Podcasts about Kuti

Join us on a musical adventure into the storied past of Africa's Rainbow Nation. In 2016, 20-plus years removed from apartheid, South Africa was a nation deep in transition. And, that was reflected in its music—brimming with enthusiasm and creativity, yet also suffering from the growing pains of a new democracy. On the ground at the 2016 Cape Town International Jazz Festival, we celebrate the country's amazing diversity and discover its hottest local talent: Mafikozolo, the sizzling fashionista Zulu pop duo; Tribute “Birdie” Mboweni, a soulful and socially conscious songbird from the rural north; Gigi Lamayne, a fresh voice from hip-hop's "born-free" generation; Bokani Dyer, a worldly jazz-cat on 88 keys; and Derek Gripper, a Capetonian guitarist virtuoso making us rethink African classical music as a whole. Produced by Sarah Geledi and Simon Rentner APWW #732

027 Chullin 4a- Kuti Achzik or Ksivah

026 Chullin 4a- Pas Kuti

Musicians create worlds of their own. They are sonic alchemists. This program, originally produced in 2007, surveys a wide range of artists from throughout the African diaspora, artists with this special ability to spin out their own realities. We hear classic work from Basssekou Kouyate, Habib Koite, Youssou N'Dour, Konono No 1, The Assad Brothers, Dee Dee Bridgewater, and we hear many of them speak about their work. The Malian artists are particularly poignant, as they speak from a time before the turmoil that has enveloped the country since 2012. APWW #539 Produced by Banning Eyre.

Igerész: Ézsaiás 9,17-18 Lelkész: Kuti József Lejátszás közvetlen fájlból (hiba esetén): https://krek.hu/media/files/igehirdetesek/20251023_9h_KJ_Ézsaiás9,17-18_Testvérháború.mp3 Becsült hossz: 2003 mp Generálta: ScrapeCast by Fodor Benedek UUID: 7e2f3451-7ec1-4dd1-9764-61eac5fe6ec1

The grandson of the pioneer of Afrobeat Fela Kuti, and the son of African musical royalty Femi Kuti, has spoken to FRANCE 24 about how he is carrying on the family tradition. Mádé Kuti is now redefining Afrobeat, whilst at the same time remaining true to his family history and the genre's political, musical and cultural roots. This Monday evening, he is in concert in Paris at La Maroquinerie, and he also has a new album out entitled "Chapter 1: Where Does Happiness Come From?". He spoke to us in Perspective.

Igerész: János 20,28 Lelkész: Kuti József Lejátszás közvetlen fájlból (hiba esetén): https://krek.hu/media/files/igehirdetesek/20251019_9h_KJ_János20,28_Mivel_látsz_engem,_hiszel_boldogok,_akik_nem_látnak,_és_hisznek..mp3 Becsült hossz: 3133 mp Generálta: ScrapeCast by Fodor Benedek UUID: 0358ac7a-2651-482a-b619-841cf2a4488c

Kuti Zoltán író, irodalmi műfordító és Budapest-kutató legutóbbi nagy volumenű kötete, a „Budapesti időutazás” a főváros ikonikus, mégis sokszor elfeledett épületeit mutatja be Kass János és Mácsai István legendás 1960-as évekbeli térképe alapján. A könyv egy szubjektív városi kalandozás: gyerekkori emlékek, eltűnt utcák és újra felfedezett terek elevenednek meg benne. Az album nem a híres épületekre koncentrál, hanem azokra a helyekre, amelyekhez a városlakók személyes történetei kapcsolódnak — például a Szabadság téri egykori Televízió-székház, a Népstadion, vagy a régi Nemzeti Színház. Kuti Zoltán az irodalmat és a történelmet is hídnak tekinti múlt és jelen között: ő fordította és adta ki Rick Astley a napokban magyarul is megjelent „Never – Soha” című önéletrajzát is, amely betekintést ad a '80-as évek popkultúrájába. Munkáiban ugyanaz a személyes látásmód vezeti, ami a várostérképeket is ihlette: a hit, hogy a történetek és az épületek egyaránt mesélnek, csak meg kell tanulni újra hallgatni őket.A Sláger FM-en minden este 22 órakor a kultúráé a főszerep S. Miller András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi kulturális, zenei szcena résztvevői Egy óra Budapest és Pest megye aktuális kult történeteivel. Sláger KULT – A természetes emberi hangok műsora.

