Podcasts about fela

Discover how faith and disability intersect as John Fela shares his journey of raising a non-verbal autistic son and finding a church community that truly welcomes all.

Cheikha Rimitti was more than Algeria's musical icon - she was the embodiment of defiance itself. Born into a life of poverty and oppression, her powerful voice resonated as the rallying cry for the marginalized, fearlessly giving voice to the forbidden themes of love, sexuality, and political injustice. Rimitti's music ignited a fire for independence, challenging societal norms with each daring lyric. Though her songs faced bans and censorship, her indomitable spirit could not be silenced.  A century after her birth, Rimitti's legacy burns ever brighter, inspiring a new generation of artists to remix and reinterpret her anthems of freedom. As we celebrated the 100th birthday of this trailblazing queen of raï in 2023, we honor Cheikha Rimitti - the voice that could not be oppressed, the embodiment of liberty through song. On this poignant journey through her extraordinary life, we meet the musical descendants carrying Rimitti's defiant torch forward, a century after that first cry of dissent rang out.  Produced by Elodie Maillot APWW #870

Join Tonya Wollum and guest John Fela for a raw, honest look at special needs parenting for a child with non-verbal autism. We discuss the challenges of an autism diagnosis, navigating medical crises like Chiari malformation, and managing the strain of divorce in the special needs community.

1er septembre 1973, nous sommes au cœur de l'Afrique, au Nigeria, un pays étonnant dont les incroyables ressources en pétrole, gaz, fer et charbon ont produit une société à deux vitesses. Sa capitale, Lagos, est une ville étonnante, grouillante de population, polluée sous un climat tropical, et ceinturée de forêts luxuriantes.Alors qu'est-ce que vient y faire Paul McCartney, ancien leader des Beatles qui n'ont jamais vendu autant de disques avec les rééditions de tous les 45 Tours et des deux doubles 33 Tours, rouge et bleu ? Pas y fêter son premier succès mondial, Live and Let Die… Un triomphe, comme le film d'ailleurs, qui impose un nouvel acteur dans les habits de James Bond.Et bien figurez-vous que c'est encore une de ses idées à lui pour tirer le meilleur de sa créativité. Maintenant qu'il est bien rôdé avec un nouveau groupe, il compte y retrouver les grandes heures qui lui ont permis d'enregistrer des disques novateurs comme Sgt Pepper Lonely Hearts Club Band, tellement génial que quelques jours après sa sortie, Jimi Hendrix, en faisait déjà un cover sur scène, Paul avait éprouvé un indicible frisson en assistant au concert.Et donc, il demande à EMI, la multinationale qui le distribue, où ils possédent des studios. Un peu partout dans le Commonwealth. Los Angeles, Paris, Berlin, Tokyo, Athènes. Oui, euh, vous n'avez rien de plus … exotique ? Exotique ? Attendez … Johannesbourg, Bombay, Hong Kong, Lagos … Lagos, c'est où ? Au Nigeria.Paul se voyait en touriste la journée avec son band, au boulot le soir et la nuit, ce n'est pas exactement ça qui se produit. Déjà, juste avant le grand départ, il perd son bassiste et son batteur qui n'ont pas envie de risquer leur vie dans ce coupe-gorge. On leur en a parlé de Lagos !Et donc, les Wings sont réduit à trois quand, sortis de l'aéroport, ils découvrent des rues encombrées et des trottoirs débordant de miséreux, de malades, errant devant des maisons délabrées … et un studio entouré de hauts murs protégés par des bouquets de fils barbelés. Ambiance. Un studio … pas exactement comme celui d'Abbey Road. Un matériel très ancien, des micros qui ont souffert, des pièces mal insonorisées où il règne une chaleur humide insupportable. Et si ce n'était que ça. Rentrant un soir avec Linda, Paul subit un vol à main armée, entendez-moi, les mecs ont des armes de guerre, et perd ainsi les cassettes démos de tous ses titres. Il est aussi dérangé par Ginger Baker, l'ancien batteur du groupe Cream et partenaire d'Eric Clapton, expatrié là-bas, et franchement menacé par Fela, pape du jazz africain, et surtout chef tribal, qui n'entend pas non plus qu'un ex-Beatle enregistre à Lagos sans son autorisation.Mais rien n'y fait, on n'arrête pas un passionné, Paul arrondit les angles, sympathise avec tout le monde et enregistre un album aux sonorités franchement nouvelles, la pochette d'ailleurs, fallait oser. Le disque fait un triomphe montrant que, contre toute attente, non seulement, il peut y avoir un “après Beatles” mais surtout qu'il en était la machine débridée à entraîner la création. Et un musicien de scène qui n'a depuis jamais perdu l'enthousiasme de se retrouver face à un public …

Over the years, as barriers to international touring in the U.S. have risen, and more and more talented African and African diaspora artists have made their homes in American towns and cities, the sounds and voices of Africa have become more and more common on local scenes. In this edition of Afropop's "Africa in America" series, we spotlight women, Marie Daulne (of Zap Mama) collaborating with NYC Afrobeat band Antibalas, Razia of Madagascar, and the incomparable Afro-jazz innovator Somi, also Sudanese-born Alsarah and Awa Sangho of Mali.  Produced by Banning Eyre APWW #705

This joyful celebration of gospel music greats brings together Africa and America. Ladysmith Black Mambazo is the South African male a capela choral group singing in the local vocal styles of isicathamiya and mbube. They became known internationally after singing with American Paul Simon on his joyous Grammy Award winning 1986 album Graceland. The Fairfield Four, started over 100 years ago, won a Grammy for the Best Roots Gospel Album. The Four Eagle Gospel Singers are a historic a cappella gospel group from Bessemer, Alabama, known as one of the state's oldest gospel groups. The Gospel Harmonettes were a pivotal 1950s female gospel group, fronted by the legendary Dorothy Love Coates, known for their powerful vocals, civil rights activism, and intense performances that influenced soul/R&B; Also featured are The Birmingham Sunlights who are distinctive for using no instruments in their church services. APWW #40 Produced by Sean Barlow

