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Now that Captain Wentworth is residing in the neighborhood, his presence is unavoidable, and he and Anne are repeatedly in the same circle. There's a civil cordiality between the two, but nothing more. But his lively manners and stories of life on the high seas are quickly making him a favorite, especially with the two young Miss Musgroves, Henrietta and Louisa. Anne is happy to remain in the background, though Captain Wentworth's cold politeness is difficult for her to bear. But bear it she must, and as she does, let Anne's patience soothe you and help you drift into a night of gentle and relaxing sleep.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: http://bedtimestoriespodcast.net/support -----Follow us on Instagram: https://www.instagram.com/janeaustenbedtimepod/-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au
It's official: Captain Wentworth is at Kellynch. Conveniently for Anne, her nephew's sprained collar bone offers the perfect excuse for her to stay back when Captain Wentworth calls at Uppercross. But she can't avoid him forever, and a surprise morning visit to Uppercross Cottage brings them back together after nearly eight years apart. Captain Wentworth is in the country with a mind for marriage, but not to Anne Elliot - in fact, he found her "so altered that he should not have known her again." The words linger with Anne long after his short visit is over. As she reflects, let her thoughts fill your mind and help you forget your day as you fall into another night of peaceful slumber.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: http://bedtimestoriespodcast.net/support -----Follow us on Instagram: https://www.instagram.com/janeaustenbedtimepod/-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au
Anne is getting comfortable at Uppercross, which means lots of time with the Musgroves, and they're all very grateful to have Anne as a go-between and sounding board for their various complaints about each other - especially Mary and Mrs. Musgrove. Meanwhile, the Crofts have arrived at Kellynch. Upon meeting them, Anne learns that Captain Wentworth is on his way to Kellynch too. It's very trying for Anne's nerves, but she needs to find a way to relax. As she does, let the latest chapter in her story help you relax, as you end your day and find your way into a night of restorative slumber.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: http://bedtimestoriespodcast.net/support -----Follow us on Instagram: https://www.instagram.com/janeaustenbedtimepod/-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au
Anne can't get it out of her mind that he may soon be returning to Kellynch, and he is none other than Captain Frederick Wentworth. Seven years ago, the two were engaged, but Anne was persuaded by her dear Lady Russell to end the engagement. Now, Captain Wentworth has made his fortune in the Navy, and may soon be back in Anne's orbit, and Anne needs a great many strolls to calm her nerves. Her reflections on the past will help you calm your own nerves, as this week's story carries you away from your day and into another night of soft and restful slumber.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: http://bedtimestoriespodcast.net/support -----Follow us on Instagram: https://www.instagram.com/janeaustenbedtimepod/-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au
In this episode, we talk about Lyme, the connection between Anne and Captain Benwick, whether these chapters make us wonder if Anne will end up with someone other than Captain Wentworth, and Louisa's fall from the steps.The characters we discuss are Captains Harville and Benwick. In the historical section, Ellen talks about romantic poetry, and for popular culture Harriet discusses the 2022 Netflix film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Samuel Johnson, The Rambler (periodical, published 1750-1752)Dr John GregoryHester ChaponeStairs on the CobbThe stairs closest to the shore (used in the 1971 adaptation)The middle set of stairs, known as ‘Granny's teeth' (used in the 1995 adaptation)The third set of stairs (used in the 2007 and 2022 adaptations)Google map of the steps on the Cobb For a list of references in the Historical and Popular culture sections, see this episode on our website.
Tonight, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses, by renting their home to an Admiral and his wife. In the last episode, concluding chapter 16, Mr. Elliot continues his frequent visits to Camden Place, charming Sir Walter and Elizabeth with his polished manners and apparent desire to reconnect with the family. Lady Russell, once indifferent to him, now views him as a highly suitable match for Anne. Anne, however, remains cautious. Though she acknowledges Mr. Elliot's attentiveness and refinement, she is not fully at ease with his motives. His flattery feels calculated, and she senses a lack of emotional sincerity. She compares his composed charm with the deeper, more genuine feeling she once shared with Captain Wentworth. As Mr. Elliot's admiration grows more obvious, Anne is left feeling both flattered and wary of his true intentions. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we talk about how how Jane Austen tells us about the feelings of Anne and Captain Wentworth, and how the narrator captures Anne's emotions; the building up of the relationship between Charles and Mary, and their reaction to Little Charles' accident; Mrs Musgrove's feelings about her son; and Mrs Croft's travels.The character we discuss is Captain Wentworth. In the historical section, Harriet's partner Michael talks about the Navy, and for popular culture both Harriet and Michael discuss 1995 BBC film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Character discussion:First Impressions podcast, ‘Ep 17: Persuading Kristin to Like Persuasion‘, 22 January 2017.Historical discussion:Security to Merchant Ships Act 1707 (6 Ann. c. 65), generally known as the Cruisers and Convoys Act 1708Distribution of prize money: see table on our websitePopular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
Bath is a buzz with the gossip of an impending proposal, but the future bride appears unaware, instead being focused on the arrival of her past paramour. Anne's family continues to make social faux pas by ignoring the newly arrived Captain Wentworth, in a reigniting of conditions that caused Anne to break their engagement eight years prior. Mrs Smith has heard the gossip around town and cryptically comments to Anne on her perception of the impact on their renewed friendship. Italian Opera provides an opportunity for dueling suitors to attempt to gain Anne's attention and despite her best efforts, her attentions are dominated not by her heart, but by her sense of duty. When will she put herself first? This episode covers chapters 19 and 20 of Jane Austen's Persuasion.We hope you enjoyed this episode of Ballarat National Theatre's adaptation of Jane Austen's Persuasion and will join us each week until all the episodes have been released. This production is directed and narrated by Liana Emmerson, with Sarah Barlow as assistant director for sound design and composition.This episode features the voices of:Alix Roberts as Anne ElliotJack Emond as Captain Frederick WentworthTimothy Corrigan as Mr ElliotNicholas Barker-Pendree as Sir Walter ElliotHelen Gibson as Elizabeth ElliotMiriam Wood as Lady RussellJane Gaylor as Lady DalrymplePhilippa Elder as Mrs SmithThis podcast features original compositions within the chapters by Sarah Barlow, Liana Emmerson and Helen Gibson.This podcast was produced by Ballarat National Theatre on the lands of our traditional custodians the Wadawurrung people. Further sound production and cast recordings were made in the lands of the Wotherong, Wurundjeri, Woi-wurrung, and Boon Wurrung peoples of the Kulin Nation and the Gadigal People of the Eora Nation. Ballarat National Theatre acknowledges and pays respect to the traditional custodians and to their leaders, past and present. This podcast was made possible because of the financial contributions of the following patrons: Aparajita Raychaudhury, Josh Illichmann, Elaine Tso, Tessa Braun, Sean Rundell, Brianna Cook, Shelley Barnes, Xuan-Trang Nguyen, Sue Skewes, Sarah Macgregor, Lynne Gibbs and Rod Skewes. Thank you from the director for supporting access to technology that allowed this podcast to be made.This podcast was possible because of collaborative support for recording and music performance from Ballarat Grammar Academy: Sound and Performance. It is also supported by grant funding from the City of Ballarat.Let us know you're listening with a message!Find us on social media to stay in touch with us!Visit our website www.bnt.org.auFind us on Instagram @balnattheatreFollow us on Facebook: Ballarat National Theatre IncShop merch on Threadless https://ballaratnationaltheatre.threadless.com/
