Podcasts about Canto

Dante the pilgrim and his rival/friend/fellow poet Forese Donati continue to talk about their concerns: suffering, placement on the mountain, and the role of the living in the service of the dead.Along the way, they seem to be coming closer and closer to the Christian idea of redemptive suffering, a complex stance in the face of the nihilism that almost overwhelms the suffering in INFERNO behind us.Join me, Mark Scarbrough, as we explore these problems, plus talk about Forese's wife, Nella, and the role of the vernacular in exploring and explaining the deepest truths.Here are the segments for this episode of WALKING WITH DANTE:[01:37] My English translation of the passage: PURGATORIO, Canto XXIII, Lines 76 - 90. If you'd like to read along or continue the conversation with me, please find the entry for the episode of the podcast on my website, markscarbrough.com.[03:17] The changing notion of suffering--yes, in COMEDY, but even in this small passage.[07:20] Accounting for time, souls, and their ascents on Mount Purgatory.[13:32] Nella Donati and two interpretive stances toward her place in the poem: 1) correcting the record or 2) hoping for a full record of a poet's works.[17:36] Vernacular language and its uncomfortable relationship with "higher" truths.[24:03] Rereading the passage: PURGATORIO, Canto XXIII, lines 76 - 90.

Sights + Sounds brings you a peek into the upcoming Flor Y Canto Literary Festival in San Francisco' Mission District.

This weekend The Mission will be alive with spoken word and stories. It's the return of the Flor Y Canto Literary Festival! Then, a poem about taking the bold step… to be vulnerable. 

Los cantos gregorianos son la forma más pura del canto litúrgico de la Iglesia católica romana. Se trata de música monódica (una sola línea melódica) cantada a cappella (sin acompañamiento instrumental), donde la melodía está totalmente supeditada al texto en latín. En otras palabras, son oraciones cantadas: melodías sencillas y solemnes que elevan el espíritu. Estos cantos crean una atmósfera meditativa y atemporal, como un eco del pasado sagrado de los monasterios medievales ✨[...] ¡Que lo disfrutes! ✅ Si desean sumarse a IVOOX solo tienen que suscribirse o darle el botón del corazoncito ❤️ y comentar : https://www.ivoox.com/podcast-meditaaccion_sq_f1707851_1.html ✅ Si nos sigues en Apple Podcast, ahora nos puedes ayudar a calificar con 5 estrellas ⭐️⭐️⭐️⭐️⭐️. Por favor ayúdanos a llegar a más personas. Tu calificación o Me gusta❤️ no te tomara mas de 10 segundos y ayudará a llegar a más personas. Gracias de antemano!!! Puedes visitarnos en nuestro Sitio Web, para ver el articulo completo: Web: https://meditaaccion.com Síguenos en el canal informativo de Telegram: https://t.me/meditaaccion Síguenos Instagram: https://www.instagram.com/meditaaccion_podcast/ e-Mail: contacto@meditaaccion.com

Benvenuti nel nostro canale, amici di YouTube! Oggi siamo entusiasti di presentarvi il terzo atto epico della Divina Commedia di Dante Alighieri: il Paradiso! Ma non temete, non saremo guide noiose e altezzose, bensì tre amici divertenti e un po' dissacranti che vi condurranno attraverso questo viaggio di penitenza e redenzione.Preparatevi a immergervi in un'avventura letteraria senza precedenti, mentre ci imbarcheremo in un viaggio nel mondo intermedio tra Inferno e Paradiso. Qui, le anime dei peccatori pentiti cercano la purificazione e l'assoluzione dai loro trascorsi peccaminosi, con la speranza di ascendere verso la beatitudine celestiale.Ma non abbiate timore, perché il nostro approccio sarà un mix di verità storica e momenti di leggera irriverenza. In fondo, il Purgatorio di Dante è così ricco di dettagli e simbolismi che ci sentiamo in dovere di intrattenerci a modo nostro, con qualche scherzetto lungo la strada!Esploreremo le molteplici cornici narrative, incontrando personaggi affascinanti, impareremo da episodi di vita vissuta e affronteremo i tormenti e le sfide delle diverse cornici dell'Antipurgatorio, del Purgatorio stesso e della vetta del monte del Paradiso Terrestre. Non mancheranno momenti esilaranti mentre ci scherniamo reciprocamente sulla nostra condizione umana e sulle bizze delle anime in penitenza!Tuttavia, ci prenderemo anche il tempo di apprezzare l'arte e la grandezza poetica di Dante, esplorando i temi eterni della redenzione, della fede e dell'amore, che rendono la Divina Commedia un capolavoro senza tempo.Siamo certi che vi divertirete, riderete e imparerete un sacco di curiosità sulla vita dell'epoca di Dante e sulle sue visioni del Purgatorio! Non vediamo l'ora di condividere questa avventura con voi, e se siete fan del nostro modo unico di raccontare le storie, assicuratevi di cliccare il pulsante "Iscriviti" e di attivare le notifiche!Ricordate, amici, che mentre viaggiamo tra le cornici dell'aldilà, l'importante è godersi il viaggio e trovare il giusto equilibrio tra il serio e il divertente! Allora, cosa state aspettando? Iniziamo questo entusiasmante viaggio nel Purgatorio di Dante Alighieri insieme! Ci vediamo sul nostro canale!se hai voglia di farti quattro risate con amici, parlare di attualità, ascoltare cicli interessanti, farci domande e passare un po di tempo in modo spensierato seguici. siamo anche su podcast seguici suhttps://www.youtube.com/@ioluielaltro www.ioluielaltro.it telegramhttps://t.me/ioluielaltro #ioluielaltro #umorismo #risate

Gustavo Sehnem fala sobre o 1º Festival de Canto Coral de Santa Cruz do Sul, que começa na próxima quinta-feira, dia 19.

