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Listen without ads at:www.patreon.com/dopeypodcastThis Week on The Wednesday Dose of Dopey!Dave kicks off this Wednesday Dose solo from his dad's house, riffing on nostalgic broke-addict snacks (Little Debbie oatmeal pies as cheap highs) and weird fridge finds, before diving into fan Spotify comments praising last week's emotional Erin Khar episode. He shares wild Miles Davis coke-paranoia excerpts from the autobiography (Ferrari abandonment, trash-room hiding, dealer tricks), and recommending Kind of Blue and In a Silent Way as sick sick records!Then we welcome Sandra Vergara (Selling Sunset star, Sofia Vergara's cousin/sister-figure). Sandra opens up about a traumatic Colombian childhood: brother's murder at age 9, raised by an aunt after her bio-mom's brain damage left her mentally stuck at 12, feeling like a "burden," early glue-sniffing experiment, near-fatal ruptured appendix/septic shock at 16, and constant walking-on-eggshells survival via art, empathy, and never taking abuse personally.In LA from 18, she dabbled in makeup/acting (Fright Night), when she began drinking heavy. Blackouts, self-harm (throwing herself through glass), and suicide ideation. followed. First rehab in Medellín (befriended staff for special treatment → false security). Post-rehab: mushrooms sparked a "psychedelic love" fling, ayahuasca faced childhood trauma head-on, but led to half-assed AA and relapses.COVID alone-time in NYC brought painting growth, but cat Stewie's death (worse than losing family) plunged her into deep depression. Enter ketamine: started therapeutic (Mindbloom) but escalated to daily K-holes with Oculus VR for near-death/grief escapes, addictive Journey Circle weekends (MDMA/ayahuasca/mushrooms group catharsis without integration), erratic calls to mom, club blackouts, and cousin finding her passed out. Family intervention (Sophia pays, nephew packs her) lands her in trauma-focused Breathe Life rehab.She firmly rejects "California sober" as a trap—psychedelics delayed real surrender for her; true addicts can't substitute one mind-alter for another. Full AA commitment (no more a la carte) + Kabbalah (post-breakup desperation) changed everything: tikkun (soul correction via tough life choices), turning reactive impulses (anger/gossip) into proactive restriction, daily study/meditation for frequency shifts. Ties Kabbalah to quantum physics (observer effect = perception shapes reality, entanglement = we're all connected, certainty in the unknown = surrender).Sandra discusses Selling Sunset challenges (producer manipulation, ego, glamour vs. spiritual presence) and her new neuroscience/IFS/Kabbalah coaching for holistic recovery (mind stories, body regulation, spirit alignment). All that and much more on the brand new episode of that good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
“Regardless of whether it's Trump or anybody else in the White House, we should expect something quite significant to be going on in terms of the United States' relationship with the rest of the world.”Amol Rajan speaks to Helen Thompson, Professor of Political Economy at Cambridge University, about a new era of global power play. In this conversation, she traces the roots of the re-birth of US expansionism back to the 19th century, and America's early presidents. She also explains how the dynamics of geopolitics are tied to the control of resources, in particular oil.Professor Thompson is an expert on the history of globalisation who has taught at Britain's Cambridge University for more than 30 years. Her current research looks at the geopolitics of energy, and the long history of this century's global disruptions.Thank you to the Radical team for its help in making this programme. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC, including episodes with the Colombian president Gustavo Petro, New Zealand's former Prime Minister Jacinda Ardern and Google CEO Sundar Pichai. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts. Presenter: Amol Rajan Producers: Anna Budd, Lucy Sheppard Editor: Justine LangGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Helen Thompson Credit: Anna Budd/BBC)
Ever dreamed of sleeping under a glacier or hanging off a cliffside in a glass pod? In this episode, we uncover the world's most extreme short-term rentals and explore why guests are willing to pay top dollar for once-in-a-lifetime experiences. If you're looking to stand out in the saturated STR market, this episode will spark bold ideas. Discover a floating glacier suite in Greenland that charges over $1,000 per night—and why it's worth it Hear a wild story about getting stuck in the Colombian jungle en route to an unforgettable jungle Airbnb Explore what makes guests crave "digital detox" stays and how off-grid rentals are capitalizing on it Dive into a cliffside glass pod in Peru and a shark-surrounded suite in Paris (yes, really) Learn the key factors that make or break guest expectations in extreme rental settings For any STR owner or investor curious about breaking out of the ordinary, this episode is packed with inspiration, real stories, and practical takeaways to elevate your rental strategy. Share it with a friend or leave us a review if you loved it! Check out our videos on YouTube: https://www.youtube.com/@ShortTermRentalRiches Grab your free management eBook: https://strriches.com/#tools-resources Looking to earn more with your property (without the headaches)? Chat with our expert management team: https://strriches.com/management-services/
Jake Parker and Samantha Cotterill interview Claudia Rueda, a Colombian author and illustrator whose Smushkin characters connect with young readers in unexpected ways. Learn about Claudia's path to illustration, the role of luck in an illustrator's journey, how to appreciate the small child's world, and more. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.
Welcome to The Times of Israel's Lazar Focus. Each Friday, join host diplomatic correspondent Lazar Berman for a deep dive into what's behind the news that spins the globe. Since October 7, 2023, there has been a focused and intense campaign to paint Zionism as a supremacist, racist, and inherently violent movement that has no place in academia, popular culture, or public life in the West. Jews and supporters of Israel usually label such attacks as antisemitism, since they often take old tropes about Jews and apply them to Israel. Anthropologist Adam Louis-Klein, who emerged from the Colombian jungle on October 9 and found himself under attack from colleagues for his support of Israel, is leading the effort to cast anti-Zionism as a hate movement that seeks to deny Jews a place in the public square on their own terms by portraying Zionism as the root of much of the world's evil and violence. Louis-Klein applies his critical lens to anti-Zionism, examining its roots in Nazism, Islamist ideology, and Soviet propaganda. He unpacks terms like "settler-colonialism," "genocide," and " apartheid," and explains why the anti-Zionists chose those loaded words in their attack on the Jewish state. Lazar Focus can be found on all podcast platforms. This episode was produced by Ari Schlacht. IMAGE: Adam Louis-Klein (courtesy) / Demonstrators gather on the UCLA campus, June 12, 2024, in Los Angeles. (AP Photo/Damian Dovarganes)See omnystudio.com/listener for privacy information.
This Week on The Wednesday Dose of Dopey!Dave kicks off this Wednesday Dose solo from his dad's house, riffing on nostalgic broke-addict snacks (Little Debbie oatmeal pies as cheap highs) and weird fridge finds, before diving into fan Spotify comments praising last week's emotional Erin Khar episode. He shares wild Miles Davis coke-paranoia excerpts from the autobiography (Ferrari abandonment, trash-room hiding, dealer tricks), and recommending Kind of Blue and In a Silent Way as sick sick records!Then we welcome Sandra Vergara (Selling Sunset star, Sofia Vergara's cousin/sister-figure). Sandra opens up about a traumatic Colombian childhood: brother's murder at age 9, raised by an aunt after her bio-mom's brain damage left her mentally stuck at 12, feeling like a "burden," early glue-sniffing experiment, near-fatal ruptured appendix/septic shock at 16, and constant walking-on-eggshells survival via art, empathy, and never taking abuse personally.In LA from 18, she dabbled in makeup/acting (Fright Night), when she began drinking heavy. Blackouts, self-harm (throwing herself through glass), and suicide ideation. followed. First rehab in Medellín (befriended staff for special treatment → false security). Post-rehab: mushrooms sparked a "psychedelic love" fling, ayahuasca faced childhood trauma head-on, but led to half-assed AA and relapses.COVID alone-time in NYC brought painting growth, but cat Stewie's death (worse than losing family) plunged her into deep depression. Enter ketamine: started therapeutic (Mindbloom) but escalated to daily K-holes with Oculus VR for near-death/grief escapes, addictive Journey Circle weekends (MDMA/ayahuasca/mushrooms group catharsis without integration), erratic calls to mom, club blackouts, and cousin finding her passed out. Family intervention (Sophia pays, nephew packs her) lands her in trauma-focused Breathe Life rehab.She firmly rejects "California sober" as a trap—psychedelics delayed real surrender for her; true addicts can't substitute one mind-alter for another. Full AA commitment (no more a la carte) + Kabbalah (post-breakup desperation) changed everything: tikkun (soul correction via tough life choices), turning reactive impulses (anger/gossip) into proactive restriction, daily study/meditation for frequency shifts. Ties Kabbalah to quantum physics (observer effect = perception shapes reality, entanglement = we're all connected, certainty in the unknown = surrender).Sandra discusses Selling Sunset challenges (producer manipulation, ego, glamour vs. spiritual presence) and her new neuroscience/IFS/Kabbalah coaching for holistic recovery (mind stories, body regulation, spirit alignment). All that and much more on the brand new episode of that good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Pedro Alonso López, known as the Monster of the Andes, was a Colombian serial killer born in 1948. He endured a traumatic childhood marked by abuse, homelessness, and sexual assault, which contributed to his later crimes. Active primarily in the late 1970s across Colombia, Ecuador, and Peru, López targeted young girls (mostly aged 8-12 from … Continue reading Episode 492: Serial Killer Pedro López – The Monster of the Andes
After being kidnapped and abandoned in the Colombian jungle, Marina Chapman survived alone as a child by observing and mimicking a troop of monkeys. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Carlos Guillén is a respected Honduran radio personality and the host of the popular morning program, “El Show de Carlos Guillén.” The show airs live Monday through Friday from 7:00 AM to 10:00 AM, delivering a dynamic mix of news, commentary, and entertainment to its loyal audience.Carlos began his radio career in 1983 and has remained a fixture at the same station ever since, showcasing over four decades of broadcasting excellence.The show features a talented team of co-hosts, including Arley Cardona, a renowned Colombian sports anchor with over 20 years of experience in the field. Adding their unique flair to the program are David Suazo, José Gabriel Cabrera, and Edgar de la Cruz, each contributing humor, insight, and cultural flavor that make the show a daily favorite for listener
Carlos Guillén is a respected Honduran radio personality and the host of the popular morning program, “El Show de Carlos Guillén.” The show airs live Monday through Friday from 7:00 AM to 10:00 AM, delivering a dynamic mix of news, commentary, and entertainment to its loyal audience.Carlos began his radio career in 1983 and has remained a fixture at the same station ever since, showcasing over four decades of broadcasting excellence.The show features a talented team of co-hosts, including Arley Cardona, a renowned Colombian sports anchor with over 20 years of experience in the field. Adding their unique flair to the program are David Suazo, José Gabriel Cabrera, and Edgar de la Cruz, each contributing humor, insight, and cultural flavor that make the show a daily favorite for listeners.
Salome's first international adventure was to a university in Argentina. Now, a citizen of Spain, this Colombian native shares her battles with immigration standards, cultural stereotypes, and unknown bureaucratic practices that many expats face as they navigate new places, governments, and ways of life. Find more Nada: Website: https://mamaknowsnada.com/Instagram: https://www.instagram.com/mama.knows.nada/Facebook: https://www.facebook.com/mamaknowsnada/Music: "Vacaciones" by Mike LeiteKindly note that opinions and statements made by guests on the Mama Knows Nada Podcast do not necessarily reflect the values and opinions held by Mama Knows Nada. Guests are sharing their unique perspectives and experiences. Always consult with a professional to understand your personal circumstances and logistics. Mama Knows Nada can not be held accountable for changes in legislation and political infrastructure. These policies are subject to frequent changes and vary by country and municipality. We strive to update our content in tandem with laws and amendments.
The 2026 MLS Preseason is officially in a state of chaos! With the "Riqui Puig-sized" hole in the midfield now a reality for the entire season, Will Kuntz and the LA Galaxy front office are moving fast. From the potential return of a Brazilian star to a veteran defensive pillar possibly heading for the exit, the roster is a total revolving door.