Zombie (1976) by Fela Anikulapo Kuti & Africa 70 is one of the most ferocious and politically confrontational albums in the history of African music. Built on Fela's signature Afrobeat—long, hypnotic grooves driven by layered percussion, cycling bass lines, stabbing horns, and call-and-response vocals—the album functions as both a musical marathon and a blistering act of protest.The title track, which takes up most of the record, is a biting satire aimed at the Nigerian military. Fela portrays soldiers as mindless “zombies,” trained only to obey commands without thought or conscience. Delivered in a mix of pidgin English and Yoruba-inflected phrasing, the lyrics are simple, repetitive, and intentionally chant-like, allowing the message to hit with relentless force as the groove stretches on. The band locks into a tense, almost militaristic rhythm, while the horns punctuate the song like alarms, underscoring the sense of confrontation and mockery.Musically, Zombie is a masterclass in controlled intensity. Africa 70 plays with absolute precision, maintaining deep-pocket funk while slowly building pressure over extended runtimes. Rather than chasing variation, the music thrives on repetition as resistance, using subtle shifts in rhythm and horn lines to keep the listener engaged while reinforcing the song's political stance.The album's impact went far beyond music. Its release directly provoked Nigeria's military regime, culminating in a violent attack on Fela's Kalakuta Republic compound—a moment that cemented Zombie as a cultural and political flashpoint. Today, the album stands as a towering example of how music can function as protest, satire, and communal rallying cry, embodying Fela Kuti's belief that sound itself could be a weapon against oppression.Website Support the show Contact

It's been decades since house and techno music exploded out of South Side Chicago and inner-city Detroit, and most Americans still don't know their dance music history. In 1977 a DJ named Frankie Knuckles moved to Chicago to spin and remix disco records at an underground club called The Warehouse. Out of a fringe subculture that formed there - gay and African-American - house music would emerge to become one the biggest club music genres in the world. Meanwhile, young black futurists of Detroit channeled their city's post-industrial decay into a utopian machine music known as techno. APWW #619 Produced by Marlon Bishop and Wills Glasspiegel

Episode 9 is the one where Brian Wise and Michael Mackenzie briefly mistake themselves for an IT helpdesk, a sports panel, and a moral philosophy seminar—before landing, somewhat dazed, back in music. It opens with Wise declaring he “can't stand” the sound of his own voice (a bold confession for a career built on talking), while Mackenzie offers the sort of praise that feels both affectionate and faintly menacing: “the voice of a generation.”  Before the audio collapses entirely, the conversation sprints through Wise's great sporting exertion: the exhausting labour of watching sport.  There's genuine distress at skier Lindsey Vonn crashing out in 13 seconds, complete with a description of pain you could feel through the screen.  From there, the mood whiplashes into the Super Bowl halftime show—Wise calls Bad Bunny's performance the best he's ever seen, even while admitting he couldn't understand a word of it. Mackenzie, meanwhile, is stuck on the visuals of sugar cane cutting and its historical echoes closer to home.  Their consensus: if Donald Trump calls it the worst halftime show ever, that's basically a five-star review. Then comes one of Wise's purest modern urges: gadget-lust triggered by sport. Spotting tennis champion Elena Rybakina wearing a watch post-match, he consults “our friend AI” and discovers it's a Vanguard Orb worth a mere $200,000.  At which point the show finally pivots to the Grammys—specifically the stuff that doesn't make the glossy broadcast.  Wise notes that Fela Kuti received a posthumous Lifetime Achievement Award, nearly 30 years after his death at 58, making him the first African musician to be honoured that way.  They sketch Kuti as both musical revolutionary and political force, the Afrobeat originator whose trance-like repetition and complex grooves seeped into Remain in Light and My Life in the Bush of Ghosts. The point: the Grammys have 85 categories, and the good parts are buried where only the determined will look. The episode's left turn into pop comes via Mackenzie's discovery of Charli XCX through the comedy-chat juggernaut Smartless. Wise's response—“Who's he?”—is treated as both generational commentary and perfectly on-brand.  The subtext is clear: don't confuse “not my cup of tea” with “not worth paying attention to”. Politics drifts in, as it tends to now, through the question of who's writing protest songs. Wise notes Nils Lofgren's “No Kings, No Hate, No Fear”, nods to Lucinda Williams and Mavis Staples, and longs—audibly—for Bob Dylan to re-enter the ring with something era-defining.  Mackenzie is unconvinced, offering the counterpoint that Dylan's signature move in moments like this is often silence. Screen culture gets its usual run: Mackenzie's recommendation of the British robbery thriller Steel mostly lands—until Wise objects to the final 15 minutes for explaining too much, revealing his mother's literary habit of reading the last chapter first.  The music talk returns in force with Buddy Guy. Wise has interviewed him (Buddy turns 90 this year and is flagged as possibly touring Australia for the last time), and the hosts linger on the question Wise once had about Buddy's live habit of paying tribute to other blues greats.  Finally, Al Green turns up as both salvation and complication. Wise recommends Green's EP To Love Somebody (Bee Gees cover included, plus “Perfect Day” featuring RAYE and a take on R.E.M.'s “Everybody Hurts”), while Mackenzie raises the perennial problem: applauding the artistry while not airbrushing the artist.  Episode 9's through-line, then, isn't sport or even the Grammys. It's the way culture arrives in the room: messy, overlapping, sometimes off-mic, and always demanding you listen harder than the algorithm wants you to. Essential Links Lindsey Vonn's heroic return ends in heartbreak | Wide World of Sports Bad Bunny's Apple Music Super Bowl Halftime Show Vanguart Orb Flying Tourbillon Review: The Futuristic Titanium Timepiece of 2025 FELA Anikulapo Kuti - All songs The Rolling Stones and Steve Riley - Zydeco Sont Pas Salés [Official Audio] Smartless on YouTube Charli xcx - I might say something stupid (official lyric video) Charli xcx - House (Lyrics) ft. John Cale Nils Lofgren - No Kings No Hate No Fear STEAL - Official Trailer | Prime Video A HOUSE OF DYNAMITE | Official Trailer | Netflix Sinners (2025) - Post Credit Scene (1/2) Sinners Soundtrack This Little Light of Mine Buddy Guy Aint Done With The Blues  Buddy Guy Where You At Where U At Al Green - Everybody Hurts (Official Lyric Video)