It turns out that the first American city to host a roster of local African bands was not New York, Miami or Chicago, but the San Francisco Bay Area of northern California. Hugh Masekela brought Hedzoleh Soundz from Ghana, and they settled in Santa Cruz. Nigerian maestros O.J. Ekemode and Joni Haastrup lived in Oakland in the 1970s. South African musicians from the touring stage show Ipi Tombi also settled in the Bay Area and started the band Zulu Spear. By the early ‘80s, the Bay Area “worldbeat” scene was in full swing, and along with it came Kotoja, Mapenzi, Big City, the Nigerian Allstars and more. Join us for a tour through the sounds and stories of the Bay Area's catalytic African music scene. Produced by Banning Eyre APWW #713

Bachata is a music of the people. Recalling the American blues, bachata was infamous as the anthem of the hard-drinking, womanizing, down-on-his-luck man, vilified as the entertainment of the brothels and the cabarets, and worshipped by the down-trodden poor as the deepest expression of their feelings. Today it is an international sensation. Alex Wolfe, director of the film "Santo Domingo Blues: The Story of Bachata" brings us live ambience and stories of bachata stars Luis Vargas, Antony Santos, Luis Segura, Adridia Ventura. Produced by Alex Wolfe.

Igerész: 2 Mózes 39,32 Lelkész: Kuti József Lejátszás közvetlen fájlból (hiba esetén): https://krek.hu/media/files/igehirdetesek/20251005_9h_KJ2Mózes39,32_Mindent_úgy_készítettek_Iráel_fiai,_ahogyan_megparancsolta_Mózesnek_az_Út.mp3 Becsült hossz: 3142 mp Generálta: ScrapeCast by Fodor Benedek UUID: 35d83b08-4898-4b9e-8c1a-1fc9b8f4d755

On January 8, 1959, Fidel Castro and his ragtag army marched into Havana and proclaimed victory in the Cuban revolution. Much of the world knew Cuba primarily from its 1930 megahit "El Manicero" ("The Peanut Vendor") and from the mambo craze of the 1950's. After Castro came to power, the economic, political and cultural doors between Cuba and the U.S. would soon be shut. The doors opened briefly for tours by Cuban artists in the U.S. during the Carter and Clinton administrations. In this broadcast, we savor sounds from the pre-Revolutionary golden age of Cuban music that sets the scene for the international success of Cuban music. We illustrate how popular music in Africa and the Americas is not imaginable without the influence of Cuban music--copied and adapted on three continents. We'll hear the stories and rare recordings of such core styles as son - as well as luminaries like Beny Moré, Arsenio Rodriguez, Celia Cruz and the Sexteto Habanero; along with less well known artists. Produced by Ned Sublette APWW #65

(Karuna Buddhist Vihara) For this Dhamma Talk Ayya Santussika and Ayya Cittananda were joined by the Clear Mountain Monastery monks Ajahn Kovilo and Ajahn Nisabho.

(Karuna Buddhist Vihara) For this Dhamma Talk Ayya Santussika and Ayya Cittananda were joined by the Clear Mountain Monastery monks Ajahn Kovilo and Ajahn Nisabho.

This classic episode features Afropop Worldwide's original live recordings of stellar artists Joe Arroyo (Colombia) in London, Paulina Tomayo (Ecuador) in Quito, Los Muñequitos de Matanzas (Cuba) in New York, Los Van Van (Cuba) in Havana, and Willie Colon in New York. Produced by Sean Barlow APWW #292

Igerész: Zsoltár 103,5 Lelkész: Kuti József Lejátszás közvetlen fájlból (hiba esetén): https://krek.hu/media/files/igehirdetesek/20250921_9h_KJ_Zsoltár103,5_megújul_ifjúságod,_mint_a_sasé.mp3 Becsült hossz: 3384 mp Generálta: ScrapeCast by Fodor Benedek UUID: 5bff1e0a-7e06-4a69-945e-e057864c1cb9

016 Chullin 3a- Kuti Eid Echod Ne'eman B'issurim

The first time Puerto Rican bandleader Willie Rosario heard the word salsa applied to the Cuban-style music he played was in Venezuela, where DJ Phidias Danilo first popularized it. Subsequently applied as a marketing tool by Fania Records in New York, the word quickly became a marker of Puerto Rican identity. We talk to the founding bandleaders of the genre -- Rafael Ithier (El Gran Combo), Quique Lucca (Sonora Ponceña), and Willie Rosario -- and presents immortal hits of early Puerto Rican salsa. Produced by Ned Sublette with José Mandry APWW #207