CONTENT WARNING: DR*GS, C0CA*NE, M*RDER, K*DN*PPINGS, T*RTURE, T*RR0RISM, GUN VI0L*NCE, B*MBINGS.Guess who's back from Christmas break! In this episode, we talk about Pablo Escobar, a Colombian drug lord and narcoterrorist who founded el Cártel de Medellín. We talk about his origins, his rise to power, and his eventual arrest and death. Along with that, we talk about his personal prison that is now rumored to be paranormally active: La Catedral.Email us any personal paranormal and true crime encounters and/or suggestions at: quespookypodcast@gmail.comFollow us on Instagram, TikTok, and YouTube: @quespookypodcast And we have a lil merch store now! If you'd like to support us, check it out!https://quespookypodcast-shop.fourthwall.com
The growth of the National Liberation Army or ELN, a sprawling guerilla force of 6,500 combatants shifting between Venezuela and Colombia, has hardly got any attention in the United States. Yet it's just one of various explosive stories from the Colombia-Venezuela border, where spies, gangs, and insurgents are adjusting to the new political situation after U.S. special forces took out Venezuelan president Nicolás Maduro. Here I cut together video from a week reporting in Cúcuta and in the countryside north of the city, so you can see with your own eyes the dirt smuggling paths, border barrio of Venezuelan refugees, Colombian armored vehicles, contraband gasoline and more colorful scenes. It's a CrashOut guerrilla podcast, but while it has a jagged edge style we go deeper than in the snappy cable news lives. Check out more at: www.crashoutmedia.comSupport the show
Carlos Guillén is a respected Honduran radio personality and the host of the popular morning program, “El Show de Carlos Guillén.” The show airs live Monday through Friday from 7:00 AM to 10:00 AM, delivering a dynamic mix of news, commentary, and entertainment to its loyal audience.Carlos began his radio career in 1983 and has remained a fixture at the same station ever since, showcasing over four decades of broadcasting excellence.The show features a talented team of co-hosts, including Arley Cardona, a renowned Colombian sports anchor with over 20 years of experience in the field. Adding their unique flair to the program are David Suazo, José Gabriel Cabrera, and Edgar de la Cruz, each contributing humor, insight, and cultural flavor that make the show a daily favorite for listeners.
Kenopsic Radio 86 with Gigi Follow Kenopsic: linktr.ee/kenopsic instagram.com/kenopsicevents Bio: GiGi is a Colombian-born, Los Angeles-raised DJ and curator whose sets are a deep dive into hypnotic grooves, textured rhythms, and high-hat-driven propulsion. With a strong ear for storytelling, she guides her audience through evolving sonic landscapes—where tension simmers, pulses intensify, and the dance floor becomes a space of collective release. Her sound draws from the roots of hypnotic techno, layered with raw emotion and atmospheric depth. Each set is crafted as a journey: immersive, intentional, and grounded in connection. Whether opening with subtle minimalism or closing with industrial weight, GiGi doesn't just play tracks—she builds a world. In recent months, GiGi has continued to make waves in the underground scene headlining a powerful night in Salt Lake City, Utah and opening for the legendary Claudio PRC, solidifying her presence as a selector who can both lead and support with precision. These moments reflect her growing influence and her ability to hold space with both intimacy and intensity. Her background in LA's underground and her commitment to community through her collective FIXVTIØN reflect a deeper mission: to push sound forward while curating spaces where others can feel seen, heard, and moved. On the decks, she's not just the selector, she's the storyteller. Follow soundwhile: https://soundcloud.com/gigi_fixvtion https://www.instagram.com/gigi.fixvtion/ https://linktr.ee/gigi.fixvtion Tracklist: Liarsenic - White Man Ravage (Ambient Mix) Ket Robinson - Wind Ransonware - Sxnxrxs Manzel - Manzel 006C Phasic 18 - Aura A False Pilgrim - Lily of the Valley Brälle - Callouse Response Goru Toshina - Gasoleo RGM - Loophole Under Black Helmet - Scout Michel Lauriola - Erase Rommek - Crack of Dawn Marboc - Cop An Attitude Mar66 - Gatherer Dustin Zahn - Rotator Aphazia - You Can Dimi Angelis - Strobosonic
Carlos Guillén is a respected Honduran radio personality and the host of the popular morning program, “El Show de Carlos Guillén.” The show airs live Monday through Friday from 7:00 AM to 10:00 AM, delivering a dynamic mix of news, commentary, and entertainment to its loyal audience.Carlos began his radio career in 1983 and has remained a fixture at the same station ever since, showcasing over four decades of broadcasting excellence.The show features a talented team of co-hosts, including Arley Cardona, a renowned Colombian sports anchor with over 20 years of experience in the field. Adding their unique flair to the program are David Suazo, José Gabriel Cabrera, and Edgar de la Cruz, each contributing humor, insight, and cultural flavor that make the show a daily favorite for listeners.
As violence erupts around the world, how must we respond to those who worship power? In Venezuela, global power has reshaped lives overnight, and Elizabeth Sendek and Julio Isaza join Mark Labberton to reflect on faith, fear, and Christian witness amid political upheaval in Latin America. "It made me question, if power is the ultimate good, then questions of morality or theology have no place. We have chosen our idol." Together they discuss how experiences of dictatorship, displacement, and pastoral caution shape Christian responses to invasion and regime change; the relationship between power and idolatry; the moral realities that come with violent and nonviolent action; fear and pastoral responsibility; the global impact of diaspora and migration; how prayer informs action; and how the church bears faithful witness under ruthless power. –––––––––––––––––– Episode Highlights "It made me question, if power is the ultimate good, then questions of morality or theology have no place. We have chosen our idol." "Prayer is a spiritual resource, valuable, needed, urgent every day, in times of peace and in times of crisis." "Prayer must also go alongside personal and collective actions in the defense of life, justice, freedom, reconciliation, and peace." "They are very cautious, because they are not sure who is in control." "We should not normalize violence just because it has always existed in history." –––––––––––––––––– About Elizabeth Sendek Elizabeth Sendek is a theologian and educator specializing in Latin American Christianity, theology and power, and the church's public witness under political violence. Her work draws from lived experience across Latin America, particularly contexts shaped by dictatorship, corruption, displacement, and ecclesial resilience. She has taught theology in academic and pastoral settings, engaging questions of ethics, political theology, and Christian responsibility in fragile societies. Sendek is widely respected for her ability to connect historical memory, biblical theology, and contemporary crises, especially regarding migration, authoritarianism, and Christian hope. Her scholarship and public engagement consistently emphasize prayer joined with concrete action, resisting both naïveté and cynicism. She speaks regularly to churches, students, and leaders seeking faithful responses to power and suffering. About Julio Isaza Julio Isaza, born in Colombia, is married to Katie Isaza and is the father of Samuel and Benjamin. He served with the Covenant Church of Colombia from 1995 to 2006 and later earned a master of divinity degree in Chicago, where he lived for six years. Between 2012 and 2015, he worked in the formation of university students and young professionals with Serve Globally in Medellín, Colombia. From 2016 to 2025, he served in peace-building processes in conflict areas of Colombia and also as a professor at the Biblical Seminary of Colombia, teaching in the areas of missional theology, cultural context, and holistic impact strategies. During this time, he also worked with Indigenous communities in the Colombian rainforest, engaging in oral theology initiatives. His work has focused on holistic discipleship, theological education, and peace-building. He holds a master's degree in Conflict and Peace from the University of Medellín and is currently pursuing a PhD in Theology and Peace at the Oxford Centre for Mission Studies in England. A US citizen, he resides in Minnesota with his family, where he is writing his doctoral dissertation titled "Cultivating Integral (Biblical) Peace in a Context of Socio-environmental Violence." –––––––––––––––––– Helpful Links And Resources Princeton Theological Seminary https://www.ptsem.edu Psalm 73 (New International Version) https://www.biblegateway.com/passage/?search=Psalm+73&version=NIV Brownsville Covenant Church (David Swanson) https://www.brownsvillecovenant.org Christians for Social Action https://christiansforsocialaction.org –––––––––––––––––– Show Notes News of Venezuelan invasion and presidential extrication Awakening to international headlines and Colombian news coverage Power displacing morality and theology "It made me question, if power is the ultimate good, then questions of morality or theology have no place." "We have chosen our idol." Violence beyond headlines and unseen civilian consequences Personal stories from Caracas neighbourhoods and bomb damage "You see in the news about Maduro taken, but you don't see the consequences of what happened." "Some of her family was killed in Caracas because of the bombs." Childhood shaped by armed conflict in rural Colombia Guerrilla groups, military raids, and forced displacement Paramilitary violence and state-backed terror in towns "When I was a child, I would draw helicopters and militaries killing each other." Conversion shaped by studying the life of Jesus "When I began to study the gospel, I thought that Jesus's way is not a violent way." Pastoral caution under volatile political regimes Fear shaping Christian speech and public silence "For the sake of my congregation, I cannot voice any opinion." Churches continuing ministry amid uncertainty "They agreed that this time is an opportunity to share the gospel of hope." Prayer as resistance and sustenance "Prayer is a spiritual resource, valuable, needed, urgent every day, in times of peace and in times of crisis." Prayer joined with embodied action "Prayer must also go alongside personal and collective actions in the defense of life, justice, freedom, reconciliation, and peace." Long histories of dictatorship shaping Latin American theology Skepticism toward purely academic liberation theology Credibility rooted in lived solidarity with the poor Diaspora pressure and forced return narratives "Now people say Venezuelans can go back to their own country." Xenophobia and fear within host communities Displacement as ongoing trauma for migrant families Scripture shaping hope amid cynicism "When I tried to understand all this, it troubled me deeply, till I entered the sanctuary of God." Refusing to normalize power's violence "Our call is not to normalize it, nor to declare it an act of God." –––––––––––––––––– #FaithAndPolitics #LatinAmerica #ChristianWitness #PowerAndViolence #Venezuela #ChurchAndState #PublicTheology Production Credits Conversing is produced and distributed in partnership with Comment magazine and Fuller Seminary.
Carlos Guillén is a respected Honduran radio personality and the host of the popular morning program, “El Show de Carlos Guillén.” The show airs live Monday through Friday from 7:00 AM to 10:00 AM, delivering a dynamic mix of news, commentary, and entertainment to its loyal audience.Carlos began his radio career in 1983 and has remained a fixture at the same station ever since, showcasing over four decades of broadcasting excellence.The show features a talented team of co-hosts, including Arley Cardona, a renowned Colombian sports anchor with over 20 years of experience in the field. Adding their unique flair to the program are David Suazo, José Gabriel Cabrera, and Edgar de la Cruz, each contributing humor, insight, and cultural flavor that make the show a daily favorite for listeners.
Today Justin sits down with Matthew John Heath. Matthew served in the US Marine Corps from 1999 until 2003, including a combat deployment to Iraq. Afterwards, he worked with the US State Department as a private contractor in Afghanistan. In 2020, Matthew was arrested inside Venezuela, near the Colombian border, and charged with multiple false offenses, including treason and arms trafficking. He spent more than two years captive in prison in Caracas before he was released in a prisoner exchange in October, 2022 along with several other American citizens. He's here today to discuss his service in the Marine Corps, his time working in Afghanistan and elsewhere, his arrest and imprisonment in Venezuela, and readjusting to life back home after the ordeal. Connect with Matthew: matthewjohnheath.com hostageus.org Connect with Spycraft 101: Get Justin's latest book, Murder, Intrigue, and Conspiracy: Stories from the Cold War and Beyond, here. spycraft101.com IG: @spycraft101 Shop: shop.spycraft101.com Patreon: Spycraft 101 Find Justin's first book, Spyshots: Volume One, here. Check out Justin's second book, Covert Arms, here. Download the free eBook, The Clandestine Operative's Sidearm of Choice, here. Kruschiki The best surplus military goods delivered right to your door. Use code SPYCRAFT101 for 10% off! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Carlos Guillén is a respected Honduran radio personality and the host of the popular morning program, “El Show de Carlos Guillén.” The show airs live Monday through Friday from 7:00 AM to 10:00 AM, delivering a dynamic mix of news, commentary, and entertainment to its loyal audience.Carlos began his radio career in 1983 and has remained a fixture at the same station ever since, showcasing over four decades of broadcasting excellence.The show features a talented team of co-hosts, including Arley Cardona, a renowned Colombian sports anchor with over 20 years of experience in the field. Adding their unique flair to the program are David Suazo, José Gabriel Cabrera, and Edgar de la Cruz, each contributing humor, insight, and cultural flavor that make the show a daily favorite for listeners.