Tonight, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses, by renting their home to an Admiral and his wife. We will pick up early in Chapter 13, where we left off in the last episode. This chapter is also the start of the second volume, or half, of “Persuasion”. Anne Elliot is reunited with Lady Russell, her confidante and mentor. Lady Russell remains keenly interested in Anne's prospects and happiness, though her advice in the past led to Anne breaking off her engagement with Captain Wentworth. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
Tonight, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses, by renting their home to an Admiral and his wife. In the last episode, the off-season tourists to the beach town of Lyme are surprised to learn that the mysterious gentleman they passed by was not only a cousin to Anne and Mary Elliot, but was the heir to their family fortune. Later, a tragic accident occurs suddenly after Louisa playfully falls from a ledge, expecting to be caught by Captain Wentworth. The situation is sudden and terrible, and each individual in the group shows their ability (or inability) to handle the emergency with grace. Anne's steadiness and calm particularly shines. Louisa is alive but unresponsive, and it is decided that she will stay at the Harville's, in their care, while she recovers. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
It's the day of the concert! Anne and Wentworth finally get a chance to talk. Anne is CERTAIN that Wentworth loves her, Mr. Elliot makes his intentions clear, Captain Wentworth is JEALOUS, and Molly is shipping Elliot and Anne.Topics discussed include some clarification on marriage rules, the possibility of recovering from a broken heart, whomst Elliot's friend might be, why Elliot's proposal is a surprise, and whether Anne would accept if Wentworth proposed now.Glossary of Terms and Phrases:contiguous (adj.): next or together in sequence.Glossary of People, Places, and Things: Revenge of the Sith Opera House, the Bolshoi, Curb Your EnthusiasmPatron Study Questions:Avi: In this chapter Wentworth offers Anne his umbrella. Do you think this is something he would have done earlier in the book? What does that signify about Wentworth and his own journey? Ghenet: What do you think Anne and Wentworth's conversation (about Lyme, about Benwick and Louisa etc) tells us about what he's feeling (not just what Anne thinks he's feeling - is she a reliable narrator in this moment?)Becca's Study Questions: Topics discussed include what would change is Wentworth professed his love to Anne, Sir Walter's opinion of Wentworth, how Elliot has heard of Anne before and whether he knew she was coming to Bath, and whose team we're on.Funniest Quote: “Yes, yes, I see you are. I see you know nothing of the matter. You have only knowledge enough of the language to translate at sight these inverted, transposed, curtailed Italian lines, into clear, comprehensible, elegant English. You need not say anything more of your ignorance. Here is complete proof.”Questions Moving Forward: Why did Elliot come to Bath? If Wentworth proposed to Anne now, would she accept?Who wins the chapters? Mr. ElliotNext Episode: Volume 2 Chapter 9Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://www.teepublic.com/stores/pod-and-prejudice?ref_id=23216
Tonight, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses, by renting their home to an Admiral and his wife. In the last episode, the off-season tourists to the beach town of Lyme become acquainted with Captain Wentworth's friends, Captain and Mrs. Harville along with Captain Benwick. At a dinner party, Anne spends the evening chatting about poetry and literature with the melancholic Captain Benwick. The next day, a gentleman stranger seems captivated with Anne's fine looks, which seemed to have regained their earlier charms amidst the fresh air and change of scene. In the last chapter, and in the coming episode, there is mention of the “cobb” that tourists visit in Lyme. The cobb is a real-life harbor wall originally constructed in ancient times to act as a breakwater to protect the ships and the town. To this day, no one knows for sure when it was originally constructed, or why it is called the Cobb. We will pick up within chapter twelve. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
CHANGE AUDIO FILE BEFORE PUBLISHINGAnne's time in Bath is improved by the discovery that an old school friend, Mrs Smith (nee Hamilton), lives in town, however, she is shocked at her old friend's living situation, a consequence of extravagance and the early death of her husband. Despite her lower station in life, Anne chooses to regularly visit her friend, eschewing more socially acceptable invitations, much to the chagrin of her social climbing family. Lady Russell forms an opinion of Mr Elliot's intentions yet Anne remains unconvinced. An engagement is announced from Lyme bringing joy and hope. The Crofts appear at Bath, providing renewed opportunities to discuss Captain Wentworth. Will the Croft's presence bring him back into Anne's circle? If so, will he notice her, or be distracted by the many young women of Bath eagerly awaiting his suit? This episode covers chapters 17 and 18 of Jane Austen's Persuasion.We hope you enjoyed this episode of Ballarat National Theatre's adaptation of Jane Austen's Persuasion and will join us each week until all the episodes have been released. This production is directed and narrated by Liana Emmerson, with Sarah Barlow as assistant director for sound design and composition.This episode features the voices of:Alix Roberts as Anne ElliotNicholas Barker-Pendree as Sir Walter ElliotHelen Gibson as Elizabeth ElliotBreanna Geer as Mary MusgroveMiriam Wood as Lady RussellTim Murphy as Admiral CroftPhilippa Elder as Mrs SmithThis podcast features original compositions within the chapters by Sarah Barlow, Liana Emmerson and Helen Gibson.This podcast was produced by Ballarat National Theatre on the lands of our traditional custodians the Wadawurrung people. Further sound production and cast recordings were made in the lands of the Wotherong, Wurundjeri, Woi-wurrung, and Boon Wurrung peoples of the Kulin Nation and the Gadigal People of the Eora Nation. Ballarat National Theatre acknowledges and pays respect to the traditional custodians and to their leaders, past and present. This podcast was made possible because of the financial contributions of the following patrons: Aparajita Raychaudhury, Josh Illichmann, Elaine Tso, Tessa Braun, Sean Rundell, Brianna Cook, Shelley Barnes, Xuan-Trang Nguyen, Sue Skewes, Sarah Macgregor, Lynne Gibbs and Rod Skewes. Thank you from the director for supporting access to technology that allowed this podcast to be made.This podcast was possible because of collaborative support for recording and music performance from Ballarat Grammar Academy: Sound and Performance. It is also supported by grant funding from the City of Ballarat.Let us know you're listening with a message!Find us on social media to stay in touch with us!Visit our website www.bnt.org.auFind us on Instagram @balnattheatreFollow us on Facebook: Ballarat National Theatre IncShop merch on Threadless https://ballaratnationaltheatre.threadless.com/
Tonight, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses and reduce their debt, by renting their home to an Admiral and his wife. In the last episode, Anne finally extricates herself from the long, awkward walk through the countryside by hitching a ride with Captain Wentworth's parents, who happen to pass by in their carriage. Anne starts to look forward to meeting back up with Lady Russell after her two month stay with her sister, and moving on with her life. We will pick up our story where the group of young people went to visit the scenic town of Lyme on a lark, where Captain Wentworth has old friends. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
Anne is in Bath, and surprise, surprise, so is Captain Wentworth. Everyone has fortuitously converged at Molland's, and we're here to break down the momentous occasion. If you have ever run into your ex at the confectionery shop, this episode is for you. You can find us online at https://www.thethingaboutausten.com and follow us on Instagram @TheThingAboutAusten and on Twitter @Austen_Things. You can email us at TheThingAboutAusten@gmail.com and head over to https://www.redbubble.com/people/aboutausten/shop to check out podcast related merch.