Elijah Wald, acclaimed author of “Escaping the Blues: Robert Johnson the Invention of the Blues”, talks with producer Ned Sublette, and plays lesser-known recordings by Peetie Wheatstraw, Lonnie Johnson, Leroy Carr and others, who provided source material for some of Johnson's classic tunes. APWW #452 Produced by Ned Sublette in 2005

David & Fela Shapell z'l Yahrtzeit Program 5786 with Rabbi Steven Pruzansky by Shapell's Rabbeim

On est enfin de retour après la pause annuelle, et on s'attaque à un monument, une légende, une icone : Fela ! On vous partage cette histoire hors norme : celle d'un homme, d'un son, et de la voix des peuples opprimés d'Afrique. Pour soutenir la création et participer à la construction de l'ambassade, rendez-vous sur https://fr.tipeee.com/simonetsimoneHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:54:15 - Et je remets le son - par : Matthieu Conquet - Après les Grammys et le succès de Bad Bunny (attendu maintenant au Superbowl), place aux Victoires de la musique à venir avec le nouveau Theodora. On parle aussi du film sur Jeff Buckley, de Fela, de Dave et de Gesaffelstein. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The Harlem Renaissance was a vibrant 1920s-1930s Black cultural movement centered in Harlem, a hub for African American creativity, literature (Langston Hughes, Zora Neale Hurston), music (jazz, blues), and art (Aaron Douglas), fueled by the Great Migration and a desire to redefine Black identity that forged a new sense of Black Pride. In this program, we hear less well known artists such as James (“Big Jim”) Reese Europe who led an orchestra of 120 musicians. We also hear iconic songs of the era including Fats Waller's “Ain't Misbehavin'”, Mamie Smith's massive 1920 hit “Crazy Blues,” Cab Colloway's “St. James Infirmary” and more. Along the way, we'll enjoy the Fletcher Henderson Orchestra featuring Louis Armstrong on trumpet and vocals and Coleman Hawkins on sax, Ethel Waters, James P. Johnson, and Willie the Lion Smith. Harlem also drew the top Cuban orchestras who came to New York by steamship to record, calyso singers, and Haitian vodou music and theater. Harlem was famous for its rent parties and a wide open attitude to defying Prohibition where revelers danced to the shimmy, the black bottom, and the Charleston from down south. Relive the glory! APWW #226 Produced by Ned Sublette

AOT2 and Ugochi start with fan mails and a weekly catch-up before diving into “Believe It or Not” and relationship scams. They discuss women and love, cover The Grammys and Fela's Lifetime Achievement Award, and wrap up with Prop and Flop of the Week.OUTLINE00:00 - Introduction07:02 - Fan mails15:24 - Weekly catch up51:50 - Believe it or not01:01:45 - Gist01:06:45 - Prop and flop of the week

Welcome to The Artiste Hangout with Femi Makx, Abuja's pulse on music, culture, and creative hustle. In this episode, we break down the 68th Annual Grammys with a fresh Nigerian perspective, spotlighting wins, snubs, and historic moments that shook the global music scene. From Tyla's back-to-back Best African Music Performance win to Fela Kuti receiving the first-ever Grammy Lifetime Achievement Award for an African artist, we unpack what these milestones mean for Naija, the diaspora, and the future of Afrobeats worldwide.We also dive into the political statements, show-stopping speeches, and comedy roasts that had the internet buzzing. Trevor Noah's sharp jabs, Billie Eilish's pro-immigrant stance, and Bad Bunny making history as the first Spanish-language Album of the Year winner – we cover it all.As your host, Femi Makx, award-winning podcaster and music culture commentator, I bring you the insights, context, and Abuja energy you can't get anywhere else. For this episode, I experimented with AI to enhance research, script structure, and cultural context, making The Artiste Hangout one of the first African music podcasts actively integrating AI in creative production.The Artiste Hangout with Femi Makx has massive streams across major listening platforms like Spotify and Apple Podcasts, topping charts in major countries. Akwaaba to my Ghanaians too – we were top 3 in music interviews on Apple Podcasts in Ghana, and ranking high across other African countries as well.Whether you're a music lover, industry insider, or just curious about Naija's footprint at the Grammys, this episode breaks down the wins, snubs, and controversies with honesty, humor, and journalistic precision.Listen, subscribe, and join the conversation: Let's debate, celebrate, and connect over the music shaping 2026. Follow Femi Makx on X @femi_makx and tag your thoughts with #ArtisteHangoutGrammys.