Hundreds of people are reported dead, as nationwide protests in Iran grow. Demonstrations that continue, despite the violent government crackdown. U.S. President Donald Trump is renewing his threats to step in, as Tehran warns the Americans to stay out.Also: The U.S. government has long accused the Venezuelan government of involvement in the drug trade - using it to justify multiple military strikes the country, and the capture of president Nicolas Maduro. Now, CBC News recently obtained a wire tap recording from a Colombian drug investigation - capturing discussions between members of an organized crime group and Venezuelan generals. You'll hear the recording - and how they could be used as potential evidence against Maduro.And: As the 2026 Winter Olympics approach, questions are swirling about Milan's new Olympic hockey arena, and whether it's ready for action. Organizers staged test games this weekend - giving players a chance to try out the rink. Canada's Olympic hockey teams will obviously be going for gold - but could the rink hold them back?Plus: More federal agents deploying to Minneapolis, Bushfires in Australia, Snowbirds trying to sell their homes in Florida, and more.
We take a deep dive into how Trump's America has shaken up the world order, just days into the new year. Independent Senator Bernie Sanders responds to the tragic shooting of a U.S. citizen by an I.C.E operative. They also discuss President Trump's claim that the U.S. will control Venezuela and its oil reserves for years. Then, Christiane speaks to former Colombian President Juan Manuel Santos about the threat facing his country as the U.S. leans into Latin America. Correspondent David Culver then takes us to the Colombian border, to show how the nation is beefing up its border security. Plus, a cultural reprieve with actor Ethan Hawke, as he tells Christiane about portraying Broadway legend Lorenz Hart in his new film “Blue Moon”. From the archives, a report on the historical failure of U.S. nation building in Iraq, and the students who told Christiane about the high price their country paid for international intervention. And finally, we take a look back at Christiane's conversation with Nicolas Maduro back in 2014 and the confident composure that ultimately contributed to his downfall. Air date: January 10, 2026 Guests: Bernie Sanders Juan Manuel Santos Ethan Hawke Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this episode of The President's Daily Brief: First up—after days of heated rhetoric and even talk of military action, tensions between President Trump and Colombia appear to be easing, with the two leaders now planning a White House meeting. Later in the show—to the surprise of absolutely no one, Russia rejects the latest peace proposal for Ukraine, dismissing Western security guarantees and hardening its stance against NATO. Plus—signs of panic in Tehran, as the Iranian regime shuts down internet access nationwide amid expanding protests. And in today's Back of the Brief—President Trump proposes a dramatic sixty-six percent hike in defense spending, while also pushing new limits on defense contractor executive pay. To listen to the show ad-free, become a premium member of The President's Daily Brief by visiting https://PDBPremium.com. Please remember to subscribe if you enjoyed this episode of The President's Daily Brief. YouTube: youtube.com/@presidentsdailybrief American Financing: Call American Financing today to find out how customers are saving an avg of $800/mo. NMLS 182334, https://nmlsconsumeraccess.org. APR for rates in the 5s start at 6.196% for well qualified borrowers. Call 866-885-1881 for details about credit costs and terms. Visit http://www.AmericanFinancing.net/PDB. ZBiotics: Visit https://zbiotics.com/PDB for 15% off Learn more about your ad choices. Visit megaphone.fm/adchoices
In this January 9 episode of The Daily Herold, Jon Herold is joined by Ghost for an extended conversation focused on developments surrounding Venezuela, Nicolás Maduro's removal, and what recent statements from President Trump suggest about continuity of government, interim leadership, and U.S. intentions. Ghost shares analysis of constitutional orders signed before Maduro's departure, media mischaracterizations of regime change, and how Colombia, cartels, and regional military activity factor into the broader picture. Jon and Ghost review Trump's comments on oil, prisoners, sanctions, and upcoming meetings with Colombian leadership, while questioning common assumptions about U.S. intervention and long-term targets. The latter portion of the show shifts to domestic discussion, including a White House video on historical resistance, federal fraud enforcement announcements, and a live chat-driven conversation on “black pilling,” dissent, and the role of criticism within the Badlands community. The episode closes with additional headlines, audience interaction, and programming updates.
Colombians take to the streets as the nation’s leader says he sees ‘real threat’ of US military action. Then: the latest from Ukraine as Russia attacks with hypersonic missiles. Plus: we meet Deborah Honig, Samsung’s first chief customer officer, and preview this year’s Golden Globes.See omnystudio.com/listener for privacy information.
Episode 82: Can you tell the difference between a Colombian washed and an Ethiopian natural just by looking at the unroasted beans? In this episode, we answer a listener's question about identifying coffee origins and processing methods by what we can glean from the green coffee beans themselves! Catherine and Stephen share useful tips on what to look for when examining green coffee beans, including: Visual Identification Tips: ✅ Size & Shape: Small beans (Yemeni, Ethiopian) vs. large beans (Kenyan AA, Indian Mysore Nuggets) ✅ Color Indicators: Processing methods leave distinct visual signatures (natural process = darker/reddish tones) ✅ Density Differences: Feel the weight - Monsoon Malabar vs. dense high-altitude beans ✅ Peaberries: Recognize the unique oval/tubular shape vs. traditional flat-sided beans ✅ Moisture & Sheen: What the surface tells you about freshness and processing Pro Tip: Create your own reference collection! Save 10 beans from each coffee in labeled Ziploc bags to build a visual comparison library. Plus in this episode: - Updates from Current Crop's new espresso bar and pastry launch - Why taking detailed roasting notes is crucial - Special shout-out to listeners who visited from Texas! SEND YOUR QUESTIONS TO: questions@riypod.com NOTES: Follow Our Instagram Account @RIY_POD CHECK US OUT HERE: Coffee Bean Corral YouTube Coffee Bean Corral Website Current Crop Roasting Shop Website Rancher Wholesale Website
Carlos Guillén is a respected Honduran radio personality and the host of the popular morning program, “El Show de Carlos Guillén.” The show airs live Monday through Friday from 7:00 AM to 10:00 AM, delivering a dynamic mix of news, commentary, and entertainment to its loyal audience.Carlos began his radio career in 1983 and has remained a fixture at the same station ever since, showcasing over four decades of broadcasting excellence.The show features a talented team of co-hosts, including Arley Cardona, a renowned Colombian sports anchor with over 20 years of experience in the field. Adding their unique flair to the program are David Suazo, José Gabriel Cabrera, and Edgar de la Cruz, each contributing humor, insight, and cultural flavor that make the show a daily favorite for listeners.
AP correspondent Ben Thomas reports President Trump is striking a new tone about Colombia and its president.
Think about the histories of your family or memories from your past. What if you recounted them with a dash of magic? What happens when we infuse our stories on film with some magical realism? Tonight's edition of APEX Express features three filmmakers who created magical realism short films centering AAPI women. Listen to directors Cami Kwan, Dorothy Xiao, and Rachel Leyco discuss their films and experiences behind the scenes with host Isabel Li. Cami Kwan: Website | Instagram | Seed & Spark Dorothy Xiao: Website | Instagram Rachel Leyco: Website | Instagram Transcript 00:01 [INTRO] Isabel: You're tuned into Apex Express on KPFA. Tonight's edition is all about stories. Think about the histories of your family or memories from your past. Now, what if you recounted them with a dash of magic? What happens when we infuse our stories on film with some magical realism? I'm your host, Isabel Li, and today we have three very special guests, Cami Kwan, Dorothy Chow, and Rachel Leyco. All of them are AAPI filmmakers who received the Julia S. Gouw Short Film Challenge grant from the Coalition of Asian Pacifics and Entertainment and have created short films featuring AAPI stories with magical realism. My first guest of the night is Cami Kwan, a Chinese-American director specializing in stop-motion animation who directed the short film Paper Daughter. Hi Cami, welcome to APEX Express! Cami: Hello, thank you so much for having me. Isabel: How do you identify and what communities do you consider yourself a part of? Cami: So I identify as a queer Asian American woman um and I am a descendant of immigrants, of Chinese immigrants. um Then the communities that I am part of, part of the queer community, part of the Los Angeles community, part of the Chinese American and Asian American community, part of the mixed race community and part of the stop-motion animation and independent artist community. Isabel: I'm so excited to talk to you about your upcoming short film, Paper Daughter, a gothic stop-motion animated Chinese-American fairy tale about a young woman grappling with the guilt of using the identity of a deceased girl to immigrate to the US via Angel Island in 1926, which is such a fascinating concept. Can you tell our listeners a little bit about how you came up with this story and the historical specificity behind it? Cami: Absolutely, yeah. So like I mentioned, I'm the child of immigrants, descendants of immigrants rather. So my great grandparents immigrated to the US from China. My great grandfather came over in 1916 and my great grandma came over in 1926. And so I've always grown up knowing the story of Angel Island and knowing the story about the paper sons and paper daughters who had to find any way into the United States that they could. And so they were forced to, you know, take on the identities of other people. And those stories have always stuck with me, you know, like it's very personal. Angel Island means a lot to me and my family. And just the extreme measures that people have always had to take just for the chance at a better life have always been really meaningful to learn about. just the like, I'll use romances in like the art movement, like romantic. It's very romantic and kind of fairy tale-ish, the idea of having to take on a new identity and pretend to be somebody that you're not. And often those identities would be people who had passed away, and then those families had then sold those identities or given those identities to new people. And so it's so interesting the idea of being like the last person to know somebody so deeply, but you'll never get to meet them and you'll never be able to thank them or repay what they sacrificed for your future. And that's kind of how I feel as a descendant of immigrants. The sacrifice that my family made for me was made so long ago that there's no way for me to ever pay it back. And I didn't really get a say in whether I received that sacrifice or not. And I think a lot of descendants of immigrants kind of have to struggle with this. What does it mean for us to be given this new chance at the cost of somebody who came before us? And so that's all of that kind of rolled up into this 14-minute film. Isabel: You describe your film as being in a gothic style? Can you describe what this looks like and why gothic? Cami: The subject matter is just so naturally gothic. It's dealing a lot with death and a lot with guilt and those big capital R romantic subjects and stuff. My day job, my day-to-day job is working in stop-motion animation directing mostly like children's series and mostly toy related stuff. And so I spent so much of my time in the happy brighter like birthday party storyline kind of like space. But what really made me want to be a filmmaker in the first place were all these like heavier themes, these bigger themes, films by Guillermo del Toro and like Tim Burton and Henry Selig and Hayao Miyazaki and all of those kind of have this like gothic edge to them. And so that's like a story that I've been a type of story I've been wanting to tell for about a decade now. Isabel: Stylistically, how does this show up in your film? So I imagine darker colors or do you have a visual like preview for us? Cami: it is a little bit in the darker color space, but it's still very colorful despite all that. It's moody more so than dark, I would say. um We have a lot of like light and dark themes, a lot of like shadow. stuff and um a lot of magical realism, which is where that fairy tale aspect kind of comes in, because you're dealing with things that are so abstract, like guilt and sacrifice and wearing the identity of somebody else, that there's no literal way to convey that. Well, there are literal ways to convey that, but none of those literal ways I feel fully convey the emotional weight of everything. And so we've gone in this very magical realism space where people are tearing information out of these booklets that contain information about the person they're supposed to be and creating these paper masks out of them. And so yeah, there's this whole like magical aspect that tends to be kind of darker. There's imagery of just like being consumed by the identity that you're just supposed to temporarily wear. And there's a lot of like, yeah, there's a lot of darkness in those themes, I think. Isabel: Wow, that's so interesting. I'd love to learn more about stop motion. What does stop motion make possible that isn't as easily accomplished through other forms of filmmaking? Cami: Yeah, I think the reason why I'm drawn to stop motion, what I stop motion makes possible is like a universality of just like a human experience because with other kinds of animation and other kinds of filmmaking, like there is kind of like an opacity to like how it's made. There's this this veneer, this magic to it, and there's that magic to stop motion too. But the difference between all of those and stop motion is made out of like everyday materials. It's made out of fabric. using paper. We're using clay. We're using materials that people have encountered in their day-to-day lives. And like, that's the one thing that we are all guaranteed to have in common is that we live in a material world and we encounter these textures and materials around us. so by like taking such a specific story and trying to convey such universal themes, it really like behooves us to be using like um a medium that is as universal as stop motion is. So I think that's like the big thing that stop motion unlocks for us. Plus also story-wise, like it's very paper centered, paper daughter, they're tearing paper strips, they're making paper masks. So like physically using these paper textures adds a lot to our world. um And I think working