In this Hip Deep edition, Afropop producer Wills Glasspeigel heads to South Africa to reveal the story of the inimitable Hugh Tracey, a field recordist born at the turn of the 20th century in England. A wayward youth, Tracey found himself in Africa in the 1920s where he became fascinated with music from Zimbabwe. Tracey became a pioneer field recordist, making over 250 LPs of traditional African music for the Gallo label in South Africa. Like John and Alan Lomax in the US, Tracey was instrumental in preserving hundreds of songs that have since gone extinct. Glasspiegel speaks with Dianne Thram, director of Tracey library in Grahamstown, South Africa; Tracey's son Andrew, a musician and field recordist in his own right; Michael Baird, an expert on the Tracey catalog; and esteemed South African anthropologist David Coplan. We'll also head to Malawi to make a field recording of our own with the help of Malawian singer, Esau Mwamwaya. APWW #590

We have a bonus podcast episode out today kicking off a series that will give you a glimpse into the first-ever MT Conference! We are thrilled to have Chris Kuti and Walker Beach heading up the Leadership Track. In this episode, they discuss the current challenges worship leaders face, particularly burnout and remembering to master the basics, and emphasize the importance of authenticity and heart posture in leadership. They hope this track at the conference will be an inspirational reset for worship leaders at they prayerfully consider the goals and vision for their local churches. Learn more + register today: https://mtconference.multitracks.com/Follow us @multitracks // @multitracksgospel // @leadworshipwellwww.multitracks.com

Islam's complex relationship with arts and culture across Africa, the Middle East, and Asia presents special paradoxes and intrigue in the realm of music. Islam has been used both to nurture and curtail musical expression. This program delves into the historic roots of this debate, all the way back to Baghdad in the early centuries of Islam. Case studies highlight sublime and ecstatic music from Iraq, Iran, Morocco, Algeria, Egypt, Pakistan and more. Author and Middle East specialist Joseph Braude discusses the history and issues with two Islamic scholars. (originally aired 2008) Produced by Banning Eyre APWW #561

Apply to Join Churchfront Premium Apply to Join Churchfront Pro Free Worship and Production Toolkit Shop Our Online Courses Join us at the Churchfront Conference Follow Churchfront on Instagram or TikTok: @churchfront Follow on Twitter: @realchurchfront Gear we use to make videos at Churchfront Musicbed SyncID: MB01VWQ69XRQNSN   Podcast Show Notes: The Future of Church Leadership with Josh Howerton and Chris Kuti Guests: Josh Howerton (Senior Pastor) and Chris Kuti (Worship Pastor) from LakePoint Church Hosts: Jake Gosselin and Matt Woltjer from Churchfront Key Topics Discussed AI in Ministry (00:02:15) Josh's approach: Uses ChatGPT weekly for sermon prep as a "high-powered research assistant" Prompt strategy: "Give me 20 interesting facts about [passage] that are historical, cultural, theological, archeological, linguistic, or biblical that most Christians wouldn't know" Chris's usage: Meeting organization, content creation, voice conversations during drives Key principle: Use AI as a tool that serves you, don't serve the tool Important caveat: Always fact-check AI outputs - they can be wrong up to 17% of the time Church Technology Criticism (00:58:22) The "negative world" concept by Aaron Renn - cultural shift from positive to neutral to negative perception of Christianity Common criticisms: "Tax the churches," "Money should go to the poor" Biblical response: Only Judas complained about expensive things being used to honor Jesus Economic reality: Larger churches often spend lower percentages on tech than smaller churches due to economy of scale Technology costs: Modern equipment costs significantly less than in the early 2000s Social Media Strategy (00:12:38) Initial resistance: Reformed background's "theologized cynicism" toward self-promotion The turning point: People spend 16-18 hours/week on social media hearing secular perspectives "Air war vs. Ground war": Ground war = traditional discipleship, Air war = cultural engagement Digital Areopagus: Social media as the modern equivalent of where Paul engaged culture in Athens Current following growth: From 20-40k to significantly larger audience through strategic content Worship Pastor Turnover Crisis (01:26:06) Root causes identified: Getting into ministry for wrong reasons (seeking bigger stages/record deals) Senior pastors hiring for talent over pastoral gifting Lack of pastoral development and broader leadership responsibilities "Warm up the crowd" mentality rather than true pastoral partnership Solutions proposed: Hire character first, develop competency Give worship pastors genuine pastoral responsibilities Focus on being pastors who happen to use music Create long-term development paths Hiring and Leadership Development (00:36:29) Key principle: "Always bet on leadership" over pure talent Character evaluation: Look at family life as indicator of leadership capacity "Hire slow, fire fast" - don't ignore red flags in interviews Vision alignment: Ensure worship leaders can come under senior pastor's vision Josh's story: Had to fire a worship leader after 5 weeks for vision misalignment Succession Planning (00:45:13) LakePoint's success factors: Outgoing pastor (Steve Stroop) "left campground clean" - addressed problems before transition Incoming pastor honored what came before rather than dismissing it 70% credit to predecessor, 30% to successor for smooth transition Key advice for incoming leaders: Honor those who built what you inherited Watch your pace in first year - observe more than you act Win relationships and excel on stage Don't make major changes without building equity first Staying Humble While Growing (00:52:54) Key relationships: Spouse who believes in you but isn't impressed by you Hire up: Surround yourself with people more talented than you Find joy in others' wins: Move from taking all the shots to giving others opportunities Dave Stone's wisdom: "Don't let praise go to your head, don't let criticism go to your heart" Josh's perspective: Staying confident is often harder than staying humble Future Ministry Vision (01:08:27) Chris's focus: Leadership pipeline development - never having to post job openings Josh's project: "Discipleship at scale" through vertically aligned content delivery Core principle: "We're in the disciple business, not the events business" Technology integration: Purpose-built app to connect sermon, podcast, reading plans, and groups Quotable Moments "If you find yourself on team Judas, get a different team." - Josh on criticizing church spending "Two visions create division." - Chris on worship pastor alignment "Don't let praise go to your head and don't let criticism go to your heart." - Dave Stone's advice "We're not in the events business, we're in the disciple business." - Josh on ministry focus "The loudest boos come from the cheapest seats." - Josh on handling criticism Action Items for Church Leaders Experiment with AI as a research and content creation tool while maintaining proper oversight Evaluate your hiring process - prioritize character and leadership potential over pure talent Assess succession planning - are you preparing for healthy transitions? Review social media strategy - consider it as cultural engagement rather than self-promotion Examine technology spending through economy of scale lens rather than raw dollar amounts Develop internal leadership pipelines rather than constantly hiring externally Align all ministry elements toward discipleship rather than just events Resources Mentioned ChatGPT/Grok for AI assistance Stream Deck for video production control Canon C80 cameras for podcast production Aaron Renn's "Negative World" essay Apple Maps analogy for leadership transitions Connect with Guests LakePoint Church: [Church website/social media] Josh Howerton: [Social media handles] Chris Kuti: [Social media handles] This episode was recorded at LakePoint Church's broadcast studio. Special thanks to Blaine for the viral video content and Carlos for the social media strategy insights mentioned during the conversation.

