenplantainpodcast #untostonanyone   #Vivenciascubanas #cubanosenUSA #CubanStories#cubanfamilyroots#theloveofamother #cubanstoriesonthegreenplantainpodcast#susanajiménez-mueller#ownvoice❤️ #cubanosenbelgica

Hell is murky. Today we enter limbo, which is technically the least painful section of hell but actually leaves me with some of the toughest questions in the poem. What does Dante make--what do Christians in general make--of all the noble, wise, and humane people who apparently lived outside the reach of Christ? Were they outside His reach? Are human virtues enough to save us? If so, why aren't we doing better?? Dante, in his characteristic way, rachets these questions up to 11 and then moves through them subtly, confoundingly, and above all, beautifully. His poetry leads us to contemplate what it might look like for God's justice and God's mercy to become one. Sign up for Hebrew, Greek, or Latin courses at the Ancient Language Institute: https://ancientlanguage.com/heretics/ Check out my book, Light of the Mind, Light of the World: https://amzn.to/4tKWACP Read my review of Backrooms: https://www.thefp.com/p/the-kids-who-grew-up-online-are-coming-for-hollywood-backrooms Get the Anthony Esolen translation: https://amzn.to/4sgKLTj Get the Dorothy L. Sayers translation: https://amzn.to/4djdh2s Read the Allen Mandelbaum translation: https://amzn.to/4dG6izR 00:00 Introduction  01:05 Canto 3: Hell's Vestibule  24:25 Appetites and Inhabitants of Hell  44:22 Tragedies of Futility and Fate  56:28 Mailbag: Meditations on Suffering  1:09:56 Closing Remarks 

Geekscapists! Let's talk COMICS! Our good friends David Booher and Winston Gambro arrive on the podcast this week to talk about their current indie comic 'Malloch the Damned'! Along the way, David talks about some of the other books he writes (like Ghostbusters, Dungeons & Dragons, Canto, and more!), and Winston discusses working on a million projects at once (including Geekscape's own books)! Obviously, while we're geeking out, we'll be discussing the video games we're playing, how good Spider-Man Noir is, what movies we're looking forward to this summer, and LOTS MORE! It's a classic Geekscape, so don't miss it! Support 'Malloch the Damned' 1 & 2 on Kickstarter! You can also subscribe to the Geekscape podcast on Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://spoti.fi/3H27uMH⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apple.co/3BVrnkW Learn more about your ad choices. Visit megaphone.fm/adchoices

ABANDON ALL HOPE, YE WHO ENTER HERE: We've made it at last to the gates of hell, and we're on our way to the river of Acheron. On the way, we'll meet the "neutrals" and the cowards—those who never lived and have no names. From here on out, the poem becomes a horror movie. But in this episode, I want to show you just how deep the horror goes. Worms and flames are just the beginning: it's the spiritual deformities that the torments represent that make them truly chilling. Then, Dante goes off the chain in a set piece that establishes him as one of the all-time epic greats, as souls like fallen leaves come streaming down to the river of death. Check out my book, Light of the Mind, Light of the World: https://amzn.to/4tKWACP Sign up for Hebrew, Greek, or Latin courses at the Ancient Language Institute: https://ancientlanguage.com/heretics/ Get the Anthony Esolen translation: https://amzn.to/4sgKLTj Get the Dorothy L. Sayers translation: https://amzn.to/4djdh2s Read the Allen Mandelbaum translation: https://amzn.to/4dG6izR 00:00 Introduction  01:05 Canto 3: Hell's Vestibule  24:25 Appetites and Inhabitants of Hell  44:22 Tragedies of Futility and Fate  56:28 Mailbag: Meditations on Suffering  1:09:56 Closing Remarks 

Facebook's strongest warriors grace us with their presence. For 50% off your order, head to DailyLook.com and use code SMOSHMOUTH. Right now save up to 30% on mattresses and up to 35% on everything else when you go to https://Casper.com.  #sponsored. Visit https://drinkag1.com/SMOSHMOUTH to get an AG1 FlavorSampler and a bottle of Vitamin D3+K2 FREE in your Welcome Kit with your first AG1subscription (a $72 value!).PODCAST:https://bit.ly/SmoshMouthSpotifyhttps://smo.sh/SmoshMouthiHearthttps://bit.ly/SmoshMouthApple0:00 Intro13:54 Sponsor!15:26 Sandwich meets Key West30:08 Sponsor!32:05 Indiana, Facebook, and bending50:36 Sponsor!52:24 Coming out (as a pyromaniac) and more on the roadtrip to CaliforniaSUBSCRIBE: https://smo.sh/Sub2SmoshCastWEAR OUR JOKES: https://smosh.com WHO YOU HEARSandy Topp // https://www.instagram.com/shaynetopp/Hi I'm Sandy Topp with two peas period you may have seen me in Margarita Senioritas and if you haven't you're seeing me now period xoxo Sandy period Siri send message to Dale Dale I'm only going to say this one more time dot dot dot I really don't appreciate you going around sharing my business now if we have to take care of this in person let me know and I will do not underestimate me exclamation pointTeresa Canto // https://www.instagram.com/filmingamanda/Teresa Canto, that's Canto with a c and no h in Teresa. dont get it twisted.WHO YOU DON'T HEAR (usually)Director: Selina GarciaEditor: Patrick HorbaProducer: Amanda Lehan-Canto, Shayne Topp, Selina GarciaProduction Designer: Cassie VanceArt Director: Adrian Sheen, Erin Kuschner, Josie BellerbyAssistant Art Director: Courtney ChapmanProp Master: Abigail Schmidt, Bridgette BaronStage Manager: Alex AguilarWardrobe Designer: Julia RosnerSet Decorator: Luke BrauSet Dresser: Carly HoughAudio Mixer: Scott NeffAudio Utility: Dina RamliDirector of Photography: Brennan IketaniVideographer: Eric Wann, James HullCamera Operator: Joshua VazquezPodcasts Producer: Selina GarciaAssistant Director: Jonathan HyonExecutive Vice President of Production: Amanda BarnesDirector of Production: Alexcina FigueroaProduction Manager: Jonathan Hyon, Tyler M. KennedyProduction Coordinator: Oliver Wehlander, Zianne HooverProduction Assistant: Caroline Smith, Tyrelle AnthonyDirector of Post Production: Luke BakerDIT/Lead AE: Matt DuranDIT/AE: Beni KimuenePost Production Coordinator: Ariana MartinezDirector of IT: Tim BakerIT & Equipment Coordinator: Lopati Ho CheeSound Editor: Gareth HirdDirector of Design: Ness CardanoSenior Motion & Branding Designer: Christie HauckSenior Graphic Designer: Jay TaylorGraphic Designer: Monica RavitchDirector of Channel Operations: Lizzy JonesChannel Operations Manager: Audrey CarganillaChannel Operations Coordinator: Sabrina LiebermanDirector of Social Media: Erica NoboaSocial Media Associate Producer: Peter DitzlerSocial Media Manager: Kim WilbornSocial Media Coordinator: Margaux BernalesSocial Editor: Vida RobbinsMerchandising Manager: Mallory MyersBrand Partnership Manager: Chloe MaysBrand Partnerships Coordinating Producer: Liz KummerOperations Manager: Marshall A. PeaseOperations Coordinator: Sara FaltersackFinancial Operations Specialist: Natalie LewisTalent Coordinator: Danielle MosesPeople & Culture Manager: Katie FinkPeople & Culture Coordinator: Hannah MerrittCEO: Alessandra CataneseExecutive Producers: Anthony Padilla, Ian HecoxEVP of Programming & Development: Kiana ParkerProducer, Special Projects: Rachel CollisExecutive Coordinator: Katelyn HempsteadOTHER SMOSHES:Smosh: https://smo.sh/Sub2SmoshSmosh Pit: https://smo.sh/Sub2SmoshPitSmosh Games: https://smo.sh/Sub2SmoshGamesSmosh Alike: https://bit.ly/SubToSmoshAlikeFOLLOW US:TikTok: https://smo.sh/TikTokInstagram: https://instagram.com/smoshFacebook: https://facebook.com/smosh