Félix Tshisekedi a affirmé ce weekend son ouverture à un dialogue inclusif et apaisé en République démocratique du Congo. Le président s'est exprimé sur le sujet à l'occasion d'une cérémonie d'échange de vœux organisée à Kinshasa, avec les ambassadeurs et diplomates accrédités en RDC. « Pour le chef de l'État, si ce dialogue devait se tenir, il se déroulerait sur le sol national et serait conduit et organisé par les institutions de la République, dans le respect de la Constitution, des lois et règles démocratiques qui fondent le pacte national », analyse le média congolais Radio Okapi. En résumé, « Dialogue oui, complaisance non » titre Le Potentiel. « Félix Tshisekedi trace ses lignes rouges », commente le journal congolais. Le président « refuse toute confusion entre cohésion nationale et amnésie politique. Pas question, pour lui, d'inviter à la table de la République ceux qu'il accuse de nourrir la rébellion armée... » Face à la guerre qui ravage l'est de la RDC, l'appel à l'unité nationale s'est imposé comme un impératif, non seulement pour faire face à la menace sécuritaire, mais aussi pour contenir les fractures politiques internes. Mais ce dialogue national pour la Paix en RDC « risque de n'être qu'un exercice cosmétique », commente la presse. Dans les colonnes Édito du journal burkinabé Le Pays, on s'interroge : n'est-ce pas là un serpent de mer politique ? « Kinshasa n'entend pas marchander avec ceux qu'elle considère comme des relais d'agendas régionaux hostiles. Cette ligne rouge tracée par Félix Tshisekedi (...) se heurte néanmoins à une réalité brutale. Les acteurs ainsi exclus sont précisément ceux qui tiennent les armes, contrôlent des territoires et administrent des populations, avec, en arrière-plan, l'ombre persistante du Rwanda. Dès lors, une question centrale s'impose : comment prétendre régler une guerre en excluant de la table, ceux qui la font ? Dans ce contexte, proclamer un retour à la paix, relève presque de l'incantation (...) » Le président de la RDC, a par ailleurs réagi publiquement ce weekend, à la suite de la reconnaissance officielle par le Rwanda d'une coordination sécuritaire avec le groupe rebelle AFC/M23. Afrik.com y voit un nouveau chapitre dans la crise persistante de l'est de la RDC. « Pour le président congolais, cette reconnaissance [par Kigali] ne saurait être réduite à un simple exercice de communication diplomatique ». Le chef d'État congolais a fait explicitement référence au droit international et aux résolutions du Conseil de sécurité de l'ONU. Pour Kinshasa, l'aveu rwandais confirme l'existence d'un appui déterminant à un mouvement armé insurrectionnel, violant le principe de souveraineté nationale.   Quel secrétaire général pour l'Organisation internationale de la Francophonie ? L'Organisation internationale de la Francophonie laisse aussi entrevoir une nouvelle passe d'armes entre la RDC et le Rwanda. La désignation du prochain secrétaire général de l'OIF est prévue lors du sommet de la Francophonie, organisée en novembre 2026 au Cambodge. Et la RDC a annoncé son intention de candidater au poste de secrétaire général. Désormais, c'est une bataille diplomatique d'ampleur qui se dessine, notamment face au Rwanda. Kigali soutient en effet la reconduction de l'actuelle secrétaire générale, Louise Mushikiwabo, pour un troisième mandat. Afrik.com analyse cette stratégie de la RDC : « Il s'agit de renforcer l'influence du pays sur la scène internationale, mais aussi de promouvoir une Francophonie plus attentive aux défis sécuritaires, politiques et de développement auxquels sont confrontés plusieurs de ses États membres ». « Les pays africains membres de l'OIF seront-ils favorables à une alternance ? » Interroge pour sa part Jeune Afrique... « On ne défie aucun pays, mais nous voulons réaffirmer notre place », souligne une source à la présidence congolaise. Un Grammy Award décerné pour la première fois à un artiste africain Dans la presse africaine également ce matin, on revient sur le Grammy Award décerné pour la première fois à un artiste africain. « Le symbole est assez extraordinaire pour passer inaperçu », souligne Wakatsera. La légende nigériane Fela Kuti, le père de l'Afrobeat, a été récompensé à titre posthume avant la cérémonie des Grammy, pour avoir rendu éternel ce mélange de jazz, de funk, et de musiques traditionnelles de son terroir nigérian. Une question persiste toutefois : mais pourquoi de son vivant, Fela n'a-t-il pas été lauréat du Grammy ? « Il en a avait pourtant l'étoffe ! commente Wakatsera... « Mais la musique et les musiciens africains n'avaient, et n'ont, certainement pas les mêmes chances de promotion que ceux de l'Europe ou des États-Unis. Le pape de l'Afrobeat n'avait visiblement pas, aux yeux des organisateurs des Grammy Awards l'envergure mondiale de Beyoncé (...) » « Un Grammy à titre posthume, c'est toujours une marque de reconnaissance mondiale pour Fela, mais les artistes africains contemporains de valeur, il en existe bien et il faut espérer qu'ils soient récompensés de leur vivant, et non 29 ans après leur mort ! »

Our guest, comedian Larry Dorsey, Jr., introduces us to Afrobeat innovator Fela Kuti.We discuss how Kuti exported Pan-Africanism to the world through his music. We talk about his musical roots, his political activism and his *check notes* ... 27 wives???Tell us about your first listen @AtFirstListenPodcast on Instagram!Subscribe so you don't miss an episode!(Episode 44.)

In this powerful conversation, dancer and choreographer Otis Donovan Herring shares his journey from his earliest memories of dancing with his brother, to learning routines from TV music videos, to pursuing dance at Howard University.Otis opens up about:-His first experiences in dance and choreography-How music videos and icons like Aaliyah inspired him-The challenges of starting formal training later in life-Finding confidence during the Howard University dance intensive-His very first paid gig in the musical Fela!This episode is full of inspiration for dancers, creatives, and anyone chasing their passion.