The "Black Pacific" is a term coined by our guide, ethnomusicologist Heidi Carolyn Feldman. She describes the circumstance of African descendants displaced not only from their ancestral homes in Africa, but also from the Atlantic coast nations where their enslaved ancestors were originally brought. This Hip Deep edition explores the sonically vibrant realm of Afro-Peruvian music, a young genre identification that has flourished since the 1950s and has now produced artists of international renown, such as singer Susana Baca, and the black folkloric company Peru Negro. The music is sensuous and deeply beautiful, and represents a fascinating and little-understood history. We will hear from Juan Morillo, who represents Peru Negro, from Susana Baca, and from other artists and community scholars Feldman has worked with during her extensive research of this topic. Produced by Simon Rentner and Wills Glasspiegel APWW #558

On a return trip to Madagascar, we catch up with and hear new music from tsapiky maestro Damily, the “King of Salegy” Jaojoby, an exciting new duo starring Sammy of Tarika Sammy, Toko Telo and more. This music-rich edition is filled with entrancing and hard-to-find roots pop. In the wake of 2018's hard-fought presidential election, Madagascar faces a new era with former DJ Andry Rajoelina at the helm. Word is his theme song was a major boost. We'll hear it. We'll also sample rare field recordings from this spectacularly musical and often overlooked Indian Ocean island. Produced by Banning Eyre. APWW #800

Nigeria is the undisputed powerhouse of African pop music. Call it Naija Pop, Afrobeats, Afropop or what have you. The likes of Burna Boy, Wizkid, Yemi Alade, Tiwa Savage, Olamide and Fireboy DML are giants on the scene. In this program we sample the latest from these and others - as well as action from the Afrobeat scene. We also speak with key artists in Nigeria and the U.S. about social activism among Nigerian artists regarding the 2020 EndSARS movement against police violence - an issue that sill exists today. Originally produced by Banning Eyre in 2020 APWW #825

Guinea's legendary dance band, Bembeya Jazz, are a pillar of modern West African history. Begun in 1961 in the flush of Guinea's independence and Sekou Toure's maverick presidency, the band played under the inspired leadership of guitar giant Sekou "Bembeya" Diabate. This program delves into Bembeya history with a focus on the band's 60s and 70s heyday, right up to more recent solo work by Sekou Diabate. In the current age of Afrobeats and digital production that is helping to supplant dance bands across the continent, Bembeya's music stands the test of time for its rich mesh of tradition and swing band drive. Produced by Banning Eyre APWW #427

In this episode, Afropop dives into a celebration of the blues--for some, the essence of the American experience and for others a link back into a lost history in Africa. For our program, we also went back through a number of key interviews we've done over the years where the subject of blues came up, particularly in reference to the genre's African roots. The notion that the blues has roots in Africa is obvious, but from there, things get complicated. Scholars and historians wrestle with the details, but for artists, the feel is everything. We are lucky to live in a time where musicians in America and Africa are retracing the pathways and making new music for a new time. Originally produced by Banning Eyre in 2003 APWW #421

La 39e édition du Festival international Nuits d'Afrique se termine ce dimanche 20 juillet à Montréal. Treize jours de concerts ont rassemblé près de 700 artistes africains, d'Amérique latine et des Antilles. Des sonorités traditionnelles aux fêtes technos en passant par des cours de danse ouverts à tous, la richesse culturelle de cet événement a transporté le public en voyage tout autour du monde. De notre envoyée spéciale à Montréal, Rumba congolaise, maloya réunionnais, trap syrienne, rythmes berbères, amazighs, yorubas ou vaudous : en un mot, les Nuits d'Afrique rassemblent. Dans le quartier des spectacles, l'Esplanade Tranquille porte très mal son nom cette semaine. Les concerts s'enchaînent dans une immersion sonore totale et ininterrompue. Chaque artiste profite de son temps sur scène pour mettre en lumière son pays et sa culture. « Le kamele ngoni, c'est un instrument purement africain. C'est un instrument qui a créé à Wassoulou, une ville peule au Mali. À travers cet instrument, je peux parler de la paix, de la cohésion sociale, du vivre ensemble. C'est très important pour moi parce qu'il faut promouvoir ta culture, ta langue. Moi, je chante en langue peule d'abord, et puis je chante en langue bambara. Je suis très content de pouvoir le faire », raconte le maître du kamele ngoni, Dicko Fils. Si la traditionnalité est partout, elle est loin de rester bloquée dans le passé. La Malienne Djely Tapa est devenue griotte pour la diaspora africaine à Montréal. Mais une griotte bien ancrée dans son époque, ayant ajouté de l'électro à sa musique mandingue. « L'afrofuturisme, pour moi, c'est d'amener nos instruments, qui sont des instruments d'héritage, de les amener dans des sonorités futuristes. Parce que quand on parle de nos instruments, on va les qualifier d'instruments traditionnels. Mais le violon aussi est un instrument traditionnel, mais il est utilisé dans la musique contemporaine. Et on ne l'appellerait pas un ''instrument traditionnel''. Donc, pourquoi ma kora serait un instrument traditionnel ? Elle peut être aussi contemporaine, non ? », interroge l'artiste. Ici, les revendications fusent de toutes parts, portées par des artistes engagés pour la justice et la paix. Le Nigérian Fémi Kuti porte un afro-beat politique par essence : « Je suis profondément convaincu que l'Afrique devrait être le meilleur des continents, un modèle qui ferait l'admiration du monde entier. Si ses dirigeants étaient vraiment engagés, s'ils aimaient leur peuple, l'Afrique serait aujourd'hui un continent épanoui, rempli de joie, vous voyez ? Et pourtant, à chaque fois que j'y retourne ou que je lis les nouvelles, j'en ai vraiment le cœur brisé. Je n'ai pas de baguette magique pour changer les choses, et je ne peux pas forcer les autres à croire en mes idées, sinon je passerais pour un dictateur. Alors, peut-être que finalement, la vie consiste surtout à se développer soi-même. Car nous allons tous mourir un jour. Et s'il y a une vie après la mort, alors c'est à ce moment que nous devrons répondre de nos pensées et de nos actes. » Aux Nuits d'Afrique, la musique est plus que jamais un moyen de transmettre, d'ouvrir les esprits et de résister, dans la joie et le partage.  À lire aussiNigeria: «Zombie», la fronde de Fela Kuti contre Obasanjo

Afropop's Banning Eyre published his prize-winning biography of Thomas Mapfumo, Lion Songs, in 2015. In this episode, he visits the Lion of Zimbabwe at his home in Eugene, Oregon, to discuss new music, the current state of Zimbabwe and more. We hear from Mapfumo's latest album, Ndikutambire, and sneak previews of works in progress. We also meet 24-year-old Mary Anibal of Harare, a super-talented mbira player, singer/bandleader following in Mapfumo's footsteps. Subscribers to the Afropop podcast stream, might remember this special episode from last year. In honor of Thomas' 80th birthday this month, we are pleased to now share it on the radio! Produced by Banning Eyre PA 018

No Boia, menos é sempre mais, e é na falta de pauta que sobra assunto. No episódio 312, Julio Adler, Bruno Bocayuva e João Valente celebram Jeffrey's Bay, a tela mítica do surfe, onde gênios pintam linhas eternas e outros deixam borrões infames. A prosa pega fogo com o reggae enfumaçado de Black Uhuru (“World is Africa”), o soul de guitarra visceral com Durand Jones & The Indications (“Now I'm Gone”) e a apoteose afro de The Last Poets com Tony Allen (“This Is Madness”). Três manifestações distintas da mesma matriz africana, culminando num encontro entre a poesia crua das ruas americanas e as batidas nigerianas da família Kuti. Estilo no surf não é julgado mas Maxime Rio esbanja disso na Imagem Falada e repercutimos o sucesso do episódio com o chef Nuande Pekel.Boia na veia: papos derivantes de surfistas desalmados.

"Nollywood - Nigeria's Mirror" takes us to Lagos, the third largest film industry in the world. Scholars Jonathan Haynes and Onookome Okome serve as guides as we negotiate the intricacies and eccentricities of Nollyood's past and digital future. Nollywood films dramatize key tensions in contemporary Nigerian life, such as the relationship between tradition and cosmopolitanism. Distributed through pirate DVD networks across Africa, the Caribbean and the Diaspora at large, Nollywood films are a global phenomenon - and we'll find out why. We'll also be joined by Christopher Kirkley of the Sahel Sounds blog, who transports us to northern Nigeria and into the electronic sound world of Hausa film music. APWW #646

The rumba and soukous of Congo-Zaire has infatuated listeners across the world for more than half a century. However, today in the neighborhoods of the capital, Kinshasa, there is a movement of musicians creating a new music that is at once more folkloric and rootsy as well as more innovative and cosmopolitan. Producer Nathaniel Braddock shares music and interviews from the months he spent in Kinshasa in 2024 working with musicians and instrument builders involved in creating new styles called "musique de recherche" or bofenia rock. PA 042

Grammy nominated ngoni virtuoso Bassekou Kouyate and his 8 piece band Ngoni Ba wowed the crowd at Lincoln Center in 2011. Ngoni Ba re-wired the ancient ngoni to create a dense, 21st century sound. We'll hear the concert and talk with Bassekou about hunters, his precocious son, and his future plans. We hear a very different take on the ngoni from Sidi Touré who made his U.S. debut at BAM in Brooklyn. Sidi Touré is from the legendary city of Gao in northern Mali, the seat the ancient Songhai empire. Then we go to Egypt to hear how artists from Port Said are making music for instruments that go back to the time of the Pharoahs. [Produced by Sean Barlow. Originally aired 11-09-2011] APWW #626

This program ventures into corners of Africa we rarely hear from, guided by adventurous field recordists and crate diggers. The Zomba Prison Project is a set of recordings by inmates at a maximum security prison in Malawi, one of the poorest nations on earth. The project's debut CD was nominated for a Grammy Award. Here, we speak with the producer, Ian Brennan, and hear tracks from a volume of soulful, even heartbreaking, songs from the prison. We then go back to the 1960s and ‘70s in the city of Bobo-Dioulasso in Burkina Faso (then Upper Volta) to sample a gorgeous set recordings by Volta Jazz, Dafra Star, Les Imbattables Leopards and more. We hear from Florent Mazzoleni, the author and intrepid vinyl collector behind the new box set, Bobo Yéyé: Belle Époque in Upper Volta. Produced by Banning Eyre APWW #738

In this episode, Kuti Biazid delves into the raw emotional states of being enchanted, overwhelmed, and uncertain and explores the inspiration behind the timeless classic—the emotional journey of being bewitched, bothered, and bewildered. These raw, messy states are often the very moments that shape the deepest growth. The conversation reflects how enchantment, doubt, and uncertainty are not just passing emotions, but powerful teachers that lead to greater self-awareness. Even in confusion, something meaningful begins to take form. Taken from her experience as a Professional Voiceover Artist and TEDx Speaker, HE unravels the life she's lived by embracing the discomfort of emotional complexity and choosing not to rush through it. Transformation often begins where clarity feels out of reach, and finding peace within the chaos is its own kind of magic.Support this podcast— https://buymeacoffee.com/refie

Host FayFay sits with two emerging Nigerian artists whose paths are as bold as their sound: Looking for Avala and Inima. Avala opens up about her journey from sneaking into open mics in New York to navigating motherhood and music in Lagos. She reflects on her identity, independence, and the power of trusting her own voice literally and figuratively.Then we meet Inima, a self-taught producer and vocalist from Port Harcourt, whose story is shaped by defiance, layered soundscapes, and a deep spiritual connection to music. These are stories of resilience without a roadmap, where making music isn't just a career, but a calling. PA 041

DJ Crew Zona Libre take a break from throwing genre-defying parties and producing their own live events and podcasts to team up with Afropop for another edition of Cuts from the Crypt. Frequent Afropop producer Morgan Greenstreet (modrums) and Brooklyn-based Puerto Rican DJ Ricardo Luiggi (tres dos) dig through Afropop's extensive vinyl archives, selecting Afro-diasporic music that defies borders and boundaries and sharing their digging experiences along the way. APWW #797

We look into the rise and mysterious fall of the funky Bajan spouge beat which ruled the island in the '70s, and discover a few underground musicians who are trying to keep it alive. Calypsonians Mighty Grynner and Red Plastic Bag detail their contributions to the lyrically potent kaiso scene. Soca stars Alison Hinds and Edwin Yearwood talk about the pros and cons of the island's competition circuit, and we learn about the hot "soca bashment" scene. Produced by Saxon Baird and Noah Schaffer. APWW #746

The two-man acoustic juggernaut from Malawi, Madalitso Band, is on the move in 2025. With their fourth album, Ma Gitala (The Guitars), just released and a global tour, including Glastonbury, just starting, these rootsy, spirited street musicians from Lilongwe are winning hearts everywhere. In this episode, Mukwae meets the band in Malawi as they begin to tour and takes a deep dive into their music. Then we speak with Salif Keita about his long-awaited acoustic album, So Kono, and what's happening in Mali. Produced by Mukwae Wabei Siyolwe and Banning Eyre. PA 040

One of the glories of Afropop's more than 30-year run has been joining our host Georges Collinet in the kitchen as he creates delicious concoctions, while grooving to his favorite tunes. This episode looks back on two classic “Cooking with Georges” episodes: Yassa Chicken from Senegal, and Yoruba soul food with guest chef Baba John Mason—all accompanied music to make you move, from wherever George's insatiable culinary curiosity takes him. Get your apron and your dancing shoes ready!

In the 1930s, infamous Dominican dictator Rafael Truillo ordered the burning of the country's palos drums, hoping to erase the powerful vestiges of African culture in the Dominican Republic. Luckily for us, the breakneck, trance-inducing sound of palos still reverberates at Afro-syncretic religious parties across the Caribbean nation almost a century later. In this episode, Afropop revisits the home of styles such as merengue and bachata, but this time we'll be looking towards the most deeply African side of Dominican music—little known outside of the island. Afro-Dominican music is a secret treasure, filled with virtuosic drumming styles, heart-stopping grooves, and mystic dance parties. We'll listen to traditional genres like palos, salve, and gaga, a uniquely Dominican take on rara music from neighboring Haiti. Throughout, we'll be looking at artists who have drawn on Afro-Dominican styles to make infectious pop music, from wizened veterans of the folklore movement such as Luis Dias, to a host of hip young bands who use Afro-inspired rock, reggae and hip-hop to redefine what it means to be Dominican. We'll also check out the Afro-Dominican scene in New York City—home to more than a half-million Dominicans—where we'll find a Dominican gaga group in Brooklyn that is mending cultural fences at a Haitian celebration. Produced by Marlon Bishop APWW #579

Veteran Afropop producer Marika Partridge takes us to the island of St Lucia for a “beginners” steel pan (steel drum) work shop with maestro Andy Narell. It's a complete sensory experience, with ambiance, cuisine, and deep history on the only instrument invented in the 20th century. Plus Marika's journey to steel pan bliss. Then Mukwae catches us up with the latest trends in remixing, Afrobeats and amapiano. Produced by Marika Partridge and Banning Eyre.

The development of the popular Jamaican style is audible in this fun-packed, loosely chronological selection of tunes, moving from a US-style shuffle to ska to rock steady, toasting, dub, and Rastafarian reggae. Programmed by and using the record collection of reggae connoisseur and KPFK radio host Chuck Foster. Produced by Ned Sublette. Consulting scholar and guest programmer: Chuck Foster, who is still on the air 33 years later!