in stop motion gives you a degree of control that live action doesn't give you because we're creating. all of our characters, all of our sets by hand, which gives us so much of a say over what they look like and what they convey based on how they're constructed and stuff. And that's just a degree of communication that nothing else brings. Isabel: I love that this is a magical realism film and you mentioned Guillermo del Toro. I know that in your campaign trailer, you featured Pan's Labyrinth, which is my all-time favorite movie. Cami: Me too! Isabel: Yeah! How exactly did you come up with this specific blend of history and fantasy for your film? Cami: I think that it's almost a natural human instinct to kind of have history and fantasy. Like, that's all that histories are, just stories told to us. And it's just being less literal about it and really leaning into the metaphors that we might use to convey the emotional realities of those histories, right? And so I feel like Del Toro does that a lot with his work. And Miyazaki as well does a lot of that with his work. So much of it deals with unpacking like World War II and things like that. And that's something that I've always just personally been drawn to. Even as a kid, my dream jobs were archaeologist or animator. And so here I kind of get to like do a little bit of both of those, know, like using the magic of animation to make history feel a lot more present and tangible and like emotionally relevant, which is It's really quite poetic to be able to be telling this story right now because it's going to mark the 100 year anniversary of my great grandmother's immigration to the US. I think we are due for an examination of immigration in our country. And I'm very interested to see how people respond to the questions that this raises of how different is the immigrant experience 100 years later. Have we gotten better? Have we gotten worse? Like I would posit it's perhaps worse now than it was then, but I'm really hoping to like, yeah, bring that reality into a more approachable space. And I feel like having that blend of magic and history just makes it a little bit more approachable than telling it in a literal way, you know? Isabel: Those are some great questions to ask. And on that same note, I'm interested in the specificity of Angel Island as well. What types of research did you do to produce your film? Cami: Oh, gosh, I read every book I could find about it. have… How many books were those? Oh, my gosh, I want to say, like, not as many as I want there to be, you know? Like, Angel Island is not as well covered in history as places like Ellis Island, and there's a lot. to unpack as to why that may be, especially like the racial aspect of it. But I probably read about a dozen different books to prepare for this film. One of the most concrete and useful books that I read is a book called Island, and it's a collection of the poems that are carved into the walls of the men's barracks that remain on Angel Island. And those poems are a huge part, perhaps, the reason why Angel Island has even been preserved as a historical landmark. And so um the three authors went to great pains to replicate these poems, translate them into English, and provide a lot of historical context for the different topics of the poems. And there's a lot of like first-hand testimony from people who immigrated through Angel Island that they interviewed and included in this book. And so I do think that that book, Island, is like the primary source of most of my research for it. Everything else is more like quantitative history and quantitative data. Oh, also The Chinese in America by, I believe it's Iris Chang, that it's not just about Angel Island, but I read that and that gave me a much better understanding about like the place that Chinese immigrants have in American history. Because when I was a kid, like I really only ever learned about great grandma came over through Angel Island and now we're American and we live in America. But our history, as far as I was ever taught, begins and ends with us entering the United States. And so reading um the Chinese in America gave me a much broader understanding about, like, why did we leave China in the first place? And like, what has it meant for us to be in America as Chinese people since then? Yeah, all that came out of like in 2020 and 2021 when the rise of anti-Asian hate crimes were kind of coming about. I personally had to have a huge reckoning with like my racial identity and like how that has impacted like my experience growing up as a mixed-race person who's pretty perceivably Asian and all that stuff. So it was a really whole circle broad situation. Oh, I want to do a quick shout out to the Angel Island Immigration Station Foundation. They were very generous with their time and they answered a lot of my questions and sent me a lot of archival images from Angel Island. So I want to thank them so much for their help in the research process of this. Isabel: Oh, wow. How fascinating. Did you have any expectations on how the production process was going to go? And now that you're on the other side of it, what are your reflections? Cami: I had no expectations as to whether we were going to get outside funding or not. Like I, I'm not an experienced or adept grant applicant. Like, it was really just because this was the right kind of project to fit with those kinds of grants. So I had no expectations there. So I am beyond thrilled to have received the support from Cape and Janet Yang and Julia S. Gouw and Shorescripts that we've received, like beyond thrilled for that. So that exceeded all of my expectations. um But as far as how the actual production has gone, the fabrication and the animation and the post-production, that's all stuff that I'm extremely familiar with. Again, that is my day-to-day life, that is my job, that is like what I have done for the last eight years at my studio, Apartment D. So that all went pretty much as I hoped and expected that it would, but here on the other side, the one thing that has surprised me about it was how much love all of the artists put in this project because like we've said so much in this conversation, there's so much specificity to this. This is about my great grandma. This is about my family and my feelings about being a descendant of immigrants. It's so specific that I wasn't sure how emotionally it would resonate with anybody else that wasn't me or wasn't part of the AAPI community, you know? But every single person — doesn't really even matter if they were Asian, doesn't really even matter if they have a specific connection to immigration — every artist that I asked to join me on this project, I immediately understood what it meant and understood what we were trying to say. And they put so much love into it. And like, we all put a lot of love into everything we do. It's stop motion. It's like, you don't do this unless you love it, you know, because you certainly are not doing it for the money or anything. um everyone was just so…I'm gonna say careful, but I don't mean careful like cautious. I mean careful like full of care. And I did not expect that and I am so grateful for it. Yeah, looking back, it's just so precious and so tender and like I'm so fortunate to have had the crew with me that I had to make this film. Isabel: That's so lovely. What are you most excited about upon completing your film? Cami: I'm just excited to share it with the world. I'm so proud of it. It is truly, and I'm not just saying this because it's my baby, but it is very beautiful and it is very special. For a lot of us, one of the first times that we've been able to be in charge of our own departments or to make the decisions that we wanna make and tell things, do things, show things the way that we think they should be done. And so it's kind of significant for many of us to have this film come out and to be received. What I want people to take away from it is an appreciation and a gratitude for everything that has had to happen for us to be where we are now. And I also really want people to take away the unconditional love that has occurred for us to be in the country that we have and to be the people that we are. Every single person is where they are. doesn't matter if you're in America or anywhere else, like we are all here because of the sacrifices that were made by the people who came before us. And those were all made out of unconditional love. And that's like, I want people to come away from this film remembering that our country is built on the unconditional love and sacrifice from people who came before us. And then wanting to give that unconditional love and sacrifice to everybody who's gonna come after us. Isabel: Such an amazing message. And I know that there's still lots to do and you still have a lot to celebrate with your upcoming film and with the festival circuit with Paper Daughter. But looking ahead, do you have any plans of what you want to do after the short film? Cami: Yeah, I would love to bring it into a feature. There was so much that we had to cut out to make this film. On one hand, I'm glad that we cut out what we did because I think the film as it is, is like so tight and so like airtight and good and perfect and sparse in a really nice way, but we don't even get to delve into life before Angel Island. It begins and ends on the island, and I would love to explore the stories that brought this all about and the stories that come after. So bringing this up into a feature version and getting that in front of people would be amazing. And I have a couple other short film and feature film and script ideas that I would like to start working on as well. I've kind of really, I'm really grooving on the like Asian early Chinese American history. um So most of them are going to be set in California and focus on like Chinese immigrants and their role in the founding of America. um I'm really excited for the like, after all the film festivals, I really want this film to end up in classrooms. And I even just the other day like I have a friend who's a third and fourth grade teacher and she showed it to her class and then the students asked me questions about Angel Island and about animation. if this can play any part in helping to spread the story of Angel Island and the people that immigrated through there, like that's all that I could ever want from this. So I'm really excited for that. Isabel: That's wonderful. I'll put your website, social media and seed and spark page for Paper Daughter up on kpfa.org so our listeners can learn more about this stop motion film and get updates for how they can watch it. I can't wait to see it when it comes out. And Cami, thank you so much for joining me on Apex Express today. Cami: Of course, thank you so much for having me. It was a great, great time talking with you. Isabel: You just heard Cami Kwan talk about her film Paper Daughter. On Apex Express tonight, we have two more special guests who made magical realism short films. Next up is Dorothy Xiao, who made the film Only in This World. She's a Los Angeles-based award-winning filmmaker who likes to create grounded family dramas with a hint of fantasy. Hi, Dorothy. Welcome to APEX Express. Dorothy: Hi. Thanks for having me! Isabel: Of course! Thank you for coming here. My first question for you is actually quite broad. How do you identify and what communities are you a part of? Dorothy: Oh, that is a good question. I think in a broader sense. I would say, obviously, I identify as an Asian American. um But I think, like, for me, because I grew up in the 626 or the San Gabriel Valley, I grew up with a lot of people who looked like me. So I think I didn't truly identify as being Asian or had awareness of my identity until later on when I went to college. And then I took Asian American Studies classes and I was like, oh, wow, I'm Asian. Or like, what does it mean to be Asian? You know, like, I think I, at that time, prior to recognizing and understanding what it meant, and also even to be a minority, because at that, like I said, growing up in 626, even going to UCLA, where I'm surrounded by a lot of Asians, I never really felt like a minority. But I think it was really after graduating where I, depending on the spaces that I would enter into, especially in the film industry, I was learning like, oh, yeah, I am a minority and this is what it feels like. And prior to that, I think I just identified as being a daughter of immigrants. And that still is very strongly the case just because I grew up listening to so many stories that my parents would tell me, like coming from China, growing up like they grew up in China during a completely different time. I can't even imagine what it would be like living in the way that they did, you know, during the Cultural Revolution, under communism, in an intense way where they were starving, all this political stuff. But yeah, a second gen or for a lot of people, first generation, daughter of immigrants, of parents who decided that they wanted to make a better life for their kids out here in the States. I think that I want to stand by me saying that I don't feel like I am, I don't really want to identify as only just single categories all the time, just because within each community, could be, you could have nuances, right? Because I am a woman, but I'm also like a woman who doesn't want children, you know, and there was just so many different things of how I identify. So hard for me to categorize myself like that. But they are, there are tidbits of different communities. Like I still identify, identify as Asian American. I identify as a daughter of immigrants. I identify as a female filmmaker and yeah. And a business owner, I guess. Yeah. Isabel: Right. Yes. Thank you for that nuanced answer. You know, it's so fascinating because I was reading about your work and you have worked in animal research administration and an afterschool program and even web development for nonprofits. How did you get into writing and directing? Dorothy: Yeah. So after graduating college, I was definitely in a place where many, I'm sure, fresh grads understand what we call the quarter life crisis, where we don't know what we wanna do with our lives. And I was working at UCLA because that was the only job that I could get out of college for an animal research administration office. And really, I worked for them as a student. So I was like, well, it makes sense to have that be my full-time job, because you're in a place where you don't have skills. So how do you get a job if you don't have skills? That weird silly catch-22 situation. So I studied psychology in undergrad because my goal was to become a therapist. I wanted to work with Asian and Asian immigrant communities to help them with mental health because there's such a stigma attached to it. And being somebody who found mental health really important and also found that it was a really great way to understand myself. I wanted to work with, I guess, the people of my community. But at that time, I realized that there's still a stigma attached to mental health and it's really hard to get people to even go to therapy. Like living with my parents, it's really difficult. I cannot ever convince them to go. um And so I had pivoted into, or at least I discovered this filmmaking