Sierra Leone has deep reserves of resilience, and an ability to come together and overcome great obstacles embedded in its culture. To provide the kind of history that is all too often overlooked when reporting on current events on the African continent, we are encoring this Hip Deep episode, which explores the nation's past. When Sierra Leone gained independence in 1961, Freetown swayed to the beguiling, breezy lilt of palm wine guitar and danced to the funky pop of Geraldo Pino and the Heartbeats. Once a center of the trans-Atlantic slave trade, Sierra Leone became an improbable amalgamation of indigenous peoples and repatriated Africans freed from slavery. Thirty years of political and economic disintegration led to a horrific civil war that claimed tens of thousands of victims and created a generation of maimed bodies and ruined lives between 1991 and 2002. A significant portion of the violence was internal, with community members and sometimes children taking up arms against each other. Following the conflict, efforts to restore peace included truth and reconciliation programs aimed at strengthening social ties. This episode profiles the inspiring story of Sierra Leone's Refugee All Stars, a band formed in war-era refugee camps in Guinea. The band played a key role in giving citizens the courage to return home, and now, along with other young musicians in Freetown, attempt to pick up where others left off before the war. Produced by Simon Rentner with Wills Glasspiegel. APWW PGM #552 Originally broadcast in 2008

We're joined by Ajibola Grey — lawyer, caterer, and social media influencer (yes, all three) — for an engaging conversation that jumps across culture, life choices, and personal growth.We get into the ongoing Wizkid vs Fela conversation, unpack how making impulse decisions has shaped major parts of his life, and dive into his journey of quitting smoking — the discipline, mindset shift, and lessons that came with it.It's honest, entertaining, and surprisingly reflective — a conversation about choices, growth, and becoming more intentional with life.JOIN THE WHATSAPP CHANNEL:https://whatsapp.com/channel/0029VbBii6eLtOjA3h8LHg2BFOLLOW US ON:http://twitter.com/sonigerian_http://Instagram.com/sonigerian_http://twitter.com/damiar0shttp://instagram.com/_damiiaros7http://twitter.com/medici__ihttps://instagram.com/medici.ihttps://www.instagram.com/theajibolagreyhttps://twitter.comtheajibolagrey Hosted on Acast. See acast.com/privacy for more information.

On this week's episode of Afrobeats Weekly, Tunde and his co-host, Showontstop, review Wizkid and Asake's highly anticipated collab project, REAL, Vol.1 EP. They also discuss the Wizkid vs Fela comparisons, and review songs from New Music FridayOUTLINE00:00 - Introduction03:00 - Did you catch all that Ishow Speed drama06:50 - Seunkuti vs Wizid: Wizkid claims he's bigger than Fela13:05 -  Real Vol.1 by Wizkid and Asake 21:20 - New SongsMy Healer by Seyi Vibez, OmahLAyAkonuche Remix by Priest, Victony and ShodayMotho Waka by Ladipoe, Maglera Doe BoySolace by KunmieDo Not disturb by LovnIgboro by Boy SpyceBeauty Modara by Rudeboy 39:20 - The  Charts40:33 - Sign out

Guest: Leon "Kaleta" Ligan-Majekodunmi (Afrobeat guitarist, composer, bandleader)Host: Sohrab Saadat Ladjevardi, aka SoSaLa, MFM PresidentKey Topics & HighlightsKaleta's early life in BeninGrowing up near the Nigerian borderSecretly learning guitar against family expectationsFirst musical breakthroughs through church and street performancesMoving to Lagos at age 15Learning English while building a music careerImmersion in juju, highlife, and early AfrobeatJoining King Sunny Adé's band as a teenagerWriting and recording “E Ba Mi Dupe”Kaleta's composition recorded by King Sunny AdéBreakdown of juju guitar techniquesJoining Fela KutiAuditioning at the ShrineLife inside Kalakuta RepublicAfrobeat as discipline, politics, and collective thinkingTouring globally with Fela through the 1980s and early '90sImmigration and life after FelaStaying in the U.S. after Fela's final tour (1991)Rebuilding from scratchFounding multiple Afrobeat projects in New YorkWorking with Lauryn HillA chance rehearsal encounter led to touring togetherAfrobeat's influence across genres and generations“Country of Guns”Writing the song after witnessing gun violence news in the U.S.Music as social commentary, not just entertainmentAfrobeat in AmericaThoughts on Antibalas and non-African Afrobeat bandsAfrobeat vs. modern AfrobeatsAfrobeat as “roots music,” not museum musicMusic, organizing, and musicians' rightsFESTAC 77 FESTIVAL and Pan-Africanism Why musicians must act collectivelyParallels between Fela's activism and MFM's missionMusic Featured in the EpisodeKing Sunny Adé – E Ba Mi Dupe (composed/arranged by Kaleta)Zozo Afrobeat – Country of GunsKaleta & Super Yamba Band – Mr. DivaKaleta & Super Yamba Band – Ajogan Blues  CreditsProducer and host: Sohrab Saadat Ladjevardi aka SoSaLaPublisher: Musicians For Musicians (MFM), Inc.Technical support: Adam Reifsteck (MFM Board)https://musiciansformusicians.org

Nestled between Ghana, Burkina Faso, Niger, and Nigeria, Benin is a rich sliver of West Africa too often overlooked. This program puts Afropop's spotlight on Benin, starting with the country's favorite daughter. International star Angelique Kidjo looks back on her musical education in the Benin capital, Cotonou, as she walks us through the songs on her album Oyo, which spans covers of songs by James Brown, Aretha Franklin, Miriam Makeba, and Benin's own Bella Bellow. We meet the 70s "vodoun funk" band Orchestre Poly-Rythmo, who are still going strong, and recently made their belated US debut. We move forward to present a chat with Lionel Loueke, a Beninois guitarist who has moved on to become one of the most original voices in contemporary American jazz. The program ends with a remembrance of the brilliant Malian guitarist and singer Lobi Traore. APWW PGM #594 Originally aired in 2010