Gustavo Sehnem fala sobre o 1º Festival de Canto Coral de Santa Cruz do Sul, que começa na próxima quinta-feira, dia 19.

Esta semana falamos das Wunderwaffen ou Armas Milagrosas alemãs da Segunda Guerra Mundial, e da prisão e internamento de 110.000 japoneses e seus descendentes, nos EUA, durante este mesmo conflito.Sugestões da semana1. José María Moreno Madrid e Henrique Leitão - A Longitude do Mundo. Viagens oceânicas, cosmografia matemática e a construção de uma Terra global. INCM, 2025.2. João Nisa e Paulo M. Dias (orgs) - Aljubarrota: A batalha que derrotou os castelhanos e mudou o curso da história de Portugal. Desassossego, 2025.----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, João Pedro Mourão, Joel José Ginga, José Santos, Luis Colaço, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0Edição de Marco António.

Having met his poetic rival, Forese Donati, Dante the pilgrim must make sense of the clear and present pain he sees in friend's face.This passage is a curious example of felix culpa, the fortunate fall, in which suffering must be reinterpreted for the greater good. Except the pain doesn't stop being the pain. Suffering remains the central metaphysical question of the human condition, the experiential crux underneath our high-minded notions of ontology.Join me, Mark Scarbrough, as we work through this conversation between two poetic rivals on the sixth terrace of Mount Purgatory among the emaciated gluttons.Here are the segments for this episode of WALKING WITH DANTE:[01:42] My English translation of the passage: PURGATORIO, Canto XXIII, lines 49 - 75. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:08] Best friends, still perhaps vain, still perhaps rivals.[10:39] A power in the water and the tree--and an intense interpretive knot.[14:56] The problem of hunger and thirst among disembodied souls.[18:50] The interpretation of suffering as the crux of being human.[26:15] Rereading the passage: PURGATORIO, Canto XXIII, lines 49 - 75.

“Un canto de amistad” recull músiques, danses, cultura, costums de Perú i altres països. Un programa d'integració cultural llatinoamericana (unint i agermanant pobles i tradicions). Presentat per Marco Antonio Roldán. podcast recorded with enacast.com

P. Juan Manuel (Argentina)Esperanza de alcanzar el Cielo: participar de la vida íntima de Dios, de esa vida intratrinitaria. La visión beatífica: ver a Dios Uno y Trino, cara a cara. Toda nuestra vida, un canto de alabanza a Dios. Se le pedimos a la Virgen María. Ella es Hija de Dios Padre, Madre de Dios Hijo y Esposa de Dios Espíritu Santo. En su predicación, el Señor invita a todos a la transparencia, a ser sencillos, a quitarnos las caretas que nos encubren, a rehuir de la mentira: que vuestro modo de hablar sea “sí, sí”; “no, no”. Lo que exceda de esto, viene del Maligno (Mt 5, 37). Pidamos su gracia para tener siempre un corazón preparado para amar a Dios y al prójimo, libre de las ataduras del pecado.[Ver Meditación Escrita] https://www.hablarconjesus.com/meditacion_escrita/un-acto-alabanza/

In February of 1300, Pope Boniface VIII, in the papal bull Antiquorum Habet Fida Relatio, declared the first-ever Catholic Jubilee Year. Anyone who made a pilgrimage to the tombs of the Apostles Peter and Paul in Rome, and who repented and confessed, would receive “the fullest and broadest pardon for all sins committed,” Boniface proclaimed. One of the thousands of pilgrims who journeyed to Rome that year was the painter Giotto, who created a fresco commemorating the event. Another was the poet Dante Alighieri, who references the Jubilee in his Divine Comedy—ironically, this appears in Canto 18 of Inferno, where he compares the movement of the damned along the eighth circle of hell to the Roman method of traffic control during the Jubilee.  The jubilee tradition goes back far further, however, originating in Judaism, before Christianity had even begun. In the Israelite tradition, the jubilee was associated with things like forgiving debts, freeing enslaved people, and other concrete gestures of material justice. In the Catholic tradition, however, the Jubilee focuses not on debt forgiveness but on forgiveness of sins.  On this episode of Glad You Asked, the hosts talk with scholar Dean Dettloff about the origins of the Jubilee Year, its significance in the Catholic tradition, and whether there is any likelihood that the Catholic Jubilee will recover its ancient tradition of concrete liberation. Dettloff is the Research and Advocacy Officer for Development and Peace–Caritas Canada. He holds a PhD in philosophy from the Institute for Christian Studies in Toronto and the Vrije Universiteit Amsterdam, where he also teaches as sessional faculty. You can learn more about this topic, and read some of Dettloff's work, in these links.  What Is a Holy Year? HISTORY “This Jubilee year, be open to the gift of hope,” by Alice Camille This Jubilee year, be open to the gift of hope - U.S. Catholic “Take action against mass incarceration this Jubilee year,” by Alessandra Harris Take action against mass incarceration this Jubilee year - U.S. Catholic “Canada must lead global debt cancellation, like it did 25 years ago,” by Dean Detloff Canada must lead global debt cancellation, like it did 25 years ago - The Hill Times “Mourning a Pope We Often Ignored,” by Dean Detloff Mourning a Pope We Often Ignored | Sojourners “A May Day Saint,” by Dean Detloff A May Day Saint | Commonweal Magazine Glad You Asked is sponsored by the Claretian Missionaries.  