competition and ended up just like making a film for fun with a couple of friends, random people that um were not in film at all. And I had a lot of fun and I realized that we could actually create stories talking about things that are very similar to mental health or could provide that catharsis and validation that you could probably get in a session, in a therapy session. And it's not clinical at all. It's not as clinical. So, you know, on all those different jobs that you mentioned, they're all day jobs, know, animal research administration and then working for an after school program. That was me still trying to figure out how to be a filmmaker on my weekends. I still needed a day job. I didn't have the luxury of going to film school. So I would work at different places that gave me the flexibility of having a day job. But then also I had free time during the weekend to just make films with my friends, make friends films with people like my mom, who was one of my first actors earlier on. Love my mom. She did not do the greatest in my film, but I love her for being there for me. But yeah, like the different organizations or just jobs that I worked for were all really good in terms of providing me management skills and also communication skills because I worked in different industries, you know, and so at the end of the day, it all culminated in me at my current place. Like I am a freelance filmmaker and I also run my own video production company. So um becoming a writer, I mean, being a writer director is my main identity as a filmmaker. However, I don't think you could be a good writer-director if you don't have life experience. And having all those different jobs that I've had provided me with a lot of varied life experience and I interacted with a lot of different people, many different personalities. Isabel: Yeah, no, I love that. So you grew up in Alhambra, which I'm familiar with because I too grew up in the San Gabriel Valley. How would you say that growing up in Alhambra has shaped you as an artist? Dorothy: Alhambra is really special, I feel like, because in the San Gabriel Valley, there are many cities like this. You have Chinese people who can actually get by without ever having to learn English. And the same goes for Latin communities as well. And, you know, I have aunts and uncles who lived in Alhambra for years and never learned how to speak English. So I think it's like, what's so special about it, it feels like a safe space for a lot of immigrant communities. And then my parents being immigrants from China. living in Alhambra was a place where they could feel safe and feel connected to the people that they left behind in another country. And so being a child of immigrants, a daughter of like an Asian American, like a Chinese American growing up in Alhambra, I definitely felt like I grew up with a lot of people who were similar to me. know, we were like a lot of times the first American born children of our families even, and it was, we had to essentially understand what it meant to be Asian versus American and all of that. But I think like being in Alhambra, I never felt like I wasn't seen, or at least I never felt like I was a minority. I think I mentioned this earlier, in that growing up in Alhambra, you do see a lot of people who look like you. And I have a lot of friends in the film industry who have moved out to California because they grew up in towns where they were like one, the only person, the only Asian person in their school or whatever. And I didn't have that experience. So for me, it was really special just being able to have a whole group of friends where there's a bunch of Asians. And we all spoke different languages. Like I had a lot of friends who were Cantonese speakers, but I'm a Mandarin speaker, but it was just really cool. It was like going to your friends' places and then you have aunties. So it's almost like having more family. You could feel like you have more aunts and uncles that will feed you all the time because that is the way they show love, right? Isabel: Oh, certainly. I think there's so many stories in multicultural places like Alhambra. And speaking of which, you did in your film Only in This World. It's about an empty nester who has to face her ex-husband's mistress in order to summon her daughter back from the afterlife, which is featured in the 2025 Silicon Valley Asian Pacific Film Festival in Sunnyvale. Congratulations on such a beautiful film. I will say that I am a huge fan of magical realism, and Only in This World has some magical elements to it. So I'd love to get to know, how did you come up with this specific plot and characters that make up this film? Dorothy: Yeah, and thank you for wanting to talk about this one. It's a special story to me just because it is, I think it's the first film that I've made where I just decided to incorporate elements of where I grew up. And so Only in This World is inspired by my mom and her Tai Chi group at our local park, so Alhambra Park. My mom would go to do Tai Chi every morning for years. And in Alhambra, actually, as I mentioned, because there are so many immigrant communities, many of the immigrant communities tend to stay together with the people who speak their language. So Chinese people usually stick together with the Chinese speakers, Spanish speakers stick together with the Spanish speakers. You don't see a lot of mingling or intersectionality. But one of the special things that I saw with my mom's Tai Chi group was that they were not just Chinese people or Asian people, but there were Latino people in their group as well. And so even though they couldn't speak the same language, they would show up and still do Tai Chi every morning because it was a matter of doing something together. And so I love that a lot. And I wanted to tell a story about just older women who are finding friendship because I think that's really important in older age and in these groups because you see that a lot of the people in these Tai Chi groups are even the ones, not just Tai Chi groups, but there are dancers in the park, you know, like you'll see them in the mornings, not just in Alhambra, but in Monterey Park, all the different parks, open spaces, they'll have little dance groups. A lot of the people who are part of those groups happen to be seniors, and I think it's just because they don't have work, they don't have children, they're lonely. And so…I think it's really important to be aware that where friendship or loneliness is actually an epidemic in the senior community. And it's really important to providing good quality of life is to just have them have that connection with other people. And seeing that in my mom, because my mom is getting older, having her be part of that community was what kept her happier. And so, yeah, and also my mother-in-law is Colombian. And she's done Tai Chi before as well with her group in Rosemead. And so I just was like, well, I'm part of a multicultural family. I want to tell a multicultural family story. Yeah, in terms of the magical realism element, I thought a lot about just how my family, if our house has ever burned down, the things that they would take out are our photos, the print four by six, like, you know, just the print photos because they're just so precious to them. There's something about hard copy pictures that is so special that digital photos just can't take over. Like there is an actual energy to how a photo is made or even like back then when we used to use film, there's energy that's required to actually create photos. And so, you know, I wanted that to be the power that powers this magical scanner where energy is taken from the picture and then you have the ability to bring someone you love back from the afterlife. And I really love grounded magical realism because I think it just makes difficult things a lot easier to understand when you add a little bit of magic to it, a little bit of fantasy. Isabel: Yeah, magical realism is such a special genre. What part of the production process that you find the most profound? Dorothy: I think it was just really my gratitude in how much my family came together for me and also just like the people of this team, know, like there were, I think one major situation that I can think of that I always think is really funny was, um so we filmed at my mother-in-law's house and my husband, Diego, was also working on set with me. He is not in the film industry. He's a software engineer manager. He's like in tech, but he is one of my biggest supporters. And so…when we were like, yeah, can we film at your mom's house? He was like, okay. But he had to end up being the, quote unquote, location manager, right? Because the house was his responsibility. And then, and he was also my PA and he was also DIT. Like he would be the one dumping footage. He did everything. He was amazing. And then ah one day we found out that his neighbor was actually doing construction and they were hammering. It was like drilling stuff and making new windows. They were doing new windows. And we were just like, oh, like, how do we get them to, like, not make noise? And so, and they don't speak English. And so we were like, oh crap, you know. So like, unfortunately, my producers and I don't speak Spanish, like we're all just English speaking. And then I did have Latinos working on my set, but they, you know, they had other jobs. I wasn't going to make them translate and do all that other stuff. So then Diego so kindly went over and talked to them and was like, essentially we set up. They were totally cool about it. They were like, yeah, okay, you're making a film. then whenever you're rolling sound, we'll just like prevent, like not hammer. And then so Diego is sitting outside with a walkie and talking to the first AD and other people inside the house, because we're all filming inside. don't know what's going outside. And then so like, we would be rolling, rolling. And then um the workers, I think his name was Armando, are like…whenever we cut, Diego would hear it through the walkie and he'd be like, Armando, okay, you're good to go. You can drill. Armando would drill. And then when we're going, and we'd be like, I'm going for another take. And then Diego would be like, Armando, please stop. So it was so nice of them to be willing to accommodate to us. Because you hear a lot of horror stories of LA productions where neighbors see you're filming something and they'll purposely turn on the radio to make it really loud and you have to pay them off and whatever. And in this case, it wasn't it was more like, hey, like, you know, we're making a movie and they were so supportive and they're like, yeah, totally. This is so cool. We will definitely pause our work, our actual work and let you roll down during the brief period. So we're really grateful. We definitely brought them donuts the next day to thank them. But that was just something that I was like, oh yeah, like I don't think I could have pulled that off if I didn't have Diego or if the fact, if it wasn't for the fact that these were the neighbors, know, that we were filming at someone's house and the neighbors already had a relationship with the people who lived here. Isabel: Wow, that's really adaptable. And I'm so glad that went well for you. Dorothy, you've directed 13 films by now. Have you ever seen one of your films resonate with an audience member that you've interacted with in the past? Dorothy: So there was this one short I had done a couple years ago called Tarot and it came at a time when I was struggling with the idea of whether or not I wanted to have kids and many of my friends are off having their first or second kids, you know, and so I never really wanted to be a mom, but then I have a partner who I can see being a great father, so I'm more open to the idea of being a mother, but it was still something I was conflicted about. And so I put this all into a short film, just my feelings of how my identity would change if I were to become a mom, because I've read so much about that. I found a Reddit thread one day where people were just talking about how being a mother is hard. And they openly stated how much they hated it. And it's okay to feel that way. And I wanted to put those feelings into this film to just put it out there like, hey, like if you don't like being a mom, even though you love your kid, you could still hate having that identity and be lost about, and it's okay to be lost or not sure about who you are. And so it was a really short film and it ended kind of open ended. It was like five minute film, so it didn't have like a full ending, but it was an open ended ending. And then afterwards I had a bunch of people come up. I had people who were parents, not just mothers, like even, or like fathers who had just had their first kid who were coming up and telling me like, oh, I totally identify. I understand that struggle of learning about who your new identity is after you've had a kid. And then I had people who were child free who were coming to me and saying like, yeah, this is a similar feeling that I've had about whether or not I should have any kids. Because, you know, as women, we have a biological clock that ticks. And that's something I feel frustrated about sometimes where it's really because of my body that I feel pressured to have a kid versus wanting to have one because I want one. And so that was a story I wanted to, or just something I wanted to put into a film. Yeah, and I also had another person come up and tell me that they were like, this was something I felt, but I never really openly talked about. And so I resonated a lot with this and it just helped basically articulate or helped me identify like, oh, I totally feel this way. And so that was really validating to me as a filmmaker because my goal is to reach others who don't feel comfortable talking about certain things that they tend to hide because I have a lot of those types of thoughts that I might feel ashamed or embarrassed to share. But then I put it into a story and then it makes it more digestible and it's like, or it's more, it's entertaining. But then like the core message is still there. And so people watch it and if they feel that they can connect to it, then I've done my job because I have resonated with somebody and I've made them feel seen. And that's ultimately what I wanted to do when I wanted to be a therapist was I just wanted to make people feel seen. I wanted to make them feel connected to other people and less lonely because that's something that I also have struggled with. Yeah, so filmmaking is my way of putting something small out there that I feel and then finding other people who feel the same way as me. And then we can feel validated together. Isabel: Ah yes, that is the power of film, and Dorothy's work can be viewed on her website, which I'll be linking on kpfa.org, as well as her social media, so you can get new updates on what she is working on. Dorothy, thank you so much for joining me on APEX Express today! Dorothy: Thank you! Thank you for having me, it was so great to meet you! Isabel: That was Dorothy Xiao, our second guest for tonight's edition of Apex Express, featuring magical realism AAPI filmmakers. Now time for our final guest of the night, Rachel Leyco, who is a queer, award-winning Filipina-American