This episode is only covering one chapter because this chapter brings the DRAMA. We meet a new man who draws our attention the fact that Anne is hot, Louisa jumps down a flight of stairs and gets a severe concussion, and Wentworth shows that he trusts Anne.Topics discussed include Cape Cod, the way Wentworth came to the rescue for Benwick, Chekhov's Cobb, Joan and the lawn mower, Mary's pettiness, and Anne as Eponine.Glossary of Terms and Phrases:stiles (n): an arrangement of steps that allows people but not animals to climb over a fence or wall.Glossary of People, Places, and Things: Mad Men, Les Miserables, Hamilton, Friends, the SeagullPatron Study Questions:Emily: We have two instances in this chapter of Captain Wentworth voluntarily rushing to deliver upsetting news. What does it tell us about his character that he takes on this duty?Ghenet: What are your thoughts on Captain Benwick and Cousin Elliot? Why do you think they're doing for the story at this point?Avi: The scene at the Cobb is, justifiably, one of the most famous in Persuasion. What does this show about Anne's character and what does this show about how everyone, particularly Wentworth, really feel about Anne when all pretensions and conventions are stripped away?Becca's Study Questions: Topics discussed include Mr. Elliot's reaction to Anne, Anne's transformation, the accident and what it does to the story, what it teaches us about the characters, the difference between persuadable characters and resolute characters, and Anne's separation from the rest of the party.Pod and Prejudice is sponsored this week by Laurence King Publishing. Check out their Jane Austen board games, card games, playing cards and puzzles! UK listeners can check them out at www.laurenceking.com, and US listeners can check them out at us.laurenceking.com.Funniest Quote: “I wish,” said Henrietta, very well pleased with her companion, “I wish Lady Russell lived at Uppercross, and were intimate with Dr. Shirley. I have always heard of Lady Russell as a woman of the greatest influence with everybody! I always look upon her as able to persuade a person to anything! I am afraid of her, as I have told you before, quite afraid of her, because she is so very clever; but I respect her amazingly, and wish we had such a neighbor at Uppercross.”Questions Moving Forward: Will the storylines be splintered from here on out?Who wins the chapters? Anne
Tonight, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses and reduce their debt, by renting their home to an Admiral and his wife. In the last episode, we find Anne obliged to go on what should be a very awkward walk through the countryside with her sister Mary, their cousins Henrietta and Louisa, her brother-in-law Charles, and Captain Wentworth. We observe the degree to which Captain Wentworth prizes conviction and loyalty in a woman in reaction to how Anne had allowed herself to be persuaded against him eight years earlier. Their long walk seems random but when they reach the grounds of the cousin's relation's The Hayter's home, Henrietta and Charles go in to visit while the rest of the party stay out in the woods to enjoy the fresh air. Anne rests quietly while the others go walking around. She accidentally ends up privy to a conversation between Louisa and Captain Wentworth where Louisa gives the captain an example of her sister being indecisive towards her old lover Charles Hayter, and the captain uses this as an example of what he most abhors. We will pick up in this private conversation. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
Today, Anne and Wentworth are thrown together in a variety of awkward situations, and we discover a love quadrangle. Topics discussed include the devastation of not being able to read your favorite book again for the first time, military superstitions, Hayter the hater, how much we love the Crofts, an abundance of Charleses, and Anne's deeply held beliefs.Glossary of Terms and Phrases:assizes (n): a court which formerly sat at intervals in each county of England and Wales to administer the civil and criminal law. freehold (n): permanent and absolute tenure of land or property with freedom to dispose of it at will.frigate (n): a warshiprizz (n): style, charm, or attractiveness; the ability to attract a romantic or sexual partner.Glossary of People, Places, and Things: Little Women (2019), Pirates of the Caribbean, Adele, the Napoleonic Wars, Gilmore Girls, Friends, HOT TO GO!, Taylor Swift, Renee Rapp, Heartstopper, Chappell Roan, Olivia RodrigoPatron Study Questions:Ghenet: What song - Taylor or otherwise - is on repeat on Anne's Sad Girl™️ playlist?Emily: Hearing Mrs Croft's account of her life as a captain's wife, how do you think Anne would have changed over the eight years if she had been married to captain Wentworth instead of the eight years that she instead spent living with her family?Hannah: How much of the narration do you think is Anne's internal dialog? Is it all Jane Austen from her rocking chair or a mix of both?Hannah: Do you think Captain Wentworth is in love with one of the Musgrove sisters?Becca's Study Questions: Topics discussed include Wentworth's character and how he feels about Anne, how he feels about women, and the differences between the Musgroves' and Elliots' stances on marriage.Funniest Quote: "Mrs Musgrove had not a word to say in dissent; she could not accuse herself of having ever called them anything in the whole course of her life."Questions Moving Forward: Which sister does Wentworth like better? Who likes him more? How long will Wentworth stay?Who wins the chapters? Mrs. CroftOur show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://www.teepublic.com/stores/pod-and-prejudice?ref_id=23216
Tonight, for Snoozecast's 900th episode, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses and reduce their debt, by renting their home to an Admiral and his wife. In the last episode, we learn just how much of an eligible and desirable bachelor Captain Wentworth has become. The world of women has opened to him, even as the number of suitors seems to have dwindled for Anne with time. Meanwhile, a cousin and Henrietta's suitor named Charles Hayter is dismayed to find upon returning from a trip that his sweetheart's affections appear to have shifted towards Captain Wentworth. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