On today's show: We give you a peek into the upcoming Flor Y Canto Literary Festival in the San Francisco Mission.

Podcast de Mercado Abierto

Podcast de Mercado Abierto

Jorge del Canto, asesor financiero en delcanto.es, repasa los títulos de Faes Farma, Laboratorios Rovi, Motorola Solutions, Airbus o Elevance Health

Dante now walks with the skeletal gluttons who have God's writing on their faces.Along the way, there are increasingly complex and almost gaming literary references that litter the text until Dante the pilgrim suddenly is recognized by a fellow, contemporary, vernacular poet who is not known for any high style but is instead a champion of a low, vulgar poetry in this hip, new form of the sonnet.Join me, Mark Scarbrough, as we look into the mirror of an increasingly complex meta reality in COMEDY as Dante the pilgrim meets his friend and rival Forese Donati on the sixth terrace of Mount Purgatory.Here are the segments for this episode of WALKING WITH DANTE:[01:22] My English translation of the passage: PURGATORIO, Canto XXIII, lines 28 - 48. If you'd like to read along or continue the conversation with me in the comment section at the bottom of the page, please find the entry for this episode on my website, markscarbrough.com.[03:23] Internal thoughts--less revelatory than just rehearsed--about the siege of Jerusalem in 70 CE.[09:27] The potential blasphemy of the pelican in her piety.[12:50] Three references to other texts in increasing opacity: from Dante's VITA NUOVA, from Ovid's METAMORPHOSES, and from Josephus' history (sort of).[15:30] Starved enough to see God's writing in the human face: a felix culpa?[21:31] A misplaced tercet in COMEDY?[22:52] Forese Donati and Dante v. Statius and Virgil.[31:18] Rereading the passage: PURGATORIO, Canto XXIII, lines 28 - 48.

In the verse today, by context, boy met girl, they got married, and then, at some point, the husband went away to the forest to hunt, which means he left his wife for some time. Obviously, he wasn't satisfied, so he went away and tried to enjoy separately. Now he's come back to his wife and to his kingdom. And this verse, after he's been away hunting in the forest, describes him feeling hungry and thirsty. So, he eats, he takes a bath, he puts on sandalwood pulp, and now he's feeling relieved. So, Prabhupāda turns this into a metaphor. In his purport, he describes this as analogous to a person becoming refreshed by finding a saintly person. In this verse, we have a very straightforward understanding of how one can improve one's life: that is by attaining the association of saintly persons. Everything we are now is because of our previous association. "Puruṣaḥ prakṛti-stho hi bhuṅkte prakṛti-jān guṇān kāraṇaṁ guṇa-saṅgo 'sya sad-asad-yoni-janmasu." Kṛṣṇa says in Bhagavad Gītā 13.22 that whatever good or bad we have in our life, or whatever kind of body we have now, it has come about because of our association. And the means by which one can come to the perfection of life is by getting the association of the pure devotee. This is a theme throughout The Bhāgavatam, The Śrī Caitanya Caritāmṛta, and The Bhagavad Gītā. Bhāgavatam 5th Canto: 'rahūgaṇaitat tapasā na yāti na cejyayā nirvapaṇād gṛhād vā na cchandasā naiva jalāgni-sūryair vinā mahat-pāda-rajo-'bhiṣekam.' This is a verse that, when Jaḍa Bharata meets Rahūgaṇa, he realizes that he has been transformed by the association of the pure devotee. So he says you cannot achieve perfection by tapasya -'na cchandasā naiva jalāgni-sūryair' means that you may go in the summertime and sit next to hot fire just to detach yourself from the body or same thing with cold water. Or you may perform your duties properly in the grihasta ashrama or the sanyasa ashrama, but none of these things will bring you to the perfection of life... ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Esta semana encerramos a 2ª Guerra Mundial no teatro europeu. Abordamos a invasão alemã da União Soviética, as invasões de Itália e França pelos Aliados e a capitulação incondicional da Alemanha nazi em Maio de 1945.Sugestões de leitura1. Olivier Wieviorka – História Total da Segunda Guerra Mundial. Lisboa: Crítica, 2024.2. Martin Gilbert – A Segunda Guerra Mundial. Alfragide: D. Quixote, 2009.3. Antony Beevor – A Segunda Guerra Mundial. Lisboa: Betrand Editora, 2018.4. Martin Gilbert - Atlas Histórico da Segunda Guerra Mundial. Clube do Autor, 2025.-----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joel José Ginga, José Santos, Luis Colaço, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.Apoio técnico: 366 Ideias (366ideias@gmail.com)