filmmaker, writer, actress, and activist. We'll be talking about her upcoming short film, Milk & Honey. Hi Rachel, it's such an honor to have you here on APEX Express. Rachel: Hi, thank you so much for having me. Isabel: How do you identify and what communities do you consider yourself a part of? Rachel: Yeah, I identify as a queer Filipina-American. Isabel: So we're here to talk about your short film, Milk & Honey, which is about an ambitious Filipina nurse who leaves her family behind in the Philippines to chase the American dream in the 1990s and facing conflicts and hardships along the way. How did you come up with this specific 90s immigration story? Rachel: Yeah. So Milk and Honey is inspired by my mom's immigrant story. you know, that's really her true story of coming to America in the early 1990s as a very young Filipina nurse while, and also a young mother and leaving behind her daughter, which was me at the time. um you know, following her journey in the film though fictionalized, a lot of the moments are true and there's a lot of exploration of assimilation, cultural barriers, loneliness and the emotional cost of pursuing the American dream. Isabel: Yeah, when I read that synopsis, I immediately thought of this short film could totally be something that's feature length. How did you sort of this story to something that is like under 15 minutes long? Rachel: Yeah, so I wrote the short film script first. And actually, you know, this is a proof of concept short film for the feature film. I actually wrote the feature film script after I wrote the short because there was just so much more I wanted to explore with the characters and the story. It definitely couldn't fit into a short film, though I have that short film version. But there was just so much richness to my mom's story that I wanted to explore, so I expanded into a feature. So I do have that feature film version, which I hope to make one day. Isabel: And you mentioned that this film is inspired by your mom's story. Is there any other sort of research that you did into this story that really helped you write? Rachel: Yeah, one of the main reasons I wanted to write the story, I mean, there's many reasons, but one is because there, if you ask the average American or the general public, they won't really know why there are so many Filipino nurses in the healthcare system. Because if you walk into any hospital, you'll see a Filipino nurse, more than one for sure. ah so I was really curious about the history. ah Having my mom as a nurse, my sister's also a nurse, I have a lot of healthcare workers around me. I grew up with that. I, you know, growing up, I also didn't really know or learn Filipino American history because it's not taught in schools. And I, you know, I took AP US history and didn't learn anything about, you know, my culture and our history. It's, not in the books at all. And it wasn't until like my early twenties that I was really curious about my roots and my upbringing and what it means to be Filipino-American specifically. And so um I really went into like a deep dive of just researching Filipino-American history. And specifically last year, I had been wanting to tell a story about a Filipino nurse because of my proximity to it with my mother. And you know, myself being an artist, being a filmmaker in the industry, there's so many medical shows out there, like, know, Grey's Anatomy, that's been long running, but very, very few, and rarely do we see Filipino nurses at the forefront and at the center of those stories. um You know, rarely are they series regulars. You know, sometimes they'll feature a Filipino nurse for like one episode or two and, you know, a recurring or a side character, but Filipino nurses are never the main character, never the series regular. And so that was another big driving force for why I wanted to make this story. And, you know, really making my mom's character the center of it. And so as far as like research, too, I definitely interviewed my mom and I asked her to just tell me her her entire story and specifically why she even wanted to move to the United States because she could have stayed in the Philippines or she could have moved somewhere else. um she saw a newspaper or her friend actually at the time when she was in a nursing school, a friend of hers saw an ad in the newspaper that America was sponsoring nurses. And so she had it in her mind already like, oh, yeah, I've heard of America. I've heard of the United States that it's, you know, there's better opportunities for me there. And at the time she had just had me. And so she had, you she's a young mother. She's trying to take care of her baby, her newborn. And so, you know, she had her eyes set on moving to the United States and that's kind of how her journey happened. And on top of that, I also did my own research on you know, our history, I watched this really amazing documentary um by Vox. It's on YouTube. It's all about why there are so many Filipino nurses in America. And it really just ties back to U.S. colonization. And after World War II, was so many, there was big nursing shortage in the United States. you know, white Americans did not want to, you know, fill that role. So they turn to Filipino women to fill the gap. Isabel: Yeah, was there something special about the production process that looking back, you would want to replicate in the future or that really speaks to you? Rachel: Absolutely. um Yeah, mean, definitely this experience and a lot of the people that I brought on to this project, I want to continue to make films with them and continue to make art with them because um I'm just so proud of the team that we put together. Everyone was so passionate and they knew how important the story was. They also had their own special connection to the material that they brought so much heart and passion into the film. that really comes through in the project. so like a lot of the people I brought onto this film, I want to continue to make art with them forever. That's one thing that I'm really, really grateful for, because I got to work with some really awesome people that I had never worked before or I had been wanting to work with. And so it was such a great opportunity that was given to me to be able to connect with such amazing and talented AAPI creatives in my circle. Isabel: Yeah, I saw on your Instagram page for the film that you shot this film in both Los Angeles and Austin, Texas. Have you ever done a production where you had to sort juggle two different sets in two very different locations? And how was that entire process? Rachel: Yeah, that was really, it was really fun. It was my first time being able to film in two different cities, let alone like two different states, really. A lot of my past projects have just been, you know, shooting it with the resources that I had that were available to me. You know, usually like my past short film, Thank You for Breaking My Heart, that I did last year, we shot all of it in one location, which was of course like, know, that is something that's really impressive in and of itself, of course. But, you know, because of the bigger budget that we had for Milk and Honey, I really wanted to challenge myself with this. And I really advocated for filming a part of the film in Texas because it is set in Texas. I was raised there. That's where my mom was placed when she, because how the process goes is, you know, she applied for the nursing sponsorship and then they placed them in certain areas. And so she was placed in El Paso, Texas at the time. And so that's where I also grew up. So I set the film there and I really advocated for filming in Texas because I wanted the film to have that feeling of the environment and atmosphere of Texas. um And so we shot some exteriors there for like this really fun Texas montage where you can really like feel that the character is there in, you know, in that heat, the Texas heat. So that was really, that was really fun. And I, you know, we shot, we shot two days in LA and we shot half a day in Austin, Texas. And we hired a second unit in Texas, because, you know, again, like, even though we had a really good budget, was still, you know, it was still pretty small. So I wasn't able to, you know, fly my LA crew over there. um So what we did was we just hired a second unit crew in Austin, Texas, and they were amazing. And most of them were queer, non-binary filmmakers. And it was just such a fun, intimate crew that you know, we just breezed by and had such a great time shooting that. Isabel: That's wonderful. As a director, what inspires you and what are some of your filmmaking influences? Rachel: Yeah, I mean, I'm constantly inspired by, you know, new films, filmmakers that I've seen, em particularly for Milk and Honey. I um so the film is, you know, this grounded drama, but there are a lot of moments of magical realism that I mix into it. love magical realism. love one of my favorite movies is Eternal Sunshine of the Spotless Mind. It's such a beautiful film, also very grounded, but it's filled with all of this, you know, magical realism, surrealism. And so I infused that into, you know, Milk and Honey, which was really fun and a challenge to execute. But yeah, and some other filmmakers and creatives that I'm inspired by are Ava Duvernay. think her work is just incredible and also just an incredible artist overall. I love the kind of work that she does because it comes from such a deep place. And I love that she can combine art with politics and social justice as well. Isabel: I also love that you said in your one of your project funding descriptions that you use your art as your act of revolution, which is so relevant given that, you know, in our current state of, you know, our administration is silencing and suppressing voices of our immigrant communities. And how do we as filmmakers, as artists, what does that revolution and representation mean to you as a filmmaker and artist? Rachel: I truly believe that that art is our act of revolution and just merely creating the art is that act in and of itself. We don't have to do more than that as from, in my opinion, as an artist, because the mere fact of us existing as artists, existing, myself existing and creating the work and having the work exists out there and putting it out. The most powerful thing that an artist can do is to make their art and share it with the world. And after that, just let it go, you know, forget about how it's going to be received. Forget about like, you know, the critics and, and, and the, you know, self doubt you may have and all of those things, because yeah, it's going to come. I think especially in the landscape of, like you said, of where we're at right now with our current administration and you know, just who knows what's going to happen in the next few years, but also in the face of like AI and technology and all of that, I think all we can really do as artists is to, in order for us to change the system is we have to be the change, right? And in order for us to be that change is just to continue to tell our stories and stay authentic to ourselves. Because I think that's also what a lot of people out there are really craving right now. People are craving authentic, real stories by people that we really don't get to see or hear their stories very often. And so um that for me is something that fuels me and my artistry every day. Isabel: Very well said and a great reminder to all of us artists out there to keep making our art. What do you hope for audiences to take away when they watch your film? Rachel: What I hope for audiences to get out of watching the film, well, one, at the core of it is a mother-daughter story. And I also did it to honor my mother and her sacrifices and her story. So I hope that, one, audiences will, you know, maybe reflect on their relationship with their mother and… um think of ways to honor their mother and their family and their ancestry as well. And another thing is to really think about what the American dream means to you, because that was another driving force for me with the film is it's called Milk & Honey because a lot of immigrants coined Milk & Honey as America's milk and honey as this like land of abundance, land of opportunity and you know, this is a, this is a place for creating a better life for ourselves. But I, for me, as I've grown up and as an adult now, really looking at like, well, what does the American dream mean to me? Is that still true to me? Do I still think the U S is a place where I can, where I can build a better life? Is it a place of abundance and something in the film, a big theme in the film is where Cherry's character scrutinizes that dream and thinks for herself, like, is the American dream worth it? And what does the American dream actually mean to me? What is the definition of that? So I think that's a big thing I would love audiences to also take away from it, you know, asking themselves that question. Isabel: That's a great thought to end on. I'll be including Rachel's social media and website on kpfa.org as usual so you can see if Milk and Honey will be screening in a film festival near your city during its festival run. Well, Rachel, thank you so much for joining me on APEX Express today. Thanks so much for having me. I really enjoyed it. Please check our website kpfa.org to find out more about magical realism in AAPI stories and the guests we spoke to. We thank all of you listeners out there. Keep resisting. Keep organizing. Keep creating and sharing your visions with the world. Your voices are important. APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Cheryl Truong, and Isabel Li. Tonight's show was produced by me, Isabel Li. Thanks to the team at KPFA for their support. Have a great night. The post APEX Express – 1.08.26 – Magical Realism and AAPI Short Films appeared first on KPFA.
In an unhinged rant, Stephen Miller says America can take over any country for its resources - Which country is next for Trump? ‘Greenland belongs to its people': European leaders unite over Trump's threats to annex territory“ reports Sam Meredith. Meanwhile Miles Taylor offers a warning of unhinged Donald's fixation on illegal annexation and occupation. The Colombian president taunts Trump.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Tim sits down with a Colombian native and U.S. citizen with his unique perspective on the November immigration raids by U.S. Customs and Border Patrol. Manolo Betancur owns a bakery but shut it down when the raids began.
Carlos Guillén is a respected Honduran radio personality and the host of the popular morning program, “El Show de Carlos Guillén.” The show airs live Monday through Friday from 7:00 AM to 10:00 AM, delivering a dynamic mix of news, commentary, and entertainment to its loyal audience.Carlos began his radio career in 1983 and has remained a fixture at the same station ever since, showcasing over four decades of broadcasting excellence.The show features a talented team of co-hosts, including Arley Cardona, a renowned Colombian sports anchor with over 20 years of experience in the field. Adding their unique flair to the program are David Suazo, José Gabriel Cabrera, and Edgar de la Cruz, each contributing humor, insight, and cultural flavor that make the show a daily favorite for listeners.
The Rich Zeoli Show- Full Show (01/05/2026): 3:05pm- On Monday, Minnesota Governor Tim Walz announced he will no longer seek election for a third term. His announcement comes after Minnesota, under his leadership, misappropriated billions-of-dollars to fraudulent welfare claims. 3:10pm- According to reports, on Friday at 10:46pm ET President Donald Trump gave the go-ahead on an extraction mission to capture Venezuelan authoritarian Nicolas Maduro. The successful raid consisted of 150 aircrafts—which eliminated air defense systems and cut power to infrastructure in Caracas. On Monday, Maduro and his wife, Cilia Flores, appeared before a New York City judge—charged with narco-terrorism and cocaine importation conspiracies. 3:30pm- David Gelman— Criminal Defense Attorney, former Prosecutor, & a former surrogate for Donald Trump's Legal Team—joins The Rich Zeoli Show to recap Venezuelan authoritarian Nicolas Maduro's appearance in a New York court where he pled not guilty to drug trafficking charges. Gleman jokes that Maduro has a better chance of winning the Powerball than being granted bail. 3:40pm- Can the Trump administration legally target other tyrannical regimes? In an article for The Free Press, Yale Law Professor wrote “under Supreme Court case law, the decision about whether or not to recognize a foreign government belongs exclusively to the president.” Which is important because “foreign heads of state are immune from prosecution…but as the courts held in [Panama leader Manuel] Noriega's case, head-of-state immunity does not apply to a dictator whom the U.S. doesn't recognize.” 4:05pm- Rich, Matt, and Justin return from Christmas break. Rich got a dog, Justin still had to work, and Matt is in Scottsdale enjoying the 70-degree weather. 4:20pm- Following the United States' successful capture of Nicolas Maduro, the Colombian defense minister invited Secretary of War Pete Hegseth to Colombia for a firsthand look at the country's fight against drug trafficking. While speaking to the press, President Donald Trump warned that Colombian President Gustavo Petro should “watch his ass” if he doesn't stop sending drugs to the U.S. 4:30pm- Dr. Victoria Coates—Former Deputy National Security Advisor & the Vice President of the Davis Institute for National Security and Foreign Policy at The Heritage Foundation—joins The Rich Zeoli Show to discuss the operation to successfully capture Venezuelan authoritarian Nicolas Maduro. Could the Trump administration target other problematic despots in Colombia or Iran, for example? Dr. Coates is author of the book: The Battle for the Jewish State: How Israel—and America—Can Win. 5:00pm- John Yoo—The Emanuel Heller Professor of Law at the University of California at Berkeley—joins The Rich Zeoli Show to discuss his latest article for National Review, “The Trump Administration's Actions in Venezuela Are Constitutional.” You can read the full article here: https://www.nationalreview.com/2026/01/the-trump-administrations-actions-in-venezuela-are-constitutional/. 5:30pm- Rich's BIG announcement: Beginning next week, The Rich Zeoli Show will take on a new form! The show will become a one-hour, nationally focused podcast which can be heard locally on 1210 WPHT from 6pm to 7pm! 6:05pm- Daniel Turner—Founder and Executive Director of Power the Future—joins The Rich Zeoli Show to respond to the news that the U.S. will take control of Venezuela's oil. Will this lower gas prices? 6:20pm- According to reports, on Friday at 10:46pm ET President Donald Trump gave the go-ahead on an extraction mission to capture Venezuelan authoritarian Nicolas Maduro. The successful raid consisted of 150 aircrafts—which eliminated air defense systems and cut power to infrastructure in Caracas. On Monday, Maduro and his wife, Cilia Flores, appeared before a New York City judge—charged with narco-terrorism and cocaine importation conspiracies. 6:30pm- Democrat Hypocrisy: Senate Minority Leader Chuck Schumer ...
The Rich Zeoli Show- Hour 2: 4:05pm- Rich, Matt, and Justin return from Christmas break. Rich got a dog, Justin still had to work, and Matt is in Scottsdale enjoying the 70-degree weather. 4:20pm- Following the United States' successful capture of Nicolas Maduro, the Colombian defense minister invited Secretary of War Pete Hegseth to Colombia for a firsthand look at the country's fight against drug trafficking. While speaking to the press, President Donald Trump warned that Colombian President Gustavo Petro should “watch his ass” if he doesn't stop sending drugs to the U.S. 4:30pm- Dr. Victoria Coates—Former Deputy National Security Advisor & the Vice President of the Davis Institute for National Security and Foreign Policy at The Heritage Foundation—joins The Rich Zeoli Show to discuss the operation to successfully capture Venezuelan authoritarian Nicolas Maduro. Could the Trump administration target other problematic despots in Colombia or Iran, for example? Dr. Coates is author of the book: The Battle for the Jewish State: How Israel—and America—Can Win.
When the son of Suriname's president offered to ship drugs and guns for a major terror group in 2013, it was the dimwitted denouement to decades of narco-fueled madness in the small, South American nation — which began when the two belligerents in its bitter civil war made so much cash ferrying product for Colombian cartels, that they buried their differences and worked together instead. The war ended. But the drugs never stopped flowing — particularly between Suriname and a new clique of criminals in its former colonial ruler, the Netherlands. A crazy episode, and one to add to the pantheon of the world's true, out-and-out narco states. Learn more about your ad choices. Visit megaphone.fm/adchoices
After the US military bombed Venezuela and abducted President Nicolás Maduro, Donald Trump said "we're going to run the country", potentially for years. "We're in the oil business", he added, boasting that US corporations will exploit Latin America's natural resources. Ben Norton reports. VIDEO: https://www.youtube.com/watch?v=XZHOuHUboeY Topics 0:00 (CLIP) Trump: USA will "run" Venezuela 0:48 US coup attempts in Venezuela 1:55 Trump bombs Venezuela 2:44 Trump boasts of taking Venezuelan oil 3:17 Colonial Monroe Doctrine 3:46 Trump: "we're going to run the country" 4:23 Oil in Venezuela 5:08 Trump press conference 6:00 (CLIP) Trump's colonial plan 6:32 Years of US occupation? 7:23 (CLIP) US plan to pillage Venezuela 8:43 (CLIP) Boots on the ground 9:22 (CLIP) US oil corporations 10:00 Critical minerals & rare earth elements 10:37 Wall Street vultures 11:41 Venezuela's oil belong to Venezuelans 13:18 (CLIP) Trump: "They stole our oil" 13:55 Trump threatens more attacks 14:41 Casualties of US strikes 15:18 (CLIP) Trump threatens officials 15:47 Trump supports drug trafficker 16:42 (CLIP) Pardon of Juan Orlando Hernández 17:32 US Special Operations forces & drugs 18:32 US imperial plans for Latin America 18:57 (CLIP) Asserting US "dominance" 19:27 Monroe Doctrine to Donroe Doctrine 20:16 (CLIP) Trump invokes Monroe Doctrine 21:11 China & Cold War Two 23:39 Threats against Cuba 25:11 (CLIP) Marco Rubio threatens Cuba 25:49 Colombia's President Gustavo Petro 26:22 (CLIP) Threats against Gustavo Petro 26:34 US sanctions Colombian president 27:15 War Secretary Pete Hegseth 28:04 (CLIP) Hegseth threatens the world 28:48 (CLIP) Hegseth: Oil and dominance 29:15 (CLIP) "Peace through strength" 29:33 General Dan "Razin" Caine 30:16 (CLIP) US military threatens the world 30:31 Invader invokes "self-defense" 31:18 (CLIP) US military claims "self-defense" 31:37 Trump's Freudian slip 32:03 (CLIP) "Precise attack on sovereignty" 32:16 Marco Rubio, warmonger 33:11 (CLIP) Do what USA says, or else 33:40 Rubio wants to pick foreign leaders 34:33 (CLIP) "President of peace" 35:02 Trump has bombed 10 countries 35:40 US empire intervenes across planet 36:32 Outro
Broadcasting from the streets of Medellín, we dive into Latin America's reaction to the stunning removal of Nicolás Maduro, and the strange new reality taking shape in Caracas. Is this regime change, an oil grab, or something far more experimental? We're joined again by Latin America analyst Juan Gabriel Tokatlian, who argues this is the birth of something unprecedented: a U.S.-managed protectorate where Washington negotiates directly with whoever actually holds power,the military and the Chavista elite, while keeping a “second round” of force on the table. From China's billions now stuck at the back of the queue, to the return of 17th-century-style capitalism where corporations and states move as one, we explore what Venezuelans, Colombians, and the wider region fear comes next. If Maduro is gone… who's really in charge now — and for how long? Hosted on Acast. See acast.com/privacy for more information.
Carlos Guillén is a respected Honduran radio personality and the host of the popular morning program, “El Show de Carlos Guillén.” The show airs live Monday through Friday from 7:00 AM to 10:00 AM, delivering a dynamic mix of news, commentary, and entertainment to its loyal audience.Carlos began his radio career in 1983 and has remained a fixture at the same station ever since, showcasing over four decades of broadcasting excellence.The show features a talented team of co-hosts, including Arley Cardona, a renowned Colombian sports anchor with over 20 years of experience in the field. Adding their unique flair to the program are David Suazo, José Gabriel Cabrera, and Edgar de la Cruz, each contributing humor, insight, and cultural flavor that make the show a daily favorite for listeners.
In this gripping and surprisingly hilarious episode of Game of Crimes, Murph sits down with AJ Collazo, a veteran law enforcement officer whose 38-year career includes 24 years with the DEA during some of the most dangerous years of America's drug war. AJ takes listeners inside the real world of policing—from outrageous Florida criminal stories that will make you laugh out loud, to the deadly serious rise of Colombian heroin trafficking in the 1990s. He shares what it was really like working undercover, the risks agents take that never make the headlines, and how interagency cooperation became a key weapon against powerful drug organizations.
Carlos Guillén is a respected Honduran radio personality and the host of the popular morning program, “El Show de Carlos Guillén.” The show airs live Monday through Friday from 7:00 AM to 10:00 AM, delivering a dynamic mix of news, commentary, and entertainment to its loyal audience.Carlos began his radio career in 1983 and has remained a fixture at the same station ever since, showcasing over four decades of broadcasting excellence.The show features a talented team of co-hosts, including Arley Cardona, a renowned Colombian sports anchor with over 20 years of experience in the field. Adding their unique flair to the program are David Suazo, José Gabriel Cabrera, and Edgar de la Cruz, each contributing humor, insight, and cultural flavor that make the show a daily favorite for listeners.
Breaking news finally happened right before the show as Trump invaded Venezuela and captured President Maduro and his wife. We try to unpack the news in our own Livecast way, while also discussing some other pertinent matters: how is the online chatting community in Venezuela affected, and what's the deal with all the Colombian cammers? Plus, Tim Lambesis' ex-wife reveals a wild fetish for the As I Lay Dying frontman – AI-remixed adult photos, leading us to take a stroll down memory lane with early online adult erotica. A very fun episode! NEW! LEAVE US A VOICEMAIL with feedback or any questions. Just call(240) LIVE - CASTThat's (240) 548-3227Watch the episode on Youtube for free. Join our Patreon and get a bonus episode each month, and other behind-the-scenes goodies. More info here.Follow us on: Twitch, Instagram, Facebook, Twitter, Youtube and our Discord Chat. Also don't forget about our Spotify playlist. We also have merch if you're into that kind of sharing. Hosted on Acast. See acast.com/privacy for more information.
In Bogotá, the political landscape for the 2026 general elections is beginning to crystallize. The Centro Democrático, the primary opposition party founded by former President Álvaro Uribe Vélez, has officially announced Senator Paloma Valencia as its single presidential candidate. She notably surpassed high-profile colleagues María Fernanda Cabal and Paola Holguín.While some analysts have viewed this as a surprising pivot, others see it as a calculated move toward the ideological center-right. Today, we analyze what this means for Colombia's investment climate and how Valencia's profile differs from the "outsider" candidates currently leading early polls.Watch the video version here! https://youtu.be/g_O9mQewW3MListen onApple Podcasts: https://podcasts.apple.com/us/podcast/colombia-business-news/id1630614746?uo=4Spotify: https://open.spotify.com/show/2rGvtxx1tj7okxz7oRhhzvAudible: https://music.amazon.com/podcasts/06d26789-6533-4c2f-9b88-1ba555f35836iHeartRadio: https://iheart.com/podcast/98480908Sources and mentionshttps://www.financecolombia.com/in-apparent-desperation-colombian-president-ivan-duque-releases-english-self-interview-whining-about-protests-deflecting-blame/https://www.wradio.com.co/2025/12/15/paloma-valencia-es-la-candidata-oficial-del-centro-democratico-para-elecciones-presidenciales-2026/https://www.swissinfo.ch/spa/senadora-paloma-valencia-es-elegida-candidata-presidencial-del-uribista-centro-democr%C3%A1tico/90643657#:~:text=Valencia%2C%20abogada%20de%2047%20a%C3%B1os,Fernanda%20Cabal%20y%20Paola%20Holgu%C3%ADnhttps://thecitypaperbogota.com/news/hard-left-candidate-ivan-cepeda-leads-poll-for-colombias-2026-election/#:~:text=Cepeda's%20lead%20reflects%20firm%20support,drawing%20backing%20among%20younger%20votershttps://www.swissinfo.ch/spa/senadora-paloma-valencia-es-elegida-candidata-presidencial-del-uribista-centro-democr%C3%A1tico/90643657#:~:text=En%20segundo%20lugar%20se%20situaba,con%20el%208%2C5%20%25https://www.lasillavacia.com/silla-nacional/paloma-la-candidata-con-la-que-el-uribismo-juega-hacia-el-centro/https://www.lasillavacia.com/en-vivo/con-el-46-y-el-17-paloma-gano-las-dos-encuestas-del-uribismo/https://www.eltiempo.com/politica/elecciones-colombia-2026/estos-son-los-movimientos-y-retos-de-las-campanas-politicas-en-la-opinion-publica-de-cara-a-las-elecciones-del-2026-3517280Read more at Finance Colombia: https://www.financecolombia.com/Subscribe to Finance Colombia for free: https://www.fcsubscribe.com/More about Loren Moss: https://lorenmoss.com/writeContact us: https://unidodigital.media/contact-unido-digital-llc/Wikipedia Commons photosClaudia Lopez: Patty Suescún, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0Uribe: Jcvelezuribe, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0Paloma Valencia: Andresx8, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0,María Fernanda: ElBarcobasurero, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0Abelardo de la Espriella: Paulaicf, CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0Sergio Fajardo: World Economic Forum, CC BY 3.0 https://creativecommons.org/licenses/by/3.0Read more at Finance Colombia: https://www.financecolombia.com/ Subscribe to Finance Colombia for free: https://www.fcsubscribe.com/ Read more at Cognitive Business News: https://cognitivebusiness.news/ The place for bilingual talent! https://empleobilingue.com/ More about Loren Moss: https://lorenmoss.com/write Contact us: https://unidodigital.media/contact-unido-digital-llc/
Day 1,408. At the start of the fifth calendar year of the full scale invasion, attacks across Ukraine saw the beginning of 2026 marked with yet more death, injury and destruction across Ukraine. It has also seen General Budanov named as Andrii Yermak's replacement, a remarkable double-cross operation by Budanov's military intelligence department and a rebuttal by the CIA into claims by Moscow earlier this week that Ukraine tried to attack Putin directly. We report how Australian tanks have been in action around Pokrovsk, Chechen warlord Ramzan Kadyrov has been rushed to hospital and Finnish authorities have boarded and seized a Russian vessel in the Baltic. Plus, we have an interview with a journalist looking at Colombian fighters who have joined Ukraine's foreign legion. ContributorsDominic Nicholls (Associate Editor of Defence). @DomNicholls on X.Adélie Pojzman-Pontay (Journalist and Producer). @adeliepjz on X.With thanks to Natalie Gallon (Journalist). @natalielgallon on Insta.SIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.CONTENT REFERENCED:Colombian soldiers fighting for Ukraine, WLRNhttps://www.wlrn.org/americas/2025-10-28/ukraine-russia-war-colombia-soldiersA Colombian amputee soccer player's new battle in Ukraine, WLRNhttps://www.wlrn.org/americas/2025-10-29/ukraine-russia-war-colombian-soldiers-soccer-amputeeFrontline report: Australian Abrams tanks enter combat at Pokrovsk, bolstering Ukrainian counterattackshttps://euromaidanpress.com/2026/01/01/frontline-report-2025-12-31/LISTEN TO THIS PODCAST IN NEW LANGUAGES:The Telegraph has launched translated versions of Ukraine: The Latest in Ukrainian and Russian, making its reporting accessible to audiences on both sides of the battle lines and across the wider region, including Central Asia and the Caucasus. Just search Україна: Останні Новини (Ukr) and Украина: Последние Новости (Ru) on your on your preferred podcast app to find them. Listen here: https://linktr.ee/ukrainethelatestSubscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.
Carlos Guillén is a respected Honduran radio personality and the host of the popular morning program, “El Show de Carlos Guillén.” The show airs live Monday through Friday from 7:00 AM to 10:00 AM, delivering a dynamic mix of news, commentary, and entertainment to its loyal audience.Carlos began his radio career in 1983 and has remained a fixture at the same station ever since, showcasing over four decades of broadcasting excellence.The show features a talented team of co-hosts, including Arley Cardona, a renowned Colombian sports anchor with over 20 years of experience in the field. Adding their unique flair to the program are David Suazo, José Gabriel Cabrera, and Edgar de la Cruz, each contributing humor, insight, and cultural flavor that make the show a daily favorite for listeners.
Preaching for the Solemnity of Mary, Mother of God - World Day of Peace - Martha Inés Romero Medina offers a reflection on moving beyond desiring peace and living peace as a way of life: "It is not enough to call for peace; we must embody it in a way of life that rejects every form of violence, whether it be visible or systemic."Martha Inés Romero Medina serves as Secretary General for Pax Christi International, a Catholic global peace movement. She is a Colombian peace practitioner, with a MA in Development Project Management, studies in Peace and Conflict Transformation at Kroc Institute, Notre Dame University in the United States; and a Diploma in International Development Cooperation, Peace Institute, Oviedo University, Spain.Visit www.catholicwomenpreach.org/preaching/01012026 to learn more about Martha Inés, to read her preaching text, and for more preaching from Catholic women.
We're excited to share another episode of The Intercept's new podcast Collateral Damage. The investigative series examines the half-century-long war on drugs, its enduring ripple effects, and the devastating consequences of building a massive war machine aimed at the public itself. Hosted by Radley Balko, an investigative journalist who has been covering the drug war and the criminal justice system for more than 20 years, each episode takes an in-depth look at someone who was unjustly killed in the drug war. Veronica and Charity Bowers, a young Christian missionary and her daughter, are killed when the Peruvian Air Force shoots down a small passenger plane in 2001. The plane had been mistaken for a drug smuggling plane and was shot down as part of a joint anti-drug agreement between the CIA and the Colombian and Peruvian governments.President Donald Trump has made the Bowers's deaths newly and urgently relevant since he began ordering the U.S. military to strike down alleged drug smuggling boats in the Caribbean and eastern Pacific Ocean in September 2025. By early November, the U.S. had launched a total of 17 strikes, killing at least 70 people, and those figures seem to grow almost by the day. The attacks are illegal under both U.S. and international law. The administration also provided no documentation of the alleged drug trafficking. The attack on the Bowers family pierced the veil that obscures drug war foreign policy because of their nationality, skin color, and relatability. More than 20 years ago, House Oversight Committee hearing members Jan Schakowsky and Elijah Cummings demanded accountability after U.S. drug interdiction forces killed the Bowers. They demanded to know how such a mistake could happen, and how we could prevent the loss of innocent life going forward.“The kind of action we saw in Peru … amounts to an extrajudicial killing,” said Schakowsky at the time. Cummings added, “The Peruvian shootdown policy would never be permitted as a domestic United States policy precisely because it goes against one of our most sacred, due process principles — namely, that all persons are presumed innocent until proven guilty.”Now, a new administration openly celebrates summary execution of alleged drug smugglers without a hint of due process, and is now threatening to topple another government to prevent the U.S. from sating its appetite for illicit drugs. The story of Veronica and Charity Bowers is a stark reminder of how aggressive drug policy is wasteful and futile, how we never seem to learn from past failures, and how the generations-long effort to stop people from getting high also — and necessarily — treats human lives as expendable.Subscribe and listen to the full series on Apple Podcasts, Spotify, or wherever you listen. Hosted on Acast. See acast.com/privacy for more information.
On this special episode, we revisit some of our favorite moments from Wednesday episodes in 2025. Scott Payne gets stripped for a wire while undercover, Mark Ronson recalls his rockstar-studded childhood, Blaise Aguirre defines the difficulties of BPD, Mary Claire Haver assembles a toolkit for menopause, Malala Yousafzai struggles to make friends in high school, Michael Lewis laments male anger generated by the gambling industry, Seth Harp tracks stolen cash and corruption in the military, James Kimmel, Jr. advises on a landlord conflict, Dave Mitchell & Chris Feistl infiltrate a Colombian drug cartel, and Andy Roddick mythologizes his serve.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In September, The Intercept broke the story of the U.S. military ordering an additional strike on an alleged drug boat in the Caribbean.Since then, U.S. boat strikes have expanded to the Pacific Ocean. The Intercept has documented 22 strikes as of early December that have killed at least 87 people. Alejandro Carranza Medina, a Colombian national, was one of the dozens of people killed in these strikes. His family says he was just out fishing for marlin and tuna when U.S. forces attacked his boat on September 15. On behalf of Medina's family, attorney Dan Kovalik has filed a formal complaint with the Inter-American Commission on Human Rights.“We're bringing a petition alleging that the U.S. violated the American Declaration of the Rights and Duties of Man, in particular, the right to life, the right to due process, the right to trial, and we're seeking compensation from the United States for the family of Alejandro Carranza, as well as injunctive relief, asking that the U.S. stop these bombings,” Kovalik told The Intercept.In the midst of this massive scandal, the so-called Department of War is cracking down on journalists' ability to cover U.S. military actions. Back in October, Secretary Pete Hegseth introduced major new restrictions on reporters covering the Pentagon. In order to maintain press credentials to enter the Pentagon, journalists would have to sign a 17-page pledge committing to the new rules limiting press corps reporting to explicitly authorized information, including a promise to not gather or seek information the department has not officially released.This week on The Intercept Briefing, host Jessica Washington speaks to Kovalik about Medina's case. Intercept senior reporterNick Turse and Gregg Leslie, executive director of the First Amendment Clinic at Arizona State University Law, also join Washington to discuss the strikes off the coast of Latin America, subsequent attacks on shipwrecked survivors, and the administration's response to reporting on U.S. forces and the Pentagon.Leslie raised concerns about the administration's attempts to erase press freedoms. “It's just that fundamental issue of, who gets to cover the government? Is it only government-sanctioned information that gets out to the people, or is it people working on behalf of the United States public who get to really hold people to account and dive deep for greater information? And all of that is being compromised, if there's an administration that says, ‘We get to completely put a chokehold on any information that we don't want to be released,'” says Leslie. “You just don't have a free press if you have to pledge that you're not going to give away information just because it hasn't been cleared. It just shouldn't work that way, and it hasn't worked that way. And it's frightening that we've gotten an administration trying to make that the norm.”With a president who regularly targets journalists and critics, Turse adds, “What's to stop a lawless president from killing people in America that he deems to be domestic terrorists? … These boat strikes, the murders of people convicted of no crimes, if they become accepted as normal. There's really nothing to stop the president from launching such attacks within the United States.”Listen to the full conversation of The Intercept Briefing onApple Podcasts, Spotify, or wherever you listen.You can support our work at theintercept.com/join. Your donation, no matter the amount, makes a real difference. Hosted on Acast. See acast.com/privacy for more information.
This week on the Mark Levin Show, Venezuela's regime, allied with communist China, Iran, and others, is deliberately poisoning the U.S. through drugs, contributing to hundreds of thousands of American deaths, making inaction absurd. The war crime claims from Democrats, from a denied report on killing drug boat survivors, are ridiculous. Today's Venezuela situation is similar to the 1989 U.S. invasion of Panama via Operation Just Cause—a surprise attack without war declaration or prior congressional input due to leak fears—to oust drug lord Manuel Noriega, who partnered with Colombians to flood the U.S. with drugs, while restoring democracy and safeguarding Americans. History teaches us and helps demonstrate what patriotism is. But how can we demand patriotism from immigrants when we have American citizens on the neo-fascist right who trash our history? These people are not America first. How can they be America first when they don't understand our history, or founding? Republicans are going to get their butts kicked in the next election if they succeed. Secretary of War Pete Hegseth is doing an excellent job. That's why the hate America Democrats relentlessly attack him. They need to get the hell off his back and condemn our enemies instead! Most of the media are criticizing U.S. attacks on Venezuelan drug boats as illegal with cherry picked experts who don't specify what law was violated or rely on vague arguments. It's an act of war when Venezuela sends in toxic drugs to America. It's odd that the Democrats and some RINO's first instinct is to attack Pete Hegseth and not the enemy. The more they hate you the more effective you are. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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