A small network of DJs in the suburbs of Lisbon, Portugal has been consistently producing some of the world's best dance music. The children of African immigrants, these young musicians have combined a hemisphere of musical influences and distilled them down into a single astonishing style. But how did Lisbon start to make such great African music? And what does that say about the identity of the city, or the country, or the continent? On this special Hip Deep edition, we take you on a journey to Lisbon, a city facing both the sea and 600 years of its own history. We'll go to African club nights, hang out with obsessive record collectors, learn how to dance kizomba, and visit the projects that have produced a musical revolution. And through it all, we will try to answer a seemingly simple question: Just where did this music come from? Produced by Sam Backer APWW #722

Behind every Afropop YouTube megahit and dancefloor sensation, there is a producer, a beat-maker striving to imagine the next big thing, basically inventing the future. In part 2 this two-part podcast, we meet Dami TNT, a rising producer in Lagos, Nigeria. And we hear a discussion between Zimbabwean producer Kooldrink, Pierre Kwenders of the Moonshine Afro-house about beats, tempos, and the emergence of super-fast youth music, like Tanzania's singeli, in urban African centers. Produced by Banning Eyre PA 038

This Hip Deep episode features a remarkable journey among the forest people of the Central African Republic. The polyphonic, hocketing vocal style of this region's forest peoples ("pygmies") is one of the most singularly beautiful musical expressions in Africa, one that has entranced outsiders since the time of the pharaohs. Ethnomusicologist Michelle Kisliuk has spent nearly 25 years immersing herself in this music, and wrote a landmark book about the lives and music of the BaAka people in the Central African Republic. Kisliuk believes deeply in the performance experience--learning by doing--and this program will initiate listeners into one of the most enchanting and mysterious musical practices in Africa. The program also deals with the BaAka's problematic encounters with neighboring ethnic groups, Christian missionaries, and modernity in general. Produced by Banning Eyre APWW #603

Kano State in northwest Nigeria is a land of paradox. The ancient home of the Hausa people, it has ties back to the oldest civilizations in West Africa. Muslim since around the 12th century, the region remained largely self-administered during the era of British colonialism, and never significantly adopted Christianity or Western culture and values as in other parts of Nigeria. In 2000, Kano instituted Shariah law. But by that time, the city of Kano was also the center of a large and active film industry, dubbed Kannywood. And it would soon be home to a nascent coterie of hip-hop artists. There followed a series of high-profile conflicts and crises between these forces of religion, politics and art in the years since. But as the Afropop crew discovered in 2017, Kano has achieved a delicate balance that allows film and music to continue apace under the watchful eye of clerics and a censorship board. We visit studios producing local nanaye music, with its echoes of Hausa tradition and Indian film music. We also meet young Hausa hip-hop artists striving to develop careers under uniquely challenging circumstances. Produced by Banning Eyre and Sean Barlow APWW #757

Behind every Afropop YouTube megahit and dancefloor sensation, there is a producer, a beat-maker striving to imagine the next big thing, basically inventing the future. In part 1 this two-part podcast, we meet Kooldrink, the producer who broke South African superstar Tyla, and Pierre Kwenders of the Moonshine Afro-house collective in Montreal, and hear their thoughts on making African hits in 2025. Produced by Banning Eyre PA 037

Andy Palacio (1960-2008) of Belize was a brilliant singer/songwriter/bandleader/activist and one of the greatest champions of Garifuna culture in his time. At the height of his international acclaim, after the release of his 2007 album Watina, Andy died suddenly. This program was produced shortly before that tragic event and captures Andy, his band and fellow musician Paul Nabor, in their prime. As we were preparing the program for rebroadcast, we learned that Andy's protégé and fellow Garifuna culture icon Aurelio Martinez—who also appears in this program—died in a plane crash at age 58. So this program, capturing a pinnacle moment for Garifina music, is dedicated to these two fallen giants. Produced by Banning Eyre APWW #524

In this Hip Deep program, we explore musical connections between Africa and India. First up is the story of the Afro-Indian Sidi community. In the 13th century, Africans arrived in India as soldiers in the armies of Muslim conquerors. Some were able to rise through the ranks to become military leaders and even rulers. Their descendants continue to live in India today, performing African-influenced Sufi trance music at shrines to the black Muslim saint named Baba Gor. Next, we dive into the swinging jazz era of 1930s Bombay, when African-American jazz musicians arrived by the dozen to perform at the glitzy Taj Mahal Hotel. They trained a generation of Indian jazz musicians who would become instrumental in the rise of India's Hindi film music industry. Then we head south to the island of Sri Lanka, where Africans have had a presence for almost 500 years. We explore their history through the groovy Afro-Indo-Portuguese pop music style known as baila, popularized by 1960s star Wally Bastiansz and still performed at parties in Sri Lanka today. Finally, we speak with Deepak Ram, a Indian jazz flutist who recounts his experiences growing up Indian in apartheid South Africa. Throughout, we hear from leading experts, and of course, introduce fantastic and often-unexpected music. Produced by Marlon Bishop APWW #663