Our pilgrim must move beyond the mystical tree on the sixth terrace of Mount Purgatory. So he sets off behind Virgil and Statius, only to overtaken by a group of cadaverous, skeletal penitents, whose hollow eyes watch the pilgrim's slower journey.This passage is an interesting set of problems: low stylists which end up with Ovidian references, all tied up in the very real medieval problem of starvation.Join me, Mark Scarbrough, as we work through this passage of camaraderie, mentorship, and growing affection on the terrace of gluttony.Here are the segments for this episode of WALKING WITH DANTE:[01:13] My English translation of the passage: PURGATORIO, Canto XXIII, lines 1 - 27. If you'd like to read along or start a conversation with me and others about this passage, please find the entry for this episode on my website, markscarbrough.com.[03:19] Camaraderie and mentorship in a lower style with a final salvo at avarice.[11:34] A psalm fragment in Latin and a possible quibble about Virgil's character.[16:26] Pensive pilgrims, right out of the VITA NUOVA, Dante's earlier work.[20:05] Ovid's METAMORPHOSES as a source for hunger: cited thoroughly and then overwritten beyond its ending.[25:04] Rereading the passage: PURGATORIO, Canto XXIII, lines 1 - 27.

Roberto Moro, de robertomoro.com, y Jorge del Canto, de delcanto.es, repasan los títulos de Solaria, Acciona, Banco Santander o McKesson

Podcast de Mercado Abierto

Podcast de Mercado Abierto

Roberto Moro, de robertomoro.com, y Jorge del Canto, de delcanto.es, repasan los títulos de Solaria, Acciona, Banco Santander o McKesson

'Bhejire munayo 'thāgre bhagavantam adhokṣajam sattvaṁ viśuddhaṁ kṣemāya kalpante ye 'nu tān iha.' Suta Goswami says in the Srimad Bhagavatam, First Canto, Second Chapter, that previously - agre, all the great sages worshiped Lord Narayan because He's beyond the modes of material nature. Therefore, they attained the highest benefit. Anyone who follows in their footsteps, even if they're not great sages, is eligible for the same result. So, this point that Ranchor Prabhu is making is very important: if we follow the pathway of the great acharyas—mahājano yena gataḥ sa panthāḥ—however insignificant we may be, we'll attain the same result because of following in their footsteps. And Krishna gives us this encouragement, as He spoke to Uddhava in the Bhagavatam, 11th Canto (11.21.2): 'sve sve 'dhikāre yā niṣṭhā sa guṇaḥ parikīrtitaḥ,' that if you follow according to your capacity, that's a good quality. 'Viparyayas tu doṣaḥ syād'—it's the opposite if you try to do more than you're qualified for. Then, He said, it's a fault. Stay within your limit and do the best you can with what you have right now, and you'll be able to attain everything by the mercy of the process, which is also mentioned: 'tvat-pada-potena mahat-kṛtena, kurvanti, govatsa-padam bhavābdhim.' This means it's a process left behind by the great acharyas. And if we embrace the process that has been given to us by the great acharyas, 'tvat-pada-potena mahat-kṛtena,' then the material world, which is like a dangerous ocean, shrinks to the size of the water contained within the hoof print of a calf, and then one can easily step over by the mercy of the acharyas' process that they have left for us. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Cirugía robótica, ¿moda o futuro? En el pódcast de esta semana tratamos los avances tecnológicos en estos procedimientos quirúrgicos y los doctores María Macho y Paco del Canto, cirujanos de cadera en el Hospital Clínico Universitario de Valladolid, responden a las dudas sobre unas técnicas que, aunque costosas en lo económico, repercuten de manera positiva tanto en el paciente, como en el profesional y también en el propio centro hospitalario. Como muchos otros adelantos, la ciurgía robótica tiene sus ventajas e inconvenientes. Es posible tratar los implantes de una manera más precisa y personalizada, pero también hace falta una gran planificación y mayor anticipación antes de enfrentarse a una intervención. Todas las respuestas, como siempre, una semana más en 'Entretraumas'.