In the music of the French Antilles - the islands of Martinique and Guadeloupe - you can hear influences that range from the traditional béle and gwo ka drumming of the islands' rural communities, to European additions like polka and French chanson. But when these islands produced a pop genre that took much of the Caribbean and African world by storm - the smooth and sexy dance music zouk, which exploded in the 1980s - it was an entirely new blend that uniquely reflected the complex layers of identity in these Caribbean communities that are, administratively, a full-fledged part of France. Still colonies? Many think so. Either way the Antilles have long produced artists and thinkers with deep sensitivity to the gradations of race, class, migration, and relationship to a powerful, distant metropolis. Now, musicians in Guadeloupe and Martinique are re-exploring their roots, celebrating rhythms that go back to slavery days without pulling back from the cosmopolitanism of recent years. Our guide to this music - and the rich history and ongoing debates that it reflects - is Brenda Berrian of the University of Pittsburgh, whose book, Awakening Spaces: French Caribbean Popular Songs, Music and Culture, is a definitive - and enthusiastic - treatment of the subject. Hip Deep by Siddhartha Mitter. APWW #570 Produced by Siddhartha Mitter in 2009

Fela Kuti: Fear No Man is a 12-part podcast honoring the life and legacy of the inventor of Afrobeat, Fela Kuti. The show spotlights stories and perspectives from people highly influenced by Fela Kuti’s art and politics, including David Byrne, Brian Eno, Santigold, Questlove, Paul McCartney, and so many others. KEXP’s Roddy Nikpour spoke with the host of the podcast — someone with a very distinct flavor of storytelling — Jad Abumrad. He’s best known as the founder and original host of the public radio show, Radiolab, as well as other music-oriented podcasts like Dolly Parton's America. Abumrad is also a composer himself. “It's a really clever thing he's doing,” Abumrad says in the interview. “He moves you into a trance, wakes you up, then into politics — and then you're dancing at that point. So, your body's already in action. It's taking this political message and turning it into movement that then actually makes you want to do something.” The story of Fela Kuti goes beyond his lifetime, though. “The power of music is it'll outlive us,” Jad continues. “I think that's what Fela meant when he said ‘music is the weapon of the future.’ It's going to outlive the enemies. It will do something beyond us. And I hope he's right.” Support the show: kexp.org/deeperPhoto by: Leon MorrisSupport the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

The first decade of the 21st century saw the beginning of huge changes in African diaspora music. Afrobeats and amapiano were still in the cradle, but a new spirit was in the air. In this program, we return to that crucial decade to hear some of the bold new ideas bubbling up in Africa. We'll hear Buraka Som Sistema from Angola and Portugal, Nigerian rapper 9ice, an Akon remix of Amadou and Mariam, and a then emerging American rock band with a bright future ahead of them, Vampire Weekend. Produced by Wills Glasspiegel. Originally broadcast in 2009.

Once-substantial Jewish enclaves of Morocco, Algeria and other North Africa states have dwindled steadily since World War II, mostly through migration to Israel. In sub-Saharan Africa, lesser known Jewish communities provide strikingly different narratives. Guided by ethnomusicologist and Rabbi Jeffrey A. Summit of Tufts University, this program focuses on the history and music of a small but robust community of Jewish converts in Uganda, the Abayudaya. Summit's own recordings include the Abayudaya singing choral music, modified folkloric songs accompanied by local drums and harps, such as the enchanting adungu, and also ventures into pop music bring this remarkable story vividly to life. This program will also introduce history and music from a younger community of practicing Jews in Ghana. APWW #544 Produced by Banning Eyre.

One Song is sharing an episode of the new podcast Fela Kuti: Fear No Man. When the world is on fire, what can music actually do? Host Jad Abumrad recounts the true tale of one of the great political awakenings in music. Fela Kuti was a classically trained Nigerian musician who traveled to America, only to return to Nigeria and transform his sound into a battering ram against the state. Doing so, he created a new musical language of resistance called Afrobeat. But when the mix of art and activism got too hot, the state pulled out its guns and literally opened fire. In this episode, we hear how Fela's music had the power to move hearts, change minds, and heal the deepest wounds. Listen to more episodes of Fela Kuti: Fear No Man on Audible or at https://link.mgln.ai/onesong Learn more about your ad choices. Visit megaphone.fm/adchoices

In hard times and boom times, people in Ghana know how to party. In this program, we hear regional pop and neo-traditional music at festivals, funerals and community celebrations across the county. We travel to the lush south-east Volta region to hear Ewe borborbor, agbadza and brass band music. In the northern city of Tamale, we hear Dagbani traditional music, hip-hop and pop, and visit the vibrant Damba chieftaincy festival in nearby Yendi. And back in the bustling metropolis, Accra, there's new trend moving hips: classic highlife, with a new pop flavor. Produced by Morgan Greenstreet APWW #745

We couldn't get enough of the podcast Fela Kuti: Fear No Man, so to celebrate the show's finale, we're sharing another episode. As you might remember, Fela Kuti: Fear No Man is Jad Abumrad's true tale of one of the great political awakenings in music. In this episode, we hear about Fela's club, The Shrine. It was an oasis of freedom amidst a brutal dictatorship. Once inside – and on the dancefloor – the music intoxicated, enraptured and, ultimately, inspired resistance. You can binge the entire series now at https://link.mgln.ai/disgraceland To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