In today's chapters, Mary and Charles Musgrove complain to Anne, the Crofts move in to Kellynch Hall, we learn the tale of Poor Richard, Lil C gets injured, and Captain Wentworth comes to visit. Topics discussed include the ranks of British nobility, our high school math classes, internal panic, Wentworth's band of misfit boys, and Wentworth's intentions to marry.Glossary of Terms and Phrases:Gadding (v): go around from one place to another, in the pursuit of pleasure or entertainment.Glossary of People, Places, and Things: Kesha, Am I Okay?, Dakota Johnson, The Notebook, happier, Arrested Development, Schitt's Creek, Jojo SiwaPatron Study Questions:Emily: Anne has very few confidantes in the book so far - how does that change how we learn about her and her hopes?Kat: This book is often described as Austen's more deep or perhaps more serious work, but it is also incredibly funny! What do you think about the balance between the intense pining and heartache and humour in these chapters? We don't have many sassy/witty lines like the ones in P&P, instead we have Jane Austen in her rocking chair painting a hilarious picture for us and I love it!Ghenet: First impressions of Captain Wentworth?Becca's Study Questions: Topics discussed include how Jane teaches us about Anne, the role of the Crofts, the last eight years, what Wentworth wants, and whether Anne is of feeble character.Funniest Quote: One of the least agreeable circumstances of her residence there was her being treated with too much confidence by all parties, and being too much in the secret of the complaints of each house. Known to have some influence with her sister, she was continually requested, or at least receiving hints to exert it, beyond what was practicable. “I wish you could persuade Mary not to be always fancying herself ill,” was Charles's language; and, in an unhappy mood, thus spoke Mary: “I do believe if Charles were to see me dying, he would not think there was anything the matter with me. I am sure, Anne, if you would, you might persuade him that I really am very ill—a great deal worse than I ever own.”Questions Moving Forward: Does Captain Wentworth want to marry a Musgrove daughter?Who wins the chapters? Captain WentworthOur show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://www.teepublic.com/stores/pod-and-prejudice?ref_id=23216
Tonight, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, a twenty-seven year old Englishwoman, whose family moves in order to lower their expenses and reduce their debt, by renting their home to an Admiral and his wife. In the last episode, Anne hears from her sister Mary that Captain Wentworth remarked that he felt Anne was so changed he would not have recognized her. This deeply mortifies Anne, though she admits it to be true. Captain Wentworth, still bitter over their past, shows no desire to renew their acquaintance despite frequent social interactions. His focus is now on finding a suitable marriage, excluding Anne from his considerations, though he still has some lingering unresolved feelings. We pick up in the middle of a conversation between Captain Wentworth, his sister and her husband, Mrs. and Admiral Croft and the Musgrove family regarding the Captain's naval experiences. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
Tonight, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, a twenty-seven year old Englishwoman, whose family moves in order to lower their expenses and reduce their debt, by renting their home to an Admiral and his wife. In the last episode, Anne Elliott is distressed by the frequent mention of Captain Wentworth, whom she realizes is the same man she once knew years ago. She steels herself for his arrival in the area, aware that she must learn to cope with his presence. The Musgroves, grateful for the care Captain Wentworth showed to their deceased son, are eager to meet him. Anne faces an emotional trial when Captain Wentworth arrives and quickly earns the admiration of the Musgrove family. However, Anne narrowly avoids meeting him due to a child's accident, which consumes her attention. Despite the child's recovery, Anne remains tense about seeing Wentworth. The Musgroves' praise of him deepens her turmoil, as she navigates her complex feelings and memories. When Anne finally sees Captain Wentworth briefly, she struggles with the realization that their long separation has not lessened her emotional response to him, despite her attempts at rationalizing the passage of time and the changes it brings. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
Whilst her sister and brother-in-law remain in Lyme, Anne visits her friend and mentor, Lady Russell. Despite a strained start, the women are able to converse more freely, with Anne revealing her suspicious that Captain Wentworth is attached to Louisa Musgrove. A visit by the duo to the tenants of Kellynch Hall reminds Anne of what her father's hubris has lost them, and she is also informed that Captain Wentworth has been speaking of her. The return of Mary and her family to Uppercross fills the house with light and laughter, a stark contrast to before where the cloud of Louisa's injury cast a pall over the whole party. A letter from her sister Elizabeth alerts Anne to the presence of Mr Elliot, the cousin to whom she became reacquainted at Lyme, in Bath, where he has regained his place within the family. Lady Russell and Anne determine their presence will be much better served in Bath. What intrigues await them there – and how will this affect Anne?This episode covers chapters 13 and 14 of Jane Austen's Persuasion.We hope you enjoyed this episode of Ballarat National Theatre's adaptation of Jane Austen's Persuasion and will join us each week until all the episodes have been released. This production is directed and narrated by Liana Emmerson, with Sarah Barlow as assistant director for sound design and composition.This episode features the voices of:Alix Roberts as Anne ElliotTim Murphy as Admiral CroftBreanna Geer as Mary MusgroveEmil Freund as Charles MusgroveMiriam Wood as Lady RussellClare Hamer as Mrs MusgroveBarry Kay as Mr MusgroveThis podcast features original compositions within the chapters by Sarah Barlow, Liana Emmerson and Helen Gibson.This podcast was produced by Ballarat National Theatre on the lands of our traditional custodians the Wadawurrung people. Further sound production and cast recordings were made in the lands of the Wotherong, Wurundjeri, Woi-wurrung, and Boon Wurrung peoples of the Kulin Nation and the Gadigal People of the Eora Nation. Ballarat National Theatre acknowledges and pays respect to the traditional custodians and to their leaders, past and present. This podcast was made possible because of the financial contributions of the following patrons: Aparajita Raychaudhury, Josh Illichmann, Elaine Tso, Tessa Braun, Sean Rundell, Brianna Cook, Shelley Barnes, Xuan-Trang Nguyen, Sue Skewes, Sarah Macgregor, Lynne Gibbs and Rod Skewes. Thank you from the director for supporting access to technology that allowed this podcast to be made.This podcast was possible because of collaborative support for recording and music performance from Ballarat Grammar Academy: Sound and Performance. It is also supported by grant funding from the City of Ballarat.Let us know you're listening with a message!Find us on social media to stay in touch with us!Visit our website www.bnt.org.auFind us on Instagram @balnattheatreFollow us on Facebook: Ballarat National Theatre IncShop merch on Threadless https://ballaratnationaltheatre.threadless.com/
Competition does wonders for reflecting on what might have been as Wentworth observes another man noticing Anne. The Elliot's cousin, and heir to Kellynch Hall, has coincidentally arrived in Lyme and is staying at the same hotel as the Uppercross party. Having previously rejected the Baronetage, and a family plan to engage him to Anne's sister Elizabeth, his estrangement from the Elliot's is still raw for Anne. However, opportunities arise for conversation and clearing of air. Girlish tomfoolery results in injury and the ever-noble Captain Wentworth reflects on his culpability in seeking Anne's counsel; yet his demeanour is staid. How different this man is from the Wentworth Anne knew all those years earlier! Could she ever have loved THIS Wentworth?This episode covers Chapter 12 of Jane Austen's Persuasion.We hope you enjoyed this episode of Ballarat National Theatre's adaptation of Jane Austen's Persuasion and will join us each week until all the episodes have been released. This production is directed and narrated by Liana Emmerson, with Sarah Barlow as assistant director for sound design and composition.This episode features the voices of:Alix Roberts as Anne ElliotJack Emond as Captain Frederick WentworthBreanna Geer as Mary MusgroveEmil Freund as Charles MusgroveCasey Bohan as Louisa MusgroveEleanor Golding as Henrietta MusgroveNicholas Barker-Pendree as Male ServantThis podcast features original compositions within the chapters by Sarah Barlow, Liana Emmerson and Helen Gibson which has been mastered by Charli Hughes.This podcast was produced by Ballarat National Theatre on the lands of our traditional custodians the Wadawurrung people. Further sound production and cast recordings were made in the lands of the Wotherong, Wurundjeri, Woi-wurrung, and Boon Wurrung peoples of the Kulin Nation and the Gadigal People of the Eora Nation. Ballarat National Theatre acknowledges and pays respect to the traditional custodians and to their leaders, past and present. This podcast was made possible because of the financial contributions of the following patrons: Aparajita Raychaudhury, Josh Illichmann, Elaine Tso, Tessa Braun, Sean Rundell, Brianna Cook, Shelley Barnes, Xuan-Trang Nguyen, Sue Skewes, Sarah Macgregor, Lynne Gibbs and Rod Skewes. Thank you from the director for supporting access to technology that allowed this podcast to be made.This podcast was possible because of collaborative support for recording and music performance from Ballarat Grammar Academy: Sound and Performance. It is also supported by grant funding from the City of Ballarat.Let us know you're listening with a message!Find us on social media to stay in touch with us!Visit our website www.bnt.org.auFind us on Instagram @balnattheatreFollow us on Facebook: Ballarat National Theatre IncShop merch on Threadless https://ballaratnationaltheatre.threadless.com/
Tonight, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, a twenty-seven year old Englishwoman, whose family moves in order to lower their expenses and reduce their debt, by renting their home to an Admiral and his wife. In the last episode, Anne Elliot visits Uppercross and is struck by the stark contrast between the concerns of the Musgroves and those of her family at Kellynch Hall. Despite the short distance between the two places, the conversations and interests at Uppercross revolve around local and everyday matters like hunting, household management, and social gatherings, rather than the weighty and publicized affairs of Kellynch. Anne learns a humbling lesson about her own insignificance outside her familiar circle and resolves to integrate herself into Uppercross life, finding solace in the genuine sympathy of her friend Lady Russell. Anne's stay at Uppercross proves manageable, as she gets along with her sister Mary, enjoys the company of her nephews, and recognizes Charles Musgrove's amiable nature, despite his lack of intellectual zeal. She often acts as a mediator between her sister and the Musgroves, trying to balance their complaints and grievances. Anne's spirits are lifted by the change of scenery and subjects, and the visit of the Crofts, the new tenants of Kellynch Hall, stirs her emotions as they mention Captain Wentworth, a significant figure from her past. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
Mary's inability to read the room continues as she invites herself on a walk with the Musgrove girls, Anne and Captain Wentworth. Louisa is a terrible flirt and her impropriety leads to idle and potentially damaging gossip being revealed to Captain Wentworth about Anne. An opportunity to visit the stunning seaside town of Lyme provides a much needed intermission to the somewhat claustrophobic environment of Mary and Charles' home at Uppercross. There, Anne finds she is able to be of assistance to a grieving man, which finally provides her with a sense of accomplishment.This episode covers chapters 10 and 11 of Jane Austen's Persuasion. We hope you enjoyed this episode of Ballarat National Theatre's adaptation of Jane Austen's Persuasion and will join us each week until all the episodes have been released. This production is directed and narrated by Liana Emmerson, with Sarah Barlow as assistant director for sound design and composition.This episode features the voices of:Alix Roberts as Anne ElliotJack Emond as Captain Frederick WentworthTim Murphy as Admiral CroftJoanna Lippold as Mrs CroftBreanna Geer as Mary MusgroveEmil Freund as Charles MusgroveCasey Bohan as Louisa MusgroveThis podcast features original compositions within the chapters by Sarah Barlow, Liana Emmerson and Helen Gibson.This podcast was produced by Ballarat National Theatre on the lands of our traditional custodians the Wadawurrung people. Further sound production and cast recordings were made in the lands of the Wotherong, Wurundjeri, Woi-wurrung, and Boon Wurrung peoples of the Kulin Nation and the Gadigal People of the Eora Nation. Ballarat National Theatre acknowledges and pays respect to the traditional custodians and to their leaders, past and present. This podcast was made possible because of the financial contributions of the following patrons: Aparajita Raychaudhury, Josh Illichmann, Elaine Tso, Tessa Braun, Sean Rundell, Brianna Cook, Shelley Barnes, Xuan-Trang Nguyen, Sue Skewes, Sarah Macgregor, Lynne Gibbs and Rod Skewes. Thank you from the director for supporting access to technology that allowed this podcast to be made.This podcast was possible because of collaborative support for recording and music performance from Ballarat Grammar Academy: Sound and Performance. It is also supported by grant funding from the City of Ballarat.Let us know you're listening with a message!Find us on social media to stay in touch with us!Visit our website www.bnt.org.auFind us on Instagram @balnattheatreFollow us on Facebook: Ballarat National Theatre IncShop merch on Threadless https://ballaratnationaltheatre.threadless.com/
Anne Elliot has just received a very important letter, and we are all overcome. This episode we're joined by guest Margaret H. Willison of Not Sorry Productions as we unpack Captain Wentworth's letter to Anne, aka the letter to end all letters. If you have ever been half agony, half hope, this episode is for you. Thank you so much to Margaret for joining us for this discussion! You can follow her on Instagram @MrsFridayNext and subscribe to her newsletter at twobossydames.substack.com. You can learn more about everything mentioned by Margaret at the following links: Taylor Swift Pilgrimage in November: bit.ly/capetaylor2024; The Common Ground Newsletter: bit.ly/cgpnews; Future Austen-themed classes: instagram.com/therompod; Upcoming Patron Saint workshop: bit.ly/nathaliesaints2024 You can find us online at https://www.thethingaboutausten.com and follow us on Instagram @TheThingAboutAusten and on Twitter @Austen_Things. You can also email us at TheThingAboutAusten@gmail.com. We have merch! Check out https://www.redbubble.com/people/aboutausten/shop to see the current offerings.
The tension in the air whenever Anne and Captain Wentworth are in each other's presence could be cut with a knife, not that anyone else is paying attention to Anne. All the ladies are enamoured by him and hope that he will pursue a suit for one of them. Alas other men currently pursuing the Musgrove girls are put out at this supposed new competition. Wentworth finally notices Anne, coming to her rescue from the rambunctious actions of her nephew. Why does this affect Anne so? We hope you enjoyed this episode of Ballarat National Theatre's adaptation of Jane Austen's Persuasion and will join us each week until all the episodes have been released. This production is directed and narrated by Liana Emmerson, with Sarah Barlow as assistant director for sound design and composition. This episode features the voices of:Alix Roberts as Anne ElliotJack Emond as Captain Frederick WentworthTim Murphy as Admiral CroftJoanna Lippold as Mrs CroftBreanna Geer as Mary MusgroveEmil Freund as Charles MusgroveCasey Bohan as Louisa MusgroveEleanor Golding as Henrietta MusgroveBarry Kay as Mr MusgroveEmil Freund as Charles HayterThis podcast features original compositions within the chapters by Sarah Barlow, Liana Emmerson and Helen Gibson, mastered by Charlie Hughes.This podcast was produced by Ballarat National Theatre on the lands of our traditional custodians, the Wadawurrung people. Further sound production and cast recordings were made in the lands of the Wotherong, Wurundjeri, Woi-wurrung, and Boon Wurrung peoples of the Kulin Nation and the Gadigal People of the Eora Nation. Ballarat National Theatre acknowledges and pays respect to the traditional custodians and to their leaders, past and present. This podcast was made possible because of the financial contributions of the following patrons: Aparajita Raychaudhury, Josh Illichmann, Elaine Tso, Tessa Braun, Sean Rundell, Brianna Cook, Shelley Barnes, Xuan-Trang Nguyen, Sue Skewes, Sarah Macgregor, Lynne Gibbs and Rod Skewes.Thank you from the director for supporting access to technology that allowed this podcast to be made.This podcast was possible because of collaborative support for recording and music performance from Ballarat Grammar Academy: Sound and Performance. It is also supported by grant funding from the City of Ballarat.Let us know you're listening with a message!To celebrate the launch of our new Jane Austen audiobook podcast of Persuasion with our first fans, we're giving away an iTunes voucher to 4 lucky fans who leave us a review on Apple or a Q&A reply on our Spotify episodes. To enter, take a screenshot of your review or episode reply and submit it to us via the competition page which you will find on our website www.bnt.org.au/podcasts by May 20. T&Cs on our website.Find us on social media to stay in touch with us!Visit our website www.bnt.org.auFind us on Instagram @balnattheatreFollow us on Facebook: Ballarat National Theatre IncShop merch on Threadless https://ballaratnationaltheatre.threadless.com/
Anne enjoys the refreshing company of her new friends, whilst observing her sister and her husband, Charles' somewhat disorderly domesticity and, as usual, being overlooked other than to assist in resolving disputes. The dashing Captain Wentworth arrives to visit his sister, the new tenant of Kellynch Hall, resulting in he and Anne meeting for the first time since the dissolution of their engagement. How does his renewed presence impact Anne – and is the love they once shared truly extinguished? Can he ever forgive her for the events of eight years prior?This episode covers chapters 6 and 7 of Jane Austen's Persuasion.We hope you enjoyed this episode of Ballarat National Theatre's adaptation of Jane Austen's Persuasion and will join us each week until all the episodes have been released. This production is directed and narrated by Liana Emmerson, with Sarah Barlow as assistant director for sound design and composition.This episode features the voices of:Alix Roberts as Anne ElliotJack Emond as Captain Frederick WentworthTim Murphy as Admiral CroftJoanna Lippold as Mrs CroftBreanna Geer as Mary MusgroveEmil Freund as Charles MusgroveCasey Bohan as Louisa MusgroveEleanor Golding as Henrietta MusgroveBarry Kay as Mr MusgroveClare Hamer as Mrs MusgroveThis podcast features original compositions within the chapters by Sarah Barlow, Liana Emmerson and Helen Gibson mastered by Charlie Hughes.This podcast was produced by Ballarat National Theatre on the lands of our traditional custodians the Wadawurrung people. Further sound production and cast recordings were made in the lands of the Wotherong, Wurundjeri, Woi-wurrung, and Boon Wurrung peoples of the Kulin Nation and the Gadigal People of the Eora Nation. Ballarat National Theatre acknowledges and pays respect to the traditional custodians and to their leaders, past and present. This podcast was made possible because of the financial contributions of the following patrons: Aparajita Raychaudhury, Josh Illichmann, Elaine Tso, Tessa Braun, Sean Rundell, Brianna Cook, Shelley Barnes, Xuan-Trang Nguyen, Sue Skewes, Sarah Macgregor, Lynne Gibbs and Rod Skewes. Thank you from the director for supporting access to technology that allowed this podcast to be made.This podcast was possible because of collaborative support for recording and music performance from Ballarat Grammar Academy: Sound and Performance. It is also supported by grant funding from the City of Ballarat.Find us on social media to stay in touch with us!Visit our website www.bnt.org.auFind us on Instagram @balnattheatreFollow us on Facebook: Ballarat National Theatre IncShop merch on Threadless https://ballaratnationaltheatre.threadless.com/
Inspired by recent events, Anne looks back over the last few years, recalling how she once wished to marry the dashing Captain Wentworth yet was persuaded to give him up, resulting in his self-imposed exile. Time has provided Anne with wisdom over the event, particularly as she is still unattached. Anne's youngest sister Mary reports feeling poorly and requests Anne's company prior to journeying on to Bath. Whilst visiting her sister has its challenges, Anne makes some good-humoured new acquaintances.This episode includes chapters 4 and 5 of Jane Austen's Persuasion.We hope you enjoyed this episode of Ballarat National Theatre's adaptation of Jane Austen's Persuasion and will join us each week until all the episodes have been released. This production is directed and narrated by Liana Emmerson, with Sarah Barlow as assistant director for sound design and composition. This episode features the voices of:Alix Roberts as Anne ElliotNicholas Barker-Pendree as Sir Walter ElliotJodie Mattingley as Mrs ClayFred Preston as Mr ShepherdBreanna Geer as Mary Musgrove (nee Elliot)This podcast features original compositions within the chapters by Sarah Barlow, Liana Emmerson and Helen Gibson.This podcast was produced by Ballarat National Theatre on the lands of our traditional custodians the Wadawurrung people. Further sound production and cast recordings were made in the lands of the Wotherong, Wurundjeri, Woi-wurrung, and Boon Wurrung peoples of the Kulin Nation and the Gadigal People of the Eora Nation. Ballarat National Theatre acknowledges and pays respect to the traditional custodians and to their leaders, past and present. This podcast was made possible because of the financial contributions of the following patrons: Aparajita Raychaudhury, Josh Illichmann, Elaine Tso, Tessa Braun, Sean Rundell, Brianna Cook, Shelley Barnes, Xuan-Trang Nguyen, Sue Skewes, Sarah Macgregor, Lynne Gibbs and Rod Skewes. Thank you from the director for supporting access to technology that allowed this podcast to be made.This podcast was possible because of collaborative support for recording and music performance from Ballarat Grammar Academy: Sound and Performance. It is also supported by grant funding from the City of Ballarat.Find us on social media to stay in touch with us!Visit our website www.bnt.org.auFind us on Instagram @balnattheatreFollow us on Facebook: Ballarat National Theatre IncShop merch on Threadless https://ballaratnationaltheatre.threadless.com/
We are diving deep into the captivating world of Jane Austen's male characters! Joining me is Sophie Andrews, also known as Laughing With Lizzie. Together, we embark on a journey of introspection, exploring the virtues and complexities of Austen's gentlemen. From Mr. Knightley's steadfast evolution to Mr. Darcy's lessons in social finesse, we compare Captain Wentworth's resilience to Colonel Brandon's patience and put Henry Crawford on trial. Our conversation sheds light on love, duty, and character development, resonating across Austen's novels.Join the conversation on Instagram and share your thoughts, we'd love to hear from you! Where can you find Sophie?Instagram: @laughingwithlizzieBook: Be more Jane & Be your own HeroineBlog: http://laughingwithlizzie.blogspot.com/Youtube: https://youtube.com/channel/UCfVhOxVmayHjm4O9qGbCMbABBC Documentary 'My Friend Jane': https://www.bbc.co.uk/programmes/b08ywkjv Support the showWhere can you find your host (Izzy)? Website: www.whattheausten.com Podcast Instagram: @whattheaustenPersonal Instagram: @izzy_meakinYoutube: What the Austen? Podcast
Tonight, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, a twenty-seven year old Englishwoman, whose family moves in order to lower their expenses and reduce their debt, by renting their home to an Admiral and his wife. In the last episode, Sir Walter Elliot considers a Navy tenant for Kellynch Hall, dismissing the idea due to his disdain for the Navy's influence on social status and appearance. However, flattery sways him. Mr. Shepherd, his advisor, proposes Admiral Croft, emphasizing his respectability and lack of children. Despite initial reservations, Sir Walter agrees due to the Admiral's suitable social standing. Meanwhile, Anne Elliot's unresolved feelings for Captain Wentworth resurface. Seven years ago, Anne's engagement to Captain Wentworth was thwarted by familial pressure and societal expectations, particularly from Lady Russell. Heartbroken but obedient, Anne acquiesced, sacrificing her own happiness for perceived social propriety. We will pick up towards the end of chapter 4. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
Yorkshire born actor, Samuel Edward-Cook made his screen debut in the BBC One series LAND GIRLS, before landing the role of Danny Whizz-Bang in the highly acclaimed and BAFTA award-winning crime drama PEAKY BLINDERS alongside Cillian Murphy, Joe Cole and Helen McCrory. Other television credits include the ITV miniseries BRIEF ENCOUNTERS, the ITV anthology series INNOCENT, the long-running BBC series SILENT WITNESS, and the Channel 4 comedy-drama PURE. Samuel will soon appear playing Ceri Davies in BETTER, a BBC series by Sister Pictures, the production company behind THIS IS GOING TO HURT, CHERNOBYL and GANGS OF LONDON, among many others. The crime drama follows a corrupt police detective who undergoes a major moral awakening and makes amends of her wrongdoings of the past. The series will also star Leila Farzad (I HATE SUZIE), Andrew Buchan and Anton lesser. Also in 2023, Samuel will play Isaac Hartley in Shane Meadows' highly anticipated BBC drama THE GALLOWS POLE, based on the novel of the same name by Benjamin Myers. Loosely based on true events, the six-part series set in 18th century Yorkshire will recount the rise and fall of David Hartley and the Crag Vale Coiners. The series will also star Michael Socha (PAPILLON), George Mackay (1917), Thomas Turgoose (THIS IS ENGLAND), Tom Burke (THE SOUVENIR) and Sophie McShera (DOWNTON ABBEY). As well as his screen credits, Samuel has numerous theatre credits, including BOYS for Headlong, directed by Robert Icke, Matthew Quintal in Richard Bean's PITCAIRN directed by Max Stafford-Clark, TITUS ANDRONICUS at Shakespeare's Globe, Edmund in Lucy Bailey's contemporary adaptation of KING LEAR, staring David Haigh and portraying Captain Wentworth in the Royal Exchange Theatre production of PERSUASION. His performance as Haimon in Ivo van Hove's production of ANTIGONE alongside Juliette Binoche attracted rave reviews, with theatre critic Stephen Collins praising his “passion” and "extraordinary range of emotions”. The play itself was described as “undeniably impressive” by The Independent and as a "production that combines a sombre aesthetic beauty with a sense of the ambivalence at the heart of Sophocles's play” by The Guardian.
Anne Elliott, Jane Austen's only aging heroine, has devoted her life to caring for her financially irresponsible family. Just when she is growing content with her uneventful lifestyle, a long-lost flame re-enters the picture -- now as the beau of her significantly younger cousin. Anne is now faced with a choice: will she watch Captain Wentworth settle into life with another woman, or will she strive to win back his love and escape her family? --- Support this podcast: https://podcasters.spotify.com/pod/show/librivox1/support
Mrs. Smith has some very hot gossip to share. We learn the truth about Mr. Elliot and his past. The Musgroves have come to Bath and brought most of the party from Lyme with them. Anne goes to a party at their place and talks with Captain Wentworth but keeps getting interrupted. Elizabeth and Sir Walter hand out invitations. We talk about love bombing, gossip, and trusting your instincts after being raised in a cult. Akina tells us about her bookstore adventures. What we're reading/watching/listening to: Parable of the Sower by Octavia E. Butler, The Age of Innocence by Edith Wharton, The House of Mirth by Edith Wharton We have a twitter! We have a TikTok! Email us: Janeaustenculturenight@gmail.com Hosted by Laurel Nakai and Akina Cox Music and Production by Laurel Nakai Artwork by Akina Cox
Captain Wentworth is in Bath! Everyone goes to a concert. Mr. Elliot can't stop talking to Anne and gives a sort of proposal. Wentworth gets cranky. Also HAPPY BIRTHDAY AKINA! SPOILERS for Fleishman is in Trouble What we're reading/watching/listening to: Fleishman is in Trouble, If Books Could Kill Podcast, An Immense World by Ed Yong We have a twitter! We have a TikTok! Email us: Janeaustenculturenight@gmail.com Hosted by Laurel Nakai and Akina Cox Music and Production by Laurel Nakai Artwork by Akina Cox Music in Ad by 22842325 from Pixabay
Melvyn Bragg and guests discuss Jane Austen's last complete novel, which was published just before Christmas in 1817, five months after her death. It is the story of Anne Elliot, now 27 and (so we are told), losing her bloom, and of her feelings for Captain Wentworth who she was engaged to, 8 years before – an engagement she broke off under pressure from her father and godmother. When Wentworth, by chance, comes back into Anne Elliot's life, he is still angry with her and neither she nor Austen's readers can know whether it is now too late for their thwarted love to have a second chance. The image above is from a 1995 BBC adaptation of the novel, with Amanda Root and Ciarán Hinds With Karen O'Brien Vice-Chancellor of Durham University Fiona Stafford Professor of English Language and Literature at the University of Oxford And Paddy Bullard Associate Professor of English Literature and Book History at the University of Reading Producer: Simon Tillotson
Melvyn Bragg and guests discuss Jane Austen's last complete novel, which was published just before Christmas in 1817, five months after her death. It is the story of Anne Elliot, now 27 and (so we are told), losing her bloom, and of her feelings for Captain Wentworth who she was engaged to, 8 years before – an engagement she broke off under pressure from her father and godmother. When Wentworth, by chance, comes back into Anne Elliot's life, he is still angry with her and neither she nor Austen's readers can know whether it is now too late for their thwarted love to have a second chance. The image above is from a 1995 BBC adaptation of the novel, with Amanda Root and Ciarán Hinds With Karen O'Brien Vice-Chancellor of Durham University Fiona Stafford Professor of English Language and Literature at the University of Oxford And Paddy Bullard Associate Professor of English Literature and Book History at the University of Reading Producer: Simon Tillotson
The truth is, that Elizabeth has been long enough in Bath, to understand the importance of a man of such an air and appearance as Captain Wentworth's. (For questions, comments, concerns, email us at secondimpressionspod@gmail.com) We have a Patreon! Access our review of Netflix's Persuasion (2022) here: https://www.patreon.com/secondimpressionspod. Our review will be available for free after our analysis of the novel.
Happy Winter Solstice and Merry Holidays! In this week's chapters: there are so many people named Charles. There's a rival for Henrieta's affections. Awkward conversations with Anne and Wentworth. Wentworth saves Anne from a rowdy nephew. Everyone goes for a walk. Eavesdropping, mixed signals, and reconciliations occur. Captain Wentworth is obsessed with a nut. Tangents include memories of matching workshops, personality types, lies of the self-help industry. We also would like your help to manifest a Lilith Fair documentary. My dog has a lot of opinions in this episode as well. What we're reading/watching/listening to: Sister Wives, Taylor Swift, The Sentence by Louise Erdrich, You're Wrong About- Flight 571: Survival in the Andes with Clair Braverman Tea!- Celestial Seasonings Bengal Spice Tea, Trader Joe's Pumpkin Spice Rooibos We have a twitter! We have a TikTok! Email us: Janeaustenculturenight@gmail.com Hosted by Laurel Nakai and Akina Cox Music and Production by Laurel Nakai Artwork by Akina Cox
Captain Wentworth has visited Uppercross and the family is smitten. Mary's son Charles has an unfortunate accident and Anne is left to nurse him while the parents go to the party at Uppercross. Anne can't escape Wentworth forever though. He has opinions about Women on ships. We geek out about maps, history, and world war 2 movies. What we're reading/watching/listening to: Midnights by Taylor Swift, Chouette by Claire Oshetsky, The Body Keeps the Score by Bessel van der Kolk M.D. Get in Touch: We have a twitter! We have a TikTok! Email us: Janeaustenculturenight@gmail.com Hosted by Laurel Nakai and Akina Cox Music and Production by Laurel Nakai Artwork by Akina Cox
Admiral and Mrs. Croft comes to check out Kellynch Hall. Sir Walter, Elizabeth, and Mrs. Clay head to Bath, while Anne goes to stay with her sister Mary. Anne is the on-call therapist at Uppercross. Mary is the most. We find out that Captain Wentworth will soon by visiting. Akina and I go on a bit of a tangent about turning 40, getting married young, and how weird it is to have two anniversaries. What we're reading/watching/listening to: Severance, Under the Banner of Heaven, The Idiot by Elif Batuman Get in Touch! LA friends, come see Akina at the Altadena Library with Mary Lattimore on December 17: https://www.bedandbreakfast.life/ We have a twitter! We have a TikTok! Email us: Janeaustenculturenight@gmail.com Hosted by Laurel Nakai and Akina Cox Music and Production by Laurel Nakai Artwork by Akina Cox
Anne descries, most decidedly and distinctly, Captain Wentworth walking down the street. (For questions, comments, concerns, email us at secondimpressionspod@gmail.com) We have a Patreon! Access our review of Netflix's Persuasion (2022) here: https://www.patreon.com/secondimpressionspod. Our review will be available for free after our analysis of the novel.
Persuasion Chapters 9-12 Anne is finding that having to spend a lot of time around her former lover, Captain Wentworth really isn't that bad. He is always hanging around the Musgrove family and flirting with Louisa and Henrietta. He is always nice and cordial to Anne. He fails to catch Louisa, who falls and breaks her head. It's probably fine. Also, Anne catches the eye of a handsome gentleman.This week Elle and Catrina discuss Captain Wentworth's interactions with Anne and his dangerous flirting with the Musgrove sisters. Elle compares them to the Bertram sisters, who also found themselves fighting over a man. Catrina, however, talks about how ironic it is that Wentworth only starts to see Anne as the snack she is once another man sets his eye on her. Who is this mysterious man? Will the Musgrove sisters fall into the same trap as the Bertram sisters? Does Louisa survive her injury?Wit Beyond Measure is part of the Frolic Podcast Network. You can find more outstanding podcasts to subscribe to at Frolic.media/podcasts.
Persuasion: Chapters 1-4Sir Elliot of Kellynch-Hall has high standards. He has no sons, and his heir chose not to marry his eldest daughter. Now he must face a massive lifestyle change to pay his debts, and he isn't thrilled about the prospect of renting his home. Luckily his clever middle daughter, Anne, and friend Lady Russell help him. However, this new renter puts Anne in an awkward situation of the heart. Season five has finally started, and Catrina and Elle tackle Jane Austen's Persuasion. Elle admits that she has never read Persuasion despite it being one of Austen's most popular novels. Needless to say, she has no idea what is going on between Anne Elliot and Captain Wentworth. Wit Beyond Measure is part of the Frolic Podcast Network. You can find more outstanding podcasts to subscribe to at Frolic.media/podcasts.
In this episode, the sips ladies discuss the 2020 film Modern Persuasion starring Alicia Witt and Shane McRae. Listen in to hear what's off about this adaptation and why Lori doesn't pick Captain Wentworth...I mean Owen. From invented words to failed fashion, find out if this millennial movie is a masterpiece or misfire.
We have a Patreon! Access our review of Netflix's Persuasion (2022) here: https://www.patreon.com/secondimpressionspod. Our review will be available for free after our analysis of the novel. There is a merry, joyous party, and no one seems in higher spirits than Captain Wentworth. (For questions, comments, concerns, email us at secondimpressionspod@gmail.com)
Anne Elliot and Captain Wentworth love story. Relax with the sleep story adaptation of Persuasion, a well-known romantic tale and Jane Austen's final novel. Follow the life of young Anne Elliot in 19. century England as she learns about the world from her books and real life romance.
We're taking a focus on fiction and looking at our favorite Jane Austen novels. I'm joined by our own Creative Director, Lindsey Lindstrom.Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydCreative Director: Lindsey LindstromMusic: Inspiring Dramatic Pack by Smart Sounds via Audio Jungle; Music Broadcast License
Exactly who could be introduced to whom during the Regency era? Who was richer, Mr. Bingley or Captain Wentworth? And what's something that most Regency films get wrong? Find out the answers to these questions and more, in this episode of My Cousin Jane.Support the show
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