Ambrogio Borsani"Di parlarti non ho coraggio"Poesie inedite per Roberto VolponiEdizioni Interlineawww.interlinea.comUn'inedita Alda Merini riemerge nei testi ritrovati di Di parlarti non ho coraggio, curati da Ambrogio Borsani ed editi da Interlinea, in libreria dal 28 ottobre, con anteprima al festival internazionale di poesia civile di Vercelli sabato 9 novembre alla libreria Mondadori di Vercelli alle ore 12.Le poesie inedite della raccolta celebrano la storia di un'amicizia insolita tra la poetessa dei Navigli e il giovane Roberto Volponi, figlio dello scrittore Paolo, nata nelle serate trascorse fino alle due a conversare nel bar libreria Chimera di Milano, rifugio di poeti e sognatori, da Tondelli a Busi, da Raboni a Lamarque.«Lui era affascinato dalla vicenda umana e letteraria della poetessa e soprattutto dalla sua libertà lessicale nel raccontarla» ricorda nella premessa il curatore Borsani, amico della Merini ed egli stesso frequentatore del Chimera: «mentre lei vedeva in lui un ragazzo appassionato, curioso, tenero, con una fede ostinata nelle utopie e una sorprendente partecipazione agli abissi delle umane vicende».Dopo la morte improvvisa del giovane Volponi in un incidente aereo nel 1989, Merini donò alla famiglia il gruppo di poesie di straordinaria intensità rimaste ignote fino a oggi anche per problemi filologici oggi risolti, ricordo della stima e dell'affetto profondo tra i due: «Purissima ambizione la mia / che tocco le tue vesti / colme di ingegno e poi / ti lasciarono andare le mie mani / come avessero avuto la maggiore / folgorazione. In vita eri sì bello / che ogni profilo tuo pieno di vento / diventava commiato di parola».I testi sono stati dattiloscritti dall'autrice con una macchina per scrivere con tasti dissestati e nastro scarico di inchiostro (tanto che in sostituzione del nastro spesso usava anche fogli di carta carbone) e pertanto la trascrizione ha dovuto interpretare le molte lettere digitate erroneamente.Di parlarti non ho coraggio. Poesie inedite per Roberto Volponi«Io di parlarti non ho coraggio, / né nominarti come solo amore»: un inedito sorprendente che la poetessa dei navigli ha composto su una macchina per scrivere dai tasti e nastro rovinati per ricordare l'amico Roberto Volponi, il figlio dello scrittore Paolo morto giovane in un incidente aereo. Sono testi che parlano di amore e morte, amicizia e dolore, con le illuminazioni di Alda Merini tanto amate dai suoi lettori. Come ricorda Ambrogio Borsani, amico di entrambi, frequentati al bar milanese Chimera con Tondelli, Busi, Consolo, Raboni e molti altri, è la testimonianza di una stagione unica da cui sono nate queste poesie che meritano di trovare «un posto nella vasta e variegata geografia poetica della Merini: la storia di un'amicizia insolita vissuta in un luogo rifugio di poeti e sognatori». Scrive lei: «Eri sì puro come una medaglia, / ed io medaglia che mi sono sfatta / brillo appena di luce sul tuo cuore».Alda Merini è nata a Milano nel 1931. Ha avuto riconoscimenti importanti alle sue prime raccolte, tra La presenza di Orfeo (1953) e Tu sei Pietro (1961). Sono seguiti vent'anni di silenzio per la drammatica esperienza dell'ospedale psichiatrico. Il suo capolavoro, La Terra Santa, uscì nel 1983 accolto da una sostanziale indifferenza. Nel 1986 raccontò l'esperienza del manicomio in L'altra verità. Diario di una diversa. Grazie a Giovanni Raboni riemerse all'attenzione del pubblico con Delirio amoroso, prose liriche del 1989. Nel 1993 vinse il premio Librex-Montale. Con Ballate non pagate (1995) vinse il premio Viareggio. La prima antologia, Fiore di poesia, curata da Maria Corti, uscì per Einaudi nel 1998 creando un caso editoriale. Iniziò una vasta produzione di plaquette e libri sparsi tra decine di editori. Nell'ultimo periodo scrisse diversi libri segnati da una vena di misticismo, come Francesco. Canto di una creatura (2007), e tra le ultime raccolte per Einaudi troviamo Superba è la notte (2000). Si spense all'Ospedale San Paolo di Milano il primo novembre del 2009. Il suono dell'ombra (2018) è la più ampia raccolta della sua produzione in prosa e poesia negli “Oscar” Mondadori. Interlinea ha già pubblicato di lei Più della poesia, due conversazioni con Paolo Taggi, che per primo la portò in tv, un libro-verità con dvd in cui lei si racconta come mai aveva fatto prima.Ambrogio Borsani ha scritto romanzi come L'ellisse di fuoco (Premio Pisa) e libri di viaggio: Addio Eden, Tropico dei sogni, Stranieri a Samoa (Finalista Premio Chatwin), Martinica incantatrice di poeti, Assalto al paradiso e Avventure di piccole terre. Ha fondato e diretto la rivista di storia del libro Wuz. Al mondo editoriale ha dedicato Il morbo di Gutenberg e altre patologie, L'arte di governare la carta, La claque del libro, Autori in cerca di autori. Ha lavorato come direttore creativo in agenzie di pubblicità internazionali (Leone d'argento al Cinema Pubblicitario di Cannes). Ha scritto molti libri per bambini e ha curato le opere principali di Alda Merini. Ha insegnato Comunicazione all'Università di Napoli “l'Orientale”, alla Statale di Milano e all'Accademia di Brera.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