En el episodio de hoy de Plan de vida estudiaremos el libro de Hebreos: El sacrificio de Cristo, una vez y para siempreUn llamado a permanecer firmesGrandes ejemplos de feLa disciplina de Dios demuestra su amorUn llamado a escuchar a DiosPalabras finales Que tu lectura bíblica sea guiada por el Espíritu Santo hoy.¡Únete a ⁠⁠⁠nuestra comunidad en Facebook⁠⁠⁠ donde podrás hacer preguntas mientras leemos la Biblia juntas y conocer a otras mujeres que también están usando el plan!Síguenos⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠Sitio web⁠⁠⁠Recursos⁠⁠⁠⁠⁠Podcast semanal⁠⁠⁠⁠⁠⁠⁠⁠Estudios bíblicos⁠⁠⁠⁠⁠⁠⁠⁠Academia de Relaciones⁠⁠⁠⁠⁠⁠El plan en YouVersion

Tarab, the ecstatic feeling associated with listening to and playing great music, is a fundamental characteristic in many varieties of Arab music. In this program, we explore tarab with special guest UCLA ethnomusicology professor A.J. Racy. Racy draws on his lifelong study of music and musicians, and also his insights as a virtuoso performer on the nay flute and the buzuq. Racy guides us through the experiences of listeners and players, providing deep insight into many varieties of tarab. We hear works by A.J. Racy, Sabah Fakhri and Ensemble Al-Kindi of Syria.

Sweet accordion riffs, the steady twang of the triangle, and the off-beat pounding of the zabumba drum make forro a favorite for all Brazilians. The infectious tunes and syncopated beats have been described as "a mixture of ska with polka in overdrive." This edition of Afropop Worldwide's Hip Deep will profile forro creator Luiz Gonzaga--from the wanderlust that led him from his rural birthplace in northeastern Brazil to a pumping career in the capital, Rio de Janeiro, in the 1940s. Conversations with Brazilian artists, recorded on location in the forro capital of Recife, following in Gonzaga's footsteps. Produced by Megwen Loveless APWW #457

A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat. In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria's most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation. A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela's complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule. As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk. Chronicling Fela's perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time. Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO. Jibola's website and Bluesky. Conor McCreery is a former journalist turned comics scribe. He has written Assassin's Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children. Conor on Facebook and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat. In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria's most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation. A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela's complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule. As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk. Chronicling Fela's perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time. Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO. Jibola's website and Bluesky. Conor McCreery is a former journalist turned comics scribe. He has written Assassin's Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children. Conor on Facebook and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat. In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria's most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation. A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela's complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule. As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk. Chronicling Fela's perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time. Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO. Jibola's website and Bluesky. Conor McCreery is a former journalist turned comics scribe. He has written Assassin's Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children. Conor on Facebook and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat. In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria's most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation. A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela's complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule. As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk. Chronicling Fela's perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time. Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO. Jibola's website and Bluesky. Conor McCreery is a former journalist turned comics scribe. He has written Assassin's Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children. Conor on Facebook and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The massive Niger River Delta is a fantastically rich cultural region and ecosystem. Unfortunately, it has been laid low by the brutal Biafran War (1967-70) and by decades of destructive and mismanaged oil exploration. This program offers a portrait of the region in two stories. First, we chronicle the Biafran War through the timeless highlife music of Cardinal Rex Jim Lawson, perhaps the most popular musician in Nigeria at the time. Then we spend time with contemporary musical activists in Port Harcourt's waterfront communities and in oil-ravaged Ogoniland to hear how music is providing hope for these profoundly challenged communities. The program features new and classic music, the words of Nigerian scholars, musicians, activists and veterans of the Biafran War, concluding with an inspiring live highlife concert on the Port Harcourt waterfront in which rappers and highlife graybeards come together to imagine a better road ahead. Produced by Banning Eyre APWW #754

Salegy may be the most popular dance music of Madagascar. It's a churning, harmonious groove with spine-stiffening vocal harmonies that emerged from towns and cities of northern Madagascar in the mid-20th century. On a trip to Diego Suarez, we learn that salegy's older origins are both fascinating and mysterious. We meet young salegy stars Ali Mourad and Jacs, and speak with the genre's reigning legend, Jaojoby, on the roof of his nightclub in Antananarivo. Along the way we visit a music school in Diego and hear blazing guitar riffs and get a fingerpicking tour of the entire island from guitar maestro Hajazz. Produced by Banning Eyre APWW #698

It's 25 years since the opening of the New Afrika Shrine, an open-air entertainment centre in Nigeria. A hub for Afrobeat music and culture, it's dedicated to the legacy of Fela Kuti who pioneered the genre.Omoyeni Anikulapo-Kuti, also known as Yeni Kuti, is Fela's eldest daughter. She speaks to Surya Elango about building the New Afrika Shrine.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Fela Kuti performing. Credit: Frans Schellekens/Redferns)

On a visit to the U.S. Virgin Islands in winter 2018, we took the pulse of the national music of St. Croix – quelbe. Rarely recorded, rarely exported, quelbe is an energetic form, led by sax or flute with percussion and banjo, and it fuels the traditional dance style, quadrille. St Croix is the largest of the U.S. Virgin Islands, and sits alone 42 miles south of St. Thomas and St. John. That's part of why traditional music and dance forms have remained strong on St. Croix. Meet bandleaders Stanley Jacobs of Stanley and the 10 Sleepless Knights, and Dmitri Copemann of the Renaissance Band, who are cultivating a vibrant next generation. Produced by Marika Partridge and Banning Eyre APWW #782