La banda sonora de la película sobre Vinicius de Moraes, 'Vinicius', de Miguel Faria Jr. estrenada en 2005: con lecturas de un par de textos del poeta y las grabaciones de Ricardo Blatt (texto de Rubem Braga), Renato Braz ('Se todos fossem iguais a você'), Mônica Salmaso ('Insensatez'), Camila Morgado ('Soneto da fidelidade'), Yamandu Costa ('Valsa de Eurídice'), Chico Buarque ('Medo de amar'), Caetano Veloso ('Poema dos olhos da amada'), María Bethânia ('Soneto do amor total'), Adriana Calcanhotto ('Eu sei que vou te amar'), Carlos Lyra ('Você e eu'), Mart´nália ('Sei là a vida tem sempre razão'), Toquinho ('Tarde em Itapoã'), Edu lobo ('Berimbau'), Zeca Pagodinho ('Pra que chorar'), Gilberto Gil ('Formosa'), Mariana de Moraes ('Coisa mais linda'), Renato Braz ('Por toda minha vida'), Olivia Byington ('Modinha'), María Bethânia ('O que tinha de ser'), Francis Hime ('Sem mais adeus'), Sérgio Cassiano ('Pau de arara') y Mônica Salmaso ('Canto triste').Escuchar audio

Esta semana falamos da relação entre Portugal e o Dia Nacional das Maldivas, e sobre um caso de possessão demoníaca em Évora, nos finais da Idade Média.Sugestões da semana1. João Nisa e Paulo M. Dias - Aljubarrota: A batalha que derrotou os castelhanos e mudou o curso da história de Portugal. Desassossego, 2025.2. Katja Hoyer - Para Lá do Muro. Uma história da Alemanha de Leste. Vogais, 2025.----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Carlos Castro, Cláudia Conceição, Daniel Murta, David Fernandes, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Manuel Prates, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joel José Ginga, José Santos, Luis Colaço, Luís Miguel Couto, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0Edição de Marco António.

Virgil and Statius begin to trek around the sixth terrace of Mount Purgatory but are stopped by an upside-down tree . . . that causes more questions than it provides answers.A voice in the tree warns them off and offers examples of temperance, of moderate appetites, all of which are strange interpretations of Biblical stories that don't necessarily have to do with gluttony.Join me, Mark Scarbrough, as we look at some of the final misreadings and misinterpretations in PURGATORIO, Canto XXII. It's a wild end to one of the most profound cantos of the second canticle of COMEDY.If you'd like to help underwrite this podcast, either with a one-time donation or a small monthly stipend, you can do so at this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:31] My English translation of the passage: PURGATORIO, Canto XXII, lines 130 - 145. If you'd like to read along or if you'd like to talk more about this passage or this episode, please find the entry for this episode on my website, markscarbrough.com.[04:02] The first temptation among the penances: ripe, tasty fruit.[05:41] Questions about this upside-down tree: how does it grow, what does the dripping liquid do for it, and what does it all mean?[11:47] This tree and the two trees in the Garden of Eden.[14:25] Three examplars against gluttony: the Virgin Mary, Roman women, and the prophet Daniel.[19:00] The classical age in the Christian age, with its precursor, John the Baptist (or perhaps Virgil).[25:03] Rereading the passage: PURGATORIO, Canto XXII, lines 130 - 145.

Recentissimamente in Ticino, protagonista di un concerto memorabile nella cattedrale luganese , la Cappella Pratensis.Cappella Pratensis (nella foto) ci restituisce il clima di una Confraternita rinascimentale, un Banchetto e tanta musica. È l'ultima fatica discografica del, celebre ensemble vocale dei Paesi Bassi. Pubblicato per l'etichetta Challengerecords, il cd offre una plausibile ricostruzione della Festa del Cigno ovvero il banchetto che la Confraternita di Nostra Signora della città di Hertogenbosch nella regione del Brabante organizzava per la festa dei Santi Innocenti. Il Cigno è emblema di purezza e nel Medioevo, il nome, lo si voleva derivato dal latino canere ovvero cantare, in relazione al canto dell'animale dal lungo e flessibile collo. Brani sacri e profani si alternano in un contesto che in quel momento storico non aveva confini e testimoniato dai molti manoscritti di proprietà della Confraternita, gli stessi manoscritti da cui Cappella Pratensis ha attinto per realizzare la registrazione. Di questo e di altro Giovanni Conti ne parla con una delle storiche voci dell'ensemble, Peter De Laurentiis.

No non siamo impazziti, ma oggi parliamo del Napoli, della sua ultima vittoria e di un segreto, un segreto che ha a che fare con temperature, viaggi e lavoro. Trascrizione interattiva e Vocab Helper Support Easy Italian and get interactive transcripts, live vocabulary and bonus content: easyitalian.fm/membership Note dell'episodio 6 Italian TV Series You'll Love - https://www.youtube.com/watch?v=DFKHM8oCo7s Ebbene sì, il Napoli (la squadra di calcio della città di Napoli) ha vinto il quarto scudetto in ben 100 (cento) anni di storia! E anche questa volta Matteo e Raffaele ne hanno parlato a cosa fatta. Scaramantici? Sì, ovviamnete molto ahahahaha. Ma come sono andati i festeggiamenti? E continuiamo poi parlando delle differenza tra i due scudetti (campionati di Serie A) vinti negli ultimi 3 anni. Ma oggi parliamo anche di segreto! Un segreto? Bèh qualunque cosa sia non possiamo sverarlo qui nelle note, dovete ascoltare la puntata. Un indizio? "Arriva il caldo". Trascrizione Raffaele: [0:10] Siamo noi, siamo noi... Hai visto, Matteo? Canto oggi. Matteo: [0:26] Buongiorno. Un ottimo giorno. Come va? Tanti auguri! Raffaele: [0:30] Buongiorno, auguri. Ma perché auguri? Matteo: [0:35] Auguri perché c'è stato un evento eccezionale: per la quarta volta il Napoli ha vinto il campionato. Raffaele: [0:51] Ma davvero, Matteo, io non mi sono accorto di niente. Matteo: [0:55] Immagino. Proprio niente. Silenzio... un giorno come un altro. ... Support Easy Italian and get interactive transcripts, live vocabulary and bonus content: easyitalian.fm/membership

Hace 5 años que el saxofonista y compositor Paul Winter publicó su disco 'Light of the sun' con temas como 'Sun singer', 'Primavera' de Carlos Lyra', 'Canto triste' de Edu Lobo, 'Canyon chaconne' o 'The well-tempered wood trush'. Del disco que grabó hace tres años en el granero de su casa, 'Concert in the barn', escuchamos 'Air', 'Lamento de Aiocá', 'The silence of a candle', 'Icarus' de Ralph Towner, 'Chora coração' de Jobim y 'Moro na roça'/'Lapinha' de Baden Powell. Y para terminar, del homenaje a David Darling, 'River run'.Escuchar audio

Returning to Madhuvana as commanded by Sugriva, and craving the forgiveness of Angada, Dadhimukha submits to the latter that he is urgently summoned by Sugriva. Set out in the company of Hanuman and others, and approaching Sugriva, Prince Angada apprises Sri Rama, after saluting him, of the discovery of Sita and other events.Recitation: 00:00 - 07:27Translation: 07:31 - 17:21

Hanuman tells Sri Rama, how Sita expressed her doubt in the first instance about a monkey being able to leap across a vast sea and how her doubt was resolved by him.Recitation: 00:00 - 05:10Translation: 05:13 - 12:00*** END OF SUNDARAKANDA ***

Hanuman reproduces at length the incident connected with a crow that took place during the sojourn of Sita with Sri Rama at Chitrakoota, related by her by way of a token, and further describes her piteous lament and the way in which she was comforted by Hanuman.Recitation: 00:00 - 07:24Translation: 07:27 - 17:43

Pressing to his bosom the jewel for the head sent by Sita and piteously wailing in many ways, Sri Rama urges Hanuman to repeat the message of Sita.Recitation: 00:00 - 02:47Translation: 02:51 - 07:06

Asked by Sri Rama to tell him the news about Sita, Hanuman apprises Sri Rama of her presence at the foot of a Shimshapa tree in the midst of ogresses and delivers her message after narrating the incidents related by her as a token.Recitation: 00:00 - 04:52Translation: 04:56 - 11:38

Our pilgrim, Virgil, and Statius arrive on the otherwise empty sixth terrace of Mount Purgatory. Virgil seems more hesitant. And our pilgrim, Dante, more passive, as he listens to the two older, wiser poets discuss the craft of poetry.This passage represents the paradox of circularity and linearity, of stasis and advancement, that is the major structural (and thematic!) tension in COMEDY.Join me, Mark Scarbrough, as we work through a seemingy easy passage while the pilgrim learns the craft of poetry.Here are the segments for this episode of WALKING WITH DANTE:[02:01] My English translation of the passage: PURGATORIO, Canto XXII, lines 115 - 129. If you'd like to read along or continue the conversation with me, find this episode on my website and drop down the page to see the translation and a place to start a conversation with a comment: markscarbrough.com.[03:23] Circularity and linearity: the crux paradox of COMEDY.[08:37] Marking the temporal as a reality claim in COMEDY.[13:25] A possible change in Virgil's characterization.[16:25] Learning the craft of poetry (to engage the play of quotation and interpretation).[21:12] Rereading the passage: PURGATORIO, Canto XXII, lines 115 - 129.

Having heard from the mouth of Dadhimukha the story of Madhivana having been laid waste by the monkeys, Sugriva concludes from the jubilation of the monkeys that Sita has been traced out. Comforting Dadhimukha, he asks him to send Angada and others without delay.Recitation: 00:00 - 05:50Translation: 05:53 - 13:40

Having entered Madhuvana and partaken of honey, as permitted by Hanuman, and singing and dancing like drunken people, the monkeys were forbidden by those guarding the grove and they belaboured the latter. Repulsed by them, the guards reported the matter to their leader, Dadhimukha, who appeared on the scene with his entourage and on remonstrating with the monkeys was thrashed by Angada, who dashed him to the ground. The guards headed by Dadhimukha then move en masse to Kishkindha to report the matter to Sugriva and bow down at the latter's feet.Recitation: 00:00 - 06:25Translation: 06:30 - 15:00

Set out from the Mahendra mountain in the direction of Kishkindha, the monkeys halt at Madhuvana, a grove guarded by the monkey Dadhimukha and most beloved of Sugriva, which falls on their way. When the monkeys began to enjoy the fruits of the grove with the permission of Prince Angada, Dadhimukha, comes in their way and is lacerated with their claws and teeth.Recitation: 00:00 - 04:38Translation: 04:42 - 10:27

Podcast Eli Suli SHOFETIM SHIRAT (Canto) DEBORA, YAEL Y SISERA Conferencia

Feeling encouraged by the tributes paid to his valour by his fellow monkeys, Price Angada undertakes to exterminate the entire ogre race including Ravana and bring back Sita from Lanka. Jambavan, however, who is more sagacious and practical-minded, discourages him by recourse to potent counter-arguments.Recitation: 00:00 - 03:39Translation: 03:43 - 09:12

In the tenth Canto of the Śrīmad Bhāgavatam, we find a verse left for all of us here today by Śukadeva Goswāmī. All of those who feel left behind, who feel hopeless in life, who are striving for the spiritual world, find that it's like reaching for the moon. He wrote: 'Jayanti jana-nivāso devakī-janma-vādo yadu-vara-pariṣat svair dorbhir asyann adharmam sthira-cara-vṛjina-ghnaḥ su-smita-śrī-mukhena vraja-pura-vanitānāṁ vardhayan kāma-devam (SB 10.90.48).' The verse starts with the word Jayati, which means victory, but it is written in the present tense because Śukadeva understood that people after Krishna's disappearance would feel separation from Him and wonder, "Why couldn't His pastimes have gone on even to the present day?" And here he's saying they are going on right now for us, right here in this room. 'Jayanti jana-nivāso devakī-janma-vādo' - He's the Lord who is jayanti jana-nivāsaḥ. He walks among us. He gives His association to all human beings, and for those who enter deeply within the sādhana given to us by Śrīla Rūpa Goswāmī, He is perfectly present in our lives. We need never fear separation from Him by continuing the transcendental vibration in our lives, and the transcendental vibration is the clarion call for everyone to go back home, back to Godhead. Anyone who wants to go back to Godhead, say, "Hare Krishna!" We're going to be singing the Hare Krishna mahā-mantra. This is the most famous song in the world. It's not only sweeping the nation here, but all over the world: Russia, Australia, China, Mexico, Japan. In the Śrīmad Bhāgavatam it is mentioned that in the spiritual world, every devotee of Krishna has a unique rāga or a melody for which he or she sings to Krishna from his or her heart. Then it goes on to say that actually, every species of life has a unique rāga to express their deep yearning for Krishna. This next rāga is called Haṃsadhvani, and it is the rāga of the swan. The gracefulness, the aesthetic beauty of the spiritual world, once captured in one's mind, it never leaves. And the song brings us to the swan swimming back to its home. So let's all take Haṃsadhvani into our heart and go back home, back to Godhead. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

At the end of their first conversation, Virgil and Statius reconstruct limbo. They transform it into a neighborhood where all the lost, classical writers live.They also transfer limbo's sighs from the damned to the poet Dante and potentially to his reader. Where have these great authors gone?And if their texts are one way to God, how many ways to redemption have then been lost with them?Join me, Mark Scarbrough, for the ironic and complex conclusion to Virgil and Statius' conversation in PURGATORIO, Canto XXII. We end at a place of the final misreading and misquotation: that of COMEDY itself.If you'd like to help underwrite the many fees and costs of this podcast, please consider making a one-time contribution or setting up a very small monthly stipend with this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[02:25] My English translation of the passage: PURGATORIO, Canto XXII, lines 94 - 114. If you'd like to read along or continue the conversation with me, please find the comment section for this episode on my website, markscarbrough.com.[04:31] The reconception of limbo over the course of COMEDY.[09:56] The Roman authors in the list of those lost.[17:48] The Greek authors in the list of those lost;.[21:02] The characters from Statius' poems who are apparently in limbo.[24:55] The displacement of Manto in COMEDY: the final misreading and misquotation in a canto full of them.[27:57] Rereading the passage: PURGATORIO, Canto XXII, lines 94 - 114.

18 tracce compongono l'ultimo progetto di Ilaria Pilar Patassini realizzato con Angelo Valori e Medit Orchestra.

Statius finally tells Virgil what we all want to know: the story of his conversion. How did this Latin poet who dedicated his great epic to a Roman emperor become a Christian.Through a long process and by subterfuge. Statius was a closeted or hidden (or to use the medieval Florentine term, "closed") Christian.Join me, Mark Scarbrough, as we look through this passage in which Dante the poet attempts to justify putting this pagan Roman poet in Purgatory and on his way to Paradise.If you'd like to help out with the costs of this podcast, please consider a one-time donation or a small monthly stipend, using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:20] My English translation of the passage: PURGATORIO, Canto XXII, lines 76 - 93. If you'd like to read along or continue the conversation with me, find the entry for this episode on my website, markscarbrough.com.[03:27] Two minor issues: Who converted Statius? And was Dante the poet rethinking his position toward the neutrals in INFERNO?[08:08] Statius' journey in the afterlife to the fourth circle of Mount Purgatory . . . and where else?[08:40] Statius' improvised backstory and the inclusion of a historical figure: Emperor Domitian.[13:13] Dante's concept of conversion (v. modern conceptions).[16:36] Statius' words and the problem of the "above" text.[20:01] Texts in texts and the inevitable overlay of irony.[24:50] Rereading the passage: PURGATORIO, Canto XXII, lines 76 - 93.