AR04_NouraMintSeymali by Afropop Worldwide

Cabo Verde (aka Cape Verde) has long been known as a music powerhouse. Despite its little size (population: 500,000), the West African archipelago is the third largest country in music sales in the “World” market by some estimations. That's why the island has become home to the Atlantic Music Expo: a trans-oceanic music fair featuring conferences and concerts that attract musicians and industry professionals from across the globe. In this episode, Afropop takes a visit to the islands and the Expo to check out what's going on today with Cape Verdean music. We hear from talented new singer-composers Dino D'Santiago and Ceuzany, check out high-energy funana from Ferro Gaita and Ze Espanhol, and sample other tasty musical fruits from the islands that created Cesaria Evoria. Produced by Marlon Bishop APWW #687

---Father of a child with a disability (autism/nonverbal). Discuss challenges with labor and birth process, expectations vs reality both parents faced.---Following birth, choices we had to make for our child's care, was a preemie and experienced constant failure to thrive, wrestling with opinions of family/doctors.---Navigating early stages of my child's diagnosis, questions and dilemmas we faced as parents, opinions of doctors and specialists as to best protocols or treatments.I'm a national disability advocate, do a variety of speaking at conferences, podcasts, blogging, and a personal memoir of my journey being published later this year.FIND HIM HERE:www.johnfela.comwww.facebook.com/johnsspecialneedsblogwww.instagram.com/john_fela_1/https://www.linkedin.com/in/john-fela-0b839920/www.x.com/jfelageller74

Since the 1960s in Jamaica, iconic figures such as Bob Marley have gathered in backyards to write reggae anthems that conquered world charts. The yard remains a cornerstone in Jamaican culture. Musicians withdraw from the violence of the city to create and play songs in their yards. In Jamaican patois, “mi yard” means “my home,” and many songs, proverbs and colloquialisms hinge on the word “yard.” More even than the music itself, the yard evokes a state of mind and a physical space wherein artists create amid the warmth of acoustic sound, raw emotion of voices and a collective energy. In this program, we move yard to yard in Jamaica, listening to acoustic music being written and recorded, smelling trees and flowers, and meeting legendary artists like Ken Boothe, Winston McAnuff, Cedric Myton of the Congos, Kiddus I, Robbie Lyn, Viceroys, or Nambo Robinson, as well as a number of young and emerging reggae artists like JAH9, Var, and Derajah, who grew up and found their artistic voices in ghetto yards. You've never heard Jamaica sound like this before! Produced by Elodie Malliot APWW #753

Join us on a musical adventure into the storied past of Africa's Rainbow Nation. In 2016, 20-plus years removed from apartheid, South Africa was a nation deep in transition. And, that was reflected in its music—brimming with enthusiasm and creativity, yet also suffering from the growing pains of a new democracy. On the ground at the 2016 Cape Town International Jazz Festival, we celebrate the country's amazing diversity and discover its hottest local talent: Mafikozolo, the sizzling fashionista Zulu pop duo; Tribute “Birdie” Mboweni, a soulful and socially conscious songbird from the rural north; Gigi Lamayne, a fresh voice from hip-hop's "born-free" generation; Bokani Dyer, a worldly jazz-cat on 88 keys; and Derek Gripper, a Capetonian guitarist virtuoso making us rethink African classical music as a whole. Produced by Sarah Geledi and Simon Rentner APWW #732

Sharing an episode of the new podcast Sharing an episode of the new podcast Fela Kuti: Fear No Man. When the world is on fire, what can music actually…do? Host Jad Abumrad recounts the true tale of one of the great political awakenings in music. Fela Kuti was a classically-trained Nigerian musician who traveled to America, only to return to Nigeria and transform his sound into a battering ram against the state. Doing so he created a new musical language of resistance called Afrobeat. But when the mix of art and activism got too hot, the state pulled out its guns, and literally opened fire.In this episode, we hear how Fela's music had the power to move hearts, change minds, and heal the deepest wounds. Listen to more episodes of Fela Kuti: Fear No Man at https://link.mgln.ai/rollingstone . When the world is on fire, what can music actually…do? Host Jad Abumrad recounts the true tale of one of the great political awakenings in music. Fela Kuti was a classically-trained Nigerian musician who traveled to America, only to return to Nigeria and transform his sound into a battering ram against the state. Doing so he created a new musical language of resistance called Afrobeat. But when the mix of art and activism got too hot, the state pulled out its guns, and literally opened fire.In this episode, we hear how Fela's music had the power to move hearts, change minds, and heal the deepest wounds. Listen to more episodes of Fela Kuti: Fear No Man at https://link.mgln.ai/rollingstone  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Musicians create worlds of their own. They are sonic alchemists. This program, originally produced in 2007, surveys a wide range of artists from throughout the African diaspora, artists with this special ability to spin out their own realities. We hear classic work from Basssekou Kouyate, Habib Koite, Youssou N'Dour, Konono No 1, The Assad Brothers, Dee Dee Bridgewater, and we hear many of them speak about their work. The Malian artists are particularly poignant, as they speak from a time before the turmoil that has enveloped the country since 2012. APWW #539 Produced by Banning Eyre.

Sharing an episode of the new podcast Fela Kuti: Fear No Man.When the world is on fire…what can music actually…do? Host Jad Abumrad recounts the true tale of one of the greatpolitical awakenings in music. Fela Kuti was a classically-trained Nigerian musician whotraveled to America, only to return to Nigeria and transform his sound into a battering ramagainst the state. Doing so he created a new musical language of resistance called Afrobeat.But when the mix of art and activism got too hot, the state pulled out its guns, and literallyopened fire.In this episode, we hear how Fela's music had the power to move hearts, change minds, andheal the deepest wounds. Listen to more episodes of Fela Kuti: Fear No Man athttps://link.mgln.ai/disgraceland To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices